Richard Misrach

Dates

Born 1949, Los Angeles, California

Lives and works in Berkeley, California

Education

1971, University of California, Berkeley, BA in Psychology

2024

Richard Misrach, Pace Gallery, Seoul, May 11–June 15, 2024.

2022

Richard Misrach: Isolation / Solitude, Pace Gallery, Geneva, October 14–November 26, 2022.

Richard Misrach: At the Still Point of the Turning World, 2002–2022, Pace Gallery, 510 West 25th Street, New York, March 11–April 16, 2022.

Richard Misrach: Shorebreaks, Pace Gallery, Palm Beach, Florida, February 4–13, 2022.

2018

Richard Misrach, Marc Selwyn Fine Art, Beverly Hills, February 17–March 31, 2018.

2017

Richard Misrach: The Writing on the Wall, Fraenkel Gallery, San Francisco, July 13–August 15, 2017. (Catalogue)

Border Cantos, Pace and Pace/MacGill Gallery, New York, June 28–August 18, 2017.

2016

Border Cantos, San José Museum of Art, California, February 26–July 31, 2016. Traveled to: Amon Carter Museum of American Art, Fort Worth, Texas, September 24–December 31, 2016; Crystal Bridges Museum of American Art, Bentonville, Arkansas, February 18–April 24, 2017. (Catalogue)

2015

Richard Misrach: Being(s), Fraenkel Gallery, San Francisco, April 9–May 30, 2015.

2014

Petrochemical America: Project Room, Pomona College Museum of Art, Claremont, California, September 2–December 19, 2014. (Catalogue)

2013

Richard Misrach On the Beach, 2.0, Pace and Pace/MacGill Gallery, New York, May 4–June 29, 2013.

Callahan & Misrach, Pace and Pace/MacGill Gallery, New York, July 17–August 16, 2013.

2012

Richard Misrach: The Desert Cantos, Robert Mann Gallery, New York, 2012.

Revisiting the South: Richard Misrach’s Cancer Alley, High Museum of Art, Atlanta, Georgia; June 2–October 7, 2012. Traveled to: Cantor Arts Center, Stanford University, Stanford, California, March 27–June 16, 2013.

2011

Telegraph, 3 a.m., Pier 24, San Francisco, 2011.

Richard Misrach: Iphone Studies 2011, Marc Selwyn Fine Art, Los Angeles, October 22–December 3, 2011.

1991: The Oakland-Berkeley Fire Aftermath, Photographs by Richard Misrach, Berkeley Art Museum, California, October 12, 2011–February 5, 2012 and The Oakland Museum of California, California, October 15, 2011–February 12, 2012. (Catalogue)

Richard Misrach: Photographs from the Collection, Berkeley Art Museum, Berkeley, California, October 12, 2011–February 5, 2012

2010

Richard Misrach: After Katrina, The Museum of Fine Arts, Houston, Texas, December 10, 2010–January 29, 2011.

Richard Misrach: Destroy this Memory, New Orleans Museum of Art, New Orleans, Louisiana, August 29–October 24, 2010 and The Museum of Fine Arts, Houston, August 7–October 31, 2010. (Catalogue)

Richard Misrach, Pace/MacGill Gallery, New York, January 15–February, 2010.

2009

Richard Misrach, Fraenkel Gallery, San Francisco,, January 8–February 28, 2009.

2008

In the Bigger Picture: Richard Misrach, Palo Alto Art Center, California, September 28–December 21, 2008.

Richard Misrach, Marc Selwyn Fine Art, Los Angeles, September 13–October 18, 2008.

2007

Richard Misrach: 13 Dark Pictures, Pace/MacGill Gallery, New York, November 29, 2007–January 5, 2008.

Richard Misrach: Night Photographs 1975-1977, Fraenkel Gallery, San Francisco, November 1–December 22, 2007.

Richard Misrach: On the Beach, Art Institute of Chicago, September 15–November 25, 2007. Traveled to: The Contemporary Museum, Honolulu, Hawaii, December 14, 2007–February 3, 2008; National Gallery of Art, Washington, D.C., May 25–September 1, 2008; Henry Art Gallery at the University of Washington, Seattle, October 11, 2008–January 18, 2009; High Museum of Art, Georgia, Atlanta, May 23–August 16, 2009. (Catalogue)

2006

Richard Misrach: Chronologies, Pace/MacGill Gallery, New York, March 25–April 22, 2006.

Richard Misrach: Chronologies, Fraenkel Gallery, San Francisco, March 2–April 29, 2006. (Catalogue)

2005

Richard Misrach, Marc Selwyn Fine Art, Los Angeles, December 3, 2005–January 25, 2006.

2004

Richard Misrach: On the Beach, Pace/MacGill Gallery, New York, 2004.

Richard Misrach, Fraenkel Gallery, San Francisco, February 5–March 27, 2004.

2003

Richard Misrach: On the Beach, Marc Selwyn Fine Art, Los Angeles, December 3–January 25, 2003.

2002

Richard Misrach: Berkeley Work, Berkeley Art Museum, Berkeley, California, 2002.

Richard Misrach, Golden Gate, Photology, Milan, Italy, 2002.

The Pit, Galerie Sho, Tokyo, 2002.

Richard Misrach: Desert Scrubs, Fraenkel Gallery, San Francisco, California, May 2–July 29, 2002.

Richard Misrach: Battleground Point, Robert Mann Gallery, New York, March 7–April 27, 2002.

2001

Cancer Alley, High Museum of Art, Atlanta, Georgia, 2001.

2000

Golden Gate, G. Gibson Gallery, Seattle, Washington, 2000.

Richard Misrach (Skies, Heavenly Bodies), Michael Hue Williams, London, 2000.

Richard Misrach (Skies in super-large format, Heavenly Bodies, Night Skies), Curt Marcus Gallery, New York, August 9–October 14, 2000.

Golden Gate: A Work in Progress, Jan Kesner Gallery, Los Angeles, January 14–February 19, 2000.

1999

Desert Cantos del Desierto, Diputacion de Granada, Spain, 1999. Traveled to: Madrid, Bilbao and Valladolid. (Catalogue)

Golden Gate Studies: The View from my Front Porch 1997-1999, Robert Mann Gallery, New York, September 8–October 23, 1999.

Golden Gate, Fraenkel Gallery, San Francisco, March 18–April 24, 1999.

1998

Nuclear Legacies, Aidekman Arts Center, Tufts University, Medford, Massachusetts, 1998.

Richard Misrach, Catherine Edelman Gallery, Chicago, May 1–30, 1998.

Richard Misrach: Desert Cantos, Heavenly Bodies, Night Times Skies, Jan Kesner Gallery, Los Angeles, April 25–May 30, 1998.

1997

Selections from the Desert Cantos, Gail Gibson Gallery, Seattle, Washington, 1997.

Selections from the Desert Cantos, Catherine Edelman Gallery, Chicago, 1997.

Skies & Heavenly Bodies, Curt Marcus Gallery, New York, 1997.

Richard Misrach: Heavenly Bodies, Fraenkel Gallery, San Francisco, May 1–June 28, 1997.

1996

Richard Misrach: 17 Photographs, Robert Mann Gallery, New York, September 11–November 2, 1996.

Skies, Jan Kesner Gallery, Los Angeles, September 7–October 12, 1996.

Paintings/Playboys, Curt Marcus Gallery, New York, September 5–October 5, 1996.

Crimes and Splendors: The Desert Cantos of Richard Misrach, Museum of Fine Arts, Houston, Texas, June 2–August 25, 1996. Traveled to: Center for Creative Photography, Tucson, Arizona, September–December, 2006; Tacoma Art Museum, Tacoma, Washington, January–March 1997; The Museum of Contemporary Art, Chicago, April 19–June 29, 1997; The Contemporary Museum, Honolulu, Hawaii, April–July, 1998; San José Museum of Art, San José, California, 1998. (Catalogue)

1995

Dead Animals, Westwood Gallery, New York, 1995.

Richard Misrach, Melbourne International Festival for the Arts, Melbourne, Australia, 1995.

Desert Canto XVIII: Skies, James Danziger Gallery, New York, September 16–October 21, 1995.

Pictures of Paintings, Fraenkel Gallery, San Francisco, September 14–October 21, 1995.

Desert Canto XII: Clouds (Non-Equivalents), Gail Gibson Gallery, Seattle, Washington, May 4–June 17, 1995.

Salt Flats/Clouds, Curt Marcus Gallery, New York, February 16–March 18, 1995.

1994

Desert Canto XVIII: Skies, Jan Kesner Gallery, Los Angeles, October 21–November 26, 1994.

1993

Clouds, Robert Mann Gallery, New York, April 13–June 5, 1993.

Richard Misrach: Clouds, Fraenkel Gallery, San Francisco, CJanuary 6–February 13, 1993.

1992

Desert Canto XII: Clouds (Non-Equivalents), Jan Kesner Gallery, Los Angeles, October 24–November 28, 1992.

Richard Misrach: The Playboys, Catherine Edelman Gallery. Chicago, February 7–March 7, 1992.

Richard Misrach Photographs, Gail Gibson Gallery, Seattle, Washington, February 6–29, 1992.

1991

Richard Misrach: Photographs from the Collection, Berkeley Art Museum, Berkeley, California, 1991.

The Oakland-Berkeley Fire Aftermath, Photographs by Richard Misrach, Berkeley Art Museum, Berkeley, California, 1991. Traveled to: Oakland Museum of California, Oakland, California, 1991.

Richard Misrach: The Figure and the Landscape, Jan Kesner Gallery, Los Angeles, March 29–May 4, 1991.

Desert Canto XI: The Playboys, Fotomann, Inc. New York, April 2–27, 1991.

1990

Bravo 20: A National Park Proposal, California Museum of Photography, Riverside, California. Traveled to: Blue Sky Gallery, Portland, Oregon; University of Nevada, Reno, Nevada ; Ansel Adams Center, Friends of Photography, San Francisco, California. (Catalogue)

The Pit, Les Rencontres d’ Arles, Arles, France, 1990.

The Playboys, Fraenkel Gallery, San Francisco, December 5, 1990–January 12, 1991.

Richard Misrach: La Fosse, in Fixe pour l'eternite, Les Rencontre internationales de la photographie d'Arles, Arles, France, July 6–August 15, 1990.

Desert Canto VI: The Pit, The Photographers’ Gallery, London, June 1–July 13, 1990.

The Pit, Parco Gallery, Tokyo, Japan, March 21–April 8, 1990.

Silent Dramas II: The Landscape, Catherine Edelman Gallery, Chicago, March 9–April 14, 1990.

Selections from the Desert Cantos, Jan Kesner Gallery, Los Angeles, February 24–March 31, 1990.

1989

Mark Klett/Richard Misrach, University of New Mexico Art Museum, Albuquerque, New Mexico, 1989.

Richard Misrach: Photographs of the American Desert, Toledo Museum of Art, Toledo, Ohio, 1989.

Desert Cantos VI: The Pit, Fotomann, Inc., New York, October 31–November 18, 1989.

Desert Cantos 1981-1989, Dominican College, San Rafael, California, September 14–November 28, 1989.

The Pit, University Art Gallery, University of California at Berkeley, Berkeley, California, April 12–May 21, 1989.

Richard Misrach: The Pit, Fraenkel Gallery, San Francisco, April 12–May 13, 1989.

1988

Richard Misrach, Palau Solleric, Palma de Mallorca, Spain, 1988.

Richard Misrach, Seibu Department Store, Tokyo, Japan, 1988.

Richard Misrach: Selections from Six Desert Cantos, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, December 1–January 7, 1989.

Richard Misrach: Desert Cantos, The Art Institute of Chicago, June 18–September 5, 1988.

Desert Flood/Desert Seas, Jan Kesner Gallery, Los Angeles, May 27–July 9, 1988.

"Richard Misrach/Desert Cantos," Photography Gallery, Santa Monica College, Santa Monica, California, April–May, 1988.

Desert Cantos, National Gallery of Art, Wellington, New Zealand, February 26– (opens in a new window) April 24, 1988. Traveled to: Waikato Museum of Art and History, Hamilton, New Zealand; May 12–June 26, 1988; Sargeant Gallery, Whanganui, New Zealand, August 6–September 24; Robert McDougall Art Gallery, Christchurch, New Zealand, October 5–November 22; Govett-Brewster Art Gallery, New Plymouth, New Zealand, February 17–March 19; Auckland City Art Gallery, Auckland, New Zealand, April 7–May 28. (Catalogue)

Richard Misrach: Photographs 1975 (opens in a new window) –1987, Min Gallery, Tokyo, Japan, February 13–March 8, 1988.

1987

Richard Misrach, Seibu Gallery. Tokyo, Japan. November 19–December 1, 1987.

Richard Misrach: Photographs of the American Desert, Oakland Museum. Oakland, California. April 25–July 19, 1987. Traveled to: The Palm Springs Museum of Art, California, 1987; The Philadelphia Museum of Art, Philadelphia, 1987, Cleveland Museum of Art, Cleveland, Ohio, 1988; Santa Barbara Museum of Art, Santa Barbara, California, 1988. (Catalogue)

Richard Misrach: Recent Work, Fraenkel Gallery, San Francisco, California, April 22–May 23, 1987.

1986

The Santa Barbara Series, The Watson Gallery, Houston, Texas, January 11–February 4, 1986.

1985

Richard Misrach: Four Cantos, Houston Center for Photography, Houston, Texas, December 6, 1985–January 5, 1986.

Recent Photographs by Richard Misrach with Wayne Gudmundson, Film of the Cities, Minneapolis, Minnesota, November 7–28, 1985.

Scenes from the American Desert, Fraenkel Gallery, San Francisco, California, September 11–October 19, 1985.

Desert Landscapes, Martin Gallery, Washington, D.C., April 10–May 9, 1985.

Richard Misrach: Recent Work, Light Gallery, New York, March 7–April 13, 1985.

1984

Richard Misrach: A Decade of Photography, Friends of Photography, Carmel, California, December 1984–January, 1985.

Richard Misrach, Blue Sky Gallery, Portland, Oregon, May 21–June 24, 1984.

Richard Misrach, Elizabeth Leach Gallery, Portland, Oregon, May 21–June 24, 1984.

Richard Misrach: Color Desert Landscapes, Etherton Gallery, Tucson, Arizona, March 7–April 21, 1984.

Photographs by Richard Misrach, Honolulu Academy of Art, Honolulu, Hawaii, January 5–February 5, 1984.

1983

Richard Misrach: Recent Desert Photographs, Los Angeles County Museum of Art, December 8–February 12, 1984.

The Desert Series, Grapestake Gallery, San Francisco, California, December 1, 1983–January 21, 1984.

1982

Guadalaiara 82, Madrid, Spain, 1982.

Richard Misrach: Color Photographs, Grapestake Gallery, San Francisco, California, January 21–February 27, 1982.

1981

Richard Misrach, Grapestake Gallery, San Francisco, California, 1981.

1980

Richard Misrach, Young/Hoffman Gallery, Chicago, December 5, 1980–January 5, 1981.

Richard Misrach - Color, Silver Image Gallery, Seattle, Washington, June 11–July 13, 1980.

Richard Misrach: Photographs, Paul Cava Gallery, Philadelphia, Pennsylvania, June 6–July 5, 1980.

Richard Misrach: Hawaii, G. Ray Hawkins Gallery, Los Angeles, June–July, 1980.

1979

Richard Misrach, Camera Obscura Gallery, Stockholm, Sweden, 1979.

Richard Misrach, G. Ray Hawkins Gallery, Los Angeles, Autumn 1979.

Richard Misrach, Cronin Gallery, Houston, Texas, Spring 1979.

Richard Misrach, Grapestake Gallery, San Francisco, California, April–May 1979. (Catalogue)

Richard Misrach: Night Desert Photographs, Musée d’Art moderne de la Ville de Paris, March 21–April 22, 1979.

1978

Richard Misrach: Photographs, University of Oregon Museum of Art, Eugene, Oregon, May 9–21, 1978.

Richard Misrach - Desert Landscapes, Silver Image Gallery, Seattle, Washington, March 3–26, 1978.

1977

Richard Misrach: Night Work, The Oakland Museum, Oakland, California.

Richard Misrach: Night Photographs, Atlantic Richfield Company Center for Visual Arts, Los Angeles, June 14–July 10, 1977.

1976

Richard Misrach, ASUC Studio, University of California at Berkeley, Berkeley, California, June 14–July 10, 1976.

Richard Misrach, Madison Art Center, Madison, Wisconsin, March 5–28, 1976.

1975

Two Views from the West: Roger Minick and Richard Misrach, International Center for Photography, New York, July 3–September 19, 1975.

Richard Misrach, Darkroom Workshop Gallery, Berkeley, California, January 16–February 26, 1975.

1973

Richard Misrach, ASUC Studio, University of California at Berkeley, Berkeley, California, October 8–21, 1973.

2024

Between art and Nature. Photographs from the collection of Carla Sozzani, Ex Convento Orsoline San Carlo, Como, Italy, September 16–October 15, 2024. (Catalogue)

2023

Tropic of Cancer, Pace Gallery, Palm Beach, Florida, February 9–March 12, 2023.

2022

Act of Sight: The Tsiaras Family Photography Collection, Colby College Museum of Art, Waterville, Maine, 2022. (Catalogue)

2021

Devour the Land: War and American Landscape Photography since 1970, Harvard Art Museums, Cambridge Massachusetts, September 17, 2021−January 16, 2022. (Catalogue)

1976-1986: Une décennie de photographie couleur, Musée d'art et D'archéologie d'Aurillac, Aurillac, France, June 24–September 19, 2021. Traveled to: Musée de La Roche-sur-Yon, La Roche-sur-Yon , France, March 5–May 14, 2022; Château de Tours, Tours, France, June 23–September 25, 2022. (Catalogue)

2019

When Home Won’t Let You Stay: Migration through, Institute of Contemporary Art, Boston, October 23–January 26, 2020. Traveled to: Minneapolis Institute of Art, Minnesota, February 23–May 24, 2020; Iris and Gerald B. Cantor Center for the Visual Arts, Stanford University, California, October 2, 2020–January 24, 2021. (Catalogue)

Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art, Harvard Art Museum, Cambridge, Massachusetts, September 9, 2019–January 5, 2020.

2018

Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul, South Korea October 18– February 17, 2019. Traveled to: Ullens Center for Contemporary Art , Beijing, March 9–May 19, 2019; National Gallery of Victoria, Melbourne, Australia, September 13, 2019–February 2, 2020; Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand, April 4–July 4, 2020; Musée des Civilisations de l’Europe et de la Méditerranée, Marseille, France, January 19–May 24, 2021. (Catalogue)

Forsaken Utopias: Photographs from the OCMA Permanent Collection, Orange County Museum of Art, Santa Ana, California, October 6, 2018–March 17, 2019.

Thessaloniki PhotoBiennale 2018, Thessaloniki, Greece, September 28, 2018–January 27, 2019.

Califas: Art of the US-Mexico Borderlands, Richmond Art Center, Richmond, California, September 11–November 16, 2018. (Catalogue)

Border Cantos/Sonic Border, Richard Misrach/Guillermo Galindo, Amarillo Museum of Art, Texas, August 10, –December 9, 2018. Traveled to: Samek Art Museum, Bucknell University, Lewisburg, Pennsylvania, January 18–March 24, 2019; Missoula Art Museum, Missoula, Montana, May 28–September 21, 2019; Westmoreland Museum of Art, Greensburg, Philadelphia, May 23–August 16, 2020; Asheville Art Museum, North Carolina, October–January 2021 (tentative); Hudson River Museum, New York, February–May, 2021.

Light Works: A Century of Photography, Las Cruces Museum of Art, Las Cruces, New Mexico, August 3–October 27, 2018.

New Territory: Landscape Photography Today, Denver Art Museum, Colorado, June 24–September 16, 2018.

Longer Ways to Go: Photography and the American Road, Center for Creative Photography Gallery, Tucson, Arizona, June 9–November 24, 2018.

This Land, Pier 24, San Francisco, California, June 1, 2018–April 25, 2019. (Catalogue)

Betray the Secret: Humanity in the Age of “Frankenstein,” Cantor Arts Center, Stanford, California, April 4–August 5, 2018.

Margin and Center, Houston Center for Photography, Houston, Texas, March 9–April, 2018.

Nothing Stable Under Heaven, San Francisco Museum of Modern Art, San Francisco, California, March 3–September 16, 2018.

2017

American Surfaces and the Photobook, Museum of Modern Art, New York, November 22, 2017–May 28, 2018.

Longer Ways to Go: Photography of the American Road, Phoenix Art Museum, Phoenix, Arizona, April 15–October 15, 2017.

2016

Light Works: 100 Years of Photos, Nassau County Museum of Art, Roslyn, New York, November 19, 2016–March 5, 2017.

Watershed: Contemporary Landscape Photography, Telfair Museums, Savannah, Georgia, October 21, 2016–January 29, 2017. (Catalouge)

The Edge of the Earth: Climate Change in Photography and Video, Ryerson Image Centre, Toronto, Canada, September 14–December 4, 2016. (Catalogue)

Making our Mark, Richmond Art Center, Richmond, California, September 13–November 12, 2016. (Catalouge)

Southern Accent: Seeking the American South in Contemporary Art, Nasher Museum of Art at Duke University, Durham, North Carolina, September 1, 2016–January 8, 2017. Traveled to: Speed Museum of Art, Louisville, Kentucky, April 29–October 14, 2017. (Catalogue)

Our Land, Akron Art Museum, Akron, Ohio, August 6, 2016–February 12, 2017.

California: The Art of Water, Cantor Arts Center, Stanford, California, July 13–November 28, 2016.

Revolutionary Vision: Group f/64 and Richard Misrach Photographs From the Bank of America Collection, Autry Museum of the American West, Los Angeles, June 4, 2016–January 8, 2017.

Sublime. Les tremblements du monde, Centre Pompidou-Metz, France, February 11–September 5, 2016. (Catalogue)

Pyramids & Sphinxes, Cleveland Museum of Art, Cleveland, Ohio, February 6–May 24, 2016.

2015

Southern Exposure: Portraits of a Changing Landscape, Museum of Contemporary Art, Jacksonville, Florida, May 16–August 30, 2015.

Human-Altered Landscapes, Cincinnati Art Museum, Cincinnati, Ohio, April 18–July 19, 2015.

Terminal: On Mortality and Beauty, Photographic Center North West, Seattle, Washington, January 8–April 4, 2015.

2014

The Plot Thickens, Fraenkel Gallery, San Francisco, California, November 20, 2014–January 31, 2015. (Catalogue)

Gorgeous, Asian Art Museum, San Francisco, June 20–September 14, 2014.

State of Emergency, Davidson College Art Galleries, Davidson, North Carolina, January 16–February 28, 2014. (Catalogue)

2013

California Landscape into Abstraction: Works from the Orange County Museum of Art, Newport Beach, California, December 15, 2013–March 9, 2014. (Catalogue)

Color: American Photography Transformed, Amon Carter Museum of Art, Fort Worth, Texas, October 5, 2013–January 5, 2014. Traveled to: Dixon Gallery and Gardens, Memphis, Tennessee, January 19–March 23, 2014. (Catalogue)

Callahan & Misrach, Pace and Pace/MacGill Gallery, New York, July 18–August 16, 2013.

Un/Natural Color, Santa Barbara Museum of Art, Santa Barbara, California, July 7–September 29, 2013.

Petrochemical America: Project Room, Look3 Festival of the Photograph, Charlottesville, Virginia, June 7–29, 2013. Traveled to: Brower Center, Berkeley, California, September 12, 2013–January 29, 2014; Pomona College Museum of Art, Claremont, California, Fall 2014. (Catalogue)

2012

The Residue of Memory, Aspen Art Museum, Aspen, Colorado, May 11–July 15, 2012. (Catalogue)

2011

Face of Our Time: Jacob Aue Sobol, Jim Goldberg, Zanele Muholi, Daniel Schwartz, Richard Misrach, University of Michigan Museum of Art, Ann Arbor, Michigan, November 12, 2011–February 5, 2012.

Better a Live Ass than a Dead Lion, Eli Ridgway Gallery, San Francisco, California, October 8–November 5, 2011.

Western American Art South of the Sweet Tea Line III, Booth Western Art Museum, Cartersville, Georgia, September 24, 2011–February 12, 2012.

Museum of Desires, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria, September 10, 2011–January 8, 2012. (Catalogue)

The Life and Death of Buildings, Princeton University Art Museum, Princeton, New Jersey, July 23–November 6, 2011. (Catalogue)

Face of Our Time: Jim Goldberg, Daniel Schwartz, Zanele Muholi, Jacob Aue Sobol, Richard Misrach, San Francisco Museum of Modern Art, San Francisco, California, July 2, 2011–February 5, 2012.

Magie des Objektes, Leopold Museum, Vienna, Austria, June 6–October 3, 2011.

HERE, Pier 24 Photography, San Francisco, California, May 23, 2011–January 31, 2012. (Catalouge)

Earth Now: American Photography and the Environment, New Mexico Museum of Art, Santa Fe, New Mexico, April 8–October 9, 2011. (Catalogue)

ECO-ART, Pori Art Museum, Pori, Finland, February 4–May 29, 2011. (Catalogue)

2010

Disquieting Images, La Triennale of Milan, Milan, Italy, October 19, 2010–January 9, 2011.

LandsCApes: Glimpses of Everyday California, The de Saisset Museum, Santa Clara University, Santa Clara, California, October 2, 2010–January 28, 2011.

From the Collection of Randi and Bob Fisher, Pier 24 Photography, San Francisco, California, September 16, 2010–February 28, 2011. (Catalogue)

Imaginario Da Paisagem, Centro de Artes Visuais, Coimbra, Portugal, July 15–September 26, 2010.

Starburst: Color Photography in America 1970-1980, Princeton University Art Museum, Princeton, New Jersey, July 10–September 26, 2010. Traveled to: Cincinnati Art Museum, Cincinnati, Ohio, February 10–January 2, 2011. (Catalogue)

They Knew What They Wanted, Fraenkel Gallery, San Francisco, California, June 1–August 21, 2010.

Landschaft als Weltsicht, Stiftung Situation Kunst, Bochum, Germany, May 8–November 21, 2010. Traveled to: Kunsthalle zu Kiel, Germany, January 29–April 25, 2011; Museum Wiesbaden, Germany, May–September 2011; Kunstsammlungen Chemnitz, Germany, November 2011–January 2012; Bonnefantenmuseum, Maastricht, April–June, 2012. (Catalogue)

H20-The Element of Water in Art: An informal survey, Bolinas Museum, Bolinas, California, May 1–June 13, 2010.

Pier 24: The Inaugural Exhibition, Pier 24 Photography, San Francisco, California, March 16–July 16, 2010.

In the Vernacular, The Art Institute of Chicago, Chicago, Illinois, February 6–May 31, 2010.

The View From Here, San Francisco Museum of Modern Art, San Francisco, California, January 16–June 27, 2010.

2009

In the Darkroom: Photographic Processes Before the Digital Age, National Gallery of Art, Washington D.C., October 25, 2009–March 14, 2010. (Catalogue)

An Autobiography of the San Francisco Bay Area Part 1: San Francisco Plays Itself, SF Camerawork, San Francisco, California, September 10–October 31, 2009. (Catalogue)

Ecology and Art – Thinking About the Earth Through Art: From Nearby to Far Away, Gunma Museum of Art, Tatebayashi, Japan, July 4–September 23, 2009.

Tracks: The Railroad in Photographs from the George Eastman House Collection, The Trout Gallery, Dickinson College, Carlisle, Pennsylvania, June 26–August 22, 2009. (Catalogue)

Into the Sunset: Photography's Image of the American West, Museum of Modern Art, New York, March 29–June 8, 2009. (Catalogue)

Trouble in Paradise: Examining Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona, February 28–June 28, 2009. (Catalogue)

Exposures of Landscape and Life: Photographs from the Sheldon's Permanent Collection, Sheldon Museum of Art, Lincoln, Nebraska, February 6–May 17, 2009.

2008

Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, Boston University, Boston, September 5–November 8, 2008. (Catalouge)

Sand: Memory, Meaning and Metaphor, The Parrish Art Museum, Southampton, New York, June 29–September 14, 2008. (Catalogue)

Reverberations: Modern and Contemporary Art from the Bank of America Collection, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, June 28–September 21, 2008.

A Mind at Play, Art Institute of Chicago, Chicago, Illinois, June 14–September 7, 2008.

Elemental Nature, Nevada Museum of Art, Reno, Nevada, March 29–September 7, 2008.

Time is of The Essence: Contemporary Landscape Art, Asheville Art Museum, Asheville, North Carolina, February 22–June 22, 2008.

2007

The Show on Vegas, M+B Gallery, Los Angeles, California.

Nothing and Everything: Drawing, Painting, Photography & Sculpture 1896-2006, Fraenkel Gallery, San Francisco, California, November 30, 2006–January 27, 2007. (Catalogue)

Photographic Formalities: From Ansel Adams to Weegee, Samuel P. Harn Museum of Art, Gainesville, Florida, September 28, 2007–January 6, 2008. (Catalogue)

Yosemite: Art of an American Icon, Autry National Center, Los Angeles, California, September 22, 2007–January 21, 2007 (part I); November 10, 2006–April 22, 2007 (part II). Traveled to: Oakland Museum of California, Oakland, California, May 19–September 2, 2007; Nevada Museum of Art, Reno, October 13, 2007–January 13, 2008; Eiteljorg Museum of American Indians and Western Art, Indianapolis, Indiana, March 22–August 9, 2008. (Catalogue)

Contemporary Art from the Permanent Collection, San Jose Museum of Art, San Jose, California, July 30–September 9, 2007.

Hot + Bothered: Looking at the Landscape/Thinking About the World, Pace/MacGill Gallery, New York, July 11–August 24, 2007.

Grey Matters - Aftercrop, The Finnish Museum of Photography, Helsinki, Finland, August 13, 2007–January 13, 2008.

On The Beach, Photology, Milan, Italy, May 31–September 8, 2007

Several Exceptionally Good Recently Acquired Pictures XIX, Fraenkel Gallery, San Francisco, California, May 31–August 11, 2007.

Utopian Mirage: Social Metaphors in Contemporary Photography and Film, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, May 25–July 29, 2007. (Catalogue)

Re-SITE-ing the West: Contemporary Photographs from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles, California, March 4–June 3, 2007.

2006

Nothing Personal, Brighton Photo Biennial 2006, Brighton Museum & Art Gallery, Brighton, England, October 6–October 29, 2006. (Catalogue)

Nothing and Everything, Peter Freeman Gallery, New York, September 7–October 28, 2006. (Catalogue)

Highlights from the Photography Collection - Contemporary Complexities: Photography Gifts from Martin Z. Margulies, Harn Museum of Art, Gainesville, Florida, September 5–February 25, 2007.

Imposing Order: Contemporary Photographs and the Archive, San Francisco Museum of Modern Art, San Francisco, California, September 2, 2006–January 2, 2007.

Revising Arcadia: The Landscape in Contemporary Art, Cornell Fine Arts Museum,

Ithaca, New York, August 29–December 31, 2006. (Catalogue)

Cosmic Wonder, Yerba Buena Center for the Arts, San Francisco, California, July 15–November 5, 2006. (Catalogue)

See Into Liquid, Museum of Contemporary Art, Denver, Colorado, January 27–May 28, 2006.

American Photographers: Fine Prints, Photo Gallery International, Tokyo, January 11–February 10, 2006.

Joint Venture: Selections from the Ramer Collection and Selected Photographs, The Richard L. Nelson Gallery and Pence Gallery, Davis, California, January 5–March 19, 2006. (Catalogue)

2005

Contemporary Desert Photography, Palm Springs Desert Museum, Palm Springs, California, December 17, 2005 March–12, 2006. (Catalogue)

The Altered Landscape: The Carol Franc Buck Collection, National Academy of Sciences, Washington D.C., August 15–October 15, 2005.

Several Exceptionally Good Recently Acquired Photographs XVII, Fraenkel Gallery, San Francisco, California, July 7–August 20, 2005.

Overhead/Underfoot: The Topographical Perspective in Photography, Whitney Museum of American Art, New York, July 1–September 25, 2005.

Landscape/Cityscape, Marlborough Gallery, New York, April 5–30, 2005. (Catalogue)

2004

Keeping Shadows: Photography at the Worcester Art Museum, Worcester Art Museum, Worcester, Massachusetts, October 10, 2004–January 2, 2005. Traveled to: The Orlando Museum of Art, Orlando, Florida, March 6–May 22, 2005; Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, September 22–December 10, 2005. (Catalogue)

Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute for Contemporary Art, San Francisco, California, February 27–May 8, 2004. (Catalogue)

Seventies Color Photography, Marianne Boesky Gallery, New York, Winter 2004.

2003

Rocks & Stones, Eugenio de Almeida Foundation, Evora, Portugal. Traveled to: Photography Archive of the City of Lisbon, Lisbon, Portugal.

Only Skin Deep: Changing Visions of The American Self, International Center for Photography, New York, December 12, 2003–February 29, 2004. (Catalouge)

The Gray Area: Uncertain Images: Bay Area Photography 1970s to Now, CCAC Wattis Institute for Contemporary Art, San Francisco, California, December 3, 2003–February 14, 2004. (Catalogue)

The Eye Club, Fraenkel Gallery, San Francisco, California, September 4–November 29, 2003. (Catalogue)

By the Sea, Yossi Milo Gallery, New York, June 19–July 31, 2003.

Pictures from Within: American Photographs, 1958-2002, The Whitney Museum of American Art. New York, New York, May 24–September 28, 2003.

The Land Through a Lens: Highlights of the Smithsonian American Art Museum, Samuel P. Harn Museum of Art at University of Florida, Gainesville, Florida, May 20–August 10, 2003. Traveled to: The Art Museum at Florida International University, Miami, Florida, September 5–October 31, 2003; National Museum of Wildlife Art, Jackson Hole, Wyoming, November 20–January 25, 2004; Lauren Rogers Museum of Art. Laurel, Mississippi, March 2–April 27, 2004; Louisiana Art & Science Museum, Baton Rouge, Louisiana, June 2–August 1, 2004; Lakeview Museum of Arts and Sciences, Peoria, Illinois, September 18–December 26, 2004. (Catalogue)

2002

Masterworks of American Photography, Amon Carter Museum, Fort Worth, Texas, August 24, 2002– February 23, 2003. (Catalogue)

Several Exceptionally Good Recently Acquired Photographs XV, Fraenkel Gallery, San Francisco, California, July 6–August 24, 2002.

Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, Whitney Museum of American Art, New York, June 27–September 22, 2002. (Catalogue)

Art Downtown: An Unprecedented Art Event, Wall Street Rising, New York, June 14–September 15, 2002.

The Culture of Violence, University of Massachusetts, Amherst, Massachusetts, February 2–March 15, 2002 and April 2–May 17, 2002. Traveled to: Bowdoin College Museum of Art, Brunswick, Maine, September 26–December 8, 2002; Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, January 28–April 27, 2003. (Catalouge)

2001

Photography & Perception: Exploring the Western Landscape, Brigham Young University Museum of Art, Provo, Utah, December 6, 2001–May 4, 2002.

Angle of Repose: Four American Photographers in Egypt, Oriental Institute Museum, Chicago, Illinois, October 23–January 27, 2002. (Catalogue)

In Response to Place, Corcoran Gallery of Art, Washington, D.C., September 15–December 31, 2001. (Catalogue)

The Wild West: Painting, Photography, Sculpture and Native American Art from the American West, Arken Museum of Modern Art, Copenhagen, Denmark, September 8–January 20, 2002. (Catalogue)

Capturing Light: Masterpieces of California Photography, 1850-2000, Oakland Museum, Oakland, California. March 3–May 27, 2001. (Catalogue)

2000

Landscape 2000, University of Wyoming Art Museum, Laramie, Wyoming. (Catalogue)

Looking at Photographs, Lake Austin Fine Arts, Austin, Texas.

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, April 23–August 22, 1999 (part I); September 26, 1999–February 13, 2000 (part II). (Catalogue)

Desert & Transit, Kunsthalle zu Kiel, Kiel, Germany, July 16–September 10, 2000. Traveled to: Museum der bildenden Künste, Leipzig, Germany, November 16–January 21, 2001. (Catalogue)

The Swamp: On the Edge of Eden, Harn Museum of Art, University of Florida, Gainesville, Florida, September 29–January 7, 2001. (Catalogue)

Expanding Horizons: Landscape Photographs from the Whitney Museum of American Art, Whitney Museum

of American Art, New York, July 21–October 6, 2000. (Catalogue)

The Sea and the Sky, Beaver College Art Gallery, Philadelphia, Pennsylvania, February 17–April 25, 2000. (Catalogue)

100 al 2000: il Secolo della Fotoarte, Photology, Milan, Italy, January 30–April 29, 2000. (Catalogue)

1999

More than Meets the Eye, Photographic Society, Hamburg, Germany.

Into the 21st Century: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, California, May 23–September 12, 1999. (Catalogue)

1998

Works in Progress, The James Danziger Gallery, New York, New York.

Light as Substance, Cypress College, Cypress, California, September 1998. (Catalogue)

Several Exceptionally Good Recently Acquired Photographs XII, Fraenkel Gallery, San Francisco, California, July 23–December 5, 1998.

Measure of Nature: Landscape Photographs from the Permanent Collection, The Art Institute of Chicago., Chicago, Illinois, May 30–September 7, 1998.

The Paving of Paradise: A Century of Photographs of the Western Landscape, Seattle Art Museum, Seattle, Washington, Winter 1997–1998.

1997

Under the Dark Cloth: The View Camera in Contemporary Photography, Museum of Photographic Arts, San Diego, California.

Kristy Edmunds & The Great Outdoors, Elizabeth Leach Gallery, Portland, Oregon, December 4, 1997–January 3, 1998.

The Warhol Look: Glamour, Style, Fashion, Whitney Museum of American Art, New York, November 8–January 18, 1997. Traveled to: Art Gallery of Toronto, Canada, February 16–May 3, 1998; Barbican Art Gallery, London, May 28–August 16, 1998; Musée de la Mode Marseille, France, Fall 1998; Museum of Contemporary Art, Sydney, Australia, Winter 1998. (Catalogue)

Scene of the Crime, Armand Hammer Museum of Art and Cultural Center, Los Angeles, California, July 23–October 5, 1997. (Catalogue)

The Heart Doesn't Break, It Stretches, Blind Spot, New York, February 1997.

American Art Today: The Garden, The Art Museum of Florida International University, Miami, Florida, January 10–February 15, 1997. (Catalogue)

1996

Legacy of Light: Master Photographs from the Cleveland Museum of Art, Cleveland Museum of Art, Cleveland, Ohio, November 24, 1996–February 2, 1997. (Catalogue)

Perpetual Mirage: The Desert West in Photographic Books and Prints, Whitney Museum of American Art, New York, June 27–September 22, 1996. (Catalogue)

1995

After Art: Rethinking 150 Years of Photography (Selections from the Joseph & Elaine Monsen Collection), The Henry Art Gallery, University of Washington, Seattle, Washington, December 4–March 5, 1995. Traveled to: Friends of Photography, Ansel Adams Center, San Francisco, California, May 17–July 9, 1995; Portland Museum of Art, Portland, Maine, October 1995–January 1996. (Catalogue)

Pulp Fact, The Photographer's Gallery, London, May 18–17, 1995.

Art Museum, Center for Creative Photography, Tucson, Arizona, January 27–March 26, 1995. (Catalogue)

Seeing Things, Fraenkel Gallery, San Francisco, California, January 5–February 4, 1995.

1994

Quest for the Moon and Other Stories: Three Decades of Astronauts in Space, The Museum of Fine Arts, Houston, Texas, December 18–February 5, 1994. (Catalogue)

Visions of America: Landscape as Metaphor in the Late Twentieth Century, Denver Art Museum, Denver, Colorado, May 14–September 11, 1994. Traveled to: Columbus Museum of Art, Columbus, Ohio, October 16–January 8, 1995. (Catalogue)

1993

Mexico Through Foreign Eyes, International Center for Photography, New York, October 3–December 12, 1993. (Catalogue)

Konstrucktion Zitat, Sprengel Museum, Hannover, Germany, September 29–October 31, 1993.

From Destruction to Reclamation: Art and the Environment in the Nineties, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, May 8–July 18, 1993.

1992

This Sporting Life, 1878-1991, High Museum of Art, Atlanta, Georgia, May 16–September 13, 1992. Traveled to: Sarah Cambell Blaffer Gallery, University of Houston, Houston, Texas; de Saisset Museum, Santa Clara University, Santa Clara, California; Delaware Art Museum, Wilmington, Delaware; Albright-Knox Art Gallery; Buffalo, New York. (Catalogue)

Between Heaven and Home: Contemporary American Landscape Photography from the Consolidated Natural Gas Company Collection, National Museum of American Art, Smithsonian Institution, Washington, D.C., March–June 28, 1992. Traveled to: The Carnegie Museum of Art, Pittsburgh, Pennsylvania; New Orleans Museum of Art, New Orleans, Louisiana; The New York State Museum, Albany, New York; Boise Art Museum, Boise, Idaho. (Catalogue)

1991

Landscapes of Consequence, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 18–September 22, 1991. (Catalouge)

1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2–July 7, 1991. (Catalogue)

Nuclear Matters, Camerawork Gallery, San Francisco, California, January 31–March 9, 1991.

1990

Myth of the West, Henry Art Gallery, University of Washington, Seattle, Washington, September 16–December 2, 1990. (Catalogue)

The New American Pastoral: Landscape Photography in the Age of Questioning, International Museum of Photography at George Eastman House, Rochester, New York, March 30–June 3, 1990. Traveled to: Whitney Museum of American Art at Equitable Center, New York, New York. (Catalogue)

Rethinking American Myths, Atrium Gallery, University of Connecticut, Storrs, Connecticut, January 22–February 9, 1990.

1989

International Museum of Photography at George Eastman House, Rochester, New York, 1989.

L'Invention d'un Art: Cent Cinquantieme Anniversaire de la Photographie, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France, October 12–January 1, 1990.

Landscape as Thought: Lita Albuquerque and Richard Misrach, California State University at Fullerton, Fullerton, California, September 9–October 11, 1989. (Catalogue)

Fire Sites, The Museum of Contemporary Photography, Columbia College, Chicago, Illinois, September 5–October 18, 1989.

Picturing California: A Century of Photographic Genius, Oakland Museum, Oakland, California, August 26–November 5, 1989. Traveled to: Gallery at the Plaza, Security Pacific Corporation, Los Angeles, California; The Detroit Institute of Arts, Detroit, Michigan; Haverford Comfort Museum, Haverford College, Pennsylvania; Museum of Photographic Arts, San Diego, California. (Catalogue)

Decade by Decade: Twentieth-Century American Photography, Center for Creative Photography, Tucson, Arizona, February 10–June 9, 1989. Traveled to: Phoenix Art Museum, Arizona. (Catalogue)

Night Light: a Survey of 20th Century Night Photography, The Nelson-Atkins Museum of Art, Kansas City, Missouri, January 15–February 12, 1989. Traveled to: The Fine Arts Center/Creekwood, Nashville, Tennessee, February 26–April 2, 1989; Evansville Museum of Arts and Science, Evansville, Indiana, April 23–June 11, 1989; Mississippi Museum of Art, Jackson, Missouri, August 6–September 24, 1989; Roanoke Museum of Fine Arts, Roanoke, Virginia, February 18–April 1, 1990; Sheldon Memorial Art Gallery, Lincoln, Nebraska, April 29–June 10, 1990; Danville Museum of Fine Arts and History, Danville, Virginia, July 8–August 26, 1990; The Snite Museum of Art, Notre Dame, Indiana, September 23–November 4, 1990; Nora Eccles Harrison Museum of Art, Logan, Utah, December 1, 1990–January 20, 1991; Museum of Photographic Arts, San Diego, California, February 12–April 7, 1991. (Catalogue)

1988

Queer Landscapes, Fraenkel Gallery, San Francisco, California, May 10–June 18, 1988.

1987

American Independents: New Color, Museum of Contemporary Photography, Columbia College, Chicago, Illinois.

1986

Visions of the West, Etherton Gallery, Tucson, Arizona, April 9–May 3, 1986. Traveled to: Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah; Yuma Art Center, Yuma, Arizona; Sioux City Art Center, Sioux City, Iowa; Scottsdale Center for the Arts, Scottsdale, Arizona; Museum of Photographic Arts, San Diego, California; Sangre de Christo Arts Center, Pueblo, Colorado; Spencer Museum of Art, University of Kansas, Lawrence, Kansas; Pacific Bell Fine Arts Association, San Ramone, California; Museum of Art, University of Oregon, Eugene, Oregon.

Contemporary American Photography I, Gallery Min, Tokyo, May 10–June 10, 1986. (Catalogue)

1985

Manchester City Arts Galleries, Manchester, England.

Focus, Santa Barbara, Contemporary Arts Forum, Santa Barbara, California, September 22–October 27, 1985. (Catalouge)

American Images: Photography from 1945-1980, Barbican Art Gallery, London, May 10–June 30, 1985. (Catalogue)

Landscape Photographers: Mark Klett/Richard Misrach, University Art Museum, The University of New Mexico, Albuquerque, New Mexico, January 15–March 3, 1985.

1984

Dalsheimer Gallery, Baltimore, Maryland.

Construire les Paysages de la Photographie, Les Caves Saint-Croix, Metz, France, October 5–November 19, 1984. (Catalouge)

Color Photographs: Recent Acquisitions, Museum of Modern Art, New York, August 18–November 6, 1984.

Photography in California: 1945-1980, San Francisco Museum of Modern Art, San Francisco, California, January 12–March 11, 1984. Traveled to: Akron Art Museum, Akron, Ohio; The Corcoran Gallery of Art, Washington, D.C.; Los Angeles Municipal Art Gallery, Los Angeles, California; Barnsdall Park, Herbert F. Johnson Museum of Art, Cornell University, Ithica, New York; High Museum of Art, Atlanta, Georgia; Museum Folkwang, Essen, Germany; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France; Museum of Photographic Arts, San Diego, California. (Catalogue)

1982

Flash, Rochester Institute of Technology, Rochester, New York.

Color As Form: A History of Color Photography, International Museum of Photography at George Eastman House. Rochester, New York. July 2–September 5, 1982; Corcoran Gallery of Art. Washington, D.C. (Catalogue)

American Landscape: Robert Adams, Paul Caponigro, Linda Connor and Richard Misrach, University of Connecticut, Storrs, Connecticut, February 22–March 12, 1982. (Catalogue)

California Photography, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, January 8–February 7, 1982. (Catalogue)

1981

Gallery at the Plaza, Security Pacific Corporation, Los Angeles, California, 1981.

American Photographers and the National Parks, Oakland Museum, Oakland, California, May 2–July 5, 1981. (Catalogue)

Color and Hand-Colored Photography, Silver Image Gallery, Seattle, Washington, March 5–April 5, 1981.

1981 Biennial Exhibition, Whitney Museum of American Art, New York, January 20–April 12, 1981. (Catalogue)

Slices of Time: California Landscape 1860-1880 and 1960-1980, Oakland Museum, Oakland, California, January 20–March 14, 1981. (Catalogue)

1980

Visitors to Arizona, 1846 to1980, Phoenix Art Museum, Phoenix, Arizona, September 6–October 12, 1980. (Catalogue)

Aspects of 1970s Photography: Recent Directions, DeCordova Sculpture Park & Museum, Lincoln, Massachusetts, June 1–August 31, 1980. (Catalogue)

Richard Misrach & Debra Bloomfield, The Photographer’s Gallery, London, May 7–June 1, 1980.

New California Views, Silver Image Gallery, Seattle, Washington, April 9–May 11, 1980.

Kalamazoo Collects Photography, Kalamazoo Institute of Art, Kalamazoo, Michigan, March 21–May 4, 1980. (Catalogue)

Recent Color Photography, Sewall Art Gallery, Rice University, Houston, Texas, January 16–February 13, 1980.

Beyond Color, San Francisco Museum of Modern Art, San Francisco, California, January 11–February 24, 1980. (Catalogue)

1979

American Images: New Work by Twenty Contemporary Photographers, The Corcoran Gallery of Art, Washington, D.C., October 13–December 2, 1979. Traveled to: International Center of Photography, New York, January 12–February 10, 1980. (Catalogue)

Color: A Spectrum of Recent Photography - Part II: The Romantic Vision and Beyond, Milwaukee Art Center, Milwaukee, Wisconsin, September 6–November 4, 1979.

Attitudes: Photography in the 1970s, Santa Barbara Museum of Art, Santa Barbara, California, May 12–August 5, 1979. (Catalogue)

1978

Mirrors and Windows: American Photography since 1960, Museum of Modern Art, New York, July 28–October 2, 1978. Traveled to: Cleveland Museum of Art, Cleveland, Ohio, November 13–January 1, 1979; Walker Art Center, Minneapolis, Minnesota, January 29–March 11, 1979; J.B. Speed Art Museum, Louisville, Kentucky, April 1–May 15, 1979; San Francisco Museum of Modern Art, San Francisco, California, May 29–July 29, 1979; Krannert Art Museum, University of Illinois, Champaign, Illinois, August 19–September 23, 1979; Virginia Museum of Fine Arts, Richmond, Virginia, November 12–December 23, 1979; Milwaukee Art Center, Milwaukee, Wisconsin, January 10–March 2, 1980. (Catalouge)

Imagen Historica de la Fotografia en Mexico, Museo Nacional de Historia y Museo Nacional de Antropologia, Mexico City, Mexico, May 12–August 15, 1978. (Catalogue)

Visual Landscapes: Five Photographers, Santa Barbara Museum of Art, Santa Barbara, California, January 20–February 25, 1978.

1977

Photography into Painting, Silver Image Gallery, Seattle, Washington, September 8–October 2, 1977.

Young American Photography, Kalamazoo Institute of the Arts, Kalamazoo, Michigan, September 2–30, 1977. Traveled to: Flint Institute of Arts, Flint, Michigan; Snite Museum of Art, The University of Notre Dame, Notre Dame, Indiana; Grand Rapids Art Museum, Grand Rapids, Michigan; Kresge Art Center, Michigan State University, East Lansing, Michigan. (Catalogue)

Night Landscape: Lithographs and Photographs, Oakland Museum, Oakland, California, August 16–October 9, 1977.

Summer Light, Light Gallery, New York, July 6–30, 1977.

Contemporary West Coast Photography, Australian Center for Photography, Paddington, Australia, March 9–April 2, 1977.

1976

Contemporary Photography, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, September 8–October 2, 1976.

Places, San Francisco Art Institute, San Francisco, California, April 5–May 10, 1976.

1975

Twelve Berkeley Photographers, Berkeley Art Center, Berkeley, California, December 12, 1975–January 11, 1976.

1974

Studio '74, Focus Gallery, San Francisco, California, May 7–June 1, 1974.

1973

Places, San Francisco Art Institute, San Francisco, California, June–July 1973.

Ackland Art Museum, The University of North Carolina at Chapel Hill

Akron Art Museum, Ohio

Amon Carter Museum of American Art, Fort Worth, Texas

Art in Embassies Collection, U.S. Department of State, Washington, D.C.

Art Institute of Chicago

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley

California Museum of Photography, University of California, Riverside

Carnegie Museum of Art, Pittsburgh, Pennsylvania

Center for Creative Photography, The University of Arizona, Tucson

Centre National d’Art et de Culture Georges Pompidou, Paris

The Cleveland Museum of Art, Ohio

Crocker Art Museum, Sacramento, California

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Daum Museum of Contemporary Art, State Fair Community College, Sedalia, Missouri

Denver Art Museum, Colorado

Fine Arts Museums of San Francisco
Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman

George Eastman Museum, Rochester, New York

Harvard Art Museums, Harvard University, Cambridge, Massachusetts

Henry Art Gallery, University of Washington, Seattle

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

High Museum of Art, Atlanta, Georgia

Honolulu Museum of Art, Hawaii

International Center of Photography, New York

The J. Paul Getty Museum, Los Angeles

Kalamazoo Institute of Arts, Michigan

Library of Congress, Washington, D.C.

Los Angeles County Museum of Art

Madison Museum of Contemporary Art, Wisconsin

The Menil Collection, Houston, Texas

The Metropolitan Museum of Art, New York

Minneapolis Institute of Art, Minnesota

Modern Art Museum of Fort Worth, Texas

Museum of Art, Rhode Island School of Design, Providence

MDC Museum of Art + Design, Miami Dade College, Florida

Museum of Contemporary Photography, Columbia College, Chicago

Museum of Fine Arts, Boston, Massachusetts

The Museum of Fine Arts, Houston, Texas

Museum of Modern Art, New York

National Gallery of Art, Washington, D.C.

National Gallery of Australia, Canberra

The Nelson-Atkins Museum of Art, Kansas City, Missouri

Nevada Museum of Art, Reno
New Orleans Museum of Art, Louisiana

Oakland Museum of California

Orange County Museum of Art, Santa Ana, California

Philadelphia Museum of Art, Pennsylvania

Phoenix Art Museum, Arizona

Portland Art Museum, Oregon

Princeton University Art Museum, New Jersey

Saint Louis Art Museum, Missouri

San Francisco Museum of Modern Art

San José Museum of Art, California

Santa Barbara Museum of Art, California

Seattle Art Museum, Washington

Shadai Gallery, Tokyo Polytechnic University

Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.

Spencer Museum of Art, The University of Kansas, Lawrence

Tyler Museum of Art, Texas

University Art Museum, New Mexico State University, Las Cruces

Victoria and Albert Museum, London

Weatherspoon Art Museum, University of North Carolina at Greensboro

Whitney Museum of American Art, New York

Worcester Art Museum, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

2024

Eom, Jae-Man. “Smartphone Era! Take a Shot and Everyone Can be a Photographer” (Pace Gallery exhibition review). Skye Daily, 25 May 2024. https://www.skyedaily.com/news/news_view.html?ID=232464

Hye-won, Jeon. “Captured Like a Scene from a Movie... A Surreal Moment Immortalized in a Photograph.” Asia Today, 28 May 2024. https://www.asiatoday.co.kr/view.php?key=20240526010013222

“Pace opens an exhibition of work by photographer Richard Misrach at its Seoul gallery” (exhibition review). ArtDaily, 13 May 2024. https://artdaily.com/news/169251/Pace-opens-an-exhibition-of-work-by-photographer-Richard-Misrach-at-its-Seoul-gallery

Park, Yi-hyeon. “The Index of Modern Photography, Richard Misrach” (Pace Gallery exhibition review). Luxury, 25 May 2024. http://luxury.designhouse.co.kr/magazineView/66558af4732f2c1f4fec53c6

Park, Yuna. “[What to see] Photo Exhibitions of Note” (Pace Gallery exhibition review). The Korea Herald, 25 May 2024. https://www.koreaherald.com/view.php?ud=20240523050757

Sae-rom, Shin. “A Must-See Exhibition Including Evard Munch's 'The Scream' from Around the World.” Yonhap News, 28 May 2024. https://www.yonhapnewstv.co.kr/news/MYH20240528017000641?input=1825m

Si-wook, Ahn. “This Photographer's Works Are Displayed in American Mental Hospitals.” The Korea Economic Daily, 28 May 2024. https://www.hankyung.com/article/2024052891011

Si-wook, Ahn. “The Story Behind Misrach Exhibiting “Tree Photographs” in Psychiatric Building.” Hankyung, 27 May 2024. https://www.hankyung.com/article/202405209848i

Yim, Nao. “Richard Misrach’s first solo exhibition in Asia at Pace Gallery Seoul” (exhibition review). Say Art, 5 May 2024. https://sayart.net/news/view/1065667687788154

2022

"Acquisition: Richard Misrach and Guillermo Galindo Collaboration Explores US-Mexico Border." National Gallery of Art, 23 August 2022. https://www.nga.gov/press/acquisitions/2022/galindo-misrach.html

Cleary, Charles. “Richard Misrach” (Pace Geneva exhibition review). L’Art à Genève, 18 November 2022. https://www.artageneve.com/article/richard-misrach

Ghassemitari, Shawn. “Richard Misrach's Dynamic Landscapes Examine Humans Complex Relationship With Nature.” Hypebeast, 14 March 2022. https://hypebeast.com/2022/3/richard-misrach-still-point-exhibition-pace-gallery.

Goldstein, Caroline. “‘A Lot of My Work Is Very Tough’: Watch Photographer Richard Misrach Mine His Archive to Find Beauty Hidden in Suffering.” Artnet News, 13 May 2022. https://news.artnet.com/art-world/richard-misrach-art21-2-2114024?utm_content

Hemopet, Marina, Annabelle Dufraigne, Nicolas Milon, Clément Bellanger, Cindy Tannoury, Léa Milteau, Clara Le Guern, Fanny Guénon des Mesnards and Noelann Bourgade. “Les 34 coups de c cœur de la rédaction à Paris Photo 2023.” Architectural Digest France, 8 November 2023. https://www.admagazine.fr/article/paris-photo-2023-coups-coeur-redaction.

Renkl, Margaret. “A Photo Can Tell the Truth About a Lie. Or a Lie About the Truth.” New York Times, 18 September 2023. https://www.nytimes.com/2023/09/18/opinion/photography-black-southern-history.html

“Richard Misrach: Never the Same | Art21 ‘Extended Play.’” Youtube Video, 0:55. Posted by “Art21,” premieres 11 May 2022. https://www.youtube.com/watch?v=KEgD7vyPsL4

2020

Afinogenov, Greg. “Three Museum Exhibitions About Migration Focus on Trauma but Obscure its Causes” (Institute of Contemporary Arts, Boston exhibition review). Art in America, 3 February 2020. https://www.artnews.com/art-in-america/features/migration-exhibitions-obscure-reality-militarized-borders-1202676742/

Misrach, Richard. “Current Feature: Richard Misrach.” Interview with Andrea Blanch. Musée Magazine, 22 January 2020. https://museemagazine.com/features/2018/1/22/current-feature-richard-misrach

Villa, Angelica. “Pace Showcases American Photography Heavyweights in Diamonds on the Soles of Her Shoes.” Art Market Monitor, 20 April 2020. https://www.artmarketmonitor.com/2020/04/20/pace-showcases-american-photography-heavyweights-in-diamonds-on-the-soles-of-her-shoes/

2019

Flanagan, Rosie. “The Aesthetic Sensibility of Richard Misrach’s Documentary Photography.” Ignant, 30 January 2019. https://www.ignant.com/2019/01/30/the-aesthetic-sensibility-of-richard-misrachs-documentary-photography/

Friesen, Peter. “A Broken Landscape and Bridged Cultures in ‘Border Cantos’” (Missoula Art Museum exhibition review). Missoulian, 23 August 2019. https://missoulian.com/entertainment/out-and-about/a-broken-landscape-and-bridged-cultures-in-border-cantos/article_087ef1c0-d5bd-5c84-9a1e-69939f892d40.html

Gammage, Jeff. “As Enforcement Tightens and Border Tensions Rise, Art and Immigration Meld.” The Philadelphia Inquirer, 26 August 2019. https://www.inquirer.com/news/immigration-art-trump-mural-border-enforcement-photos-20190824.html

Green, Patrick. “Guillermo Galindo’s Song of the Border.” Brooklyn Rail, June 2019. https://brooklynrail.org/2019/06/music/Guillermo-Galindos-Songs-of-the-Border

Keats, Jonathon. “When Home Won’ Let You Stay: Artists Expose the Tribulations of Migration in an Important New Exhibition” (Institute of Contemporary Arts, Boston exhibition review). Forbes, 13 December 2019. https://www.forbes.com/sites/jonathonkeats/2019/12/13/migration/?sh=3f67b24522da

Kun, Josh. “Documenting the Weaponization of Water Along the U.S.- Mexico Border.” Aperture, 7 February 2019. https://aperture.org/editorial/border-cantos-no-more-deaths/

Palumbo, Jacqui. “Richard Misrach’s Rarely Seen Photos Capture Burning Man’s Early, Experimental Years.” Artsy, 11 November 2019. https://www.artsy.net/article/artsy-editorial-richard-misrachs-rarely-seen-photos-capture-burning-mans-early-experimental-years

Sayej, Nadja. “When Home Won’t Let You Stay: Artwork Addressing Global Migration.” The Guardian, 21 October 2019. https://www.theguardian.com/artanddesign/2019/oct/21/when-home-wont-let-you-stay-artwork-addressing-global-migration

Whyte, Murray. “Harvard Art Museums Look at the Long, Dark Road of Migration” (Institute of Contemporary Arts, Boston exhibition review). The Boston Globe, 13 September 2019. https://www.bostonglobe.com/arts/2019/09/14/livingarts-harvard/Odykxlqd9yubboiNXdQ6tI/story.html

Whyte, Murray. “At the ICA, Artists Track the American Dream’s Nightmarish Turn” (Institute of Contemporary Arts, Boston exhibition review). The Boston Globe, 31 October 2019. https://www.bostonglobe.com/2019/10/31/arts/ica-artists-track-american-dreams-nightmarish-turn/

2018

Mallonee, Laura. “A Seven Year Search for Traces of Humanity Along the US-Mexico Border.” Wired, 18 October 2018. https://www.wired.com/story/us-mexico-border-photo-gallery/

Myrow, Rachael. “Art out of Ashes Pulls Beauty and Sympathy Out of a Post-Apocalyptic Landscape.” KQED, 4 August 2018. https://www.kqed.org/arts/13838207/art-out-of-ashes-pulls-beauty-sympathy-out-of-a-post-apocalyptic-landscape

Sayej, Nadja. “All Art is Political: Behind America’s Most Ambitious Public Art Project Ever.” The Guardian, 15 October 2018. https://www.theguardian.com/artanddesign/2018/oct/15/50-state-initiative-behind-americas-most-ambitious-public-art-project-ever

Woodward, Richard. “’This Land’ Review: Picturing America” (Pier 24 exhibition review). The Wall Street Journal, 4 September 2018. https://www.wsj.com/articles/this-land-review-picturing-america-1536094509

2017

Bacon, David. “Richard Misrach and Guillermo Galindo’s Border Cantos.” Afterimage 44, no. 4 (2017): 43–45.

"The Border Wall as You've Never Seen (and Heard) It" (Crystal Bridges Museum of American Art exhibition review). Public Delivery, 8 May 2017. https://publicdelivery.org/richard-misrach-border-cantos/

Freeman, Ciaran. "An Art of Immigration & Injustice" (Pace Gallery exhibition review). Commonweal Magazine, 3 August 2017. https://www.commonwealmagazine.org/art-immigration-injustice

Galindo, Guillermo. “Stores of Musical Instruments.” Bordercantos.com, accessed 5 June 2017. Online videos.

Kun, Josh. “’Leave Now’: Spray-Painted Hate in the California Desert” (Fraenkel Gallery exhibition review). The New Yorker, 1 July 2017. https://www.newyorker.com/culture/photo-booth/leave-now-spray-painted-hate-in-the-california-desert

Leddy, Madeleine. "Exhibition Review: Richard Misrach & Guillermo Galindo at Pace Gallery" (exhibition review). Musée Magazine, 5 July 2017.

Misrach, Richard. “Borderlands: Walls and fences already separate parts of the U.S. and Mexico—and divide public opinion.” National Geographic 232, no. 3 (2017): 128.

Misrach, Richard. “A Collison between Beauty and Ugliness: An Interview with Richard Misrach.” Interview by Steven Hoelscher. GeoHumanities 3 (June 2017): 451–488.

Misrach, Richard. “Richard Misrach’s Best Photograph: A Swastika in the California Desert.” Interview by Nell Frizzell. The Guardian, 30 August 2017.https://www.theguardian.com/artanddesign/2017/aug/30/richard-misrach-best-photograph-swastika-california-desert-interview

Pogrebin, Robin. "Art Installation Shares Sights and Sounds of the Border" (Pace Gallery exhibition review). The New York Times, 25 June 2017. https://www.nytimes.com/2017/06/22/arts/design/art-installation-shares-sights-and-sounds-of-the-border.html

Seikaly, Roula. “’Writing on the Wall’ Captures Divisive Politics in Textural Traces” (Fraenkel Gallery exhibition review). KQED, 20 July 2017. https://www.kqed.org/arts/13690295/writing-on-the-wall-captures-divisive-politics-in-textural-traces

Signature Lecture: Border Cantos, Wilson College, Princeton, New Jersey, September 27, 2017. Online video, 1:28:50.

Rodriguez, Emily. “An Introduction to Border Cantos: Sight & Sound Explorations from the Mexican-American Border.” Crystal Bridges YouTube Channel, 10 February 2017. Online video, 1:45.

Yau, John. "Richard Misrach and Guillermo Galindo Mourn the Fate of Immigrants" (Pace Gallery exhibition review). Hyperallergic, 5 August 2017. https://hyperallergic.com/394331/richard-misrach-and-guillermo-galindo-border-cantos-pace-2017/

2016

Chun, Kimberly. “Mexican Border Brings Objects Together.” SF Gate, 24 February 2016. http://www.sfgate.com/art/article/Mexican-border-brings-artists-together-6851754.php.

Desmarais, Charles. “Misrach Images Capture Spirit of a Border.” SF Gate, 27 May 2016. https://www.sfgate.com/news/article/Misrach-images-capture-spirit-of-a-border-7949695.php

Galindo, Guillermo. “Along the US-Mexico Border, an Unlikely Music is Born.” Interview by Gabe Meline. KQED, 4 February 2016. https://www.kqed.org/arts/11301274/guillermo-galindo-border-cantos-instruments-interview.

Galindo, Guillermo. “Guillermo Galindo's Border Cantos performance at SJMA July 25, 2016.” San Jose Museum of Art Youtube Channel, 25 October 2016.

Gempel, Natalie. “Picking Up Art from the Border.” D Magazine, 31 October 2016. https://www.dmagazine.com/arts-entertainment/2016/10/picking-up-art-from-the-border/

Taylor, Robert. “’Border Cantos’ — Memorable Journey in Sight and Sound.” The Mercury News, 26 February 2016.

Washington, John. “These Haunting Photos Show the Deadly Absurdity of the US-Mexico Border Wall.” The Nation, 11 May 2016. https://www.thenation.com/article/archive/requiem-along-the-wall/

2015

“An Archival Interview with Richard Misrach.” Aperture, 31 August 2015.

https://aperture.org/editorial/archival-interview-richard-misrach/

Baker, Kenneth. “Richard Misrach’s Photos at Fraenkel Gallery” (exhibition review). SFGATE, 1 May 2015. https://www.sfgate.com/art/article/Richard-Misrach-s-people-in-the-camera-s-6236003.php

Guida, John and Sara Barrett. “Click Here for the Beach” (book review). The New York Times, 5 May 2015. https://takingnote.blogs.nytimes.com/2015/05/05/click-here-for-the-beach/.

Hession, Stephanie Wright. “Desert Has Been Fertile for Photographer Richard Misrach.” SFGATE, 8 April 2015. https://www.sfgate.com/art/article/Desert-has-been-fertile-for-photographer-Richard-6187798.php

“Lost in Transparency: The Mysterious Opacity of Other Beings by Richard Misrach.” Entropy Magazine, 30 June 2015.

2014

Chianese, Robert Louis. “Arts Lab: Is Nature Photography Too Beautiful?” American Scientist 102, no. 1 (January–February 2014): 64–67. https://www.americanscientist.org/article/is-nature-photography-too-beautiful

Misrach, Richard and Guillermo Galindo. “Border Signs: Turning a Lens on the Tragedy and Mystery of the U.S.–Mexico frontier.” The California Sunday Magazine, 2 November 2014. https://story.californiasunday.com/richard-misrach-border-signs/

Misrach, Richard and Guillermo Galindo. “Lost – Then Found – Along the Border, Objects Become Art.” Interview with Tess Vigeland.NPR, 22 November 2014. https://www.npr.org/2014/11/22/365937723/lost-then-found-along-the-border-objects-become-art

Perkiewicz, Patrycja. “Petrochemical America—Richard Misrach and Kate Orff.” Journal of Landscape Architecture 9, no. 2 (June 2014): 72–73.

2013

“Galleries–Uptown: Richard Misrach” (Pace Gallery exhibition review). The New Yorker 89, no.19 (1 July 2013): 12.

Hodgson, Francis. “‘Submerged Trailer, Salton Sea, California’ by Richard Misrach.” Financial Times, 15 January 2013.

Peck, Julia. “Petrochemical America by Richard Misrach and Kate Orff” (book review). Dandelion: Postgraduate Arts Journal 4, no. 2 (Winter 2013).

Pollack, Barbara. "Richard Misrach's Monumental Photographs." Architectural Digest, 1 April 2013.

“Richard Misrach: The Story Behind an Artwork, in the Artist’s Own Words” (Pace Gallery exhibition review). Artinfo, May 2013.

Robertson, Rebecca. "Richard Misrach: Pace/MacGill Gallery" (exhibition review). Art News (September 2013): 98–99, illustrated.

Taylor, Tracey. “Richard Misrach: Photographing Beauty Can Be Tricky.” Berkeleyside, 19 November 2013. https://www.berkeleyside.com/2013/11/19/richard-misrach-photographing-beauty-can-be-tricky

2012

Gallagher, Lauren. “Richard Misrach’s Golden Gate dreams”. The San Francisco Examiner, 30 May 2012.

Kino, Carol. “The South From Many Angles.” The New York Times, 21 June 2012. https://www.nytimes.com/2012/06/24/arts/design/picturing-the-south-photos-at-high-museum-in-atlanta.html

Shaheen, Suzanne. “Petrochemical America: Picturing Cancer Alley.” The New Yorker, 14 September 2012. https://www.newyorker.com/culture/photo-booth/petrochemical-america-picturing-cancer-alley

Sun, Feifei. “Revisiting the South: Richard Misrach’s Cancer Alley.” Time LightBox, 1 June 2012. https://time.com/3788966/richard-misrach/

Taylor, Tracey. “On 20th Anniversary, Community Remembers Firestorm.” Berkeleyside, 6 October 2011. https://www.berkeleyside.com/2011/10/06/twenty-years-on-community-to-commemorate-firestorm

2011

Bradner, Liesl. “1991: The Oakland-Berkeley Fire Aftermath, Photographs by Richard Misrach.” Los Angeles Times, 25 September 2011. https://latimesblogs.latimes.com/culturemonster/2011/09/1991-the-oakland-berkeley-fire-aftermath-photographs-by-richard-misrach-.html

Hotchkiss, Sarah. “1991: Richard Misrach’s Vision of the Oakland-Berkley Fire.” KQED, 26 October 2011. https://www.kqed.org/arts/73138/1991_richard_misrachs_vision_of_the_oaklandberkeley_fire

Littlejohn, David. “Following the Flames” (Oakland Museum of Art exhibition review). The Wall Street Journal, 20 December 2011.

https://www.wsj.com/articles/SB10001424052970203914304576631420492598888

Modenessi, Jennifer. “Oakland Hills Fire 20 Years Later.” San Jose Mercury News, 10 December 2011. https://www.mercurynews.com/2011/10/11/oakland-hills-fire-20-years-later-2/.

Sun, Feifei. “The 1991 Oakland-Berkeley Fire Revisited.” TIME Light Box, 14 October 2011. https://time.com/3781879/the-oakland-berkeley-fire-revisited/

Taylor, Tracey. “Richard Misrach: A Focus on the After-Story.” Berkeleyside, 1 August 2011. https://www.berkeleyside.com/2011/08/01/richard-misrach-a-focus-on-the-after-story

Taylor, Tracey. “20 Years After Fire, Revelation and Tribute” (Oakland Museum of Art exhibition review). The New York Times, 21 October 2011. https://www.nytimes.com/2011/10/21/us/richard-misrach-reveals-his-images-of-oakland-berkeley-fire.html.

2010

Doctorow, E.L. “American: Nowhereandhere: A Multimedia Exhibition Organized and Curated by Eric Fischel.” Aperture no. 200 (Fall 2010): 66.

Hall, Scott. “In Focus: Richard Misrach” (Pace Gallery exhibition review). The New York Times, 16 February 2010.

George, Lynell. “Book Review: ‘Destroy This Memory” (book review). Los Angeles Times, 5 September 2010. https://www.latimes.com/archives/la-xpm-2010-sep-05-la-ca-destroy-this-memory-20100905-story.html

Klaasmeyer, Kelly. “Katrina Graffiti” (Museum of Fine Arts, Houston exhibition review). Houston Press, 8 September 2010.

Mobilio, Albert. “Destroy This Memory” (book review). Bookforum, 14 September 2010. https://www.bookforum.com/print/1703/-6335.

Morgan, Rachel. “Remembrance, in New Orleans.” The Observer, 18 September 2010. https://observer.com/2010/08/remembrance-in-new-orleans/.

O’Neill, Claire. “Post-Katrina, Graffiti Said It All.” NPR, 17 August 2010. https://www.npr.org/sections/pictureshow/2010/08/17/129251257/misrach.

Princenthal, Nancy. “Richard Misrach” (Pace Gallery exhibition review). Art in America, May 2010. https://www.artnews.com/art-in-america/aia-reviews/richard-misrach-60573/.

Schoeman, Gerhard. “Photography’s Disaster: Reproducibility and Ruined Originals in Andy Warhol, Guy Tillim, Richard Misrach, and Christo Doherty.” ArtSouthAfrica 10, no. 1 (Spring 2011): 56–57.

“Silent Landscape.” Exit, no. 38 (May–July 2010): 81–83.

2009

Baker, Kenneth. “Binh Danh Daguerreotypes of Khmer Rouge Victims.” SFGATE, 17 January 2009.

2008

Fletcher, Kenneth. “Richard Misrach’s Ominous Beach Photographs.” Smithsonian Magazine, August 2008. https://www.smithsonianmag.com/arts-culture/richard-misrachs-ominous-beach-photographs-979981/

Gopnik, Blake. “Not a Care in the World: Nature for the Untroubled” (National Gallery of Art exhibition review). The Washington Post, 15 June 2008. https://www.washingtonpost.com/wp-dyn/content/article/2008/06/12/AR2008061202261.html

Misrach, Richard. “Richard Misrach: Untitled.” Aperture, no. 193 (Winter 2008): 44–53.

2006

Gefter, Philip. "Beauty as a Firebomb in the War on Nature" (book review). The New York Times, 19 February 2006. https://www.nytimes.com/2006/02/19/arts/design/beauty-as-a-firebomb-in-the-war-on-nature.html

Helfand, Glen. “Book Review: Richard Misrach at Fraenkel Gallery” (book review). Art on Paper 10, no. 5 (May–June 2006): 79.

2005

Misrach, Richard. “Remembrance: The Author Remembers Kim Zorn Caputo, Founder of Blind Spot.” Aperture, no. 180 (2005): 77.

Misrach, Richard. “Portfolio: At Sea.” The New York Times, 17 July 2005.

2004

Misrach, Richard. “On the Beach.” Aperture, no. 174 (Spring 2004): 2–31.

http://issues.aperture.org/article/2004/01/01/on-the-beach-photographs-by-richard-misrach

2003

Keats, Jonathon. “How Cupid Lost His Head: Richard Misrach is focusing his lens on painting, by photographing details.” Art News102, no. 3 (2003): 106.

2002

Myers, Julian. “Richard Misrach” (Berkeley Art Museum exhibition review). Frieze, no. 71 (11 November 2002). https://www.frieze.com/article/richard-misrach

2001

Misrach, Richard. “Out there under the stars, Richard Misrach has been photographing the American wilderness for a couple of decades. Not that you will like what he sees. He tells all to Simon Bainbridge.” Interview with Simon Bainbridge. The British Journal of Photography, no. 7327 (2001): 14.

Misrach, Richard and Jason Berrry. “Cancer Alley: The Poisoning of the American South.” Aperture, no. 162 (Winter 2001): 30–43.

2000

Beck, J. “Blown Away: Wars Visible and Invisible in Richard Misrach’s Desert Cantos.” European Journal of American Culture 19, no. 3 (2000): 156–166.

Misrach, Richard. “The Machine in the Garden: An Interview with Richard Misrach.” Interview with R. Dusseault. Arts Paper Magazine, no. 24 (2000): 28–33

Misrach, Richard. “The Photographic Books of Jeff Bridges.” Aperture, no. 159 (2000): 40.

1998

Mantegna, Gianfranco. “Richard Misrach Chasing the Light.” On Paper 2, no. 6 (July–August 1998): 30–33.

“Richard Misrach.” Modern Painters, May 2013: 46.

1997

Mantegna, G. “Richard Misrach: Bitter Songs from the Desert.” GRAPHIS 52, no. 307 (1997): 64–71.

Misrach, Myriam Weisang. “Richard Misrach.” Aperture, no. 146 (Winter 1997): 62–71.

1996

“Reviewed Work: Splendors: The Desert Cantos of Richard Misrach.” On Paper 1, no. 2 (November–December 1996): 42.

1995

Hagen, Charles. “Art in Review: Richard Misrach” (Curt Marcus Gallery exhibition review). The New York Times, 3 October 1995. https://www.nytimes.com/1995/03/10/arts/art-in-review-945295.html

1993

Davis, Mike. “The Dead West: Ecocide in Marlboro Country.” New Left Review, July–August 1993.

1991

Kozloff, Max. “Ghastly News from Epic Landscapes.” American Art 5, no. ½ (Winter/Spring 1991): 108–131, illustrated.

1990

Misrach, Richard. “Documenting America’s Wounded Landscape.” Earth Island Journal 5, no. 2 (Spring 1990): 28–29.

Solnit, Rebecca. “Reclaiming History: Richard Misrach and the Politics of Landscape Photography.” Aperture, no. 120 (Late Summer 1990): 30–35.

1988

Levy, Mark. “Richard Misrach at the Oakland Museum and Fraenkel, Oakland.” Art in America, 1988.

Misrach, Richard and Jerald Frampton. “And.” Harper’s, July 1998: 15.

1985

Misrach, Richard. “The Illusion of Fact.” Aperture, no. 98 (Spring 1985): 16–27.

1980

Ratcliff, Carter. “Richard Misrach: Words & Images.” The Print Collector’s Newsletter 10, no. 6 (January–February 1980): 181–184.

2024

Between Art and Nature. Photographs from the collection of Carla Sozzani (exhibition catalogue). Text by Maddalena Scarzella. Como, Italy: Wonderlake Books, 2023: n.p., illustrated.

Graziani, Stefano and Bas Princen, eds. The Lives of Documents: Photography as Project. Text by Stefano Boeri, Guido Guidi, Naoya Hatakeyama, Takashi Homma, Roni Horn, Jeff Wall, et al. Cologne: Walther König, 2024.

2023

Gillham, Will, ed. Carter Handbook. Fort Worth, Texas: Amon Carter Museum of American Art, 2023: 270, illustrated.

2022

Aletti, Vince. The Drawer. London: spbh editions, 2023: 55, illustrated.

Richard Misrach: Notations. Text by Darius Himes. Santa Fe, New Mexico: Radius Books, 2022.

2021

Devour the Land: War and American Landscape Photography since 1970 (exhibition catalogue). Cambridge, Massachusetts: Harvard Art Museums, 2021: 91−94, illustrated.

Misrach, Richard. Richard Misrach on Landscape and Meaning (The Photography Workshop Series). New York: Aperture Foundation, 2021.

1976-1986: Une décennie de photographie couleur (exhibition catalogue). Paris: Liénart, 2021: 194–199, illustrated.

2020

Act of Sight: The Tsiaras Family Photography Collection (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2020: 13, illustrated.

Richard Misrach on Landscape and Meaning. Texts by Richard Misrach, Lucas Foglia and Meghann Riepenhoff. New York: Aperture Foundation, 2020.

2019

Blight, Daniel C., ed. The Image of Whiteness. New York: DAP, 2019: 47–51.

Respini, Eva and Ruth Erickson, ed. When Home Won’t Let You Stay: Migration through Contemporary Art (exhibition catalogue).Boston and New Haven: The Institute of Contemporary Art and Yale University Press, 2019.

2018

Dear, Michael and Ronald Rael. Califas: Art of the US-Mexico Borderlands (exhibition catalogue). Richmond, California: Richmond Art Center, 2018.

Ewing, William and Holly Roussel, ed. Civilization: The Way We Live Now. London: Thames & Hudson, 2018.

This Land (exhibition catalogue). San Francisco: Pier 24 Photography, 2018.

2017

Richard Misrach: The Writing on the Wall (exhibition catalogue). San Francisco: Fraenkel Gallery, 2017.

2016

Dunn, Erin. Watershed: Contemporary Landscape Photography (exhibition catalogue). Savannah, Georgia: Telfair Museums, Jepson Center, 2016.

Guenin, Helene. Sublime. Les tremblements du monde (exhibition catalogue). Paris: Metz Centre Pompidou-Metz, 2016.

Lash, Miranda Isabel and Trevor Schoonmaker. Southern Accent: Seeking the American South in Contemporary Art (exhibition catalogue). Durham, North Carolina: Duke University Press, 2016.

Misrach, Richard and Guillermo Galindo. Border Cantos: Richard Misrach | Guillermo Galindo (exhibition catalogue). Text by Josh Kun. New York: Aperture Foundation, 2016.

Ramade, Benedicte, ed. The Edge of the Earth: Climate Change in Photography and Video (exhibition catalogue). London: Black Dog Publishing, 2016.

Wurm, Jan. Making our Mark (exhibition catalogue). Richmond, California: Richmond Art Center, 2016.

2015

Misrach, Richard. The Mysterious Opacity of Other Beings. New York: Aperture Foundation, 2015.

2014

Jackson, Jeff, ed. State of Emergency (exhibition catalogue). Text by Marita Sturken and Lia Newman. Davidson, North Carolina: Van Every/Smith Galleries, Davidson College, 2014.

Misrach, Richard, Doug Dertinger, and Nigel Poor. Assignment No 2. Oakland, California: TBW Books, 2014.

The Plot Thickens (exhibition catalogue). Text by Jeffrey Fraenkel. San Francisco: Fraenkel Gallery, 2014.

2013

Cameron, Dan. California Landscape into Abstraction: Works from the Orange County Museum of Art (exhibition catalogue). Newport Beach, California: Orange County Museum of Art, 2013.

Misrach, Richard. 11.21.11 5:40 PM. San Francisco: Fraenkel Gallery, 2013.

Misrach, Richard. iPhone Studies: Reverse Scrubs (One Picture Book). Portland, Oregon: Nazraeli Press, 2013.

Rohrbach, John. Color: American Photography Transformed (exhibition catalogue). Text by Sylvie Penichon. Austin and Fort Worth, Texas: University of Texas Press and Amon Carter Museum of American Art, 2013.

2012

Richard Misrach: Golden Gate, 3rd Edition. San Francisco: Fraenkel Gallery, 2012.

Misrach, Richard. Petrochemical America (exhibition catalogue). Text by Katie Orff. New York: Aperture Foundation, 2012.

Zuckerman, Heidi. The Residue of Memory (exhibition catalogue). Aspen: Aspen Art Museum and Aspen Art Press, 2012.

2011

1991: The Oakland-Berkeley Fire Aftermath, Photographs by Richard Misrach (exhibition catalogue). Annandale-on-Hudson, New York: Blind Spot Magazine and Photo-Based Art, 2011.

HERE (exhibition catalogue). San Francisco: Pier 24 Photography, 2011: 21–23, illustrated.

Hovi-Assad, Pia, John Grande, and Peter Selz. ECO-ART (exhibition catalogue). Pori, Finland: Pori Art Museum, 2011.

Kraus, Karola, ed. Museum of Desires (exhibition catalogue). Berlin: Distanz, 2011.

Smith, Joel. The Life and Death of Buildings: On Photography and Time (exhibition catalogue). Princeton: Princeton University Art Museum, 2011.

Ware, Katherine. Earth Now: American Photography and the Environment (exhibition catalogue). Santa Fe,New Mexico: Museum of New Mexico Press, 2011.

Wells, Liz. Land Matters: Landscape Photography, Culture and Identity. London: I.B.

Tauris, 2011.

2010

From the Collection of Randi and Bob Fisher (exhibition catalogue). San Francisco: Pier 24 Photography, 2010.

Kennel, Sarah, Diane Waggoner, and Alice Carver-Kubik. In the Darkroom: Photographic Processes Before the Digital Age (exhibition catalogue). Washington D.C. and New York: National Gallery of Art and Thames & Hudson, 2010.

Misrach, Richard. Richard Misrach: Destroy This Memory (exhibition catalogue). New York: Aperture Foundation, 2010.

Mobley, Chuck. An Autobiography of the San Francisco Bay Area Part 1: San Francisco Plays Itself (exhibition catalogue). San Francisco: SF Camerawork Publications, 2010.

Moore, Kevin, ed. Starburst: Color Photography in America 1970-1980 (exhibition catalogue). Text by James Crump and Leo Rubinfien. Ostfildern, Germany: Hatje Cantz, 2010.

Von Berwordt-Wallrabe, Silke and Volker Rattemeyer. Landschaft als Weltsicht (exhibition catalogue). Cologne: Wienand, 2010.

2009

Respini, Eva. Into the Sunset: Photography's Image of the American West (exhibition catalogue). New York: The Museum of Modern Art, 2009.

Sasse, Julie. Trouble in Paradise: Examining Discord Between Nature and Society (exhibition catalogue). Tuscon: Tuscon Museum of Art, 2009.

2008

Longwell, Alicia Grant. Sand: Memory, Meaning and Metaphor (exhibition catalogue). Southampton: Parrish Art Museum, 2008.

Orgeman, Keely. Atomic Afterimage: Cold War Imagery in Contemporary Art (exhibition catalogue). Boston: Boston University Art Gallery, 2008.

Photographic Formalities: From Ansel Adams to Weegee (exhibition catalogue). Gainesville, Florida: Samuel P. Harn Museum of Art, 2008.

Tracks: The Railroad in Photographs from the George Eastman House Collection (exhibition catalogue). Rochester, New York: George Eastman House, 2008.

2007

Lombino, Mary-Kay. Utopian Mirage: Social Metaphors in Contemporary Photography and Film (exhibition catalogue). Poughkeepsie, New York: The Frances Lehman Loeb Art Center, Vassar College, 2007.

Misrach, Richard. On the Beach (exhibition catalogue). New York: Aperture Foundation, 2007.

Nothing and Everything: Drawing, Painting, Photography & Sculpture 1896-2006 (exhibition catalogue). San Francisco: Fraenkel Gallery, 2007.

2006

Fraenkel, Jeffrey and Peter Freeman. Nothing and Everything (exhibition catalogue). San Francisco and New York: Fraenkel Gallery and Peter Freeman Gallery, 2006.

Geiger, Matthias and Renny Pritikin. Joint Venture: Selections from the Ramer Collection and Selected Photographs (exhibition catalogue). Davis, California: Richard L. Nelson Gallery, 2006.

McKinnon, E. Luanne. Revising Arcadia: The Landscape in Contemporary Art (exhibition catalogue). Winter Park, Florida: Cornell Fine Arts Museum, Rollins College, 2006.

Nguyen, Betty. Cosmic Wonder (exhibition catalogue). San Francisco: Yerba Buena Center for the Arts, 2006.

Scott, Amy, ed. Yosemite: Art of an American Icon (exhibition catalogue). Los Angeles: Autry National Center, 2006.

Tawadros, Gilane. Brighton Photo Biennial: Nothing Personal (exhibition catalogue). Brighton, United Kingdom: Brighton Museum and Art Gallery, 2006.

2005

Cecil, Janis Gardner. Landscape/Cityscape, Marlborough Gallery (exhibition catalogue). New York: Marlborough, 2005.

Cooper, Marilyn and Katherine Plake Hough. Contemporary Desert Photography: The Other Side of Paradise (exhibition catalogue). Palm Springs: Palm Springs Art Museum, 2005.

Martin, Lesley. Richard Misrach: Golden Gate, Second Edition. New York: Aperture Foundation, 2005

Misrach, Richard. Chronologies (exhibition catalogue). San Francisco: Fraenkel Gallery, 2005.

2004

Action, David. Keeping Shadows: Photography at the Worcester Art Museum (exhibition catalogue). Worcester, Massachusetts: Worcester Art Museum in association with Snoeck Publishers, 2004.

Higg, Matthew, Kevin Killian, and David Robbins. Likeness: Portraits of Artists by Other Artists (exhibition catalogue). New York and San Francisco: Independent Curators International and CCA Wattis Institute for Contemporary Arts, 2004.

2003

The Eye Club (exhibition catalogue). San Francisco: Fraenkel Gallery, 2003.

Fusco, Coco. Only Skin Deep: Changing Visions of the American Self (exhibition catalogue). New York: Abrams, 2003.

Grunberg, Andy. The Land Through a Lens (exhibition catalogue). Washington D.C.: Smithsonian American Art Museum, 2003.

Higgs, Matthew. The Gray Area: Uncertain Images: Bay Area Photography 1970’s to Now (exhibition catalogue). San Francisco: CCA Wattis Institute for Contemporary Arts, 2003.

2002

Harkavy, Donna and Helaine Posner, ed. The Culture of Violence. Amherst, Massachusetts: University Gallery, University of Massachusetts, Amherst, 2002.

Misrach, Richard. A Blind Spot Book: Pictures of Paintings. Texts by Weston Narf and Navjotika Kumar. New York: Powerhouse Cultural Entertainment Books, 2002.

Wolf, Sylvia. Visons from American: Photographs from the Whitney Museum of American Art, 1940-2001 (exhibition catalogue). Munich and New York: Prestel and Whiney Museum of American Art, 2002.

2001

Gether, Christian. The Wild West: Painting, Photography, Sculpture and Native American Art from the American West (exhibition catalogue). Ishoj, Denmark: Arken Museum of Modern Art, 2001.

Gillham, Will, ed. An American Collection: Works from the Amon Carter Museum (exhibition catalogue). New York: Hudson Hills Press in association with the Amon Carter Museum, 2001.

Heath Johnson, Drew and Petr Palmquist. Capturing Light Masterpieces of California Photography, 1850 to the Present (exhibition catalogue). New York and Oakland, California: W.W. Norton and Oakland Museum of California, 2001.

In Response to Place (exhibition catalogue). Texts by Andy Grumberg and Terry Tempest Williams. Boston: Bulfinch Press, 2001.

Misrach, Richard. Golden Gate. Texts by T.J. Clark and Richard Walker. Santa Fe, New Mexico: Arena Editions, 2001.

2000

Ermacora, Beate and Hans-Werner Schmidt. Desert & Transit (exhibition catalogue). Kiel, Germany and Leipzig, Germany: Schleswig-Holsteinischer Kunstverein in der Kunsthall zu Kiel and Museum der bildenen Kunste Leipzig, 2000.

Faccioli, Davide, ed. 100 al 2000: Il Secolo della Fotoarte (exhibition catalogue). Bologna, Italy: Photology, 2000.

Haskell, Barbara and Lisa Phillips. The American Century: Art & Culture 1950-2000 (exhibition catalogue). New York: Whitney Museum of American Art, 2000.

Misrach, Richard and Rebecca Solnit. The Sky Book. Santa Fe, New Mexico: Arena Editions, 2000.

McNear, Sarah Anna. The Angle of Repose: Four American Photographers in Egypt (exhibition catalogue). Chicago: Oriental Institute Museum and LaSalle Bank, 2000.

Moldenhauer, Susan. Landscape 2000. Laramie, Wyoming: University of Wyoming Art Museum, 2000.

Murphy, Patrick and Richard Torchia. The Sea and the Sky (exhibition catalogue). Glenside, Pennsylvania and Dublin: Beaver College Art Gallery and Royal Hibernian Academy, 2000.

Oliver-Smith, Kerry. The Swamp: On the Edge of Eden (exhibition catalogue). Gainesville, Florida: Samuel P. Harn Museum of Art, University of Florida, 2000.

Singer, Deborah. Expanding Horizons: Landscape Photographs from the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 2000.

1999

Into the 21st Century: Selections from the Permanent Collection, San Jose Museum. San Jose, California: San Jose Museum of Art, 1999.

Misrach, Richard. Cantos del Desierto (exhibition catalogue). Text by Myriam Weisang Misrach. Granada, Spain: Diputacion Provincial, 1999.

1998

Burchfield, Jerry, ed. Light as Substance (exhibition catalogue). Cypress, California: Cypress College, 1998.

1997

Francis, Mark, Margery King, ed. The Warhol Look: Glamour, Style, Fashion (exhibition catalogue). Boston: Little, Brown & Co, 1997.

Morgan, Dahlia, ed. American Art Today: The Garden (exhibition catalogue). Text by Mario Naves. Miami: The Art Museum at Florida International University, 1997.

Scene of a Crime (exhibition catalogue). Texts by Ralph Rugoff, Anthony Widler, and Peter Wollen. Cambridge, Massachusetts: MIT Press, 1997

1996

Castleberry, May. Perpetual Mirage: Photographic Narratives of the Desert West (exhibition catalogue). New York: Whitney Museum of Art, 1996.

Legacy of Light: Master Photographs from the Cleveland Museum of Art (exhibition catalogue). Cleveland, Ohio: Cleveland Museum of Art, 1996.

Misrach, Richard, Anne Tucker, and Rebecca Solnit. Crimes and Splendors: The Desert Cantos of Richard Misrach (exhibition catalogue). Houstonand Boston: Museum of Fine Arts, Houston and Bulfinch Press, 1996.

1995

Stack, Trudy Wilner. Art Museum (exhibition catalogue). Tucson, Arizona: Center for Creative Photography, University of Arizona, 1995.

1994

Bruce, Chris, Andy Grunberg, and Richard Andrews. After Art: Rethinking 150 Years of Photography (exhibition catalogue). Seattle: Henry Art Gallery, University of Washington, 1994.

Tucker, Anne Wilkes and Dennis Ivy. Quest for the Moon and Other Stories: Three Decades of Astronauts in Space (exhibition catalogue). Houston: Museum of Fine Arts, 1994.

John Beardsley et al. Visions of America: Landscape as Metaphor in the Late Twentieth Century (exhibition catalogue). Denver, Colorado: Denver Art Museum, 1994.

1993

Ritchin, Fred and Carole Nagger, ed. Mexico Through Foreign Eyes: 1850-1990 (exhibition catalogue). New York: W.W. Norton & Co, 1993.

1992

Between Home and Heaven: Contemporary American Landscape Photography from the Consolidated Natural Gas Company Collection of the National Museum of American Art, Smithsonian Institution (exhibition catalogue). Texts by Merry Foresta, Stephen Jay Gould and Karal Ann Marling. Washington D.C.: National Museum of American Art, Smithsonian Institution in association with the University of New Mexico Press, Albuquerque, New Mexico, 1992.

Dugan, Ellen, ed. This Sporting Life, 1878-1991. Texts by Harvey Green, John Hoberman, and Peter Schjeldahl. Atlanta: High Museum of Art, 1992.

Misrach, Richard. Violent Legacies: Three Cantos. Text by Susan Sontag. New York: Aperture Foundation, 1992.

1991

Aldrich Museum of Contemporary Art. Landscapes of Consequence (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1991.

Armstrong, Richard. 1991 Biennial: Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art in association with W.W. Norton, 1991.

1990

Bruce, Chris. Myth of the West (exhibition catalogue). New York and Seattle: Rizzoli and Henry Art Gallery, University of Washington, 1990.

Misrach, Richard. Bravo 20: The Bombing of the American West. Text by Miriam Weisang Misrach. Baltimore: The John Hopkins University Press, 1990.

The New American Pastoral Landscape Photography in the Age of Questioning (exhibition catalogue). Rochester, New York: International Museum of Photography at George Eastman House, 1990.

1989

Albuquerque, Lita and Richard Misrach. Landscape as Thought (exhibition catalogue). Text by Jan Butterfield. Fullerton, California: Main Art Gallery, California State University, Fullerton, 1989.

Davis, Keith. Night Light: A Survey of 20th Century Night Photography (exhibition catalogue). Kansas City, Missouri: Nelson-Atkins Museum of Art, 1989.

Enyeart, James and Estelle Jussim. Decade by Decade: Twentieth-Century American Photography from the Collection of the Center for Creative Photography (exhibition catalogue). Boston: Bulfinch Press, 1989.

1988

Richard Misrach: Photographs 1975-1987 (exhibition catalogue). Tokyo: Gallery Min, 1988.

1987

Misrach, Richard. Desert Cantos (exhibition catalogue). Text by Reyner Banham. Albuquerque, New Mexico: University of New Mexico Press, 1987.

Misrach, Richard. Photographs of the American Desert (exhibition catalogue). The Oakland Museum, 1987.

1986

Contemporary American Photography: Part I (exhibition catalogue). Tokyo: Gallery Min, 1986.

1985

Klausner, Betty, ed. Focus Santa Barbara: Santa Barbara Contemporary Arts Forum, September 22- October 27, 1985 (exhibition catalogue). Text by Ulrich Keller. Santa Barbara, California: The Forum, 1985.

Turner, Peter, ed. American Images: Photography 1945-1980 (exhibition catalogue). Harmondsworth, England: Penguin Books, 1985.

1984

Construire les Paysages de la Photographie (exhibition catalogue). Metz, France: Metz pour la photographie, 1984. 

Katzman, Louise. Photography in California, 1945-1980. New York: Hudson Hill Press in association with the San Francisco Museum of Modern Art, 1984.

1982

Johnson, Deborah, ed. California Photography (exhibition catalogue). Providence, Rhode Island: Museum of Art, Rhode Island School of Design, 1982.

Siegel, Arthur. Color as Form: A History of Color Photography. Rochester, New York: International Museum of Photography, 1982.

1981

Hanhardt, John, Barbara Haskell, Richard Marshall, and Patterson Sims. 1981 Whitney Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of Art, 1981: 77, illustrated.

Ketchum, Robert Glenn and Robert Cahn. American Photographers and The National Parks (exhibition catalogue). New York and Washington, D.C.: Viking Press and National Park Foundation, 1981.

Heyman, Therese Thau. Slices of time: California landscapes 1860-1880 and 1960-1980 (exhibition catalogue). Text by Ted Hedgpeth and Therese Thau Heyman. Oakland, California: Oakland Museum, 1981.

1980

Kalamazoo Collects Photography (exhibition catalogue). Kalamazoo, Michigan: Kalamazoo Institute of Arts, 1980.

Katzman, Louise. Beyond Color (exhibition catalogue). San Francisco: San Francisco Museum of Modern Art, 1980.

Rubinstein, Andrea and James Ballinger. Visitors to Arizona 1846 to 1980: Catalogue and Essays (exhibition catalogue). Phoenix, Arizona: Phoenix Art Museum, 1980.

Sheldon, James. Aspects of 1970s Photography: Recent Directions (exhibition catalogue). Massachusetts: n.p., 1980. 

1979

Danese, Renato, ed. American Images: New Work by Twenty Contemporary Photographers (exhibition catalogue). New York: McGraw Hill, 1979.

Misrach, Richard. Night Desert (exhibition catalogue). San Francisco: Grapestake Gallery, 1979.

Parker, Fred. Attitudes: Photography in the 1970’s (exhibition catalogue). Santa Barbara, California: Santa Barbara Museum of Art, 1979.

1978

Blanco, Lazaro and Eugenia Meyer. Imagen Historica de la Fotografia en Mexico (exhibition catalogue). Mexico City: Museo Nacional de Historia y Museo Nacional de Antropologia, 1978.

Szarkowski, John. Mirrors and Windows: American Photography Since 1960 (exhibition catalogue). New York: Museum of Modern Art, 1978.

1977

Young American Photography (exhibition catalogue). Kalamazoo, Michigan: Kalamazoo Institute of the Arts, 1977.

1974

Misrach, Richard. Telegraph 3 A.M.: The Streets People of Telegraph Avenue, Berkeley, California. Berkeley, California: Cornucopia Press, 1974.