Emily Kam Kngwarray, Emu - Yuyara and Yam - Annlara Dreaming at Alalgura, 1990, synthetic polymer paint on linen, 120 cm × 90 cm (47 1/4" × 35 7/16") © Estate of Emily Kam Kngwarray Emily Kam Kngwarray Portrait of Emily Kam Kngwarray. Source: Utopia Art Sydney Details:b. 1910, Alhalkere, Utopia, Australia d. 1996, Mparntwe/Alice Springs, Australia Read More Emily Kam Kngwarray is one of Australia’s most critically acclaimed and celebrated contemporary artists. In 2025, a major exhibition dedicated to Kngwarray’s work will be presented at Tate Modern, London, which will be followed by a solo exhibition at Pace’s London Gallery, presented with the support of D’Lan Contemporary.A member of the Anmatyerre people of Alhalkere, originating in Australia’s Northern Territory, her artistic practice was rooted in Indigenous Australian beliefs and a cultural responsibility to ancestral lands; this all-encompassing philosophy draws on the history, relationships, topography, and vegetation of the surrounding earth. Working in the remote central desert of Utopia, her oeuvre was deeply inspired by her heritage, Anmatyerre spirituality, and surrounding landscapes. Kngwarray drew much of her creativity from Dreaming—a cultural worldview and comprehensive framework that structures and narrates relationships among individuals, families, ancestral history, future descendants, and the land and spirits. Her artistic journey was shaped by her role in ceremonial traditions, expressed through dance, chant, and the painting of bodies with natural materials such as ground ochre, charcoal, and ash. As an Elder of the Anmatyerre people and a custodian of sacred land, she developed a complex and potent visual language, which translated across her vibrant batiks and later paintings on canvas that brought her international acclaim. In the 1970s, Kngwarray began painting on silk and cotton fabric in the batik style alongside the women in her community, and in 1977, became a founding member of the Utopia Women’s Batik Group. This labor-intensive process involved the unforgiving medium of hot wax, which, once applied, cannot be manipulated. Introduced to canvas in 1988, Kngwarray’s practice shifted in part due to the adaptability of paint as a medium, which allowed her to create spontaneous, gestural marks using various implements. Kngwarray’s paintings are a continuation of the deep-rooted oral and visual traditions that inspired her batik work. Beginning in 1988–89, when she was already in her seventies, she acquired her first canvas and created her first painting, Emu Woman (1988–89), which debuted in the group exhibition, A Summer Project: Utopia Women's Paintings held at S.H. Ervin Gallery, Sydney (1989). Kngwarray's paintings, characterized by layered brushstrokes and dabs of paint, embody the vibrancy and rhythm of the natural world, reflecting her acute sense of its dynamic and pulsating nature. Centered on imagery from her homeland, the artist often portrayed root systems and life cycles of plants. Her chosen name, Kam, meaning the seeds and seedpod of the anwerlarr, or pencil yam, in her native language of Anmatyerre, is a central motif within her oeuvre, and often appears in works, especially from 1990–91. In the following years she shifted to what has been referred to as her “high colorist phase,” characterized by a wider range of color and saturated dabs of paint that reveal visual patterns and configurations when viewed at a distance. An indomitable force, Kngwarray saw her artistic production as a civic responsibility and believed her work would help protect her country from mining. She continued to create art until the last four years of her life. Kngwarray was a prolific artist, executing an estimated three thousand paintings in an eight-year span. In 1997, she was represented posthumously at the 47th Venice Biennale. Her work is held in public collections worldwide, including Lowe Art Museum, University of Miami, Coral Gables, Florida; Museum of Contemporary Art Australia, Sydney; Museum of Victoria, Melbourne; National Gallery of Australia, Canberra; and The Vatican Museums, Vatican City. Read More Emily Kam Kngwarray, Emu - Yuyara and Yam - Annlara Dreaming at Alalgura, 1990, synthetic polymer paint on linen, 120 cm × 90 cm (47 1/4" × 35 7/16") © Estate of Emily Kam Kngwarray Emily Kam Kngwarray, Yam Story, 1995, synthetic polymer paint on linen, 121 cm × 92.1 cm (47 5/8" × 36 1/4") © Estate of Emily Kam Kngwarray One-Artist Exhibitions Public Collections Books and Catalogues Periodicals Close One-Artist Exhibitions Emily Kam Kngwarray One Artist DatesBorn 1910, Alhalkere, Utopia, AustraliaDied 1996, Mparntwe/Alice Springs, Australia2023Emily Kam Kngwarray, National Gallery of Australia, Parkes, 2023. (Catalogue)2022Emily: Desert Painter of Australia, Gagosian, Paris, 2022.2008Chapman Gallery and Delmore Gallery present Emily Kame Kngwarreye, Chapman Gallery, Canberra, 2008.Utopia: the Genius of Emily Kame Kngwarreye, National Museum of Art, Osaka, Japan, 2008. Traveled to: National Art Centre, Tokyo; National Museum of Australia, Canberra, 2008. (Catalogue)2007Emily Kam Kngwarray: Earthly Reflections of Heavenly Things, The Ian Potter Museum of Art, Melbourne, 2007.2006Emily Kam Kngwarray: Ten Years On, Utopia Art Sydney, 2006.2002Emily: Paintings by Emily Kame Kngwarreye from the Holmes à Court Collection, Holmes à Court Gallery, West Perth, Australia, 2002.2000Emily Kam Kngwarray: Paintings, Utopia Art Sydney, 2000.1999Emily Kame Kngwarreye: Alhalkere – Paintings from Utopia, National Gallery of Australia, Canberra, 1999. Traveled to: Queensland Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne, 1999. (Catalogue)1998Earth’s Creation: The Paintings of Emily Kngwarreye, Lauraine Diggins Fine Art, Melbourne, 1998. (Catalogue)1997Emily Kam Kngwarray: Body Painting Series, Robert Steele Gallery, New York, 1997. Traveled to: Anima Gallery, Adelaide, Australia, 1997.Emily Kam Kngwarray: Looking Back, Utopia Art Sydney, 1997.The Spirit Sings: Paintings by Emily Kame Kngwarreye, Tandanya National Aboriginal Cultural Institute, Adelaide, Australia, 1997.1996Emily Kame Kngwarreye: Blue Paintings, Niagara Galleries, Melbourne, 1996.Emily Kame Kngwarreye c. 1910–96: Chapman Gallery, Canberra, 1996.Emily Kame Kngwarreye, Fireworks Gallery, Brisbane, Australia, 1996.Emily Kngwarreye, Framed Gallery, Darwin, Australia, 1996.Emily Kame Kngwarreye, Phillip Bacon Gallery, Brisbane, Australia, 1996.Emily Kame Kngwarreye: Recent Paintings, William Mora Gallery, Melbourne, 1996.1995Emily Kame Kngwarreye: A New Expression, Utopia Art Sydney, 1995.Emily Kame Kngwarreye: The Delmore Collection Selected Exhibition and Survey of Works 1989–1995, Mary Place Gallery, Sydney, 1995.Emily Kame Kngwarreye, Framed Gallery, Darwin, Australia, 1995.Emily Kame Kngwarreye: Paintings from 1989–1995: Works from the Delmore collection, Parliament House, Canberra, 1995.Emily Kame Kngwarreye: Power of the Line, Chapman Gallery, Canberra, 1995.Emily Kame Kngwarreye: Recent Paintings 1993–1994, William Mora Gallery, Melbourne, 1995.1994Emily Kame Kngwarreye, Chapman Gallery, Canberra, 1994.Emily Kame Kngwarreye: New Directions, Utopia Art Sydney, 1994. (Catalogue)Emily Kame Kngwarreye, Rebecca Hossack Gallery, London, 1994.1993Emily Kame Kngwarreye: The Alhalkere Suite, Utopia Art Sydney, 1993.Recent Paintings by Emily Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, 1993.1992Emily Kame Kngwarreye: Alhalkere, Utopia Art Sydney, 1991.Emily Kame Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, 1991.1991Emily Kame Kngwarreye: Aboriginal Paintings from the Desert, Union of Soviet Artists Gallery, Moscow, 1991.Traveled to: Museum of Ethnographic Art, St. Petersburg, 1991.Emily Kame Kngwarreye, Robin Purvis Brisbane, Australia, 1991.Emily Kame Kngwarreye, Utopia Art Sydney, 1991.Emily Kngwarreye, Hogarth, Sydney, 1991.1990Emily Kame Kngwarreye, Coventry Gallery, Sydney, 1990.Emily Kame Kngwarreye, Robin Purvis Brisbane, Australia, 1990.Emily Kame Kngwarreye, Utopia Art Sydney, 1990. (Catalogue)Paintings by Emily Kame Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, 1990. Public Collections Emily Kam Kngwarray Public Collections Araluen Arts Centre, Alice Springs, AustraliaArtbank, Sydney, Melbourne and Perth, AustraliaArt Gallery of New South Wales, SydneyArt Gallery of Western Australia, Perth, AustraliaAboriginal and Torres Strait Islander Commission Collection, CanberraAuckland City Art Gallery, New ZealandDrill Hall Gallery, Australia National University, CanberraBenalla Regional Art Gallery, Victoria, AustraliaCampbelltown City Art Gallery, AustraliaDelmore Collection, Alice Springs, AustraliaDonald Kahn Collection, MiamiGantner Myer Collection, San FranciscoJanet Holmes à Court Collection, Perth, AustraliaKelton Foundation, Santa Monica, CaliforniaLevi Kaplan Collection, Seattle, WashingtonLowe Art Museum, University of MiamMacquarie University Art Gallery, SydneyMuseum of Contemporary Art Australia, SydneyMuseum of Victoria, MelbourneMuseum and Art Gallery of the Northern Territories, Darwin, AustraliaNational Gallery of Australia, CanberraNational Gallery of Victoria, MelbourneParliament House Art Collection, CanberraQueensland Art Gallery, Brisbane, AustraliaSEHWA Museum of Art, SeoulThe Vatican Collection, RomeThomas Vroom Collection, Utrecht, the NetherlandsTransfield Collection, SydneyUniversity of New England Art Collection, Armidale, AustraliaUniversity of New South Wales Galleries, SydneyChau Chak Wing Museum, University of Sydney Books and Catalogues 04-Emily-Kam-Kngwarray-bib-book 2023Emily Kam Kngwarray (exhibition catalogue). Canberra: National Gallery of Australia, 2023.2022My Mother Country: Aboriginal Dot Painting (exhibition catalogue). Edited by Matthias Haldemann and Kunsthaus Zug. Berlin: Hatje Cantz, 2022.2020Emily Kam Kngwarreye. Edited by Natalie King. Port Melbourne, Australia: Thams and Hudson Australia, 2020.Emily | Papunya (exhibition catalogue. Armadale, Australia: DLR Art Group, 2020.2015Grishin, Sasha. Australian Art: A History. Carlton, Australia: Miegunyah Press - Melbourne University Publishing, 2015.2009Emily Kame Kngwarreye: The Person and Her Paintings. Port Melbourne, Australia: Dacou Aboriginal Gallery, 2009.2008Utopia: The Genius of Emily Kame Kngwarreye (exhibition catalogue). Tokyo: Yomiuri Shinbun Tōkyō Honsha, 2008.1999Utopia: Ancient Cultures, New Forms. Perth, Australia: Heytesbury Holdings Ltd. and the Art Gallery of Western Australia, 1999.1998Earth’s Creation: The Paintings of Emily Kame Kngwarreye (exhibition catalogue). North Caulfield, Australia: Malakoff Fine Art Press, 1998.Emily Kame Kngwarreye: Alhalkere: Paintings from Utopia (exhibition catalogue). Text by Margo Neale. Brisbane, Australia: Queensland Art Gallery, 1998.Emily Kngwarreye Paintings. North Ryde, Australia: Craftsman House, 1998.1997Perkins, Hettie, et al. Fluent: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson. Sydney: Art Gallery of New South Wales, 1997.1995Kngwarray, Emily Kam and Deborah Hart. Emily Kame Kngwarreye: Paintings from 1989-1995: Works from the Delmore Collection (exhibition catalogue). Canberra, Australia: Parliament House, 1995.1994Emily Kame Kngwarreye: New Directions (exhibition catalogue). Sydney: Utopia Art Sydney, 1994.1990Emily Kame Kngwarreye (exhibition catalogue). Sydney: Utopia Art Sydney, 1990. Periodicals 05-Emily-Kam-Kngwarray-bib-periodicals 2024Blogg, Phoebe. “The LUME Melbourne adds nine never before seen works to Emily Kame Kngwarreye's ‘Connection’ showcase” (exhibition review). National Indigenous Times, 8 January 2024. https://nit.com.au/08-01-2024/9232/the-lume-melbourne-adds-nine-never-before-seen-works-to-emily-kame-kngwarreyes-connection-showcaseBrowning, Daniel. “One work: Untitled (Awely) by Emily Kam Kngwarray” (National Gallery of Australia exhibition review). Art Basel, 10 January 2024. https://www.artbasel.com/stories/one-work-emily-kam-kngwarrray-australia-aboriginal-woman-artistFuss, Eloise. “The NGA's major retrospective of Emily Kam Kngwarray re-writes her story and brings it back to Country” (exhibition review). Australian Broadcasting Corporation, 25 January 2024. https://www.abc.net.au/news/2024-01-26/does-the-art-world-understand-emily-kam-kngwarray/103388990Siemienowicz, Rochelle. “Repositioning: teaching and learning in the visual arts” (National Gallery of Australia exhibition review). ARTS hub, 29 January 2024. https://www.artshub.com.au/news/features/repositioning-teaching-and-learning-in-the-visual-arts-2697662/2023Blogg, Phoebe. “Emily Kam Kngwarray exhibition set to open at National Gallery of Australia” (exhibition review). National Indigenous Times, 1 December 2023. https://nit.com.au/01-12-2023/8869/emily-kam-kngwarray-exhibition-set-to-open-at-national-gallery-of-australiaBurke, Kelly. “Art world split over NGA name change for one of Australia’s greatest female painters” (exhibition review). The Guardian, 22 December 2023. https://www.theguardian.com/australia-news/2023/dec/23/art-world-split-over-nga-name-change-for-one-of-australias-greatest-female-paintersCerabona, Ron. “Never-before-seen pieces on show in new exhibition” (National Gallery of Australia exhibition review). The Canberra Times, 6 December 2023. https://www.canberratimes.com.au/story/8442581/emily-kam-kngwarray-exhibition-now-on-at-national-gallery-of-australia/Cordwell, Jessica. “Summer at the National Gallery of Australia: Emily Kam Kngwarray” (exhibition review). Canberra Daily, 15 December 2023. https://canberradaily.com.au/summer-at-the-national-gallery-of-australia-emily-kam-kngwarray/Daley, Paul. “Emily Kam Kngwarray: stunning retrospective brings perspective – and agency – to an Australian great” (National Gallery of Australia exhibition review). The Guardian, 30 November 2023. https://www.theguardian.com/artanddesign/2023/dec/01/emily-kam-kngwarray-retrospective-the-national-gallery-of-australia-exhibitionFairley, Gina. “Repositioning Emily Kam Kngwarray, and why now” (National Gallery of Australia exhibition review). Arts Hub, 1 December 2023. https://www.artshub.com.au/news/news/repositioning-emily-kam-kngwarray-and-why-now-2685391/Fortescue, Elizabeth. “The great Australian artist who rose to fame in just a decade” (National Gallery of Australia exhibition review). Financial Review, 24 November 2023. https://www.afr.com/life-and-luxury/arts-and-culture/the-great-australian-artist-who-rose-to-fame-in-just-a-decade-20231122-p5elzoFortescue, Elizabeth. “Superstar of Australian art Emily Kam Kngwarray to get Tate Modern show in 2025” (exhibition preview). The Art Newspaper, 1 December 2023. https://www.theartnewspaper.com/2023/12/01/superstar-of-australian-art-emily-kam-kngwarray-to-get-tate-modern-show-in-2025Grishin, Sasha. “NGA's Emily Kam Kngwarray blockbuster shows an extraordinary artist at the height of her power” (exhibition review). Riotact, 5 December 2023. https://the-riotact.com/ngas-emily-kam-kngwarray-blockbuster-shows-an-extraordinary-artist-at-the-height-of-her-power/727530Hopman, Sally. “NGA to celebrate work of Emily Kam Kngwarray in summer blockbuster” (exhibition review). Riotact, 15 September 2023. https://the-riotact.com/nga-to-celebrate-work-of-emily-kam-kngwarray-in-summer-blockbuster/699339Jacobs, Genevieve. “Ceremony and celebration at the National Gallery as powerful Kngwarray exhibition opens” (exhibition review). Riotact, 4 December 2023. https://the-riotact.com/ceremony-and-celebration-at-the-national-gallery-as-powerful-kngwarray-exhibition-opens/727071“Kngwarray masterpieces on show at National Gallery” (exhibition review). Canberra Daily, 30 November 2023. https://canberradaily.com.au/kngwarray-masterpieces-on-show-at-national-gallery/Lawson-Tancred, Jo. “Women Artists Shine at Frieze Masters. Here Are 5 of Our Favorite Rediscoveries, From a Korean Avant-Garde Visionary to a British-Born Surrealist.” Artnet, 11 October 2023. https://news.artnet.com/market/women-artists-shine-at-frieze-masters-here-are-5-of-our-favorite-rediscoveries-from-a-korean-avant-garde-visionary-to-a-british-born-surrealist-2369358McDonald, John. “If you want to understand Australian art, this exhibition is essential” (National Gallery of Australia exhibition review). The Sydney Morning Herald, 15 December 2023. https://www.smh.com.au/culture/art-and-design/if-you-want-to-understand-australian-art-this-exhibition-is-essential-20231212-p5eqw2.htmlMusa, Helen. “Bring out the life in Kngwarray’s awesome art” (exhibition review). CBR City News, 28 November 2023. https://citynews.com.au/2023/bring-out-the-life-in-kngwarrays-awesome-art/Pryor, Sally. “Indigenous art and female artists dominate the National Gallery of Australia's 2023 program” (exhibition review). The Canberra Times, 1 February 2023. https://www.canberratimes.com.au/story/8068940/indigenous-art-and-female-artists-dominate-nga-for-2023/Pryor, Sally. “The life and spirit of Emily Kam Kngwarray, and recasting her story” (National Gallery of Australia exhibition review). The Canberra Times, 24 November 2023. https://www.canberratimes.com.au/story/8423219/the-luminous-emily-kam-kngwarray-at-the-national-gallery-of-australia/Pryor, Sally. “Late bloomer: Emily Kam Kngwarray's spectacular legacy” (National Gallery of Australia exhibition review). The Canberra Times, 30 November 2023. https://www.canberratimes.com.au/story/8443296/emily-kam-kngwarrays-short-but-spectacular-career-on-show-at-nga/South, Barrina. “‘Powerful imagery’ in Kngwarray show” (National Gallery of Australia exhibition review). CBR City News, 14 December 2023. https://citynews.com.au/2023/multilayered-powerful-imagery-in-kngwarray-show/“Spotlight: Second Generation of the Aboriginal Australian Art Movement Takes Center Stage at Smith Davidson Gallery” (exhibition review). Artnet, 14 November 2023. https://news.artnet.com/art-world/smith-davidson-art-cologne-emily-kam-kngwarray-2393684Sprague, Quentin. “A clear view: Emily Kam Kngwarray at the NGA” (exhibition review). The Monthly, 1 December 2023. https://www.themonthly.com.au/issue/2023/december/quentin-sprague/clear-view-emily-kam-kngwarray-nga#mtrStephens, Andrew. “The spirit of Emily Kam Kngwarray’s Country” (National Gallery of Australia exhibition review). Art Guide Australia, 30 November 2023. https://artguide.com.au/the-spirit-of-emily-kam-kngwarrays-country/Stone, Tim. “A new survey of the Aboriginal artist Emily Kam Kngwarray lets her community tell the story” (National Gallery of Australia exhibition review). The Art Newspaper, 1 December 2023. https://www.theartnewspaper.com/2023/12/01/a-new-survey-of-the-aboriginal-artist-emily-kam-kngwarray-lets-her-community-tell-the-story2022Burke, Kelly. “How an Indigenous Australian artist ‘astonished’ a giant of American art.” The Guardian, 25 August 2022. https://www.theguardian.com/artanddesign/2022/aug/26/how-an-indigenous-australian-artist-astonished-a-giant-of-american-artKnowles, Rachael. “Work by legendary Anmatyerr artist fetches $1m at New York auction.” NITV News, 2 June 2022. https://www.sbs.com.au/nitv/article/work-by-legendary-anmatyerr-artist-fetches-1m-at-new-york-auction/ym0efuddfStapleton, Dan F. “In praise of Australian Aboriginal art – ‘the oldest surviving culture in the world.’” Financial Times, 28 January 2022. https://www.ft.com/content/cbacd9ac-68e2-4212-9579-ad1ab59813ab2021Hong, Tamsin. “Emily Kam Kngwarray.” Tate, 15 January 2021. https://www.tate.org.uk/tate-etc/issue-51-spring-2021/emily-kam-kngwarrayJung, Sujin. “Abolishing Whiteness: The Art World’s Reception of Emily Kame Kngwarreye.” Academia Letters, May 2021. https://www.academia.edu/47985869/Abolishing_Whiteness_The_Art_World_s_Reception_of_Emily_Kame_Kngwarreye2020Angeleti, Gabriella. “Emily Kame Kngwarreye show in New York highlights spike in interest for Australian indigenous art” (National Museum of Australia and High Line Nine exhibition reviews). The Art Newspaper, 13 February 2020. https://www.theartnewspaper.com/2020/02/13/emily-kame-kngwarreye-show-in-new-york-highlights-spike-in-interest-for-australian-indigenous-artO'Brien, Kerrie. “Acclaimed Indigenous artist celebrated in top New York show” (High Line Nine exhibition review). The Sydney Morning Herald, 4 March 2020. https://www.smh.com.au/culture/art-and-design/acclaimed-indigenous-artist-celebrated-in-top-new-york-show-20200228-p545ct.htmlToibin, Colm. “'She trusted the paint': how Emily Kame Kngwarreye revealed a hidden world.” The Sydney Morning Herald, 24 July 2020. https://www.smh.com.au/culture/art-and-design/she-trusted-the-paint-how-emily-kame-kngwarreye-revealed-a-hidden-world-20200717-p55d1h.html2019Angeleti, Gabriella. “Sotheby’s to hold the first major Aboriginal art sale in the US in November.” The Art Newspaper, 23 May 2019. https://www.theartnewspaper.com/2019/05/23/sothebys-to-hold-the-first-major-aboriginal-art-sale-in-the-us-in-november2018Cascone, Sarah. “Is Damien Hirst’s Latest Series a Ripoff of an Aboriginal Australian Artist? See the Works Side-by-Side.” Artnet, 30 March 2018. https://news.artnet.com/art-world/damien-hirst-veil-paintings-aboriginal-artists-1257185Gibson, Jano and Claire Campbell. “Legal stoush continues over artwork of renowned Indigenous painter Emily Kame Kngwarreye.” Australian Broadcasting Cooperation News, 18 February 2018. https://www.abc.net.au/news/2018-02-19/legal-battle-continues-over-artwork-of-emily-kame-kngwarreye/9461424Wahlquist, Calla. “'Uncanny similarity': new Damien Hirst works in spot of bother in Australia.” The Guardian, 29 March 2018. https://www.theguardian.com/artanddesign/2018/mar/29/uncanny-similarity-new-damien-hirst-works-in-spot-of-bother-in-australia2017“Aboriginal artist Emily Kame Kngwarreye breaks record with $2.1 million auction sale.” The New Daily, 17 November 2017. https://www.thenewdaily.com.au/entertainment/arts/2017/11/17/emily-kame-kngwarreye-aboriginal-art-record-auction“Elton John-owned Kngwarreye painting auctioned in Sydney.” NITV News, 6 June 2017. https://www.sbs.com.au/nitv/article/elton-john-owned-kngwarreye-painting-auctioned-in-sydney/9i0rw87om“Emily Kame Kngwarreye painting sells for $2.1m in Sydney.” The Guardian, 16 November 2017. https://www.theguardian.com/artanddesign/2017/nov/17/emily-kame-kngwarreye-painting-sells-for-21m-in-sydneyHarris, Gareth. “Emily Kame Kngwarreye painting sells for $1.6m, breaking record for an Australian female artist.” The Art Newspaper, 17 November 2017. https://www.theartnewspaper.com/2017/11/17/emily-kame-kngwarreye-painting-sells-for-dollar16m-breaking-record-for-an-australian-female-artistNeale, Margo. “Emily Kame Kngwarreye: The impossible modernist.” Artlink, no. 37.2 (June 2017). https://www.artlink.com.au/articles/4598/emily-kame-kngwarreye-the-impossible-modernist/Smiley, Stephen. “Record sale of artwork by Indigenous woman Emily Kngwarreye highlights gender gap.” Australian Broadcasting Corporation News, 17 November 2017. https://www.abc.net.au/news/2017-11-17/record-sale-of-indigenous-womans-artwork-highlights-gender-gap/91619842016Nguyen, Sophia. “At the Harvard Art Museums, Indigenous Australian Art and Thought on Display” (exhibition review). Harvard Magazine, 17 February 2016. https://www.harvardmagazine.com/2016/02/everywhen-opens-at-harvardYoung, Allison. “Emily Kame Kngwarreye, Earth’s Creation.” SmartHistory, 6 February 2016. https://smarthistory.org/emily-kame-kngwarreye-earths-creation-2/2015Maunder, Tess. “A report on Australian representation at the 56th Venice Biennale: 'All The World’s Futures' curated by Okwui Enwezor.” Ocula Magazine, 19 May 2015. https://ocula.com/magazine/features/a-report-on-australian-representation-in-the-56th/2008McKenzie, Janet. “Utopia: the genius of Emily Kame Kngwarreye” (National Museum of Australia exhibition review). Studio International, 10 November 2008. https://www.studiointernational.com/index.php/utopia-the-genius-of-emily-kame-kngwarreye2001“Exhibition of the largest selection of Australian Aboriginal art to have been presented in Europe” (exhibition review). The Art Newspaper, 30 June 2001. https://www.theartnewspaper.com/2001/07/01/exhibition-of-the-largest-selection-of-australian-aboriginal-art-to-have-been-presented-in-europe