Robert Indiana, The Sweet Mystery, 1960-62, oil on canvas, 72" × 60" (182.9 cm × 152.4 cm). Photo: Tom Powel Imaging © 2024 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), courtesy The Robert Indiana Legacy Initiative Robert Indiana Polaroid of the artist in his studio at 25 Coenties Slip in New York making Flagellant (1963/1969) with LOVE Rising (The Black and White Love) (1968) in the background. Image courtesy of The Robert Indiana Legacy Initiative and Star of Hope Foundation, Vinalhaven, Maine Details:b. 1928, New Castle, Indianad. 2018, Vinalhaven, MaineConnect: (opens in a new window) robertindiana.com (opens in a new window) @robertindiana Read More One of the preeminent figures in American art since the 1960s, Robert Indiana played a central role in the development of assemblage art, hard-edge painting, and Pop art.Indiana, a self proclaimed “American painter of signs,” created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their oeuvre.Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. His artistic talent was evident at an early age, and its recognition by a first grade teacher encouraged his decision to become an artist. In 1942, Indiana moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland.In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, once a major port on the southeast tip of Manhattan. There he joined a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman. The environment of the Slip had a profound impact on Indiana’s work, and his early paintings include a series of hard-edge double ginkgo leaves inspired by the trees which grew in nearby Jeannette Park. He also incorporated the ginkgo form into his nineteen-foot mural Stavrosis (1958), a crucifixion pieced together from forty-four sheets of paper that he found in his loft. It was upon completion of this work that Indiana adopted the name of his native state as his own.Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. While he created hanging works such as Jeanne d’Arc (1960–62) and Wall of China (1960–61), the majority were freestanding constructions which Indiana called “herms” after the sculptures that served as boundary markers at crossroads in ancient Greece and Rome. The discovery of nineteenth-century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words into these sculptures as well as canvases, and became the basis of his new painterly vocabulary.Indiana quickly gained repute as one of the most creative artists of his generation, and was featured in influential New York shows such as New Media—New Forms at the Martha Jackson Gallery (1960), Art of Assemblage at the Museum of Modern Art (1961), and the International Exhibition of the New Realists at the Sidney Janis Gallery (1962). In 1961, the Museum of Modern Art acquired The American Dream, I (1960–61), the first in a series of paintings exploring the illusory American Dream, establishing Indiana as one of the most significant members of the new generation of Pop artists who were eclipsing the prominent painters of the New York School.Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. American literary references appear in paintings such as The Calumet (1961) and Melville (1961), exhibited in 1962 in Indiana’s first New York solo exhibition, held at Eleanor Ward’s Stable Gallery. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a twenty–foot EAT sign composed of flashing lights, and collaborated with Andy Warhol on the film Eat, a silent portrait of Indiana eating a mushroom in his Coenties Slip studio. His first European solo exhibition took place in 1966 at Galerie Schmela in Düsseldorf, Germany, and featured his Number paintings (1964–65), a series of works on a theme that he has explored in various formats throughout his career.1966 marked a turning point in Indiana’s career with the success of his LOVE image, which had been featured in a solo exhibition at the Stable Gallery. The word love, a theme central to Indiana’s work, first appeared in the painting 4-Star Love (1961). Love was a subject of great spiritual significance for the artist, illustrated by the painting Love Is God (1964), which was inspired by an inscription in the Christian Science churches he attended in his youth. Initially experimenting with a composition of stacked letters in a series of 1964 rubbings, Indiana subsequently turned this inventive design, a formal departure from his previous works, into different hard-edged color variations on canvas. Indiana’s LOVE, selected by the Museum of Modern Art in 1965 for its Christmas card, quickly permeated wider popular culture, and was adopted as an emblem of the “Love Generation.” Appearing on a best-selling United States Postal Service stamp (1973) and reproduced on countless unauthorized products, the proliferation of the image led, on one hand, to negative criticism and incorrect assumptions of the artist as a sell-out. However, the image’s popularity more importantly emphasizes its great resonance with large and diverse audiences, and has become an icon of modern art. The universality of the subject, to which Indiana continued to return, is further evidenced by his translation of LOVE into AHAVA (Hebrew) and AMOR (Spanish).In 1978, Indiana chose to remove himself from the New York art world. He settled on the remote island of Vinalhaven in Maine, moving into the Star of Hope, a Victorian building that had previously served as an Odd Fellows Lodge. After a period spent setting up his home and new studio, Indiana turned to themes that related to his local experience, working on a suite of eighteen large-scale paintings known as The Hartley Elegies (1989–94), inspired by the German Officer paintings of Marsden Hartley, who lived on Vinalhaven in the summer of 1938. He also used found objects to create sculptures such as Ash (1985) and Mars (1990), works that reflected his new surroundings while also making reference to his past, and returned to and expanded upon his seminal American Dream series, completing The Ninth American Dream in 2001.In addition to being a painter and sculptor, Indiana has created a significant number of prints, among them the Numbers Portfolio (1968), a collaboration with the poet Robert Creeley, as well as many other works of graphic art, including the poster for the opening of the New York State Theater, Lincoln Center (1964), and the poster for the opening exhibition of the Hirshhorn Museum of Art (1974). He designed the stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All, which was presented in 1967 at the Walker Art Center in Minneapolis and expanded in 1976 for the Santa Fe Opera in honor of the Bicentennial. Indiana has also created other unique projects, such as the design for a basketball court at the Milwaukee Exposition Convention Center Arena in 1977.Indiana’s artwork has been featured in numerous solo and group exhibitions around the world, and his works are in the permanent collections of important museums such as the Museum of Modern Art and the Whitney Museum of American Art in New York; the National Gallery of Art, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian Museum of American Art in Washington, D.C.; the Albright-Knox Art Gallery in Buffalo, New York; the San Francisco Museum of Modern Art; the Menil Collection in Houston; the Currier Museum of Art, Manchester, New Hampshire; the Museum Ludwig in Cologne, Germany; the Van Abbemuseum in Eindhoven, the Netherlands; MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien) in Vienna, Austria; the Art Museum of Ontario in Toronto; and the Israel Museum in Jerusalem. He has also been included in numerous international publications, and is the subject of a number of monographs.In 2013 the Whitney Museum of American Art hosted the artist’s first New York retrospective, Robert Indiana: Beyond LOVE, curated by Barbara Haskell. Indiana passed away in his home on May 19, 2018, just a few weeks before the opening of his sculpture retrospective at the Albright-Knox Art Gallery. Read More Robert Indiana, Eat/Die, 1962, oil on canvas, diptych, each panel: 72" × 60" (182.9 cm × 152.4 cm). Photo: Tom Powel Imaging © Morgan Art Foundation LLC/Artists Rights Society (ARS), NY. Image courtesy of The Robert Indiana Legacy Initiative Robert Indiana, The Melville Triptych, 1962, oil on canvas, triptych, overall: 60" × 144" (152.4 cm × 365.8 cm), each panel: 60" × 48" (152.4cm × 121.9 cm). Photo: Todd White Art Photography © 2024 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), courtesy The Robert Indiana Legacy Initiative Robert Indiana, Love Is God, 1964, oil on canvas, 68" × 68" (172.7 cm × 172.7 cm) © 2024 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), courtesy The Robert Indiana Legacy Initiative Robert Indiana, Exploding Numbers, 1964–66, oil on canvas, four panels: 12" × 12" (30.5 cm × 30.5 cm), 24" × 24" (61 cm × 61 cm), 36" × 36" (91.4 cm × 91.4 cm), 48" × 48" (121.9 cm × 121.9 cm). Photo: Tom Powel Imaging, New York © 2024 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), courtesy The Robert Indiana Legacy Initiative Installation view at Yorkshire Sculpture Park, 2022. left to right: Robert Indiana, Column Die, 1963-64; Robert Indiana, Column Love, 1963-64; Robert Indiana, Column Eat/Hug/Err, 1964; Robert Indiana, Column Eat, 1963-64; Robert Indiana, Column Eat/Hug/Die, 1964; Robert Indiana, Column Hug, 1964; Robert Indiana, My Mother, 1964/98; Robert Indiana, My Father, 1964/98; Robert Indiana, Call Me Ishmael, 1964/98; Robert Indiana, Call Me Indiana, 1964/98; Robert Indiana, Bob’s Column, 1964/98; Robert Indiana, Dillinger, 1964/98; Robert Indiana, Love is God 1964. Photo: © Jonty Wilde, courtesy of Yorkshire Sculpture Park. © 2024 Morgan Art Foundation Ltd./ Artists Rights Society (ARS), New York, courtesy The Robert Indiana Legacy Initiative Robert Indiana, LOVE, 1966, oil on canvas, 48" × 48" (121.9 cm × 121.9 cm). Photo: Courtesy of the McNay Art Museum, San Antonio, Texas; © 2024 Morgan Art Foundation LLC/Artists Rights Society (ARS), NY/SIAE, Italy, courtesy The Robert Indiana Legacy Initiative Robert Indiana, The Dietary, 1962, oil on canvas, 60" × 48" (152.4 cm × 121.9 cm) © 2024 Morgan Art Foundation LLC/Artists Rights Society (ARS), NY/SIAE, Italy, courtesy The Robert Indiana Legacy Initiative Exhibitions View All Upcoming Robert Indiana Mar 24 – Apr 30, 2025 Hong Kong Journal View All Films Robert Indiana in Venice Jun 13, 2024 News Announcing Representation of The Robert Indiana Legacy Initiative Apr 12, 2024 Our Artists in Venice Exhibitions Our Artists in Venice 2024 Mar 26, 2024 Museum Exhibitions On Robert Indiana in Venice: The Sweet Mystery Jan 01, 2024 One-Artist Exhibitions Group Exhibitions Public Collections Periodicals Books and Catalogues Close Robert IndianaOne-Artist Exhibitions 01-Robert-Indiana-one-artist DatesBorn 1928, New Castle, IndianaDied 2018, Vinalhaven, MaineEducation1953, The Art Institute of Chicago, BFA2024Robert Indiana: The Sweet Mystery, Procuratie Vecchie, Venice, April 20–November 24, 2024. (Catalogue and Pamphlet)2023Robert Indiana at Rockefeller Center, Rockefeller Center, New York, September 13–October 23, 2023.2022Robert Indiana: Sculpture 1958-2018, Yorkshire Sculpture Park, United Kingdom, March 12, 2022–April 16, 2023. (Catalogue)2021Robert Indiana, Ben Brown Fine Arts, Hong Kong, December 7, 2021–March 8, 2022.2020Robert Indiana: A Legacy of Love, McNay Art Museum, San Antonio, Texas, October 15, 2020–January 24, 2021.2019Robert Indiana, Kasmin Gallery, New York, May 3, 2019–February 28, 2020.2018Love & Peace: A Robert Indiana Memorial Exhibition, Contemporary Art Foundation, Tokyo, November 27–December 2, 2018.Robert Indiana: A Sculpture Retrospective, Albright-Knox Art Gallery, Buffalo, New York, June 16–September 23, 2018. Traveled to: Tampa Museum of Art, Tampa, Florida, October 24, 2018–March 17, 2019. (Catalogue)Love Long: Robert Indiana and Asia, Asia Society, Hong Kong, February 7–July 15, 2018.2017Robert Indiana: One Through Zero, Glass House, New Canaan, Connecticut, May 11–November 30, 2017.Robert Indiana, Pinacoteca Comunale Casa Rusca, Locarno, Switzerland, April 9–August 13, 2017.2016Robert Indiana: To Russia with Love, State Russian Museum, Saint Petersburg, April 7–June 7, 2016.Robert Indiana, Galleria d’Arte Maggiore, Bologna, Italy, January 23–March 31, 2016.2015Robert Indiana Sign Paintings, 1960–65, Craig F. Starr Gallery, New York, September 10–October 31, 2015. (Catalogue)2014The Essential Robert Indiana, Indianapolis Museum of Art, Indiana, February 16–May 4, 2014. (Catalogue)2013Robert Indiana: Beyond LOVE, Whitney Museum of American Art, New York, September 26, 2013–January 5, 2014. (Catalogue)2012Robert Indiana: Sculptures, Waddington Custot Galleries, London, October 3–November 10, 2012. (Catalogue)2011Robert Indiana: Rare Works from 1959 on Coenties Slip, Galerie Gmurzynska, Zurich, June 12–September 20, 2011. (Catalogue)2009Robert Indiana and the Star of Hope, Farnsworth Art Museum, Rockland, Maine, June 20, 2009–January 10, 2010. (Catalogue)2008Robert Indiana: Hard Edge, Paul Kasmin Gallery, New York, September 18–November 1, 2008. (Catalogue)Robert Indiana a Milano, Padiglione d’Arte Contemporanea, Milan, July 4–September 14, 2008. (Catalogue)Robert Indiana: The American Painter of Signs, Museum Wiesbaden, Germany, January 22–May 18, 2008. (Catalogue)2007Robert Indiana: A Retrospective, Galerie Gmurzynska, Zurich, November 8, 2007–January 26, 2008.Robert Indiana: Der Amerikanische Maler der Zeichen, Museum Kurhaus Kleve, Germany, August 26, 2007–January 6, 2008.2006Robert Indiana, Paseo de Recoletos y Paseo del Prado, Madrid, May 4–July 31, 2006. Traveled to: Gran Vía Marqués del Turia, Valencia, Spain, January 8–February 25, 2007; Gran Vía Don Diego López de Haro, Bilbao, Spain, March 29–June 27, 2007; Praça Marqués do Pombal, Avenida da Liberdade and Praça Rossio, Lisbon, Portugal, November 30, 2007–February 29, 2008. (Catalogue)Robert Indiana: A Living Legend, Seoul Museum of Art, March 11–April 30, 2006. (Catalogue)2005Robert Indiana: Wood, Paul Kasmin Gallery, New York, September 9–October 8, 2005. (Catalogue)2004Robert Indiana: Paintings and Sculpture, 1961–2003, Waddington Custot Galleries, London, September 29–October 23, 2004. (Catalogue)Robert Indiana 66: Paintings and Sculpture, Price Tower Arts Center, Bartlesville, Oklahoma, April 23–July 4, 2004.Robert Indiana: Peace Paintings, Paul Kasmin Gallery, New York, April 21–May 29, 2004. (Catalogue)2003Robert Indiana: The Story of Love, Scottsdale Museum of Contemporary Art, Arizona, December 20, 2003–May 2, 2004. (Catalogue).Robert Indiana: Peace Paintings, Michael Kohn Gallery, Los Angeles, September 19–October 25, 2003. (Catalogue)Robert Indiana: Recent Paintings, Paul Kasmin Gallery, New York, February 14–March 22, 2003. (Catalogue)Robert Indiana: Letters, Words and Numbers, C&M Arts, New York, February 13–March 22, 2003. (Catalogue)2002Robert Indiana, Shanghai Art Museum, July 5–August 8, 2002. (Catalogue)2001Los Estados Unidos bajo la Optica de Robert Indiana, Galería Ateneo de Caracas, Venezuela, May 6–June 17, 2001. (Catalogue)Hommage à Indiana, Galerie Denise René Espace Marais, Paris, March 30–May 23, 2001. (Catalogue)1999Love and the American Dream: The Art of Robert Indiana, Portland Museum of Art, Maine, June 24–October 17, 1999. Traveled to: The Marietta/Cobb Museum of Art, Georgia, November 23, 1999–January 30, 2000. (opens in a new window) (Catalogue)1998Robert Indiana: Rétrospective, 1958–1998, Musée d’Art Moderne et d’Art Contemporain, Nice, France, June 26–November 22, 1998. (Catalogue)1996Robert Indiana: The Hartley Elegies, Indianapolis Museum of Art, Indiana, January 13–March 31, 1996.1992Robert Indiana, Early Work, Galería 57, Madrid, June 8–September 12, 1992.1991Robert Indiana: Early Sculpture, 1960–1962, Salama-Caro Gallery, London, September 12–November 9, 1991. (Catalogue)Robert Indiana Prints: A Retrospective, Susan Sheehan Gallery, New York, May 16–June 30, 1991. (Catalogue)1990Robert Indiana—Decade: Autoportrait, Marisa del Re Gallery, FIAC, Grand Palais, Paris, October 25–November 1, 1990. Traveled to: Marisa del Re Gallery, New York, November 27–December 31, 1990. (Catalogue)1989Robert Indiana, Galerie Natalie Seroussi, Paris, September 28–November 25, 1989. (Catalogue)Robert Indiana: Paintings from the Sixties, Virginia Lust Gallery, New York, January 14–March 18, 1989.1984Wood Works: Constructions by Robert Indiana, National Museum of American Art, Washington, D.C., May 1–September 3, 1984. Traveled to: Portland Museum of Art, Portland, Maine, October 2–28, 1984. (Catalogue)1982Indiana’s Indianas: A Twenty-Year Retrospective of Paintings and Sculpture from the Collection of Robert Indiana, Farnsworth Art Museum, Rockland, Maine, July 16–September 26, 1982. Traveled to: Colby College Museum of Art, Waterville, Maine, October 17–December 12, 1982; Reading Public Museum, Pennsylvania, January 16–March 20, 1983; Danforth Museum, Framingham, Massachusetts, May 15–July 3, 1983; Currier Gallery of Art, Manchester, New Hampshire, October 25–November 27, 1983; Berkshire Museum, Pittsfield, Massachusetts, December 12, 1983–January 29, 1984; Flint Institute of Arts, Michigan, February–March 25, 1984. (Catalogue)1977Robert Indiana, University Art Museum, University of Texas at Austin, September 25–November 6, 1977. Traveled to: Chrysler Museum, Norfolk, Virginia, December 1, 1977–January 15, 1978; Indianapolis Museum of Art, February 21–April 2, 1978; Neuberger Museum, Purchase, New York, April 23–May 21, 1978; Art Center, South Bend, Indiana, June 2–July 16, 1978. (Catalogue)1976Robert Indiana: Designs for Virgil Thomson’s “The Mother of Us All,” Galerie Denise René, New York, May 1–29, 1976.1972Robert Indiana: New Paintings and Sculpture, Galerie Denise René, New York, November 22–December 30, 1972.1971Robert Indiana: Druckgraphik und Plakate, 1961–1971, Amerika Haus, Berlin, opened on December 7, 1971. (Catalogue)1969Robert Indiana: Graphics, St. Mary’s College, University of Notre Dame, Indiana, June 12–July 6, 1969. Traveled to: Colby College of Art in Waterville, Maine, December 1, 1969-January 3, 1970 as The Prints and Posters of Robert Indiana.1968Robert Indiana, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, April 17–May 27, 1968. Traveled to: Marion Koogler McNay Art Institute, San Antonio, July 1–August 15, 1968, John Herron Art Institute, Indianapolis, September 1–29, 1968. Traveled to as Robert Indiana: Paintings and Sculpture: Toledo Museum of Art, Toledo, Ohio, November 11–December 8, 1968. (Catalogue)1967Robert Indiana, Galleria Christian Stein, Turin, Italy, March 8–April 1967.1966Robert Indiana, Dayton’s Gallery 12, Minneapolis, Minnesota, September 27–October 22, 1966. (Catalogue)Robert Indiana: Number Paintings at Studio 7, Württembergischer Kunstverein, Stuttgart, Germany, August 5–28, 1966.Robert Indiana: Number Paintings, Museum Haus Lange, Krefeld, Germany, June 11–July 24, 1966. (Catalogue)Robert Indiana, Stable Gallery, New York, May 3–28, 1966.Robert Indiana, Stedelijk Van Abbemuseum, Eindhoven, the Netherlands, April 30–June 5, 1966.Robert Indiana: Number Paintings, Galerie Schmela, Düsseldorf, Germany, March 4–31, 1966.1965Robert Indiana, Rolf Nelson Gallery, Los Angeles, May 10–June 5, 1965.1964Robert Indiana: New Art, Stable Gallery, New York, May 12–30, 1964.1962Robert Indiana, Stable Gallery, New York, October 16–November 3, 1962. (Catalogue) Robert IndianaGroup Exhibitions 02-Robert-Indiana-group 2024Pace Tokyo: Special Preview, Pace Gallery, Tokyo, July 6–August 9, 2024.2023Painted Pop, Acquavella Galleries, New York, October 10–December 15, 2023.ARTZUID 2023, Amsterdam, May 20–September 24, 2023. (Catalogue)Picasso and the 20th Century Masters: Museum Ludwing Collection, My Art Museum, SeoulMarch 24–August 27, 20232022Frieze Sculpture 2022, Regent’s Park, London, September 14–November 13, 2022.Mad Woman, David Nolan Gallery, New York, September 8–October 22, 2022.New York: 1962-1964, Jewish Museum, New York, July 22, 2022–January 8, 2023.Museum Ludwig, Cologne—History of a Collection with Civic Commitments, The National Art Center, Tokyo, June 29–September 26, 2022. Traveled to: National Museum of Modern Art, Kyoto, October 14, 2022–January 22, 2023.One Through Zero (The Ten Numbers) (1978–2003), Roy Lichtenstein: More than Dots, He Art Museum, Shunde, China, June 18–August 15, 2022.Motions. Autos, Art, Architecture, Museo Guggenheim, Bilbao, Spain, April 8–September 18, 2022.Pop Art and Text, Oklahoma City Museum of Art, January 19–July 24, 2022.2019Frieze Sculpture 2019, Regent’s Park, London, July 3–October 6, 2019.2017Pop Art—Icons that Matter: Collection du Whitney Museum of Art, Musée Maillol, Paris, September 22, 2017–January 21, 2018.Found in America: Chamberlain, Flavin, Indiana, Waddington Custot Galleries, London, May 5–June 30, 2017.2014Pop to Popism, Art Gallery of New South Wales, Sydney, November 1, 2014–March 1, 2015.Ludwig Goes Pop, Museum Ludwig, Cologne, October 2, 2014–January 11, 2015. Traveled to: Museum Moderne Kunst Stiftung Ludwig Wien, Vienna, February 12–September 13, 2015; Ludwig Múzeum, Budapest, Hungary, October 9, 2015–January 3, 2016.Witness: Art and Civil Rights in the Sixties, Brooklyn Museum, New York, March 7–July 13, 2014. Traveled to: Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30–December 14, 2014; Blanton Museum of Art, the University of Texas at Austin, Texas, February 15–May 10, 2015.2013Sculpture in the City, London, June 20, 2013–May 31, 2014.The Pop Object: The Still Life Tradition in Pop Art, Acquavella Galleries, New York, April 10–May 24, 2013. (Catalogue) 2012Pop Art Design, Vitra Design Museum, Weil am Rhein, Germany, October 13, 2012–February 3, 2013. (Catalogue) Love and Fame: Works by Robert Indiana and Andy Warhol, Indiana State University Art Gallery, Terre Haute, Indiana September 24–October 26, 2012. (Catalogue)2001The Pop Years, 1956 to 1968, Centre national d’art et de culture Georges-Pompidou, Paris, March 15–June 18, 2001. (Catalogue)2000Crossroads of American Sculpture, Indianapolis Museum of Art, Indiana, October 14, 2000–January 21, 2001. Traveled to: New Orleans Museum of Art, June 30–September 2, 2001. (Catalogue) Pop art: selections from the Museum of Modern Art: an exhibition organized by the Museum of Modern Art in collaboration with the High Museum of Art, High Museum of Art, Atlanta, October 24, 1998–Janurary 17, 1999. (Catalogue)1998Pop art: selections from the Museum of Modern Art: an exhibition organized by the Museum of Modern Art in collaboration with the High Museum of Art, High Museum of Art, Atlanta, October 24, 1998–Janurary 17, 1999. (Catalogue)1997De Klein à Warhol: Face-à-face France/États-Unis: Collections du Musée National d'Art Moderne et du Musée d'Art Moderne et d'Art Contemporain de Nice, Musée d'Art Moderne et d'Art Contemporain, Nice, France, November 14, 1997–March 16, 1998. (Catalogue)6th VIème Biennale de sculpture Monte-Carlo, Monaco, May 24–October 31, 1997.1995Dedicated by Life: Marsden Hartley’s German Paintings and Robert Indiana’s Hartley Elegies, Weisman Art Museum, Minneapolis, Minnesota, April 14–June 18, 1995. Traveled to: Terra Museum of American Art, Chicago, July 11–September 17, 1995; Art Museum at Florida International University, Miami, October 13–November 22, 1995.1993Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip, Pace Gallery, New York, January 16–February 13, 1993. (Catalogue)1992Hand-Painted Pop: American Art in Transition, 1955-62, Museum of Contemporary Art, Los Angeles, December 6, 1992–March 7, 1993. Traveled to: Museum of Contemporary Art, Chicago, April 3−June 20, 1993; Whitney Museum of American Art, New York, July 16−October 3, 1993. (Catalogue)1991The Pop Art Show, Royal Academy of Arts, London, September 13–December 15, 1991. Traveled to: Museum Ludwig, Cologne, January 23–April 19, 1992 as Die Pop Art Show; Museo Nacional Centro de Arte Reina Sofía, Madrid, June 23–September 14, 1992 as Arte Pop; Museum of Fine Arts, Montreal, October 23, 1992–January 24, 1993 as Pop Art. (Catalogue)1987Pop Art: U.S.A.–U.K., Odakyu Grand Gallery, Toyko, July 24–August 18, 1987. Traveled to the Daimaru Museum, Osaka, Japan, September 9–28, 1987; Funabashi Seibu Museum of Art, Funabashi, Japan, October 30–November 17, 1987; Sogo Museum of Art, Yokohama, Japan, November 26–December 13, 1987.Made in U.S.A.: An Americanization in Modern Art, the 50s and 60s, University Art Museum, University of California, Berkeley, April 4–June 21, 1987. Traveled to: Nelson-Atkins Museum of Art, Kansas City, Missouri, July 25–September 6, 1987; Virginia Museum of Fine Arts, Richmond, October 7–December 7, 1987.1986Definitive Statements: American Art, 1964–66, David Winton Bell Gallery, Brown University, Providence, Rhode Island, March 1–March 30, 1986. Traveled to: Parrish Art Museum, Southampton, New York, May 3–June 21, 1986. (Catalogue)1985Dorothy C. Miller: With an Eye to American Art, Smith College Museum of Art, Northampton, Massachusetts, April 19–June 16, 1985. (Catalogue)Pop Art, 1955–70, Art Gallery of New South Wales, Sydney, February 27–April 14, 1985.1983The Great East River Bridge, 1883–1983, Brooklyn Museum, New York, March 19–June 19, 1983. (Catalogue)197925 Años Despues, Museo de Arte Moderno, Bogotá, Colombia, September 1979. (Catalogue) Art for Vice-President's House from Northeast Museums, Albright-Knox Art Gallery, Buffalo, New York, March 6–March 13, 1979.1978Twentieth Century American Masters: Inaugural Exhibition, The Art Center, South Bend, Indiana, January 14–February 26, 1978. (Catalogue)197534th Biennial Exhibition of Contemporary Americana Painting, Corcoran Gallery of Art, Washington, D.C., February 22–April 6, 1975. 1974Inaugural Exhibition, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 4, 1974–September 15, 1975. American Pop Art, Whitney Museum of American Art, New York, April 6–June 16, 1974. (Catalogue)Nine Artists: Coenties Slip, Whitney Museum of American Art, New York, January 10–February 14, 1974. (Catalogue)Pop Art and After, Williams College Museum of Art, Williamstown, Massachusetts, January 1974. (Catalogue)1973Opening Exhibition of the New Museum, Colby College Art Museum, Waterville, Maine, September 16–November 3, 1973. 1971Gene Swenson: Retrospective for a Critic, The University of Kansas Museum of Art, Kansas, October 24–December 5, 1971. (Catalogue)Pictures, Williams College Museum of Art, Williamstown, Massachusetts, October 10–31, 1971. (Catalogue)Amerikansk Kunst, 1950–70, Louisiana Museum, Humlebæk, Denmark, September 11–October 24, 1971. 1970Seven Outside, Indianapolis Museum of Art, Indiana, October 25, 1970–January 3, 1971. American Art Since 1960, Princeton University Art Museum, New Jersey, May 6–27, 1970.The Highway, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 14–February 25, 1970. (Catalogue)String and Rope, Sidney Janis Gallery, New York, January 7–31, 1970. 1968In Honor of Martin Luther King, Jr., The Museum of Modern Art, New York, October 31–November 3, 1968. Documenta 4: Internationale Ausstellung, Kassel, Germany, June 27–October 6, 1968. (Catalogue)1967Homage to Marilyn Monroe, Sidney Janis Gallery, December 6–30, 1967.Pittsburgh International Exhibition of Contemporary, Carnegie Museum of Art, Pittsburgh, Pennsylvania, October 27, 1967–January 7, 1968. São Paulo 9—United States of America: Edward Hopper [And] Environment U.S.A.: 1957–1967, Museu de Arte Moderna, São Paulo, September 22, 1967–January 8, 1968. (Catalogue)American Painting Now, American Pavilion, International and Universal Exposition, Montreal, April 28–October 27, 1967. Traveled to: Horticultural Hall in Boston, December 15, 1967–January 10, 1968.1965Art Turned On, Institute of Contemporary Art, Boston, December 10, 1965–January 30, 1966. 1965 Annual Exhibition of Contemporary American Painting, Whitney Museum of American Art, New York, December 8, 1965–January 30, 1966.Word and Image, Solomon R. Guggenheim Museum, New York, December 8, 1965–January 2, 1966.The White House Festival of the Arts, The White House, Washington, D.C., June 14–15, 1965. Traveled to: National Gallery of Art, Washington, D.C., June 19–July 11, 1965.29th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C, February 26–April 18, 1965. (Catalogue)1964Group Zero, Insitute of Contemporary Art, University of Pennsylvania, Philadelphia, October 30–December 11, 1964. Traveled to: Washington Gallery of Modern Art, Washington, D.C., January 10–February 16, 1965.Nieuwe Realisten, Gemeentemuseum Den Haag, The Hague, the Netherlands, June 24–August 30, 1964. Traveled to: Museum des 20, Jahrhunderts, Vienna, September 19–October 31, 1964 as Pop, etc.; Akademie der Künste, Berlin, November 20, 1964–January 3, 1965 as Neue Realisten und Pop Art; Palais des Beaux-Arts, Brussels, February 5–March 1, 1965 as Pop Art, Nouveau Réalisme, Etc.Artists for Core: Third Annual Art Exhibition and Sale, Gallery of American Federation of Arts, New York, May 6–16, 1964.New York World’s Fair, Theaterama, Flushing Meadows Corona Park, Queens, New York, April 22–October 18, 1964 and April 21–October 17, 1965. Painting and Sculpture of a Decade, 54–64, Tate Gallery, London, April 22–June 28, 1964.The New Art, Davison Art Center, Wesleyan University, Middletown, Connecticut, March 1–22, 1964. 1963Annual Exhibition 1963: Contemporary American Painting, Whitney Museum of American Art, New York, December 11, 1963–February 2, 1964. Signs of the Times: Paintings by Twelve Contemporary Pop Artists, Des Moines Art Center, Iowa, December 1963–January 19, 1964. Traveled to: Addison Gallery of American Art, Andover, Massachusetts, February 15–March 22, 1964.An American Viewpoint, Contemporary Arts Center, Cincinnati, Ohio, December 4, 1963–January 7, 1964. Richard Stankiewicz, Robert Indiana: An Exhibition of Recent Sculptures and Paintings, Walker Art Center, Minneapolis, Minnesota, October 22–November 24, 1963. Traveled to: Institute of Contemporary Art, Boston, December 14, 1963–January 26, 1964. (Catalogue)International Exhibition and Sale of Works of Art in Aid of the Bertrand Russell Peace Foundation, Woburn Abbey, Northampton, United Kingdom, October 27–November 3, 1963. Dunn International: An Exhibition of Contemporary Painting, Beaverbrook Art Gallery, Fredericton, Canada, September 7–October 6, 1963. Traveled to: Tate Gallery, London, November 15–December 22, 1963. Banners, Graham Gallery, New York, June 4–28, 1963. Americans 1963, The Museum of Modern Art, New York, May 22–August 18, 1963. Traveled to: National Gallery of Canada, Ottawa, Ontario, November 8–December 1, 1963; Artist’s Guild of St. Louis, December 18, 1963–January 15, 1964; Toledo Museum of Art, Ohio, February 3–March 2, 1964; Ringling Museum of Art, Sarasota, Florida, March 18–April 15, 1964; Colorado Springs Fine Arts Center, May 1–29, 1964; San Francisco Museum of Art, June 16–August 9, 1964; Seattle Art Museum, September 9–October 11, 1964; Detroit Institute of Arts, November 1–29, 1964. (Catalogue)De A à Z 1963: 31 Peintres Américains Choisis Par the Art Institute of Chicago, Centre Culturel Américain, Paris, May 10–June 20, 1963.Assemblage, Andrew Dickson White Museum of Art, Cornell University, Ithaca, New York, January 31–February 21, 1963. Traveled to: Montreal Museum of Fine Arts, March 7–28, 1963; Hackley Art Gallery, Muskegon, Michigan, April 12–May 3, 1963; Indiana University, Bloomington, May 10–31, 1963; the Isaac Delgado Museum of Art, New Orleans, September 1–22, 1963; Tucson Art Center, Arizona, October 2–23, 1963; Washington University, St. Louis, November 4–25, 1963; San Francisco State College, January 16–February 6, 1964; University of Oregon, Eugene, February 21–March 14, 1964; University of South Florida, Tampa, May 7–28, 1964; Detroit Institute of Arts, Michigan, June 12–July 3, 1964.66th American Annual Exhibition: Directors in Contemporary Painting and Sculpture, The Art Institute of Chicago, January 11–February 10, 1963. 1962Stock up for the Holidays: An Anthology of Pop Art, Pace Gallery, Boston, December 10, 1962–January 2, 1963.International Exhibition of the New Realists, Sidney Janis Gallery, New York, October 31–December 1, 1962. (Catalogue)Indiana / Natkin, Stubbing and Greenfield Gallery, Mamaroneck, New York, March 24–April 14, 1962.Penthouse Exhibition: Sculpture, The Museum of Modern Art, New York, February 26–April 16, 1962.1961The Art of Assemblage, The Museum of Modern Art, New York, October 2–November 12, 1961. Traveled to: Dallas Museum of Contemporary Art, Texas, January 9–February 11, 1962; San Francisco Museum of Art, March 5–April 15, 1962. (Catalogue)Indiana / Forakis, David Anderson Gallery, New York, April 1–13, 1961.Premiums: Stephen Durkee, Robert Indiana, and Richard Smith, Studio for Dance, New York, March 25–April 22, 1961. 1960New Media – New Forms I, Martha Jackson Gallery, New York, June 6–24, 1960. (Catalogue) Robert IndianaPublic Collections 03-Robert-Indiana-public-collections Ackland Art Museum, University of North Carolina at Chapel HillAmorepacific Museum of Art, SeoulArt Gallery of Ontario, TorontoThe Art Institute of ChicagoBaltimore Museum of Art, MarylandThe Blanton Museum of Art at The University of Texas at AustinBrooklyn Museum, New YorkBuffalo AKG Art Museum, New YorkCarnegie Museum of Art, Pittsburgh, PennsylvaniaChrysler Museum of Art, Norfolk, VirginiaCity of Philadelphia, PennsylvaniaColby College Museum of Art, Waterville, MaineCrystal Bridges Museum of Art, Bentonville, ArkansasCurrier Museum of Art, Manchester, New HampshireDelaware Art Museum, WilmingtonDes Moines Art Center, John and Mary Pappajohn Sculpture Park, IowaDetroit Institute of Arts, MichiganFarnsworth Art Museum, Rockland, MaineFondation Pierre Gianadda, Martigny, SwitzerlandFonds National d’Art Contemporain, ParisFred Jones Jr. Museum of Art, University of Oklahoma, NormanFrey Foundation, Grand Rapids, MichiganGrey Art Museum, New York UniversityFogg Art Museum, Harvard University, Cambridge, MassachusettsHe Art Museum, Shunde, ChinaHirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.Hood Museum of Art, Dartmouth College, Hanover, New HampshireIndiana State Museum and Historic Sites, IndianapolisIndianapolis Museum of Art at Newfields, IndianaJP Morgan Chase Art Collection, New YorkKrannert Art Museum, University of Illinois Urbana-ChampaignKunsthalle Weishaupt, Ulm, GermanyKunstmuseen Krefeld, GermanyLos Angeles County Museum of ArtLowe Art Museum, University of Miami, Coral Gables, FloridaMcNay Art Museum, San Antonio, TexasMiami University Art Museum, Oxford, OhioMiddlebury College Museum of Art, VermontMilwaukee Art Museum, WisconsinMinneapolis Institute of Art, MinnesotaMumok – Museum Moderner Kunst Stiftung Ludwig Wien, ViennaMuseu Colecção Berardo, LisbonMuseum Folkwang, Essen, GermanyMuseum Ludwig, Cologne, GermanyNassau County Museum of Art, Roslyn Harbor, New YorkNational Galerie Berlin, GermanyNational Gallery of Art, Washington, D.C.Neuberger Museum of Art, Purchase College, State University of New YorkNew Orleans Museum of Art, LouisianaOklahoma City Museum of Art, OklahomaPhiladelphia Museum of Art, PennsylvaniaPortland Museum of Art, MainePrice Tower Arts Center, Bartlesville, OklahomaRose Art Museum, Brandeis University, Waltham, MassachusettsRuhr-Universität Bochum, GermanySan Francisco Museum of Modern ArtScottsdale Museum of Contemporary Art, ArizonaSheldon Museum of Art, University of Nebraska-LincolnSmithsonian American Art Museum, Washington, D.C.Spencer Museum of Art, The University of Kansas, LawrenceState House, Augusta, MaineStedelijk Museum, AmsterdamTate Modern, LondonTel Aviv Museum of Art, IsraelThe Fralin Museum of Art at the University of Virginia, CharlottesvilleThe Israel Museum, JerusalemThe Menil Collection, Houston, TexasThe Metropolitan Museum of Art, New YorkThe Museum of Modern Art, New YorkTobin Center for the Performing Arts, San Antonio, TexasTown Hall of Columbus, IndianaTokyo Fuji Art MuseumUlmer Museum, Ulm, GermanyEdwin A. Ulrich Museum of Art, Wichita State University, KansasUniversity of Michigan Museum of Art, Ann ArborUniversity of Pennsylvania, PhiladelphiaVan Abbemuseum, Eindhoven, the NetherlandsVon der Heydt Museum, Wuppertal, GermanyWalker Art Center, Minneapolis, MinnesotaWeatherspoon Art Museum, University of North Carolina at GreensboroWhitney Museum of American Art, New YorkWilliams College Museum of Art, Williamstown, MassachusettsYale University Art Gallery, New Haven, ConnecticutYeshiva University Museum, New York Robert IndianaPeriodicals 05-Robert-Indiana-periodical-bibliography 2024Aton, Francesca. “Pace Gallery Takes Global Representation of Robert Indiana Legacy Initiative.” ARTnews, 12 April 2024, illustrated.https://www.artnews.com/art-news/news/pace-gallery-global-representation-robert-indiana-legacy-initiative-1234702637Battaglia, Andy. "Robert Indiana Gets a Revealing Survey in Venice, Where 'Love' Is Just One of Many Emotions Explored." ARTnews, 18 April 2024, illustrated. https://www.artnews.com/art-news/reviews/robert-indiana-venice-sweet-mystery-1234703698/Dogliani, Jenny. “Indiana, the most reproduced artist of all time.” Il Giornale Dell’Arte, 17 April 2024. https://www.ilgiornaledellarte.com/Mostre/Indiana-lartista-piu-riprodotto-di-tutti-i-tempi. Finley, Caitlin. “Preview the Top Exhibitions at the Venice Biennale: Trevor Yeung, Robert Indiana, Rick Lowe, and More.” Whitewall, 17 April 2024. https://whitewall.art/art/preview-the-top-exhibitions-at-the-venice-biennale-trevor-yeung-robert-indiana-rick-lowe-and-more/Gaskin, Sam. “Frieze Seoul 2024 Receipts: Stretch Out and Wait.” Ocula, 5 September 2024. https://ocula.com/magazine/art-news/frieze-seoul-receipts-2024-stretch-out-and-wait/ Ghassemitari, Shawn. “Must-See Exhibitions During the 2024 Venice Biennale.” Hypebeast, 15 April 2024. https://hypebeast.com/2024/4/hypeart-guide-2024-venice-biennale.Haoyuan, Weng. “Slow market. Seoul is still the place where everyone goes.” ArtTouch, 9 September 2024. https://artouch.com/art-news/content-154133.html Kakar, Arun. “$1.5 million Yoo Youngkuk painting leads Frieze Seoul 2024 opening day sales.” Artsy, 4 September 2024. https://www.artsy.net/article/artsy-editorial-15-million-yoo-youngkuk-painting-leads-frieze-seoul-2024-opening-day-sales Lewis, Sallie. “Your Guide to the 2024 Venice Biennale.” Hemispheres, 17 April 2024. https://www.hemispheresmag.com/inspiration/art-culture/your-guide-to-the-2024-venice-biennale/.Moon, Monica Jae Yeon. “The 10 Best Booths at Frieze Seoul 2024.” Artsy, 5 September 2024. https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-seoul-2024 Mullins, Amy. “Arty gateway to the Global South.” China Daily, 29 August 2024. https://www.chinadailyhk.com/hk/article/591842 “Pace Gallery announces global representation of The Robert Indiana Legacy Initiative.” ArtDaily, 13 April 2024. https://artdaily.com/news/168325/Pace-Gallery-announces-global-representation-of-The-Robert-Indiana-Legacy-Initiative“Pace Gallery at Art Basel 2024.” Arte Realizzata, 4 June 2024. https://www.arterealizzata.com/fair-and-festival-feature/pace-gallery-at-art-basel-2024Scott, Chad. "'The Sweet Mystery' Demystified; Robert Indiana in Venice Biennale" (exhibition review). Forbes, 19 April 2024. https://www.forbes.com/sites/chaddscott/2024/04/19/the-sweet-mystery-demystified-robert-indiana-in-venice-biennale/.Sharrock, Lee. “The Ultimate Venice Biennale Collateral Events 2024.” Artlyst, 24 April 2024. https://artlyst.com/reviews/the-ultimate-venice-biennale-collateral-events-2024-lee-sharrock/ Sooke, Alastair. “Venice Biennale 2024: far too many dead artists, and not enough panache.” The Telegraph, 18 April 2024. https://www.telegraph.co.uk/art/reviews/venice-biennale-arte-2024-review/. Villa, Alberto. “Venice Biennale 2024. The exhibitions to see in the city.” Artribune, 15 April 2024. https://www.artribune.com/arti-visive/2024/04/mostre-venezia-biennale-2/ 2023Arn, Jackson. "You Had to Be There." New Yorker, 7 August 2023.2022Budick, Ariella. "New York: 1962–1964” (Jewish Museum exhibition review). Financial Times, 2 August 2022. https://www.ft.com/content/5af8998c-054f-4072-b6d5-dff71e451150Cole, Ina. "Robert Indiana" (Yorkshire Sculpture Park exhibition review). Sculpture, 13 October 2022. https://sculpturemagazine.art/robert-indiana/ Cook, William. "Robert Indiana: Love Is All You Need" (Yorkshire Sculpture Park exhibition review). The Critic, 18 March 2022. https://thecritic.co.uk/robert-indiana-love-is-all-you-need/Cumming, Laura. "All You Need . . ." The Guardian, 13 March 2022. https://www.theguardian.com/artanddesign/2022/mar/13/robert-indiana-sculptures-1958-2018-yorkshire-sculpture-park-review-love-redeemedJohnston, Fiona McKenzie. "Art Scene." House & Garden, March 2022: 84.Scott, Catherine. "Love Out of Town." Yorkshire Post Magazine, 19 March 2022. https://www.yorkshirepost.co.uk/heritage-and-retro/heritage/robert-indiana-at-yorkshire-sculpture-park-more-than-just-love-3619480"Signs and Meaning in the Work of Robert Indiana." Economist, 18 March 2022. https://www.economist.com/culture/2022/03/18/signs-and-meaning-in-the-work-of-robert-indiana?Trigg, David. "Robert Indiana: Sculpture 1958-2018" (Yorkshire Sculpture Park exhibition review). Studio International, 13 April 2022. https://www.robertindiana.com/news/robert-indiana-sculpture-1958-20182021Ninesling, Rosie. "Best Featured Exhibition in San Antonio: Robert Indiana's A Legacy of Love" (McNay Art Museum exhibition review). San Antonio Magazine, March 2021. https://www.sanantoniomag.com/best-featured-exhibition-in-san-antonio-robert-indianas-a-legacy-of-love/2020Ford, Lauren Moya. "Love and Other Words: Robert Indiana's Enduring Influence at the McNay" (exhibition review). Arts and Culture Texas, 13 October 2020, illustrated. http://artsandculturetx.com/love-and-other-words-robert-indianas-enduring-influence-at-the-mcnay/Heyman, Stephen. "How a 1902 Tudor Revival House Got a Warm, Modern Update." Elle Decor, November 2020. https://fortstreetstudio.com/media_items/elle-decor-november-2020-venetian-silver/Petty, Kathleen. "Robert Indiana: A Legacy of Love Debuts at McNay Art Museum" (exhibition review). San Antonio Magazine, 14 October 2020. https://www.sanantoniomag.com/robert-indiana-a-legacy-of-love-debuts-at-mcnay-art-museum/2018Botten, Elizabeth. “Archives Reveal Touching Stories on the Life of Robert Indiana, the Man Who Invented “Love”.” Smithsonian Magazine, 30 May 2018. https://www.smithsonianmag.com/smithsonian-institution/robert-indiana-was-man-who-invented-love-180969201/Duffy, Maggie. "A Show of Depth and Meaning." Tampa Bay Times, 18 November 2018. https://www.tampabay.com/things-to-do/visualarts/love-and-other-passions-robert-indianas-sculpture-retrospective-at-the-tampa-museum-of-art-20181116/ Haskell, Barbara. "Looking Back at Robert Indiana's Best." New York Times, 23 May 2018. https://www.nytimes.com/2018/05/23/arts/design/barbara-haskell-robert-indiana.htmlSommer, Mark. "Lasting LOVE Affair Brings Indiana to Albright-Knox." Buffalo News, 10 June 2018. http://buffalonews.com/2018/06/09/from-indiana-to-buffalo-with-love/2017Balco, Cat. "Reviews and Previews: Robert Indiana: ONE Through ZERO at the Glass House" (exhibition review). Art New England 38 (September/October 2017): 80.Chiappini, Rudy. "Segni e simboli per un sogno americano" (Pinacoteca Comunale Casa Rusca exhibition review). Art e Dossier 344 (June 2017), illustrated. https://arte.giunti.it/app/books/GIAD21_FL344R/html/32Fässler, Barbara. "Notes: Robert Indiana" (Pinacoteca Comunale Casa Rusca exhibition review). Kunst-Bulletin 7 & 8 (July/August 2017): 73–74, illustrated. https://www.kunstbulletin.ch/de/magazin/kunstbulletin-7-82017/robert-indianaGigli, Nicoletta Cobolli. "Prima in Svizzera di Robert Indiana" (Pinacoteca Comunale Casa Rusca exhibition review). Arte 525 (May 2017): 54.Tadmor, Gabriel. "L'Uomo che inventò Love" (Pinacoteca Comunale Casa Rusca exhibition review). Ticino Welcome, March/May 2017: 42–44, illustrated.2016Amadasi, Barbara. "Parole disegnante." Vogue Italia, March 2016: 146.Art Actuel, January–February 2016: cover.Hedgehog Review, University of Virginia, Charlottesville, Summer 2016: cover. https://hedgehogreview.com/issues/meritocracy-and-its-discontentsWilmerding, John. "Painting Poetry." Wall Street Journal, 15 January 2016. http://www.wsj.com/articles/painting-poetry-14528947322015Adams, Michael. "Museum Quality." Hospitality Design, October 2015: 150–53."Quand le monde est devenu pop." Beaux Arts Magazine, October 2015: 48–53.Seno, Alexandra. "Face to Face with Collectors in the Other China." Art Newspaper 264 (January 2015): 9.2014Anfam, David. "Robert Indiana." Bvrlington Magazine 156 (April 2014): 269–70, illustrated. Bodin, Claudia. "Wir wollten eine Revolution." Art: Das Kunstmagazin, March 2014: 113.Cochran, Samuel. "Exchange Rate." Architectural Digest 71 (June 2014): 68.Comiskey, Daniel S. "Robert Indiana: No Love Lost" (Indianapolis Museum of Art exhibition review). Indianapolis Monthly 37 (February 2014): 64–73.Cooper, Harry. "Robert Indiana, AMOR." National Gallery of Art Bulletin 50 (Spring 2014): 27–28.Markus, David. "'Witness: Art and Civil Rights in the Sixties': New York—Brooklyn Museum." (exhibition review). Art in America 102 (June/July 2014): 153–54, illustrated.Myers, Marc. "Serenity at a Lodge for Odd Fellows." Wall Street Journal, 2 May 2014. https://www.wsj.com/articles/SB10001424052702304734304579517820800994460Ratcliff, Carter. "Robert Indiana." Art in America 102 (January 2014): 95–96.Willis, Deborah and Kellie Jones. "Witness." Transition 114 (2014): 37–46.Woodard, Komozi. "Amiri Baraka and the Music of Life." Transition 114 (2014): 2–12.2013Bader, Graham. "Previews: Robert Indiana: Beyond LOVE" (Whitney Museum of American Art exhibition review). Artforum International 52 (September 2013): 182.Beem, Edgar Allen. "Beyond Love: Robert Indiana's First New York Retrospective Is Decades Overdue" (Whitney Museum of American Art exhibition review). Art New England 34 (September/October 2013): 34–36. Bodin, Claudia. "Liebe und andere Kleinigkeiten." Art: Das Kunstmagazin, October 2013: 56–65."Boulders to Baselitz: Sculpture in London." Burlington Magazine 155 (November 2013): 747.Castelli, Stefano. "Non solo 'Love', al Whitney tutto Robert Indiana" (exhibition review). Arte, November 2013: 52.Duray, Dan. "Little Love for the Whitney." Observer, 23 September 2013."Exhibit of the Week: Robert Indiana: Beyond LOVE" (Whitney Museum of American Art exhibition review). Week, 11 October 2013: 27.Genocchio, Benjamin. "Love Is All: An Exclusive Visit to Robert Indiana's Studio Retreat." Modern Painters 25 (October 2013): 94–97.Johnson, Ken. "It Wasn’t All He Needed, or All He Did." New York Times, 27 September 2013. http://www.nytimes.com/2013/09/27/arts/design/robert-indiana-and-beyond-love-at-the-whitney.html?smid=pl-share&_r=0Kinsella, Eileen. "Robert Indiana: Pop Pioneer." Art + Auction 37 (September 2013): 135–38, 154.Levin, Kim. "Robert Indiana." ARTnews 112 (December 2013): 88.Louisiana Museum of Modern Art. "Pop Art Design." Louisiana, 18 February 2013: 3–10. https://issuu.com/louisianamuseumofmodernart/docs/www.louisiana.dk/10McKinley, Jesse. “An Artist’s Love-Hate Relationship” (Whitney Museum of American Art exhibition review). New York Times, 22 September 2013: AR21, illustrated. https://www.nytimes.com/2013/09/22/arts/design/robert-indiana-assumes-one-work-has-swamped-his-career.htmlPeers, Alexandra. "The Revenge of Robert Indiana." DuJour, September 2013: 128–31, illustrated.Plagens, Peter. "A Victim of Too Much ‘Love’." Wall Street Journal, 3 October 2013. http://online.wsj.com/article/SB10001424052702303918804579109614173758196.html"Rendez-vous: With Love From..." Vogue Paris, September 2013: 176."Robert Indiana." Arte y Parte, December 2013/January 2014: 160."Señales en el camino." Vogue Spain, September 2013.Shaw, Anny. "Artist Interview: Robert Indiana." Art Newspaper, 4 October 2013.Shaw, Anny. "End to Indiana's Thirty-Five-Year Wait." Art Newspaper, March 2013: 5.Shaw, Anny. "How New York Fell Back in Love with Robert Indiana." Art Newspaper, October 2013: 75–76, illustrated. https://www.theartnewspaper.com/2018/05/22/from-the-archive-how-new-york-fell-back-in-love-with-robert-indiana"Ten to See." Aesthetica 54 (August/September 2013): 24–25."Text Messages." Time, 23 September 2013: 63.Wolff, Rachel. "What the Art World Needs Now Is...Love." Departures Magazine, September 2013: 196–201, 218.2012Kiener, Robert. "The Master of Love." New England Home, November/December 2012: 36–39.2010Danicke, Sandra. "Die goldene Ära des Pop." Art: Das Kunstmagazin, May 2010: 54–62.Peers, Alexandra. "Bridging the Gulf in the Art World." Art in America 98 (February 2010): 27–28.2009Barker, Godfrey. "Moscow Muse." Evening Standard Magazine, 16 October 2009: 28–30.Indiana, Robert. "More Famous than John Dillinger: A Conversation with Robert Indiana." Interview with Jan Garden Castro. Sculpture 28, no. 2 (2009): 44–45. https://sculpturemagazine.art/more-famous-than-john-dillinger-a-conversation-with-robert-indiana/ Gaillard, Cyprien. "Relocating the Past." Artforum 48 (October 2009): 190–99.Hagan, Debbie. "Robert Indiana: Words as Medium." Art New England 30, (August/September 2009): 16–18.Lawrence, James. "Robert Indiana" (Farnsworth Art Museum exhibition review). Burlington Magazine 151 (September 2009): 645–46, illustrated. https://issuu.com/burlington/docs/sept09burlingtonMcAvoy, Suzette. "Robert Indiana, Beyond Love" (Farnsworth Art Museum exhibition review). Maine Home + Design, April 2009. https://mainehomedesign.com/profile/990-robert-indiana-beyond-love/#close2008Ayers, Robert. "Robert Indiana." ARTnews 107 (November 2008): 162.Dannatt, Adrian. "When Dalí Met His Match." Art Newspaper, September 2008: 36.Indiana, Robert. "Conversation with...Robert Indiana." Interview with Sarah Douglas. Art & Auction 32 (September 2008): 71.Ebony, David. "The Perennial Optimist." Art in America 96 (November 2008): 77–80, illustrated. https://www.artnews.com/art-in-america/features/the-perennial-optimist-robert-indiana-62769/ 2007"Gallery Guide." ArtFocus Oklahoma 22 (July/August 2007): 23, illustrated.Lobbenmeier, Annette. "Robert Indiana im Museum Kurhaus Kleve: Maler der Zeichen" (exhibition review). Kult 5 (October/November 2007): 18.MacAdam, Barbara A. "Top Ten: The First Word on Pop." ARTnews 106 (November 2007): 180.Moorhouse, Paul. "Pop Goes the Preconception." Portrait 26 (Summer 2007): 30–33.Pendle, George. "Summer of Love" (Whitney Museum exhibition review). Frieze Magazine, November/December 2007: 195.Perthuis, François de. "Adjugé." Connaissance des arts, March 2007: 150."Robert Indiana." Das Münster, 2007: 218.Viladas, Pilar. "Hammer Time." New York Times Magazine, 7 October 2007: 58.2006Beaux Arts Magazine, April 2006.Larsen, Lars Bang. "Reviews: Summer of Love" (Schirn Kunsthalle Frankfurt exhibiton review). Artforum 44 (February 2006): 222.Perris-Delmas, Stéphanie. "En couverture." Gazette de l'Hôtel Drouot, 9 June 2006: 39.Rue Descartes, May 2006: 63.Schappert, Roland. "Summer of Love" (Schirn Kunsthalle Frankfurt exhibiton review). Kunstforum International 179 (February/April 2006): 310–13.2005Indiana, Robert. "Love Machine Robert Indiana." Interview with Carly Berwick. New York Magazine, 19 September 2005: 78, illustrated. https://nymag.com/nymetro/arts/art/14275/"Robert Indiana." Interior Design, 1 December 2005: 87.Schlüter, Ralf. "Alles, was du brauchst, ist Liebe." Art: Das Kunstmagazin, June 2005: 80–82.White, Alexander M. "Connections and Coincidences: The Lewis Glucksman Gallery." Architecture Ireland 203 (January 2005): 26–27.2004Dannatt, Adrian. "Indiana Is off the Map." Art Newspaper (July/August 2004).Kennedy, Sean. "Putting His Stamp on Love." Advocate, 22 June 2004: 181–82.Indiana, Robert. "Love, Robert Indiana." Interview with Steve Lafreniere. Index Magazine, April/May 2004: 54–61. http://www.indexmagazine.com/interviews/robert_indiana.shtmlLeffingwell, Edward. "Robert Indiana at Paul Kasmin." Art in America 92 (November 2004): 169.Mason, Brook S. "Contemporary Central." Art & Antiques, May 2004: 90, 92. Molina, Oscar Alonso. "Robert Indiana." Arte y Parte, October/November 2004: 117.Morris, Daniel. "A Great Figure of Troubled Borders: Williams, Demuth, Indiana and the Number 5." Mantis, Fall 2004.Navarro, Mariano. "Robert Indiana: Pelar la bomba." El Cultural, 11 November 2004: 32, illustrated."Robert Indiana." Exit Express 8 (December 2004/January 2005): 20.Rosenberg, Karen. "Tallying Cry: Robert Indiana on His New Anti-War Work." New York Magazine, 26 April 2004.Schwendener, Martha. "Barry Flanagan, Robert Indiana, Frank Stella, et al." Artforum, August 2004, illiustrated. https://www.artforum.com/events/barry-flanagan-robert-indiana-frank-stella-et-al-180471/Sumpter, Helen. "Robert Indiana: Waddington." Time Out London, 13 October 2004.2003“Another Country." ArtReview 54 (July/August 2003): 16."Arts in the Capitol." MaineArtsMag, Winter 2003/2004, illustrated. https://digitalmaine.com/cgi/viewcontent.cgi?article=1010&context=arts_magazineCamhi, Leslie. "Love, American Standard." Vogue 193 (February 2003): 172.Indiana, Robert. "Love, Pop, Words and More." Interview with Adrian Dannatt. Art Newspaper, February 2003: 16. https://www.theartnewspaper.com/2003/02/01/interview-with-robert-indiana-on-love-pop-words-and-moreKimmelman, Ken. "What Are You Looking For In Love? or Robert Indiana's Love." Journal of the Print World, Spring 200: 18.MacAdam, Barbara A. "New York Reviews: Robert Indiana." ARTnews 102 (February 2003): 124.Miller, Francine Koslow. "Meeting Indiana in Maine." Art New England 4, February/March 2003: 14–15, 75.Miller, Francine Koslow. "Robert Indiana." Tema Celeste 20 (January/February 2003): 70–75."New Robert Indiana Work: What's Love Got to Do With It?" Art Newsletter, 4 February 2003.Ocaña, Damarys. "Rebecca Redux: Robert Indiana's Civil Rights Era Painting Still Haunts." Street Miami, 18–24 July 2003: 56.Pollack, Barbara. "Indiana, Pacer." Art & Auction 25, March 2003: 99–100."Robert Indiana." New Yorker, 17 March 2003."Robert Indiana: Recent Paintings at Paul Kasmin Gallery.” Art Now Gallery Guide: New York, February 2003: 11.Tully, Judd. "Second Coming." Art & Auction, June 2003: 92–103.2002Allison, Will, and Deborah Way. "Indiana on Indiana." Indianapolis Monthly 25 (April 2002): 122–27. Foster, Stephen C. "Speaking Culture: The Art of Robert Indiana." Chinese Art News 5, no. 54, (2002).McCann, Brenda Moore. "'A Poetry of Vision': The Rosc Exhibitions" (review). Irish Arts Review Yearbook 18 (2002): 124–32.Solomon, Deborah. "Vital Signs." New York Times Magazine, 1 December 2002: 23.2001Anfam, David. "Review: Les Années Pop. Paris" (Centre national d’art et de culture Georges-Pompidou exhibition review). Burlington Magazine 143 (June 2001): 392–94."A Centerpiece for the Museum." Hoosierisms Quarterly 6 (Autumn 2001): 20–21, 34."Crossroads of American Sculpture" (New Orleans Museum of Art exhibition review). Arts Quarterly 23, no. 2 (2001): 10–12.Delgado, Lenelina. "Robert Indiana es el pintor del sueño americano." El Mundo, 26 April 2001: 18.Frimbois, Jean-Pierre. "Losanges Marilyn." Art Actuel, (September/October 2001): 42–45.McQuiston, Julie Pratt. "Indelicate Balance: Holly Day through the Crossroads" (New Orleans Museum of Art exhibition review). New Art Examiner 28 (May/June 2001): 76–81.McQuiston, Julie Pratt. "Review: Crossroads of American Sculpture" (New Orleans Museum of Art exhibition review). Dialogue 24 (March/April 2001): 47.Monsalve, Yasmin. "Te amo Indiana." Tiempo Libre, 28 April 2001: 8.Wright, Jodi. "Indiana's Love." Indianapolis Monthly 24 (February 2001): 118–19.2000Levesque, Kristen. "Portland Museum of Art." American Art Review 12 (June 2000): 164–75.1999Clemente, Laura. "Robert Indiana's Love." Lambda Philatelic Journal 18 (September 1999): 5.Glueck, Grace. “Robert Indiana’s Career: Love and American Style” (Portland Museum of Art exhibition review). New York Times, 27 August 1999: E34. https://www.nytimes.com/1999/08/27/arts/art-review-robert-indiana-s-career-love-and-american-style.htmlKeierleber, Joseph. "The Ten Most Intriguing People in Maine: Robert Indiana." Portland Monthly Magazine, November 1999: 7, 20–21.Mills, Joan. "Ah the Sexy Sixties: The Art Museum Brings Alive the Generation that Turned It Loose." House, May/June 1999: 82–83.O'Leary, Daniel E. "Recent Acquisitions at the Portland Museum of Art, Portland, Maine." Supplement. Burlington Magazine 141 (September 1999): 581–88.Sutherland, Scott. “Exiled in Maine, the Creator and Prisoner of Love.” New York Times, 27 June 1999: 30, 32.1998Boulbès, Carole. "Robert Indiana." Art Press, September 1998: 79.de Chassey, Eric. "Indiana hors normes." L'Oeil, July/August 1998: 33."Expositions: Robert Indiana" (Musée d’Art Moderne et d’Art Contemporain exhibition review). Côte d'Azur Golf, Summer 1998: 5.Filippi, Nicole-Paule. "Robert Indiana ou le Rêve Américain: Rétrospective 1958–1998" (Musée d’Art Moderne et d’Art Contemporain exhibition review). Arstances, 13 September 1998: 10.Géniès, Bernard. "Sur les Chemins de la Lumière." Le Nouvel Observateur, 6–12 August 1998."Héraldiques d'Indiana á Nice." Beaux Arts Magazine, July 1998: 26–27.Huser, France. "FIAC et Pop art." L'Officiel de la couture et de la mode de Paris, October 1998: 234–37."Nice, Rétrospective Robert Indiana" (Musée d’Art Moderne et d’Art Contemporain exhibition review). Côte, August 1998.Picard, D. "Nice: Robert Indiana and Georges Rousse." Connaissance des arts, July–August 1998: 21.Plagens, Peter. "Arte." Newsweek en Español, 22 July 1998: 52."Rétrospective Robert Indiana au M.A.M.A.C de Nice" (Musée d’Art Moderne et d’Art Contemporain exhibition review). Petites Affiches des Alpes Maritimes, 3–9 July 1998.Serwer, Jacquelyn Days. "Heroic Relics: The Art of Robert Cottingham." American Art 12 (Summer 1998): 6–25.1997Heartney, Eleanor. "Report from Japan—Art: Live and in Public." Art in America 85 (March 1997): 50–57.1996Goodman, Wendy. "Sage of the Art World." Harper's Bazaar, January 1996: 114–19.Weiss, Marion Wolberg. "Art Commentary: Coenties Slip Artists at EGFA." Dan's Papers, 28 June 1996: 86.1995"Calendar: 'Dictated by Life': Marsden Hartley's German Paintings and Robert Indiana's Hartley Elegies" (Terra Museum of American Art exhibition review). Museum News 74 (July/August 1995): 16.1993Duncan, Michael. "Painterly Pop." Art in America 81 (July 1993): 86–89.1992Gray, Alice R. "Reviews: Then & Now." ARTnews 91 (October 1992): 130, 132.1991Brooks, Liz. "Bay Watch." Artscribe, 1991: 80.Kemp, John. "Profile: Robert Indiana, a Concise Biography." Art Line International News 5 (Winter 1991/92): 10–11. Morley, Simon. "Signs of the Times: Robert Indiana in Perspective." Art Line International Art News 5 (Winter 1991/92): 9–10. "Panopticon." Artscribe, September 1991: 98–100.Ryan, Susan Elizabeth. "Elegy for an Exile: Robert Indiana's Hartley Elegies." Art & Antiques 8 (May 1991): 84–89, 106–9.Ryan, Susan Elizabeth. "Odes to Hartley: Indiana." Feast, July 1991.Taylor, Paul. "Love Story." Connoisseur, August 1991: 46–51, 94–97.Indiana, Robert. "The Gospel According to Robert Indiana: An Interview with Mike Von Joel at the Salama-Caro Gallery." Interview with Mike Von Joel. Art Line International Art News 5 (Winter 1991/92): 12–15.1990Simas, Joseph. "Letter from Paris." Arts Magazine 64 (May 1990): 123–25.Taylor, Paul. "Love." Interview, April 1990: 28.1989Dillon, David. "Scholar's Workroom: Robert Tobin's Medician Library at Oakwell." Southern Accents 12 (November/December): 106–13.Lemos, Peter. "Indiana in Maine." ARTnews 88 (October 1989): 166–69.Stanley, N. J. "Robert Indiana at Sixty: Twenty-One Hoosier Homes and Other Symbols." Arts Indiana 11 (February 1989): 10–11.Steir, Pat. "The Word Unspoken." Artforum 28 (December 1989): 125–27.1988Ascrizzi, Lynn. "Indiana: Vinalhaven Island Is Harbor and Home to Internationally-Recognized Artist." MaineSay, 1 June 1988: 2–3, 5.1987MacDonald, Sandy. "A Room of One's Own: Robert Indiana's Odd Fellows Lodge." New England Monthly, March 1987: 56–57.O'Brien, Glenn. "Like Art." Artforum 25, (April 1987): 10–11.Pacini, Marina. "Who But the Arts Council." Archives of American Art Journal 27, no. 4 (1987): 9–23.1986Franzke, Andreas. "Skulpturen und Objekte von Malern nach 1945." Das Kunstwerk 39 (June 1986): 9–53.Gustafson, Donna. "Food and Death: Vanitas in Pop Art." Arts Magazine 60 (February 1986): 90–93.Péladeau, Marius B. "'Love' on a Maine Island." Historic Preservation 38 (February 1986): 12–16.Perl, Jed. "Putting the Sixties to Bed." New Criterion 4 (June 1986): 9–14.Ryan, Susan Elizabeth. "An Artist Is an Artist." Artists in Maine 1 (Fall/Winter 1986): 30–35.1985Bowman, Russell. "Word and Images: A Persistent Paradox." Art Journal 45 (Winter 1985): 335–43.Ratcliff, Carter. "Art: Painted Alphabets; The Visual Life of Words and Letters." Architectural Digest 42 (November 1985): 172–77.1984Fanfare, University of Texas at Austin 1, February 1984.Fleming, Lee. "Robert Indiana." ARTnews 83 (October 1984): 160–61.Indiana, Robert. “Lecture at the American Art Museum.” Archives of American Art, Smithsonian Institution, 3 May 1984. (Recording)Kunzle, David. "Pop Art as Consumerist Realism." Studies in Visual Communication 10 (Spring 1984): 16–33.Nelson, Derek. "Robert Indiana in Portland" (Portland Museum of Art exhibition review). Greater Portland 29 (Winter 1984): 12–17.Sargent, Colin. "Interview." Greater Portland, Winter 1984: 14–17.1983Science 221, 23 September 1983.1982Beem, Edgar Allen. "Robert Indiana: At Home in Penobscot Bay." Downeast, August 1982: 74–79, 114–15, 138.Cavinder, Fred D. "Robert Indiana by the Numbers." Indianapolis Star Magazine, 17 January 1982: 8–10, 24–26."Simon and Associates Unveil '4.'" Arts Insight, June 1982.Smetana, Donatella. "Numeri e Parole in Love." Casa Vogue, April 1982: 178–83."When a Photographer 'Represents' Artists." U&lc. 9 (March 1982): 4–9.1981Scott, Billie. "Creator of Love Has a Dream Come True—Simon Interview: Robert Indiana." Simon Developments 9 (Summer 1981): 12–13.1980"Robert Indiana on Relationships." American Bar Association Journal 66 (September 1980): 1037. Trasko, Mary. "The Most American Painter: Robert Indiana." Indiana Alumni Magazine 42 (July 1980): 6–11.1979Diamonstein, Barbaralee. “Robert Indiana.” In Inside New York’s Art World, 1979: 151–66. https://www.youtube.com/watch?v=mIGjXXmgZwc"The 'Vasari' Diary: Indiana's Latest Love." ARTnews 78 (January 1979): 8, 10.1978"Americana: Love Story." Time, 15 May 1978: 30.Loring, John. "Architectural Digest Visits: Robert Indiana." Architectural Digest, November 1978: 112–21.McIntyre, Mary. "Robert Indiana at Michener Gallery." Art Voices/South 1 (January/February 1978): 31–32.1977"The Art of Persuasion." Art & Man 7 (February 1977). Breslin, James E. "William Carlos Williams and Charles Demuth: Cross-Fertilization in the Arts." Journal of Modern Literature 6 (April 1977): 248–63.Jones, Mary Lou. "Robert Indiana and the Big M." Midwest Art 4 (November 1977): 1, 16.McKay, Gary. "Robert Indiana: Flair and Folly." Images, 17 October 1977: 15.Piaggi, Anna. "Legge dei contrasti." Vogue Italia, March 1977: 274–75."Robert Indiana: What's Behind His Words." Art & Man 8 (December 1977/January 1978: 18. Styron, Thomas W. "Indiana Retrospective on View" (Chrysler Museum at Norfolk exhibition review). Chrysler Museum at Norfolk Bulletin 6 (December 1977): 1–2.1976Andre, Michael. "New York Reviews: Robert Indiana." ARTnews 75 (February 1976): 108, 119. Dienst, Rolf-Gunter. "Buchstabierte Bilder." Das Kunstwerk 29 (March 1976): 3–32.Goldberg, Jeff. "Love." Unmuzzled Ox 14 4, no. 2 (1976): 17–22.Peterson, William, and Bob Tomlinson. "Robert Indiana." Artspace 1 (Fall 1976): 4–9.Varnedoe, J. Kirk T. "The Self and Others in Modern Portraits." ARTnews 75 (October 1976): 64–67.1975Katz, William. "Robert Indiana." Currant 1 (December 1975/January 1976): 48, 53.1974Baldwin, Carl R. "On the Nature of Pop." Artforum 12 (June 1974): 34–38.Barron, Stephanie. "Giving Art History the Slip." Art In America 62 (March/April 1974): 80–84.Diamonstein, Barbaralee. "Caro, de Kooning, Indiana, Lichtenstein, Motherwell and Nevelson on Picasso's Influence." ARTnews 73, (April 1974): 44–46.Indiana, Robert. "Mother and Father." Tracks: A Journal of Artists' Writings 1 (November 1974): 6–9.Ritter, Walter. "Marine Art: A Document, a Mixture of Centuries." South Street (N.Y.) Reporter 8 (Spring 1974): 9.Shirey, David. "Arts Market." Arts Magazine 48 (June 1974): 75.Indiana, Robert. "Pop! Interviews with George Segal, Andy Warhol, Roy Lichtenstein, James Rosenquist, and Robert Indiana." Interview with Phyllis Tuchman. ARTnews 73 (May 1974): 24–29, illustrated. http://www.artnews.com/2018/05/25/archives-phyllis-tuchman-interviews-robert-indiana-1974/1973Adams, Marion, and Craig Beardsley. "Love—Robert Indiana Style." Indianapolis 10 (March 1973): 24–27. Conley, Tom. "Review: The Radicality of Modern Art." Diacritics 3 (Spring 1973): 19–25.Crimp, Douglas. "New York Letter." Art International 17 (February 1973): 46–47."Dos Artistas Pop." Goya 112 (January/February 1973): 239.Dyckes, William. "Gallery Reviews: Robert Indiana." Arts Magazine 47 (February 1973): 76.Ernould-Gandouet, Marielle, and Daniel Marchesseau. "Amérique 73." Jardin des Arts 217 (March/April 1973): 2–5.Finke, Jack Anson. "What's So Hot about Robert Indiana." U&lc. 1, no. 1 (1973): 1, 7.Gerrit, Henry. "Reviews and Previews" (Galerie Denise René exhibition review). ARTnews 72 (January 1973): 19.Horn, Robert Sydney. "En rencontrant Love." XX Siècle 35 (December 1973): 112–16.Masheck, Joseph. "Reviews: Robert Indiana, Denise René Gallery." Artforum 11 (February 1973): 81–82.Raynor, Vivien. "The Man who Invented Love." ARTnews 72 (February 1973): 58–62.1972Weiss, Evelyn. "Zur Ausstellung James Rosenquist." Museen in Köln, February 1972: 1018–19.1971Chapin, Louise. “Robert Indiana.” Christian Science Monitor, 25 May 1971: 8.Hope, Henry R. "Museum Notes: Indianapolis Museum of Art." Art Journal 31 (Winter 1971/1972): 200.Knox, George. "Crane and Stella: Conjunction of Painterly and Poetic Worlds." Texas Studies in Literature and Language 12 (Winter 1971): 689–707."A New Home for the Arts." Design 72 (February 1971): 22–26."One Way of Saying It." Saturday Evening Post 243 (Summer 1971): 71."People." Time, 13 December 1971: 37.Seghers, Lode. "Mercado de las artes en el extranjero." Goya, November/December 1971: 206–07.Walker, Dorothy. "Dublin: Rosc '71." Art in America 59 (November/December 1971): 142–45.1970"Four Letter Word." Architectural Forum 132 (March 1970): 19. Kostelanetz, Richard. "Words and Images Artfully Entwined." Art International 14, 20 September 1970: 44–56.Lipman, Jean. "Money for Money's Sake." Art In America 58 (January/February 1970): 76–83."Mini-Multiple 6: LOVE-O-RAMA." Art Gallery Magazine, October 1970: insert.Reif, Rita. "The Nineteenth Century: Alive and Well." New York Times Magazine, 21 June 1970: 50–51."Sehet sein grinsendes Gesicht!" Der Spiegel, 6 April 1970: 208."Seven Outside" (Indianapolis Museum of Art exhibition review). Art Gallery Magazine, October 1970: 86–87.Sverbeyeff, Elizabeth and Sue Nirenberg. "Six in the Arts and How They Live: Robert Indiana." House Beautiful, February 1970: 52–55, 166.Tuchman, Phyllis. "American Art in Germany: The History of a Phenomenon." Artforum 9 (November 1970): 58–69.Vinklers, Bittie. "New York." Art International 14 (March 1970): 91–94.1969Bandini, Mirella. "New Dada e Pop Art Newyorkesi." NAC (Notiziario arte contemporanea) 14 ,5 May 1969: 7–8.Budde, Rainer. "Bemerkungen zu Neuerwerbungen der Sammlung Ludwig." Museen in Köln, October 1969: 799–800.Clarke, Henry. "American Uniques in France: The Shrivers." Vogue 55 (May 1969): 160–67.Claman, Julian. "Spot Check: Some Observations on the State of the Arts in America Today." Harper's Bazaar, February 1969: 122A–F.Denvir, Bernard. "London Letter." Art International 13 (September 1969): 66–69.Gablik, Suzi. "Protagonists of Pop: Five Interviews." Studio International 178 (July/August 1969): 9–16.Glauber, Robert. "Violence in Recent American Art." Art and Artists 4 (August 1969): 54–57.Goldman, Eric F. "The White House and the Intellectuals." Harper's Magazine, 1 January 1969: 31–45.Indiana, Robert. "Robert Indiana." Art Now: New York 1, (March 1969).Lanier, Vincent. "The Teaching of Art as Social Revolution." Phi Delta Kappan 50 (February 1969): 314–19.Livingston, Kathryn. "My Favorite Possession." Town & Country, February 1969: 62–67.Rosenberg, Harold. "The Art World: Marilyn Mondrian." New Yorker, 8 November 1969: 167–76.Weller, Allen S. "The Krannert Art Museum." Art Journal 28 (Spring 1969): 292–95.1968Art Gallery Magazine, February 1968: cover, illustrated. Ashton, Dore. "Stella at Castelli; Noland at André Emmerich; 'Homage to Marilyn Monroe' at Sidney Janis; 'Pollymorphous Images' at Cordier Ekstrom" (exhibition review). New York Commentary. Studio International 175 (February 1968): 92–94."Documenta in Kassel: Museum für 100 Tage" (exhibition review). Der Spiegel, 1 July 1968: 42–45. Hellman, Geoffrey T. "Parrot Show." Talk of the Town. New Yorker, 16 January 1968: 18. Hentzen, Alfred. "German Museums and the Art of our Time" (Documenta in Kassel exhibition reveiw). Museum International 21, no. 2 (1968): 153–57. https://unesdoc.unesco.org/ark:/48223/pf0000011707 Kudielka, Robert and Frank Whitford. "Documenta Four: A Critical Review" (Documenta in Kassel exhibition review). Studio International 176 (September 1968): 74–78."Love, Marilyn, Texas and Indiana." After Dark 10 (May 1968): 47–49. Rathke, Ewald, and Janni Müller-Hauck. "Documenta, 1955–68: 4 mal Ausstellung der modernen Kunst in Kassel" (Documenta in Kassel exhibition review). Publik visuell 3 (1968). Restany, Pierre. "Kassel" (Documenta in Kassel exhibition review). Domus 467 (October 1968): 41–49.Siegel, Jeanne. "Documenta IV, Homage to the Americans?" (Documenta in Kassel exhibition review). Arts Magazine 43 (September/October 1968): 37–41.1967Adrian, Dennis. "Reviews: New York." Artforum 6 (September 1967): 56–60. Alloway, Lawrence. "Hi-Way Culture: Man at the Wheel." Arts Magazine 41 (February 1967): 28–33. Alloway, Lawrence. "Marilyn as Subject Matter." Arts Magazine 42 (December 1967/January 1968): 27–30. Blok, C. "Holland: New Shapes of Color." Art International 11, 20 February 1967: 45–47."Das Neue Whitney—Kunst der U.S.A.: 1670–1966" (Museu de Arte Moderna exhibition review). Das Kunstwerk 20 (February/March 1967): 20. Emanuel, Jerry. "Arterae." Downtown 1 (4 November 1967): 10.Emanuel, Jerry. "The Graphics of Protest and Hope." Downtown 1 (4 November 1967). Groschwitz, Gustave von. "Four Contemporary Accessions." Carnegie Magazine, December 1967: 329–33."Here and Now." McCall's, January 1967: 20.Hudson, Andrew. "The 1967 Pittsburgh International" (Carnegie Museum of Art exhibition review). Art International 11, 25 December 1967: 57–64.Instructor, October 1967: cover.Livingstone, Janet. "Navy: Great Eye-catcher for Spring." Good Housekeeping, March 1967: 112–19, 170.Olbricht, Klaus-Hartmut. "Kulturexplosion: und was nun?" Die Kunst und das schöne Heim 65 (August 1967): 550."On Exhibition: A Selection of Current and Forthcoming Exhibitions." Studio International 174 (July/August 1967): 56–61.Palazzoli, Diana, ed. "Views Reviews Previews: Robert Indiana" (Galleria Christian Stein exhibition review). BT: Arte Oggi in Italia, May 1967: 25. Piene, Nan R. "Light Art." Art in America 55 (May/June 1967): 24–47. Piene, Otto. "The Proliferation of the Sun." Arts Magazine 41 (Summer 1967): 24–31.Sandberg, John. "Some Traditional Aspects of Pop Art." Art Journal 26 (Spring 1967): 228–33, 245.Townsend, Benjamin. "Albright-Knox-Buffalo: Work in Progress." ARTnews 65 (January 1967): 30–45, 66–71. Whittet, G. S. "The Bienal of São Paulo." Art International 11, 20 November 1967: 36–42.1966Amaya, Mario. "The New Super Realism." Sculpture International 1 (January 1966): 19–27. Antin, David. "Pop—Ein Paar klarende Bemerkungen." Das Kunstwerk 19 (April/June 1966): 8–111. Ashton, Dore. "The 'Anti-Compositional Attitude' in Sculpture." Studio International 172 (July 1966): 44–47."Art and Copy in Fine Arts at Guggenheim." Art Direction, February 1966: 47. "Artistes et modèles." Vogue Paris, August 1966: 60–65.Bannard, Darby. "Present-Day Art and Ready-Made Styles in which the Formal Contribution of Pop Art Is Found to be Negligible." Artforum 5 (December 1966): 30–55.Benedikt, Michael. "New York Letter." Art International 10, 20 January 1966: 96–100.Blok, C. "Letter from Holland: The Art of Artificial Light." Art International 10, (December 1966): 41–45.Claus, Hugo, Harry Mulisch, Ivo Michiels, and Simon Vinkenoog, eds. Randstad: Manifesten en Manifestaties 1916–1966 11–12, (1966).Coates, Robert M. "The Art Galleries: Merry-Go-Round." New Yorker, 1 January 1966: 52, 55.Enck, John J. "Campop." Wisconsin Studies in Contemporary Literature 7 (Summer 1966): 168–82."Fashion: Underwear with Outer-wear Flair." Life, 6 May 1966: 69–77.Frankenstein, Alfred. "American Art and American Moods." Art in America 54 (March/April 1966): 76–87.Katz, William. "A Mother Is a Mother." Arts Magazine 41 (December 1966/January 1967): 46–48.Lippard, Lucy. "New York Letter." Art International 10 (Summer 1966): 108–15.Mellow, James R. "In the American Grain." New Leader, 7 November 1966: 30–31.Reaney, James. "The Roles of Inscription in Painting." Canadian Art 23 (October 1966): 41–45.Rosenblum, Robert. "Pop Art and Non-Pop: An Essay in Distinction." Canadian Art, January 1966: 50–54. Sommer, Ed. "Bericht aus Deutschland: Review of Galerie Schmela, Dusseldorf Exhibition" (exhibition review). Art International 10, 20 May 1966: 50.Sottsass, Ettorre, Jr. "Breve sondaggio in Germania." Domus, April 1966: 18–38. Swenson, Gene R. "The Horizons of Robert Indiana." ARTnews 65 (May 1966): 48–49, 60–62."The New Whitney Museum: Famous Collection of Art Gets a Stunning Home." Life, 7 October 1966: 95–100."Word & Image." Print 20 (January/February 1966): 18–19.1965"Art: Indiana Arts Festival." Americas 17 (October 1965): 46. Battcock, Gregory. "New Look at the New Art." Art Education 13 (February 1965): 30–36. Belz, Carl I. "Pop Art, New Humanism, and Death." Kulchur 17 (Spring 1965): 18–37. Brown, Gordon. "An Architect Collects: An Interview with Hanford Yang." Art Voices 4 (Fall 1965): 21–24. Carr, Arthur C. “The Reminiscences of Robert Indiana.” Rare Book and Manuscript Library, November 1965. Christy, George. "What's Popping in the Arts." Town & Country, May 1965: 82–83, 141–43. Gray, Francine du Plessix. "The House that Pop Art Built." House & Garden 127 (May 1965): 158–63, 216. Jürgen-Fischer, Klaus. "Neue Abstraktion: Robert Indiana." Das Kunstwerk 18 (April/June 1965): 68, 70, 113. "Letters: Painting Stolen." Arts Magazine 39 (March 1965): 8. Lyon, Ninette. "Robert Indiana, Andy Warhol, a Second Fame: Good Food." Vogue, 1 March 1965: 184–86. O'Brien, George. "Artful Apartment." New York Times Magazine, 17 January 1965: 62–63. Orlando, Ruggero. "Il pennello nell'occhio." L'Europeo 51, 19 December 1965: 42–45. Rosenblum, Robert. "Pop Art and Non-Pop Art." Art and Literature 5 (Summer 1965): 80–93. Sverbeyeff, Elizabeth. "Collectors' Corners." New York Times Magazine, 30 May 1965: 34–35. Sverbeyeff, Elizabeth. "Life with Pop." New York Times Magazine, 2 May 1965: 98–99. Wilson, William. "Come and See, Rolf Nelson Gallery." Artforum 4 (October 1965): 13.1964"Accessions of American and Canadian Museums: April–June, 1964." Art Quarterly 27, no. 3 (1964): 370–92. "Art: Sculpture—Plaster Cornucopia." Time, 13 November 1964: 96. "Art: Uptown—Robert Indiana."Time, 22 May 1964: NY12. Belz, Carl I. "Pop Art and the American Experience." Chicago Review 17, no. 1 (1964): 104–15. "'Beware Danger American Dream Number 4': Painted in 1963 by Robert Indiana." Cosmopolitan, December 1964: 96. Brattinga, Pieter. "Robert Indiana: Grafik im Bild / Graphic Pictures / Graphisme par l'image." Gebrauchsgraphik 35 (April 1964): 52–56.Canaday, John. "Pop Art Sells On and On—Why?" New York Times Magazine, 31 May 1964: 48, 52–53. Charney, Melvin. "Le mode du Pop." Vie des Arts 36 (1964): 30–37, illustrated. https://www.erudit.org/en/journals/va/1964-n36-va1205289/58457ac/ "Commanding Painter." Time, 22 May 1964: 72. Constantine, Mildred. "Visit New York, Visit New York: The World of Art." Art in America 52 (June 1964): 124–29, illustrated.https://www.erudit.org/en/journals/va/1964-n36-va1205289/58457ac/"Country Air for the Fair." Harper's Bazaar, February 1964: 130–37. "Die Glückliche Insel: Zur Vernissage des Museum of Modern Art New York." Das Kunstwerk 18 (July/September 1964): 66, 70. Genauer, Emily. "Can This Be Art?” Ladies' Home Journal, March 1964: 151–55. Hunter, Sam. "Abstract Expressionism Then—and Now." Canadian Art 21 (September/October 1964): 266–69. Jenks, Anne L. "Boston Season." Art in America 52 (June 1964): 118–19. Johnson, Philip. "Young Artists at the Fair and at Lincoln Center." Art in America 52 (August 1964): 112–27. Judd, Donald. "In the Galleries: Robert Indiana: Exhibition at Stable Gallery." In the Galleries. Arts Magazine 38, September 1964: 71. Kelly, Edward T. "Neo-Dada: A Critique of Pop Art." Art Journal 23 (Spring 1964): 192–201. Krauss, Rosalind. "Boston Letter." Art International 8, 15 February 1964: 32–34. Lerman, Leo. "Grab Bag." Vogue Children's Fashions, Spring/Summer 1964: 66–67. Lord, J. Barry. "Pop Art in Canada." Artforum 2 (March 1964): 28–31. Oeri, Georgine. "The Object of Art." Quadrum 16 (1964): 4–26.Rockman, Arnold. "Superman Comes to the Art Gallery." Canadian Art 21 (January/February 1964): 18–22. Swenson, Gene R. "Robert Indiana." Reviews and Previews. ARTnews 63 (Summer 1964): 13. Talmey, Allene. "Art Is the Core: The Scull Collection." Vogue 144 (July 1964): 116–123, 125. van der Marck, Jan. “Interview at Walker Art Center on Occasion of the Opening of Richard Stankiewicz, Robert Indiana: An Exhibition of Recent Sculptures and Paintings” (exhibition review). Walker Art Center archives, 21 October 1963. (Recording) Wagstaff, Samuel J., Jr. "Paintings to Think About." ARTnews 62 (January 1964): 33, 62. Willard, Charlotte. "Dealers—Eye View: Leading Gallery Directors Give Their Views on Trends in American Art." Art in America 52 (April 1964): 120–34.1963MacAgy, Douglas. "Vox Pop." Gallery Notes 26 (Autumn 1963): 5–12.Magloff, Joanna. "Directions: American Painting, San Francisco Museum of Art." Artforum 2 (November 1963): 43–44.Alloway, Lawrence. "Notes on Five New York Painters." Gallery Notes 26 (Autumn 1963): 13–21. "Americans 1963 at the Museum of Modern Art, New York" (exhibition review). Art International 7, 25 June 1963: 71–75."Art: State of the Market." Time, 21 June 1963: 62.Ashbery, John. "Paris Notes." Art International 7, 25 June 1963: 76–77.Ashton, Dore. "Art." Arts and Architecture 80 (August 1963): 5.Indiana, Robert. “Oral history interview with Robert Indiana.” Interview with Richard Brown Baker. Archives of American Art, Smithsonian Institution, 12 September/7 November 1963. https://www.aaa.si.edu/collections/interviews/oral-history-interview-robert-indiana-12936Baro, Gene. "A Gathering of Americans." Arts Magazine 37 (September 1963): 28–33.Frigerio, Simone. "Le Art américain de A à Z 1963" (Centre Culturel Américain exhibition review). Aujourd'hui: Art et Architecture 8 (October 1963): 194–95.Hess, Thomas B. "The Phony Crisis in American Art." ARTnews 62 (Summer 1963): 24–28, 59–60.Lerman, Leo. "Treasures on Campus: Pop Goes Brandeis!" Mademoiselle, December 1963: 74–75, 136. Maldonado, Tomás. "Design-Objects and Art-Objects." Ulm 7 (January 1963): 18–22.Messer, Thomas A. "Coins by Sculptors." Art in America 51 (April 1963): 32–38.Monte, James. "San Francisco: Americans, 1963, San Francisco Museum of Art" (exhibition review). Artforum 3 (September 1964): 43–44.Nordland, Gerald. "Pop Art Goes the West." Arts Magazine 37 (February 1963): 60–62."Pop Art and Great-Great-Grand-Pop." This Week, 30 June 1963: 4. Roberts, Colette. "Lettre de New York." Aujourd'hui 42/43 (October 1963): 201.Rose, Barbara. "Dada, Then and Now." Art lnternational 7, 25 January 1963: 22–28.Sandler, Irving. "In the Art Galleries." New York Post Magazine, 9 June 1963: 14."Seeing Is Believing." Gentleman's Quarterly, February 1963: 66–67.Selz, Peter, Dore Ashton, Henry Geldzahler, Hilton Kramer, Stanley Kunitz, and Leo Steinberg. "A Symposium on Pop Art." Arts Magazine 37 (April 1963): 36–45."Sold Out Art." Life, 20 September 1963: 125–29.Swenson, Gene R. "What Is Pop Art? Answers from Eight Painters, Part I: Jim Dine, Robert Indiana, Roy Lichtenstein, Andy Warhol." ARTnews 62 (November 1963): 24–27, 59–64.1962"Art: Products." Newsweek, 12 November 1962: 94. "Art: At Home with Henry." Time, 21 February 1962: 68–71.Barr, Alfred H., Jr. "Painting and Sculpture Acquisitions: January 1, 1961 through December 31, 1961." Bulletin of the Museum of Modern Art 29, no. 2/3, (1962): 6.Fried, Michael. "New York Letter." Art International 6, 25 November 1962: 53–56.Jacobs, Rachel. "L'Idéologie de la peinture américaine." Aujourd'hui: Art et Architecture 6, (June 1962): 6–19.Kozloff, Max. "New York Letter." Art International 6, (March 1962): 57–65.Kozloff, Max. "'Pop' Culture, Metaphysical Disgust, and the New Vulgarians." Art International 6, (March 1962): 34–36."More Art Than Money." Vogue, December 1962: 140–43.Rosenberg, Harold. "The Art Galleries: The Game of Illusion." New Yorker, 24 November 1962: 161–62, 165–67.Sandler, Irving. "In the Art Galleries." New York Post Magazine, 28 October 1962: 12. Seckler, Dorothy Gees. "Folklore of the Banal." Art in America 50, (Winter 1962): 57–61. "Summer Shadows: The Crystal Coatings." Mademoiselle, June 1962: 88–91.Swenson, Gene R. "Robert Indiana.” ARTnews 61, (October 1962): 14.Swenson, Gene R. "The New American 'Sign Painters'." ARTnews 61, (September 1962): 44–47, 60–62.Tillim, Sidney. "In the Galleries: Robert Indiana." Arts Magazine 37, (December 1962): 49.Tillim, Sidney. "Month in Review." Arts Magazine 36, (February 1962): 34–37.1961"Flight from Approval." Time, 6 October 1961: 90.Swenson, Gene R. "New Names This Month: Peter Forakis and Robert Indiana." ARTnews 60, (May 1961): 20. Swenson, Gene R. "New Names This Month: Stephen Durkee, Robert Indiana, and Richard Smith." Reviews and Previews. ARTnews 60, (Summer 1961): 16.1960Morse, John D. "He Returns to Dada." Art in America 48, no. 3, (1960): 76–78. Porter, Fairfield. "Art." The Nation, 15 October 1960: 256–58.1958Hammel, Faye. "Bohemia on the Waterfront." Cue 14, 22 March 1958: 16–17.1957Hammel, Faye. "Bohemia on South Street." Lookout 48, no. 12, (December 1957): 4–5. Robert IndianaBooks and Catalogues 04-Robert-Indiana-bib-books 2024Robert Indiana: The Sweet Mystery (exhibition catalogue). Texts by A.A. Bronson, Matthew Lyons, Allan Schwartzman, and Ksenia M. Soboleva. New York: The Robert Indiana Legacy Initiative, 2024.Robert Indiana: The Sweet Mystery (exhibition pamphlet). Texts by Robert Indiana and Matthew Lyons. New York: The Robert Indiana Legacy Initiative, 2024.2023ARTZUID - Amsterdam Sculpture Biennale 2023 (exhibition catalogue). Texts by Cintha van Heeswijck, Jasper Krabbé, and Diana Kostman. Amsterdam: Stichting Art Zuid, 2023.The Slip—The New York City Street That Changed American Art Forever. Texts by Prudence Peiffer. New York: Harper Collins, 2023.2022Robert Indiana: Sculpture 1958-2018 (exhibition catalogue). Texts by Clare Lilley, Flavia Frigeri, and Matthew Armstrong. Wakefield, United Kingdom: Yorkshire Sculpture Park, 2022.2019Robert Indiana: A Sculpture Retrospective (exhibition catalogue). Texts by Joe Lin-Hill, Robert Hobbs, Douglas Dreishpoon, and Aaron Ott. Bielefeld, Germany; New York: Kerber Verlag; Albright-Knox Art Gallery, 2019.2018LOVE Long: Robert Indiana and Asia (exhibition catalogue). Texts by Kaitlin Chan, Susan Elizabeth Ryan, Miwako Tezuka, Xu Bing. Hong Kong: Asian Society Hong Kong Center, 2018.2015The Long March of Pop: Art, Music, and Design, 1930–1995. Texts by Thomas Crow. New Haven: Yale University Press, 2015.Robert Indiana Sign Paintings 1960–65 (exhibition catalogue). Texts by John Wilmerding. New York: Craig F. Starr Gallery, 2015.2013The Essential Robert Indiana (exhibition catalogue). Texts by Martin Krause and John Wilmerding. Indianapolis, Indiana; New York: Indianapolis Museum of Art; Prestel, 2013.The Pop Object: The Still Life Tradition in Pop Art (exhibition catalogue). Texts by John Wilmerding. New York: Rizzoli, 2013.Robert Indiana: Beyond LOVE (exhibition catalogue). Texts by Barbara Haskell, René Paul Barrilleaux, and Sasha Nicholas. New York: Whitney Museum of American Art, 2013.2012Love and Fame: Works by Robert Indiana and Andy Warhol (exhibition catalogue). Texts by Susan Elizabeth Ryan and William Ganis. Terre Haute, Indiana: Indiana State University Art Gallery, 2012. Pop Art Design (exhibition catalogue). Texts by Mateo Kries and Mathias Schwartz-Clauss. Weil am Rhein, Germany: Vitra Art Museum, 2012. Robert Indiana: New Perspectives. Texts by Robert Storr, Thomas Crow, Jonathan D. Katz, Kalliopi Minioudaki, and Allison Unruh. Ostfildern, Germany: Hatje Cantz Verlag, 2012.Robert Indiana Sculptures (exhibition catalogue). London: Waddington Custot Galleries, 2012.2011Robert Indiana: Rare Works from 1959 at Coenties Slip (exhibition catalogue). Texts by Joachim Pissarro. Zurich: Galerie Gmurzynska, 2011.2010Robert Indiana Catalogue Raisonné. New York: RI Catalogue Raisonné LLC, 2010.2009Robert Indiana and the Star of Hope (exhibition catalogue). Texts by John Wilmerding and Michael Komanecky. Rockland, Maine: Farnsworth Art Museum, 2009.2008Celant, Germano. Robert Indiana a Milano (exhibition catalogue). Milan: Silvana Editoriale, 2008. Robert Indiana: Hard Edge (exhibition catalogue). Texts by Adrian Dannatt. New York: Paul Kasmin Gallery, 2008. Robert Indiana: The American Painter of Signs (exhibition catalogue). Edited by Jörg Dauer. Texts by Volker Rattemeyer and Annette Tietenberg. Wiesbaden, Germany: Museum Wiesbaden, 2008.2007Hudson, Suzanne. Pop Art: Contemporary Perspectives (exhibition catalogue). Princeton: Princeton University Art Museum, 2007. Robert Indiana: Gran Vía Don Diego López de Haro (exhibition catalogue). Spain: Fundación Bilbao Bizkaia Kutxa and Ayuntamiento de Bilbao, 2007.2006Bonet, Juan Manuel, and Adrian Dannatt. Robert Indiana: Paseo de Recoletos y Paseo del Prado (exhibition catalogue). Madrid: Aqualium, 2006.Robert Indiana. Texts by Joachim Pissarro, John Wilmerding, and Robert Pincus-Witten. New York: Rizzoli, 2006. Robert Indiana: A Living Legend (exhibition catalogue). Texts by Hyun-Mee Oh and Adrain Dannatt. Seoul: Seoul Museum of Art, 2006.2005Robert Indiana: Wood (exhibition catalogue). Texts by Adrian Dannatt. New York: Paul Kasmin Gallery, 2005.2004Robert Indiana: Paintings and Sculpture, 1961 to 2003 (exhibition catalogue). Texts by Adrian Dannatt. London: Waddington Galleries, 2004.Robert Indiana: Peace Paintings (exhibition catalogue). Texts by Adrian Dannatt and Robert Indiana. New York: Paul Kasmin Gallery, 2004.Robert Indiana: The Story of Love (exhibition catalogue). Texts by Valerie Vadala Homer. Scottsdale, Arizona: Scottsdale Museum of Contemporary Art, 2004.2003Pop Art. Texts by Tilman Osterwold. Cologne: Taschen, 2003. Robert Indiana. Texts by Nathan Kernan. New York: Assouline Publishing, 2003.Robert Indiana: Peace Paintings (exhibition catalogue). Texts by Michael Kohn. Los Angeles: Michael Kohn Gallery, 2004.2002Pop Art: US/UK Connections: 1956–1966. Texts by David Brauer. Ostfildern, Germany: Hatje Cantz Verlag, 2001. Robert Indiana (exhibition catalogue). Texts by Stephen C. Foster. Shanghai: Shanghai Art Museum, 2002.Robert Indiana: Letters, Words and Numbers (exhibition catalogue). Texts by Rober Pincuss-Witten. New York: C & M Arts and Simon Salama-Caro, 2002. 2001Hommage à Indiana (exhibition catalogue). Texts by Hélène Depotte. Paris: Galerie Denise René, 2001.Les Années Pop: 1958 à 1968 (exhibition catalogue). Text by Mark Francis. Paris: Centre Georges Pompidou, 2001.Los Estados Unidos bajo la Optica de Robert Indiana (exhibition catalogue). Text by Beatriz Sogbe. Venezuela: Galería Ateneo de Caracas, 2001.2000Crossroads of American Sculpture: David Smith, George Rickey, John Chamberlain, Robert Indiana, William T. Wiley, Bruce Nauman (exhibition catalogue). Texts by Holliday T. Day, Dore Ashton, and Lena Vigna. Indianapolis: Indianapolis Museum of Art, 2000.Robert Indiana: Figures of Speech. Texts by Susan Elizabeth Ryan. New Haven: Yale University Press, 2000. 1999Love and the American Dream: The Art of Robert Indiana (exhibition catalogue). Texts by Aprile Gallant, Daniel E. O’Leary, and Susan Elizabeth. Portland, Maine: Portland Museum of Art, 1999.1998Pop Art: Selections from The Museum of Modern Art (exhibition catalogue). Texts by Anne Umland. New York: Museum of Modern Art, 1998.Robert Indiana: Rétrospective 1958–1998 (exhibition catalogue). Texts by Joachim Pissarro and Hélène Depotte. Nice: Musée d’Art Moderne et d’Art Contemporain, 1998.1997De Klein à Warhol: Face-à-face France / Etats-Unis; Collections du Musée National d’Art Moderne et du Musée d’Art Moderne et Contemporain de Nice (exhibition catalogue). Texts by Gilbert Perlein and Sophie de Duplaix. Paris: Centre Georges Pompidou, 1997.1995Dictated by Life: Marsden Hartley’s German Paintings and Robert Indiana’s Hartley Elegies (exhibition catalogue). Texts by Patricia McDonnell and Michael Plante. Minneapolis, Minnesota: Frederick R. Weisman Art Museum of University of Minnesota, 1995.1993Indiana, Kelly, Martin, Rosenquist, Youngerman at Coenties Slip (exhibition catalogue). Texts by Mildred Glimcher. New York: Pace Gallery, 1993.1992Hand-Painted Pop: American Art in Transition 1955–62 (exhibition catalogue). Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver, and John Yau. Edited by Russell Ferguson. New York: Rizzoli, 1992.1991Pop Art: An International Perspective (exhibition catalogue). Texts by Dan Cameron, Constance W. Glenn, Thomas Kellein, Sarat Maharaj, Alfred Pacquement, and Evelyn Weiss. Edited by Marco Livingstone. London: Royal Academy of the Arts; Weidenfield and Nicolson, 1991. Robert Indiana: Early Sculpture, 1958–1962 (exhibition catalogue). Texts by Robert Indiana, William Katz, and Simon Salama-Caro. London: Salama-Caro Gallery, 1991. Robert Indiana Prints: A Catalogue Raisonné, 1951–1991 (exhibition catalogue). Texts by Susan Sheehan. New York: Susan Sheehan Gallery, 1991.1990Pop Art: A Continuing History. Texts by Marco Livingstone. London: Thames & Hudson, 1990.Robert Indiana. Texts by Carl J. Weinhardt, Jr. New York: Harry N. Abrams, 1990. Robert Indiana—Decade: Autoportrait (exhibition catalogue). Texts by Bill Maynes and Marisa del Re. New York: Marisa del Re Gallery with Becker Graphics, 1990.1989Robert Indiana (exhibition catalogue). Texts by Herbert Lust. Paris: Galerie Natalie Seroussi, 1989.1987Pop Art and the Critics. Texts by Carol Anne Runyon Mahsun. Ann Arbor: UMI Research Press, 1987.1986Definitive Statements: American Art, 1964–66: An Exhibition (exhibition catalogue). Texts by Kermit S. Champa, Michael Plante, Christopher Campbell, Megan Fox, Mitchell F. Merling, Jennifer Wells, and Ima Ebong. Providence, Rhode Island: Brown University, 1986.1985Dorothy C. Miller: With an Eye to American Art (exhibition catalogue). Text by Dorothy Canning Miller. Northampton, Massaschusetts: Smith College Museum of Art, 1985.1984Wood Works: Constructions by Robert Indiana (exhibition catalogue). Texts by Virginia M. Mecklenburg. Washington, D.C.: National Museum of American Art, Smithsonian Institution, 1984.1983The Great East River Bridge, 1883–1983 (exhibition catalogue). New York: Brooklyn Museum, 1983. 1982Indiana’s Indianas: A Twenty-Year Retrospective of Paintings and Sculpture from the Collection of Robert Indiana (exhibition catalogue). Texts by Marius B. Péladeau and Martin Dibner. Rockland, Maine: William A. Farnsworth Library and Art Museum, 1982.197925 Años Despues: Robert Indiana, Ellsworth Kelly, Agnes Martin, Edgar Negret, Louise Nevelson, Jack Youngerman (exhibition catalogue). Texts by John Stringer, William Goodall, Robert Indiana, William Katz, and Robert L. B. Tobin. Bogotá, Colombia: El Museo de Arte Moderno de Bogotá, 1979.1978Art About Art (exhibition catalogue). Texts by Jean Lipman, Richard Marshall, and Leo Steinberg. New York: Dutton; Whitney Museum of American Art, 1978.Twentieth Century American Masters: Inaugural Exhibition (exhibition catalogue). Edited by The Art Center. South Bend, Indiana: The Center, 1978.1977Robert Indiana (exhibition catalogue). Texts by Robert L. B. Tobin, William Katz, and Donald B. Goodall. Austin: University of Texas, 1977.1975Topics in American Art Since 1945. Texts by Lawrence Alloway. New York: Norton, 1975.1974 American Pop Art (exhibition catalogue). Texts by Lawrence Alloway. New York: Collier Books, 1974.Nine Artists: Coenties Slip (exhibition catalogue). New York: Whitney Museum of American Art, 1974.1972Neue Galerie der Stadt Aachen, Der Bestand ’72: Kunst um 1970. Texts by Wolfgang Becker. Aachen, Germany: Neue Galerie Der Stadt Aachen, 1972.1970The Highway (exhibition catalogue). Texts by Denise Scott Brown, Robert Venturi, and John W. Mc Coubrey. Philadelphia: University of Pennsylvania, Institute of Contemporary Art, 1970. Pop Art: Movements in Modern Art. Text by Michael Compton. New York: Hamlyn, 1970.1971Gene Swenson: Retrospective for a Critic (exhibition catalogue). Text by Charles C. Eldredge. Lawrence, Kansas: University of Kansas Museum of Art, 1971. Icons and Images of the Sixties. Texts by Nicholas Calas and Elena Calas. New York: Dutton, 1971. Robert Indiana: Druckgraphik und Plakate, 1961–1971 / The Prints and Posters, 1961–1971 (exhibition catalogue). Texts by William Katz and Robert Indiana. Stuttgart; New York: Edition Domberger, 1971.1969Pop Art Redefined. Texts by John Russell and Suzi Gablik. New York: Frederick A. Praeger, 1969.1968Documenta 4: Internationale Ausstellung, Katalog 1 (exhibition catalogue). Edited by Janni Müller-Hauck. Kassel, Germany: Druck + Verlag, 1968. Five Numbers: A Sequence for Robert Indiana, January 16, 1968. Text by Robert Creeley. New York: Poets Press, 1968. Robert Indiana (exhibition catalogue). Texts by John W McCoubrey and Robert Indiana. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1968.1967São Paulo 9—United States of America: Edward Hopper [and] Environment U.S.A.: 1957–1967 (exhibition catalogue). Texts by William C. Seitz and Lloyd Goodrich. Washington, D.C.: Smithsonian Institution Press, 1967.1966Pop Art. Texts by Lucy R. Lippard. New York: Praeger, 1966.Pop Art . . . and After. Texts by Mario Amaya. New York: Viking Press, 1966. Robert Indiana (exhibition catalogue). Texts by Jan van der Marck and Gene R. Swenson. Minneapolis: Dayton’s Gallery 12, 1966. Robert Indiana: Number Paintings (exhibition catalogue). Texts by Johannes Cladders. Krefeld, Germany: Museum Haus Lange, 1966.1965The Twenty-Ninth Biennial Exhibition of Contemporary American Painting (exhibition catalogue). Texts by Herman Warner Williams Jr. Washington, D.C.: Corcoran Gallery of Art, 1965. 1963Americans 1963 (exhibition catalogue). Edited by Dorothy C. Mille. New York: Museum of Modern Art, 1963. Richard Stankiewicz, Robert Indiana: An Exhibition of Recent Sculptures and Paintings (exhibition catalogue). Texts by Jan van der Marck. Minneapolis: Walker Art Center, 1963.1962Robert Indiana (exhibition catalogue). New York: Stable Gallery, 1962.The New Realists: An Exhibition of Factual Paintings and Sculptures from France, England, Italy, Sweden, and the United States by the Artists (exhibition catalogue). Texts by Sidney Janis and Pierre Restany. New York: Sidney Janis Gallery, 1962.1961The Art of Assemblage (exhibition catalogue). Text by William C. Seitz. New York: Museum of Modern Art, 1961.1960New Media—New Forms I (exhibition catalogue). Texts by Martha Jackson, Lawrence Alloway, and Allan Kaprow. New York: Martha Jackson Gallery, 1960.