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Kohei Nawa, Ether#29, 2017, aluminum and paint, 2,180 mm × 446 mm × 446 mm (85-13/16" × 17-9/16" × 17-9/16") © Kohei Nawa

Kohei Nawa

Kohei Nawa is a multidisciplinary artist whose practice explores the perception of virtual and physical space and probes the borders between nature and artificiality.

He examines relationships between the individual and the whole, illustrating how parts aggregate, like cells, to create complex and dynamic structures. His practice spans painting, drawing, sculpture, and installation, as well as various facets of design and collaborative projects through his Kyoto-based studio, SANDWICH. Nawa’s use of synthetic compounds underscores a recurring theme wherein materials such as polyurethane foam, translucent beads, ink, paint, glue, and silicone oil become devices that prompt an awareness of our mediated environment.

Embracing an expansive definition of what sculpture can be, Nawa cultivates immersive perceptual environments that foreground materiality while engaging themes of life, the cosmos, and the evolving interplay between creative sensibility and technology. These themes resonate throughout his practice, notably in his PixCell and Prism series (2002–), centered on the concept of the cell as a symbol of the information age, as well as his Direction series (2012–), Foam series (2013–), Force series (2015–), and Biomatrix series (2023–).

Nawa practice extends into the realm of architecture, exemplified by projects such as the art pavilion Kōtei (2016) at the Shinshoji Zen Museum and Garden, Hiroshima. In 2018, his sculptural work Throne (2018) was presented as part of a special exhibition at Musée du Louvre, Paris, where it was unveiled beneath I.M. Pei's iconic glass pyramid. In 2023, Nawa’s twenty-five-meter-tall outdoor sculpture Ether (Equality) (2023) was permanently installed on Île Seguin along the Seine River in France.

Since 2015, Nawa has collaborated with Belgian choreographer Damien Jalet to produce a trilogy of performance works: VESSEL (2016), Planet [wanderer] (2021), and Mist (2022). This interdisciplinary partnership continued with the premiere of their fourth work, Mirage [transitory], in Hakata, Japan, in 2024. In May 2025, a theatrical iteration titled Mirage debuted in Geneva and has since toured internationally.

Nawa received a BA (1998) and a PhD (2003) from Kyoto City University of Arts. Notable solo exhibitions of his work include L_B_S, Ginza Maison Hermes, Tokyo (2009); Synthesis, Museum of Contemporary Art, Tokyo (2011); SCULPTURE GARDEN, Kirishima Open-air Art Museum, Yūsui, Japan (2013); Kohei Nawa: ESPUMA, Japan House São Paulo (2017); Kohei Nawa: Japonisms 2018, Throne, Musée du Louvre, Paris (2018–19); Kohei Nawa: TORNSCAPE, SCAI The Bathhouse, Tokyo (2021); Kohei Nawa: vol.3 Cell, Gallery Nomart, Osaka (2023); Kohei Nawa: Soma, Galerie Vera Munro, Hamburg, Germany (2024–25); and Kohei Nawa: Sentient, SCAI The Bathhouse, Tokyo (2025), among others. He has participated in the 6th Asia Pacific Triennial in Brisbane, Australia (2009); 14th Asian Art Biennale Bangladesh in Dhaka, Bangladesh (2010), where he was awarded the Grand Prize; Busan Biennale 2010, South Korea, (2010); and Aichi Triennale in Nagoya, Japan (2013 and 2016). His work is held in public collections worldwide, including the Hara Museum of Contemporary Art, Tokyo; Long Museum, Shanghai; The Metropolitan Museum of Art, New York; Mori Art Museum, Tokyo; National Gallery of Victoria, Melbourne; and Queensland Art Gallery, Brisbane, Australia, among many others. Nawa is currently an Associate Professor at Kyoto University of the Arts.

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Kohei Nawa, PixCell-Deer#46, 2016, mixed media, 209.3 cm × 150 cm × 150 cm (82-3/8" × 59-1/16" × 59-1/16") © Kohei Nawa

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Kohei Nawa, PixCell-Double Deer#9, 2016, mixed media, 158 cm × 90 cm × 63.3 cm (62-3/16" × 35-7/16" × 24-15/16") © Kohei Nawa