Hiding in Plain Sight Past Jul 14 – Aug 20, 2021 New York This group exhibition brings together 18 international artists who use the language of Minimalism and abstraction to distill complex subjects into forms that reveal new frameworks of meaning, revelation, and resistance for the here and now. Exhibition DetailsHiding in Plain SightJul 14 – Aug 20, 2021Online ExhibitionHiding in Plain Sight: In FocusJul 14 – Aug 20, 2021 Gallery540 West 25th StreetNew YorkAbove: Installation view, Hiding in Plain Sight, Pace Gallery, New York, Jul 14 – Aug 20, 2021 © Pace Gallery PressPress Release Connect (opens in a new window) @pacegallery Featured Artists Etel AdnanYto BarradaAria DeanSimon DennyTorkwase DysonSam Gilliam Suki Seokyeong KangKapwani KiwangaAlicja KwadeTony LewisRodney McMillianTrevor Paglen Walid RaadAdrián Villar RojasHito SteyerlRayyane TabetJessica VaughnFred Wilson Bringing together 18 international artists from within and beyond the gallery’s program, Hiding in Plain Sight showcases a wide range of media as well as outdoor sculpture and looks at the ways in which a wide range of artists from the early 2000s to present day use the language of minimalism and abstraction to distill complex subjects into forms that reveal new frameworks of meaning, revelation, and resistance for the here and now.Reflecting the pervasive yet imperceptible nature of infrastructure, the exhibition explores forms of art-making that play with what is concealed and what remains visible. The shared visual language and approach to information by artists in the exhibition reveals a common engagement with the potential for minimalist forms to make connections that reach far beyond the boundaries of art.Many of the artists included in the exhibition strip information down to its most essential structures: Trevor Paglen's seemingly minimalist cube is actually composed from materials found at early atomic bomb testing sites and from the disaster zone at Fukushima, while the palette of Kapwani Kiwanga's two-tone paintings is drawn from psychological color theory employed in institutional design. Through a method of distillation, these artists offer new ways of thinking through the conditions of life today, from legacies of colonialism and economies of extraction to the impact of new technologies and the flow of capital.As deceptively simple as a line of engraved steel rings, the shape of a ship's hull, or a clay-covered tondo—the objects on view are formations of what remains when subjects and information are digested and transformed by artists, each of whom brings their own histories and subjectivities to the process. Inviting curiosity and slow looking, these works speak to the capacity of abstraction to embrace complex questions and subjects, exposing and resisting hidden power structures both past and present. These forms function as a kind of operating system: an abstract representation of how information becomes form and how form can, in turn, create information. Read More FilmsArtist Roundtable: Hiding in Plain SightOur new film documents a wide-ranging conversation between Senior Director and Curator Andria Hickey, artists Torkwase Dyson, Tony Lewis, Rayyane Tabet, and Jessica Vaughn, and Key Jo Lee, director of academic affairs and associate curator of special projects at the Cleveland Museum of Art in Ohio. (opens in a new window) Watch Now Etel Adnan, Désert Rose, 2019, wool tapestry, handwoven in Aubusson, France, 155 cm × 200 cm (61" × 78-3/4"), Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg Learn More Etel AdnanFor Etel Adnan, a Lebanese poet, essayist, and visual artist, all art is political and shaped by lived experiences. Her paintings and tapestries use geometric forms and subtle variations of color that evoke landscapes and horizons, as well as striking geometric compositions. Adnan began to paint in the 1960s, after her decision to stop writing in French in solidarity with the Algerian War of Independence. Adnan began to make paintings each day during her time in Sausalito, California of the Mount Tampalpais outside her window. While she was widely known as a poet and writer, abstract painting allowed Adnan to explore memories of her youth in the Middle East, the atrocities of war she observed, and her nomadic life thereafter.Learn More & View More Works by Etel Adnan Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Etel Adnan Désert Rose 2019 wool tapestry, handwoven in Aubusson, France 155 cm × 200 cm (61" × 78-3/4"), Courtesy the artist and Sfeir-Semler Gallery, Beirut / Hamburg Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Yto Barrada, Geological Time Scale (assembled group of primarily monochrome Beni Mguild, Marmoucha, and Ait Sgougou pile rugs from Western Central, Middle Atlas, Morocco), Mid-20th Century, mixed media, dimensions variable Learn More Yto BarradaYto Barrada is recognized for her multidisciplinary investigations of cultural phenomena and historical narratives, with a focus on Morocco. Geological Time Scale (2015) focuses on the channels through which traditions become solidified by the conditions of colonialism. This iteration of the work references geological modes of mining and playful fort like elements with the rugs stacked on a custom-built table. Comprised of some 50 modern monochrome woven Berber rugs collected from different tribes in Morocco, the site-responsive installation references the work of a historical figure: the early 20th-century French Army general and colonial administrator, Louis Hubert Gonzalve Lyautey. Lyautey’s impact on Moroccan history is still palpable in some aspects of the country’s culture today.Learn More & View More Works by Yto Barrada Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Yto Barrada Geological Time Scale (assembled group of primarily monochrome Beni Mguild, Marmoucha, and Ait Sgougou pile rugs from Western Central, Middle Atlas, Morocco) Mid-20th Century mixed media dimensions variable Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Aria Dean, Forward Proxy 2.1, 2019, clay, resin and wood, 45" × 45" × 3" (114.3 cm × 114.3 cm × 7.6 cm), Courtesy of the artist; Greene Naftali, New York; and Château Shatto, Los Angeles / Paul Salveson Learn More Aria DeanAria Dean lives and works in Los Angeles and New York and earned a BA in 2015 from Oberlin College, Ohio. This wall-mounted disc is composed of a mixture of red clay and resin. Like much of Dean’s work, it echoes the formal language of Minimalism to explore how objects and materials are receptacles for both real and projected meaning. In the artist’s words:"I’m interested in finding some third term beyond ‘abstraction’ and ‘representation.’ When dealing with Blackness, these categories blur even if you don’t want them to—as do ‘material’ and ‘symbolism.’ I believe a minimalist framework allows the artist to condense a lot into a single object…Representational strategies lend so much specificity, there’s no room for how these things interlock more ambiently. But Minimalism allows me to speak to complex histories without having to enumerate and fix every element."Learn More About Aria Dean Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Aria Dean Forward Proxy 2.1 2019 clay, resin and wood 45" × 45" × 3" (114.3 cm × 114.3 cm × 7.6 cm), Courtesy of the artist; Greene Naftali, New York; and Château Shatto, Los Angeles / Paul Salveson Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Simon Denny, Backdated NFT/ Cryptokitty Display Hardware Wallet Replica (Celestial Cyber Dimension), 2018, 2019, 2021, jpeg, Cardboard, UV print on cardboard, Non-fungible token (NFT), 3-15/16" × 2-3/8" × 2-3/4" (10 cm × 6 cm × 7 cm) Learn More Simon DennySimon Denny’s Backdated NFT/ Cryptokitty Display Hardware Wallet Replica (Celestial Cyber Dimension) (2018/2019/2021) is a single work of dual nature, both a physical object and a digital non-fungible token, or NFT. Reimagining an earlier work, this sculpture responds to the emergence of the cyber and crypto worlds’ connections with Conceptual art and Duchampian gestures in a new invisible interface. Denny's first NFT featured an image of a cardboard replica of the cyber wallet in the first art house auction sale of an NFT in 2018. This new NFT and its accompanying souvenir object include an image of the same cardboard replica, this time physically stamped with an image of a previous artwork made by the artist—a postage stamp featuring an appropriation of image by artist Guile Twardowski.Learn More About Simon Denny Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Carousel slide 8 Carousel slide 9 Carousel slide 10 Carousel slide 11 Carousel slide 12 Carousel slide 13 Carousel slide 14 Carousel slide 15 Carousel slide 16 Carousel slide 17 Carousel slide 18 Carousel slide 19 Simon Denny Backdated NFT/ Cryptokitty Display Hardware Wallet Replica (Celestial Cyber Dimension) 2018, 2019, 2021 jpeg, Cardboard, UV print on cardboard, Non-fungible token (NFT) 3-15/16" × 2-3/8" × 2-3/4" (10 cm × 6 cm × 7 cm) (opens in a new window) Opensea NFT Listing; NFT Conditions of Sale Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Torkwase Dyson, Scale-Scale, 2021, acrylic on canvas, 8' × 6' 4" × 2" (243.8 cm × 193 cm × 5.1 cm) Learn More Torkwase DysonTorkwase Dyson’s approach to abstraction considers the measurable and spatial conditions of systems of oppression and delves into how Black bodies have occupied those spaces and self-liberated throughout history. Her work also examines geographies and architectures of oppression and liberation, such as waterways, plantations, passageways, underground tunnels. Working in painting, sculpture, installation and performance, Dyson notes that Black Compositional Thought “considers how paths, throughways, architecture, objects, and geographies are composed by black bodies and from these formations it also considers how properties of energy, space, scale, and sound interact as networks of liberation.”Learn More & View More Works by Torkwase Dyson Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Carousel slide 8 Torkwase Dyson Scale-Scale 2021 acrylic on canvas 8' × 6' 4" × 2" (243.8 cm × 193 cm × 5.1 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Sam Gilliam, Black Mozart/ ORNETTE, 2020, wood, aluminum, die-stain, lacquer, 96" × 96" × 2-1/4" (243.8 cm × 243.8 cm × 5.7 cm) Learn More Sam GilliamSam Gilliam is one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. His work Black Mozart/ ORNETTE (2020) comprises concentric circles made with joined wood and aluminum panels. Three wooden discs—stained black but allowing the grain to show through—compose the outer rings and frame an aluminum ring at the center. Reminiscent of a vinyl record and titled after the American jazz musician Ornette Coleman, this work nods to Gilliam’s lifelong interest in music.Learn More About Sam Gilliam Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Sam Gilliam Black Mozart/ ORNETTE 2020 wood, aluminum, die-stain, lacquer 96" × 96" × 2-1/4" (243.8 cm × 243.8 cm × 5.7 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Suki Seokyeong Kang, Mat 55 × 40 — Bolds #20-01, 2019-2020, painted steel, woven dyed Hwamunseok, thread, wood frame, brass bolts, leather scraps, 22-7/16" × 16-9/16" × 6-5/16" (57 cm × 42.1 cm × 16 cm), each overall dimensions variable Learn More Suki Seokyeong KangSuki Seokyeong Kang’s research-driven practice—consisting of sculpture, painting, video, performance, and multimedia installations—investigates notions of space and perceptions of objects. Setting Kang apart is her contemporary use of traditional Korean cultural practices and craft making techniques. By focusing on singular and collective interactions with objects, her work reflects on how historical and present actions of the individual affect the future whole societies.Learn More & View More Works by Suki Seokyeong Kang Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Carousel slide 8 Carousel slide 9 Carousel slide 10 Carousel slide 11 Suki Seokyeong Kang Mat 55 × 40 — Bolds #20-01 2019-2020 painted steel, woven dyed Hwamunseok, thread, wood frame, brass bolts, leather scraps 22-7/16" × 16-9/16" × 6-5/16" (57 cm × 42.1 cm × 16 cm), each overall dimensions variable How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Kapwani Kiwanga, Linear Painting #11: Birren White -Turquoise (U.S Coast Guard's Shore Establishments), 2021, drywall, wood paint, 250 cm × 125 cm × 3 cm (8' 2-7/16" × 49-3/16" × 1-3/16"), Courtesy of the artist and Galerie Tanja Wagner, Berlin Learn More Kapwani KiwangaKapwani Kiwanga’s series of Linear Paintings uses the language of Minimalism to explore theories of color psychology and “disciplinary architecture.” As if removed from an existing wall, these paintings rendered on domestic sheetrock reference specific colors and combinations that, beginning at the turn of the 20th -century, were used in institutional settings as part of an effort to elicit various psychological and physiological responses. Kiwanga probes the effects of psychological theories of color created by scholars like Faber Birren and Alexander Schauss who created functional colors for institutions like schools, prisons, hospitals, and mental health facilities in her extensively researched works.Learn More & View More Works by Kapwani Kiwanga Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Kapwani Kiwanga Linear Painting #11: Birren White -Turquoise (U.S Coast Guard's Shore Establishments) 2021 drywall, wood paint 250 cm × 125 cm × 3 cm (8' 2-7/16" × 49-3/16" × 1-3/16"), Courtesy of the artist and Galerie Tanja Wagner, Berlin Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Alicja Kwade, TransForm, 2020, original tree segment, patinated bronze, oak, malachite, ceramic, granite, new silver, 32-13/16" × 17' 9-3/8" × 18-7/8" (83.3 cm × 542 cm × 47.9 cm) Learn More Alicja KwadeAlicja Kwade transforms materials and environs into immersive laboratories where viewers are encouraged to question their understanding of the universe that surrounds them. What defines an object in Kwade’s scenarios is based on the subjective interpretation of the viewer, including societal value, language, and function. Kwade imagines the unimaginable by illustrating her deepest existential questions revolving the nature of perception and illusions.Learn More About Alicja Kwade Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Carousel slide 8 Carousel slide 9 Carousel slide 10 Carousel slide 11 Carousel slide 12 Carousel slide 13 Carousel slide 14 Alicja Kwade TransForm 2020 original tree segment, patinated bronze, oak, malachite, ceramic, granite, new silver 32-13/16" × 17' 9-3/8" × 18-7/8" (83.3 cm × 542 cm × 47.9 cm) How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Asia/Pacific Region Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Curaçao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic East Timor Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Europe Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern and Antarctic Lands Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Islands Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia (FYROM) Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Northern Mariana Islands Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Réunion Romania Russia Rwanda Saint Barthélemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin Saint Pierre and Miquelon Saint Vincent and the Grenadines Samoa San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks and Caicos Islands Tuvalu U.S. Virgin Islands Uganda Ukraine United Arab Emirates United Kingdom United States United States Minor Outlying Islands Uruguay Uzbekistan Vanuatu Vatican City Venezuela Vietnam Wallis and Futuna Western Sahara Yemen Zambia Zimbabwe Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Tony Lewis, ...if it does finally come to a confrontation...then we will fight the issue...not only in the Cambridge Union, but we will fight it as you were once recently called to do on beaches and on hills, on mountains and on landing grounds. And we will be convinced that just as you won the war against a particular threat to civilization, you were nevertheless waging a war in favor of and for the benefit of Germans, your own enemies, just as we are convinced that if it should ever come to that kind of a confrontation, our own determination to win the struggle will be a determination to wage a war not only for Whites but also for Negroes, 2021, graphite powder, screws, and rubber bands, dimensions variable, Courtesy of the artist and Blum & Poe, Los Angeles / New York / Tokyo Learn More Tony LewisTony Lewis lives and works in Chicago and earned an MFA from the School of the Art Institute of Chicago in 2012, a BFA from the School of the Art Institute of Chicago in 2010, and a BA from the Washington and Jefferson College, Washington, Pennsylvania in 2008. This work, created specifically for this gallery, features a scaled version of a stenographer’s mark etched into the wall with screws, stretched rubber bands, and powdered graphite. Larger than life, this sculptural drawing further obscures an abstraction of language in material, form, and labor. Lewis uses Gregg shorthand notation, a stenographers’ tool that translates sounds into curving and bisecting lines in response to complexity of the Black American experience.Learn More About Tony Lewis Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Tony Lewis ...if it does finally come to a confrontation...then we will fight the issue...not only in the Cambridge Union, but we will fight it as you were once recently called to do on beaches and on hills, on mountains and on landing grounds. And we will be convinced that just as you won the war against a particular threat to civilization, you were nevertheless waging a war in favor of and for the benefit of Germans, your own enemies, just as we are convinced that if it should ever come to that kind of a confrontation, our own determination to win the struggle will be a determination to wage a war not only for Whites but also for Negroes 2021 graphite powder, screws, and rubber bands dimensions variable, Courtesy of the artist and Blum & Poe, Los Angeles / New York / Tokyo Inquire How can we reach you? First Name* Last Name* Email* Phone Primary Country of Residence * Afghanistan Åland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda