Trevor Paglen, CLOUD #603 Watershed (detail), 2019, dye sublimation print, 48" × 60" (121.9 cm × 152.4 cm), Edition of 5 + 2 AP © Trevor Paglen Trevor Paglen © Paglen Studio Detailsb. 1974, Camp Springs, Maryland Trevor Paglen is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines.The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures.Paglen has had numerous one-person exhibitions, including at the Museum of Contemporary Art San Diego (2019); Frankfurter Kunstverein, Frankfurt (2015); Eli & Edythe Broad Art Museum, Michigan State University, East Lansing (2015); Protocinema Istanbul (2013); Van Abbemuseum, Eindhoven, Netherlands (2013); and Vienna Secession (2010). He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Trevor Paglen, CLOUD #603 Watershed, 2019, dye sublimation print, 48" × 60" (121.9 cm × 152.4 cm), Edition 4 of 5 + 2 APs Available Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Trevor Paglen CLOUD #603 Watershed 2019 dye sublimation print 48" × 60" (121.9 cm × 152.4 cm), Edition 4 of 5 + 2 APs Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Trevor Paglen, Bloom (#5f5554), 2020, dye sublimation print, 69" × 92" (175.3 cm × 233.7 cm) 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed Available Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Trevor Paglen Bloom (#5f5554) 2020 dye sublimation print 69" × 92" (175.3 cm × 233.7 cm) 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Trevor Paglen, Laura, 2020, pigment on textile, 45.7 cm × 45.7 cm (18" × 18"); 49.8 cm × 49.8 cm × 3.8 cm (19-5/8" × 19-5/8" × 1-1/2") framed, Edition 1 of 3 + 1 AP Available Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Trevor Paglen Laura 2020 pigment on textile 45.7 cm × 45.7 cm (18" × 18"); 49.8 cm × 49.8 cm × 3.8 cm (19-5/8" × 19-5/8" × 1-1/2") framed, Edition 1 of 3 + 1 AP Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Trevor Paglen, Chemical and Biological Weapons Proving Ground; Dugway, UT; Distance ~ 44 miles, 2020, dye sublimation print, 121.9 cm × 121.9 cm (48" × 48"); 124.8 cm × 124.8 cm × 5.1 cm (49-1/8" × 49-1/8" × 2"), framed, Edition 2 of 5 + 2 APs Available Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Trevor Paglen Chemical and Biological Weapons Proving Ground; Dugway, UT; Distance ~ 44 miles 2020 dye sublimation print 121.9 cm × 121.9 cm (48" × 48"); 124.8 cm × 124.8 cm × 5.1 cm (49-1/8" × 49-1/8" × 2"), framed, Edition 2 of 5 + 2 APs Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Trevor Paglen, Classifications of Gait, 2020, pigment print, 48" × 48" (121.9 cm × 121.9 cm); 49-1/8" × 49-1/8" × 2" (124.8 cm × 124.8 cm × 5.1 cm), framed, Edition 2 of 5 + 2 APs Available Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Trevor Paglen Classifications of Gait 2020 pigment print 48" × 48" (121.9 cm × 121.9 cm); 49-1/8" × 49-1/8" × 2" (124.8 cm × 124.8 cm × 5.1 cm), framed, Edition 2 of 5 + 2 APs Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Exhibitions View All London Trevor Paglen Bloom Past Sep 10–Nov 4, 2020 Geneva Trevor Paglen The Shape of Clouds Past Sep 4–Oct 24, 2019 Journal View All Videos AI and Allegory in the COVID Era Nov 06, 2020 Essays Bloom: Insights from Trevor Paglen Sep 10, 2020 Videos Trevor Paglen Talks to Kate Crawford Apr 19, 2020 One-Artist Exhibitions Group Exhibitions Public Collections Close One-Artist Exhibitions Trevor Paglen One-Artist Exhibitions DatesBorn 1974, Camp Springs, MarylandLives and works in BerlinEducation2008, University of California at Berkeley, PhD in Geography2002, School of the Art Institute of Chicago, M.F.A.1996, University of California at Berkeley, B.A.2021Trevor Paglen: Opposing Geometries, Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 4, 2020–March 14, 2021.2020Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020.Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020.2019Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. (Catalogue)Trevor Paglen: From ‘Apple’ to ‘Anomaly,’ (Pictures and Labels) Selections from the ImageNet dataset for object recognition, The Curve, Barbican Centre, London, September 26, 2019–February 16, 2020. (catalogue)Trevor Paglen: The Shape of Clouds, Pace Gallery, Geneva, September 4–October 24, 2019.2018Trevor Paglen: Machine Visions, Museo Tamayo, Mexico City, June 28–September 30, 2018. (Catalogue)Trevor Paglen: Sites Unseen, Smithsonian American Art Museum, Washington, D.C., June 21, 2018–January 6, 2019. Traveled to: Museum of Contemporary Art San Diego, February 21, 2019–June 2, 2019. (catalogue)Trevor Paglen: Surveillance States, Prefix Institute of Contemporary Art, Toronto, May 4–June 16, 2018.Trevor Paglen: Impossible Objects, Altman Siegel, San Francisco, March 15–May 5, 2018.2017Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017.Trevor Paglen: Behold These Glorious Times!, Center for Contemporary Art, Tel Aviv, September 11, 2017–January 6, 2018.Trevor Paglen: A Study of Invisible Images, Metro Pictures, New York, September 8–October 21, 2017.Trevor Paglen: Deep State, Kunsthalle Winterthur, Switzerland, May 28–July 9, 2017.Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Traveled to the KW Institute for Contemporary Art, Berlin May 2017–April 2018.2016Trevor Paglen: Orbital Reflector, Nevada Museum of Art, Reno, April 29, 2016–May 12, 2019.2015Trevor Paglen, Metro Pictures, New York, September 10–October 24, 2015.Trevor Paglen: The Octopus, Frankfurter Kunstverein, Germany, June 20–August 30, 2015.Trevor Paglen: The Genres, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, March 25–September 27, 2015.Trevor Paglen, Altman Siegel, San Francisco, March 5–May 2, 2015.2014Trevor Paglen: Code Names of the Surveillance State, Metro Pictures, New York, October 25–December 20, 2014.2013Trevor Paglen: Code Names, Van Abbemuseum, Eindhoven, Netherlands, September 19, 2013– January 19, 2014.Trevor Paglen, Protocinema, Istanbul, September 12–October 25, 2013.Trevor Paglen, Galerie Thomas Zander, Cologne, September 06–November 02, 2013.Trevor Paglen, Metro Pictures, New York, February 7–March 9, 2013.2012Trevor Paglen: Geographies of Seeing, Brighton Photo Biennial, Lighthouse, England, October 6–November 4, 2012.2011Trevor Paglen, American University Museum, Katzen Arts Center, Washington, D.C.Trevor Paglen: Hidden Landscape, Aksioma, Ljubljana, Slovenia, April 4–22, 2011.Trevor Paglen: Unhuman, Altman Siegel, San Francisco, February 10–April 2, 2011.2010Trevor Paglen, Secession, Vienna, November 26, 2010–February 13, 2011. (catalogue)Trevor Paglen: The Other Night Sky, Kunsthall Oslo, November 5–December 3, 2010.Trevor Paglen: A Compendium of Secrets, Kunsthalle Giessen, Germany.2009Trevor Paglen, Bellwether Gallery, New York.Trevor Paglen, Galerie Thomas Zander, Cologne, March 21–June 13, 2009.Trevor Paglen, Altman Siegel, San Francisco, February 27–April 11, 2009.2008Trevor Paglen: The Other Night Sky / MATRIX 225, Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, June 1–September 14, 2008.2006Trevor Paglen: Black World, Bellwether, New York, November 16–December 23, 2006.2005Trevor Paglen: Recording Carceral Landscapes, The Lab, San Francisco, April 29–May 28, 2005.2002Trevor Paglen, California College of Arts and Crafts, San Francisco.2001Trevor Paglen, Deadtech, Chicago, Opened February 9, 2001.Trevor Paglen, Salina Art Center, Kansas, 2001. Group Exhibitions Trevor Paglen Group Exhibitions 2020Die Wolken und die Wolke (The Clouds and the Cloud), Museum für Gegenwartskunst Siegen, Siegen University, Germany, September 4, 2020–January 10, 2021.Art in the Age of Anxiety, Sharjah Art Foundation, United Arab Emirates, June 26–September 26, 2020. (Postponed)Uncanny Valley: Being Human in he Age of AI, de Young Museum, San Francisco, February 22, 2020–26, 2021. (Catalogue)2019Kate Crawford | Trevor Paglen: Training Humans, Osservatorio Fondazione Prada, Milan.Age of You, Museum of Contemporary Art Toronto.New Order: Art and Technology in the Twenty-First Century, Museum of Modern Art, New York.Beyond Truth: Photography After the Shutter, The Cleveland Museum of Art.Moonlight – 50 Years of Photographing the Moon, Hasselblad Foundation, Göteborg, Sweden. Entangled Realities: Living with Artificial Intelligence, Haus der elektronischen Künste Basel.Here We Are Today, Bucerius Kunst Forum, Hamburg.Vanitas Contemporary, H2 – Zentrum für Gegenwartskunst im Glaspalast, Augsburg, Germany.Uncanny Values: Artificial Intelligence & You, Vienna Biennale for Change 2019, MAK – Museum für Angewandte Kunst, Vienna.Time, Forward!, V-A-C Zattere, Venice, Italy.The Moon: From Inner Worlds to Outer Space, Henie Onstad Kunstsenter, Høvikodden, Norway.The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin.2018Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. Low Form. Imaginaries and Visions in the Age of Artificial Intelligence, Museo nazionale delle arti del XXI secolo, Rome.The Value of Freedom, Belvedere 21, Vienna.Everything is Connected: Art and Conspiracy, The Met Breuer, New York.The World to Come: Art in the Age of the Anthropocene, Samuel P. Harn Museum of Art, University of Florida, Gainesville. Traveled to: University of Michigan Museum of Art, Ann Arbor.Im Zweifel für den Zweifel, NRW Forum Wirtschaft und Kultur, Düsseldorf, Germany. [Control] No Control, 7th Triennale der Photographie Hamburg, Hamburger Kunsthalle. The Planetary Garden, Manifesta 12, Palazzo Ajutamicristo, Palermo.Walls Turned Sideways, Contemporary Arts Museum Houston.Expanding Narratives, Smart Museum of Art, University of Chicago.Extra States: Nations in Liquidation, Kunsthal Extra City, Antwerp.Nothing Will Be As Before, Tanya Leighton, Berlin.Julieta Aranda: Ghost Nets, Galería OMR, Mexico City. Artes Mundi 8, National Museum Cardiff, Wales. I Was Raised on the Internet, Museum of Contemporary Art Chicago.I am here to learn: On Machinic Interpretations of the World, Frankfurter Kunstverein, Frankfurt.Faithless Pictures, The National Museum of Art, Architecture and Design, Oslo. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. Nothing Stable Under Heaven, San Francisco Museum of Modern Art.When Facts Don’t Matter, Lismore Castle Arts, Waterford, Ireland.23rd Photobiennale: Capital Realism, Museum of Photography Thessaloniki, Greece.Ansel Adams in Our Time, Museum of Fine Arts, Boston.2017Galileo e le Arti, Palazzo del Monte di Pietá, Italy. Illegal, Luggage Store Gallery, San Francisco.The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice.Aesthetic of the Virtual, Collection Falkenberg, Hamburg.Age of Terror: Art since 9/11, Imperial War Museum, London.Science Fiction, Onassis Cultural Center, Athens.Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria.Escaping the Digital Unease!, Kunsthaus Langenthal, Switzerland.Sterne, Lentos Kunstmuseum Linz, Austria.Time as Landscape, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida.The Image of War, Bonniers Konsthall, Stockholm.Spectacle & Scaffolding: Contemporary Photography Muses Hierarchy, Turchin Center for theVisual Arts, Appalachian State University, Boone, North Carolina.Sunset Décor, Marian Goodman, New York.A New Ballardian Vision, Metro Pictures, New York.No Secrets!, ERES Foundation, Munich.Dizziness, Navigating the Unknown, Kunsthaus Graz, Austria. Traveled to: Ujazdowski Castle Centre for Contemporary Art, Warsaw.Scenographies of Power, La Casa Encendida, Madrid.WATCHED! Surveillance, Art & Photography, C/O Berlin.Polyphonic Worlds: Justice as Medium, Contour Biennale 8, Nona Arts Centre, Mechelen, Belgium. Please Come Back. The World As Prison?, Museo nazionale delle arti del XXI secolo, Rome. From Counterculture to Cyberculture, Altman Siegel, San Francisco.Into the Unknown: A Journey through Science Fiction, The Curve, Barbican Centre, London.Nothing to Hide? Art, Surveillance, and Privacy, Real Art Ways, Hartford, Connecticut.2016The Sun Placed in the Abyss, Columbus Museum of Art, Ohio.Watching the Earth from the Universe, Mori Art Museum, Tokyo.All Power to the People: Black Panthers at 50!, Oakland Museum of California, California.Will and Be Going To, Altman Siegel, San Francisco.Home Land Security, Fort Winfield Scott at Langdon Court, Golden Gate National Recreation Area, San Francisco.The Distance of a Day: New in Contemporary Art, Israel Museum, Jerusalem.California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art.The Eight Climate: What Does Art Do,” 11th Gwangju Biennale, South Korea.Global Control and Censorship, The ZKM | Center for Art and Media Karlsruhe, Germany.Digital Archives, Kunstverein Hannover, Germany.Social Ecologies, Rail Curatorial Projects at Industry City, Brooklyn.Political Populism, Kunsthalle Wien Museumsquartier, Vienna.Electronic Superhighway (2016-1966), Whitechapel Gallery, London. Traveled to: Museum of Art, Architecture and Technology, Lisbon.Radical Landscapes, The di Rosa Museum, Napa, California.To See Without Being Seen: Contemporary Art and Drone Warfare, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri.2015Time/Image, Blaffer Art Museum, University of Houston.Trevor Paglen and Jacob Appelbaum: Autonomy Cube, Edith-Russ-Haus for Media Art, Oldenburg, Germany. (catalogue)Artists at Work, Cantor Arts Center, Stanford University, California.Covert Operations: Investigating the Known Unknowns, San Jose Museum of Art, California.Under the Clouds: From Paranoia to the Digital Sublime, Museu de Arte Contemporânea, Porto, Portugal.Necessary Force: Art in the Police State, University of New Mexico Art Museum, Albuquerque.Sebald Variations, Centre de Cultura Contemporània de Barcelona.Art in the Age of…, Witte de With Center for Contemporary Art, Rotterdam, Netherlands.Panopticon: Visibility, Data, and the Monitoring Gaze, Utah Museum of Contemporary Art, SaltLake City. Eppur Si Muove: Art et Technique, Un Espace Partagé, Grand Duke Jean Museum of Modern Art, Luxembourg City. Cosmosis, Hyde Park Art Center, Chicago.2014Un saber realmente útil, Museo Reina Sofia, Madrid.They Used to Call it the Moon, Baltic Centre for Contemporary Art, Newcastle, United Kingdom.Covert Operations: Investigating the Known Unknowns, Scottsdale Museum of Contemporary Art, Arizona.Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida.The Last Pictures, Photomonth Festival, Krakow, Poland.Gorgeous, Asian Art Museum, San Francisco.Smart New World, Kunsthalle Düsseldorf.#1: Cartagena Biennial, Cartagena de Indias, Colombia. CounterIntellegence, Justina M. Barnicke Gallery Hart House, University of Toronto.2013Quiet Earth, presented by Ballroom Marfa, Robert Rauschenberg Foundation, New York. Visibility Machines: Harun Farocki and Trevor Paglen, Center for Art Design & Visual Culture, Baltimore. Traveled to: Akademie der kunste, Berlin; Gallery 400, University of Illinois, Chicago; Gund Gallery, Kenyon College, Ohio. (catalogue) Trace Recordings, UTS Gallery, University of Technology, Sydney.Anamericana, American Academy in Rome and DEPART Foundation, Rome.Surveying the Terrain, Contemporary Art Museum of Raleigh, North Carolina.Dissident Futures, Yerba Buena Center for the Arts, San Francisco.Weather Permitting, 9th Bienal do Mercosul, Porto Alegre, Brazil.The Automated Image, Le Mois de la Photo à Montréal.On Watching and Being Seen, Northern Illinois University Art Museum, DeKalb, Illinois.A Democracy of Images: Photographs from the Smithsonian American Art Museum, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C. Artists-in-Residence: New Works, ArtPace, San Antonio.A Different Kind of Order: The ICP Triennial, International Center of Photography, New York.2012In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts.How Much Fascism?, BAK basis voor actuele kunst, Utrecht, Netherlands. Image Counter Image, Haus der Kunst, Munich.The Unseen: Fourth Guangzhou Triennial, Guandong Museum of Art, Guangzhou, China. The Unexpected Guest, Liverpool Biennial, United Kingdom.More Real? Art in the Age of Truthiness, SITE Santa Fe.Ministry of Truth, Boers-Li Gallery, Beijing.Object Fictions, James Cohan Gallery, New York.2011Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art. Architecture of Fear, Z33, Hasselt, Belgium. Invisible Fields: Geographies of Radio Waves, Centre d'Art Santa Mònica, Barcelona.Details, Bergen Kunsthall, Norway.The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno.Graphic Design – Now in Production, Walker Art Center, Minneapolis, Minnesota. Traveled to: Cooper-Hewitt, National Design Museum, Governors Island, New York; Hammer Museum, Los Angeles; Grand Rapids Art Museum and Kendall College of Art Gallery, Michigan; Contemporary Arts Museum Houston; Southeastern Center for Contemporary Art , Winston-Salem, North Carolina; and Rhode Island School of Design, Providence.Unnamed Design, 4th Gwangju Design Biennale, South Korea.The Encuentro de Medellin, 2011, Museo de Antioquia, Medelin, Colombia. The Actions of Things, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York.The Spectacle of War, The Empty Quarter, Dubai.Secret Satellites, Belfast Exposed, Ireland.After the Gold Rush: Contemporary Photographs from the Collection, Joyce and Robert Menschel Hall for Modern Photography, The Metropolitan Museum of Art, New York.Magical Consciousness, Arnolfini, Bristol, United Kingdom.Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris.After the Crash, Universitá delle Marche, Rome. Wild Sky, Edith-Ruß-Haus, Oldenburg, Germany.2010Portraits and Power: People, Politics, and Structures, Centro di Cultura Contemporanea Strozzina, Florence.Schritte ins Verborgene = Steps into the arcane, Kunstmuseum Thrugau, Warth, Switzerland. (catalogue)Free, The New Museum, New York.Started in Secret: The Art of the Mysterious, Kunstmuseum Kantons Thurgau, Switzerland.The Art of War, CEPA Gallery, Buffalo, New York.Road to Nowhere, FotoFest 2010 Biennial, Houston.Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota.Disappeared, Goff and Rosenthal, New York.California Invitational, Museum of Photographic Arts, San Diego.I Spy: Security and Surveillance, Sun Valley Museum of Art, Ketchum, Idaho. Vortexhibition Polyphonica, Henry Art Museum, University of Washington, Seattle.Rethinking Location. Anytime Anywhere Everything, Galerie Sprüth Magers, Berlin. Catastrophe? Quelle catastrophe?, Manif d'art 5 / The Québec City Biennial.(Out of) Control, 7th International Biennial of Photography and Visual Arts, Liège, Belgium.200910th Havana Biennial Art Exhibition, Cuba.What Keeps Mankind Alive?, 11th International Istanbul Biennial, Antrepo No.3, Turkey.2008 SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco. (catalogue) Desert Secrets, Utah Museum of Fine Art, Salt Lake City. FEEDFORWARD - The Angel of History, Laboral Art Center, Gijon, Spain.Schneider Museum of Art, Southern Oregon University, Ashland.Tech Tools of the Trade: Contemporary New Media Art, de Saisset Museum, Santa Clara University, California.Still Revolution: Suspended in Time, CONTACT Toronto Photography Festival and the Museum of Contemporary Canadian Art, Toronto.Universal Code, The Power Plant, Toronto. Red Thread, TANAS - Space for Contemporary Turkish Art, Berlin.A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland.Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York.Off the Grid, Neuberger Museum of Art, State University of New York at Purchase, New York.2008Off the Grid, Neuberger Museum of Art, State University of New York at Purchase, New York.Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. (catalogue)In the Private Eye, ISE Cultural Foundation, New York.Berkeley Big Bang 08, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. The New Normal, Artists Space, New York. Traveled to: Huarte Centro de Arte Contemporáneo, Spain and the Canzani Center Gallery, Columbus College of Art & Design, Ohio. Conspire, Transmediale 2008, Haus der Kulturen der Welt, Berlin. 2008 Taipei Biennial, Taipei Fine Arts Museum, Taiwan.20076 Billion Perps Held Hostage! Artists Address Global Warming, The Andy Warhol Museum, Pittsburgh, Pennsylvania.Crimes of Omission, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania.Ominous Atmosphere, Heather Marx Gallery, San Francisco.Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco.The Landscape of War, San Jose Institute of Contemporary Art, California.2006Only the Paranoid Survive, Hudson Valley Center for Contemporary Art, Peekskill, New York.Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Dystopische Landschaft, Kunstraum Muenchen, Munich. A Historic Occasion, Massachusetts Museum of Contemporary Art, North Adams. The Culture of Fear/Die Kultur der Angst, HALLE 14, Leipzig, Germany.2005Thought Crimes: The Art of Subversion, Diverse Works, Houston.2004Echo Local, Gallery 400, Chicago.The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania.2003Collaboration with Greg Niemeyer, Mills College Art Museum, Oakland, California. Operation How, Now, Wow, 16 Beaver Space, New York.Version 3, Museum of Contemporary Art, Chicago.2002Plug and Play, Artswatch, Louisville, Kentucky.Version 2.0, Museum of Contemporary Art, Chicago.POW!, California College of Arts and Crafts, San Francisco.2001The Summer Show, Gallery 312, Chicago.Resynthesis, Betty Rymer Gallery, Chicago.Book Show, Temporary Services, Chicago.2000Counter Productive Industries, 1926 Gallery, Chicago. Public Collections Trevor Paglen Public Collections Allen Memorial Art Museum, Oberlin College, OhioAmon Carter Museum of American Art, Fort Worth, TexasBaltimore Museum of Art, MarylandBerkeley Art Museum and Pacific Film Archive, CaliforniaCarl & Marilynn Thoma Art Foundation, Santa Fe, New Mexico and Chicago, IllinoisCleveland Clinic Collection, OhioThe Cleveland Museum of Art, OhioColby College Museum of Art, Waterville, MaineColumbus Museum of Art, OhioCornell Fine Arts Museum, Rollins College, Winter Park, FloridaDallas Museum of Art, TexasThe Denning House Collection, Stanford University, CaliforniaEli and Edythe Broad Art Museum at Michigan State University, East LansingFRAC Nord-Pas de Calais, Dunkirk, FranceHenry Art Gallery, University of Washington, SeattleInstitute of Contemporary Art, Boston, MassachusettsIris & B. Gerald Cantor Center for Visual Arts at Stanford University, CaliforniaThe Israel Museum, JerusalemThe Metropolitan Museum of Art, New YorkMildred Lane Kemper Art Museum, Washington University, St. Louis, MissouriMIT List Visual Arts Center, Massachusetts Institute of Technology, CambridgeMusée d'art contemporain de Montréal, CanadaMusée d'art moderne Grand-Duc Jean, Luxembourg CityMuseum of Contemporary Art San Diego, CaliforniaMuseum of Fine Arts, Boston, MassachusettsThe Museum of Fine Arts, Houston, TexasMuseum of Modern Art, New York Solomon R. Guggenheim MuseumNational Gallery of Art, Washington, D.C.National Gallery of Victoria, Melbourne, AustraliaThe Nelson-Atkins Museum of Art, Kansas City, MissouriNevada Museum of Art, RenoThe New School’s Art Collection, New YorkOakland Museum of CaliforniaRISD Museum, Rhode Island School of Design, ProvidenceSamuel P. Harn Museum of Art, University of Florida, GainesvilleSan Francisco Museum of Modern Art, CaliforniaSanta Barbara Museum of Art, CaliforniaSmithsonian American Art Museum, Washington, D.C.Solomon R. Guggenheim Museum, New YorkUtah Museum of Fine Arts, The University of Utah, Salt Lake CityVictoria and Albert Museum, London, United KingdomWhitney Museum of American Art, New York