69387.AP1

Hong Hao, My Things No. 1, 2001, color photograph, 60 cm × 95 cm (23-5/8" × 37-3/8") © Hong Hao

Hong Hao

Hong Hao.jpeg

Details:

b. 1965, Beijing, China

Pace Publications:

(opens in a new window) Shop Now

Much of Hong Hao’s work features assembled and scanned images of found objects, including maps, books, tickets, receipts, banknotes, food, and containers.

The artist’s multidisciplinary practice—encompassing photography, printmaking, collage, video installation, and painting—examines the complex relationships individuals have with physical possessions, the paradox of material excess and aspiration within a communist society, and the ironies embedded in China’s geopolitical history.

After graduating in 1989 from the printmaking department of the prestigious Central Academy of Fine Arts in Beijing, Hong embarked upon a body of work of photographic collages made by assembling items such as maps, receipts, food, and banknotes in a scanner, which flattened these items, upending perceived hierarchies of value. Other well-known bodies of work include Selected Scriptures (1992–2000), in which Hong made prints of maps that subverted the tradition of the woodblock-printed book with its implications of fixed meaning, and My Things (2001–present), in which he organized his possessions by form and color. Since 2013, Hong has expanded his painting practice in series such as Reciprocating (2012– present), Reflection (2013– present), and Everchanging Appearance (2017–present), where only silhouettes of objects are delineated as abstract shapes. In contrast to previous bodies of work, which were often grounded in the process of mechanical scanning, Hong places objects directly on the canvas, using a pen to trace and expand outlines. In his The Realm of Matters series (2020–present), the artist inscribes fragments of writing onto shards of porcelain from the Song Dynasty—obtained through online auction platforms—that are arranged in patterns that simultaneously suggest and disrupt meaningful perception of language.

Hong has presented solo exhibitions at institutions worldwide, including Hong Hao: FOTOGRAFíA, Dolores de Sierra, Madrid (2009); Hong Hao: AS IT IS, Beijing Commune (2011–12, 2024); Hong Hao: My Things, Museum of Modern Art in Bologna, Italy (2015); Hong Hao: The Realm of Matters, SALON TEN WF CENTRAL, Beijing (2021); Hong Hao: New Works, Pace Gallery, Hong Kong (2022); Unparalleled Collection Series Vol.2: Hong Hao, Wonespace, Shenzhen, China (2023); and Hong Hao: Light, Beijing Commune (2024–25), among others. He has been included in numerous biennales and triennials, including the Shanghai Biennale, Shanghai Art Museum (2000); 1st Chengdu Biennale, Museum of Contemporary Art Chengdu, China (2001); The 5th Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Australia (2006); Shenzhen & Hong Kong Bi-City Biennale of Urbanism/Architecture, Shenzhen, China (2009), Between Here and There: Passages in Contemporary Photography, The Metropolitan Museum of Art, New York (2011); Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New York (2013); Prix Pictet 2014 - Consumption, The Victoria and Albert Museum, London (2014); Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York (2018); A Window Suddenly Opens: 30 Years of Experimental Photography in China, Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2022), and Another Avant-Garde: Photography 1970-2000, West Bund Museum, Shanghai (2025), among others. Hong Hao has held solo exhibitions at Pace Gallery in 2013, 2015, 2018, 2020, and 2022.

His work can be found in numerous public collections worldwide, including those of the Ashmolean Museum of Art and Archaeology, Oxford, United Kingdom; The British Museum, London; The Hong Kong Museum of Art; M+, Hong Kong; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; and the Santa Barbara Museum of Art, California, among others.

76390

Hong Hao, Everchanging Appearance No. 36, 2020, oil and molding material on canvas, 120 cm × 195 cm (47-1/4" × 76-3/4") © Hong Hao

69458

Hong Hao, Reciprocating No. 18, 2018, oil and molding material on canvas, 118 cm × 195 cm × 6 cm (46-7/16" × 76-3/4" × 2-3/8") © Hong Hao

76405

Hong Hao, The Realm of Matters No.4, 2020, porcelain pieces from kilns of the Song Dynasty with glaze writing, 120 cm × 160 cm (47-1/4" × 63") © Hong Hao

62688

Hong Hao, Reflection No. 11, 2016, acrylic, molding material on canvas, 120 cm × 195 cm (47-1/4" × 76-3/4") © Hong Hao

65899.07

Hong Hao, Bottom No. 6, 2009, scanned objects, digital c-print, 120 cm x 205 cm (47-1/4" x 80-11/16") © Hong Hao