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Irving Penn, Cigarette No. 37, New York, 1972, platinum-palladium print mounted to aluminum, image, 23 1/2 x 17 1/4 inches paper, 24 7/8 x 22 inches mount, 26 x 22 inches, Edition of 70 © The Irving Penn Foundation

Irving Penn

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Irving Penn is recognized as one of the defining photographers of the twentieth century, whose rigorously composed, psychologically charged images bridged fashion, portraiture, and still life, leaving an indelible mark on modern photography.

Penn studied design from 1934–38 with Alexey Brodovitch at the Philadelphia Museum School of Industrial Art, Pennsylvania. Following a year painting in Mexico, he returned to New York City and began working at Vogue magazine in 1943, where Alexander Liberman was the art director. Penn photographed for Vogue and commercial clients in America and abroad for nearly seventy years. Whether an innovative fashion image, striking portrait, or compelling still life, each of Penn’s pictures bears his trademark style of elegant aesthetic simplicity. In addition to his editorial and advertising work, Penn was also a master printmaker. Beginning in 1964, he pioneered a complex technique for making platinum-palladium prints, a nineteenth-century print process to which he applied twentieth-century materials.

The first retrospective of Penn’s work was organized by The Museum of Modern Art in New York in 1984. Following this landmark exhibition, which traveled to over fourteen countries, he resumed painting and drawing as a full-fledged creative endeavor. Until his death in 2009, his innovative photographs continued to appear regularly in Vogue, and his studio was busy with assignments and experimental personal work. Recent solo exhibitions include Irving Penn: Centennial at the Metropolitan Museum of Art, New York (2017), which traveled to the Grand Palais, Paris (2017–18), C/O Berlin (2018), and IMS Paulista, São Paulo (2018); Underfoot, Tate Modern, London (2019–20); Irving Penn: Masterpieces from the MEP Collection (organized by La Maison Européenne de la Photographie in Paris), Les Franciscaines, Deauville, France (2023); Irving Penn, de Young Museum, San Francisco (2024); Irving Penn: Edge of Beauty, Galerie Thaddaeus Ropac, Paris (2024); Irving Penn: Centennial, The Marta Ortega Pérez (MOP) Foundation, A Coruña, Spain (2024–25); and Irving Penn Photographs 1939–2007: Masterpieces from the collection of the Maison Européenne de la Photographie, Paris, Centro della Fotografia, Rome (2026). His work has also been included in important group exhibitions worldwide, including Shots of Style, Victoria and Albert Museum, London (1995–96); Photography of the Fifties: An American Perspective, Long Beach Museum of Art, California (2004); Fashion Photography, Museum of Fine Arts, Boston (2006–07); Street & Studio, Tate Modern, London (2008); Marcel Duchamp: The Barbara and Aaron Levine Collection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (2019–22); and Fragile Beauty, Victoria and Albert Museum, London (2024–25).

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Irving Penn, Pagoda, New York, 2006, india ink over graphite on paper, overall, 22 1/4 x 20 1/4" © The Irving Penn Foundation

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Irving Penn, Marcel Duchamp (2 of 2), New York, 1948, gelatin silver print, image, 9 1/2 x 7 1/2", paper, 10 x 8", Edition of 25 © The Irving Penn Foundation