Rafael Lozano-Hemmer

Dates

Born 1968, Mexico City

2022

Rafael Lozano-Hemmer: Common Measures, Pace Gallery, New York, September 9–October 22, 2022.

2021

Rafael Lozano-Hemmer: Atmospheric Memory, Manchester International Festival, University of North Carolina, Chapel Hill, North Carolina, December 1–December 18, 2021.

Rafael Lozano-Hemmer: A Crack in the Hourglass, An Ongoing COVID-19 Memorial, Brooklyn Museum, October 29, 2021–June 26, 2022.

Rafael Lozano-Hemmer: Unstable Presence, San Francisco Museum of Modern Art, San Francisco, California, October 2, 2021–March 16, 2022. (Catalogue)

Rafael Lozano-Hemmer: Pulse Topology, Kemper Museum of Contemporary Art, Kansas City, Missouri, United States, June 25, 2021–January 2, 2022.

2020

Rafael Lozano-Hemmer: Recent Works, Arsenal Art Contemporain, Montréal, Québec, Canada, November 16, 2020–May 1, 2021.

Rafael Lozano-Hemmer: La Arena Fuera del Reloj, Museo Universitario Arte Contemporáneo, Mexico City, México, November 7, 2020–November 7, 2021.

Rafael Lozano-Hemmer: Cercanía, Arsenal Art Contemporain, Montréal, Québec, Canada, July 30–October 24, 2020.

Rafael Lozano-Hemmer: Latidos, Arte Abierto, Mexico City, México, February 6–December 13, 2020.

2019

Rafael Lozano-Hemmer: Border Tuner / Sintonizador Fronterizo, Bowie High School / Chamizal Park, Ciudad Juárez, México / El Paso, Texas, November 13–November 24, 2019.

Rafael Lozano-Hemmer: Presencia Inestable, Museo de Arte Contemporáneo de Monterrey, Mexico, August 23–March 1, 2020.

Rafael Lozano-Hemmer: Atmospheric Memory, Manchester International Festival, United Kingdom, July 6–July 21, 2019.

Rafael Lozano-Hemmer: Flujo Óptico, Galería Max Estrella, Madrid, February 13–April 27, 2019.

2018

Rafael Lozano-Hemmer: Pulse, Hirshhorn Museum and Sculpture Garden, Washington, D.C., November 1–April 28, 2019.

Rafael Lozano-Hemmer: Voice Array, Mexican Cultural Institute, Washington D.C., October 31–April 28, 2019.

Rafael Lozano-Hemmer: Solar Equation, Musée national des beaux-arts du Québec, Canada, September 27–April 11, 2019.

Rafael Lozano-Hemmer: Confirmation Bias, Bitforms gallery, New York, September 5–October 21, 2018.

Rafael Lozano-Hemmer: Voice Theatre, Haus der Elektronischen Künste Basel-Augusta Raurica, Basel, June 9–July 1, 2018.

Rafael Lozano-Hemmer: Unstable Presence, Musée d'Art Contemporain de Montréal, May 23–September 9,, 2018.

Rafael Lozano-Hemmer: Decision Forest, Amorepacific Museum of Art, Seoul, May 2–August 26, 2018. (Catalogue)

2017

Rafael Lozano-Hemmer: Wavefunction, Subsculpture 9, University of Michigan Museum of Art, Ann Arbor, April 22–July 31, 2017.

2016

Rafael Lozano-Hemmer: Transition States, Gund Gallery, Gambier, Ohio, October 10–January 2, 2017.

Rafael Lozano-Hemmer: Preabsence, Haus der Elektronischen Künste Basel, Switzerland, June 8–August 28, 2017.

2015

Rafael Lozano-Hemmer: Pseudomatismos, Museo Universitario Arte Contemporaneo, Mexico City, Mexico, October 28–April 17, 2016. (Catalogue)

Rafael Lozano-Hemmer: Lapsus Lumen, Bitforms gallery, New York, September 13–November 1, 2015.

Rafael Lozano-Hemmer: Solar Equation, Ulm Cathedral, Ulm, Germany, May 24–August 23, 2015.

Rafael Lozano-Hemmer: Polynomials,Art Bärtschi & Cie, Geneva, March 18–May 23, 2015.

2014

Rafael Lozano-Hemmer: A Draft of Shadows, Bildmuseet, Umeå, Sweden, November 2–May 3, 2015.

Rafael Lozano-Hemmer: Signos e Índices, NC-arte, Bogotá, Colombia, October 25–February 21, 2015.

Rafael Lozano-Hemmer: Obra Sonora, Carroll / Fletcher Gallery, London, September 25–November 1,

2014.

Rafael Lozano-Hemmer: Pulse Spiral, Exploratorium, San Francisco, May 15–August 17, 2014.

Rafael Lozano-Hemmer: Abstracción Biométrica, Fundación Telefónica, Spain, May 14–October 12,

2014.

Rafael Lozano-Hemmer: Polímeros, Galería Max Estrella, Madrid, May 10–September 7, 2014.

Rafael Lozano-Hemmer: The Year's Midnight, Canada Council for the Arts, Ottawa, January 27–September 30, 2014.

2013

Rafael Lozano-Hemmer: Lumiere, Durham University Science Site, Durham, United Kingdom, November 14–November 17, 2013.

Rafael Lozano-Hemmer: Voice Array, Casa Daros Rio, Rio de Janeiro, November 8–March 9, 2014.

Rafael Lozano-Hemmer: Vicious Circular Breathing, Borusan Contemporary, Istanbul, September 14–February 16, 2014. (Catalogue)

Rafael Lozano-Hemmer: Pulse Room, International Charitable Foundation "IZOLYATSIA, Platform for cultural initiatives", Donetsk, Ukraine, September 5–January 10, 2014.

Rafael Lozano-Hemmer: Voice Tunnel, Park Avenue Tunnel, DOT Summer Streets, New York, August 3–August 17, 2013.

2012

Rafael Lozano-Hemmer: Frequency and Volume, San Francisco Museum of Modern Art, November 3–February 3, 2013.

Rafael Lozano-Hemmer: Trackers, Fundación Telefónica, Buenos Aires, Argentina, October 18–December 23, 2012. (Catalogue)

Rafael Lozano-Hemmer: Open Air, Philadelphia Live Arts, Association for Public Art, Philadelphia, September 20–October 14, 2012.

Rafael Lozano-Hemmer: Voice Array, bitforms gallery, New York, September 6–October 20, 2012.

Rafael Lozano-Hemmer: X no es la nueva Y, Galería OMR, Mexico City, Mexico, April 17–September 1, 2012.

2011

Rafael Lozano-Hemmer: Recorders, Museum of Contemporary Art, Sydney, December 16–February 12, 2012.

Rafael Lozano-Hemmer: Trackers, La Gaîté Lyrique, Paris, September 29–November 13, 2011.

Rafael Lozano-Hemmer: Pulse Spiral, Pei Ling Chan Gallery, Savannah College of Art and Design, Savannah, Georgia, January 10–February 25, 2011.

2010

Rafael Lozano-Hemmer: Pulse Show, Beall Center, University of California, Irvine, September 30–January 22, 2011.

Rafael Lozano-Hemmer: Recorders, Manchester Art Gallery, United Kingdom, September 15–January 30, 2011. (Catalogue)

Rafael Lozano-Hemmer: Solar Equation, Light in Winter Festival, Federation Square, Melbourne, June 4–July 9, 2010.

Rafael Lozano-Hemmer: Vigilancias Materializadas, Galería Max Estrella, Madrid, May 13–July 24, 2010.

Rafael Lozano-Hemmer: Vectorial Elevation, Cultural Olympiad, English Bay, Vancouver, February 2010.

2009

Rafael Lozano-Hemmer: Levels of Nothingness, Guggenheim Museum, New York, September 21–September 27, 2009.

Rafael Lozano-Hemmer: Transition States, Haunch of Venison, New York, September 10–October 24, 2009.

Rafael Lozano-Hemmer: Recent works, Galerie Guy Bärtschi, Geneva, May 14–September 5, 2009.

Rafael Lozano-Hemmer: Pulse Glow, Pulse Glow Festival, City Hall, Eindhoven, Netherlands, November 6–15, 2009.

2008

Rafael Lozano-Hemmer, Haunch of Venison, London, October 15–November 29, 2008.

Rafael Lozano-Hemmer: Frequency and Volume, The Curve, Barbican Centre, London, October 9–January 18, 2009.

Rafael Lozano-Hemmer: Recorders, Edith Russ Haus für Medienkunst, Oldenburg, Germany, June 7–August 17, 2008.

Rafael Lozano-Hemmer: Body Movies, Te Papa Museum, Wellington, New Zealand, 2008.

Rafael Lozano-Hemmer: Body Movies, Fête du 400e anniversaire de Québec, Parc de la Cétière, Quebec, 2008.

Rafael Lozano-Hemmer: Pulse Park, Madison Square Park, New York, 2008. (Catalogue)

Rafael Lozano-Hemmer: Pulse Spiral Center for Contemporary Culture - Melnikov Garage, Moscow, 2008.

Rafael Lozano-Hemmer: Rafael Lozano-Hemmer, Bitforms gallery, New York, 2008.

Rafael Lozano-Hemmer: Under Scan, Trafalgar Square, London, 2008. (Public art commission).

Rafael Lozano-Hemmer: Voz Alta Memorial for the Tlatelolco student massacre, Mexico City, Mexico, 2008.

Rafael Lozano-Hemmer: Wavefunction, Kulczyk Foundation, Poznan, Poland, 2008.

2007

Rafael Lozano-Hemmer: Pulse Front, Power Plant, Harbourfront, Toronto, 2007.

Rafael Lozano-Hemmer, bitforms gallery, New York, 2007.

Rafael Lozano-Hemmer: Some Things Happen More Often Than All Of The Time, Mexican Pavilion, 52 Biennale di Venezia, Venice, Italy, 2007. (Catalogue)

2006

Rafael Lozano-Hemmer: Under scan, East Midlands Development Agency, Castle Wharf, Nottingham, United Kingdom, March 2006. (Public art commission). (Catalogue)

Rafael Lozano-Hemmer: Under scan, East Midlands Development Agency, Market Square, Derby, United Kingdom, February–March 2006. (Public art commission). (Catalogue)

Rafael Lozano-Hemmer: Under scan, East Midlands Development Agency, Humberstone Gate West, Leicester, United Kingdom, January 2006. (Public art commission). (Catalogue)

Rafael Lozano-Hemmer: Body Movies, Museum of Art, HK Arts Development Council, Hong Kong, 2006.

Rafael Lozano-Hemmer, bitforms gallery, New York, New York, 2006.

2005

Rafael Lozano-Hemmer: Under Scan, East Midlands Development Agency, Brayford University Campus, Lincoln, United Kingdom, November–December, 2005. (Public art commission). (Catalogue)

Rafael Lozano-Hemmer: 33 Questions per Minute, Spots Mediafaçade, with realities:united, Postdamer Platz 10, Berlin, 2005.

Rafael Lozano-Hemmer: Subsculptures, Galerie Guy Bärtschi, Geneva, 2005.

Rafael Lozano-Hemmer: Subtitled Public, Sala de Arte Público Siqueiros, Mexico City, Mexico, 2005.

2004

Rafael Lozano-Hemmer: Vectorial Elevation, celebrations of Europe expansion, O'Connell Street, Dublin, Ireland, 2004.

Rafael Lozano-Hemmer, Galería OMR, Mexico City, Mexico, November–December 2004.

2003

Rafael Lozano-Hemmer: Relational Architectures, Laboratorio Arte Alameda, Mexico City, Mexico, May–June 2003.

Rafael Lozano-Hemmer: Amodal Suspension, Opening Project, Yamaguchi Center for Art and Media, Yamaguchi, Japan. Access Pods and terminals for the piece were installed at: MACBA in Barcelona, MARS Lab in Bonn, C3 in Budapest, Fundación Telefónica in Buenos Aires, MIT MediaLab in Cambridge, Bauhaus in Dessau, IAMAS in Ogaki, ZKM in Karlsruhe, Kyoto Art Center in Kyoto, FACT in Liverpool, Science Museum in London, Ojo Atómico in Madrid, Laboratorio Arte Alameda in Mexico City, SAT in Montréal, Sarai in New Delhi, Eyebeam in New York City, Wood Street Galleries in Pittsburgh, V2_Organisatie in Rotterdam, Itaú Cultural Center in São Paulo, Sendai Mediatheque in Sendai, Art Center Nabi in Seoul, NTT-ICC in Tokyo, MeSci in Tokyo, Ontario Science Centre in Toronto, Emily Carr in Vancouver, WRO Center in Wroclaw and Multimedia Institute in Zagreb, 2003.

Rafael Lozano-Hemmer: Body Movies, Duisburg Akzente, Duisburg, Germany, 2003.

Rafael Lozano-Hemmer, bitforms gallery, New York, New York, 2003.

Rafael Lozano-Hemmer: Vectorial Elevation, Fête des Lumières, Place Bellecour, Lyon, France, 2003.

2002

Rafael Lozano-Hemmer: Body Movies, Liverpool Biennial, Williamson Square, Liverpool, United Kingdom, 2002.

Rafael Lozano-Hemmer: Two Origins, Printemps de Septembre Festival, Place du Capitole, Toulouse, France, 2002.

Rafael Lozano-Hemmer: Vectorial Elevation, Opening project of Artium, Basque Contemporary Art Museum, Vitoria-Gasteiz, Spain, 2002.

2001

Rafael Lozano-Hemmer: Airport Cluster, Foto/Graphik Galerie Käethe Kollwitz, Berlin, 2001.

Rafael Lozano-Hemmer: Body Movies, Cultural Capital of Europe Festival, V2 Grounding, Rotterdam, 2001.

1999

Rafael Lozano-Hemmer: Vectorial Elevation, Zócalo Square, Mexico City, 1999. (Catalogue)

1997

Rafael Lozano-Hemmer: Displaced Emperors, Ars Electronica Festival, Linz, Austria, 1997.

Rafael Lozano-Hemmer: Re:Positioning Fear, 3rd Internationale Biennale Film +Architektur, Graz, Austria, 1997.

2022

The Human Image: Art, Identities and Symbolism, Caixa Forum, Madrid, Spain, June 28–October 9, 2022.

Metadata: Rethinking Photography from the 21st Century, The John and Mable Ringling Museum of Art, Sarasota, Florida, March–June, 2022.

2021

NEMO, Biennale des arts électroniques d’Ile de France, Centre Culturel Canadien, Paris, France, December 2021–April 2022.

Rafael Lozano-Hemmer and Krzysztof Wodiczko: Zoom Pavilion, NXT Museum, Amsterdam, opens on October 31, 2021.

La Imagen Humana: Arte, Identidades y Simbolismo, Fundación “la Caixa,” CaixaForum, Madrid, October 29, 2021–January 23, 2022

Difference Machines: Technology and Identity in Contemporary Art, Albright-Knox Art Gallery, Buffalo, New York, October 16, 2021–January 16, 2022.

Recurrent Anaximander, Superblue, Miami, Florida, United States, September 1–December 31, 2022.

La imagen humana: arte, identidades y simbolismo, La Fundación La Caixa, Madrid, Spain, April 29–August 29, 2021. Traveled to: La Fundación La Caixa, Barcelona, Spain, September 29, 2021–January 23, 2022; La Fundación La Caixa, Sevilla, Spain, February 18–May 29, 2022; La Fundación La Caixa, Zaragoza, Spain, June 28–October 23, 2022; La Fundación La Caixa, Palma de Mallorca, Spain, October 22, 2022–March 23, 2023.

Noor Festival, The Aimes Group, Riyadh, Saudi Arabia, March 18–June 12, 2021.

Group Presentation, Pace Gallery, 510 West 25th Street, New York, March 13–April 24, 2021.

2020

Quarante, Blouin Division Montréal, Montréal, Québec, Canada, December 2, 2020–February 20, 2021.

Black Swan: Unpredictable Future, Open Media Art Festival, The Oil Tank Culture Park, Seoul, South Korea, November 12–November 15, 2020.

The Body Electric, Museum of Art and Design - Miami Dade College, Miami, Florida, November 5, 2021–May 30th 2021.

Scripts of Logic, Kunsthalle Zürich, Zürich, Switzerland, July 31–August 30, 2020.

Art in the Age of Anxiety, Sharjah Art Foundation, Sharjah, United Arab Emirates, March 21–June 21, 2020.

School Photos and Their Afterlives, Hood Museum of Art, Hanover, New Hampshire, January 6–April 12, 2020.

2019

La Tête dans le Nuage, Musée de la Civilisation, Quebec, November 28, 2019–January 31, 2021.

The Future and the Arts, Mori Art Museum, Tokyo, November 19, 2019–March 29, 2020.

Arts of The World, Musée des Beaux-Arts Montréal, November 2, 2019–November 2, 2020.

Open Codes. We Are Data, Azkuna Zentroa Alhóndiga Bilbao, Spain, October 23, 2019–January 26, 2020.

Asuntos de Nuestro Espacio, Centro Cultural Rojas, Buenos Aires, October 11, 2019–November 9, 2020.

Charged, Virginia Museum of Contemporary Art, Virginia Beach, September 21, 2019–February 16, 2020.

Project 1, Artprize, Grand Rapids, Michigan, September 7, 2019–October 27, 2020.

Infinity Clock: Artworks on Time, Orange Door Chicago, September 1, 2019–July 1, 2020.

The Watchers, The 8th Floor, New York, July 11, 2019–October 12, 2020.

Level of Confidence, Documentary Edge Festival, Wellington, New Zealand, June 13, 2019–June 23, 2020.

Mutual Reality: Art on the Edge of Technology, Scottsday Museum of Contemporary Art SMoCA, Arizona, June 8, 2019–October 6, 2020.

Level of Confidence, Documentary Edge Festival, Auckland, New Zealand, May 30, 2019– June 9, 2020.

Reincarnation of Media Art, WRO Art Center, Wrocław, Poland, May 15, 2019–September 30, 2020.

Montluçon Art Mobile, Fond d'Art Moderne et Contemporaine, Montluçon, France, April 12, 2019–June 2, 2020.

Now is the Time, 2019 Wuzhen Contemporary Art Exhibition, Wuzhen, China, March 31, 2019–June 30, 2020.

Level of Confidence, Hirshhorn Museum and Sculpture Garden, Washington, D.C., March 1, 2019–March 31, 2020.

Writing the History of the Future, Zentrum für Kunst und Medien Karlsruhe, Germany, February 23, 2019–March 28, 2021.

Sandbox, Llum Festival, Barcelona, February 15, 2019–February 18, 2020.

bitforms gallery LA, bitforms gallery, Los Angeles, February 12, 2019–March 17, 2020.

Faces, Es Baluard - Museum of Modern and Contemporary Art, Mallorca, Spain, January 31, 2019–September 29, 2020.

2018

Art in the Age of the Internet, 1989 to Today, UMMA - University of Michigan Museum of Art, Ann Arbor, Michigan, December 15, 2018–April 7, 2019.

Entangle / Physics and the Artistic Imagination, Bildmuseet Umeå University, Umeå, Sweden, November 16, 2018– April 14, 2019.

12th Shanghai Biennale, China, November 10, 2018–March 10, 2019. (Catalogue)

Unsettled, Palm Springs Art Museum, Palm Springs, California, October 27, 2018–April 30, 2019.

La No Comunidad, CentroCentro, Madrid, October 26, 2018–January 27, 2020.

ArtBO, Galería Max Estrella, Bogotá, Colombia, October 25, 2018–October 28, 2019.

Temporalidades Arte Latinoamericano, Museo de Arte e Historia de Guanajuato, México, October 19, 2018–February 3, 2019.

Üvercinka A Selection from the Borusan Contemporary Art Collection, Borusan Contemporary, Istanbul, Turkey, September 15, 2018–February 17, 2019.

Message from Our Planet, Orange Door Chicago - Thoma Foundation, Chicago, September 14, 2018–August 1, 2019.

Reincarnation of Art Media, Yamaguchi Center for Arts and Media, Yamaguchi, Japan, July 21–October 28, 2018.

I Was Raised on the Internet, Museum of Contemporary Art Chicago, June 23–October 14, 2018.

Global Positioning System Not Working, Akademie der Künste der Welt, Cologne, Germany, April 20–July 8, 2018.

Unsettled, Anchorage Museum, Anchorage, Alaska, April 20–September 9, 2018.

You Are Here: Light, Color, and Sound Experiences, North Carolina Museum of Art, Raleigh, North Carolina, April 7–July 22, 2018.

Relations, Kunstkraftwerk, Leipzig, Germany, March 28, 2018–February 24, 2019.

Printemps Numérique X 5 à 9 au McCord, McCord Museum, Montréal, Québec, March 22, 2018.

L'Invention de Morel, Maison de l'Amerique Latine, Paris, March 16–July 21, 2018.

Reality Machines - An Art Exhibition on Post-Truth, CRASSH, Cambridge, Massachusetts, March 9–March 29, 2018.

Authenticate, Cypress College Art Gallery, Cypress, California, March 8–April 11, 2018.

New Media, New Millennium: Digital Art from the Thoma Foundation, Hunter Museum of American Art, Chattanooga, Tennessee, February 9–April 29, 2018.

Art in the Age of the Internet, 1989 to Today, The Institute of Contemporary Art Boston, February 7–May 20, 2018.

Corpus , New Media Gallery, New Westminister, British Columbia, Canada, January 26–April 8, 2018.

Digital Dynamics 2018: Interaction, The Museum, Kitchener, Ontario, Canada, January 26–May 13, 2018.

Group exhibition, D.I.X., Genève, January 20–February 20, 2018.

¡VIVA!, Projective Eye Gallery - UNC, Charlotte, North Carolina, January 19–February 25, 2018.

2017

NGV Triennale, National Gallery of Victoria, Melbourne, December 15, 2017–April 15, 2018.

B3 Biennial of the Moving Image, Four Frankfurt, Frankfurt, Germany, November 29th, 2017– December 20th.

La Ciudad de México en el Arte. Travesía de Ocho Siglos, Museo de la Ciudad de México, Mexico City, November 24, 2017–April 1, 2018.

Aproximacions Creatives - Collecció BEEP d'Art Electrònic, Museo Salvador Vilaseca, Reus, Spain, November 23, 2017–March 29, 2018.

Electronic Superhighway (1966-2016), Museum of Art, Architecture, and Technology, Lisbon, November 8, 2017– March 19, 2018.

Lección de Arte, Museo Thyssen-Bornemisza, Madrid, November 7, 2017–February 28, 2018.

Sin Título (Untitled), Jonathan Ferrara Gallery, New Orleans, November 4–December 27, 2017.

Anthology - Monumental Works from the Collection, Arsenal, Montréal, Québec, October 25–December 22, 2017.

Nivel de Confianza, XLIV Festival International Cervantino, Guanajuato, México, October 11–October 29, 2017.

Drawn from a Score, Beall Center, Irvine, California, October 7, 2017–February 3, 2018.

Future Shock , Site Santa Fe, New Mexico, October 5, 2017–May 7, 2018.

Art of the Selfie, Helen Day Art Center, Stowe, Vermont, September 22–November 11, 2017.

Viva, Asheville, North Carolina, September 16–October 14, 2017.

Never the Same: What (else) Can Art Writing Do?, Contemporary Calgary, Alberta, Canada, September 15–September 17, 2017.

Virtual Views: Digital Art from the Thoma Foundation, Orlando Museum of Art, Florida, September 15–December 31, 2017.

Datumsoria: The Return of the Real, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 9, 2017–March 18, 2018.

KM3, Quartier des Spectacles Montréal, Montréal, Québec, August 30–October 15, 2017.

Unsettled, Nevada Museum of Art, Reno, Nevada, August 26, 2017–January 21, 2018.

Blood, Science Gallery Melbourne, Australia, August 2–September 26, 2017.

Soundtracks, SFMOMA, San Francisco, July 15, 2017–January 1, 2018.

Redundant Assembly Projection, Festival de Luz y Vanguardias, Salamanca, Spain, June 15–June 18, 2017.

En Marche. Faire un Pas, c'est Faire un Choix, Le Pénitencier - Musées Cantonaux du Valais, Sion, Switzerland, June 3, 2017–January 7, 2018.

Collectiva 23º Aniversario, Galería Max Estrella, Madrid, May 27–July 8, 2017.

Collective V, Art Bärtschi & Cie, Genève, May 18–June 30, 2017.

Seeing Now, 21C Museum, Nashville, Tennessee, April 15–May 30, 2017.

Citizens, Petach Tikva Museum of Art, Petah Tikva, Israel, April 14, 2017–January 14, 2018.

The Rise of Bio-Society, Riddoch Art Gallery, Mount Gambier, Australia, April 7–May 7, 2017.

From Selfie to Self-Expression, Saatchi Gallery, London, March 31–September 7, 2017.

No Secrets!, ERES Stiftung, Munich, March 25–July 16, 2017.

Nothing to Hide? Art, Surveillance, and Privacy, Real Art Ways, Hartford, Connecticut, March 4–June 19, 2017.

Discursos Premeditats. Collecció Fundación Caja Mediterráneo, Centre del Carme, Valencia, Spain, February 17–March 17, 2017.

Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, Tennessee, February 3–April 16, 2017.

Looking at One Thing and Thinking of Something Else - Part Three: United We Stand, Carroll / Fletcher Gallery, London, January 13–March 4, 2017.

2016

Bienal de Cuenca, Casa Bienal, Cuenca, Ecuador, November 25, 2016–February 5, 2017.

Looking at One Thing and Thinking of Something Else, Carroll / Fletcher Gallery, London, November 11–December 23, 2016.

Nivel de Confianza, Post-Screen Festival, Lisbon, November 11, 2016–January 15, 2017.

bitforms Fifteen-Year Anniversary Exhibition, Minnesota Street Project, San Francisco, November 5, 2016–March 4, 2017.

De Muerte Presente - Der Tod in der mexikanischen Gegenwartskunst, Kunstmuseum Heidenheim, Germany, October 8, 2016–January 8, 2017.

Le Mexique des Renaissances, Grand Palais, Paris, October 5, 2016–January 23, 2017.

RIXC Festival, RIXC, Riga, Latvia, September 29–November 6, 2016.

Robots Building Robots, Hedreen Gallery, Seattle, Washington, September 22–October 12, 2016.

Witness, New Media Gallery, New Westminister, British Columbia, Canada, September 8–November 6, 2016.

Lo que nos Falta. Imágenes desde la Ausencia, Museo de la Ciudad de Querétaro, Galería Libertad, Querétaro, México, August 20–August 20, 2016.

El Turment I L'Èxtasi, Es Baluard - Museu d'Art Modern i Contemporani de Palma, Palma de Mallorca, Spain, July 2–October 2, 2016.

Mouse in the Machine: Nature in the Age of Digital Art, Thoma Foundation - Art House, Santa Fe, New Mexico, June 18, 2016–July 20, 2017.

50JPG - 50 Jours pour la Photographie (5th Triennial), Centre de la Photographie, Genève, Swizterland, June 1–July 31, 2016.

VI Bienal de Arte Contemporáneo, Fundación Once, Madrid, May 26–September 30, 2016.

Eco Expanded City / Synthetic Nature, WRO Art Center, Wrocław, Poland, May 13–June 30, 2016.

Love, Devotion, and Surrender, 22 London, Asheville, North Carolina, May 13–June 1, 2016.

GIEI Ayotzinapa, Universidad del Claustro de Sor Juana, Mexico City, April 24–April 24, 2016.

Art Brussels, Carroll / Fletcher Gallery, Brussels, April 22–April 24, 2016.

Fairholme Unlimited Foundation, Inc., The Lowe Art Museum, Coral Gables, Florida, April 1–December 31, 2016.

FAVCA-XIII Festival de las Artes Visuales de Campeche, TBA, Ciudad del Carmen, Mexico, March 14–March 19, 2016.

Remote Signals, ARSi maja, Tallinn, Estonia, March 14–March 20, 2016.

Art-Facto-Today, Eastern Bloc, Montréal, Québec, February 20–February 20, 2016.

Digital Revolution, Zorlu Performing Arts Centre, Istanbul, February 20–June 12, 2016.

I'll Be Your Mirror: Interactive Reflections, Telfair Museums, Savannah, Georgia, January 27–April 10, 2016.

Real Time, Arts Santa Mònica, Barcelona, January 26–April 10, 2016.

Nivel de Confianza, Gund Gallery, Gambier, Ohio, January 22–May 30, 2016.

2015

Cómo hacer arte con palabras, MUSAC, León, Spain, December 18, 2015–April 24, 2016.

Big Bang Data, Somerset House, London, December 3, 2015–March 20, 2016.

Nivel de Confianza, Pinta Miami, Aluna Art Foundation, Miami, December 1–December 6, 2015.

Proyecto de Arte Verano 2015, Heart Ibiza, Ventana Contemporary, Ibiza, Spain, November 21, 2015–February 5, 2016.

The Age of Catastrophe, Actual Contemporary, Winnipeg, Manitoba, Canada, November 13–December 12, 2015.

Nivel de Confianza, La Cigarra, Chiapas, México, November 6, 2015.

Performing Likeness, Fort Worth Contemporary Arts, Texas, October 23–December 19, 2015.

Digital Revolution, Onassis Cultural Centre, Athens, October 12, 2015–January 10, 2016.

ISMAR, City Museum, Fukuoka, Japan, September 29–October 3, 2015.

Carteles por Ayotzinapa: Primer Bienal Internacional de Carteles Oaxaca, OPC - Oficina de Proyectos Culturales, Puerto Vallarta, México, September 26–November 14, 2015.

Nivel de Confianza, Benemérita Universidad Autónoma de Puebla, Facultades de Ingeniería, Medicina y Filosofía y Letras, Puebla, México, September 21–September 26, 2015.

Global Control and Censorship , Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 18, 2015–May 1, 2016.

Sensory System, Grundy Art Gallery, Blackpool, United Kingdom, September 11–November 7, 2015.

Sydney Contemporary , Carroll / Fletcher Gallery, Sydney, September 10–September 13, 2015.

El Estado de las Cosas, FotoMuseo Cuatro Caminos, Mexico City, September 9, 2015–January 17, 2016.

ANT, Galería Punto, Valencia, Spain, September 8–September 11, 2015.

Desire, Borusan Contemporary, Istanbul, September 5, 2015–February 21, 2016.

Meta, Narrativas Digitales, Galería Andrea Pozzo - Universidad Iberoamericana, Mexico City, August 13–October 2, 2015.

Seeing Now, 21C Museum, Durham, North Carolina, August 13, 2015–January 18, 2016.

Secrets, Science Gallery, Dublin, August 6–November 1, 2015.

Art Marbella, Galería Max Estrella, Málaga, Spain, July 30–August 3, 2015.

Luminous Flux v2.0, Thoma Foundation - Art House, Santa Fe, New Mexico, July 24, 2015–April 30, 2016.

Avec des Mots, Art Bärtschi & Cie, Genève, Switzerland, July 16–September 5, 2015.

Level of Confidence, Baltan Laboratories, Eindhoven, Netherlands, July 16–September 16, 2015.

Memory Burn, bitforms gallery, New York City, July 10–August 16, 2015.

Fuera de Lugar, FAD - Disseny Hub Barcelona, Barcelona, June 29–October 31, 2015.

E-Merge, Arsenal Montréal, Montréal, Québec, June 19–September 13, 2015.

Calvino After Calvino, Blue Project Foundation, Barcelona, June 12–October 31, 2015.

DarkMOFO Festival, Detached, Hobart, Tasmania, Australia, June 12–June 22, 2015.

Aesthetica 50 Years of Computer Generated Art, DAM Gallery, Berlin, May 29–July 18, 2015.

Nivel de Confianza, Ciudad Juárez, México, May 29–May 29, 2015.

Poetics and Politics of Data, Haus der Elektronischen Künste Basel, Basel, May 29–August 29, 2015.

Surveillance Awareness Bureau, Modelab, Wellington, New Zealand, May 27–June 13, 2015.

C2 Conference+Creativity, Arsenal Montréal, Montréal, Québec, May 26–May 28, 2015.

Royal Canadian Academy of Arts, Beaux Arts des Amériques Gallery, Montréal, Québec, May 7–May 16, 2015.

Art and Conflict Symposium, Wolfson College, University of Oxford, Oxford, May 2–May 3, 2015.

Eurocaravana 43, Juicebrothers No2, Vienna, April 28–April 28, 2015.

Art Brussels, Galería Max Estrella, Brussels, April 25–April 27, 2015.

Nivel de Confianza, The Neon Rex Project, Mexico City, April 18–May 23, 2015.

Nivel de Confianza, Museo Universitario Arte Contemporáneo, Mexico City, April 9–August 30, 2015.

Nivel de Confianza, Centro Nacional de las Artes CENART- Galería de Arte Electrónico Manuel Felguérez, Mexico City, April 9–June 12, 2015.

The Governor General's Awards in Visual and Media Arts 2015, National Gallery of Canada, Ottawa, Ontario, April 9–August 30, 2015.

Level of Confidence, FOFA Gallery, Montréal, Québec, March 27–April 10, 2015.

Vídeo-Régimen, Museo Lázaro Galdiano, Madrid, February 13–May 11, 2015.

Seeing Through Light, Guggenheim Abu Dhabi, January 8–January 18, 2015.

2014

Kochi-Muziris Biennale, Kochi, India, December 12, 2014–March 29, 2015.

1+2: Coleccion Jumex in Dialogue with the Lowe Art Museum, Lowe Art Museum, Miami, December 1, 2014–May 24, 2015.

Permanent Collection presentations of Contemporary International Art Exhibition, National Gallery of Victoria, Melbourne, Australia, November 15, 2014–April 19, 2015.

ArtBO, Galería OMR, Bogotá, Colombia, October 24–October 27, 2014.

Blood, Science Gallery, Dublin, October 24, 2014–January 15, 2015.

Cruce de Colecciones, CAAM, Las Palmas, Spain, October 16, 2014–January 25, 2015.

Limited Visibility, Contemporary Art Museum, Raleigh, North Carolina, October 3, 2014–January 4, 2015.

Luminous Flux, Thoma Foundation, Art House, Santa Fe, New Mexico, September 24, 2014–March 21, 2016.

Pencil/Line/Eraser, Carroll / Fletcher Gallery, London, August 1–September 14, 2014.

Digital Revolution, Barbican Centre, London, July 3–September 14, 2014.

Collective III, Art Bärtschi & Cie, Genève, Switzerland, July 1–September 5, 2014.

La Beautée du Geste / The Grace of a Gesture, Musée d'Art Contemporain de Montréal, Québec, June 19–September 7, 2014.

DarkMOFO Festival, Museum of Old and New Art, Hobart, Tasmania, Australia, June 12–June 22, 2014.

Digital Latin America, 516 Arts, Albuquerque, New Mexico, June 7–August 30, 2014.

Identity Control, Vadehra Art Gallery, New Delhi, May 17–June 17, 2014.

Seeing Now, 21C Museum, Louisville, Kentucky, May 1, 2014–January 15, 2015.

//the_ART_of_DATA, Boulder Museum of Contemporary Art, Boulder, Colorado, April 24–July 6, 2014.

Permission to be Global, Museum of Fine Arts Boston, Massachusetts, March 19–July 13, 2014.

Portrait: A Group Exhibition, TrépanierBaer Gallery, Calgary, Alberta, Canada, March 8–June 13, 2014.

1 + 1 = 1, Musée des Beaux-Arts de Montréal, Québec, February 22–June 15, 2014.

Everybody is Nobody for Somebody from the Kulczyk Collection, Fundación Banco Santander, Madrid, February 15–June 15, 2014.

2013

An Antipode so close..., Vadehra Art Gallery, New Delhi, December 12, 2013–January 11, 2014.

Permission to be Global, The Cisneros Fontanals Foundation, Miami, December 4, 2013–February 23, 2014.

INTER[IN]VENÇÃO, Fundação Eugénio de Almeida, Évora, Portugal, November 29, 2013–March 9, 2014.

0 to 60: The Experience of Time through Contemporary Art, Pratt Manhattan Gallery, New York City, November 22, 2013–January 25, 2014.

5000 Moving Parts, Massachusetts Institute of Technology Museum, Cambridge, Massachusetts, November 21, 2013–November 16, 2014.

Modern Contemporary permanent collection, North Carolina Museum of Art, Raleigh, North Carolina, September 2013.

The Art of Idea Festival, 21C Museum, Louisville, Kentucky, September–October 2013.

Aspen Ideas Festival, Resnick Gallery, Aspen, Colorado, June 26–August 10, 2013.

Collective II, Galerie Guy Bärtschi, Genève, June 25–September 6, 2013.

The Red Queen, Museum of Old and New Art, Hobart, Tasmania, Australia, June 19, 2013–April 21, 2014.

A different Kind of Order: The ICP Triennial, International Center of Photography, New York City, May 17–September 22, 2013.

Art Rock Festival, Saint-Brieuc, France, May 17–May 19, 2013.

Inner Journeys, Maison Particulière Art Center, Brussels, April 18–June 30, 2013.

Virginia Arts Festival, Norfolk, Virginia, April 18–April 28, 2013.

0 to 60: The Experience of Time through Contemporary Art, North Carolina Museum of Art, Raleigh, North Carolina, March 24–August 11, 2013.

ABC: MTL, Canadian Centre for Architecture, Montréal, Québec, February 28–March 30, 2013.

Desplazamientos, FEMSA collection group show, El Instituto Tamaulipeco para la Cultura y las Artes, Matamoros, México, February 13–April 14, 2013.

Sundance Film Festival, Park City, Utah, January 17–January 27, 2013.

Volume: Hear Here, Justina M. Barnicke Gallery, University of Toronto, Ontario, January 16–March 10, 2013.

2012

Unsaid/Spoken, The Cisneros Fontanals Foundation, Miami, December 3, 2012– February 3, 2013.

Feria ArtBO, Galerí OMR, Bogotá, Colombia, October 19–22, 2012.

FEMSA "desplazamiento de Arte Moderno", Museo Reyes Meza, Nuevo Laredo, México, September 27–October 27, 2012.

Expo Chicago 2012, Navy Pier, Galería Max Estrella, September 19–23, 2012.

Son et Lumière, 21st Century Museum of Contemporary Art, Kanazawa, Japan, September 16, 2012–March 17, 2013.

Field Conditions, San Francisco Museum of Modern Art, September 1, 2012–January 1, 2013.

Transverso: Instalaciones y nuevos medios en Iberoamérica, Instituto Valenciano de Arte Moderno, Valencia, Spain, September–October 2012.

Copenhagen Art Festival, Kunsthallen Nikolaj, August 24–October 21, 2012.

Ruhr Triennal, Jahrhunderthalle Park, Bochum, Germany, August 15–September 30, 2012.

Urdaibaiarte, Urdaibai Park, Basque Country, Spain, July 20–September 23, 2012.

Play with me, Museum of Latin American Art, Los Angeles, June 17–August 19, 2012.

Zones of Contention, Weatherspoon Art Museum Greensboro, North Carolina, June 16–September 2, 2012.

C2-MTL Conference, Montréal, Québec, May 22–May 26, 2012.

Focal Points: Art and Photography , Manchester Art Gallery, United Kingdom, May 17, 2012–June 2, 2013.

Museo Nacional de Bellas Artes, The Cisneros Fontanals Foundation, Havana, May 11–June 11, 2012.

The Eleventh Bienal de la Habana, Havana, May 11–June 11, 2012.

Migration, ARNDT Gallery, Sydney, March 29–May 20, 2012.

WBA3: Architecture in the Expanded Field, Wattis Institute of Contemporary Art in San Francisco, San Francisco, March 8–April 7, 2012.

Time-Lapse, Site Santa Fe, New Mexico, February 16–May 20, 2012.

2011

No, No, I Hardly Ever Miss a Show, Zacheta National Gallery of Art, Warsaw, December 10, 2011–February 12, 2012.

The space between now and then, Galería OMR, Mexico City, November 23, 2011.

Decode: digital design sensations, Design Museum Holon, Israel, November 18, 2011–March 10, 2012.

Machina, Medium, Apparatus, Laboratorio Arte Alameda, Mexico City, October 29, 2011–January 22, 2012.

Seeing/Knowing: Inauguration show, Gund Gallery, Kenyon College, Gambier, Ohio, October 27, 2011–March 4, 2012.

Resonance: Looking for Mr. McLuhan, Pratt Manhattan Gallery, New York City, October 21–December 21, 2011.

Espectros, Arts Santa Mònica, Barcelona, October 14, 2011–March 6, 2012.

AA2 Exhibition, AKC Medika Gallery, Zagreb, Croatia, October 7–November 6, 2011.

Triennale Québecoise 2011, Place des Festivals, Musée d'Art Contemporain de Montréal, Québec, October 7–November 6, 2011.

Rewriting Worlds: The 4th Moscow Biennale, September 22–October 30, 2011.

Global Contemporary, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, September 17, 2011–February 19, 2012.

Borusan Contemporary, Perili Köşk, Istanbul, September 13–November 13, 2011.

Drawing in Relation, DNA Gallery, Berlin, August 26–October 16, 2011.

Freedom to Create, The National Museum of Bosnia and Herzegovina, Sarajevo, Bosnia and Herzegovina, July 20–August 2, 2011.

interconexiones 2000-2009: Arte contemporáneo en la Colección FEMSA, Colección FEMSA, Pinacoteca Diego Rivera, Xalapa, México, July 14–September 18, 2011.

Non-site, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, July 8–September 18, 2011.

Laboratori d'Interacció. Els sentits de les màquines (I/O/I), Disseny Hub IDAT, Barcelona, June 21, 2011–January 31, 2012.

Art Hong Kong, bitforms gallery, Hong Kong, May 26–May 29, 2011.

Entreprise collective, Espace Création, Loto-Québec, Montréal, Québec, May 25–August 21, 2011.

Freedom to Create, Galerie Mirchandani + Steinruecke, Mumbai, May 19– June 2, 2011.

Objects of Change, Article 25, London, May 16–May 20, 2011.

Al calor del pensamiento, obras de la daros latinamerica collection, Sala de Arte de la Ciudad Grupo Santander, Boadilla del Monte, Spain, April 30, 2011.

Decode, digital design sensations, Garage Center for Contemporary Culture, Moscow, February 11–April 10, 2011.

Extimidad, Es Baluard Museum, Palma, Spain, January 29–May 1, 2011.

Monanism, Museum of Old and New Art, Hobart, Tasmania, Australia, January 22, 2011–October 7, 2014.

2010

Hyperlinks: Architecture and Design, Art Institute of Chicago, December 11, 2010–July 20, 2011.

2010 Freedom to Create Prize, Cairo Opera House, November 25–December 17, 2010.

Decode, digital design sensations, Central Academy of Fine Arts Museum, Beijing, October 15–November 21, 2010.

Art star IV video biennale, Galerie SAW Gallery, Ottawa, Ontario, September 25–October 25, 2010.

Glow, Santa Monica Beach, California, September 25, 2010.

ShadowDance, Kunsthal KAdE, Amersfoort, Netherlands, September 16, 2010–January 10, 2011.

archiTECHtonica, Colorado University Art Museum, Boulder, Colorado, September 9–December 18, 2010.

Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Centro Cultural de Chiapas Jaime Sabines, Tuxtla Gutiérrez, México, July 22–September 24, 2010.

Intensif-Station, K21 Ständehaus, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, July 10, 2010–September 4, 2011.

Open this End, Expo 2010, Shanghai, June 18–October 31, 2010.

Volta, bitforms gallery, Basel, Switzerland, June 14–June 20, 2010.

Raum für Raum, K21 Ständehaus, Düsseldorf, Germany, June 10–July 11, 2010.

20 ans déjà, Galerie Guy Bärtschi, Genève, Switzerland, May 20–June 16, 2010.

Optimismo Radical, Josée Bienvenu Gallery, New York City, May 20–June 26, 2010.

Trayectos: paisaje y memoria. Arte contemporáneo en la Colección FEMSA, Planetario Villahermosa, México, April 29–July 4, 2010.

InTERvenciones, Consejo Nacional de la Cultura y de las Artes, Valparaíso, Chile, February 28–April 15, 2010.

Artefact Festival , Leuven, Belgium, 2010.

Atopia, CCCB, Barcelona, 2010.

Gala Benefit, Storefront for Art and Architecture, New York City, 2010.

Sculpture as time, Art Gallery of Ontario, Toronto, 2010.

2009

Extra-Muros, Mutek Festival 10th anniversary, Red light district, Montréal, Québec, May 27–May 31, 2009.

5 Solos, Galería OMR, Mexico City, 2009.

Art & Electronic Media, bitforms gallery, New York City, 2009

Being in the World, The Cisneros Fontanals Foundation, Miami, 2009.

Conjugaciones: Arte Contemporáneo Latinoamericano en la Colección FEMSA, Museo de los pintores Oaxaqueños, Oaxaca, México, 2009.

Decode, digital design sensations, Victoria and Albert Museum, London, 2009.

Emergentes, Fundación Telefónica, Santiago, 2009.

Enter Action-Digital Art Now, ARoS Aarhus Kunstmuseum, Denmark, 2009.

Hundred Stories about Love, 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2009.

Inpoliticos, Palazzo Art Napoli, Naples, Italy, 2009.

Open Space, NTT InterCommunication Center (ICC), Tokyo, 2009.

Socially Active, University Gallery, University of Essex, Colchester, United Kingdom, 2009.

The World is Yours, Louisiana Museum, Copenhagen, 2009.

Un Mundo Feliz, 10th Bienal de la Habana, Havana, 2009.

White Tie & Tiara Charity Ball, Elton John AIDS Foundation, London, 2009.

YOU_ser_: Das Jarhundert des Konsumenten, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 2009.

2008

Haunch of Venison, New York City, 2008.

Art Forum, Galerie Guy Bärtschi, Berlin, 2008.

Asedio, Museo Universitario de Arte Contemporáneo, Mexico City, 2008.

Emergentes, Centro Fundación Telefónica, Lima, 2008.

Emergentes, Espacio Fundación Telefónica, Buenos Aires, 2008.

Fortunate Objects, The Cisneros Fontanals Foundation, Miami, 2008.

In Memoriam Albert Hofmann, Laberinto de la Ciencia y Las Artes, Jumex Collection, San Luis Potosí, México, 2008.

Intruders, Musée national des beaux-arts du Québec, 2008.

New Zealand Festival, Te Papa Museum, Wellington, 2008.

No es Neutral, La Tabakalera, International Contemporary Culture Centre, San Sebastián, Spain, 2008.

Phantasmagoria: Specters of Absence, Salina Art Center, Kansas, 2008.

Phantasmagoria: Specters of Absence, Fisher Gallery, University of Southern California, Los Angeles, 2008.

Phantasmagoria: Specters of Absence, The John and Marbe Ringling Museum of Art, Sarasota, Florida, 2008.

Phantasmagoria: Specters of Absence, McColl Center for Visual Art, Charlotte, North Carolina, 2008.

Prospect.1, New Orleans Bienniale, New Orleans Museum of Art, 2008.

Synthetic Times–Media Art China, A Beijing Olympics Cultural Project, National Art Museum of China, 2008.

The Art of Participation: 1950 to now, San Francisco Museum of Modern Art, 2008.

The Fifth Floor: Ideas Taking Space, Tate Liverpool, United Kingdom, 2008.

Turn and Widen, 5th Seoul International Media Art Bienniale, Seoul Museum of Art, 2008.

YOUniverse, 3rd International Bienniale of Contemporary Art, Centro Andaluz de Arte Contemporáneo de Sevilla, Spain, 2008.

The Prisoner's Dilemma, The Cisneros Fontanals Foundation, Miami, December 3, 2008–March 1, 2009.

Maquinas y Almas–Souls and Machines, Museo Nacional Reina Sofía, Madrid, June 26–October 12, 2008.

2007

The Cisneros Fontanals Foundation, Miami, 2007.

Auto Emotion, Power Plant, Toronto, Ontario, 2007.

Automatic Update, Museum of Modern Art, New York City, 2007.

Collective I, Galerie Guy Bärtschi, Genève, Switzerland, 2007.

Emergentes, The Laboral Art Center, Gijón, Spain, 2007.

Floating Artworks, TD Centre, Art Gallery of Ontario, Toronto, 2007.

Huge, Artcore Gallery, Toronto, Ontario, 2007.

Lines of Flight, LEF-CAAC, Hunter College, New York City, 2007.

Phantasmagoria: Specters of Absence, ICI, Biblioteca Luis Angel Arango, Bogotá, Colombia, 2007.

E-art, Musée des Beaux-Arts de Montréal, Québec, September 20–December 9, 2007.

LA Art in New York, Galería OMR, New York City, February 23–February 25, 2007.

2006

Caleidoscopios, Centro Cultural de España en Buenos Aires, Argentina, 2006.

Electrohype, Malmö, Sweden, 2006.

Forms of Classification: Alternative Knowledge and Contemporary Art, The Cisneros Fontanals Foundation, Miami, 2006.

Levinas: Ethics of Encounter, McGill University, Montréal, Québec, 2006.

Microwave International New Media Arts Festival, Hong Kong, 2006.

Only the Paranoid Survive, HVCCA, Peekskill, New York, 2006.

Plataforma, Fábrica La Constancia, Puebla, México, 2006.

Pre-Emptive, Kunsthalle Bern, Switzerland, 2006.

Scrabble, Centro Atlántico de Arte Moderno, Las Palmas, Spain, 2006.

Volta, Galerie Guy Bärtschi, Basel, Switzerland, 2006.

Zones of Contact, Biennale of Sydney, Art Gallery of New South Wales, 2006.

2005

Beyond Delirious, The Cisneros Fontanals Foundation, Miami, November 30, 2005–February 3, 2006.

Subsculptures, Galerie Guy Bärtschi, Genève, Switzerland, November 5, 2005–January 14, 2006.

FIAC, Galerie Guy Bärtschi, Paris, October 6–October 10, 2005.

Dataspace, Laboratorio Arte Alameda, Mexico City, February–March 2005.

Art Meets Media, NTT InterCommunication Center (ICC), Tokyo, January–March 2005.

bitforms Seoul, 2005.

Centro Cultural de España, Mexico City, 2005.

Algorithmic Revolution, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 2005.

Dataspace, Conde Duque, Madrid, 2005.

Elektra Festival, Musée d’Art Contemporain de Montrèal, Québec, 2005.

In the Line of Flight, Tsinghua University, Beijing, 2005.

MUSAC, León, Spain, 2005.

X Salón de Arte Bancomer, Museum of Modern Art, Mexico City, 2005.

2004

Techniques of the Visible, Shanghai Biennial, Shanghai Art Museum, October–November 2004.

Art&D, Society for Arts and Technology (SAT), Montréal, Québec, September 1–October 2, 2004.

Navigator exhibition, National Taiwan Museum of Fine Arts, Taichung, Taiwan, July–August 2004.

LA MOCA (Digital Gallery), Los Angeles, 2004.

2003

Critical Conditions, Wood Street Gallery, Pittsburgh, 2003.

Ill Communication, Dundee Contemporary Art, United Kingdom, 2003.

OPEN: New Designs for Open Space, Van Alen Institute, New York City, 2003.

Radiant City Exhibition, Fundación Bancaja, Valencia, Spain, 2003.

2002

6th International Festival for Architecture in Video, Florence, Italy, 2002.

Ars Electronica Festival, OK Centrum, Linz, Austria, 2002.

Cibervisión 2, Conde Duque, Madrid, 2002.

E-phos Festival, Athens, 2002.

Egofugal, 7th International Istanbul Biennial, 2002.

Emoçao Art.ficial, Itau Cultural, São Paulo, 2002.

Resonancias, Observatori, Valencia, Spain, 2002.

2001

Interactiva '00, Museo de Arte Contemporaneo, Mérida, México, 2001.

Istanbul Biennial, Istanbul, 2001.

Media Arts Festival, Tokyo Metropolitan Museum of Photography, Tokyo, Japan.

2000

Ars Electronica Festival, OK Centrum, Linz, Austria, 2000.

Art electrònic a Espanya, Sala d'Exposicions de la Caixa de Sabadell, Sabadell, Spain, 2000.

Centro de Arte Contemporáneo Wifredo Lam, 7th Bienal de la Habana, Havana, 2000.

File, Museum of Image and Sound, São Paulo, 2000.

International Festival for Architecture in Video, University of Florence Italy, 2000.

Mediaterra 2000, Fournos Center, Athens, 2000.

Next Festival, Karlstad, Sweden, 2000.

Splitski Filmski Festival, Split, Croatia, 2000.

Yo y mi Circunstancia, Musée des Beaux-Arts de Montréal, Québec, 2000.

1999

Art Futura ‘99 Festival, Sevilla, Spain, 1999.

Interactive Urban Landscapes, Copenhagen, 1999.

Medienkunstpreis 2000, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, 1999.

1998

Image architettura in movimento, Torino, Italy, 1998.

Lo Mejor de los dos Mundos, Cuenca, Spain, 1998.

Viper '98, Webart selection, Lucerne, Switzerland, 1998.

Festival de Video de Navarra, Pamplona, Spain, 1998.

1997

Arte Virtual, Realidad Plural, Museo de Monterrey, México, November 1997–January 1998.

Festival Internacional de Info-arquitectura, MOPU, Madrid, 1997.

1996

Nova Scotia Community College, Halifax, Nova Scotia, 1996.

Apple Computer, Cupertino, California, 1996.

Actual '96, Logroño, Spain, 1996.

Art Futura ‘96 Festival, Sevilla, Spain.

1995

European Media Art Festival, Osnabrück, Germany.

Forskningscentrum fur Informatik, University of Karlstad, Sweden, 1995.

Infografía en España series, Museo Nacional Reina Sofía, Madrid, 1995.

The External Interior (Interactive Spectator), Ex-caotica group show, Galeria Cruce, Madrid, 1995.

Theater, Music, Dance and New Technologies, Torino, Italy 1995.

1993

Akademie der Bildenden Kunste, Nuremberg, Germany.

2!M VR Exhibition, Comunidad de Madrid, 1993.

En-red-arte, Círculo de Bellas Artes, Madrid, 1993.

Tomorrow's Realities, SIGGRAPH'93, Anaheim, California, 1993.

1992

On the Same Hand but in a Different Vein, Galerie Stornaway, Montréal, Québec, 1992.

1991

Festival Les 20 jours du théâtre à risque, Musée national des beaux-arts du Québec, November 1991.

1990

The Dancers Answer Questions, Banff National Park, Alberta, 1990.

21C Museum, Louisville, Kentucky

21st Century Museum of contemporary Art, Kanazawa, Japan

Amore Pacific Museum of Art, Seoul, South Korea

Art Gallery of Ontario, Toronto

Art Stations Foundation, Poznan, Poland

AT&T Collection, Dallas, Texas

Borusan Contemporary, Istanbul, Turkey

Caisse de dépôt et placement du Québec, Montreal, Canada

Centro de Arte Dos de Mayo (CA2M), Madrid, Spain

Cisneros Fontanals Art Foundation, Miami, Florida

Currier Museum of Art, Manchester, New Hampshire

Daros LatinAmerica, Zürich, Switzerland

DHC Foundation, Montreal, Quebec

FEMSA Collection, Monterrey, Mexico

Fidelity Art Collection, Boston, Massachusetts

FRAC Collection Aquitaine, Bordeaux, France

Fundación Banco Santander, Madrid, Spain

Fundación Telefónica, Madrid, Spain.

Guggenheim Museum, New York, New York

HeK - Haus der elektronischen Künste Basel, Switzerland

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Jumex Collection, Mexico City, Mexico

Manchester Art Gallery, Manchester, United Kingdom

MUAC, Mexico City, Mexico

Muros Museum, Cuernavaca, Mexico

MUSAC, León, Spain

Musée d'art contemporain de Montréal, Montreal, Quebec

Musée Giverny Capital, Montreal, Quebec

Musée national des beaux-arts du Québec, Quebec

Museo del Barrio, New York, New York

The Museum of Modern Art, New York, New York

Museum of Old and New Art, Hobart, Tasmania, Australia

National Gallery of Victoria, Melbourne, Australia

NC Arte, Bogotá, Colombia

North Carolina Museum of Art, Raleigh, North Carolina

Sammlung Alison & Peter W. Klein, Eberdingen-Nussdorf, Germany

San Francisco Museum of Modern Art, California

Science Museum, London, United Kingdom.

Singapore Art Museum, Singapore

Sorigue Foundation, Lleida, Spain

Tate Collection, London, United Kingdom.

Thoma Foundation Art House Santa Fe, New Mexico

Vancouver Art Gallery, Vancouver, British Columbia

Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany

2022

“A Design Miami/ Installation That Lights Up With People’s Heartbeats, and Other News.” Surface, 21 June 2022. https://www.surfacemag.com/articles/rafael-lozano-hemmer-design-miami-installation/

Delson, Susan. “Artists at Work in a New Year” (Brooklyn Museum exhibition review). The Wall Street Journal, 7 January 2022. https://www.wsj.com/articles/artists-at-work-in-a-new-year-11641587241

Dozier, Ayanna. “Rafael Lozano-Hemmer’s Dazzling Art Basel Installation Visualizes Heartbeats." Artsy, 15 June 2022. https://www.artsy.net/article/artsy-editorial-rafael-lozano-hemmers-dazzling-art-basel-installation-visualizes-heartbeats

Goldstein, Caroline. “‘Sometimes the Ephemeral Helps You Remember’: Watch Rafael Lozano-Hemmer Build a Machine to Memorialize Pandemic Victims.” Artnet News, 24 February 2022. https://news.artnet.com/art-world/rafael-lozano-hemmer-art21-extended-play-2077298

He, Echo. “How to Remember Worldwide COVID-19 Victims” (Brooklyn Museum exhibition review). Wallpaper*, 26 April 2022. https://mp.weixin.qq.com/s/40fkLAobWybrh9q0Pn-aVw

2021

Lloyd-Smith, Harriet. "Rafael Lozano-Hemmer's robotic sand installation honours lives lost to Covid-19" (Brooklyn Museum exhibition review). Wallpaper Magazine, 24 November 2021. https://www.wallpaper.com/art/rafael-lozano-hemmer-a-crack-in-the-hourglass-an-ongoing-covid-19-memorial-the-brooklyn-museum.

2020

Dafoe, Taylor. “Artist Rafael Lozano-Hemmer Is Building a Remarkable and Poetically Fleeting Memorial to Those Lost to the Coronavirus.” Artnet News, 13 November 2020. https://news.artnet.com/exhibitions/rafael-lozano-hemmer-coronavirus-portraits-1923158

2019

Acosta, Dave. "Border Tuner comes alive with sound, light." El Paso Inc., 15 November 2019.

Agresta, Michael. “How a public art project in El Paso and Ciudad Juárez is spurring cross-border conversations.” Texas Monthly, 13 November 2019.

Alvarado, Teófilio. "¡Espectaculares luces! Unen a Juárez y El Paso." El Heraldo de Juárez, 14 November 2019.

"Binational interactive art installation 'Border Tuner' activates Wednesday in El Paso, Juárez." El Paso Herald-Post, 12 November 2019.

Cervantes, Bianca Delilah. "Bianca's borderland beat: singing (and loving) the light fantastic." El Paso Herald-Post, 29 November 2019.

Corchado, Alfredo."Waltmart in El Paso - long a symbol of bonds between two nations - reopens in defiance of massacre that left 22 dead." The Dallas Morning News, 14 November 2019.

De Santos, Renée. "Bowie High hosting international 'Border Tuner' art installation." El Paso Herald-Post, 14 November 2019.

Dorado Romo, David. "Artist Rafael Lozano-Hemmer on the importance of telling complex, nuanced border stories." Texas Observer, 25 November 2019.

Estiler, Keith. "Artist sparks U.S.-Mexico border conversations with interactive installation." Hypebeast, 25 November 2019.

Félix, Jorge. “Fronterizos ‘sintonizarán sus voces’ a través de proyectores de luz.” Net Noticias, 11 November 2019.

"Interactive art installation Border Tuner leaves sisters cities with memories, dialogue, legacy." El Paso Herald-Post, 27 November 2019.

Kocherga, Angela. "Interactive public art exhibit spotlights border voices." Albuquerque Journal, 17 November 2019.

Kolenc, Vic. "Border Tuner's night lights gone; leaves legacy of archived, binational voices, art fund." El Paso Times, 14 November 2019.

Martínez Prado, Hérika. "Border Tuner llega a su fin." El Diario, 25 November 2019.

Sandals, Leah. "Montreal artist tunes in to connections at Mexico-US border." Canadian Art, 28 November 2019.

Sésé, Teresa. "La verdad a mí me engañó." La Vanguardia, 20 November 2019.

"Tens of thousands interact with 'Border Tuner'; installation reaches mid-point." El Paso Herald-Post, 21 November 2019.

Valenzuela, Aarón. "Invitan a ser parte de Sintonizador Fronterizo." El Heraldo de Juárez, 11 November 2019.

2017

Alzugaray, Paula. “Nem índios, nem europeus.” Select, 25 February 2017.

Bigelow, Catherine. "Artist Rafael Lozano-Hemmer lights up SFMOMA fete." San Francisco Chronicle, 15 February 2017.

Bosco, Roberta. "Arco Beep premia a Lugán por su obra radical." El País, 26 February 2017.

Collings, Matthew. "From Selfie to Self-Expression, exhibition review: Imaginative, rich exploration of the evolution of self-portraits." Evening Standard, 28 March 2017.

Cypher, James M. "Le piège de la dépendance se referme sur le Mexique." Le Monde Diplomatique, April 2017.

Domínguez, Marisol. "De bienales y timidez." La Jornada Maya, 31 January 2017.

Eckersley, Nicole. "Valentine's Day synchronicity: heartbeats make music in Melbourne park." The Guardian, 14 February 2017.

Frigione, Francesco. "Mise en abyme: La frammentarie e irripetibili verità della psiche." Anima Mediatica, 29 March 2017.

García, Patricia. "Adiós a la feria con un premio bajo el brazo." ABC, 25 February 2017.

"Los artistas son eternos." Pagina 12, 12 March 2017.

Martínez de la Vega, Andrea. "Artista del espacio público." Reforma, 13 March 2017.

Miles, Ned Carter. "Digitalised Reflections." Aesthetica, 8 April 2017.

Nesvet, Nancy. "Social justice artist, practitioner of interrogative design and Harvard professor Krzysztof Wodiczko." Artscope, 2 March 2017.

Noriega, David. "Una experta en arte contemporáneo te cuenta qué ver si solo tienes una hora para visitar ARCO." One Magazine, 23 February 2017.

Prado Campos. "La guía definitiva del selfie en ARCO." El Confidencial, 23 February 2017.

Reed, Elodie. "Museum talks art, race on Martin Luther King Jr. day." Concord Monitor, 15 January 2017.

Samuelson, Kate. "Do selfies constitute art? This new exhibition says yes." Time, 31 March 2017.

Sanabria-Stewart, Denise. "The future of electronic art opens up at KMA's new 'Virtual Views' exhibit." Knoxville Mercury, 8 February 2017.

"Soundtracks." Wall Street International, 12 July 2017.

Sweeney, Katie. "Weekend Roundup in San Francisco: Barry Bonds surprises fans, SFMOMA celebrates Mexican Artist." Haute Living, 13 February 2017.

2016

Adams, James. "Eight Canadian visual and media artists win Governor-General Awards." The Globe and Mail, 3 December 2016.

Adys Safira, Karisma. “Kisah dari Art Basel 2016.” Harper’s Bazaar Indonesia, 2 July 2016.

"Art Basel 2016: skyscrapers and spacemen - in pictures." The Guardian, 18 June 2016.

“Ausstellung: Electronic Superhighway.” Interview, 29 January 2016.

Bailey, Stephanie. “A blended mass: A report from Art Basel 2016.” Ocula, 24 June 2016.

Batty, David. "Art Basel: a dose of reality with exhibits on snooping and migration." The Guardian, 18 June 2016.

“bitforms Gallery: 15-year anniversary.” Wall Street International, 14 December 2016.

Bosco, Roberta. "Experimentación tecnológica: Poca pero excelente." El País, 27 February 2016.

Bosco, Roberta. "Obras en tiempo real para tiempos convulsos." El País, 27 March 2016.

Bourget, Audrey. "L'audacieux pari artistique de Hobart." La Presse, 7 June 2016.

Boyer, Guy. “Coup de cœur à la foire de Bâle 2016.” Connaissance des Arts, 15 June 2016.

Case, Zoe. "Deconstructing [in]securities." The Collegian, 28 January 2016.

Castres, Mathilde. “Rafael Lozano-Hemmer: une revolution techno-poetique.” Inferno, 3 February 2016.

Chardon, Elisabeth. "A Bâle, des ouvres qui pulsent au rythme de votre coeur." Le Temps, 8 August 2016.

Chardon, Elisabeth. "Les gris sauvent Art Unlimited." Le Temps, 15 June 2016.

Cianciotta, Aurelio. “External Interior, inside-out perspective.” Neural, 22 April 2016.

da Silva, José. "Artists journey down the electronic superhighway." The Art Newspaper, 1 January 2016.

Da Silva, Jose, et al. "Six shows to see during Art Basel." The Art Newspaper, 14 June 2016.

"Das Haus für elektronische Künste in Münchenstein zeigt Werke von Rafael Lozano-Hemmer." Badische Zeitung, 10 June 2016.

De Rochebouët, Béatrice. "Ça c'est Bâle - Dîner de gala Unaids et concert de Duran Duran en ouverture d'Art Basel." Le Figaro, 15 June 2016.

Dolfi Agostini, Sara. "Untitled e Nada a Miami Beach: la qualità di artisti emergenti e dimenticati." Il Sole 24 Ore, 6 December 2016.

Egea, Eduardo. "Transiciones afectivas." Crónica, 2016.

Farías Carrillo, Jonathan. "El arte biométrico de Rafael Lozano-Hemmer." Arteria, 8 March 2016.

“Five shows to see in Basel.” Art das Kunstmagazin, June 2016.

Freeman, Nate. "'Zoom Pavilion' at unlimited gives Art Basel a real-time look at surveillance." ART News, 17 June 2016.

Fullerton, Elizabeth. "Winding back in time: 'Electronic Superhighway' at Whitechapel Gallery, London." Artnews, 10 June 2016.

Ghorashi, Hannah. "Unlimited section at Art Basel in Basel to include El Anatsui, Stan Douglas." ART News, 28 April 2016.

Giacomelli, Marco Enrico. "Basel week. Le 15 mostre da non perdere." Artribune, Italy, 12 June 2016.

Graves, Jen. "The 79 moments in the art that helped us survive 2016." The Stranger, 21 December 2016.

Graves, Jen. "'They were taken alive, we want them back alive!' (Artists for empathy, part 2)." The Stranger, 19 October 2016.

Hegert, Natalie. "Post-Internet to Proto-Internet: How has the digital age affected art?." The Huffington Post, 31 January 2016.

Heim, Christoph. "Magie der Überwachung." Basler Zeitung, 4 July 2016.

"Istanbul exhibition shows digital technology in arts since 1970s." Hürriyet Daily News, 25 February 2016.

J.-J.R. "Que vont faire les pros de l'art à la foire d'Art Basel?." Le Matin Dimanche, 12 June 2016.

Karich, Swantje. "Schlüssel zum Erfolg." Welt N24, 18 June 2016.

Kaye Schilling, Mary. "Discovering the culture of Mexico City." Town & Country, 18 October 2016.

Klimberg, Nathalie. "Airstar au coeur d'un dispositif artistique en Allemagne", Sonovision, 21 January 2016.

Krzyzanek, M. "La photo à l'honneur." 20 Minutes, 1 June 2016.

Leñero, Isabel. "Rafael Lozano-Hemmer, en el MUAC." Proceso, 26 January 2016.

Martínez Sánchez. Ricardo Javier, "Rafael Lozano-Hemmer y el arte relacional multimedia." Diario de Yucatán, 1 February 2016.

“Media Architecture Summit 2016 to run this week in Toronto.” Canadian Architect, 27 September 2016.

"Medallas de oro, plata y bronce." ABC, Madrid, Spain, 18 February 2016.

Miles, Ned Carter. "Review of Electronic Superhighway (2016-1966) Whitechapel Gallery, London." Aesthetica, 25 February 2016.

Morris, Jane. "Can you digit? A media art pioneer celebrates 15 years." The Art Newspaper, 11 November 2016.

Morris, Jane. "Getting digi with it: How the art world is grappling with new media." The Art Newspaper, October 2016.

“Museo Universitario Art Contemporáneo, Mexico City: Rafael Lozano-Hemmer.” Sculpture, March 2016.

"Ohne Besucher keine Ausstellung: Rafael Lozano-Hemmer nimmt das wörtlich." Tages Woche, 9 June 2016.

Palapa Quijas, Fabiola. "Interactividad lúdica llega a más de 260 mil espectadores." La Jornada, 17 April 2016.

Patiño Arismendi, José. "Rafael Lozano-Hemmer: Pseudomatismos." Luster, May 2016.

Patrick, Emily. "Asheville London Road neighbourhood edges into the public eye." Citizen-Times, 26 February 2016.

Perez Diez, Gustavo. "La XIII Bienal de Cuenca abordará la mutación del arte en una sociedad materialista." Arte Informado, 27 July 2016.

Perez Diez, Gustavo. "Los 10 artistas mexicanos con mayor presencia internacional." Arteinformado, 20 June 2016.

Perez Diez, Gustavo. "Una guía para no perderse el mejor "Arte Iberoamericano" en Art Basel 2016." Arte Informado, 6 June 2016.

Pomar, Aina. "'Electronic Superhighway (2016-1966)': a trip into cyberspace's art history." Artdependence, 5 February 2016.

“Preabsence - Rafael Lozano-Hemmer.” La Tempestad, 16 May 2016.

Proctor, Rebecca Anne. "A community's lights: Raphael Lozano Hemmer's 'Pulse Corniche' to light up Abu Dhabi." Haute Living New York, 7 January 2015.

“Rafael Lozano-Hemmer.” La Tempestad, 1 March 2016.

"Rafael Lozano-Hemmer 'Preabsence' at House of Electronic Arts, Basel." Mousse Magazine, 23 June 2016.

"Rafael Lozano-Hemmer stellt im HeK in Basel aus." Badische Zeitung, 7June 2016.

Rafanelli, Stephanie. "Magnificent Mexico: the hoteliers, chefs and architects redefining Mexican cool." The Telegraph, 21 October 2016.

Reyes, Rosario. "5 obras imperdibles de Zsona Maco 2016." El Financiero, 3 February 2016.

Roffiel, Othiana. "Calculating uncertainty - A conversation with Rafael Lozano-Hemmer." Art Pulse, 2016.

Rosales, Eduardo. "Los 9 imperdibles de Zona MACO 2016." Chilango, 5 February 2016.

Rylan, Ben and Jane Morris. "Art Basel." The Monocle Art Review, 20 June 2016.

Sansom, Anna. "Electronic Superhighway - The art it has brought." Damn Magazine, January 2016.

Sansom, Anna. "Unlimited at Art Basel." Damn Magazine, July 2016.

Searle, Adrian. "Electronic Superhighway review - 50 years of internet sex and roadkill." The Guardian, 29 January 2016.

Sierra, Sonia. "'Ahora son las obras las que miran al publico': Rafael Lozano-Hemmer." Confabulario - El Universal, 2 January 2016.

Smart, Alastair. "Mexico City's most artistic corners - and where to find them." The Telegraph, 27 October 2016.

Stübi, Corine. "Art Unlimited 2016." Espaces Contemporains, 17 June 2016.

Wilder, Charly. "Art and 3-D magic in a german subway." The New York Times, 20 February 2016.

"You're being watched: WITNESS set to open at New Media Gallery." New Westminster Record, 29 August 2016.

Zücher, Isabel. "Erscheinen und verschwinden im Haus der elektronischen Künste." Basellandschaftliche Zeitung, 9 June 2016.

2015

Abatemarco, Michael. “Algorithm and hues: Digital works at Art House.” Pasatiempo, 31 July 2015.

“Agenda de la semana: coleccionar cultura.” Forbes México, 10 April 2015.

Aguilar Sosa, Yanet. "México, invitado de honor en Feria del libro de Londres." El Universal, 12 February 2015.

“Alistan Congreso Internacional de Museos.” Reforma, 4 October 2015.

Alvarado, Nicolás. "Rafael Lozano-Hemmer o la muerte de la mirada." Milenio, 3 November 2015.

Anandan, S. "Electronic art at Biennale introduces whole new arena." The Hindu, 13 January 2015.

Anandan, S. "Mexican envoy lauds Biennale's knowledge base." The Hindu, 14 January 2015.

Arredondo, Diego. “Trazar sobre lo público: la interfaz colaborativa.” Territorio, November 2015.

"Art of statistics that runs the world." The New Indian Express, 28 January 2015.

"Artistas contemporáneos recuperan las profecías de Italo Calvino." El Periódico, 12 June 2015.

Austen, Kat. “Level of Confidence: Open-source art memorial to the missing.” New Scientist, 5 August 2015.

Ávila, Sonia. "Buscan a los 43 vía electrónica." Excelsior, 27 April 2015.

Ávila, Sonia. "El MoMA amplía colección mexicana." Excelsior, 28 January 2015.

Beniuk, David. "Tower plan would raise city's profile." The Courier-Mail, 14 June 2015.

Black, Zona. "Dark Mofo lights up sky." The Examiner, 13 June 2015.

Bosco, Roberta. "El arte contemporáneo interpreta a Calvino." El País, 19 August 2015.

Clément, Éric. "Arts Visuels et Médiatiques. Huit carrières mises en lumière. De l'art autochtone aux nouveaux médias." La Presse, 24 March 2015.

Cochrane, Steven Leyden. "It's the end of the world as we know it..." Winnipeg Free Press, 3 December 2015.

Cohen, Carla. "La luz de un latido - Rafael Lozano-Hemmer en el MUAC." Mexicanísimo, 9 November 2015.

Cuthbertson, Debbie. "Hobart's Dark Mofo winter arts festival set pulses racing." The Sydney Morning Herald, 15 June 2015.

de Dersigny, Anabelle. "The top five booths at Art Dubai 2015." Ocula, 24 March 2015.

Del Conde, Teresa. "Lozano-Hemmer en el MUAC." La Jornada, 1 December 2015.

Díaz, Julia. "Nivel de Confianza de Rafael Lozano-Hemmer." La Ciudad de Frente, 15 April 2015.

"Die Sonne leuchtet von glutgelb bis blutrot." Schwäbische Beitung, 22 May 2015.

Douglas, Tim. "Hobart's heart starter: tower tipped to become icon." The Australian, 13 June 2015.

“Eight artists win Canada’s 2015 Governor General’s Awards.” Artforum, 24 March 2015.

Ellwood, Von Mark. "New York: The next level." Sotheby's Magazine, 8 October 2015.

Espinoza, Antonio. "Felipe Ehrenberg: arte post-Ayotzinapa." Confabulario - El Universal, 26 September 2015.

Esquivel, Victor G. "Presenta Rafael Lozano su ciencia transformada en arte interactivo." La Crónica de Hoy, 28 October 2015.

"Exhibe MUAC evolución artística de Rafael Lozano-Hemmer." 20 Minutos México, 3 November 2015.

Gimonnet, Bénédicte. "'Pulse Corniche' seeing through light." Madame Magazine, 1 January 2015.

Gonzáles Castro, Luis Enrique. "La cultura y sus transmisiones." Cronopio, 31 October 2015.

Groves, Nancy. "Hobart's proposed 117m Art Tower could become Tasmania's tallest building." The Guardian, 14 June 2015.

Groys, Boris. "El arte, ...es un medio de verdad?" Revista Ñ, 6 April 2015.

Golling, Marcus. "Das Münster lässt die Sonne rein." Augsburger Allgemeine, 12 May 2015.

Golling, Marcus. "Ulmer feiern Jubiläum des Münsters -mit Licht- und Schattenseiten." Augsburger Allgemeine, 28 May 2015.

Hamdan, Lubna. "Abu Dhabi launches light installation based on users' heart rates." Arabian Business, 8 January 2015.

Jones, Kevin. "Art Dubai grows wise in a maturing market." The Art Newspaper, 24 March 2015.

Kalsi, Jyoti. "A dynamic new art season in Dubai." Gulf News, 7 April 2015.

Kalsi, Jyoti. "Feel the pulse of Abu Dhabi." Gulf News, 7 January 2015.

"KMB '14 to host seminar on Muziris trading history." The New Indian Express, 9 January 2015.

Ledoux, Julie. "GG 2015 en arts visuels et médiatiques: Louise Déry, Rafael Lozano-Hemmer et Rober Racine parmi les lauréats." Voir Montreal, 24 March 2015.

Lewandowska Cummings, Basia. "Rafael Lozano-Hemmer. Carroll/Fletcher, London." Frieze Magazine, 1 January 2015.

"Louise Déry et Rober Racine parmi les gagnants des prix du GG en arts visuels." La Presse, 24 March 2015.

“Lozano-Hemmer en el MUAC.” La Tempestad, 2 October 2015.

Martínez, Teresa. "Creaciones que cuestionan." El Norte, 12 September 2015.

Martínez, Teresa. "Rafael Lozano-Hemmer: Obras con vida." El Norte, 9 May 2015.

Martínez, Teresa. "Busca su obra empatía con Ayotzinapa." El Norte, 11 April 2015.

Mendoza, Christian. "Pseudomatismos." La Tempestad, 29 October 2015.

Mendoza, Christian. "Entrevista a Lozano-Hemmer." La Tempestad, 16 April 2015.

Minera, María. "Magia." El País, 18 December 2015.

"Museum of Old and New Art's Dark Mofo winter festival opens in Hobart." The Guardian, 13 June 2015.

“Nivel de Confianza.” La Tempestad, 10 April 2015.

“Nivel de confianza, de Rafael Lozano-Hemmer.” Revista Código, 9 April 2015.

Olvera, Leticia. "Exposición monográfica de Lozano-Hemmer." Gaceta, 3 November 2015.

Palapa Quijas, Fabiola. "Interactúa el público con "el arte experimental" de Lozano-Hemmer." La Jornada, 2 November 2015.

Palapa Quijas, Fabiola, "Muestra Rafael Lozano-Hemmer relación entre máquina, entorno y percepción." La Jornada, 27 October 2015.

"Pieza inspirada en los 43 normalistas, se exhibe en Japón." Hora Cero, 29 September 2015.

Pineda, Luis E. "Rafael Lozano-Hemmer. Pseudomatismos." Chilango, November 2015.

Pohl, John. "Visual arts: Three Montreal artists win Governor General's awards." Montreal Gazette, 24 March 2015.

“Premio a Lozano-Hemmer.” La Tempestad, 24 March 2015.

Quirk, Justin. "A new show in Basel questions art in a date-driven age." Artphaire - Park Hyatt, 23 June 2015.

“Rafael Lozano Hemmer.” ArtNexus, 27 November 2015.

Reicherter, Claudia. "Im Münster geht die Sonne auf." Südwest Presse, 24 May 2015.

Reicherter, Claudia. "Rafael Lozano Hemmer enthüllt zum 125-Jährigen des Münsterturms in Ulm seine Installation 'Solar Equation.'" Tagblatt, 26 May 2015.

Reicherter, Claudia. "Rafael Lozano Hemmer über sein Kunstwerk "Solar Equation" im Ulmer Münster." Südwest Presse, 14 May 2015.

Reicherter, Claudia. "Solar Equation: Die letzten Tage der Münstersonne." Südwest Presse, 19 August 2015.

Reicherter, Claudia. "Welche Schönheit, welch' Gewalt." Südwest Presse, 15 May 2015.

Rosamond, Emily. "Rafael Lozano-Hemmer: Obra Sonora." Esse Arts+Opinions Magazine, 1 January 2015.

Rudulova, Lillian. "Huge demons stalking the streets, eerie sculptures and a giant flame-throwing organ: Welcome the festival of DARKNESS that is turning Tasmania into a 'twisted art playground.'" Mail Online, 12 June 2015.

Sánchez, Sandra. "Tecnología de la creación." Excélsior, 28 October 2015.

Seaman, Anna. "Art Dubai: March madness begins." The National, 1 March 2015.

Seaman, Anna. "Art Dubai: 'Pulse Corniche' artist is back with another pulse-related art work." The National, 9 March 2015.

Seaman, Anna. "Artist Rafael Lozano-Hemmer talks about interactive exhibit on display at East Plaza on the Corniche." The National, 6 January 2015.

Seaman, Anna. "Top 10 things at Art Dubai- in pictures." The National, 21 March 2015.

Seaman, Anna. "Why you need to check out the Pulse Corniche exhibit." The National, 6 January 2015.

"Seeing a heartbeat - from 15km away." The National, 6 January 2015.

Shahani, Parmesh. "A tale of two biennales." Verve Magazine, 16 April 2015.

Sierra, Sonia. "Llega el MUAC el arte vivo de Rafael Lozano-Hemmer." El Universal, 28 October 2015.

Simpson, Peter. "Big statements and tiny provocations, in Governor General's Awards for visual arts at National Gallery." Ottawa Citizen, 9 April 2015.

Simpson, Peter. "Winners: Governor General's Awards in visual arts." Ottawa Citizen, 24 March 2015.

"Sonne und Bilder locken ins Münster." Schwäbische Beilung, 25 May 2015.

Suárez, Eunice. "Rafael Lozano-Hemmer llega al MUAC." Fahrenheit, 5 November 2015.

Suárez, Eunice. "Rafael Lozano-Hemmer transformó el arte contemporáneo." Fahrenheit, 5 June 2015.

Tripathi, Shailaja. "Desert canvas." The Hindu, 11 April 2015.

Uglow, Tom. "Internet age demands artists and art lovers think again." The Australian, 23 May 2015.

Ventura, Abida. "Exhiben en Japón pieza inspirada en los 43 normalistas." El Universal, 29 September 2015.

Wachauf, Daniela. "MUAC y Artillery migran arte a plataformas digitales." La Razón de México, 14 October 2015.

Walsh, David. "Detached Art Tower: see it as our big, bold opportunity." The Mercury, 13 June 2015.

Wainwright, Jean. "Art Basel Miami 2015 - Latin American galleries." Art Review, 7 December 2015.

Zambrano, Lourdes. "Nutren mexicanos acervo del MoMA." Reforma, 28 January 2015.

Zambrano, Lourdes. "Un arte que reacciona." Reforma, 25 September 2015.

“7 artists and 1 curator win Governor General’s Awards.” Canadian Art Magazine, 24 March 2015.

“10 exposiciones impressndibles de 2015 (julio-diciembre).” Código, 9 April 2015.

2014

Aboul-Hheir, Magdi. "Lichtkunst statt Kranturm zum Münsterjubiläum." Südwest Presse, 9 January 2014.

Aboul-Kheir, Magdi. "Münsterturmjubiläum 2015: Interaktive Installation am Münster." Südwest Presse, 21 May 2014.

“Abu Dhabi Tourist & Cultural Authority celebrates the inauguration of Seeing Through Light: Selections from the Guggenheim Abu Dhabi Collection.” After Nyne Magazine, 4 November 2014.

Al Taher, Nada. "Guggenheim exhibition opens to the public on Wednesday." Gulf News, 4 November 2014.

Azimi, Roxana. "Bien réel art virtuel." Le Monde, 11 December 2014.

Bosco, Roberta. "Évora despliega la historia del arte interactivo." El País, 6 January 2014.

Chaykowski, Natasha. “Different Heartbeats: Rafael Lozano-Hemmer’s Pulse Room.” Canadian Art, 23 July 2014.

Cordellat, Adrián. "El silencio, como las sombras, nos brinda momentos que nos permiten reflexionar sobre lo posible." El Diario Fénix, 15 May 2014.

D'Mello, Rosalyn. "Black Pearl and other enchantments." Open Magazine, 19 December 2014.

De Vicente, José Luis. "Rafael Lozano-Hemmer: Hoy las obras de arte son las que nos miran y nos escuchan." El Cultural, 9 May 2014.

Del Río, Enrique. "Si el arte no cuestiona la realidad es una mierda." Hoy es arte, 20 May 2014.

"El artista Rafael Lozano-Hemmer muestra 'Arte biométrico." Diario Abierto, 13 May 2014.

Espinosa, Ángeles."En la nueva meca del arte." El País, 9 December 2014.

Fernando Gómez Echeverri. "200 almas / La feria del arte." El Tiempo, 26 October 2014.

García, Daniela. "El arte electrónico de Rafael Lozano-Hemmer." Revista Axxis, 4 December 2014.

García La Rota, Andres. "Rafael Lozano-Hemmer, de pulsaciones, vigilancia y el arte tecnológico." El Tiempo, 30 October 2014.

Gent, Edd. "Queen opens Information Age exhibition at Science Museum." E&T Magazine, 24 October 2014.

Gómez Haro, Germaine. "La feria de arte en Bogotá." La Jornada Semanal, 16 November 2014.

Lalwani, Bharti. "On the Biennale Trail: Istanbul, Singapore, Jogjakarta." Eyeline Magazine, 1 November 2014.

Mallol, Miguel. "Las obras de Rafael Lozano Hemmer llegan a la Galería Carroll & Fletcher." El Ibérico, 13 October 2014.

María Alejandra Toro Vesga. “El arte electrónico de Rafael Lozano-Hemmer." El Tiempo, 3 November 2014.

Martínez Martínez, Juan. “La tecnología también se vive desde el arte.” Vanguardia, 29 October 2014.

Mirón Pérez, Miguel. "La dualidad de Rafael Lozano-Hemmer." Ritmos XXI, 14 May 2014.

Molina, Violeta. "Lozano-Hemmer: "El 90 % del arte electrónico está en una condición primitiva." La Vanguardia, 12 March 2014.

Nair, Nandini. "The city of art." The Hindu Business Line, 19 December 2014.

Navas, Maia. "La máquina que respira." Página 12, 13 April 2014.

Needham, Alex. "Rafael Lozano-Hemmer shines light on Dark Mofo." The Guardian, 20 June 2014.

Petrowski, Nathalie. "Vedette à l'international, inconnu à Montréal." La Presse, 22 February 2014.

Ruddigkeit, Michael. "Im Münster geht die Sonne auf." Augsburger Allgemeine, 20 February 2014.

Seaman, Anna. "Guggenheim Abu Dhabi will change cultural landscape of region and world, museums bosses predict." The National, 2 November 2014.

Siewierska, Katarzyna. "Blood not for the faint-hearted." Trinity News, 26 October 2014.

"Signos e Índices, sinergia artística con la tecnología." El Nuevo Siglo, 22 October 2014.

Simpson, Peter. "Big Beat: 10 best pieces of art I saw in Ottawa in 2014." Ottawa Citizen, 23 December 2014.

Simpson, Peter. "Your eyes will explode in Canada Council's new gallery space." Ottawa Citizen, 6 June 2014.

Susik, Abigail. "The perpetration of the cultural act." Media-N Journal of the NMC, September 2014.

"Top 10 Art Contemporain La Presse 2014." La Presse, 25 February 2014.

2013

Abad-Santos, Alexander. "Park Avenue 'Voice Tunnel' Wants to Be the Next 'Rain Room." The Atlantic Wire, 29 July 2013.

Adriaansens, Alex and Brouwer, Joke (trad. Isabelle Chagnon). “Mémoire étrangère et espaces publics - un dialogue sineaux avec Rafael Lozano-Hemmer.” ESSE Arts+Opinions, 2013.

Altman, Anna. "Voice Tunnel." The New Yorker, 8 August 2013.

"Art and Technology." New York Times, 27 November 2013.

"Borusan Bienal’i 2 yeni sergiyle karşılıyor." CNN Turk, 13 September 2013.

"Borusan Contemporary, 13. İstanbul Bienali ile paralel olarak iki sergi açacak." Insan Haber, 14 September 2013.

"Borusan Contemporary'den Bienal'e paralel iki sergi." Milliyet Haber, 17 August 2013.

Bucio, Erika P. "Toma Lozano-Hemmer pulso a Sundance." El Reforma, 16 January 2013.

Campbell-Dollaghan, Kelsey. “Light Show Lets You Walk Through a NYC Tunnel for the First Time Ever.” Gizmodo, 1 August 2013.

Colombo, Michael. "Flatsun Simulates Burning Solar Activity." Make Magazine, 17 January 2013.

de Miguel, Teresa. "Ideas que iluminan." El Mundo, 12 August 2013.

"Durham's Lumiere light festival sun and elephant highlights." BBC News, 2 October 2013.

Engelbrecht, Gavin. "The sun comes to Durham's Lumiere." The Northern Echo, 2 October 2013.

Enríquez, Ana Cristina. "Brilla en Melbourne sol de un mexicano." El Norte, 5 June 2013.

Freeth, Rob. “Durham Lumiere light festival 'bigger and better.” Sunderland Echo, 3 October 2013.

"Gallery: Lumiere Festival of Light Dazzles Durham." The Independent, November 2013.

Greeley, Robin Adèle. "The performative politization of public space: Mexico 1968-2008-2012." Thresholds Magazine by MIT, 2013.

Guibert, Christelle. "Culture. Les arts numériques, ça c'est du contemporain!" Ouest France, 14 May 2013.

Haber, Alicia. "Arte, ciencia y tecnología: Rafael Lozano-Hemmer." El País, 31 December 2013.

Hajdin, Nives. "Sound Artists Raise the Volume at U of T." Canadian Art, 25 January 2013.

Hirshberg, Peter. "The Art of Data." Huffington Post, 1 July 2013.

"In pictures: Durham's Lumiere Festival programme unveiled." ITV, London, 2 October 2013.

Jones, Alice. "Tunnel vision helps New Yorkers find their voice - and stops traffic!" The Independent, 1 August 2013.

Jones, Jonathan. "NYPD attempts to censor anticipated Park Avenue art project." The Guardian, 29 July 2013.

Lalwani, Bharti. "Look at Me Now, Mom." Bazaar, November 2013.

Lam, Stephanie. "Solar Equation." Palatinate, 20 November 2013.

"Latino Artist Uses Light, Sound to Transform NYC Tunnel." Hispanically Speaking News, 7 August 2013.

"Lozano-Hemmer convierte el sonido en destellos de luz." El Comercio, 10 August 2013.

"Lumiere lights up Durham - are you going?" Seaham Star, 14 November 2013.

Maia, Karina. "Arte que transforma som em luz." O Dia, Rio de Janeiro, 3 November 2013.

Markovic, Maja. "Interview with Rafael Lozano-Hemmer." Exhibist, Istanbul, Turkey, 28 October 2013.

Mauser, Daniel. “Compra el Sol por tan solo $2,000,000 dólares.” Gizmodo, February 2013.

Metcalfe, John. "A Gloomy English City Builds an Artificial Sun." The Atlantic Cities, 18 November 2013.

“New Delhi exhibitions, Mexican Art in India. Vadehra Art Gallery.” Yareah Magazine, 7 December 2013.

"NYC tunnel transformed into multisensory installation." Designboom Magazine, 30 July 2013.

Oh, Inae. "Park Avenue 'Voice Tunnel' By Artist Rafael Lozano-Hemmer Is A Must-See." The Huffington Post, 30 July 2013.

Poirier, Josianne. "Intersection articulée et le système spectaculaire. Articulated Intersect and the Sptectaclye System." Espace Sculpture, Issue 105 Fall, 2013.

Rhodes, Margaret. "A Secret New York Tunnel Opens Up... To Free Speech." Fast Co Design, 15 August 2013.

Sandikci, Didem. "Nefes Alan, Yasayan Calismalar." Artam, November 2013.

Siag, Jean. "Un artiste Montréalais s'illustre à New York." La Presse, 16 August 2013.

"Şimdi sergilerden sergi beğenin."Taraf Gazetesi, 11 September 2013.

“Solar Equation de Rafael Lozano-Hemmer en el festival Lumiere de Durham.” Kashmire Magazine, November 2013.

Sterling, Bruce. "Interview with Rafael Lozano-Hemmer." Wired Magazine, 19 November 2013.

“Sundance 2013 - New Frontier.” Desktop Magazine, 7 February 2013.

Tallentire, Mark. "Night sun rises as Lumiere enters second night." Durham Times, 15 November 2013.

Turkewitz, Julie. "A Rare Chance to Stroll a Park Avenue Tunnel, in the Name of Art." New York Times, 28 July 2013.

“Technology a 'work of art' at the'Haunted Mansion.” Hurriyet Daily News, 9 September 2013.

“WorldStage Teams with Artist Rafael Lozano-Hemmer on ‘Voice Tunnel.” A Large-scale Interactive Art Installation”, Live Design Magazine, 5 September 2013.

“0 to 60: The Experience of Time through Contemporary Art.” North Carolina Art Museum, 2013.

2012

Ávila, Sonia. "Latidos de luz con espiral lumínica." Excelsior, 11 April 2012.

Arozqueta, Claudia. “Rafael Lozano-Hemmer.” Artforum, 30 January 2012.

Booker, Bobbi. "Voice-formed light canopy to cover city." The Philadelphia Tribune, 26 August 2012.

Carlson, Merete & Ulrik Schmidt. “Pulse on pulse” modulation and signification in Rafael Lozano-Hemmer’s Pulse Room.” Journal of Aesthetics & Culture, 2012.

Ciociola, Chiara. “New media art.” Neural Issue 42, 2012.

Cohn, Terri "San Francisco Rafael Lozano-Hemmer." Art in America, April 2012.

Drobnick, Jim and Jennifer Fisher Eds. "Spectacular Infrastructure: The Mediatic Space of Monreal's 'Quartier des spectacles." Public 45: Civic Spectacle Vol.23 Issue 45, 2012.

“E-music.” Neural Issue 43, 2012.

Flakke Johannessen, Adele. "Biorhythms." Volta Magazine, November 2012.

Fong, Cherise. "News from New York: Mechanical Ghosts." Digitalarti Magazine No. 11, November 2012.

Frèrot, Christine. “Rafael Lozano-Hemmer." Art Nexus, 2012.

Magnuson, Eric. "Artist enlists smart-phone users to control his light work." The Art Newspaper, 23 July 2012.

McDonald, John. "How to push people's buttons." The Sydney Morning Herald, 14 January 2012.

“Open Air' installation puts spotlight on Philly.” ABC Local Philly, 20 September 2012.

Oybin, Marina. "Control convertido en poesía." Clarín Ñ, 10 November 2012.

“Rafael Lozano Hemmer: Detectores.” Art Nexus, 19 November 2012.

Revuelta, Laura. "Ultimo aliento en la bienal de la habana." ABC.es, 21 May 2012.

Schnabel, Jeff. "Transforming the Public Realm with Projected Light." Arcade Magazine, 20 December 2012.

Sterling, Bruce. “Rafael Lozano-Hemmer, 'Voice Array, Last Breath, and Open Air.” Wired, 7 September 2012.

Villalobos, Gabriel. "Intersticios entre arte y arquitectura." Arquine, 2 May 2012.

Walder, Paul. “Rafael Lozano-Hemmer: fragmentos de un código fuente. Rafael Lozano Hemmer: fragments of a source code." Art.es, 2012.

2011

Beauvallet, Eve. “Frères Amis.” Trois Couleurs, November 2011.

Bosco, Roberta. "Making different waves: Barcelona show explores electromagnetic radiation." El Pais, 21 October 2011.

Brownell, Ginanne. "A Makeover for Contemporary Art in Sydney." Los Angeles Times, 20 March 2011.

Button, Jane. “Visibility: a survey of major recent exhibitions and publications on surveillance art.” Artlink, 2011.

Celis, Laura. “La Tecnología Encuentra al Arte.” La Cultura y las Artes, November 2011.

Clément, Éric. "Rafael Lozano-Hemmer: L'Impact D´Expo 67." Cyberpresse [Montreal], 15 October 2011.

Clément, Éric. "Rafael Lozano-Hemmer: L'Impact D´Expo 67." La Presse, 15 October 2011.

Delgado, Jérôme. "Le Ciel de Montréal Redessiné." Le Devoir [Montréal], 15 October 2011.

Donner, Christophe. “Le Mégalo Démocrate.” M le Magazine du Monde. Supplément au Monde No. 20756, 15 October 2011.

Fortescue, Elizabeth. "Shock Therapy." Daily Telegraph, 10 December 2011.

Kendrick, Tracy, “Innovation: A Light Touch”, France Magazine, 2011.

Lalwani, Bharti. "Between Artists in the News and The Hotel Merlion." Art India: The Art News Magazine of India, June 2011 Volume XVI Issue I, June 2011.

Lynch, Elizabeth. “Commissions." Sculpture, March 2011.

Lynch, Elizabeth. "Comissions: Rafael Lozano-Hemmer." Sculpture, 2011.

Medina, Cuauhtémoc. "Aquelarre interactivo." El Reforma, 9 November 2011.

“Mexican-Canadian electronic artist Rafael Lozano-Hemmer.” Real Time, December 2011.

2010

“Artworld: Art takes the olympic podium.” Art in America, February 2010.

Austen, Kat. “Watch and be watched.” New Scientist, no. 2785, 6 November 2010.

Caplan, Cathy. “Reviews: Heart Lights.” Millennium film journal, No. 52, 2010.

Clark, Robert and Skye Sherwin. "This week's new exhibitions." The Guardian, 18 September 2010.

Clayton, Richard. "An interactive show with unsettling devices." Financial Times, 17 September 2010.

Croci, Valentina. “Relational Interactive Architecture." Architectural Design Territory, May 2010.

Diaz-Guardiola, Javier. "Lo digital ha devuelto el aura al arte." ABCD las artes y las letras, May 2010.

Federico, Cherie. "Digital Art and the Platforms for Participation." Aesthetica, August 2010.

Flores, Tatiana. "The Historical (Self-) Conciousness." ArtNexus, Vol.7, No.71, May 2010.

Finkel, Jori. “Hooked on the 'pulse.” Los Angeles Times, 17 October 2010.

Finkel, Jori. "Rafael Lozano-Hemmer, 'arguably the world's most important electronic artist,' takes his light show to California for first time." LA Times, 16 October 2010.

Gabbatt, Adam. "Rafael Lozano-Hemmer: visitor virtuoso." The Guardian, 17 September 2010.

Graham, Beryl, and Sarah Cook. "The behaviors of new media towards a post-hype hostipitality aesthetics?" Art Lies, no. 949, 2010.

Griffin, Kevin. "'Ballet' of light dances through the night sky." The Vancouver Sun, 5 February 2010.

Jasso, Klara. “Questions per Minute - Rafael Lozano-Hemmer.” Codigo 06140, December 2010.

Jiménez, Carlos. “Rafael Lozano-Hemmer: Los juegos del devenir maquínico.” Artecontexto, 2010.

Moulon, Dominique. "L'Art de la Participation." MCD Musiques et Cultures Digitales, September 2010.

Núñez Luis, Mónica. “New Art Forms, New Markets.” Artecontexto, 2010.

Poissant, Louise. “Arts Médiatiques et sculpture: Quelques tendances.” Espace Sculpture, June 2010.

“Programata Hombre: El Sol Sale de Noche.” Quo, December 2010.

Ravetto, Kriss. "Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance." Representations 111, 2010.

Ross, Christine. “Spatial Poetics: The (Non) Destinations of Augmented Reality Art.” Afterimage, 2010.

"Vectorial Elevation." The Globe and Mail, British Columbia edition, 6 February 2010.

Waelder, Pau. “Espaces Néomédiatiques. Advocating the Future: Media Art at the Festivals.” ETC, June 2010.

2009

Anstead, Alicia. “Special effects.” Inside Arts, January 2009.

Asiaghi, Anthony. “Input Output: Materialized Surveillance.” Mechanical engineering, Volume 131, no. 3, March 2009.

Bauman, Emily. “Taking the pulse, 200 hearts at a time.” Fnews magazine, February 2009.

Charlesworth, J.J. “Rafael Lozano-Hemmer: Haunch of Venison.” Art Review, January 2009.

De Julio-Paquin, Jean. "L'art public, porteur d'avenir." Formes, Vol.5, No.1, 2009.

Fagone, Chiara. "Rafael Lozano-Hemmer: progettare l'imprevedibile designing the unexpected." D-Lux, No. 5, April 2009.

Galilee, Beatrice. "In Trafalguar Square." Icon, February 2009.

Hein, Barbara. “Das Experiment von Cardigan." Art Magazine, May 2009.

Katz, Miriam. "Rafael Lozano-Hemmer." Artforum, 20 February 2009.

McDonough, Tom. "The Art of Paticipation: 1950 to Now." Artforum International, April 2009.

Peña, Xatziri. “cuestionario LT ‒ Rafael Lozano-Hemmer, Artista visual.” La Tempestad, no. 53, vol. 8, Marzo-Abril, 2007.

Peña, Xatziri. “Dos experiencias en Plataforma ‒ Almacén de corazonadas.” La Tempestad, no. 53, vol. 8, Marzo-Abril, 2007.

“Rafael-Lozano-Hemmer.” ArtReview: Issue 29, 2009 January.

“Rafael-Lozano-Hemmer: Instalação ‘Under Scan’, Arquitectura Relacional.” ARQA, September 2009.

Siegel, Miranda. "The Annotated Artwork: 'Pulse Park." New York Magazine, 27 October 2009.

Vanagan, Dea. "Rafael Lozano-Hemmer." Canadian Art, Volume 26, No. 1, 2009.

Willis, Holly. "City as screen / Body as movie." Afterimage, Vol.37, No.2, September 2009.

2008

Aragonés, Gonzalo. “Moscú quiere ser la capital artística.” 20 August 2008.

Berwick, Carly. “No Fish Were Harmed in the Making of This Sculpture.” ART News, June 2008.

Checkland, Sarah Jane. "My favourite things." Financial Times, Weekend edition, 11 October 2008.

Citymix Magazine. “Publicity of exhibition: Surface Tension." Citymix Magazine, February 2008.

Cordero, Patricia. "Ilumina con sonido la noche de Tlatelolco." Excelsior, 25 November 2008.

Gladman, Randy. “Rafael Lozano-Hemmer.” Contemporary 21, 2008.

Herrera, Adriana. "Lozano-Hemmer: conmover al mundo." Poder y Negocios, 3 June 2008.

Lack, Jessica. "Artist of the week No. 11: Rafael Lozano-Hemmer." The Guardian, 15 October 2008.

Martel, Denise. "Intrus : Une exposition dans l'exposition." MédiaMatinQuébec, 24 April 2008.

Martin, Francesca. "There is a light that never goes out." The Guardian, 30 June 2008.

“Media+Architecture.” Cluster, 2008.

Medina, Cuauhtémoc. "Producir/gozar lo público." El Reforma, 1 October 2008.

"Pick six: highlights of the festivals this week." Capital Times [Wellington], 20 February 2008.

Pohlenz, Ricardo. "Rafael Lozano-Hemmer." FlashArt, Vol. XLI, No. 263, November 2008.

Rebaza-Soraluz, Dr. Luis. "A word on images: the relationship between language and the visual." Contemporary, Vol. 21, No.13, 2008.

Renzetti, Elizabeth. "Canadian artist hits the switch in Trafalgar." The Globe and Mail, 15 November 2008.

Reyes, Luis. "A 40 años de la matanza de Tlatelolco, 'el Legislativo no ha emitido una condena pública.'" La Jornada, 25 November 2008.

Sierra, Sonia. "Voces de hoy se hacen luz." El Universal, 25 November 2008.

St-Hilaire, Cynthia. "Délire Artistique Pour Tous." Le Soleil, 17 June 2008.

Stoel, Elizabeth. “Rafael Lozano-Hemmer: Urban Projections.” Praxis, Issue 10, 2008.

Tolic, Ines. "Rafael Lozano-Hemmer at the 52nd international art exhibition in Venice." d'Architettura, No. 36, August 2008.

Vogel, Carol. "Elsrth Kelly, Basking in Basel Tributes." The New York Times, 6 June 2008.

Vogel, Carol. "Inside Art - Art in a heartbeat." The New York Times, 19 September 2008.

Vogel, Carol. "Russian And Rich: Art's New Tastemaker." The New York Times, 17 August 2008.

White, Amy. "Phantasmagoria: specters of absence." Art Papers, May 2008.

2007

Andersson, Cecilia. “Entrevista: Rafael Lozano-Hemmer.” Exit Express, November 2007.

Baillargeon, Stéphane. "Le globe-trotter des arts." Le Devoir, Montréal, 14 May 2007.

Ban, Sandra. “Rafael Lozano-Hemmer.” ARTnews, vol. 106, no. 1, January 2007.

Barro, David. “Arte y ciencia del comportamiento.” El Cultural, 22 November 2007.

Coen Cagli, Ruben. "L'invasione silenziosa." Domus, No.909, December 2007.

Díaz Barriga, Inger Ed. "El Electroartista: Rafael Lozano-Hemmer." Revista Chilango Año 5 No. 50, 2007.

Fernández, Maria. “Illuminating Embodiement: Rafael Lozano-Hemmer's Relational Architectures.” Architectural Design vol. 77, no. 4, July / August, July 2007.

Goddard, Peter. "At the Biennale. From our skyline to Venetian back alleys." Toronto Star, 21 June 2007.

Goddard, Peter. "Deconstructed: Pulse Front. Light up the night to the beat of your heart." Toronto Star, 31 May 2007.

Gómez Haro, Germaine. "México en la Bienal de Venecia." La Jornada Semanal, 2 September 2007.

González, Leticia. "Tendrá México su pabellón en Bienal de Venecia." Diario de Morelos, 9 June 2007.

González Rosas, Blanca. “El INBA: ¿Obsolescencia o irresponsabilidad?” Proceso, no. 1597, 10 June 2007.

González-Brambila, Claudia, José Lever, Francisco Veloso. “Mexico's innovation cha-cha.” Issues in science and technology, 2007.

Hernández, Edgar A. "Cae en coma, curador de la bienal veneciana." Comunidad, 6 June 2007.

McLaren, Leah. "Luminato brings balance to city life." The Globe and Mail, 1 June 2007.

“miscellaneous article.” Art magazine, June 2007.

Palmer, Daniel. “Looking back - Biennials / Survey Shows.” Frieze, issue 104, January - February 2007.

Paul, Carlos. "México vuelve a la Bienal de Venecia tras una ausencia de más de 50 años." La Jornada, 6 June 2007.

Pini, Ivonne. “Fantasmagoría ‒ Espectros de ausencia.” ArtNexus, no. 65, vol. 6, 2007.

“Rafael Lozano-Hemmer.” Rue Descartes, Vol. 57, July 2007.

“Rafael Lozano-Hemmer: Artista Visual.” La Tempestad, Vol. 8 No. 53, March-April 2007.

Ramade, Bénédicte. "USA, Mexique, Afrique, Pays du Nord... La course au lion d'or!" L'Oeil, No.594, September 2007.

Redfern, Christine. "Noise Makers 2007 - Follow the searchlight." Mirror, 4 January 2007.

Redfern, Christine. “Rafael Lozano-Hemmer." Contemporary 21 ‒ special issue on digital art, no. 91, 2007.

Redfern, Christine. “Venetian Opera. Montreal's Rafael Lozano-Hemmer represents Mexico at the Venice Biennale.” Canadian Art, vol. 24, no. 2, Summer, Canada, 2007.

“S Rafaelem Lozano-Hemmerem.” Zlaty rez Magazine No. 29, 2007.

“Sarah Greenberg picks the best of the Venice Biennale.” Royal Academy of Arts Magazine Issue 96, 2007.

Sevilla, María Eugenia. "Expone en Venecia juegos tecnológicos." Reforma, 6 June 2007.

Turner, Jonathan. “Venice ‒ The New War Zone.” Tableau Fine Arts, no. 4, September 2007.

"Venice Revisited." Royal Academy of Arts Magazine, 2007.

Vetrocq, Marcia E. "The Venice Biennale, all'americana." Art in America, September 2007.

Wei, Lilly. "Report from Sydney. Remapping the Art World." Art in America, March 2007.

Young, Paul. "Watching the Detectors." Surface Magazine, 2007.

2006

"Body Movies." Apple Daily, 11 November 2006.

"Body Movies." Ming Pao, 7 November 2006.

"Body Movies." Takung Pao, 11 November 2006.

Bosco, Roberta. "El Arte Del Futuro." El País -Edición Internacional, 21 October 2006.

Chan, Janet. “Body Movies.” JET Magazine, vol. 52, December 2006.

Clayton, Richard. “Another Me and My Shadow.” Blue Print, February 2006.

Cordero, Patricia. "Prende artista 100 focos con latidos. Roba corazones Lozano-Hemmer." Reforma, 27 October 2006.

Crowson, Liz and Pedgen, Tom. "Moving pictures. Light show: pavement portraits will bring street to life." Leicester Mercury, 7 January 2006.

“Disembodied Presence: Rafael Lozano-Hemmer interview.” Neural Issue 26, 2006.

Garza Usabiaga, Daniel. “Arte contemporáneo mexicano: el relevo – Rafael Lozano Hemmer.” La Tempestad, vol. 8, no. 50, Septiembre - Octobre, 2006.

Hanif, Nadeem. "Lighting up our lives." Leicester Mercury, 13 January 2006.

Hor-Chung Lau, Joyce. "Interactive art that's larger than life." International Herald & Post, 16 November 2006.

Irving, Mark. "Walking with my shadows." The Times (UK), no. 68597, 14 January 2006.

Johnson, Reed. "Mexico's López shapes collection." Los Angeles Times, 18 June 2006.

Kay, James. "Me and my shadow tripping the light fantastic." Nottingham Evening Post, 15 March 2006.

Medina, Cuauhtémoc. "Desde la Sombra." Reforma, 15 June 2006.

"Mobile Society Review." Mobile Society Review, 2006.

McCormick, Brian. "Participation required - Rafael Lozano-Hemmer's interactive experience." Gay City News, 7 November 2006.

“Rafael Lozano-Hemmer et les outils de son temps." Connaissance des Arts, January 2006.

2005

Castillo, Omar-Pascual. “Fast four-footed animal (Or…some notes and ideas on contemporary art originating in or circulating about-and for-Mexico.” art.es, no. 6-7, Noviembre 2004 / Febrero 2005, 2005.

Castillo, Omar-Pascual. “Volez animal de cuarto patas (o… algunas ideas y notas cercanas al arte contemporáneo que nace o fluye en-y por-México.” art.es, no. 6-7, Noviembre 2004 / Febrero 2005, 2005.

Clayton, Richard. "Rafael Lozano-Hemmer's interactive installations, using light and shadows, are designed to engage the public intimately." Design Week, 3 November 2005.

de la Sierra. “Carlos Antonio, Reviews - Rafael Lozano-Hemmer.” Art Nexus, vol. 3, no. 56, April – June 2005.

Gallegos, Carina and Marisol Martell. "Art Basel Miami Beach 2005." Art Nexus no. 56 Vol. 3, 2005.

Hawley, Liz. "Art will lift city out of shadows!" Leicester Mercury, 27 July 2005.

Hawley, Liz. "Beam me up! - Light Fantastic: renowned artist sets shining example." Leicester Mercury, 17 June 2005.

Hisako, Hara and Kubota Tetsu. "Best picks: Media art shows to watch for in Japan - Art Meets Media: adventures in perception." ART iT, 2005.

Killworth, Henry. "Mexican to put his art in city." Lincolnshire Echo, 18 June 2005.

Lovink, Geert. “Los nuevos medios, la tecnología y el arte. ¿Matrimonio desgraciado o síntesis perfecta?” Zehar, no. 57, 2005.

Medina, Cuauhtémoc. "Descripciones." Reforma, 25 May 2005.

Müggenbug, Norma. "Instala vigilancia tecnológica - Rafael Lozano-Hemmer presenta instalaciones que involucran computadoras, sensores y proyectores, en la Galería OMR." Reforma (Primera Fila Weekly Guide), 5 November 2005.

Parsons, Jodie. "Artist is going to make you a star." Northampton Herald & Post, 6 October 2005.

Pearson, Emma. "How to make an exhibition of yourself." Lincolnshire Echo, 2 August 2005.

Vanderbilt, Tom. "The King of Digital Art." WIRED, vol.13, no. 9, September 2005.

Walsh, David. "See who's coming out of the city's shadows." Derby Evening Telegraph, 12 August 2005.

Walsh, David. "£1m light show to lure tourists. Will shadow play put city in the spotlight?" Derby Evening Telegraph, 12 August 2005.

2004

Blanco, Sergio R. "Vincula Lozano-Hemmer neuronas con caguamas - El artista presenta cinco instalaciones en la Galería OMR." Reforma, 10 November 2004.

Bosco, Roberta and Caldana, Stefano. "Lozano-Hemmer crea para el MOCA su primera obra totalmente en red." El Paìs, 8 July 2004.

Canogar, Daniel. “Illuminating Public Space - Light Shows in Contemporary Art.” Public Art Review. Light, Fifteenth Anniversary Issue, vol. 15, no. 2, issue 30, Spring/Summer, 2004.

Daniell, Thomas. "Exposure Time: Two media art installations." Archis No.1, 2004.

de Bréadún, Deaglán. "Dublin to light up the sky for new EU members." The Irish Times, 8 January 2004.

de Bréadún, Deaglán. "Lighting up the night sky to mark EU growth." The Irish Times, 21 April 2004.

de Wavrin, Isabelle. "Bâle emballe." Beaux Arts, no. 243, August 2004.

Gorman, Sophie. "Light my spire." Irish Independent, 23 April 2004.

Hegarty, Shane. "How Europe could light up the country." The Irish Times, 9 January 2004.

Lozano, Amparo. “Rafael Lozano-Hemmer.” Exit Express, Suplemento Especial Para Arco 2004, No. 1 Febrero / Marzo, 2004.

Lozano-Hemmer, Rafael and Gómez-Peña, Guillermo. "Tech-Illa Sunrise." Aztlán 29, no.1, 2004.

MacMasters, Merry. "Rafael Lozano-Hemmer mostrará cinco instalaciones en la Galería OMR - Cámaras de videovigilancia orwelliana, tema central de una exposición." La Jornada de enmedio, 2 November 2004.

Malvido, Adriana. “Rafael Lozano-Hemmer ‒ De luz y ondas sonoras." Spot, no. 14, 2004.

Manovich, Lev. “Pour une poétique de l'espace augmenté.” Parachute, no. 113, Janvier-Février-Mars, 2004.

Medina, Cuauhtémoc. "Participación y persecución." Reforma, 3 November 2004.

Melia, Paul. "Fireworks to ensure Euro parties start with a bang." Irish Independent, 29 April 2004.

Shikata, Yukiko. “Amodal Suspension.” BT, vol. 56, no. 843, 2004.

Smyth, Gerry. "Lighting up Dublin." The Irish Times, 17 April 2004.

Ting Lipton, Shana. "Called of the wired: WI-FI Art Is All The Buzz." RES Magazine – summer escape/ travel issue, vol. 7, no. 3, May 2004.

2003

Adriaansens, Alex et Joke Brouwer. “Mémoire étrangère et espaces publics - un dialogue sinueux avec Rafael Lozano-Hemmer.” Esse. Arts+Opinions, 2003.

Barrios, José Luis. “Rafael Lozano-Hemmer.” Código Postal 06140 Year 2 No. 16, August 2003.

Bosco, Roberta and Caldana, Stefano. "Los rayos luminosos de Lozano-Hemmer, en Japón." El País, no. 291, 20 October 2003.

Calcutt, John. "Communication. Contemporary Arts, Dundee." The Guardian, 29 January 2003.

Calzada Villanueva, Mirna. "Laboratorio de Arte Alameda - El museo en acción." Arte al día, Year 1, no. 3, June 2003.

Cano, José David. "Hoy, en el arte el artista tampoco entiende nada: Lozano-Hemmer." El Financiero, Year XXII, no. 6306, 4 June 2003.

Druckrey, Timothy. "Real Telepresence." Receiver Magazine, 2003.

Galindo, José. "Rafael Lozano-Hemmer exhibe una instalación, en la que el público es imprescindible." Reforma, Year 10, no. 3449, 26 May 2003.

Harrisson, Eddie. "Bubbles and steam." Metro, 28 January 2003.

HMS, “Cinema of Unease." Urbis, 2003.

Jeffrey, Moira. "Steaming during the journey and steaming on arrival." The Herald, 7 February 2003.

Jezik, Enrique. “Rafael Lozano-Hemmer ‒ Laboratorio Arte Alameda.” ArtNexus, vol. 2, no. 50, September–November 2003.

Karino, Ayako. "Transforming light rays into e-mail messages. An award-winning multinational artist provokes tantalizing questions with light and electrons." International Herald Tribune, 18 October 2003.

Llanos, Fernando. “Interview with Rafael Lozano-Hemmer.” Curare Magazine No. 17, 2003.

López, María Luisa. "Rafael Lozano-Hemmer: arte que se aleja de exotismos." Milenio, Year 4, no. 1243, 27 May 2003.

Lozada, Priamo. “Rafael Lozano-Hemmer ‒ intreview by." Felix: A Journal of Media Arts and Communication – Risk / Riesgo, vol. 2, no. 3, 2003.

Lozano-Hemmer, Rafael. “Espacio de Alienación.” TELOS - Cuadernos de comunicación, tecnología y sociedad, no. 56, Julio-Septiembre, 2003.

Massumi, Brian. "Flash in Japan ‒ Rafael Lozano-Hemmer’s Amodal Suspension." Artforum, vol. XLII, no. 3, November 2003.

Mayer, Mónica. "Rafael Lozano-Hemmer: ¡el Ana Guevara de las artes visuales!" El Universal, 14 June 2003.

Mirapaul, Matthew. "Electronic Messages Become A Beacon In the Darkness." The New York Times, 6 November 2003.

Pacheco Colín, Ricardo. "La exposición del artista mexicano y canadiense, que consta de cinco escenarios, se inaugura mañana en el Laboratorio Arte Alameda." La Cronica de Hoy, Year 7, no. 2460, 27 May 2003.

Priamo Lozada. "Risk." Felix Journal, 2003.

Salazar, Jesús. “Rafael Lozano-Hemmer: Las computadoras son inevitabless.” La Tempestad, no. 31, Julio-Agosto, 2003.

Shikata, Yukiko. “Huge Mobile by Rafael Lozano-Hemmer.” Studio Voice ‒ multi-media mix magazine, vol. 335, November 2003.

Tetsuya, Ozaki. "Amodal Suspension – relational architecture 8." ANY ‒ Ars Nova Yamaguchi, vol. 42, November 2003.

Tetsuya, Ozaki. "Rafael Lozano-Hemmer ‒ Amodal Suspension." Art It, vol. 1, 2003.

2002

“Ars Electronica 2002.” Kultur & Freizeit, 2002.

B., R. "Lozano-Hemmer inauguró Artium. Alzado vectorial: de México a Vitoria." El Periodico del Arte, no. 55, May 2002.

Bosco, Roberta and Caldana, Stefano. "Las esculturas de luz de Lozano-Hemmer adornan el nuevo museo de Vitoria." El Paìs - Edición País Vasco, Year XXVII, no. 9092, 18 April 2002.

Carrero, José. "Luces de gala para el Artium. El museo abre los ojos." El Correo, 23 April 2002.

Gladman, Randy. "Body Movies. A Linz Ars Electronica Festival award winner on the state of interactive art." Canadian Art, vol. 19, no. 4, 2002.

Graham, Beryl and Cook, Sarah. “Net and Not Net - Curating New Media.” Art monthly, no. 261, November 2002.

Hasegawa, Yuko. “Selections for the Tenth New York Digital Salon.” Leonardo, vol. 35, no. 5, 2002.

Hasegawa, Yuko. “7th International Istanbul Biennal. Egofugal ‒ Fugue from Ego for the Next Emergence.” BT-Bijutsu Techno, vol. 54, no. 814, January 2002.

Jaio, Karmele. "Los internautas podrán crear esculturas de luz que se exhibirán frente al Artium." Gara, 18 April 2002.

Jiménez, Carlos. “Historias virtuales / Intercambios e iluminaciones.” Lapiz - Revista Internacional de Arte, no. 182, April 2002.

M. D., J. "Illuminando el espacio." El Mundo, Year XIV, no. 4524, 23 April 2002.

Madoff, Steven Henry. “ARS Electronica.” Artforum, Best of 2002 ‒ A Special Issue, vol. XLI, no. 4, December 2002.

Malvido, Adriana. “El arte es el gran motor de México: Lozano-Hemmer, Premio Bauhaus.” Proceso, no. 1358, 10 September 2002.

Pascual, Alberto. "Una instalación de 18 focos manejados a través de Internet presidirá la apertura del Artium." El Correo, 18 April 2002.

Smith, Caroline. "Second coming ‒ Caroline Smith gives her view on the Liverpool Biennial 2002." The Royal Academy Magazine, no. 76, 2002.

Sullivan, Jenny. "Body Movies." I.D. ‒ Interactive Media Design Review, vol. 49, no. 7, November 2002.

Thea, Carolee. "Staging the Istambul Biennial." Sculpture, June 2002.

Volk, Gregory. "Report from Istanbul. Back to the Bosphorus." Art in America, vol. 90, no. 3, March 2002.

2001

Alm, David. “Cities of light - Rafael Lozano-Hemmer’s architectural revisions.” RES, vol. 3, no. 3, May / June 2001.

Bem, Merel. "Daar duiken schaduwen op vanuit het niets." de Volkskrant, September 2001.

Bosco, Roberta and Caldana, Stefano. "Lozano-Hemmer se presenta en Rotterdam con una instalación de sombras gigantes." El Paìs, Year XXVI, no. 8864, 30 August 2001.

Kac, Eduardo. “Hotlist.” Artforum International, September 2001.

Kampianne, Harry. “Des Egos à Istanbul.” Art Actuel (Paris), no.17 , November-December 2001.

Ohlenschläger, Karin. “Alzado Vectorial: Nuevas Arquitecturas de la Comunicación.” Noticias Arco - Feria Internacional de Arte Contemporaneo, no. 19, January 2001.

Turner, Grady T. "Sweet Dreams. The Seventh Havana Biennial addressed the theme of communication, which many artists interpreted in terms of escape or migration." Art in America, vol. 89, no. 10, October 2001.

Van Bogaert, Pieter. "Relationele architectuur." Financieel Economische TIDJ, 9 January 2001.

2000

Bárcenas, Arturo Cruz. "El Zócalo se convirtió por 7 días en una escultura de luz interactiva." La Jornada, 7 January 2000.

Bosco, Roberta and Caldana, Stefano. "Lozano-Hemmer indaga con las palabras en la bienal de La Habana." El Paìs, no. 144, 7 December 2000.

Bosco, Roberta and Caldana, Stefano. "Una instalación de 25 esculturas de luz gana el Ars Electronica." El Paìs, 11 January 2000.

“Espionaje a Rafael Lozano-Hemmer.” Sputnik, 2000.

Shikata, Yukiko. “Rafael Lozano-Hemmer.” BT - Bijutsu Techno, vol. 52, no. 795, November 2000.

García, Adriana. “Alzado Vectorial, libro con intervención virtual.” El Universal, 29 November 2000.

Helfand, Glen. “The SFMOMA Webby Prize and the State of Online Art.” Open - the magazine of the San Francisco Museum of Modern Art, no. 3, 2000.

Jimenez, Jose. "Rafael Lozano-Hemmer. Un sitio sin lugar." El Mundo, 28 October 2000.

Lovink, Geert. “Fiat Lux.” Artbyte, September-October 2000.

Lovink, Geert. “Relationele architectuur. Relational architecture. Interview met / with Rafael Lozano-Hemmer.” Archis, no. 72, October 2000.

Medina, Cuauhtémoc. "Una Isla cada vez más isla." Reforma, 17 November 2000.

1999

Bertrán, Antonio. "Inaugurarán el lunes el Alzado vectorial. Palpitará el cielo sobre El Zócalo." Reforma, 23 December 1999.

García, Adriana and Hernández, Edgar and Alejandro. "El Centro Histórico será un río de luz." El Universal, 27 December 1999.

Lozano-Hemmer, Rafael. "Relational Architecture." Performance Research, 1999.

Lozano-Hemmer, Rafael. “Utterance 4 ‒ Relational Architecture.” Performance Research, vol. 4, no. 2, Summer, 1999.

Massumi, Brian. “Strange Horizon: Buildings, Biograms and The Body Topologic.” Architectural Design, 1999.

Mirapaul, Matthew. "Online Art Lights Up A Square in Mexico City." The New York Times, 30 December 1999.

1998

Ozaki, Tetsuya. “Rafael Lozano-Hemmer.” GEO Japan, vol. 6, no. 53, June 1998.

1996

Bauer, Will. “Age of the Data Poets - on the reconnection of science and art.” Flash Art, vol. 29, no. 190, 1996.

Lozano-Hemmer, Rafael. “Tekeverkörperung in Trace.” Kunstforum International, no. 132, November / January 1996.

“Televerkörperung in Trace.” Kunstforum International, no. 132, November / January, January 1996.

1994

Tee, O.S., Mazza, C., Lozano-Hemmer, R. and Giorgi, J.B. "Ester Cleavage by Cyclodextrins in Aqueous Dimethyl Sulfoxide Mixtures: Substrate Binding versus Transition State Binding." Journal of Organic Chemistry, 1994.

2020

Rafael Lozano-Hemmer: Unstable Presence. Edited by Rudolf Frieling and François LeTourneux; texts by Olivier Asselin, Sean Cubitt, Tatiana Flores, François LeTourneux and Gloria Sutton. San Francisco: San Francisco Museum of Modern Art, 2020.

2018

Rafael Lozano-Hemmer: Decision Forest (exhibition catalogue). Edited by Kyoungran Kim and Mirim Lee; texts by Kyoungran Kim, Hye Jin Mun, Timothy Druckrey, Rodrigo Alonso, and Manuel DeLanda. Seoul: Amorepacific Museum of Art, 2018.

2015

Rafael Lozano-Hemmer: Pseudomatismos/Pseudomatisms (exhibition catalogue). Edited by Ekaterina Álvarez Romero; texts by José Luis Barrios, Kathleen Forde, Alejandra Labastida, Rafael Lozano-Hemmer, Scott McQuire, and Jaime Urrutia Fucugauchi. Mexico City: MUAC - Museo Universitario Arte Contemporáneo, 2015.

ISMAR 2015 Exhibition: Data Body as Artifact (exhibition catalogue). Curated by Julian Stadon. Fukuoka: Fukuoka City Museum, 2015: 42–44, illustrated.

2014

Digital Latin America (exhibition catalogue). Santa Fe, New Mexico: 516 Arts, 2014.

Fernández, María. “Transnational Culture at the End of the Millennium: Rafael Lozano-Hemmer's ‘Relational Architectures.’” In Cosmopolitanism in Mexican Visual Culture. Austin, Texas: University of Texas Press, 2014: 274–300.

Lozano-Hemmer, Rafael. Los creadores de voces - Entrevista a Rafael Lozano-Hemmer (exhibition catalogue). Interview by Mónica Benítez and Antoni Abad. Mexico City: Universidad Autónoma Metropolitana, Ediciones Gernika: 2014. 147–187.

Rafael Lozano-Hemmer: Vicious Circular Breathing (exhibition catalogue). Texts by Kathleen Forde, John G. Hanhardt and Rafael Lozano-Hemmer. Istanbul: Borusan Contemporary, 2013.

2013

Alonso, Rodrigo. “Desnudos frente al horno de microondas” = “Naked in front of the Microwave Oven.” Buenos Aires: Espacio Fundación Telefónica, 2013.

Borusan Contemporary Art Collection. Vol. 2. Istanbul: Ertug & Kocabiyik, 2013: 120–123, illustrated.

Brunner, Christoph and Jonas Fritsch. “Beyond the network: experiential fields and urban media ecologies.” In Mediacities. Buffalo, New York: The University at Buffalo, State University of NY, 2013: 277–287.

Cecchetto, David. Humanesis: Sound and Technological Posthumanism. Minneapolis: University of Minnesota Press: 2013.

Flores, Tatiana. Mexico's Revolutionary Avant-Gardes: From Estridentismo to ¡30-30! New Haven and London, United Kingdom: Yale University Press, 2013.

Harper, Glenn and Twylene Moyer, eds. Artists Reclaim the Commons: New Works / New Territories / New Publics. Hamilton, New Jersey: ISC Press: 2013.

Lozano-Hemmer, Rafael. RLH [ ] Kathleen Forde ve Rafael Lozano-Hemmer söleşisi-Kathleen Forde and Rafael Lozano-Hemmer in conversation. Interview by Kathleen Forde. Istanbul: Borusan Contemporary, 2013.

Permission To Be Global: Latin American Art from the Ella Fontanals-Cisneros Collection (exhibition catalogue). Miami: Cisneros Fontanals Art Foundation, 2013: 91, illustrated.

Rafael Lozano-Hemmer: Detectores (exhibition catalogue). Text by Rodrigo Alonso. Buenos Aires: Espacio Fundación Telefónica, 2013.

Ricardo, Francisco J. “Performative engagement - Dance with projective images.” In The Engagement Aesthetic. New York City: Bloomsbury Academic, 2013: 146–149.

Stern, Nathaniel. Interactive art and embodiment: The implicit body as performance. Canterbury: Gylphi Limited, 2013.

The Red Queen (exhibition catalogue). Hobart, Tasmania: Museum of Old and New, 2013.

Throughout: Art and culture Emerging with Ubiquitous Computing. Edited by Ulrik Ekman. Cambridge: The MIT Press, 2013.

Vibrant Matter: The Art of Rafael Lozano-Hemmer in Rafael Lozano-Hemmer: Vicious Circular Breathing (exhibition catalogue). Texts by Kathleen Forde, John G. Hanhardt, Rafael Lozano-Hemmer. Istanbul: Borusan Contemporary, 2013.

2012

Bosco, Roberta, and Stefano Caldana. “Digital Pulses.” In Sense and Sustainability. Donostia-San Sebastián, Spain: Editorial Hariadna, S. L., 2012.

Conversations (exhibition catalogue). Copenhagan: Copenhagen Art Festival, 2012: 60, 64, illustrated.

Fraser, Marie. Performer le temps, performer l'espace, (exhibition catalogue). Montréal: La Triennale Québécoise 2011: Le Travail Qui Nous Attend, 2012.

Johung, Jennifer. “Network dependencies: Rafael Lozano-Hemmer’s Relational Architecture.” In Replacing Home. Minneapolis: University of Minnesota Press, 2012: 131–164.

Le Tourneux, François. Cold current, Le Travail Qui Nous Attend, (exhibition catalogue). Montréal: La Triennale Québécoise 2011, 2012.

Massumi, Brian. Floating the Social, Reverberations: The Philosophy, Aesthetics and Politics of Noise. Edited by Michael Goddard, Benjamin Halligan and Paul Hegarty. London: Continuum, 2012.

Mugnier, Patrice and Kuei Yu Ho. “Homographies: Rafael Lozano-Hemmer.” In Design Interactif. Éditions Eyrolles, 2012:128–131.

Play with me (exhibition catalogue). Long Beach, California: Museum of Latin American Art, 2012: 29–31, illustrated.

Son et Lumière: Material, Transition, Time and Wisdom (exhibition catalogue). Kanazawa, Japan: 21st Century Museum of Contemporary Art, 2012: 98–101, 147, illustrated.

2011

Alsina, Pau, et al. Extimitat (exhibition catalogue). Palma de Mallorca, Spain: Museu d' Art Modern I Contemporani de Palma, 2011.

Amplification: Singapore Biennale 2011, (exhibition catalogue), Graham, Beryl, Singapore Art Museum, Singapore, 2011.

Bates, Chris, Megan Booth and Sean O'Keeffe. Making Art Connections. North Ryde, New South Wales: McGraw-Hill Australia Pty Ltd., 2011: 16.

Feireiss, Lukas and Joachim Suater. “Rafael Lozano-Hemmer.” In A Touch of Code: Interactive Installations and Experiences. Berlin: Gestalten, 2011: 210–211.

4 Moscow Biennale of Contemporary Art: Rewriting Worlds (exhibition catalogue). Moscow: 4 Moscow Biennale of Contemporary Art, Institute of Contemporary Art Moscow, 2011.

Lozano-Hemmer, Rafael. "Interview: Rafael Lozano-Hemmer.” Interview by Jacinta Laurent. Manchester: Manchester Art Gallery, 2011.

Macfarlane, David and Nigel Dickson. "Surprised by art.” In Luminato: Painting the canvas of a city. Toronto: McClelland & Stewart Ltd., 2011: 132.

Moulon, Dominique. Art Contemporain Nouveaux Médias. Paris: Nouvelles Éditions Scala, 2011.

Smith, Terry. Contemporary Art World Currents. New Jersey: Prentice Hall: 2011.

Subasta Arte Vivo 2011 (auction catalogue). Mexico City: Subasta Arte Vivo 2011, Fundación México Vivo, 2011.

Welbel, Stanislaw. No, no, I hardly ever miss a show. Warsaw: Zacheta National Gallery of Art, 2011.

2010

Avilés Cavasola, Juncia. El 68: Todo el día y toda la noche. Mexico City: UNAM: 2010.

Avilés Cavasola, Juncia, ed. Voz alta: Rafael Lozano-Hemmer. Mexico City: UNAM, 2010.

Graham, Beryl. Delicate Controls, Rafael Lozano-Hemmer: Recorders, (exhibition catalogue). Manchester: Manchester Art Gallery: 2010.

Druckrey, Timothy. Bodies, voices, pulses, traces, profanations..., Rafael Lozano-Hemmer: Recorders, (exhibition catalogue). Manchester: Manchester Art Gallery, 2010.

Druckrey, Timothy. Recorders: Relational Architecture. Manchester: Manchester Art Gallery: 2010.

Fajardo-Hill, Cecilia. Play-Back, Rafael Lozano-Hemmer: Recorders, (exhibition catalogue). Manchester: Manchester Art Gallery: 2010.

Freedom to Create Prize ‒ Voices of Courage 2010 (exhibition catalogue). Cairo: Freedom to Create Prize 2010, 2010: 55.

LED. Japan: Nikkei Business Publications, Inc., 2010.

Lieser, Wolf. The World of Digital Art. Potsdam, Germany: Ullmann Publishing, 2010.

Monanisms (exhibition catalogue). Hobart, Tasmania: Museum of Old and New Art, 2010: 310–317.

Ozog, Maciej. “Surveilling the surveillance society: the case of Rafael Lozano-Hemmer's installation.” In Conspiracy dwellings: Surveillance in Contemporary Art. Newcastle, United Kingdom: Cambridge Scholars Publishing, 2010.

Rafael Lozano-Hemmer (exhibition catalogue). Barcelona: Atopia, 2010: 140–141, illustrated.

Rafael Lozano-Hemmer: Recorders (exhibition catalogue). Text by Moira Stevenson, Rafael Lozano-Hemmer, Timothy Druckrey, Cecilia Fajardo-Hill, Beryl Graham, Jacinta Laurent. Manchester: Manchester Art Gallery, 2010.

Reas, Casey, Chandler McWilliams and LUST. Form Code: In design, Art, and Architecture. New York City: Princeton Architectural Press, 2010.

Sánchez Balmisa, Alberto. “Activando al Sujeto.” In Al Calor del Pensamiento: Works from the Daros Latinamerica Collection. Boadilla del Monte, Spain: Sala de Arte de la Ciudad Grupo Santander, 2010.

Shadow Dance, (exhibition catalogue). Amersfoort, Netherlands: Kunsthal KAdE, 2010: 44.

Wilson, Stephen. Art Science Now. New York City: Thames & Hudson Inc., 2010: 17, 144–145.

2009

Debatty, Régine. “Pulse room: Rafael Lozano-Hemmer.” In Enter action: digital art now. Århus, Denmark: ARoS, 2009: 110–113, 130.

1000 Platitudes. Netherlands: Language in art, 2009: 12–13, illustrated.

Lieser, Wolf. Digitale Medien-Installationen im Firmenumfeld. China: Digital Art, 2009: 260–261.

Lozano-Hemmer, Rafael. Rafael Lozano-Hemmer: Interview by Pip Laurenson. Interview by Pip Laurenson. In The fifth floor: Ideas taking space. Liverpool, United Kingdom: Liverpool University Press, 2009: 102–107.

2008

Barro, David. Rafael Lozano-Hemmer, Emergentes (exhibition catalogue). Buenos Aires: 2008.

“Blow-up, shadow box #4” and “Reporters with borders, shadow box #6”. Seoul: Turn and Widen, 2008: 130–131, illustrated.

Colección FEMSA: Latinoamericano: Arte Moderno y Contemporáneo. Mexico City: Grupo Romo, 2008: 280–281.

Cover MAD. SQ. ART 2008: Rafael Lozano-Hemmer - Pulse Park. New York City: Madison Square Park Conservancy, 2008.

“Entrepôt de pulsations” (exhibition catalogue). In Intrus/Intruders. Québec: Musée National des Beaux-Arts du Québec, 2008.

Freyer, Conny, Sebastien Noel and Eva Rucki. “Rafael Lozano-Hemmer.” In Digital by Design: Crafting Technologies for Products and Environments. London: Thames & Hudson, 2008: 90–93.

Frieling, Rudolf. “Rafael Lozano-Hemmer" (exhibition catalogue). In The art of participation: 1950 to now. San Francisco: San Francisco Museum of Modern Art, 2008: 22–23.

Mad. Sq. Art 2008: Rafael Lozano-Hemmer (exhibition catalogue). Text by John Hanhardt. New York: Madison Square Park Conservancy, 2008.

Máquinas y Almas: arte digital y nuevos medios (exhibition catalogue). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2008.

McQuire, Scott. “Performing Public Space.” In The Media City: Media, Architecture and Urban Space. London: SAGE Publications Ltd, 2008: 130–158.

The Prisoner’s Dilemma: Selections from the Ella Fontanals-Cisneros Collection (exhibition catalogue). Miami: Ella Fontanals-Cisneros Collection, 2008: 70–71.

2007

Graham, Beryl. “Interaction/Participation: Disembodied Performance in New Media Art.” In Dead History, Live Art? Liverpool, United Kingdom: Liverpool University Press, 2007: 254–258.

IKF Latin American Art Auction 2007 (auction catalogue). Miami: Cisneros Fontanals Art Foundation, 2007: 116–117.

Mariátegui, José-Carlos. “Obras en Proceso” (exhibition catalogue). In Emergentes. 10 projects by Latin American artists / Works in progress. Gijón, Spain: LABoral Centro de Arte y Creación Industrial, 2007.

Rafael Lozano-Hemmer: some things happen more often than all of the time (exhibition catalogue). Texts by José Luis Barríos, Manuel Delanda, Barbara London, Príamo Lozada, Cuauhtémoc Medina, Bárbara Peréa, Victor Stoichita. Madrid: Turner, 2007.

Roca, José. “Rafael Lozano-Hemmer” (exhibition catalogue). In Phantasmagoria: Spectors of absence. New York City: Independent Curators International, 2007.

Stoichita, Victor. “Tecnología, magia y reencantamiento del mundo. / Technology, Magic and the Re-enchantment of the World” (exhibition catalogue). In Some things happen more often than all of the time - Venice Bienniale 2007 Mexican Pavillion. Venice: 52 Biennale di Venezia, 2007.

Under Scan (exhibition catalogue). Edited by Rafael Lozano-Hemmer and David Hill; text by Rafael Lozano-Hemmer. Nottingham: East Midlands Development Agency (EMDA), 2007.

2006

Annual Review 2006: Sixty Years Celebrating the Arts. United Kingdom: Arts Council England, 2006: 18.

Artificial Light: New Ligh-Based Sculpture and Installation Art (exhibition catalogue). Richmond, Virginia: VCUarts Anderson Gallery: 2006.

Bullivant, Lucy. Responsive Environments ‒ Architecture, Art and Design. London: V&A Contemporary, 2006.

Canogar, Daniel. Rafael Lozano-Hemmer ‒ Homographies. Seoul: 2006 Biennale of Sydney — Zones of Contact: 2006.

Cilleruelo, Lourdes. “Medios Alienígenas – entrevista a Rafael Lozano-Hemmer.” In Net.Art ‒ Prácticas estéticas y políticas en la red. Madrid: Brumaria, 2006: 115.

de Saint-Etienne, Michel. 8 décembre ‒ fête des lumières 2001-2005. Lyon, France: Editions Stéphane Baches, 2006.

Dewdney, Andrew and Peter Ride. “Vectorial Elevation ‒ public arts project: Rafael Lozano-Hemmer.” In The New Media Handbook. New York City: Routledge, 2006: 195–196.

Fajardo-Hill, Cecilia. Forms of classification: Alternative Knowledge and contemporary art (exhibition catalogue). Miami: Cisneros Fontanals Art Foundation, 2007: 22.

Microwave International New Media Arts Festival (exhibition catalogue). Hong Kong: Microwave, 2006: 14, 18–23, 38.

Sánchez Balmisa, Alberto. “Rafael Lozano-Hemmer.” In 100 Artistas Latinoamericanos ‒ Latin American Artists. Madrid: Rosa Olivares, 2006: 274.

Tribe, Mark. and Reena Jana. Vectorial Elevation, New Media Art (Art des nouveaux médias). Köln, Germany: Taschen, 2006.

Weibel, Peter and Gregor Jansen, eds. Light Art from Artificial Light. Ostfildern: ZKM Publications, 2006.

2005

Barrios, José Luis. Subsculptures. Genève: Gallery Guy Bärtschi, 2005.

Cámara, Ery. “Mexican Artists in the International Arena.” In EXIT ‒ México. Translated by D.E. Cowan. Spain: Olivares & Associates, 2005.

Lozada, Príamo. “Dataspace: Del objeto observado al sujeto participante” (exhibition catalogue). In Transitio_MX. Mexico City: Conaculta, 2005: 17, 70.

Lozada, Príamo. MÉXICO EN ARCO '05 – Madrid, Espana. Madrid: Conaculta and Turner, 2005: 99 – 100.

Lozano-Hemmer, Rafael. A conversation between José Luis Barrios and Rafael Lozano-Hemmer. Interview by José Luis Barrios. Genève: Galerie Guy Bärtschi, 2005.

Lozano-Hemmer, Rafael. “Excerpt from an interview for Universe.” Interview by Pat Binder and Gerhard Haupt. In SCRABBLE ‒ vídeo. lenguaje y abstracción. Gran Canaria: Centro Atlantico De Arte Moderno, 2005: 66.

Lozano-Hemmer, Rafael. Interview with Rafael Lozano-Hemmer (exhibition catalogue). Interview by Nadja Mounajjed. In Under Scan. United Kingdom: East Midlands Development Agency, 2005: 28 – 41.

Rafael Lozano-Hemmer: Subsculptures. Text by Rafael Lozano-Hemmer. Geneva: Galerie Guy Bärtschi, 2005.

Sumitomo, Fumihiko. Rafael Lozano-Hemmer, Art meets Media: adventures in perception. Tokyo: NTT Shuppan Kabushiki Kaisha, 2005.

2004

Barrios, José Luis. “arte/FACTOS.” In X Salón De Arte Bancomer – armas y herramientas. Mexico: Consejo Nacional para la Cultura y las Artes, 2004.

Broeckmann, Andreas. “Public Spheres and Network Interfaces.” In The Cybercities reader. New York City: Routledge, 2004: 378.

Druckrey, Timothy. “Echte Telepräsenz... ‒ Real Telepresence....” In Dot.City: relationaler Urbaismus und neue Medien. Berlin: Jovis, 2004.

Gastil, Raymond, and Zoë Ryan. 2004. Open: new designs for public space. New York City: Princeton Architectural Press, 2004.

Kacunko, Slavko. Closed Circuit Videoinstallationen. Berlin: Logos Verl., 2004.

Lopez, Sebastian. “Rafael Lozano-Hemmer" (exhibition catalogue). In Shangai Biennale ‒ Techniques of the Visible. Shanghai: Shanghai Fine Art Publishers, 2004: 22–23.

Lovejoy, Margot. “Art as interactive communications: networking global culture.” In Digital currents: art in the electronic age. London: Routledge, 2004: 221–3.

Navigator: Digital Art in the Making (exhibition catalogue). Taichung, Taiwan: National Taiwan Museum of Fine Arts, 2004.

Ordás, Carlos. “Rafael Lozano-Hemmer.” In MUSAC ‒ Museo de Arte Contemporáneo de Castilla Y León. León, Spain: MUSAC, 2004.

Schwander, Martin. “Rafael Lozano-Hemmer" (exhibition catalogue). In Art | Unlimited. Basel: ProLitteris, 2004: 102–103.

2003

Benedetti, Lorenzo. “La ciudad como interfaz del arte” (exhibition catalogue). In La ciudad radiante. Valencia: SKIRA, 2003: 113, 207–208.

Druckrey, Thomas. Critical Conditions (exhibition catalogue). Pittsburgh, Pennsylvania: Wood Street Galleries, 2003.

Druckrey, Timothy. “Relational Architecture: the work of Rafael Lozano-Hemmer.” In Debates & Credits. Media / Art / Public Domain. Amsterdam: De Balie – Centre for Culture and Politics, 2003: 69.

Ehrlich, Ken and Brandon Labelle. “Body Movies.” In Surface Tension ‒ Problematics of Site. New York City: Errant Bodies Press, 2003: 239–241.

Graham, Beryl. “Rafael Lozano-Hemmer.” In Digital Media, Directions in Art series. Oxford: Heinemann, 2003: 28.

Hasegawa, Yuko. “Rafael Lozano-Hemmer.” In Cream 3. Contemporary Art in Culture. 10 curators -10 contemporary artists - 10 source artists. London: Phaidon Press Limited, 2003: 188.

Lozada, Príamo. Risk/Riesgo. New York City: The Standby Program Inc, 2003: 18–21, 14–17.

Manovich, Lev. “The poetics of augmented space.” In New Media Theories and Pratices of Digitextuality. New York City: Routledge, 2003: 87.

Massumi, Brian. “Master Class Huge and Mobile (HUMO).” In Making Art of Databases. Rotterdam: V2_Publishing/Nai Publishers, 2003: 28–47.

Paul, Christiane. Digital Art. London: Thames & Hudson, 2003: 72–74.

2002

Adriaansens, A. and J. Brouwer. “Alien Relationships from Public Space.” In TransUrbanism. Rotterdam: V2_Publishing/NAi Publishers, 2002: pp. 139–158.

Berg, Eddie and Jo McGonigal. “Rafael Lozano-Hemmer.” In International 2002 ‒ Liverpool Biennial. Liverpool: Liverpool Biennial, 2002; 88–91.

Brizzi, Marco and Paola Giaconia. “Rafael Lozano-Hemmer" (exhibition catalogue). In Beyond Media ‒ 6º Festival Internazionale di Architettura in Video. Bologna: Editrice Compositori, 2002: 69.

Fragilités - Printemps de Septembre (exhibition catalogue). Toulouse, France: Association le Printemps de Septembre 2002, 2002.

Helguera, Pablo. The Museum as Medium Symposium. New York City: Guggenheim Museum, 2002.

Lozano-Hemmer, Rafael. “Body Movies - Relationnal Architecture No. 6.” In CyberArts 2002. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2002: 82–85.

Lozano-Hemmer, Rafael. “Real and Virtual Light of Relational Architecture – an interview with Rafael Lozano-Hemmer.” Interview by Geert Lovink. In Uncanny Networks ‒ Dialogues with the Virtual Intelligentsia. Cambridge: MIT Press, 2002: 304.

Massumi, Brian. Parables for the Virtual ‒ Movement, Affect, Sensation. Switzerland, Duke University Press, Switzerland: 2002.

Neumann, Dietrich. “Architectural Illumination since World War II.” In Architecture of the Night. Munich: Prestel, 2002.

Wilson, Stephen. “Rafael Lozano-Hemmer.” In Information Arts ‒ Intersections of Art, Science, and Technology. Cambridge: The MIT Press, 2002.

2001

de Kerckhove, Derrick. The Architecture of Intelligence. Basel: Birkhäuser, 2001.

Fernández, María. “Rafael Lozano-Hemmer" (exhibition catalogue). In egofugal - 7th international Istanbul biennial. Istanbul: Istanbul Foundation for Culture & Arts, 2001: 75.

Lozano-Hemmer, Rafael. “Interview with Rafael Lozano-Hemmer.” Interview by Heimo Ranzenbacher. In Ars Electronica. Linz, Austria: Springer, 2001.

Ranzenbacher, Heimo. “Metaphors of Participation.” In Takeover ‒ who's doing the art of tomorrow. ARS Electronica 2001. Vienna: Springer, 2001: 241.

Soukup, Katharina. Artists in Webby Wonderland. Montréal: ISEA newsletter, 2001.

2000

Broeckmann, Andreas. “Relational Architecture No. 4” (exhibition catalogue). In Vectorial Elevation. Edited by Rafael Lozano-Hemmer. México: Dirección General de Publicaciones del Consejo Nacional para la Cultura y las Artes, 2000.

Canogar, Daniel. “Spectral Architectures.” In Vectorial Elevation. México: Dirección General de Publicaciones del Consejo Nacional para la Cultura y las Artes, 2000.

Herrera Ysla, Nelson. “Rafael Lozano-Hemmer." In Séptima Bienal de La Habana. Madrid: Centro de Arte Contemporano, 2000.

Lozano-Hemmer, Rafael. “Interview with Rafael Lozano-Hemmer.” In Vectorial Elevation. Interview by Geert Lovink. México: Dirección General de Publicaciones del Consejo Nacional para la Cultura y las Artes, 2000.

1999

Moi et ma circonstance: mobilité dans l'art contemporain mexicain (exhibition catalogue). Montréal: Musée des Beaux Arts de Montréal, 1999.

1997

Lozano-Hemmer, Rafael. “Relational Architecture no2 – Displaced Emperors.” In FleshFactor - Informationsmaschine Mensch, edited by Gerfried Stocker and Christine Schöpf. Vienna: Springer, 1997: 336–337

Ohlenschläger, Karin. The capable skin – La Piel Capaz (exhibition catalogue). Monterrey, Mexico: Museo de Monterrey, 1997.

1995

El Rastro: Presencia remota insinuada / The Trace: Remote Insinuated Presence (exhibition catalogue). Madrid: Uveuve, 1995.

Lozano-Hemmer, Rafael. Idle Hands. Madrid: European Media Art Festival, 1995.

1994

Lozano-Hemmer, Rafael. “Arte virtual y reactivo.” In Arte Virtual. Madrid: Electa, 1994.

1993

Lozano-Hemmer, Rafael. “Surface Tension.” In Visual Proceedings ‒ The Art & Interdisciplinary Programs of SIGGRAPH 93. New York City: Association for Computing Machinery, 1993: 221.

1991

Lozano-Hemmer, Rafael. “Cyborg Fictions.” In Virtual Seminar on the Bioapparatus. Banff, Canada: The Banff Centre for the Arts: 1991.