Jeff Koons, Venus, 2016-2020 © Jeff Koons, Photo Sean Fennessy, Courtesy National Gallery of Victoria Jeff Koons Photo: Branislav Jankic Details:b. 1955, York, PennsylvaniaPace Publishing: (opens in a new window) Shop Now Read More Jeff Koons exhibited a passion for art at an early age. When he was nine, his father Henry, an interior designer, placed Old Master paintings that Koons had copied in the window of his furniture store to promote his son’s artwork.Koons went to Maryland Institute College of Art in Baltimore and through a student mobility program studied at the School of the Art Institute of Chicago under Ed Paschke, whose technicolor renderings of superheroes and other pop icons were an early source of inspiration. Koons received a BFA from Maryland Institute of College of Art in 1976.After moving to New York City in the beginning of 1977, Koons’s first job was at the Museum of Modern Art, where he worked several years until he began working as a Wall Street commodities broker to support his studio practice. His first major works invoked commodity fetishism: titled The New, they comprised vacuum cleaners displayed on or in Plexiglas boxes over grids of fluorescent light. Exhibited for the first time in the window of the New Museum in New York in 1980, they were glossy reliquaries of American consumer culture that cemented Koons’s reputation as a rigorously conceptual artist.In 1983, Koons began the Equilibrium series, suspending basketballs in aquarium tanks filled with water. Working with Nobel Prize-winning physicist Richard Feynman, he devised a precise mixture of water and salt that would make the balls float in the middle of the tanks, as if suspended. Koons’s interest in buoyancy was always within his inflatables, which would soon vault him to stratospheric fame: taking air-filled vinyl toys and casting them in polished stainless steel, he once again transformed a cheaply manufactured commodity into a precious object, capable of reflecting a viewer’s desiring gaze. Over time, these sculptures grew in scale, from the modestly-sized Rabbit (1986) to the monumental Balloon Dog (1994–2000). In 2007, Rabbit floated more than 50 feet over New York’s Fifth Avenue, reimagined as a gigantic helium-filled balloon in the Macy’s Thanksgiving Day Parade.In the mid-1980s, Koons cast for the first time sculptures in stainless steel, including the Jim Beam – J.B. Turner Train that was a liquor decanter set filled with Jim Beam bourbon and Kiepenkerl, a life-sized statue of a 17th-century traveling merchant, which Koons created for the 1987 edition of Skulptur Projekte Münster. For the Banality series, Koons changed his materials. He collaborated with workshops in Germany and Italy to produce larger-than-life-sized sculptures in porcelain and wood inspired by banal and dislocated images that we are surrounded by in our lives. Several of these sculptures, polychromed in bright colors, represented American pop icons such as Buster Keaton and Michael Jackson, cradling his chimpanzee Bubbles. Rendered to scale, they are simultaneously exuberant and unsettling.Koons’s combining of rococo fantasy and pop kitsch reached its apotheosis in Made in Heaven (1989–91), a series of sculptures and paintings. The works were sensationally controversial for their graphic content and bold transgression of social norms. After Made in Heaven, Koons made his world-renowned Puppy sculpture made out of 60,000 live flowering plants, which was a continuation on the Baroque and Rococo tradition.Inspired by the cycles of life within a calendar year, Koons embarked on the Celebration series in 1994, his most ambitious and technologically demanding work yet. While completing the complex Celebration sculptures, Koons turned his attention to oil painting, a medium in which he has continued to work ever since. In the Easyfun and Easyfun-Ethereal series, culling images from magazines and product packaging, particularly those involving food and sex, Koons used computer software to create densely layered digital collages that he then transferred to canvas by hand in compositions. His engagement with pop culture extended to comic book characters, inflatable pool toys, and everyday life in the series Popeye (2002–13) and Hulk Elvis (2004–21).Most recently, Koons has returned to the art of classical antiquity and the Renaissance. His Venus sculptures from the Antiquity series (2008–) in mirror-polished stainless steel, invoke the goddess of love and beauty–themes that recur throughout his work—while using mass-produced figurines as models. Koons’s Gazing Ball series (2012–21) embeds mirrored orbs into reproductions of Old Master paintings, offering viewers a chance to experience a metaphysical state within time and space contained within these great works of art and our relationship to them and the artist. Read More Jeff Koons, New Hoover Convertible, 1980 © Jeff Koons, Photo: Douglas M. Parker Studios, Los Angeles Jeff Koons, One Ball Total Equilibrium Tank (Spalding Dr. J 241 Series) / (Spalding Dr. JK 241 Series), 1985 © Jeff Koons, Photo: Douglas M. Parker Studios, Los Angeles Jeff Koons, Rabbit, 1986 © Jeff Koons Jeff Koons, Ushering in Banality, 1988 © Jeff Koons, Photo: Schaub/Höffner, Cologne, © TASCHEN GmbH Jeff Koons, Michael Jackson and Bubbles, 1988 © Jeff Koons, Photo: Douglas M. Parker Studios, Los Angeles Jeff Koons, Puppy, 1992 © Jeff Koons, Photo: Dieter Scherdtle, Kassel Jeff Koons, Balloon Dog (Orange), 1994-2000 © Jeff Koons, Photo: Tom Powel Imaging, Courtesy Mnuchin Gallery Jeff Koons, Play-Doh, 1994-2014 © Jeff Koons, Photo: Tom Powel Imaging Jeff Koons, Gazing Ball (da Vinci Mona Lisa), 2015 © Jeff Koons, Photo: Tom Powel Imaging, Courtesy Gagosian Exhibitions View All Past Tropic of Cancer Feb 9 – Mar 12, 2023 Palm Beach Past Jeff Koons Balloon Venus Jan 14 – Jan 30, 2022 Palm Beach Journal View All Pace Verso Jeff Koons: Moon Phases May 12, 2023 Museum Exhibitions Jeff Koons at DESTE Foundation, Hydra Jun 21, 2022 Artist Projects Jeff Koons Designs Limited Edition BMW Feb 16, 2022 Museum Exhibitions Mucem presents "Jeff Koons Mucem: Works from the Pinault Collection" May 20, 2021 One-Artist Exhibitions Group Exhibitions Public Collections Bibliography: Books, Catalogues and Monographs Bibliography: Periodicals Close Jeff KoonsOne-Artist Exhibitions Jeff Koons One Artist DatesBorn 1955, York, PennsylvaniaLives and works in New YorkEducation1976, Maryland Institute College of Art, Baltimore, B.F.A.2022Jeff Koons: Apollo, Deste Foundation Project Space, Slaughterhouse, Hydra, Greece, June 21–October 31, 2022. (Catalogue)Jeff Koons: Balloon Venus, Pace Gallery, Palm Beach, Florida, January 14–30, 2022.2021Jeff Koons: Lost in America, Qatar Museums, Al Riwaq Gallery, Doha, Qatar, November 21, 2021–March 31, 2022. (Catalogue)Jeff Koons: Shine, Palazzo Strozzi, Florence, Italy, October 2, 2021–January 30, 2022.Jeff Koons at DESTE Foundation Project Space, Slaughterhouse, Hydra, Greece, June 21–September 30, 2022.Jeff Koons Mucem: Works from the Pinault Collection, Mucem, Marseille, France, May 5–October 18, 2021.2020Jeff Koons: Absolute Value. Selected works from the Collection of Marie and Jose Mugrabi, Museum of Art, Israel, March 10, 2020–April 3, 2021. (Catalogue)2019Jeff Koons at the Ashmolean, Ashmolean Museum, Oxford, United Kingdom, February 7–June 9, 2019.2018Jeff Koons: Works from the Astrup Fearnley Collection, Astrup Fearnley Museum, Oslo, Norway, September 20–November 11, 2018.Jeff Koons, Gagosian Gallery, 976 Madison Avenue, New York, May 30–August 24, 2018.Jeff Koons: Easyfun-Ethereal, Gagosian Gallery, 555 W 24th Street, New York, March 10–April 21, 2018.Jeff Koons: Masterpieces, De Nieuwe Kerk Amsterdam, Amsterdam, February 17–April 8, 2018.2017Jeff Koons, Gagosian Gallery, Beverly Hills, California, April 27–August 18, 2017.2016Jeff Koons, Almine Rech Gallery, London, October 4, 2016–January 21, 2017.Jeff Koons: Now, Newport Street Gallery, London, May 18–October 16, 2016. (Catalogue)Jeff Koons: Ballerina, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, April 15–September 7, 2016.2015Jeff Koons: Gazing Ball Paintings, Gagosian Gallery, 522 W 21st Street, New York, November 9–December 23, 2015.Jeff Koons: Balloon Venus (Orange), Natural History Museum Vienna, Vienna, September 30, 2015–March 13, 2016.Jeff Koons In Florence, Palazzo Vecchio and Piazza della Signoria, Florence, September 25, 2015–January 21, 2016.Jeff Koons: Hulk (Friends), Österreichische Galerie Belvedere, Vienna, September 4, 2015–October 2, 2015.ARTIST ROOMS: Jeff Koons, Norwich Castle Museums and Art Gallery, Norwich, England, May 9–September 6, 2015.Jeff Koons: Gazing Ball (Charity), Albright-Knox Art Gallery, Buffalo, New York, March 20–August 16, 2015.Jeff Koons: Jim Beam–J.B. Turner Engine and Six Individual Cars, Craig F. Starr Gallery, New York, February 2–March 28, 2015.2014Jeff Koons: Hulk Elvis, Gagosian Gallery, Hong Kong, November 6–December 20, 2014.Jeff Koons: A Retrospective, Whitney Museum of American Art, New York, June 27–October 19, 2014. Traveled to: The Centre Pompidou, Paris, November 26, 2014–April 27, 2015; Guggenheim Museum Bilbao, Spain, June 9–September 27, 2015. (Catalogue)Jeff Koons: Split-Rocker, Rockefeller Center, New York, June 25–September 18, 2014.2013ARTIST ROOMS: Jeff Koons, Brighton Museum and Gallery, Brighton, England, May 11–September 8, 2013.Jeff Koons: New Paintings and Sculpture, Gagosian Gallery, 555 W 24th Street, New York, May 9–June 29, 2013.Jeff Koons: Gazing Ball, David Zwirner Gallery, New York, May 8–June 22, 2013.2012Jeff Koons, Gagosian Gallery, Beverly Hills, California, December 7, 2012–February 14, 2013.Jeff Koons, Almine Rech Gallery, Brussels, October 6–November 17, 2012.Jeff Koons: The Painter, Schirn Kunsthalle Frankfurt, Germany, June 20–September 23, 2012.Jeff Koons: The Sculptor, Liebieghaus Skulpturensammlung, Frankfurt, Germany, June 20–September 23, 2012.Jeff Koons, Fondation Beyeler, Basel, Switzerland, May 13–September 2, 2012. (Catalogue)2011Moustache by Jeff Koons, High Museum of Art, Atlanta, Georgia, September 25, 2011–May 29, 2012.ARTIST ROOMS: Jeff Koons, National Galleries of Scotland, Edinburgh, Scotland, March 19–July 3, 2011.2010Jeff Koons: Made in Heaven Paintings, Luxembourg and Dayan, New York, October 6, 2010–January 21, 2011.Jeff Koons: Popeye Sculpture, Galerie de Noirmont, Paris, September 16–November 20, 2010.Dictator, Gagosian Gallery, New York, August 23, 2010–January 19, 2011.Jeff Koons: Cracked Egg (Blue), Conservatory, Aylesbury, Waddesdon Manor, Buckinghamshire, England, July–October 31, 2010.2009Jeff Koons: New Paintings, Gagosian Gallery, Beverly Hills, California, November 14, 2009–January 9, 2010.Jeff Koons: Popeye Series, Serpentine Gallery, London, July 2–September 13, 2009. (Catalogue)2008Jeff Koons: Celebration, Neue Nationalgalerie, Berlin, October 31, 2008–February 8, 2009. (Catalogue)Jeff Koons, Galerie Max Hetzler, Berlin, October 29–December 6, 2008.Jeff Koons: Versailles, Château de Versailles, Versailles, France, October 9, 2008–April 1, 2009.Jeff Koons, Museum of Contemporary Art Chicago, llinois, May 31–September 21, 2008. (Catalogue)Jeff Koons: On the Roof, The Metropolitan Museum of Art, New York, April 22–October 26, 2008. (Catalogue)2007Jeff Koons: Popeye, Gagosian Gallery, Davies Street, London, June 1–July 27, 2007.Jeff Koons: Hulk Elvis, Gagosian Gallery, Britannia Street, London, June 1–July 27, 2007.2006Balloon Flower (Red), 7 World Trade Center, New York, 2006.Cracked Egg (Blue), Gagosian Gallery, London, October 2–December 2, 2006.Sculpture, Gagosian Gallery, Beverly Hills, California, July 20–August 30, 2006.Diamond, Victoria and Albert Museum, London, May 23–September 3, 2006.2005Jeff Koons, Lever House, New York, December 2005–February 2006.Jeff Koons: Retrospective, Helsinki City Art Museum, January 28–April 10, 2005.2004Jeff Koons: Retrospective, Astrup Fearnley Museum of Modern Art, Oslo, Norway, September 4–December 12, 2004.Jeff Koons: Highlights of 25 Years, C&M Arts, New York, April 7–June 5, 2004.Jeff Koons: Backyard, Galerie Max Hetzler, Berlin, Germany, January 17–February 14, 2004.2003Popeye, Sonnabend Gallery, New York, November 8–December 19, 2003.Jeff Koons, Museo Archeologico Nazionale, Naples, Italy, June 9–September 15, 2003.2002Jeff Koons, Chosun Ilbo Art Museum, Seoul, 2002.Jeff Koons, Sonnabend Gallery, New York, November 9–December 20, 2002.Jeff Koons: Pictures 1980-2002, Kunsthaus Bielefeld, Bielefeld, Germany, September 22–November 10, 2002.Jeff Koons: Embrace Your Past, York College, York, Pennsylvania, September 25–November 6, 2002.Jeff Koons: La Part de l'autre Carré d'Art, Musée d'art Contemporain, Nîmes, France, May 18–September 15, 2002.2001Jeff Koons, Kunsthaus Bregenz, Bregenz, Austria, July 18–September 16, 2001.Jeff Koons: New Paintings, Gagosian Gallery, Los Angeles, March 22–May 12, 2001.2000Jeff Koons: Easyfun-Ethereal, Deutsch Guggenheim, Berlin, Germany, October 27, 2000–January 14, 2001. Traveled to: Fruitmarket Gallery, Edinburgh, Scotland, July 28–September 12, 2001; Guggenheum Museum Bilbao, Spain, October 2, 2001–January 20, 2002; 25th São Paulo Biennial, Brazil, March 23–June 2, 2002; Guggenheim Museum, New York, July 19–September 3, 2002. (Catalogue)Jeff Koons: Puppy, Rockefeller Center, New York, June 6–September 5, 2000.1999Jeff Koons: A Millennium Celebration, Deste Foundation, Athens, December 15, 1999–May 15, 2000. (Catalogue)Jeff Koons: Easyfun, Sonnabend Gallery, New York, November 13–December 22, 1999.1998Jeff Koons: Encased Works, Anthony d'Offay Gallery, London, March 13–April 23, 1998.1997Jeff Koons, Galerie Jérôme de Noirmont, Paris, September 30–November 29, 1997.1995Jeff Koons: Puppy, Museum of Contemporary Art, Sydney, December 12, 1995–March 17, 1996.1994Jeff Koons: A Survey 1981–1994, Anthony d'Offay Gallery, London, June 11–July 30, 1994.1993Jeff Koons: Retrospective, Walker Art Center, Minneapolis, Minnesota, July 10–October 3, 1993.Jeff Koons: Retrospective, Staatsgalerie Stuttgart, Germany, March 12–April 18, 1993.Jeff Koons: Retrospective, Aarhus Kunstmuseum, Denmark, January 22–February 28, 1993.1992Jeff Koons: Retrospective, San Francisco Museum of Modern Art, December 10, 1992–February 7, 1993.Jeff Koons: Retrospective, Stedelijk Museum, Amsterdam, November 28, 1992–January 3, 1993. (Catalogue)1992Jeff Koons: Made In Heaven, Christophe Van de Weghe, Brussels, Belgium, 1992.Jeff Koons: Made In Heaven, Galerie Lehmann, Lausanne, Switzerland, March 5–May 7, 1992.Jeff Koons: Made In Heaven, Gramo Fine Art, Antwerp, Belgium, February 12–March 29, 1992.1991Jeff Koons: Made In Heaven, Sonnabend Gallery, New York, November 23–December 21, 1991.Jeff Koons: Made In Heaven, Galerie Max Hetzler, Cologne, Germany, November 15–December 14, 1991.1989Jeff Koons: Nieuw Werk, Galerie ‘t Venster, organized by Rotterdamse Kunststichting, Rotterdam, January 13–February 8, 1989.1988Jeff Koons: Banality, Donald Young Gallery, Chicago, Illinois, December 3, 1988–January 7, 1989.Jeff Koons: Banality, Sonnabend Gallery, New York, November 19–December 23, 1988.Jeff Koons: Banality, Galerie Max Hetzler, Cologne, November 13–November 30, 1988.Jeff Koons: Works 1979–1988, Museum of Contemporary Art Chicago, Chicago, Illinois, July 1–August 28, 1988. (Catalogue)1987Jeff Koons - The New: Encased Works, Daniel Weinberg Gallery, Los Angeles, December 5, 1987–January 16, 1988.1986Jeff Koons: Luxury and Degradation, International With Monument Gallery, New York, closed October 12, 1986.Jeff Koons: Luxury and Degradation, Daniel Weinberg Gallery, Los Angeles, July 19–August 16, 1986.1985Jeff Koons: Equilibrium, International With Monument Gallery, New York, May 4–June 2, 1985.Jeff Koons: Equilibrium, Feature Gallery, Chicago, September 13–October 12, 1985.1980Jeff Koons: The New (A Window Installation), New Museum, New York, May 29–June 19, 1980. Jeff KoonsGroup Exhibitions Jeff Koons Group Exhibition 2023Tropic of Cancer, Pace Gallery, Palm Beach, Florida, February 9–March 12, 2023.2021Picasso to Jeff Koons: The artist as jeweler: Diane Venet Collection, Bijoux d’artistes de Calder à Koons. La Collection idéale de Diane Venet., Grimaldi Forum Monaco, July 11–August 19, 2021.Beyond Colour, the Black and the White in the Pinault Collection, Couvent des Jacobins, Rennes, France, June 12–August 29, 2021.Technicolor Constellations: Tales from the Permanent Collection, Rockford Art Museum, Illinois, May 11–September 23, 2021.The Imaginary Sea, Fondation Carmignac, Ile de Porquerolles, France, April 17–October 17, 2021.Art of Sport, Copenhagen Contemporary, Copenhagen, Denmark, March 25–October 24, 2021.The World Stage: Contemporary Art from the Collections of Jordan D. Schnitzer and His Family Foundation, Nevada Museum of Art, Reno, March 14, 2020–February 7, 2021.Marmor, Kunsten Museum of Modern Art, Alborg, Denmark, March 4–August 21, 2022.Hong Kong Exchange, Gagosian Gallery, Hong Kong, January 28–April 30, 2021.2020The NGV Triennial, The National Gallery of Victoria, Melbourne, December 19, 2020–April 18, 2021.Bustes de Femmes Paris 10th Anniversary Exhibition, Gagosian Gallery, Paris, October 10–December 19, 2020.The Flag Project, Rockefeller Center, New York, August 1–23, 2020.Inspiration–Contemporary Art & Classics, Finnish National Gallery - Ateneum Art Museum, Helsinki, Finland, June 18–September 20, 2020.POP Power from Warhol to Koons, Masterworks from the Collections of Jordan D. Schnizter and His Family Foundation, Oklahoma City Museum of Art, June 6, 2020–September 13, 2020.Inspiration–Iconic Works, Nationalmuseum, Stockholm, Sweden, February 20–September 20, 2020.American Pastoral, Gagosian Gallery, London, January 23–March 14, 2020.2019Public Matters: Debates and Documents from the Skulptur Projekte Archives, LWL-Museum für Kunst und Kultur, Münster, Germany, November 28, 2019–November 15, 2020. (Catalogue)Narcisse ou la floraison des mondes (Narcissus or the Flowering of the Worlds), Frac Nouvelle-Aquitaine MÉCA, Bordeaux, France, October 19, 2019–August 22, 2020.The Sonnabend Collection, Remai Modern, Saskatoon, Saskatchewan, October 5, 2019–April 5, 2020.POP Power from Warhol to Koons, Masterworks from the Collections of Jordan D. Schnizter and His Family Foundation, Taubman Museum of Art, Roanoke, Virginia, September 28, 2019–March 8, 2020.Forever Young - 10 Years of the Museum Brandhorst, Museum Brandhorst, Munich, May 24, 2019–July 19, 2020.Icons. Worship and Adoration, Kunsthalle Bremen, Germany, October 19, 2019–March 1, 2020. (Catalogue)Matt Black X Gana Art: Reflections, Gana Art Center and Gana Art Hannam, Seoul, November 1, 2019–January 05, 2020.Le Rêve d'Être Artiste, Palais des Beaux-Arts, Lille, France, September 20, 2019–January 6, 2020. (Catalogue)Reason Gives No Answers, Newport Street Gallery, London, September 11–November 10, 2019.1989 - Culture and Politics, Nationalmuseum, Stockholm, September 5, 2019–January 12, 2020.The Chicago Imagists: Before and After, Lubeznik Center for the Arts, Michigan City, Indiana, June 17–October 19, 2019.Appearance Stripped Bare: Desire and Object in the Work of Marcel Duchamp and Jeff Koons, Even. Jumex Museum, Mexico City, June 15–September 29, 2019. (Catalogue)The Sensation of Space, The Warehouse, Dallas, May 20–November 15, 2019.General Rehearsal: A Show in Three Acts from the Collections of V-A-C, MMOMA and KADIST, Moscow Museum of Art, April 26–September 16, 2019.Visions of Self: Rembrandt and Now, Gagosian Gallery, London, April 12–May 18, 2019.Now is the Time: 25 Years Collecting Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg, Germany, March 24, 2019–September 29, 2019.The Dog: A Celebration at Chatsworth, Chatsworth, Derbyshire, United Kingdom, March 23–October 6, 2019.Animal Revolution: 200 Years of Bremen Town Musicians in Art, Kitsch and Society. Kunsthalle Bremen, Bremen, Germany, March 23–September 1, 2019.Hybrid Sculpture: Contemporary Sculpture from the Collection of the Stedelijk Museum, Stedelijk Museum Amsterdam, March 23, 2019–January 26, 2020.Age of Classics! L'Antiquité dans la Culture Pop, Musée Saint-Raymond, Toulouse, France, February 22–September 22, 2019. (Catalogue)Laws of Motion. Gagosian Gallery, Hong Kong, November 20–December 21, 2018. Traveled to: Gagosian Gallery, San Francisco, January 14–March 9, 2019.2018Bodies of Art: Human Form from the National Collection, National Gallery of Australia, Parkes, Australia, December 1, 2018–January 27, 2020.The Joy of Color, Mnuchin Gallery, New York, November 1–December 15, 2018. (Catalogue)The Elephant in the Room: Sculptures from the Marx Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin, November 1, 2018–October 20, 2019.Warhol & Friends: New York negli anni '80, Palazzo Albergati, Bologna, Italy, September 29, 2018–June 30, 2019.Cliché, organized with Bill Powers, Almine Rech Gallery, New York, June 20–July 28, 2018.MoMA at NGV, National Gallery of Victoria, Melbourne, June 9–October 7, 2018.Complex Uncertainties: Artists in Postwar America, Telfair Museums, Savannah, Georgia, June 4–December 10, 2018.The Sonnabend Collection: Part II, Serralves Museum, Porto, Portugal, May 11–September 23, 2018.Reds, Mnuchin Gallery, New York, April 27–June 9, 2018.Plato Contemporary: Artists' Visions, The Getty Villa, Los Angeles, April 18–September 3, 2018.Like Life: Sculpture, Color, and the Body (1300–Now), The Met Breuer, New York, March 21–July 22, 2018.From Calder to Koons, Artists' Jewelry: Diane Venet's Ideal Collection, Musée des Arts Décoratifs, Paris, March 7–July 8, 2018.Brand New: Art and Commodity in the 1980s, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 14–May 13, 2018. (Catalogue)Approaching the Figure, Skarstedt Gallery, New York, January 16–February 17, 2018.David Zwirner: 25 Years, David Zwirner Gallery, New York, January 13–February 17, 2018.2017We Are Here, Museum of Contemporary Art Chicago, October 21, 2017–April 1, 2018.The Alpine Almanac: Nathalie Djurberg & Hans Berg, Jeff Koons, Martine Parr, and Gloria von Thurn und Taxis, Patricia Low Contemporary, Gstaad, Switzerland, December 27, 2017–February 6, 2018.Arcadia, Gagosian Gallery, Hong Kong, September 26–November 9, 2017.Minimalism & Beyond, Mnuchin Gallery, New York, September 13–October 18, 2017. (Catalogue)Barbier-Mueller Collections for La Biennale Paris, Grand Palais, September 11–17, 2017.Some Aesthetic Decisions: Centenary Celebration of Marcel Duchamp’s Fountain, NSU Art Museum, Fort Lauderdale, Florida, May 14–September 3, 2017.Liquid Antiquity, organized by DESTE Foundation, Benaki Museum, Athens, April 4–September 17, 2017. (Catalogue)PROVOCATEUR: From Picabia to Prince, Edward Ressle Gallery, New York, February 7, 2017–March 18, 2017.2016Décor, Fondation Boghossian, Brussels, September 8, 2016–April 2, 2017.La collection Thea Westreich Wagner et Ethan Wagner, The Centre Pompidou, Paris, June 10, 2016–March 27, 2017.Loft Story, Frac Aquitaine, Bordeaux, France, November 9–December 16, 2016.Die Kerze, The Candle, Museum Frieder Burda, Baden-Baden, Germany, October 22, 2016–January 29, 2017.Melodrama, Luxembourg & Dayan, New York, July 14–September 17, 2016.Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, Philadelphia, June 28, 2016–September 5, 2016.Urs Fischer - False Friends, The Museum of Art and History of the City of Geneva, Switzerland, April 27–July 17, 2016.Sculpture on the Move 1946-2016, Kunstmuseum Basel, Switzerland, April 19–September 18, 2016.March Madness, Fort Gansevoort, New York, March 18–May 1, 2016.The Natural Order of Things, Museo Jumex, Mexico City, March 11–May 8, 2016.Performing for the Camera, Tate Modern, London, England, February 18, 2016–June 12, 2016.The Artist, Konstakademien (The Royal Academy of Fine Arts), Stockholm, Sweden, February 11–September 11, 2016. Traveled to: Moderna Museet Malmö, Sweden, September 24, 2016–February 19, 2017.In Different Ways, Almine Rech Gallery, London, February 3–March 19, 2016.Cecily Brown, Jeff Koons, Charles Ray, FLAG Art Foundation, New York, January 20–May 14, 2016.2015Unrealism, curated by Jeffrey Deitch and Larry Gagosian, Moore Building, Miami, December 1–December 6, 2015.Surrealism: The Conjured Life, Museum of Contemporary Art Chicago, Illinois, November 21, 2015–June 5, 2016.Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Germany, November 14, 2015–March 13, 2016; Traveled to: Galerie Rudolfinum, Prague, Czech Republic, September 8–November 27, 2016.La Grande Madre, Palazzo Reale, Milan, August 26–November 15, 2015.Sprayed: Works from 1929 to 2015, Gagosian Gallery, London, June 11–August 1, 2015. (Catalogue)Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York, November 20, 2015–March 6, 2016.Picasso.mania, Grand Palais National Galleries, Paris, October 7, 2015–February 29, 2016.A Brief History of the Future, Louvre Museum, Paris, September 24, 2015–January 4, 2016.Civilization and Its Discontents: SAIC Alumni Exhibition, Selections from 1985–2015, Sullivan Galleries - School of the Art Institute of Chicago, Illinois, September 1–October 24, 2015.2014Pop to Popism, Art Gallery New South Wales, Sydney, November 1, 2014–March 1, 2015.SHE: Picturing Women at the Turn of the 21st Century, David Winton Bell Gallery, Brown University, Providence, Rhode Island, October 25–December 21, 2014.Sculpture After Sculpture, Moderna Museet, Stockholm, Sweden, October 11, 2014–January 18, 2015. (Catalogue)Pop Departures, Seattle Art Museum, Washington, October 9, 2014–January 11, 2015.Cast from Life, Skarstedt Gallery, New York, September 18–October 25, 2014.ArtLovers: Stories of Art in the Pinault Collection, Grimaldi Forum, Monaco, July 12–September 7, 2014.Guess What? Hardcore Contemporary Art's Truly a World Treasure, Selected Works from Yageo Foundation Collection, The National Museum of Modern Art, Tokyo, Japan, June 20–August 24, 2014. Traveled to: Nagoya City Art Museum, Nagoya, Japan, September 6–October 26, 2014; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan, December 20, 2014–March 8, 2015; The National Museum of Modern Art, Kyoto, March 31–May 31, 2015.Gorgeous, Asian Art Museum, San Francisco, California, June 20–September 14, 2014.The Human Factor: The Figure in Contemporary Sculpture, Hayward Gallery, London, June 17–September 7, 2014.Le Festin de L'Art, Exposition Dinard, Palais Des Arts, Dinard, France, June 7–September 2014.From Rauschenberg to Jeff Koons: The Ileana Sonnabend Collection, Ca' Pesaro, Venice, May 31, 2014–January 4, 2015.Visões na Coleção Ludwig, Centro Cultural do Banco do Brasil, Rio de Janeiro, Brazil, May 7–July 21, 2014.No Problem: Cologne/New York 1984-1989, David Zwirner Gallery, New York, May 1–June 14, 2014.Casting Modernity: Bronze in the XXth Century, Mnuchin Gallery, New York, April 24–June 7, 2014.Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 8, 2014–April 12, 2015.2013Freedom, Not Genius: Works from Damien Hirst's Murderme Collection, Multimedia Art Museum, Moscow, November 29, 2013–February 2, 2014.Empire State: New York Art Now, Palazzo delle Esposizioni, Rome, April 23–July 21, 2013; Traveled to: Galerie Thaddeus Ropac, Paris, November 17, 2013–February 15, 2014.Remember Everything–40 Years Galerie Max Hetzler, Galerie Max Hetzler, Berlin, November 10–December 21, 2013. (Catalogue)La Biennale de Lyon 2013, Lyon Museum of Contemporary Art, France, September 12, 2013–January 5, 2014.The Pop Object: The Still Life Tradition in Pop Art, Acquavella Galleries, New York, April 10–May 24, 2013. (Catalogue)Op + Pop - Experiments by American Artists Starting in the 1960s, Staatsgalerie Stuttgart, Germany, March 23–June 16, 2013.2012Soccer: Art and Passion, Museo de Arte Contemporaneo de Monterrey, Monterray, Mexico, November 16, 2012–March 3, 2013.This Will Have Been: Art, Love, & Politics in the 1980's, The Institute of Contemporary Art Boston, Massachusetts, November 15, 2012–March 3, 2013.Freedom, Not Genius: Works from Damien Hirst's Murderme Collection, Pinacoteca Giovanni e Marella Agnelli, Torino, Italy, November 10, 2012–March 10, 2013.RA NOW: The Royal Academy of Arts, The Royal Academy of Arts, London, October 11–November 11, 2012.To Be with Art Is All We Ask, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, September 29, 2012–January 31, 2013.Regarding Warhol - Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York, September 18–December 31, 2012.Bronze, The Royal Academy of Arts, London, September 15–December 9, 2012.Ghosts in the Machine, New Museum, New York, July 18–September 30, 2012. (Catalogue)Christie's Present House of Cards, Waddesdon Manner, Buckinghamshire, England, May 26–October 28, 2012.Forever Now, Pinchuk Art Centre, Kiev, Ukraine, May 19, 2012–January 2013.Mix/Remix, Luhring Augustine, New York, May 4–June 9.Beauté Animale, Galeries Nationales, Grand Palais, Paris, March 19–July 16, 2012.2011Contemporary Collection, The Museum of Modern Art, New York, November 16, 2011–February 9, 2014.In the Name of the Artists: Contemporary American Art from the Astrup Fearnley Collection, Bienal Pavillion, São Paulo, Brazil, September 30–December 4, 2011.Postmodernism: Style and Subversion 1970-1990, Victoria & Albert Museum, London, September 24, 2011–January 15, 2012.Picasso to Koons: Artist as Jeweler, Museum of Arts and Design, New York, September 20, 2011–January 8, 2012.Artists for Haiti, David Zwirner Gallery, New York, September 6–10, 2011.Selected Works from the Pinault Collection: Agony and Ecstasy, SongEun ArtSpace, Seoul, September 3–November 19, 2011.Common Objects: Pop Art from the Collection, The Museum of Contemporary Art, Los Angeles, June 30–October 10, 2011.Contemporary Clay, RH Gallery, New York, June 29–August 20, 2011.For the Kids, Salon 94 Freemans, New York, June 23–August 8, 2011.Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art Chicago, Chicago, Illinois, June 18–October 16, 2011.Summer Exhibition 2011, Royal Academy, London, June 7–August 15, 2011.Ca’ Corner della Regina, Fondazione Prada, Venice, June 4–October 2, 2011.The World Belongs to You, Palazzo Grassi, Venice, June 2–December 31, 2011.Ileana Sonnabend: An Italian Portrait, Peggy Guggenheim Collection, Venice, May 29–October 2, 2011.Made in Italy, Gagosian Gallery, Rome, May 27–July 29, 2011.SALVATORE SCARPITTA Trajectory, Marianne Boesky Gallery, New York, May 7–June 18, 2011.Collection Platform 1: Circulation, Pinchuk Art Centre, Kyiv, Ukraine, May 2–October 2, 2011.In Praise of Doubt, Punta della Dogana, Venice, April 9, 2011–December 31, 2012.Figures in a Landscape, Gagosian Gallery, Hong Kong, April 1–May 14, 2011.Already-Made?, Galerie Jerome de Noirmont, Paris, February 4–March 24, 2011.Seeing Is a Kind of Thinking: A Jim Nutt Companion, Museum of Contemporary Art Chicago, Illinois, January 29–May 29, 2011Modern British Sculpture, The Royal Academy of Arts, London, January 22–April 7, 2011.Contemporary Masters, Stellan Holm Gallery, New York, January 1, 2011–October 2012.Politics is Personal, Stonescape, Napa, California, July 16, 2011.2010First Aid: Sculptures, Stedelijk Museum, Amsterdam, 2010. (Catalogue)Time Capsule, Age 13 to 21: The Contemporary Art Collection of Jason Rubell, Rubell Family Collection, Miami, December 1, 2010–August 26, 2011.Popular: Brands, Symbols, Icons, Galerie Thomas Modern, Munich, Germany, November 25, 2010–February 19, 2011.Childish Things, The Fruitmarket Gallery, Edinburgh, Scotland, November 19, 2010–January 23, 2011.Contemporary Eye: Crossovers, Pallant House Gallery, Chicester, United Kingdom, October 2, 2010–March 6, 2011.Decadence Now! Visions of Excess, Galerie Rudolfinmum, Prague, Czech Republic, September 30, 2010–January 2, 2011.Divine Comedy, Sotheby’s, New York, September 30–October 19, 2010.Analysis of Flight Data, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, September 11, 2010–January 30, 2011.Alpha Omega: Works from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece, June 16–December 29, 2010.Pop Life–Art in a Material World, National Gallery of Canada, Ottowa, June 11–September 19, 2010.200 Artworks 25 Years: Artists' Editions for Parkett, Singapore Tyler Print Institute, May 22–July 17, 2010.Sexuality and Transcendence, Pinchuk Art Centre, Kiev, Ukraine, April 24–September 19, 2010. (Catalogue)Your History Is Not Our History, Haunch of Venison, New York, New York, March 5–May 1, 2010.Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, New Museum, New York, March 3–June 6, 2010. (Catalogue)Size Does Matter, The Flag Art Foundation, New York, February 19–May 27, 2010.Pop Life–Warhol, Haring, Koons, Hirst, Hamburger Kunsthalle, Hamburg, Germany, February 12–May 9, 2010.Crash: Homage to JG Ballard, Gagosian Gallery, London, February 11–April 1, 2010.Hard Targets, Wexner Center for the Arts, Columbus, Ohio, January 30–April 11, 2010.The Visible Vagina, David Nolan Gallery, New York, January 28–March 20, 2010.2009The Anniversary Show, San Francisco Museum of Modern Art, San Francisco, December 19, 2009–January 16, 2011.just what is it, Zentrum für Kunst und Medientechnologie Karlsruhe, Germany, December 5, 2009–April 11, 2010.Where Do We Go From Here, Bass Museum of Art, Miami Beach, Florida, December 3, 2009–May 30, 2010.MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.Landscape Revisited, Park Avenue Armory, Historic Rooms, New York, October 29–November 14, 2009.40 Years: KALDOR Public Art Projects 1969–2009, Art Gallery on New South Wales, Sydney, October 2, 2009–February 14, 2010.Pop Life - Art in a Material World, Tate Modern, London, October 1, 2009–January 17, 2010.DIE KUNST IST SUPER!, Hamburger Bahnhof, Berlin, September 5, 2009–February 14, 2010.Exposed! Revealing Sources in Contemporary Art, Delaware Art Museum, Wilmington, August 15, 2009–October 4, 2009.Revisons nos Classiques: La Terre dans l'Art Contemporain, Chapelle des Penitents Noirs, Aubagne, France, July 23–October 25, 2009.Ecstatic Abstraction, Gagosian Gallery, New York, July 16–August 21, 2009.New York, New York, Grimaldi Forum, Monaco, July 14–September 10, 2006.Mapping the Studio: Artists from the François Pinault Collection, Punta Della Dogana & Palazzo Grassi, Venice, Italy, June 6, 2009–April 10, 2011.The Making of Art: The Art World and Its Players, Schirn Kunsthalle Frankfurt, Germany, May 29–August 30, 2009.Louis Vuitton: A Passion for Creation, La Fondation Louis Vuitton pour La Creation, Paris, 2009. Traveled to: Hong Kong Museum of Art, Hong Kong, May 22–August 9, 2009.Go Figure, Gagosian Gallery, New York, May 9–August 21, 2009.A Guest + A Host = A Ghost, DESTE Foundation for Contemporary Art, Athens, May 7–December 31, 2009.Pig, Deitch Projects, New York, April 25–August 9, 2009.Mike Kelley / Terence Koh / Jeff Koons, Mary Boone Gallery, New York, April 4–May 16, 2009.Un Certain Etat du Monde?, A Certain State of the World? A Selection of Works from the Francois Pinault Foundation, Garage Center for Contemporary Culture, Moscow, March 19–June 14, 2009. (Catalogue)Yellow and Green, Museum für Moderne Kunst, Frankfurt, March 7–August 30, 2009.Collected Visions, Bronx Museum of the Arts, New York, March 5–May 10, 2009.Marble, Gagosian Gallery, New York, February 12–June 10, 2009.2008For What You Are About to Receive, organized by Gagosian Gallery, Red October Chocolate Factory, Moscow, September 18–October 25, 2008.“DARKSIDE" - Fotografische Begierde und fotografierte Sexualität / Photographic Desire and Sexuality Photographed, Fotomuseum Winterthur, Switzerland, September 9–November 16, 2008.Meet Me Around the Corner, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, June 14–August 31, 2008.Summer Exhibition 2008, Royal Academy of Arts, London, June 9–August 17, 2008.Présence Panchounette, CAPC Musée d’art contemporain, Bordeaux, France, May 30–September 14, 2008.Artists in Depth, Museum of Contemporary Art Chicago, Illinois, May 10–31, 2008.Kavalierstart 1978-1982, Museum Morsbroich, Leverkusen, Germany, April 20–July 20, 2008.Prefab, Gagosian Gallery, New York, February 26–May 17, 2008.The Broad Contemporary Art Museum at Los Angeles County Museum of Art: Inaugural Installation,Los Angeles County Museum of Art, California, February 16–September 30, 2008.2007Pieces Maitresses, Conseil Regional d'Aquitaine, Bordeaux, France, December 22, 2007–February 22, 2008.Konzentriert! Art from 1350 to Present, Staatsgalerie Stuttgart, Germany, November 17, 2007–May 26, 2008.The Desmoiselles Revisited, Francis M. Naumann Fine Art LLC, New York, November 16–December 22, 2007.Beauty and Blonde: An Exploration of American Art and Popular Culture, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, November 16, 2007–January 28, 2008.Insight?, Gagosian Gallery, Moscow, October 19–28, 2007. (Catalogue)Seduced: Art and Sex from Antiquity to Now, Barbican, London, October 12, 2007–January 27, 2008.Reflection, PinchukArtCentre, the Centre for Contemporary Art, Kiev, Ukraine, October 6–December 30. (Catalogue)The Incomplete, Chelsea Art Museum, New York, October 2, 2007–January 17, 2008.Pop Art Is..., Gagosian Gallery, London, September 27–November 21, 2007. (Catalogue)Fractured Figure: Works from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, Greece, September 5, 2007–March 23, 2008.MCA Chicago Collection Highlights, 1949-2007, Museum of Contemporary Art Chicago, Illinois, August 18, 2007–June 8, 2008.Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, June 30–October 7, 2007.Dream and Trauma: Works from the Dakis Joannou Collection, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, June 29–October 4, 2007. (Catalogue)Klio, Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM Museum of Contemporary Art, Karlsruhe, Germany, June 15–October 21, 2007.Timer 01. Intimitá/Intimacy, Triennale Bovisa, Milan, March 30–June 10, 2007.Re-Object, Kunsthaus Bregenz, Bregenz, Austria, February 18–May 13, 2007.Not for Sale, MoMA P.S.1., New York, February 11–April 30, 2007.Art in America: 300 Years of Innovation, Guggenheim Museum Bilbao, Spain, February 9–June 30, 2007. (Catalogue)Living in the Material World: "Things" in Art of the 20th Century and Beyond, National Art Center, Tokyo, January 21–March 19, 2007.2006The Kirk Vardedoe Collection, Savannah Telfair Museum of Art, 2006. (Catalogue)Biblical Art in a Secular Century: Selections, 1896-1993, Museum of Biblical Art, New York, December 14, 2006–March 11, 2007.Super Vision, Institute of Contemporary Art, Boston, December 10, 2006–April 29, 2007. (Catalogue)“In The Darkest Hour There May Be Light”: Works from Damien Hirst’s Murderme Collection, Serpentine Gallery, London, November 25, 2006–January 28, 2007.Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Texas, November 21, 2006–April 8, 2007.Magritte and Contemporary Art: The Treachery of Images, Los Angeles County Museum of Art, Los Angeles, November 19, 2006–March 4, 2007.The François Pinault Collection: A Post-Pop Selection, Palazzo Grassi, Venice, November 11, 2006–March 11, 2007.Extra-Ordinary: The Everyday Object in American Art, Whitney Museum of American Art, New York, November 10, 2006–February 11, 2007.Portrait/Homage/Embodiment, The Pulitzer Foundation of Arts, St. Louis, Missouri, November 3, 2006–June 30, 2007.Eros in Modern Art, Fondation Beyeler, Basel, Switzerland, October 8, 2006–February 18, 2007. (Catalogue)Glenstone – The Inaugural Exhibition, Glenstone Foundation, Potomac, Maryland, September 30, 2006–January 14, 2009. (Catalogue)Shiny, Wexner Center for the Arts, Columbus, Ohio, September 16–December 31, 2006.More than the World: Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway, September 16, 2006–June 15, 2008.Out of Time: A Contemporary View, Museum of Modern Art, New York, August 30, 2006–April 9, 2007.Sculpture, Gagosian Gallery, Beverly Hills, July 20–August 30, 2006.Into me / Out of Me, MoMA P.S.1., New York, June 25–September 25, 2006. Traveled to: Kunst Werke–Institute for Contemporary Art, Berlin, December 20, 2006–February 2007. (Catalogue)Artist's Choice: Herzog & de Meuron, Perception Restrained, Museum of Modern Art, New York, June 21–September 25, 2006.Beauty Marks, Kunsthallen Brandts, Odense, Denmark, June 17, 2006–December 10, 2006.Nous nous sommes tant aimés, Collections de Saint Cyprien, Saint Cyprien, France, June 11–September 17, 2006.Ballermann: Die Ausstellung, Kunsthalle Kiel, Kiel, Germany, May 30–July 9, 2006. (Catalogue)Dada's Boys: Identity and Play in Contemporary Art, The Fruitmarket Gallery, Edinburgh, Scotland, May 27–July 16, 2006.Blind Date Seligenstadt: Recent Acquisitions of the Deutsche Bank Collecition, Galerie Kunstforum im Alten Haus, Seligenstadt, Germany, May 14–July 2, 2006. (Catalogue)Best in Show: The Dog in Art from the Renaissance to Today, Bruce Museum, Greenwich, Connecticut, May 13–August 27, 2006. Traveled to: Museum of Fine Arts, Houston, Texas, October 1, 2006–January 1, 2007.Where Are We Going?: Selections from the François Pinault Collection, Palazzo Grassi, Venice, Italy, April 30–October 1, 2006. (Catalogue)Infinite Painting, Villa Manin–Centro d’Arte Contemporanea, Codroipo, Italy, April 9–September 24, 2006.Figures in the Field: Figurative. Sculpture and Abstract Painting from Chicago Collections, Museum of Contemporary Art Chicago, Chicago, February 4–April 23, 2006.Hiding in the Light, curated by Neville Wakefield, Mary Boone Gallery, New York, January 12–February 25, 2006.2005Schöner Leben, Kunsthalle Darmstadt, Darmstadt, Germany, December 12, 2005–March 12, 2006.Nudes in Vogue, Mitchell-Innes & Nash, New York, November 18–December 23, 2005.Superstars: from Warhol to Madonna, Kunstforum Wien, Vienna, November 4, 2005–February 19, 2006.Flashback - Eine Revision der Kunst der 80er Jahre, Museum für Gegenwartskunst Emanuel Hoffmann-Stiftung, Basel, Switzerland, October 29, 2005–February 12, 2006.Douglas Gordon's The Vanity of Allegory, Deutsche Guggenheim, Berlin, July 16–October 9, 2005.Translation, Palais de Tokyo, Paris, June 23–September 18, 2005. (Catalogue)MO(NU)MENTS! Works from the Astrup Fearnley Collection, Astrup Fearnley Museum of Modern Art, Oslo, Norway, May 21–September 18, 2005.Do it yourself - Positionen von den sechziger Jahren bis Heute, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany, May 12–August 14, 2005.Ed Paschke Tribute Show, Gallery 415, Chicago, April 8–July 8, 2005. (Catalogue)Home Style, Leo Castelli Gallery, New York, April 1–May 27, 2005.Blumenmythos: Van Gogh bis Jeff Koons, Fondation Beyeler, Riehen/Basel, Switzlerland, February 27–May 22, 2005. (Catalogue)Logical Conclusions, Pace Wildenstein, New York, February 18–March 26, 2005. (Catalogue)Universal Experience: Art, Life, and the Tourist’s Eye, Museum of Contemporary Art Chicago, February 12–June 5, 2005. Traveled to: Hayward Gallery, London, October 6–December 11, 2005.EXIT - Ausstieg aus dem bild, ZKM | Museum für Neue Kunst, Karlsruhe, Germany, January 14–August 14, 2005.2004Citation and Reproduction, Museum of Modern Art, Shiga, Japan, 2004.What’s Modern?, Gagosian Gallery, New York, November 6–December 18, 2004. (Catalogue)Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection New York, Sammlung Essl–Kunst der Gegenwart, Vienna, Austria, October 21, 2004–March 6, 2005.Taschen Collection, Museo Nacional Centro de Arte Reina Sofia, Madrid, October 20, 2004–January 10, 2005. (Catalogue)Flower as Image: From Monet to Jeff Koons, Louisiana Museum for Moderne Kunst, Humlebaek, Denmark, September 10, 2004–January 16, 2005. Traveled to: Foundation Beyeler Basel, February 20–May 22, 2005. (Catalogue)Artists Favourites (Act 2), ICA, London, July 30–September 4, 2004.Monument to Now, DESTE Foundation for Contemporary Art, Athens, Greece, June 22, 2004–March 6, 2005. (Catalogue)Close-Up: Contemporary American Art in the Astrup Fearnley Collection, The National Gallery of Iceland, Reykjavik, Iceland, May 15–June 6, 2004.Flowers, Mary Boone Gallery, New York, March 4–April 24, 2004.Treasure Island, Kunstmuseum Wolfsburg, February 7–April 18, 2004.The Game Show, James Cohan Gallery, New York, January 9–February 14, 2004.2003Heisskalt–Aktuelle Malerei aus der Sammlung Scharpff, Hamburger Kunsthalle, November 7, 2003–February 29, 2004. Traveled to: Staatsgalerie Stuttgart, Germany, March 20–June 13, 2004.Happiness–A Survival Guide for Art and Life, Mori Art Museum, Tokyo, October 18, 2003–January 18, 2004.La fête, el arte de la fiesta del siglo XIX hasta hoy, Le Bellevue, Biarritz, France, June 26–October 5, 2003. Traveled to: Museo Valenciano de la Ilustraciony la Modernidad, Valencia, Spain, October 16–November 23, 2003.THE LAST PICTURE SHOW: Artists using photography 1960-1982, Walker Art Center, Minneapolis, Minnesota, October 11, 2003–March 11, 2005. Traveled to: UCLA Hammer Museum, Los Angeles, February 8, 2004–May 9, 2004.Hverdagsestetikk (Everyday Aesthetics)–verk fra Astrup Fearnley Samlingen, Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, September 27–November 30, 2003.Private/Corporate II, Works from the Daimler Chrysler Collection and from the Ileana Sonnabend Collection: A Dialogue, Daimler Chrysler Contemporary, Berlin, Germany, September 3–November 23, 2003.Tresors publics: 20 ans de creation dans le Fonds Regionaux d'Art Contemporain: L'Etat des choses: l'object dans l'art de 1960 a aujourd'hui, Musee des Beaux-Arts, Nantes, France, June 27–October 12, 2003.Living with Duchamp, The Frances Young Tang Teaching Museum, Skidmore College, Saratoga Springs, New York, June 27–September 28, 2003.The Daimler Chrysler Collection–100 Artists Out of More than 60 Years, Museum für eue Kunst, ZKM Karlsruhe, Germany, May 24–August 31, 2003; The Detroit Institute of Arts, Detroit, Michigan, October 26, 2003–January 2004. (Catalogue)Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art, Dickinson Roundell Gallery, New York, May 5–June 20, 2003.Strangely Familiar: Approaches to Scale in the Collection of The Museum of Modern Art, New York, The New York State Museum, New York, April 5–June 29, 2003.Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg, Germany, February 28–June 29, 2003.Air, James Cohan Gallery, New York, January 10–February 15, 2003.2002Shopping: 100 Jahre Kunst und Konsum, Schirn Kunsthalle, Frankfurt, Germany, October 28–December; Tate Liverpool, Liverpool, United Kingdom, December 20, 2002–March 23, 2003.Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, Illinois, November 16, 2002–April 20, 2003.Jeff Koons / Andy Warhol: Flowers, Gagosian Gallery, New York, November 11–December 21, 2002. (Catalogue)The Stedelijk Museum in the Nieuwe Kerk, No. I: Sculpture, 1947-2002, Nieuwe Kerk, Amsterdam, October 27, 2002–October 2, 2003.From Pop to Now: Selections from the Sonnabend Collection, The Tang Museum, Saratoga Springs, New York, June 22–September 29, 2002; The Wexner Center for the Arts, Columbus, Ohio, November 2–February 2, 2003. (Catalogue)Group Show, Sandra Gering Gallery, New York, June 16–August 30, 2002.The Great American Nude, Bruce Museum of Arts and Science, Greenwich, Connecticut, June 15–September 8, 2002. (Catalogue)Penetration, Marianne Boesky Gallery, New York Friedrich Petzel Gallery, New York, June 6–August 15, 2002.Ahead of the 21st Century: The Pisces Collection, Furstenberg Sammlungen, Donaueschingen, Germany, June 2002–October 2003.La vie, au fond, se rit du vrai, CAPC Musee d'Art Contemporain de Bordeaux, Bordeaux, France, May 24–August 8, 2002.The Physical World, Gagosian Gallery, New York, May 9–June 29, 2002.Warhol to Koons: International Contemporary Art from a Private Collection, Scottish National Gallery of Modern Art, Edinburgh, Scotland, August 16–June 8, 2003.2001Collections en movement, CAPC Musee d'Art Contemporain de Bordeaux, France, 2001.Museum unserer Wunsche, Museum Ludwig, Cologne, Germany, 2001.Points of Departure II: Connection with Contemporary Art, San Francisco Museum of Modern Art, San Francisco, November 17, 2001–June 9, 2002.Naked Since 1950, Mnuchin Gallery, New York, October 11–December 8, 2001.Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, Los Angeles County Museum of Art, October 7, 2001–January 6, 2002. Traveled to: The Corcoran Gallery of Art, Washington, D.C., March 16–June 3, 2002; Museum of Fine Arts, Boston, Massachusetts, July 28–October 20, 2002; Guggenheim Museum, Bilbao, Spain, February 15–September 7, 2003.The Broad Art Foundation Collection, Broad Art Foundation, Santa Monica, October 6, 2001 - August 13, 2004Irony, Fundación Joan Miró, Barcelona, September 21–November 4, 2001.Warhol / Koons / Hirst: Cult and Culture, Selections from the Vicki and Kent Logan Collection, Aspen Art Museum, Aspen, Colorado, August 3–September 30, 2001. (Catalogue)Beautiful Productions: Art to Play, Art to Wear, Art to Own, Whitechapel Art Gallery, London, July 5–August 19, 2001.Play’s the Thing: Critical and Transgressive Practices in Contemporary Art (Whitney Museum of American Art, Independent Study Program Exhibition), Art Gallery of the Graduate Center the City University of New York, May 25–July 8, 2001. (Catalogue)Collaborations with Parkett: 1984 to Now, The Museum of Modern Art, New York, April 3–June 12, 2001.Original Language: Highlights from the MCA Collection, Museum of Contemporary Art Chicago, Illinois, March 24–August 5, 2001.Almost Warm and Fuzzy: Childhood and Contemporary Art, MoMA PS1, New York, New York, February 4–April 8, 2001.Give and Take, Serpentine Gallery and Victoria and Albert Museum, London, January 30–April 1, 2001.2000Sonnabend Retrospective, Sonnabend Gallery, New York, 2000.Au–dela du spectacle, Centre Pompidou, Paris, November 19, 2000–January 8, 2001.Hypermental, 1950–2000 from Salvador Dali to Jeff Koons, Kunsthaus Zürich, Switzerland, November 17, 2000–January 21, 2001.Actual Size, The Museum of Modern Art, New York, October 19, 2000–January 30, 2001.Objects of Desire: The Modern Still Life, Hayward Gallery, London, October 9, 1997–January 4, 1998. (Catalogue)MoMA 2000, The Museum of Modern Art, New York, October 7, 2000–February 13, 2001.Open Ends, The Museum of Modern Art. New York, September 28, 2000–March 4, 2001. (Catalogue)Matter, The Museum of Modern Art, New York, September 28, 2000–January 2, 2001.Pop and After, Museum of Modern Art, New York, September 28, 2000–January 2, 2001.Innocence and Experience, Museum of Modern Art, New York, September 28, 2000–January 2, 2001.Apocalypse: Beauty & Horror in Contemporary Art, Royal Academy of Arts, London, September 19–December 15, 2000.Dinge in der Kunst des XX Jahrhunderts, Haus der Kunst, Munich, Germany, September 2–November 19, 2000.Extraordinary Realities, Columbus Museum of Art, Columbus, Ohio, August–November 2000.Almost Warm and Fuzzy, Tacoma Art Museum, Tacoma, Washington, July 8–September 17, 2000.Let's Entertain: Life's Guilty Pleasures, Walker Art Center, Minneapolis, Minnesota, February 12–April 30, 2000. Traveled to: Portland Art Museum, Portland, Oregon, July 7–September 17, 2000; Centre Pompidou, Musée National d'Art Moderne, Paris, France, November 22, 2000–January 8, 2001; Kunstmuseum Wolfsburg, Wolfsburg, Germany, March 16–July 15, 2001; Museo Rufino Tamayo, Mexico City, June 6–August 8, 2001; Miami Art Museum, Florida, September 14–November 18, 2001.La Beauté in Fabula, Palais des Papes, Avignon, France, May 27–October 1, 2000.Around 1984: A Look at Art in the Eighties, P.S.1, New York, May 21–September 3, 2000.Sculpture, James Cohan Gallery, New York, New York, March 8–April 1, 2000.Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art Chicago, Illinois, March 2000–January 2001.Inner Eye, Neuberger Museum of Art, New York, January 30–April 16, 2000.1999Wallace Berman and Jeff Koons, Allan McCollum, Al Ruppersberg, Andy Warhol, Nicole Klagsburn Gallery, New York, October 29–December 18, 1999.A Celebration of Art: 25th Anniversary of the Hirshhorn Museum and Sculpture Garden, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 13–November 29, 1999.The American Century, Part II, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000.Heaven, Kunsthalle Dusseldorf, Dusseldorf, Germany, July 30–October 17. Traveled to: Tate Gallery, Liverpool, United Kingdom, October 9, 1999–February 27, 2000.Transmute, Museum of Contemporary Art Chicago, Illinois, July 24–September 19, 2000.Gesammelte Werke 1–Zeitgenössische Kunst Seit 1968, Kunstmuseum Wolfsburg, Germany, July 17–October 3, 1999.La Casa, Residence of Mauro Nicoletti, Rome, June 3–27, 1999. (catalogue)L'objet photographique 2, Galerie d'art contemporain, Mourenx, France, March 19–April 14, 1999.The Virginia and Bagley Wright Collection, Seattle Art Museum, Washington, March 4–May 9, 1999. (catalogue)Art at Work: Forty Years of The Chase Manhattan Collection, Contemporary Arts Museum, Houston, Texas, March 3–May 2, 1999.Decades in Dialogue: Perspectives on the MCA Collection, Museum of Contemporary Art Chicago, Illinois, February 27–October 1999.1998Anos 80–The Eighties, Culturgest, Edificio-Sede da Caixa Geral de Depósitos, Lisbon, Portugal, 1998.Self-Portraits, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, 1998.Six Americans, Skarstedt Fine Art, New York, December 15, 1998–February 13, 1999.L'Envers du Décor, Dimensions décoratives dans l'art du XXe siècle, Musée d'art moderne Lille Métropole, Villeneuve d'Ascq, October 17, 1998–February 21, 1999.A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art, September 29, 1998–January 3, 1999.Un monde merveilleux, Kitsch et Art Contemporain, Frac Nord-Pas de Calais, Dunkerque, France, July 30–September 12.Kunstausstellung Holderbank, Holderbank Management und Beratung AG, Holderbank, Switzerland, July 4–September 30, 1998.Double Trouble: The Patchett Collection, Museum of Contemporary Art San Diego, California, June 28–September 5, 1998.Fischli & Weiss, Clay Ketter, Jeff Koons, Sonnabend Gallery, New York, June 6, 1998.Interno–Esterno/Alterno, Fendi Store, New York, June 1–7, 1998. (catalogue)Urban, Tate Gallery Liverpool, England, May 23, 1998–April 1999.Fast Forward–Trade Marks, Kunstverein in Hamburg, Germany, May 8–June 21, 1998.Tuning Up #5, Kunstmuseum Wolfsburg, Germany, March 7–August 9, 1998.René Magritte and the Contemporary Art, Museum voor Moderne Kunst, Oostende, Belgium, April 4–June 28, 1998. (catalogue)Art in the 20th Century: Collection from the Stedelijk Museum Amsterdam, Ho-Am Art Museum, Seoul, January 17–May 15, 1998. (catalogue)1997A House is not a Home, Center for Contemporary Art, Amsterdam, 1997.Die Epoche der Moderne–Kunst im 20 Jahrhundert, The Age of Modernism–Art in the 20th Century, Martin Gropius Bau, Berlin, 1997.Group Show, The Eli Broad Family Foundation, Santa Monica, California, December 10, 1997–July 21, 1999.Hospital, Galerie Max Hetzler, Berlin, November 29, 1997–January 10, 1998.Kunst..Arbeit, Südwest LB Forum, Stuttgart, Germany, November 15, 1997–January 11, 1998.Dramatically Different, Centre National D'Art Contemporain de Grenoble, Grenoble, France, October 26, 1997–February 1, 1998.On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York, September 30, 1997–January 20, 1998. (catalogue)Autoportraits, Galerie Municipale du Château d'Eau, Toulouse, France, July 4–September 8, 1997.Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art Chicago, Illinois, June 21, 1997–April 5, 1998.Futuro Presente Passato: La Biennale di Venezia, Venice, Italy, June 15–November 9, 1997. (Catalogue)Multiple Identity: Amerikanische Kunst 1975–1995, Aus Dem Whitney Museum of American Art, Kunstmuseum Bonn, Bonn, Germany, June 4–September 7, 1997. Traveled to: Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy, October 20, 1997–January 18, 1998. (catalogue)Objects of Desire: The Modern Still Life, The Museum of Modern Art, New York, May 25–August 26, 1997. (catalogue)It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art, Phoenix Art Museum, Arizona, March 27–June 15, 1997.Belladonna, Institute of Contemporary Arts, London, January 24–April 12, 1997.1996Art at Home - Ideal Standard Life, Spiral Garden, Tokyo, 1996. Traveled to Gallery Soemi, Seoul, 1996.a/drift, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, 1996.Contemporary Art 1960-1995: Selections from the Permanent Collection, The San Francisco Museum of Modern Art, San Francisco, 1996.Family Values: American Art in the Eighties and Nineties: The Scharpff Collection at the Hamburger Kunsthalle, Hamburger Kunsthalle, Hamburg, Germany, 1996.Playpen & Corpus Delirium, Kunsthalle Zurich, Zurich, October 5–December 29, 1996.Just Past: The Contemporary in MOCA's Permanent Collection, 1975-96, The Geffen Contemporary, The Museum of Contemporary Art, Los Angeles, California, September 29, 1996–January 19, 1997.In the Shadow of Storms: Art of the Postwar Era from the MCA Collection, Museum of Contemporary Art Chicago, Chicago, July 1996–May 2007.Chimériques polymères - le plastique dans l'art du XXème siècle, Musee d'Art Moderne et Contemporaine, Nice, France, June 29–September 15, 1996.Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, National Gallery, Alexander Soutzos Museum, Athens, June 10–September 30, 1996. Traveled to: Museu d'Art Contemporani, Barcelona, December 18, 1996–April 6, 1997; Kunstmuseum Bonn, June – September 1997.The Mediated Object: Selection from the Eli Broad Collections, Harvard University Art Museum Gallery, Cambridge, Massachusetts, March 1996.Perdu, gagne c'est oublié, Musée Bonnat, Bayonne, France, March–April 1996.Consommation, Contemplation, Musee Bonnat, Bayonne, France, February–March 1996.Inaugural opening of the Museum of Contemporary Art, Museum of Contemporary Art, Los Angeles,February 23, 1996.The Human Body in Contemporary American Sculpture, Gagosian Gallery, New York, February–March 2, 1996.Everything That's Interesting Is New: The Dakis Joannou Collection, Athens School of Fine Arts, Athens, Greece, January 20–April 20, 1996. (Catalogue)1995A Collection Sculptures, Caldic Collection, Rotterdam, Netherlands.45 Nord & Longitude 0, CAPC Musee d'art Contemporain de Bordeaux, Bordeaux, France.From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, December 12, 1995–March 17, 1996.Jeff Koons / Roy Lichtenstein, The Eli Broad Family Foundation, Santa Monica, California, December 1995.Soyons serieux... points de vue sur l'art des annees 80-90, Musee d'Art Moderne, Villeneuve d'Ascq, France, October 14, 1995–January 14, 1996.Die Muse?: Transforming the Image of Woman in Contemporary Art, Galerie Thaddaeus Ropac, Paris, September 26, 1995–November 18, 1995. Traveled to: Gandolph Bibliothek, Salzburg, Austria, July 22, 1995–September 2, 1995.Going for Baroque, The Contemporary and the Walters Art Gallery, Baltimore, September 24, 1995–February 4, 1996. (Catalogue)A Benefit Exhibition for D.E.A.F., Inc., Nicole Klagsbrun Gallery, New York, July 12–July 28, 1995.Unser Jahrhundert, Museum Ludwig, Cologne, Germany, July 9–October 8, 1995.Group Show, Nicole Klagsbrun Gallery, New York, July 7–August 10, 1995.Florine Stettheimer Collapsed Time Salon, The Gramercy International Art Fair, New York, April 28–May 1, 1995.Black Male: Representations of Masculinity in Contemporary American Art, Museum of Art and Cultural Center, UCLA, Los Angeles, April 25 –June 18, 1995. Traveled to: Whitney Museum of American Art, New York, November 10, 1995–March 5, 1996. (Catalogue)Signs and Wonders, Centro Galego de Arte Contemporanea, Galicia, Spain, July 20–October 20, 1995. Traveled to: Kunsthaus Zürich, Zürich, March 31–June 18, 1995. (Catalogue)1994Jahresmuseum 1994, Kunsthaus Mürzzuschlag, Mürzzuschlag, Austria, 1994. (Catalogue)Ou les oiseaux selon Schopenhauer, Musee des Beaux-Arts d'Agen, Agen, France, 1994.Spielverderber, Forum Stadtpark Graz, Graz, Austria, 1994.Institute of Cultural Anxiety: Works from the Collection, Institute of Contemporary Arts, London, December 11, 1994–February 12, 1995.Arca de Noe/Noah's Ark, Fundacao De Serralves, Porto, Portugal, November 29, 1994–February 19, 1995.Sculpture, Anthony D’Offay Gallery, London, December 6, 1994–February 14, 1995. (Catalogue)Head and Shoulders, Brooke Alexander, New York, November 26–December 30, 1994.Face Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9–October 30, 1994.Traveled to: Joslyn Art Museum, Omaha, Nebraska, January 28–March 19, 1995; Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina, April 9–May 28, 1995.Tuning Up, Kunstmuseum Wolfsburg, Wolfsburg, Germany, May 29–September 25, 1994.Die Orte der Kunst: der Kunstbetrieb als Kunstwerk, Sprengel Museum, Hanover, Germany, May 29–September 11, 1994.After and Before, Renaissance Society, University of Chicago, Chicago, March 13–April 17, 1994.Group exhibition at the occasion of the Olympic Winter Games, Galleri K, Oslo, Norway, January 28–March 28, 1994.1993The Return of the Cadavre Exquis, The Drawing Center, New York, November 6–December 18, 1993.Twenty Years: A Series of Anniversary Exhibitions, Part III, Daniel Weinberg Gallery, Santa Monica, California, September 15–October 16, 1993.Jeff Koons, Andy Warhol, Anthony D'Offay Gallery, London, June 16–June 21, 1993.Drawing the Line Against AIDS, AmFAR International, The Peggy Guggenheim Collection at the 45th Venice Biennial, June 8–June 13, 1993.American Art in the Twentieth Century: Painting and Sculpture, 1913-1993, Martin-Gropius-Bau, Berlin, Germany, May 8–July 25. Traveled to: The Royal Academy of Arts and Saatchi Gallery, London, September 16–December 12, 1993.1982-83: Ten Years After, Tony Shafrazi Gallery, New York, May 8–June 26, 1993.Jeff Koons, Roy Lichtenstein, Gerhard Merz, Albert Oehlen, Thomas Struth, Galerie Max Hetzler, Cologne, Germany, April 30–May 29, 1993.The Elusive Object, Whitney Museum of American Art at Champion, Stamford, Connecticut, February 5–April 14, 1993.Zeitsprunge: Kunstlerische Positionen der 80er Jahre, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany, January 17–February 28, 1993.Photoplay: Works from the Chase Manhattan Collection, Center for the Fine Arts, Miami, January 9, 1993. Traveled to: Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; Museu de Arte de São Paulo, São Paulo, Brazil; Museo Nacional de Bellas Artes, Santiago,Chile, 1993. (catalogue)1992A Century in Sculpture, Stedelijk Museum, Amsterdam, Netherlands, 1992.Selected Works from the Early Eighties, Kunstraum Daxler, Munich, Germany, 1992. (catalogue)The Language of Flowers, Paul Kasmin Gallery, New York, December 1992–January 16, 1993.Adam & Eve, The Museum of Modern Art, Saitama, Japan, October 10–December 6, 1992. (Catalogue)Al(l)ready Made, Museum voor Hedendaagse Kunst, ‘s-Hertogenbosch, Netherlands, September 13–November 1, 1992.Strange Developments, Anthony d’Offay Gallery, London, September 10–October 16, 1992.Post Human, Musee D´art Contmeporain Pully, Lausanne, Switzerland, June 14–September 13, 1992. Traveled to: Castello di Rivoli, Turin, Italy, October 2–November 22, 1992; Deste Foundation for Contemporary Art, Athens, Greece, December 3, 1992–February 14, 1993; Deichtorhallen, Hamburg, Germany, March 12– May 9, 1993; The Israel Museum, Jerusalem, June 23, 1993–October 10, 1993.Group Show, Max Hetzler Gallery, Cologne, Germany, May 17–June 27, 1992.Made For Arolsen, Schloss Arolsen, Arolsen, Germany, May 5–September 20, 1992.Doubletake: Collective Memory & Current Art, Hayward Gallery, London, February 20–April 20, 1992.1991Group Show, American Fine Arts, Co., New York, 1991.Group Show, Luhring-Augustine-Hetzler, Santa Monica, California, 1991.Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985-91, San Francisco Museum of Modern Art, San Francisco, 1991.Vertigo: 'The Remake', Galerie Thaddaeus Ropac, Salzburg, Austria, 1991.American Art of the Eighties, Museum di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy, December 1991–March 1992.Quindicesima Biennale Internazionale del Bronzetto Piccola Scultura, Palazzo della Ragione, Padova, Italy, October 27, 1991–February 23, 1992.Objects for the Ideal Home: The Legacy of Pop Art, Serpentine Gallery, London, September 11–October 20, 1991. (Catalogue)Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, University ofPennsylvania, Philadelphia, October 4, 1991–January 25, 1992. Traveled to: NewportHarbor Art Museum, Newport Beach, California, April 16–June 21, 1992. (catalogue)Group Show of Mirrors, Andrea Rosen Gallery, New York, September 7–October 5, 1991.Power: Its Myths, Icons, and Structures in American Culture, 1961- 1991, IndianapolisMuseum of Art, Indianapolis, Indiana, September 5–November 3, 1991. Traveled to: Akron Art Museum, Akron, Ohio, January 18–March 21, 1992; Virginia Museum of Fine Arts, Richmond, Virginia, May 11–July 12, 1992.La Sculpture Contemporaine apres 1970, Fondation Daniel Templon, Musée Temporaire, Frejus, France, July 4–September 29, 1991.Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose, California, June 1–August 25, 1991. (catalogue)Object Lessons, Portland Art Museum, Oregon Art Institute, Portland, May 16–July 14, 1991.Metropolis, Martin-Gropius-Bau, Berlin, Germany, April 20–July 21, 1991.About Collecting: Four Collectors, Four Spaces, Ronny van de Velde, Antwerp, Belgium, April 16–June 1, 1991.Gulliver's Travels, Galerie Sophia Ungers, Cologne, Germany, April 10–April 19, 1991.A Duke Student Collects: Contemporary Art from the Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, March 1–May 19, 1991. (catalogue)Word as Image, Contemporary Arts Museum, Houston, Texas, February 23–May 12, 1991.Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, January 10–February 9, 1991.1990Editionen von Jeff Koons, Galerie Gisela Capitain, Cologne, Germany, 1990.The Last Laugh, Massimo Audiello Gallery, New York, 1990.Art = Money?, The Gallery, New York, November 29–December 23, 1990.Group Show, Galerie Max Hetzler, Cologne, Germany, November 2–December 15, 1990.Weitersehen (1980–1990), Museum Haus Lange and Museum Haus Esters, Krefeld,Germany, November 18, 1990–January 27, 1991.The Charade of Mastery, Whitney Museum of American Art, Downtown at Federal ReservePlaza, New York, October 31–January 11, 1990.Vertigo, Galerie Thaddaeus Ropac, Paris, France, October 26, 1990.Einladung, Galerie Carola Mosch, Berlin, October 23, 1990.The Transformation of the Object, Grazer Kunstverein, Graz, Austria, October 14–November 18, 1990.High and Low: Modern Art and Popular Culture, The Museum of Modern Art, New York, October 7, 1990–January 15, 1991; The Art Institute of Chicago, Chicago, February 20–May 12, 1991; Museum of Contemporary Art, Los Angeles, June 21–September 15, 1991.Images in Transition: Photographic Representation in the Eighties, The National Museum of Modern Art, Kyoto, Japan, September 23–November 12, 1990.The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York, September 15–October 27, 1990.Jardins de Bagatelle, Galerie Tanit, Munich, September 14–October 31, 1990.Life-Size: A Sense of the Real in Recent Art, The Israel Museum, Jerusalem, September 4–December 19, 1990.Pharmakon '90, Makuhari Messe, Tokyo, July 28–August 20, 1990.Artificial Nature, DESTE Foundation for Contemporary Art, Athens, Greece, June 20–September 15, 1990.Word as Image in American Art: 1960-1990, Milwaukee Art Museum, Milwaukee, Wisconsin, June 15–August 26, 1990.Aperto: Venice Biennale, Venice, May 27–September 30, 1990.Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago, May 22–July 3, 1990.Eliminating the Atlantic, DESTE Foundation for Contemporary Art, Athens, Greece, May 12–June 16, 1990.The 8th Biennale of Sydney, Sydney, April 11–June 3, 1990.OBJECTives: The New Sculpture, Newport Harbor Art Museum, Newport Beach, California, April 8–June 24, 1990.1990–ENERGIES, Stedelijk Museum, Amsterdam, April 4–July 29, 1990.The Readymade Boomerang: Certain Relations in 20th Century Art, 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, April 1–June 3, 1990.New Work: A New Generation. San Francisco Art Museum, San Francisco, February 22–April 22, 1990.The Indomitable Spirit, International Center of Photography at Midtown, New York, February 9–April 7, 1990. Traveled to: The Los Angeles Municipal Art Gallery, Los Angeles, May 13–June 17, 1990.Culture and Commentary: An Eighties Perspective, Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, Washington, D.C., February 8–May 6, 1990.Prints and Multiples, Luhring Augustine Hetzler Gallery, Santa Monica, California, January 20–February 24, 1990.Horn of Plenty: Sixteen Artists from NYC, Stedelijk Museum, Amsterdam, January 14–February 19, 1990.1989Image World, Whitney Museum of American Art, New York, November 8–February 18, 1989.Mit dem Fernrohr durch die Kunstgeschichte, Kunsthalle Basel, August 20–October 29, 1989.Psychological Abstraction, DESTE Foundation for Contemporary Art, Athens, Greece, July 19–September 16, 1989.Exposition Inaugurale, Musee Temporaire, Fondation Daniel Templon, Paris, July 11–September 10, 1989. (Catalogue)What is Contemporary Art?, Rooseum Malmö, Malmö, Sweden, June–July 1989.The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg, Austria, May 30–August 30, 1989.A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary Art, Los Angeles, May 7–August 13, 1989.Suburban Home Life: Tracking the American Dream, Whitney Museum of American Art, Downtownat Federal Reserve Plaza, New York, May 3–June 28, 1989.1989 Whitney Biennial, Whitney Museum of American Art, New York, April 26–July 16, 1989.Conspicuous Display, Stedman Art Gallery, Rutgers University, Camden, New Jersey, January 23–February 25, 1989.D&S Ausstellung, Kunstverein in Hamburg, Hamburg, Germany, 1989.1988Collection Pour Une Region, CAPC Musee d'Art Contemporain, Bordeaux, France, 1989.Nancy Spero: Works Since 1950 and Jeff Koons, Museum of Contemporary Art, Chicago, 1989.New York Art Now - Part Two, Saatchi Collection, London, 1989.New York, New York, Galleria 57, Madrid, Spain, 1989.New Works, Daniel Weinberg Gallery, Los Angeles, 1989.Works - Concepts - Processes - Situations–Information, Austellungsram Hans Mayer, Düsseldorf, Germany, 1989.Three Decades: The Oliver-Hoffman Collection, The Museum of Contemporary Art Chicago, December 17, 1988–February 5, 1989. (catalogue)The Carnegie International, The Carnegie Museum of Art, Pittsburgh, November 5, 1988–January 22, 1989.The BiNational: American Art of the Late '80s, German Art of the Late '80s, Institute of Contemporary Art and Museum of Fine Arts, Boston, September 23–November 27, 1988. Traveled to: Städtische Kunsthalle, Kunstsammlung Nordhein-Westfallen, Kunstverein für die Rheinlande und Westfallen, Düsseldorf, Germany, December 10, 1988–January 22, 1989; Kunsthalle Bremen, Bremen, Germany, February 5–March 27, 1989; Württembergischer Kunstverein, Stuttgart, Germany, April 12–June 4, 1989.Hybrid Neutral: Modes of Abstraction and the Social, The University of North Texas Art Gallery, Denton, Texas, August 29–September 30, 1988. Traveled to: The J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988–January 2, 1989; Alberta College Gallery of Art, Calgary, Alberta, February 9–March 9, 1989; The Contemporary Arts Center, Cincinnati, Ohio, March 31–May 6, 1989; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12–November 15, 1989; Santa Fe Community College Gallery, Gainesville, Florida, February 4–March 18, 1990.Art at the End of the Social, Rooseum Gasverksgaten, Malmo, Sweden, July 29–October 2, 1988.L'Objet de L'Exposition, Centre National des Arts Plastiques, Paris, June 29–August 10, 1988.Artschwager: His Peers and Persuasion, 1963 - 1988, Daniel Weinberg Gallery, Los Angeles, March 5–April 12.1989. Traveled to Leo Castelli Gallery, New York, May 21–June 18, 1988.The Objects of Sculpture, The Arts Club of Chicago, Chicago, May 4–June 30, 1988.Altered States, Kent Fine Art Gallery, New York, April 14–May 14, 1988.New York in View, Kunstverein München, Munich, February 26–April 3, 1988. (catalogue)Sculpture Parallels, Sidney Janis Gallery, New York, February 25, 1988.Redefining the Object, University Art Galleries, Wright State University, Dayton, Ohio, February 22–April 3, 1988.Schlaf der Vernunft, Museum Fridericianum, Kassel, Germany, February 21–May 23, 1988. (Catalogue)Cultural Geometry: The Dakis Joannou Collection, House of Cyprus, Athens, Greece, January 18–April 17, 1988.1987Simulations: New American Conceptualism, Milwaukee Art Museum, Milwaukee, Wisconsin, November 3, 1987–January 24, 1988.NY Art Now: The Saatchi Collection, Saatchi Gallery, London, September 8, 1987–January 1988.Collection Sonnabend, Centro de Arte Reina Sofia, Madrid, Spain, 1989. Traveled to: CAPC, Bordeaux, France, October 30–February 15, 1988.New York,New. Galerie Paul Maenz, Cologne, Germany, June 5–July 31, 1988.Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 31–September 6, 1988.Avant-Garde in the Eighties, Los Angeles County Museum, Los Angeles, April 23–July 12, 1988.1987Romance, Knight Gallery, Charlotte, North Carolina, 1987.Skulptur Projekte in Münster 1987, Westfälisches Landesmuseum, Münster, Germany, 1987.Group Show, Galerie Max Hetzler, Cologne, Germany, November 13–December 20, 1987.Endgame: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, September 25–November 30, 1987.Prospect 86, Schirn Kunsthalle Frankfurt, Frankfurt, Germany, September 9–November 2, 1987.Paravision, Margo Leavin Gallery, Los Angeles, July 12–August 23, 1987. Traveled to: Donald Young Gallery, Chicago, 1987.Damaged Goods: Desire and the Economy of the Object, New Museum, New York, June 21–August 10, 1987. Traveled to: Otis/Parsons Exhibition Center, Los Angeles, 1987. (Catalogue)Carte Blanche: Les Courtiers du Desir, Musee National d'Art Moderne, Centre Georges Pompidou, Galeries Contemporaines, Paris, April 15–May 24, 1987.1987 Whitney Biennial, Whitney Museum of American Art, New York, April 10–July 5.This is Not a Photograph: 20 Years of Large Scale Photography, The John and Marble Ringling Museum of Art, Saratosa, Florida, March 7–May 31, 1987. Traveled to: Akron Art Museum, Akron, Ohio, October 31, 1987–January 10, 1988; The Chrysler Museum, Norfolk, Virginia, February 26–May 1, 1988.Art and Its Double: A New York Perspective, Fundación Caja de Pensiones, Madrid, Spain, February 6–March 22, 1987.True Pictures, John Good Gallery, New York, January 9–February 7, 1987.1986Art & Its Double, Fundació Caixa de Pensiones, Barcelona, Spain, November 27, 1986–January 11, 1987.Group Show: Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York, October 8–November 8, 1986.A Brokerage of Desire, Otis/Parsons Exhibition Center, Los Angeles, July 11–August 16, 1986.The Drawing Show, Pat Hearn Gallery, New York, June 20, 1986.Modern Objects, A New Dawn, Baskerville & Watson, New York, June 5–August 2, 1986. (Catalogue)New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach, Renaissance Society, University of Chicago, Chicago, May 7–June 21, 1986. (Catalogue)Spiritual America, CEPA Galleries, Buffalo, New York, May 3–June 15, 1986.Time After Time, Diane Brown, New York, March 8–April 2, 1986.Objects from the Modern World, Daniel Weinberg Gallery, Los Angeles, February 18–March 8, 1986.Group Show, Jay Gorney Modern Art, New York, January 10–February 2, 1986.Admired Work, John Weber Gallery, New York, January 9–February 8, 1986.1985Signs II, Michael Klein Inc., New York, 1985.Cult and Decorum, Tibor de Nagy Gallery, New York, December 7–January 4, 1985.Post Production, Feature, Chicago, December 6–January 11, 1985.Group Show, 303 Gallery, New York, November 5–December 1, 1985.New Ground, Luhring, Augustine & Hodes Gallery, New York, September 10–October 5, 1985.Affiliations: Recent Sculpture and its Antecedents, Whitney Museum of American Art at Champion, Stamford, Connecticut, June 28–August 24, 1985.Group Show, International with Monument Gallery, New York, June 12–July 14, 1985.Logosimuli, Daniel Newburg Gallery, New York, June 8–30, 1985.Paravision, Postmasters Gallery, New York, May 3–June 2, 1985.Objects in Collision, The Kitchen, New York, April 6–May 4, 1985. Traveled to: Galerie Crousel-Hussenot, Paris, 1985.1984Light Moving, Kamikaze, New York, 1984.New Sculpture, School 33, Baltimore, Maryland, 1984.The New Capital, White Columns, New York, December 4, 1984–January 5, 1985.Objectivity, Hallways Contemporary Arts Center, Buffalo, New York, December 1–December 22, 1984.A Decade of New Art, Artist's Space, New York, May 31–June 30, 1984.POP, Spiritual America, New York, February 1, 1984.1983Science Fiction, John Weber Gallery, New York, 1983.Hundreds of Drawings, Artist's Space, New York, December 10, 1983–January 14, 1984.Objects, Structures, Artifice, SVC Fine Arts Gallery, University of South Florida, Tampa, April 9–May 30, 1983; Center Gallery, Bucknell University, Lewisburg, Pennsylvania, September 2–October 9, 1983. (Catalogue)Los Angeles-New York Exchange. Artist's Space, New York, May 21–July 2, 1983. Traveled to: LACE, Los Angeles, June 8–July 16, 1983.1982A Fatal Attraction: Art and the Media, Renaissance Society, University of Chicago, Chicago, May 2–June 12, 1982.A Likely Story, Artist's Space, New York, February 20–March 27, 1982.Energie New York, Espace Lyonnais D'Art Contemporain, Lyon, France, January 15–March 15, 1982.1981Annina Nosei Gallery, New York, 1981.Maryland Institute College of Art, Baltimore, 1981.Moonlighting, Joseph Gallery, New York, 1981.Lighting, P.S.1, Long Island City, New York, February 15–April 5, 1981. Traveled to: Barbara Gladstone Gallery, New York, 1981.1980Art for the Eighties, Galleria Durban, Caracas, Venezuela. 1980. Jeff KoonsPublic Collections Jeff Koons Public Collections ARKEN Museum for Moderne Kunst, Ishøj, DenkmarkArt Gallery of New South Wales, Sydney, AustraliaArt Institute of Chicago, IllinoisArt Gallery of New South Wales, Sydney, AustraliaAstrup Fearnley Museet, Oslo, NorwayThe Brant Foundation, Greenwich ConnecticutThe Broad Art Foundation, Santa Monica, CaliforniaCarnegie Museum of Art, Pittsburgh, PennsylvaniaCity of Sacramento, CaliforniaContemporary Art Donnaregina Museum, Naples, ItalyCrystal Bridges Museum of American Art, Bentonville, ArkansasDes Moines Art Center, Des Moines, IowaDannheisser Foundation, New York, New YorkDeste Foundation for Contemporary Art, Athens, GreeceEli Broad Family Foundation, Los Angeles, CaliforniaFondation Louis Vuitton pour la création, Paris, FranceFoundation Asher Edelman, Lausanne, SwitzerlandFondazione Prada, Milan, ItalyFundación Federico Jorge Klemm, Buenos Aires, ArgentinaFoundation Daniel Templon, Paris, FranceFrancois Pinault Foundation for Contemporary ArtFrac Nouvelle-Aquitaine MÉCA, Bordeaux, FranceGlenstone, Potomac, MarylandGroninger Museum of Art, Groningen, The NetherlandsGuggenheim Museum, Bilbao, SpainDeutsche Guggenheim Berlin, Berlin, GermanyHirshhorn Museum and Sculpture Garden, Washington, D.C.Kunstmuseum Wolfsburg, Wolfsburg, GermanyLannan Foundation, Los Angeles, CaliforniaLeeum Samsung Museum of Art, Seoul, South KoreaLos Angeles County Museum of Art (LACMA), Los Angeles, CaliforniaMuseo Jumex, Mexico City, MexicoMuseu Coleção Berardo, Lisbon, PortugalMuseum Boijmans Van Beuningen, Rotterdam, The NetherlandsMuseum Brandhorst, Munich, GermanyMuseum für Moderne Kunst, Frankfurt, GermanyMuseum Ludwig, Cologne, GermanyMuseum of Contemporary Art, Chicago, IllinoisMuseum of Contemporary Art, Los Angeles, CaliforniaMuseum of Contemporary Art, Tokyo, JapanMuseum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, IndonesiaThe Museum of Modern Art, New York, New YorkThe Museum of Modern Art, San Francisco, CaliforniaNasher Sculpture Center, Dallas, TexasNational Galleries of Scotland, Edinburgh, ScotlandNational Gallery of Victoria, Melbourne, AustraliaNorton Museum of Art, West Palm Beach, FloridaRubell Museum, Miami, FloridaSeattle Art Museum, Seattle, WashingtonStaatsgalerie Stuttgart, GermanyStedelijk Museum, Amsterdam, The NetherlandsTate Gallery, London, United KingdomTelfair Museum of Art, Savannah, GeorgiaV-A-C Foundation, Venice, ItalyVanhaerents Art Collection, BrusselsVictor Pinchuk Foundation, Kiev, UkraineWhitney Museum of American Art, New York, New YorkWolfsburg Kunstmuseum, GermanyWright State University Art Museum, Robert and Elaine Stein Galleries, Dayton, Ohio Jeff KoonsBooks, Catalogues and Monographs 04-Jeff-Koons-Bib-Books-Catalogues-Monographs.pdf 2023Jeff Koons: Apollo (exhibition catalogue). Edited by Massimiliano Gioni and Karen Marta. Text by Daniel Birnbaum. Interview with the artist and Dakis Joannou by Katerina Zacharopoulou. Athens, Greece: Deste Foundation for Contemporary Art, 2023.Crosby, Eric, ed. Carnegie Museum of Art Collection Handbook. Pittsburgh, Pennsylvania: Carnegie Museum of Art, 2023: 306–307, illustrated.Kramer, Sarah, ed. The Art Museum. New York: Phaidon, 2023: 427, illustrated.2022Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 309, illustrated. Booth, David; Pesanti, Heather. Paradox Cove. Austin, Texas: David Booth, 2022.2021The 80s. Texts by Klaus Albrecht Schrœder, Angela Stief, Brigitte Borchhardt-Birbaumer, and Florian Waldvogel. Wien: Albertina, 2021: 162–165, illustrated.Fogle, Douglas, and Hanneke Skerath, eds. Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, 2021: 256, illustrated.Jeff Koons: Lost in America (exhibition catalogue). Edited by Massimiliano Gioni. Interview with the artist. Texts by Sophia Al-Maria and Dodie Kazanjian. Doha, Qatar; Milan, Italy: Qatar Museums and Skira, 2021.2020Coelho, Joseph. Luna Loves Art. Illustrated by Fiona Lumbers. London: Andersen Printing Ltd., 2020. Gozansky, Shana. My Art Book of Happiness. London: Phaidon Press, 2020.Jeff Koons – Absolute Value; From the Collection of Marie and Jose Mugrabi (exhibition catalogue). Tel Aviv: Tel Aviv Museum of Art, 2020.Lane, Barbara. Barbara Lane Interiors. New York: Pointed Leaf Press, 2020.Torkar, Felix. Apple Design: Eine Analyse = Apple Design: an Analysis. Stuttgart: av edition, 2020.2019Age of Classics! L'Antiquité dans la Culture Pop (exhibition catalogue). Toulouse, France: Musée Saint-Raymond, 2019.Astley, Amy. Architectural Digest at 100 A Century of Style. New York: Harry N. Abrams, 2019.Aubrey, Martine. Le rêve d'être artiste (exhibition catalogue). Lille: Palais des Beaux–Arts, Lille, Rmn–Grand Palais Publishing/Flammarion SA, 2019.Berecz, Agnes. 100 Years 100 Artworks: A History of Modern and Contemporary Art. Munich: Prestel Publishing, 201).Black, Matt. Reflections, Matt Black x Gana Art. Seoul: Gana Art, 2019.Bravi, Soledad. Ceci N'est Pas Un Tableau. Paris: Leduc.s Editions, 201).Broeker, Holger ed. Now is the Time: Kunstmuseum Wolfsburg. Wolfsburg: Kunstmuseum Wolfsburg; Berlin: Hatje Cantz, 2019.Brondo, Kurt. 303 Gallery: 35 Years. New York: 303inprint, 2019.Deitch, Jeffrey, Alison Gingeras, Aria Dean, and Johanna Fateman. Unrealism: New Figurative Painting. New York: Rizzoli, 2019: p. 84.Escales Français 2de Nouveau Programming. Paris: Belin Education/Humensis, 2019.Gioni, Massimiliano. Appearance Stripped Bare, Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even. London: Phaidon, 2019.Gioni, Massimiliano. Apariencia desnuda: El Deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons (exhibition catalogue). London and Mexico City:Phaidon; Museo Jumex, 2019.Gioni, Massimiliano and Natalie Bell. Jeff Koons: 2000 Words. Athens: Deste, 2019.How We Live: selections from the Marc and Livia Straus family collection (exhibition catalogue). Texts by Maxwell, Douglas, Mark Straus, Omar Lopez-Chahoud and Nicola Trezzi. Hudson Valley, New York: Hudson Valley Museum of Contemporary Art, 2019: 1, 92, 93, 113, illustrated.Public Matters. Debates & Documents from the Skulptur Projekte Archives (exhibition catalogue). Koln: Walther Koenig, 2019.Renault, Aurélie. Litterature: Anthologie Lycée. Paris: Haitier, DL, 2019.Sakaguchi, Kyohei. Matomaranai Hito. Tokyo: Little More, 2019.La Marre, Rebecca, ed. The Sonnabend Collection. Saskatoon, Saskatchewan, Canada: Remai Modern, 2019.Schallenberg, Nina. Marx Collection: 40 Works. Berlin: Edition Cantz, 2019.Sturgis, Xa and Norman Rosenthal. Jeff Koons at the Ashmolean. Oxford: Ashmolean Museum and the University of Oxford, 2019.von Brauchitsch, Boris. Das Leben des Leonardo da Vinci. Berlin: Insel Verlag, 2019.Wild, Tessa. The Dog: A Celebration at Chatsworth. Derbyshire: Chatsworth House Trust, 2019.2018Beitin, Andreas. Thrill of Deception: From Ancient Illusionistic Art to Virtual Reality. Munich: Hirmer, 2018.Brandel, Katia. Les Reporters 3, A2.1, Au Coeur du Monde Francophone. Guide pédagogique. Barcelona Difusión, Centre de Recherche et de Publications de Langues, S.L., 2018. Barcelona Dif, 2018.Clarke, Victoria. Animal: Exploring the Zoological World. London: Phaidon, 2018.Coleção Sonnabend meio século de arte europeia e americana = The Sonnabend Collection, Part 2. Porto: Fundação de Serralves, 2018.Conrado, Marcelo, Carina Weidle, Cecilia Almeida Salles, Fabricio Vaz Nunes, Fernando A.F. Bini, Juliane Fuganti, Marcelo Conrado, Simone Landal, Tadeu Chiarelli. Dilemas Da Arte Contemporanea. Brazil: Museu Oscar Niermeyer, 2018.Dan Colen: Mailorder, Mother, Purgatory (exhibition catalogue). New York: Lévy Gorvy, 2018.Gabet, Olivier. Bijoux D'Artistes De Calder a Koons. Paris: Flammiron, 2018.Gianni, Jetzer, Leah Pires, Bob Nickas. Brand New: Art & Commodity in the 1980s (exhibition catalogue). New York: Rizzoli, 2018.Girst, Thomas. BMW Art Cars. Berlin: Hatje Cantz 2018.Glesman, Amanda. John Waters: Indecent Exposure. Baltimore: Baltimore Museum of Art, 2018.Grau, Donatien. Plato in LA. Contemporary Artists' Visions. Los Angeles: J. Paul Getty Trust, 2018.Guinness, Louisa. Art as Jewellery: From Calder to Kapoor. Woodbridge, Suffolk: ACC Art Books, 2018.Hopkins, David. After Modern Art: 1945 – 2017. Oxford: Oxford University Press, 2018.Jetzer, Gianni, ed. Brand New: Art and Commodity in the 1980s. New York: Rizzoli Electa, 2018.Jager, Joachin, Constanze von Marlin and Andre Odier. Die Ausstellungen: Neue Nationalgalerie 1968 – 2015. Berlin: Staatliche Museen zu Berlin, 2018.Kukielski, Tina, ed. Being an Artist. New York: Art21, 2018.Kvaran, Gunnar B. Jeff Koons: Works from the Astrup Fearnly Collection. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2018.Migayrou, Frederic. Tadao Ando: Le Défi. Paris: Centre Pompidou, 2018.Morrill, Rebecca. Destination Art. New York: Phaidon, 2018.Obrist, Hans Ulrich. The Athens Dialogues. Athens: DESTE Foundation for Contemporary Art, 2018.Parks, John A. The Pocket Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art. Berverly, Massachusetts: Rockport Publishers, 2018.Press, Clayton, Robert Mnunchin, Sukanya Rajaratnam, and Michael McGinnis. Reds (exhibition catalogue). East Greenwich: Meridian Printing, 2018.Syson, Luke, Sheena Wagstaff, Emerson Bowyer, and Brinda Kumar. Like Life: Sculpture, Color, and the Body (exhibition catalogue). New Haven: Yale University Press, 2018.Wehr, Anne and Lucas Zwirner. David Zwirner: 25 Years. New York: David Zwirner Books, 2018.Wilkin, Karen. The Joy of Color (exhibition catalogue). New York: Mnunchin Gallery, 2018.Wei Rales, Emily, Anna Reeve, and Fanna Gebreyesus. Glenstone Field Guide: 2018 – 2019. Potomac: Glenstone Museum, 2018.2017Andy Moses: A 30 Year Survey (exhibition catalogue). Santa Monica: Santa Monica College Peter and Susan Barrett Art Gallery, 2017.An Kyung and Jessica Cerasi. Who's Afraid of Contemporary Art: An A to Z Guide to the Art World. New York: Thames & Hudson, 2017.d'Ansembourg, Arthur M. Er Zit lets Achter Over Filosofie en Kunst. Netherlands: ISVW Utigevers, 2017.Barrett, Terry. Why is that Art? Aesthetics and Criticisms of Contemporary Art. Third Edition. New York: Oxford University Press, 2017.Banks, Grace. Play with Me: Dolls, Women, Art. London: Laurence King Publishing, 2017.Bukdahl, Else Marie. The Recurrent Actuality of the Baroque. Copenhagen: Controluce, 2017.Celant, Germano. Ileana Sonnabend and Arte Povera. New York: Levy Gorvy, 2017.Desai, Mihir A. The Wisdom of Finance: Discovering Humanity in the World of Risk and Return. Boston: Houghton Mifflin Harcourt, 2017.Ekstrom, Simon. Humara ooch Evigheten. Stockholm: Makadam Forlag, 2017.Holmes, Brooke and Karen Marta. Liquid Antiquity (exhibition catalogue). Geneva: DESTE Foundation, 2017.Jeff Koons. Foreward by Larry Gagosian. New York: Gagosian, 2017.Martin, Elsa. Le Château de Versailles: Raconté aux Enfants. Paris: De La Martinière Jeunesse, une marque de La Martinière Groupe, 2017.Masters: A Collaboration with Jeff Koons. France: Louis Vuitton, 2017.Minimalism & Beyond (exhibition catalogue). New York, Mnuchin Gallery, 2017.Naname, Anne–Danielle. SVT Sciences de la Vie et de la Terre: 4e, Cycle 4. Paris: Hachette Livre, 2017.Paul, Stella. Chromaphilia: The Story of Colour in Art. London: Phaidon Press, 2017.Phillips, Lisa K., and others. 40 Years New. New York: New Museum, 2017.Sagmeister, Rudolf. KUB Artists' Portraits. Bregenz: Kunsthaus Bregenz, 2017.Storr, Robert. Interviews on Art. London: HENI Publishing, 2017.Ten Approaches to Contemporary Art. Japan: Musashino Art University Press Co., Ltd., 2017.2016Augaitis, Daina, Bruce Greenville, and Stephanie Rebick, editors. MashUp: The Birth of Modern Culture. Vancouver and London: Vancouver Art Gallery/ Black Dog Publishing UK, 2016.Baker, Simon. Performing for the Camera. London: Tate Publishing, 2016.Bloch, Judy, ed. San Francisco Museum of Modern Art 360°: View on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016.Dickerman, Leah and Achim Borchardt–Hume. Robert Rauschenberg (exhibition catalogue). Texts by Kate Nesin, Hal Foster, Helen Molesworth, Branden W. Joseph, Ed Krčma, Richard Meyer, Pamela M. Lee, Catherine Wood, Michelle Kuo, Mark Godfrey, Yve–Alain Bois, Andrianna Campbell, Hiroko Ikegami, Emily Libert, and Sarah Roberts. New York and London: The Museum of Modern Art, Tate Publishing, 2016.Erf, Lisa. K. Art at Work: The JPMorgan Chase Art Collection. New York: JPMorgan Chase & Co., 2016.Evans, Mark. Botticelli Reimagined. London: V&A Publishing, 2016.Girst, Thomas and Magnus Resch, editors. 100 Secrets of the Art World: Everything you always wanted to know about the arts but were afraid to ask. London: Koenig Books, 2016.Jeff Koons in Florence. Texts by Sergio Risaliti. Norman Rosenthal, Joachim Pissarro, Carlo Francini, Francesco Vossilla, Cristina Acidini, Elena Capretti, and Edoardo Nesi. Florence: Forma Edizioni srl, 2016.Kelsey, Robin. “Pictorialism as Theory” in Picturing (Terra Foundation Essays). Chicago: Terra Foundation for American Art, 2016.On the Origin of Art. Texts by David Walsh, Elizabeth Pearce, Steven Pinker, Brian Boyd, Geoffrey Miller, Mark Changizi. Hobart, Tasmania: Museum of Old and New Art, 2016.Saint–Jacques, Camille, and Éric Suchère. La Transgression en Question: Ed Paschke & pratiques contemporaries. France: FRAC/Galerie Jean Fournier, 2016.Schwab, Helen, Robin M. Wright, and Neal David Benezra. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco: SFMoMA, 2016.Sussman, Elisabeth and Christine Macel. Collected by Thea Westreich Wagner and Ethan Wagner. (exhibition catalogue). New York/Paris: Whitney Museum of American Art, New York, New York, 2016.2015Buchweitz, Nurit. An Office of Civilization: The Poetics of Michel Houellebecq. Peter Lang AG, 2015.Cumming, Robert. Art: A Visual History. London: Dorling Kindersley Ltd, 2015.Cutler, E.P. and Julien Tomasello. Art + Fashion: Collaborations and Connections Between Icons. San Francisco: Chroncile Books, 2015.Ed Paschke: Visionary from Chicago 1968–2004. Essay by Sir Norman Rosenthal, a conversation between Jeff Koons and Sir Norman Rosenthal, and foreword by Dr. Alexander Sturgis. Verona: Hall Art Foundation, 2015Glazer, Brian and Charles Fishman. A Curious Mind: The Secret to a Bigger Life. New York: Simon & Schuster, 2015.Graw, Isabelle. Where Are We Now? works by Baertling, Bałka, Becher, Coplans, Genzken, West.Berlin: Jarla Partilager, 2015.Holzwarth, Hans Werner. Jeff Koons. Basic Art Series. Texts by Katy Siegel, Ingrid Sischy, Holzwarth, Hans Werner, and Eckhard Schneider. Cologne: Taschen, 2015.Jeff Koons: Hulk Elvis. Text by Philip Tinari. Hong Kong: Gagosian Gallery, 2015.Jeff Koons: The Gazing Ball or the Eye of Janus. Text by Joachim Pissarro. Brussels: Almine Rech Gallery, 2015.Leighton, John, Nicholas Serota, Anthony d'Offay, Amy Dickson, Jenny Wooden, and Christopher Ganley. Artist Rooms: The First Five Years. London: Tate, 2015. Messmer, Carmen. Stuffed – Stofftiere in der installation Kunst. Germany: Reimer Verlag, 2015.Picasso.Mania. Paris: Les éditions Rmn–Grand Palais, 2015.Pop to Popism. Sydney: Art Gallery of New South Wales, 2015.Rothkopf, Scott. Jeff Koons: Retrospectiva. Bilbao: Guggenheim Museum Bilbao, 2015.Segal, Gillian Zoe. Getting There: A Book of Mentors. [New York]: Abrams Image, 2015.Von, Thurn und Taxis Gloria, and Todd Eberle. The House of Thurn und Taxis. New York: Skira Rizzoli, 2015.Whitney: Handbook of the Collection. New York and Princeton: Whitney Museum of American Art; Yale University Press, 2015.2014Bindman, David and Henry Louis Gates, Jr., editors. The Image of the Black in Western Art The Twentieth Century: The Rise of the Black Artists. Italy: The President of Fellows of Harvard College, 2014.Champion, Julie and Nicolas Liucci–Goutnikov. Jeff Koons: La Retrospective: The Portfolio of the Exhibition (exhibition catalogue). France: Centre Pompidou, 2014. DESTE Foundation for Contemporary Art. THE SYSTEM OF OBJECTS WALKTHROUGH – The Dakis Joannou Collection Reloaded. Athens: DESTE Foundation for Contemporary Art, 2014.Fontanel, Béatrice. Ma Première Histoire de l’ART. Paris: Éditions Palette, March 2014.Galerie Max Hetzler. Remember Everything – 40 Years Galerie Max Hetzler (exhibition catalogue). Berlin: Galerie Max Hetzler, 2014.Hall, James. The Self–Portrait: A Cultural History. London: Thames and Hudson, 2014.Herrero, Floraine. Art et Musique. Paris: Editions Palette, 2014.Jeff Koons: Gazing Ball (exhibition catalogue). New York: David Zwirner, 2014.Jeff Koons: Split–Rocker. New York: Gagosian Gallery, 2014.Koons, Jeff and Norman Rosenthal. Jeff Koons: Conversations with Norman Rosenthal. Hove, England: Thames & Hudson, 2014.McCann, Margaret, ed. The Figure: Painting, Drawing, and Sculpture Contemporary Perspectives. New York: Skira Rizzoli, 2014.Moderna Museet. Sculpture After Sculpture: Fritsch/Koons/Ray (exhibition catalogue). Texts by Jack Bankowsky, Thomas E. Crow, Nicholas Cullinan, Made Great, conversation between Michael Fried, Isabelle Graw, Michelle Kuo, Charles Ray, Scott Rothkopf. Ostfildern: Hatje Cantz, 2014.Rothkopf, Scott. Jeff Koons: A Retrospective (exhibition catalogue). Texts by Antonio Damasio, Jeffrey Dietch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, and Alexander Nagel. New York: Whitney Museum of American Art, 2014. Rothkopf, Scott, supervised by Bernard Blistène. Jeff Koons: La Retrospective (exhibition catalogue). Texts by Bernard Blistène, Antonio Damasio, Jeffrey Dietch, Isabelle Graw, Achim Hochdörfer, Michelle Kuo, Rachel Kushner, Pamela M. Lee, and Alexander Nagel. Paris: Centre Pompidou, 2014.Rubell Family Collection: Highlights & Artists' Writings, Volume 1. Miami: Rubell Family Collection, 2014.San Francisco 2014: Celebrating the 51st Annual International Achievement Summit. San Francisco: Academy of Achievement, 2014 Schoeller, Martin. Portraits. Belgium: Te Neues Pub Group, 2014.Siti, Walter. Il dio Impossible. Milan: Rizzoli, 2014.Thornton, Sarah. 33 Artists in 3 Acts. New York: W.W. Norton & Company, Inc., November 2014.Tillier, Bertrand. Vues D'Atelier: une Image de L'Artiste dela Renaissance à Nos Jours. Paris: Citadelles & Mazenod, 2014.Ullrich, Wolfgang. Des Geistes Gegenwart. Berlin: Verlag Klaus Wagenbach, 2014.Volkhardt, Innegrit, ed. Begegnungen 175 Jahre Bayerischer Hof. Munich: Conde Nast, 2014.Wolfendale, Peter. Object–Oriented Philosophy: The Noumenon's New Clothes. S.l.: Urbanomic Media Ltd, 2014.2013Achenbach, Helge. The Art Agitator– On Collecting and Hunting. Ostfildern: Hatje Cantz, 2013.Acquavella Galleries. THE POP OBJECT: THE STILL LIFE TRADITION IN POP ART. New York: Rizzoli International Publications, Inc., 2013.Art | 44 | Basel. New York: David Zwirner, 2013.Empire State. New York Art Now! Milan: Skira Editore S.p.A., 2013.Faris, Jaimey Hamilton. UNCOMMON GOODS. Chicago: Intellect Ltd., 2013.Holzwarth, Hans Werner. ART NOW Vol 4: A Cutting Edge Selection of Today’s Most Exciting Artists. Cologne: Taschen, 2013.Mori Art Museum. All You Need Is LOVE: From Chagall to Kusama and Hatsune Miku. Tokyo: Heibonsha Ltd. Publishers, 2013.Peel, Yana. Art for Baby. Surrey: Templar Publishing, 2013.Powers, Bill. Interviews with Artists. New York: Gagosian Gallery, 2013.Saehrendt, Christian and Steen T. Kittl. DAS KANN ICH AUCH!– Gebrauchsanweisung Für Moderne Kunst. Köln: DuMont, 2013.Staatsgalerie. OP + POP: EXPERIMENTE AMERIKANISCHER KÜNSTLERAB 1960. Munich: Hirmer Verlag GmbH, 2013.T: The New York Times Style Magazine. “A Picture and a Poem.” New York: The New York Times, 2013.Wells, Rachel. Scale in Contemporary Sculpture. Surrey: Ashgate Publishing Limited, 2013.2012Fondation Beyeler. What is Art? 27 Questions, 27 Answers. Basel: Hatje Cantz, 2012.Héran, Emmanuelle. A la Gloire des Betes. Paris: Gallimard, 2012.Jeff Koons. Fondation Beyeler. Texts by Sam Keller, Raphaël Bouvier, and Günther Vogt; interview with Jeff Koons by Theodora Vischer. Basel: Hatje Cantz, 2012.Jeff Koons: The Painter. Vol. 1. Edited by Matthias Ulrich, Vinzenz Brinkmann, Joachim Pissarro, Max Hollein. Frankfurt: The Schirn Kunsthalle. 2012.Jeff Koons: The Sculptor. Vol. 2. Edited by Vinzenz Brinkmann, Matthias Ulrich, Joachim Pissarro, Max Hollein. Frankfurt: The Liebieghaus. 2012.Jeff Koons: Wit Wurde Der Kunstler Zum Konig des Pop? Berlin: Monopol Spezial, Ringier Gruppe, 2012.Marta, Karen, ed. Skin Fruit: A View of a Collection. Curated by Jeff Koons (exhibition catalogue). Athens: Deste Foundation, 2012.The New Museum. Ghosts in the Machine. New York: Skira Rizzoli Publications, 2012.Obrist, Hans Ulrich. Jeff Koons: The Conversation Series 22. Interviews with Jeff Koons by Hans Ulrich Obrist, Rem Koolhaas, and Julia Peyton–Jones.Berlin: Buchhandlung Walther Konig, 2012.Pinacoteca Giovanni e Marella Agnelli. Freedom not Genius. London: Other Criteria, 2012.Phillips, Sam. …isms. New York: Universe Publishing, a division of Rizzoli International Publications, Inc., 2012.Royal Academy of Arts. BRONZE. London: Royal Academy of Arts, 2012.RA Now: Royal Academicians from Anish Kapoor to Zaha Hadid. London: Royal Academy of Arts, 2012.Stedelijk Collection Highlights. Rotterdam: Stedelijk Museum Amsterdam/nai010 publishers, 2012.Veneciano, Jorge Daniel. The Geometric Unconscious. Lincoln, Nebraska: Sheldon Museum of Art, University of Nebraska Press, 2012.2011Archer, Michael. Jeff Koons: One Ball Total Equilibrium Tank. London: Afterall Books, 2011.Blanc, Jan, and Florence Jaillet. Dans l'Atelier des Artistes: Les Coulisses de la Création de Léonard de Vinci à Jeff Koons. Paris: TTM Editions, 2011.Boylan, Alexis L., ed. Thomas Kinkade, The Artist in the Mall. Durham: Duke University Press, 2011.Ca' Corner Della Regina (exhibition catalogue). Milan: Progetto Prada Arte, 2011.Capalbo, Carla, and Sally Roy. Venice Spiral Guide. Hampshire, United Kingdom: AA Publishing, 2011.Curtis, Penelope, and Keith Wilson. Modern British Sculpture. London: Royal Academy Publications, 2011.Dagen, Philippe, Françoise Hamon, and Jean–Baptiste Minnaert. Epoque Contemporaine XIXe – XXIe Siècle. Paris: Flammarion, 2011.Finger, Brad, and Christiane Weidemann. 50 Contemporary Artists You Should Know. New York: Prestel, 2011.Fleming, Jeff, Jeff Koons, and Anselm Reyle. Anselm Reyle. Des Moines: Des Moines Art Center, 2011.Foster, Hal. Art Since 1900: Modernism, AntiModernism, PostModernism. New York: Thames & Hudson, 1st ed. 2004, 2nd ed. 2011.François Pinault Foundation. In Praise of Doubt. Milan: Electa, 2011.Herrero, Floriane. Trompe–L'oeil et autres illusions optique. Paris: Editions Palette, 2011.Homen, Antonio and Philip Rylands. Ileana Sonnabend An Italian Portrait. Venice: Peggy Guggenheim Collection, 2011.Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art. New York: Prestel, 2011.Lavin, Sylvia. Kissing Architecture. Princeton: Princeton University Press, 2011.Maslen, Mick, and Jack Southern. Drawing Projects: An exploration of the language of drawing. London: Black Dog Publishing, 2011.Nessmann, Phillippe. Un Monde En Couleurs. Paris: Gallimard Jeunesse, 2011.Phillips, Sam. The Art Lovers' Guide: London: The Finest Art in London by Museum, Artist, or Period. New York: Skira Rizzoli, 2011.Royal Academy. Summer Exhibition 2011. London: Royal Academy Publications, 2011.Ryan, Kathy. New York Times Magazine: Photographs. New York: Aperture Foundation, 2011.Schleif, Nina. Die Architektur: Museum Brandhorst. Berlin: Museum Brandhorst, 2011.Siegel, Katy. Since '45: America and the Making of Contemporary Art. London: Reaktion Books, 2011.Stolarski, Andre. In the Name of the Artists: American Contemporary Art from the Astrup Fearnley Collection. Brazil, 2011.Tunnicliffe, Wayne. John Kaldor Family Collection: Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales, 2011.Ulrich, Wolfgang. An die Kunst glauben. Berlin: Wagenbach, 2011.2010Alpha Omega: Works from the Dakis Joannou Collection. Athens: DESTE Foundation Centre for Contemporary Art, 2010.Bankowsky, Jack, Alison Gingeras, and Catherine Wood. POP Life: Art in a Material World (exhibition catalogue). London: Tate Modern, 2010.Barrett, Terry. Making Art Form and Meaning. New York, 2010.Benhamou–Huet, Judith. Les Oeuvres D'art les Plus Chères du Monde. France: Editions du Chêne, 2010.Bonami, Francesco. Dal Partenone Al Panettone. Milan: Electa, 2010.The Brant Foundation. Remembering Henry’s Show. Greenwich: The Brant Foundation, 2010.Carugati, Decio Giulio Riccardo. Guilty. Milan: Electa, 2010.Chalmeau, Jean–Luc. Comprendre l'Art contemporain. Paris: Chene, 2010.Crash: Homage to JG Ballard. London: Gagosian Gallery, 2010.Delavaux, Celine. Hyperréalisme: Quand l'art dépasse la réalité. France: Editions Palette, 2010.Ed Paschke. Curated by Jeff Koons (exhibition catalogue). New York: Gagosian Gallery.2010.Fineberg, Jonathan. Art Since 1940: Strategies of Being. 3rd ed. New York, 2010.First Aid: Sculptures (exhibition catalogue). Amsterdam: Stedelijk Museum, 2010: 89, illustrated. (Edition 3)Hofer, Veronika, and Betsy Pinover Schiff. New York City Gardens. Munich, 2010.Hopkins, David. Childish Things. Edinburgh: Fruitmarket Gallery, 2010.Jebbia, James and Rubinstein, West, ed. Supreme. New York: Rizzoli, 2010.Jeff Koons: Made in Heaven Paintings. Text by Alison M. Gingeras. New York: Luxembourg & Dayan, 2010.Jeff Koons: Popeye Sculpture. Text by Hans Ulrich Obrist. Paris: Galerie Jérôme de Noirmont, 2010. King, Elliott H. Salvador Dali: The Late Work (High Museum of Art Series). New Haven: Yale University Press, September 2010.Kölle, Brigitte and Stiftung Kunstsammlung. Es geht voran: Kunst der 80er. Eine Düsseldorfer Perspektive. Munich: Prestel Verlag, 2010.Kunst. Fotografie, Grafik, Neue Medien, Architektur, Malerei, Skulptur, Techniken. New York: Parragon, 2010.The Making of Art (exhibition catalogue). Frankfurt: Schirn Kunsthalle, 2010.Naumann, Francis M. Jeff Koons – New Paintings. New York: Gagosian Gallery, Base Design, 2010.Skin Fruit: Selections from the Dakis Joannou Collection. Curated by Jeff Koons (exhibition catalogue). New York: New Museum, 2010.Sexuality and Transcendence (exhibition catalogue). Kiev, Ukraine: Pinchuk Art Centre, 2010.Your history is Not Our History. New York: Haunch of Venison, 2010.2009Artist's Room. London; Edinburgh: Tate; National Gallery of Scotland, 2009.Bishop, Jane, Corey Keller, and Sarah Roberts, ed. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009.Château de Versailles. Jeff Koons Versailles. France: Editions Xavier Barral, 2009.Colacello, Bob. The Age of Ambiguity: Figuration/Figurative Abstraction (exhibition catalogue). St. Moritz: Vito Schnabel Gallery, 2009.Danto, Arthur, and Dorothea von Hantelmann, Jeff Koons: Popeye Series. Interview between Jeff Koons, Julia Peyton–Jones and Hans Ulrish Obrist. London: Serpentine Gallery, 2009.Forbat, Sophie, ed. 40 Years Kaldor Public Art Projects. Botany, N.S.W: Kaldor Public Art Projects, 2009.Un Certain Etat du Monde? A Selection of Works from the François Pinault Foundation (exhibition catalogue). Moscow: Skira, 2009.Gingeras, Alison M., ed. Mapping the Studio: Artists from the François Pinault Collection. Milan: Electa, 2009.A Guest + A Host = A Ghost. Athens: DESTE Foundation Center for Contemporary Art, 2009.Guggenheim Museum Bilbao Collection. Bilbao: Guggenheim Bilbao, 2009.Jeff Koons. Texts by Anette Hüsch and Gudrun Inboden. Berlin: Galerie Max Hetzler and Holzwarth Publications, 2009.Jeff Koons: Celebration. Texts by Rainald Goetz and Anette Hüsch; interview with Koons by Peter–Klaus Schuster. Berlin: Neue Nationalgalerie, 2009. Jeff Koons: Hulk Elvis. Text by Scott Rothkopf; interview with Koons by Hans Ulrich Obrist. New York: Gagosian Gallery, Rizzoli, 2009.Jeff Koons: Popeye Series (exhibition catalogue). London: The Serpentine Gallery, 2009.Le Toquin, Alain. Dans les Jardins du Monde. Paris: La Martinière, 2009.Madoff, Steven Henry. "Beauty and Glass after Duchamp." In Glass: Trends in Contemporary Glass Sculpture. Tel–Aviv: Galeryah Liṭvaḳ, 2009.Magritte & la lumière. Brussels: Almine Rech Gallery, 2009.Mendl, Hans. Religion Vernetzt. München: Kosel–Verlag, 2009.Schellman, Jorg, ed. Forty Are better Than One. Edition Schellmann 1969–2009. Ostfildern: Hatje Cantz, 2009.Segalot, Phillippe, Franck Giraud and Joachim Pissaro. The Impossible Collection: The 100 Most Coveted Artworks of the Modern Era. New York: Assouline, 2009.Smith, Ken. Ken Smith: Landscape Architect. New York: The Monacelli Press, 2009.The Visible Vagina. New York: David Nolan Gallery, 2009.Volker, Wolfram, ed. Was Ist Gute Kunst? Ostfildern: Hatje Cantz, 2009.Wiehager, Renate, ed. Blitzen Benz Bang – Daimler Art Collection: Mixed Media, Sculptures, Commissioned Works. Ostfildern: Hatje Cantz, 2009.2008Bois, Yve–Alain, and Stephanie Rachum. Glenstone: The Inaugural Exhibition (exhibition catalogue). Potomac, Maryland: Glenstone Foundation, 2008.Bonami, Francesco. Jeff Koons. Text by Francesco Bonami; conversation with Koons and Lynne Warren. Chicago: Museum of Contemporary Art, Chicago; New Haven: Yale University Press, 2008.Deitch, Jeffrey. Fractured Figure, Vol. 1. Athens: DESTE Foundation, 2008.For what you are about to recieve. Moscow: Gagosian Gallery, 2008.Hirst, Damien. In the Darkest Hour There May be Light: Works from Damien Hirst's Murderme Collection. London: Other Criteria, 2008.Holzwarth, Hans Werner. Jeff Koons. Texts by Katy Siegel, Ingrid Sischy, and Eckhard Schneider; statements by Koons. Cologne: Taschen, 2008.Jeff Koons (exhibition catalogue). Chicago: Museum of Contemporary Art Chicago, 2008.Jeff Koons: Celebration (exhibition catalogue). Ostifildern and Berlin: Hatje Cantz Verlag; Nationalgalerie, Staatliche Museen zu Berlin, 2008.Jeff Koons on the Roof (exhibition catalogue). New York: Metropolitan Museum of Art, 2008.Jeff Koons Versailles. Texts by Edouard Papet, Jean–Pierre Criqui, Elena Geuna, and Laurent Le Bon; interviews with Jeff Koons by Michel Houellebecq and Laurent Le Bon.Château de Versailles. Paris: Éditions Xavier Barral, 2008.Lichtenstein: Girls (exhibition catalogue). New Haven: Yale University Press, 2008.Obrist, Hans Ulrich. Conversations, Volume I. Paris: Manuella Editions, 2008.Werner Holzwarth, Hans. Art Now. Vol. 3: A Cutting–Edge Selection of Today's Most Exciting Artists. Cologne: Taschen, 2008.Zelevansky, Lynn. The Broad Contemporary Art Museum at the Los Angeles County Museum of Art, 2008. Los Angeles: Los Angeles County Museum of Art, 2008.2007Art in the USA: 300 Anos de Innovacion. Bilbao: Merrell Publishers Ltd., The Solomon R. Guggenheim Foundation and Terra Foundation for American Art, 2007.Bernstein, Joanne, Marina Wallace, and Martin Kemp, ed. Seduced: Art & Sex From Antiquity to Now (exhibition catalogue). London; New York: Merrell, 2007.Biesenbach, Klaus. Into me / Out of me (exhibition catalogue). Ostfildern : Hatje Cantz ; Maidstone : Amalgamated Book Services [distributor], 2007.Blind date Istanbul: Deutsche Bank and Sakıp Sabancı Museum Collections (exhibition catalogue). Istanbul: [Mas matbaacılık], 2007.Brofen, Elisabeth, Edelbert Köb, Gerald Matt, Hilary Rubenstein Hatch, and Angela Stief. Dream & Trauma: Works from the Dakis Joannou Collection. Athens (exhibition catalogue). Ostfildern: Hatje Cantz ; New York : USA–North America, D.A.P., 2007.Davidson, Susan, ed. Art in America: Three Hundred Years of Innovation (exhibition catalogue). London; New York: Merrell; New York: Guggenheim Museum; Chicago: Terra Foundation for American Art, 2007.De Corral, Maria, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2007.Exhibit B: Ulrich Lamsfuß. Paris: Galerie Daniel Templon, 2007.Grigoteit, Ariane. Affinities: Deutsche Guggenheim 1997–2007 (exhibition catalogue). Frankfurt: Deutsche Bank Kunst, 2007.Living in the Material World: “Things” in Art of the 20th Century and Beyond (exhibition catalogue). Tokyo: National Art Center, 2007.PinchukArtCentre. Reflection (exhibition catalogue). Kiev: Victor Pinchuck Foundation, 2007.Prime Concept, and Alfa Bank, Insight? (exhibition catalogue). Moscow: Luxury Village in Barviha, Odintsovskii District, 2007.Pop Art Is... (exhibition catalogue). London: Gagosian Gallery, 2007.Rehm, Hannes, ed. Hinter Glas: Das Kunstengagement der NORD/LB. Bonn: VG Bild–Kunst, 2007.Roberts, Rebecca, ed. MoMA: Highlights since 1980. New York: The Museum of Modern Art, 2007.Schneider, Eckhard, ed. Re–Object: Marcel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz (exhibition catalogue). Bregenz: Kunsthaus Bregenz, 2007.2006Art Now: 2007 Taschen Diary, Calendar. Köln: Taschen, 2006.Bankowsky, Jack, and Alison M. Gingeras. Where Are We Going: Selections from the François Pinault Collection (exhibition catalogue). Milan, Italy: Skira, 2006.Barron, Stephanie et al. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006.Baume, Nicholas. Super Vision; Institute of Contemporary Art/ Boston (exhibition catalogue). Cambridge, MA: The MIT Press, 2006.Benesch, Evelyn, Philippe Büttner and Heike Eipeldauer. Eros in der Kunst der Moderne. Ostfildern–Ruit: Hatje–Cantz, 2006.Bonami, Francesco, and Sarah Cosulich Canarutto. Infinite Painting: Pittura Contemporanea e Realismo Globale. Udine: Villa Centro di Arte Contemporanea, Passariano, Codroipo, 2006.Blind Date (exhibition catalogue). Frankfurt: Deutsche Bank, 2006.Bollen, Christopher, and Alix Browne. Artists. Photographs by Jason Schmidt. Paris: Edition 7L, 2006.Bowron, Edgar Peters, Carolyn Rose Rebbert, Robert Rosenblum and William Secord. Best in Show: The Dog in Art from Renaissance to Today. Houston: Museum of Fine Arts, 2006.Buser, Thomas. Experiencing Art Around Us. Belmont, CA: Thompson Wadsworth, 2nd ed., 2006.Celant, Germano, and Lisa Dennison. New York, New York. Monaco: Grimaldi Forum, 2006.Eros in der Kunst der Moderne. (exhibition catalogue). Foundation Beyeler. Richen/ Basel: Foundation Beyeler, 2006.Gasparina, Jill. I Love Fashion: L’art contemporain et la mode. Paris: Editions Cercle d’Art, 2006.Getlein, Mark. Living with Art, 8th ed. New York: McGraw Hill, 2006.Hirst, Damien, Harland Miller and Hans Ulrich Obrist. In The Darkest Hour There May Be Light: Works from the Damien Hirst murderme Collection. London: Serpentine Gallery, 2006.Hopkins, David. Dada’s Boys: Identity and Play in Contemporary Art. Edinburgh: The Fruitmarket Gallery, 2006.Individuals: Portraits from the Gap Collection. New York: Melcher Media, 2006. [Portrait of Jeff Koons by Christian Witkin].Joch, Peter. Schöner Leben: Werke aus den FRAC – Sammlungen Aquitaine, Limousin, Poitou–Charentes, Les Abattoirs, Toulouse. Darmstadt: Justus–von–Liebig–Verlag, 2006.The Kirk Varnedoe Collection (exhibition catalogue). New York: Grenfell Press, 2006.La collezione François Pinault; una selezione Post–Pop. Milano: Skira, 2006.Lindemann, Adam. Collecting Contemporary. Köln: Taschen, 2006.Luckow, Dirk. Ballermann – Die Ausstellung (exhibition catalogue). Düsseldorf: Richter, 2006.M/M Paris, ed. Translation. (exhibition catalogue). Athens: The Deste Foundation, 2006.Mennour, Kamel, Sébastien Planas, and Gérard Wajcman. Nous nous sommes tant aimés. Paris: Galerie Kamel Mennour et al., 2006.Morris, Francis, ed. Tate Modern Handbook. London: Tate, 2006.Pièces maitresses. Bordeaux: Conseil Régional d’Aquitaine, 2006.Raczka, Bob. 3–D ABC: Sculptural Alphabet. Minneapolis: Millbrook Press, 2006.Schleiter, Ute, and Judith Welsch–Körntgen. Meisterwerke der Staatsgalerie Stuttgart von Ratgeb bis Koons. Petersberg: Michael Imhof Verlag, 2006.Toquin, Alain. Les photographs. Gardens in Time. New York: Abrams, 2006.Ullrich, Wolfgang. Kitsch als Kunst: Milan Kunc und Jeff Koons – die Verheiungen marktwirtschaftlicher Ästhetik – Bilder via Meinungsumfrage? In Bilder auf Weltreise: Eine Globalisierungskritik. Berlin: Verlag, 2006. 92–96.Varnedoe, Kurt. Pictures of Nothing: Abstract Art Since Pollock. Princeton, New Jersey: Princeton University Press, 2006. 39–40.2005100 Most Beautiful Museums of the World. Hamburg: Rebo Publishers, 2005.The Art Book for Children. New York: The Editors of Phaidon Press, 2005.Beckles, Tricia, and Marjorie Heins. Will Fair Use Survive? Free Expression in the Age of Copyright Control. New York: Brennan Center for Justice, 2005.Beeren, Wim. Wim Beeren – om de kunst. Rotterdam: NAI Uitgevers, 2005.Buser, Thomas. Experiencing Art Around Us. Belmont, CA: Thomson Wadsworth, 2nd ed., 2006.Chancel, Philippe, Irene Gludowacz, and Sussanne van Hagen. A Passion For Art: Art Collectors and their Houses. Munich: Verlag, 2005 (Original Edition): London: Thames & Hudson, 2005.Dickins, Rosie. The Usborne Book of Art: A Complete Introduction for Beginners. London: Usborne, 2005: 138.Ed Pashke Tribute Show (exhibition catalogue). Chicago: A to Z Offset Printing and Publishing, 2005.Flower Myth: Vincent van Gogh to Jeff Koons (exhibition catalogue). Reihen/Basel: Fondation Beyeler, 2005.Glimcher, Marc. Logical Conclusions: 40 Years of Rule–Based Art (exhibition catalogue). New York: PaceWildenstein, 2005.Grosenick, Uta. Jeff Koons. Köln: Taschen, Art Now, Vol. 2, 2005.Grosenick, Uta and Raimar Stange. International Art Galleries; Post–War to Post–Millennium. Cologne: Dumont Literatur, 2005.Hafner, Hans–Jürgen. "Von Hegels instrumentellem 'Die Phantasie ist schaffend' zur Begründung der Kunst." In Trouble With Fantasy. Nürnberg : Verl. für Moderne Kunst, 2005: illustrated.Happy Birthday! Paris: Galerie Jerome de Noirmont, 2005.Kerrigan, Michael. Modern Art. London: Flame Tree Publishing, 2005. 70, 368.Lambirth, Andrew. Allen Jones Works. London: Royal Academy of Arts, 2005.Mahon, Alyce. Eroticism & Art. London: Oxford Univ. Press, 2005.Mitchell, W.J.T. What do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press, 2005.Murakami, Takashi ed. Little Boy: The Arts of Japan’s Exploding Subculture. New York: Japan Society, 2005.Nir Hod: Forever. Tel Aviv, Israel: Tel Aviv Museum of Art, 2005.Spackman, Betty. A Profound Weakness: Christians & Kitsch. Carlise, U.K.: Piquant Editions, 2005.Van Winkel, Camiel. The Regime of Visibility. Rotterdam: Nai Publishers, 2005.2004Barr, Alfred H. What's Modern? (exhibition catalogue). New York: Gagosian Gallery, 2004.Deitch, Jeffrey, ed. Monument to Now: The Dakis Joannou Collection (exhibition catalogue). Athens: Deste Foundation, 2004.Goetz, Rainald. Jeff Koons [play]. Translated by David Tushingham. London: Oberon Books, 2004. [First performed at The Drum, Theatre Royal, Plymouth, October 13, 2004].Hummel, Maria. 25 Artists – Builders: Years of MOCA 1979–2004. Los Angeles: Los Angeles Museum of Contemporary Art, 2004 (limited edition).Jeff Koons: Highlights of 25 Years. Texts by Rainer Crone and Alexandra von Stosch. New York: C&M Arts, 2004.Jeff Koons: Retrospektiv. Texts by Gunnar Kvaran and Arthur C. Danto; interview with Koons by Rem Koolhaas and Hans Ulrich Obrist. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.National Gallery of Iceland. Close–Up – Contemporary American Art in the Astrup Fearnley Collection. Reykjavik: National Gallery of Iceland, 2004.Paz, Marga. Taschen Collection. Cologne: Taschen, 2004.Sammlung Essl – Kunst der Gegenwart. Visions of America: Contemporary art from the Essl Collection and the Sonnabend Collection. New York: Sammlung Essl – Kunst der Gegenwart Vienna, 2004.Schuster, Peter–Klaus and Eugen Blume. Friedrich Christian Flick Collection im Hamburger Bahnhof. Berlin: SMB–DuMont, 2004.The Broad Art Foundation. Los Angeles: Primary Color, 2004.Wehr, Anne. Plop: Recent Projects of the Public Art Fund. New York: Merrel, 2004.What's Modern? (exhibition catalogue). New York: Gagosian Gallery, 2004.2003Codognato, Mario, and Elena Geuna. Jeff Koons. Texts by Eduardo Cicelyn and Mario Codognato; interview with Koons by Elena Guena. Naples: Electa, 2003.Daimler Chrysler Contemporary. Private/Corporate II, Works from the Daimler Chrysler Collection and from the Ileana Sonnabend Collection: A Dialogue. Berlin: Daimler Chrysler Contemporary, 2003Galerie Max Hetzler. Berlin 1994–2003. Berlin: Galerie Max Hetzler, 2003.Inboden, Gudrun et al. The Daimler Chrysler Collection (exhibition catalogue). Museum fur Neue Kunst and Detroit Institute of the Arts, 2003.La fête: el arte de la fiesta del siglo XIX hasta hoy (exhibition catalogue). [Valencia]: Generalitat Valenciana, 2003.Pearlman, Alison. Unpacking Art of the 1980s. Chicago: University of Chicago Press, 2003.McKenzie, Michael. Images We Love: Popular Art in America. S.l.: American Image Books, 2003.2002The Great American Nude (exhibition catalogue). Greenwich, Connecticut: Bruce Museum of Arts and Science, 2002.Dempsey, Amy. Styles, Schools and Movements: An Encyclopaedic Guide to Modern Art. London: Thames & Hudson, 2002.Hoffman, Barry. The Fine Art of Advertising: Irreverent, Irrepressible, Irresistibly, Ironic. New York: Stewart, Tabori & Chang, 2002Jeff Koons: Pictures – Die Bilder 1980–2002. Text by Thomas Kellein. Bielefeld: Kunsthalle Bielefeld, 2002.Lucie–Smith, Edward. American Realism. London: Thames & Hudson, 2002.McNair, Brian. Striptease Culture: Sex, Media and the Democratisation of Desire. London: Routledge, 2002.Pinchbeck, Daniel. Jeff Koons / Andy Warhol: Flowers (exhibition catalogue). New York: Gagosian Gallery, 2002.Stainback, Charles Ashley et al. From Pop to Now: Selections from the Sonnabend Collection (exhibition catalogue). Sarasota Springs: Skidmore College, 2002.Shortcuts from the Dakis Jannou Collection (exhibition catalogue). Athens: DESTE Foundation for Contemporary Art, 2002.Von Uta Grosenick, Herausg, and Burkhard Riemschneider. Art Now, 137 Artists at the Rise of the New Millennium. Köln: Taschen, 2002.2001Anderson, Maxwell L. American Visionaries: Selections from the Whitney Museum of American Art. New York: Harry N. Abrams, Inc., 2001.Bailey, Suzanne. Essential History of American Art. Bath: Parragon Publishers, 2001.Barron, Stephanie. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 2001.Byatt, A.S. Writers on Artists. New York: DK Publishing, 2001.Jeff Koons. Texts by Eckhard Schneider and Alison Gingeras. Bregenz: Kunsthaus Bregenz, 2001.Play’s the Thing: Critical and Transgressive Practices in Contemporary Art (exhibition catalogue). New York: Whitney Museum of American Art, 2001.Sobel, Dean. Warhol/Koons/Hirst: Cult and Culture (exhibition catalogue). Aspen: Aspen Museum of Art, 2001.2000Art at Work: Forty Years of the JP Morgan Chase Collection. New York: Meridian Printing, 2000.Baudrillard, Jean et al. New Architecture 5: Truth Radicality and Beyond in Contemporary Architecture. London: Andreas Papadakis, 2000.Bjelajac, David. American Art: A Cultural History. London: Laurence King, 2000. 391.Kemp, Martin, ed. The Oxford History of Western Art. Oxford: Oxford University Press, 2000.Kuspit, Donald. Redeeming Art: Critical Reveries (Aesthetics Today). New York: Allworth Press, 2000.Jeff Koons: Easyfun – Ethereal. Text by Robert Rosenblum; interview with Koons by David Sylvester. Berlin: Deutsche Guggenheim; Ostfildern–Ruit: Hatje–Cantz; New York: Guggenheim Museum Publications, 2000.Modern Contemporary: Art at MoMA since 1980 (exhibition catalogue). Edited by Kirk Varnedoe, Paola Antonelli, and Joshua Siegel. New Yrok: The Museum of Modern Art; Distributed by H.N. Abrams, 2000.Walther, Ingo F. Art of the 20th Century, 2000 Diary. Köln: Taschen, 2000.1999Collings, Matthew. This is Modern Art. London: Weidenfeld & Nicholson, 1999.Gregos, Katerina ed. Jeff Koons: A Millennium Celebration – Works from the Dakis Joannou Collection 1979–1999 (exhibition catalogue). Athens: Deste Foundation, 1999.Grosenick, Uta, and Burkhard Riemschneider, eds. Art at the Turn of the Millennium. Köln: Taschen, 1999.1998Godfrey, Tony. Conceptual Art. London: Phaidon Press, 1998.1997Jeff Koons. Text by Hans Ulrich Obrist. Paris: Galerie Jérôme de Noirmont, 1997.Joachimides, Christos M., and Norman Rosenthal, eds. The Age of Modernism: Art in the 20th Century. Berlin: Hatje, 1997.Rowell, Margit. Objects of Desire: The Modern Still Life (exhibition catalogue). New York: Museum of Modern Art and Hayward Gallery, 1997.1996Deitch, Jeffrey. Everything That’s Interesting is New: The Dakis Joannou Collection (exhibition catalogue). Ostfildern: Verlag & Deste Foundation, 1996.Drucker, Johanna. American Art at the End of the 20th Century. New York: Whitney Museum of American Art, 1996.Ideal Standard Life. Tokyo: Art at Home Executive Committee, 1996.Muthesius, Angelika et al. Twentieth–Century Erotic Art. Colonge: Taschen, 1996.Schneede, Uwe M. and Stephen Schmidt–Wulffen. Family Values: American Art in the Eighties and Nineties. Ostfildern–Ruit: Cantz Verlag, 1996.Zaunschirm, Thomas. Kunst als Sündenfall:Tabuverletzungen des Jeff Koons. Freiburg, Germany: Rombach Verlag, 1996.1995Corrin, Lisa G., Gail Feigenbaum, Irving Lavin, and Joaneath Spicer. Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and the Rococo (exhibition catalogue). Baltimore: The Contemporary by the National Endowment for the Arts, 1995.Rubin, David S. It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. New York: Prestel Pub, 1995.Sculpture (exhibition catalogue). London: Anthony d'Offay Gallery, 1995.1994Arca de Noe/Noah's Ark. Porto, Portugal: De Serralves, Fundacao, 1994.Diamonstein, Barbaralee. Inside the Art World: Conversations with Barbaralee Diamonstein, Artists, Directors, Curators, Collectors, Dealers. New York: Rizzoli, 1994.Feldman, Melissa. Face Off: The Portrait in Recent Art. Philadelphia: University of Pennsylvania, Institute of Contemporary Art, 1994.Golden, Thelma. Black Male: Representations of Masculinity in Contemporary American Art. New York: Whitney Museum of American Art, 1994.Jahresmuseum 1994: Kunsthaus Mürzzuschlag (exhibition catalogue). Mürzzuschlag [Österreich]: Kunsthaus Mürzzuschlag, 1994.Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk. Hanover: Sprengel Museum, 1994.1993Jeff Koons. Texts by John Peter Nilsson, Peter Schjeldahl, and Jens Erik Sorensen. Aarhus: Aarhus Kunstmuseum, 1993.Jeff Koons. Texts by Willem Beeren, Gudrun Inboden, and Peter Schjeldahl. Amsterdam: Stedelijk Museum Amsterdam, 1993. 1992Adam & Eve (exhibition catalogue). Saitama [Japan]: The Museum of Modern Art, 1992.A Century in Sculpture. Amsterdam: Stedelijk Museum, 1992.Jeff Koons. Texts by John Caldwell, Jim Lewis, Daniela Salvioni, and Brian Wallis. San Francisco: San Francisco Museum of Modern Art, 1992.The Jeff Koons Handbook / Das Jeff Koons Handbuch. Introduction by Robert Rosenblum. London: Anthony d’Offay Gallery; New York: Rizzoli; Munich; Paris; London: Schirmer Mosel, 1992. Muthesius, Angelika, ed. Jeff Koons. Text by Jean–Christophe Ammann and interview with Koons by Anthony Haden–Guest. Cologne: Taschen, 1992.1991Livingstone, Marco. Objects for the Ideal Home: The Legacy of Pop Art (exhibition catalogue). London: Serpentine Gallery, 1991.1990Livingstone, Marco. Pop Art: A Continuing History (exhibition catalogue). New York: Thames & Hudson, 1990 (reprint 2003).1989Armstrong, Richard, Richard Marshall and Lisa Phillips. Whitney Biennial. New York: Whitney Museum of American Art, 1989.Barth, Frank, Karl Weber and Thomas Wulffen. D&S Ausstellung. Hamburg: Kunstverein Hamburg, 1989.Bayliss, Sarah, Christopher Hoover, and Miwon Kwon. Suburban Home Life: Tracking the American Dream. New York: Whitney Museum of American Art, 1989.Cameron, Dan, and Gosse Oosterhof. Horn of Plenty: Sixteen Artists from NYC / Hoorn van Overvloed: Zestien kunstenaars uit NYC. Amsterdam: Stedelijk Museum, 1989.Collins, Tricia, and Richard Milazzo. Hyperframes: Discours su l’Après–Appropriation, Vol. 1. Paris: Antoine Candau, 1989.Donia, Jan, and Wolfgang Max Faust. Surrogaat: 15 jaar Galerie ‘t Venster tussen Kiefer en Koons. Rotterdam: SDU Uitgerverij, 1989.Edström, Peter, Helene Mohlin and Anna Palmqvist. What is Contemporary Art? Malmö: Rooseum, 1989.Fondation Daniel Templon Musée Temporaire : Exposition Inaugurale (exhibition catalogue). Fréjus: Fondation Daniel Templon, 1989.Goldstein, Ann, Catherine Gudis, Mary Jane Jacob and Howard Singerman. A Forest of Signs: Art in the Crisis of Representation. Los Angeles: The Museum of Contemporary Art; Cambridge: MIT Press, 1989.Hanhardt, John G., Marvin Heiferman, and Lisa Phillips. Image World: Art and Media Culture. New York: Whitney Museum of American Art, 1989.Kellein, Thomas. Mit dem Fernrohr durch die Kunstgeschichte: von Galilei zu den Gebrüdern Mongolfier. Basel: Kunsthalle Basel, 1989.Leigh, Christian, and Manuel Wally. The Silent Baroque. Salzburg: Galerie Thaddaeus Ropac, 1989.1988Alloway, Lawrence. Modern Dreams: The Rise and Fall of Pop. Cambridge: MIT Press, 1988.Artschwager: His Peers and Persuasion, 1963–1988. Los Angeles: Daniel Weinberg Gallery, 1988.Beyer, Hugh, and Klaus Honnef. Contemporary Art. Cologne: Taschen, 1988.Bruderlin, Markus, Hubertus Grasner and Veit Loers. Schlaf der Vernunft (exhibition catalogue). Kassel: Museum Fridericianum, 1988.Celant, Germano. Unexpressionism: Art Beyond the Contemporary. New York: Rizzoli, 1988.Collins, Tricia, and Richard Milazzo. Art at the End of Social. Malmö: Rooseum, 1988.Collins, Tricia, Gary Indiana and Richard Milazzo. Hybrid Neutral: Modes of Abstraction and the Social. New York: Independent Curators Incorporated, 1988.Danoff, Michael. Jeff Koons (exhibition catalogue). Chicago: Museum of Contemporary Art, 1988.Deitch, Jeffrey, and Peter Halley. Cultural Geometry. Athens: DEKA Foundation, House of Cyprus, 1988.Felix, Zdenek. New York in View: Ashley Bickerton, Jeff Koons, Allan McCollum, Haim Steinbach, Meyer Vaisman, Kunstverein München. (exhibition catalogue). Text by Noemi Smolik, Michaela Melián and Daniela Lanzer. Munich: Kunstverein München, 1988.Guenther, Bruce. Three Decades: The Oliver–Hoffmann Collection. Chicago: Museum of Contemporary Art Chicago, 1988.Harten, Jürgen, and David A. Ross. The BiNational: German Art of the Late 80s, American Art of the Late 80s / BiNationale: deutsche Kunst der späten 80er Jahre, amerikanische Kunst der späten 80er Jahre. Cologne: DuMont, 1988.Jeff Koons. Text by Michael Danoff. Chicago: Museum of Contemporary Art Chicago, 1988. MacFadden, Sarah, and Joan Simon. The Carnegie Museum of Art: Carnegie International (exhibition catalogue). Munich: Prestel, 1988.NY Art Now: Part II. London: The Saatchi Gallery, 1988.Oliva, Achille Bonito. Superart. Milan: Giancarlo Politi, 1988.Redefining the Object. Dayton: Wright State University, 1988.The Carnegie International Exhibition of Contemporary Art. New York: Neues Pub. Co., 1988.Tomkins, Calvin. Post– to Neo–: the Art of the World of the 1980s. New York: Henry Holt, 1988.1987Armstrong, Richard. 1987 Biennial Exhibition. New York: Whitney Museum of American Art, 1987.Bußmann, Klaus, and Kasper König. Skulptur Projecte in Münster 1987, Westfälisches Landesmuseum für Kunst– und Kulturgeschichte. Munster: DuMont, Cologne, 1987.Cameron, Dan. New York Art Now: The Saatchi Collection. London: The Saatchi Collection, 1987.Colleción Sonnabend. Madrid: Ministerio de Cultura, 1987.Frank, Peter, and Michael McKenzie. New, Used and Improved: Art for the Eighties. New York: Abbeville Press, 1987.Fox, Howard N. Avant–Garde in the Eighties. Text by Earl A. Powell. Los Angeles: Los Angeles County Museum of Art, 1987. Heiferman, Marvin and Joseph Jacobs. This Is Not a Photograph: Twenty Years of Large–Scale Photography 1966–1986. Sarasota: The John and Mable Ringling Museum of Art, 1987.Kaiser, John. Carte Blanche: Les Coutiers du désir. Paris: Le Centre, 1987.Levin, Kim. Beyond Modernism: Essays on Art from the ‘70s and ‘80s. New York: Harper and Row, 1987.Schwartz, Eugene. Post–Abstract Abstraction. Text by Anastasi William. Ridgefield: The Aldrich Museum of Contemporary Art, 1987. Simulations: New American Conceptualism. Milwaukee: Milwaukee Art Museum, 1987.1986Bois, Yve–Alain, Hal Foster, David Joselits and Elizabeth Sussman. Endgame: Reference and Simulation in Recent Painting and Sculpture. Boston: Institute of Contemporary Art, 1986.Cameron, Dan. L’Art i el seu doble: Panoram de l’art a Nova York / Art and its double: a New York Perspective. Barcelona: Fundació Caixa de Pensiones, 1986.Deitch, Jeffrey. Modern Objects – A New Dawn Exhibition (exhibition catalogue). New York: Bakerville/Watson, 1986.Garrels, Gary. New Sculpture (exhibition catalogue). Chicago: The Renaissance Society at the University of Chicago, 1986.Gohr, Siegfried, and Rafael Jablonka. Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940. Cologne: Museum Ludwig, 1986.Günther Förg, Robert Gober, Axel Hütte Jon Kessler, Hubert Kiecol, Jeff Koons, Meuser, Heimo Zobernig. Cologne: Galerie Max Hetzler, 1986.Halle, Howard. A Brokerage of Desire. Los Angeles: Otis/Parson Exhibition Center, 1986.Prospect 86: Eine internationale Ausstellung aktueller Kunst. Frankfurt: Frankfurter Kunstverein, 1986.Saltz, Jerry. Beyond Boundaries: New York's New Art. Essays by Roberta Smith and Peter Halley. New York: Harper Collins, 1986. 4–7.Wallis, Brian. Damaged Goods (exhibition catalogue). Texts by Hal Foster, Deborah Bershad, Marcia Tucker and artists’ statements. New York: The New Museum of Contemporary Art, 1986. 1983Klein, Michael. “Introduction.” In Objects, Structures, Artifice (exhibition catalogue). Tampa, Florida: University of South Florida, 1983: 26–27. Jeff KoonsPeriodicals 05-Jeff-Koons-bib-periodicals.pdf 2023“Across the Koons-verse: artist's balloon animals make cameo in new Spider-Man film.” The Art Newspaper, 9 June 2023. https://www.theartnewspaper.com/2023/06/09/spider-man-across-spider-verse-koons-guggenheimBrittain, Blake. “Jeff Koons, Sculptor Each Claim Advantage After Warhol Copyright Decision.” Reuters, 30 June 2023. https://www.reuters.com/legal/litigation/jeff-koons-sculptor-each-claim-advantage-after-warhol-copyright-decision-2023-06-30/Dhruv Bose, Swapnil. “When John Waters met Jeff Koons to discuss art.” Far Out, 13 June 2023. https://faroutmagazine.co.uk/john-waters-jeff-koons-discuss-art/ Holpuch, Amanda. “Art Fair Visitor Breaks a Jeff Koons Balloon Dog Sculpture.” The New York Times, 18 February 2023. https://www.nytimes.com/2023/02/18/arts/jeff-koons-sculpture-broken-miami.html"Jeff Koons: The 60 Minutes Interview." CBS video, 00:13:24. Posted by CBS News, 21 May 2023. https://www.cbsnews.com/video/artist-jeff-koons-60-minutes-video-2023-05-21/#xKakar, Arun. “What Sold at Art Basel in Basel 2023.” Artsy, 20 June 2023. https://www.artsy.net/article/artsy-editorial-sold-art-basel-basel-2023Koons, Jeff. " Jeff Koons: The 60 Minutes Interview." Interview with Anderson Cooper. CBS video, 00:43:13. Posted by CBS, 21 May 2023. https://www.cbsnews.com/video/artist-jeff-koons-60-minutes-video-2023-05-21/Lakin, Max. “When Spider-Man Met Jeff Koons.” New York Times, 13 July 2023. https://www.nytimes.com/2023/07/13/arts/design/spider-man-jeff-koons-art.htmlLombard, Amy. “Inside GQ’s Bumping New York Fashion Week Party with Jeff Koons, Thomas Doherty, Leon Bridges, and Many More.” GQ, 13 September 2023. https://www.gq.com/gallery/new-york-fashion-week-party-ss-24.Munster, Kennedy. “World Renowned Contemporary Artist Jeff Koons Turns Miami Penthouses into Masterpieces.” Haute Residence, 27 January 2023. http://www.hauteresidence.com/world-renowned-contemporary-artist-jeff-koons-turns-miami-penthouses-into-masterpieces/Olof-Ors, Nathalie. “Basel Defies Forecast Of Art Market Slowdown.” Barron’s Penta, 16 June 2023. https://www.barrons.com/news/basel-defies-forecast-of-art-market-slowdown-af37e7d5Rea, Naomi. “Art Basel’s Day-One Sales Show Demand for Fresh Work Is Undented, While Secondary Material Receives More Price Scrutiny.” Artnet News, 13 June 2023. https://news.artnet.com/market/art-basels-day-one-sales-2316815 Rea, Naomi. “‘If It Doesn’t Have Psyche, It Can’t Be Art’: Mega-Collector Dakis Joannou Docks His Famous Yacht to Talk About Collecting in a Chaotic Art World.” Artnet News, 6 July 2023. https://news.artnet.com/market/interview-mega-collector-dakis-joannou-2329229Riley, Daniel. “Jeff Koons Goes to the Moon.” GQ, 23 February 2023. https://www.gq.com/story/jeff-koons-moon-profileSharp, Sarah Rose. “Move Over, Jeff Koons, Another Awful Artwork Is Heading to the Moon.” Hyperallergic, 1 February 2023. https://hyperallergic.com/797467/move-over-jeff-koons-artwork-sacha-jafri-headed-to-moon/“30 Years After Jeff Koons Was Skewered on ’60 Minutes,’ He Returned to the Show for a Far More Flattering Interview With Anderson Cooper.” Artnet News, 26 May 2023. https://news.artnet.com/art-world/30-years-after-jeff-koons-was-skewered-on-60-minutes-he-returned-to-the-show-for-a-far-more-flattering-interview-with-anderson-cooper-2310315Yerebakan, Osman Can. “Art Basel Returns with High-Value Sales Inside the Booths and Excitement Beyond.” The National, 15 June 2023. https://www.thenationalnews.com/arts-culture/art-design/2023/06/15/art-basel-returns-with-high-value-sales-inside-the-booths-and-excitement-beyond/?2022“Apollo: A sun above Hydra.” The Art Newspaper, 22 June 2022. https://theartnewspaper.gr/epikairotita/apollo-enas-ilios-pano-apo-tin-ydra/“The Artful Life: 5 Things Galerie Editors Love This Week.” Galerie Magazine, 31 May 2022. https://galeriemagazine.com/artful-life-may-31/ “Art’s true value is to be of service to humanity’ – Jeff Koons on the sale of his sculpture to aid Ukraine.” Christie’s, 27 June 2022. https://www.artnews.com/art-news/news/yves-klein-anna-weyant-christies-london-paris-sales-250-m-1234632998/Avery, Dan. "A Cryptocurrency Mansion Listed in Beverly Hills, and More Real Estate News." Architectural Digest, 30 April 2021. https://www.architecturaldigest.com/story/cryptocurrency-mansion-listed-in-beverly-hills-and-more-real-estate-newsBerk, Brett. “A Jeff Koons Paint Job on a BMW Canvas” (Rockefeller Center exhibition preview). The New York Times, 17 February 2022: B5. Web version: https://www.nytimes.com/2022/02/17/business/jeff-koons-bmw.html. Beyer, Eric James. “Moon Phases: An Inside Look At The NFT Project That Will Land on the Moon.” NFT NOW, 23 May 2022. https://nftnow.com/features/jeff-koons-first-nft-project-will-send-sculptures-to-the-moon/ “The best exhibitions of summer 2022 and beyond: Europe.” Christie’s, 2022. https://www.christies.com/features/updated-the-best-exhibitions-from-summer-2022-europe-12386-1.aspxBeyer, Eric James. “Moon Phases: An Inside Look At The NFT Project That Will Land on the Moon.” NFT NOW, 23 May 2022. https://nftnow.com/features/jeff-koons-first-nft-project-will-send-sculptures-to-the-moon/ Bissat, Bana. “LEAPING INTO THE METAVERSE: THE 3 IRL ART GALLERIES PIONEERING NFTS.” Sound of Life, 26 September 2022. https://www.soundoflife.com/blogs/design/irl-art-galleries-nfts-metaverseBlakely, Rhys. “A new space race to take an artwork to the moon.” The Times, 13 May 2022. https://www.thetimes.co.uk/article/a-new-space-race-to-take-an-artwork-to-the-moon-lm3tcxrgxBrain, Eric. “The Last Jeff Koons x BMW M850i Gran Coupé Art Car Is Heading to Christie's New York.” Hypebeast, 22 March 2022. https://hypebeast.com/2022/3/the-8-x-jeff-koons-bmw-m850i-gran-coupe-signed-artist-car-christies-new-york-auction. Bubbers, Matt. “Jeff Koons on His Latest BMW Art Car, Perfectionism, and the Meaning of Life.” Sharp, 1 March 2022. https://sharpmagazine.com/2022/03/01/bmw-art-car-8-x-jeff-koons/. Cassady, Daniel. “Koons, Ray and De Kooning will lead Christie's marquee November sales in New York.” The Art Newspaper, 4 October 2022. https://www.theartnewspaper.com/2022/10/04/koons-ray-and-de-kooning-will-lead-christies-upcoming-20th-century-and-21st-century-sales-in-new-yorkCassady, Daniel. “Los Angeles is open for business again.” The Art Newspaper, 19 February 2022. https://www.theartnewspaper.com/2022/02/18/los-angeles-is-open-for-business-again. “Celebrated Interior Designer Lists Tribeca Condo for $8.5 Million; Jeff Koons Sculpture Debuts in Posh West Village Lobby.” LX Collection, 30 April 2021. https://www.lxcollection.com/article/220-central-parknew-york-real-estate-news/“Christie’s in 2022: a year of memorable masterpieces, great collections and remarkable stories.” Christie’s, 22 December 2022. https://www.christies.com/features/christies-auction-highlights-2022-12591-1.aspx?sc_lang=enCompton, Nick. “Pop! Pop! Pop!’: Jeff Koons on the drive behind his new limited-edition BMW 8 Series." Wallpaper, 24 April 2022. https://www.wallpaper.com/art/jeff-koons-bmw-8-series. Crow, Kelly. “Jeff Koons Wants to Land a Sculpture on the Moon.” The Wall Street Journal, 8 April 2022. https://www.wsj.com/articles/jeff-koons-wants-to-land-a-sculpture-on-the-moon-11649432044 “THE 8 X JEFF KOONS: the US artist has created his dream car with BMW.” Associated Press, 16 February 2022. https://apnews.com/press-release/pr-newswire/jeff-koons-beb2150e4450ae2a1183a58e987f2bc8. Escalante de Mattei, Shanti. “Jeff Koons To Release NFT Project That Will Land on the Moon.” ARTnews, 29 March 2022. https://www.artnews.com/art-news/news/jeff-koons-nft-1234623176/Ewing, Steven. "BMW's next art car is an 8 Series by Jeff Koons.” CNET, 25 January 2022. https://www.cnet.com/roadshow/news/bmw-8-series-jeff-koons-art-car/. Freeman, Nate. “Art Basel Miami Beach: What Does the Future Hold for the Most Raucous Week in American Arts?” Vanity Fair, 2 December 2022. https://www.vanityfair.com/style/2022/12/art-basel-miami-twentieth-anniversary-futureFreeman, Nate. “This Summer’s Must-See Contemporary Art Exhibits.” Vanity Fair, 19 July 2022. https://www.vanityfair.com/style/2022/07/this-summers-must-see-contemporary-art-exhibitsGaskin, Sam. “At NFT.NYC, ‘It’s Not a Bear Market, It’s a Build Market’.” Ocula, 27 June 2022. https://ocula.com/magazine/art-news/at-nftnyc-its-not-a-bear-market-its-a-build-market/ Ghassemitari, Shawn. “Must-See Exhibitions at Art Basel Miami Beach 2022.” Hypebeast, 29 November 2022. https://hypebeast.com/2022/11/must-see-exhibitions-art-basel-miami-beach-2022Ghassemitari, Shawn. “Jeff Koons Will Launch His Sculptures to the Surface of the Moon.” Hypebeast, 29 March 2022. https://hypebeast.com/2022/3/jeff-koons-moon-phases-pace-verso-announcementGoldstein, Caroline. “‘Objects Are Metaphors for People’: Watch Jeff Koons Defend Banality and Resist High-Low Dichotomies.” Artnet News, 1 April 2022. https://news.artnet.com/art-world/jeff-koons-art21- Greenberger, Alex. “Jeff Koons Loses Legal Battle in Italy Over ‘Fake’ Work from Famed ‘Banality’ Series.” ARTnews, 11 March 2022. https://www.artnews.com/art-news/news/jeff-koons-serpents-legal-battle-1234621680/. “In Pictures: See Jeff Koons’s Luxurious Art Offerings to Apollo, God of the Sun, on the Greek Island of Hydra.” Artnet News, 5 August 2022. https://news.artnet.com/art-world/in-pictures-jeff-koons-hydra-2156061 Irwin, Michael. “Jeff Koons’ Bourbon Train to Lead Christie’s Sale in New York.” Ocula Magazine, 7 October 2022. https://ocula.com/magazine/art-news/jeff-koons-bourbon-train-leads-christies-21st-c/"Jeff Koons a le projet d'envoyer des sculptures sur la Lune." RTS Culture, 30 March 2022.“Jeff Koons collaborates with BMW to create limited edition ‘sculptures’ on wheels.” STIRworld, 26 February 2022. https://www.stirworld.com/see-news-jeff-koons-collaborates-with-bmw-to-create-limited-edition-sculptures-on-wheels. “Jeff Koons turns BMW coupe into art on wheels.” Daily Sabah, 28 February 2022. https://www.dailysabah.com/arts/jeff-koons-turns-bmw-coupe-into-art-on-wheels/news.Jhala, Kabir. “One giant leap for Jeff Koons: artist to send his sculptures to the moon.” The Art Newspaper, 29 March 2022. https://www.theartnewspaper.com/2022/03/29/jeff-koons-to-send-his-sculptures-to-the-moon-pace-verso-glimcher-space-lunar-artKaminer, Michael. “Townhouse Boasts One of the Largest Gardens in Downtown Manhattan.” Mansion Global, 1 November 2022. https://www.mansionglobal.com/articles/townhouse-boasts-one-of-the-largest-gardens-in-downtown-manhattan-01635764892Kane, Ashleigh. “Debunking the biggest myths around Jeff Koons” (Qatar Museums Gallery, Al Riwaq exhibition review). Dazed Magazine, 21 January 2022. https://www.dazeddigital.com/art-photography/article/55279/1/debunking-the-biggest-myths-around-jeff-koons-lost-in-america-exhibition. Kim, Bo-Ra. “Corporate sponsors focus on luxury at Frieze Art Fair Seoul in September.” The Korea Economic Daily, 26 August 2022. https://www.kedglobal.com/arts/newsView/ked202208260003.Koons, Jeff. “Interview: Jeff Koons on His Exhilarating BMW 8 Series Collaboration And More.” Interview with David Graver. Cool Hunting, 16 February 2022. https://coolhunting.com/culture/interview-jeff-koons-on-his-exhilarating-bmw-8-series-collaboration-and-more/. Koons, Jeff. “Jeff Koons in His Own Words.” Interview with Paul Laster. Ocula Magazine, 5 January 2022. https://ocula.com/magazine/conversations/jeff-koons/. Laster, Paul. "The 10 Best Art Exhibitions to See Around the World This Summer.” Galerie, 1 August 2022. https://galeriemagazine.com/summer-2022-exhibitions/ Lloyd-Smith, Harriet. “The Andy Warhol Diaries on Netflix reveals his enduring impact on contemporary art.” Wallpaper Magazine, 22 March 2022. https://www.wallpaper.com/art/andy-warhol-contemporary-art-influence.López, Alejandra. “The first works of art on the Moon will be by Jeff Koons.” Architectural Digest Mexico, 24 June 2022. https://www.admagazine.com/articulos/koons-manda-obras-de-arte-a-la-luna Lord, Isabel. “The Best of Art Basel Miami Beach 2022.” Forbes, 3 December 2022. https://www.forbes.com/sites/isabellord/2022/12/03/the-best-of-art-basel-miami-beach-2022/Luo, Shuyin. “Battle Report + Special Feature | Frieze Los Angeles 2022: The West Coast Art Market in the United States Ushers in a Big Breakout”. Artron, 19 February 2022. https://m-news.artron.net/news/20220219/n1953523.html. McGivern, Hannah. “A giant inflatable Koons, a desert mirror illusion and a giant football goal: seven of the best new sculptures in Qatar.” The Art Newspaper, 1 November 2022. https://www.theartnewspaper.com/2022/11/01/a-giant-inflatable-koons-a-desert-mirror-illusion-and-a-giant-football-goal-seven-of-the-best-new-sculptures-in-qatar“Moon sculptures, NFTs at futuristic Art Basel fair.” France 24, 19 June 2022. https://www.france24.com/en/live-news/20220619-moon-sculptures-nfts-at-futuristic-art-basel-fair Mun-Delsalle, Y-Jean. “Jeff Koons Believes That Art Is About Generosity And Acceptance.” Forbes, 7 June 2022. https://www.forbes.com/sites/yjeanmundelsalle/2022/06/07/jeff-koons-believes-that-art-is-about-generosity-and-acceptance/?sh=20dae3573d2f“The Must-Have Amenity in New York City is Art.” Off The MRKT, 30 September 2021. https://www.offthemrkt.com/blogs/the-must-have-amenity-in-new-york-city-is-artNeira, Juliana. “Jeff Koons Creates a Temple for Apollo at the Deste Foundation in Greece.” Designboom, 1 July 2022. https://www.designboom.com/art/jeff-koons-apollo-deste-foundation-greece-07-01-2022/Ozturk, Selen. “Jeff Koons to Launch First NFT Project to the Moon.” Whitewall, 12 April 2022. https://whitewall.art/art/jeff-koons-to-launch-first-nft-project-to-the-moon“Pace Presents Famed Jeff Koons Sculpture” (Pace Gallery exhibition preview). Palm Beach Illustrated, 6 January 2022. https://www.palmbeachillustrated.com/pace-presents-famed-jeff-koons-sculpture/. “Page A1A” (Pace Gallery exhibition review). Dan’s Papers Palm Beach, 21 January 2022: 26–29, illustrated.Powell, Matt. “Art on the MOON! World’s second richest artist Jeff Koons will send 125 sculptures to the lunar surface with Elon Musk's SpaceX - after he sells them as NFTs.” Daily Mail, 19 June 2022. https://www.dailymail.co.uk/news/article-10931531/Jeff-Koons-send-125-sculptures-moon-Elon-Musks-SpaceX-sells-NFTs.html “Qatar Museums announces free admission to all exhibitions including Jeff Koons in March.” The Peninsula Qatar, 6 March 2022. https://thepeninsulaqatar.com/article/06/03/2022/qatar-museums-announces-free-admission-to-all-exhibitions-including-jeff-koons-in-march. Rivas, Athéna. “Jeff Koons va envoyer des sculptures sur la Lune.” Architectural Digest France, 8 April 2022. https://www.admagazine.fr/adactualites/article/jeff-koons-va-envoyer-des-sculptures-sur-la-lune Schreffler, Laura. “Jeff Koons’ New Project is Totally Out Of This World: He’s Launching A Permanent Exhibition on The Moon” (Pace Gallery exhibition preview). Haute Living, 28 November 2022. https://hauteliving.com/2022/11/jeff-koons-launching-permanent-space-exhibition/721902/Sharma, Shanjutka. “Jeff Koons’ NFT art will go to the moon.” MoneyControl.com, 10 July 2022. https://www.moneycontrol.com/news/trends/features/spacex-is-taking-jeff-koons-nftSmith, Helena. “There’s a raw energy’: Hydra, artists’ haven, still casts its spell.” The Guardian, 7 August 2022. https://www.theguardian.com/world/2022/aug/07/theres-a-raw-energy-hydra-artists-haven-still-casts-its-spellStafford, Eric. “2023 BMW M850i Gran Coupe Gets Colorful Jeff Koons Edition.” Car and Driver, 16 February 2022. https://www.caranddriver.com/news/a39106316/2023-bmw-m850i-gran-coupe-jeff-koons/. Tomlinson, Peta. "Can an art collection really improve health and wellness in luxury homes? San Francisco’s Four Seasons Private Residences jazz up shared spaces with Kaws and Jeff Koons pieces." South China Morning Post, 6 October 2021. https://www.scmp.com/magazines/style/luxury/article/3151275/can-art-collection-really-improve-health-and-wellness-luxuryTuchman, Phyllis. “Jeff Koons: Lost in America” (Qatar Museums Gallery exhibition review). The Brooklyn Rail, February 2022. https://brooklynrail.org/2022/02/artseen/Jeff-Koonss-Lost-in-America. Villa, Angelica. “Koons ‘Balloon Monkey’ Sells for Ukraine Relief, Yves Klein Overperforms at Christie’s London-Paris Sale” ARTnews, 28 June 2022. https://www.artnews.com/art-news/news/yves-klein-anna-weyant-christies-london-paris-sales-250-m-1234632998/Wagley, Catherine. “What Sold at Frieze Los Angeles 2022.” Artsy, 21 February 2022. https://www.artsy.net/article/artsy-editorial-sold-frieze-los-angeles-2022. Wooldrige, Jane. “Strong sales, giant eggs and the world’s nosiest ATM: Miami Art Week is back.” Miami Herald, 29 November 2022. https://www.miamiherald.com/entertainment/visual-arts/art-basel/article269222252.htmlYablonsky, Linda. “SUN WORSHIPPERS: Linda Yablonsky around Athens and Hydra.” Artforum, 3 July 2022. https://www.artforum.com/diary/linda-yablonsky-around-athens-and-hydra-88785Zara, Janelle. “On Greece's After-Party Island of Hydra, Jeff Koons Unveils a Monument to the Sun and Friendship.” Cultured Magazine, 23 June 2022. https://www.culturedmag.com/article/2022/06/23/on-greeces-after-party-island-of-hydra-jeff-koons-unveils-a-momument-to-the-sun-and-friendship 2021Crow, Kelly. “The Most Shocking Shifts of the Post-Pandemic Art World.” The Wall Street Journal, 6 July 2021. https://www.wsj.com/articles/art-world-koons-ceramics-nft-11625574575 Davis, Ben. “Is Jeff Koons as Passionate About Uniqlo as He Sounds? Why Is This Unicorn Named After Picasso? + Other Questions I Have About the Week’s Art News.” Artnet News, 27 September 2021. https://news.artnet.com/opinion/pacaso-picasso-jasper-johns-michael-crichton-playboy-nft-2014139Galvis, Nelson. "De los recuerdos." Correo del Caroni (Venezuela), 16 January 2021.Ghassemitari, Shawn. “Pace Gallery Brought a Star-Studded Lineup to Art Basel 2021.” Hypebeast, 21 September 2021. (opens in a new window) https://hypebeast.com/2021/9/pace-gallery-art-basel-2021 Hamamtzoglou, Anaztasia. "10 πράγματα που δεν γνωρίζαμε για τον Jeff Koons." Monopoli (Greece), 9 January 2021.“Jeff Koons ‘Shine’ at Palazzo Strozzi until January 30, 2022” (Palazzo Strozzi exhibition review). The Florentine, 30 September 2021. (opens in a new window) https://www.theflorentine.net/2021/09/30/jeff-koons-palazzo-strozzi-florence-october-2021-january-2022/ Jhala, Kabir. “Jeff Koons reveals he is making NFTs, details plans for his Pace Gallery shows and remembers his hotel rendezvous with Salvador Dalí” (Pace Gallery exhibition preview). The Art Newspaper, 9 September 2021. https://www.theartnewspaper.com/news/jeff-koons-nfts-salvador-dali-pace-gallery-venus-sculpture-lawsuit-revealJit, Maroine. "L’exposition de Jeff Koons au Mucem se tiendra à partir du 5 mai." Made in Marseille (France), 4 March 2021.Kinsella, Eileen and Naomi Rea. “‘Now It’s Just the Real People’: Art Basel Opens Its First Fair in 18 Months With an Among-Friends Vibe (and Steady Sales, Too).” Artnet News, 21 September 2021. (opens in a new window) https://news.artnet.com/market/art-basel-sales-report-2021-2011301?Koons, Jeff. “Jeff Koons Looks Back on a Life in the Art World.” Interview with Phyllis Tuchman. Town & Country, 20 December 2021. https://www.townandcountrymag.com/leisure/arts-and-culture/a38528663/jeff-koons-qatar-interview/. Koons, Jeff. “Jeff Koons on Renaissance art” (Palazzo Strozzi exhibition preview). The Financial Times, 20 September 2021. (opens in a new window) https://www.ft.com/content/c0928357-8c4c-46a5-9885-408529949439 Kinsella, Eileen. “Jeff Koons’s Market Is Sliding After Years of Sky-High Prices and Notorious Production Delays. Can Pace, His New Gallery, Revive It?” Artnet News, 29 November 2021. https://news.artnet.com/news-pro/pace-gallery-revive-market-controversial-art-star-jeff-koons-2040845. Koons, Jeff. “Meet Jeff Koons, the world’s most expensive living artist.” Interview with Kirsty Lang. The Times, 21 November 2021. https://www.thetimes.co.uk/article/jeff-koons-interview-most-expensive-living-artist-ns8k5pb55. Koons, Jeff and Michel Bernardaud. “Jeff Koons on Reimagining His Famed ‘Balloon Dog’ in Porcelain: ‘We Are Balloons Ourselves.” Interview with Shanti Escalante-De Mattei. ARTnews, 15 November 2021. https://www.artnews.com/art-news/artists/jeff-koons-michel-bernardaud-interview-porcelain-balloon-dog-1234610045/. Koons, Jeff. “At home with Jeff Koons” (Palazzo Strozzi exhibition review). Interview with Harriet Lloyd-Smith. Wallpaper, 22 October 2021. https://www.wallpaper.com/art/at-home-with-jeff-koons-interviewMannella, Lucia. "“Le sculture di Jeff Koons splendono a Palazzo Strozzi” (Palazzo Strozzi exhibition review). Corriere Della Sera, 4 October 2021. https://living.corriere.it/tendenze/arte/jeff-koons-palazzo-strozzi/Scovell, Lucy, “What not to miss during Frieze Week 2021.” Harper’s Bazaar, 11 October 2021. (opens in a new window) https://www.harpersbazaar.com/uk/culture/bazaar-art/g37906053/frieze-week-2021-art-highlights/Su, Sammy. “Jeff Koons To Showcase More Than 60 Artworks Throughout Qatar Museums” (QM Gallery ALRIWAQ exhibition preview). Hypebeast, 15 September 2021. https://hypebeast.com/2021/9/jeff-koons-lost-in-america-exhibition-qatar-museums Westall, Mark. “New Jeff Koons Exhibition ‘Shine’ to Open in the Autumn” (Palazzo Strozzi exhibition preview). Fad Magazine, 14 July 2021. https://fadmagazine.com/2021/07/14/new-jeff-koons-exhibition-shine-to-open-in-the-autumn/ Whiddington, Richard. “See 7 Artist-Designed Balloons That Took to the Street (and Sky) at the 2022 Macy’s Thanksgiving Day Parade.” Artnet News, 24 November 2022.Yamashita, Chisato. "Jeff Koons and Bernardaud, a long-established French porcelain maison, collaborate on a new work!" Elle Decor (Japan), 17 January 2021.Zhanrong, Ou. "Impression Gallery: The Eternal Gift of Jeff Koons." Art Emperor (Taiwan), 27 January 2021.2020"Art designer and balloon model creativity, Wen Photography: Xiaomei." KS News (Taiwan), 14 April 2020."Bilbao, mascherina anche per il Puppy di Jeff Koons al Guggenheim." Aska News (Italy), 28 October 2020.Bryant, Nick. "Move over, Blue Poles: Jeff Koons is about to deliver us his startling new artwork." The Sydney Morning Herald (Australia), 5 December 2020.Cascone, Sarah. "Charlize Theron Convinced Sean Penn to Get Rid of His Gun Collection—So He Asked Jeff Koons to Turn Them All Into a Sculpture." Artnet News, 11 March 2020.Cohen, Maya. "From Cicciolina to Gaga: Jeff Koons arrives in Israel." Israel Hayom (Israel), 4 February 2020.Cola, Chiara. "Jeff Koons mette la mascherina a Puppy, la scultura floreale del Guggenheim di Bilbao." Arts Life (Italy), 3 November 2020."Colocan mascarilla elaborada con flores a obra de Koons en España." Metro Libre (Panama), 27 December 2020.Consiglio, Keko. "Como Jeff Koons se tornou o artista queridinho das celebridades de Hollywood." Istoé Independente (Brazil), 20 August 2020."Cuarentena por coronavirus: conocé a Jeff Koons, el artista, vivo más caro del mundo-Argentina Noticias Ultima Hora." Noticias por el Mundo (Argentina), 29 March 2020.Davalos, Lorenzo. "Jeff Koons at the Tel Aviv Museum of Art." Complot Magazine, 7 March 2020."David Zwirner defies expectations with $8 million online sale of Jeff Koons sculpture." The Jakarta Post (Indonesia), 22 June 2020.Dawson, Aimee. “'You will defeat the virus!': Jeff Koons sends video message to Italy." The Art Newspaper, 27 March 2020."Dear Living Artist in History: Jeff Koons opens an exhibition in Israel." Maariv (Israel), 4 February 2020.DeGregory, Priscilla. "Sculptor Jeff Koons settles $13M dispute with investor." New York Post, 31 January 2020.Delobel, Pantxika. "Musée Guggenheim : Puppy porte un masque par solidarité, Jeff Koons applaudit." Sud Ouest (France), 12 November 2020.De Rosa, Laura. "Il Puppy di Jeff Koons del Museo Guggenheim di Bilbao ora indossa la mascherina per incoraggiare tutti a proteggersi." Green Me (Italy), 1 November 2020.Estiler, Keith. "Jeff Koons Spotlight David Zwirner Online Studio." Hypebeast, 16 June 2020.Fontanesi, Anastasia. "Who is Jeff Koons and What are his most famous works?" Travel on Art (Italy), 19 January 2020.Frau, Dalmazia. "La Venere Di Jeff Koons e L’Eros Di Vitaldo Conte." L'Opinione delle Libertà (Italy), 3 July 2020.Gabellec, Gwenola. "Jeff Koons superstar au Mucem de Marseille." La Provence (France), 21 September 2020."La galerie Gagosian célèbre les femmes dans sa nouvelle exposition." Art in the City (France), 20 October 2020, online.Garrigues, Manon. "Jeff Koons : où admirer ses œuvres les plus folles ?" Vogue France, 21 January 2020.Gassman, Gay. "See How India Mahdavi Is Marking Gagosian Paris’s 10th Anniversary” (exhibition review). Architectural Digest, 9 October 2020, online.Gorospe, Pedro. "Jeff Koons le pone mascarilla a la mascota de Bilbao." El País (Spain), 10 December 2020."Il Puppy di Jeff Koons indossa la mascherina per sensibilizzare tutti." Libreri Amo (Italy), 28 October 2020."Jeff Koons brilla a Palazzo Strozzi: l’artista superstar arriva a Firenze." Arts Life (Italy), 14 November 2020."Jeff Koons dazzles and provokes his art. His work breaks auction records." Tyden (Czech Republic), 21 January 2020."Jeff Koons: ‘The purpose of art is to eliminate anxiety,’" Investory News (Ukraine), 28 July 2020."Jeff Koons on Desire, Beauty, the Vastness of the Universe, and the Intimacy of Right Here, Right Now." Artspace, 21 May 2020.Kamp, Justin. "David Zwirner sold a Jeff Koons sculpture for $8 million through the gallery’s online showroom." Artsy, 18 June 2020.Kamp, Justin. "Jeff Koons’s Puppy sculpture dons a floral face-mask." Artsy, 30 October 2020.Klich, Tanya. "Jeff Koons On Collaborating With Bernardaud To Produce $21,000 Limited-Edition Porcelain Versions Of His Iconic ‘Diamond’ Sculpture." Forbes, 11 December 2020.Maccotta, Federica. "Al Guggenheim di Bilbao la scultura Puppy di Jeff Koons ora indossa la mascherina." Wired (Italy), 2 November 2020.Mandalia, Bhavi. "Perspective Is Jeff Koons, the richest artist in the world, also the best artist in the world? The documentary found at Yle Areena raises important questions about the value of art." Pledge Times (India), 4 October 2020.Mastroianni, Chiara. "David Zwirner presenta la nuova Venus rossa di Jeff Koons." Exibart (Italy), 25 June 2020.Noyes, Chandra. "Jeff Koons Reveals How Duchamp Influenced His Art." Art & Object, 10 March 2020.Perl, AnnMarie. "A more public arena: Jeff Koons’ Reinvention in the Midst of Reaganism." Association for Art History, June 2020.Pierce, Michael. "Jeff Koons, the Goat-Footed Balloon Man and the Goddess." Mutual Art (UK), 14 August 2020."Puppy se pone mascarilla." Naiz (Spain), 28 October 2020.Riba, Naama. "Artist Jeff Koons to Attend Opening of His Tel Aviv Museum Exhibit." Haaretz (Israel), 4 February 2020.Rivas, Indoia, "Puppy se pone la mascarilla para dar la bienvenida en el Museo Guggenheim Bilbao." NIUS Diario (Spain), 28 October 2020.Ronchi, Giulia. "Guggenheim di Bilbao: Puppy di Jeff Koons indossa la mascherina. Un messaggio per la collettività." Artribune (Italy), 30 October 2020.Ronchi, Giulia. "Jeff Koons farà ritorno a Firenze nel 2021: annunciata la grande mostra di Palazzo Strozzi." Artribune (Italy), 18 November 2020.Rossen, Jake. "Jeff Koons's Puppy Sculpture, at the Guggenheim Museum Bilbao, Is Donning a Face Mask." Mental Floss, 29 October 2020.Sarre, Claudia. "Jeff Koons wird 65 Der König der irrationalen Preise für Kunst." Deutschlandfunk Kultur (Germany), 21 January 2020.Sawyer, Jonathan. "Jeff Koons Explains His Iconic 'Play-Doh' Sculpture: ‘It's Not for Perfectionism.’" Highsnobiety, 7 April 2020.Scheer, Ursula. "Warnung vor dem Hund." Frankfurter Allgemeine (Germany), 30 November 2020.Schneider, Arnette. "Jeff Koons: Artist of the Balloon Dogs is 65." NDR Kultur (Germany), 21 January 2020.Selvin, Claire. "How Jeff Koons Became One of the Most Famous Artists of Our Time." Artnews, 15 April 2020.Steinberg, Jessica. "Jeff Koons’s sculptures arrive at Tel Aviv museum, sans artist." The Times Israel (Israel), 9 March 2020.Steinberg, Jessica. "Pop artist Jeff Koons and sculptures coming to Tel Aviv." The Times Israel (Israel), 5 February 2020.Sticca, Chiara. "Jeff Koons, tra Cicciolina e il Santo Natale." Metropolitan Magazine (Italy), 9 December 2020.Taggart, Emma. "Here are six Jeff Koons artworks that showcase how his artistic practice evolved over the years." My Modern Met, 13 September 2020."The most objective statement: the art of Jeff Koons and the readymade." Mas de Arte, 10 February 2020."’Valor Absoluto’ en el Museo de Arte de Tel Aviv." Aurora (Israel), 20 March 2020.Westall, Mark. "Now Open—Studio: Jeff Koons." FAD Magazine, 16 June 2020."Woof! Jeff Koons’s Puppy at the Guggenheim Museum Bilbao gets its own flowery face mask." The Art Newspaper, 30 October 2020.Wychowanok, Thibaut. "Pablo Picasso, Cindy Sherman, Urs Fischer: la Galerie Gagosian fête ses 10 ans" (exhibition review). Numéro (France), 4 December 2020, online.2019Anspon, Catherine D. "$70 Million Rabbit Captivates the Art World -- and This Bunny Fever is Spreading." Paper City Magazine, 19 April 2019.Art on View 97, Autumn 2019: cover, 5.Berlinger, Max. "Jeff Koons's Iconic 'Rabbit' Sculpture is Expected to Fetch up to $70 Million at Auction." Robb Report, 23 April 2019.Cumming, Laura. “Jeff Koons at the Ashmolean review – a master of deflection.” The Guardian, 10 February 2019.Douglas, Kate. “Jeff Koons’s art is glitzy, but does it still have power to shock?” Socialist Worker, 19 February 2019.Eckardt, Stephanie. "Is Jeff Koons Our Marcel Duchamp?" W Magazine, 27 May 2019.Estiler, Keith. "Jeff Koons' Iconic 'Rabbit' Sculpture to Go on Sale This May." Hypebeast, 19 April 2019.Freeman, Hadley. “'Wow, $91m!' Jeff Koons on blow-up dogs, record prices and his row with Paris.” The Guardian, 4 February 2019.Freeman, Nate. "Christie's Will Sell 11 Works up to $130 Million from S.I. Newhouse's Collection." Artsy, 28 March 2019.Freeman, Nate. "Why Jeff Koons's 'Rabbit' Could Sell for up to $70 Million." Artsy, 19 April 2019.Freeman, Nate. "Jeff Koons Reclaims the Thrones as World's Most Expensive Living Artist." Artsy, 16 May 2019.Ffrench, Andrew. “Artist Jeff Koons is to Visit Ashmolean Museum for Exhibition.” Oxford Mail, 25 January 2019.Frank, Robert. “Skateboard deck collection sells for a record $800,000.” CNBC, 30 January 2019.“Glenstone, a Maryland museum that blends modern art, nature and contemplation.” CBS News, 20 January 2019.Gompertz, Will. “The Gompertz guide to... Jeff Koons.” BBC News, 9 February 2019.Greenberg, Alex. "'Their Work Cannot be Taken at Face Value': Massimiliano Gioni on Curating a Duchamp/Koons Blockbuster for Museo Jumex." Artnews, 4 June 2019.Gural, Natasha. "Jeff Koons' 'Anti-David' Epitomizing 1980s Excess is Climax of Media Mogul's $130 Million Collection." Forbes, 21 April 2019.Hensher, Philip. “'It is blazingly hideous. I rather recommend it.' The Ashmolean Museum in Oxford's new Jeff Koons exhibition is well worth a visit." Daily Mail, 9 February 2019.Holland, Oscar. "Jeff Koons' $91M 'Rabbit' sculpture sets new auction record." CNN, 16 May 2019.Hughes, Tim. “Jeff Koons Shines at Ashmolean Museum Oxford.” Oxford Times, 14 February 2019.Hsu, Tiffany. “The Champs-Elysées: Its a Real Fixer-Upper.” New York Times, 27 February 2019, 30.Ilchi, Layla. "Christie's Auction of S.I. Newhouse Art Expected to Fetch $130 Million." Women's Wear Daily, 29 March 2019.Januszczak, Waldemar. “Art review: Jeff Koons, Ashmolean Museum, Oxford.” Sunday Times, 10 February 2019.“Jeff Koons art on display at Ashmolean Oxford.” BBC News, 7 February 2019.“Jeff Koons interview.” Time Magazine (London), 2 February 2019."Jeff Koons Sculpture Smashes Record at Auction for Work by a Living Artist." The Business Times, 17 May 2019.Jones, Jonathan. “Koons apes the old masters and robots invade Edinburgh – the week in art.” The Guardian (London), 1 February 2019.Kazakina, Katya. “At Art Basel Miami Beach, a Tale of Two Markets: Lean at the Top, But Robust on the Lower End.” Artnet News, 1 December 2022. https://news.artnet.com/market/art-basel-miami-beach-day-two-report-2213652“Koons exhibit at Ashmolean features contentious pieces.” The Miscellany News, 13 February 2019.Lin, Anette. "Why Jeff Koons is a Natural Successor to Marcel Duchamp." Artsy, May 2019.Loos, Ted. "S.I. Newhouse Jr.'s Collection of Modern Masters Comes to Christie's." The New York Times, 26 March 2019."Masterpieces from the Collection of S.I. Newhouse." Christie's, 27 March 2019.McVeigh, Roisin. “Reflecting on why the art world loves to hate Jeff Koons.” Dazed, 12 February 2019.Park, Emma. “In his shiny surfaces, Jeff Koons reflects the vanity of our age.” Apollo, 12 February 2019.Pavia, Will. “How to Turn a Balloon into $58 Million.” Times Magazine, 2 February 2019.Pelling, Rowan. “Jeff Koons interview: in the studio with art's greatest showman.” Telegraph, 12 January 2019.Press, Clayton. "Marcel Duchamp + Jeff Koons, Appearance Stripped Bare (Aparencia Desnuda), Museo Jumex, Mexico City." Forbes, 24 May 2019."Rabbit by Jeff Koons -- a Chance to Own the Controversy." Christie's, 17 April 2019. Rea, Naomi. “ Jeff Koons Wants to Teach Brits About Transcendence With His New Show at Oxford—and Tickets Are Selling Out Fast.” Artnet News, 6 February 2019.“Review: Jeff Koons at the Ashmolean Museum, Oxford.” 5 February 2019.Reyburn, Scott. "Jeff Koons 'Rabbit' Sets Auction Record for Most Expensive Work by Living Artist." New York Times, 15 May 2019.Scott, Andrea K. "How Jeff Koons's 'Rabbit' Became Big Game." The New Yorker, 21 May 2019.Searle, Adrian. “Jeff Koons review –haemorrhoid horrors from the artist who's too expensive to fail.” The Guardian, 6 February 2019.Shaw, Anny. “Jeff Koons says computer technology allowed him to downsize his New York studio.” Art Newspaper, 6 February 2019.Smith, Roberta. "Stop Hating Jeff Koons." The New York Times, 15 May 2019.Solly, Meilan. "Jeff Koons' 'Rabbit' Breaks the Auction Record for Most Expensive Work by Living Artist." Smithsonian Magazine, 17 May 2019.Sooke, “Jeff Koons, Ashmolean, review: gauche, unfashionable, and impossible to take your eyes off." Telegraph, 2 February 2019.Tannenbaum, Barbara. "A jornada da fotografia: de enteada a coadjuvante." (Portuguese) Traco 2 (Brazil), 2019, pp. 66-77.Wamsley, Laurel. "Jeff Koons' 'Rabbit' Fetches $91 Million, Auction Record for Work by a Living Artist." NPR, 16 May 2019.Westall, Mark. “Jeff Koons heads to university.” FAD Magazine, 15 February 2019.2018"20 Million for the Pitch." Exibart.com, 4 April 2018.Agence France-Presse. "The American Pioneer: Artist Jeff Koons on Money, Risk and Acceptance." Hindustan Times, 31 March 2018.Agence France-Presse. "Money, Risk, and Acceptance, seen by the Artist Jeff Koons." Daily Mail, March 29, 2018.Agence France-Presse. "Uncanny Representations of Human Body Examined in 'Like Life.'" Inquirer.net, 18 March 2018.Angeleti, Gabriella. "Jeff Koons on Transcendence." Art Newspaper, 6 June 2018."Art Basel Hong Kong Show: Zwirner Gallery will focus on exhibiting Jeff Koons's work." Tencent Guangdong Guangdong Art Channel, 15 March 2018."Artist Koons meets French Minister Over Sculpture Dispute." Seattle Times via the Associated Press, 30 January 2018.Bellet, Harry. “Jeff Koons, c’est le bouquet!” Le Monde, 25 January 2018.“Besucher Beschadigt Werk von Jeff Koons.” Franffuter Allgemeine, 8 April 2018.Bommelaer, Claire. “En pleine polémique sur le Bouquet of Tulips, Françoise Nyssen va recevoir Jeff Koons.” Le Figaro, 25 January 2018.Brown, Mark. “Oxford students persuade Jeff Koons to stage rare UK art show.” Guardian (London), 26 October 2018."'Capturing a Feeling of Creation': Jeff Koons on Play-Doh." Christie's, 16 May 2018.Catlin, Roger. "Are You Buying What These Artists Are Selling?" Smithsonian.com, 26 February 2018."A Closer Look: Piecing Together Play-Doh." Christie's, 9 May 2018.Codrea-Rado, Anna. "Jeff Koons Sculpture in Honor of Paris Terror Victims Draws Outrage." New York Times, 22 January 2018.Corbett, Rachel. "See Jeff Koons's Hair-Raising Student Art From the 1970s." Artnet News, 25 June 2018.Cowen, Trace William. "Lil Uzi Vert Is Jeff Koons' Weighlifting Soundtrack." Complex, 9 March 2018.Cruz, Valdemar. "From the excesses of Jeff Koons to the photograph of Gilbert & George - Serralves returns to the Sonnabend collection." Expresso, 10 May 2018.d'Arenberg, Diana. "Art Basel in Hong Kong 2018: A Post-mortem." Ocula, 6 April 2018.Dafoe, Taylor. "After Three Years of Work, the Getty Villa Prepares to Reopen with a New Look - and Koons's Play-Doh." Artnet News, 13 April 2018.Dafoe, Taylor. "From Salvador Dali to Jeff Koons, a New Show Reveals the Artists Behind History's Great Album Covers." Artnet News, 14 February 2018.Dafoe, Taylor. “Jeff Koons’s Production Company Defends His Controversial Paris Memorial Against Fierce Backlash.” Artnet News, 29 January 2018.Dalley, Jan. "The Big Guns." Financial Times, 24 March 2018.Da Silva, Jose. “Jeff Koons's balloons, basketballs and ballerinas to head to historic Oxford museum for solo sho.” Art Newspaper, 26 October 2018.Dellas, Mary. "A Closer Look at the World of Modern Art in the '80s." The Cut, 13 February 2018.Dellas, Mary. "Jeff Koons's 'Easyfun-Ethereal' Now on Display at the Gagosian." The Cut, 12 March 2018.Dingfelder, Sadie. "'Brand New' at the Hirshhorn Celebrates and Skewers the '80s." The Washington Post, 15 February 2018."Disasters at the Museum: From the Shattered Work of Koons to the Theft of the Stone of Yoko Ono." ArtsLife, 10 April 2018.“Diversive artist Jeff Koons says he is a risk-taker.” Straits Times, 2 April 2018.Dobson, Jim. "An Insider's Guide to the Best of Art Basel Hong Kong." Forbes, 22 March 2018.Estiler, Keith. "Jeff Koons to Display Monumental Artworks at Art Basel Hong Kong 2018." Hypebeast, 9 March 2018.Gleiberman, Owen. "Film Review: 'The Price of Everything.'" Variety, 1 April 2018.Grant, Jasmine. "Virgil Abloh Unveils Beyoncé's Customized Louis Vuitton x Jeff Koons Bag." Complex, 15 April 2018.Guerrero Nakpil, Lisa. "Jeff Koons and the Year of the Dog." Philippine Star, 9 April 2018.Haffner, Michael. "True/False Film Fest 2018: The Price of Everything." We Are Movie Geeks, 11 March 2018.Hamilton, Julie M. "Full Frame: The Price of Everything Is a Nuanced Indictment of Art's Relationship to Money." Indy Week, 12 April 2018.Higgins, Adrian. "At 37 Feet Tall, Jeff Koons’s Flower-Draped ‘Split-Rocker’ Demands a Whole Lotta Love." Washington Post, 18 April 2018.Hine, Samuel. "The Elusive Lil Uzi Vert Talks Jeff Koons and How He Found His Voice in Fashion." GQ, 14 May 2018.“‘Hulk’ de Jeff Koons em destaque em Serralves na segunda parte de Colecao Sonnabend.” Nacional, 10 May 2018.Hypebeast. "Jeff Koons Talks Art, Porn and Philosophy." South China Morning Post Style Magazine, 25 April 2018."Jeff Koons at David Zwirner at Art Basel Hong Kong 2018." Blouin Artinfo, 22 March 2018."Jeff Koons' 'Hulk' featured in Serralves in the second part of the Sonnabend Collection." DN, 10 May 2018.“Jeff Koons’s message on a bottle.” Art Newspaper, 24 December 2018.“Jeff Koons to display artworks at Oxford exhibition.” BBC, 26 October 2018.Kane, Ashleigh. “A major Jeff Koons exhibition is coming to the UK.” Dazed, 26 October 2018.Kinsella, Eileen. "From a Sparkly new Jeff Koons Swan to a $35 Million de Kooning, Dealers are Busting Out the Blue Chip for Art Basel Hong Kong." Artnet News, 26 March 2018.Kinsella, Eileen. "Jeff Koons's Ginat Play-Doh Sculpture Could Fetch $20 Million at Christie's This Spring." Artnet News, 3 April 2018.Kwon, Ashley. "Full Frame 2018: 'The Price of Everything' Questions the Accessibility of Fine Art." The Chronicle, 11 April 2018.Lemarquis, Pierre. "Does Loving Jeff Koons Protect Against Alzheimer's Disease?" AgeVillage, 10 April 2018."Logic Reversal: Jeff Koons at Galerie de Bellefeuille, Montreal." Blouin Artinfo, 6 March 2018.Lok, Evelyn. "Art Basel Hong Kong 2018: Here are all the fair highlights you don't want to miss." Lifestyle Asia, 23 March 2018.Loria, Michael. "Brand New at the Hirshhorn." On Tap Magazine, 22 April 2018.Martinez, Jamie. "Jeff Koons: Easyfun-Ethereal at Gagosian Gallery." Art Fuse, 18 March 2018.McCarthy, Ciara. "Jeff Koons Exhibit to Open in Chelsea." Chelsea Patch, 6 March 2018.McGarrigle, Lia. "Jeff Koons Says He Lifts Weights While Listening to Lil Uzi Vert." Highsnobiety, 9 March 2018.McHugh, Fionnuala. “Hong Kong-bound Jeff Koons talk ‘plastic art’, selfies and Art Basel.” Post Magazine, 24 March 2018.McHugh, Fionnuala. "Man of Steel." Post Magazine, 25 March 2018.Meiselman, Jessica. "How Jeff Koons, 8 Puppies, and a Lawsuit Changed Artists' Right to Copy." Artsy, 14 August 2018.Miller, M.H. "The Artists Who Defined the East Village's Avant-Garde Scene." New York Times Style Magazine, 17 April 2018.Moll, Maarten. "Everyone is a Part of the Jeff Koons Stareball." Het Parool, February 15, 2018.Morgan, Tiernan. "The Decade that Changed the Art World: Money, Media, and Brands in the 1980s." Hyperallergic, 10 May 2018.Nevins, Jake. "Jeff Koons: 'I think I'll always keep feeling somewhat like an outsider'." Guardian, 9 March 2018.Obrist, Hans Ulrich. "Jeff Koons on His Five Most Ambitious Unrealized Projects." Artsy, 2 April 2018.“Paris doit accepter le cadeau de JeffKoons.” Le Monde, 23 February 2018: 21."Play-Doh: $20 Million Jeff Koons from Christie's New York." ArtsLife, 4 April 2018.Podolsky, Erin. "When Big Money and the Arts Collide: Documentaries Explore Beauty and Bucks." Detroit Free Press, 12 April 2018.Rahman, Abid. "Art Basel Hong Kong Opens to Record Sale, Jeff Koons." Hollywood Reporter, 29 March 2018.Rangachari Shah, Gayatri. "Koons for Star Power." The Hindu, 30 March 2018.Rossen, Jake. "This Giant Jeff Koons Play-Doh Sculpture Could Be Yours for $20 Million." Mental Floss, 4 April 2018.Schjeldahl, Peter. "'Like Life' Shows Seven Hundred Years of the Body." New Yorker, 2 April 2018.Schneider, Tim. "And Now, a Message From Jeff Koons: David Zwirner Launches a Podcast Focused on the Gallery's Superstar Artists." Artnet News, 28 June 2018.Shaw, Amy. "Sotheby's Unveils Old Master Painting in the Middle East for the First Time: Will Jeff Koons's Handbags for Louis Vuitton Help Find a Buyer for the Rubens Portrait?" The Art Newspaper, 16 March 2018.Sjostrom, Jan. "Palm Beach Jewelry, Art & Antique Show opens today with 150 dealers." Palm Beach Daily News, 14 February 2018.Smith, Roberta. "Real, or Too Real? A Dazzling Show Goes the Way of All Flesh." The New York Times, 22 March 2018.Stiernon, Stéphanie. "The fair of Art Basel, an artistic giant in Hong Kong." Le Petit Journal, 27 March 2018.Sussman, Anna Louie. "Jeff Koons on What Artists and Corporations Can Do for One Another." Artsy, 19 June 2018.Sutton, Benjamin. “Oui Oui! French Cultural Figures Praise Colossal Jeff Koons Bouquet in Op-Ed." Hyperallergic, 26 February 2018.Troncy, Eric. "The day Claude Monet was as scandalous as Jeff Koons." Numeró, 11 May 2018.Tsui, Enid. "The Best of Art Basel Hong Kong: Works and Artists to Look Out for at the Fair." Post Magazine, 22 March 2018.“Les tulipes de Jeff Koons: Anne Hidalgo souhaite l'aboutissement du projet.” Liberation, 2 June 2018.“Tulipes de Jeff Koons : l'art de faire polémique.” M.R., Les Echos, 2 February 2018: 21.Vail, H. W. "Jeff Koons, Lourdes Leon, and More Toast David Zwirner’s 25th Anniversary." Vanity Fair, 16 January 2018.Valys, Phillip. "Art Wynwood returns with Dali, Duchamp and Koons." Southflorida.com, 13 February 2018.Westall, Mark. "New Jeff Koons 'Easyfun-Ethereal' Exhibition to Open." FAD Magazine, 14 February 2018.Westall, Mark. "Plato in L.A." FAD Magazine, 17 April 2018."When Jeff Koons Met Michelangelo." The Economist, 19 April 2018.Wolin, Jospeh R. "Review: 'Like Life: Sculpture, Color, and the Body (1300-Now).'" Time Out New York, 2 April 2018.Yablonsky, Linda. "Artists Bring a Breath of the Contemporary to the Getty Villa." The Art Newspaper, 22 April 2018.Zelko, Abbey. “The votes are in. York County's most famous living celebrity is...” York Daily, 20 June 2018.2017Agence, France-Presse. "Jeff Koons Produces New Works with French Porcelain Maker Bernardaud." Malaymail Online, 10 May 2017.Agence, France-Presse. "Jeff Koons Unveils Giant Inflatable Ballerina In New York." Malaymail Online, 13 May 2017.Ahwa, Dan. “Louis Vuitton Unveils New Collaboration with Jeff Koons.” Viva, 11 April 2017.Argento, Mike. “For Koons, art is everywhere & everything is art.” York Daily Record, 18 January 2017.Associated Press. "Inflatable Sculpture of Ballerina by Jeff Koons Unveiled." U.S. News, 12 May 2017.Baeza, Manon. "Scarlett Johansson Narrates This Short Doc About Jeff Koons." Konbini, 16 June 2017.Beniaris, Katina. "8 Stunning Outdoor Artworks to View In NYC This Summer." Gotham, 23 June 2017.Bowers, Courtney. "Spot the Seated Ballerina in NYC." Dance Spirit, 15 May 2017.Bullock, Maggie. “Jeff Koons discusses the old-world inspiration for his new project with Louis Vuitton.” Elle, 27 April 2017.Butcher, Dwayne. "Jeff Koons Piece on View at the Dixon." Memphis Flyer, 10 March 2017.Cafolla, Anna. “Marina Ambramovic & Jeff Koons front new online VR gallery.” Dazed, 11 June 2017.Carlson, Jen. "There's a Giant Jeff Koons Ballerina In Rockefeller Center." Gothamist, 12 May 2017.Cascone, Sarah. “Jeff Koons Returns to Rockefeller Center With Inflated ‘Seated Ballerina’ Sculpture.” Artnet News, 11 May 2017.Cascone, Sarah. "Snapchat Unites with Jeff Koons for a Globe-Spanning Augmented Reality Scupture Project." Artnet News, 10 October 2017.Charney, Noah. "Did Jeff Really Paint that Koons? Working at a Modern Studio Isn't Exactly a Renaissance Apprenticeship." Salon 25, June 2017.Chow, Andrea R. "Snapchat and Jeff Koons Collaborate on Augmented Reality Art Project." 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"John Legend Wow Crowd at MOCA Gala for Jeff Koons." Variety, 30 April 2017.Duray, Dan. "Is Instagram-Friendly Contemporary Art Killing the Market for Old Masters?" W Magazine, 9 June 2017.Eckardt, Stephanie. "Jeff Koons Will Collaborate with Anyone, From Louis Vuitton to Phone Cases and Lady Gaga." W Magazine, 11 April 2017.Ellison, Jo. “Master pieces? Jeff Koons on his first collaboration with Louis Vuitton.” Financial Times, 11 April 2017.Eustace, Robert. "Sold: 'The Platonic Ideal of a Balloon Dog' - The Wild World of Art Dealing." The Telegraph, 5 February 2017.Forrest, Nicholas. “Jeff Koons Plays with the Gaze at Almine Rech Gallery London.” Blouin Artinfo, 2 January 2017.Foxley, David. "Jeff Koons's 'Seated Ballerina' Sculpture In NYC's Rockefeller Center Stands for a Worthy Cause." Architectural Digest, 15 May 2017.Friedman, Vanessa. “Jeff Koons’s New Line.” The New York Times, 11 April 2017.Gardner, Chris. "Inside the MOCA Gala Honoring Jeff Koons with John Legend, Sharon Stone and Sean Penn." The Hollywood Reporter, 1 May 2017.Georgiou, Danielle. "Dancer Depictions." Theater Jones Performing Art News, 19 May 2017.Geyer, Christina. "Louis Vuitton Taps Another Famed Artist for its New It Girl Bags." PaperCity Magazine, 23 May 2017.Griffs, Miles. "Paris Hilton, John Legend, and More Celebrate Jeff Koons at the 2017 MOCA Gala." W Magazine, 30 April 2017.Goldberg, David. "The Giant Ballerina at Rockefeller Plaza Gets an Extension." Time Out New York, 22 June 2017.Goldstein, Caroline. "Watch Scarlett Johansson Explain Why Jeff Koons Is an Artistic Genius (Really)." Artnet News, 15 June 2017.Grinnell, Sunhee. “Jeff Koons and Kiehl’s Bring the International Center for Missing and Exploited Children into the Spotlight.” Vanity Fair, 11 May 2017.Haber, Holly. "Jeff Koons Turns Out at Neimans' in Dallas." WWD, 13 June 2017.Halio, Grace. "Jeff Koons and George Condo Recall the '80s at New Museum's 40th Anniversary Fete." ARTnews, 7 December 2017.Harris, Aleesha. "Works of Wearable Art: Louis Vuitton, Jeff Koons Collaboration Brings Priceless Art to Purses." The Province, 26 April 2017.Hawkins, Laura. “Different strokes: Louis Vuitton and Jeff Koons put a new frame on Old Masters.” Wallpaper*, 11 April 2017.Heyman, Marshall. "John Legend, Sharon Stone Turn Out for MOCA Gala Honoring Jeff Koons." WWD, 30 April 2017.Holmes, Brooke. “Keeping it Platonic: A Conversation with Jeff Koons.” 032C, June 2017."Jeff Koons." Artnow by Noblesse (Issue 20), Winter 2017."Jeff Koons' 45-Foot Inflated Seated Ballerina Takes On Rockefeller Center." Untapped Cities, 12 May 2017.“Jeff Koons Visits PS 145 in Manhattan to teach Art Class as part of Studio in a School.” ArtFix daily, 19 June 2017. Jones, Jay. "Check Out Vegas' Remarkable Public Art, from 'Popeye' to a Winged Jackalope." Los Angeles Times, 20 June 2017.Jones, Jonathan. “Jeff Koons’ Louis Vuitton Bags: A Joyous Art History Lesson.” The Guardian, 12 April 2017.Kamer, Nimrod. “Jeff Koons’ Louis Vuitton Bags Are Like Marmite.” GQ, 20 April 2017.Kinsella, Eileen. "Jay-Z Performed in Front of a Giant Jeff Koons Balloon Dog - With the Artist's Blessing." Artnet News, 21 August 2017.Kobielski, Maciek. "Jeff Koons, the Man Who Invites Art at Louis Vuttion." Vanity Fair France, 11 April 2017. Koons, Jeff. "The History of Art According to Jeff Koons." 12 October 2017."Koons' Paris Artwork Runs Into Controversy." The Straits Times, 26 June 2017."Koons Tacks His 'Gazing Ball' on Vuitton Bags." The Nation [Thailand], 13 June 2017.La Force, Thessaly. "Who Is Jeff Koons?" Vice, 12 June 2017.Makitalo, Georgia. “Celebrated Artist Jeff Koons Inflated 45-Foot-High ‘Seated Ballerina’ At Rockefeller Center To Offer ‘Hope’.” Inquisitr, 18 May 2017.Mantor, Cassidy. "Neiman Marcus and Jeff Koons Celebrate Dallas Art Scene." 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Tarmy, James. "Jeff Koons on the True Price of Being an Artist." Bloomberg Businessweek, 3 November 2017.Valentine, Claire. "Let Scarlett Johansson Teach You All About Jeff Koons In Short Film." Paper, 15 June 2017.Vankin, Deborah. “Jeff Koons on his new Gagosian show, his MOCA award and what’s behind those Louis Vuitton bags.” Los Angeles Times, 27 April 2017.Vankin, Deborah. “MOCA names its spring gala honoree: Jeff Koons.” Los Angeles Times, 7 March 2017.Vignal, Marion. “Inside Jeff Koons’ controversial collaboration with Louis Vuitton.” Elle, 19 May 2017.Viswanath, Jake. "Scarlett Johansson Narrates a New Jeff Koons Mini-Doc." V Magazine, 16 June 2017.Von Hahn, Karen. "Vuitton's Newest Art Collaboration is Brilliantly Meta." Toronto Star Touch, 25 April 2017.Wakim, Marielle. "Can You Guess Which Jeff Koons Balloon Animal Is Being Built at LACMA as We Speak?" Los Angeles Magazine, 13 December 2017.Weiss, Zachary. "Jeff Koons Art-Directs an Over-the-Top Halloween Party." Architectural Digest, 31 October 2017.Westall, Mark. "World's Most Ambitious VR Art Platform to Launch with: Koons, Abramovic & Eliasson." FAD, 11 June 2017.“Why Streetwear Fans Should Care About Jeff Koons.” Highsnobiety, 27 April 2017.Williams, Sally. “Jeff Koons on his ‘wild years’… and going from penniless to the world’s most expensive artist.” The Telegraph, 20 April 2017.Womack, Catherine. “Jeff Koons Isn’t Exactly 'Woke' – but He Has Other Nice Qualities.” LA Weekly, 2 May 2017.Yablonski, Linda. "Mirror Mirror." Artforum, 2 May 2017.Young, Michelle. “10 Places to See the Work of Jeff Koons In NYC, Past and Present.” Untapped Cities, 17 May 2017.Zelko, Abbey. “World-Renowned Artist Koons Inspired by York Upbringing.” York Daily Record, 18 January 2017.2016"Les 7 Buzz - Les fleurs de la solidarité." Tele 7 Jours, December 2016.Abrams, Amah-Rose. “Jeff Koons Gifts Monumental Statue to Paris in Memory of Attack Victims.” ArtNet News, 22 November 2016.“Aby Rosen’s 11 Howard Teams Up With Groundwell and Artist Mentor Jeff Koons to Create Massive Pubic Mural.” Artfix Daily, 1 March 2016.Armstrong, Annie. “From Van Gogh To Jeff Koons, Here’s a History of Flowers in Art.” The Creators Project, 13 March 2016.“Art Market’s Exclusive Interview with Renowned Artist Jeff Koons – The First of Many Future Exclusives.” Digital Journal, 28 March 2016.“Artist Jeff Koons to deliver Gibbes Museum lecture.” The Post and Courier, 17 August 2016.Beer, Jeff. “Your Chance To Own Original Jeff Koons Art, Courtesy of Google’s Nexus Live Case Line.” Co.Create, 12 May 2016."Behind the Art - Noirmontartproduction." The Maker Magazine, 5 December 2016.Belknap, Kelly. “Feel Like a Billionaire Art Collector With This $8,000 Plate.” Bloomberg Pursuits, 14 April 2016.Bellet, Harry. “Jeff Koons fait une fleur à Paris.” Le Monde, 24 November 2016.Bergliaffa, Mercedes Pérez. “Consejo del artista más caro del mundo: hay que cruzar los límites.” Clarin, 13 April 2016.Berlinger, Max. “Jeff Koons Designs a Snowboard (With an Assist From Plato).” The New York Times, 6 December 2016.Betker, Ally. “Jeff Koons, the Google of the Art World, Teams Up with Google." W Magazine, 10 May 2016.“Bound to fail." Christie’s Magazine, April 2016.Buck, Louisa. “Jeff Koons: Now at Newport Street Gallery preview." The Telegraph, 13 May 2016.“Burton Unveils the Philosopher.” Shop Eat Surf, 9 December 2016.“Le 'Cadeau' de Koons À Paris." Valeurs Actuelles, 1 December 2016.Cain, Abigail. "These 10 Unrealized Artworks Would Have Been Spectacular." Artsy, 9 December 2016.Campbell-Johnston, Rachel. “Visual art: Jeff Koons: Now at Newport Street Gallery, SE11.” The Times, 13 May 2016.Cascone, Sarah. "Controversial Jeff Koons Sculpture Debuts at Sacramento Arena." Artnet News, 27 September 2016.Cascone, Sarah. "Tony Bennett Wins Shiny Gold Jeff Koons Balloon Rabbit at National Arts Awards." Artnet News, 18 October 2016.Centenera, Mar. “La bailarina de Koons que deslumbra a Buenos Aires.” El Pais, 15 April 2016.Chatruc, Celina. “Cayó el velo y la Ballerina de Koons ya danza entre nosotros.” La Nacion, 15 April 2016.Chatruc, Celina. “Jeff Koons: Los juicios alienan y segregan; todo es perfecto tal cual es.” La Nacion, 14 April 2016.Chatruc, Celina. “Koons present en sociedad a su Ballerina.” La Nacion, 14 April 2016.Clavin, Mark. “Designed by Jeff Koons & Jake Burton to Benefit the Chill Foundation.” Snow Boarder, 9 December 2016.Colin-Thibert, Pierre. "Un malheur n'arrive jamais seul." Pierre Colin-Thibert, 1 December 2016.“Como una Estrella de rock, Jeff Koons inauguró su obra “Ballerina” en la explanada del Malba.” Télam, 14 April 2016.Cook, William. “'Wow, I can do this!'” Christie’s Magazine, January 2016.Corbett, Rachel. “Jeff Koons and Eric Kandel Talk Art and Empathy.” Blouin ArtInfo, 4 October 2016.Corbett, Rachel. “Jeff Koons On Lady Gaga, His First Job in New York, and Dangling Steam Engines at the High Line.” Blouin Artinfo, 21 April 2016.Cossins, Malcolm. "Contemporary Conversations with the Old Masters." Christie's, 26 October 2016.Creahan, D. "Jeff Koons at Almine Rech Gallery Through January 21st, 2017." Art Observed, 25 October 2016.Cué, Elena. “Interview With Jeff Koons.” The Huffington Post, 1 July 2016.Cué, Elena. “Jeff Koons: “El arte es una percepción de tus propias posibilidades.” ABC, 25 June 2016.Dafoe, Taylor. "Controversial Jeff Koons Sculpture Unveiled at Sacramento Stadium, Turner Prize Show Opens at Tate, and More." Blouin Artinfo, 28 September 2016.Dafoe, Taylor. "Jeff Koons Endorses Hillary Clinton, Anderson Cooper at TEFAF, and More." Blouin Artinfo, 24 October 2016.“Damien Hirst Pays Tribute To Jeff Koons With Special “NOW” Exhibition.” END, 22 May 2016.“Damien Hirst puts his personal collection of Jeff Koons artwork on show.” Vogue Paris, 13 May 2016.“Damien Hirst To Curate Jeff Koons Exhibition At Newport Street Gallery.” Artlyst, 23 March 2016.De La Fresnaye, Marie-Elisabeth. “In the studio: the artist photographed from Ingres to Jeff Koons.” L’Oeil de la Photographie, 11 April 2016.De Micco, Luana. “Through the keyhole: photographer’s capture artist’s studios.” The Art Newspaper, 15 April 2016.DeMattia, Nico. “Top Five best BMW Art Cars.” BMW Blog, 11 March 2016.Di Palma, Serena. “Jeff Koons litiga con Nardella e si riprende la sua statua.” ArtsLife, 29 January 2016. Disser, Nicole. “Jeff Koons on His Dream Choo Choo and That Time Lady Gaga ‘Kind of Went Down’ On Him.” Bedford + Bowery, 28 April 2016.Domirez, Darren. “Google Nexus Features Limited-Edition Jeff Koons Exhibition Live Case, His Cheapest Artwork Price Ever.” University Herald, 12 May 2016.Donadio, Rachel. “Jeff Koons Is Giving Sculpture to Paris to Remember Terror Victims.” The New York Times, 21 November 2016.Duponchelle, Valérie. “Jane D. Hartley : J’ai commence avec Jeff Koons, je finis avec Jeff Koons.” Le Figaro, 23 November 2016.Duray, Dan. “Koons’s kitschy kids and Dubuffet’s beard lead New York sales at Phillips.” The Art Newspaper, 21 April 2016.Embuscado, Rain. “Jeff Koons Debuts First Live-Action Video Work with Google.” Artnet News, 10 May 2016.Embuscado, Rain. "Who Said This - Lady Gaga or Jeff Koons?" Artnet News, 17 May 2016.Ezquiaga, Mercedes. “Jeff Koons: “No nos deben importer los objetos sino las personas." Télam, 13 April 2016.“Editor’s Picks: 12 Art Events to See in New York This Week.” Artnet News, 18 April 2016. “Eli and Edye Broad and Motorola Solutions Foundation to be Honored at International Centre for Missing & Exploited Children’s 2016 Gala for Child Protection, May 5; Jeff and Justine Koons to Serve as Honorary Co-Chairs.” Artfix Daily, 2 March 2016.Elizalde, Molly. “Snapchat Discover Channel: Sweet Culture.” Sweet, 11 May 2016.Embuscado, Rain. “Who Said This – Lady Gaga or Jeff Koons?” Artnet News, 17 May 2016.Fenner, Justin. “Jeff Koons Just Released His Most Affordable Work Yet.” GQ, 10 May 2016.“Les Fleurs du Mâle." Le Figaro, 2 December 2016.“For $40, you could own a Koons.” The Art Newspaper, 19 May 2016.Forrest, Nicholas. “Damien Hirst to Curate Jeff Koons Show At Newport Street Gallery.” Blouin Artinfo, 23 March 2016.Forrest, Nicholas. “The Joy of Jeff Koons at Damien Hirst’s London Gallery.” Blouin Artinfo, 26 May 2016.Freeman, Nate. "Frieze Openings Begin, With Jeff Koons at Almine Rech, Ed Ruscha at Gagosian - and Monica Lewinsky!" 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"Taipei, Koons Top Attendance Charts, Getty Announces $8.45 Million for 'Pacific Standard Time', and More." Blouin Artinfo, 31 March 2016.Hardaway, Connelly. “The Gibbes Distinguished Lecture Series Presents Jeff Koons this November.” Charleston City Paper, 17 August 2016.Hardaway, Connelly. “The Millionaire Artist Talks Art, Objectivity, and a Higher Consciousness.” Charleston City Paper, 16 November 2016.Harris, Gareth. “Jeff Koons unveils plans for a memorial to the victims of the Paris terror attacks.” The Art Newspaper, 22 November 2016.Hay, Thierry. “Le charme et les secrets des ateliers d’aritstes d’Ingres à Jeff Koons, au Petit Palais.” France TVinfo, 5 April 2016. Heaney, Joe. “Over 18s only! Damien Hirst shows off racy artworks from Lady Gaga collaborator in Vauxhall.” SW Londoner, 20 May 2016.Henriette, Hadley. “Jeff Koons on His Passion: Helping Missing and Exploited Children.” Haute Living, 3 June 2016.Heddaya, Mostafa. “Taipei, Koons Top Attendance Charts, Getty Announces $8.45 Million for ‘Pacific Standard Time,’ and More.” Blouin Artinfo, 31 March 2016."Here's a Photo of Jeff Koons's Newly Installed Permanent Sculpture In Sacramento, California." ARTnews, 26 September 2016.“Hirst hosts Koons in London.” ENCA 17, May 2016.Hudson, Mark. “Does this new show reveal Jeff Koons’ greatest contribution to art? -review.” The Telegraph, 18 May 2016.Hughes, Rosalie, Anna Polonyi. “Voices: Where Art Meets Technology.” International New York Times, 24 March 2016.Hyde, Sarah. “Jeff Koons Kicks Off London Frieze Week with Show at Almine Rech.” ArtNet News, 5 October 2016.“In Conversation Jeff Koons and Glenn Fuhrman.” Gagosian NOW, 12 May 2016.“Internationally Renowned Artist Jeff Koons Joins Sacramento Kings To Unveil Sculpture Commissioned For Arena’s Public Plaza.” Golden 1 Center, 26 September 2016.“Irony in Stainless Steel.” Böllinghaus Steel Stories Magazin V, March 2016.“Jeff Koons and his Play-Doh pile ‘Now’ in London.” Euronews, 20 May 2016.“Jeff Koons art… on your phone?” FlipSide PA, 11 May 2016. "Jeff Koons at Almine Rech Gallery, London." 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Plummer, Todd. “Jeff Koons’s Tips for the Perfect Selfie.” Vogue, 10 May 2016.Pogrebin, Robin. “Christie’s Auction: a Rock, a Basketball, Hitler on His Knees.” The New York Times, April 14, 2016.Polidoro, Federica. “Ecco l’intervista di Jared Leto a Jeff Koons, nella web serie Beyond the Horizon.” Artribune, 21 February 2016.“Pop Star.” La Razon, 15 April 2016.Razaq, Rashid. "Jeff Koons: London to Stay Centre of the Art World." Evening Standard, 4 October 2016.Rottenberg, Silvia. “Jeff Koons showers MALBA with charisma.” Buenos Aires Herald, 15 April 2016.Sagittarius, Irene. "Koons, Murakami and Vasconcelos in Versailles: Attribution of value and change of values through contextualization." Marburger Jahrbuch für Kunstwissenschaft (Vol. 43), 2016.Salazar Winspear, Olivia. “Jeff Koons ‘wants to give hope’ to Paris attacks survivors.” France 24, 25 November 2016.Saviss, Ramona. “Adorn Your Home with These Art Objects by Jeff Koons and Ken Price.” Los Angeles Confidential, 21 June 2016.Seed, John. “Landseer’s Poodle, Koons’ Balloon Dog and Why Museum Curators Should Hedge Their Bets For the Future.” Huffington Post, 8 May 2016.Scheffler, Daniel. “Another day that art collided with technology.” Selections, 11 May 2016.Scher, Robin. “Jeff Koons Collaborates With Community Organization Groundswell On New SoHo Hotel Mural.” Art News, 1 March 2016.Sidell, Misty White. “Jeff Koons and Google Unveil Phone Case Collaboration.” WWD, 10 May 2016.Sioudan, Yannis. “Jeff Koons réunifie la France et les Etats-Unis.” FocuSur, 22 November 2016.Small, Rachel. “Objet D’Art: A Way of Seeing.” Interview Magazine, 13 May 2016.“Statua Koons lascerà Firenze per gli Usa.” ANSA, 29 January 2016. 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"Putting a Fresh Spin on the Familiar." New York Times, 26 October 2012."Contemporary artist Jeff Koons joins Pablo Picasso, Salvador Dali in wine label art club." Artdaily.org, 19 December 2012.Davies, Lucy. "Is Jeff Koons having a laugh?" Telegraph, 18 June 2012.Douglas, Sarah. "Private Parts: At Basel's Beyeler Foundation, Jeff Koons Unveils, Explains New Work." Gallerist NY, 19 June 2012. Ersing, Sarah. "Eine Ausstellung uber Götter und Gummitiere." Welt Online, 19 June 2012.Foderaro, Lisa W. "High Line May Mix Past With Koons's Vision." New York Times, 26 March 2012.Frimbois, Jean-Pierre. "Succes: 82 Lots Vendus sur 91." Art Actuel (France), January-February 2012.Gärtner, Barbara. “Summer of Jeff.” Architectural Digest (Germany), July-August 2012."Governor Cuomo Announces Team of Artist, Technical Experts, and Community Leaders to Help Select Final Bridge Design for Tappan Zee Project." Governor's Press Office, 19 September 2012.Gropp, Rose-Maria. "Wie hlaten Sie's mit der Biologie, Mr. Koons?" Frankfurter Allgemeine, 16 June 2012.Hartvig, Nicolai. “‘It’s Somebody Having Sex’: Jeff Koons Bares the Subtext of His Art in Brussels.” Blouin Artinfo, 15 October 2012.Hermitage Museum Foundation. "Hermitage Museum Foundation & Phillips de Pury to Honor Jeff Koons, Erik Bulatov & Neil K. Rector." 25 September 2012.Hickley, Catherine. "Jeff Koons Fashions Venus's Buttocks In Shiny Steel." Bloomberg.com, 24 June 2012.Hierholzer, Michael. "Jeff Koons in Frankfurt: Ein Gummidelphin aus Stahl." Frankfurter Allgemeine, 19 June 2012."Immaculate Collection." Stylist Magazine, 29 August 2012."Jeff Koons's New Sculptures: Sexy Contemporary Antiques." Economist, 7 July 2012: 76."Jeff Koons. 'The Painter' and 'The Sculptor' Debut at Two Frankfurt Galleries." Huffington Post, 20 June 2012."Jeff Koons: Wie Wurde Der Kunstler Zum Konig des Pop." Monopol Spezial, 2012.“Jeff Koons.” W Korea, March 2012.Kaplan, Thomas. “Cuomo Seeks Artist’s Touch in Replacing Tappan Zee Bridge.” New York Times, 19 September 2012.Kazanjian, Dodie. "Studio Visit." Vogue, December 2012.Luscombe, Belinda. "10 Questions; Artist Jeff Koons." Time Magazine, 10 December 2012.Maak, Niklas. "Jeff Koons in Frankfurt: Die Braut haut ins Auge." Frankfurter Allgemeine, 19 June 2012.Nelson, Karin. “Cartoon Network.” W Magazine, May 2012.Reynold, Amerilia. "Jeff Koons At Fondation Beyeler." Whitewall Magazine, 5 June 2012.Russeth, Andrew. "A Penetrating Discussion: Jeff Koons Talks Picasso at the Guggenheim." Gallerist NY, 30 October 2012.“Sex Leben.” Vogue Germany, September 2012.Smith, Roberta. "The In-Crowd is All Here: 'Regarding Warhol' at the Metropolitan Museum." New York Times, 13 September 2012.Swanson, Abbie Fentress. "From Balloon Dogs to Puppets, Jeff Koons Teaches an Art Class." The New York Times, 5 June 2012."The ICA Boston presents the first major U.S. museum retrospective devoted to the art of the 1980s." Artdaily.org, 20 November 2012.Thornton, Sarah. "Divine Intervention." Artforum, 22 June 2012.Vogel, Carol. “Before Whitney’s Move, a Koons Retrospective.” New York Times, 10 May 2012."Welcome to the Funhouse.” The American Visual Arts in China, Summer/Fall 2012.West, Melanie Grayce. "Pooling Resources to Fight Child Abuse and Abduction." Wall Street Journal, 24 May 2012.Wilmot, Stephen. "But is it art?" Financial Times, 29 June 2012.2011"American contemporary artist Jeff Koons to lend major works to Paris Tableau." Artdaily.org, 7 September 2011.Anthony, Andrew. "The Jeff Koons Show." Guardian (London), 15 October 2011.Antin, Eleanor, John Baldessari, Thomas Demand, and Jeff Koons. “In the Freewheeling World of the Mind: Ren. Magritte II.” Tate Etc., no. 22, Summer 2011: 58–61.Chow, Jason. "Pinault Collection Shows in Seoul." Wall Street Journal, 7 September 2011.Cork, Richard. “Childish Things, The Fruitmarket Gallery, Edinburgh” Review. Financial Times, 4 January 2011.Crow, Kelly. "The Auctioneer Holds Forth on Money, Desire and the State of the Art." The Wall Street Journal Magazine, April 2011: 13.Didcock, Barry. ““If Every Culture Gets the Art It Deserves . . . What Does the Success of Jeff Koons Tell Us About Ourselves? Interview with American Artist Jeff Koons.” Herald Scotland (Edinburgh), 6 March 2011.Duray, Dan. "Meet The Hawkers: Ben Stiller and David Zwirner Preview Their Haiti Charity Auction at Christie's." New York Observer, September 2011.Eunlog, Sim. "Jeff Koons." Joongang (South Korea), August 2011.“Fastest work of art races past antiques and masterpieces at TEFAF Maastricht Arts and Antiques Fair.” Independent, 7 March 2011.Glader, Paul. "Boostein Medical Scans' Image." Wall Street Journal, February 2011.Gleadell, Colin. "Jeff Koons to lend works to new Old Master paintings in art fair in Paris." Telegraph, 5 September 2011.Gopnik, Blake. “The 10 Most Important Artists of Today.” Newsweek, 13-20 June 2011: 56-65.Granjean, Emmanuel. “L’art contemporain, le nouveau luxe d’aujourd’hui.” Edelweiss Hors Serié Luxe, November 2010.Gunn, Sarah. “Jeff Koons.” Journal (Edinburgh), April 2011.Hall, James. “Modern British Sculpture at the Royal Academy-review.” Guardian (London), 15 January 2011.Hamilton, Adrian. “Sculpture, but not as we know it.” Independent, 24 January 2011.“In the Freewheeling World of the Mind.” Tate Etc., Summer 2011.Javault, Patrick. "Le bon exemple: Jeff Koons." 20/27, no. 5, 2011: 125-149.“Jeff Koons.” Central Plains Journal, 5 May 2011."Jeff Koons: He Collapses The High and The Low." Newsweek, June 2011."Jeff Koons Desire of Love." Monthly Joong-ang (South Korea), August 2011.“Jeff Koons: Winter Bears.” Christie’s A Private View, January 2011.“Jeff Koons: Winter Bears.” Christie’s International Highlights, Winter/Spring 2011.Lagnado, Caroline. "FEGS Honors Pop Artist Jeff Koons.” Jewish Week, 24 May 2011.Love, Emma. “Artists Celebrate 25 years of Beck’s Art Labels.” Independent, 15 April 2011.Maddox, Garry. "A Life’s Work." Sydney Morning Herald, 7 May 2011.Melikian, Souren. “Buyers wonder: Will it stay steady over time?” International Herald Tribune, 25 February 2011.“National Galleries of Scotland to unveil collection of Jeff Koons’ works in Artist Rooms.” List, 3 January 2011.Puente, Maria. “Baby Boomers helped democratize art.” USA Today, 1 January 2011.Quattrone, Rafael. "Modernity and Art Field: living in a consumer world." Equipeco, 2011.Reyburn, Scott. “Warhol Self Portrait, Koons Bears Boost $116 Million U.K. Art Auction Test.” Bloomberg.com, 24 January 2011.Schmid, Lydia. “Jeff Koons.” Elle Deutschland, May 2011: 140-142.Schultz, Jordan. "For The Kids: A Vintage Sports Poster Exhibition." Huffington Post, August 2011.Searle, Adrian. “Modern British Sculpture: Empire of the Oddballs.” Guardian (London), 18 January 2011.Selman, Carol. “Artist-Phenomenon Jeff Koons Captures Montclair Art Museum Stage.” Montclair Patch, 16 April 2011.Shaw, Anny. “Jeff Koons: The Pain of Inflation.” Art Newspaper (Art Basel Daily Edition), 16 June 2011.Studer, Margaret. "In With The Old in Paris." Wall Street Journal, 21 October 2011.Studer, Margaret. “The Art World’s Yearly Pilgrimage.” Wall Street Journal, 11 March 2011.Tölke, Andreas. “Gleichgewicht Der Kräfte.” Build, March 2011.“Ultimate Icon.” Sotheby’s At Auction, 29 April-20 May 2011.Vilensky, Mike. "Actors, Artists Aid Haiti." Wall Street Journal, September 2011.Williams, Pharrell. “Jeff Koons’s Inspirations.” Harper’s Bazaar, August 2011: 470–71.2010Adler, Margot. "Rx Art For Hospitals: Just what the Curator Ordered." NPR.com, 30 September 2010.Baum, David. “Speed Im Blick.” GQ Germany, July 2010.Brown, Sarah. "Kiehl's Goes Koons." Vogue, October 2010.Budick, Arielle. “Ed Paschke, Gagosian Gallery, New York.” Financial Times, 21 April 2010.Burns, Charlotte. “Evidence Grows of Market Revival.” Art Newspaper, December 2010.Carey, John. “Jeff Koons’ 500-hp BMW ART Car, The Raw Power of Art.” Motor Trend Magazine, 2 June 2010.Carrozini, Francesco. "The Pop Couple. Jeff and Justine Koons." Text by Arturo Zampaglion. L'Uomo Vogue, January 2010: 262-267.“Celebration, Childhood, Colour, and Simplicity: Koons’s Balloon Flower (Blue).” Christie’s International Highlights, Winter 2010.“Contemporary Art Evening Auction.” Sotheby's At Auction, 21 June-16 July 2010.Delos, Soline. “Une Journée avec Jeff Koons.” Elle Paris, September 2010.De Wavrin, Isabelle. “La Biennale électrise la capitale.” Beaux Arts Magazine, September 2010.Doctrow, E. L. "Theme and Variations: AMERICA: NOWANDHERE A Multimedia exhibition organized and curated by Eric Fischl." Aperture, Fall 2010.Douaire, Pierre-Evariste. “Koons est gonflé.” Clark Magazine, no. 45, November-December 2010.Duponchelle, Valerie. “Jeff Koons, quand l’art fait son show.” Le Figaro, 29 October 2010.Ebony, David. "Fall Auction Totals Soar to Nearly $2 Billion." Art in America, January 2008: 37.“El retorno del arte de BMW a las 24 horas de Le Mans.” Polo Empresas, Summer 2010.Elliot, Hannah. “Jeff Koons on BMW’s New Art Car.” Forbes, 6 April 2010.Gasprad, Hugo. “I Am What I Am.” alt., Winter 2010."Gladiator of the Racing Track." BMW Classic Live Special Edition, 2010.Gurney, James. “Gurney’s Guide to Art and Watches: An A to Z of High Art and High Watchmaking.” Vanity Fair on Time, October 2010.Hirschberg, Lynn, and Diane Solway; photograph by Patrick Demarchelier. “Family Values.” W, December 2010."Ich Mochte Begehren Wecken." Weltkunst, no. 07, 2010.“Interview Jeff Koons.” Fondation Claude Pompidou La Lettre, May 2010.“Jeff Koons Art Featured in Hospital CT Scan Room.” York Daily Record, 23 August 2010.“Jeff Koons artwork graces Google homepage.” York Daily Record.com, 10 June 2010.“Jeff Koons talks about Manet.” Yomiuri Newspaper (Japan), 27 May 2010.“Jeff Koons the Top Selling Living Artist.” Harper’s Bazaar Men’s Style (Beijing Edition), February 2010: 154-159.Johnson, Ken. “Art in Review, Ed Paschke.” New York Times, 26 March 2010.Katz, Marisa Mazria. "Abu Dhabi Art." Whitewall, Spring 2010.Kazakina, Katya. “Koons’s BMW ‘Art Car’ to Run at Le Mans Endurance Race in June.” Bloomberg.com, 6 April 2010.Kennedy, Phillipa. "Koons Coup for Students." The National, 6 November 2010.Kennedy, Phillipa. "Portrait of the Artist." The National, 7 November 2010: 1, 3.Kennedy, Randy. “The Koons Collection.” New York Times, 28 February 2010.Kimmelman, Michael. “Culture of Recession? 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(note: K.A. author)Akbar, Arifa. “Koons Brings His ’Toons to Town.” Independent (London), 1 July 2009.Aspden, Peter. “Shiny Art, Happy People.” Financial Times, August 22-23, 2009: 3.Adam, Georgina. “Abu Dhabi Art Proves a Brave, New World For Dealers.” Art Newspaper, December 2009: 52.“Auction Reports.” Art Newspaper, December 2009: 50.Barton, Vidula. “Jeff Koons.” Elle Decor, December 2008-January 2009: 118-119.Blake, Robin. "After Happiness." Financial Times (UK & Ireland Edition), 4 July 2009.Bonami, Franceso. “Art & Money.” Domus, March 2009: 34-36.Blake, Robin. “Jeff Koons at the Serpentine Gallery.” Financial Times, 3 July 2009.Bouvier Raphael, “Jeff Koons und die Bildtradition.” Bazart Magazine, 6 June 2009: 1, 13.Campbell-Johnson, Rachel. "How do you like your lobster?" London Times, 1 July 2009: 14.Cashdan, Marina. “Jeff Koons.” Bluestocking, April-May 2009: 47-48.Cashdan, Marina. “Sharing the Wealth.” Whitewall, Fall 2009: 76-77, 80-81.Clark, Liat. "Pop Art Popeye." 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Modern Painters, December 2006-January 2007: 50-54.Schäfer, Martin Jörg. “‘Fantasy Realism’: Rainald Goetz, Jeff Koons, and the Ethics of Pop Art.” Germanic Review 81, no. 3, Summer 2006: 255-68.Schambelan, Elizabeth. “Best of 2006.” Artforum, December 2006: 284-285.Schmidt, Jason; photography. “Work in Progress.” V Magazine, Volume 44, Winter 2006/07: 56-57.Shaw, Kurt. “1958: A Good Year for Art.” Pittsburgh Tribune-Review, 15 October 2006.Sherwin, Skye. “Shiny Happy Person: Jeff Koons.” ArtReview, October 2006: 20.Spiegler, Marc. “The Art Market Can’t Crash and Why it Will Anyway.” New York Magazine, 3 April 2006: 41, 43.“The $3.5 Million Broken Egg.” The New York Sun, 12 October 2006: front page.Therond, Eve. “The Possessed: Interview with Francois Pinault.” Whitewall, Issue 3, 2006: 63.Thomas, Kelly Devine. "Say it with Flowers-or Gourds, Goat, Fur Cups, or Fried Eggs." Artnews, Volume 105, Issue 8, September 2006: 116-121.Thomas, Kelly Devine. “The Shoe Is on the Other Foot.” Artnews, Volume 105, Issue 1, January 2006: 32.Tolera, Christos. “To Whim or not to Whim.” Cent, no. 8, Fall 2006: 18–19.Turner, Jonathan. "Where Are We Going?" Artnews, Summer 2006: 171.Vetrocq, Marcia E. “A Museum of His Own.” Art in America, October 2006: 97-101.Vettese, Angela, and Rita Capezzutto. "Palazzo Grassi S.p.A.-French Furor, Restyled by Tadao Ando the Historic Building in Venice has been Reopened Under the Chairmanship of Francois Pinault." Domus, no. 893, June 2006: 54-57.Vogel, Carol. “At Spring Auctions, Big Names are Selling, and Being Sold.” New York Times, 27 April 2006: Arts1, 6.Von Hans-Joachim, Müller. “Wir sind Oberammergau.” Monopol, no. 6, December 2006: 40-54, 45.Weinberger, Dawn. “Toying with Imagination.” USA Weekend, 7-9 July 2006: 10.“Work in Progress.” Photography by Jason Schmidt. V Magazine 44, Winter 2006/2007: 56–57.Yuan, Julia. “Party Lines.” New York Magazine, October 2, 2006: 22.Yuan, Julia. “Party Lines.” New York Magazine, October 30, 2006: 30.Zappi, Lucrécia. “O Rei do Neopop; o controvertido artista Americano Jeff Koons rejeita rótulo de kitsch” (interview). Ilustrada (S.o Paulo), 26 July 2006: cover.2005Anfam, David. “Flower Myth: Basel” (exhibition review). Burlington Magazine 147, no. 1226, May 2005: 347–48.“Art & Fashion.” Vogue (Russia), May 2005: 85.Beech, Dave. “The Art of Skill.” Art Monthly, no. 290, October 2005: 1-4.Bellet, Harry. “La sexualit., c’est l’objet principal de l’art.” Le Monde, 31 August 2005.Brener, Julie. “Those Lips, Those Eyes.” Artnews, December 2005: 40.Chow, Veronica. “Jeff Koons – the King of Pop.” Harper’s Bazaar Hong Kong, April 2005: 334-336.Drucker, Stephen. “Geoffrey Bradfield.” Architectural Digest, Volume 62, Issue 9, September 2005: 14, 196-197.Ellis, Jonathan. “The Plastic Pink Flamingo: Consumption and the Identity in Post-War America.” The Collegiate Journal of Art, no. 2, Fall 2005: 58-67.“End of the Week Report: Newest Art Sells Fastest.” The Art Newspaper Weekend Edition, 18-20 June 2005: 2.“The Establishment: Jeff Koons” (interview). Tokion, no. 47, March/April 2005: 6, 16, 38–41.“Foire de Bale; la vlase des points rouges.” Beaux Arts, August 2005: 74-8.Griffin, Tim. “Method Acting: The Artist-Interviewer Conversation.” Art Journal 64, no. 3, Fall 2005: 70-77.Hein, Barbara. “Der weltweit sch.nste Schein.” Art: Das Kunstmagazin, February 2005: 32–39.Hixson, Kathryn. “Universal Experience: Art, Life, and the Tourist’s Eye.” Art on Paper, July/August 2005: 62.Horyn, Cathy. “In Paris, the Demure Suddenly Meets the Dangerous.” New York Times, 8 October 2005: B8.Jones, Alan. “Portrait of the Artist at the Drawingboard.” Art on Paper, September-October 2005: 52-57.Johnson, Ken. “Eager Globe-Trotters Shrink the Art World." The New York Times, 29 April 2005.Kaiser, Heinz. “All is beautiful.” Kunst+Unterricht, heft 291, 2005: 4-8.Kaplan, Cheryl. “Door to Door: A Visit to Jeff Koons’ Studio.” DB Artmag, no. 30, October 2005. Kazanjian, Dodie. “Body Language.” Vogue, December 2005: 320–31.Koons, Jeff. “Who Paints Bread Better than Dalí?” Tate Etc., no. 3, Spring 2005: 98-99.Lacayo, Richard. “How Does ‘80s Art Look Now?” Time, 28 March 2005: 58-62.Lee, Felicia R. “A New Arts Foundation With a Focus on Creativity.” New York Times, 2 May 2005.Leibovitz, Annie; photography. “The Wizard of Oz.” Vogue, December 2005: 295-317.Luce Smith, Edward. “Krens on the 20th Century.” Hermitage, no. 5, Summer 2005: 55-59.McNatt, Glenn. "Pop with No Apologies." The Baltimore Sun, 9 April 2005.Miller, Ken. “The Establishment: Jeff Koons [interview].” Tokion, March/April 2005: 6, 16, 38-41.“Monument to Fashion.” Vogue (Greece), no. 61, 2005: 191-215.Murakami, Takashi. “Kaibustu-Art / Art of Monster." Yomiuri Newspaper (Japan), 27 June 2005: 40.Musto, Michael. “Why the King of Pop will Moonwalk.” Village Voice, 9-15 February 2005.Nesbett, Peter. “Letter from the Publisher.” Art on Paper, September-October 2005: 8.Piguet, Philippe. “M/M (Paris): regard sur une collection.” L’Oeil, September 2005: 18.Politi, Giancarlo, ed. “Jeff Koons: An Interview by the Readers of the Flash Art.” Flash Art 38, no. 240, January/February 2005: 84-91.Sales Preview. Art + Auction, November 2005: 212.Saltz, Jerry. “The Emperor’s New Paintings.” Village Voice, 29 March 2005.Solomon, Wendy E. “Koons: The Artist Matures.” York Sunday News: A1, A12.Thomas, Kelly Devine. “The Selling of Jeff Koons.” Artnews, 104, no. 5, May 2005: cover and back cover, 114-121.“Translation [exhibition: June 23-Sept 18, 2005].” Le Journal (Palais de Tokyo, Paris), no. 8, 2005.Ulrich, Wolfgang. “Beyond all Borders: Kitsch in Art.” 1895 The Swarovski Kaleidoscope, December 2005: 22-23.Viladas, Pilar. “Tudor Revival.” New York Times Magazine, 27 November 2005: 83.Vetrocq, Marica E. “Today Palazzo Grassi, Tomorrow….” Art in America, no. 6, June/July 2005: 49, 51.Vogel, Carol. “Two Pop Beauties Face Off, and Warhol’s ‘Liz’ Wins.” New York Times, 11 May 2005: B4.Wasserstein, Ben. “Jeff Koons’ Incredible Inflatable Hulks.” Photography by Craig Cutter. Vitals, Winter 2005: 8, 32-332004Art in America (April 2004): 3, 6.Artreview, no. 67 (2004).Agostini, Valentina. Artnet Arte (Milan), no. 5, November/December 2004: cover, 64-72.Abramovitch, Ingrid. “American Scene: This Month on the Design Beat.” House & Gardens, August 2004: 59.Amy, Michaël. “New York: Jeff Koons: C&M Arts” (exhibition review). Sculpture, 23, no. 10, December 2004.ArtForum International, no. 43, December 2004: illustrated in color on the cover.“Art Stars: The Top 10 Best-Paid Living Artists.” The New York Sun, 21 April 2004: 15.Benaïm, Laurence. “Atelier Jeff Koons.” Stiletto Paris, Winter 2004/2005: 140-147.“Banalite Et Attitude.” Espace Scultpure 69, Fall 2004: 30-31.Bankowsky, Jack, Thomas Crow, Diedrich Diederichsen, Alison M. Gingeras, Tim Griffin, Rhonda Lieberman, Stephen Prina, and Jeff Wall. “Pop after Pop: A Roundtable.” Artforum, October 2004: 166–75, 288, 292, 294, 296.Barney, Matthew, and Jeff Koons. “Matthew Barney vs. Jeff Koons.” BlackBook, no. 35, October/November 2004: 82–87.Belgrove, Julie. “Modern Family.” W, April 2004: 230-238.“Best of 2004: 13 Critics and Curators Look at the Year in Art." ARTFORUM, December 2004: 157 [Matthew Higgs's Top 10 list for 2004 - Mark Leckey "Septic Tank"],168 [Paul Schimmel's Top 10 List for 2004 Jeff Koons: Highlights of 25 Years].Celant, Germano. “Jeff Koons.” Interni, no. 540, April 2004: 94–95.“Chain Game.” Vogue, June 2004: 250.Cohen, David. “From Critical Paranoia to Uncritical Banality: 100 Years of Salvador Dali and 25 of Jeff Koons.” New York Sun, 13 May 2004.Conner, Jill. “Jeff Koons” (exhibition review). Contemporary Magazine, no. 60, May 2004.“Contemporary Art.” Art + Auction, April 2004: 114-115.Dannatt, Adrian. “Pop Art’s Shiny, Happy Person” (interview). Art Newspaper, April 2004: 34–35.“Don't Miss” (exhibition review). Time Out New York, December 4-11, 2003: 66.Dumont, Stephane, and Karl Eirik Haug. “Jeff Koons Gets a Lift.” Carl’s Cars, no. 69, 2004: 22-25.Finch, Charlie. “The Soul of the Koons Machine.” Artnet.com, 14 April 2004. Freudenheim, Susan. “Romancing the Collector: Will There Be a Storybook Ending?” New York Times, 31 March 2004: F1.Heaf, Jonathan. “Blow Up.” Pop, no. 8, Spring/Summer 2004: 28-32.Heartney, Eleanor. “Jeff Koons at Sonnabend.” Art in America, May 2004: 155.Johnson, Ken. “The Meaning, Beauty and Humor of Ordinary Things” (exhibition review). New York Times, 23 April 2004: E29.Kerwin, Jessica. “The Golden Greek.” W, October 2004: 364-375.“La Passion Selon Jerome de Noirmont.” Point de Vue, December 8-14, 2004: 72-73.Landi, Ann. “Jeff Koons: Sonnabend.” Review. Artnews, February 2004: 110.Leveine, Edward. “The Curator’s Studio.” Artforum, November 2004: 37.Lobel, Michael. “Preview: Jeff Koons, Astrup Fearnley Museum of Modern Art.” September 2004: 130.“Making the Most of Miami’s Art Scene.” Town & Country Travel, Fall 2004: 101."Matthew Barney vs. Jeff Koons." Blackbook, October/November 2004: 82-87, illustrated in color.“Notable Prices.” Art Newspaper, Summer 2003-Summer 2004: 36-37.Peers, Alexandra. “The Shock of the New MoMa: A Sign of Who’s In, Who’s Out.” Wall Street Journal Europe,19-21 November 2004: P1, P4.Peers, Alexandra. “A $70 Million Kid.” Wall Street Journal, April 2004: W1, W10.Rothkopf, Scott. “Screen Test: Jeff Koons’s Olive Oyl.” Artforum, 43, no. 2, October 2004: 169-172.Sears, Lori. “BMA Celebrates its 90th Year with ‘90 Free Hours.’” 1 January 2004: 30T.Theobald, Stephanie. “Loony Koons.” Harpers & Queen, March 2004: 208-11, 267.Turow, Scott. “Loyalty.” Collage by Jeff Koons. Playboy, January 2004: 104.Von Hantelmann, Dorothea. “Ik Beloof Je, Het is Performatief.” Metropolis M, no. 4, August/September 2004: 75-80.Wehr, Anne, “Plop: Recent Projects of the Public Art Fund, New York.” Merrel, 2004: 131, illustrated in color.Yablonsky, Linda. “Jeff Koons.” Art + Auction, March 2004: 37-41.2003Avgikos, Jan. “Jeff Koons: Sonnabend Gallery” (Sonnabend Gallery exhibition review). Artforum, February 2003: 137.Bellet, Harry. “Jeff Koons sans carapace.” Le Monde, 10 January 2003.Bhabha, Homi K. “Making Difference: The Legacy of the Culture Wars.” Artforum, April 2003: 73-76, 234, 237, illustrated.“Blattstickerei.” Architektur & Wohnen, February/March 2002: 110, illustrated.Briegleb, Till. “Koons am Bau.” Süddeutsche Zeitung, 2 May 2003.Crow, Thomas. “Marx to Sharks: The Art-Historical ’80s.” Artforum, April 2003: 45-48, 51-52.Engler, Katja. “Natürlich bin ich traurig und entt.uscht” (interview). Die Welt, 2 August 2003.Engler, Katja, and Martin Kopp. “Riesengummitiere über Hamburg.” Die Welt, 2 May 2003.Fricke, Harald. “.berraschungsei für die Reeperbahn.” Die Tageszeitung, 20 February 2003.Goddard, Donald. “Jeff Koons: What Art Is to Begin With” (exhibition review). NewYorkArtWorld.com, 2003. “Jeff Koons Son Kitsch Vaut Des Millions.” Paris Match, January 2003: 3-5.Koons, Jeff. “Hotel Sweet.” Artforum, February 2003: 99.La Placa, Joe. “The Candyman Can.” ArtReview, 4 April 2003: cover, 48-53.Leffingwell, Edward. “Jeff Koons at Sonnabend” (exhibition review). Art in America, April 2003: 130.Rauterberg, Hanno. “Dürftiges Gebaumel.” Die Zeit, 8 May 2003.Rimanelli, David. “Jeff Koons: Museo Archeologico Nazionale.” Artforum, May 2003: 69.Saltz, Jerry. “Breathing Lessons” (exhibition review). Village Voice, 12 December 2003.Siegel, Katy. “Jeff Koons Talks to Katy Siegel.” Artforum, 41, no. 7, March 2003: 252-253, 283, cover.Troncy, Eric. “Le manège enchanté.” Les Inrockuptibles, no. 371, 8-14 January 2003: 38-42.van Tuyl, Gijs. “Eine glanzende Reisebar.” StadtAnshichten, no 8, October 2003: 50.Varnedoe, Kirk. “Jeff Koons’s Rabbit.” Artforum, 41, no. 8, April 2003: 90.2002Adbusters, no. 44, November/December 2002.Bailey, Glenda. “Letter from the Editor.” Harper’s Bazaar, November 2002: 34.“Banalit.t ist der Erl.ser.” Süddeutsche Zeitung, 25 September 2002.Bellet, Harry. “Jeff Koons: la m.lodie du bonheur.” Le Monde, 2 December 2002.Bothum, Peter. “Briging It All Back Home.” York Daily Record, 24 September 2002: 1D, 3D.Buddenberg, J.rg. “Und ewig schimmert das Lipgloss.” Die Tageszeitung, 8 October 2002.Danto, Arthur C. “Cheerio to Cheerios.” Bookforum, Spring 2002: 10.Hoffmanns, Christiane. “Die Ikonen des Luxus.” Die Welt, 15 September 2002.“Jeff Koons.” Guest Designer of 5th Anniversary Issue. Francis Ford Coppola’s Zoetrope All Story, Spring 2002: cover, 1-63.Jones, Alan. “Jeff Koons” (interview). Tema Celeste, no. 88/89, February 2002: 60-61.“‘lch wollte mich Schwein nennen’: der Preis des Banalen.” Neue Zürcher Zeitung, 13 April 2002.Mariani, Chiara. “Pop Art: Scandaloso Koons.” La Repubblica delle Donne, no. 300, May 2002: 88–94.McInerney, Jay. “Just Like a Woman.” Harper’s Bazaar, November 2002: 236-237.Photographs by Michael Edwards. New York Times Magazine, 29 August 2002: 108.Sanders, Mark. “Paul McCarthy.” AnOther Magazine Bi-Annual, Autumn/Winter 2002: 413.“Start in einen neuen Bilderstreit.” Art das Kunstmagazin, no. 12, December 2002: cover, 44-45“Stephanie Seymour. Photographed by Juergen Teller.” Index, 2002: 66-73.Tyrrell, Melissa. “Koons Comes Home.” York Daily Record, 26 September 2002: 1A, 7A.Vogel, Carol. “Turnabout at Phillips in a Contemporary-Art Sale.” New York Times, 12 November 2002.“Visiones sobre el Guggenheim.” Arte, no. 46, December 2002: 39.Wagner, Anselm. “Einfach übertrieben: Jeff Koons” (interview). Frame (Vienna), no. 10, 2002: 78–81.2001Alford, Henry. “October Fanfare.” Vanity Fair, October 2001.Bonetti, David. “A is for Art.” San Francisco Chronicle, 13 March 2001.Coupland, Douglas. “Sweet Nothing?’’ Herald Scotland, 29 July 2001.Cowan, Amber. “King Kitsch: Jeff Koons.” Times (London), 28 July 2001.Dorment, Richard. “Finger-lickin’ good” (exhibition review). Telegraph (London), 15 August 2001.Doswald, Christoph. “Vom Aktionismus zum Gigantismus.” Facts, 12 July 2001: 120.“Für mich ist Pamela Anderson die zeitgen.ssische Verk.rperung der Venus” (interview). SonntagsZeitung, 22 July 2001.Fyfe, Joe. “Jeff Koons at Gagosian” (exhibition review). Art in America, November 2001: 155–56.Gang, Jane. “Honcho Talks to Jeff Koons.” Honcho, April 2001: 70-71.Gayford, Martin. “Jeff Koons on Roy Lichtenstein’s Untitled II (Brushstroke) (1996)” (interview). Telegraph (London), 8 December 2001.Gayford, Martin. “A Little Boy Who Loves Everything Art.” Telegraph (London), 19 August 2001.Gilewe, Gert. “Vergiss Cicciolina!” Abendzeitung, 10 August 2001: 15.Grzonka, Von Patricia. “Puppy is Back.” Profil (Germany), July 2001: 112-113.Gualdi, Stefano. “Profile: Jeff Koons.” Tema Celeste, no. 84, March-April 2001: 59, 90, last page.H.ntzschel, J.rg. “Geburtstag bei Miss Piggy.” Süddeutsche Zeitung, 23 July 2001.Hayt, Elizabeth. “If You Wow Them, They Will Come.” New York Times, February 2001: 35.Heiser, J.rg. “Jeff Koons” (exhibition review). Frieze, no. 57, March 2001: 99–100.Hennigan, Brian. “Crown King of Kitsch.” The Scotsman, 24 July 2001: S2.Jones, Alan. “Jeff Koons” (interview). Tema Celeste, no. 88, November-December 2001: 34-39.Karcher, Eva. “Pop-Art: Kiss Me Koons.” Der Tagesspiegel, 18 July 2001.Karcher, Eva. “Rückkehr des Provokateurs.” Bunte, 2 August 2001: 88-89.Reginato, James. “Broad Strokes.” Photography by Todd Eberle. W Magazine, September 2001: 549-557, 600.Kreye, Andrian. “Niemand muss sich für seinen Geschmack sch.men” (interview). Süddeutsche Zeitung, 6 April 2001.Mahoney, Elisabeth. “King of Kitsch Turns to Oils and 40 Helpers.” Sunday Times (London), 15 July 2001.Mahoney, Elisabeth. “Pass the Sickbag” (exhibition review). Guardian (London), 7 August 2001.Moira, Jeffrey. “When Art’s Too Cold for Comfort” (exhibition review). Herald Scotland, 28 July 2001.Morris, Sarah. “Like This Cherry.” Texte zur Kunst, no. 42, June 2001: 134–39.Mottram, Jack. “Junk Food Made Sleazy.” Herald Scotland, 12 August 2001.Muchnic, Suzanne. “Can He Be Serious?” Los Angeles Times, 28 March 2001.Muchnic, Suzanne. “Jeff Koons: Gagosian, Beverly Hills” (exhibition review). ARTnews, June 2001: 134.O’Connell, Alex. “How Much Is That Doggy in the Window?” Times (London), 15 August 2001.Ollman, Leah. “For Koons, It’s All About Packaging and Marketing” (exhibition review). Los Angeles Times, 6 April 2001.Pfütze, Hermann. “Jeff Koons: Easyfun-Ethereal.” Kunstforum 153, January-March 2001: 309-11.“Potsdamer Platz, Tiergarten.” GQ, December 2001.Sharp, Amanda. “Jeff Koons” (interview), April 2004: 66.Sischy, Ingrid. “Koons, High and Low.” Photography by Todd Eberle. Vanity Fair, March 2001: 38, 226-235, 270-277.Sonna, Birgit. “Glanzlichter am laufenden Band.” Neue Zürcher Zeitung, 17 August 2001.Spinelli, Claudia. “Material Boy Jeff Koons meldet sich zurück.” Basler Zeitung, 7 September 2001.Troncy, Eric. “Déja Vu.” Les Inrockuptibles, no. 281, 13-19 March 2001: cover, 38-39.Von Radziewsky, Elke. “Herzblut für alle.” Die Zeit: 26 July 2001.Wagner, Anselm. “Total Koonsum: Jeff Koons, Kunsthaus Bregenz.” Frame (Vienna), no. 9, 2001: 119.Walsh, John. “Jeff Koons: All Cut Up.” Independent (London), 15 July 2001: 13-15.“The World’s Top 200 Collectors.” ARTnews,, Summer 2001: 146.2000Attias, Laurie. “Giant Koons Sculpture to Flower in Avignon.” Art + Auction, 15 May 2000: 38“‘Balloon Flower’ landet am Marlene-Dietrich Platz.” Der Tagesspiegel, 2 February 2000: 16.“Blaues Wunder.” Der Tagesspiegel, 12 February 2000.Beech, Dave, and John Beagles. “All You Need Is Love." Art Monthly, no. 233, February 2000: 1-4."Blaue Blume fur Berlin." Berliner Zeitung, 12 February 2000: 1.Budick, Ariella. “Fast Chat: Jeff Koons” (Interview). Newsday, 17 June 2000: D3.Deitch, Jeffrey. “Jeff Koons Celebration.” Flash Art, April-May 2000: 78-80.Dewan, Shaila K. “No Walking, Just Watering for This Puppy.” New York Times, 6 June 2000."Endlich blühts am Potsdamer Platz." Berlins Zeitung, 12 February 2000: 21.Engelhard, Guenter. "Die Phantasien der feinen Leute." Rheinischer Merkur, 11 November 2000, 19."Flower-Power am Potsdamer Platz." Berliner Zeitung, 12-13 February 2000: 25.Fokidis, Marina. “Vita: Istruzioni Per L’Uso.” Flash Art, April-May 2000: 84-85.Fricke, Harald. “Die Milch machts.” Die Tageszeitung, 7 November 2000.Friebe, Holm. “Wo der Gletscher kalbt.” Jungle World, 15 November 2000.Gardner, Belinda Grace. “Kampf gegen das schlechte Gewissen.” Die Welt, 15 February 2000.Gardner, James. “Kill the ‘Puppy’! Middle-class Taste Going to the Dogs” (exhibition review). New York Post, New York Pulse, 19 June 2000: cover.Gibbons, Fiachra. "Shock Art with Horror for All to Enjoy." Guardian (London), 20 September 2000: 7.Gingeras, Alison. “Jeff Koons: Sonnabend Gallery” (exhibition review). Art Press, no. 254, February 2000: 12-14.Gingeras, Alison. “Easyfun: Superfici Opache.” Flash Art, April-May 2000: 81-83.“Glaubt an mich!” Süddeutsche Zeitung, 30 October 2000.“Jeff Koons” (interview). Intervista, no. 22, April-May 2000: 21-22.“Jeff Koons: gouter.” Beaux Arts, no. 188: January 2000.Graham-Dixon, Andrew. "The Inflated World of Jeff Koons." Sunday Telegraph Magazine, 17 September 2000: 14-16, 18.Heliot, Armelle. “Patiences et impatiences du jardinier des papes.” Le Figaro, 15 July 2000.Herold, Thea. “Ist das nicht alles gigantischer Kitsch, Herr Koons?” (interview). Der Tagesspiegel, 5 March 2000.Illies, Florian. “Ewig baumeln und ewig locken weibliche Waden: Jeff Koons im Guggenheim Berlin.” Frankfurter Allegemeine Zeitung, 14 December 2000.Jones, Peter. “Uncanny Koons.” Art Criticism 15, no. 2, 2000: 54-65.Koons, Jeff. “Dennis Hopper: Interview by Jeff Koons” (interview), May 2000: 92.Koons, Jeff. “Glücklich.” Süddeutsche Zeitung, 11 July 2000.Koons, Jeff. “Letters to the Editor.” Independent (London), 18 September 2000.Koons, Jeff. “Mein Traumland.” Die Welt, 24 December 2000."London Apocalypse-Beauty and Horror in Contemporary Art." Spiegel Reporter, September 2000: 141.Markey, Kevin. “Change of Fortune.” Continental, April 2000: 46-48.Mendiri, Andres. "Puppy es muy feliz en Bilbao." El Corre, 22 October 2000: 83.“Miraculum Helvum Magnum.” Parkett, no. 58, 2000.Mülhens, Carla. “Jeff Koons: Tiefenforscher des Banalen.” Süddeutsche Zeitung, 24 October 2000.Müller, Silke, and Stefan Koldehoff. “Jeff Koons: ‘Was würde Picasso davon halten?’” Art: Das Kunstmagazin, April 2000: 78-79.Polsky, Richard. “Art Market Guide 2000.” Artnet.com, 5 October 2000.Rattemeyer, Christian. “If You Get a Little Red on You, It Don’t Wipe Off” (Interview with Jeff Koons and James Rosenquist). Parkett, no. 58, 2000: 36-41.Reginato, James. “Crafty Koons.” Photography by Todd Eberle. W, April 2000: 396-402.Rosenquist, James. “If You Get a Little Red on You, It Don’t Wipe Off.” Parkett, no. 58, 2000: 36-49.Saltz, Jerry. “Jeffersonian Koons.” Village Voice, 20 June 2000: 137.Scheier, Claus-Artur. “Kitsch – Signatur der Modern?” ZiF: Mitteilungen, February 2000: 4-10.Scher, Paula. “Op-Art. Online Collecting Opportunities.” New York Times, 2000.Schjeldahl, Peter. “The Blooming Beast.” New Yorker, 3 July 2000: 74-76.Senaldi, Marco. “American Beauty.” Flash Art, April-May 2000: 86-87.Sentis, Mireia. “The Importance of Being Banal” (interview). International Art Magazine, year 6, no. 60, 2000: 38-43.Smith, Roberta. “A New Dog in Town, Steel and Sprouting” (exhibition review). New York Times, 8 June 2000.Smith, Roberta. “New York Welcomes a New Dog to Town.” York Sunday News, 11 June 2000: F6.Smith, Roberta. “Stretching Definitions of Outdoor Sculpture” (exhibition review). New York Times, 28 July 2000.Solomon, Deborah. “The Way We Live Now: Questions for Jeff Koons, Puppy Love” (interview). New York Times Magazine, 25 June 2000: 15.Thomsen, Henrike. “Mein Glaube an die Menschheit stand auf der Probe” (interview). Spiegel Online, 26 October 2000. Tomkins, Calvin. "An Eye for the New." New Yorker, 17 January 2000: 54-64.Vogel, Carol. “Barkless Puppy in Tree’s Place.” New York Times, 12 May 2000."VH1 - Fashion Award." International Herald Tribune, 24 October 2000: 10."Was wuerde Picasso dazu sagen?" Art, April 2000: 78, 79.Wedenburg, Christina. "Aufgeblasene. Luftballon-Kunst aus politiertem Stahl: Jeff Koons' 'Balloon Flower' am Potsdamer Platz." Berliner Morgenpost, 12 February 2000: 19.Wiegenstein, Roland H. “Gekochter Schinken, easyfun.” Frankfurter Rundschau, 2 November 2000.Wilson, Michael. “Whoops Apocalypse!” Art Monthly, no. 241, November 2000: cover, 241.Witt, Inken. "Schillernde Riesenblume fur den Potsdamer Platz." Berliner Morgenpost, 12 February 2000: 42.Wünschmann, Anita. “Frohlicher Massenartikel.” Berliner Zeitung, 14 February 2000.“Yorker’s Puppy.” The York Dispatch, 6 June 2000.1999Abercrombie, Stanley. "Revolution Design, 100 Years that Changed our World." Interior Design Magazine, December 1999: 188."Art Folio." New York Contemporary Art Report, May-June 1999: 97-107.Bellet, Harry. "Voyage a New York Chez les Deux Colosses du Marche de l'Art." Le Monde, 23 November 1999: 1, 31.Cameron, Dan. “International With Monument.” Artforum, October 1999: 127-28.Costello, Daniel. "Are These Really America's Best Artists?" Wall Street Journal, 30 July 1999: W14.D'Arcy, David. "The Art Frontier." Vanity Fair, February 1999: 100.“Jeff Koons: Petal Pusher.” Conde Nast Traveler, September 1999: 214.Lacroix, Ethan. "Takeout, a Sampling of the Best Things to see This Week." Time Out Magazine, 20-23 September 1999: 4.Lavier, Bertrand. "Qu'est ce qui est kitsch?" Beaux Arts, August 1999: 70.Madoff, Steven Henry. “Creative Chaos.” Time, 22 November 1999: 97-98.Scruton, Roger. "Kitsch and the Modern Predicament." City Journal, Winter 1999: 94-95.Scruton, Roger. "Urbanities.” City Journal, Winter 1999: 82-95.Smith, Roberta. “Jeff Koons: ‘Easyfun’” (exhibition review). New York Times, 17 December 1999.Self, Will. "The Red Who Got Into the Bed." Independent, 10 October 1999: 7.Viveros-Faune, Christian. "Koons Age” (exhibition review). New York Press, 8-14 December 1999: 26.Vogel, Carol. "Auction Sets Records for 18 Contemporary Artists." New York Times, 17 November 1999: B6.Zucker Saltz, Lizzie. "Manufacturing Validity." Art Papers, July/August 1999: 29, 31.1998Attias, Laurie. “Jeff Koons: Jerome de Noirmont” (exhibition review). ARTnews, January 1998: 142.Attias, Laurie. "A Kinder, Gentler Koons." ARTnews, March 1998: cover, 158-161.Bowie, David. "Super-Banalism and the Innocent Salesman." Modern Painters, Spring 1998: cover, 27-34.Dannatt, Adrian. "The New Model Artist." The Independent Fashion Magazine, Spring 1998: 3."Der Teppich als Kunstwerk: Blumen aus Hamelin." Frankfurter Allgemeine Magazin, 14 August 1998: 30.Hohmeyer, Boris. "Jetzt ist wieder Zeit fur Blumen." Art, June 1998: 78, 85.“Jeff Koons.” Flash Art, Summer 1998.Keil, Beth Landman, and Deborah Mitchell. “Intelligencer.” New York, 23 March 1998: 13.Lingemann, Susanne. "Heimkehr aus dem Spielzeugland." Art, June 1998: 92-95."The New Underworld." Interview Magazine, November 1998: 132."Patrons of the Arts." LIMN, no. 3, 1998: 4."Retrospeculative." Fascination (Hugo Boss), Summer 1998: cover, 1-3.Schuh, Hans. "Alkohol-Opium furs Volk." Die Zeit, 2 July 1998: 31.Searle, Adrian. “Arts Visual: All Played Out” (exhibition review). Guardian (London), 7 April 1998: 10-11.Smoltczyk, Alexander. "“Bombastisch bunt: Die Riesenspielzeuge des Kitsch-Künstlers Jeff Koons.” Der Spiegel Kultur Extra, April 1998: 6-13. "Teach Art." New Observations, no. 118, Spring 1998: 13.1997Benhamou-Huet, Judith. “Jeff Koons: De Wall Street au Pop Art.” Les Echos (Paris), 12 September 1997: 58.Boettger, Suzaan. "Partial Vision." Art in America, October 1997: 39.Bourriaud, Nicolas. “Jeff Koons: Ingenieur du desire.” Beaux Arts Magazine, no. 160, September 1997: cover, 3, 42–49.Carson, Tom. “The Big Picture. Robert Hughes Climbs Out of the Jello.” Village Voice, 17 June 1997: 53.Goodeve, Thyrza Nichols. “Euphoric Enthusiasm: Jeff Koons’s Celebration.” Parkett, no. 50/51, 1997, 88–92."La Collection Broad." Vogue (Paris): December 1997–January 1998: 207-208.Gallo, Ruben. "Violencia." Trans, 1/2, no. 3/4, 1997: 42-43.Goodeve, Thyrza Nichols. “Euphoric Enthusiasm: Jeff Koons' Celebration.” Parkett, no. 50-51, 1997: 94, 99.Hindry, Ann. “Jeff Koons: Galerie J. de Noirmont” (exhibition review). Art Press, no. 230, December 1997: 76–77.Huser, France. “Jeff Koons l’Irr.v.rencieux.” L’Officiel, no. 820, November 1997: 154–57.Januszczak, Waldemar. “Kitsch and Sink.” Sunday Times (London), 10 July 1997: 14-15.Kontova, Helena, and Giancarlo Politi. "Jeff Koons: Ten Years Later." Flash Art, no. 195, Summer 1997: 102-108.Kosor, Susan. "Mixed Messages. The Dannheiser Collection at MoMA Crosses Contemporary Art Borders." Downtown Resident, 14-20 October 1997: 28.Loers, Veit. “Puppy, the Sacred Heart of Jesus." Parkett, no. 50/51, 1997: 85-86.Melo, Alexandro. "Les Enjeux d'une Collection Portugaise." L'Oeil, September 1997: 78.Muniz, Vik. “Eternal Regress." Parkett, no. 50/51, 1997: 61-63.Nuridsany, Michel. “Jeff Koons Superstar.” Le Figaro, 23 September 1997: 28."Oseuvres A l'Oeuvres." Photos by David LaChapelle. Vogue Paris, December 1997-January 1998: 184-189.Peers, Alexandra. "Unusual Sotheby's Deal Reflects Changing Art Market." Wall Street Journal, 15 September 1997: B1, B10.Rimanelli, David. “It's My Party: Jeff Koons, A Studio Visit." Artforum (35, no. 10) Summer 1997: cover, 112-117.Schjeldahl, Peter. "Funny Peculiar: Humor and Sculpture in Modern Art and After Minimalism." Sculpture, December 1997: 26.Seward, Keith. “Frankenstein in Paradise.” Parkett, no. 50/51, 1997: 69–72.Sischy, Ingrid. "The Cat is Out of the Bag” (exhibition interview), February 1997: 90-95, 119.1996Ferguson, Bruce. "Everything That's Interesting is New." Flash Art, March/April 1996: 108-109.Gibson, Jeff. “Santa’s Little Helper: Sydney Hosts Jeff Koons and More.” Flash Art, no. 187, March/April 1996: 38.Janus, Elizabeth. “Everything That’s Interesting Is New: The Dakis Joannou Collection” (exhibition review). Frieze, no. 29, June– August 1996: 76–77.Krum, Sharon. “The Man Who Makes Giant Puppies.” The Australian Way, January 1996: 42-44.MacSweeney, Eve, and Melanie Ward. “Pigs Might Fly…” Harper’s Bazaar, December 1996: 168-177.Pasternak, Ann, and Tibor Kalman. “Public Private: Art in Public Space.” BOMB, no. 56, Summer 1996, 48-55."What's New? The Dakis Joannou Collection 'Raise the Temperature'." The Art Magazine, March/April 1996: 36, 37 (English 93-94).1995“Jeff Koons: Very New Art.” Bijutsu Techno, Vol. 47, no. 700, 1995: 150-151, 222-223Bennie, Angela. “Happiness is a Flowering Dog.” Sydney Morning Herald, 8 December 1995.Glass, Charles. “Made in Heaven, Banned in Britain.” Index on Censorship 24, no. 2, 1995: 53–56.Sawyer, Miranda. “She Was a Porn Star, He Was an Artist, Their Greatest Work was Their Child, but Just Who Owns the Sculpture?” Observer, 3 September 1995: 12-17.Solomon, Wendy E. "Koons: The Artist Matures." York Sunday News, 10 December 1995: A1, A12-A13.Wyndham, Susan. “Koons’s New Phase: Working the Dog.” National, 24 November 1995.Anthony D’Offay Gallery. Sculpture (London), Spring 1995. 1994Alberge, Dalya. “Showman Presents Dazzling Display of Crafted Vulgarity” (exhibition review). Independent (London), 27 June 1994.Beaumont, Peter. “Koons Is Accused Over Kidnap of a Baby Snap.” The Observer, 12 June 1994: 8.Bevan, Roger. “Jeff Koons Graces d’Offay.” Art Newspaper, June 1994: 38.Božović, Zoran. “Jeff Koons: Želim da raščistim sa razlikom izmedu privatnog i umetničkog” (interview). Moment 23/24, September/October 1994: 42-46.Craddock, Sacha. “Galleries Choice: Selected London Exhibitions of Contemporary Arts.” Times (London), 28 June 1994: 33.“Great Grey Suits.” L'Uomo Vogue, no. 247, January 1994: 128-133.Koons, Jeff. “The Blank Page.” Observer Magazine, 16 January 1994: 26-27.“La-La-Lady Killer is here w/Deee-Lite.” Project X, 29 May 1994: cover.Packer, William. “Hung, but by Its Own Petard.” Financial Times, 21 June 1994.Norman, Geraldine. “Showman Presents Dazzling Display of Crafted Vulgarity.” The Independent, 27 June 1994: 3.Packer, William. “Hung, but by Its Own Petard.” Financial Times, 21 June 1994: 17.Tonelli, Bill. “The C-Note Project.” Esquire, May 1994: 84-85.1993Amoroux, Éric. “Robert Rosenblum: The Jeff Koons Handbook.” Cahiers du Musée d´art Moderne, no. 45-46, Winter 1993: 201.Avgikos, Jan. “All That Heaven Allows: Love, Honor and Koonst." Flash Art, no. 171, Summer 1993: 80-83.Baker, D. S. “Jeff Koons and the Paradox of a Superstar’s Phenomenon.” Bad Subjects, no. 4, February 1993. Beeren, Wim, and Manfred Schneckenburger. “Pro/Contra: Ist Jeff Koons ein wichtiger Kunstler von heute?” (Pro/Con: Is Jeff Koons An Important Artist of Today?) Art, nr. 8, August 1993: 44-47.Bochynek, Martin. “Marketing als Kunst: Jeff Koons in der Staatsgalerie Stuttgart.” Artis: Zeitschrift für neue Kunst 45, no. 3, March 1993: 50–51.Braun, Alexander. “Who’s Afraid of Jeff Koons? Who the Hell is Mr. Koons?” Artis: Zeitschrift für neue Kunst 45, no. 4, April 1993: 82.Barker, Godfrey. “Jeff Koons Speaks Up.” Daily Telegraph (London), 8 February 1993: 15.Graham Dixon, Andrew. “The Jeff Koons Handbook Book Reviews.” Publishers Weekly (New York), 240, No. 5, February 1993: 86.Haden-Guest, Anthony. “A Collector’s Progress.” Art + Auction, December 1993: 77-81.Haskin, Pamela. “The Real Cliché” (exhibition review). New Art Examiner 21, no. 4, December 1993: 16-19.Hughes, Robert. “The Princeling of Kitsch” (exhibition review). Time, 8 February 1993: 78-80.“In Short. The Jeff Koons Handbook” (exhibition review). Entertainment Weekly, no. 157, 12 February 1993: 51.Lee, David. “American Art: The Good, the Bad, and Julian Schnabel.” Arts Review 45 (London), November 1993: 32, 39.Littlejohn, David. “Who Is Jeff Koons and Why are People Saying Such Terrible Things About Him?” Artnews, April 1993: cover, 90–94.Morell, Lars. “Jeff Koons Interview: The Political Value of Art” (interview). Skala, no. 28, 1993: 38–41.Morgan, Stuart. “Deep and Low.” Frieze, no. 8, January–February 1993: 42–43.Rosenblum, Robert. “Jeff Koons: Christ and the Lamb." Artforum, 32, no. 1, September 1993: 148-49.Stamets, Bill. “The Culture Critics.” The New Art Examiner, 21, no. 4, December 1993: 17, 19.Van Veelen, ljsbrand. “Jeff Koons: Stedelijk, Amsterdam” (exhibition review). Flash Art, no. 169, March/April 1993: 110.Vater, Horst. “Kunst der totalen Banalität.” Das Magazin, April 1993: 54-57.1992Adams, Brooks. “Jeff Koons at Sonnabend” (exhibition review). Art in America, March 1992: 117–118.Altabe, Joan. “Courts to Artists: Knock It Off.” Sarasota Hearld-Tribune, 12 April 1992.Amanshauser, Hildegund. “Jeff Koons. Pornographic Scenes of A Normal Married Life.” Camera Austria International 29, May 1992: cover, 36-45.Ballard, Brett, and Patrick Furse. “J.F.K. The Story that Won’t Go Away.” G-spot, Spring 1992.Baker, Kenneth. “The Message in Koons’s Kitsch.” San Francisco Chronicle, 10 December 1992.Barilli, Renato. “Jeff Koons.” L'Uomo Vogue, March 1992: 128-133.Batchelor, David. “Almost Everything Is Available.” Frieze, no. 6, September–October 1992: 35–38.Batz, di Klaus. “Chi La Vuole Quell'euro-Sydney Per Intellettuali.” Arte in, September–October 1992: 32–35.Bourriaud, Nicolas. “Figuration in an Age of Violence.” Flash Art, no. 162, January/February 1992: 87–91.Bourriaud, Nicolas, and Brian D´Amato. “Jeff Koons: Catch as Kitsch Can.” Flash Art, no. 162, January/February 1992: 124, 176.Buskirk, Martha. “Appropriation under the Gun.” Art in America, 80, no. 6, June 1992: 37-41.Buskirk, Martha. “Commodification as Censor: Copyrights and Fair Use.” October 60, Spring 1992: 82-109.Cameron, Dan. “In A Clearing Stands a Boxer Documenta IX, The Hassle in Kassel.” Artforum, September 1992: 86-87.Cembalest, Robin. “The Case of the Purloined Puppy Photo.” ArtNews, 91, no. 5, May 1992: 35-36.Cottingham, Laura. “Art & Thought.” NYQ, no. 14, 2 February 1992: 36.Dannat, Adrian. “The Field.” The Independent, 23 March 1992: 20.Faust, Wolfgang Max. “Die Kunst nach dem Tod der modernen Stile.” Art, June 1992: 48-53.Fleissig, Peter. “Kitschy Kitschy Koons.” City Limits, 12 March 1992: cover, 3, 16-17,Fritsch, Sibylle. “Putten, Puppies, Pornos.” Profil, 9 June 1992: 72–6.Gopnik, Adam. “The Art World: Lust For Life.” New Yorker, 18 May 1992: 76-78.Graham-Dixon, Andrew. “In a Pig's Eye” (exhibition review). Independent (London), 10 November 1992: 18.Hall, James. “They Call It Puppy Love.” Guardian (London), 29 October 1992: 4, 5.Hayt-Atkins, Elizabeth. “Jeff Koons, Jeffrey Deitch” (Interview). Flash Art, no. 162, January/February 1992: 158–59.“Interview. Des Mannes beste Seiten (The Man’s Best Side).” Esquire, March 1992: 12-15.“Interview. Ilona Staller/Jeff Koons Zwischen Kitsch and Koitus.” Cosmopolitan (Germany), Janauary 1992: 3, 38-43.Issak, Jo Anna. “The Friends of Jeff Koons Fan Club.” Artforum, 30, no. 6: February 1992, 86.“Jeff Koons, ein Prophet der inneren Leere.” Art: Das Kunstmagazin, December 1992: 52–62.Jorg-Uwe, Albig. "Jeff Koons, ein Prophet der inneren Leere." Art, December 1992: 4, 52-62.Joseph, Joe. “Penetrating Art Dekko.” Times Saturday Review (London), 17 October 1992: 23, 25.Kammerling, Christian. "Interview with Jeff Koons." Sueddeutsche Zeitung Magazin, 13 November 1992: 32-38.Knight, Christopher. “Jeff Koons: A Scrubbed New Life.” Los Angeles Times, 14 December 1992: F1, F12.Koether, Jutta. “Exit Art.” Artscribe, February/March 1992: 78.Koether, Jutta. “Jeff Koons: Made in Heaven.” Artscribe, February/March 1992: 78–79.Koether, Jutta. “Die Klasse der Cleveren.” Spex, February 1992: 77.Koether, Jutta. “Puppy Logic.” Artforum, 31, no. 1, September 1992: 90.Koons, Jeff. “Baby & Eimer.” Süddeutsche Zeitung Magazin, 13 November 1992.“Koons Opens Without Challenge.” Flash Art, no. 162, January/February 1992: 145, 176.Kramer, Hilton. “New York Letter: The Anatomy of Warholism.” Modern Painters, Spring 1992: 50–51.“Kunst Kulture-Elle.” German Elle, April 1990: 98.Lotringer, Sylvère. “Immaculate Conceptualism.” Artscribe, February/March 1992: 23-25.“Love Parade.” Deutsch Vogue, December 1992: 178-185.Montali, Gabriella. “Aspetto un Cicciolino e Per Lui Diventero Brava.” Oggli, 6 July 1992: 85.Morgan, Robert C. “Morality—American Style” (exhibition review). Tema Celeste, January–March 1992: 118.Nikkei. “Close-Up.” Trendy, July 1992: 186.Perl, Jed. “Art: Amateurs and Others.” New Criterion 10, no. 5, January 1992: 37-44.Pinchbeck, Daniel. “Kitsch and Rich.” Sunday Times Magazine, 12 January 1992: 28–34.“Portraits of the Artists.” GQ, March 1992: 206-207.Pozzi, Lucio. “Jeff Koons e Cicciolina, erotismo alla saccarina.” Il Giornale dell´Arte (Rome), no. 97, February 1992: 26.Ratcliff, Carter and Rhonda Lieberman. “Not for Repro.” Artforum 30, no. 6, February 1992: 82-86.Russell, Lisa. “Passages.” People Weekly, 16 March 1992: 81.Schjeldahl, Peter. “The Documenta of the Dog.” Art in America, September 1992: 89–97.Schor, Mira. “Forensics: The Part for the Hole.” Tema Celeste, April-May 1992: 30-31.Schwartz, Arturo. “Marcel Duchamp: The Great Inspirer.” Tema Celeste, Summer 1992: 36-40.Smith, Roberta. “How Much Is That Doggy in the Courtyard.” New York Times, 5 July 1992: 27.Sprinkle, Annie. “Hard-Core Heaven: Unsafe Sex with Jeff Koons.” Arts, March 1992: 46–48.Stevens, Mark. “Adventures in the Skin Trade.” New Republic, New York, 20 January 1992: 29, 32.Sullivan, Ronald. “Appeals Court Rules Artist Pirated Picture of Puppies.” New York Times, 3 April 1992: B3.“Trouble in Heaven? A Tough Spring for Mr. Koons.” Flash Art, no. 164, May/June 1992: 130–32.Vogel, Carol. “The Art Market.” New York Times, 16 October 1992.Vogel, Carol. “Koons May Leave.” New York Times, 14 February 1992.Von Graevenitz, Antje. “Een kwestie van retoriek: De banalisering van de mythe in de hedendaagse kunst.” Archis (Amsterdam), no. 3, 1992: 19–25.Weingarten, Susanne. “König in Kitschland.” Der Spiegel, 30 November 1992: 286-289.“Why I Wear What I Wear (Ein Genießer in Sachen Mode).” MännerVogue, May 1992: 60-62.Woodward, Richard B. “Jeff Koons: Sonnabend” (exhibition review). Artnews, February 1992: 122.Yau, John. “Jeff Koons at the San Francisco Museum of Modern Art.” 1992: 95.1991“Focus on the arts: The galleries become the new museum.” Alumnews, The magazine of the Wright State University Alumni Association, Volume 12, no. 13, Winter 1991: cover, 1.Allthorpe-Guyton, Marjorie. “On The Spree.” Artscribe, Summer 1991: 13-16.“America’s Top 100 Collectors.” Arts & Antiques, March 1991: 82-125.Bankowsky, Jack. “Slackers.” Artforum, November 1991: 96-100.Baring, Louise. “The Broader Picture: Would You Adam and Eve It?” Independent on Sunday, 31 March 1991: 32, 33.Bellasi, Pietro. “Jeff and Ilona Exposed (Also) by Their Slasher.” Tema Celeste, January–February 1991: 20-21.Brea, Jose Luis. “The Poverty of Cynicism.” Artscribe, March/April 1991: 32-35.Carter, Graydon. “Vogue Arts. Head to Hollywood.” Vogue, October 1991: 166, 168, 170.Collins, Tricia, and Richard Milazzo. "From Kant to Kitsch and Back Again." Tema Celeste, January-February 1991: 76-80.Cone, Timothy. “Fair Use? Rogers v. Koons.” Arts, December 1991: 25-26.Deitch, Jeffrey. “L’Industria dell’Arte.” Flash Art (Italy) 158, May/June 1991: 72–75.“An Evening with Jeff Koons.” The Smithsonian Associate, Vol. 18, no. 7, 7 March 1990: cover, 12.Galloway, David. “‘Metropolis’: Crossroads or Cul-de-Sac?” July 1991: 47-+.Gardner, Paul, and Kirk Varnedoe. “High & Low & Pro & Con & High & Overheard.” Contemporanea no 24, January 1991: 110-112Haden-Guest, Anthony. “Art or Commerce?” Vanity Fair, November 1991: 200-204, 254-259.Hays, Constance L. “A Picture, a Sculpture, and a Lawsuit.” New York Times, 19 September 1991: B2.Hughes, Robert. “Wallowing in the Mass Media Sea Art.” Time, Vol. 138, Issue 17, October 1991: 102.Jacobson, Howard. “The Bride Stripped Bare by Her Husband Already” (interview). Modern Painters, Winter 1991: 30-33.Kimmelman, Michael. “Art in Review. Jeff Koons, Sonnabend Gallery” (review). New York Times, 29 November 1991.Kimmelman, Michael. “Onward into the Realm of Porno and Promo” (review). New York Times, 29 November 1991: C28.Koons, Jeff. “Why is David Lynch Important?” Parkett, no. 28, 1991: 156.Kutner, Janet. “Explicit sex is the latest in Koons' hype, kitsch.” Kansas Wichita Eagle, 8 December 1991: 1F, +.Lamoureux, Johanne. “Art et inflation chez Jeff Koons.” Parachute 64, October 1991: 18–21.Larson, Kay. “Native Son.” New York Magazine, vol. 24 no. 48, December 9, 1991: 80-81.Lewis, James. “Beyond Redemption.” Artforum, Summer 1991: 71–75.Lotringer, Sylv.re. “Third Wave: Art and the Commodification of Theory.’’ Flash Art, no. 158, May/June 1991: 89-93.Malasch, Rob. “Adam en Eva.” Parool, 31 May 1991: 1.Mammi, di Alessandra. “Nuove Tendenze. L neomoderni.” L’Espresso, 26 May 1991: 26, 92-93.Mannheimer, Steven. “Power Play.” New Art Examiner, November 1991: 16-19.Miller, Joni. “Bourbon: Spirit of the South.” Connoisseur, July 1991: 34-36.“Mitten ins Herz. Es Ist enttarnt: Die Cicciolina von dem weltberuhmten Kitschkunstler Jeff Koons wurde in Groden produziert, beim Art Studio Demetz.” FF Sudtiroler Illustrierte, no. 3/91 XII, January 1991: 40-41.Morgan, Robert C., and Kirk Varnedoe.“‘High and Low’: What Makes Modern Art ‘Modern.’” Tema Celeste, January–February 1991: 28–31.Paparoni, Demetrio. “Saddam Hussein and the Bestiary of Art.” Tema Celeste, no. 29, January-February 1991: 5.Perl, Jed. “Group Dynamics.” Art & Antiques, April 1991: 91-92.Pinchbeck, Daniel. “Kitsch and Tell.” Connoisseur no. 221, New York, November 1991: 30-36, 124-26.Plagens, Peter. “The Young and the Tasteless.” Newsweek, 18 November 1991: 80-82.“Spotlight. Ilona Staller and Jeff Koons, Budapest.” Flash Art, Vol XXIV, no. 159, Summer 1991: 127.Renton, Andrew. “Objects for the Ideal Home. Serpentine” (review). Flash Art, November/December 1991: 136-138.Rimbali, Paul. “Arts Diary: Adam and Eve in Disneyland.” Guardian (London), 19 December 1991: 22.Robinson, Walter, and Anastatia Wilkes. “Spring Auction Report.” Art in America, June 1991: 167.Taylor, Paul. “The Art of P.R., and Vice Versa.” New York Times, 27 October 1991: Supplement I, 35.Tully, Judd. “Jeff Koons’s Raw Talent.” Washington Post, 15 December 1991: 1.Van Nunen, Linda. “Loony Koons.” Studio, 1 February 1991: 88-89, 170.Wallis, Brian. “The Case of Copyrighted Canines.” Art in America, February 1991: 39.Yardley, Jonathan. “The Compromise of Art.” The Washington Post, 23 September 1991: C02.1990Adams, Brooks. “‘Into the Words’ Thoughts on A Forest of Signs.” Art and Design New Art International 6, no. 1–2, January–February 1990: 43-47.Adler, Amy M. “Post-Modern Art And the Death of Obscenity Law.” Report, November 30, 1990: 13-21.Allen, Charlotte Low. “Dog-eat-dog Case of Artistic Rights.” Insight, 6 August 1990: 54-55.Allen, Charlotte Low. “Lawsuit Ask if Art is More Than Tales of Puppies.” Washington Times, 3 August 1990: E1, E8.Als, Hilton. “Def in Venice. Fear and Loathing at the Biennale.” Village Voice, 17 July 1990: 41-43.Arnaudet, Didier. “Des pratiques de I’objet dans l’art des ann.es 80: apparences, metaphores et empreintes.” Colóquio Artes 85, June 1990: 54–61.Avgikos, Jan. “Other Relations.” Artscribe, September-October 1990: 68-71.Bankowsky, Jack. “New York. Ashley Bickerton” (exhibition review). Artforum, January 1990: 133-134.Baranik, Rudolf. “Russian Art: Free and Unfree.” New Art Examiner, October 1990: 51-52.Barricklow, Denise. “All Tits and No Art?” The Face, no. 26, November 1990: 104-108.“Biennale 90. Amerika verkauft sich am besten.” Art, July 1990: 28-29.“Book. OBJECTives: The New Sculpture” (exhibition review). Artscribe, Summer 1990: 95.Bonito-Oliva, Achille. “Aini L’etat de l’art (Et De La Critique Aussi).” New Art International, April-May 1990: 19-31.Bonito-Oliva, Achille. “Neo-America.” Super Art, October 1988: 4, 46, 109.Bryant, Helen. “Names & Faces.” Dallas Times Herald, 5 December 1990.Buchman, Sabeth. “Kunst Ist Formorganisierendes Schaffen (Boris Arvatov).” Vogue (Germany), 1990: 271.Cab, L. “Tra polemiche e scandali, assegnati i premi della Biennale. I Leoni d'oro all'italiano Anselmo, ai tedeschi Becher e all'americana Holzer.” Arte, no. 210, September 1990: 30.Celant, Germano. “Unexpressionism. Art Beyond the contemporary.” Art & Design New Art International 6, no. 1–2, January–February 1990: 31-39.Chevrier, Jean-Francois. “A World Gone Haywire.” Galeries Magazine, June-July 1990: 5.Cork, Richard. “The Far-Out Pavilions. Word-blitzes and banality at Venice’s Biennale.” Listener (London), 7 June 1990.Duncan, Ann. “Art Uproar.” Gazette, 1990: J2.Enright, Robert. “The Material Boy and the Femme Fidele” (interview). Border Crossings, Winter 1990/91: 36-41.Faust, Wolfgang Max. "Aufstand gegen den guten Geschmack." Art, September 1990: Cover, 34-36.Feaver, William. “Act to Upstage a Gold Banana.” 1990.Cameron, Dan. “Incidents of Robert Smithson. Posthumous Dimensions of a Premature Pre-Modern.” Flast Art, November/December 1990: 103-107.Gardner, Paul. “How to Succeed (By Really Trying).” Artnews, February 1990: 134-37.Gast, Dwight V. “Venice Biennale.” Art + Auction, September 1990: 108.Gayford, Martin. “How the Rot Set in with Pop Art.” Daily Telegraph (London), 24 July 1990.Geer, Suvan. “A Softer Hard-Sell. Mark Kostabi at Cal State Fullerton.” Artweek, 13 December 1990.Graham-Dixon, Andrew. “Chaos on the Canals.” The Independent, 29 May 1990.Gravel, Claire. “Les lieux communs: l’av.nement de la n.o-modernit..” Vie des Arts 35, no. 139, 1990: 24-29.Grundberg, Andy. “Attacking Not Only Masters but Mastery as Well” (exhibition review). New York Times, 23 November 1990.“Hall of Fame 1990.” Photographs by Annie Leibovitz. Vanity Fair, December 1990: 139-59.Hall, James. “Profound Pope of Neo-Pop” (interview). Sunday Correspondent (London), 15 July 1990.Hixson, Kathryn. “The XLIV Esposizione Internazionale d’Arte, La Biennale di Venezia. Canal, Canards, and Canapes.” New Art Examiner, December 1990: 25-27.Hughes, Robert. “Upstairs and Downstairs at MOMA.” 22 October 1990: 94-95.Huntington, Richard. “Art in Venice. A World of Artists and an Exposition Full of Suprises.” Buffalo News, 3 June 1990: G1, 64.Jacobson, Howard. “La Serenissima is now la pseudissima.” Sunday Correspondent (London): 1 June 1990.“Jeff Koons.” Face, 26 November 1990: 104-8.“Jeff Koons: The Power of Seduction” (interview). Art & Design New Art International 6, no. 1-2, 1990: 48-53.Jenkins, Nicholas. “Kirk Varnedoe. High, Low, Hot + Cool.” Artnews, October 1990: 164-167.Jodido, Philip. “Art Et Politque.” Connaissance des Arts, October 1990: 7-8.Johnson, Richard. “Bizarre Start for ‘90s On.” New York Post, 3 January 1990: 6.Jones, Bill. “Truth, Justice, and the Comics: Or, MoMA To NY: Drop Dead” (exhibition review). Arts, December 1990: 72–74.Jones, Ronald. “Everybody I Luv You.” Camera Austria, 1990: 23-29.Kaufman, Jason Edward. “Money Creates ‘Taste’: An Unfortunate Truism.” New York City Tribune, 16 August 1990.Kazanjian, Dodie. “Koons Crazy.” Vogue, August 1990: 33-43, 384-85.Kenner, Robert. “The New Shock.” Art and Antiques, no. 7, 7 October 1990: 33.Kimmelman, Michael. “‘High and Low’ Misses the Ins and Outs” (exhibition review). New York Times, 21 October 1990.Kimmelman, Michael. “Art 1990; A Year of ‘High and Low’, and Highs and Lows” (exhibition review). New York Times, 30 December 1990.Kimmelman, Michael. “Venice Biennale Opens with Surprises” (exhibition review). New York Times, 28 May 1990.Kuspit, Donald. “Sincere Cynicism.” Arts, December 1990: 60-65.Laget, Mokha. “Culture and Commentary: An ‘80s Perspective” (exhibition review). New Art Examiner, November 1990: 39-40.Laurent, Rachel. “Objets Manipulés avez-vous donc une âme.” Objets Dossier, June 1990: 44-47.Leigh, Christian. “Pop Goes the Biennali.” Contemporanea, September 1990: 88-91.Levin, Kim. “Marlborough Man.” Village Voice, March 1990: 99.Miller, John. “The Weather is Here, Wish You Were Beautiful.” Artforum, May 1990: 152-59.Morgan, Robert C. “Jeff Koons.” New Art International, June-July 1990: 44-45.Morris, Sarah and Remo Guidieri. “Jeff Koons” (interview). Galeries Magazine, April 1990: 126-133.“My Name is Andy Warhol.” L’est Vaudois (Montreaux), 19 November 1990.N.N. “Jeff Koons.” Elle Deutschland, April 1990: 98.Nickas, Robert. “That Sinking Feeling.” Flash Art, October 1990: 138-139.Nilsson, John Peter. “Don’t Worry, Be Happy!” (interview). Siksi, 5-7 April 1990: 5-7.Norman, Geraldine, and Edward Lucie-Smith. “Myths, Money, and the New Art.”Novak, Ralph. “The Indomitable Spirit.” People, 2 April 1990.Pejic, Bojana. “What Will Become of Our Sensitive Skin.” Artforum, September 1990: 120-137.Pizzati, Carlo. “Cicciolina nel letto degli dei.” Chorus, July 1990: 76-83.Plagens, Peter. “MoMA Takes the Low Road.” Newsweek, 15 October 1990: 72.“Pop Art. Jeff Koons, 34, is America’s hottest pop artists since Andy Warhol.” The New Paper, 11 May 1990.“Pop Stars.” WWD, 5 October 1990.Posten, Fagersta. “Saker Nobelfest-guide.” Saka (Finland), 14 December 1990.Ramljak, Suzanne. “With a Fine Disregard: An Interview with Kirk Varnedoe.” Sculpture, November/December 1990: 18-21.Renton, Andrew. “Art. Andrew Renton on the 44th Venice Biannale.” Blitz, 1990: 24-25.Renton, Andrew. “Jeff Koons and the Art of the Deal: Marketing (as) Sculpture.” Performance, September 1990, 18-29.Renton, Andrew. “Jeff Koons: I Have My Finger on the Eternal” (interview). Flash Art, no. 153, Summer 1990: 110-15.Renton, Andrew. “Super Star.” Blitz, January 1990: 52-59.Renton, Andrew. “Venice Biennale. End Era.” Flash Art, October 1990: 136-137.Restany, Pierre. “La Biennale del presenta permanente.” Domus, 1990.Robertazzi, Silvia. “NY Jeff Koons Art Business.” 1990.Robinson, Hilary. “But Some are More Equal Than Others.” Independent (London), 3 June 1990.Rosen, Jeff. “America’s obscenity test lacks serious value. ‘Miller’ Time.” The New Republic (Washington, D.C.), 1 October 1990.Rosenblum, Robert. “In Search of the New.” Art and Design New Art International 6, no. 1–2, January–February 1990: 7-13.Rugoff, Ralph. “Body Doubles. Gender and its discontents.” LA Weekly, 7 December 1990.Rylands, Philip. “Where the Makers and Movers of the Art World Come by Land and Water.”Schjeldahl, Peter. “In Your Eye.” 7 Days, 10 October 1990: 70-71.Schjeldahl, Peter. “Meaning Nothing” (exhibition review). Village Voice, 2 October 1990: 170.Schjeldahl, Peter. “Rembrandt, Jeff Koons: Ja Kaikki Muut.” Taide 6, December 1990: 23.Schjeldahl, Peter. “Venice Anyone? This year’s Biennale belongs to the Americans.” Mirabella, September 1990: 88-89.Schwarz, Sophie. “Kunst.” Miss Vogue (Germany), April 1990: 30.Sischy, Ingrid, and Karen Marta. “Artist Linked to Porn Star” (interview), January 1990.Smith, Roberta. “Extremes of Sculpture in 3 Burce Nauman Shows” (exhibition review). New York Times, 16 March 1990.Smith, Roberta. “High and Low Culture Meet on a One-Way Street.” New York Times, 5 October 1990: C1, C25.“Sotheby’s Le 5 November Conference de Jeff Koons.” La Tribune de Geneve (Geneva), 30 October 1990.Spayde, Jon. “Artist or Adman. Jeff Koons blurs the distinction between art and commerce.” Continental, December 1990: cover, 30-31, 42-48.Sprenger, Mariuccia. “Kitsch Und Eitelket.” artis, September 1990: 36-39.Storr, Robert. “Jeff Koons: Gym-Dandy” (interview). Art Press, October 1990: 14-23.Tarantino, Michael. “Gone Soft?” Artforum, 29, no. 1, September 1990: 137.Taylor, John Russell. “Architectural Straws in the Wind.” Times (London), 1 June 1990.“Three Paintings by U.S. Artist Slashed.” Miami Herald, 3 June 1990.Vetrocq, Marcia E. “Vexed in Venice.” Art In America, October 1990: 152-163.Wallach, Amei. “At the Biennale. The Art Controversy Extends to Venice.” Newsday, 24 May 1990.Wallach, Amei. “What’s Happening Next. The signal out of the Venice biennale is: Tighten your seat belts, the rules have all changed.” Newsday, 4 June 1990.1989Albig, Von Jörg-Uwe. “Koonskitschiger Zombie-Zoo.” Stern, December 21, 1989: 108-113.Ammann, Jean-Christophe. “Jeff Koons: A Case Study.” Parkett, no. 19, 1989, 56-59.Baker, Kenneth. “Carnegie International." Artforum, March 1989, 138-139.Ball, Edward. “ ‘The Beautiful Language of My Century’ From the Situationists to the Simulationists.” Arts Magazine, January 1989, 65-72.Benway, Mrs. “Koons kommt von Konnen.” Spex, no. 1, January 1989, 54-55.Berman, Ann. “Jeff Koons’s Resume.” Avenue, 114-115.Bonetti, David. “Under Full Sale.” Boston Phoenix, January 6, 1989, 18.Burke & Hare. “From Full Fathom Five.” Interview. Parkett, no. 19, 1989, 44-47.Brennson, Michael. “Ashley Bickerton's Pleas to Rescue a Threatened Earth." New York Times, October 27, 1989, C32.Calnek, Anthony. “New York.” Contemporanea, January/February 1989, 12-13Chua, Lawrence. “Spotlight: Jeff Koons: ‘Popples,’ an Appropriate Icon for an Era of Gross Inanity.” Flash Art, no. 144, January/February 1989, 112-13.Collings, Matthew. “You are a White Man, Jeff…” Modern Painters, Summer 1989, 60-62.Compton, Michael. “Pop Art II: Jeff Koons & Co.” Art & Design, 5, no. 7–8, July–August 1989, 39-45.Cooke, Lynne. “Jeff Koons: New York, Sonnabend Gallery.” Review. Burlington Magazine 131, no. 1032, March 1989, 246-47.Cox, Meg. “Feeling Victimized? Then Strike Back: Become an Artist.” Wall Street Journal, 13 February 1989: cover page, A8.Daniel, David. “Jeff Koons.” Art & Antiques, No. 3., March 1989: 38.Danto, Arthur C. “The 1989 Whitney Biennial.” The Nation, 5 June 1989: 788-92.Diederichsen, Diedrich. “I’ll Buy That.” Parkett, no. 19, 1989: 74-77.Dreher, Thomas. “Jeff Koons: Object Images.” Artefactum, January–February 1989: 66-68.Drohojowska, Hunter. “The 80s: Stop Making Sense.” Artnews, October 1989: 146-151.Flam, Jack. “The View From the Cutting Edge” (exhibition review). Wall Street Journal, 10 May 1989.Gibson, Eric. “Decade in Review.” Sculpture 8, no. 3, May–June 1989: 21-23.Gilbert-Rolfe, Jeremy, “The Price of Goodness.” Artscribe, November/December 1989: 48-53.Gimelson, Deborah. “Inside Art.” 7 Days, 11 January 1989: 54.Gimelson, Deborah. “Whitney Biennial.” Emporio Armani, 1 September 1989: 56-57.Gopnik, Adam. “The Art World: Lost and Found.” New Yorker, 20 February 1989: 107-11.Graw, Isabelle. “Jeff Koons Kniefall vor dem Banalen.” Artis, Das aktuelle Kunstmagazin, 41, no. 2: February 1989, 24-27.Grimes, Nancy. “Whitney Biennial” (exhibition review). Tema Celeste, July–September 1989: 66–68.Hall, James. “Neo Geo's Bachelor Artists.” Art International (Paris), no. 9, Winter 1989: 30-35.Hanson, Henry. “Artworks. Highbrow, High-Priced Tchotchkes.” Chicago, February 1989: 23-24.Harten, Doreet Levitte. “We Androids.” Artforum, January 1989: 100-106.Heartney, Eleanor. “Jeff Koons: Sonnabend” (exhibition review). ARTnews, February 1989: 138.Heartney, Eleanor. “Yougoslavia’s IRWIN group: a collison of contradictions.” New Art Examiner, May 1989: 36-37.Hoberman, J. “Brave New Image World” (exhibition review). Village Voice, 28 November 1989.Jenkins, Nick. “Mr. Koons.” Tatler, November 1989: 144-147.Jodidio, Philip. “Ileana la Reine, Koons le Roi.” Connaissance des Arts, no. 451, September 1989: 108-9.Jones, Alan. “Moving Target. On the road with controversial artist Jeff Koons.” New York Social, 1 December 1989: 29-32.Kenner, Hugh. “The Revenge of the Pink Panther: The 1989 Whitney Biennial is the Inspector Clouseau of contemporary art.” Art & Antiques, September 1989: 144.Kertess, Klaus. “Bad.” Parkett, no. 19, 1989: 30-35.Kimmelman, Robert. “At the Whitney, 100 Works From the Last 30 Years.” New York Times: C31.Koether, Jutta, Sherrie Levine, Stuart Morgan, and David Salle. “Big Fun: Four Reactions to the New Jeff Koons.” Artscribe, March/April 1989: 46-49.Koons, Jeff. “By Jeff Koons.” Art Criticism 7, no. 1, February 1989: 29–35.Koons, Jeff. “Edition for Parkett.” Parkett, no. 19, 1989: 68–69.Koons, Jeff. “Exploitation.” Defunct!, February 1989: 4.Kuspit, Donald. “Breakfast of Duchampians.” Contemporanea 2, no. 3, May 1989: 68–73.Lacayo, Richard. “Artist Jeff Koons Makes, and Earns, Giant Figures.” People Weekly, 8 May 1989: 127–32.Lamoree, Jhim. “De Kunst.” HP, 3 December 1989: cover, 94-99,Leigh, Christian. “Opening Night at the Whitney.” Contemporanea, August 1989: 84-86.Leigh, Christian. “Art on the Verge of a Nervous Breakdown.” Contemporanea, January/February 1989: 99-103.Magnani, Gregorio. “Letter from Germany.” Arts, May 1989: 118–19.Magnani, Gregorio. “This Is Not Conceptual.” FIash Art, no. 145, March–April 1989: 84–87.Maragliano, Giorgio. “The Invisible Insurrection.” Flash Art, Summer 1989: 87- 90.McKenna, Kristine. “‘The Art World Is Ripe for Me’: Jeff Koons’ High-Profile Marketing and Media Manipulation Makes His Talent Seem Secondary.” Los Angeles Times, 22 January 1989.Millet, Catherine. “Le montant de la ran.on.” Art Press, September 1989: 36–41.Morgan, Stuart. “Big Fun. Four reaction to the new Jeff Koons.” Artscribe, March-April 1989: cover, 46-49.O’Brien, Glenn. “Koons Ad Nauseam.” Parkett, no. 19, 1989: 62-65.Perl, Jed. “Autumn Alphabet.” New Criterion 7, no. 7, March 1989: 42–57.Philips, Lisa. “Art and Media Culture.” Image World, 18 November 1989: 57-70, 125.Pinchbeck, Daniel. “Jeff Koons” (Interview). Splash, April 1989: 70–77.Pincus-Witten, Robert. “Entries: Concentrated Juice and Kitschy Kitschy Koons.” Arts, 62, no. 6, February 1989: 34–39.Piper, Adrian. “A Paradox of Conscience.” New Art Examiner 16, no. 8, April 1989: 27–31.Plagens, Peter. "Under Western Eyes." Art in America, January 1989: 32-39.Schjeldahl, Peter. “Jeff Koons: Can His Silver Bunny Hold All That Hot Air?” 7 Days, 12 July 1989: 14.Schjeldahl, Peter. “Jeff Koons.” 7 Days, 2 July 1989: 14.Smith, Roberta. “Subtle Ways to Eat Your Cake and Have It Too.” New York Times, 8 October 1989: 35-36.Spector, Nancy. “Carnegie International.” Contemporanea 2, no. 2, January/February 1989: 104-5.Stevens, Mark. “The Shock of the Faux.” Vanity Fair, December 1989: 114.Strauss, Marc. “Exhibitions: Facts and Fancy. A New York Colelctor Share his Impressions of the Biennial.” Contemporanea: 87-89.Taylor, Paul. “Spotlight: Carnegie International. Even the Sense of Humor Couldn’t Save the Show.” Flash Art, January 1989: 106.Tillim, Sidney. “Ideology and Difference: Reflections on Olitski and Koons.” Arts, March 1989: 48–51.van Nieuwenhuyzen, Martijn. “Spotlight: Horn of Plenty. Besides Plenty of Horn, The More Subtle Voices Can Also Be Heard.” Flash Art, March–April 1989: 102.Westenholm, Margot. “Scharlatan und Superstar: Jeff Koons.” Pan, 1989: 11.Wood, Paul. “Enantiogramme.” Oxford Art Journal 12, no. 2, 1989: 104–109.Editors, “A Forest of Signs: Art in the Crisis of Representation." Flash Art News, March–April 1989: 1.1988Albertazzi, Liliana. “Curators: Maria de Corral.” Galeries, February–March 1988: 105-111, 139.Artner, Alan G. “Market Valued: What Jeff Koons’ Work Says About the Art World Today.” Chicago Tribune, 31 July 1988: 16-17.“Atlantisches Bündnis: Eine Gespr.chsrunde mit Georg Herold, Jeff Koons und Isabelle Graw.” Wolkenkratzer Art Journal, January 1988: 36–43.Bonito-Oliva, Achille. “Mannerist Simulation.” Flash Art, no. 138, January–February 1988: 62–66.Bonito-Oliva, Achille. “Neo-America.” Super Art, October 1988: 4, 46, 109.Bouchner, Mel. “Ileana Sonnabend.” Galeries Magazine, June 1988: 109-117.Brenson, Michael. “Gallery View” (exhibition review). New York Times, 18 December 1988.Brenson, Michael. “Greed Plus Glitz, With a Dollop of Innocence” (exhibition review). New York Times, 18 December 1988.Brenson, Michael. “Shifting Image and Scale.” New York Times, 2 December 1988: C22.Cameron, Dan. “High-Tech Redux.” Flash Art, no. 141, Summer 1988, 102–105.Cameron, Dan. “Introduction.” NY Art Now, January 1988, 125-139.Carlsen, Peter. “Jeff Koons.” Contemporanea 1, no. 3, September–October 1988: cover, 39–41.Celant, Germano. “The Marble Period.” Unexpressionism, January 1988: 5-29.Collins, Tricia, and Richard Milazzo. "Tropical Codes Teilz Neve Kunst aus New York." Kunstforum92, December 1987–January 1988: 84-87.Comi, Enrico R. “Ileana Sonnabend.” Spazio Umano / Human Space, April-June 1988: 4, 6.Cotter, Holland. “Haim Steinbach: Shelf Life.” Art in America, May 1988: 156-163.Couderc, Sylvie. “Collections.” Parcours, 4 March 1988: 1-4.Diederichsen, Diedrich. “Bitte Weg!” Spex, 1 January 1988: 68-72.“Downtown View.” Vogue, September 1988: 128.Faust, Wolfgang Max. “Now New York New” (Interview with Dan Cameron). Wolkenkratzer Art Journal, January 1988: 20-35.Foray, Jean-Michel. “L'Object de L'Exposition.” Galeries Magazine, August 1988: 65-67.Gablik, Suzi. “Dancing with Baudrillard.” Art in America, June 1988: 27–29.Gast, Dwight. “What’s New in Contemporary Art.” Diversion, September 1988.Gopnik, Adam. “The Art World: Originals.” New Yorker, 23 May 1988: 68-71.Graafland, Arie. "Antinomieen.” Het Postmoderne, 9 November 1988: 48-53.Graw, Isabelle. “Atlantic Alliance” (Interview with Georg Herold and Jeff Koons). Wolkenkratzer, January–February 1988: 36-43.Graw, Isabelle. “Carnegie International.” Galeries Magazine, 1 December 1988: 76-78.Gross, John. “Two New Museums Offer a Contrast: British Brashness vs. American Reserve.” New York Times, 2 October 1988.Herold, Georg and Isabelle Graw. “Atlantisches Bundis.” Wolkenkratzer, 1 January 1988: 36-43.Janault, Patrick. “Capc/Musee D'art Contemporain.” Art Press, May 1988: 66.Januszczak, Waldemar. “The Critic as Jeff Koons Fan.” Modern Painters, Summer 1988: 56–59.Jones, Alan. “Thriller.” Contemporanea 1, no. 3, September–October 1988: 42–45.Jones, Ronald. “Hans Haake.” Flash Art, Summer 1988: 151-152.Joselit, David. “Investigating the Ordinary.” Art in America, May 1988: cover, 149–55.Kirschner, Judith Russi. “Signs of Life.” Encontros, January 1988: 55-57.Kirschner, Judith Russi. “The Benefits of Doubt or Loving Modernism to Death.” Artforum, November 1988: 106-108.Koons, Jeff. “Jeff Koons on Christopher Wool.” Flash Art, no. 138, January/February 1988: 114.Kramer, Hilton. “Koons Show in the City Succeeds in Carrying Things to a New Low.” New York Observer, 19 December 1988: 1, 11.Kuspit, Donald. “The Opera is Over. A Critique of Eighties Sensibility.” Artscribe, September/October 1988: 44-49.Landi, Ann. “Advice and Dissent.” Manhattan, Inc., January 1988: 105-107.Leigh, Christian. “It’s The End of the World and I Feel Fine.” Artforum, Summer 1989: 116-119.Levin, Kim. “The Evil of Banality.” Village Voice, 20 December 1988: 115.Luecking, Stephen. “Jeff Koons: Museum of Contemporary Art.” New Art Examiner 16, no. 3, November 1988: 41.Magnani, Gregorio. “Aperto ‘88.” Flash Art, September 1988: 120-123.McCracken, David. “Cuteness with an Edge in Jeff Koons's Work.” Chicago Tribune, 16 December 1988: 75.Monti della Corte, Beatrice. House & Gardens, October 1988: 166-167.Morgan, Stuart. “School of Athens.” Artscribe, March/April 1988: 9.Morgan, Robert C. “What is Conceptual Art, Post or Neo?” Arts, March 1988: 80–81.“Nouvelles Expositions.” Pariscope, June 1988: 2.“L'Objet de l'Exposition.” Officiel des Spectacles, 19 June 1988: 2.“L'Objet en Question.” Le Figaro, 19 July 1988: 2.Ottmann, Klaus. “Jeff Koons” (Interview). Journal of Contemporary Art 1, no. 1, May 1988: 18-23.“Popularity of Bad, Bad Art: The Revenge of Jeff Koons.” The New York Observer, 19 December 1988: 11.Palmer, Laurie. “Jeff Koons: Museum of Contemporary Art.” Art Forum, October 1988: 153.Pelenc, Arielle. “La Consommation de l’Art, ou I’Art de la Consommation.” Art Press, September 1988: 26–30.Plagens, Peter. “The Emperor’s New Cherokee Limited 4x4.” Art in America, June 1988: 23–24.Ratcliff, Carter. “The Marriage of Art and Money.” Art in America, July 1988: 78, 83.Robins, Corinne. “Goods and Not-So-Goods: 60s/80s Sculpture Parallels.” Arts, June 1988, 63–65.Russell, John. “At the Saatchi Collection, a Thin Show of ‘NY Art.’” The New York Times, 3 January 1988: 27- 28.Saltz, Jerry. “The Dark Side of the Rabbit: Notes on a Sculpture by Jeff Koons.” Arts, 62, no. 6, February 1988: 26-27.Salvioni, Daniela. “Feature Gallery” (Interview). Flash Art, no. 140, May/June 1988: 97.Sandford, Miriam. “Kunstler, Sammler, Sensationen.” New York, 27 May 1988: 107-112.“Schamlos Schon.” Der Spiegel, 21 April 1988: 228-231.Schwarze, Dirk. “Schlaf der Vernunft.” Kunstforum, April/May 1988: 248-251.Schille, Peter. “Ware Kunst.” Der Spiegel, 28 November 1988: 180, 203.Schjeldahl, Peter. "Hope and Malice." 7 Days, 7 September 1988: 49-50.Schjeldahl, Peter. “Looney Koons.” 7 Days, 14 December 1988: 66-67.Schwarz, Estelle. “Advertising, Advertising. Some cases in point.” Artscribe, September/October 1988: 70-74. Smith, Roberta. “Rituals of Consumption.” Art in America, 76, no. 5, May 1988: 164-71.Sozanski, Edward. “A Collector with World Influence.” Philadelphia Inquirer, September 1988: 61.Staniszewski, Mary Anne. “Jeff Koons. Conceptual Art of the ‘60s and ‘70s Alienated the Viewer” (Interview). Flash Art, November/December 1988: 113-114.Tanaka, Hiroko. “Jeff Koons.” Hi Fashion, no. 172, 15 August 1988: 136-137.Taylor, Paul. “Bigger Art Crowds Head for Smaller Spaces.” New York Times, 17 July 1988.Taylor, Paul. “Cultural Geometry.” Flash Art, no. 140, May/June 1988: 124–25.Theobald, Stephanie. “Weird Scenes inside the Goldmine.” Sept a Paris, 19 July 1988.“Two New Museums.” New York Times, 17 July 1988: 33-40.“Une Artiste qui Sort Duchamp.” L'Obs de Paris, 8 July 1988: 18.Wallach, Amei. “The King of Art.” New York Newsday, 1 December 1988: 4.Yngveson, Britt. “Konst.” Sydsvenska, 20 July 1988: 1, 22.1987Beals, Kathie. “At the Aldrich, a New Perspective.” Lively Arts, 14 June 1987: F1.Benson, Michael. “Art: The Munster Sculpture Project." The New York Times, 22 June 1987: C13.Berman, Ann. “Sculptors in Progress.” Town & Country, September 1987: 269-272.Beyer, Lucie. “Review.” Flash Art, February 1987: 111.Brennson, Michael. “Art: Whitney Biennial.” The New York Times, 10 April 1987: C24.Caley, Shaun. “Review.” Flash Art, February 1987: 104.Cameron, Dan. “Art and its Double.” Flash Art, May 1987: 57-71.Cameron, Dan, “Whitney Biennial.” Flash Art, June 1987: 86-87.Christoc-Bakargiev, Carolyn. “New York Seppellisce.” Il Giornale dell'Arte, 1 May 1987: 99-100.Collins and Millazo, “Benney 'Kid' Paret [sp].” New Observations, March 1987: 16.Collins and Milazzo. “Radical Consumption.” New Observations, 1 October 1987: 2-23.Ferguson, Bruce. “When the Yuppies Come Marching In.” C Magazine, 1 September 1987: 40-45.Fiz, Simon. “El triunfo del simulacro.” Quaderns, 1 May 1987: 3-13.Giachetti, Romano. “Di Loro Piace.” Epoca, 5 May 1987: 50-55.Glueck, Grace. “Tastemakers.” The New York Times Magazine, 30 August 1987: 72, 113.Glueck, Grace. “What Do You Call.” The New York Times, 6 July 1987: 13.Graham-Dixon, Andrew. “An Art Dying Of Consumption.” The Independent Arts, 14 September 1987: 1.Graham-Dixon, Andrew. “Neo-Geo.” Vogue, September 1987: 360-363.Grazioli, Elio. “Il Simulacro.” Flash Art, May 1987: 50-52.Greenfield-Sanders, Timothy. “Sculptures.” ArtFinder, May 1987: 113.Haden-Guest, Anthony. “The Art of Musical Chairs.” Vanity Fair, September 1987: 60-72.Heartney, Ealonor. “Simulationism.” Art News, January 1987: 130-137Horn, Miriam. “The Avant-Garde.” U.S. News, 18 May 1987: 68-69.Hughes, Robert. “Navigating.” 11 May 1987: 81, 82.“Il Nuovo Valore Simbolico.” Vanity Fair [Italy], August 1987: 60.Indiana, Gary. “Another Review of the Whitney.” Village Voice, 28 April 1987: 87, 88.Indiana, Gary, “Hot Dog.” Village Voice, 12 May 1987: 97.Januszczack, Waldemar. “Head First Into Neo-Geo.” Guardian Arts, 10 September 1987: 12.“Jeff Koons.” Artics, 1 June 1987: 57.Jones, Ronald. “Jeff Koons at International.” Artscribe, January 1987: 72-73.Kent, Sarah. “NY Art Now.” Time Out, 16 September 1987: 45.Kent, Sarah. “Smart Art.” Time Out, 9 September 1987: 16-18.Kleinman, Phillip. “The House of Saatchi.” Quest, 1 December 1987: 56-61.Kleyn, Robert. “New Concepts.” Tema Celeste, March 1987: 59-61.Larson, Kay. “Comedy of Mannerism.” New York Magazine, 24 August 1987: 114-115.Larson, Kay. “Good Neighbors.” New York, 27 April 1987: 122-124.Levin, Kim. “Americans Abroad.” Village Voice, 11 August 1987: 82.Malafronte, Maria. “Barcelona.” Juliet, February 1987: 45.McGill, Douglas. “Helping the Rich Buy Art.” The New York Times, 22 April 1987: C19.McGill, Douglas. “The Whitney Biennial.” The New York Times, 5 April 1987: 33,40.Messler, Norbert. “Paul Maenz.” Galeries Magazine, 1 December 1987: 102-109.Miller, John. “In the Beginning there was Formica.” Artscribe, March 1987: 36-42.“My Art Belongs to Dada.” Observer, 6 September 1987: 36-41.“New York Man Turns Hoover.” Hoover News, 21 August 1987: 8-9.Owen, Frank. “Neo-Geo.” I.D., February 1987: 90-91.Paparoni, M. “Jeff Koons.” Tema Celeste, 1987: 19-21, 66.Pincus-Witten, Robert. “Electrostatic Cling.” Artscribe, June 1987: 36-41.Pincus-Witten, Robert. “Entries: First Nights.” Arts, January 1987: 44-45.Politi, Giancarlo. “Interview.” Flash Art, February 1987: 71-76.Power, Kevin. “Art and Its Double.” Flash Art, February 1987: 113.Raynor, Vivien. “Art.” The New York Times, 26 June 1987: C26.Ronnen, Meir. “What You See Is What You Get.” Jerusalem Post, 30 January 1987: 10-19.Rosebeaumont, Mary. “The Resilient Subject.” Sculpture Today, 12 November 1987: 23-28.Rubinstein, M.R. and D. Wiener, “Sites and Sights.” Arts Magazine, March 1987: 20-21.Saatchi, Doris. “Keeping Up with the Johnses.” Vanity Fair, June 1987: 52-61.Schwartzman, Allan. “Corporate Culture.” Manhattan, Inc., 1 December 1987: 137-141.Smith, Dinitia. “Art Fever.” New York, 20 April 1987: 34-43.Smolik, Noemi. “Whoever Sets Up Urinals.” Volkenkratzer, January 1987: 86.Stachelhaus, Heiner. “Kiepenkerl auf Hochglanz.” Echo, 4 November 1987: 37.Tillim, Sidney. “Ideology and Difference.” Arts Magazine, March 1987: 48-51.Tilroe, Anna. “Een Kiefer Op De Wc.” Elsevier, 19 December 1987: 192-198.Vaizey, Marina. “Life Studies.” Vogue, September 1987: 45-49.Whiles-Serreau, Virginia. “The Perfect Yuppie.” Artscribe, January 1987: 7-10.Zimmer, William. “Visiting Art Museums.” New York Times, 14 August 1987: C1, 26.Zimmer, William. “Post-Abstract Expression in Ridgefield.” The New York Times, 5 July 1987: 18.1986Baker, Tom. “Modernism without Laughs.” Arena Magazine, Summer/Autumn 1987: 17.Becker, Robert. “No Neo Is Good Neo” (exhibition review). Blueprint, no. 40, September 1987: 68–70.Beals, Kathie. “At the Aldrich, a New Perspective.” Lively Arts, 14 June 1987: F1.Berman, Ann. “Sculptors in Progress.” Town & Country, September 1987: 269-272.Beyer, Lucie. “Review.” Flash Art, February 1987: 111.Brenson, Michael. “The Munster Sculpture Project" (exhibition review). New York Times, 22 June 1987: C13.Brenson, Michael. “Whitney Biennial’s New Look.” New York Times, 10 April 1987: C24.Caley, Shaun. “Group Show: Sonnabend” (exhibition review). Flash Art, no. 132, February/March 1987: 104.Cameron, Dan. “Art and Its Double: A New York Perspective.” Flash Art, May 1987: 57-71.Cameron, Dan. “Documenta 8 Kassel.” Flash Art, no. 136, October 1987: 61–68.Cameron, Dan, “The Whitney Biennial.” Flash Art, June 1987: 86-87.Cameron, Dan, Donald Kuspit, Pier Luigi Tazzi, Ingrid Rein, and Max Wechsler. “The Critics’ Way.” Artforum, September 1987: 109–20.Casadio, Mariucca. “Bickerton, Halley, Koons e Vaisman: Le Premesse Teoriche Dell’Oggetto Americano.” Vanity, July/August 1987: 25.Castello, Michelangelo, and Demetrio Paparoni. “Jeff Koons.” Tema Celeste, December 1987–February 1988: 66.Christoc-Bakargiev, Carolyn. “New York Seppellisce.” Il Giornale dell'Arte, 1 May 1987: 99-100.Collins, Tricia, and Richard Milazzo. “Benney 'Kid' Paret [sp].” New Observations, March 1987: 16-19.Collins, Tricia and Richard Milazzo. “Whoever Sets Up Urinals Shouldn’t Wonder When They’re Pisssed Into” (interview). Volkenkratzer, January/February 1986: 86.Collins, Tricia, and Richard Milazzo.“Posthumous Meaning.” Artscribe International, September/October 1987: cover, 44-49.Collins, Tricia, and Richard Milazzo. “Radical Consumption and The New Poverty. A Discourse on Irony and Superfluity.” New Observations, 51, October 1987: cover, 1, 4, 6, 10, 12, 14-16, 21.Collins, Tricia and Richard Milazzo. “Whoever Sets Up Urinals.” Volkenkratzer, January 1986: 86.Cooke, Lynne. “Object Lessons.” Artscribe, September/October 1987: 55–59.Dorment, Richard. “Art of Advertising.” Weekend Telegraph, 12 September 1987: IX.Edenbaum, Seth. “Parody and Privacy.” Arts, October 1987: 44-45.Ferguson, Bruce W. “When the Yuppies Come Marching In.” C Magazine, 1 September 1987: 40-45.Fiz, Simon. “El triunfo del simulacro.” Quaderns, 1 May 1987: 3-13.Flacke, Christopher. “Held in Suspense.” Art & Antiques, Summer 1987: 25.Fox, Howard. “Originality and Source.” Avant-Garde in the Eighties, 23 April 1987: 13.Gersh, Martin. “The Best of Spirits. Brandy The Bountiful.” Vogue, September 1987: 496.Giachetti, Romano. “Di Loro Piace Quel Piccolo Neo.” Epoca, 5 May 1987: 50-55.Glueck, Grace. “Smart Art.” Sydney Morning Herald, 9 July 1987.Glueck, Grace. “Tastemakers.” New York Times Magazine, 30 August 1987: 72, 113.Glueck, Grace. “What Do You Call Art’s Newest Trend: ‘Neo-Geo’ . . . Maybe.” New York Times, 6 July 1987: 13.Graham-Dixon, Andrew. “An Art Dying Of Consumption.” The Independent Arts, 14 September 1987: 1.Graham-Dixon, Andrew. “Neo-Geo.” Vogue, September 1987: 360-363.Grazioli, Elio. “Il Simulacro.” Flash Art, May 1987: 50-52.Greenfield-Sanders, Timothy. “Sculptures.” ArtFinder, May 1987: 113.Haden-Guest, Anthony. “The Art of Musical Chairs.” Vanity Fair, September 1987: 60-72.Halle, Howard. “Jeff Koons.” Les Courteirs du, April 1987.Heartney, Eleanor. “Sighted in Münster.” Art in America, September 1987: 140–43, 201.Heartney, Eleanor. “Simulationism: The Hot New Cool Art.” Artnews, January 1987: 130-137.Horn, Miriam. “The Avant-Garde: Moving into Middle America.” U.S. News & World Report, 18 May 1987: 68-69.Hughes, Robert. “Navigating a Cultural Trough.” Time, 11 May 1987: 81–82.“Il Nuovo Valore Simbolico.” Vanity Fair (Italy), August 1987: 60.Indiana, Gary. “Another Review of the Whitney.” Village Voice, 28 April 1987: 87-88.Indiana, Gary, “Hot Dogg.” Village Voice, 12 May 1987: 97.Januszczack, Waldemar. “Head First Into Neo-Geo.” Guardian (London), 10 September 1987: Arts 12.“Jeff Koons.” Artics, 1 June 1987: 57.Jones, Ronald. “Jeff Koons at International With Monument” (exhibition review). Artscribe, January/February 1987: 72-73.Kent, Sarah. “NY Art Now.” Time Out, 16 September 1987: 45.Kent, Sarah. “Smart Art.” Time Out, September 9-16, 1987: 16-18.Kleinman, Phillip. “The House of Saatchi.” Quest, 1 December 1987: 56-61.Kleyn, Robert. “New Concepts (Nuovi Concetti)” (exhibition review). Tema Celeste, January-March 1987: 84.Koons, Jeff. “‘Baptism’, A Project for Artforum.” Artforum, November 1987: 101-107.Larson, Kay. “Comedy of Mannerism.” New York, 24 August 1987: 114-115.Larson, Kay. “Good Neighbors.” New York, 27 April 1987: 122-124.Levin, Kim. “Americans Abroad.” Village Voice, 11 August 1987: 82.Madariaga, Javier Solana. “Jeff Koons.” Coleccion, October 1987: 318-319.Malafronte, Maria. “Barcelona.” Juliet, February 1987: 45.McGill, Douglas. “Helping the Rich Buy Art.” New York Times, 22 April 1987: C19.McGill, Douglas. “The Whitney Biennial Seeks a Softer Tone.” New York Times, 5 April 1987: 33, 40.Messler, Norbert. “Paul Maenz.” Galeries Magazine, 1 December 1987: 102-109.Miller, John. “In the Beginning there was Formica. . .” Artscribe, March 1987: 36-42.Morgan, Robert C. “The Catalog and the Exhibition” (exhibition review). CEPA Quarterly, Winter 1987, Volume 1, Issue 2: 1.Morgan, Susan. “Write When You Get Work. . . .” (interview with David Robbins on his Installation Talent). Artscribe International, September/October 1987: 52-54.“New York Man Turns Hoover.” Hoover News, 21 August 1987: 8-9.Owen, Frank. “Neo-Geo.” I.D., February 1987: 90-91.Ottmann, Klaus. “True Pictures.” Flash Art, no. 132, February/March 1987: 90–91.Paparoni, M. “Jeff Koons.” Tema Celeste, December 1987: 19-21, 66.Pincus-Witten, Robert. “Electrostatic Cling.” Artscribe, June 1987: 36-41.Pincus-Witten, Robert. “Entries: First Nights.” Arts, January 1987: 44-45.Politi, Giancarlo. “Luxury and Desire: An Interview with Jeff Koons” (interview). Flash Art, no. 132, February/March 1987: cover, 71–76.Pontbriand, Chantal. “Skulptur in Münster: An Interview with Kasper K.nig.” Parachute 48, September/November 1987: 36–41.Power, Kevin, and Robert Nickas. “Art and Its Double.” Flash Art, no. 132, February/March 1987: 113–14.Raynor, Vivien. “In Ridgefield Conn., a ‘Post-Abstract’ Show” (exhibition review). New York Times, 26 June 1987: C26.Ronnen, Meir. “What You See Is What You Get.” Jerusalem Post, 30 January 1987: 10-19.Rosebeaumont, Mary. “The Resilient Subject.” Sculpture Today, 12 November 1987: 23-28.Rubinstein, Meyer Raphael, and Daniel Wiener. “Sites and Sights: Considerations on Walter De Maria, Jeff Koons, and Tom Butter.” Arts, March 1987: 20–21.Saatchi, Doris. “Keeping Up with the Johnses.” Vanity Fair, June 1987: 52-61.Schmidt-Wulffen, Stephan. “Enzyklopadie der Skulptur.” Kunstforum 91, October–November 1987: 288–301.Schwartzman, Allan. “Corporate Culture: The Yippie-Yuppie Artist.” Manhattan, Inc., December 1987: 137–43.Smith, Dinitia. “Art Fever.” New York, 20 April 1987: 34-43.Smolik, Noemi. “Whoever Sets Up Urinals/Wer Urinals aufstellt, sollte sich nicht wundern, wenn in sie gepinkelt wird.” Wolkenkratzer Art Journal, January 1987: 86–87.Stachelhaus, Heiner. “Kiepenkerl auf Hochglanz.” Echo, 4 November 1987: 37.Taylor, John Russell. “Can They Be Serious?” (exhibition review). Times (London), 29 September 1987.Taylor, Paul. “My Art Belongs to Dada.” London Observer, vol. 144, no. 9, 6 September 1987: 36-41.Tazzi, Pier Luigi. “The Critic’s Way.” Artforum, September 1987: 109, 120.Tillim, Sidney. “Ideology and Difference.” Arts Magazine, March 1987: 48-51.Tilroe, Anna. “Een Kiefer Op De Wc.” Elsevier, 19 December 1987: 192-198.Vaizey, Marina. “Life Studies.” Vogue, September 1987: 45-49.Wallis, Brian. “Kapitalistische Stigmata.” Kunstforum 91, October–November 1987: 253–57.Wallis, Brian. “Tenth Anniversary.” The New Museum of Contemporary Art, July 1987: 32.Welzenbach, Michael. “’Avant-Garde in the Eighties’ L.A. looks at the rhetoric of Postmodernism.” New Art Examiner, Summer 1987: 32-34.Whiles-Serreau, Virginia. “The Perfect Yuppie.” Artscribe, January 1987: 7-10.Zimmer, William. “Post-Abstract Expression in Ridgefield.” New York Times, 5 July 1987: 18.Zimmer, William. “Visiting Art Museums and Galleries in 3 States.” New York Times, 14 August 1987: C1, C26.1986Artner, Alan. “3 Sculptors Achieve Unsettling Transformations of Everyday Objects.” Chicago Tribune, 11 May 1986: 18-19.Benzra, Neal. “…But is it Art?” New York Times, 19 October 1986: Section 2, 34.Bob, Paul. “Postmodern Pop.” Esquire, September 1986: 252.Brenson, Michael. “Art.” New York Times, 10 October 1986: C32.Buckley, Anne. “Damaged Goods as an Art Form.” Staten Island Advance, 8 August 1986: Art Reviews 1, 2.Cameron, Dan. “Art and Its Double.” Art and Its Double, November 1986: 68-73.Cameron, Dan. “La Vanguardia.” La Vanguardia, 23 November 1986: 3.Cameron, Dan. “Pretty as a Product.” Arts, May 1986: 22-25.Collings, Matthew. “Mythologies: Art and the Market” (Interview with Jeffrey Deitch). Artscribe, April/May 1986: 22-26.Collins, Tricia and Richard Milazzo. “Spiritual America.” CEPA Quarterly, Volume 1, Issue 3, Spring 1986: 4-7.Collins, Tricia and Richard Milazzo. “Tropical Codes.” Kunstforum 83, March 1986: 308-309.Cone, Michele. “Ready-Mades on the Couch.” Artscribe, June/July 1986: 30-33.“Corporate Culture.” Manhattan, Inc., October 1986: 188.Foster, Hal. “The Future of an Illusion.” Endgame, 25 September 1986: 91-107.Halle, Howard, “A Brokerage of Desire.” 11 July 1986: 20-23.Heartney, Eleanor. “Damaged Goods” (exhibition review). New Art Examiner 14, no. 1, September 1986: 26-29.Heartney, Eleanor. “Neo-Geo Storms New York.” New Art Examiner 14, no. 1, September 1986: 26-29.“Hot Commodities.” Los Angeles Weekly, 15 August 1986.Hershkovitz, David. “Night and Day. On the Move in Manhattan.” Harper's Bazaar, September 1986: 259, 272, 468.Indiana, Gary. “Formal Wares” (exhibition review). Village Voice, 25 March 1986: 85.“Jeff Koons.” Bomb Magazine, no. 16, Summer 1986: 56-57.“Jeff Koons.” Spazio Umano, October 1986, 104-109.Jones, Alan. “Interview with Collins & Milazzo.” Galeries Magazine, May 1986: 40.Jones, Alan. “Jeff Koons: Et Qui Libre?” Galeries Magazine, October-November 1986: 94-98.Jones, Alan. “The Kid.” New York Talk, May 1986: 62.Jones, Alan. “Up Against the Wall.” New York Talk, May 1986: 62.Jones, Ronald. “Damaged Goods: The New Museum of Contemporary Art” (exhibition review). Flash Art, no 130, October-November 1986: 73-74.Koether, Jutta. “Mrs. Benway: Mensch.” Spex, 1986: 60-62.Koons, Jeff. “Project.” ARTNews File, May 1986: 2-3, 117-118.Knight, Christopher. “The L.A. Invasion of It.” Los Angeles Hearld Examiner, 10 August 1986: E11.Kruse, Petra. “Jeff Koons: Tragic Equilibrium.” Kunstforum, March 1986: 324.Larson, Kay. “Love or Money.” New York Magazine, 23 June 1986: 65-66.Larson, Kay. “Masters of Hype.” New York Magazine, 10 November 1986: 100, 102.Lautman, Victoria. “Susan & Lewis Manilow.” Galeries Magazine, October 1986: 98, 109.Levin, Kim. “Admired Work.” Village Voice, 1 January 1986: 66.Levin, Kim. “His Best Shot” (exhibition review). Village Voice, 14 October 1986: 96.Levin, Kim. “Shop Art” (exhibition review). Village Voice, 22 July 1986: Arts 1.Linker, Kate. “Damaged Goods: Desire and the Economy of the Object” (exhibition review). Artforum, November 1986: 133-134.McGill, Douglas C. “The Lower East Side's New Artists.” New York Times, 3 June 1986: C13.Muchnic, Suzanne. “Familiar Ideas in Three New Exhibits: Commodity-Culture Art Rides Again.” Los Angeles Times, 26 July 1986: F9.Nagy, Peter. “From Criticism to Complicity." Roundation with Ashley Bickerton, Peter Halley, Jeff Koons, Sherrie Levine, Haim Steinbach, and Philip Taaffee. Flash Art, no. 129, Summer 1986: 46-49.“New Sculpture: Robert Gober, Jeff Koons, Haim Steinbach.” The Renaissance Society, The University of Chicago, 7 May 1986: 1.Pincus-Witten, Robert. “Entries: The Scene that Turned a Dime.” Arts, Volume 60, no. 8, April 1986: 20-22.Pozzi, Lucio. “Ora L’Artista.” Il Giornale dell’Arte, October 1986: 1.Raynor, Vivien. “Objects are Subject of ‘Damaged Goods.’” New York Times, 18 July 1986: Arts 1-2.Relyea, Lane. “Hot Commodities.” Los Angeles Weekly, 15 August 1986: 21.Salvioni, Daniela. “Jeff Koons: International with Monument” (exhibition review). Flash Art, no. 131, December 1986/January 1987: 89.Salvioni, Daniela. “McCollum and Koons” (interview). Flash Art, no. 131, December 1986/January 1987: 66-68.Schjeldahl, Peter. “A Visit to the Salon of Autumn 1986." Art in America, December 1986: 15-21.Siegel, Jeanne. “Jeff Koons: Unachievable States of Being.” Arts, Volume 61, October 1986: 66-71.Smith, Roberta. “4 Young East Villagers at Sonnabend Gallery.” New York Times, 24 October 1986: C30.Smith, Roberta. “Research and Development.” Beyond Boundaries, October 1986: 4-7.Staniszewski, Mary Anne. “Hot Commodities.” Manhattan, Inc., June 1986: 159.Staniszewski, Mary Anne. “Variations on a Thing.” Manhattan, Inc., October 1986: 159.Steinbach, Haim. “I Give You the Sweetest Taboo.” Arts, March 1986: 24-25.Taylor, Paul. “The Hot Four.” New York, 27 October 1986: 50-56.Tomkins, Calvin. “The Art World. Between Neo- and Post-.” New Yorker, 24 November 1986: 104-113.Wallach, Amei. “The New Art is SoHo Cool.” Newsday, 26 October 1986: Part II/3, 17.Weiermair, “Jeff Koons.” Prospect 86, 9 September 1986: 114-116.Wright, Robert. “Virtual Reality.” ZG, March 1986: 54-61.1985“Art Preview.” Crain’s Chicago Business, 16 September 1985: 50.Collins, Tricia and Richard Milazzo. “Neutral Trends.” East Village Eye, October 1985: 38.Decter, Joshua. “New Ground.” Arts, December 1985: 123.Halley, Peter. “The Artist Critic of the Eighties.” Arts, September 1985: 72-79.Indiana, Gary. “Art.” Village Voice, 28 May 1985: 80.Indiana, Gary. “Jeff Koons at International with Mondument” (exhibition review). Art in America, November 1985: 163-164.Indiana, Gary. “Jeff Koons Review." Art in America, December 1985: 162-164.Indiana, Gary. “Paradigms of Dysfunction.” Village Voice, 11 June 1985: 91.“Jeff Koons at Feature Gallery.” Crain's Chicago Business, 16 August 1985: 50.Jones, Alan. “The Art of The Slam Dunk.” NY Talk, May 1985: 47.Levin, Kim. “Art.” Village Voice, 22 July 1986.Lifton, Norma. “Jeff Koons” (exhibition review). New Art Examiner 13, no. 4, December 1985: 50.Moufarrege, Nicholas. “Surf’s Up.” East Village, 1 January 1985.Robinson, Walter. “’The New Capital’ at White Columns” (exhibition review). Art in America, April 1985: 207-209.Siegel, Jeanne. “The Artist/Critic of the Eighties, Part One: Pater Halley and Stephen Westfall.” Arts, September 1985: 72-79.Smith, Roberta. “Give Art a Chance.” Village Voice, 1 January 1985: 67.Zimmer, William. “Sculpture at the Whitney.” New York Times, 21 July 1985: Arts 1.1984Craven, David. “Science Fiction and the Future of Art.” Arts, May 1984: 125-129.Dorsey, John. “School 33.” The Sun, 17 March 1984: 1.Halley, Peter. “The Crisis in Geometry.” Arts, June 1984: 111-115.Smith, Roberta. “Group Therapy.” Village Voice, 25 December 1984: 113.Smith, Roberta. “Temporary Misgivings.” Village Voice, 22 May 1984: 89, 92.Smith, Roberta. “We Remember MOMA.” Village Voice, 22 May 1984: 88.1983Drohojowska, Hunter. “The LA/NY Cultural Exchange.” Los Angeles Weekly, 1 July 1983: 57-58.Jones, Alan. “Jeff Koons.” Arts, November 1983: 11.Knight, Christopher. “L.A.-N.Y. Exchange.” Los Angeles Herald Examiner, 26 June 1983: E5-6.Liebman, Lisa. “Science Fiction,” Artforum, December 1983: 74.Muchnic, Suzanne. “Same Old Statements from 6 New York Artists” (exhibition review) Los Angeles Times, 27 June 1983: part VI, G1-G2.Smith, Roberta. “Worldly Goods.” LA/NY Exchange, 8 June 1983: 1.Picot, Pierre. “Righteous Intentions.” Artweek, July 1983: 16.1982Artner, Alan. “New Media Show a Never-Never Land of Distorted Reality.” Chicago Tribune, 9 May 1982: 17.Braudeau, Michel. “Lyon: Les Punks de Manhattan.” L'Express, 26 February 1982: 17.De Breyne, Jean. “Energie New York." La Voix du Lyonnais, 4 March 1982: 2.Deroudille, René. “Energie New York." Lyon Matin, January 29, 1982, 8.Deroudille, René. “Energie New York." Lyon Matin, 15 March 1982: 2.“Energie N.Y." Lyon Direct, 1 February 1982: 2.“Energie New York." Le Journal, 16 January 1982: 2.“Energie New-York." Le Tout Lyon, February 1982: 7.Gayot, Martine. “A Lyon L'Ame de N.Y." Lyon-Magazine, February 1982: 44.Katz, Nikolai. “Beyond the Mass Media." Grey City Journal, 14 May 1982: 1.Lawson, Thomas. “Art and Media." A Fatal Attraction, 2 June 1982: 12. Lawson, Thomas. “Jeff Koons." A Fatal Attraction, 5 May 1982: 12.Le Corre, Paul. “Energie New York." Les Lettres Bleues, 1 March 1982: 2.Lyon L’Oeuil, February 1982: 2.Penel, Alain. “Energie New York." Tribune de Geneve, 2 February 1982: 2.Perreault, John. “Functionaries." Soho News, 1 January 1982: 55.Pierre, Florence. “Energie New York." Elac Centre D'Echanges, 1 January 1982: 1.“Punk au Mur." Connaissance des Arts, February 1982: 2.Rozier, Jacqueline. “Une Energie Importée d'Outre-Atlantique." Le Journal, 28 January 1982: 2.“Tout le monde descend." Rock et BD, March 1982: 2.1981Flood, Richard. “Lighting." Artforum, March 1981: 69-70.Perreault, John. “Functionaries." Soho News - The Greater New York Weekly, 23 December 1981: 55.Wohlfert, Lee. “New York: Young Sculptors." Town & Country, September 1981: 259-271.1980Cohen, Ronny. “Energism." Artforum, September 1980: 16-23.“Jeff Koons." El Universal, 2 September 1980: 1.