Gideon Appah

Beneath Night and Day

On View
Jan 16 – Feb 28, 2026
New York

Pace will present an exhibition of new paintings by Gideon Appah at its 510 West 25th Street gallery in New York from January 16 through February 28, 2026. This will be Appah’s first solo show with Pace in New York, spotlighting works on canvas he created over the past year in his studio in Ghana, West Africa.

Drawing inspiration from scenes of everyday life in Ghana, as well as personal memories, dreams, and family histories, Appah creates compositions that dissolve divisions between the tangible and the imagined while engaging questions of identity, freedom, and form. Though his paintings are informed by real places and people, they can appear more mythological than representative, employing elements of Fauvism and Surrealism that complicate any clear narrative reading. Oneiric and reflective, his works elevate the simple act of gathering to the realm of collective memory, in which it takes on new and unexpected significance.

Works from Appah’s Swimmers and Surfers series will be the focus of his upcoming presentation with Pace. Inspired by the local surfers, fishermen, and swimmers at Busua Beach and Kokrobite, Ghana, where Appah’s studio is located, this series encompasses a range of compositions, with landscapes populated by multiple figures in various states of action—carrying surfboards, resting, and swimming.His exhibition in New York will also feature vertically oriented portraits of solitary figures, which signal a new direction in the series. The subjects of these portraits wear simple yet carefully rendered clothing inspired by patterned textiles found in his studio.

The slippage of time across the Swimmers and Surfers canvases as they move from day to night, dusk to dawn, enhances their dream-like mood. In these works, Appah pursues a wider exploration of color to capture different times of day and conditions of light, applying a range of blues before layering on a more expansive palette with touches of purple, yellow, orange, and highlights of white. The overall effect is complex and textured, with brighter hues toned down by the underlying blues to create a muted atmosphere. Through this process, Appah starts with the shadow of the subject—its outline and memory—before allowing it to fully emerge.

Appah first visited Busua Beach in 2022 and has returned several times since. In early 2025, he created the short film Beyond the Shadows, which will also feature in the exhibition at Pace. Directed by Chris Baiden with a voiceover poem written and performed by Poetra Asantewa, the film explores the lifestyle of the surfers and swimmers in the area, capturing images of men and women in the ocean or looking out from the shore. Many subjects in Appah’s paintings can be traced back to the real people in this film and in reference photographs, with recognizable faces often repeating across works. Their enigmatic expressions invite viewers to experience the languid fluidity of their surroundings. In addition to his time at Busua Beach and Kokrobite, Appah references found materials like posters, prints, and photographs to create scenes that exist outside of a single time or place. Drawing on images from African popular culture—including post-colonial Ghanaian cinema and historical newspaper clippings—and transforming them with his striking use of depth, color, and line, Appah paints a world that is at once familiar and new. A selection of his reference photographs will be included in the presentation at Pace.

Appah’s work was recently included in the group show Corps et âmes at the Bourse de Commerce in Paris, which ran from May through August 2025. He will also participate in the forthcoming exhibition Ibrahim Mahama: The Harvest Season at the Fondation Cartier pour l’art contemporain in Paris in fall 2026 alongside Dorothy Akpene Amenuke, James Barnor, le Cercle d’art des travailleurs des plantations congolaises (CATPC), Courage Dzidula Kpodo with Postbox Ghana, Zohra Opoku, Tjaša Rener, and Feda Wardak. Each artist in The Harvest Season was invited by Ghanaian artist Ibrahim Mahama, who studied at the Kwame Nkrumah University of Science and Technology (KNUST) in Ghana at the same time as Appah.

Night Catch (Prise de Nuit) by Gideon Appah

A Tropical Landscape (Un Paysage Tropical) by Gideon Appah

The Musicians Apprentice by Gideon Appah

About the Artist

Gideon Appah draws on childhood memories and dreams, as well as West African landscapes and popular culture for his dazzling, bold, and jewel-toned paintings. As a child, Appah’s first medium was charcoal, which his grandmother used to cook meals at home. His early works are an ode to his hometown of Accra, the capital of Ghana, and incorporate images associated with daily life such as lottery numbers and other symbols present in the social and economic fabric of the city. Appah’s work investigates his childhood as well as local mythologies, ethereal landscapes, rivers, domestic interiors, and recurring figures both imagined and known, such as his grandmother and brother.

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