Robert Longo, Untitled (Eric), from the series "Men in the Cities," 1979–83, Charcoal and graphite on paper, 96 x 60 inches (243.8 x 152.4 cm), Courtesy of the artist and Metro Pictures, New York © Robert Longo Robert Longo Photography © Martin Kunze Details:b. 1953, Brooklyn, New YorkConnect: (opens in a new window) @robert_longo_studio Read More Robert Longo was born in 1953 in Brooklyn and grew up on Long Island, New York. He graduated high school in 1970, weeks after the Ohio National Guard massacred several students at Kent State University who were protesting the U.S. invasion of Cambodia.One of those killed was a former classmate of Longo’s, and his body was shown in a Pulitzer Prize-winning photograph that was seen across the world. The event shocked Longo, triggering his interest in political activism and media imagery.In 1972, Longo received a grant to study restoration and art history in Florence. While touring the museums of Europe, he realized he wanted to make, rather than restore art. In 1973, Longo enrolled at Buffalo State College, where he worked for artists Paul Sharits and Hollis Frampton, who introduced him to structuralist filmmaking. Along with Charles Clough, Longo also co-founded Hallwalls (1974–ongoing), an alternative non-profit art exhibition space where he organized shows and talks with artists such as John Baldessari, Lynda Benglis, Robert Irwin, Joan Jonas, Bruce Nauman, and Richard Serra.At Buffalo State, Longo started a friendship–that still exists to this day–with Cindy Sherman, and in 1977 the two moved to New York together, where Longo began working as a studio assistant to Vito Acconci and Dennis Oppenheim. That year he was included in the exhibition Pictures at Artist’s Space, curated by Douglas Crimp, which showcased work by a group of five young artists who were engaged with the politics of image-making, drawing from advertisements, newspapers, film, and television. The “Pictures Generation,” as they became known, included artists such as Cindy Sherman, Richard Prince, Louise Lawler, David Salle, and drew from semiotics and poststructuralist theory to investigate the way meaning is made and circulated in modern society. Their work often critiqued the anaesthetizing power of consumer capitalism and the indoctrinating effects of mass media. At his first solo show at Metro Pictures in 1981, Longo presented his charcoal and graphite Men in the Cities drawings, which instantly became icons of the “Pictures Generation,” and some of the most recognizable artworks of the 1980s.Longo performed in New York rock clubs with the band Menthol Wars with Richard Prince, throughout the 1980s. During that period, he also designed numerous album covers, including Glenn Branca’s The Ascension (1981) and The Replacements’ Tim (1985). In 1986, he directed his first music video for New Order’s chart-topping song Bizarre Love Triangle, and the following year directed The One I Love, a video for R.E.M.’s first hit single.Longo began working with diverse materials at increasingly ambitious scales. His Combines series, first exhibited in 1983, incorporated materials such as paint, graphite, wood, plaster, cast bronze, and steel in works that were part-painting, part-sculptural reliefs. Using Sergei Eisenstein’s theory of montage to juxtapose conflicting imagery and forms, they touched on many of the themes of war, alienation, and consumption that have remained central to Longo’s practice. The Combines were followed in 1990 by Black Flags, a series of cast bronze American Flags taking the forms of wall-hanging structures frozen mid-wave, free-standing pennants as sharp as missiles, and enormous impenetrable walls, all pointed critiques of US imperialism.In 1989, Longo escaped a recession and the Gulf War by moving to Paris, where he lived and worked for three years, eventually returning to begin his Bodyhammers series of large-scale charcoal and graphite drawings of guns, and to direct the cyberpunk film Johnny Mnemonic, based on William Gibson’s text, which starred Keanu Reeves and Dolph Lundgren. Following the film’s release in 1996—a leap year—he began Magellan, a series of 366 small drawings, completing one each day from daily media sources. Taken together, the eclectic images of murders, funerals, concerts, sporting events, cops, superheroes, animals, and plants are a kind of channel scroll through the American subconscious, which became the lexicon for work to come.Beginning in 1999, Longo began making large-scale charcoal wave drawings, his Monsters series, followed by The Freud Cycle, depicting Sigmund Freud’s consultation room and apartment in Nazi-occupied Vienna. On the one hand, the stormy seas counterbalance the cool rationalism of psychoanalysis, while on the other, the pairing suggests inner tempests. These images are what Longo considers “absolutes,” embodiments of the collective unconscious. In 2009, he completed a cycle of drawings of other absolutes—bombs, nebulae, roses, sleeping children, and sharks—that he called The Essentials, and which form a poetic creation myth.Longo’s engagement with metaphysics continued in The Mysteries, a body of work completed from 2009 to 2014. Each drawing depicts a scene of beauty and contradiction: light streaming through cathedral windows and a forest; the eyes of a woman in a niqab and the reflection of clouds on a pilot’s visor. In 2014, following Black Lives Matterprotests in Ferguson, Missouri and the declaration of an ISIS caliphate, Longo began The Destroyer Cycle, a series of works that distill scenes of power and violence from American media. Riot police, migrant ships, and terrorist attacks form a searing portrait of a world locked in perpetual crisis.For an exhibition at Metro Pictures in 2014, Longo presented a series of twelve charcoal drawings, entitled Gang of Cosmos, that functioned as black and white translations of well-known paintings by Abstract Expressionists, including Willem de Kooning, Lee Krasner, Jackson Pollock, Ad Reinhardt, Joan Mitchell, and Mark Rothko, thereby creating his own version of this wholly American artistic legacy.Longo continues to work with characteristic scale, precision, and perceptiveness, achieving visually striking images of people, places, events, and animals. The artist slows things down through the venerable medium of charcoal, often capturing images that would not otherwise be possible to see with the human eye. Through his large-scale hyperrealistic charcoal drawings, Longo has cemented himself as a preeminent artist of his generation. Longo’s body of work, A History of the Present, which he began in 2020, is informed by the Coronavirus Pandemic, the nation’s political upheaval, our tenuous ecological future, fueled by the artist’s personal experiences. Through this group of large-scale charcoal drawings, Longo seeks to focus on the power of the viewer and the individual’s capacity to create change, a celebration of freedom of expression.Robert Longo’s work is held in multiple collections worldwide including, The Albertina Museum Vienna, Austria; Art Institute of Chicago, Illinois; Centre Pompidou, Paris; Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts; and the Los Angeles County Museum of Art, California; and the Museum of Modern Art, New York. Presently, a solo exhibition of Longo’s work made between 2014 and 2024 is on view at the Milwaukee Art Museum, Wisconsin through February 23, 2025. The Albertina Museum, Vienna is currently hosting a retrospective of Longo's work that will travel to the Louisiana Museum of Modern Art, Humlebæk, Denmark, opening in April 2025. Read More Robert Longo, Untitled (Ferguson Police, August 13, 2014), 2014, Charcoal on mounted paper, 86 x 120 inches, Courtesy of the artist and Petzel, New York, Collection of The Broad Art Foundation © Robert Longo Robert Longo, Untitled (Black Pussy Hat in Women's March), 2017, Charcoal on mounted paper, 60 x 106 5/8 inches. Courtesy of the artist and Metro Pictures, New York, Collection of The Broad Art Foundation © Robert Longo Robert Longo, Untitled (St. Louis Rams / Hands Up), 2016, Charcoal on mounted paper, 65 x 120 inches, Courtesy of the artist and Metro Pictures, New York © Robert Longo Robert Longo, Untitled (Hellion), 2011, Charcoal on mounted paper, 69 3/8 x 119 3/8 inches, Courtesy of the artist and Metro Pictures, New York © Robert Longo Robert Longo, Untitled (X-Ray of A Bar at the Folies-Bergere, 1882, After Manet), 2017, Charcoal on mounted paper, 96 x 130 1/4 inches, Courtesy of the artist and Galerie Thaddaeus Ropac; London, Paris, Salzburg © Robert Longo Robert Longo, Untitled (After Pollock, Autumn Rhythm: Number 30, 1951), 2014, Charcoal on mounted paper, 91 1⁄4 x 180 inches, Courtesy of the artist and Metro Pictures, New York © Robert Longo Robert Longo, Death Star 2018, 2018, Approximately 40,000 inert bullets (brass, copper, lead) welded to the frame; steel I-beams; steel chain. 254 1/2 x 254 1/2 x 144 inches, Sphere measures 77 inches in diameter, Courtesy of the artist; Metro Pictures, New York; and Galerie Thaddaeus Ropac; London, Paris, Salzburg © Robert Longo Exhibitions View All Past Nina Simone Childhood Home Auction Exhibition May 12 – May 20, 2023 New York Past Tropic of Cancer Feb 9 – Mar 12, 2023 Palm Beach Past Robert Longo Sea of Change Nov 12 – Dec 17, 2022 Los Angeles Past Little Things Parts I & II Nov 10, 2021 – Jan 29, 2022 Geneva Journal View All Press Robert Longo on Mark Rothko Nov 29, 2023 Essays Pace Artists Reflect on Mark Rothko Oct 17, 2023 Museum Exhibitions Robert Longo at Guild Hall Aug 02, 2021 News Pace Welcomes Robert Longo May 13, 2021 One-Artist Exhibitions Group Exhibitions Public Collections Books and Catalogues Periodicals Close Robert Longo One-Artist Exhibitions Robert Longo One-Artist Exhibitions DatesBorn 1953, Brooklyn, New YorkEducation1975, State University of New York College at Buffalo, BFA2024Robert Longo: The Acceleration of History, Milwaukee Art Museum, Wisconsin, October 25, 2024–February 23, 2025.Robert Longo: Searchers, Pace Gallery, London, October 9–November 9, 2024, and Thaddaeus Ropac, London, October 8–November 20, 2024.Robert Longo, Albertina Museum, Vienna, September 4, 2024–January 26, 2025. Travels to: the Louisiana Museum of Modern Art, Humlebæk, Denmark, opens in April 2025.2023Robert Longo Drawings: Engines of State, National Gallery of Art, Washington, D.C., March 26–July 9, 2023.19862022Robert Longo: Sea of Change, Pace Gallery, Los Angeles, November 12–December 17, 2022.Robert Longo: The New Beyond, Galerie Thaddaeus Ropac, Paris, October 17–December 23, 2022. (Catalogue)2021Robert Longo: Lazarus Manifold, Pace Gallery, 540 West 25th Street, New York, November 5–December 18, 2021.Robert Longo: I Do Fly / After Summer Merrily, Pace Gallery, 540 West 25th Street, New York, September 10–October 23, 2021.Robert Longo: A History of the Present, Guild Hall, East Hampton, New York, August 7–October 17, 2021.Robert Longo: A House Divided, Guild Hall, East Hampton, New York, August 7–October 17, 2021.Robert Longo: Storm of Hope: Law & Disorder, Palm Springs Art Museum, California, June 26, 2021–March 27, 2022.2020Robert Longo: Storm of Hope, Jeffrey Deitch, Los Angeles, November 21, 2020–February 27, 2021.2019Robert Longo: Fugitive Images, Metro Pictures, New York, November 14, 2019–January 18, 2020. (Catalogue)Robert Longo: Amerika, Metro Pictures, New York, April 25–May 24, 2019.Robert Longo: When Heaven and Hell Change Places, Hall Art Foundation, Schloss Derneburg Museum, Germany, April 2019–October 2020.2018Robert Longo: Everything Falls Apart, Capitain Petzel, Berlin, September 26–November 3, 2018.Robert Longo: Them and Us, Metro Pictures, New York, March 1–April 13, 2018.2017Robert Longo, Sara Hildén Art Museum, Tampere, Finland, September 23, 2017–January 14, 2018. (Catalogue)Robert Longo: Let the Frame of Things Disjoint, Galerie Thaddaeus Ropac, London, September 14–November 11, 2017. (Catalogue)Robert Longo: The Destroyer Cycle, Metro Pictures, New York, May 3–June 17, 2017. (Digital Catalogue)2016Robert Longo: Picasso Redacted, Cahiers d’Art, Paris, April 18–October 1, 2016.Robert Longo: Luminous Discontent, Galerie Thaddaeus Ropac, Paris, April 16–May 22, 2016. (Catalogue)2015Robert Longo: Drawings, Galerie Michael Haas, Berlin, September 16–May 10, 2015. (Catalogue)Robert Longo: “The Invention of Zero (After Malevich),” 1991, Galerie Hans Mayer, Dusseldorf, Germany, September 5–November 7, 2015.2014Robert Longo: Furies, Beast and Servants, Galerie Thaddaeus Ropac, Salzburg, Austria, July 25–August 31, 2014.Robert Longo: Gang of Cosmos, Metro Pictures, New York, April 10–May 23, 2014. (Catalogue)Robert Longo - Strike the Sun, Petzel Gallery, New York, in partnership with Metro Pictures, New York, April 10–May 10, 2014.2013Robert Longo: The Capitol Project, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, March 24–August 25, 2013. (Brochure)Robert Longo: Phantom Vessels, Galerie Thaddaeus Ropac, Salzburg, Austria, March 22–May 11, 2013.2012Robert Longo: STAND, Capitain Petzel, Berlin, April 27–July 7, 2012. (Catalogue)Robert Longo: Men in the Cities, In Camera Galerie, Paris, April 12– May 26, 2012. (Catalogue)Robert Longo: Kings, Metro Pictures, New York, March 1–31, 2012.2011Robert Longo: God Machines, Galerie Thaddaeus Ropac, Paris, March 21–April 23, 2011. (Catalogue)Robert Longo: Mysterious Heart, Galería Soledad Lorenzo, Madrid, January 11–February 24, 2011.2010Robert Longo, Kunsthalle Weishaupt, Ulm, Germany, November 28, 2010–September 25, 2011. (Catalogue)2009Robert Longo: No Wave, SAKS Gallery, Geneva, September 18–November 7, 2009.Robert Longo: 1979–2009 (retrospective), Musée d'art moderne et d'art contemporain de Nice, France, June 27–November 29, 2009. Traveled to: Museu Coleção Berardo, Lisbon, February 15–April 25, 2010. (Catalogue)Robert Longo: Surrendering the Absolutes, Metro Pictures, New York, April 23–May 30, 2009.Robert Longo: Dancing with Chains On, Galerie Hans Mayer, Dusseldorf, Germany, 2009.2008Robert Longo: Nights Bright Days, Margo Leavin Gallery, Los Angeles, November 22, 2008–January 24, 2009.Robert Longo: Intimate Immensity, Galería Soledad Lorenzo, Madrid, May 5–June 6, 2008.2007Robert Longo: Children of Nyx, Metro Pictures, New York, November 3–December 8, 2007.Robert Longo: Beginning of the World, Galerie Hans Mayer, Dusseldorf, Germany, March 7–April 15, 2007.2006Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace, Metro Pictures, New York, November 3–December 9, 2006.Robert Longo: Ouroboros, Galerie Daniel Templon, Paris, March 25–April 29, 2006.2005Robert Longo: tiefe Stille = deep silence, Mönchehaus-Museum für Moderne Kunst, Goslar, Germany, in collaboration with Galerie Hans Mayer, Dusseldorf, Germany, October 8, 2005–January 15, 2006. (Catalogue)Robert Longo: Something Wicked This Way Comes, Margo Leavin Gallery, Los Angeles, September 24–October 29, 2005.Robert Longo – Fire, Water, Rock 2002–2005, Galleria d’Arte Contemporanea Emilio Mazzoli, Modena, Italy, closed September 30, 2005. (Catalogue)2004Robert Longo: The Sickness of Reason, Metro Pictures, New York, February 20–March 27, 2004.2003Robert Longo: Lust of the Eye, Galería Soledad Lorenzo, Madrid, May 13–June 21, 2003.2002Robert Longo: the Freud drawings, Haus Lange/Haus Esters, Krefeld, Germany, November 24, 2002–February 16, 2003. Traveled to: The Albertina Museum Vienna, March 17–June 8, 2003. (Catalogue)Robert Longo: Monsters, Metro Pictures, New York, September 21–October 26, 2002.Robert Longo - Sigmund Freud, Jewish Museum Berlin, 2002.2001Robert Longo: The Freud Drawings, Metro Pictures, New York, January 13–March 3, 2001.2000Robert Longo - Superheroes, LipanjePuntin Artecontemporanea, Trieste, Italy, September 20–November 15, 2000.Robert Longo: 1980–2000, Galleria d’Arte Contemporanea Emilio Mazzoli, Modena, Italy, November 11–December 2000. (Catalogue)1998Robert Longo: Superheroes, Cotthem Gallery, Barcelona, and Knokke-Zoute, Belgium, 1998. (Catalogue)1997Robert Longo: Magellan, Metro Pictures, New York, November 18, 1997–January 10, 1998.Robert Longo: Das Magellan Projekt, Kunsthalle Tübingen, Germany, April 12–May 25, 1997. Traveled to: Kunsthal Rotterdam, May 29–August 3, 1997; and Kunsthalle Bielefeld, Germany, August 17–October 5, 1997. (Catalogue)1996Robert Longo: Kreuze, The Fridericianum, Kassel, Germany, 1996.1995Robert Longo: A Retrospective, Isetan Museum of Art, Tokyo, February 2–27, 1995. Traveled to: Ashikaga City Museum, Japan, April 15–May 28, 1995 and Kirin Plaza Art Space, Osaka, Japan, June 13–July 17, 1995. (Catalogue)Robert Longo: Johnny Paintings, Galerie Gana-Beaubourg, Paris and Gana Art Gallery, Seoul, 1995. (Catalogue)Robert Longo, Galerie Lüpke Frankfurt, 1995.Robert Longo: Johnny Mnemonic: Works on Paper, Galerie Thaddaeus Ropac, Paris, 1995.1994Robert Longo, Genereux Grunwald Gallery, Toronto, closed October 1, 1994.Robert Longo, Galerie Hans Mayer, Dusseldorf, Germany, 1994.1993Robert Longo: Bodyhammers: The Cult of the Gun, Metro Pictures, New York, October 30–November 27, 1993.Robert Longo: Killing time, Galeria Joan Prats, Barcelona, April–May 1993. (Catalogue)Robert Longo, Galeríe Thaddaeus Ropac, Salzburg, Austria, 1993.Robert Longo, Kleines Festspielhaus, Salzburg, Austria, 1993.Robert Longo, Galería Joan Prats, New York, 1993.1992Robert Longo: When Heaven and Hell Change Places, Galerie Hans Mayer, Dusseldorf, Germany, 1992.Robert Longo: Dreams With The Wrong Solution, Salzburg Grand Opera House, Austria, 1992.1991Robert Longo, Kunstverein, Hamburg, Germany and Deichtorhallen Hamburg, Germany, organized by Kunsthalle, Basel, October 26–December 8, 1991. (Catalogue)Robert Longo: The Invention of Zero, Galerie Daniel Templon, Paris, September 5–8, 1991.Robert Longo, Linda Cathcart Gallery, Los Angeles, 1991.Robert Longo, Texas Gallery, Houston, 1991.Robert Longo: Faith in Zero Project, Installations at Five Galleries: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, and Galerie Gordon Pym et Fils, Paris, 1991.1990Robert Longo: Black Flags, Metro Pictures, New York, October 13–November 10, 1990.Robert Longo: Black Flags, Galerie Daniel Templon, Paris, March 17–April 18, 1990. (Catalogue)1989Robert Longo 1976–1989 (Retrospective), Los Angeles County Museum of Art, October 1–December 31, 1989. Traveled to: Museum of Contemporary Art, Chicago, February 17–April 22, 1990, and Wadsworth Atheneum, Hartford, Connecticut, June 9–September 2, 1990. (Catalogue)Robert Longo, Seibu Contemporary Art Gallery, Tokyo, 1989. (Catalogue)Robert Longo, Linda Cathcart Gallery, Los Angeles, 1989.1988Robert Longo, Metro Pictures, New York, October 8–November 5, 1988.Robert Longo, The Menil Collection, Houston, Texas, May 20–September 24, 1988.Robert Longo, Boijmans Van Beuningen, Rotterdam, 1988.1987Robert Longo: oeuvres récentes, Galerie Daniel Templon, Paris, June 2–July 18, 1987.1986Robert Longo, Spiral Gallery, Tokyo, organized by Wacoal Art Center, October 24–December 28, 1986. (Catalogue)Robert Longo: Steel Angels, Part II, Metro Pictures, New York, October 18–November 15, 1986.Robert Longo: Steel Angels: Part I, Metro Pictures, New York, May 3–June 14, 1986.Robert Longo: Studies and Prints, Mackenzie Art Gallery, University of Regina, Canada, March 21–May 4, 1986. (Brochure)Robert Longo: Sequences, Men in Cities, University Art Museum, California State University, Long Beach, March 18–April 20, 1986. Traveled to: Fort Wayne Museum of Art, Indiana, November 15, 1986–January 11, 1987. (Catalogue)Robert Longo, Donald Young Gallery, Chicago, 1986.1985Robert Longo, Lia Rumma Gallery, Naples, Italy, November 1985.Robert Longo, Brooklyn Museum, New York, March 1–May 6, 1985.Robert Longo, Stedelijk Museum, Amsterdam, 1985.Robert Longo: dis-illusions, Museum of Art, University of Iowa, Iowa City, 1985. (Catalogue)1984Robert Longo, Metro Pictures, New York, April 28–May 26, 1984.Robert Longo: Drawings & Reliefs, Akron Art Museum, Ohio, April 7–June 10, 1984. (Catalogue)Robert Longo, Larry Gagosian Gallery, Los Angeles, 1984.1983Drawings and Sculptures by Robert Longo, Metro Pictures, New York, February 5–March 5, 1983.Drawings and Sculptures by Robert Longo, Leo Castelli Gallery, New York, February 5–26, 1983.Robert Longo, Galerie Schellmann & Kluser, Munich, 1983.1982Robert Longo, Texas Gallery, Houston, Texas, 1982.1981Robert Longo: Men in the Cities, Metro Pictures, New York, January 10–31, 1981.Robert Longo, Fine Arts Center, University of Rhode Island, Kingston, 1981.Robert Longo, Larry Gagosian Gallery, Los Angeles, 1981.1980Robert Longo, Studio Cannaviello, Milan, 1980.1979Robert Longo, The Kitchen, New York, 1979.1976Robert Longo, Hallwalls, Buffalo, New York, September 24–October 6, 1976. Robert Longo Group Exhibitions Robert Longo Group Exhibitions 2025The Monster: Curated by Robert Nava, Pace Gallery, Los Angeles, February 1–March 22, 2025.2024Et In Arcadia Ego, Hauser & Wirth Gallery, New York, September 5–October 19, 2024.Summer Group Show, Pace Gallery, Hong Kong, June 26–August 9, 2024.Animal Watch, Gallery 125 Newbury, New York, January 26–March 2, 2024.2023Drawn into the Present: Portraits on Paper, Thaddaeus Ropac, London, December 14, 2023–February 9, 2024.Change Agents: Women Collectors Shaping the Art World, Southampton Arts Center, Southampton, New York, July 22–September 30, 2023.Artists Choose Parrish, PART I, Parrish Art Museum, Water Mill, New York, April 16–August 6 and April 30–July 23; PART II, Parrish Art Museum, Water Mill, New York, August 20, 2023–February 4, 2024; PART III, Parrish Art Museum, Water Mill, New York, October 29, 2023–February 18, 2024.Tropic of Cancer, Pace Gallery, Palm Beach, Florida, February 9–March 12, 2023.2022Flags, Fondation Boghossian, Villa Empain, Brussels, September 29, 2022–January 22, 2023. (Catalogue)Into the New: Being Human from Pollock to Bourgeois, Städel Museum, Frankfurt, April 6−July 17, 2022. (Catalogue)2021Human, 7 questions, Leeum Museum of Art, Seoul, October 8, 2021–January 2, 2022. (Catalogue)Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 29, 2022.2020 Ice and Fire, The Kitchen, New York, October 15, 2020–March 23, 2021.The American Dream: Pop to the Present, British Museum, London, October 8, 2020–November 14, 2021. Traveled to: CaixaForum, Madrid, October 8, 2020–January 31, 2021; CaixaForum, Barcelona, March 2, 2021–June 13, 2021; CaixaForum, Zaragoza, July 13, 2021–November 14, 2021. (Catalogue)All for the Hall, Guild Hall, East Hampton, New York, August 8, 2020–January 23, 2021.Among the Trees, Hayward Gallery, London, August 1–October 31, 2020.Wall of Smalls, Gallery Neptune & Brown, Washington, D.C., July 25–August 29, 2020.2019 Besthoff Sculpture Garden, New Orleans Museum of Art. Louisiana.Inaugural Exhibition, Rubell Museum, Miami, December 4, 2019–on going.Body Performance, Helmut Newton Foundation, Berlin, November 30, 2019–September 20, 2020.A Passion for Drawing, Albertina Museum, Vienna, October 11, 2019–January 26, 2020. (Catalogue)The Dark Side – Chi ha paura del buio?, Musja, Rome, October 8, 2019–March 1, 2020. (Catalogue)The Last Supper after Leonardo, Fondazione Stelline, Milan, April 2–June 30, 2019.Suffering from Realness, Massachusetts Museum of Contemporary Art, North Adams, March 31, 2019–February 2, 2020. (Catalogue)That 80’s Show, Nassau County Museum of Art, Roslyn, New York, March 16–July 7, 2019. (Catalogue)Picasso and the Exodus, Les Abattoirs, Toulouse, France, March 15–August 25, 2019.2018Graphic Revolution: American Prints, 1960 to Now, Saint Louis Art Museum, Missouri, November 11, 2018–February 3, 2019. (Catalogue)Guernica, Musée national Picasso, Paris, February 27–July 29, 2018. (Catalogue)Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, Deichtorhallen Internationale Kunst und Fotografie, Hamburg, February 17–May 27, 2018. (Catalogue)2017Look! New Acquisitions, Albertina, Vienna, closed October 8, 2017. Soledad Lorenzo Collection, Museo Reina Sofía, Madrid, December 20, 2017–March 5, 2018.America! America! How Real is Real?, Museum Frieder Burda, Baden-Baden, Germany, December 9, 2017–May 21, 2018. Doing Identity, Kunstmuseum Bochum, Bonn, Germany, November 25, 2017–February 4, 2018.The American Dream, Kunsthalle Emden, Germany, November 19, 2017–May 27, 2018. (Catalogue)Window to Wall, Albright-Knox Art Gallery, Buffalo, November 18, 2017–March 18, 2018. Sterne, Lentos Kunstmuseum Linz, Austria, September 29, 2017–January 14, 2018. (Catalogue)I am you, you are too, Walker Art Center, Minneapolis, September 7, 2017–March 1, 2020.True Faith, Manchester Art Gallery, United Kingdom, June 30–September 3, 2017A New Ballardian Vision: Chapter 1, Metro Pictures, New York, June 29–August 4, 2017.Summer Bounce: Contemporary Works on Paper, Gallery Neptune & Brown, Washington, D.C., June 8–September 2, 2017.L’état du monde, MAC - Musée d’art contemporain de Montréal, March 16–November 19, 2017.2016 My Abstract World, me Collectors Room, Berlin Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Germany, September 8, 2016–November 27, 2016. (Catalogue)Good Dreams, Bad Dreams – American Mythologies, Selections from the Tony and Elham Salame Collection – Aïshti Foundation, Beirut, June 23, 2016–April 2017. (Catalogue)Human Interest: Portraits from the Whitney Collection, Whitney Museum, New York, April 2, 2016–April 2, 2017.2015 Broad Museum, Los Angeles (Catalogue)After Picasso: 80 Contemporary Artists, Wexner Center for the Arts, Ohio State University, Colombus, Ohio, September 17–December 27, 2015.Colección Jumex, In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City, July 15–4 October 4, 2015.FIRE AND FORGET. ON VIOLENCE, KW Institute for Contemporary Art, Berlin, June 14–August 30, 2015. Picasso in Contemporary Art, Deichtorhallen, Hamburg, Germany, April 1–July 12, 2015. (Catalogue)Cannibalism? On Appropriation in Art, Zacheta National Gallery of Art, Warsaw, Poland, March 7–May 31, 2015.Looking Back / The 9th White Columns Annual, White Columns, New York, New York, January 13–February 21, 2015. 2014 To Have and To Hold, Rubell Family Collection/Contemporary Arts Foundation, Miami (2014-15). Urban Theater: New York Art in the 1980s, Modern Art Museum of Fort Worth, Texas, September 21, 2014–January 4, 2015. (Catalogue)Bad Thoughts: Collection Martijn and Jeanette Sanders, Stedelijk Museum, Amsterdam, July 20, 2014–January 10, 2015. (Catalogue)Bard Girls Can Fly, White Flag Projects, Saint Louis, Missouri, January 18–March 8, 2014.Une Historie. Art, architecture, design. Des annèes 1980 à nos jours, Centre Pompidou, Paris;Haus der Kunst, Munich (2014-2016) (Catalogue)2013Robert Longo: The Capitol Project, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, Marh 24–August 25, 2013. (Catalogue)Donation: Florence & Daniel Guerlain, Centre Pompidou, Paris, 16 October 2013–7 April 2014.Holes in the Walls: Early Works 1948-2013, FRI ART, Kunsthalle Freiburg, Switzerland, September 14–November 3, 2013.Something about a Tree, FLAG Art Foundation, New York, New York, July 10–September 7, 2013.2012We the People, Robert Rauschenberg Foundation Project Space, New York, New York, October 3– November 17, 2012.Graphite, Indianapolis Museum of Art, Indianapolis, Minnesota, July 12, 2012–July 4, 2013. (Catalogue)Poule!, Fundacion/Colección Jumex, Ecatepec, Mexico, April 20–September 14, 2012. (Catalogue)Wish You Were Here: The Buffalo Avant-garde in the 1970s, Albright-Knox Art Gallery, Buffalo, New York, March 30, 2012–July 8, 2012. (Catalogue)Art & Press, Martin-Gropius-Bau, Berlin, Germany, March 23–June 24, 2012. (Catalogue)2011View from a Volcano: The Kitchen's Soho Years, 1971-85, The Kitchen, New York, New York, June 30–August 27, 2011.2010Off the Wall: Part 1—Thirty Performative Actions, Whitney Museum, New York, New York, July 1–September 19, 2010.Human, Musée d'Art Moderne et d'Art Contemporain, Nice, France, June 12–October 31, 2010.Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Reina Sofia, Madrid, Spain, June 10–September 27, 2010. (Catalogue)The Surreal House, Barbican Art Gallery, London, United Kingdom, June 10–September 12, 2010. (Catalogue)Disquieted, Portland Art Museum, Portland, Oregon, February 20–May 16, 2010.Cars: Warhol, Fleury, Longo, Szarek—Works from the Daimler Collection, Albertina, Vienna, January 22–May 16, 2010. (Catalogue)2009Beg Borrow and Steal, The Rubell Family Collection Museum, Miami, December 2, 2009–August 27, 2010. (Catalogue)Just What Is It: 100 Years of Modern Art from Private Collections in Baden-Württemberg, ZKM Center for Art and Media, Karlsruhe, Germany, May 21–October 18, 2009.Metro Pictures, New York (2009-2010).The Pictures Generation: 1974-1984, The Metropolitan Museum of Art, New York, April 21–August 2, 2009. (Catalogue)Three: The Triptych in Modern Art, Kunstmuseum Stuttgart, Stuttgart, Germany, February 7–June 14, 2009.2008Interieur/Exterieur: Living in Art, Kunstmuseum Wolfsburg, Wolfsburg, Germany, November 29, 2008–April 13, 2009. (Catalogue)Landscope, Galerie Thaddaeus Ropac, Paris, France, October 4–November 15, 2008. (Catalogue)to: Night, The Hunter College Art Galleries, New York, New York, September 25–November 15, 2008.Political Corect, BFAS Blondeau Fine Art Services, Geneva, Switzerland, September 18–October 25, 2008.The Big Bang, Museo Carlo Bilotti, Rome, Italy, June 26–October 19, 2008. (Catalogue)That Was Then…This Is Now, P.S.1 Contemporary Art Center, New York, New York, June 22–September 22, 2008.Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York, May 11–July 20, 2008.2007 History Will Repeat Itself, KW Institute for Contemporary Art, Berlin; Hartware MedienKunstVerein, Dortmund; Centre for Contemporary Art, Ujazdowski Castle, Warsaw (2007-2008) (Catalogue)Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago; Museum of Contemporary Art, North Miami; Musée D’Art Contemporain, Montréal (2007-2009) (Catalogue)Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, United Kingdom, June 5–September 9, 2007. (Catalogue)Hot Rock, Transmission Gallery, Glasgow, Scotland, Closed February 24, 2007.2006 Fifth Interpretation of the Collection, La Colección Jumex, Pachuca, Mexico. (Catalogue)New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)Les Mouvement des Images, Centre Pompidou, Paris France, April 5–November 15, 2006. (Catalogue)The Downtown Art Show: The New York Art Scene 1974-1984, Grey Art Gallery, Fales Library, New York University, New York, New York, January 10–April 1, 2006. (Catalogue)2005 Flashback: Revisiting the Art of the Eighties, Kunstmuseum Museum fur Gegenwartskunst, Basel Drawing from the Modern, Museum of Modern Art, New York Metro Pictures, New York (2005–2006) 2004Whitney Biennial, Whitney Museum, New York, New York, May 11–May 30, 2004.2003Art, Lies, and Videotape: Exposing Performance, Tate Liverpool, Liverpool, United Kingdom, November 14, 2003–January 25, 2004. (Catalogue)2002The Human Factor: Figuration American Art, 1950-1995, Fort Wayne Museum of Art, Fort Wayne, Indiana.Melodrama, Atrium, Vitoria-Gasteiz, Spain; Centro José Guerrero, Granada, Spain; MARCO, Vigo, Spain (cat.)2001Postmodern Americans, The Menil Collection, Houston Pictures’ at an Exhibition, Artists Space, New York Streit-Lust– For Argument’s Sake, Ludwig Forum für Internationale Kunst, Aachen, Germany (Catalogue)2000End Papers, Neuberger Museum of Art, Purchase, New York 1999The Kiasma Collection, Museum of Contemporary Art, Helsinki The Virginia & Bagley Wright Collection, Seattle Art Museum 1998The Edward R. Broida Collection: a Selection of Works, Orlando Museum of Art, Florida (Catalogue)1997La Biennale di Venezia: XLVII Esposizioione Internationale d'Arte, Venice (Catalogue)Views from Abroad: European Perspectives on American Art 3, Whitney Museum, New York (Catalogue)Stills: Art and Cinema in the Marieluise Hessel Collection, Centro Cultural Light, Rio de Jeneiro; Center for Curatorial Studies, Annandale-on-Hudson, New York (broch.) 1996New York 'Unplugged II, Gallery Cotthem, Knokke-Zoute, Belgium Monumental Drawings: Works by 22 Contemporary Americans, Brooklyn Museum of Art, September 19 - November 10, 19861995 It's Only Rock and Roll, Contemporary Arts Center, Cincinnati (traveling venues through 1998, (Catalogue)Passions Privée, Musée d'Art Moderne de la Ville de Paris 1993The 21st Century, Kunsthalle Basel (Catalogue)1992Allegories of Modernism: Contemporary Drawing, Museum of Modern Art, New York (Catalogue)1990Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, Art Institute of Chicago (cat.)1989Image World: Art and Media Culture, Whitney Museum, New York (Catalogue)A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary Art, Los Angeles, May 7–August 13, 1989. (Catalogue)1987 Documenta 8, Kassel, Germany (Catalogue)L'Epoque, La Mode, La Morale, La Passion, 1977-1987, Centre Pompidou, Musee National D'Art Moderne, Paris (Catalogue)Avant-Garde in the Eighties, Los Angeles County Museum of Art (Catalogue)Implosion: A Postmodern Perspective, Moderna Museet, Stockholm (Catalogue)1986 The American Exhibition, Art Institute of Chicago Monumental Drawings: Works by 22 Contemporary Americans, Brooklyn Museum of Art, September 19–November 10, 1986.1985Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh (Catalogue)1984Alibis, Centre Pompidou, Paris (Catalogue)Content: A Contemporary Focus, 1974-1984, Hirshhorn Museum, Washington, D.C. (Catalogue)The Heroic Figure, Contemporary Arts Museum, Houston; (1984-85) Brooks Memorial Art Gallery, Memphis; Alexandria Museum, Kentucky; Santa Barbara Museum of Art, California (Catalogue)1983Directions 1983, Hirshhorn Museum, Washington, D.C. (Catalogue)Whitney Biennial, Whitney Museum, New York (Catalogue)The New Art, Tate Gallery, London (Catalogue)The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney (Catalogue)An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (Catalogue)1982Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis (Catalogue)Focus on the Figure: Twenty Years, Whitney Museum, New York (Catalogue)Documenta 7, Kassel, Germany (Catalogue)1981Westkunst: Today Section, Museen der Stadt Koln, Cologne (Catalogue)Figures: Forms and Expressions, Albright-Knox Art Gallery, Buffalo, New York, November 20, 1981–January 6. 1982.1980Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, Contemporary Arts Museum, Houston (Catalogue)1977 Pictures, Artists Space, New York; (1977-78) Allen Memorial Art Museum, Oberlin, Ohio; Fine Arts Museum, University of Colorado, Boulder; Los Angeles Institute of Contemporary Art (catalogue) Robert Longo Public Collections Robert Longo Public Collections Aïshti Foundation, BeirutAkron Art Museum, OhioThe Albertina Museum, ViennaAllen Memorial Art Museum, Oberlin College, OhioThe Art Institute of ChicagoBaltimore Museum of Art, MarylandBaruch College Art Collection, New YorkThe Broad, Los AngelesThe Brooklyn Museum, New YorkBuffalo AKG Art Museum, New YorkBurchfield Penney Art Center, Buffalo State University, New YorkCarnegie Museum of Art, Pittsburgh, PennsylvaniaCastellani Art Museum, Niagara University, New YorkCentre Georges Pompidou, ParisCincinnati Art Museum, OhioThe Cleveland Museum of Art, OhioDaum Museum of Contemporary Art, State Fair Community College, Sedalia, MissouriDavis Museum at Wellesley College, MassachusettsDayton Art Institute, OhioDes Moines Art Center, IowaEdwin A. Ulrich Museum of Art, Wichita State University, KansasEli and Edythe Broad Art Museum at Michigan State University, East LansingFogg Art Museum, Harvard University, Cambridge, MassachusettsFondazione Prada, MilanHall Art Foundation, Reading, VermontHerbert F. Johnson Museum of Art, Cornell University, Ithaca, New YorkHigh Museum of Art, Atlanta, GeorgiaIndianapolis Museum of Art at Newfields, IndianaJane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New JerseyKistefos Museum, Jevnaker, NorwayKunsthalle Bremen, GermanyKunsthalle Weishaupt, Ulm, GermanyLos Angeles County Museum of ArtLudwig Museum, BudapestMilwaukee Art Museum, WisconsinMontclair Art Museum, New JerseyMontreal Museum of Fine ArtsMusée d'art contemporain de MontréalMuseu de Arte Contemporânea de Serralves, Porto, PortugalMuseu Coleção Berardo, LisbonMuseum of Contemporary Art, Los AngelesMuseum of Contemporary Art Australia, SydneyThe Museum of Fine Arts, Houston, TexasThe Museum of Modern Art, New YorkNational Gallery of Art, Washington, D.C.National Gallery of Australia, CanberraNew Orleans Museum of Art, LouisianaOdunpazari Modern Museum, Eskişehir, TurkeyOrlando Museum of Art, FloridaPhoenix Art Museum, ArizonaPortland Art Museum, OregonPrinceton University Art Museum, New JerseyRose Art Museum, Brandeis University, Waltham, MassachusettsRubell Museum, MiamiSaint Louis Art Museum, St. Louis, MissouriSeattle Art Museum, WashingtonSeavest Collection, New YorkSheldon Museum of Art, University of Nebraska-LincolnSmithsonian American Art Museum, Washington, D.C.Staatliche Graphische Sammlung München, MunichStedelijk Museum, AmsterdamTate, LondonToledo Museum of Art, OhioVanmoerkerke Collection, Ostend, BelgiumWadsworth Atheneum Museum of Art, Hartford, ConnecticutWalker Art Center, Minneapolis, MinnesotaWeatherspoon Art Museum, The University of North Carolina at GreensboroWhitney Museum of American Art, New YorkYale University Art Gallery, New Haven, Connecticut Robert Longo Books and Catalogues Robert Longo Books 2024Malissa, Constanze Johanna, and Klaus Albrecht Schröder, eds. Kunts der Gegenwart. Vienna: Albertina, 2024: 423, illustrated.Robert Longo (exhibition catalogue). Edited by Elsy Lahner and Klaus Albrecht Schröder. Vienna and Munich: Albertina Museum; Hirmer Verlag GmbH, 2024.13 Combines: Robert Longo (exhibition catalogue). New York; Paris: Pace Gallery; Thaddaeus Ropac, 2024.2023Gilman, Claire, and Roger Malbert. Drawing in the Present Tense. New York: Thames & Hudson, 2023: 50–53.2022Robert Longo: The New Beyond (exhibition catalogue). Paris: Thaddaeus Ropac, 2022.Eggemeier, Matthew T., Peter Joseph Fritz, and Karen V. Guth, eds. Religion, Protest and Social Upheaval. New York: Fordham University Press, 2022: cover, illustrated.FLAGS (exhibitions catalogue). Texts by Louma Salamé, Alfred Pacquement, Jean-Noël Jeanneney, and Fabrice Biasino. Brussels: Fondation Boghossian, 2022: 83, illustrated. Lapa, Pedro, ed. Coleção Berardo 1909–2019. Lisbon: Museum Coleção Berardo, 2022: 678–679, illustrated.2022Into the New Menschein: Von Pollock bis Bourgeois US-amerikanische Kunst im Städel Museum (exhibition catalogue). Dresden: Sandstein Kommunikation, 2022.2021The 80s. Texts by Klaus Albrecht Schrœder, Angela Stief, Brigitte Borchhardt-Birbaumer, and Florian Waldvogel. Wien: Albertina, 2021: 180–183, illustrated.Human, 7 questions (exhibition catalogue). Texts by Kwak June Young, Seo Dongwook, and Shin Sang Gyu. Seoul: Leeum Museum of Art, Seoul: 9–10, no. 21, illustrated.2019A Passion for Drawing: the Guerlain Collection from the Centre Pompidou (exhibition catalogue). Texts by Elsy Lahner, Isabelle Dervaux, Florence Guerlain, et al. Munich: Prestel, 2019.Eccher, Danilo. The Dark Side - Chi Ha Paura Del Buio? (exhibition catalogue). Cinisello Balsamo, Italy: Silvana Editoriale, 2019: 88–105.Markonish, Denise, ed. Suffering from Realness. Munich, London, New York: MASS MoCA; Delmonico Books; Prestel, 2019: 124–131.Mönchehaus Museum Goslar. Kaiserring Art Prize 1975-2019. Goslar, Germany: Mönchehaus Museum Goslar, 2019: 136–141.Robert Longo: Fugitive Images (exhibition catalogue). New York: Metro Pictures, 2019.Reflections: Matt Black x Gana Art (exhibition catalogue). Seoul: Gana Art, 2019: 116–119.2018Roberts, Mike. How Art Made Pop and Pop Became Art. London: Tate Publishing, 2018: 213, 218, 258.Graphic Revolution: American Prints 1960 to Now (exhibition catalogue). Texts by Elizabeth Wyckoff and Gretchen L. Wagner. St. Louis, Missouri: Saint Louis Art Museum, 2018.2017Coppel, Stephen, Catherine Daunt and Susan Tallman, eds. The American Dream: Pop to the Present. London” Thames & Hudson and The British Museum, 2017: 216–217.Fellner, Sabine and Elisabeth Nowak-Thaller. Sterne. Austria: Lentos Kunstmuseum Linz, 2017: 166.Ferrando, Alexander, ed. Gang of Cosmos: Robert Longo: The Abstract Expressionist Drawings (exhibition catalogue). Berlin: Hatje Cantz, 2017.Fino, Steven A. Tiger Check: Automating the US Air Force Fighter Pilot in Air-to-Air Combat, 1950–1980. Baltimore, Maryland: Johns Hopkins University Press, 2017: front cover.Foster, Hal, Thomas Kellein, and Kate Fowle. Robert Longo: Charcoal (exhibition catalogue). Second edition. Ostfildern, Germany: Hatje Cantz, 2017.Griffin, Tim, Kate Fowle and Jukka Petäjä. Robert Longo (exhibition catalogue). Tampere, Finland: Sara Hilden Art Museum, 2017.PROOF: Francisco Goya, Sergei Eisenstein, Robert Longo (exhibition catalogue). Texts by Anton Belov, Kate Fowle, Chris Hedges, Dirk Luckow, et al. Prague, Czech Republic; Moscow, Russia: Artguide; Garage Museum of Contemporary Art, 2017: 100–129.Robert Longo: Let the Frame of Things Disjoint (exhibition catalogue). London: Thaddaeus Ropac, 2017.Robert Longo: The Destroyer Cycle (digital exhibition catalogue). New York: Metro Pictures, 2017.Sasse, Julie. Dress Matters: Clothing as Metaphor. Tucson, Arizona: Tucson Museum of Art, 2017: 44.Tupan, Harry and Annemiek Rens, eds. The American Dream. Germany: Kunsthalle Emden, 2017: 203.2016Adamson, Glenn and Bryan-Wilson, Julia. Art in the Making. New York: Thames and Hudson, 2016: 41.Black, Matt. Reflections. In Conversation with Today’s Artists. New York: Assouline, 2016: 20–29.Crimp, Douglas. Pictures. S’Approprier La Photographie. New York, 1979-2014. Cherbourg-Octeville, France: Le Point du Jour, 2016: 62, 174–175.Crimp, Douglas. Before Pictures. Chicago and London: Dancing Foxes Press and University of Chicago Press, 2016: 241–242, 244, 255, 276.Gioni, Massimiliano and Alemani, Cecilia, eds. Good Dreams, Bad Dreams American Mythologies: Selections from the Tony and Elham Salame Collection Aïshti Foundation. Beirut: Aïshti Foundation; Milan: Skira Editore, 2016: 223–225.Hoffmann, Jens. Animality. New York; London; Paris: Marian Goodman Gallery; Geneva: Motto Books, 2016.Longo, Robert. Robert Longo: Luminous Discontent (exhibition catalogue). Paris: Galerie Thaddaeous Ropac, 2016. 2015Aaronson, Deborah, Diane Fortenberry, and Rebecca Morill, eds. Body of Art. London, New York: Phaidon Press, 2015: 327.Grunenberg, Christoph and Eva Fischer-Hausdorf, eds. Last Year in Marienbad: A Film as Art. Köln, Germany: Wienand, 2015: 218–219, 244–245.Hatley, Pam, ed. The Armand & Eleanor Castellani Collection. Art for the Public Eye. Lewiston, New York: Castellani Art Museum of Niagara University, 2015: 64–65.Heyler, Joanne, Ed Schad and Chelsea Beck, eds. The Broad Collection. Munich, Germany: Prestel Verlag, 2015: 144–145.Luckow, Dirk, ed. Picasso in Contemporary Art. Cologne, Germany: Snoeck Verladgesellschaft GmbH, 2015: 308–309.Merkin, Daphne. “Robert Longo.” In Bottega Veneta: Art of Collaboration. Edited by Tomas Maier. New York: Rizzoli, 2015: 301–331, cover.Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena, Italy: Panini, 2015: 57.Robert Longo: Drawings (exhibition catalogue). Berlin: Galerie Michael Haas, 2015.2014Auping, Michael. Urban Theater: New York in the 1980s. New York: Skira Rizzoli; Fort Worth, Texas: The Museum of Modern Art, 2014: 104–107.Graw, Isabelle. Robert Longo: Stand (exhibition catalogue). Ostfildern, Germany: Hatje Cantz Verlag, 2014.Nieuwenhuyzen, Martijn, ed. Bad Thoughts: Collection Martijn and Jeannette Sanders (exhibition catalogue). Amsterdam: Stedelijk Museum, 2014: 34–35.2013Robert Longo: The Capitol Project (exhibition brochure). Ridgefield, Connecticut: The Aldrich Contemporary Art Museum, 2013.2012Blanscubé, Michel and Fernando Espinosa. Poule!: 20 de abril de 2012. Mexico: Fundación/Colleción Jumex, 2012: 43.Dika, Vera. The (Moving) Pictures Generation. New York: Palgrave Macmillan, 2012: 4.Dreishpoon, Douglas, Louis Grachos, David Pagel and Heather Pesanti. Decade: Contemporary Collecting 2002-2012. Buffalo, New York: Albright-Knox Art Gallery, 2012: 392.Foster, Hal, Thomas Kellein and Kate Fowle. Robert Longo: Charcoal (exhibition catalogue). Ostfildern, German: Hatje Cantz Verlag, 2012.Grabner, Michelle, Tim Griffin and Randi Hopkins. 25 Years of Talent. New York: Marianne Boesky Gallery, 2012: 31.Pesanti, Heather, ed. Wish You Were Here: The Buffalo Avant-garde in the 1970s. Buffalo, New York: Albright-Knox Art Gallery, 2012: 90–93.Salomon, Mike. Bad For You. London: Shizaru Gallery, 2012.Smerling, Walter, ed. Art and Press. Cologne, Germany: Wienand Verlag, 2012: 196–197.2011Hoet, Jan, Joost Declerq, and Peter Doroshenko. Collection Vanmoerkerke. Brussels: Rispoli Books, 2011: 154–159.Whitney Museum of American Art, Dana Miller, Donna M. De Salvo, and Joseph Giovannini. Legacy: the Emily Fisher Landau Collection. New York: Whitney Museum of American Art; New Haven, Connecticut: Yale University Press, 2011: 176–177, 342.Robert Longo: God Machines (exhibition catalogue). Texts by Alessandra Bellavita, Jill Silverman van Cœnegrachts and Jonathan T. D. Neil. Paris: Galerie Thaddaeus Ropac, 2011.Siegel, Katy. Since ’45. London: Reaktion Books, 2011: 78–81, 87, 91.Singerman, Howard. Art History, After Sherry Levine. Berkeley: University of California Press, 2011: 1, 21, 29, 39, 43, 45, 49, 54–55, 104, 112. The Value of Water. New York: The Cathedral of Saint John the Divine, 2011: 27.2010Adicéam, Ashok and Sylvie Mallet. Hope: Une Exposition d’Art Contemporain sur l’Espoir. Dinard, France: Palais des Arts; Paris: Skira Flammarion, 2010: 76–77.The Albertina, Vienna. Ostfildern: Hatje Cantz Verlag, 2010: 148–167.Alison, Jane. The Surreal House. London: Barbican Art Gallery; New Haven, Connecticut: Yale University Press, 2010: 100–103.Cooke, Lynne, Douglas Crimp, and Kristin Poor. Mixed Use Manhattan: Photography and Related Practices, 1970s to the Present. Madrid: Museo Nacional Centro de Arte Reina Sofía; Cambridge, Massachusetts: The MIT Press, 2010: 46–47.Robert Longo (exhibition catalogue). New York: Skira Rizzoli, 2010.Robert Longo (exhibition catalogue). Ulm, Germany: Kunsthalle Weishaupt, 2010.Spies, Werner. Robert Longo (exhibition catalogue). Ulm, Germany: Kunsthalle Weischaupt, 2010.Wiehager, Renate and Andy Warhol. Cars: Andy Warhol, Robert Longo, Sylvie Fleury, Vincent Szarek. Ostfildern: Hatje Cantz Verlag, 2010.2009Eklund, Douglas. The Pictures Generation, 1974–1984. New York: The Metropolitan Museum of Art, 2009.Häußler, Harriet, and Aeneas Bastian, eds. According to the Artists: 13 Questions—51 Interviews. Bielefeld, Germany: Kerber; Manchester, United Kingdom: Cornerhouse [distributor], 2009: 107–110, 230.Longo, Robert. Robert Longo - men in the cities: photographs 1976-1982. Munich, Germany: Schirmer/Mosel, 2009.Murray, Peter, and William Laffan. Terror and the Sublime: Art in an age of Anxiety. Cork, Ireland: The Crawford Art Gallery, 2009: 28.Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 179.Robert Longo. Texts by Michèle Brun, Robert Longo, Gilbert Perlein, Caroline Smulders, Werner Spies, and Eric Troncy. Paris: Skira Flammarion; Nice, France: Musée d’art moderne et d’art contemporain, 2009.Roselione-Valadez, Juan, ed. Beg Borrow and Steal (exhibition catalogue). Miami: Rubell Family Collection, 2009: 158–159.Sherman, Cindy, and Richard Price. Robert Longo: Men in the Cities: Photographs 1976–1982, Munich: Schirmer/Mosel, 2009.Visser, Hripsimé, and Suermondt, Rik. Fotografie in het Stedelijk: de Geschiedenis van een Collectie. Amsterdam: Stedelijk Museum, Amsterdam, 2009: 225, 274.2008Breuer, Gerda, Markus Bruderlin, and Annelie Lutgens. Interieur/Exterieur: Living in Art. Ostfildern: Kunstmuseum Wolfsburg, 2008: 49, 52, 186, 196–197.Mercurio, Gianni and Museo Carlo Bilotti. The Big Bang. Rome: Museo Carlo Bilotti, 2008: 18–31.Milazzo, Richard. Robert Longo: Intimate Immensity (exhibition catalogue). Madrid: Galería Soledad Lorenzo, 2008.Musée national d'art moderne and Sophie Duplaix. Collection art contemporain: la collection du Centre Pompidou. Paris: Musée national d'art moderne, 2008: 284.Orgeman, Keely. Atomic Afterimage: Cold War Imagery in Contemporary Art. Boston: Boston University Art Gallery, 2008: 42–43.Poirier, Matthieu, ed. Landscope: Landscape and Contemporary Drawing. Paris: Galerie Thaddaeus Ropac, 2008: 38–41.Ruble, Casey, ed. to: Night, Contemporary Representations of the Night. New York: Hunter College Art Galleries, 2008: 37.The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum. Tatebayashi, Japan: Gunma Museum of Art, 2008: 95.2007Exhibitionism: An Exhibition of Exhibitions of Works from the Marlieluise Hessel Collection (exhibition catalogue). Annandale-on-Hudson, New York: CCS Bard Hessel Museum, 2007: 28.Molon, Dominic. Sympathy for the Devil: Art and Rock and Roll Since 1967. Chicago: Museum of Contemporary Art, 2007: 43–47.2006Bernstein, Joanne. The UBS Art Collection: Drawings. Zürich: Hatje Cantz, 2006: 160–161.Blancsube, Michel. Esquiador : en el fondo de un pozo; [fifth interpretation of the collection; September 4 / February 2007. Ecatepec de Morelos, Mexico: La Fundación/Colección Jumex, 2006: 213.Celant, Germano and Lisa Dennison. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Monaco: Skira, 2006: 480–483.Osterwold, Tilman. Irritation des Gleichgewichts. Cologne, Germany: Snoeck, 2006: 51–53.Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: first works by 362 artists. London: Thames & Hudson, 2006: 225.Templon, Daniel. Galerie Daniel Templon: 40 ans. Paris: Galerie Daniel Templon, 2006: 304, 386, 595.The Movement of Images. Paris: Centre Pompidou Editions, 2006: cover, 102.2005Giovanotti, Micaela, and Joyce B. Korotkin. Neo-Baroque! Milan: Charta Publishers, 2005.Kaiser, Philipp. Flashback: Revisiting the Art of the 1980s. Ostfildern-Ruit, Germany: Hatje Cantz; Maidstone, United Kingdom: Amalgamated Book Services [distributor], 2005.Kantor, Jordan. Drawing from the Modern: After the Endgames. New York: The Museum of Modern Art, 2005: 105.Longo, Robert. A Universe in Climax Sonic Grandeur: Robert Longo Talks with Glenn Branca. Edited by Ellen Ross Yard. New York: London Terrace Station, 2005: 46–53.Oliva, Achille Bonito and Richard Milazzo. Robert Longo: Fire, Water, Rock 2003-2005 (exhibition catalogue). Modena, Italy: Emilio Mazzoli Galleria D’Arte Contemporanea, 2005.Onnen, Serge and J&L Books. Drawings on Geology. Atlanta, Georgia: J & L Books, 2005.Spies, Werner. Robert Longo: tiefe Stille = Deep Silence (exhibition catalogue). Goslar, Germany: Mönchehaus-Museum für Moderne Kunst, 2005.2004Lovejoy, Margot. Digital Currents: Art in the Electronic Age. New York and London: Routledge Publishing, 2004: 302.Spies, Werner. Robert Longo: The Freud Cycle. Munich; New York: Edition Schellman; Paris: Harry Jancovici, 2004.2003Dika, Vera. Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia. Cambridge, United Kingdom: Cambridge University Press, 2003: 8, 9, 36–41.Korotkin, Joyce. Robert Longo: Lust of the Eye (exhibition catalogue). Madrid: Galería Soledad Lorenzo, 2003.2002Melodrama: Artium, Vitoria-Gasteiz, abril - septiembre 2002; Centro Jose Guer (exhibition catalogue). Vitoria-Gasteiz, Spain: Artium, 2002: 36–41.Robert Longo: The Freud Drawings. Bielefeld, Germany: Kerber Verlag, 2002.Townsend, Chris. Rapture art's seduction by fashion since 1970; [accompanies an exhibition: Rapture - Art's Seduction by Fashion since 1970, 10 october–23 december 2002, Barbican Gallery, London (exhibition catalogue). London: Thames & Hudson, 2002: 162–163.2001Heartney, Eleanor. Postmodernism. London: Tate Publishing, 2001: 32–33.2000Chase Manhattan Bank, William B. Harrison, Emily Russell, Robert Rosenblum, and Manuel E. González. Art at work: forty years of The Chase Manhattan Collection. New York: Chase Manhattan Corp., 2000: 196–197.Collischan, Judy, ed. End Papers. Purchase, New York: Neuberger Museum of Art, Purchase College, State University of New York, 2000.Fineberg, Jonathan, ed. Art Since 1940: Strategies of Being. London: Calmann & King, 2000: 450.Hills, Patricia. Modern Art in the USA: Issues and Controversies of the 20th Century. Hoboken, New Jersey: Prentice Hall, 2000: 367.Limited and Unlimited Editions (benefit brochure). New York: Artists Space, 2000.Palazzoli, Daniela, ed. Il sentimento del 2000: arte e foto, 1960/2000. Milan: Electa, 2000: 215. Oliva, Achille Bonito and Richard Milazzo. Robert Longo: 1980-2000 (exhibition catalogue) Modena, Italy: Emilio Mazzoli, 2000.1999Fairbrother, Trevor J., and Bagley Wright. The Virginia and Bagley Wright collection (exhibition catalogue). Seattle: Seattle Art Museum, 1999: 132.Phillips, Lisa. The American Century: 1950-2000. New York: Whitney Museum of American Art, 1999: 308.1998Goldberg, RoseLee. Performance: Live Art Since 1960. New York: Harry N. Abrams Publishers,1998: 200.Ratcliff, Carter. The fate of a gesture: Jackson Pollock and post-war American art. Boulder, Colorado: Westview Press, 1998: 276–277, 278–279, 286–288, 291, 299–301.Robert Longo: Superheroes (exhibition catalogue). Knokke-Zoute: Cotthem Gallery,1998.1997Ardenne, Paul. Art: L'Âge Contemporain: une histoire des arts plastiques à la fin du XXè siècle. Paris: Regard, 1997: 169.Celant, Germano, and Lino Miccichè. Past, Present, Future: The 47th International Art Exhibition. Venice, Italy: The Venice Biennale, 1997.Decter, Joshua, ed. A/Drift (exhibition catalogue). Annandale-on-Hudson, New York: Center for Curatorial Studies, Bard College, 1997.Kellein, Thomas, and Robert Longo. Robert Longo: Magellan (exhibition catalogue). Cologne, Germany: Dumont, 1997.Lasting Impressions: Twentieth-Century Prints From the Permanent Collection (exhibition catalogue). Birmingham, Alabama: Birmingham Museum of Art, 1997: 10–11.Kortun, Vasif, and Ivo Mesquita. Stills: Art and Cinama in the Marieluise Hessel Collection. Rio de Janeiro: Centro Cultural Light, 1997.Nasgaard, Roald. Bang! The Gun as Image. Tallahassee, Florida: Florida State University Museum of Fine Arts, 1997.Serota, Nicholas, Andrew Brighton, and Peter Wollen. Views from abroad: European perspectives on American art 3: American realities. New York: Whitney Museum of American Art, 1997.1996Ehmke, Ronald, and Elizabeth Licata. Consider the alternatives: 20 years of contemporary art at Hallwalls. Buffalo, New York: Hallwalls Contemporary Art Center, 1996.Greenfield-Sanders, Timothy. Timothy Greenfield-Sanders: Selected Portraits. Cologne, Germany: Kunst- Station Sankt Peter, 1996.Hayward, Vicky, ed. American Images: The SBC Collection of Twentieth-Century Art Surface: Contemporary Photographic Practice. Text by Michael Mack. New York: SBC Communications Inc.; Harry N. Abrams, 1996.100 Photographs from the Collection. Amsterdam, Holland: Stedelijk Museum, 1996.1995Generux, Linda. Robert Longo: The Johnny Paintings. Paris: Galerie Gana-Beaubourg; Seoul: Gana Art Gallery, 1995.Gibson, William. Robert Longo (exhibition catalogue). Tokyo: APT International, 1995.Hansen, T. Victoria. Printmaking in America: Collaborative Prints and Presses 1960-1990. Illinois: Abrams/Block Gallery, Northwestern University; New York: Harry N. Abrams, Inc.,1995.Robert Longo: A Retrospective. Tokyo: The Isetan Museum of Art; Ashikaga, Japan: Ashikaga City Museum; Osaka, Japan: Kirin Plaza Art Space, 1995.Rubin, David S. It's only Rock and Roll: Rock and Roll currents in contemporary art (exhibition catalogue). Munich: Prestel, 1995.Wayson, Anne, and Melissa Banta. Essence and Persuasion: The Power of Black and White. Buffalo, New York: Anderson Gallery, 1995.1994Saxenhuber, Hedwig, and Astrid Wege. Oh boy, it's a girl!: Feminismen in der Kunst. Munich, Germany: Kunstverein München, 1994.Subler, Craig Allen, Burton L. Dunbar, and Susan L. Feagin. Drawings: reaffirming the media. Kansas City, Missouri: University of Missouri-Kansas City, Gallery of Art, 1994.1993Four American Artists (Longo, Schnabel, Salle, Fischl). Seoul, South Korea: Ho-Am Art Museum, 1993.Lail, Thomas. Robert Longo: Killing time (exhibition catalogue). Barcelona: Galeria Joan Prats, 1993.Kellein, Thomas, Wolfgang Laib, Jon Kessler, Roni Horn, Martin Disler, Marlene Dumas, Silvia Dell'Olio, Simone Widauer, and Frank Geerk. The 21st Century: Into the Future with Paracelsus = Das 21. Jahrhundert : Mit Paracelsus in die Zukunft. Basel, Switzerland: Kunsthalle Basel, 1993.1992 When Heaven and Hell Change Places. Dusseldorf, Germany: Galerie Hans Mayer, 1992.1991Daehlin, Erik. Hundre Als Bildekunst. Oslo: Dreyers Forlag, 1991.Gibson, William and Robert Longo. Robert Longo. Kyoto, Japan: Kyoto Shoin, 1991.Kellein, Thomas, ed. Robert Longo (exhibition catalogue). Hamburg: Kunstverein in Hamburg: Deichtorhallen Hamburg, 1991.1990Benezra, Neal David, and Michael Auping. Affinities and intuitions: the Gerald S. Elliot collection of contemporary art. New York: Thames and Hudson, 1990. Friedman, Martin. Walker Art Center: Painting and Sculpture from the Collection. Minneapolis, Minnesota: Walker Art Center, 1990: illustrated.Smulders, Caroline. Robert Longo: Black Flags (exhibition catalogue). Paris: Galerie Daniel Templon, 1990.1989A Forest of Signs: Art in the Crisis of Representation. Los Angeles: The Museum of Contemporary Art; Cambridge, Massachusetts: The MIT Press, 1989.Celant, Germano. Unexpressionism: Art Beyond the Contemporary. New York: Rizzoli International, 1989.Fondation Daniel Templon: Musee Temporaire Exposition Inagurale. France: Frejus & Fondation Daniel Templon, 1989.Fox, Howard N., Hal Foster, Katherine Dieckman and Brian Wallis. Robert Longo (exhibition catalogue). Los Angeles; New York: Los Angeles County Museum of Art; Rizzoli, 1989.Heiferman, Marvin, and Lisa Phillips. Image world: art and media culture: [November 8, 1989–February 18, 1990]. New York: The Whitney Museum of American Art, 1989.Minamishima, Hiroshi. Robert Longo. Tokyo: Seibu Contemporary Art Gallery, 1989.Nordstrom, Gert Z. Bilden I det Postmoderna Samhallet. Stockholm, Sweden: Carlssons Bokforlag, 1989.1989 Media Art Museum. Tokyo: Quest Hall, 1989.1988American Art Since 1945. Utsunomiya, Japan: Tochigi Prefectural Museum of Fine Arts, 1988.Gilbert, Rita, and William MacCarter. Living with art. New York: Alfred Knopf, 1988.Honnef, Klaus. Kunst der Gegenwart. Cologne, Germany: Taschen, 1988.Hunter, Sam. Visions/revisions: Contemporary Representation. New York: Marlborough Gallery, 1988.Knopf, Alfred A. The World of Art Today. Text by Russell Bowman. Milwaukee, Wisconsin: Milwaukee Art Museum, 1988.Nittve, Lars, Germano Celant, Kate Linker, and Craig Owens. Implosion--ett postmodernt perspektiv. Stockholm: Moderna museet, 1988.Quik, Ton. Het Postmodern: Aan Kinderen Verklaard. Antwerpen: Bonnefantenmuseum, 1988.1987Bush, Catherine. All America: The Catalogue of Everything American. New York: William Morrow and Company, Inc., 1987.Fox, Howard N. Avant-Garde in the Eighties. Los Angeles: Los Angeles County Museum of Art, 1987.1986 Arnason, H. H. History of Modern Art. 3rd ed. New York: Harry N. Abrams Inc., 1986.Barnes, Lucinda. Robert Longo: Sequences/Men in the Cities (exhibition catalogue). Long Beach, California: University Art Museum, California State University, 1986.Glaser, Hermann, and Reimar Zeller. Das Automobil in der Kunst, 1886-1986: Malerei, Graphik, Skulptur, Happening, Plakat, Karikatur, Photographie, Trivialkunst, Design, Architektur. Munich: Prestel, 1986.Hunter, Sam, Malcolm R. Daniel, Harry F. Gaugh, Karen Koehler, Kim Levin, Robert C. Morgan, and Richard Sarnoff. An American renaissance: painting and sculpture since 1940. New York: Abbeville Press, 1986.Itoh, Junji. Robert Longo in Tokyo (exhibition catalogue). Tokyo: Wacoal Art Center, 1986.Kotik, Charlotta. Monumental Drawing: Works by 22 Contemporary Americans. New York: The Brooklyn Museum, 1986.Longo in Tokyo: Robāto Rongo ten (exhibition catalogue). Tokyo: Wacoal Art Center, 1986.Marshall, Richard and Robert Mapplethorpe. 50 New York Artists: a critical selection of painters and sculptors working in New York. San Francisco: Chronicle Books, 1986.Parke-Taylor, Michael. Robert Longo: Studies and Prints (exhibition pamphlet). Regina, Sasketchawan: Norman Mackenzie Art Gallery, 1986.Price, Richard. Men in the Cities: 1979–1982. New York: Abrams, 1986.1985Alibis, Centre Georges Pompidou. Paris: Musee d'Art Moderne, 1985.Anniontanta. Milan: Nuove edizioni Gabriele Mazzotta, 1985.Hobbs, Robert. Robert Longo: Dis-Illusions (exhibition catalogue). Iowa City: University of Iowa Museum of Art, 1985.Longo, Robert. Robert Longo: talking about: the sword of the pig. London: Patrons of new art, 1985.New York 85. Marseille, France: ARCA Centre d'art Contemporain, 1985.Ratcliffe, Robert. Robert Longo. New York: Rizzoli, 1985.1984Berger, Maurice. Endgame: Strategies of Postmodernist Performance. New York: Hunter College Gallery, 1985.Biennale of Sydney, and Leon Paroissien. The Fifth Biennale of Sydney: private symbol, social metaphor: 11 Apr, 11–17 June, 1984. Sydney, New South Wales, Australia: The Biennale, 1984.Cathcart, Linda, and Craig Owens. The Heroic Figure. Contemporary Arts Museum, Houston, 1985.El Arte Narrativo. Mexico City: Museo Ruffino Tamayo, 1985: 53.Felshin, Nina. Disarming Images: Art for Nuclear Disarmament. New York: Adama Books, 1985.Fox, Howard N., Miranda McClintic, and Phyllis Rosenzweig. Content: a contemporary focus, 1974–1984. Washington, District of Columbia: Smithsonian Institution Press, 1984.Freeman, Phyllis. New Art. New York: Harry N. Abrams, Inc., 1984: 124–125.Herr, Marcianne. Robert Longo: Drawings & Reliefs (exhibition catalogue). Akron, Ohio: Akron Art Museum, 1984.Musée national d'art moderne (France). Alibis: [exposition], Centre Georges Pompidou, Musée national d'art moderne, Galeries contemporaines, du 5 juillet au 17 septembre 1984. Paris: Centre Georges Pompidou, 1984.Rosenthal, Mark. Art of Our Time: The Saatchi Collection. London: Lund Humphries; New York: Rizzoli, 1984.1983Compton, Michael. New Art. London: Tate Gallery, 1983.Honnef, Klaus. Back to the U.S.A.: Amerikansiche Kunst der Siebziger und Achtziger. Cologne: Rheinland-Verlag, 1983.1983 Biennial Exhibition. New York: Whitney Museum of American Art, 1983.Rosenzwieg, Phyllis J. Directions 1983. Washington, District of Columbia: Hirshhorn Museum, 1983.Stedelijk Van Abbemuseum. Walter Dahn, René Daniels, Isa Genzken, Jenny Holzer, Robert Longo, Henk Visch [... from 14th Oct. until 20th Nov. 1983]. Eindhoven: The Abbemuseum, 1983.1982Borofsky, Jonathan. Eight artists: the anxious edge: Walker Art Center, 25 April-13 June 1982. Minneapolis, Minnesota: Walker Art Center, 1982.Brooks, Rosetta. New York's Heroic City. 1982: 58–60.Caroli, Flavio. Magico Primario. Milan: Gruppo Editoriale Fabbri, 1982.Documenta. Documenta 7. 1. Kassel, Germany: Dierichs, 1982.Documenta. Documenta 7. 2. Kassel, Germany: Dierichs, 1982.Foster, Hal. New York Art: Seven Types of Ambiguity. 1982: 14–24.Goldstein, Rosalie. 1982. New figuration in America. Milwaukee, Wisconsin: Milwaukee Art Museum, 1982.Haskell, Barbra. Focus on the Figure. New York: The Whitney Museum of American Art, 1982.Karden, Janet. Image Scavengers: Painting. Philadelphia: ICA, 1982.Lawson, Thomas. A fatal attraction: art and the media. Chicago: The Renaissance Society at the University of Chicago, 1982.Smith, Roberta. Body Language. Cambridge, Massachusetts: Committee for the Visual Arts, MIT, 1982.Sterns, Robert, Contemporary Arts Center (Cincinnati, Ohio), Allen Memorial Art Museum, and Sullivant Hall Gallery. Dynamix: an exhibition organized by the Contemporary Arts Center, March 11–April 17, 1982. Cincinnati, Ohio: Contemporary Arts Center, 1982.1981Koenig, Kasper. Westkunst: Heute. Cologne, Germany: Museen der Stadt Koln, 1981.Kotic, Charlotta. Figures: Forms and Expressions. Buffalo, New York: Albright-Knox Art Gallery, 1981.Levin, Kim. Tableaux. New York: Wave Hill, 1981.Repetto, Maria Luisa. Inespressionismo Americano. Genoa: Boninni editore, 1981.1980Cathcart, Linda L., Jennifer Bartlett, Lynda Benglis, Robert Longo, and Judy Pfaff. Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff: January 20–March 2, 1980. Houston, Texas: Contemporary Arts Museum, 1980.Ratcliff, Carter. Illustration & Allegory. New York: Brooke Alexander Gallery, 1980.1979Goldberg, RoseLee and Herbert Kroemer. Performance: Live Art 1909 to the Present. London: Thames and Hudson,1979.1977Crimp, Douglas. Pictures. New York: Artists Space, 1977. Robert Longo Periodicals Robert Longo Periodicals 2024“Art News: October 1” (Pace Gallery and Thaddaeus Ropac exhibition reviews). Dream Idea Machine, 1 October 2024. https://www.dreamideamachine.com/?p=100919Babbs, Verity. “Nicole Kidman Recreates Robert Longo’s Iconic ‘Men in the Cities’ Series.” Artnet News, 20 November 2024. https://news.artnet.com/art-world/nicole-kidman-robert-longo-2572675Carollo, Elisa. “Slow Sales at Tokyo Gendai Suggest Realizing Japan’s Potential Will Be an Uphill Battle.” Observer, 8 July 2024. https://observer.com/2024/07/slow-sales-tokyo-gendai-2024-japanese-art-market-analysis/“Charcoal Volume 2: Robert Longo's haunting vision of our turbulent times.” ArtDaily, 26 December 2024. https://artdaily.cc/news/176827/Charcoal-Volume-2--Robert-Longo-s-haunting-vision-of-our-turbulent-timesde Volpi, Carlotta. “Tokyo Gendai focuses on the quality of the works.” Il Giornale dell’Arte, 8 July 2024. https://www.ilgiornaledellarte.com/Articolo/Tokyo-Gendai-punta-sulla-qualita-delle-opereFan, Cathy. “With a Weakened Yen, the Second Tokyo Gendai Attracted a Larger International Crowd.” Artnet News, 5 July 2024. https://news.artnet.com/market/tokyo-gendai-second-edition-sales-2508062Longo, Robert. “How Do You Feel About Getting Old?’: Robert Longo, in Conversation With Richard Price.” Interview with Richard Price. Interview Magazine, 8 October 2024. https://www.interviewmagazine.com/art/robert-longo-in-conversation-with-richard-priceLongo, Robert. “Robert Longo in the Albertina: ‘I have created a world’.” Interview with Almuth Spiegler. Die Presse, 3 September 2024. https://www.diepresse.com/18824053/robert-longo-in-der-albertina-ich-habe-eine-welt-erschaffen?utm_source=push&utm_medium=authorsLongo, Robert. “Robert Longo with Amanda Gluibizzi” (Pace Gallery exhibition preview). Interview with Amanda Gluibizzi. The Brooklyn Rail, 2 October 2024. https://brooklynrail.org/2024/10/art/robert-longo-with-amanda-gluibizzi/Longo, Robert. “Robert Longo: ‘Montage Is a Way of Living’” (Pace Gallery exhibition preview). Interview with Tom Morton. Frieze, 1 October 2024. https://www.frieze.com/article/robert-longo-interview-2024Longo, Robert. “Robert Longo’s Search for Truth and Meaning in a Fragmented World” (Pace Gallery exhibition review). Interview with Ana Novi. Whitewall, 12 November 2024. https://whitewall.art/art/robert-longos-search-for-truth-and-meaning-in-a-fragmented-world/Longo, Robert. “‘What can I say? We saw the future’: artist Robert Longo on AI, Keanu and his vast mirrorball of death.” Interview with Stuart Jeffries. The Guardian, 9 October 2024. https://www.theguardian.com/artanddesign/2024/oct/09/artist-robert-longo-drawings-sculpture?CMP=Share_iOSApp_OtherMichalarou, Efi. “Art Cities: London-Robert Longo” (Pace Gallery and Thaddaeus Ropac exhibition reviews). Dream Idea Machine, 9 October 2024. https://www.dreamideamachine.com/?p=101037“Nicole Kidman on Babygirl and Pushing Herself to the Limit” (Pace Gallery exhibition review). W Magazine, 19 November 2024. https://www.wmagazine.com/culture/nicole-kidman-robert-longo-cover-interview?“Pace Gallery at Frieze Los Angeles.” Martin Cid Magazine, 24 February 2024. https://martincid.com/art/pace-gallery-at-frieze-los-angeles/.Paolini, Jen. “Tokyo Gendai 2024 Concludes With Robust Sales and Sell-Out Shows, Counting Robert Longo Drawings Among Most Expensive Lots.” Robb Report, 18 July 2024. https://robbreport.hk/posts/tokyo-gendai-2024-highlights“Price Check! Here’s What Sold–and For How Much–at Frieze Los Angeles 2024.” Artnet, 5 March 2024. https://news.artnet.com/market/frieze-los-angeles-sales-report-2024-price-check-2446913.Rabb, Maxwell. “What Sold at Frieze Los Angeles 2024.” Artsy, 4 March 2024. https://www.artsy.net/article/artsy-editorial-sold-frieze-los-angeles-2024.“Robert Longo at the Albertina” (exhibition preview). Apollo, 23 August 2024. https://www.apollo-magazine.com/robert-longo-albertina-vienna/ “Robert Longo opens a two-part solo exhibition at both Pace and Thaddaeus Ropac on 8 October” (exhibition review). Art Daily, 30 July 2024. https://artdaily.com/news/172612/Robert-Longo-opens-a-two-part-solo-exhibition-at-both-Pace-and-Thaddaeus-Ropac-on-8-October Rubell, Samanthe. “Interview with Samanthe Rubell and Kyoko Hattori of Pace Gallery, ‘The Potential of the Japanese Art Scene as Seen by Mega Galleries’ [Current Trends in Art vol.15].” Interview with Kyoko Hattori. Richesse Magazine, 1 September 2024. https://www.richessemag.jp/lifestyle/art/a61972088/art-240901/ Sharrock, Lee. “Anti-Frieze: 9 Free Exhibitions to See in London during Frieze Week” (Pace Gallery and Thaddaeus Ropac exhibition reviews). FAD Magazine, 6 October 2024. https://fadmagazine.com/2024/10/06/anti-frieze-9-free-exhibitions-to-see-in-london-during-frieze-week/Steer, Emily. “‘I Can Do Whatever I Want’: Robert Longo on Grappling With Heavy Politics and Delicate Beauty” (Pace Gallery and Thaddaeus Ropac exhibition reviews). Artnet News, 9 October 2024. https://news.artnet.com/art-world/robert-longo-interview-2550208“What to see in London during Frieze Week” (Pace Gallery and Thaddaeus Ropac exhibition reviews). Financial Times, 7 October 2024. https://www.ft.com/content/fb963e42-720c-4564-adfb-3f876973327bYerebakan, Osman Can. “Is Food the Art World’s Next Frontier?” (Pace Gallery, Thaddeus Ropac and Milwaukee Art Museum exhibition previews). Town & Country, 3 October 2024. https://www.townandcountrymag.com/leisure/arts-and-culture/a62468870/art-culinary-worlds-collaboration-2024/2023Armstrong, Annie. “‘I Am Just the Host’: Latifa Echakhch Has Devised Precarious Stage-Scapes for an Artist-Curated Concert Series at Art Basel.” Artnet News, 14 June 2023. https://news.artnet.com/market/latifa-echakhch-art-basel-2023-2316812Ghassemitari, Shawn. “Must-See Booths at Frieze Los Angeles 2023.” Hypebeast, 14 February 2023. https://hypebeast.com/2023/2/must-see-booths-2023-frieze-los-angelesKatsikopoulou, Myrto. “Latifa Echakhch's Music Festival Invites All to the Messeplatz at Art Basel 2023.” Designboom, 14 June 2023. https://www.designboom.com/art/interview-latifa-echakhch-music-festival-messeplatz-art-basel-06-14-2023/Longo, Robert. “Robert Longo on Mark Rothko: ‘A Small Battle Scene Occurs Where the Colours Meet.’” Frieze Magazine, 29 November 2023.https://www.frieze.com/article/mark-rothko-review-2023.Longo, Robert. “Robert Longo on the Responsibility That Comes with Being an Artist.” Interview with Margaret Carrigan. Cultured Magazine, 16 June 2023. https://www.culturedmag.com/article/2023/06/16/robert-longo-artist-long-islandMarcoux, Steele. “Venus Williams is Working with Top Artists to Save Nina Simone’s Childhood Home.” Veranda, 24 May 2023. https://www.veranda.com/luxury-lifestyle/artwork/a43934344/venus-williams-is-working-with-top-artists-to-save-nina-simones-childhood-home/“Paris+: The augmented reality of Paris’s contemporary art scene.” Judith Benhamou Reports, 19 October 2023. https://judithbenhamouhuet.com/sarah-lucas/Woeller, Von Marcus. “Who Preserves the Memory of Nina Simone.” Die Welt, 12 May 2023. https://www.welt.de/kultur/article245111288/Buergerrechtsbewegung-in-den-USA-Wer-die-Erinnerung-an-Nina-Simone-bewahrt.htmlYoung, Neda. “What I Buy and Why: Croatian Collector Neda Young Supports Women Artists and Buys Artworks in the Back Rooms of Galleries.” Interview with Lee Carter. Artnet News, 24 July 2023. https://news.artnet.com/market/what-i-buy-and-why-neda-young-23405822022Dangremond, Sam. “What to Expect at Carriage House, Palm Beach's Buzzy New Private Club.” Town & Country, 31 March 2022. https://www.townandcountrymag.com/leisure/a39481348/carriage-house-palm-beach-opening/Diehl, Travis. “Facing Violence With Brushes and Ballots.” The New York Times, 13 January 2022: C–9, illustrated. Web version: https://www.nytimes.com/2022/01/13/arts/design/artists-responses-january-6-chan.html“The 5 Best Shows in the UK this April.” Frieze, 8 April 2022. https://www.frieze.com/article/5-best-shows-uk-aprilGreenberger, Alex. “Paulina Olowska, Painter of Sleek Representations of Women, Joins Pace Gallery.” ARTnews, 1 February 2022. https://www.artnews.com/art-news/news/paulina-olowska-pace-gallery-1234617266/Kinsella, Eileen and Katie White. “What Does the New Netflix Series About Convicted Scammer Anna Delvey Get Right About the Art World? We Took a Deep Dive.” Artnet News, 11 February 2022. https://news.artnet.com/art-world/what-does-new-netflix-series-about-scammer-anna-delvey-get-right-about-the-art-world-2071541Longo, Robert. "Robert Longo's Art of The Now." Interview with Tom Teicholz. Forbes, 23 December 2022. https://www.forbes.com/sites/tomteicholz/2022/12/23/longo-time-coming-robert-longos-art-of-the-now/?sh=14feb29b20dc“Pace Announces Gallery 125 Newbury in New York.” Artforum, 20 January 2022. https://www.artforum.com/news/pace-announces-gallery-125-newbury-in-new-york-87643Segal, Mark. “The Art Scene 11.10.22” (Pace Gallery exhibition review). East Hampton Star, 10 November 2022. https://www.easthamptonstar.com/arts/20221110/art-scene-111022Zhang, Tianwei. “Exhibitions to Check Out in London This Summer.” Women’s Wear Daily, 28 May 2022. https://wwd.com/eye/lifestyle/exhibitions-summer-2022-london-1235179951/2021Armisen, Fred. “Robert Longo on drawing the universe in black & white dust.” A24 Zine (13) 2021: Cover, Back Cover: 1, 13, 14, 25, 26, 35–40.Balmont, James. “The 90s Keanu Reeves Cyberpunk Film Connecting Blade Runner to The Matrix.” DazedDigital.com, 10 May 2021.“Before, During, After January 6” (Pace Gallery exhibition preview). New York Magazine, 2 July 2021. https://nymag.com/intelligencer/article/2021-insurrection-aftermath.htmlBiller, Steven. “Slowing Things Down” (Jeffrey Deitch exhibition review). Palm Springs Life, 7 January 2021. https://www.palmspringslife.com/robert-longo/Bodin, Claudia. “The New Yorks Come-back.” ART Magazine, September 2021: 20–34, illustrated.Bradshaw, Peter. “Johnny Mnemonic Review—Keanu Test-Drives Early Matrix Prototype.” TheGuardian.com, 6 May 2021.Dafoe, Taylor. “Artist Robert Longo Is Joining Pace Gallery After Four Decades at the Soon-to-Shutter Metro Pictures.” Artnet News, 13 May 2021. https://news.artnet.com/market/robert-longo-joins-pace-1968400“Documentarian Sophie Chahinian Is Making a Film About Robert Longo and Spending Time by the Pool” (Guild Hall exhibition preview). Interview with Sophie Chahinian. Artnet News, 16 July 2021. https://news.artnet.com/style/art-world-at-home-sophie-chahinian-1989319Durón, Maximilíano. “Pictures Generation Star Robert Longo Heads to Pace Gallery After Metro Pictures’s Closure.” ARTnews, 13 May 2021. https://www.artnews.com/art-news/news/robert-longo-pace-gallery-1234592650/Durón, Maximilíano. “10 Works That Sold at This Year’s Frieze London.” ARTnews, 14 October 2021. https://www.artnews.com/gallery/art-news/photos/frieze-london-2021-sales-highlights-1234606937/Ebony, David. “ONE WORK: ROBERT LONGO’S “UNTITLED (INSURRECTION AT THE U.S. CAPITOL…)” (Pace Gallery exhibition review). Art in America, 6 October 2021. https://www.artnews.com/art-in-america/aia-reviews/one-work-robert-longo-untitled-insurrection-us-capitol-1234605851/“Editors’ Picks: 8 Events for Your Art Calendar This Week, From a History of Censorship in Art to a Robert Longo Show in East Hampton” (Guild Hall exhibition review). Artnet News, 3 August 2021. https://news.artnet.com/art-world/editors-picks-august-2-2021-1992655Escalante-De Mattei, Shanti. “Robert Longo Discusses ‘Moral Imperative’ That Drives His Latest Work” (Pace Gallery exhibition preview). ARTnews, 2 September 2021. https://www.artnews.com/art-news/artists/robert-longo-guild-hall-pace-gallery-exhibitions-1234602803/Feinblatt, Rachel. “On the (Lon)Go” (Pace Gallery exhibition preview; Guild Hall exhibition review). Modern Luxury Hamptons, July 2021: 56, illustrated.Gaskin, Sam. “Irving Penn’s ‘Girl Behind Bottle’ Sells for $210,000 at Paris Photo.” Ocula, 16 November 2021. https://ocula.com/magazine/art-news/irving-penn-girl-behind-bottle-paris-photo/Ghassemitari, Shawn. “Pace Gallery Brought a Star-Studded Lineup to Art Basel 2021.” Hypebeast, 21 September 2021. https://hypebeast.com/2021/9/pace-gallery-art-basel-2021Ghassemitari, Shawn. “Robert Longo Completes His ‘Destroyer Cycle’ Series with a New Exhibition at Pace Gallery” (Pace Gallery exhibition review). Hypebeast, 7 September 2021. https://hypebeast.com/2021/9/robert-longo-i-do-fly-after-summer-merrily-pace-gallery-new-york-exhibition“Goings On About Town: August 4–10, 2021” (Guild Hall exhibition preview). The New Yorker, 9 August 2021: 4, illustrated. Web version: https://www.newyorker.com/magazine/2021/08/09/robert-longos-cinematic-worksGriffin, Tim. “More Real Than Real” (Pace Gallery exhibition review). Artforum, October 2021: 116–126, illustrated. Web version: https://www.artforum.com/print/202108/tim-griffin-on-the-art-of-robert-longo-86702“‘I Never Experienced Such Focus and Determination’: Jeffrey Deitch, Jenny Holzer, and Others Reflect on the Life of Eli Broad.” News.Artnet.com, 5 May 2021.Kinsella, Eileen and Naomi Rea. “‘Now It’s Just the Real People’: Art Basel Opens Its First Fair in 18 Months With an Among-Friends Vibe (and Steady Sales, Too).” Artnet News, 21 September 2021. https://news.artnet.com/market/art-basel-sales-report-2021-2011301Kock, Marie. “Alors, On Danse?” Stylist, 28 January 2021: cover, 30–31.Landes, Jennifer. “Making It New at Guild Hall” (Guild Hall exhibition preview). The East Hampton Star Magazine, July 2021: 70–77, illustrated.Longo, Robert. “In the Studio with Robert Longo” (Pace Gallery exhibition review). Interview with James Ambrose. Émergent Magazine, September 2021. https://www.emergentmag.com/interviews/robert-longoLongo, Robert. “Ready for His Closeup” (Pace Gallery exhibition preview). Interview with The Canvas. The Canvas XXXI, August 2021: 11–16, illustrated.Longo, Robert. “Robert Longo: Storm of Hope” (Jeffrey Deitch exhibition review). Interview with A. Moret. Installation Magazine, 27 February 2021. https://installationmag.com/robert-longo-storm-of-hope/“Price Check! Here’s What Sold—and for How Much—at the 2021 Edition of Art Basel in Switzerland.” Artnet News, 27 September 2021. https://news.artnet.com/news-pro/price-check-art-basel-2021-2011427“Price Check! Here’s What Sold—and for How Much—at the 2021 Edition of Frieze and Frieze Masters in London.” Artnet News, 18 October 2021. https://news.artnet.com/news-pro/price-check-frieze-and-frieze-masters-in-london-2021-2020146Rea, Naomi. “‘It’s Great to Be Back’: International VIPs Flock to Frieze London, Ready to See—and Spend—After a Year’s Hiatus.” Artnet News, 13 October 2021. https://news.artnet.com/market/frieze-london-sales-2021-2019893Reyburn, Scott. “Art Dealers Reconsider Their Brick-and-Mortar Needs.” The New York Times, 1 March 2021: C3.Righelato, Rowan. “Hear Me Out: Why Johnny Mnemonic Isn’t A Bad Movie.” TheGuardian.com, 30 April 2021.Russeth, Andrew. “The 10 Best Booths at the 2021 Korea International Art Fair in Seoul.” ARTnews, 14 October 2021. https://www.artnews.com/list/art-news/artists/2021-kiaf-seoul-best-booths-1234607071/pace/Segal, Mark. "The Art Scene 09.16.21” (Pace Gallery exhibition review). The East Hampton Star, 16 September 2021. https://www.easthamptonstar.com/arts/2021916/art-scene-091621Scott, Chadd. “Robert Longo Coast-To-Coast; Bigger And Better Than Ever” (Guild Hall and Palm Springs Museum of Art exhibition review). Forbes, 25 August 2021. https://www.forbes.com/sites/chaddscott/2021/08/25/robert-longo-coast-to-coast-bigger-and-better-than-ever/?sh=3448635760e3Tarmy, James. “At Art Basel, No Americans Is No Problem.” Bloomberg, 22 September 2021. https://www.bloomberg.com/news/articles/2021-09-22/at-art-basel-no-americans-is-no-problem-for-contemporary-sales?sref=BJIROHoFThaddeus-Johns, Josie. “The 10 Best Booths at Art Basel in Basel 2021.” Artsy, 22 September 2021. https://www.artsy.net/article/artsy-editorial-10-best-booths-art-basel-basel-2021Um, Taegeun. “[The New Yorker's Art Letter] From masters to young artists, from New York to Seoul.” Seoul Economy Daily Newspaper, 19 July 2021. https://m.sedaily.com/NewsView/22OZ0BU4UQ#cbWhite, Aude. “On The Cover of New York Magazine: Insurrection Day and Its Aftermath” (Pace Gallery exhibition preview). New York Magazine, 2 July 2021. https://nymag.com/press/2021/07/on-the-cover-of-new-york-insurrection-day-and-its-aftermath.htmlZheng, Elaine YJ. “The Armory Show: New York Exhibitions to See” (Pace Gallery exhibition review). Ocula, 2 September 2021.2020Battaglia, Andy. “The 10 Best Artist-Designed Album Covers, Featuring Artworks by Andy Warhol, Keith Haring, and More.” ARTnews.com, 10 April 2020. https://www.artnews.com/art-news/artists/artist-album-covers-andy-warhol-keith-haring-1202683659/Barylski, Nicole. “Interview: Artist Robert Longo On ‘All For The Hall’ A Guild Hall Benefit Exhibition, The Importance of the East Hampton Multidisciplinary Center and More.” Hamptons.com, 26 August 2020. https://hamptons.com/the-arts-in-the-galleries-26839-interview-artist-robert-longo-on-all-for-the-html/Bruckner, Karen and Frances Anderton. “5 Design Things To Do Nov 30–Dec 6.” KCRW.com, 30 November 2020. https://www.kcrw.com/culture/shows/design-and-architecture/5-design-things-to-do-nov-23-29Chan, TF. “Artist’s Palate: Robert Longo’s Blood and Guts.” Wallpaper.com, 14 February 2020. https://www.wallpaper.com/art/artists-palate-robert-longo-blood-and-guts-recipeDambrot, Shana Nys. “Arts Calendar (Mostly At Home Again): November 19-23.” LAWeekly.com, 18 November 2020.Easter, Makeda. “How Do You Get Out the Vote in the Instagram Age? Ask Big-Name Artists to Help.” LATimes.com, 11 September 2020. https://news.yahoo.com/vote-instagram-age-ask-big-220033001.htmlGavin, Francesca. “A Moving Moment: Why Video Art Is Taking Centre Stage.” HowToSpendIt.FT.com, 25 May 2020.George, Joe. “Ten Stylish Sci-fi Films to Watch This Noir-vember.” Tor.com, 19 November 2020. https://www.tor.com/2020/11/19/ten-stylish-sci-fi-films-to-watch-this-noir-vember/Giles, Todd. “‘Surface, Surface, Surface Was All That Anyone Found Meaning In’: American Psycho and the Pictures Generation.” Popular Culture Review 31, no. 2 (2 March 2020). https://www.popularculturereview.org/pcr-312-summer-2020.htmlGriffin, Tim. “Best of 2020.” Artforum, (December 2020): 124–125. https://www.artforum.com/print/202009/best-of-2020-84361Gross, Goldie. “A Look into Baruch’s Art Collection: Robert Longo and Cindy Sherman.” TheTicker.com, 10 May 2020. https://theticker.org/2035/arts/2020-4-17-a-look-into-baruchs-art-collection-milt-hinton/Holt, Christopher. “Reloading Johnny Mnemonic: Keanu’s Early Cyberpunk Failure.” 25YearsLaterSite.com, 29 January 2020. https://25yearslatersite.com/2020/01/29/reloading-johnny-mnemonic-keanus-early-cyberpunk-failure/Kazanecki, Isabella. “Exhibition Review: Fugitive Images.” MuseeMagazine.com, 9 January 2020. https://museemagazine.com/culture/2019/12/23/exhibition-review-fugitive-imagesKearney, Vanessa. “Top 10 Paintings That Were Recreated In Films.” Top10Films.co.uk, 1 September 2020.Landes, Jennifer. “Reaching Out to Give Back to ‘The Hall’.” EastHamptonStar.com, 6 August 2020. https://www.easthamptonstar.com/arts/202086/reaching-out-to-give-back-to-hallLeung, Gabrielle. “Robert Longo Transforms X-Rays of Historical Paintings Into Ghostly Charcoal Works.” Hypebeast.com, 20 May 2020. https://hypebeast.com/2020/5/robert-longo-after-titian-x-ray-series-metro-pictures-viewing-roomLongo, Robert. “Robert Longo: Art as Weapon Against Dark Times.” Interview by Maria Abramenko. NastyMagazine.com, (Spring 2020). https://www.nastymagazine.com/art-culture/robert-longo-art-as-weapon-against-dark-times/Meyer, Lee. “Guild Hall: Standing Strong and Keeping the Arts Alive on the East End.” DansPapers.com, 30 May 2020. https://www.danspapers.com/2020/05/guild-hall-standing-strong/Miller, M.H. “The T List: Five Things We Recommend This Week.” NYTimes.com, 9 July 2020. https://www.nytimes.com/2020/07/09/t-magazine/robert-longo-quarantine-films.html“Our Favorite New Yorkers on the Best Things in All Five Boroughs.” CNTraveler.com, 16 April 2020. https://www.cntraveler.com/story/our-favorite-new-yorkers-on-the-best-things-in-all-five-boroughs“Private Rooms Accessible for First Time.” BudapestTimes.hu, 31 August 2020. https://www.budapesttimes.hu/travel/private-rooms-accessible-for-first-time/Sheets, Hilarie M. “Robert Longo Rallies Artists to Donate $1M Worth of Art for Guild Hall Benefit Show.” TheArtNewsaper.com, 23 July 2020. https://www.theartnewspaper.com/2020/07/23/robert-longo-rallies-artists-to-donate-dollar1m-worth-of-art-for-guild-hall-benefit-showSolomon, Tessa. “8 Essential Artist-Directed Music Videos by Andy Warhol, Kara Walker, and More.” ARTnews.com, 10 April 2020. https://www.artnews.com/art-news/artists/music-videos-you-can-watch-online-1202683377/“Your Concise Los Angeles Art Guide for November 2020.” Hyperallergic.com, 2 November 2020. https://hyperallergic.com/598155/your-concise-los-angeles-art-guide-for-november-2020/2019Behringer, David. “The Weight of Bullets: Sculpture by Robert Longo.” Design-Milk.com, 21 May 2019. https://design-milk.com/the-weight-of-bullets-sculpture-by-robert-longo/?ranMID=44347&ranEAID=3624890&ranSiteID=msYS1Nvjv4c-Prd76FOuGkkhqmGWEEk3SQ&utm_source=Rakuten&utm_medium=affiliateDavies, Eleanor. “How to get Christian Bale’s Minimalist Apartment from American Psycho.” GQ-Magazine.co.uk, 9 March 2019. https://www.gqmiddleeast.com/culture/how-to-get-christian-bales-minimalist-apartment-from-american-psychoDidi-Huberman, Georges. “Ondas, torrentes e barricadas.” Serrote, no. 33 (2019): 114–143.Indrisek, Scott. “Hito Steyerl’s ‘Drill’ Misses its Mark.” Garage.Vice.com, 28 June 2019. https://garage.vice.com/en_us/article/597ab3/hito-steyerls-drill-misses-its-markIndrisek, Scott. “Robert Longo’s ‘Amerika’ Is One Frightening Place to Live.” Garage.Vice.com, 25 April 2019. https://garage.vice.com/en_us/article/3k3qwj/robert-longos-amerikaKourlas, Gia. “Review: Stephen Petronio Pledges Allegiance to a Dance Lineage.” NYTimes.com, 12 April 2019. https://www.nytimes.com/2019/04/12/arts/dance/petronio-company-bloodlines-review.htmlPappademas, Alex. “The Legend of Keanu Reeves.” GQ.com, 15 April 2019. https://www.gq.com/story/the-legend-of-keanu-reevesPartsakoulaki, Argyro. “Made in New York: A Robotic Art Builder.” NYCityLens.com, 19 May 2019. https://nycitylens.com/made-new-york-robotic-art-builder/Perlson, Hili. “The Private Museum Boom Takes a Dark Turn with the Opening of Musja in Rome, a Cavernous Showcase Themed to ‘Fear’.” Artnet, 21 October 2019. https://news.artnet.com/art-world/new-private-museum-rome-1678864Sayej, Nadja. “‘I’m Screaming to the Choir’ – Behind Robert Longo’s Anti-Trump Art.” TheGuardian.com, 29 April 2019. https://www.theguardian.com/artanddesign/2019/apr/29/im-screaming-to-the-choir-behind-robert-longos-anti-trump-artSchneider, Tim. “Editors’ Picks: 15 Things Not to Miss in New York’s Art World This Week.” Artnet, 18 November 2019. https://news.artnet.com/art-world/editors-picks-november-18-2019-1700037“Two Rare Artworks on Display at Montana Museum of Art & Culture.” Missoulian.com, 6 July 2019. https://missoulian.com/news/local/two-rare-artworks-on-display-at-montana-museum-of-art/article_4a8e2009-9401-5504-a8af-4279d1582b4d.htmlWilliamson, Caroline. “2019 Year in Review: Unframed.” Design-Milk.com, 24 December 2019. https://design-milk.com/2019-year-in-review-unframed/2018Breslin, Yale. “Three Artists in Three Acts.” L’Officiel USA, (April/May 2019): 158–163.Burke, Adam. “Visit Robert Longo’s ‘The Sleep’ On The Anniversary Of The Jonestown Massacre.” LittleVillagemag.com, 16 November 2019. https://littlevillagemag.com/visit-robert-longos-the-sleep-on-the-anniversary-of-the-jonestown-massacre/Dumbadze, Alexander. “Memory Banks.” Art in America, 1 June 2018: pp. 71–78. https://www.artnews.com/art-in-america/features/memory-banks-63536/Estiler, Keith. “Robert Longo’s ‘Death Star’ Sculpture Is Made of 40,000 Bullet Casings.” Hypebeast.com, 11 June 2018. https://hypebeast.com/2018/6/robert-longo-death-star-art-basel-2018Freeman, Nate and Alexander Forbes. “10 Must-See Works at Art Basel Unlimited.” Artsy.net, 12 June 2018. https://www.artsy.net/article/artsy-editorial-10-must-see-works-art-basel-unlimited-06-12-18Gerlis, Melanie. “Fair play for top names.” Financial Times, 15 June 2018. https://www.ft.com/content/9595cdae-6f31-11e8-8863-a9bb262c5f53Goldstein, Caroline. “The 3 Things People Were Talking About at Art Basel, According to Social Media.” Artnet.com, 15 June 2018. https://news.artnet.com/art-world/art-basel-social-media-1304186Goldstein, Caroline. “This Independence Day, See How 15 Artists Have Reinterpreted the American Flag Throughout History.” Artnet.com, 4 July 2018. https://news.artnet.com/art-world/american-flag-art-independence-day-1308938Helander, Bruce. “A Fair for All Seasons: The Palm Beach Modern + Contemporary Fair Shines a Warm Spotlight on Downtown.” HuffingtonPost.com, 10 January 2018. https://www.huffpost.com/entry/a-fair-for-all-seasons-the-palm-beach-modern-contemporary_b_5a5674dce4b088f20c395923Hass, Nancy. “Slow Burn.” The New York Times Style Magazine, (23 September 2018): pp. 80, 82, 84.Mallett, Whitney. “Collectors Shop at Art Basel Miami Beach, Never Mind the Terrible Climate-Change News.” Vulture.com, 6 December 2018. https://www.vulture.com/2018/12/collectors-shop-at-miami-art-basel-while-planet-heats-up.htmlMiller, M.H. “The Last Artists of SoHo.” T Magazine, (22 April 2018): pp. 110–111. https://www.nytimes.com/2018/04/17/t-magazine/soho-artists-john-newman-laurie-anderson.htmlSchilling, Mary Kaye. “Art as Ammo.” Newsweek, 15 June 2018: 40–43. https://pocketmags.com/us/newsweek-europe-magazine/15th-june-2018/articles/385313/art-as-ammoSchneider, Tim. “Motivated by ‘Rage and Hopelessness,’ Robert Longo Takes Aim at American Gun Violence in an Epic Work for Art Basel.” Artnet, 11 June 2018. https://news.artnet.com/art-world/robert-longo-gun-violence-art-basel-1300301Simpson, Ashley. “Artist Robert Longo Pits Excess Against Mortality with Designer Rick Owens.” Document, 14 February 2018: 160–165. https://www.documentjournal.com/2018/02/artist-robert-longo-pits-excess-against-morality-with-designer-rick-owens/Sussman, Anna Louie. “What Sold at Art Basel in Basel.” Artsy, 17 June 2018. https://www.artsy.net/article/artsy-editorial-sold-art-basel-basel-06-17-18Woodham, Doug and Ahmed Elgammal. “The Most Instagrammed Artworks from Art Basel in Basel and Frieze London.” Artsy, 4 December 2018. https://www.artsy.net/article/artsy-editorial-instagrammed-artworks-art-basel-basel-frieze-london2017Block, Louis. “Proof: Francisco Goya, Sergei Eisenstein, Robert Longo.” The Brooklyn Rail, 5 October 2017: pp. 47–48. https://brooklynrail.org/2017/10/artseen/FRANCISCO-GOYA-SERGEI-EISENSTEIN-ROBERT-LONGOChow, Andrew R. “Robert Longo Installation Will Come to Hunter College.” The New York Times, 30 August 2017. https://www.nytimes.com/2017/08/30/arts/design/robert-longo-installation-hunter-college.htmlDabkowski, Colin. “Burchfield Penney explores Burchfield’s ‘Golden Year,’ shows off new gifts.” BuffaloNews.com, 15 September 2017. https://buffalonews.com/entertainment/arts-and-theatre/burchfield-penney-explores-burchfields-golden-year-shows-off-new-gifts/article_6bcacb33-79dc-5cf2-8d1b-0f86b1f55135.htmlDafoe, Taylor. “Robert Longo Shadows Hunter College Hallways in American Flag and First Amendment.” Observer, 1 September 2017. https://observer.com/2017/09/robert-longo-shadows-hunter-college-hallways-in-american-flag-and-first-amendment/Davis, Ben. “Searching for Meaning (aka Art Trends) at the 2017 Armory Show.” Artnet, 2 March 2017. https://news.artnet.com/art-world/searching-for-meaning-aka-art-trends-at-the-2017-armory-show-877331Duray, Dan. “Robert Longo: Men, Monsters, and Museums.” Vice, 31 July 2017. https://www.vice.com/en/article/3knm89/robert-longo-eistenstein-goyaFreeman, Nate. “At Art Basel, Galleries Bet Big on Booming Basquiat Market, Sales Flow During VIP Preview.” ArtNews.com, 13 June 2017.Gat, Orit. “New York City Roundup.” art-agenda.com, 23 May 2017. https://www.art-agenda.com/criticism/240210/new-york-city-roundupGopnik, Blake. “Robert Longo’s Enormous Drawings of Enormity.” Artnet, 4 May 2017. https://news.artnet.com/opinion/robert-longo-metro-pictures-947399Halperin, Julia. “The ‘80s Are Back, Baby! Art Basel Ushers a New Decade into the Blue Chip Pantheon.” Artnet, 15 June 2017. https://news.artnet.com/market/art-basel-analysis-80s-art-988082Hershkovits, David. “Holding His Ground.” The Village Voice, 20 September 2017: 130–131.Hershkovits, David. “Prince & The Revolution.” The Village Voice, 27 June 2017.Indiana, Gary. “Back in The Frame.” T Magazine, 19 February 2017: 226–231.Indrisek, Scott and Casey Lesser. “The 15 New York Shows You Need To See This September.” Artsy.com, 30 August 2017. https://www.artsy.net/article/artsy-editorial-15-new-york-september“Island Arts: Jill Brienza Curates ‘American Bridge Project’.” ShelterIslandReporter.com, 2 December 2017. https://shelterislandreporter.timesreview.com/2017/12/02/island-arts-jill-brienza-curates-american-bridge-project/Leddy, Madeleine. “Exhibition Review: Robert Longo: The Destroyer Cycle at Metro Pictures.” Musee Magazine, 20 June 2017. https://museemagazine.com/culture/2017/6/20/exhibition-review-robert-longo-the-destroyer-cycle-at-metro-picturesLehrer, Adam. “Best of 2017: Our Top 20 NYC Art Shows.” Forbes.com, 14 December 2017. https://www.metropictures.com/attachment/en/58986e4c5a4091a0008b4568/News/5a971877bcc138cf2431d3f4Longo, Robert. “Robert Longo: Men, Monsters, and Museums” (Metro Pictures exhibition review). Interview with Dan Duray. Vice, 31 July 2017. https://www.vice.com/en/article/3knm89/robert-longo-eistenstein-goyaLongo, Robert. “Taking a Split-second of Eternity Forever: Interview with Robert Longo.” Interview with Marta Gnyp. Zoo Magazine, no. 54, Spring 2017: 102–114, illustrated. https://www.robertlongo.com/press/pdf/2017_ZOO.pdfLoos, Ted. “Taking the Longo View.” Cultured, (April/May 2017): pp. 174–177.Martinique, Elena. “When Artists Create Flags - Artworks of Creative Time’s Pledges of Allegiance Project.” WideWalls.ch, 8 October 2017. https://www.widewalls.ch/magazine/artist-flags-creative-time“Modern Master: The dynamic edge of Raf Simons.” Harper’s Bazaar, (March 2017).Morris, Jane. “The American Dream and Its Powerful Imagery Questioned in the Era of Fake News.” TheArtNewspaper.com, 19 December 2017. https://www.theartnewspaper.com/2017/12/19/the-american-dream-and-its-powerful-imagery-questioned-in-the-era-of-fake-news“Must See: Robert Longo: The Destroyer Cycle at Metro Pictures.” Artforum.com, 5 May 2017. https://www.artforum.com/uploads/guide.004/id07106/press_release.pdfNewton, Mike. “Proof in the Age of Doubt.” Indypendent, 21 November 2017: 22. https://indypendent.org/2017/11/proof-in-the-age-of-doubt/Otten, Liam. “Pledges of Allegiance: Kemper Art Museum flies American Flag by Artist Robert Longo.” Source.wustl.edu, 13 September 2017. https://www.kemperartmuseum.wustl.edu/news/12258Pofalla, Boris. “Robert Longo.” Monopol (Art Basel Special Issue), 2017: cover, 34–35.“Robert Longo’s ‘Pledges of Allegiance’ Flag Raised by 10 Institutions Nationwide.” Broadwayworld.com, 13 September 2017. https://www.broadwayworld.com/article/Robert-Longos-Pledges-of-Allegiance-Flag-Raised-by-10-Institutions-Nationwide-20170913Saltz, Jerry. “Can Bad Art Be Made Good by Changing Political Times? The Case of Robert Longo’s All You Zombies: Truth Before God.” Vulture.com, 8 March 2017. https://www.vulture.com/2017/03/can-bad-art-be-made-good-by-changing-political-times.htmlSheets, Hilarie M. “Exhibition Reviews: Metro Pictures” (Metro Pictures exhibition review). Art in America, (September 2017): 122–123. https://www.metropictures.com/attachment/en/58986e4c5a4091a0008b4568/News/59b8449ff6c038413aa143b9Stonard, John-Paul. “Proof: Francisco Goya, Sergei Eisenstein, Robert Longo.” Artforum, (January 2017): 237–238. https://www.artforum.com/print/reviews/201701/francisco-goya-sergei-eisenstein-and-robert-longo-65476Swanson, David. “Sixteen Artists Take ‘Pledges of Allegiance’.” The Village Voice, 17 May 2017. https://www.villagevoice.com/2017/05/17/fourteen-artists-take-a-pledges-of-allegiance-with-custom-designed-flags/Trouillot, Terence. “Robert Longo on Editing Eisenstein, Learning from Putin, and Why ‘Making Art Is a Political Gesture, Period.’” Artnet.com, 22 September 2017. https://news.artnet.com/art-world/robert-longo-brooklyn-museum-proof-1086530Viveros-Faune, Christian. “Waves of Emotion: The Must-See Show in New York This Week.” Artagencypartners.com, 28 September 2017.Vogel, Wendy. “Gallery Crawl: Chelsea.” BombMagazine.org, 28 June 2017. https://bombmagazine.org/articles/gallery-crawl-chelsea/“5 Artists Respond to: Charlottesville.” The New York Times Style Magazine, 29 August 2017. https://www.nytimes.com/2017/08/29/t-magazine/charlottesville-art-robert-longo-toyin-ojih-odutola-sanford-biggers.html2016“A Picture and a Poem: Robert Longo and Jorie Graham.” The New York Times Style Magazine, 23 October 2016: 100. https://www.nytimes.com/2016/10/13/t-magazine/art/robert-longo-jorie-graham-art-poem.htmlBoucher, Brian. “Robert Longo Revisits Charlie Hebdo Massacre in Daring New Paris Show.” Artnet.com, 19 April 2016. https://www.robertlongo.com/press/pdf/2016_hebdo.pdfCorbett, Rachel. “Robert Longo on Sharing the Stage with Heroes Goya and Eisenstein.” BlouinArtInfo.com, 3 November 2016.“Datebook: Goya, Eisenstein, Longo Paintings at Garage Museum.” BlouinArtInfo.com, 2 September 2016.“Editor’s Pick: Narciso Rodriguez x Robert Longo Tote.” FashionWeekDaily.com, 12 May 2016. https://fashionweekdaily.com/editors-pick-narciso-rodriguez/Frank, Priscilla. “Sadly, Naming Five Women Artists Isn’t As Easy As It Sounds.” HuffingtonPost.com, 3 March 2016. https://www.huffpost.com/entry/sadly-naming-five-women-artists-isnt-as-easy-as-it-sounds_n_56d767bee4b03a4056775e90Forbes, Alexander and Arnold, Frances. “The 20 Best Booths at Art Basel in Hong Kong.” Artsy.net, 22 March 2016. https://www.artsy.net/article/artsy-editorial-the-20-best-booths-at-art-basel-in-hong-kongFowle, Kate. “Robert Longo.” Garage (Fall/Winter 2016): 146–155. https://www.robertlongo.com/press/pdf/2016_Garage-Garagemagazine.pdf“Get to Know Robert Longo’s Men in Cities.” Phaidon.com, 20 January 2016. https://www.phaidon.com/agenda/art/articles/2016/january/06/get-to-know-robert-longo-s-men-in-the-cities/Goldstein, Andrew. “American Gothic: Artist Robert Longo Gets His Revenge.” Man of the World, no. 16 (Fall 2016): 111–126, illustrated.Kolesnikov-Jesslop, Sonia. “Video: Robert Longo on ‘Seeing the Invisible’ in Rembrandt, Da Vinci Works.” BlouinArtInfo.com, 18 April 2016.Longo, Robert. “American Hero.” The International Review of African American Art, (2016): 33–34.Manai, Inès. “Robert Longo ‘Luminous Discontent’ exhibition opening at Galerie Thaddaeus Ropac.” Purple.fr.,18 April 2016. https://purple.fr/diary/robert-longo-luminous-discontent-exhibition-opening-at-galerie-thaddaeus-ropac-paris/Miller, M. H. “Bringing Together Eisenstein and Black Lives Matter, in Art.” The New York Times Style Magazine, 16 November 2016. https://www.nytimes.com/2016/11/16/t-magazine/art/robert-longo-proof-moscow-garage.htmlMurphy, Olivia. “Robert Longo: Chronicling the Dystopic Now.” L’Officiel Art, (March—May 2016): 58–71.“My 10 Favorite Books: Robert Longo.” The New York Times, 12 August 2016. https://www.nytimes.com/2016/08/12/t-magazine/robert-longo-favorite-books.htmlNeil, Jonathan T.D. “Atmospheres of the Image.” ArtReview, (October 2016): 88–93.“Radical Art: 5 Provocative Pieces in LA’s Broad Museum Collection.” Provokr.com, (March 2016). https://www.provokr.com/art/radical-art/2015Marzoni, Andrew. “When Soho Met Hollywood: Revisiting ‘90s Films by ‘80s Art Stars.” ARTNews, 30 September 2015. https://www.artnews.com/art-news/news/when-soho-met-hollywood-revisiting-the-90s-films-of-the-80s-art-stars-5043/#!Munro, Cait. “Hallwalls, the Buffalo Art Space Started by Cindy Sherman and Robert Longo, Turns 40.” Artnet.com, 9 June 2015. https://news.artnet.com/market/hallwalls-cindy-sherman-robert-longo-40-306418Simonini, Ross. “From Issue 26, Winter 2015/16: Robert Longo.” Kaleidoscope, (Summer 2015): 239–243.Vogel, Wendy. “Walking the Armory with Christopher Y. Lew.” ArtInAmericaMagazine.com, 5 March 2015.2014Bodin, Claudia and Robert Longo. “Die Wahrheit ist Schwarzweiss.” Art, (August 2014): 34–53, cover.Braddock, Kevin. “Thoughts on Mulitlateral Masculinity.” sleek-mag.com, 11 February 2014. https://www.sleek-mag.com/article/thoughts-on-multilateral-masculinity-2/Bratburd, Rebecca. “Experimental Artists Gather for the Kitchen.” Wall Street Journal, 26 May 2014. https://www.wsj.com/articles/SB10001424052702303903304579586052733320152Chemla, Alexandra. “theLIST: Gallerina Guide: Spring 2014.” HarpersBazaar.com, 17 April 2014. https://www.harpersbazaar.com/culture/art-books-music/advice/g4609/spring-2014-art-exhibitions/Douglas, Sarah. “Robert Longo at Metro Pictures and Petzel,” GalleristNY.com, 23 April 2014. https://observer.com/2014/04/robert-longo-at-metro-pictures-and-petzel/Frankel, David. “Metro Pictures/Petzel: Robert Longo.” Artforum, 1 September 2014: 372. https://www.thefreelibrary.com/Robert+Longo%3a+metro+pictures%2fpetzel.-a0382088361Halle, Howard. “Robert Longo.” TimeOut New York, (1–7 May 2014): 37.Howorth, Claire. “Artist Robert Longo Debuts Two Solo Shows.” The Wall Street Journal Magazine, (April 2014).Johnson, Ken. “Robert Longo.” The New York Times, (2 May 2014): C26.Kinsella, Eileen. “Robert Longo and Why He Digs Ab Ex and Moby Dick.” With video by Aaron Sherman. Artnet.com, 30 April 2014.Laster, Paul. “Robert Longo Interview: ‘The Shows Represent What We Thought We Could Be Versus What We Are Right Now’.” TimeOut.com, 1 April 2014. https://www.timeout.com/newyork/art/robert-longo-interview-the-shows-represent-what-we-thought-we-could-be-versus-what-we-are-right-nowLevin, Kim. “Review: Robert Longo.” ArtNews, (June 2014). https://www.robertlongo.com/press/pdf/2014_MetroPetzel-ArtNews.pdfLongo, Robert. “Future Greats 2013: Brock Enright.” ArtReview, 21 July 2014. https://artreview.com/66-future-greats-brock-enright/McCormick, Carlo. “The Last Look: Robert Longo.” Paper, (May 2014): 112.Murphy, Tim. “After Hours: A Family-Style Fete to Honor Robert Longo.” The New York Times Style Magazine, 23 May 2014. https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2014/05/23/after-hours-robert-longo-tunde-adebimpe-cindy-sherman-monica-lewinsky-the-kitchen/Peterson, Lucas. “Robert Longo: The Road to Enlighment is Gridlocked.” Flaunt, (Spring 2014): 160–165. https://flaunt.com/content/art/robert-longoReeves, Keanu. “Robert Longo.” Interview, (April 2014): 26, 104–113. https://www.robertlongo.com/press/pdf/2014_MetroPetzel-InterviewMag.pdfSabar, Ariel. “Star Struck.” Smithsonian, (June 2014): 62.Watson, Simon. “Channeling Modernist Ghosts and the Death Star.” Huffington Post, 28 April 2014. https://www.huffpost.com/entry/channeling-modernist-ghosts_b_52270612013 Buck, Joan Juliet. “Raf Simons: Force of Nature.” Harper’s Bazaar, (September 2013): 536–541, 594. https://imageamplified.com/harpers-bazaar-magazine-raf-simons-in-force-of-nature-by-skye-parrott-joanna-hillman-september-2013-wwwimageamplifiedc/#.Yv-oDi7MLMYRobinson, Walter. “Robert Longo.” Man of the World 2, (Winter 2013): 130–143.Rubinstein, Raphael. “Neo-Expressionism (Not) Remembered.” Art in America, 31 January 2013. https://www.artnews.com/art-in-america/features/neo-expressionism-not-remembered-62966/Walleston, Aimee. “Drawing Democracy: Robert Longo at the Aldrich Museum.” Art in America, 19 April 2013. https://www.artnews.com/art-in-america/interviews/drawing-democracy-robert-longo-at-the-aldrich-museum-56320/#!2012Mclean-Ferris, Laura. “Monograph: Charcoal.” ArtReview, (September 2012): 151.2011“Apocalypse Now.” Newsweek, 28 March 2011: cover.Kantz, Brian C. “The Making of an Artist.” 1300 Elmwood, (Winter 2011): 9–15.Longo, Robert. “New York, New York: In Black & White (Interview with Robert Longo).” Interview by Katya Tylevich. Elephant, (Summer 2011): 178–185.Longo, Robert. “Robert Longo: The Story Behind an Artwork, in the Artist’s Own Words.” Art + Auction, (November 2011): 33.Pascucci, Marisa J. “Robert Longo.” The Art Economist 1, no. 8 (2011): 36.2010Enright, Robert and Meeka Walsh. "Working Towards Affection: An Interview with Robert Longo.” Border Crossings, no. 115 (September 2010): 28–48, cover. https://bordercrossingsmag.com/article/working-towards-affection-an-interview-with-robert-longoFaust, Marina. “Robert Longo.” Frog, no. 9: 244–253.Frankel, David. “Preview: Lisbon.” Artforum 48, no. 5 (January 2010): 96. https://www.artforum.com/print/201001Haight, Sarah. “Lens Man.” W Magazine, (July 2010): 26–28.Indrisek, Scott. “Robert Longo.” Whitewall, (Summer 2010): 114–123, cover.Johnson, Paddy. “Robert Longo and the Temple of Doom.” Blackbookmag.com, 5 March 2010. https://blackbookmag.com/archive/robert-longo-and-the-temple-of-doom/Kaiser, Philipp. “Pictures Generation Redux.” Parkett, No. 87 (2010): 201-204.Loory, Ben. “The TV.” The New Yorker, 5 April 2010: 62. https://www.newyorker.com/magazine/2010/04/12/the-tvOstrow, Saul. “Exhibition Reviews: Swell.” Art in America, (October 2010): 178.Rian, Jeff. “Robert Longo’s Men in the Cities.” Purple, no. 13 (Spring/Summer 2010): 354–359.“Robert Longo.” Kunsthalle Weischaupt, no. 5 (November 2010): 72.Vio, Tomás. “Robert Longo: Myth Hunter.” Arte al Limite, (March/April 2010): 16–25, cover.2009Armin, Janine. “Critic’s Picks: Robert Longo.” Artforum.com, 16 May 2009. https://www.artforum.com/picks/robert-longo-22832Bollen, Christopher. “Rated Art.” Interview, 4 December 2009. https://www.interviewmagazine.com/art/rated-artCotter, Holland. “Framing the Message of a Generation.” The New York Times, 31 May 2009. https://www.nytimes.com/2009/05/31/arts/design/31cott.htmlFuglie, Gordon. “Guy Kinnear: Male Call.” Image: Art, Faith, Mystery, no. 63 (2009): 33–39. https://imagejournal.org/article/guy-kinnear-male-call/Galloway, David. “Provocative Visions of Apocalypse.” The International Herald Tribune, 26–27 September 2009: 23. https://www.robertlongo.com/press/pdf/2009_NiceNYTimes.pdfGopnik, Blake. “The Pictures Generation at the Metropolitan Museum of Art.” The Washington Post, 15 May 2009.Halle, Howard. “Robert Longo: Surrendering the Absolutes.” Time Out New York, 27 May 2009: 58.Knapp, John V. “Utopian Harmony Repudiated.” Style 43, no. 2, (Summer 2009): 197.Lobel, Michael. “Outside the Frame.” Artforum, (September 2009): 252–255.Longo, Robert and Judith Olch Richards. "Oral history interview with Robert Longo, 2009 January 30–31." Smithsonian Archives of American Art, 30–31 January 2009. https://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-longo-15649Pulimood, Steve. “Robert Longo Surrenders the Absolutes.” Art in America, 28 May 2016. https://www.artnews.com/art-in-america/features/robert-longo-surrenders-the-absolutes-57724/#!Saltz, Jerry. “Great Artists Steal: The Met’s ‘Pictures’ Show Captures a Moment When Borrowing Became Cool.” New York, 18 May 2009: 66–67.Schjeldahl, Peter. “Alien Emotions: Pictures Art Revisited.” The New Yorker, 27 April 2009. https://www.newyorker.com/magazine/2009/05/04/alien-emotions-2Schwendener, Martha. “Appropriate Me!: ‘The Pictures Generation’ at the Met.” The Village Voice, 19 May 2009: 39. https://www.villagevoice.com/2009/05/13/appropriate-me-the-pictures-generation-at-the-met/Singerman, Howard. “Language Games.” Artforum, (September 2009): 257–261.Spears, Dorothy. “Performance: Moonlighting.” Art in America, (June/July 2009): 81–84.2008Johnson, Ken. “Will the Revolution Be Museumized? Will There Be a Revolution?” The New York Times, 25 July 2008: E29. https://www.nytimes.com/2008/07/25/arts/design/25then.htmlNew York Chanel Mobile Art, no. 3 (2008): 11–12, 17–18, 129–130.“Robert Longo.” Dossier, no. 1 (2008): 26–31.West, Nina P. “Louder Than Bombs.” Forbes, 21 February 2008. https://www.forbes.com/2008/02/21/collecting-art-auctions-forbeslife-cx_nw_0221longo.html?sh=5d71ba01150a2007Bollen, Christopher. “Disaster Art.” Vman, no. 8 (Spring/Summer 2007): 88.Neil, Jonathan T.D. “Robert Longo: The Outward and Visible Signs of an Inward and Invisible Grace.” Art Review, (February 2007): 132. https://www.robertlongo.com/press/pdf/2006_TheOutwardandVisibleSign-ArtReview.pdfRadford, Chad. “Sympathy for the Devil: Art and Rock and Roll Since 1967.” Art Papers, (November/December 2007): 52–53.Spampinato, Francesco. “Art-Toy Story.” Impackt: Contenitori e Contenuti, no. 2 (2007): 108–120.Spears, Dorothy. “It’s Only Rock and Art, but They Like It.” The New York Times, 30 September 2007: 30. https://www.nytimes.com/2007/09/30/arts/design/30spea.html“The Producers.” Artforum, (October 2007): 352–359, 402.Valdez, Sarah. “Robert Longo: Review.” Art on Paper, (January/February 2007): 89.2006Douglas, Sarah. “Staying Power.” Art + Auction, (November 2006): 160–167.“Robert Longo.” The New Yorker, 4 December 2006: 24.2005Lacayo, Richard. “How Does ‘80s Art Look Now.” Time 165, no. 13 (26 March 2005): 58–62.2004Bellini, Andrea. "New York Tales – Reflections in a Glass Curtain.” Flash Art, (May–June 2004): 114–116.Heartney, Eleanor. “Robert Longo at Metro Pictures.” Art in America, (September 2004): 127.Heartney, Eleanor. “The Well-Tempered Biennial.” Art in America, (June/July 2004): 70–77.Kopsa, Maxine. “Whitney Biennial 2004.” Metropolis M, no. 3 (2004): 120–121.Korotin, Joyce B. “The Neo-baroque Era.” Tema Celeste, no. 104 (July/August 2004): 38–45.Koslow Miller. Francine. “Robert Longo – Metro Pictures.” Tema Celeste, (May/June 2004): 90.Nizri, Yigal. “Controlled Entropy.” Studio – Israeli Art Magazine, no. 152 (May 2004): 12–17.2003Alonso Molina, Oscar. “Qué atractivo es el abismo.” La Razón, 2003.Calvo Serraller, Francisco. “Explosión nuclear de la rosa.” El País Babelia, 2003. Díaz-Guardiola, Javier. “Robert Longo: ‘Quiero que mis imagines ocurran al ser vistas, que salpiquen como las de Pollock’.” ABC Blanco y Negro Cultural, 2003.De Alfonso, Carlota. “Robert Longo, la confrontación como estrategia.” El Punto de las Artes, 2003.“Erotismo Vital.” Descubrir el Arte, 2003.Kalb, Peter. “Robert Longo at Metro Pictures.” Art in America, (January 2003): 101.Longo, Robert. “Robert Longo Talks to Mary Haus.” Interview by Mary Haus. Artforum, (March 2003): 238–239.Marín-Medina, José. “Robert Longo, belleza obscena.” El Cultural, El Mundo, 2003.Parra, Cristina. “Robert Longo.” Metaphore, 2003.Porras, Irene. “Robert Longo ‘Lust of the eye.” Ubicarte.com, 2003.Molina, Óscar Alonso. “Robert Longo.” Arte y Parte, 2003.Montero, Javier. “Juegos de Guerra.” La Luna, 2003."Robert Longo.” Guia del Ocio, 2003.“Robert Longo.” La Voz de Galicia, 2003.Sobisch, Pablo. “El otro New York.” Guía del Ocio, 2003.Soldevilla, Rafael. “Robert Longo: Bombas y rosas.” Man, 2003.2002Bollen, Christopher. “Robert Longo, ‘Monsters’.” Time Out New York, 17–24 October 2002: 80.Harper’s Magazine, (December 2002): 20 (illustration).H-O, Paul. “September Tsunami.” Artnet, (September 2002).Korotkin, Joyce. “A Force of Nature.” Tema Celeste, (September/ October 2002): 74–77.“Robert Longo.” The New Yorker, 14, 21 October 2002: 44.Wei, Lilly. “Robert Longo– Metro Pictures.” ARTnews, (December 2002): 117.2001Curcio, Robert. “Robert Longo: The Next Wave.” dArt, (Spring 2002): 18–19.Dailey, Meghan. “Robert Longo, ‘The Freud Drawings’.” Time Out New York, 15–22 February 2001: 54.Korotkin, Joyce. “Robert Longo- Metro Pictures.” The New York Art World, (March 2001): 16.Kuspit, Donald. “Robert Longo- Metro Pictures.” Artforum, (April 2001): 138.Levin, Kim. “Robert Longo.” The Village Voice, 6 February 2001: 78.Lovelace, Carey. “Robert Longo at Metro Pictures.” Art in America, (May 2001): 172.2000 Korotkin, Joyce. “People's Choice: Favorites From the Montclair Art Museum.” NY Arts, (February 2000): 20–21.1999 Landi, Ann. “Robert Longo: Dorfman Projects.” Artnews, (December 1999): 175.Rickels, Laurence A., “American Psychos.” Art/Text, (November 1999): 58–63.“The Wired Diaries.” Wired, (January 1999): 127.1997Birgit, Sonna. “Ein Panoptikum aus Hand.” Suddeutsche Zeitung, no. 92 (22 April 1997): 14.Birmingham City Paper, (September 1997): (cover).Czöppan, Gaby and Annette Schipprack. “Ein Amerikanischer Held.” Focus, no. 15 (April 1997): 126–129.David, D'Arcy. “The Bigger Picture.” Avenue, (February 1997): 64–69.“Der Magellan-Zyklus von Robert Longo.” Die Tagerszeitung, 12/13 April 1997: 14.Gampert, Christian. “Klohauschen fallen unter Nebenkosten.” Die Tageszeitung, 12/13 April 1997: 14.Gopnik, Adam. “The Repressionists: A New Group of Painters Haunts the Biennale.” New York, (July 1997): 86–88.Haber, John. “Encyclopedia Salesman.” haberarts, 1997.Handler, Ruth. “Denkmal fur Aufsteiger und Abesturzte.” Die Welt, 23 April 1997: 10.Holert, Tom. “Stil und Gewalt, Robert Longo, New Yorks Zeitgeistkunstler der Achtziger, ist wieder da.” Vogue (Germany), (April 1997): 128.Meier-Grolman, Burkhard. “Den Wasserhahn Aufgedreht.” Feuilleton, 16 April 1997.Muller, Viet. “Geistige Entdeckungsreise.” Sudkurier, no. 86 (1997).Nichols Goodeve, Thyrza. “Artists Making Movies.” Guggenheim Magazine, (Spring 1997): 40–47.Rimanelli, David. “A/Drift.” Artforum International, (February 1997): 83.“Robert Longo in ‘Something Wild’.” Brutus Magazine 2/1, no. 450 (1997): 29.Schwarze, Kleine. “Baby Come Black.” Süddeutsche Zeitung Magazin, no. 52 (24 December 1997): 26–33.Schwerfel, Heinz Peter. “A Journey Through a Flood of Images.” Art, (April 1997): 80–85.Schwerfel, Heinz Peter. “Eine Reise durch die Bilderflut.” Art Das Kunstmagazin, no. 4 (April 1997): 80–85.Sheinpflug, Gutner. “Die Intimitat der Gewalt.” Das Sonntagsblatt, 25 April 1997.Smith, Roberta. “Another Venice Biennale Shuffle to Life.” The New York Times, 16 June 1997: C11–C12.Smith, Roberta. “20th Century Tête-á-Têtes.” The New York Times, 11 July 1997.1996 Blair, Dike. “Artist's Dream Machines: The Films of Longo, Salle and Clark.” Flash Art, (March/April 1996): 78–82."Johnny Mnemonic Gets Pinned.” Flash Art, (January/February 1996): 39.Perrée, Rob. “Kunstenaars Op De Stoep Van Hollywood.” Kunstbeeld, (October 1996): 28–31.Schwendener, Martha. “Catch My Drift.” Time Out, 12–19 December 1996: 40.Smith, Roberta. “Finding Art in the Artifacts of the Masses.” The New York Times, 1 December 1996: 43–44, 46.1995Andrews, Suzanna. “Down and Out on $350,000 a Year.” New York Magazine, 13 February 1995: cover.Atkins, Robert. “An Interview with Robert Longo.” Wired, Surf Issue, no.1 (June 1995): 82–88.D'Amato, Brian. Electric: “On Robert Longo's Johnny Mnemonic.” Artforum, (Summer 1995): 23–24, 123.Greene, David A. “Crossover Dreams.” Frieze, no. 24, (September/October 1995): 35–36.Hogrefe, Jeffrey. “Going Hollywood.” Art News, (May 1995): 132–133.“'Johnny Mneumonic': Nilo Rodis and Robert Longo.” Los Angeles Times, 14 May 1995.Johnson, Ken. “Johnny Mnemonic.” Art in America, (October 1995): 59–60.Licata, Elizabeth. “Living With Art.” Artnews, (December 1995): 87–90.“Lights, Camera, Artists.” Manhattan File, (March 1995): 22.Lynn, Greg. “A Physique Out of Proportion.” Architecture New York, no. 11, (1995): 42–49.McCormick, Carlo. “Robert Longo's Mnemonic Device.” Paper, (June 1995): 40–41.McKenna, Kristine. “It's Just Art on a Big Screen.” Los Angeles Times, 21 May 1995: 6, 84.Mead, Rebecca. “They Want To Be in Pictures.” New York Magazine, 1 May 1995: 56–59.Powell, Conroy S. “Longo: ‘Larger Than Life’.” World Art, no. 1 (1995): 48–51.Schels, Evelyn. “Strassen Kampfer.” Elle, (March 1995): 90–94.van Bakel, Rogier. “Remembering Johnny.” Wired, (June 1995): 154–157, 204–206.1994 Chapman, Christopher. “Bite the Bullet.” World Art 1, no. 2 (1994): 62–66.Collier, Schorr. “Robert Longo: Metro Pictures.” Frieze, no. 14 (January/February 1994): 51.Katz, Vincent. “Robert Longo: Metro Pictures.” Art News 93, no. 2 (February 1995):136.Katz, Andrew. “Robert Longo: Metro Pictures.” Artforum 32, no. 6 (February 1995): 85.Heartney, Eleanor. “Robert Longo at Metro Pictures.” Art in America, (March 1994): 99–100.Plagens, Peter. “I Ought to be in Pictures.” Newsweek, 18 April 1994: 58–60.Romney, Jonathan. “Shooting from the Hip.” The Guardian, 19 May 1994.1993 Delekat, Thomas. “Bilder einer Ausstellung.” Die Deutsche Buehne, (March 1993).Gugg, Anton. “Ein Fest der Bilder.” Die Welt, 26 January 1993: 8.Harrison, Martin. “Shots of Sound.” Frieze, (November/December 1993): 37–40.Heinik, Angelika. “Badewanne und Oelflasche.” ARCO, Madrid, Frankfurter Allgemeine Zeitung, (February 1993).Herbort, Heinz-Joseph. “Oper kann das Groesste seyn.” Die Zeit, 5 February 1993: 58.Hindry, Ann. “Les Images et Les Mots.” Interview with Rosalind Krauss. Art Press, (September 1993): 42–47; E21–E25.Jocks, Heinz-Norbert. “Installazione When Heaven and Hell Change Places.” Domus, (March 1993): 78–81.Jocks, Heinz-Norbert. “Robert Longo: Ich bewundere immer Dinge auf die ich neidisch bin” (interview). Kunstforum, no. 123 (1993): 288–297.“Lucio Silla.” Die Weltwoche, 28 January 1993.Matebosch, Joan. “Lucio Silla de Mozart, emblema del 'Nuevo Salzburg' de Mortier.” ABC Cataluna, 29 January 1993.Pabinger, Daniele. “Superlative vergoldet beerdigt.” SVZ, 4 February 1993.“Riesenkreuze aus Wachs.” SuedWest Presse, 9 March 1993.Rohde, Gerhard. “Seelendurchblicke, fotografisch geschaerft.” Frankfurter Allgemeine Zeitung, 26 January 1993: 25.Roter, Sybil. “Mozart hat mich gerufen.” Musik und Theater, 3 March 1993: 38–41.“Salzburger Mozartwoche.” Abendzeitung Muenchen, 16 December 1993. Schjeldahl, Peter. “Gun Nuts.” The Village Voice, 23 November 1993: 90.Smith, Roberta. “Classics from the Whitney Permanent Collection.” The New York Times, 19 November 1993: C32.Stockinger, Andreas. “Supermans rotgoldene Himmelfahrt oder das Ende einer Epoche.” Der Standart, 29 January 1993. “Stilles Mahnmal gegen den Krieg.” ART, (January 1993).Treisman, Deborah. “The Salzburg Set.” Avenue, (June/July 1993): 11.Zelger-Vogt, Marianne. “Die Macht der Bilder, Macht der Musik.” Neue Zuericher Zeitung, 27 January 1993: 21.1991“Amerika - kritisch gesehen.” Hamburger Abendblatt, 26 October 1991.Chadwick, Susan. “Superstar Artist Lives up to Hype in New Exhibition.” Houston Post, 20 April 1991: F1, F6.Denson, G. Roger. “Robert Longo: Quest for God and Country.” Flash Art, (October 1991): 110–114.Galloway, David. “Trivial Materials, Moral Themes.” International Herald Tribune, 2 November 1991.Heartney, Eleanor. “Robert Longo.” Art News, (January 1991): 146–147.Johnson, Patricia. “Art Reviews: Robert Longo.” Houston Chronicle, 24 April 1991.Kindermann, Angelika. “Nach dem K.O. kam die Karriere.” Art, (November 1991): 146–147.Kipphoff, Petra. “50 + 38 = 2x heute.” Die Zeit, 1 November 1991: 68.Princenthal, Nancy. “Robert Longo.” Art in America, (January 1991): 192.Seigel, Jeanne. “Robert Longo at Metro Pictures.” Tema Celeste, (March/April 1991): 92.Weingarten, Susanne. “Manie der Korrektheit - Faszination des Schreckens.” Frankfurter Allgemeine Zeitung, 7 November 1991: 35.Voelckers, Armin. “Gefuehl und Haerte.” Prinz, (November 1991): 132.1990Anderson, Michael. “Robert Longo.” Contemporanea, (February 1990): 84.Brenson, Michael. “Robert Longo.” The New York Times, 26 October 1990.Clothier, Peter. “Robert Longo: Los Angeles County Museum of Art.” Artnews, (January 1990): 175.Grundberg, Andy. “Longo in Hartford.” The New York Times, 24 August 1990.Hess, Elizabeth. “Robert Longo.” The Village Voice, 6 November 1990.Humphrey, David. Robert Longo: Los Angeles County Museum of Art, Linda Cathcart Gallery, UCLA Center for the Performing Arts, Flash Art, (January/February 1990): 135.McNally, Owen. “Monsters in the Gallery.” The Hartford Courant, 8 June 1990: Section B, B1, B5.Ratcliff, Carter. “Longo's Logos.” Artforum, (January 1990): 105–110.White, Susan. “Robert Longo: A Baby of the NEA.” Hartford Advocate, 4 June 1990: 3.1989 Asada, Akira. Marie Claire Japan, (October 1989): 399–404.Bonaventura, Paul. “Robert Longo: A Report to the Future.” Arte Factum, (February - March 1989): 12–17.Breslauer Jan. “Longo's 'Dream Jumble,': Multimedia in Six Acts.” The Los Angeles Times, 6 October 1989: 18–19.Chua, Lawrence. “Robert Longo, Metro Pictures.” Flash Art, (January/ February 1989): 120.Cotter, Holland. “Robert Longo at Metro Pictures.” Art in America, (March 1989): 143–144.Drohojowska, Hunter. “Pop Artist Provocateur.” Bazaar Magazine, (September 1989).Drohojowska, Hunter. “The '80's: Stop Making Sense.” Artnews, (October 1989): 146–151.Ito, Toshiharu. “Death and Topos in the Split Second: The World of Robert Longo.” Mizue, (Autumn 1989): 98–109.Frank, Peter. “Deliberate Provocation: Robert Longo Makes a Spectacle of Himself– and us.” LA Weekly, 27 October–2 November 1989: 65–67.Kandel, Susan. “Robert Longo.” Art Issues, (December 1989): 25.Levin, Kim. “Studio Visit, Mirabella.” (October 1989): 50–51.Lewis, Christopher. “Mondo Longo.” Art in America, (March 1989): 35–39.Lida, David. “La Longo Vita.” Elle, (October 1989): 244–246.Longo, Robert. “Bravo Longo.” Interview by Marlaine Glicksman. Film Comment, (April 1989): 42–46.M.D. “The Galleries.” The Los Angeles Times, (6 October 1989): 17.Kristina Mckenna, “In the Footsteps of Warhol: Avant Garde Artists Take a Look at the New Criticality.” The Los Angeles Times, 7 May 1989: 90–92.Podgus, Christopher. “Robert Longo & The Body Politic.” Amtrak Express, (October/November 1989): 7–11, 53.Rimanelli, David. “Robert Longo, Metro Pictures.” Artforum, (January 1989): 110–111.“Robert Longo: The Painted 'Moving' Picture.” Mizue, (Spring 1989): 88–91.Sullivan, Dan. “A Young Pro Who Knows His Technology.” The Los Angeles Times, 1989. Sturman, John. “Robert Longo, Metro Pictures.” Art News, (January 1989): 132. Taubin, Amy. “MTV Gets a Buzz On.” The Village Voice, 16 May 1989: 53.Tsing Loh, Sandra. “Robert Longo's Dream Jumbo: Working the Absolutes at Royce Hall.” LA Weekly, 20 October 1989: 89.Trakin, Roy. “Robert Longo: Untitled.” Details, (December–January 1989): 169.Wilson, William. “Robert Longo: Too Much Too Soon.” The Los Angeles Times, 1 October 1989: 1, 8, 79.Zimmer, Elizabeth. “The Longo and Short of 'Dream’.” Herald Examiner, no. 6 (1989): B2.1988Atkins, Robert. “New This Week: Robert Longo.” 7 Days, 9 November 1988: 63. Benezra, Neal. “Overstated Means/Understated Meaning.” Smithsonian Studies in American Art, (Winter 1998): 19–31.Dika, Vera. “Robert Longo: Performance into Film.” Artscribe, (Summer 1988): 72–76.Foster, Hal. “Robert Longo.” Artstudio, (Winter 1988): 102–121.Longo, Robert. “Robert Longo (interview).” Interview by Glenn Rechler. Splash, (December 1988).Longo, Robert. “Mondo Longo.” Interview by Emily Prager. Interview, (May 1988): 86–89.McCormick, Carlo. “Fighting the Longo Logo.” Paper, (October 1988): 24.“Smart Set: Robert Longo.” Smart, (Fall 1988): 15.Huntington, Richard. “The Good, the Bad and the Ugly.” ArtNews, (January 1988): 9.Robinson, Lisa. “Robert Longo, the Artist as Rock Visionary.” Vogue, (June 1988): 70–74.“Robert Longo.” Bijutsu Techo, (January 1988): 17–88.“Robert Longo: a Project for Artforum.” Artforum, (March 1988): 106–107.Semin, Didier. “Pour la documenta a Champignac.” Art Press, (May 1988): 30–33.Smith, Roberta. “Robert Longo” (exhibition review). The New York Times, 4 November 1988: C24.“Solid Ashes: Lia Gieling in gespreh met Robert Longo.” Nederelands Theaterbock, (October 1988): 20–25.1987Cameron, Dan. “Robert Longo Metro Pictures.” Flash Art, (May 1987): 86–87.“Documenta 8.” Art, (June 1987): 36–46.“Documenta Special.” Wolkenkratzer Art Journal, (June/July/ August 1987): 53.Heartney, Eleanor. “Robert Longo, Metro Pictures.” Artnews, (January 1987): 155–156.Kuspit, Donald. “Robert Longo, Metro Pictures.” Artforum, (February 1987): 111–112.Longo, Robert. “New York City, the Imperial City.” New York, (May 1987): 4.Mahoney, J. W. “Robert Longo, Metro Pictures.” New Art Examiner, (February 1987): 57.Rankin-Reid, Jane. “Robert Longo, Metro Pictures.” Tema Celeste, (February/March 1987): 57–58.1986“Ars Longo.” Vanity Fair, (April 1986): 25.“Art Up Front: Robert Longo.” Brutus, no. 11/1 (1986).Brenson, Michael. “Art: Robert Longo and His 'Steel Angels'.” The New York Times, 16 May 1986.Danieli, Fidel. “Robert Longo.” Artscene, (March 1986).Hershkovits, David. “Art Brat Grows Up.” Paper, (1986): 29.Jones, Alan. “Robert Longo Goes to Hollywood.” NY Talk, (May 1986): 34–37.Longo, Robert. “Robert Longo.” Interview by Gabriele Perretta. Flash Art, (June 1986): 60–62.Marzorati, Gerald. “Longo's Journey into Hype.” Vanity Fair, (October 1986): 134.Muchnic, Suzanne. “Constant Lure of Longo's 'Men'.” Los Angeles Times, 31 March 1986: 1, 4.Ratcliff, Carter. “Urban Profit.” Elle, (October 1986): 86, 88.Ratcliff, Carter. “Robert Longo.” Artpress, (February 1986): 12–15, cover illustration.Van den Bergh, Jos. “De wereld volgens Robert Longo.” Knack, Brussels, (August 1986): 94–96.1985 Alhadeff, Gini. “Arte Piu 'Moda.” L'Uomo Vogue, (October 1985): 390–391, 466.Berger, Maurice. “The Dynamics of Power: An Interview with Robert Longo.” Arts Magazine, (January 1985): 88–89.Brenson, Michael. Art: “Apocalyptic Pop in Mixed Media Show.” The New York Times, 4 May 1985.Brenson, Michael. “Human Figure Is Back in Unlikely Guise.” New York Times, 13 January 1985: 1, 29.Bromberg, Craig. “Totally Style.” East Village Eye, (May 1985): 52.Cotter, Holland. “Robert Longo.” Arts Magazine, (September 1985): 32.Drohojowska, Hunter. “The 'Spectacles' of Robert Longo.” L.A. Weekly, 9–15 November 1985: 53.Fisher, Jean. “Robert Longo, Metro Pictures.” Artforum, (September 1985): 11.Gardner, Paul. “Longo: Making Art for Brave Eyes.” Art News, (May 1985): 56–65, cover.Glueck, Grace. “The Very Timely Art of Robert Longo.” The New York Times, 10 March 1985: 1, 24.Goldberg, Rose Lee. “Robert Longo's Solid Vision (and cover photograph).” New York Beat, 2 May 1985: 8–9.Handy, Ellen. “Robert Longo.” Arts Magazine, (September 1985): 7.Hughes, Robert. “Careerism and Hype Amidst the Image Haze.” The New York Times Magazine, 17 June 1985: 78–83.“In der Sprache der Gewalt.” Art, (September 1985): 76–85.McShine, Kynaston. An International Survey of Recent Painting and Sculpture. New York: Museum of Modern Art, 1985.Mueller, Cookie. “Larger Than Life: The World of Robert Longo.” Saturday Review, (November/December 1985): 48–49, 90–91.Perron, Wendy. “The Structure of Seduction.” The Village Voice, 28 May 1985: 9.Ratcliff, Carter. “David Byrne and the Modern Self: How Do I Work This?” Artforum, (May 1985): 95–97.Rose, Barbara. “Art in Discoland.” Vogue, (September 1985): 668–673, 747.Venant, Elizabeth. “Rebel Expressions.” Los Angeles Times, 28 April 1985: (Calendar section), 3–7.1984Marzorati, Gerald. “Your Show of Shows.” Art News, (September 1984): 62–65.Millet, Catherine. “A Propos de Quelques Artistes Americains, (and cover illustration).” Art Press, (October 1984): 4–9.Muchnic, Suzanne. “Is L.A. Ready for 'Crash Course' in Longo's Art?” Los Angeles Times, 8 November 1984: 2.Stayton, Richard. “Longo on Media, Sex and Power.” Los Angeles Herald Examiner, 12 November 1984: C-2.Welzenbach, Michael. “The Ups and Downs of Stardom: An Interview with Robert Longo.” New Art Examiner, (December 1984): 41–43.1983Bell, Jane and Lee Fleming. “Biennial Directions.” Art News, (June 1983): 76–82.Brooks, Rosetta. “Robert Longo, Leo Castelli Gallery and Metro Pictures.” Artforum, (June 1983): 83–84.Ciardi, Nives. “Robert Longo.” Domus, no. 635 (January 1983): 69.Collins, Tricia and Richard Milazzo. “Robert Longo: Static Violence.” Flash Art, (May 1983): 36–38.Eisenman, Stephen. “Robert Longo: Leo Castelli, Metro Pictures.” Arts Magazine, 1983: 43.Foster, Hal. “The Art of Spectacle.” Art in America, (April 1983).Ginsburg, Merle. “Robert Longo.” Daily News, 4 February 1983.Glueck, Grace. “Artists Who 'Scavenge' from the Media.” The New York Times, 9 January 1983: 29–30.Hughes, Robert. “Three from the Image Machine.” Time Magazine, 14 March 1983: 83–84.Lippard, Lucy R. “Cross-Country Music.” The Village Voice, 8 March 1983: 72.“Openings: Robert Longo.” Esquire Magazine, (October 1983): 135.Ratcliff, Carter. “Robert Longo: The City of Sheer Image.” Print Collectors Newsletter 14, no. 3 (July/August 1983).Ratcliff, Carter. “Robert Longo.” Interview Magazine, (April 1983).Schjeldahl, Peter. “Vanity Fair Notes: Robert Longo.” Vanity Fair, (May 1983): 24.Smith, Roberta. “Making Impressions.” The Village Voice, 1 March 1983.Zelevansky, Lynn. “Robert Longo: Leo Castelli, Metro Pictures.” Flash Art, (April 1983): 152.Zimmer, William. “Robert Longo: Metro Pictures and Leo Castelli.” Flash Art, (May 1983): 60–61.1982Banes, Sally. “The Long and the Short of It.” The Village Voice, 18 May 1982: 87.“Documenta 7 Ein Rundgang.” Kunstforum, (September/October 1982).Groot, Paul. “Metro Pictures en Deutsche Angst.” Museumjournal, no. 27/3 (1982). Krauss, Rosalind. “Reflecting on Post-Modernism.” Brand New York, a special issue of The Literary Review, (1982): 54–57.Pincus-Witten, Robert. “Defenestrations: Robert Longo.” Arts Magazine, (November 1982): 94–95.Ratcliff, Carter. “Contemporary American Art.” Flash Art, (Summer 1982): 32–35.Ratcliff, Carter. “Dali's Dreadful Relevance.” Artforum, (October 1982): 65.Wallace, Brian. “Governing Authority: Robert Longo's Performance Empire.” Wedge, no. 1 (Summer 1982): 64–65.1981Atkins, Robert. “Robert Longo at the Corcoran Art School.” Images and Issues 2, no. 2 (Fall 1981).Blinderman, Barry. “Robert Longo's 'Men in the Cities': Quotes and Commentary (and cover illustration).” Arts Magazine, (March 1981).Brooks, Rosetta. “The Art Machine” (and front and back cover illustrations). ZG Magazine 81, no. 3 (1981).Kontova, Helena. “From Performance to Painting.” Flash Art, (February/March 1981). Levin, Kim. “New York Reviews: Robert Longo, Metro Pictures.” Flash Art, (March/ April 1981).Nadelman, Cynthia. “New York Reviews: Robert Longo, Metro Pictures.” Flash Art, (March 1981).Owens, Craig, “Robert Longo at Metro Pictures.” Art in America, (March 1981).Ratcliff, Carter. “Art Stars for the Eighties.” Saturday Review, (February 1981).Ratcliff, Carter. “The Distractions of Theme.” Art in America, (November 1981).Ratcliff, Carter. “Robert Longo.” Flash Art, (Summer 1981). Zimmer, William. “Robert Longo: Metro Pictures.” The Soho News, 2 January 1981. 1980Crimp, Douglas. “The Photographic Activity of Postmodernism.” October 15, (Winter 1980).Owens, Craig. “The Allegorical Impulse: Toward a Theory of Postmodermism.” October 12, (Spring 1980).Siegel, Jeanne. “Lois Lane and Robert Longo: Interpretation of Image.” Arts Magazine, (November 1980).Simon, Joan. “Double Takes.” Art in America, (October 1980).1979Crimp, Douglas. “Pictures.” October 8, (Spring 1979).Fox, Howard. “Desire for Pathos: The Art of Robert Longo.” Sun & Moon, (Fall 1979).1978Henry, Gerrit. “Pictures.” Art News, (January 1978).Lawson, Thomas. “’Pictures' at Artists Space.” Art in America, (January/ February 1978).1977 Tatransky, Valentine. “Pictures.” Arts Magazine, (December 1977).