Arlene Shechet, I Saw the 18th Century, 2016, glazed ceramic, painted and carved hardwood, steel, 69-1/2" × 19-1/2" × 19-1/2" (176.5 cm × 49.5 cm × 49.5 cm) © Arlene Shechet Arlene Shechet Detailsb. 1951, New York, New YorkConnectarleneshechet.net@arleneshechet Arlene Shechet is a multidisciplinary sculptor living and working in New York City and the Hudson Valley.A major, critically acclaimed survey of her work, All At Once, which the New York Times called “some of the most imaginative American sculpture of the past 20 years, and some of the most radically personal,” was on view at The Institute of Contemporary Art, Boston, in 2015 with an accompanying monograph. Shechet’s work also includes historical museum installations. Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection was on view at The Frick Collection, New York (2016); and From Here On Now at The Phillips Collection, Washington, D.C., (2016). The artist’s ambitious large-scale public project, that included monumental porcelain and mixed-media sculptures, opened in September 2018 at Madison Square Park in New York. Shechet was featured in PBS’s Art 21 (2014) as well as in The Metropolitan Museum of Art’s The Artist Project (2016). She is the recipient of numerous awards, including a John S. Guggenheim Foundation Fellowship Award (2004), the Joan Mitchell Painters and Sculptors Grant (2010), and the 2016 CAA Artist Award for Distinguished Body of Work.Shechet’s work is held in many distinguished public collections, including the Brooklyn Museum, New York; CCS Bard Hessel Museum, Annandale-on-Hudson, New York; The Jewish Museum, New York; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; National Gallery of Art, Washington, D.C.; Walker Art Center, Minneapolis; and Whitney Museum of American Art, New York, among others. Arlene Shechet, A Night Out, 2011, glazed ceramic, painted hardwood, and cast concrete, 57" × 21-1/2" × 16-1/2" (144.8 cm × 54.6 cm × 41.9 cm), installed, 23" × 13" × 16-1/2" (58.4 cm × 33 cm × 41.9 cm), sculpture, 41-1/4" × 16-1/2" × 14-1/2" (104.8 cm × 41.9 cm × 36.8 cm), base. Collection of Whitney Museum of American Art © Arlene Shechet Arlene Shechet, Time Before Time, 2019, White oak, steel and glazed ceramic on metal wheels, 58" × 19" × 19" (147.3 cm × 48.3 cm × 48.3 cm) © Arlene Shechet Exhibitions View All East Hampton Arlene Shechet Together Past Aug 22–Aug 30, 2020 New York Arlene Shechet Skirts Past Feb 28–Aug 14, 2020 New York The World According to... Past Feb 13–Mar 23, 2019 Journal View All Videos Arlene Shechet Revisits Skirts at Pace Jul 10, 2020 Videos Arlene Shechet Discusses "Skirts" Mar 17, 2020 Museum Exhibitions Pace Artists Featured in "Making Knowing: Craft in Art, 1950–2019" Jan 13, 2020 One-Artist Exhibitions Group Exhibitions Public Collections Periodicals Books and Catalogues Close Arlene ShechetOne-Artist Exhibitions Arlene Shechet One-Artist Exhibitions Dates Born 1951, New York, New York Lives and works in New York Education New York University, New York, BA Rhode Island School of Design, Providence, MFA 2020 Arlene Shechet: Skirts, Pace Gallery, 540 West 25th Street, New York, February 28–April 25 (temporarily closed during the COVID-19 pandemic, and extended through August 14), 2020. 2019 Arlene Shechet: Sculpture, Susanne Vielmetter Los Angeles Projects, April 6–June 8, 2019. 2018 Arlene Shechet: Full Steam Ahead, Madison Square Park, New York, September 25, 2018–April 28, 2019. (Catalogue) Arlene Shechet: More Than I Know, Joslyn Art Museum, Omaha, Nebraska, June 2–September 9, 2018. Arlene Shechet: Some Truths, Almine Rech Gallery, Paris, April 21–May 26, 2018. 2017 Arlene Shechet: In the Meantime, Corbett vs. Dempsey, Chicago, April 27–May 27, 2017. (Catalogue) 2016 Arlene Shechet: From Here on Now, Phillips Collection, Washington D.C., October 20, 2016–May 7, 2017. (Catalogue) Arlene Shechet: Turn Up the Bass, Sikkema Jenkins & Co, New York, October 14–November 12, 2016. Arlene Shechet: Still Standing, The Box, Pippy Houldsworth Gallery, London, September 9–October 15, 2016. Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection, The Frick Collection, New York, May 24, 2016–April 2, 2017. (Catalogue) Arlene Shechet: Urgent Matter, Contemporary Art Museum St. Louis, Missouri, January 15–April 13, 2016. 2015 Arlene Shechet: All at Once, ICA/The Institute of Contemporary Art, Boston, June 10–September 7, 2015. (Catalogue) Arlene Shechet: Blockbuster, Lora Reynolds Gallery, Austin, Texas, January 24–March 21, 2015. 2014 Arlene Shechet: Meissen Recast, RISD Museum, Rhode Island School of Design, Providence, January 17–July 6, 2014. (Catalogue) 2013 Arlene Shechet: Slip, Sikkema Jenkins & Co., New York, October 10–November 16, 2013. 2012 Arlene Shechet: Breaking the Mold, Nature Morte, Berlin, October 19–November 17, 2012. Arlene Shechet: That Time, Anderson Gallery, VCUarts, Virginia Commonwealth University, Richmond, September 7–December 9, 2012. Traveled to: Weatherspoon Art Museum, Greensboro, North Carolina, June 15–September 15, 2013. Arlene Shechet: Parallel Play, Dieu Donne, New York, March 8–May 5, 2012. 2011 Arlene Shechet: The Thick of It, James Kelly Gallery, Santa Fe, New Mexico, November 18–February 4, 2012. 2010 Arlene Shechet: The Sound of It, Jack Shainman Gallery, New York, September 10–October 9, 2010. (Catalogue) 2009 Arlene Shechet: Blow by Blow, Frances Young Tang Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, September 26, 2009–January 3, 2010. (Catalogue) Arlene Shechet: Here and There, Museum of Contemporary Art Denver, Colorado, July 10, 2009–January 16, 2010. 2008 Arlene Shechet: Now & Away, Shoshana Wayne Gallery, Santa Monica, California, February 16–March 15, 2008. 2007 Arlene Shechet: New Work, Elizabeth Harris Gallery, New York, September 6–October 6, 2007. (Catalogue) 2006 Arlene Shechet: Thin Air, Sun Valley Center for the Arts, Sun Valley, Idaho, 2006. Arlene Shechet: Round and Round, Hemphill Fine Arts, Washington, D.C., closed February 25, 2006. 2004 Arlene Shechet: Deep Blooze Series, Hemphill Fine Arts, Washington, D.C., 2004. Arlene Shechet: Out of the Blue, Shoshana Wayne Gallery, Santa Monica, May 8–June 19, 2004. (brochure). 2003 Arlene Shechet: Building, Henry Art Gallery, University of Washington, Seattle, March 3–May 4, 2003. (Brochure) 2002 Arlene Shechet: Flowers Found, Elizabeth Harris Gallery, New York, April 18–May 24, 2002. (Catalogue) 2001 Arlene Shechet: Puja, A/D Gallery, New York, 2001. 2000 Arlene Shechet, Galerie Rene Blouin, Montreal, May 6–June 10, 2000. 1999 Arlene Shechet: Mirror Mirror, Elizabeth Harris Gallery, New York, April 22–May 22, 1999. (Catalogue) 1998 Arlene Shechet: Once Removed, Shoshana Wayne Gallery, Santa Monica, June 13–August 15, 1998. 1997 Arlene Shechet: Sculpture and Drawing, Bernard Toale Gallery, Boston, September 4–October 4, 1997. Arlene Shechet: Sculpture and Works of Paper, John Berggruen Gallery, San Francisco, March 6–April 5, 1997. (Catalogue) 1996 Arlene Shechet, Shoshana Wayne Gallery, Santa Monica, July 12–August 31, 1996. 1995 Arlene Shechet: Installation, Boulder Museum of Fine Arts, Colorado, 1995. Arlene ShechetGroup Exhibitions Arlene Shechet Group Exhibitions 2019Sculpture Milwaukee, Milwaukee Downtown, Inc., Wisconsin, June 7–October 27, 2019.Summer season, Art Omi, Ghent, New York, May 25, 2019–April 2020.The World According to, Pace Gallery, 32 East 57th Street, New York, February 13–March 23, 2019.Listening Closely, Lora Reynolds Gallery, New York, January 19–March 23, 2019.2018Class Reunion: Works from the Gaby and Wilhelm Schürmann Collection, mumok (Museum Moderner Kunst Stiftlung Ludwig Wien), Vienna, Austria. June 23–Nov. 11, 2018.Out of Control, Venus Over Manhattan, New York, June 28–August 10, 2018.The Domestic Plane: New Perspectives on Tabletop Art Objects, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, May 20, 2018–January 13, 2019.Paper/Print: American Hand Papermaking, 1960s to Today, International Print Center, New York, April 5–June 14, 2018.Group exhibition, The Sculpture Park, Madhavendra Palace, Nahargarh Fort, Jaipus, Rajasthan, India, January–October 31, 2018.Scenes from the Collection, The Jewish Museum, New York, opened January 21, 2018.Molding / Mark-Making: Ceramic Artists and Their Drawings, Dorsky Gallery, New York, January 21–March 25, 2018.2017The Sculpture Park at Madhavendra Palace, Jaipur, India, December 10, 2017–December 10, 2018.Regarding George Ohr: Contemporary Art and the Mad Potter, Boca Raton Museum of Art, Florida, November 3, 2017–April 8, 2018.Small Sculpture, Corbett vs Demspey, Chicago, September 8–October 14, 2017.Something Living, Art Gallery of New South Wales, Sydney, August 19, 2017–February 25, 2018.Mutual Admiration Society, Susanne Vielmetter Los Angeles Projects, July 13–August 19, 2017.A Dazzling Decade, Nerman Museum of Contemporary Art, Overland Park, Kansas, June 22–September 17, 2017.I Go, You Go, Good to Go, Unclebrother/Gavin Brown, Hancock, New York, May 27–September 4, 2017.Nagy/Libby/Le Va, Magenta Plains, New York, April 30–June 23, 2017.Gray Matters, The Wexner Center for the Arts, Columbus, Ohio, May 20–Jul 30, 2017. (Catalogue)99 Cents or Less, Museum of Contemporary Art Detroit, Michigan, May 19–August 6, 2017.The Tyranny of Common Sense Has Reached Its Final Stage, The LeRoy Neiman Gallery, Columbia University School of the Arts, New York, March 31–April 14, 2017.Would You Rather…, BBQ LA, Los Angeles, March 25–April 22, 2017.The State of New York Painting, Kingsborough Art Museum, The City University of New York, Brooklyn, March 4–April 8, 2017.Selections: Woodstock Ceramic Arts Today, Woodstock Byrdcliffe Guild and The Historical Society of Woodstock, New York, February 25–April 9, 2017.Vitreous Bodies: Assembled Visions in Glass, Bakalar & Paine Galleries, Massachusetts College of Art and Design, Boston, January 23–March 4, 2017.2016Infinite Blue, Brooklyn Museum of Art, New York, November 25, 2016–November 5, 2017.5 Years at Heddon Street, Pippy Houldswroth Gallery, London, November 25, 2016–February 4, 2017.No Rules, No Rules, Franklin Parrasch Gallery, New York, September 16–November 5, 2016.As if in a foreign country, Rosemarie Schwarzwälder Gallery, Vienna, September 8–October 22, 2016.Pioneer Lust, Lora Reynolds Gallery, Austin, Texas, July 23–September 10, 2016.A Whisper of Where It Came From, Kemper Museum of Contemporary Art, Kansas City, Missouri, March 16–July 24, 2016.Pure Pulp: Contemporary Artists Working in Paper at Dieu Donné 2000–Present, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, New York, February 6–April 10, 2016. Traveled to: Robert C. Williams Museum of Papermaking, Gerogia Tech, Atlanta, June 9–August 5,2016; The Dedalus Foundation, New York, September 8–October 16, 2016. (Catalogue)Strange Abstraction, Fredericks & Freiser, New York, January 21–February 20, 2016.2015Marks Made: Prints by American Women Artists from the Early 1960s–Present, Museum of Fine Arts, St. Petersburg, Florida, October 17, 2015–January 24, 2016. (Catalogue)CERAMIX: Art and Ceramics from Rodin to Schütte, Bonnefantenmuseum, Maastricht, October 16, 2015–January 31, 2016. Traveled to: Cité de la Céramique, Sèvres, March 9–June 5, 2006 and La Maison Rouge, Paris, March 9–June 12, 2016. (Catalogue)Bottoms Up: A sculpture Survey, University of Kentucky Art Museum, Lexington, September 12–December 18, 2015. (Catalogue)Other Planes of There, Corbett vs Dempsey, Chicago, July 17–August 28, 2015.rock hound swap meet, Junior Projects, New York, July 9–August 15, 2015.Tender Buttons: Objects, Food, Rooms, Tanya Bonakdar, New York, July 1–31, 2015.Le Musée Imaginaire, Galerie Lefebvre & Fils, Paris, June 23–July 31, 2015.Le Souffler: Schürmann meets Ludwig, Ludwig Forum Aachen, Germany, March 22–January 31, 2016.Taking Form: Quality in Clay, James Harris Gallery, Seattle, February 19–March 28, 2015.Hard and Soft, ACME. Gallery, Los Angeles, February 14–March 14, 2015.2014The Botanica | Presented by AA Bronson & Michael Bühler-Rose, Invisible-Exports, New York, November 30–December 21, 2014.Kiln, Leila Heller Gallery, New York, November 12–December 6, 2014.Now-ism: Abstraction Today, Pizzuti Collection, Columbus, Ohio, September 6, 2014–June 20, 2015. (Catalogue)Speaking through Paint: Hans Hofmann’s Legacy Today, Lori Bookstein Fine Art, New York, February 13–March 15, 2014.2013Drifter, Hionas Gallery, New York, December 13, 2013–January 11, 2014.Jew York, Zach Feuer Gallery, New York, June 20–July 26, 2013.Room for Myth, Dodge Gallery, New York, February 23–March 31, 2013.Ceramics, Rhona Hoffman, Chicago, February 1–March 9, 2013.Tony Feher, Arturo Herrera, Arlene Shechet, and Kay Rosen, Sikkema Jenkins, New York, January 31–March 2, 2013.2012East, Kunstsaele Berlin, December 15, 2012–February 9, 2013.Modern Times, Lesley Heller, New York, December 12, 2012–January 20, 2013.Le Beau Danger, Sassa Truelzsch Galerie, Berlin, November 17–December 22, 2012.Fictitious Truths, curated by Kara Rooney, Rooster Gallery, New York, October 25–December 2, 2012.Peekskill Project V: The New Hudson River School, Hudson Valley Center for Contemporary Art, Peekskill, New York, September 29–July 28, 2012.Walled Gardens, Klaus von Nichtssagend Gallery, New York, September 9–October 21, 2012.SUM: Matthias Merkel Hess, William J. O’Brien, Arlene Shechet, Nerman Museum of Contemporary Art, Overland Park, Kansas, May 25–September 2, 2012.Makeup on Empty Space, Larissa Goldston Gallery, New York, February 9–March 10, 2012.The Annual, National Academy Museum, New York, January 25–April 29, 2012.Economy of Means: Towards Humility in Contemporary Sculpture, Scottsdale Museum of Contemporary Art, Arizona, January 21–April 29, 2012.2011Textility, Visual Arts Center of New Jersey, Summit, December13, 2011–April 1, 2012.Free from Order: A Delight of Inconsistencies, Contemporary Art Galleries, School of Fine Arts, University of Connecticut, Storrs, October 31–December 9, 2011.Contemporary Clay, RH Gallery, New York, June 29–August 20, 2011.Paul Clay, Salon 94, New York, June 23–July 30, 2011.Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy of Arts and Letters, New York, May 19–June 12, 2011.Invitational Exhibition of Visual Artists, American Academy of Arts and Letters, New York, March 8–April 10, 2011.January White Sale, Loretta Howard Gallery, New York, January 13–February 12, 2011.2010Material/Immaterial, Shoshana Wayne Gallery, Santa Monica, September 11–October 30, 2010.21st International Ceramic Biennial (BICC), Vallauris, France, July–November 2010. (Catalogue)2009Dirt on Delight, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 15–June 20, 2009. Traveled to: Walker Art Center, Minneapolis, Minnesota, July 11–November 29, 2009. (Catalogue)Feelers, Susan Hobbs Gallery, Toronto, June 27–August 15, 2009.New Works/Old Story: 80 Artists at the Passover Table: The Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, February 27–June 2, 2009. (Catalogue)Seriously Funny, Scottsdale Museum of Contemporary Art, Arizona, February 14–May 24, 2009. (Catalogue)NewNow: Building the Museum Collection, Nerman Museum of Contemporary Art, Overland Park, Kansas, January 22–September 27, 2009.2008True Grit, Frames, Fixations, Flirtations, McColl Center for Visual Art, Charlotte, North Carolina, September 13–November 1, 2008.Neti Neti (not this not this), Bose Pacia, New York, July 8–August 16, 2008.Gray, Dinter Fine Art, New York, June 19–July 25, 2008.Present Tense, Spanierman Modern Gallery, New York, June 12–August 2, 2008.2007The Flag Project: Contemporary Artist Celebrate the Opening of a New Museum. Edited by Helen Abbott and Neil Liebman, editors. New York: Rubin Museum of Art, 2007.In the Way, Outdoor Installation, Byrdcliffe, Woodstock, New York, 2007.Shattering Glass, Katonah Museum, New York, November 11, 2007–February 24, 2008. (Catalogue)Written on the Wind: The Flag Project, Rubin Museum of Art, New York, September 14, 2007–February 11, 2008.2006The Bong Show or This Is Not a Pipe, Leslie Tonkonow, New York, December 9, 2006–January 20, 2007.The Missing Peace: Artists Consider the Dalai Lama, Fowler Museum, University of California, Los Angeles, June 11–September 10, 2006. Traveled to: Loyola University Museum of Art, Chicago, October 28, 2006–January 11, 2007; Rubein Museum of Art, New York, March 3–September 4, 2007; Fundación Canal, Madrid, January 30–April 12, 2009; The Frost Art Museum, Florida International University, Miami, October 9, 2009-January 10, 2010; Brukenthal National Museum Sibiu, Romania, May 18–July 18, 2010; Nobel Museum, Stockholm, October 8, 2010–January 2, 2011, San Antonia Museum of Art, March 12–July 31, 2011.2005Seven Artists, Embassy of the United States of America, Hanoi, 2005.Faith, Real Art Ways, Hartford, Connecticut, closed January 29, 2006. (Catalogue)Riverhouse Editions: Master Prints by 44 Artists, Vicki Myhren Gallery, University of Denver, Colorado, September 15–November 10, 2005.Monochrome Image, Elizabeth Harris Gallery, New York, June 2–July 22, 2005.Somewhere Outside It, Schroeder Romero Gallery, New York, June–July 2005.Glass, Seriously, Dorsky Curatorial Program, New York, April 24–June 27, 2005.2004Sidewalk Installation, Rubin Museum of Art, New York, 2004.Bottle: Contemporary Art and Vernacular Tradition, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, September 19, 2004–January 5, 2005. (Catalogue).Some Sculptures, Texas Gallery, Houston, August 17–September 11, 2004.The Buddha Project, The Galleries, Cleveland State University, Ohio, May 21–June 26, 2004.The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, May 1–August 1, 2004. (Catalogue).2003Water Mark / Inside, Ethel H. Blum Gallery, College of the Atlantic, Bar Harbor, Maine, 2003.According with Nadelman: Contemporary Affinities, June Kelly Gallery, New York, June 1–August 1, 2003.Water, Water, Rotunda Gallery, New York, April 3–May 17, 2003.Vessels, Greenwich House Pottery, New York, February 27–March 29, 2003.Mystic, Masachusetts College of Art, Boston, January 22–March 29, 2003. (Catalogue).2002Line and Landscape, Ethan Cohen Gallery, New York, 2002.Curious Terrain, Elizabeth Harris Gallery, New York, January 3–February 2, 2002.2001Paper Remix: Dieu Donné Work Space Program, 1995-2000, Dieu Donné Papermill, New York, December 12, 2001–January 19, 2002. Second installment: January 23–February 23, 2002.Ganesh, Rene Blouin Gallery, Montreal, November 10–December 1, 2001.Rags to Riches: 25 Years of Paper Art from Dieu Donné Papermill, Kresge Art Museum, Michigan State University, East Lansing, September 4–October 28, 2001. Traveled to: Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, November 9–December 16, 2001; Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan, April 2–June 30, 2002; Heckscher Museum of Art, Huntington, Long Island, New York, November 23, 2002–January 26, 2003; Milwaukee Museum of Art, Wisconsin, April 11–June 22, 2003; Fort Wayne Museum of Art, Indiana, July 26-November 2, 2003. (Catalogue)A Threshold of Spirit, Cathedral of St. John the Divine, New York, June 23–August 26, 2001.Digital Printmaking Now, Brooklyn Museum of Art, New York, June 22–September 2, 2001.2000Mysticism and Desire, Patricia Hamilton Fine Arts, Los Angeles, 2000.The Living End, Boulder Museum of Contemporary Art, Colorado, September 15–December 23, 2000.Religion: Contemporary Interpretations by Women, The Art Gallery, University of New Hampshire, Durham, January 25, 2000–April 25, 2001.Rapture, Bakalar and Huntington Galleries, Massachusetts College of Art, Boston, January 20, 2000–March 4, 2001. (Catalogue)1999Crafted Shows, Franklin Parrasch Gallery, New York, 1999.Om, Dorsky Gallery, New York, 1999.Loaf, Baumgartner Galleries Inc., New York, 1999.Women in Print, Jim Kempner Fine Art, New York, 1999.1998In the Details, Barbara Gross Galerie, Munich, 1998.Recent Aquisitions, John Berggruen Gallery, San Francisco, 1998. Arlene ShechetPublic Collections Arlene Shechet Public Collections Allen Memorial Art Museum, Oberlin College, OhioThe Art Gallery of New South Wales, Sydney, AustraliaEdward Albee Foundation, New YorkBanff School of Fine Arts, Alberta, CanadaBard Hessel Museum of Art, Annandale-on-Hudson, New YorkThe Jack S. Blanton Museum of Art, University of Texas, AustinBoca Raton Museum of Art, FloridaBrooklyn Museum, New YorkThe Centre Pompidou, ParisThe Cleveland Clinic, OhioHarvard Art Museums, Cambridge, MassachusettsICA/Institute of Contemporary Art, BostonLos Angeles County Museum of ArtMartin Margulies Collection, Coconut Grove, FloridaThe Metropolitan Museum of Art, New YorkWhitespace Collection, West Palm Beach, FloridaMuseum of Fine Arts, St. Petersburg, FloridaNational Academy Museum and School, New YorkThe National Gallery of Art, Washington, D.C.Nerman Museum of Contemporary Art, Overland Park, KansasNew York Public Library, Drawing & Prints CollectionThe Phillips Collection, Washington, D.C.Pizzuti Collection, Columbus, OhioPrinceton University Art Museum, New JerseyRISD Museum, Rhode Island School of Design, ProvidenceSmith College Museum of Art, Northhampton, MassachusettsEmbassy of the United States, Beijing, ChinaEmbassy of the United States, Katmandu, NepalWalker Art Center, Minneapolis, MinnesotaWhitney Museum of American Art, New YorkWilliams College Museum of Art, Williamstown, MassachusettsThe Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey Arlene ShechetPeriodicals Arlene Shechet Periodicals 2020 Laster, Paul. “7 Must-See Virtual Exhibitions from NY Galleries” (Pace Gallery online exhibition review). Art & Object, 11 May 2020. https://www.artandobject.com/news/7-must-see-virtual-exhibitions-ny-galleries Hambleton, Merrell. “The artist’s vibrant, writhing sculptures often seem poised on the brink of transformation, an illusion born from her lively, ever-evolving practice” (Pace Galley exhibition review). The New York Times, 27 February 2020. https://www.nytimes.com/2020/02/27/t-magazine/arlene-shechet.html?auth=login-email&login=email Sherlock, Amy. “Woodstock Generation” (Pace Gallery online exhibition review). World of Interiors, July/ August 2020: 110-119, illustrated “Specific Objects, Enduring Influence: Architects, Designers, and Artists on Donald Judd.” Surface, 20 March 2020. https://www.surfacemag.com/articles/donald-judd-influence-artists-designers-architects/ 2019 Heinrich, Will. “’The World According to’” (exhibition review). The New York Times, 15 March 2019. C14. Ollman, Leah. “Arlene Shechet’s new sculptures are weirdly engrossing and crazy fresh” (exhibition review). Los Angeles Times, 29 April 2019. https://www.latimes.com/entertainment/arts/la-et-cm-arlene-shechet-review-20190429-story.html Small, Zachary. “Fiona Shaw Will Perform T. S. Eliot’s The Waste Land in Madison Square Park.” Hyperallergic, 11 April 2019. https://hyperallergic.com/494542/fiona-shaw-will-perform-t-s-eliots-the-waste-land-in-madison-square-park/ 2018 “’A Beautiful Land of Extremes’: See New York through the Eyes of 6 Visionary Locals.” CNN Style, 28 June 2018. https://edition.cnn.com/style/article/design-lovers-guide-to-new-york/index.html “Arlene Shechet’s ‘More Than I Know’ at Joslyn Art Museum.” Artinfo, 4 September 2018. http://www.blouinartinfo.com/news/story/3238326/arlene-shechets-more-than-i-know-at-joslyn-art-museum Barron, James. “Bringing Liberty’s Torch to Manhattan (Icy Weather Permitting)” (Madison Square Park exhibition review). The New York Times, 4 February 2019: A19, illustrated. Bui, Phong. “Arlene Schechet: Some Truths” (Almine Rech exhibition review). The Brooklyn Rail, 1 May 2018. https://brooklynrail.org/2018/05/artseen/ARLENE-SHECHET-Some-Truths Carlson, Jen. “Video: Dianne Wiest Is Buried In Scorched Earth & Performing Samuel Beckett In This NYC Park.” Gothamist, 24 October 2018. Online video, 1:28. http://gothamist.com/2018/10/24/dianne_wiest_beckett_play_madison_square_park_video.php Cascone, Sarah. “How a Residency at a Toilet and Sink Factory Inspired Arlene Shechet’s New Public Art Project at Madison Square Park.” Artnet News, 20 December 2018. https://news.artnet.com/art-world/arlene-shechet-madison-square-park-1425418 “’Every Single Second It Changes’: Watch Sculptor Arlene Shechet Harness the Protean Power of Plaster.” Artnet News, 5 October 2018. https://news.artnet.com/exhibitions/watch-arlene-shechet-sculpting-the-passage-of-time-1362520 Feldman, Adam. “Dianne Wiest is Doing Beckett in a Park This Week, for Free, Dressed as a Rock.” Time Out, 23 October 2018. https://www.timeout.com/newyork/news/dianne-wiest-is-doing-beckett-in-a-park-this-week-for-free-dressed-as-a-rock-102318 Kinsella, Eileen. “Editors’ Picks: 2. ‘Arlene Shechet: Full Steam Ahead’ at Madison Square Park.” Artnet News, 25 September 2018. https://news.artnet.com/art-world/editors-picks-september-24-1345826 Libbey, Peter. “Dianne Wiest Is a Boulder, but Not for Halloween.” The New York Times, 24 October 2018. https://www.nytimes.com/2018/10/24/theater/dianne-wiest-park-beckett.html Loos, Ted. “She Damns the Torpedoes, Too” (Madison Square Park exhibition review). The New York Times, 25 September 2018: C2, illustrated. “Photographer Outs Herself As Anonymous Donor of Millions to Female Artists.” CBS News, 23 August 2018. https://www.cbsnews.com/news/more-perfect-union-photographer-susan-unterberg-outs-herself-as-benefactor-of-grant-for-women/ Sholis, Brian. “Critics’ Picks: Judy Linn” (CUE Art Foundation exhibition review). Artforum, accessed 10 May 2018. https://www.artforum.com/picks/judy-linn-75261 Shields, Chris. “Uncommon Clay.” Art & Antiques (April 2018): 34–39, illustrated. Small, Zachary. “Arlene Shechet Smuggles Politics into Madison Square Park.” Hyperallergic, 20 November 2018. https://hyperallergic.com/470857/arlene-shechet-smuggles-politics-into-madison-square-park/ Solomon, Deborah. “Review: Arlene Shechet Goes Public” (Madison Square Park exhibition review). WNYC, 21 December 2018. Online audio, 4:12. https://www.wnyc.org/story/review-arlene-shechet-goes-public/ Wong, Alex. “Reflecting Pond in Madison Square Park Will Be Transformed by Public Installation” (exhibition preview). The Architects Newspaper, 1 June 2018. https://archpaper.com/2018/06/madison-square-park-feature-public-art-exhibition-arlene-shechet/ 2017 Almino, Letícia Wouk. “The Transporting, Tactile Pleasures of Porcelain” (Frick Collection exhibition review). Hyperallergic.com, 21 February 2017. https://hyperallergic.com/359668/the-transporting-tactile-pleasures-of-porcelain/ Crain, Jonathan. “Inside the Studio with Artist Arlene Shechet: The Veteran Artist is Fired Up and Breaking Industry Molds.” The Window, Barneys New York, 13 March 2017. http://thewindow.barneys.com/arlene-shechet/ Hoffman, Laura. “Arlene Shechet.” Upstate Diary, no. 4 (2017). Jenkins, Mark. “For Artist Arlene Shechet, the Phillips is Full of Inspiration” (exhibition review). The Washington Post, 20 January 2017. https://www.washingtonpost.com/goingoutguide/museums/for-artist-arlene-shechet-the-phillips-is-full-of-inspiration/2017/01/18/f40e5b24-d911-11e6-9a36-1d296534b31e_story.html?utm_term=.62a3cd940bb8 McQuaid, Cate. “Glassy-eyed, in a Very Good Way, at MassArt” (Massachusetts College of Art exhibition review). The Boston Globe, 2 February 2017. https://www.bostonglobe.com/arts/art/2017/01/31/glassy-eyed-very-good-way-massart/PCEcLCi2LWPOH6vsCjcRHM/story.html Sharp, Sarah Rose. “Artists Embrace the Grayscale” (Wexner Center exhibition review). Hyperallergic.com, 20 July 2017. https://hyperallergic.com/385533/artists-embrace-the-grayscale/ Thorn, Bruce. “Arlene Shechet: ‘In the Meantime’ at Corbett vs. Dempsey” (exhibition review). New Art Examiner, July/August 2017. http://www.newartexaminer.org/assets/vol-31-no-6-electronic.pdf Zappas, Lindsay Preston. “Would You Rather…at BBQLA, Los Angeles.” Art Review, May 2017. 2016 Camhi, Leslie. “Porcelain Comes to Life at Sculptor Arlene Shechet’s New Exhibition at The Frick Collection,” Vogue.com, 26 May 2016. “Arlene Shechet: Urgent Matter.” Contemporary Art Museum St. Louis (Spring [calendar] 2016): illustrated. Dailey, Meghan. “Contemporary Ceramics, Up Against 18th Century Pieces – Literally” (Frick exhibition review). T The New York Times Style Magazine, 24 May 2016. “Borderviews: Figuring Forms.” Border Crossings, August 2016: 28–29. http://bordercrossingsmag.com/article/figuring-forms Frankel, David. “Arlene Shechet, The Frick Collection” (exhibition review). Artforum, (November 2016). https://www.artforum.com/print/reviews/201609/arlene-shechet-64226 Greenberger, Alex. “Carmen Herrera, Rosalind Krauss, Arlene Shechet Among Winners of 2016 CAA Awards.” Art News, 5 January 2016. http://www.artnews.com/2016/01/05/carmen-herrera-rosalind-krauss-arlene-shechet-among-winners-of-2016-caa-awards/ Heinrich, Will. “Arlene Shechet: Turn Up the Bass.” The New York Times, 20 October 2016. Martin, Allison. “Arlene Shechet: Turn Up the Bass as Sikkema Jenkins & Co.” (exhibition review). Artefuse, 5 November 2016. https://artefuse.com/2016/11/05/arlene-shechet-turn-up-the-bass-at-sikkema-jenkins-and-co-124788/ McTwigan, Michael. “Curiouser and Curiouser: CR’s profile on Arlene Shechet.” Ceramic Review, (May/June 2016). Murtha, Chris. “Critics’ Picks: Arlene Shechet” (Sikkema Jenkins exhibition review). Art Forum, (28 October 2016). https://www.artforum.com/print/reviews/201609/arlene-shechet-64226 Rapaport, Brooke Kamin. “Arlene Shechet: Body-To-Body Experience.” Sculpture Magazine (June 2016): 30–35. Scherer, Barrymore Laurence. “Of Meissen Men…and Women at the Frick.” Antiques, July/August 2016. https://static1.squarespace.com/static/575178f107eaa0e95a087cab/t/577be324bebafbe36df52faf/1467736869336/Antiques+Mag+2016.pdf Scott, Andrea K. “Earth Angel: A New York Sculptor Mixes and Matches the Good China, at the Frick” (exhibition review). New Yorker, 27 June 2016. https://www.newyorker.com/magazine/2016/06/27/arlene-shechet-at-the-frick Sutton, Benjamin. “Best of 2016: Our Top NYC Art Shows, Arlene Shechet: Turn Up the Bass at Sikkema Jenkins & Co.” Hyperallergic.com, 27 December 2016. Vereshaka, Kati. “A Passion for Porcelain.” Epochtimes.com, 24 June 2016. https://www.theepochtimes.com/a-passion-for-porcelain_2099136.html 2015 [Arlene Shechet.] University of Kentucky Art Museum (newsletter). Fall 2015: , illustrated. “Arlene Shechet, The Story behind an artwork, in the artist’s own words,” Blouinartinfo.com/Modern Painters, June 2015. “Arlene Shechet; All At Once.” ICA: The Magazine of The Institute of Contemporary Art/Boston, Summer 2015: cover; 2–3, illustrated. Belcove, Julie L, ed. “Material Matters.” Introspective Magazine, 6 July 2015. https://www.1stdibs.com/introspective-magazine/arlene-shechet/ Behrendt, Sascha. “Unruly Grace: Arlene Shechet in Boston.” ArtCritical.com, 8 September 2015. Bergeron, Chris. “At Boston’s ICA, Sculptor Arlene Shechet Challenges Convention” (ICA Boston exhibition review). Providence (Rhode Island) Journal, 25 June 2015. Cotter, Holland. “Arlene Shechet Has a First Museum Retrospective in Boston” (ICA Boston exhibition review). The New York Times, 17 July 2015. https://www.nytimes.com/2015/07/19/arts/design/arlene-shechet-has-a-first-museum-retrospective-in-boston.html Dobrzynski, Judith H. “Spring Museum Exhibitions, From Masks to Renoirs.” The New York Times, 29 March 2015: F18. https://www.nytimes.com/2017/03/15/arts/design/what-to-see-at-american-museums-in-2017.html Grabner, Michelle. “Previews: Arlene Shechet; All at Once.” Artforum (May 2015): 186. Shechet, Arlene and Mari Carmen Ramirez. “No. 194: [Artist] Arlene Shechet, [curator] Mari Carmen Ramirez” The Modern Art Notes Podcast, hosted by Tyler Green. manpodcast.com, 22 July 2015. https://manpodcast.com/portfolio/no-194-arlene-shechet-mari-carmen-ramirez/ Greenberger, Alex. “’To Know More Strangely, Adds Mystery’: Arlene Shechet on Her Elusive Ceramics and Her ICA Boston Show.” Art News, 14 July 2015. http://www.artnews.com/2015/07/14/to-know-more-strangely-adds-mystery-arlene-shechet-on-her-elusive-ceramics-and-her-ica-boston-show/ Kapplow, Heather. “Arlene Shechet’s Unified Theory of Ceramics” (ICA Boston exhibition review). Hyperallergic.com, 2 September 2015. https://hyperallergic.com/233765/arlene-shechets-unified-theory-of-ceramics/ Macneille, Caroline. “Learn All about Artist Arlene Shechet at the ICA’s New Exhibit, ‘All at Once’.” metro.us, 10 June 2015. Ollman, Leah. “In ‘Hard and Soft,’ Four Sculptors Explore Contradictions in Clay.” Los Angeles Times, 12 March 2015. Saccoccia, Susan. “ICA exhibit piques viewers’ imaginations” (exhibition review). BayStateBanner.com, 24 July 2015. “Sculpting Time: Arlene Shechet.” Art 21, 29 June 2015. Online video, 4:24. https://art21.org/watch/extended-play/arlene-shechet-sculpting-time-short/ Shechet, Arlene. “In Conversation: Arlene Shechet with Phong Bui.” Brooklyn Rail, 8 September 2015: 46–48, cover, illustrated. Sheets, Hilarie M. “As the Art World Swoon over Playful Ceramics, Arlene Shechet Hits Her Stride.” Artsy, 9 June 2015. Spinozzi, Adrienne and David Conradsen, eds. “2015 ACC Symposium: Boston, Massachusetts, November 5–8, 2015.” American Ceramic Circle (Fall Newsletter 2015): 5. https://nebula.wsimg.com/5ac412c0d91fffba0f447f75a14f1a37?AccessKeyId=24A14C833145908D6636&disposition=0&alloworigin=1 Shechet, Arlene. “Arlene Shechet: on a Bronze Statuette of a Veiled and Masked Dancer.” In The Metropolitan Museum of Art. The Artist Project: What artists see when they Look at the MET, Season 4, web series, 7 December 2015. http://artistproject.metmuseum.org/4/arlene-shechet/ Smee, Sebastian. “Sculptor Arlene Shechet evokes inner life in new ICA exhibition” (exhibition review). BostonGlobe.com, 18 June 2015. https://www.bostonglobe.com/arts/2015/06/18/sculptor-arlene-shechet-evokes-inner-life-new-ica-exhibition/s8s37yf4VyAQ7BjHvY6d4K/story.html “Spotlight: Arlene Shechet; All at Once.” Harvard Magazine, May–June 2015: 16F. Tuttle, Kate. “35 must-see spring and summer arts events in New England.” Bostonglobe.com, 27 March 2015. https://www.bostonglobe.com/magazine/2015/03/27/must-see-spring-and-summer-arts-events-new-england/Acd0wz9W1rANpDrMBo0kMP/story.html Walsh, Peter. “Arlene Shechet – Restoring the Wonder of Fine Ceramics.” ArtFuse, 4 August 2015. 2014 Apperley, Bree. “Eye Candy: Arlene Shechet.” siteunseen.com, 29 April2014. http://www.sightunseen.com/2014/04/arlene-shechet-artist/ Art 21: Art in the Twenty-First Century. Season Seven. Featured artists Abraham Cruzvillegas, Arlene Shechet, Elliott Hundley, Graciela Iturbide, Joan Jonas, Katharina Grosse, Leonardo Drew, Omer Fast, Tania Bruguera, Thomas Hirschhorn, Trevor Paglen, Wolfgang Laib. [United States]: Art21 Inc., . DVD “Arlene Shechet in ‘Secrets.’” Art 21, 31 October 2014. Online video, 17:18. https://art21.org/watch/art-in-the-twenty-first-century/s7/arlene-shechet-in-secrets-segment/ “Breaking the Mold.” Elle Decor, January/February 2014. Cassidy-Geiger, Maureen. “A Bull in a China Shop: Reimagined Porcelain at the RISD Museum.” Departures.com, 20 March 2014. https://www.departures.com/blogs/exhibits/bull-china-shop-reimagined-porcelain-risd-museum d’Annunzio, Grazia. “Gioco di Specchia.” Architectural Digest Online/ADtoday.it, 18 February 2014. Gissler, Glenn. “‘Arlene Shechet: Meissen Recast’ at the RISD Museum.” Glenn Gissler Design, 22 January 2014. http://gissler.com/arlene-shechet-meissen-recast-at-the-risd-museum/ Hamer, Katy Diamond. “Arlene Shechet: Meissen Recast, RISD Museum.” FlashArtOnline.com, 4 March 2014. Shechet, Arlene. “500 Words.” Artforum.com, 15 January 2014. Solondz, Simone. “Shechet’s Shenanigans at the RISD Museum.” RISDxyz, 21 January 2014. van Siclen, Bill. “Warhol Exhibit at RISD Museum Highlights the Icon’s Photographs.” Providence Journal, 26 January 2014. Ventura, Anya. “Review: Arlene Shechet: Meissen Recast.” BigRedandShiny.com, 2 April 2014. http://bigredandshiny.org/14322/review-arlene-shechet-meissen-recast/ Walsh, Brienne, “The Alchemist: Arlene Shechet Converts ‘White Gold’ into Artworks.” Art in America, 27 January 2014. Wei, Lilly. “Claytime! Ceramics Finds Its Place in the Art-World Mainstream.” Art News (January 2014). http://www.artnews.com/2014/01/15/ceramics-enters-art-world-mainstream/ Woodward, Daisy. “Arlene Shechet: Ceramic Meets Paper.” AnOthermag.com, 13 May 2014. http://www.anothermag.com/art-photography/3610/arlene-shechet-ceramic-meets-paper 2013 Abel, Ruthie. “Crafting Slip: In the Studio With Arlene Shechet.” Huffington Post, 15 October 2013. https://www.huffingtonpost.com/ruthie-abel/arlene-shechet_b_4087890.html “Arlene Shechet: That Time.” Weatherspoon Art Museum, Spring / Summer (May–August) 2013: 4, illustrated. Benschop, Jurriaan. “Berlin: Arlene Shechet, Nature Morte.” Artforum (February 2013): 259. Castro, Jan. “Living in the Present, Arlene Shechet.” Ceramics: Art & Perception, June–August 2013. “Goings On About Town: Art.” New Yorker, 4 November 2013. Gopnik, Blake. “Precious Porcelain Turned Inside Out.” The Daily Beast, 18 June 2013. Micchelli, Thomas. “Parallel Strains: Arlene Shechet’s Ceramic Abstractions.” Hyperallergic, 19 October 2013. Micchelli, Thomas. “The Pursuit of Art, 2013.” Hyperallergic, 28 December 2013. Ryan, Paul. “Reviews: Arlene Shechet, Anderson Gallery” (exhibition review).Sculpture Magazine (June 2013): 73–74. Saltz, Jerry. “Jerry Saltz’s Five Most Anticipated.” New York Magazine, September 2013: 2–9. Smith, Roberta. “Arlene Shechet: Slip.” The New York Times, 7 November 2013. 2012 Hirsh, Faye. “Buckle and Flow.” Art in America, January 2012: 58–64, cover. Kley, Elisabeth. “Arlene Shechet: Dieu Donne” (exhibition review). Art News (June 2012). McLister, Iris. “Critical Reflections: Arlene Shechet The Thick of It.” The: Santa Fe Monthly Magazine, March 2012. Ollman, Leah. “Clay keeps breaking the mold.” Los Angeles Times, 29 January 2012. Thorson, Alice. “Nerman exhibits the power of ceramics” (exhibition review). Kansas City (Missouri) Star, 15 June 2012. “Töpfernist sexy.” Art das Kunst Magazine (March 2012): 60. 2011 Gopnik, Blake. “A Teapot from Mars?” thedailybeast.com, 22 July 2011. Hughes, Hannah. “The Thick of It at James Kelly Contemporary.” Adobe Airstream, 9 December 2011. Mueller, Stephen. “Arlene Shechet at Jack Shainman” (exhibition review). Art in America (January 2011). Smith, Roberta. “Paul Clay, Salon 94 Bowery.” The New York Times, 30 June 2011. “The Pin-up Menagerie: A collection of 69 Beautiful Things.” PIN-UP Magazine (Fall/Winter 2011/12): 158–165. Wilson-Powell, Malin. “Wonderfully Weird.” The Albuquerque Journal (2 December 2011). Yablonsky, Linda. “Artifacts: Feats of Clay.” T Magazine Blog, The New York Times, 7 July 2011. https://tmagazine.blogs.nytimes.com/2011/07/07/artifacts-feats-of-clay/ 2010 “Art: Listings.” Time Out, 2010. Dickson, Jane. “Arlene Shechet.” bombsite.com, September 2010. Howe, Liz. “Arlene Shechet: Working on the Edge.” Ceramics Monthly (December 2010). “The Review Panel #39: Lance Esplund, Fay Hirsch and Andrea K. Scott with moderator David Cohen.” Artcritical. 24 September 2010. Podcast, MP3 audio, 1:26:19. https://soundcloud.com/artcritical/the-review-panel-40 Rooney, Kara. “Arlene Shechet: The Sound of It.” The Brooklyn Rail, November 2010. Saltz, Jerry. “ART: Dishy Ceramics.” The New York Magazine, 3 October 2010. Saltz, Jerry. “Top Ten of 2010.” New York Magazine, 13 December 2010. Schjeldahl, Peter. “Goings on About Town: Art: Arlene Shechet.” New Yorker, 28 September 2010. 2009 “Feelers: Touching a Nerve, or Three” (exhibition review). Canadian Art (Fall 2009). Gopnik, Blake. “Clay’s Big Day.” The Washington Post, 1 March 2009: M6–7. Greenbaum, Joanne. “Decorating the Void: On Clay and Dirt on Delight.” The Highlights (June 2009). MacMillan, Kyle. “MCA Exhibits Showcase Big Names, Big Ambitions from Big Apple.” Denver Post, 22 November 2009. Moser, Gabrielle. “Sarah Massecar, Sandra Meigs, Arlene Shechet, feelers.” Esse, no. 67 (Fall 200). Regan, Kate. “‘Feelers’ at Susan Hobbs, Toronto.” Art News, November 2009: 125. Ruth, Tara. “Double or Nothing: Mimicry in Contemporary Art using Handmade Paper.” Hand Papermaking (2009): 24. Smith, Roberta. “Crucible of Creativity, Stoking Earth into Art.” The New York Times, 20 March 2009: C25, C28. Smith, Roberta. “Why Craft Never Was a Four-Letter Word.” The New York Times, 18 April2009: C5. 2008 De Vegh, Suzanne, “Arlene Shechet, New York.” Art Papers (July–August 2008): 66. Goodman, Jonathan. “New York Reviews.” Sculpture Magazine (July-August 2008): 77–78. Hirsch, Faye. “Arlene Shechet at Elizabeth Harris” (exhibition review). Art in America (February 2008). Pollack, Barbara. “Neti-Neti” (exhibition review).Time Out New York, 31 July 31–6 August 2008: 53. Saltz, Jerry.“‘Gray,’ Critics’ Pick.” New York Magazine, 23 July 2008. 2007 Genocchio, Benjamin. “Really? It’s All Made of Glass?” The New York Times, 30 December 2007. Robinson, Walter. “Reviews: Weekend Update.” Artnet.com, 19 September 2007. Smith, Roberta. “Art in Review.” The New York Times, 14 September 2007: E41. Strouse, Allen. “Arlene Shechet’s Military Base.” Art Info, 11 December 2007. 2006 Ash, Elizabeth. “ART in Embassies in Hanoi.” State Magazine (March 2006): 14. Dawson, Jessica, “Shechet, Sherwood and Bocchino at Hemphill” (exhibition review). The Washington Post, 7 January 2006: C5. Dung, Dinh, “An American Artist Talks about Her Work and Buddhism.” The Saigon Times Daily, 29 March 2006: 7. Larson, Kay. “Keeping the Faith” (exhibition review). Art News (February 2006). Mahoney, J. W. “Arlene Shechet at Hemphill” (exhibition review). Art in America (October 2006): 201–202. “US Artist Arlene Shechet to Exhibit Works in Ha Noi.” Vietnam News, 17 March 2006: 20. 2005 Glueck, Grace. "An Object of Practicality, From the Inside and Out.” The New York Times, 1 April 2005: E34. Klein, Richard. “Bottle: Contemporary Art and Vernacular Tradition.” The New York Times, 1 April2005: E34. Morgan, Robert C. “Who takes Glass Seriously.” The Urban Glass Art Quarterly (Fall 2005): 27–33. Phillips, Autumn. "A Buddhist Concept on Paper." The Steamboat Pilot (Steamboat Springs, Co.), 12 August 2005: Arts. Tricycle Magazine (Summer 2005): 39. 2004 McElroy, Joseph. “A Poetry of Transience.” Shambala Sun (March 2004): 58–62. Morgan, Anne Barclay. “The Manifestation of Awareness." Sculpture Magazine (September 2004): 47–51. 2003 Buddhadharma: The Practitioner’s Quarterly (Summer 2003): cover, illustrated. Harrison, Helen. “Recycling Paper: Not Just Good for the Environment.” The New York Times, 5 January 2003: 9. Pierpont, Margaret. “Natural Mastery.” Natural Health (October 2003): 160. Smith, Kiki. “Artists Choice: Arlene Shechet.” Art on Paper 8, no. 2 (November/December 2003): 42–45. 2002 Elliot, David. “Ganesh. Galerie René Blouin. Montreal.” Canadian Art 19, no. 1 (March 2002): 88–89. Hand Papermaking17, no. 1 (Summer 2002): cover, illustrated. Johnson, Ken. "Arlene Shechet." The New York Times, 3 May 2002, Art Guide: E40 Koplos, Janet. "Arlene Shechet at A/D." Art in America (January 2002): 109–110 2001 “Cathedral Removes an Artwork.” The New York Times, 26 June 2001. Douglas, Sarah. “'Unsuitable' art removed from cathedral in New York.” The Art Newspaper, 2000. “Minister Wants Artwork Revised or Removed.” The New York Times, 23 June 2001: B7. “The Artist's Way.” O Magazine, November 2001: 227. 2000 Betts, Kristie, “Artflash, the End Is Here.” Boulder Weekly, 28 September–4 October 2000. Glackstern, J., “Many mysteries suggested at BMOCA's 'Living End.’” The Daily Camera (Boulder, Co.), 15 October 2000. Temin, Christine. “Perspectives: Assorted Artists Capture ‘Rapture.’” The Boston Globe, 2 February 2000: D1. 1999 Cotter, Holland. “Arlene Shechet.” The New York Times, 21 May1999, Art Guide: E32. Levin, Kim. "Voice Choices." The Village Voice, 18 May 1999: 78. Tagore, Sundaram. "Facing East: American Artists' Encounters with India." Art IndiaMagazine of India (April 1999): 55–57. 1998 Gockel, Cornelia. "Korper und Ofnungen." Suddeutche Zeitung, 30 July 1998. Goldman, Robert. "Artist Diary." Artnet, 24 January 1998: 2. Hirsch, Faye. "Working Proof." On Paper Magazine 2 (January–February 1998). Arlene ShechetBooks and Catalogues Arlene Shechet Books 2018Arlene Shechet: Full Steam Ahead (exhibition catalogue). Texts by Carter E. Foster, Lilian Tone, and the artist. New York: Madison Square Park, 2018.2017Arlene Shechet: From Here On Now (exhibition catalogue). Texts by Dorothy Kosinski, Klaus Ottmann, and Chris Sharp. Washington, D.C.: Phillips Collection, 2017.Arlene Shechet: In the Meantime (exhibition catalogue). Text by John Corbett. Chicago: Corbett vs. Dempsey, 2017.The Artist Project: What Artists See When They Look at Art. London and New York: Phaidon Press Limited; The Metropolitan Museum of Art, 2017.Gray Matters (exhibition catalogue). Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 2017.“Arlene Shechet.” In Vitamin C: Clay + Ceramic in Contemporary Art. New York and London: Phaidon, 2017: 268–271, illustrated.2016Auther, Elissa. “Dump and Death.” In Voulkos: The Breakthrough Years (exhibition catalogue). London and New York: Black Dog Publishing Limited; Museum of Arts and Design, 2016: 97–109, illustrated.Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection (exhibition catalogue). Conversation with Charlotte Vignon, Arlene Shechet, and Henry Arnhold. New York: The Frick Collection, 2016.Pure Pulp: Contemporary Artist Working in Paper at Dieu Donné (exhibition catalogue). Clinton, New York and Munich: Ruth and Elmer Wellin Museum of Art, Hamilton College; DelMonico Books-Prestel, 2016.Shechet, Arlene. “Alive and Well.” In Monster Roster: Existentialist Art in Postwar Chicago. Chicago: Smart Museum of Art, University of Chicago, 2016: 83–85, illustrated.Shechet, Arlene and Mary Heilmann. “Remembering Voulkos.” In Voulkos: The Breakthrough Years (exhibition catalogue). London and New York: Black Dog Publishing Limited; Museum of Arts and Design, 2016: 89–93.2015Arlene Shechet: All at Once (exhibition catalogue). Texts by Jenelle Porter, Peter Lamborn Wilson, Debra Bricker Balken, Meredith Martin, and interview with the artist by Janine Antoni. Boston and Munich: Institute of Contemporary Art; DelMonico Books, Prestel, 2015.Arlene Shechet: Meissen Recast. Texts by Dominic Molon, Maureen Cassidy-Geiger, Elizabeth A. Williams, and interview with Judith Tannenbaum. New York: Gregory R. Miller & Co, 2015.Bottoms Up: A Sculpture Survey (exhibition catalogue). Texts by Stuard Horodner and Janie Welker. Lexington: University of Kentucky Art Museum, 2015.2014Arlene Shechet: Meissen Recast (exhibition catalogue). Interview with the artist by Judith Tannenbaum. Providence: RISD Museum, Rhode Island School of Design, 2014.Now-ism: Abstraction Today (exhibition catalogue). Texts by David Pagel and Greer Pagano. Columbus, Ohio: Pizzuti Collection, 2014.2010Arlene Shechet: Blow by Blow (exhibition catalogue). Interview by Ian Berry. Saratoga Springs, New York: The Frances Youg Tang Teaching Museum and Art Gallery, 2010.Arlene Shechet: The Sound of It (exhibition catalogue). New York: Jack Shainman Gallery, 2010.2009Dirt on Delight: Impulses That Form Clay (exhibition catalogue). Texts by Ingrid Schaffner and Jenelle Porter. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009.2007Arlene Shechet: New Work (exhibition catalogue). Text by Peter Nagy. New York: Elizabeth Harris Gallery, 2007.The Flag Project: Contemporary Artists Celebrate the Opening of a New Museum. New York: Rubin Museum of Art, 2007: 135, illustrated.Shattering Glass: New Perspectives (exhibition catalogue). Text by Tina Oldknow. Katonah, New York: Katonah Museum of Art, 2007.2006Faith (exhibition catalogue). Text by James Hyde; poems by Lisa Jarnot. Hartford, Connecticut: Real Art Ways, 2006.The Missing Peace: Artists Consider the Dalai Lama. S.l.: s.n., 20062005Bottle: Contemporary Art and Vernacular Tradition (exhibition catalogue). Text by Richard Klein. Ridgefield, Connecticut: The Aldrich Contemporary Art Museum, 2005.Glass, Seriously: Iran do Espirito Santo, Maria Elena Gonzalez, Melissa Kretschmer, Gary Lang, Kristin Oppenheim, Arlene Shechet, Jean Shin and Brian Ripel, Kiki Smith, Valeska Soares, Christopher Wilmarth, Rob Wynne (exhibition catalogue). Text by Lilly Wei. New York: Dorsky Gallery, 2005.2004The Big Nothing (exhibition catalogue). Texts by Ingrid Schaffner, Bennett Simpson, Tanya Leighton, and Paula Marincola. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2004.The Invisible Thread: Buddhist Spirit in Contemporary Art (exhibition catalogue). Texts by Olivia Georgia, Robyn Brentano, Roger Lipsey, and Lilly Wei. Staten Island, New York: Snug Harbor Cultural Center, 2004.2003Arlene Shechet: Building (exhibition brochure). Text by Elizabeth A. Brown. Seattle: Henry Art Gallery, University of Washington, 2003. (Brochure)Mystic (exhibition catalogue). Edited by Alexa de los Reyes and Lisa Tung; curated by Jeffrey Keough; ext by David D. Nolta. Boston: Massachusetts College of Art, 2003.2002Arlene Shechet: Building (exhibition brochure). Text by Elizabeth A. Brown. Seattle: Henry Art Gallery, University of Washington, 2002.Arlene Shechet: Flowers Found (exhibition catalogue). New York: Elizabeth Harris Gallery, 2002.2001Rags to Riches: 25 Years of Paper Art from Dieu Donné Papermill (exhibition catalogue). Texts by Susan Gosin, Trudy V. Hansen, and Donna Stein. New York: Dieu Donné Papermill, 2001.2000The Living End (exhibition catalogue). Text by Ingrid Schaffner. Boulder, Colorado: Boulder Museum of Contemporary Art, 2000.Rapture (exhibition catalogue). Text by Jeffrey Keough. Boston: Massachusetts College of Art, 2000.1999Om (exhibition catalogue). Text by Joe Fyfe. New York: David Dorsky Gallery, 1999.Elie Nadelman: The Late Work. Texts by Brandt Junceau, Klaus Kertess, Arlene Shechet, and Kiki Smith. New York: Salander-O’Reilly Galleries, 1999.Arlene Shechet: Mirror Mirror (exhibition catalogue). Text by Peter Nagy. New York: Elizabeth Harris Gallery, 1999.1997Arlene Shechet: Sculpture and Works of Paper (exhibition catalogue). Text by Kay Larson. San Francisco: John Berggruen Gallery, 1997.