Kylie Manning, Sea Change (Diptych), 2023, oil on linen, 74" × 96" (188 cm × 243.8 cm), each panel, 148" × 96" (375.9 cm × 243.8 cm), overall © Kylie Manning Kylie Manning © Meghan Marin Details:b. 1983, Juneau, AlaskaConnect: (opens in a new window) kyliemanning.com (opens in a new window) @manningkyliePace Publishing: (opens in a new window) Shop Now Read More Kylie Manning draws on the latitudes and atmospheres of place to create ethereal paintings that exist on the precipice between convergence and dissolution. Raised between Alaska and various regions of Mexico, Manning grew up surrounded by environments shaped by extreme weather, light, and tides—conditions that continue to inform the spatial and phenomenological logic of her paintings.Moments from her personal history, such as simultaneously witnessing the Northern Lights and bioluminescence while working aboard a commercial fishing boat in Alaska and learning to read the open water while surfing in Mexico, cultivated an embodied attunement to the forces and rhythms of land and sea. Manning’s paintings act as sites of devotion to these geographies, temperatures, and memories, all refracted through the lens of time. Manning’s works feel simultaneously diaphanous and unyielding; they vibrate with energy and light, flickering before the viewer’s eyes.Manning approaches painting as a process of excavation—one in which the image is gradually uncovered rather than explicitly described. Her compositions occupy a state of continual becoming, shifting fluidly between landscapes and souls, often centering on ethereal, gestural, and genderless figures situated within expansive, disparate environments. Some figures appear clearly, while others are alluded to through lyrical swathes of paint that suggest the contour of a face or the curve of a body. Here, souls register as atmosphere, landscapes become a repository for memory, and light functions as both subject and material—a force through which her images coalesce and dissipate. Her paintings unfold across time, revealing their histories through the sustained act of looking while resisting a fixed narrative. Manning's compositions provide only a few points of orientation, offering viewers rare but essential means of navigation.While her paintings primarily originate from within themselves, Manning draws on a range of source material including family photographs, personal photography, and live models—often friends and members from her creative circle. In 2023, choreographer Christopher Wheeldon invited Manning to collaborate on a new production for the New York City Ballet titled From You Within Me. To create her renowned landscapes, which were transferred onto two monumental scrims spanning the full width of the stage, Manning began by sketching during rehearsals as the dancers and choreographers found the lines of form inspired by her paintings. Through the resulting “momentum studies,” Manning deepened her career-spanning engagement with the information of form and her investigation of pacing and movement.Manning begins each body of work as a family, in which paintings may exist in dialogue with one another while remaining independent. She does not use sketches or predetermined compositions; instead, each image is discovered through process. Manning develops her surfaces by first applying rabbit-skin glue as a primer, followed by successive layers of oil ground, each of which is sanded down. When she eventually incorporates color, she does so by grinding pure pigment with safflower oil, which is washed, rolled, wiped, and pulled from the surface. Through layers of accumulation and erasure, she builds her works using translucent washes, fine frenetic sketches, and decisive gestures, allowing the surfaces to grow and recede like estuaries.In her recent practice, Manning has explored new compositional challenges of perspective, depth, and scale. Her large-scale triptych At the edge of things (2025) explores three impossible perspectives fused across the canvases: a steep landscape gives way to a mountain of entangled bodies before zooming out on dense layers of atmosphere. In the diptych The shadows of one another (2026), views from both inside and outside a cave are juxtaposed next to each other, recalling the allegory of the cave, a philosophical thought experiment from Plato’s Republic.Manning often sources pigments from the bedrock of the place that inspired the body of work, allowing her to trace the shifting landscape as it responds to the changing conditions of light, weather, and temperature of its origin. In her most recent works, she incorporates Hampshire and London clay, along with silt from the River Thames, bringing the paintings physically as well as conceptually back to the geography that inspired them. Each layer of paint is separated with a slightly thicker layer of safflower and walnut oil to refract light, a technique common among Dutch Baroque painters, such as Johannes Vermeer. Choreographing landscapes and figures, she balances delicate whirlwinds of color with refined draftsmanship and a contemporary feminist sense of humor.Of Manning, the artist Gaby Collins-Fernandez says: “For Manning, paint is a medium of inconsistency. If a line can be used to describe the parameter of a body which would not exist otherwise, it can also break the continuity of a painted picture. A line can misbehave, it can unstick itself from its place in proper perspective; can contour the wrong parts of the story; remind us that images are not a given in art. If eyes can gaze back at a viewer, so can stains. If brushwork can evoke water, grasses, and mists, it can also do a dance led less by grace than excitement, unsettling a painting laterally, in ripples. If gesture is a language, so are expressions and emoticons.”Through her practice, Manning re-contextualizes the concept of traditionally gendered “masterpieces” with an eye toward contemporary feminism. Her visual lexicon is as much in conversation with Frans Hals as it is with Ruth Asawa. The art historian Theodore Barrow notes that “Manning’s work engages with the sublime in both senses: drawing from an epic tradition of seascapes of [Claude-Joseph] Vernet, [J. M. W.] Turner, [Gustave] Courbet, and [Winslow] Homer, in which immersive, fluid brushstrokes stoke aural networks, so that one feels them viscerally as much as optically. But ‘sublime’ also means to vaporize, to sublimate, and the abstract quality of her work, held in tightrope suspension above the figurative, beckons a non-verbal connection, a sensate bond that speaks to the body, not the mind.”Manning is a graduate of Mount Holyoke College, Massachusetts, with a BA in philosophy and visual arts. While earning an MA from the New York Academy of Art, Manning was sent to Leipzig, Germany, to exhibit and work alongside the New Leipzig School. In Germany, she was exposed to the school’s version of Surrealism, whose tenets she now experiments with in her practice. In 2026, Manning was awarded an honorary doctorate of fine arts from New York Academy of Art.Concurrent with her solo exhibition The Mudlarkers at Pace Gallery, London (October 6–November 14, 2026), Manning will present new paintings in a solo exhibition titled In an Overcast Sky, curated by Akis Kokkinos at the B. & M. Theocharakis Foundation for the Fine Arts and Music in Athens, Greece (October 6, 2026–February 28, 2027). Recent solo exhibitions of her work include Kylie Manning: There is something that stays, Pace Gallery, New York (2025); Kylie Manning: Yellow Sea, Space K, Seoul (2024); Kylie Manning: Sea Change, X Museum, Beijing (2023–24), which traveled to Pace Gallery, Hong Kong (2024); Kylie Manning: You Into Me, Me Into You, Pace Gallery, Geneva (2023); Kylie Manning: Both Sides Now, Pace Gallery, Los Angeles (2022); and Kylie Manning: Zweisamkeit - Being in Two Is No More Than Doubled Solitude, Anonymous Gallery, New York (2021). Her work is held in collections worldwide, including the Baltimore Museum of Art, Maryland; Columbus Museum of Art, Ohio; Institute of Contemporary Art, Miami; Long Museum, Shanghai; X Museum, Beijing; and Yuz Museum, Shanghai. Manning lives and works in Brooklyn, New York. Read More Kylie Manning, Inside Out, 2024, oil on linen, 80" × 96" (203.2 cm × 243.8 cm) © Kylie Manning Kylie Manning, Metronome, oil on linen, 80" × 96" (203.2 cm × 243.8 cm) © Kylie Manning Kylie Manning, The Nature of Nature, 2024, oil on linen, 96" × 80" (243.8 cm × 203.2 cm), 96" × 80" (243.8 cm × 203.2 cm), 96" × 74" (243.8 cm × 188 cm), 96" × 238" (243.8 cm × 604.5 cm), overall installed © Kylie Manning Kylie Manning, What stays with us, and what falls behind, oil on linen, 80" × 118" (203.2 cm × 299.7 cm) © Kylie Manning Kylie Manning, King Tide, 2023, oil on linen, 60" × 84" (152.4 cm × 213.4 cm) © Kylie Manning Kylie Manning, Homage to Sailing Away, 2024, silk and water-based pigment and dye, 18' × 23' (548.6 cm × 701 cm) © Kylie Manning Kylie Manning, The Moon Races Along With Them, 2023, oil on linen, 48" × 60" (121.9 cm × 152.4 cm) © Kylie Manning Kylie Manning, Undertow, 2023, oil on linen, 70" × 90" (177.8 cm × 228.6 cm) © Kylie Manning Kylie Manning, Mischief, 2024, oil on linen, 12" × 16" (30.5 cm × 40.6 cm) © Kylie Manning Exhibitions View All Upcoming Kylie Manning The Mudlarkers Oct 13 – Nov 14, 2026 London Past Goodbye Sadness, Hello Sadness Jul 4 – Aug 23, 2026 Berlin Past Kylie Manning There is something that stays Mar 14 – Apr 19, 2025 New York Past Kylie Manning Sea Change Mar 26 – May 9, 2024 Hong Kong Journal View All Essays Kylie Manning: The Mudlarkers by Marc Glimcher Oct 08, 2026 Museum Exhibitions Kylie Manning at the B & M Theocharakis Foundation Sep 28, 2026 Essays Painting from (Past) Life by Xin Wang Feb 04, 2026 Museum Exhibitions Kylie Manning at Villa Schöningen Oct 12, 2025 One-Artist Exhibitions Group Exhibitions Public Collections Books and Catalogues Periodicals Close One-Artist Exhibitions Kylie Manning One-Artist Exhibitions DatesBorn 1983, Juneau, AlaskaLives and works in Brooklyn, New YorkEducation2010, New York Academy of Art, New York, MFA2006, Magna Cum Laude Double Major in Visual Art and Philosophy, Mount Holyoke College, South Hadley, Massachusetts, BA2025Kylie Manning: Traces of the Body, Villa Schöningen, Potsdam, Germany, October 12, 2025–April 5, 2026.Kylie Manning: There is something that stays, Pace Gallery, 510 West 25th Street, New York, March 14–April 19, 2025.2024Kylie Manning: Yellow Sea, Space K, Seoul, August 9–November 10, 2024.2023Kylie Manning: Sea Change, X Museum, Beijing, December 16, 2023–February 25, 2024. Traveled to: Pace Gallery, Hong Kong, March 26–May 9, 2024. (Catalogue)Kylie Manning: You Into Me, Me Into You, Pace Gallery, Geneva, March 28–May 13, 2023.2022Kylie Manning: Both Sides Now, Pace Gallery, Los Angeles, September 16–October 29, 2022.2021Kylie Manning: Zweisamkeit - Being in Two Is No More Than Doubled Solitude, Anonymous Gallery, New York, May 7–June 18, 2021.2017Kylie Manning: Waldeinsamkeit, KN Gallery, Berlin, 2017.2015Kylie Manning: Aftermath, Sabines Museum of Contemporary Art, Tuxtla Gutierrez, Mexico, 2015.2013Kylie Manning: Fisticuffs, Life Gallery, Leipzig, Germany, 20132012Kylie Manning: In Bester Form, Archive Massive Gallery, Leipzig, Germany, 2012.2011Kylie Manning: Rundgang, Archive Massive Gallery, Leipzig, Germany, 2011. Group Exhibitions Kylie Manning Group Exhibitions 2026Everyone you’re looking at is also you: Artists for the Ali Forney Center, David Zwirner, New York, September 29–October 10, 2026.Goodbye Sadness, Hello Sadness, Pace Gallery, Die Tankstelle, Berlin, July 4–August 23, 2026.Chubb Fellows & Friends, New York Academy of Art, January 21–March 1, 2026.2025Beyond Form, LVH Art, Mumbai, November 9–14, 2025.Domestic Interventions (Part II): The Spirituality of Color, Gladwell Projects, New York, October 2–November 16, 2025.New York Academy of Art CHUBB Fellows and Friends, Green Family Art Foundation, Dallas, Texas, October 4–December 14, 2025.As The Earth Trembles, Pippy Houldsworth Gallery, London, July 11–August 29, 2025.Hubba Hideout (co-organized with Club Rhubarb, New York), CANADA, New York, May 4–July 20, 2025.Rest and Reprieve: A Window into Creative Solitude, Eighth House Residency, CANADA, New York, January 23–February 22, 2025.2024Motion in Stillness: Dance and the Human Body in Movement, Victoria Miro, London, November 21, 2024–January 18, 2025.Wild: Women Abstractionists on Nature, Metropolitan Museum of Manila, Philippines, March 31–June 22, 2024. (Catalogue)The World Behind The World: A Benefit Exhibition For Climate Change, 1969 Gallery, New York, January 18–February 24, 2024.2023X PINK 101, X Museum, Beijing, May 28–August 6, 2023.PRESENT '23: Building the Scantland Collection of the Columbus Museum of Art, Columbus Museum of Art, Ohio, June 8, 2023–October 8, 2023.Tropic of Cancer, Pace Gallery, Palm Beach, Florida, February 9–March 12, 2023.2021Ex-Files, One Mile Gallery, New York, 2021.Stress Tested, Public Gallery, Spitalfields, London, November 18–December 18, 2021.Around the World, Around the World, Woaw Gallery, Hong Kong, September 24–October 23, 2021.Convergent Evolutions: The Conscious of Body Work, Pace Gallery, 510 West 25th Street, New York, New York, September 10–October 23, 2021.Summer Exhibition 2021, New York Academy of Art, New York, June 17–July 11, 2021.Sunsets On Mars Are Blue, John Little Gallery at Duck Creek, East Hampton, New York, June 12–July 18, 2021.Tested, Bond Millen Gallery, Richmond, Virginia, May 7–June 7, 2021.2020Abstract is Not a Style, Hollis Taggart Gallery, Southport, Connecticut, November 5–December 23, 2020.Lichtundfire’s Intersections - The Union Square Show, Lichtundfire, New York, October 10–31, 2020.Covid 19 Diaries, LoVASS Projects, Munich, Germany, opened on July 2, 2020.Glean, Bond Millen Gallery, Richmond, Virginia, December 10, 2020–January 16, 2021.2019Recess, Bond Millen Gallery, Richmond, Virginia, July 11–August 30, 2019.Every Woman Biennial, La Mama Gallery, New York, May 19–29, 2019.2018NGORONGORO II, Lehderstrasse, Berlin, April 26–29, 2018.2017Bobbejaan, Zeedijk/Parijs, Ostend, Belgium, 2017.Het Wilde in Dialoog, De Warande, Turnhout, Belgium, 2017.Remember It, KN Gallery, Berlin, 2017.2016Greenhous, One Mile Gallery, Kingston, New York, 2016.2015Aftermath, Jaime Sabines Museum of Contemporary Art, Tuxtla Gutierrez, Mexico, 2015.2014Spacetime, Farm project Space + Gallery, Wellfleet, Massachusetts, 2014.2013Fisticuffs, Life Bomb Gallery, Leipzig, Germany, 2013.2012In Bester Form, Spinnerei, Leipzig, Germany, 2012.2011Group Exhibition, Archive Massive Gallery (Spring Spinnerei Rundgang), Leipzig, Germany, 2011.2010Group Exhibition, Caps Lock Gallery, Berlin, 2010.The Natural Order, Camel Art Space, New York, 2010.Rundgang, Spinnerei, Leipzig, Germany, 2010.2009100 Year Celebration Exhibition, Spinnerei, Leipzig, Germany, 2009.2008Group Exhibition, Juneau Arts and Humanities Council, Alaska, 2008. Public Collections Kylie Manning Public Collections Baltimore Museum of Art, MarylandColumbus Museum of Art, OhioInstitute of Contemporary Art, MiamiLong Museum, ShanghaiX Museum, BeijingYuz Museum, Shanghai Books and Catalogues Kylie Manning Books 2024Kylie Manning (exhibition catalogue). Text by Ted Barrow. New York: Pace Publishing, 2024.Wild: Women Abstractionists on Nature (exhibition catalogue). Manila, Philippines: Metropolitan Museum of Manila, 2024. Periodicals Kylie Manning Periodicals 2026Laster, Paul. "Highlights from Mexico City Art Week 2026." Art & Object, 12 February 2026. https://www.artandobject.com/slideshows/highlights-mexico-city-art-week-2026McCartney, Claire Valentine. "5 Things to See at Zona Maco 2026, Mexico City’s Biggest Art Fair." W Magazine, 5 February 2026. https://www.wmagazine.com/culture/zona-maco-2026-art-fair-zelika-garcia-interview"New York Academy of Art Presents 'Chubb Fellows & Friends.'" Hyperallergic, 21 January 2026. https://hyperallergic.com/new-york-academy-of-art-presents-chubb-fellows-friends/2025Carollo, Elisa. “At Pace, Kylie Manning Wields Paint as an Alchemical Tool” (exhibition review). Observer, 26 March 2025. https://observer.com/2025/03/artist-interview-kylie-manning-paintings-pace-gallery-exhibition/“Kylie Manning: What Remains, What Lingers” (Pace Gallery exhibition review). Plus Magazine, 10 April 2025. https://plusmagazines.net/kylie-manning/Manning, Kylie. “Kylie Manning: There is something that stays” Interview wtih Gaby Collins-Fernandez. The Brooklyn Rail, 17 March 2025. Online video, 1:09:36. https://brooklynrail.org/event/2025/03/17/kylie-manning-there-is-something-that-stays/Tauer, Kristen. “Kylie Manning Explores Time, Light, and Motherhood in ‘There Is Something That Stays’ at Pace Gallery” (exhibition review). WWD, 19 March 2025. https://wwd.com/eye/people/kylie-manning-pace-gallery-there-is-something-that-stays-1237050150/2024“Art Basel Hong Kong 2024 | Exclusive conversation with the top 10 international art galleries.” ARTnews, 27 March 2024. https://mp.weixin.qq.com/s/AYXcbvkFFoSYJVjl3lt9YABaygual, Paloma. “Here Are 11 Must-See Shows During Art Basel Hong Kong” (Pace Gallery exhibition review), Cultured, 25 March 2024. https://www.culturedmag.com/article/2024/03/25/daisuke-teshima-louise-giovanelli-kylie-manningBhargava, Aaina. “9 exhibitions on during Art Basel Hong Kong week highlighting women artists you don’t want to miss” (Pace Gallery exhibition review). Tatler Asia, 7 March 2024. https://www.tatlerasia.com/lifestyle/arts/women-artists-hong-kong-art-basel-2024.Binlot, Ann. “Frieze Seoul 2024: the highlights.” Wallpaper, 2 September 2024. https://www.wallpaper.com/art/exhibitions-shows/frieze-seoul-2024-the-highlights“H Queen’s Brings Art to the Next Level for Arts Month in Hong Kong” (Pace Gallery exhibition review). Art Asia Pacific, 27 March 2024. https://artasiapacific.com/shows/h-queen-s-brings-art-to-the-next-level-for-arts-month-in-hong-kong.“H Queen’s Highlights Contemporary Artists from Around the World” (Pace Gallery exhibition review). Prestige, 28 March 2024. https://www.prestigeonline.com/hk/sponsored/h-queens-highlights-contemporary-artists-from-around-the-world/“Kylie Manning.” Arte Realizzata, 17 June 2024. https://www.arterealizzata.com/book-highlight/kylie-manningMoon, Monica Jae Yeon. “The 10 Best Booths at Frieze Seoul 2024.” Artsy, 5 September 2024. https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-seoul-2024Mullins, Amy. “Arty gateway to the Global South.” China Daily, 29 August 2024. https://www.chinadailyhk.com/hk/article/591842Nahong, Aena. “Your Guide to Hong Kong Art Week” (Pace Gallery exhibition review). The Artling, 22 March 2024. https://theartling.com/en/artzine/your-guide-to-hong-kong-art-week/.Ng, Brady. “10 Must-See Shows during Art Basel Hong Kong” (Pace Gallery exhibition review). Artsy, 22 March 2024. https://www.artsy.net/article/artsy-editorial-10-must-see-art-basel-hong-kong-03-22-24.Park, Han-sol. “From Rothko to Do Ho Suh, the best art to see in Korea ad Frieze and Kiaf Seoul fairs open” (Pace Gallery and Amorepacific Museum of Art exhibition reviews). South China Morning Post, 3 September 2024. https://www.scmp.com/lifestyle/arts-culture/article/3276812/rothko-do-ho-suh-best-art-see-while-seoul-frieze-and-kiaf-art-fairs?module=perpetual_scroll_0&pgtype=articleRabb, Maxwell. “10 Innovative Contemporary Landscape Painters” (Pace Gallery exhibition review). Artsy, 18 October 2024. https://www.artsy.net/article/artsy-editorial-10-innovative-contemporary-landscape-paintersRabb, Maxwell. “What Sold at Frieze Seoul and The Armory Show 2024.” Artsy, 9 September 2024. https://www.artsy.net/article/artsy-editorial-sold-frieze-seoul-armory-2024Schneider, Lena. “Turning away from the act: Kylie Manning looks behind the nudity in Potsdam's Villa Schöningen” (exhibition review). Tagesspiegel, 10 October 2025. https://www.tagesspiegel.de/potsdam/potsdam-kultur/abkehr-vom-akt-kylie-manning-schaut-in-potsdams-villa-schoningen-hinter-die-nacktheit-14527391.htmlSe-ah, Lee. “Artists and Feminists of Our Time: Women Artists Illuminating 'KIAF+Frieze'.” Women’s News, 10 September 2024. https://www.womennews.co.kr/news/articleView.html?idxno=251889“Shows to See in Hong Kong: Central, March 2024” (Pace Gallery exhibition review). Art Asia Pacific, 18 March 2024. https://artasiapacific.com/shows/shows-to-see-in-hong-kong-central-march-2024.2023Altchek, Ana. “This Week In Culture: March 27-April 2, 2023” (Pace Gallery exhibition review). Cultured, 27 March 2023. https://www.culturedmag.com/article/2023/03/27/kylie-manning-janet-fish-rona-pondick-gertrud-gego-goldschmidtCalvert, Clayton. “Artlyst’s Top 10 Art Basel Miami Beach Artworks 2023 – Clayton Calvert.” Artlyst, 11 December 2023. https://artlyst.com/features/artlysts-top-10-art-basel-miami-beach-artworks-2023-clayton-calvert/.Magnol, Jacques. “Dreamlike Universe and Explosion of Colors: The Art of Kylie Manning” (Pace Gallery exhibition review). Geneve Active, 6 May 2023. https://www.geneveactive.ch/article/univers-onirique-et-explosion-de-couleurs-lart-de-kylie-manning/Manning, Kylie. “Interview with Kylie Manning: Balancing Between Brushstrokes and Bedeutungen” (Pace Gallery exhibition review). Interview with Monica Ray Scott. Medium, 25 April 2023. https://medium.com/art-museums-of-the-world/interview-with-kylie-manning-balancing-between-brushstrokes-and-bedeutungen-6f2e6f5cdd2bManning, Kylie. “Kylie Manning” (Pace Gallery exhibition review). Interview with Florr Magazine. Florr Magazine, 20 April 2023. https://www.floorrmagazine.com/issue-30/kylie-manningRiley-Adams, Ella. "The Painter Who Inspired a New Ballet." The New York Times Style Magazine, 3 May 2023. https://www.nytimes.com/2023/05/03/t-magazine/kylie-manning-christopher-wheeldon-ballet.html?searchResultPosition=2Sulcas, Roslyn. “Chris Wheeldon’s ‘Dangerous and Exciting’ Adventure at City Ballet.” The New York Times, 3 May 2023. https://www.nytimes.com/2023/05/03/arts/dance/christopher-wheeldon-new-york-city-ballet-gala-schoenberg.html?partner=slack&smid=sl-shareWhite, Katie. “Artist Kylie Manning on her Unlikely Collaboration with a Famed New York City Ballet Choreographer.” Artnet News, 12 May 2023. https://news.artnet.com/art-world/kylie-manning-nyc-ballet-pace-geneva-22994972022Aaron, Rebecca. "At Spazio Amanita, 'I DO MY OWN STUNTS” Marks Jack Siebert’s Curatorial Debut'" (Spazio Amanita exhibition review). Cultured Magazine, 18 February 2022. https://www.culturedmag.com/article/2022/02/18/at-spazio-amanita-i-do-my-own-stunts-marks-jack-sieberts-curatorial-debutHaimes, Helena. “KYLIE MANNING | THAT GREAT EXPANSE, THAT BEACON FOR THE SPIRIT.” (Pace Gallery exhibition review). Flaunt, 7 October 2022. https://flaunt.com/content/kylie-manning-that-great-expanse-that-beacon-for-the-spiritLubow, Arthur. “Artist Kylie Manning Is Playing the Long Game.” W Magazine, 29 April 2022. https://www.wmagazine.com/culture/kylie-manning-artist-studio-visit-interview-2022Malone, Tyler. “Both Sides of a Cloud: Kylie Manning at Pace Gallery” (Pace Gallery exhibition review). Art in America, 27 October 2022. https://www.artnews.com/art-in-america/aia-reviews/kylie-manning-pace-1234644449/’2021Collins-Fernandez, Gaby. "Zweisamkeit - Being In Two Is No More Than doubled Solitude" (Anonymous Gallery exhibition review). XIBT, 2021.Fontaine, Pearl. "Kylie Manning Explores Togetherness at Anonymous Gallery" (Anonymous Gallery exhibtion review). Whitewall, 3 June 2021. https://whitewall.art/art/kylie-manning-explores-togetherness-at-anonymous-galleryGavoyannis, Olivia. “How Christiana Ine-Kimba Boyle Is Revolutionizing the Art Market as Pace’s First Director of Online Sales” (Pace Gallery exhibition review). Artsy, 22 October 2021. https://www.artsy.net/article/artsy-editorial-christiana-ine-kimba-boyle-revolutionizing-art-market-paces-first-director-online-salesHowie, Jamie. “7 Must-See Gallery Exhibitions in New York This September” (Pace Gallery exhibition review). Galerie, 17 September 2021. https://www.galeriemagazine.com/must-see-gallery-shows-september-2021/Ologundudu, Folasade. “Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing” (Pace Gallery exhibition review). Artnet News, 9 September 2021. https://news.artnet.com/opinion/christiana-ine-kimba-boyle-2006877