Claes Oldenburg & Coosje van Bruggen

Dates

Claes Oldenburg

Born 1929, Stockholm, Sweden

Coosje Van Bruggen

Born 1942, Groningen, The Netherlands

Died 2009, Los Angeles, California

2021

Claes & Coosje: Il Corso del Coltello, Pace Gallery, 7th Floor, 540 West 25th Street, New York, March 26–July 24, 2021.

Claes & Coosje: A Duet, Pace Gallery, 540 West 25th Street, New York, March 25–May 9, 2021.

2020

Mapping the Collection, Museum Ludwig, Cologne, Germany, June 20–August 23, 2020.

2019

Claes Oldenburg: A Survey of Print & Sculpture Editions, Gemini G.E.L. at Joni Moisant Weyl, New York, May 16–September 14, 2019.

2018

Claes Oldenburg with Coosje van Bruggen: Drawings, Denver Art Museum, October 7, 2018–January 6, 2019.

Claes Oldenburg: Shelf Life, Museum of Fine Arts, Boston, August 11–December 2, 2018.

Claes Oldenburg: Sculptural Multiples, Krakow Witkin Gallery, Boston, February 17–March 24, 2018.

2017

Claes Oldenburg: Shelf Life, Pace Gallery. 537 West 24th Street, New York, October 13–November 11, 2017. (Catalogue)

2016

The Ordinary Must Not Be Dull: Claes Oldenburg’s Soft Sculptures, Pulitzer Arts Foundation, Saint Louis, Missouri, July 29–October 15, 2016. (Catalogue)

2015

Claes Oldenburg and Coosje van Bruggen: Things Around the House, Paula Cooper Gallery, New York, November 7–December 12 (extended through December 19), 2015. (Catalogue)

Claes Oldenburg: Large-Scale Prints and Small-Scale Multiples, 1966–1976, Barbara Krakow Gallery, Boston, May 2–June 6, 2015.

2012

Claes Oldenburg and Coosje van Bruggen, PKM Trinity Gallery, Seoul, November 15, 2012–January 15, 2013. (Catalogue)

Claes Oldenburg: Strange Eggs, The Menil Collection, Houston, September 20, 2012–February 3, 2013.

Claes Oldenburg, Pace Prints, New York, May 10–June 16, 2012.

Claes Oldenburg and Coosje van Bruggen: Theater and Installation 1985–1990: Il Corso del Coltello and The European Desktop, The Pace Gallery, 545 West 22nd Street, New York, April 27–June 23, 2012. (Catalogue)

Claes Oldenburg: The Sixties, Museum Moderner Kunst Stiftung Ludwig Wien, Austria, February 3–May 28, 2012. Traveled to: Museum Ludwig, Cologne, June 22–September 30, 2012; Guggenheim Museum Bilbao, October 30, 2012–February 17, 2013; The Museum of Modern Art, New York, as Claes Oldenburg: The Street and The Store, Mouse Museum/Ray Gun Wing, April 14–August 5, 2013; Walker Art Center, Minneapolis, September 14, 2013–January 12, 2014. (Catalogues)

2010

The European Desktop: Claes Oldenburg and Coosje van Bruggen, Ivorypress Art + Books, Madrid, February 16–April 17, 2010. (Guide and catalogue)

2009

Drawings on Site: Claes Oldenburg and Coosje van Bruggen, The Menil Collection, Houston, May 9–October 11, 2009.

Claes Oldenburg and Coosje van Bruggen: Inventing the Shuttlecocks, The Nelson-Atkins Museum of Art, Kansas City, Missouri, May 9–August 16, 2009.

Claes Oldenburg: Early Sculpture, Drawings, and Happenings Films, Whitney Museum of American Art, New York, May 7–September 6, 2009.

Claes Oldenburg and Coosje van Bruggen: The Music Room, Whitney Museum of American Art, New York, May 7–September 6, 2009.

2008

Claes Oldenburg: Drawings 1965–1973, Craig F. Starr Gallery, New York, December 5, 2008–January 31, 2009. (Catalogue)

Claes Oldenburg: The Store and Later, El Sourdog Hex, Berlin, January 8–February 23, 2008.

2007

Double Vision: The Poetic Focus of Claes Oldenburg and Coosje van Bruggen, Waddington Galleries, London, October 3–27, 2007. (Catalogue)

2006

Claes Oldenburg and Coosje van Bruggen: Sculpture by the Way, Castello di Rivoli, Museo d’Arte Contemporanea, Turin, October 25, 2006–February 25, 2007. Traveled to: Fundaciò Joan Mirò, Barcelona, March 23–June 3, 2007. (Catalogue)

2005

Claes Oldenburg: Multiples, Honor Fraser, Venice, California, November–December 2006.

Claes Oldenburg: Early Work, Zwirner and Wirth, New York, October 29–December 23, 2005. (Catalogue)

Claes Oldenburg and Coosje van Bruggen: The Music Room, PaceWildenstein, 32 East 57th Street, New York, April 22–June 18 (extended through June 23), 2005. (Catalogue)

2004

Claes Oldenburg and Coosje van Bruggen: Images à la Carte, Paula Cooper Gallery, New York, April 24–June 30, 2004. Traveled to: Konrad Fischer Galerie, Düsseldorf, September 3–October 22, 2005. (Catalogue)

2003

Claes Oldenburg and Coosje van Bruggen: Objects and Drawings, Grant Selwyn Fine Art, New York, 2003.

Claes Oldenburg: Works from The Store, 1961, Peter Freeman Inc., New York, November 20–December 2003.

Claes Oldenburg and Coosje van Bruggen: Notebook Pages: A Dialogue, The Chinati Foundation, Marfa, Texas, October 11, 2003–May 30, 2004.

2002

Oldenburg/van Bruggen: Works on Paper 1965–2000, Grant Selwyn Fine Art, New York, October 17–November 16, 2002.

Oldenburg/van Bruggen, PaceWildenstein, 534 West 25th Street, New York, July 11–31, 2002.

Claes Oldenburg Drawings, 1959–1977 (on view in the Ames Gallery) and Claes Oldenburg with Coosje van Bruggen Drawings, 1992–1998 (on view in the Ehrenkranz Gallery), Whitney Museum of American Art, New York, June 7–September 15, 2002. (Catalogue)

Unbound and Entwined: Recent Projects by Claes Oldenburg and Coosje van Bruggen, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, Michigan, May 16–August 17, 2002.

Claes Oldenburg/Coosje van Bruggen: Recent Work, PaceWildenstein, 534 West 25th Street, New York, May 3–June 28, 2002. (Catalogue)

Claes Oldenburg and Coosje van Bruggen on the Roof, Iris and B. Gerald Cantor Roof Garden, The Metropolitan Museum of Art, New York, May 1, 2002–November 17, 2002.

Claes Oldenburg: Drawings 1959–63, Paula Cooper Gallery, New York, February 14–March 16, 2002.

2001

Claes Oldenburg and Coosje van Bruggen: Typewriter Eraser, Scale X, The Center for Public Sculpture, 590 Madison Avenue, New York, June 4, 2001–December 12, 2002.

Claes Oldenburg and Coosje van Bruggen: Down Liquidambar Lane; Sculpture in the Park, Museu de Serralves, Porto, May 18–October 14, 2001. (Catalogue)

1999

Claes Oldenburg: Prints and Multiples, California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, June 5–September 19, 1999.

Claes Oldenburg/Coosje van Bruggen, Museo Correr, Venice, May 23–October 3, 1999. (Catalogue)

1997

Claes Oldenburg: Printed Stuff, Madison Art Center, Wisconsin, April 27–July 27, 1997. Traveled to: Columbus Museum of Art, January 23–March 22, 1998; Detroit Institute of Arts, April 19–June 14, 1998.

Claes Oldenburg: The Multiples Store, Maclaurin Art Gallery, Ayr, United Kingdom, March 29–May 11, 1997.

Claes Oldenburg Drawings and Notebook Studies 1961–1996, Susan Inglett Gallery, New York, January 9–February 22, 1997.

1996

Claes Oldenburg and Coosje van Bruggen: Torn Notebook—The Project, Sheldon Memorial Art Gallery and Sculpture Garden, Lincoln, Nebraska, September 6–December 1, 1996.

Claes Oldenburg’s Multiples, Kettle’s Yard, Cambridge, England, August 10–September 22, 1996.

Claes Oldenburg: Sculptures, Drawings, Prints, Barbara Krakow Gallery, Boston, April 27–June 1, 1996.

Claes Oldenburg: Zeichnungen und Aquarelle 1960–1992, Galerie Biedermann, Munich, March 7–April 30, 1996.

Claes Oldenburg: Drawings, Sculptures and Studies for Large–Scale Projects in Collaboration with Coosje van Bruggen, Wildenstein & Co., Tokyo, March 5–April 5, 1996. Traveled to: Media of Modern Art Contemporary, Fukuoka, May 10–June 2, 1996.

1995

Claes Oldenburg: Editions in Two and Three Dimensions 1969–1995, Gemini G.E.L. at Joni Moisant Weyl, New York, October 27, 1995–January 27, 1996.

Claes Oldenburg: Works on Paper, Prints and Multiples, Thomas Segal Gallery, Boston, June 1–July 31, 1995.

Claes Oldenburg: New Unique Works, Gemini G.E.L., Los Angeles, California, Summer 1995.

Claes Oldenburg: An Anthology, National Gallery of Art, Washington, D.C., February 12–May 7, 1995. Traveled to: The Museum of Contemporary Arts, Los Angeles, June 18–September 3, 1995; Solomon R. Guggenheim Museum, New York, October 7, 1995–January 21, 1996; Kunst- und Austellungshalle der Bundesrepublik Deutschland, Bonn, February 15–May 12, 1996; Hayward Gallery, London, June 6−August 19, 1996. (Catalogue)

1994

Claes Oldenburg: The Geometric Mouse, I.C. Editions, New York, December 8, 1994−January 14, 1995.

Claes Oldenburg/Coosje van Bruggen Large–Scale Projects: Drawings and Sculpture, The Pace Gallery, New York, December 2, 1994−January 7, 1995. (Catalogue)

Claes Oldenburg: Books and Ephemera, 1960–1994, Glenn Horowitz Bookseller, East Hampton, New York, July 9−August 7, 1994. Traveled to: Printed Matter, Inc., New York, September 17−October 22, 1994.

Claes Oldenburg: Multiples and Notebook Pages, Tel Aviv Museum of Art, Israel, January 13−March 12, 1994. (Catalogue)

1993

Oldenburg: In the Studio, Musées de Marseille, France, 1993.

Claes Oldenburg: The Store: Zeichnungen und Skizzen 1960–1963, Ernst A. Busche, Berlin, September 8–October 27, 1993.

Claes Oldenburg: Recent Print and Sculpture Editions, Gemini G.E.L. at Joni Moisant Weyl, New York, June 2–August 27, 1993. (Catalogue)

1992

Claes Oldenburg: New Work, The Pace Gallery, New York, September 18–October 17, 1992. (Catalogue)

Claes Oldenburg: In the Studio, Walker Art Center, Minneapolis, August 2, 1992–February 14, 1993. Traveled to: Musée Cantini, Marseille, July 10–September 12, 1993. (Catalogue)

Claes Oldenburg: Die frühen Zeichnungen, Museum für Gegenwartskunst, Basel, June 5–September 7, 1992. (Catalogue)

Claes Oldenburg: Recent Sculpture, Cleveland Center for Contemporary Art, March 13–May 24, 1992. (Brochure)

1991

Claes Oldenburg and Coosje van Bruggen: Monument to the Last Horse, Seagram Plaza, New York, June 1–August 24, 1991.

Larger than Life: Monument Proposals by Claes Oldenburg and Large Scale Outdoor Sculpture by Claes Oldenburg and Coosje van Bruggen, BP Building, Cleveland, November 11–January 31, 1992.

Claes Oldenburg: Multiples 1964–1990, Portikus, Frankfurt, February 22–March 31, 1991. Traveled to: Städtische Galerie im Lenbachhaus, Munich, April 8–May 10, 1992; Hochschule für angewandte Kunst, Vienna as Claes Oldenburg: Multiples and Notebook Pages, November 6–December 24, 1992; Musée Municipal, La Roche-sur-Yon, France, as Claes Oldenburg: Les Multiples 1964–1990, January 16–March 8, 1993; Musée d’Art Moderne, Sainte-Etinne, France, as Claes Oldenburg “Multiples 1964–1990”, March 17–April 26, 1993; Neues Museum Weserburg Bremen as Claes Oldenburg: Geometrische Mäuse und vieles mehr…Multiples, Objekte, Zeichnungen, May 16–August 30, 1993. (Catalogue)

1990

Claes Oldenburg and Coosje van Bruggen, Leo Castelli Gallery, New York, November 27, 1990–January 12, 1991.

Claes Oldenburg: Lithographs from Gemini G.E.L. 1988–1990, Castelli Graphics, New York, November 27, 1990–January 12, 1991.

Claes Oldenburg: Eight Sculptures 1961–1987, The Mayor Gallery, London, October 15–November 23, 1990. (Catalogue)

Claes Oldenburg: Multiples in Retrospect, 1964–1990, Brooke Alexander Editions, New York, September 14–October 20, 1990. (Catalogue)

Claes Oldenburg: Prints and Multiples, Susan Sheehan Gallery, New York, September 4–29, 1990. (Brochure)

Claes Oldenburg: The European Desk Top, Galleria Christian Stein, Milan, May 3–June 20, 1990. (Catalogue)

Claes Oldenburg: A Complete Survey of Sculptures in Edition 1963–1990, Carl Solway Gallery, Cincinnati, Ohio, April 20–June 9, 1990.

1989

Claes Oldenburg and Coosje van Bruggen: From the Entropic Library, Musée d'Art Moderne, Saint-Etienne, France, 1989.

1988

Claes Oldenburg and Coosje van Bruggen: The Knife Ship, Museum of Contemporary Art, Los Angeles, 1988.

Claes Oldenburg: Tekeningen/Dessins, Palais des Beaux-Arts, Brussels, November 27–December 30, 1988. Traveled to: Musée d'Art Contemporain, Nîmes, France, February 14–April 9, 1989; Institut Valencià d’Art Modern, Centre Julio González, Spain as Claes Oldenburg: Dibujos/Drawings 1959–1989, September 15–November 15, 1989. (Catalogue)

Claes Oldenburg and Coosje van Bruggen: A Bottle of Notes and Some Voyages, Northern Centre for Contemporary Art, Sunderland, United Kingdom, February 2–March 26, 1988. Traveled to: Leeds City Art Gallery, United Kingdom, April 27–June 26, 1988; The Serpentine Gallery, London, July 8–August 29, 1988; The Glynn Vivian Art Gallery, Swansea, United Kingdom, September 17–November 12, 1988; Palais des Beaux-Arts, Brussels, November 27–December 30, 1988; Wilhelm-Lehmbruck Museum, Duisburg, Germany, January 22–March 27, 1989; Malmö Konsthall, Sweden, April 29–August 6, 1989; Institut Valencià d’Art Modern, Centre Julio González, Spain, September 15–November 15, 1989; Tampereen taidemuseo, Tampere, Finland, January 12–March 6, 1990. (Catalogue)

Props, Costumes and Designs from the Performance “Il Corso del Coltello” by Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry, Margo Leavin Gallery, Los Angeles, January 9–February 13, 1988.

1987

Claes Oldenburg and Coosje van Bruggen: Piano/Hammock 1987, Galerie Konrad Fischer, Düsseldorf, November 24–December 18, 1987.

Le Couteau Navire: Décors, Costumes, Dessins, “Il Corso del Coltello” de Claes Oldenburg, Coosje van Bruggen et Frank O. Gehry, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, July 7–October 5, 1987. (Catalogue)

Claes Oldenburg: The Haunted House, Museum Haus Esters Krefeld, Germany, May 31–June 26, 1987. (Catalogue)

1986

Claes Oldenburg and Coosje van Bruggen: The Knife Ship from “Il Corso del Coltello”, Solomon R. Guggenheim Museum, New York, December 16, 1986–February 16, 1987. (Catalogue)

Oldenburg / Van Bruggen / Gehry: The Course of the Knife, Leo Castelli Gallery, New York, December 13, 1986−January 24, 1987.

El Cuchillo Barco de “Il Corso del Coltello”: Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry, Palacio de Cristal, Madrid, June 18−September 9, 1986. (Catalogue)

1985

Oldenburg: Tube Supported by its Contents, Galerie Schmela, Düsseldorf, 1985. (Catalogue)

Il Corso del Coltello, Campo dell'Arsenale, Venice, September 6–8, 1985. (Catalogue)

Claes Oldenburg: Selected Posters and Announcements, 1959–1985, The Art Center, Waco, Texas, October 26–December 1, 1985.

1984

Claes Oldenburg: Standing Mitt with Ball: From Concept to Monument, Wave Hill, New York, September 16–November 4, 1984. (Catalogue)

1983

Claes Oldenburg: The Screwarch Project, Museum Boymans-van Beuningen, Rotterdam, June 19–September 19, 1983. (Catalogue)

1982

Claes Oldenburg, Galerie Schmela, Düsseldorf, December 16, 1982–January 31, 1983. (Brochure)

Claes Oldenburg: Selected Prints, The Bruce Museum, Greenwich, Connecticut, January 17–March 14, 1982.

1981

Models, Studies, and Plans for the Flashlight: A Large–Scale Sculpture by Claes Oldenburg for the University of Nevada, Las Vegas, Fine Arts Gallery, University of Nevada, Las Vegas, February 2–20, 1981.

1980

Claes Oldenburg: Large–Scale Projects 1977−1980, Leo Castelli Gallery, New York, May 24–June 14, 1980. (Catalogue)

1978

Claes Oldenburg: Sculptures, 1971−1977, Margo Leavin Gallery, Los Angeles, 1978.

1977

The Mouse Museum / The Ray Gun Wing: Two Collections / Two Buildings by Claes Oldenburg, Museum of Contemporary Art, Chicago, November 18, 1977−January 8, 1978. Traveled to: Phoenix Art Museum, January 27−March 12, 1978; Saint Louis Art Museum, April 20−June 11, 1978; Dallas Museum of Art, June 28−August 6, 1978; Whitney Museum of American Art, New York, September 28−November 26, 1978; Rijksmuseum Kröller-Müller, Otterlo, June 16−July 29, 1979; Museum Ludwig, Cologne, September 4, 1979−May 20, 1980. (Catalogue)

Claes Oldenburg, De volle maan, Delft, The Netherlands, November 5−December 11, 1977. (Catalogue)

Claes Oldenburg: The Inverted Q, Akron Art Institute, Ohio, October 9−December 4, 1977. (Catalogue)

Claes Oldenburg: An Exhibition of Recent Small Scale Fabricated Works and Drawings, Richard Gray Gallery, Chicago, September 30–November 15, 1977.

Claes Oldenburg: Tekeningen, aquarellen en grafiek, Stedelijk Museum, Amsterdam, April 30−June 12, 1977. (Catalogue). Traveled to Musée National d'Art Moderne, Centre Georges Pompidou, Paris as Claes Oldenburg: Dessins, aquarelles et estampes, August 24−October 16, 1977 (Catalogue); Moderna Museet, Stockholm as Claes Oldenburg: Teckningar, akvareller och grafik, October 29−December 4, 1977.

1976

Claes Oldenburg, Leo Castelli Gallery, New York, November 6–27, 1976. (Catalogue)

Claes Oldenburg, New Works on Paper: Etchings, Aquatints, Lithographs, Multiples, New York, April 24−May 15, 1976.

The Soft Screw: Eight Lithographs and a Multiple Sculpture by Claes Oldenburg, Margo Leavin Gallery, Los Angeles, April 10−30, 1976. (Catalogue)

1975

Claes Oldenburg: Recent Erotic Fantasy Drawings, Mayor Gallery, London, November 4−December 6, 1975. (Catalogue)

Claes Oldenburg, Sable-Castelli Gallery, Toronto, May 1−22, 1975

Oldenburg: Six Themes, Walker Art Center, Minneapolis, April 6−May 25, 1975. Traveled to: Denver Art Museum, June 28−August 24, 1975; Seattle Art Museum, September 29−November 9, 1975; Institute of Contemporary Art, Boston and Hayden Gallery, Massachusetts Institute of Technology, Cambridge, January 16−February 25, 1976; Art Gallery of Ontario, Toronto, April 3−May 9, 1976. (Catalogue)

Claes Oldenburg: Zeichnungen—Aquarelle—Collagen, 1954–1974, Kunsthalle Tübingen, March 1–April 20, 1975. Traveled to: as Claes Oldenburg, Zeichnungen, Kunstmuseum Basel, May 10–July 6, 1975; Städtische Galerie im Lenbachhaus, Munich, July 17–August 31, 1975; Nationalgalerie Berlin, September 17–October 26, 1975; as Claes Oldenburg: Unbekannte Aquarelle, Zeichnungen, Gouachen 1954–1974, Museum Haus Lange Krefeld, November 16, 1974–January 4, 1976; Kunstverein im Hamburg, April 3–May 16, 1976; as Claes Oldenburg: Zeichnungen, Objekte, Filme, Städelsches Kunstinstitut und Städtische Galerie, Frankfurt, May 27–August 22, 1976; Kestner-Gesellschaft, Hannover, August 27–September 26, 1976; Claes Oldenburg: Tegninger fra 1954 til 1974, Louisiana Museum, Humblebaek, January 15–February 13, 1977. (Catalogues)

Claes Oldenburg: The Alphabet in L.A., Margo Leavin Gallery, Los Angeles, February 6–March 29, 1975. (Catalogue)

1974

Claes Oldenburg: The Lipstick Comes Back, Yale University Art Gallery, New Haven, Connecticut, October 17–November 30, 1974. (Catalogue)

Claes Oldenburg: Geometric Mouse, Scale X, Hammarskjold Plaza Sculpture Garden, New York, April–June 1974.

Claes Oldenburg, Leo Castelli Gallery, New York, April 27–May 18, 1974.

1973

Claes Oldenburg: Standing Mitt with Ball, 1973, The New Gallery, Cleveland, December 5, 1973–January 4, 1974. Traveled to: Dayton Art Institute, January 18–February 10, 1974. (Catalogue)

Claes Oldenburg: Posters, 1961–1972, Anna Leonowens Gallery, Nova Scotia College of Art and Design, Halifax, September 1–15, 1973.

Claes Oldenburg, Minami Gallery, Tokyo, June 18–July 14, 1973. (Catalogue)

Claes Oldenburg Recent Prints and Preparatory Drawings, M. Knoedler & Co., New York, March 17–April 21, 1973. (Catalogue)

1972

Claes Oldenburg: Works in Edition, John Berggruen Gallery, San Francisco, February–March 1972. (Catalogue)

1971

Claes Oldenburg: Works in Edition, Margo Leavin Gallery, Los Angeles, December 10, 1971–January 25, 1972. (Catalogue)

Claes Oldenburg: Object into Monument, Pasadena Art Museum, December 7, 1971–February 6, 1972. Traveled to: University Art Museum, University of California, Berkeley, March 1–April 9, 1972; William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas City, Missouri, May 12–June 18, 1972; Fort Worth Art Center, Texas, July 13–August 20, 1972; Des Moines Art Center, Iowa, September 18–October 29, 1972; Philadelphia Museum of Art, November 16–December 27, 1972; Art Institute of Chicago, January 17–February 25, 1973. (Catalogue)

1970

New Work by Claes Oldenburg, Sidney Janis Gallery, New York, November 4–28, 1970. (Catalogue)

Claes Oldenburg at Gemini, Dickson Art Center, University of California, Los Angeles, September 28–November 8, 1970.

1969

Claes Oldenburg, The Museum of Modern Art, New York, September 25–November 23, 1969. Traveled to: Stedelijk Museum, Amsterdam, January 16–March 15, 1970; Städtische Kunsthalle, Düsseldorf. April 15–May 24, 1970; Tate Gallery, London, June 24–August 16, 1970. (Catalogues)

Claes Oldenburg: Constructions, Models, and Drawings, Richard Feigen Gallery, Chicago, April 30–May 31, 1969. (Catalogue)

1968

Claes Oldenburg, Irving Blum Gallery, Los Angeles, opened June 2, 1968.

1967

Claes Oldenburg, Drawings: Projects for Monuments, Museum of Contemporary Art, Chicago, October 24–November 26, 1967. Traveled to: Krannert Art Museum, University of Illinois, Champaign, December 1–31, 1967.

An Exhibition of New Work by Claes Oldenburg, Sidney Janis Gallery, New York, April 26–May 27, 1967. (Catalogue)

1966

Claes Oldenburg, Robert Fraser Gallery, London, November 22–December 31, 1966. (Brochure)

Claes Oldenburg: Skulpturer och tecknigar, 1963–1966, Moderna Museet, Stockholm, September 17–October 30, 1966. (Catalogue)

New Work by Oldenburg, Sidney Janis Gallery, New York, March 9–April 2, 1966. (Catalogue)

1964

Claes Oldenburg, Galerie Ileana Sonnabend, Paris, October 21–November 30, 1964. (Catalogue)

Claes Oldenburg, The Pace Gallery, Boston, May 11–June 6, 1964.

Exhibition of Recent Work by Claes Oldenburg, Sidney Janis Gallery, New York, April 7–May 2, 1964. (Catalogue)

1963

Oldenburg, Dwan Gallery, Los Angeles, October 1–26, 1963.

1962

Claes Oldenburg, Green Gallery, New York, September 24–October 10, 1962.

1961

Claes Oldenburg: The Store, Ray Gun Manufacturing Company, 107 East 2nd Street, New York (in cooperation with Green Gallery, New York), December 1, 1961–January 31, 1962.

Claes Oldenburg, Green Gallery, New York, September 19–October 14, 1961.

1960

Claes Oldenburg: The Street, Reuben Gallery, New York, May 6–19, 1960.

Claes Oldenburg: The Street, Judson Gallery, New York, January 30–March 17, 1960.

1959

Claes Oldenburg, The City Gallery, New York, May–June 1959.

Drawings, Sculptures, Poems by Claes Oldenburg, Judson Gallery, New York, May 22–June 10, 1959.

Claes Oldenburg, Art School Library, Cooper Union, New York, March 1959.

1955

A Collection of Paintings by Claes Thure Oldenburg, Bramson Gallery, Evanston, Illinois, opened March 12, 1955. (Brochure)

2023

Iconoclasts: Selections from Glenstone’s Collection, Glenstone Museum, Potomac, Maryland, opens on November 16, 2023.

Time. From Dürer to Bonvicini, Kunsthaus Zürich, Zurich, September 22, 2023–January 14, 2024. (Catalogue)

American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Cambridge, Massachusetts, May 20–August 13, 2023. (Catalogue)

Scale: Sculpture 1945–2000, Fundación Juan March, Madrid, March 31–July 2, 2023. (Catalogue)

Western Arts in the 20th Century Through Printmaking: The Challenge of Artists, Takamatsu Art Museum, February 11–March 21, 2023. (Catalogue)

Tropic of Cancer, Pace Gallery, Palm Beach, Florida, February 9–March 12, 2023.

2022

Flags, Fondation Boghossian, Villa Empain, Brussels, September 29, 2022–January 22, 2023. (Catalogue)

58th Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 24, 2022–April 2, 2023.

New York: 1962–1964, The Jewish Museum, New York, July 22, 2022–January 8, 2023.

Chewing Gum V, Pace Gallery, Hong Kong, July 22–September 1, 2022.

2021

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

A room with a…, Pace Gallery, Palm Beach, Florida. June 4–September 10 (extended through October 3), 2021.

2020

Degree Zero: Drawing at Midcentury, The Museum of Modern Art, New York, November 1, 2020–February 6, 2021.

On View in East Hampton, Pace Gallery, 68 Park Place, East Hampton, New York, July 22–29, 2020.

2018

The Art of Collaboration, Venus Over Manhattan, New York, September 17–October 23, 2018.

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

2017

The Long Run, Museum of Modern Art, New York, November 11, 2017–November 4, 2018.

From Surface to Space: 100 Years of Sculpture, Relief and Collage, Galerie Gmurzynska, Zurich, October 16, 2017–January 31, 2018.

American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15–November 12, 2017.

Delirious: Art at the Limits of Reason 1950–1980, Met Breuer, New York, September 13, 2017–January 14, 2018. (Catalogue).

Deadeye Dick: Richard Bellamy and His Circle, Peter Freeman, Inc., New York, September 12–October 28, 2017.

Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Alfred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue)

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965, Grey Art Gallery, New York University, New York, January 10–April 1, 2017. Traveled to: NYUAD Art Gallery, Abu Dhabi, October 4, 2017–January 13, 2018. (Catalogue)

2016

Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue)

Summer Group Show: Make Light of It, Pace/MacGill Gallery, New York, July 7–August 24, 2016.

Postwar New York: Capital of the Avant Garde, Acquavella Galleries, New York, July 5–September 30, 2016.

César in Context, Luxembourg & Dayan, New York, May 5–July 1, 2016.

Fuji Xerox Print collection, Yokohama Museum of Art, April 23–June 5, 2016. (Catalogue)

Sculpture on the Move 1946–2016, Kunstmuseum Basel, April 19–September 18, 2016. (Catalogue)

Talking on Paper, Pace Beijing, April 16–June 11, 2016.

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, January 27–March 19, 2016.

2015

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Arts & Foods: Rituals since 1851, Triennale di Milano, April 9–November 1, 2015.

From the Archives: Art and Technology at LACMA, 1967–1971, Los Angeles County Museum of Art, March 14–October 18, 2015.

A Strong Sweet Smell of Incense, Pace London, 6 Burlington Gardens, February 6–March 28, 2015.

Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, February 2–November 30, 2015.

The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art, Paul Kasmin Gallery, New York, January 13–March 14, 2015.

2014

Manifesta Intenzione: Il Disegno in Tutte Sue Forme / Manifest Intention: Drawing In All Its Forms, Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli-Torino Italy, October 11, 2014–January 25, 2015. (Catalogue)

Fiber: Sculpture 1960–Present, Institute of Contemporary Art/Boston, October 1, 2014–January 5, 2015. Travels to: Wexner Center for the Arts, Columbus, January 30–April 5, 2015; Des Moines Art Center, May 2–August 2, 2015; Contemporary Arts Museum, Houston, August 22–November 29, 2015.

Thorn in the Flesh, George Economou Collection, Athens, Greece, September 11, 2014–May 2015.

POPOP: Pop and Op Art, University Art Gallery, Indiana State University, August 18–September 19, 2014.

Today’s Specials, Pace London, 6 Burlington Gardens, July 31–September 6, 2014.

In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.

The House, Faggionato, London, June 12–August 15, 2014.

Annual 2014: Redefining Tradition, National Academy Museum, New York, June 9–September 14, 2014.

Art or Sound, Fondazione Prada, Venice, June 7–November 3, 2014.

Turn Turn Turn, Madison Museum of Contemporary Art, Wiscosin, May 24–August 24, 2014.

The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, May 11–July 3, 2014. (Catalogue)

Everything falls faster than an anvil, Pace London, 6–10 Lexington Street, May 9–June 18, 2014. (Catalogue)

Céleste Boursier-Mougenot, Bruce Conner, Latifa Echakhch, Charles Gaines, Christian Marclay, Claes Oldenburg & Coosje van Bruggen, Paula Cooper Gallery, New York, April 26–May 31, 2014.

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop, Bibliothèque nationale de France, Paris, April 8–July 13, 2014. (Catalogue)

From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, The Netherlands, March 14–July 13, 2014.

Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.

Grounded, Pace Gallery. 534 West 25th Street, New York, January 17–February 22, 2014.

Pop Culture: Selections from the Frederick R. Weisman Art Foundation, Boca Museum of Art, Boca Raton, Florida, January 12–April 23, 2014.

2013

Jim Dine and Claes Oldenburg: Transformations of the Ordinary, Cantor Arts Center, Stanford University, California, November 21, 2013–May 18, 2014.

Pop Art Prints: Selections from the Condron Collection, Spagnuolo Art Gallery, Georgetown University, Washington, D.C., October 23–December 8, 2013.

Its Surreal Thing: The Temptation of Objects, Sheldon Museum of Art at the University of Nebraska-Lincoln, October 4–January 5, 2014. (Catalogue)

Selections from the Frederick R. Weisman Art Foundation, MANA Contemporary, Jersey City, September 29–December 28, 2013.

Re-View: Onnasch Collection, Hauser & Wirth, London, September 20–December 14, 2013. (Catalogue)

Albrecht Dürer to Claes Oldenburg: Collecting at the Cornell, 1990–2010, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, September 17–December 1, 2013. (Catalogue)

American Pop Art from the John and Kimiko Powers Collection, The National Center, Tokyo, August 7–October 21, 2013. (Catalogue)

Paradise, Pace Gallery, 534 West 25th Street, New York, July 15–August 16, 2013.

The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville, Maine, July 13, 2013–June 8, 2014. (Catalogue)

When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, June 1–November 3, 2013. (Catalogue)

404 E 14, Tibor de Nagy Gallery, New York, June 20–August 2, 2013. (Catalogue)

Specific Objects, Susan Inglett Gallery, New York, June 20–July 26, 2013.

The Pop Object: The Still Life Tradition in Pop Art, Acquavella Galleries, New York, April 10–May 24, 2013. (Catalogue)

I’m dreaming about a reality, Galerie Chantal Crousel, Paris, February 22–April 12, 2013.

2012

Masterpieces from the Berardo Collection, Gary Nader Art Centre, Miami, December 5, 2012–March 30, 2013.

Sinister Pop, Whitney Museum of American Art, New York, November 15, 2012–March 31, 2013.

Shock of the News, National Gallery of Art, Washington, D.C., September 23, 2012–January 27, 2013.

Beyond the Wall, Castello Di Rivoli Museo d’Arte Contemporanea, Turin, Italy, June 5–December 31, 2012.

Root & Branch, Princeton University Art Museum, New Jersey, July 14–November 25, 2012.

Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art, Chicago, June 30–September 23, 2012.

50th Anniversary Exhibition THANKS, Carl Solway Gallery, Cincinnati, May 11–August 11, 2012.

Happenings: New York, 1958–1963, The Pace Gallery, 534 West 25th Street, New York, February 10–March 17, 2012. (Catalogue)

2011

The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery, Albright-Knox Art Gallery, Buffalo, New York, November 4, 2011–March 4, 2012. (Catalogue)

Selections from the Private Collection of Robert Rauschenberg, Gagosian Gallery, New York, November 3–December 23, 2011. (Catalogue)

Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, 545 West 22nd Street, New York, October 28–November 26, 2011.

Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York, October 12, 2011–January 15, 2012.

Proof: The Rise of Printmaking in Southern California, Norton Simon Museum, Pasadena, October 1, 2011–April 2, 2012. (Catalogue)

Pop Objects and Icons from the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, September 30, 2011–February 12, 2012.

Objects, JGM Galerie, Paris, September 16–October 13, 2011.

Off the Wall, Museum of Contemporary Art, Serralves Museum, Portugal, May 20–October 2, 2011. (Catalogue)

Surfaces of Everyday Life: Postwar and Contemporary Masters from Ai Weiwei to Andy Warhol, Ikkan Art International, Singapore, May 18–June 5, 2011. (Catalogue)

2010

The Maginot Line, David Castillo Gallery, Miami, December 1, 2010–January 1, 2011.

Popular: Brands, Symbols, Icons, 1960–2010, Galerie Thomas Modern, Munich, November 26, 2010–February 19, 2011. (Catalogue)

50 Years at Pace, The Pace Gallery, 32 East 57th Street, 534 West 25th Street, and 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Thanks for Being with Us: Contemporary Art from the Douglas Nielsen Collection, Tucson Museum of Art, July 17–October 10, 2010. (Catalogue)

New Realisms: 1957–1962. Object Strategies between Readymade and Spectacle, Museo Nacional Centro de Arte Reina Sofía, Madrid, June 16–October 4, 2010. (Catalogue)

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, June 25–September 19, 2010. (Catalogue)

Sculptors Celebrate the Legacy of Fred and Lena Meijer, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, June 4, 2010–January 2, 2011.

1968, Locks Gallery, Philadelphia, May 7–June 11, 2010.

Robert & Ethel Scull: Portrait of a Collection, Acquavella Galleries, New York, April 13–May 27, 2010. (Catalogue)

1964, Walker Art Center, Minneapolis, March 25–October 24, 2010.

Donald Judd and 101 Spring Street, Nicholas Robinson Gallery, New York, March 2–April 17, 2010.

Crash: Homage to JG Ballard, Gagosian Gallery, London, February 11–April 1, 2010. (Catalogue)

2009

Spectacular Times: The 60s—The Moderna Museet Collection, Moderna Museet, Malmö, Sweden, December 26, 2009–February 27, 2011.

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

The Robert and Jane Meyerhoff Collection: Selected Works, National Gallery of Art, Washington, D.C., October 1, 2009–May 2, 2010. (Catalogue)

13 + 6: Artists and Architects of City Center, Bellagio Gallery of Art, Las Vegas, September 17, 2009–April 4, 2010.

American Printmaking since 1960, Art Gallery Dubrovnik, Croatia, September 9–November 1, 2009.

Sculpture, Margo Leavin Gallery, Los Angeles, July 11–August 22, 2009.

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

A Walk in the Park: Outdoor Sculpture at PaceWildenstein, PaceWildenstein, 545 West 22nd Street, New York, June 19–July 24, 2009.

The Quick and the Dead, Walker Art Center, Minneapolis, April 25–September 27, 2009. (Catalogue)

Soft Sculpture, National Gallery of Australia, Canberra, April 24–July 12, 2009. (Catalogue)

Pop Up!, Ludwig Forum für Internationale Kunst, Aachen, Germany, April 5–August 23, 2009.

If We Could Imagine, Glenstone Foundation, Potomac, Maryland, March 2009–October 2010. (Catalogue)

Unfolding Process: Conceptual and Material Practice on Paper, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, March 28–June 14, 2009. (Catalogue)

Classic Contemporary: Lichtenstein, Warhol & Friends, (organized by Museum of Contemporary Art, California), Bellagio Gallery of Fine Art, Las Vegas, January 24–September 7, 2009. (Catalogue)

Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich, January 24–May 24, 2009. (Catalogue)

2008

Heavy Metal: On the Inexplicable Lightness of a Material, Kunsthalle zu Kiel, Germany, December 7, 2008–March 22, 2009. (Catalogue)

Circa 1958: Breaking Ground in American Art, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, September 21, 2008–January 4, 2009. (Catalogue)

Drawn by Sculptors, William Shearburn Gallery, Saint Louis, September 19–November 1, 2008.

Street Art, Street Life: From the 1950s to Now, Bronx Museum of Art, New York, September 14, 2008–January 25, 2009.

Selections from the Collection of Helga and Walther Lauffs, Zwirner & Wirth and David Zwirner, New York, May 1–June 1, 2008. Traveled to: Hauser & Wirth, Zürich, June 1–July 26, 2008.

Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976, Jewish Museum, New York, May 4–September 21, 2008. Traveled to: Saint Louis Art Museum, October 19–2008–January 11, 2009; Albright-Knox Art Gallery, Buffalo, New York, February 13–May 31, 2009. (Catalogue)

Sparks! The William T. Kemper Collecting Initiative, Nelson-Atkins Museum of Art, Kansas City, May 3–July 20, 2008. (Catalogue)

Sculpture, Texas Gallery, Houston, April 22–May 21, 2008.

How Artists Draw: Toward the Menil Drawing Institute and Study Center, Menil Collection, Houston, February 15–May 18, 2008.

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

Person of the Crowd: The Contemporary Art of Flânerie, Neuberger Museum of Art, State University of New York, Purchase, January 20–April 13, 2008.

2007

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, December 6, 2007–March 2, 2008. (Catalogue)

Anywhere Out of This World: Postwar Works from the Permanent Collection, Museum of Contemporary Art, Los Angeles, November 18, 2007–January 21, 2008.

Taste of the Modern: Rothko, Rauschenberg, Oldenburg, Kline, Nasher Museum of Art, Duke University, Durham, North Carolina, October 11, 2007–September 14, 2008.

Water, Pulitzer Foundation for the Arts, Saint Louis, July 20, 2007–January 5, 2008.

Pop Art is…, Gagosian Gallery, London, September 27–November 10, 2007. (Catalogue)

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

A Modern Patronage: De Menil Gifts to American and European Museums, The Menil Collection, Houston, June 8–September 16, 2007.

When Art Worlds Collide: The 60s, Woodward Gallery, New York, May 17–July 14, 2007.

Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961–1968, Oklahoma City Museum of Art, May 11–August 19, 2007. (Catalogue)

Sculpture, Dunn and Brown Contemporary, Dallas, May 11–June 23, 2007.

Pop Art at Princeton: Permanent and Promised, Princeton University Art Museum, New Jersey, March 24–April 12, 2007. (Catalogue)

Plastic: A proposal of John Temblay: Works in Vacuum-formed Plastic, from the 1960s to Today, Cabinet des estampes du Musée d’art et d’histoire, Geneva, February 22–May 20, 2007. (Catalogue)

New Media/ New Materials: Highlights in Contemporary Art from The Fabric Workshop and Museum, Contemporary Arts Center, Cincinnati, February 2–April 15, 2007.

Modern American Masters, Museum of Contemporary Art San Diego (MCASD Downtown), January 27–February 14, 2007.

2006

Living with Pop, Max Lang Gallery, New York, December 1, 2006–January 20, 2007.

Magritte and Contemporary Art: The Treachery of Images, Los Angeles County Museum of Art, November 19, 2006–March 4, 2007.

Extra-Ordinary: The Everyday Object in American Art. Frist Center for the Visual Arts, Nashville, November 10–February 11, 2007.

Picasso and American Art, Whitney Museum of American Art, New York, September 28, 2006–January 28, 2007. Traveled to: San Francisco Museum of Modern Art, February 25–May 28, 2007; Walker Art Center, Minneapolis, June 17–September 9, 2007. (Catalogue)

New Frontiers: American Art since 1945, Oberlin College Allen Memorial Art Museum, Ohio, August 29–December 23, 2006.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Works on Paper from the Collection of Art Enterprises, Ltd., McCormick Gallery, Chicago, July 14–August 19, 2006.

Drawn into the World, Museum of Contemporary Art, Chicago, July 8–October 15, 2006.

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006.

Summer 2006, PaceWildenstein, 534 West 25th Street, New York, June 27–August 25, 2006.

Pop, Craig F. Starr Associates, New York, February 17–March 18, 2006.

2005

Looking at Words, Andrea Rosen Gallery, New York, November 2–December 31, 2005.

50 Jahre / Years Documenta 1955–2005, Museum Fridericianum, Kassel, September 1–November 20, 2005. (Catalogue)

Highlights: New Acquisitions, John Berggruen Gallery, San Francisco, August 2–September 9, 2005.

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

Pop: Roy Lichtenstein, Konrad Lueg, Claes Oldenburg, Sigmar Polke, Gerhard Richter, Andy Warhol, Zwirner and Wirth, New York, May 3–June 29, 2005. (Catalogue)

Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern Art, New York, February 4–April 25, 2005. Traveled to: Fondation Beyeler, Basel, November 27, 2005–February 26, 2006. (Catalogue)

2004

Pop Art, Rosenbaum Contemporary, Boca Raton, Florida, December 9, 2004–January 8, 2005.

Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, October 31, 2004–April 24, 2005.

Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, The Essl Collection, Klosterneuburg/Vienna, October 21, 2004–March 6, 2005. (Catalogue)

Bodies Past and Present: The Figurative Tradition in the Nasher Collection, Nasher Sculpture Center, Dallas, September 19, 2004–July 2005.

Group exhibition, PaceWildenstein, 534 West 25th Street, New York, September 10–October 9, 2004.

Summer 2004, PaceWildenstein, 32 East 57th Street, New York, July 8–September 10, 2004.

Sculpture and Form, John Berggruen Gallery, San Francisco, June 3–July 10, 2004.

Art in Embassies Program 40th Anniversary Sculpture Exhibition, Department of State, Diplomatic Reception Rooms, Washington D.C., May 6–July 6, 2004.

An American Odyssey 1945/1980 [Debating Modernism], Circulo de Bellas Artes, Madrid, April 13–May 30, 2004. Traveled to: Domus Artium 2002, Salamanca, June 10–July 31 2004; “Kiosco Alfonso,” A Coruna, September 2–October 2, 2004; Queensborough Community College/CUNY, Queens, New York, October 24–January 15, 2005. (Catalogue)

A Minimal Future? Art as Object 1958–1968, Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004.

Kunst Stoff, Galerie Nächst St. Stephan, Vienna, March 4–April 10, 2004.

La Grande Bouffe (The Big Eat in art), Kunsthalle Bielefeld, January 25–April 24, 2004.

2003

The Spirit of White, Galerie Beyeler, Basel, November 8, 2003–March 27, 2004.

Pop³: Oldenburg, Rosenquist, Warhol, Walker Art Center, Minneapolis, September 6, 2003–February 14, 2004.

After Shock: The Legacy of the Readymade in Post-War and Contemporary American Art, Dickinson Roundell, New York, May 5–June 20, 2003. (Catalogue)

20th Century Sculpture: An Exhibition, Acquavella Galleries, New York, April 4–May 22, 2003. (Catalogue)

Real Illusions: Contemporary Art from Nashville Collections, Frist Center for the Visual Arts, Nashville, February 21–June 22, 2003.

Sweet Tooth, COPIA, The American Center for Wine, Food and the Arts, Napa, California, January 31–May 12, 2003.

2002

An American Legacy, A Gift to New York, Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003.

Independent Vision: Painting and Sculpture, John Berggruen Gallery, San Francisco, July 11–August 31, 2002.

From Pop to Now: Selections form the Sonnabend Collection, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, June 22–September 29, 2002.

Group Show, Mitchell-Innes & Nash, New York, April–May 2002.

Moderna Museet c/o Magasin 3, Magasin 3 Stockholm Konsthall, March 23–June 16, 2002.

Happy New Year!, PaceWildebstein, 32 East 57th Street, New York, January 19–February 9, 2002.

2001

The Cultural Desert: Art, Medicine & Environment, Mayo Clinic Scottsdale, November 29, 2001–April 22, 2002. Companion exhibition: Inside Contemporary Sculpture, Scottsdale Museum of Contemporary Art, January 19–21 April 2002.

The Onnasch Collection. Aspects of Contemporary Art, Museu d’Art Contemporani de Barcelona, November 7, 2001–February 24, 2002. Traveled to: Museu de Arte Contemporânea de Serralves, Portugal, March 22–June 23, 2002. (Catalogue)

A Defining Generation, The Rose Art Museum, Waltham, Massachusetts, September 30–December 9, 2001.

Summer in the City, PaceWildenstein, 32 East 57th Street, New York, June 1–September 12, 2001.

Down Liquidambar Lane; Sculptures in a Park Setting, Museu Serralves, Museu de Arte Contemporanea, Fundação de Serralves, Porto, May 18–October 14, 2001.

20th Century Perspectives, John Berggruen Gallery, San Francisco, March 29–April 28, 2001.

Pop Art U.S./U.K. Connections, 1956-1966, The Menil Collection, Houston, January 26–May 13, 2001. (Catalogue)

Pop and Post Pop (On Paper), Texas Gallery, Houston, January 23–March 3, 2001.

Inside Contemporary Sculpture, Scottsdale Museum of Contemporary Art, January 19–21 April 2002. Companion exhibition The Cultural Desert: Art, Medicine & Environment, Mayo Clinic Scottsdale, November 29, 2001–April 22, 2002.

2000

Made in California: Art, Image, and Identity, 1900-2000, Los Angeles County Museum of Art, October 22, 2000–February 25, 2001.

Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, October 7, 2000–January 15, 2001.

The International Festival of Contemporary Sculpture of Monaco: Contemporary American Sculpture, Monte-Carlo, Monaco, July 26–October 31, 2000.

Summer in the City: Major Paintings, Drawings and Sculptures, John Berggruen Gallery, San Francisco, July 12–September 9, 2000.

Encounters: New Art from Old, National Gallery of Art, London, June 14–September 17, 2000. (Catalogue)

Around 1984: A Look at Art in the 80’s, P.S. 1 Contemporary Art Center, Long Island City, New York, May 21–September 2, 2000.

Work by Claes Oldenburg and Coosje van Bruggen, Charles Ray, and Robert Wilson, Carpenter Center for the Visual Arts, Harvard University, Cambridge, February 28–March 20, 2000.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, February 5–March 11, 2000.

End Papers: Drawings from 1890–1900 & 1990–2000, Neuberger Museum of Art, State University of New York, Purchase, New York, January 30–April 23, 2000. (Catalogue)

1999

Panza: The Legacy of a Collector, Museum of Contemporary Art, Los Angeles, December 12, 1999–April 20, 2000.

Pop Masterworks: Lichtenstein, Oldenburg, Warhol, Joseph Helman, New York, October 27–December 4, 1999.

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000.

Summer 99, PaceWildenstein, 32 East 57th Street, New York, July 9–August 13, 1999.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, July 9–30, 1999.

Contemporary American Masters: The 1960s, Nassau County Museum of Art, Roslyn Harbor, New York, June 13–September 12, 1999.

Modern Masterworks on Paper from the Israel Museum, Jerusalem, Cleveland Museum of Art, June 13–August 29, 1999.

Important Sculptors of the Late Twentieth Century, Stamford Sculpture Walk, Stamford, Connecticut, June 1–August 31, 1999.

House of Sculpture, Modern Art Museum of Fort Worth, Texas, May 23–August 8, 1999.

The Museum as Muse, The Museum of Modern Art, New York, March 14–June 1, 1999.

The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, March 4–May 9, 1999.

Influences: Selections from the Contemporary Collection of the Norton Simon Museum, Alyce de Roulet Williamson Gallery, Art Center College & Design, Pasadena, February 7–April 11, 1999.

Radical Past: Contemporary Art & Music in Pasadena, 1960–1974, Armory Center for the Arts, Pasadena, February 7–May 9, 1999. (Catalogue)

Process as the Muse: Fifty Years of Artists Teaching Art, Armory Center for the Arts, Pasadena, February 7–April 11, 1999. (Catalogue)

Berardo Collection 1917–1999, Centro Cultural de Belém, Lisbon, January 28–April 30, 1999. (Catalogue)

1998

Pop Art: Selections from The Museum of Modern Art, High Museum of Art, Atlanta, October 24, 1998–January 17, 1999.

Art and the American Experience, Kalamazoo Institute of Arts, Michigan, September 10–December 6, 1998.

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, July 6–September 3, 1998.

Double Trouble: The Patchett Collection, Museum of Contemporary Art, San Diego, June 27–September 5, 1998. Traveled to: Museo de las Artes and Instituto Cultural Cabana, Guadalajara, September 10–November 22, 1998; Museo de Monterrey, Monterey, February–April 1999; Museo Universitario Contemporaneo de Arte, Mexico City, April–June 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10–September 5, 1999; Sala Amos Salvador, Logrono, Spain, November 1999–February 2000. (Catalogue)

60’s in the 70’s, Ubu Gallery, New York, May 23–June 27, 1998.

The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, March 12–June 21, 1998.

100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, February 22–May 24, 1998.

Out of Actions: Between Performance and the Object, 1949–1979, The Museum of Contemporary Art, The Geffen Contemporary, Los Angeles, February 8 -May 10, 1998. Traveled to: MAK–Austrian Museum of Applied Arts, Vienna, June 17–September 6, 1998; Museu d’Art Contemporani, Barcelona, October 15, 1998–January 6, 1999; Museum of Contemporary Art, Tokyo, February 11–April 11, 1999.

1997

Group exhibition, Barbara Krakow Gallery, Boston, 1997.

The Prophecy of Pop, Contemporary Arts Center, New Orleans, December 1997–January 1998.

Group exhibition, PaceWildenstein, New York, December 19, 1997–January 24, 1998

An Exhibition Inspired by Paul Cummings, Achim Moeller Fine Art, New York, November 20, 1997–January 19, 1998

Forty Years of Exploration and Innovation: The Artists of the Castelli Gallery, Part One, Leo Castelli Gallery, New York, October 25–November 15, 1997.

Inaugural Exhibition, Ace Gallery, Mexico City, September 9–November 15, 1997.

The Great American Pop Art Store: Multiples of the Sixties, University Art Museum, California State University, Long Beach, August 26–October 26, 1997.

Homage to R. Mutt, Garth Clark Gallery, New York, July 8–August 8, 1997.

The View From Denver: Contemporary American Art from the Denver Museum, Museum Moderner Kunst Stiftung Ludwig, Vienna, July 5–August 31, 1997. (Catalogue)

Group exhibition, PaceWildenstein, New York, June 30–August 22, 1997.

Group exhibition, PaceWildenstein, Los Angeles, June 20–July 3, 1997.

Skulptur: Projekte Münster, Munster, Germany, June 20–September 28, 1997.

Past, Future, Present: XLVII International Art Exhibition, La Biennale di Venezia, Venice, June 15–November 9, 1997. (Catalogue)

The Hirshhorn Collects: Recent Acquisitions 1992-1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., June 4–September 7, 1997.

Objects of Desire: The Modern Still Life, The Museum of Modern Art, New York, May 25–August 26, 1997. Traveled to: Hayward Gallery, London, 1997.

The Age of Modernism: Art in the Twentieth Century, Martin Gropius-Bau, Berlin, Germany, May 7–July 27, 1997.

Allegory, Joseph Helman Gallery, New York, May 6–June 21, 1997.

A Survey of Twentieth Century Sculpture, David Klein Gallery, Birmingham, Michigan, April 12–May 3, 1997.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University, The Art Museum, Princeton University, February 22–June 8, 1997.

Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957-1987, The Corcoran Gallery of Art, Washington, D.C., February 15–June 30, 1997. Traveled to: UCLA Armand Hammer Museum of Art and Cultural Center, Los Angeles, October 27, 1997–January 4, 1998; Sezon Museum of Art, Tokyo, February 27–May 10, 1998; Kitakysyu Municipal Museum of Art, Kitakysyu City, Japan, June–July 1998.

1996

Americans on Paper: Works by Contemporary American Artists, Marisa del Re Gallery, New York, 1996.

John Kaldor Collection, Museum of Contemporary Art, Sydney, 1996.

Drawings and Models, Wildenstein & Co., Tokyo, March 1996.

Brancusi to Beuys: Works from the TED Power Collection, Tate Gallery, New York, November 19, 1996–February 16, 1997. (Catalogue)

Masterworks of Modern Sculpture: The Nasher Collection, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor, October 1996–January 1997. Traveled to: as A Century of Sculpture: The Nasher Collection, Solomon R. Guggenheim Museum, New York, February–April 1997.

Miami Pops! Pop Art from Miami Collections, The Art Museum at Florida International University, Miami, September 20–November 20, 1996.

From Figure to Object: A Century of Sculptors’ Drawings, Frith Street Gallery and Karsten Schubert Gallery, London, September 13–November 2, 1996. (Catalogue)

Sculpture, Galerie Hauser and Wirth, Zürich, August 24–October 19, 1996.

Group exhibition, PaceWildenstein, Los Angeles, July 24–September 28, 1996.

Chimeriques Polymeres: Le plastique dans l’Art du Xxeme siecle, Promenade des Arts, Nice, June 29–September 15, 1996.

Summer Academy 3, PaceWildenstein, 32 East 57th Street, New York, June 14–September 13, 1996.

Sculptors Who Print, Des Moines Art Center, March 3–June 9, 1996.

Summer Exhibition, New Art Centre, Roche Court, East Winterslow, Salisbury, Wiltshire, United Kingdom, May 25–September 30, 1996.

Group exhibition, Sandra Gering Gallery, New York, May 4–June 8, 1996.

Artful Humor, One Champion Plaza, Stamford, Connecticut, April 10–August 7, 1996.

Group exhibition, The Sculpture Garden at 590 Madison Avenue, New York, February–April 1996.

Sammlung Sonnabend: von der Pop-art bis heute -- Amerikanische und europaische kunst seit 1954, Deichtorhallen Hamburg, February 23–May 5, 1996.

Selections from the Fiterman Collection: prints by Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Shirley Fiterman Gallery, The City University of New York, New York, January 29–February 29, 1996.

1995

Martini Culture, Modernism, San Francisco, 1995.

Metafores del Real/Sculpture: Parallel Creations, Museu d’Art Contemporani, Barcelona, November 30, 1995–February 18, 1996.

Beat Culture and the New America 1950–1965, Whitney Museum of American Art, New York, November 9, 1995–February 4, 1995. Traveled to: Walker Art Center, Minneapolis, June 2–September 15, 1996; DeYoung Memorial Museum, San Francisco, October 5–December 29, 1996. (Catalogue)

The Popular Image: Pop Art in America, O’Hara Gallery and Marisa del Re Gallery, New York, October 23–December 9, 1995. Traveled to: Marisa del Re/O’Hara Gallery, Palm Beach, Florida, December 23, 1995–January 27, 1996. (Catalogue)

25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, September 23–October 28, 1995.

Drawing the Line, Whitechapel Art Gallery, London. July 6–September 10, 1995.

Summer Academy 2, PaceWildenstein, 32 East 57th Street, New York, June 28–September 23, 1995.

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, June 28–August 31, 1995.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, May 20–September 8, 1995.

Fashion is a Verb, The Museum at the Fashion Institute of Technology, New York, February 14–April 29, 1995.

Drawings, The Pace Gallery, 32 East 57th Street, New York. January 27–March 18, 1995.

XXV Years, John Berggruen Gallery, San Francisco, January 13–February 25, 1995. (Catalogue)

1994

The Art of Assemblage: Early Works, Locks Gallery, Philadelphia, 1994.

Drawing on Sculpture, Cohen Gallery, New York, 1994.

A Sculpture Show, Marian Goodman Gallery, New York, 1994.

Drawings of the 60s, The Pace Gallery, 32 East 57th Street, New York, December 2, 1994–January 7 (extended through January 21), 1995.

White Works, PaceWildenstein, 32 East 57th Street, New York, July 8–September 9, 1994.

Worlds in a Box, City Art Centre, Edinburgh, 1994. Traveled to: Graves Art Gallery, Sheffield, 1994; Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, 1994; Whitechapel Art Gallery, London, 1994–1995.

Summer Academy I, PaceWildenstein, 32 East 57th Street, New York, June 24–September 9, 1994.

Gemini G.E.L.: Recent Prints and Sculpture, National Gallery of Art, Washington, D.C., June 5−October 2, 1994. (Catalogue)

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

Art on the Map, Chicago Cultural Center, April 30–July 10, 1994.

For Twenty-five Years: Brooke Alexander Editions, The Museum of Modern Art, New York, January 27−May 17, 1994. (Brochure)

Sculptors' Maquettes, The Pace Gallery, 32 East 57th Street, New York, January 14−February 12, 1994.

1993

American Masters–Gráfica, Galeria der Brücke, Buenos Aires, 1993.

Artists at Gemini G.E.L., Gemini G.E.L. at Joni Moisant Weyl, New York, 1993.

Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional, Galería Namia Mondolfi, Caracas, 1993.

Masters of American Print, Margaret Lipworth Fine Art, Boca Raton, Florida, 1993.

New York on Paper, Galerie Beyeler, Basel, 1993.

Sculpture & Multiples, Brooke Alexander Gallery and Brooke Alexander Editions, New York, 1993.

The Stationary Store, Renée Fotouhi Fine Art East, East Hampton, New York, 1993.

Strange Hotel–International Art, Aarhus Kunstmuseum, Denmark, 1993.

Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, 1993.

Contemporary Sculpture and Works on Paper, James Goodman Gallery, New York, November 2–December 21, 1993.

American Art in the Twentieth Century: Painting and Sculpture 1913−1993, Martin-Gropius-Bau, Berlin, May 8−July 25, 1993. Traveled to: Royal Academy of Arts, London, September 16−December, 1993. (Catalogue)

Wall/Floor, The Pace Gallery, 142 Greene Street, New York, July 5–September 10, 1993.

L’Ivresse du réel: L’Objet dans l’arte du XXe siècle, Carré d’Art, Musée d’Art Contemporain Nîmes, May 7−August 29, 1993. (Catalogue)

Four Rooms and a House Ball: Pop and the Everyday Object, Guggenheim Museum SoHo, New York, January 27−April 25, 1993.

1992

Contemporary Masterworks, Feigen Incorporated, Chicago, 1992.

Masterpieces from the Collection, Solomon R. Guggenheim Museum, New York, 1992.

X 6–New Directions in Multiples, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 26–May 3, 1992. Traveled to: The Dayton Art Institute’s Museum of Contemporary Art at Wright State University, Dayton, Ohio, June 21–July 30, 1992. (Catalogue)

Transform: Bild Object Skulptur im 20. Jahrhundert, Kunstmuseum and Kunsthalle, Basel, June 14–September 27, 1992. (Catalogue)

Hand-Painted Pop: American Art in Transition, 1955−62, Museum of Contemporary Art, Los Angeles, December 6, 1992−March 7, 1993. Traveled to: Museum of Contemporary Art, Chicago, April 3−June 20, 1993; Whitney Museum of American Art, New York, July 9−October 10, 1993. (Catalogue)

Claes Oldenburg, John Baldessari: (Scale/Selection/Narration), Richard F. Brush Art Gallery, Saint Lawrence University, Canton, New York, October 6–November 6, 1992.

Both Art and Life: Gemini at Twenty-five, Newport Harbor Art Museum, Newport Beach, California, September 22−November 29, 1992.

A Century in Sculpture, Stedelijk Museum, Amsterdam, Summer 1992. (Catalogue)

Territorium Artis, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, June 19−September 20, 1992. (Catalogue)

Innovation in Collaborative Printmaking: Kenneth Tyler 1963–1992, Yokihama Museum of Art, Japan, June 13–July 26, 1992.

Group exhibition, The Pace Gallery, 32 East 57th Sreet, New York, June 5–September 11, 1992.

…Reperti…O meio ambiente visto por 18 dos mais renomados artistas do mundo, Museu Nacional de Belas Artes, Rio de Janeiro, June 5−July 5, 1992. (Catalogue)

New Directions in Multiples, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 26–May 3, 1992. Traveled to: Museum of Contemporary, Wright State University, Dayton, Ohio, June 21–July 30, 1992. (Catalogue)

1991

For 25 Years: Gemini G.E.L., The Museum of Modern Art, New York, 1991.

Drawings, Brooke Alexander, New York, December 21, 1991–January 25, 1992.

Group exhibition, The Pace Gallery, 142 Greene Street, New York, December 21, 1991–January 25, 1992.

Pop Art, Royal Academy of Arts, London, September 13−December 15, 1991. Traveled to: as Die Pop Art Show, Museum Ludwig, Cologne, January 22−April 21, 1992; as Arte Pop, Centro de Arte Reina Sofía, Madrid, June 16−September 14, 1992; Montreal Museum of Fine Arts, October 23, 1992−January 24, 1993. (Catalogue)

Beyond the Frame: American Art 1960-1990, Setagaya Art Museum, Tokyo, July 6–August 18, 1991. Traveled to: The National Museum of Art, Osaka, August 29–September 29, 1991; Fukuoka Art Museum, November 15–December 15, 1991. (Catalogue)

Changing Sculpture Exhibition, Margo Leavin Gallery, Los Angeles, June 15–July 27, 1991.

Group exhibition, Marian Goodman Gallery, New York, June 14–August 31, 1991.

Summer 1991, The Pace Gallery, 142 Greene Street, New York, May 11–September 14, 1991.

Sculpture, The Pace Gallery, 142 Greene Street, New York, March 9–April 13 (extended through May 7), 1991.

The Political Arm, John Weber Gallery, New York, February 2–23, 1991. Traveled to: Washington University Gallery, 1991. (Catalogue)

Twentieth-Century Collage, Margo Leavin Gallery, Los Angeles, January 12–February 16, 1991. Traveled to: Centro Cultural Arte Contemporaneo, Mexico City, June 13–August 13; Musée d’Art Contemporain, Nice, September 27–November 11, 1991.

1990

Art What Thou Eat: The Image of Food in American Art, Bard College, Annandale-on-Hudson, New York, 1990.

High & Low: Modern Art and Popular Culture, The Museum of Modern Art, New York, October 7, 1990−January 5, 1991. Traveled to: The Art Institute of Chicago, February 20−May 12, 1991; Museum of Contemporary Art, Los Angeles, June 21−September 15, 1991. (Catalogue)

Group exhibition, The Pace Gallery, 142 Greene Street, New York, July 16–August 31, 1990.

Changing Sculpture Exhibition, Margo Leavin Gallery, Los Angeles, June 15–July 27, 1991.

Zeichnungen: Joseph Beuys, Francesco Clemente, Martin Disler, Donald Judd, Bruce Nauman, Claes Oldenburg, A. R. Penck, Frank Stella, Kunsthalle Nürnberg, June 1−July 8, 1987. (Catalogue)

1989

Tools as Art: The Hechinger Collection, The National Building Museum, Washington, D.C., 1989.

Selections from the Collection of Marc and Livia Straus, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 24–October 8, 1989. (Catalogue)

Magiciens de la Terre, Musée National d'Art Moderne, Centre Georges Pompidou and La Grande Halle-La Villette, Paris, May 18−August 14, 1987. (Catalogue)

Modern Masters ’89, Helsingin Taidelhalli, Helsinki, May 17−July 30, 1987. (Catalogue)

Installation, Margo Leavin Gallery, Los Angeles, May 11–27, 1989.

1988

Committed to Print, The Museum of Modern Art, New York, 1988.

Celebrating Leo Castelli and Pop Art, Galerie Kaj Forsblom, Helsinki, 1988.

In Honor of Toiny Castelli: Drawings from the Tony, Leo and Jean-Christophe Castelli Collection, The Museum of Modern Art, New York, 1988.

International Exhibition of the XVII Triennale di Milano: World Cities and the Future of the Metropolis, Palazzo dell’Arte, Milan, September 21−December 18, 1987. (Catalogue)

Installation of Works, Margo Leavin Gallery, Los Angeles, June 7–August 6, 1988.

Five Installations, The Museum of Contemporary Art, Los Angeles, March 22−June 19, 1987.

60's/80's: Sculpture Parallels, Sidney Janis Gallery, New York, February 25−March 26, 1987.

1987

Comic Iconoclasm, Institute of Contemporary Art, London, 1987.

Leo Castelli and His Artists: 30 Years of Promoting Contemporary Art, Centro Cultural Arte Contemporaneo, Mexico City, 1987.

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles, July 11–August 22, 1987.

Collection Sonnabend, Centro de Arte Reina Sofía, Madrid, October 30, 1987–February 15, 1988. Traveled to: CAPC Musee d'art Contemporain, Bordeaux, May 6–September 25, 1988; Art Cologne, November 10–November 16, 1988; Hamburger Bahnhof, Museum für Gegenwart, Berlin, December 7, 1988–February 26, 1989 (as Museum der Avantgarde: Die Sammlung Sonnabend, New York); Galleria Nazionale d'Arte Moderna, Rome, April 14–October 2, 1989 (as La collezione Sonnabend: Dalla pop art in poi); Museo d'Arte Moderna e Contemporanea, Trento, November 4, 1989–January 7, 1990; Musée Rath, Geneva, January 28–April 16, 1990; Sezon Museum of Art, Tokyo, May 15–June 24, 1990; Miyagi Museum of Art, Sendai, July 3–August 16, 1990; Fukuyama Museum of Art, Hiroshima, September 22–October 14, 1990; The National Museum of Modern Art, Kyoto, January 5-February 11,1991. (Catalogue)

Dalla Pop Art Americana alla Nuova Figurazione: Opere del Museo d’Arte Moderna di Francoforte, Padiglione d’Arte Contemporanea, Milan, September 23−November 23, 1987. (Catalogue)

Skulptur Projekte in Münster, Westfälisches Landesmuseum für Kunst and Kulturgeschichte, Münster, Germany, June 14−October 4, 1987. (Catalogue)

The Barcelona Plazas: Preview of an Urban Experience, The Spanish Institute, New York, April 23−June 7, 1987.

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5–May 31, 1979. Traveled to: National Gallery of Art, Washington, D.C., June 28, 1987–February 15, 1988; Centro de Arte Reina Sofia, Madrid, April 6–June 5, 1991; Forte di Belvedere, Florence, July 8–November 1, 1991; Tel Aviv Museum of Art, January 1–April 26, 1992. (Catalogue)

Made in U.S.A.: An Americanization in Modern Art, The 50's and 60's, University Art Museum, University of California, Berkeley, April 4−June 21. Traveled to: The Nelson-Atkins Museum of Art, Kansas City, Missouri, July 25−September 6, 1987; Virginia Museum of Fine Arts, Richmond, October 7−December 7, 1987. (Catalogue)

1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 13−April 26, 1987. (Catalogue)

1986

Kosuth, Morris, Oldenburg, Serra, Stella, Therrien, Leo Castelli Gallery, New York, 1986.

Pop-Art 61-65, Didier Imbert Fine Art, Paris, 1986.

Vier Skulpturen und Graphische Werke aus dem Kaiser Wilhelm Museum Krefeld von: Beuys, Judd, Oldenburg und Serra, Museum Haus Lange, Krefeld, Germany, 1986.

Individuals: A Selected History of Contemporary Art, 1945−1986, The Museum of Contemporary Art, Los Angeles, December 10, 1986−January 10, 1988. (Catalogue)

Philadelphia Collects: Art since 1940, Philadelphia Museum of Art, September 28–November 30, 1986.

Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940, Museum Ludwig, Cologne, September 6−November 30, 1986. (Catalogue)

Group Material: Arts and Leisure, The Kitchen, New York, May 24–June 14, 1986.

Qu’est-ce que la sculpture moderne?, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, July 3−October 13, 1986. (Catalogue)

Sonsbeek 86, Park Sonsbeek, Arnhem, The Netherlands, June 18−September 14, 1986. (Catalogue)

Reality Remade, Kent Fine Art, New York, March 15−April 19, 1986. (Catalogue)

An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale, January 12−March 30, 1986. (Catalogue)

Acquisitions, Margo Leavin Gallery, Los Angeles, January 4–February 8, 1986.

1985

Dorothy C. Miller: With An Eye To American Art, Smith College Museum of Art, Northampton, Massachusetts, 1985.

Sculpture: The Language of Scale, Bruce Museum, Greenwich, Connecticut, 1985.

Räume heutiger Zeichnung, Staatliche Kunsthalle Baden-Baden, Germany, October 12−December 1, 1985. Traveled to: Tel Aviv Museum, Israel, January 2−March 8, 1986. (Catalogue)

Cinquante ans de dessins américains: 1930−1980, École Nationale Supérieure des Beaux-Arts, Paris, May 3−July 13, 1985. Traveled to: Städelschen Kunstinstitut, Frankfurt as Amerikanische Zeichnungen: 1930−1980, November 28, 1985−January 26, 1986. (Catalogue)

An Installation of Outdoor Sculpture, Margo Leavin Gallery, Los Angeles, September 7–October 5, 1985.

Ken Tyler: Printer Extraordinary, Australian National Gallery, Canberra, June 6–October 13, 1985.

Pop Art 1955−70, Art Gallery of New South Wales, Sydney, February 27−April 14, 1985. Traveled to: Queensland Art Gallery, Brisbane, May 1−June 2, 1985; National Gallery of Victoria, Melbourne, June 26−August 11, 1985. (Catalogue)

The Panza Collection, The Museum of Contemporary Art, Los Angeles, February 13−September 29, 1985. (Catalogue)

Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950’s and 1960’s, The Art Museum, Princeton University, February 3−June 9, 1985. Traveled to: Arthur M. Huntington Art Gallery, University of Texas, Austin, September 8−27, 1985; Walker Art Center, Minneapolis, November 23, 1985−March 8, 1986; and Museum of Fine Arts, Boston, March 29−June 8, 1986. (Catalogue)

On Paper: Major Paintings and Drawings from the Collection, The Fort Worth Art Museum, Texas, February 3−April 7, 1985.

Nine Printmakers and the Working Process, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, January 18−March 30, 1985. (Catalogue)

1984

Gemini G.E.L.: Art and Collaboration, National Gallery of Art, Washington, D.C., November 18, 1984−February 24, 1985. (Catalogue)

Prints for Tyler Graphics, Walker Art Center, Minneapolis, September 23–March 17, 1984.

Blam! The Explosion of Pop, Minimalism, and Performance 1958−1964, Whitney Museum of American Art, New York, September 20−December 2, 1984. (Catalogue)

10 Painters and Sculptors Draw, Museum of Fine Arts, Boston, August 1–September 30, 1984. (Catalogue)

Automobile and Culture, Museum of Contemporary Art, Los Angeles, July 21, 1984−January 6, 1985. (Catalogue)

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Skulptur im 20. Jahrhundert, St. Jakob Merian-Park, Basel, June 3−September 30, 1984. (Catalogue)

The Skowhegan Celebration Exhibition, Hirschl & Adler Modern, New York, May 1–31, 1984. (Catalogue)

Drawings: 1974−1984, Hirshhorn Museum and Sculpture Garden, Washington, D.C., March 15−May 13, 1984. (Catalogue)

1983

Sculpture: The Tradition in Steel, Nassau County Museum of Art, Roslyn, New York, 1983.

Nuclear Weapons Freeze Benefit Exhibition, Margo Leavin Gallery, October 18, 1983.

American Still Life 1945–1983, Contemporary Arts Museum, Houston, September 20–November 20, 1983. Traveled to: Albright-Knox Art Gallery, Buffalo, New York, 1984; Columbus Museum of Art, 1984; Neuberger Museum, State University of New York, Purchase, New York, 1984; Portland Art Museum, Oregon, October 9–December 9, 1984. (Catalogue)

The Comic Art Show: Cartoons in Painting and Popular Culture, Whitney Museum of American Art, Downtown Branch, New York, July 18−August 26, 1983. (Catalogue)

Drawing in Air: An Exhibition of Sculptor's Drawings 1882–1982, Sunderland Arts Center, England, July 11−August 20, 1983. Traveled to: Glynn Vivian Art Gallery and Museum, Swansea, England, September 3−November 5, 1983; and City Art Gallery and Henry Moore Study Centre, Leeds, January 13−February 19, 1984. (Catalogue)

Black and White, Margo Leavin Gallery, Los Angeles, June 25–August 13, 1983.

Changes, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 22–September 11, 1983. (Catalogue)

Twentieth-Century Sculpture: Process and Presence, Whitney Museum of American Art at Philip Morris, New York, April 8−May 11, 1983. (Catalogue)

Neue Zeichnungen aus dem Kunstmuseum Basel, Kunstmuseum Basel, Switzerland, January 29−April 24, 1983. Traveled to: Kunsthalle Tübingen, Germany, May 21−July 10; Neue Galerie, Staatliche und Städtische Kunstsammlungen, Kassel, August 13−September 25, 1983. (Catalogue)

1982

Group exhibition, Margo Leavin Gallery, Los Angeles, December 4–30, 1982.

Twenty American Artists: Sculpture 1982, San Francisco Museum of Modern Art, July 22−September 19, 1982. (Catalogue)

Works in Wood, Margo Leavin Gallery, Los Angeles, July 10–September 11, 1982.

Documenta 7, Museum Fridericianum, Kassel, June 19−September 28, 1982. (Catalogue)

Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, May 18–August 31, 1982. (Catalogue)

‘60−’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, April 9−July 11, 1982. (Catalogue)

1981

American Prints: Process and Proofs, Whitney Museum of American Art, New York, November 24, 1981−January 24, 1982. (Catalogue)

Twenty-Second National Print Exhibition, The Brooklyn Museum, New York, October 3, 1981−February 3, 1982. (Catalogue)

The Image In American Painting & Sculpture 1950–1980, Akron Art Museum, September 12–November 8, 1981. (Catalogue)

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Connecticut, September 4–October 14, 1981. (Catalogue)

Cast, Carved & Constructed, Margo Leavin Gallery, Los Angeles, August 1–September 19, 1981.

Westkunst: Zeitgenössische Kunst seit 1939, Museen der Stadt Köln, and Museum Ludwig, Cologne, May 30−August 10, 1981. (Catalogue)

Mapped Art: Charts, Routes, Regions, Art Galleries, University of Colorado, Boulder, May 2–June 7, 1981. (Catalogue)

Contemporary American Prints and Drawings 1940−1980, National Gallery of Art, Washington, D.C., March 22−July 19, 1981. (Brochure)

1980

The Morton G. Neumann Family Collection: Selected Works, National Gallery of Art, Washington, D.C., August 31−December 31, 1980. (Catalogue)

An Exhibition of Important Contemporary Drawings, Paintings and Sculpture, Margo Leavin Gallery, Los Angeles, August 9–September 6, 1980.

Late Entries to the Chicago Tribune Tower Competition, Museum of Contemporary Art, Chicago, May 30−July 19, 1980. (Catalogue)

Skulptur im 20. Jahrhundert: Austellung im Wenkenpark Riehen/Basel, Wenkenpark Riehen, Basel, May 10−September 14, 1980. (Catalogue)

Eight Painters of the 60s: Selections from the Tremaine Collection, The Pace Gallery, 32 East 57th Street, New York, March 28–April 26, 1980.

Pop Art: Evoluzione di una gernerazion, Instituto di Cultura di Palazzo Grassi, Venice, March 22−July 6, 1980. (Catalogue)

Urban Encounters: Art Architecture Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 19−April 30, 1980. (Catalogue)

Monumente-Denkmal, Cologne: Kölnischer Kunstverein, March 18–April 20, 1980. (Catalogue)

From Reinhardt to Christo, Allen Memorial Art Museum, Oberlin College, Ohio, February 20−March 19, 1980. (Catalogue)

1979

Selected Paintings, Drawings, and Sculpture, Margo Leavin Gallery, Los Angeles, December 7–31, 1979.

Print Publishing in America, traveling exhibition organized by the United States International Communication Agency, October 1979–October 1980.

Summer 1979: An Exhibition of Selected Acquisitions, Margo Leavin Gallery, Los Angeles, August 4–September 15, 1979.

Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, January 1–March 11, 1979. (Catalogue)

1978

Art About Art, Whitney Museum of American Art, New York, July 29−September 24, 1978. Traveled to: North Carolina Museum of Art, Raleigh, October 15−November 26, 1978; Frederick S. Wight Art Gallery, University of California, Los Angeles, December 17, 1978−February 11, 1979; Portland Art Museum, Oregon, March 6−April 15, 1979. (Catalogue)

Works on Paper, Margo Leavin Gallery, Los Angeles, May 25–June 24, 1978.

Aspekte der 60er Jahre: Aus der Sammlung Reinhard Onnasch, Nationalgalerie Berlin, February 2−April 23, 1978. (Catalogue)

Three Generations: Studies in Collage, Margo Leavin Gallery, Los Angeles, January 26–March 4, 1978.

1977

Landfall Press: A Survey of Prints (1970–1977), Museum of Contemporary Art, Chicago, November 18, 1977–January 8, 1978. (Catalogue)

De Volle Maan, Stedelijk Museum, Delft, the Netherlands, November 5–December 11, 1977.

Fall 1977: Contemporary Collectors, The Aldrich Museum of contemporary art, Ridgefield, Connecticut, September 25–December 18, 1977. (Catalogue)

Etchings of the Twentieth Century, Margo Leavin Gallery, Los Angeles, July 9–August 13, 1977.

Skulptur: Ausstellung in Münster, 1977, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany, July 3−November 13, 1977. (Catalogue)

Documenta 6: Wirklichkeit—Klischee und Reflexion und Objektkataloge, The Orangery and The Neue Galerie, Kassel, June 24−October 2, 1977. (Catalogue)

Paris—New York: un Album, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, June 1−September 19, 1977. (Catalogue)

Fine Paintings and Drawings, Margo Leavin Gallery, Los Angeles, April 20–May 14, 1977.

Art off the Picture Press: Tyler Graphics Ltd., Emily Lowe Gallery, Hofstra University, Hempstead, New York, April 14–May 22, 1977.

1976

Monuments and Monoliths: A Metamorphosis, Nassau County Museum of Fine Art, Roslyn, New York, 1976.

Sculpture '76, Greenwich Arts Council, Connecticut, 1976.

American Master Drawings and Watercolors: A History of Works on Paper for Colonial Time to Present, Whitney Museum of American Art, New York, November 23, 1976−January 23, 1977. (Catalogue)

Thirty Years of American Printmaking, The Brooklyn Museum, New York, November 20, 1976−January 30, 1977. (Catalogue)

Ambiente/Arte, La Biennale di Venezia, Padiglione centrale ai giardini di Castello, Venice, July 14–October 10, 1976 (Catalogue)

Seventy-Second American Exhibition, The Art Institute of Chicago, March 13−May 9, 1976. (Catalogue)

Twentieth Century American Drawing; Three Avant-Garde Generations, Solomon R. Guggenheim Museum, New York, January 23−March 21, 1976. Traveled to: Staatliche Kunsthalle Baden-Baden, May 27−July 11, 1976; Kunsthalle Bremen, July 18−August 29, 1976. (Catalogue)

Drawing Now, The Museum of Modern Art, New York, January 21−March 9, 1976. Traveled to: as Zeichnung heute—Drawing Now, Kunsthaus Zurich, October 10−November 14, 1976; as Drawing Now—Zeichnung heute, Staadtische Kunsthalle, Baden-Baden, November 25, 1976−January 16, 1977; Graphische Sammlung Albertina, Vienna, January 20−February 28, 1977; Sonia Henie-Niels Onstad Foundation, Oslo, March 20−April 24, 1977. (Catalogue)

American Pop Art and the Culture of the Sixties, The New Gallery of Contemporary Art, Cleveland, January 10−February 21, 1976. (Catalogue)

1975

American Art since 1945 from the Collection of The Museum of Modern Art, Worcester Art Museum, Massachusetts, October 20–November 30, 1975. Traveled to: Toledo Museum of Art, Ohio, January 20–Feburary 22, 1976; Denver Art Museum, March 22–May 2, 1976; Fine Arts Gallery of San Diego, May 31–July 11, 1976; Dallas Museum of Fine Arts, August 19–October 3, 1976; Joslyn Art Museum, Omaha, Nebraska, October 25–December 5, 1976; Greenville County Museum, South Carolina, January 8–February 20, 1977; Virginia Museum of Fine Arts, Richmond, March 14–April 17, 1977. (Catalogue)

Images of an Era: The American Poster 1945–1975. Organized by National Collection of Fine Arts, Smithsonian Institution, Washington, D.C. Traveled to: Corcoran Gallery of Art, Washington, D.C., November 21, 1975–January 4, 1976; Contemporary Arts Museum, Houston, February 2–March 19, 1976; Museum of Science and Industry, Chicago, April 1–May 2, 1976; Grey Art Gallery and Study Center, New York University, New York, May 22–June 31, 1976. (Catalogue)

The Martha Jackson Collection at the Albright-Knox Art Gallery, Albright-Knox Art Gallery, Buffalo, New York, November 21, 1975−January 4, 1976. (Catalogue)

Artist and Fabricator, Fine Arts Center Gallery, University of Massachusetts, Amherst, September 23–November 9, 1975.

Minami ’75: A Selection of Twentieth Century Art, Minami Gallery, Tokyo, April 14−May 2, 1975. (Catalogue)

1974

Poets of the Cities, New York and San Francisco, 1950–1965, Dallas Museum of Art and Pollock Galleries, Southern Methodist University, Dallas, November 20−December 29, 1974. Traveled to: San Francisco Museum of Art, January 31−March 23, 1975; Wadsworth Atheneum, Hartford, Connecticut, April 23−June 1, 1975. (Catalogue)

Monumenta: A Biennial Exhibition of Outdoor Sculpture, Newport, Rhode Island, August 17−October 13, 1974. (Catalogue)

Prints ‘73−’74, Dayton’s Gallery 12, Minneapolis, July 6−August 24, 1974.

Painting and Sculpture Today 1974, Indianapolis Museum of Art, May 22−July 14, 1974. Traveled to: The Contemporary Arts Center and Taft Museum, Cincinnati, September 12−October 26, 1974. (Catalogue)

Selected Works from the Collection of Carter Burden, Marlborough Gallery, New York, May 9−June 1, 1974. (Catalogue)

3-D to 2-D: Drawing for Sculpture, Vancouver Art Gallery, May 7−June 17, 1974.

American Pop Art, Whitney Museum of American Art, New York, April 6−June 16, 1974. (Catalogue)

Stilkunde an Beispielen: Einlehrspiel, Städtisches Museum Abteiberg Mönchengladbach, Germany, March 28−April 28, 1974. (Catalogue)

25 Years of Janis: Part 2, From Pollock to Pop, Op and Sharp-Focus Realism, Sidney Janis Gallery, New York, March 13−April 13, 1974. (Catalogue)

1972

Sculptors’ Drawings, Margo Leavin Gallery, Los Angeles, November 18–December 31, 1972.

New York Collection for Stockholm, Moderna Museet, Stockholm, October 27−December 2, 1972. (Catalogue)

Art for McGovern, The Pace Gallery, 32 East 57th Street, New York, September 20–21, 1972.

Diagrams and Drawings, Rijksmuseum Kröller-Müller, Otterlo, August 12−Spetember 24, 1972. Traveled to: Kunstmuseum Basel, January 20−March 4, 1973. (Catalogue)

Documenta 5, Kassel, June 30−October 8, 1972. (Catalogue)

Immagine per la Citta’, Palazzo dell’Accademia, Palazzo Reale, Genova, Italy, April 8–June 11, 1972. (Catalogue)

Colossal Scale: The Appeal of Gigantic Representational Images for Today’s Artist, Sidney Janis Gallery, New York, March 9−April 1, 1972. (Catalogue)

1971

ROSC ’71: The Poetry of Vision, Royal Dublin Society, Ireland, October 24−December 29, 1971. (Catalogue)

Amerikanst kunst 1950−70, Louisiana Museum, Humlebaek, September 11−October 24, 1971. (Catalogue)

Sonsbeek 71: Sonsbeek buiten de perken, Park Sonsbeek, Arnhem, The Netherlands, June 19−August 15, 1971. (Catalogue)

Art and Technology, Los Angeles County Museum of Art, May 11−August 29, 1971. (Catalogue)

Technics and Creativity: Gemini G.E.L., Museum of Modern Art, May 5–July 6, 1971. (Catalogue)

Multiples: The First Decade, Philadelphia Museum of Modern Art, March 5−April 4, 1971. (Catalogue)

Continuing Surrealism, La Jolla Museum of Art, California, January 15–March 21, 1971.

1970

1970 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 12, 1970−February 7, 1971. (Catalogue)

Seven Artists: New Work by Fahlstrom, Kelly, Marisol, Oldenburg, Segal, Steinberg, Wesselmann, Sidney Janis Gallery, December 4−31, 1970. (Catalogue)

New Multiple Art, Whitechapel Art Gallery, London, November 19, 1970–January 3, 1971. (Catalogue)

Happening & Fluxus, Kölnischer Kunstverein, Cologne, November 6, 1970−January 6, 1971. (Catalogue)

1970 Pittsburgh International: Exhibition of Contemporary Art, Museum of Art, Carnegie Institute, Pittsburgh, October 30, 1970−January 10, 1971. (Catalogue)

Highlights of the 1970–1971 Art Season, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 27–September 19, 1971. (Catalogue)

XXXV International Art Exhibition, La Biennale di Venezia, United States Pavilion, Venice, June 24−October 25, 1970. (Catalogue)

Art in the Mind, Allen Memorial Art Museum, Oberlin College, Ohio, April 17−May 12, 1970. (Catalogue)

Expo ’70, United States Pavilion, Osaka, March 15−September 15, 1970. (Catalogue)

String and Rope, Sidney Janis Gallery, New York, January 7−31, 1970. (Catalogue)

1969

Dubuffet and the Anticulture, Richard Feigen and Co., New York, November 25, 1969−January 3, 1970. (Catalogue)

New York Painting and Sculpture: 1940−1970, The Metropolitan Museum of Art, New York, October 18, 1969−February 1, 1970. (Catalogue)

Art by Telephone, Museum of Contemporary Art, Chicago, November 1−December 14, 1969. (Catalogue)

The Spirit of the Comics, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 1−November 9, 1969. (Catalogue)

Pop Art, Hayward Gallery, London, July 9−September 3, 1969. (Catalogue)

Seven Artists: Dine, Fahlstrom, Kelly, Marisol, Oldenburg, Segal, Wesselmann, Sidney Janis Gallery, New York, May 1−31, 1969. (Catalogue)

New York 13, Vancouver Art Gallery, January 21−February 16, 1969. Traveled to: Norman MacKenzie Art Gallery, Regina, Canada, March 10−April 21, 1969; Musée d’Art Contemporain de Montréal, June 3−July 5, 1969. (Catalogue)

1968

Richard J. Daley, Richard Feigen Gallery, Chicago, October 1968. Traveled to: Contemporary Arts Center, Cincinnati, December 19, 1968−January 4, 1969. (Catalogue)

1968 Annual Exhibitions: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 17, 1968−February 9, 1969.

Homage to Marilyn Monroe, Sidney Janis Gallery, New York, December 6−30, 1968. (Catalogue)

The Machine as Seen at the End of the Mechanical Age, The Museum of Modern Art, New York, November 25, 1968−February 9, 1969. Traveled to: University of St. Thomas, Houston, March 25−May 18, 1969; San Francisco Museum of Art, June 23−August 24, 1969. (Catalogue)

Earth Works, Dwan Gallery, New York, October 5−30, 1968.

Art of the 60s: Selections from the Collection of Hanford Yang, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 29–December 22, 1968. (Catalogue)

Documenta 4, Kassel, June 27−October 6, 1968. (Catalogue)

Linee della ricera dall’informale alle nuove strutture: XXXIV International Art Exhibition, La Biennale di Venezia, Padiglione Centrale, Venice, June 22−October 20, 1968. (Catalogue)

Three Blind Mice / de Collecties: Visser, Peeters, Becht, Stedelijk Van Abbemuseum, Eindhoven, April 5−May 19, 1968. Traveled to: Sint Pietersabdij, Ghent, June 15−August 15, 1968. (Catalogue)

Sammlung 1968 Karl Ströher, Neue Pinakothek, Munich, June 14−August 9, 1968. Traveled to: Kunstverein Hamburg, August 24−October 6, 1968; Neue Nationalgalerie, Berlin, March 1−April 14, 1969; Städtische Kunsthalle Düsseldorf, April 25−June 17, 1969; Kunsthalle Bern, July 22−September 28, 1969. (Catalogue)

Dada, Surrealism, and Their Heritage, The Museum of Modern Art, New York, March 27−June 9, 1968. Traveled to: Los Angeles County Museum of Art, July 16−September 8, 1968; The Art Institute of Chicago, October 19−December 8, 1968. (Catalogue)

1967

Guggenheim International Exhibition 1967: Sculpture from 20 Nations, Solomon R. Guggenheim Museum, New York, 1967.

Expo ’67, United States Pavilion, Montreal, April 27−October 29, 1967. Traveled as American Painting Now to: Horticultural Hall, Boston, December 15, 1967–January 10, 1968. (Catalogue)

1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, October 27, 1967−January 7, 1968. (Catalogue)

Sculpture in Environment, (sponsored by New York City Administration of Recreation and Cultural Affairs for Cultural Showcase Festival), Central Park, New York, October 1−31, 1967. (Catalogue)

IX Bienal do Museu de Arte Moderna, São Paulo: Environment U.S.A., 1957−1967 (Meio-Natural U.S.A., 1957−1967), Museu de Arte Moderna, São Paulo, September 22, 1967−January 8, 1968. Traveled to: Rose Art Museum, Brandeis University, Waltham, Massachusetts, February 19−March 23, 1968. (Catalogue)

American Sculpture of the Sixties, Los Angeles County Museum of Art, April 28−June 25, 1967. Traveled to: Philadelphia Museum of Art, September 14−October 29, 1967. (Catalogue)

Nuove Tecniche d’Immagine: Sesta Biennale d’Arte Repbulica di San Marino, San Marino, July 15–September 30, 1967. (Catalogue)

Color, Image, Form, Detroit Institute of Art, April 11–May 21, 1967. (Catalogue)

Monuments, Tombstones and Trophies, Museum of Contemporary Crafts, New York, March 17−May 14, 1967.

Projects for Macrostructures, Richard Feigen Gallery, New York, February 11−March 9, 1967.

Dine, Oldenburg, Segal: Painting/Sculpture, Art Gallery of Ontario, Toronto, January 14−Feburary 12, 1967. Traveled to: Albright-Knox Art Gallery, Buffalo, New York, February 24−March 26, 1967. (Catalogue)

Scale Models and Drawings, Dwan Gallery, New York, January 7−February 11, 1967.

1966

Annual Exhibition 1966: Contemporary Sculpture and Prints, Whitney Museum of American Art, New York, December 16, 1966−February 5, 1967. (Catalogue)

Eight Sculptors: The Ambiguous Image, Walker Art Center, Minneapolis, October 22−December 4, 1966. (Catalogue)

The Object Transformed, The Museum of Modern Art, New York, June 28−August 21, 1966. (Catalogue)

Multiplicity, Institute of Contemporary Art, Boston, April 16−June 5, 1966. (Catalogue)

The Current Moment in Art, San Francisco Museum of Art, April 15−May 22, 1966.

As Found: An Experiment in Selective Seeing, Institute of Contemporary Art, Boston, March 5−April 10, 1966. (Brochure)

Exhibition to Benefit the American Chess Foundation Organized by Marcel Duchamp, Cordier and Ekstrom, New York, February 8−26, 1966.

The Other Tradition, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 27−March 7, 1966. (Catalogue)

Master Drawings: Pissarro to Lichtenstein, Bianchini Gallery, New York, January 15−February 5, 1966. Traveled to: Contemporary Arts Center, Cincinnati, February 7−26, 1966. (Catalogue)

Environments: Painting and Constructions, The Jewish Museum, New York, January 12−February 13, 1966.

1965

Pop and Op, Sidney Janis Gallery, New York, December 1−31, 1965.

Etas-Unis: Sculptures du XXe siècle, Musée Rodin, Paris, June 22−October 16, 1965. Traveled to: as Amerikanische Plastik 20. Jahrhundert. Deutsche gessellschaft fur BIldende Kunst, Hochschule für fBildende Künste, Berlin, November 20, 1965−January 6, 1966; Staatliche Kunsthalle Baden-Baden, February−April 17, 1966. (Catalogue)

Pop Art, City-Galerie Zürich, June 15−July 10, 1965. (Catalogue)

Recent Work by Arman, Dine, Fahlstrom, Marisol, Oldenburg, Segal at Sidney Janis, Sidney Janis Gallery, New York, May 5−31, 1965. (Catalogue)

Beyond Realism, The Pace Gallery, 9 West 57th Street, New York, May 4−29, 1965. (Catalogue)

A Decade of American Drawing, 1955−1965, Whitney Museum of American Art, New York, April 28−June 6, 1965. (Catalogue)

Pop Art and the American Tradition, Milwaukee Art Center, April 9−May 9, 1965. (Catalogue)

Warhol, Oldenburg, Lichtenstein, Bianchini Gallery, New York, March 1965.

Drawings by Claes Oldenburg, Jim Dine, Robert Whitman, Ben Talbert, Dwan Gallery, Los Angeles, February 9−March 6, 1965.

Eleven from the Reuben Gallery, Solomon R. Guggenheim Museum, New York, January 6−28, 1965. (Catalogue)

1964

In Focus: A Look at Realism in Art, The Memorial Art Gallery, University of Rochester, New York, December 28, 1964−January 31, 1965. (Catalogue)

Annual Exhibition of 1964: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 9, 1964−January 31, 1965. (Catalogue)

Yankee Doodles under $300, Bianchini Gallery, New York, December 1−31, 1964.

A Selection of Twentieth Century Art of Three Generations, Sidney Janis Gallery, New York, November 24−December 26, 1964. (Catalogue)

1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh, October 30, 1964−January 10, 1965. (Catalogue)

The American Supermarket, Bianchini Gallery, New York, October 6−November 7, 1964.

American Drawings, Solomon R. Guggenheim Museum, New York, September 17−October 27, 1964. (Catalogue)

Contemporary Painters and Sculptors as Printmakers, The Museum of Modern Art, New York, September 15−October 25, 1964. (Catalogue)

Nieuwe Realisten, Haags Gemeentemuseum, The Hague, June 24−August 30, 1964. Traveled to: as Pop etc., Museum des 20, Jahrhunderts, Vienna, September 19−October 31, 1964; as Neue Realisten und Pop Art, Akademie der Künste, Berlin, November 20, 1964−January 3, 1965; as Pop Art—Nouveau Réalisme—etc., Palais des Beaux-Arts, Brussels, February 5−March 1, 1965. (Catalogue)

XXXII International Art Exhibition, La Biennale di Venezia, Venice, June 20–October 18, 1964. (Catalogue)

The Eight Americans in the Venice Biennale, Institute of Contemporary Art, Boston, June 12−July 29, 1964.

Painting and Sculpture of a Decade: 54−64, Tate Gallery, London, April 22−June 28, 1964. (Catalogue)

Amerikanst pop-konst, Moderna Museet, Stockholm, February 29–April 12, 1964. Traveled to: as Amerikanst Popkunst, Louisiana Museum, Humlebaek, April 17–May 24 1964; as American Pop Art/De Nieuwe Amerikaanse Kunst, Stedelijk Museum, Amsterdam, June 22–July 26, 1964. (Catalogue)

Boxes, Dwan Gallery, Los Angeles, February 2−29, 1964. (Catalogue)

4 Environments by 4 New Realists, Sidney Janis Gallery, New York, January 3–February 1, 1964.

1963

An American Viewpoint, 1963, Contemporary Arts Center, Cincinnati, December 4−21, 1963. (Catalogue)

Mixed Media and Pop Art, Albright-Knox Art Gallery, Buffalo, New York, November 19−December 15, 1963. (Catalogue)

Harvest of Plenty: De Gustibus, Wadsworth Atheneum, Hartford, Connecticut, October 24−December 1, 1963. (Catalogue)

The Popular Image, Institute of Contemporary Art, London, October 24−November 23, 1963. (Catalogue)

Pop Art USA, Oakland Art Museum, California, September 7−29, 1963. (Catalogue)

Americans 1963, The Museum of Modern Art, New York, May 22−August 19, 1963. Traveled to: National Gallery of Canada, Ottawa, November 8−December 1, 1963; Artist’s Guild of Saint Louis, December 18, 1963−January 15, 1964; Toledo Museum of Art, February 3−March 2, 1964; Ringling Museum of Art, Sarasota, Florida, March 18−April 15, 1964; Colorado Springs Fine Arts Center, May 1−29, 1964; San Francisco Museum of Art, June 16−August 9, 1964; Seattle Art Museum, September 9−October 11, 1964; Detroit Institute of Arts, November 1−29, 1964. (Catalogue)

Schrift en beeld, Stedelijk Museum, Amsterdam, May 3−June 10, 1963. (Catalogue)

Popular Art: Artistic Projections of Common American Symbols, Nelson Gallery-Atkins Museum, Kansas City, Missouri, April 28−May 26, 1963. (Catalogue)

The Popular Image, The Washington Gallery of Modern Art, Washington, D.C., April 18−June 2, 1963. (Catalogue)

Dealer’s Choice, Dwan Gallery, Los Angeles, February 10−March 1963.

According to the Letter, Thibaut Gallery, New York, January 15−February 9, 1963. (Brochure)

66th Annual American Exhibition: Directions in Contemporary Paintings and Sculpture, The Art Institute of Chicago, January 11–February 10, 1963. (Catalogue)

Pop Art Show, Richard Feigen Gallery, Chicago, January 10−February 23, 1963.

Three Young Americans, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, January 8−29, 1963.

1962

Stock Up for the Holidays: An Anthology of Pop Art, The Pace Gallery, 125 Newbury Street, Boston, December 10, 1962–January 2, 1963.

Recent Acquisitions, The Museum of Modern Art, New York, November 20, 1962−January 13, 1963.

Cookies and Breads: The Baker’s Art, Museum of Contemporary Crafts, New York, November 20, 1962−January 9, 1963.

My Country 'Tis of Thee, Dwan Gallery, Los Angeles, November 18–December 15, 1962. (Catalogue)

New Realists, Sidney Janis Gallery, New York, October 31–December 1, 1962. (Catalogue)

Art 1963−A New Vocabulary, Arts Council of the YM/YWHA, Philadelphia, October 25−November 7, 1962. (Brochure)

The Closing Show: 1952−1962, Tanager Gallery, New York, May 25−June 14, 1962.

Continuity and Change: Forty-Five American Abstract Painters and Sculptors, Wadsworth Atheneum, Hartford, Connecticut, April 12−May 27, 1962. (Catalogue)

Group exhibition, Green Gallery, New York, April 10–May 27, 1962.

1961, Dallas Museum for Contemporary Arts, April 3–May 13, 1962. (Catalogue)

1961

Recent Acquisitions, The Museum of Modern Art, New York, December 19, 1961–February 25, 1962.

Group exhibition, Green Gallery, New York, September 19−October 14, 1961.

Environments, Situations, Spaces, Martha Jackson Gallery, New York, May 25–June 23, 1961. (Catalogue)

Contemporary Society, The Art Institute of Chicago, May 17−June 4, 1961.

New Work by New Artists, Alan Gallery, New York, March 6−25, 1961.

Painting and Sculpture Acquisitions, The Museum of Modern Art, New York, January 1−December 31, 1961. (Catalogue)

1960

A Group of Paintings, Sculptures and Drawings, Green Gallery, New York, December 13, 1960−January 7, 1961.

Paintings, Drawings, Collages, Washington Square Gallery, New York, October 26−November 27, 1960.

New Forms - New Media II, Martha Jackson Gallery, New York, September 27–October 22, 1960. (Catalogue)

Irene Barrell/Claes Oldenburg, Sun Gallery, Provincetown, July–August 1960.

New Forms - New Media I, Martha Jackson Gallery, New York, June 6–24, 1960. (Catalogue)

Invitational Show: Drawings and Sculpture, Area Gallery, New York, March 11−31, 1960.

Paintings, Reuben Gallery, New York, January 29−February 18, 1960.

1959

Below Zero, Reuben Gallery, New York, December 18, 1959−January 5, 1960.

Xmas Show: Drawings Prints, Judson Gallery, New York, December 4−31, 1959

Two-Man: Dine/Oldenburg, Judson Gallery, New York, November 13−December 3, 1959.

Judson Group: Baer, Dine, Oldenburg, Ratliff, Stasik, Tyler, Wesselmann, Judson Gallery, New York, October 2−23, 1959.

Spring Invitational, Nonagon Gallery, New York, May 21−June 11, 1959.

1958

Momen-Toes: Selections from the Myrnann Collection, The 5721 Gallery, Chicago, opened December 30, 1958.

Group exhibition, The City Gallery, New York, December 19, 1958−January 6, 1959.

1956

Momentum 1956, 72 East Eleventh Street, Chicago, May 23−June 20, 1956. (Catalogue)

1955

Young Artists Among Us, The Evanston Art Center, Illinois, April 24−May 12, 1955.

1953

Robert E. Clark, C.T. Oldenburg, George Yelich, Club St. Elmo, Chicago, March 9−April 11, 1953.

Ackland Art Museum, The University of North Carolina at Chapel Hill

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Akron Art Museum, Ohio

Allen Memorial Art Museum, Oberlin College, Ohio

Art Gallery of Ontario, Toronto

The Art Institute of Chicago, Illinois

David Winton Bell Art Gallery, Brown University, Providence, Rhode Island

The Berkeley Art Museum and Pacific Film Archives, California

The Block Museum, Northwestern University, Evanston, Illinois

Brooklyn Museum, New York

Buffalo AKG Art Museum, New York

The Carnegie Museum of Art, Pittsburgh, Pennsylvania

Castelli di Rivoli, Turin, Italy

Cedars-Sinai Medical Center, Los Angeles

Chazen Museum of Art, University of Wisconsin, Madison

The Chinati Foundation, Marfa, Texas

Cincinnati Art Museum, Ohio

The Cleveland Museum of Art, Ohio

Colby Museum of Art, Waterville, Maine

The Columbia Museum of Art, South Carolina

Cooper Hewitt Smithsonian Design Museum, New York

Cranbrook Art Museum, Bloomfield Hills, Michigan

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Currier Museum of Art, Manchester, New Hampshire

Dallas Museum of Art

Davis Museum at Wellesley College, Massachusetts

Denver Art Museum

Des Moines Art Center, Iowa

Detroit Institute of the Arts, Michigan

Donald M. Kendall Sculpture Gardens, PepsiCo, Purchase, New York

Fine Arts Museums of San Francisco, de Young Museum, California

Fondazione Bonotto, Villa di Molvena, Italy

Fred Jones Jr. Museum of Art, The University of Oklahoma, Norman

Glenstone Museum, Potomac, Maryland

Harvard University Art Museums/Fogg Museum, Cambridge, Massachusetts

Haus Esters, Krefeld, Germany

Peggy Guggenheim Collection, Venice

Solomon R. Guggenheim Museum, New York

High Museum of Art, Atlanta

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Indianapolis Museum of Art, Indiana

The Israel Museum, Jerusalem

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York

Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California

Mildred Lane Kemper Art Museum, Washington University in St. Louis, Missouri

Kemper Museum of Contemporary Art, Kansas City, Missouri

Kistefos Museum, Jevnaker, Norway

Kröller Müller, Otterlo, Netherlands

Kunstmuseum Basel

Los Angeles County Museum of Art

Loyola Law School, Los Angeles, California

Ludwig Museum Budapest der Ungarischen Nationalgalerie, Budapest

Fondazione Bonotto, Villa di Molvena, Italy

Madison Museum of Contemporary Art, Wisconsin

Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan

The Menil Collection, Houston

The Metropolitan Museum of Art, New York

Modern Art Museum of Fort Worth, Texas

Moderna Museet, Stockholm

Musée national d'art moderne, Centre Georges Pompidou, Paris

Museu Colecção Berardo, Lisbon

Museu Serralves, Porto, Portugal

Museum of Art, Rhode Island School of Design, Providence

Museum Boijmans-van Beuningen, Rotterdam, the Netherlands

Museum of Contemporary Art, Chicago

The Museum of Contemporary Art, Los Angeles

Museum of Fine Arts, Boston

The Museum of Fine Arts, Houston, Texas

Museum Ludwig, Cologne

The Museum of Modern Art, New York

Museum für Moderne Kunst, Frankfurt

Museum Moderner Kunst Stiftung Ludwig, Vienna

National Gallery of Australia, Canberra

Nasher Sculpture Center, Dallas

Nelson-Atkins Museum of Art, Kansas City, Missouri

National Gallery of Art, Washington, D.C.

National Gallery of Canada, Ottawa

North Carolina Museum of Art, Raleigh

Norton Simon Museum, Pasadena, California

Palmer Museum of Art, The Pennsylvania State University, University Park

The Penn Art Collection, University of Pennsylvania, Philadelphia

Pennsylvania Academy of the Fine Arts, Philadelphia

Philadelphia Museum of Art, Pennsylvania

Princeton Univeristy Art Museum, New Jersey

Portland Art Museum, Oregon

Rijksmuseum Kröller-Müller, Otterlo, The Netherlands

Saint Louis Art Museum, Missouri

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln

Smart Museum of Art, The University of Chicago, Illinois

Smithsonian American Art Museum, Smithsonian Institution, Washington D.C.

Stedelijk Museum, Amsterdam

Storm King Art Center, New Windsor, New York

Syracuse University Art Museum, New York

Tate, London

Toledo Museum of Art, Ohio

Ulrich Museum of Art, Wichita State University, Kansas

University of Las Vegas, Nevada

Virginia Museum of Fine Arts, Richmond

Vitra International AG, Weil am Rhein, Germany

Wadsworth Atheneum Museum of Art, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Wichita Art Museum, Kansas

Worcester Art Museum, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick

2023

Gaskin, Sam. “Frieze Los Angeles Shrinks to 95 Exhibitors for 2024.” Ocula, 4 December 2023. https://ocula.com/magazine/art-news/frieze-los-angeles-shrinks-to-95-exhibitors/.

Kakar, Arun. “The Art World News Roundup, March 2023.” Artsy, 23 March 2023. https://www.artsy.net/article/artsy-editorial-art-news-roundup-march-2023

Loos, Ted. “Decision Time for Dealers at Art Basel Miami Beach.” The New York Times, 5 December 2023. https://www.nytimes.com/2023/12/05/arts/design/art-fairs-dealers-miami-beach.html.

Solomon, Tessa. “Pace Announces Exclusive Representation of the Estates of Pop Artists Claes Oldenburg and Coosje van Bruggen.” ARTnews, 22 March 2023. https://www.artnews.com/art-news/market/pace-exclusive-representation-estates-pop-artists-claes-oldenburg-coosje-van-bruggen-1234661878/

2022

Bravo, Tony. “‘Cupid’s Span’ in S.F. reveals what Claes Oldenburg’s Pop Art was all about.” San Francisco Chronicle’s Datebook, 21 July 2022. https://datebook.sfchronicle.com/art-exhibits/cupids-span-in-s-f-reveals-what-claes-oldenburgs-pop-art-was-all-about

Capps, Kriston. “The Artists Who Mastered the Urban Spectacle.” Bloomberg, 23 July 2022. https://www.bloomberg.com/news/features/2022-07-23/a-pop-art-giant-claes-oldenburg-mastered-the-urban-spectacle

“Chewing Gum V: Exchanges Between Artists Across Boundaries” (Pace Gallery exhibition preview). HKARTION, 19 July 2022. https://hkartion.com/2022/07/19/recommendation-chewing-gum-v-exchanges-between-artists-across-boundaries/

“’Chewing Gum V,’ Pace, Hong Kong” (exhibition review). Culture Gatto, 28 August 2022. https://culturegatto.com/chewing-gum-v-pace-hong-kong/

D’Arcy, David. “Remembering Claes Oldenburg: reluctant Pop Art pioneer and maker of outsize sculptures.” The Art Newspaper, 16 September 2022. https://www.theartnewspaper.com/2022/09/16/remembering-claes-oldenburg-reluctant-pop-art-pioneer-and-maker-of-outsize-sculptures

Goldstein, Caroline. “A Jumbo Claes Oldenburg and Coosje van Bruggen Gardening Tool Will Be Their First Public Artwork in New York in 20 Years” (Rockefeller Center exhibition preview). Artnet News, 15 March 2022. https://news.artnet.com/art-world/claes-oldenburg-coosje-van-bruggens-plantoir-blue-2084771.

Mazhar, Mehek. “Pop artist Claes Oldenburg transformed everyday objects into towering monuments.” CBC, 21 July 2022. (opens in a new window) https://www.cbc.ca/radio/asithappens/as-it-happens-wednesday-edition-1.6526240/pop-artist-claes-oldenburg-transformed-everyday-objects-into-towering-monuments-1.6526652

Spence, Rachel. “Claes Oldenburg, Pop Artist, 1929-2022." Financial Times, 22 July 2022. https://www.ft.com/content/891815e0-5af0-4b56-bcbe-dfbc77969d65

“The week in art news – Claes Oldenburg (1929–2022).” Apollo, 22 July 2022. https://www.apollo-magazine.com/claes-oldenburg-art-news/

2021

Thaddeus-Johns, Josie. “The 10 Best Booths at Art Basel in Basel 2021.” Artsy, 22 September 2021. https://www.artsy.net/article/artsy-editorial-10-best-booths-art-basel-basel-2021

Ghassemitari, Shawn. “Pace Gallery Brought a Star-Studded Lineup to Art Basel 2021.” Hypebeast, 21 September 2021. (opens in a new window) https://hypebeast.com/2021/9/pace-gallery-art-basel-2021

Di Liscia, Valentina. “How Artists Have Paid Homage to the Bicycle” (Susan Inglett Gallery exhibition review). Hyperallergic, 30 June 2021.

2020

Judd, Donald. “Objektu espezifikoak.” Eremuak #7 (October 2020): 27, illustrated.

2019

“Getty Research Institute Acquires Archives of Claes Oldenburg and Coosje Van Bruggen.” Artforum, 9 April 2019. https://www.artforum.com/news/getty-research-institute-acquires-archives-of-claes-oldenburg-and-coosje-van-bruggen-79310

Sheets, Hilarie M. “The Diaries of Claes Oldenburg.” The New York Times, 23 June 2019: AR15.

2017

“The ‘Oldenburg Addition’.” Oberlin Alumni Magazine, 2017 Fall: 32-33, illustrated.

Campbell, Adrianna. “Shelf Life by Claes Oldenburg” (Pace Gallery exhibition review). Document Journal, Fall/Winter 2017: 226–231, illustrated.

Creahan, D. “New York–Oldenburg/Van Bruggen: “Shelf Life” at Pace Gallery through November 11th, 2017” (Pace Gallery exhibition review). Art Observed, 7 November 2017. http://artobserved.com/2017/11/new-york-oldenburgvan-bruggen-shelf-life-at-pace-gallery-through-november-11th-2017/

Kennedy, Randy. “Claes Oldenburg Is (Still) Changing What Art Looks Like” (Pace Gallery exhibition review). T: The New York Times Style Magazine, 22 October 2017: 160–167, illustrated.

Loos, Ted. “For Claes Oldenburg, a Departure From Tradition” (includes interview with Claes Oldenburg and Arne Glimcher). The New York Times, 29 October 2017: 12F, illustrated.

Neuendorf, Henri. “At 88, Claes Oldenburg Debuts His First New Work in 12 Years—and It’s a Tiny Gift to His Fans” (Pace Gallery exhibition preview). Artnet News, 26 September 2017. https://news.artnet.com/exhibitions/claes-oldenburg-pace-new-york-1095215

Russell, Anna. “The Artistic Life: Odds and Ends” (Pace Gallery exhibition review). The New Yorker, 6 November 2017: 18.

2015

Oldenburg, Claes. “House Work.” Interview by Dan Fox. Frieze, no. 175 (November–December 2015): 112–117, illustrated.

2014

Anfam, David. “Interview with David Anfam: David Anfam on Abstract Expressionism.” Interview with Sam Cornish. Hauser & Wirth, no.1 (March–May 2014): 26–31, illustrated.

Benson, Greg. “Hip Shot: Coosje” (Goethe Institut play review). Washington City Paper, 12 July 2014. http://www.washingtoncitypaper.com/blogs/fringe/2014/07/12/hip-shot-coosje/

Blood, Anne. “Recent Shows, New York” (Pace Gallery exhibition review). The Burlington Magazine 156, no. 1333 (April 2014): 264–265, illustrated.

Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere del Ticino, 13 March 2014: 34, illustrated.

Corrigan, Anna. “New York – ‘Grounded ‘ at Pace Gallery through February 22nd, 2014” (exhibition review). Art Observed, 16 February 2014. http://artobserved.com/2014/02/new-york-grounded-at-pace-gallery-through-february-22nd-2014/

Crow, Kelly. “Car Parts, Guitars and Wall Art in Basel.” The Wall Street Journal, 20 June 2014: D6, illustrated.

Czudej, Tobias, Tørbjørn Rødland and Carl Ostendarp. “Everything Falls Faster than An Anvil” (Pace London exhibition review). Interview with Jesc Bunyard. Hunger TV, 21 May 2014. http://www.hungertv.com/feature/everything-falls-faster-anvil/#

Das, Jareh. “Visit ‘Everything Falls Faster Than An Anvil” (Pace London exhibition review). Kaleidoscope, 9 May 2014. (opens in a new window) http://kaleidoscope-press.com/2014/05/visiteverything-falls-faster-than-an-anvilat-pace-gallery-london/

Ehninger, Eva. "What’s Happening? Allan Kaprow and Claes Oldenburg Argue about Art and Life." Getty Research Journal, no. 6 (2014): 195-202, illustrated.

“Everything Falls Faster Than an Anvil” (Pace London exhibition review). Bob Magazine, May 2014, illustrated.

Januszczak, Waldemar. “Trash, Bang, Wallop” (Pace London exhibition review). Sunday Times, 25 May 2014: 10, 11, illustrated.

Kaufmann, Gina. “The Shuttlecocks 20 Years Later: From Controversy to Icon.” KCUR.org. MP3 audio, 51:42, 25 June 2014. http://kcur.org/post/shuttlecocks-20-years-later-controversy-icon

Kennedy, Randy. “Walker Art Center Plans $75 Million Renovation.” The New York Times, 31 March 2015: C3, illustrated.

Kent, Julie. “Restoration on Cleveland’s Free Stamp Sculpture Begins Today.” The Cleveland Leader, 5 May 2014. http://www.clevelandleader.com/node/22545

Koumoundouros, Olga. “Artists on Art: Claes Oldenburg Celebrates the Daily Grind.” MOCA.org. MP3 radio, 03:05. 19 August 2014. http://sites.moca.org/the-curve/2014/08/19/artists-on-art-claes-oldenburg-celebrates-the-daily-grind/

Kinsella, Eileen. “Is the Market for Claes Oldenburg Drawings Paper-Thin?” Artnet News, 26 May 2014. http://news.artnet.com/market/is-the-market-for-claes-oldenburg-drawings-paper-thin-9623

Laidlaw, Francesca. “Today’s Specials at Pace London | Exhibition Review.” The Upcoming, 15 August 2014. http://www.theupcoming.co.uk/2014/08/15/todays-specials-at-pace-london-exhibition-review/

Langbein, Julia. “Everything Falls Faster Than an Anvil” (Pace London exhibition review). Artforum, 22 May 2014. http://www.artforum.com/archive/id=46844

Laster, Paul. “’Re-View: Onnasch Collection’” (exhibition review). Time Out New York, 27 March–2 April 2014: 37, illustrated.

Litt, Steven. “Pop Art Master Claes Oldenburg Revisits His Once-Controversial ‘Free Stamp’ (Gallery).” Cleveland Plain Dealer, 22 May 2014. http://www.cleveland.com/arts/index.ssf/2014/05/pop_art_master_claes_oldenburg.html

Lunenfeld, Peter. “Cal Tech: Peter Lunenfeld on ‘Art and Technology’ at LACMA.” Artforum 54, no. 1 (September 2015): 171–172, illustrated.

Mitchell, Jeff. “Surrounding Sculpture with Cars is Wrong.” The Californian, 17 July 2014. http://www.thecalifornian.com/story/news/2014/07/17/jeff-mitchell-surrounding-sculpture-cars-wrong/12765541/

Oldenburg, Claes. “Claes Oldenburg.” Interview with Alex Kitnick. Third Rail Quarterly, no.2 (Spring 2014): 26–33, illustrated.

Sharpe, Emily. “Oldenburg’s Giant Rubber Stamp Gets a Facelift.” The Art Newspaper, no. 259 (July/August 2014). http://www.theartnewspaper.com/articles/Oldenburgs-giant-rubber-stamp-gets-a-facelift/33125

Wendel, Kim. “On the List | Iconic Free Stamp to Be Restored.” WKYC.com, 5 May 2014. http://www.wkyc.com/story/entertainment/television/wkyc/get-listed/2014/05/05/clevelands-free-stamp-to-be-restored/8720911/

Wolfe, Alexandra. "Famous Artists Send Greeting Cards" (Morgan Library exhibition review). The Wall Street Journal, 19 December 2014. http://www.wsj.com/articles/famous-artists-send-greeting-cards-1419022448

2013

“Art: Spring Preview.” The New Yorker, 25 March 2013: 24.

Art in America (April 2013): cover.

Brooks, Katherine. “Claes Oldenburg MoMA Exhibit: ‘The Street And The Store’ Brings Pop Art Universe To Life” (Museum of Modern Art exhibition preview). Huffington Post, 4 April 2013: illustrated. http://www.huffingtonpost.com/2013/04/02/claes-oldenburg-moma-exhibit-the-street-and-the-store_n_2994111.html

Budick, Ariella. “Visual Arts: Claes Oldenburg, MoMA, New York: Echoes of A Young Man’s Rage” (exhibition review). Financial Times, 23 April 2013: 9, illustrated.

Chun, Kimberly. “Extra-‘Ordinary’ Dine, Oldenburg Prints” (Cantor Arts Center exhibition review). SF Gate, 11 December 2013. http://www.sfgate.com/art/article/Extra-Ordinary-Dine-Oldenburg-prints-5055908.php

Chow, Crystal. “Palo Alto: Cantor Arts Center Showcases Works by Pop Artists Jim Dine and Claes Oldenburg.” San Jose Mercury News, 9 December 2013. http://www.mercurynews.com/san-jose-neighborhoods/ci_24690071/palo-alto-cantor-arts-center-showcases-works-by

“Claes Oldenburg, 7-Up, 1961” (The Museum of Modern Art exhibition review). Art Review no. 67 (April 2013): 134, illustrated.

“Claes Oldenburg & Coosje van Bruggen” (PKM Trinity Gallery exhibition review). KTX, January 2013, illustrated.

Clarke, Bill. “Art Talk: Hold the Pickle?” Art News 112, no. 4 (April 2013): 23, illustrated.

Courtel, Helene. “Objet: Claes Oldenburg.” Les InRocks, June 2013: 76, illustrated.

Cotter, Holland. “Window Shopping With a Pop Patriarch” (The Museum of Modern Art exhibition review). The New York Times, 12 April 2013: C25, C33, illustrated.

Creahan, D. “Seoul: Claes Oldenburg and Coosje van Bruggen at PKM Trinity Gallery Through January 15th, 2013” (exhibition review). Artobserved.com, 15 January 2013, illustrated.

Doran, Anne. “Claes Oldenburg: MoMA Explores the Pop Master’s Installation Roots” (exhibition review). Time Out New York, 16–22 May 2013: 41, illustrated.

Esplund, Lance. “Picasso’s Cruise Missile Breasts; Oldenburg’s Big Burger” (The Museum of Modern Art exhibition review). Bloomberg, 17 April 2013. http://www.bloomberg.com/news/2013-04-18/cruise-missile-breasts-by-picasso-oldenburg-s-ray-guns.html

“The Five Best Events This Week: Claes Oldenburg, ‘The Street and The Store + Mouse Museum/Ray Gun Wing.” Time Out New York, 11 April 2013: 42, illustrated.

“Goings On About Town.” The New Yorker, 13 May 2013: 6, illustrated.

Gopnik, Blake. “Dark Roots Of a Pop Master’s Sunshine” (The Museum of Modern Art exhibition review). The New York Times, 14 April 2013: AR1, AR20, illustrated.

“In the Frame.” Art Newspaper, no. 252 (December 2013): 12–13, illustrated.

Joseph, Branden W. “Negative Capabilities.” Artforum 51, no. 8 (April 2013): 230–239, illustrated.

Cembalest, Robin. “The Nudes, the Dudes, the Maid, and the Cat.” Art News (December 2013): 55, illustrated.

Pollack, Maika. “Claes Oldenburg: ‘The Street and the Store 1960–1962,’ ‘Mouse Museum/Ray Gun Wing,’ The Museum of Modern Art” (exhibition review). New York Observer, 6 May 2013: B5, illustrated.

Russeth, Andrew. “Exhibition: ‘Claes Oldenburg: the Street and The Store’ and ‘Claes Oldenburg Museum/Ray Gun Wing at MoMA.” GalleristNY, 8 April 2013. http://galleristny.com/2013/04/11-things-to-do-in-new-yorks-art-world-before-april-15/

Sutton, Kate. “Claes Oldenburg” (The Museum of Modern Art exhibition review). LEAP, no. 146 (June 2013): 164–167, illustrated.

Wilton, Kris. “Artist Dossier: Claes Oldenburg and Coosje Van Bruggen.” Art + Auction (March 2013): 123–124, illustrated.

Witmer, Ann. “Oldenburg Sculptures Spice up Philadelphia: Not Far by Car.” Penn Live, 24 July 2013. http://www.pennlive.com/entertainment/index.ssf/2013/07/oldenburg_sculptures_spice_up.html

2012

Anspon, Catherine D. “Claes Oldenburg, The Menil Collection” (exhibition review). Art News 111, no. 11 (December 2012): 116, illustrated.

Bell, Kirsty. “Claes Oldenburg, MUMOK, Vienna” (exhibition review). Frieze, no. 147 (May 2012): 227, illustrated.

Blood, Anne. “Claes Oldenburg: Vienna, Cologne, Bilbao, New York and Minneapolis” (exhibition review). Burlington Magazine 154, no. 1310 (May 2012): 369–370, illustrated.

Chang, Helen. “Reviews: Claes Oldeburg, Museum Modernern Kunst, Vienna.” Art News (June 2012): 104, illustrated.

“Claes Oldenburg & Coosje van Bruggen” (PKM Trinity Gallery exhibition review). Bob (December 2012): illustrated.

Cooke, Lynne. “Best of 2012: 10—‘Claes Oldenburg: The Sixties.’” Artforum 51, no. 4 (December 2012): 213, illustrated.

Cotter, Holland. “The Week Ahead, Feb. 19–Feb. 25: Art” (The Pace Gallery exhibition review). The New York Times, 19 February 2012: AR2, illustrated.

Foster, Hal. “Best of 2012: ‘Claes Oldenburg: The Sixties’” (exhibition review). Artforum 51, no. 4 (December 2012): 214–217, illustrated.

Fox, Dan. “Dear Claes…” Frieze, no. 148 (June/July/August 2012): 9.

Friedman, Martin. “Claes Oldenburg’s Awakening: Of Mice and Mouse and Houses.” Art in America, no. 5 (May 2012): 140–147, illustrated.

Kino, Carol. “What Happened At Those Happenings?” The New York Times, 5 February 2012: illustrated.

Kley, Elisabeth. “Claes Oldenburg/Coosje van Bruggen, Pace” (exhibition review). Art News 111, no. 8 (September 2012): 102–103, illustrated.

Milder, Patricia. “Time Regained: The ‘Happenings’ Show at Pace’” (The Pace Gallery exhibition review). Artcritical, 22 February 2012. http://artcritical.com/2012/02/22/happenings/

“’12/13 Preview: Claes Oldenburg” (The Museum of Modern Art exhibition preview). Art in America, no. 7 (August 2012): 32.

Oldenburg, Claes. “Passages: Robert Breer, 1926–2011.” Artforum 50, no. 5 (January 2012): 33–34.

Pearlman, Ellen. “When New York Was Really Happening” (The Pace Gallery exhibition review). Hyperallergic, 14 February 2012. http://hyperallergic.com/46882/happenings-new-york-1958-1963-pace-gallery/

Robecchi, Michele. “Claes Oldenburg’s Awakening: The Populist” (Museum Moderner Kunst Stiftung Ludwig Wien exhibition review). Art in America, no. 5 (May 2012): 134–139, illustrated.

Robinson, Julia. “Previews: Claes Oldenburg: The Sixties” (exhibition preview). Artforum 50, no. 5 (January 2012): 104–105, illustrated.

Rose, Julian. "Objects in the Cluttered Field: Claes Oldenburg's Proposed Monuments." October 140 (Spring 2012): 113-138, illustrated.

Russeth, Andrew. "Six Feet of the 1960s and ’70s: Patty Mucha—Once Mrs. Oldenburg—on Her Archives and New Memoir." Observer, 16 January 2012: illustrated. https://observer.com/2012/01/patty-mucha-oldenburg-on-her-archives-01162012/

Samaras, Lucas. “Tableau Vivant.” Art in America (March 2012): 73, illustrated.

Schwabsky, Barry. “‘Happenings: New York, 1958–1963’ Pace Gallery” (exhibition review). Artforum 50, no. 9 (May 2012): 305, illustrated.

2011

Crow, Kelly. “A Pop Sculptor On Thinking Big.” Wall Street Journal, 20–21 August 2011: C14, illustrated.

Itzkoff, Dave. “Arts, Briefly: A Brush With Flame.” The New York Times, 24 August 2011: C3, illustrated.

Kino, Carol. “Claes Oldenburg: The Virtuoso of Public Sculpture.” The Art Economist 1, no. 9 (2011): 37–43, illustrated.

Rosenberg, Karen. “Hewn, Spun, Joined, Sandwiched, Cemented” (Museum of Arts and Design exhibition review). The New York Times, 28 October 2011: C33, installation view.

Slifkin, Robert. “Donald Judd’s Credibility Gap.” American Art 25, no. 2 (Summer 2011): 72, illustrated; back cover.

Vogel, Carol. “In London, U.S. Art Enjoys Diplomatic Showcase.” The New York Times, 2 March 2011: C1, C7, illustrated.

Wolff, Rachel. “How Many Artists Does It Take to Depict a Light Bulb?” (The Pace Gallery exhibition review). Wall Street Journal, 5–6 November 2011: C14.

2010

Haidu, Rachel. “Reviews: New Realisms: 1957–1962” (exhibition review). Artforum 49, no. 2 (October 2010): 267–277, illustrated.

Jacobs, Karrie. “The New Vegas Cool.” Travel and Leisure (February 2010): 99, illustrated.

Oldenburg, Claes. Chinati Foundation Newsletter 15 (October 2010): 52–53, illustrated.

Sims, Jenna. “Art on Vacation.” Art & Antiques (April 2010): 80, illustrated.

2009

Brewster, Natalie. “National News—A Partner in Pop.” Art News 108, no. 3 (March 2009): 44, illustrated.

Carlin, T. J. “Special Focus: Reviews Marathon, New York—Claes Oldenburg: Drawings 1965–1973” (Craig F. Starr Gallery exhibition review). Art Review, no. 31 (April 2009): 79.

“Coosje van Bruggen (1942–2009).” Artforum.com, 13 January 2009. http: //www.artforum.com/.

Cork, Richard. “It Was Good to Have An Opposite.” Financial Times, 29/30 August 2009: 11, illustrated.

Duffes, Melissa. “Oberlin Plugged in Once Again.” Oberlin Alumni Magazine (Summer 2009): 5, illustrated.

Ebony, David. “Coosje van Bruggen 1942–2008.” Art in America, no. 3 (March 2009): 174, illustrated.

Hulme, Emily. “Art: A Taste of Oldenburg” (Whitney Museum of American Art exhibition review). AM New York, 8–10 May 2009: 21, illustrated.

Jones, Jay. “New CityCenter is a haven for contemporary art.” Los Angeles Times, 9 October 2009.

Kino, Carol. “Coosje van Bruggen, Sculptor, Dies at 66.” The New York Times, 14 January 2009.

Kino, Carol. “Going Softly Into a Parallel Universe” (Whitney Museum of American Art exhibition review). The New York Times, 17 May 2009: illustrated.

Muchnic, Suzanne. “Art Historian Teamed with Sculptor Spouse.” The Los Angeles Times, 13 January 2009: B8.

Neyfakh, Leon. “Copy That! Wait, Don’t. Whitney Ponders Problem of Replication Modern Art.” New York Observer, 30 November 2009: 14.

Rosenberg, Karen. “A Low-Cost Show Reinflates a Big Bag” (Whitney Museum of American Art exhibition review). The New York Times, 8 May 2009: C26, illustrated.

Ruiz, Cristina. “Artists: Norway—Claes Oldenburg’s Final Installation with his Wife.” Art Newspaper no. 202 (May 2009): 6.

Sheets, Hilarie M. “Avant Gardens.” Art News 108, no. 4 (April 2009): 86, illustrated.

Spivak, Ann. “Nelson-Atkins celebrates American galleries with two new exhibits and fanfare.” The Kansas City Star, 6 May 2009: http://www.kansascity.com/entertainment/v-print/story/1180730.html

Vogel, Carol. “Inside Art: Find Work Online.” The New York Times, 2 January 2009: C30.

Vogel, Carol. “Inside Art: Happenings on Film.” The New York Times, 24 April 2009: C28, illustrated.

Vogel, Carol. “Inside Art: A Little ‘Q’ Gets Its Day on the Block.” The New York Times, 11 September 2009: 24, illustrated.

Williams, Christopher. “Passages: What’s That Hanging on My Bicycle—Christopher Williams on Coosje van Bruggen (1942–2009).” Artforum (Summer 2009): 67, illustrated.

2008

Cheedha, Nick. “At the Galleries: Berlin—Claes Oldenburg” (El Sourdog Hex exhibition review). Flash Art, no. 41 (March–April 2008): 80, illustrated.

Ebony, David. “Front Page: Auction Totals Defy Gravity.” Art in America, no. 8 (September 2008): 36, illustrated.

“Front Page: Art Camp at the Presidio?” Art in America, no. 2 (February 2008): 29.

Johnson, Kirk. “Denver’s Unconventional Art, Ready for the Convention.” New York Times, 21 August 2008: E1, E5, illustrated.

“News & Notes: NEA to Fund “Giant Three–Way Plug” Restoration.” Oberlin College Allen Memorial Art Museum Newsletter (Spring/Summer 2008): 19, illustrated.

“Reviews: International—Claes Oldenburg and Coosje van Bruggen, Waddington, London” (exhibition review). Art News 107, no. 2 (February 2008): 132, illustrated.

2007

Cochran, Rebecca Dimling. “Today’s Masters: Creativity Loves Company.” Art & Antiques (June 2007): 52–56, illustrated; cover.

Cork, Richard. “The Drama of the Humdrum: Claes Oldenburg and Coosje van Bruggen” (Waddington Galleries exhibition review). Financial Times, 17 October 2007.

Graves, Jen. “Statues with Limitations” (Seattle Art Museum/Olympic Sculpture Park review). The Stranger, 16 January 2007. http: //www.thestranger.com/.

Hackett, Regina. “Olympic Sculpture Park: The Art Meets the Challenge of Outshining the View.” Seattle Post–Intelligencer, 18 January 2007. http: //seattlepi.nwsource.com/.

Kuo, Michelle. “Industrial Revolution.” Artforum (October 2007): 312, illustrated.

“Light, Time, and Three Dimensions” (PaceWildenstein exhibition review). The New Yorker, 13 August 2007: 13.

Tansini, Laura. “Sculpture by the Way: Claes Oldenburg and Coosje van Bruggen” (exhibition review). Sculpture (October 2007): 22–27, illustrated.

Verhovek, Sam Howe. “Transformed by A Creative Use of Space” (Seattle Art Museum/Olympic Sculpture Park review). The Los Angeles Times, 15 January 2007. http: //www.latimes.com/.

2006

Ayers, Robert. “Claes Oldenburg, Zwirner and Wirth” (exhibition review). Art News, no. 105 (February 2006): 130, illustrated.

Gianelli, Ida. “Oldenburg & van Bruggen: Il Gioco Della Scultura” (Castello di Rivoli exhibition review). La Stampa (Turin), 22 October 2006: 23+, illustrated.

Halle, Howard, “Picasso and American Art” (Whitney Museum of American Art exhibition review). Time Out New York, 12–18 October 2006: 70.

Kaufman, Jason Edward. “Museums: A Museum or a Sculpture?” Theartnewspaper.com. 5 October 2006: <http: //www.theartnewspaper.com/article01.asp?id=459>, illustrated.

Mammì, Alessandra. “Ago, Filo e Fantasia” (Casteli di Rivoli exhibition preview). L’espresso (Rome), 3 August 2006: 112–113, illustrated.

Marx, Jonathan. “New Frist Exhibit Gives Vistors a Colorful tour Through Modern World” (exhibition review). The Tennessean, 10 November 2006.

Muchnic, Suzanne. “‘Collar and Bow’ comes untied. The fate of the playful sculpture destined for Disney Hall LA in doubt after its sections detach.” latimes.com, 27 July 2006. http: //www.latimes.com/entertainment/la–wk–disney27jul27.1.265991.print.story.

Oliva, Achille Bonito. “Le Grandi Mostre” (Castello di Rivoli exhibition preview). La Rebubblica (Rome), 19 October 2006: 47, illustrated.

“On the Town: Calendar.” The New York Sun, 24 August 2006: 12, illustrated.

Papuzzi, Alberto. “Ferrero: ‘Un Fiore Rosso per il Museo’. ‘Dropped Flower’ Ultima di una Serie di acquisizioni” (Casteli di Rivoli exhibition preview). La Stampa (Turin), 22 October 2006: 25, illustrated.

Park, Chung–a. “Protests Against Oldenburg’s Chonggyechon Landmark Sculpture Grow.” The Korea Times, 25 January 2006.

“Paul Allen Family Collectioin to Lend Oldenburg Sculpture to Park.” Seattle Post–Intelligencer, 30 June 2006. http: //seattlepi.nwsource.com/visualart/.

Pincus, Robert L. “A Fitting Opening for New Building” (Museum of Contemporary Art San Diego exhibition review). SignOnSanDiego.com, 14 January 2007. http: //www.signonsandiego.com/.

Poli, Francesco. “Claes e Coosje, Parita a Ping–Pong: Dal ‘Corso del coltello’ al papavero caduto.” La Stampa (Turin), 22 October 2006: 24, illustrated.

Sheets, Hilarie M. “Where Money’s No Object, Space Is No Problem” (Seattle Art Museum/Olympic Sculpture Park review). The New York Times, 14 January 2007, Arts & Leisure: 24–25.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89.

Vagheggi, Paolo. “Il Formato Gigante del Contemporaneo” (Casteli di Rivoli exhibition preview). La Rebubblica (Rome), 19 October 2006: 48–49, illustrated.

“Vitra Campus Extension.” Easier.com. 4 December 2006. http: //www.europaconcorsi.com/.

2005

Art News (Summer 2005): cover.

“Art. Don’t Miss: Claes Oldenburg.” Time Out New York, 10–16 November 2005: 66, illustrated.

Ayers, Robert. “Contemporary Voices, Museum of Modern Art” (exhibition review). Art News, no. 104 (May 2005): 142.

“Galleries–Uptown: Claes Oldenburg and Coosje van Bruggen” (PaceWildenstein exhibition review) The New Yorker, 13–20 June 2005: 34.

Tsai, Eugenie. “Art: Claes Oldenburg, ‘Early Work’” (Zwirner and Wirth exhibition review). Time Out New York, 8–14 December 2005: 68, illustrated.

2004

Johnson, Ken. “Claes Oldenburg and Coosje van Bruggen: ‘Images à la Carte’” (Paula Cooper Gallery exhibition review). New York Times, 14 May 2004, Weekend Fine Arts Leisure: E29.

Judd, Donald. “Claes Oldenburg.” Arts Magazine (September 1964). Reprint, Chinati Foundation Newsletter, no. 9 (2004): 30–32, illustrated.

Kimmelman, Michael. “‘A Minimal Future’: How Not Much Is a Whole World” (Los Angeles Museum of Contemporary Art exhibition review). The New York Times, 2 April 2004.

Muchnic, Suzanne. “Art: Tying Up a Sizable Loose End.” Los Angeles Times, 20 June 2004: E38.

Oldenburg, Claes and Coosje van Bruggen. “Caviar Mousse and Other Specials.” Chinati Foundation Newsletter, no. 9 (2004): 6–19, illustrated.

Oldenburg, Claes and Coosje van Bruggen. “Monument to the Last Horse.” Chinati Foundation Newsletter, no. 9 (2004): 20–30, illustrated, cover.

Shannon, Joshua A. “Claes Oldenburg’s ‘The Street’ and Urban Renewal in Greenwich Village, 1960.” The Art Bulletin 86, no. 1 (March 2004): 136–161, illustrated.

Shiff, Richard. “Judd Through Oldenburg.” Chinati Foundation Newsletter, no. 9 (2004): 33–43, illustrated.

2003

Landi, Ann. “Fifty Years of Supporting the New: The Charles H. Carpenter, Jr., Collection: Aldrich Contemporary Art Museum.” Art News (Summer 2003): 168.

Lefaivre, Liane. “Everything is Architecture.” Harvard Design Magazine, no. 118 (Spring/Summer 2003): 64–68.

Spiegelman, Willard. “The Gallery: The Nasher Center, a Showcase for Sculpture.” Wall Street Journal, 4 November 2003, Leisure & Arts: D8.

Varnedoe, Kirk. “Jeff Koons Rabit.” Artforum International 41, no. 8 (April 2003): 90.

2002

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25 October 2002: E38.

Douglas, Sarah. “Oldenburg and van Bruggen on the Roof: Metropolitan Museum of Art.” The Art Newspaper (June 2002): 2.

Douglas, Sarah. “The Wider Commercial Scene: Claes Oldenburg and Coosje van Bruggen: Recent Work.” (exhibition review). The Art Newspaper (June 2002): 4.

Ebony, David. “New Sculpture Park for Michigan.” Art in America (May 2002): 66.

Ebony, David. “Grand Rapids: Claes Oldenburg and Coosje van Bruggen at Frederick Meijer Sculpture Park” (exhibition review). Art in America (October 2002): 169–70.

Henry, Clare. “Visual Arts: Marriage of Spoon and Cherry.” FT.com. June 2002. http: //news.ft.com/

Gelder, Lawrence van. “High and Mighty.” The New York Times, 1 May 2002: The Arts section, E1.

Glueck, Grace. “From Everyday Objects, Oldenburg’s Ideas for Sassy Sculptures.” The New York Times, 28 July 2002.

Green, Roger. “The Garden’s New Spade.” Art News (May 2002): 56.

Kuntz, Daniel. “Not Just Soft–Serve. Claes Oldenburg at the Met and the Whitney.” New York Sun, Arts & Letters section, 11 July 2002: 10.

Kuspit, Donald. “Claes Oldenburg and Coosje van Bruggen” (Whitney Museum of American Art exhibition review). Artforum (November 2002): 186.

Leffingwell, Edward. “All Sorts of Valuble Objects.” Art in America (October 2002): 142–147.

“A Magnet for Visitors, in a Pinch.” The New York Times, 11 April 2002: 1.

Mucha, Patty. “Memoir: Sewing in the Sixties.” Art in America 90, no.11 (November 2002): 79+.

“Pulling Up ‘Stake’ in Dallas.” Art in America (October 2002): 192.

Sheets, Hillarie M. “Pie in the Sky.” Art News (September 2002): 34.

Stevens, Mark. “Backstage Pass.” New York Magazine, 17 June 2002: 51.

“Takeout: Art.” Time Out New York, 2–9 May 2002: 2.

Vogel, Carol. “Pop Whimsy All Over Town.” The New York Times, 19 April 2002: E34.

Vogel, Carol. “Peaches and Pears.” The New York Times, 15 November 2002: E33.

Yablonsky, Linda. “Claes Oldenburg and Coosje van Bruggen” (Whitney Museum of American Art, Metropolitan Museum of Art, and PaceWildenstein exhibition reviews). Art News (September 2002): 150.

2001

Boettger, Suzann. “A Found Weekend, 1967: Public Sculpture and Anti–Monuments.” Art in America (January 2001): 80–85+.

2000

Gamarkian, Barbara. “Miró and Murrow, D.C.’s Lates Attractions.” The New York Times, 13 February 2000:

21+.

Glueck, Grace. “Art review: Primer on Printmaking That Stresses Innovation.” The New York Times, 8 December 2000.

Levy, Paul. “This Art Is Inspired, in More Ways Than One.” Wall Street Journal, 19 June 2000: A42+.

Rowlands, Penelope. “Double Feature.” Art News (November 2000): 178–179.

“Sculptor, painter among National Medal of Arts Winner.” Style (December 2000). http: //www.cnn.com/2002/STYLE/arts/12/20/national.medal.of.arts/index.html.

Wallach, Amei. “A Collection That Could Fill in a Museum’s gap.” The New York Times, 12 November 2000: 42.

Weschler, Lawrence. “Art Under the Influence: In a New Show in London, Contemporary Artists Take Their Inspiration from the Masters.” New York Times Magazine, 28 May 2000: 38–42.

1999

Ariditi, Fiamma. “I contemporanei: Un Incontro con Oldenburg e Van Bruggen.” ARS (November 1999): 108–112.

Auping, Michael. “The Century’s 25 Most Influential Artists: Web Master.” Art News (May 1999): 146.

Dunning, Jennifer. “A Sanctuary for the Avant-Garde.” The New York Times, 19 April 1999: E3.

Hughes, Allen. “An Incubator’s Children Come Home to Say Thanks.” The New York Times, 18 April 1999: 28.

Kinsella, Eileen and Bob Hues. “Futures & Options: Art Goes Outdoors.” Wall Street Journal, 21 May 1999: W2.

Molotsky, Irvin. “A Sculpture Garden at the national Gallery.” The New York Times, 9 May 1999: Travel section: 3.

Raine, Craig. “From Pallladio to Blueberry Pie.” Modern Painters (1999): 66–69.

Rugoff, Ralph. “People Are Talking About Art: Collecting Our Thoughts.” Vogue (March 1999): 304.

Tyson, Janet S. “Modern Masters: Who Art Today’s da Vincis and Picassos? Art Connoisseurs Name Names.” Fort Worth Star Telegram, 11 April 1999: 3D.

Vogel, Carol. “Inside Art: National Gallery Fills Its Garden.” The New York Times, 19 March 1999: E36.

1998

Weber, Bruce. “Art and Architecture, Dueling on a High Plain.” The New York Times, 29 April 1998: E1+.

1997

Mac Adam, Alfred. “Reviews, New York, Up Now: Claes Oldenburg: Drawings and Notebook Studies.” Art News (February 1997): 114–115.

Nochlin, Linda. “Objects of Desire: The Modern Still Life.” Artforum (October 1997): 91–92, illustrated.

Smith, Roberta. “A Century Sweeps By, Reflected in Still Life.” The New York Times, 23 May 1997: C1+.

1996

Cheek, Martin. “Preview: Arts.” Daily Express, 14 June 1996: 54.

“Claes Oldenburg and Coosje van Bruggen.” Sculpture (October 1996): 14.

Cork, Richard. “The Bigger they Come, the Harder We Laugh.” The London Times, 12 June 1996.

Davies, Andrew. “Never Mind the Pollocks…” Blah Blah Blah (June 1996).

Dorment, Richard. “When Big can be Beautiful.” The London Telegraph, 12 June 1996.

Glancey, Jonathan. “The Great Outdoors.” The Independent Magazine, 18 May 1996: 26–28.

Gott, Richard. “A Touch of Claes.” The Guardian, 24 May 1996: 2–3.

Graham–Dixon, Andrew. “He’s Just an Old Softy at Heart.” The Independent, 25 June 1996: 14–15.

Hall, James. “Monumental Softly.” The Times Literary Supplement, 5 July 1996: 21.

Harvey, Will. “Massive Attack.” Observer Life, 26 May 1996: 28–30.

Hensher, Philip. “The Big Idea.” Mail on Sunday: Night and Day, 9 June 1996.

Hilton, Tim. “Little People and Big Ideas.” Independent on Sunday, 30 June 1996: 24.

Januszczak, Waldemar. “An Air of Familiarity.” The Sunday Times, 23 June 1996: 9–10.

Kent, Sarah. “Claes Act.” Time Out London, 12–19 June 1996: 44.

Lee, David. “Oldenburg in Profile.” Art Review (June 1996): 10–13.

Lucie–Smith, Edward. “Pulling in the Punters.” Spectator, 10 August 1996.

Lutyens, Dominic. “Claes Oldenburg.” Attitude (June 1996).

Lutyens, Dominic. “Papa of Pop.” What’s On, 12 June 1996: 8–9.

Magnani, Gabriele. “Il quotidiano divent arte.” Architectural Digest (August 1996).

McEwen, John. “Larger than Life and Twice as Elegant.” Sunday Telegraph, 16 June 1996.

Melhuish, Clare. “Gearstick on Your Column.” Building Design, 26 July 1996: 12.

Melvin, Joanna. “Soft Version of the Hard Sell.” Morning Star, 3 July 1996: 5.

Packer, William. “The Banal Writ Larger Than Life.” The Financial Times, 11 June 1996.

Palumbo, Lord. “Lord Palumbo on Pop Art.” Evening Standard: Hot Tickets, 7 June 1996: 38.

Patrizio, Andrew. “Claes Oldenburg.” Galleries/UK (June 1996): 26.

Pollack, Barbara. “First International Gallery Opens in Prague.” Art News Letter, 23 July 1996: 5.

Reyntiens, Patrick. “Reviews: Galleries.” The Tablet, 6 July 1996: 898.

“Sculptors Who Print.” Des Moines Art Center News (May–June 1996): 3.

Searle, Adrian. “The Ccale of the Century.” The Guardian, 18 June 1996: 10–11.

Sedofsky, Lauren. “Down and Dirty.” Artforum (Summer 1996): 91–95.

Sladen, Mark. “Meet Ray Gun.” Art Monthly (June 1996): 7.

Thorburn, Hedvig. “Vardagsting vaxer med nya matt.” Sydsvenska Dagbladet, 25 June 1996.

1995

Anderson, Frances and Chase, John. “Only Connect: A Surprising Departure for the LA Biennial.” The Art Newspaper (September 1995): 14.

“Artworld: Awards.” Art in America (November 1995): 136.

Baranik, Rudolf. “Over the Blockade.” Art in America (February 1995): 25.

Bevan, Roger. “Contemporary Art Sales, New York: No Trends, Just Good and Bad Pictures.” The Art Newspaper (December 1995): 33.

“Big Art for Big Opening of Oldenburg Exhibit.” Washington Times, 10 February 1995.

Burchard, Hank. “Big, Bold Oldenburg.” Washington Post Weekend, 17 February 1995.

“Claes Oldenburg.” American Way, 15 July 1995: 66–70.

Cohen, Ronny. “New York Scene.” The Art Newspaper (December 1995): 36.

Cork, Richard. “Message in a Bottle.” Modern Painters (Spring 1995): 76–81.

Darling, Michael. “Claes Oldenburg.” Art Issues (September–October 1995): 37.

Dashefsky, David. “Lipstick Leaves Morse for the World of High Art.” Yale Daily News, 19 January 1995.

Drohojowsda–Philp, Hunter. “Still Making Things Happen.” The Los Angeles Times (1995): calendar: 4+.

“Droopy Landmarks.” Buzz: The Talk of Los Angeles (June/July 1995): 6.

Duncan, Michael. “Pop Goes the Easel.” Avenue (October 1995): 6.

Francis, Mark. “Claes Oldenburg. Washington and Los Angeles.” The Burlington Magazine vol. 37, no. 1108 (July 1995): 482–483.

Goldberger, Paul. “Atrium Renewal, Adding Art Chases Away Most of the Zen.” The New York Times, 17 December 1995: 33.

Haywood, Robert. “Demon in the Kitchen: Oldenburg’s Alterations.” Art in America (October 1995): 86–92+.

Johnson, Ken. “Report form New York, Big Top Whitney.” Art in America (June 1995): 39–55.

Karmel, Pepe. “Anything Goes–As Long as it’s Not Boring.” Art News (September 1995): 126–129.

Kaufman, Jason Edward. “Washington, D.C.: Outsize Oldenburg.” The Art Newspaper (February 1995).

Knight, Christopher. “Sculpture with a Smile.” Los Angeles Times, 5 July 1995: F1+.

Knight, Christopher. “The Percolating Mind of Oldenburg.” Los Angeles Times, 6 August 1995: 56+.

Knight, Christopher. “A Blue-Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53+.

Kramer, Hilton. “Oldenburg at the National: Easy Ironies in Sculpture.” The New York Observer, 27 March 1995: 1+.

“L’Art du Temps: Musée: Lart Contemporain au Texas.” Beaux Arts (October 1995): 20.

Lewis, Jo Ann. “Installation.” The Washington Post, 5 February 1995.

Loper, Mary Lou. “MoCA Honors Anthology of Claes Oldenburg’s Art.” Los Angeles Times, 9 July 1995: E5.

MacAdam, Barbara A. “Theaters of Irony.” Art News (December 1995): 96.

McGee, Celia. “A Pop Art Provocateur Having Monumental Fun.” The New York Times, 1 October 1995: 41–42.

McKenna, Kristine. “When Bigger is Better.” Los Angeles Times, 2 July 1995: calendar, 3+.

Newhall, Edith. “Cue: Art: Watch the Birdie.” New York Magazine, 6 November 1995: 103+.

“Oldenburg’s New Post.” Around The Block: Art and Auction (May 1995): 30–32.

Planca, Elisabetta. “Tutto il pop di Oldenburg autentica passione americana.” Arte (July–August 1995): 15.

Polsky, Richard. “Ahead of the Curve: Buy? Sell? Hold?” Art + Auction (December 1995): 60–64.

“Postscript: ISC Lifetime Achievement Award.” Sculpture (January–February 1995): 64.

Rugoff, Ralph. “Pumping Vinyl: Claes Oldenburg’s Soft-Machine Age.” LA Weekly, 21 June–27 July 1995: 41.

Russell, John. “Oldenburg Again: Whimsy and Latent Humanity” (National Gallery of Art exhibition review). The New York Times, 6 March 1995: illustrated.

Smith, Roberta. “The Annotated Calendar: Art.” The New York Times, 10 September 1995: 68.

Smith, Roberta. “Oldenburg’s Large Space.” International Herald Tribune, 7–8 October 1995: 7.

Smith, Roberta. “A Pop Absurdist Who’s a Happening All by Himself.” The New York Times, 6 March 1995: C1+.

Solomon, Deborah. “Pop Art Pioneer’s Power Failure.” The Wall Street Journal, 11 October 1995: A12.

“The Strange History of Art in Boxes.” The Art Newspaper (January 1995): 14.

Stevens, Mark. “Hot and Cold.” New York Magazine, 16 October 1995: 68–69.

Stevens, Mark. “Preview: Art.” New York Magazine, 11 September 1995: 58.

Weil, Rex. “Claes Oldenburg, National Gallery of Art” (exhibition review). Art News (May 1995): 155, illustrated.

1994

Karmel, Pepe. “Art in Review: Claes Oldenburg and Coosje van Bruggen.” The New York Times, 23 December 1994: C26.

Long, Robert. “Perspectives: Park, Mercer and Oldenburg.” The Southampton Press, 28 July 1994: B5.

Oldenburg, Claes, Andy Warhol and Robert Morris. “Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris.” Interview with Benjamin H. D. Buchloh. October, no. 70 (Fall 1994): 33–54.

Ramljak, Suzanne. “Claes Oldenburg: Lifetime Achievement Award Recipient.” Sculpture (September–October 1994): 18–19, illustrated.

Ratcliff, Carter. “Jackson Pollock & American Painting’s Whitmanesque Episode.” Art in America (February 1994): 64–69+.

Smith, Roberta. “Art in Review: Claes Oldenburg ‘Books and Ephemera 1960–1994.” The New York Times, 16 September 1994: C29.

Wilson, Janet. “Bemini G.E.L. Where the Sky’s the Limit.” Art News (September 1994): 88.

1993

Adams, Brooks. “Feats of Claes.” Harper’s Bazaar (September 1993): 337–341.

Baker, Kenneth. “Pop Art Gift Goes On Display Today.” San Francisco Chronicle, 4 February 1993: E1.

Bickers, Patricia. “Interview with Claes Oldenburg.” Art Monthly (November 1993): 3–11.

Clearwater, Bonnie. “Miami Heat.” Art + Auction (January 1993): 66–73.

Cutajar, Mario. “When Pop was Young.” Artspace (March/April 1993): 82–85.

Czöppan, Gabi. “Aufsteiger des Jahres.” Focus, 5 July 1993: 63–67.

Hughes, Robert. “When The Easel Went Pop.” Time, 16 August 1993: 54–55.

Kimmelman, Michael. “Explosive Painting: The Path to Pop.” The New York Times, 9 July 1993: C1+.

MacAdam, Barbara. “Fried Greetings.” Art News (April 1993): 23–24.

Sotne, Laurie. “Voice Choices.” The Village Voice, 23 February 1993: 66.

Vatsella, Katerina. “Claes Oldenburg: Multiples 1964–1990.” Artefactum (December 1993/January 1994).

1992

Adams, Brooks. “Feats of Claes” (The Pace Gallery exhibition review). Harper’s Bazaar (September 1992): 336–339, illustrated.

Bevan, Roger. “The Infancy of Pop Art.” The Art Newspaper (December 1992): 8.

Bradley, Kim. “Public Art in Barcelona.” Art + Auction (April 1992).

Brenson, Michael. “Big Time at the Guggenheim.” Art + Auction (April 1992).

“Calendar of Events.” CWRU (Cleveland) (February 1992): 45.

Cameron, Dan. “Anxieties of Influence.” Flash Art (May/June 1992): 75–81.

Cemblast, Robin. “Public Sculpture: Race, Sex, and Politics.” Art News (March 1992): 30–32.

“Claes Oldenburg: Drawings.” Dance Ink (Winter 1992/1993): 10–13.

Clothier, Peter. “Richard Koshalek: MoCA’s Maverick.” Art News (February 1992): 39–40.

Connors, Thomas. “Dossier: Barcelona, Spain.” Sculpture (May/June 1992): 18–19.

“Goings on About Town: Art.” The New Yorker, 19 October 1992.

Friis–Hansen, Dana & Y.K. “Claes Oldenburg/Coosje van Bruggen.” Space Design (November 1992): 64–65.

Fry, Robin. “Eek–a mouse!” The Art Newspaper (March 1992): 12.

Garcia–Marques, Francesca. “Chiat/Day/Mojo Office Building.” Domus (February 1992): 29–39+.

Goodrow, Gérard A. “Painting with Dice.” Art News (November 1992): 22.

“In the Shifting World of Contemporary Art, is such a Definitive Value Justified so Soon?” The Art Newspaper 3, no. 15 (1992).

Johnson, Ken. “Starship Guggenheim.” Art in America (September 1992): 106–119.

Larson, Kay. “What is POP Art?” Atelier (Tokyo) (January 1992): 42–61.

Litt, Steven. “Show Only Offers Hints at Essence of Oldenburg.” The Plain Dealer (Cleveland), 22 March 1992.

MacAdam, Barbara. “Claes Oldenburg, Pace” (The Pace Gallery exhibition review). Art News (December 1992): 110, illustrated.

María Puig, José. “Barcelone: La passion de se retrouver.” Connaissance des Arts (July/August 1992): 108–117.

Murphy, Jim. “A Venice Collaboration.” Progressive Architecture (Stamford, Connecticut) (March 1992): 66–73.

“1991 in Review: Public Art.” Art in America (Annual Guide 1992).

“Pop Stamp Placed.” Flash Art (January–February 1992): 151.

Reynaud, Bérénice. “Donald Judd Régle ses Comptes.” Beaux Arts (March 1992): 53–59.

Rose, Barbara. “Spanish Triumphs.” Art + Auction (June 1992): 36–38.

Selz, Peter. “Oh Say Can You See? Flags: Johns to Burkhardt.” Artspace (May/June 1992): 63–65.

Taylor, Paul. “Leo Castelli in His 85th Year: A Lion in Winter.” The New York Times, 16 February 1992: H33.

Wallach, Amei. “Turkey, Sinks and Saxaphones.” New York Newsday, 16 October 1992: 74.

Wilkin, Karen. “Art after Warhol.” The New Criterion (October 1992): 57–61.

Zoslov, Pamela. “Cleveland Center for Contemporary Art Brings Oldenburg Back.” City Reports (Cleveland), 12 March 1992: 9.

1991

Apgar, Garry. “Public Art and the Remaking of Barcelona.” Art in America (February 1991): 108–120+.

Bacon, George. “Picasso’s Parade, drawings from Titian to Johns.” The New York Times, 3 May 1991: 22.

Barry, Dave. “The Insider’s Guide.” The Miami Herald, 17 March 1991: 12–18.

“A Big Slice of the Cake but Not Much Filling.” The Art Newspaper (July–September 1991).

Brenson, Michael. “National Gallery Puts Its Gift on Display.” The New York Times, 18 March 1991: B1+.

Brenson, Michael. “City of Sculpture Under the Sky.” The New York Times, 26 July 1991: C28.

Chait, Melinda. “County Picks Up Pieces, Dropped Bowl Sculpture to Debut a Year Late.” Miami Today, 14 February 1991.

“Claes Oldenburg/Coosje van Bruggen.” The New York Times, 4 January 1991.

“Claes Oldenburg Sculpture on Seagram Plaza.” Flash Art (Summer 1991).

“Conversation: Leo Castelli.” Art News (April 1991): 73–77.

Coreno, Rich. “‘Free Stamp’ Site Near City Hall Rubs Councilmen the Wrong Way.” Brooklyn Sun Journal (Cleveland), 3 January 1991.

Decter, Joshua. “Reviews.” Art Magazine (March 1991): 97.

Deitz, Paula. “Architectural Showdown in the House of Lords.” The New York Times, 13 January 1991.

“Eröffnung des Frankfurter Museums für Moderne Kunst im Juni.” Landauer Zeitung, 9 January 1991.

“For the Record–Contemporary Art Musuems: The International Guggenheim: Our Objectives.” The Art Newspaper (April 1991): 8–9.

Gardner, Paul. “High & Low & Pro & Con.” Contemporanea, 9 January 1991.

Gardner, Paul. “What Artists Like About the Art They Like when They Don’t Know Why.” Art News (October 1991): 116–121.

“Goings On About Town.” The New Yorker, 26 August 1991.

Hall, James. “The Fifty-Nine Pops of Pop (and One Mom).” The Art Newspaper (July–September 1991).

Heartney, Eleanor. “‘Constructing American Identity’ at the Whitney Museum Downtown.” Art in America (September 1991): 133–134.

Henry, David J. “Art in Public.” Art Education (January 1991): 25–28+.

Johnson, Ken. “Review of Exhibitions: Claes Oldenburg and Coosje van Bruggen at Leo Castelli.” Art in America (March 1991): 133–134.

Kimmelman, Michael. “Avoiding the Clean–White–Box Syndrome.” The New York Times, 18 August 1991: 31.

Kramer, Hilton. “‘Pop Artifice at Royal Academy: Marketing, Media and Warhol.” The New York Observer, 21 October 1991: 1.

Levin, Kim. “Choices: Art.” The Village Voice, 20 August 1991: 94–95.

Litt, Steven. “‘Free Stamp sculpture gets spot by City Hall.” The Plain Dealer (Cleveland), 14 November 1991.

MacAdam, Barbara A. “Reviews: Claes Oldenburg and Coosje van Bruggen.” Art News (April 1991): 146+.

“Message on a Bottle.” The Times, 28 March 1991.

“Nearly 500 Years of Works on Paper.” The Journal of Art (April 1991).

Oldenburg, Claes and Coosje van Bruggen. “Larger than Life: Claes Oldenburg and Coosje Van Bruggen.” Interview with Barbara Rose. Journal of Art 4, no. 5 (May 1991): 40–44.

“Oldenburg Sculpture Installation.” Art Now Gallery Guide (June 1991).

“Pop Prints.” The Good Times, 29 March–4 April 1991: 18.

Puvogel, Renate. “Richard Artschwager.” Artis (January 1991): 52–57.

Richard, Paul. “The Gallery’s Golden.” The Washington Post, 17 March 1991: G1.

Rose, Barbara. “View: Larger than Life.” The Journal of Art (May 1991): 40–43.

Russell, Mark. “Free Stamp Sculpture gets Spot by City Hall.” The Plain Dealer (Cleveland), 23 April 1991.

Saglio, Jerome. “Telegrams: France.” Galeries Magazine (Paris) (April/May 1991): 17.

Schjeldahl, Peter. “Past Perfect.” The Village Voice, 22 January 1991.

Smith, Roberta. “Vision of the 60’s, From 2 Dealers Who Shaped It.” The New York Times, 16 August 1991: C1.

Sparks, Amy. “The Free Free Stamp.” Cleveland Edition, 11–17 April 1991.

“Spillis Candela Gains Two Awards.” Miami Today, 31 January 1991.

Strassmeyer, Mary. “Free Clinic Offers Site for ‘Stamp.’” The Plain Dealer, 5 March 1991.

Walker, Aaron. “Art vs. art.” Daily Northwestern, 1 March 1991: 8+.

“The Week Ahead.” Design Week, 22 March 1991: 18.

Wooldridge, Jane. “Trial’s Over, but Door Isn’t Shut Just Yet.” The Miami Herald, 4 March 1991.

1990

Appleyard, Bryan. “Artistic Vision Along the Road to Armageddon.” Sunday Times, 20 May 1990.

“The Art of Baseball.” Spotlight Manhattan Edition (Mamaroneck, New York) (April 1990).

“Arts: Insaisissable Picabia.” Le Point (Paris), 8 July 1990.

Atkins, Robert. “New York.” Contemporanea, 22 November 1990: 30

Baker, Donald. “The Past Carved in Stone.” Journal Constitution, 13 May 1990.

Blanc, Giulio V. “Bombs and Oranges.” Arts Magazine (November 1990): 20.

“Books Offers Tour of Loop Art.” Chicago Sun-Times, 14 December 1990.

Caputo, Salvatore. “Rare Moment - ‘Blinds’ Chronicles Singular Career, Time.” The Arizona Republic, 14 May 1990.

“Cherry-Cleaning Season.” The Star Tribune (Minneapolis): 1 September 1990.

Clary, Mike. “‘Dropped Bowl’ Makes a Mess for Officials in Miami.” Los Angeles Times, 9 July 1990.

Colby, Joy Hakanson. “Bravo for Handpicked Exhibit at OU.” The Sunday News, 23 January 1990.

“Commissions: Claes Oldenburg and Coosje van Bruggen, Dropped Bowl with Scattered Slices and Peels.” Sculpture 9, no. 4 (1990): 52.

“Concept art–Eine Perspektive.” Munsterlandische Tageszeitung Cloppenburg, 30 April 1990.

Cooper, James F. “MoMA Loves Pop-Art, Not Pop-Culture.” New York City Tribune, 25 October 1990.

Daix, Pierre. “Le Haut et le Bas: Art Moderne et Culture Publique.” Quotidien De Paris, 11 October 1990.

Danius, Sara and Jonsson, Stefan. “Populärkulturen outsinlig kornbod.” Dagens Nyheter, 29 November 1990.

De Vuono, Frances. “Claes Oldenburg: Prints and Multiples: Susan Sheehan.” Art News (November 1990): 162.

Decker, Andrew. “Careful Collecting.” Review (April 1990).

Delatiner, Barbara. “Long Island Guide—Art by the Decades.” The New York Times (Long Island edition), 13 May 1990.

DeLynn, Jane. “Creative Coupling.” Avenue (February 1990): 60–73.

Dickinson, Diana. “Galleries Without Walls.” Midwest Living (Des Moines) (June 1990).

Drath, Viola Herms. “Eine merkliche Abkuhlung.” Handelsblatt Düsseldorf, 11 May 1990.

Dunlop, Beth. “Classical Harmony.” The Miami Herald, 23 December 1990: IJ+.

“Erwunschter Skulpturenpark.” Handelsblat Düsseldorf, 30 April 1990.

Fallon, Brian. “Snap, Crackle, and Pop.” The Irish Times, 17 November 1990: 3.

Gandee, Charles. “Fruit of the Bloom.” House & Garden (November 1990).

Garcia–Marques, Francesca. “Oldenburg/Van Bruggen: Il Coltello Affeita–Muro.” Domus (May 1990): 14–15.

“Goings on about Town” (The Pace Gallery exhibition review). The New Yorker, 20 August 1990.

Higgens, Bill. “Briefly....” L.A.Style (December 1990).

Hughes, Robert. “The New Decadence.” The New Republic, 25 June 1990.

Hugunun, James R. “Cluing in to Balessari.” New Art Examiner (September 1990).

Iannacci, Anthony. “Claes Oldenburg/Christian Stein.” Artforum (October 1990.

Iden, Peter. “Weder rein noch raus.” Frankfurter Rundschau, 1 December 1990.

“Images of Food in American Art.” Joel Sater’s Antiques and Auction News, 30 November 1990.

Jackson, Jennifer. “Warhol Among Contemporary Art at DUMA.” Duke Chronicle, 7 September 1990.

“Jasper Fills the Gallery.” The New Yorker, 20 August 1990.

“Jasper Fills the Gallery.” W (June 1990): 10.

Jones, Bill. “Truth, Justice, and the Comics, or MoMA to York: Drop Dead.” Arts Magazine (December 1990): 72–74.

Kohen, Helen L. “More Art in Public Places on the Way-Evenutally.” The Miami Herald, 9 December 1990.

“Lehmbruck-Preis für Richard Serra.” Westfaelische Rundschau, 18 October 1990.

Lifton, Sarah. “Cultural Revolution.” Los Angeles Times (November 1990).

Kane, Cheryl. “Officials to Spell Out Ways to Fix “Dropped Bowl’.” Miami Today, 3 May 1990.

Kane, Cheryl. “Art: The Saga Continues.” Miami Today, 10 May 1990.

Kane, Cheryl. “‘Dropped Bowl’ Safety Issues Resolved, Arts Board States.” Miami Today, 14 June 1990.

Kent, Sarah. “Obscure Objects.” Time Out London, 7–14 November 1990: 14–15.

Kimmelman, Michael. “A New Arts Complex That’s Hard on Art.” The New York Times, 8 May 1990.

Klatt, Kate. “Films Examine Various Artists.” Perdu Exponant, 12 September 1990.

Knickerbocker, Brad. “Oregon Show Battles Hunger.” Christian Science Monitor, 21 May 1990.

Kohen, Helen L. “Dropped Bowl Makes a Splashy Debut: Playful Sculpture Captures Essence of the Big Orange.” The Miami Herald, 25 March 1990.

Kohen, Helen L. “Exhibits Show Fruitful Existence.” The Miami Herald, 30 March 1990.

Kreps, Sarah B. “Up Front—Three Exhibits At The Aldrich.” Fairfield County Woman (Stamford, Connecticut) (April 1990).

“Kunst zum Nachdenken.” Hamburg Abendblatt, 5 May 1990.

“L’obession des conservateurs: ne pas manquer.” Paris-Match, 2 August 1990.

Larson, Kay. “Underground Man.” New York Magazine, 12 November 1990: 94.

“Leo Castelli.” Quotidien de Paris, 24 October 1990.

Lillington, David. “Art: Master Prints from Gemini Graphics.” 20/20 (June 1990).

Luckow, Alexander. “Farb–Zeit–und Raumspiele.” Remscheider Gerneral–Anzeiger and WZ, Düsseldrofer Nachrichten, 17 May 1990.

Martin, Eleanor. “Binge Art.” Sunday Record (Middletown, New York), 14 October 1990.

Maxa, Rudy. “Rudy Maxa’s Diary.” Washingtonian (December 1990): 27.

Meadows, Gail. “Dropped Bowl Makes a Splashy Debut: Made-for-Miami Work is Artists’ Most Complex to Date.” The Miami Herald, 25 March 1990.

Meinberg, Von Niklaus. “Positive denken.” Die Wochenzeitung, 12 October 1990.

Melotik, Mark. “Pop Art on Comeback Trail.” West Bend Daily News (West Bend, Wisconsin), 2 October 1990.

Muller, Hans-Joachim. “Die Schrulmpfung und der Zuwachs.” Basler Zeitung, 13 June 1990.

Naddeo, Barbara Ann. “New Plans for Chicago MCA.” The Journal of Art (New York) (November 1990).

Narbaits, Xavier. “Pour beaucoup de dollars de plus.” L’aurore (Paris), 4 May 1990.

“Nice: L’art moderne sans bouder.” Quotidien de Paris, 22 June 1990.

Norman, Geraldine. “Collecting—Kings of the Art Jungle.” The Independent, 19 May 1990.

Novak, Kathy. “Novak Inside New York.” City Guide, 19 April 1990.

Olson, Thomas. “Corporate Art Collections Boost Environment, Artists.” Cincinnati Business Courier (May 1990).

“Olympian Sculpture.” Sculpture (September/October 1990).

“On the Record.” Yale Daily News, 10 September 1990.

Parachini, Allan. “The Money Weapon.” Los Angeles Times, 7 October 1990.

“Polke an der Spitze.” Handelsblatt Düsseldorf, 1 June 1990.

“R. Serra Geehrt.” Nrz Neue Ruhr-Zeitung, 18 October 1990.

Ramljak, Suzanne. “With a Fine Disregard: An Interview with Kurt Varnedoe.” Sculpture (November/December 1990): 18–21.

“Recommended.” The Sunday Correspondent, 14 October 1990.

Richard, Paul. “Picasso, Meet Mr. Natural.” The Washington Post, 7 October 1990.

Ryan, Susan Elizabeth. “Architecture & Design: Today’s Signs Lack Art.” Herald (Portsmouth, New Hampshire), 20 June 1990.

Sandback, Amy Baker. “Virginia Dwan l’aventure d’un marchand d’art.” Art Press (Paris) (October 1990).

Schumacher, Edward. “Sculptures Are Changing the Look of Barcelona.” The New York Times, 4 September 1990: C14+.

Schwartzman, Allan. “Fruit of the Boom.” House and Garden (November 1990): 202–203.

Shaw, Elizabeth. “Relationship Between Popular Culture and High Art Explored in Show and Books.” Main Antique Digest (December 1990).

Smallwood, Lyn. “Visual Arts.” Seattle Weekly, 16 May 1990.

Smith, Steven Scott. “The Wall Came Tumbling Down.” Omni (June 1990).

Soutif, Daniel. “Claes Oldenburg ou l’autoportrait a l’objet.” Artstudio (Paris) (Winter 1990).

Stein, Jerry. “Oldenburg’s the life of Solway’s party.” Kentucky Post, 20 April 1990.

Taylor, M-J. “A Dropped Bowl Makes for Quite an “Orange–Ment”.” Miami Today, 12 April 1990.

Tower, Ann. “Show Offers Contemporary Art Overview.” Lexington Herald–Leader, 16 December 1990.

“Visual Art.” The Guardian, 22 October 1990.

Volz, David. “Dropped Bowl Off Limits While Problems Pondered.” Miami Today, 12 April 1990.

Wallace, Richard. “It’s Neat–It Looks like a Slide.” The Miami Herald, 1 April 1990.

Weintraub, Becca. “Art News.” Yale Daily News, 7 September 1990.

“Wilhelm-Lehmbruck-Preis an Rcihard Serra.” Welkunst, no. 23 (1990).

Woodward, Richard B. “Pop and Circumstance.” Art News (February 1990): 118–123, illustrated.

Zeaman, John. “Pop of the Pops, Explained.” The Bergen Record, 7 October 1990: E1+.

1989

Cone, T. “Life Over Art: Oldenburg’s Privacy, Wilke’s Publicity [An Unusual Legal Dispute].” Art Magazine (September 1989): 25–26.

Saez, Diana. “Oldenburg Sculpture Permanently Installed.” The Journal of Art (December 1989).

Steffen, Barbara. “Los Angeles: Something New in the West.” Artscribe (November/December 1989).

1988

Bromberg, C. “That Collaborative Itch [Artists Working With Peers in Other Disciplines].” Art News (November 1988): 160–163.

Friedman, M. “Growing the Garden.” Design Quarterly, no. 141 (1988): 24–29.

“Hey, Lick a This.” People Weekly, 21 November 1988: 202.

Hillinger, Charles. “All of Las Vegas Turned on by the “Flashlight.” Los Angeles Times, 14 September 1988: I 3.

Irvine, Chippy. “What Happened: Hamming it up in the Heyday of Pop Art.” Art & Antiques (November 1988): 98–101+.

Johnson, W. E. “A Bottle of Notes and Some Voyages Northern Centre for Contemporary Art, Sunderland, England; Traveling Exhibit.” Arts Review, 26 February 1988: 126–127.

Kaganoff, Penny. “A Bottle of Notes and Some Voyages.” Publishers Weekly, 20 May 1988: 84.

Komp, E. “Send-Off for the Knifeship.” Artweek, 7 May 1988: 9.

Lebovici, Elisabeth. “Claes Oldenburg le matériau en action.” Art Press (July/August 1988): 13–21.

“A Please-Touch Sculpture Garden.” The New York Times, 4 September 1988.

Robins, C. “Goods and Not-So-Goods: 60s/80s Sculpture Parallels.” Arts Magazine (Summer 1988): 63–65.

Weber, Bruce. “Pitted Against the Sky.” The New York Times Magazine, 17 April 1988: 106.

1987

Bregamn, Lillian. “A Touch of Claes.” Philadelphia Magazine (September 1987): 142.

Charbonneaux, C. “Le Pop paie [les grandes ventes aux enchères de tableaux se sont multipliée à New York.” Connaissance Arts (February 1987): 27.

Flam, Jack. “Angst and Introspection.” The Wall Street Journal, 4 February 1987.

Melville, Annette. “Il Corso del Coltello (The Course of the Knife).” Library Journal (July 1987): 70.

“An Outsized Oldenburg cuts a Wide Swath at the Guggenheim.” People Weekly, 26 January 1987: 102.

Reif, Rita. “Hefner Selling a de Kooning and a Pollock from Holding.” The New York Times, 9 January 1987.

Smith, Robert. “Art: Oldenburg’s Works as Props for ‘Il Corso’.” The New York Times, 9 January 1987.

Springer. P. “Rhetorik der Standhaftikeit: Monument und Sockel nach dem Ende des traditionellen Denkmais.” Wallraf-Richartz-Jahrb, no. 48–49 (1987–1988): 365+.

Stuttaford, Genevieve. “Il Corso del Coltello: The Course of the Knife.” Publishers Weekly, 29 May 1987: 68.

Talbott, Stephen. “Oldenburg Seeks to Put ‘Stamp’ on Willard Park.” The Plain Dealer (Cleveland), 7 February 1987.

1986

Barron, James. “5 States: Nice Place Not to Visit.” The New York Times, 19 May 1986.

Braham, James. “The Wrong Impression; Does a 48-Ft Rubber Stamp say ‘Standard Oil.’” Industry Week, 28 April 1986: 28.

Cullinan, Helen. “‘Free Stamp’ Offered Home at Oberlin.” The Plain Dealer (Cleveland), 26 April 1986.

Cullinan, Helen. “Standard Oil Seeks New Pad for Desk Stamp Sculpture.” The Plain Dealer (Cleveland), 25 April 1986.

Graham, D. “Kunst als design/Design als Kunst.” Musemjournaal, no. 3–4 (1986): 183–184.

Gustafson, D. “Food and Death: Vanitas in Pop Art.” Arts Magazine (February 1986): 90–93.

Holsendolph, Ernest. “Let Free Stamp have a Place in the Sun, for the Summer.” The Plain Dealer (Cleveland), 27 April 1986.

List, S.K. “Rubbing out the Rubber Stamp.” Rubberstampmadness 29, no. 6 (1986).

Perl, Jed. “Putting the Sixties to Bed.” The New Criterion, no. 10 (1986): 9–14.

Rastorfer, Darl. “Engineering Oldenburg [the Conceptualization, siting, fabrication, or installation methods of pieces.” Architectural Record (March 1986): 146–151.

Shapiro, M. E. “Twentieth-Century American Sculpture.” St. Louis Museum Bulletin 18 (1986): 146–151.

“Standard Oil Chief Stomps the 48–Foot Rubber Stamp.” The Wall Street Journal, 25 April 1986.

Stückelberger, J. “Claes Oldenburg Grossplastik Balancing Tools in Weil am Rhein.” Werk, Bauen + Wohnen (June 1986): 12–13.

“Taking Charge: How and Why BP Put Its Own commanders at Standard Oil Helm.” The Wall Street Journal, 7 March 1986.

Tazzi, L. “Fatamorgana’s in Venetië.” Museumjournaal 1 (1986): 42–49.

1985

Apuleo, Vito. “Diamoci un taglio!” Il Messaggero (Rome), 5 September 1985.

“Arte, moda e cultura hanno lo stess linguaggio.” Fashion (Milan), 28 August 1985.

Ashton, Dore. “Mummery and Flummery in Venice.” Arts Magazine (November 1985): 55–57.

B., R. “E arrivato a Venezia un coltello nell’acqua.” La Repubblica (Rome), 1 September 1985.

Baiocchi, Angelo. “Un coltello nel caos.” La Nuova Venezia (Venice), 5 September 1985.

Bevilacqua, Gigi. “Sfida a coltello di Oldenburg per Venezia.” La Stampa (Turin), 22 August 1985.

Bianchin, Renato. “Architetture e nonsense da cinquecento milioni: Sul canale va una strana barca...” La Repubblica (Rome), 7 September 1985.

Bianchin, Renato. “Il coltello gigante dividerà Venezia.” La Repubblica (Venice), 5 September 1985.

Bodino, Guido Davico. “Un grande coltello per Venezia.” La Stampa, 7 July 1985.

Bodino, Maristella. “Un coltello taglia Venezia.” Epoca (Milan), 3 September 1985.

Buda, Agostino. “Venezia: un coltello nell’acqua per proporre un grande gioco.” Il Messaggero Veneto (Udine), 22 August 1985.

Caramel, Luciano. “Slalom fra i grandi del Novecento: Un coltello per Alice.” Il Gioranale (Milan), 10 September 1985.

Caronia, Antonio. “Sarà un cavatappi che vi salverà.” Reporter (Rome), 1 September 1985.

Celant, Germano. “Sempre più grande.” Panorama (Milan), 4 August 1985.

Celant, Germano. “San marco sul Niagara: Oldenburg e Il Corso del Coltello a Venezia.” Domus (October 1985): 74–75.

Cerina, M.P. Quarzo. “Der Lauf des Messers.” Du (1985): 126+.

Colferai, Luca. “Scatta il coltello di Oldenburg & C.” Venezia (Venice), 22 August 1985.

Craven, D. “Artists Against Apartheid.” Arts Magazine (October 1985): 100.

Cullinan, Helen. “Ohio Puts its Stamp on City Art.” The Plain Dealer (Cleveland), 2 August 1986.

Cummings, Paul. “The Drawing Collection at the Whitney Museum of American Art.” Drawing (March–April 1985): 124–129.

DiCaro, roberto. “Kitsch d’Arte.” L’Espresso (Rome), 8 September 1985.

Donaggio, Adriano. “Il Dott. coltello nell’acqua.” La Repubblica (Rome), 8 September 1985.

Forti Grazzini, Nello. “Happening per Canalett.” L’Unitvà (Rome), 7 September 1985.

G., R. “Il coltello e l’acqua nel progettoOldenburg.” Li Gazzettino (Venice), 5 September 1985.

Gatti, Claudio. “Di tutto un Pop.” Panorama (Milan), 4 August 1985.

Gianelli, Ida and Umberto Allemandi. “Un coltello di 24 metri navigherà per i canali di Venezia.” Il Gornale del’Arte (Turin) (July–August 1985): 21–22.

Guerrieri, Osvaldo. “D’Artagnan, un eroe pop a Venezia.” La Stampa (Turin), 3 August 1985.

“Il coltello nell’acqua.” Il Lavoro (Genoa), 21 August 1985.

“Il padre della pop–art a Venezia con una gigantesca tazzina e un coltello lungo 24 metri.” l’Ora (Palermo), 22 August 1985.

“Langes Messer fährt durch Venedig.” Der Spiegel (Frankfurt), 8 August 1985.

Maraone, Elio. “Un coltello nell’acqua.” Avverire (Rome), 10 September 1985.

“Maxi-coltello per Oldenburg a Venezia.” L’Arena (Verona), 22 August 1985.

Meccoli, Sandro. “Oldenburg ‘taglia’ la laguna.” Corriere della Sera (Milan), 7 September 1985.

Nadotti, Maria. “Un coltello rosso shocking.” On Stage (Milan) (October 1985): cover, 22–23.

Norman, Sally. “Could It Be Claes?” Northern Ohio Live (January 1985): 44–45.

“Oldenburg a Venezia con un coltello lungo 24 metri.” Gazzetta del sud (Messina), 22 August 1985.

Pasqualetto, Claudio. “Oldenburg mette in scena Venezia.” Corriere della Sera (Milan), 22 August 1985.

“Per il coltello–barca passerella sulla laguna.” Il Tempo (Rome), 7 September 1985.

“Poi arrivervà la nave del padre della pop art.” Il Resto del Carlino (Bolgna), 24 August 1988.

Poli, Francesco. “Il coltello nell’acqua.” Il Manifesto (Rome), 9 June 1985.

Repetto, Mario. “L’ultima follia di mister Oldenburg.” Il Giorno (Milan), 5 September 1985.

Repetto, Mario. “Sfila sulle acque della laguna una barca–coltello di 24 metri.” Il Giornale (Milan), 7 Seotember 1985.

Righetti, Donata. “Notte dei lunghi coltelli a Venezia.” Il Giornale (Milan), 5 September 1985.

Rizzi, Paolo. “Oldenburg: unhappening all’Arsenale col Dottor Coltello e altri personaggi.” Il Gazzettino (Venice), 19 August 1985.

Rose, Barbara. “The Threat of a Nuclear Holocaust Galvanizes Artists to Warn us of our Potential Annihilation.” Vogue (July 1985): 58.

Rossi Paulis, Margherita. “Tre notti del lungo coltello.” Casa Vogue (September 1985).

Saitta, Luigi. “Apoteosi del coltello la pop–art di Oldenburg.” Il Tempo (Rome), 3 September 1985.

Saitta, Luigi. “Il simbolico coltello che attraverserà Venezia.” Il Tempo (Rome), 3 September 1985.

Soli, Pia. “Coltello lungo ventiquattro metri attraverserà canali di Venezia.” Il Tempo (Rome), 1 September 1985.

Tantucci, Enrico. “Arte è un lungo coltello che scivola sulla laguna.” La Nuova Venezia (Venice), 17 August 1985.

Tantucci, Enrico. “Un coltello multiuso che forse non taglia.” La Nuova Venezia (Venice), 8 September 1985.

Ultimpergher, Dlfo. “Un coltello per aprire Venezia.” Il Giorno (Milan), 7 September 1985.

“Venezia sfodera il suo ‘Coltello.’” Il Mattino (Naples), 18 August 1985.

Wexler, A. R. “Il Corso del Coltello.” High Performance (Los Angeles) 8, no. 4 (1985): 65–66.

1984

Bourdon, David. “Collectors Courageous.” Vogue (February 1984).

Coffelt, Beth. “Dallas Celebrates New Museum.” Dial (August 1984): 28–29.

Glueck, Grace. “Exploring 6 Years of Pop and Minimalism.” The New York Times, 28 September 1984: C27.

Glueck, Grace. “On 42nd Steet: Artists’ Visions.” The New York Times, 26 October 1984.

Kutner, Janet. “DMA’s Bold New ‘Stake’” Oldenburg Work Fills Main Gallery.” The Dallas Morning News, 29 April 1984: C1+.

Levin, G. “The Office Image in the Visual Arts.” Arts Magazine (September 1984): 103.

Marvel, Bill. “A Texas-Size ‘Stake’: New Sculpture Measures Up to Vast Quarters.” Dallas Times Herald, 2 May 1984: E3, E5.

Miss, Mary. “On a Redefinition of Public Sculpture.” Perspecta 21 (1984): 52–69.

“Prints & Photographs Published: Project for a Monument to the Survival of the University of El Salvador: Blasted Pencil (That Still Writes).” The Print Collector’s Newsletter (May/June 1984): 66.

Rowes, Barbara. “Claes’ Kid Brother, Dick, May Be the Quiet Oldenburg, But Look How He’s Modernized the Modern.” People Weekly, 14 May 1984.

Smith, Roberta. “Splat.” The Village Voice, 16 October 1984.

Tomkins, Calvin. “The Art World: Perception at All Levels.” The New Yorker, December 1984: 176+.

Tomkins, Calvin. “The Art World: Talismans.” The New Yorker, 29 October 1984: 118+.

van Bruggen, Coosje and Frank O. Gehry, Claes Oldenburg. “Waiting for Dr. Coltello: A Project by Coosje van Bruggen, Frank O. Gehry, and Claes Oldenburg/Il Corso del Coltello, A Performance: Preliminary Script.” Artforum (September 1984): 88–95.

“The ‘Vasari’ Diary: Absolutely Shocking!” Art News (January 1984): 13.

von Kageneck, Christian. “Eine Plastik Oldenburgs in Weil am Rhein.” Frankfurter Allgemeine Zeitung, 24 July 1984.

Yard, Sally. “The Shadow of the Bomb.” Arts Magazine (April 1984): 73–82.

1983

Bettendorf, Virginia B. “Utopian Past and a Visionary Future: Oberlin 2133.” Oberlin College Bulletin, 41, no. 1 (1983–1984): 52–61.

Canaday, John. “Guest Speaker: John Canaday on The State of the Arts.” Architectural Digest (August 1983): 24+.

Dienst, Rolf-Gunter. “Der Gartenschlach-ein Hintergrundiges Signet.” Frankfurter Allgemeine Zeitung, 6 May 1983: 27.

Freese, Hans Martin. “Der Krefelder Kunstverein wird 100 Jahre alt: Zum Jubilaum eine Zahnburste.” Rheinische Post, 2 March 1983.

Gassert, Siegmar. “Mammut-Schlauch.” Basler Zeitung, 19 April 1983: 25+.

Gluek, Grace. “When an Artist Changes Style.” The New York Times, 29 May 1983: 25+.

Johnson, Patricia. “Still Live Show at CAM Spans Era of New Interest on Ancient Genre.” Houston Chronicle, 26 September 1983: 14.

Kalil, Susie. “American Still Life 1945–1983.” The Houston Post, 26 September 1983.

Levin, Eric. “For Irate Citizens, Public Sculptures Belong Anywhere but on a Pedestal.” People Weekly, 14 November 1983: 154.

Means, Steve. “Art on the road: Artists exhibit work to support freeze.” Esprit (December 1983): 61.

Muller, Hans-Joachim. “unternehman Wasserhahn mit Gartenschlaunch.” Badische Zeitung, 2 April 1983: 10.

“Oldenburg Sculpture Has Town on Tenterhooks.” The New York Times, 6 September 1983: C11.

Ottum, Bob. “Over Hills Over Vail There’ll Rise an Odd and Rather Fishy Sculpture.” Sports Illustrated, 10 October 1983: 6.

“Public Art: Recent Works.” Design Quarterly, no. 122 (1983): 30–34.

Straus, Cees. “De spannende architectuur van eenschroefboogburg.” Vrydas, 7 July 1983.

Zellweger, Harry. “Ausstellungs–Ruckschau: Neue Zeichnungen.” Kunstwerk (April 1983): 63–64

1982

“Follow–Up on the News: The Toothbrush.” The New York Times, 18 July 1982.

Bourdon, David. “Conversation with Claes Oldenburg: Artist’s Dialogue.” Architectural Digest 39, no. 6 (June 1982): 164+.

Caldwell, John. “Sculptors as Printmakers” (Yale University Art Gallery exhibition review). The New York Times, 4 July 1982: 12.

Kuspit, Donald B. “Documenta: Claes Oldenburg.” Artforum (October 1982): 84–85.

Moufarrege, Nicolas A. “The Erotic Impulse.” Arts Magazine (November 1982): 5.

1981

“Brushed Off [University of Hartford Rejects Oldenburg’s proposed sculpture]” Art News (Summer 1981): 11–12+.

Conroy, Sarah Booth. “Futuristic Architects.” Horizon (June 1981): 48.

Kelley, Jeff. “Claes Oldenburg’s Flashlight.” Art Magazine (June 1981): 100–102.

Levy, Mark. “University of Nevada [Las Vegas].” Artforum (September 1981): 82.

Linker, Kate. “Public Sculpture: Pursuit of the Pleasurable and Profitable Paradise.” Artforum (March 1981): 64–73.

Madden, Richard L. “‘School Rejects a ‘Free Oldenburg.’” The New York Times, 28 March 1981: 1+.

“Prints & Photographs Published: Screwarch Bridge State III.” The Print Collector’s Newsletter (September/October 1981): 112.

1980

Crichton, Fenella. “London: Claes Oldenburg and Howard Hodgkins–Waddington Prints, London; Exhibit.” Art & Artists (June 1980): 43.

Frank, Elizabeth. “Castelli Gallery, New York; Exhibit.” Art in America (November 1980): 138–139.

Hunter, Sam. “Public Sculpture.” National Arts Guide (May/June 1980): 8–13.

Karlstrom, Paul J. “Reflection of the Automobile in American Art.” Archives of American Art Journal 20, no. 2 (1980): 18–25.

Karp, Margo. “Claes Oldenburg.” Library Journal (1 November 1980).

“Prints & Photographs Published: Screwarch Bridge.” The Print Collector’s Newsletter (September/October 1980): 132.

“Prints & Photographs Published: Braque’s Nail.” The Print Collector’s Newsletter, (November/December 1980): 132.

1979

Ashton, Dore. “Forces in New York: Painting 1950–1980.” Arts Canada ( December 1979–January 1980): 23–25.

Carroll, Paul. “Pow: Endless Ode to Oldenburg’s Baseball Bat for Chicago.” Chicago (January 1979): 146–147.

Filler, Martin. “Rooms without People: Notes on the Development of the Model Room.” Design Quarterly 109 (1979): 4–15.

“Johnson-Oldenburg Duet Canceled.” Progressive Architecture (August 1979): 230–324.

“Journal: Soft Art.” Du (November 1979): 84.

McFadden, Sarah. “Report from Philadelphia.” Art in America (May–June 1979): 21–31.

“Plug’s Revenge on the Museum.” Progressive Architecture (December 1979): 25.

“Prints & Photographs Published: Crusoe Umbrella.” The Print Collector’s Newsletter (May 1979): 56.

“Prints & Photographs Published: Postcard of a Spoon on Isle St. Louis with Needles.” The Print Collector’s Newsletter (July 1979): 94.

Ruhrberg, Karl. “Museum Ludwig Koln/Kunstmuseum Basel.” Du (January 1979): 55–74+.

Senie, Harriet. “Urban Sculpture: Cultural Tokens or Ornaments to Life.” Art News (September 1979): 108–114.

Whelan, Richard. “New Editions: Alternate Proposal for an Addition to the Allen Memorial Art Museum, Oberlin, Ohio.” Art News (September 1979): 37.

1978

Bourdon, David. “What’s New, What’s Coming: Art: The Mouse Museum/The Ray Gun Wing: Two Collection/Two Buildings by Claes Oldenburg.” Vogue (November 1978): 44.

Day, Holliday T. “Issues & Commentary: The Richard J. Daley Memorial Sweepstakes.” Art in America (May–June 1978): 145.

Jurgen–Fischer, Klaus. “Gezeichnete Raume.” Das Kunstwerk (August 1978): 2–40.

Restany, Pierre. “L’autre face de l’art: Le jeu existentiel.” Domus (May 1978): 41–47.

Rose, Barbara. “Talking About... Art: Return of Ray Gun, or the Mouse House is Home Again.” Vogue (November 1978): 64.

Treib, Marc. “Alphabets Building Cities.” Print (May/June 1978): 47–53.

“Two Collections/Two Buildings by Claes Oldenburg: Whitney Museum, New York.” Progressive Architecture (December 1978): 10–11.

1977

Artner, Alan G. “‘Simple, Pure, Suggestive Object’: Oldenburg Battles ‘Batcolumn’ Myths.” Chicago Tribune, 14 April 1977.

Artner, Alan G. “The Species of the Spaces–Time to Go to Bat for those Objects D’Plaza.” Chicago Tribune, 24 April 1977.

Artner, Alan G. “The Nation: Chicago: Fair Game.” Art News (Summer 1977): 158.

“Arts: The City with Big Shoulders gets a 10–Story Baseball Bat by Oldenburg.” People Weekly, 2 May 1977: 100.

Barre, Francois. “L’architecture promise.” L’architecture d’aujourd’hui (Paris) (June 1977): 36.

“‘Batcolumn’: 200 tons, 100 feet tall, $100,000.” AIA Journal (May 1977): 18.

Cavaliere, Barbara. Arts Magazine (October 1977): 23.

“Chicago: Fair Game [Oldenburg’s New Batcolumn].” Art News (Summer 1977): 60+.

“Cronache: Edifici con scutura omaggio.” Casabella (September 1977): 5.

Glaherty, Roger. “Scouts Disagree: Tade Our Batcolumn for L.A. Double Threat?” Chicago Sun-Times, 8 May 1977.

Foote, Nancy. “Oldenburg’s Monuments to the Sixties.” Artforum (January 1977): 54–56.

Galloway, Paul. “A Truckload of Clout’s Swinging It’s Way Into city.” Chicago Tribune, 8 April 1977.

Gapp, Paul. “...That Are Sometimes Splendid Except They Don’t Suit.” Chicago Tribune, 24 April 1977.

Haase, Amine. “Ausstellungen: New York–Paris.” Das Kunstwerk (August 1977) 68–69.

Hanson, Henry. “Batcolumn Debuts Amid Fears That It’s Just Made for Climbers.” Chicago Daily News, 15 April 1977.

Hanson, Henry. “Claes’s Striking Sculpture.” Chicago Daily News, April 2–3, 1977.

Haydon, Harold. “Oldenburg goes Bananas.” Sunday Sun-Times, 1 May 1977.

“Hey Hey! The Bat Is on Its Way.” Chicago Tribune, 6 April 1977.

Hirsley, Michael. “Fans Cheer, Razz Big ‘Bat’ at Opener.” Chicago Tribune, 16 April 1977.

Hirsley, Michael. “Some Strike Out at the Batcolumn.” Chicago Tribune, 15 April 1977.

“Institute Awards, the Arts: Nevelson and Oldenburg.” AIA Journal (March 1977): 12.

Lascault, Gilbert. “Petit abécédaire du vêtement.” XXe Siècle (June 1977): 78–85.

“Leo Castelli Downtown Gallery, New York; Exhibit.” Art News (January 1977): 116.

“Leo Castelli Downtown Gallery, New York; Exhibit.” Craft Horizons (April 1977): 52.

Lewis, Joanne. “A Modern Medici for Public Art.” Art News (April 1977): 37+.

Lewis, Joanne. “Who is the Biggest Single Public Arts Patron of Them All.” The Washington Post, 27 February 1977.

Lippard, Lucy. “Art Outdoors, In and Out of the Public Domain.” Studio International (March/April 1977): 83–90.

Nelson, Avi. “The Gov’t Has Gone ‘Batty.’” Herald American (Boston), 15 April 1977.

Oates, Jeannette. “Chicago’s Big Bat Lends City ‘Pop Art’ Clout.” The Christian Science Monitor, 29 April 1977.

Olander, William R. “Claes Oldenburg.” Arts Magazine (October 1977): 2.

“Oldenburg Bats a Chicago Homerun.” Progressive Architecture (July 1977): 52.

Ponti, Lisa Licitra. “Provisional Architecture: Medium of Urban Design.” Domus (April 1977): 28–32.

Rapoport, Ron. “The Batcolumn: Well, It Is and It Isn’t.” Chicago Sun-Times, 14 April 1977.

Rapoport, Ron. “Well, About that Bat...You Ain’t Seen Nuthin’ Yet.” Chicago Sun-Times, 14 April 1977.

Rose, Barbara. “Public Art’s Big Hit: Oldenburg Bats High in Chicago.” Vogue (November 1978): 118–119+.

Schulze, Franz. “Oldenburg’s Bat Connects with Madison St.” Chicago Daily News, 16–17 April 1977.

Simon, Roger. “A Batty Welcome to Skid Row.” Chicago Sun-Times, 15 April 1977.

Tomkins, Calvin. “Profiles: Look What I’ve Got Here.” The New Yorker (1977).

Zimmer, William. “Claes Oldenburg.” Arts Magazine (January 1977): 29–30.

1976

Artner, Alan G. “Oldenburg Sculpture on Baseball Set.” Chicago Tribune, 8 June 1976.

Donohoe, Victoria. “Philadelphia; Clothespin and Sculptural Oratory.” Art News (September 1976): 61+.

Donohoe, Victoria. “Claes Oldenburg: Monuments to the Consumer Society.” The Philadelphia Inquirer, 19 November 1976: 8–H.

Earley, E.N. “Williams Passes the Hat.” The Tulsa Tribune, 23 April 1976: 1+.

Hanson, Henry. “Batman.” Chicago (November 1976): 12+.

Harney, Andy Leon. “The Proliferating One Percent Programs for the Use of art in Public Places.” AIA Journal 65 (1976): 34–39.

Hess, Thomas B. “Art: The Story of O.” New York Magazine, 29 November 1976: 78+.

Johnson, Ellen H. “American Art of the Twentieth Century [Allen Memorial Art Museum, Oberlin College].” Apollo (February 1976): 133.

Kay, Jane Holtz. “Boston: The Skowhegan School: Down East to Madison Avenue.” Art News (September 1976): 84–86.

Kramer, Hilton. “More Than Just a Touch of Claes at SoHo Gallery.” The New York Times, 12 November 1976: 26.

“New Graphics 1976: Petersburg Press Gallery, New York; Exhibit.” Arts Magazine (December 1976): 26.

O’Doherty, Brian. “Inside the White Cube: Part II; The Eye and the Spectator.” Artforum (April 1976): 25–34.

Oldenburg, Claes. Vision (November 1975).

“Oldenburg Tops Off Philadelphia’s Bicentennial with a ’76 Clothespin.” People Weekly, 24 May 1976: 91.

Olivia, A. B. “Oldenburg’s 45–Foot High ‘Clothespin’: An Updated Version of the Liberty Bell Complete with a Crack Down the Center.” Domus (October 1976): 50.

Patton, Phil. “Oldenburg’s Mouse.” Artforum (March 1976): 51–53.

Ratcliff, Carter. “Notes on Small Sculpture.” Artforum (April 1976): 52–59.

Reichardt, Jasia. “Bridges and Oldenburg.” Studio International (January 1976): 2–3.

Smith, Roberta. “Drawing Now (And Then).” Artforum (April 1976): 52–59.

Wortz, Melinda. “Special Prints Section: New Editions.” Art News (March 1976): 68.

1975

Bach, F. “Interview mit Claes Oldenburg.” Kunstwerk (May 1975): 3–13.

Black, Misha. “Fitness for What Purpose.” Design (January 1975): 42–45.

Boorsch, S. “New Editions.” Art News (September 1975): 51.

Burr, James. “Mayor Gallery, London; Exhibit.” Apollo (November 1975): 381.

“Concours pour le Chicago Tribune en 1922.” LArchitecture d’aujourd’hui (March 1975): 56–57.

Crichton, Fenella. “London Letter: January.” Art International, 20 January 1975: 43.

Daval, Jean–Luc. “Lettre de Suisse: Art 6/75.” Art International, 20 September 1975: 65–67.

Daval, Jean–Luc. “Lettre de Suisse: Bale.” Art International, 20 September 1975: 67–68.

Denvir, Bernard. “London Letter.” Art International (November 1975): 75.

“Erotic Fantasy Etchings: Petersburg Press Gallery, New York; Exhibit.” Arts Magazine (November 1975): 12–14.

Friedman, Martin. “The Fort Worth Art Museum: Larry Bell: Recent Work.” Fort Worth Star-Telegram, 19 October 1975: 10E.

“Kunstmuseum, Bâle; Exposition.” Art International (Summer 1975): 68.

McCorquodale, Charles. “Oldenburg’s Erotic Fantasy Drawings: Mayor Gallery, London; Exhibit.” Art International (December 1975): 25.

Oldenburg, Claes. Art Voices (Summer 1975).

Oldenburg, Claes. Visions (September 1975).

Reichardt, Jasia. “Arts: Claes Oldenburg.” Architectural Design (July 1975): 449.

Rose, Barbara. “Self–Portraiture: Theme with A Thousand Faces.” Art in America (January–February 1975): 66–73.

Schneicer, H. “Kunsthalle, Tüber; Ausstellung.” PanTheon (July 1975): 268–269.

Schurr, Gerald. “Constructions of Claes Oldenburg.” The Connoisseur (April 1975): 314.

Shapiro, D. “Claes Oldenburg, un colloquio a New York.” Domus (April 1975): 48–52.

“Watching Letters Go.” Art News (April 1975): 73.

Winter, Peter. “Oldenburg.” Kunstwerk (May 1975): 25–27+.

Wortz, Melinda. “The Nation: Los Angeles: Watching Letters Go By.” Art News (April 1975): 73.

1974

“Art: Monumenta.” Vogue (August 1974).

Baldwin, Carl R. “On the Nature of Pop.” Artforum (June 1974): 34–38.

Bongartz, Roy. “The ‘Vasari’ Diary: Can a Three–Story–High Lipstick on Tank Treads Find Happiness Again in A Secluded College Courtyard?” Art News (December 1974): 18–19.

Cathcart, Linda L. “Martha Jackson Collection at the Albright–Knox Art Gallery, Buffalo; Exhibit.” Albright–Knox Gallery Notes 39, no. 2 (1974–1975): 74.

Derfner, Phyllis. “New York Letter.” Art International (Summer 1974): 49.

Dreiss, Joseph. “arts Reviews: Claes Oldenburg.” Arts Magazine (September 1974): 58.

Geldzahler, Henry. “Pop Art: Two Views.” Art News (May 1974): [cover] 30–32.

Genauer, Emily. “Art & the Artist.” New York Post Magazine, 26 October 1974: 14.

Halasz, Piri. “The National Scene: Collecting for Stockholm.” Art News (January 1974): 74–75.

Hughes, Robert. “The Instant Nostalgia of Pop.” Time, 15 April 1974: 80–83.

Kainen, Jacob. “Quality in Edition Prints.” Art News (March 1974): 34–35.

“Leo Castelli Gallery, New York; Exhibit.” Craft Horizon (August 1974): 38.

Lethbridge, Chris. “Notes on the Lipstick.” Yale Review 3 (1974): 14.

Loring, John. “Oldenburg on Multiples.” Arts Magazine (May 1974): 31–32.

Moffet, Kenworth. “Pop Art: Two Views.” Art News (May 1974): 31–32.

Perrault, John. “‘Classic’ Pop Revisited.” Art in America (March–April 1974): 64–68.

Russell, John. “Oldenburg Sees Nothing Insignificant.” The New York Times, 11 May 1974: 27.

Russell, John. “Art: Sculpture’s the Thing as Newport Gets a Look at ‘Monumenta.’” The New York Times, 17 August 1974: 24.

Schwartz, Barbara. “Exhibitions: Claes Oldenburg.” Craft Horizon (August 1974): 38.

Schwartz, Barbara. “Exhibitions: New York Sculpture.” Craft Horizon (December 1974): 59.

Schwartz, Barbara. “Hammarskjöd Plaza.” Craft Horizon (October 1974): 52.

Scully, Vincent. “As Master of Morse.” Yale Review 3 (16 October 1974): 14–15.

Shapiro, David. “Sculpture as Experience: The Monument that Suffered.” Art in America (May–June 1974): 7+.

Thomsen, Barbara. “Castelli Gallery, New York; Exhibit.” Art in America (September–October 1974): 113–114.

Trachetenberg, Marvin. “The Statue of Liberty: Transparent Banality or Avant–Garde Conundrum?” Art in America (May–June 1974): 36–43.

Wilson, Martha. “Books: Claes Oldenburg: Raw Notes.” Art Artists (June 1974): 48–50.

1973

Brunelle, Al. “Knoedler Gallery, New York; Exhibit.” Art News (May 1973): 77.

Butler, Joseph T. “The American Way with Art: Claes Oldenburg: Object into Monument.” Connoisseur (October 1973): 134.

Collins, James. “Reviews: Soft as Art, New York Cultural Center.” Artforum (June 1973): 89–90.

“Contemporary Graphics from the Museum’s Collection.” Rhode Island School of Design Bulletin 59 (1973): 72–74.

Daval, Jean–Luc. “Lette de Suisse: Bale.” Art International (December 1973): 74–76.

De Sanna, Joel. “Sviluppo, circolazione, prezzi.” Domus (November 1973): 4.

Del Guercio, Antonio. “De l’Action Painting au pop’art.” XXe Siècle (Paris) (June 1973): 4.

Dorfles, Gillo. “Incidences americaines.” .XXe Siècle (Paris) (December 1973): 74–76.

Knight, Michael. “12–Foot–High Baseball Mitt Is Safe at Home.” The New York Times, 17 October 1973: 49.

Lascault, Gilbert. “Claes Oldenburg: L’approbation subversive.” XXe Siècle (Paris) (December 1973): 80+.

Mashek, Joseph. “Reveiws: Claes Oldenburg, Knoedler.” Artforum (June 1973): 76.

Miller, Jo. “Seriegraphie et lithographie aux Etats–Unis: 1947–1972.” XXe Siècle (Paris) (December 1973): 78–82.

Noël, Bernard. “Les Happenings: le théâtre et la conserve.” XXe Siècle (Paris) (December 1973): 128–131.

“Public Art Museum Notes: Claes Oldenburg: Object in Monument.” Art Journal 32, no. 3 (1973): 323+.

Richard, Paul. “Art the Bubbles.” The Washington Post, 30 January 1973.

Rose, Barbara. “Soft as Art.” New York, 8 April 1973: 92–93.

“Soft as Art, New York Cultural Center; Exhibit.” Artforum (June 1973): 89–90.

Trier, E. “Unterlebensgross–lebensgross–überlebensgross; zum problem ber grösse in der plastik des 20. Jahrhunderts.” Wallraf–Richartz–Jahrb 35 (1973): 384.

1972

Aloway, Lawrence. “‘Reality’: Idology at Documenta 5.” Artforum (October 1972): 30–36.

Bongartz, Roy. “Oldenburg Draws Seven New Wonders of the World.” Horizon (Spring 1972): 70–71+.

“Exchange of Views of a Group of Experts.” Museum (UNESCO) 24, no. 1 (1972): 14–15.

Finch, Christopher. “Breaking Through the Print Barrier.” Art News (January 1972): 34–39+.

Frankenstein, Alfred. “The Giant Visual Puns of a Master.” San Francisco Chronicle: This World, 5 March 1972: 29–30.

Gassiot–Talabot, Gerald. “Documenta V: Une imposture sur l’image? XXe Siècle (Paris) (December 1972): 118–119+.

Goldman, Judith. “Sort of a Commercial for Objects.” The Print Collector’s Newsletter (January–February 1972): 117–119.

Goldman, Judith. “Charge it... [why most multiples fail].” Studio International (September 1972): 102.

Hughes, Robert. “Art: Magician, Clown, Child.” Time, 21 February 1972: 60–63.

Kelder, Diane. “Tradition and Craftsmanship in Modern Prints.” Art News (January 1972): 68–73.

Kerber, Bernhard. “Documenta und Szene Rhein–Ruhr.” Art International (October 1972): 68–73.

Kramer, Hilton. “Art: German Documenta.” The New York Times, 1 April 1972: 11.

Meisel, Alan R. “Letter from San Francisco: Claes Oldenburg.” Craft Horizon (June 1972): 62.

“Nelle Gallerie.” Domus (November 1972): 41.

“Notizbuch der Redaktion: Ein Besonderer Beitrag Claes Oldenburg.” Kunstwerk (July 1972): 77.

Reaves, A. W. “Claes Oldenburg, and Interview.” Artforum (October 1972): 11+.

Rose, Barbara. “The Swedish Connection.” The New York Times, 6 November 1972: 90+.

Rosin, Mark. “Pedigreed Prints.” Harper’s Bazaar (January 1972): 63.

Seitz, William C. “The Real and the Artificial: Painting of the New Environment.” Art in America (November–December 1972): 59–72.

Trini, Tommaso. “Kassel: Documenta 5.” Domus (September 1972): 49–52.

1971

Blok, Cor. “Sonsbeek ’71.” Art International, 20 November 1971: 47.

Burnham, J. “Corporate Art”. Artforum (October 1971): 29+.

Dows, L. “Oldenburg’s Profile Airflow and Giant Three–Way Plug.” Detroit Institute Bulletin 50, no. 4 (1971): 69–78.

Forge, Andrew. “Forces Against Object–Based Art.” Studio International (January 1971): 32–37, VIII.

Henning, Edward. “South of His House, North of His House: Nyack, a Painting by Fairfield Porter.” Cleveland Museum Bulletin (March 1971): 87.

Henry, Gerrit. “Janis Gallery, New York; Exhibit.” Art International (January 1971): 38.

Henry, Gerrit. “New York Letter.” Art International, 20 January 1971: 37–38.

Johnson, Ellen H. “Oldenburg’s Giant 3–Way Plug.” Oberlin College Bulletin 28, no. 3 (1971): 223–233.

Kozoloff, Max. “The ‘Art & Technology’ exhibition at the Los Angeles County Museum: The Multimillion Dollar Art Boondoggle.” Artforum (October 1971): 72–76.

Kurtz, Bruce. “Reports: Sonsbeek.” Arts Magazine (September 1971): 50–52.

Latham, J. “Reply.” Studio International (June 1971): 250.

Linville, Kasha. “Sonsbeek: Speculations, Impressions.” Artforum (October 1971): 54–61.

Lobell, John. “Developing Technologies for Sculptors.” Arts Magazine (Summer 1971): 27–29.

“Man and the Machine.” Time, 28 June 1971: 60–63.

Marandel, J. Patrice. “‘Art and Technology’ à Los Angeles.” Art International (Summer 1971): 102.

Marandel, J. Patrice. “Galerie Sidney Janis, New York; Exhibition.” Art International (January 1971): 43.

Tuchman, Maurice. “Introduction to ‘Art and Technology.’” Studio International (April 1971): 173–180.

Wellish, Marjorie. “Material Extension in New Sculpture.” Arts Magazine (Summer 1971): 24–26.

Young, Joseph E. “Los Angeles.” Art International, 20 May 1971: 79.

1970

Bremer, N. “Oldenburg; Mouse Museum/The Ray Gun, Two collections; two buildings: Whitney Museum of American Art, New York; Exhibit.” PanTheon (January 1970): 26.

Brett, Guy. “Nautre in a Supermarket.” The Times, 25 June 1970.

Burn, G. “Crónica de Londres.” Goya (September 1970): 104.

Burr, James. “The Tate Gallery, London; Exhibit.” Apollo (July 1970): 77.

Calas, Nicolas. “The Sphinx.” Arts Magazine (1970).

Causey, Andrew. “A Man with a Primitive Urge.” The Illustrated London News, 11 July 1970.

“Claes Oldenburg: ‘Ik kan elke minuut moorden en niemand wordt er door gekwetst.’” Vrij Nederland, 31 January 1970.

Denvir, Bernard. “London Letter.” Art International, 20 November 1970: 74–76+.

Dienst, Rolf–Gunter. “Ausstellung: Claes Oldenburg.” Kunstwerk (June–July 1970): 73–74.

Domingo, Willis. “Galleries: Claes Oldenburg.” Arts Magazine (December 1970/January 1971): 56–57.

“Een gigantische ijszak voor Osaka.” de volkskrant, 17 January 1969.

Fuller, Peter. “In the Galleries: Claes Oldenburg.” Connoisseur (September 1970): 64–75.

Fuller, Peter. “Oldenburg.” Arts Review, 4 July 1970: 423.

Genauer, Emily. “Modern ‘Old Masters’ in Old World Settings.” Houston Post (1970).

Glazebrook, Elizabeth. “Art.” Queen (August 1970).

Glueck, Grace. “From Master to Modular” (Sidney Janis Gallery exhibition review). Art in America (November/December 1970): 164–169, illustrated.

Glueck, Grace. “New York Gallery Notes: The New Decade...at Dawn.” Art in America (January 1970): 34+.

Gosling, Nigel. “‘I Am for An Art That is Political–Erotical–Mystical.’” Sunday Observer, 5 July 1970.

Gruen, John. “Galleries and Museums: Oldenburg.” New York, 30 November 1970: 57.

Honnef, Klause. “Ausstellungen: Klischee un Antiklischee.” Das Kunstwerk (April–May 1970): 49–50.

Jacobs, Jay. “Claes Oldenburg: Drawings and Prints–Review.” Art in America (March 1970): 4+.

Johnson, Ellen H. “Oldenburg’s Giant 3–Way Plug.” Arts Magazine (December 1970/January 1971): 43–45.

Kelk, Fanny. “Claes Oldenburg: ‘ik ben een technish leugenaar’.” Avenue (Holland) (February 1970): 122–123+.

Kenedy, R. C. “Oldenburg Draughtsman.” Art & Artists (July 1970): 25–27.

Kornilov, Iu. “Sausages and van Gogh.” Izvestia (Moscow), 24 January 1970.

Kozoloff, Max. “Division and Mockery of the Self.” Studio (January 1970): 9–15.

Kramer, Hilton. “Episodes from the Sixties.” Art in America (January–February 1970): 56–61.

“Kultur: Oldenburg, Weicher Golem.” Der Spiegel (Berlin), 20 April 1970: 212.

L. v. G. “Claes Oldenburg: Wat kan die man tekenen.” Algemeen Handelsblad (Amsterdam), 17 January 1970: 2.

Legg, Alicia. “Claes Oldenburg.” Art & Artists (July 1970): 20–24.

Lipman, Jean. “Period Rooms—The Sixties and Seventies.” Art in America (November/December 1970): 126–129, illustrated.

Melville, Robert. “Establishment and Opposition; Oldenburg at the Tate, Stella at the Hayward Gallery.” Architectural Review (October 1970): 251–254.

Melville, Robert. “Softened–Up.” The New Statesman, 10 July 1970.

Oldenburg, Claes. “Chronology of Drawings.” Studio International (June 1970): 249–253.

“The Original Oldenburger.” Chronicle & Echo, 4 July 1970: 3.

“Pop–art à la Tate gallery: l’exposition Claes Oldenburg.” Connaissance Arts (August 1970): 11.

“Proposta per times square, New York.” L’architettura (February 1970): 671.

Plagens, Peter. “UCLA Art Galleries; Exhibit.” Artforum (December 1970): 29+.

Reichardt, Jasia. “Soft Oldenburg.” Architectural Design (September 1970): 446.

“Rivoluzione via banana.” L’architettura (February 1970): 671.

Roberts, Keith. “Tate Retrospective.” The Burlington Magazine (August 1970): 550+.

Rose, Barbara. “The Airflow Multiple of Claes Oldenburg.” Studio International (June 1970): 254–255.

Rose, Barbara. “Artist’s Buddy, Give Money, and Total Love.” Vogue (February 1970): 179+.

Rosenstein, Harris. “Janis Gallery, New York; Exhibit.” Art News (December 1970): 59.

Russell, David. “London: Tate Gallery; Exhibit.” Arts Magazine (September 1970): 56.

Smith, Peggy. “Prints and Drawings: Some New Approaches.” Arts Canada (October 1970): 73–74.

Stanhope. “Oldenburg Work for the Tate.” The Times, 17 June 1970.

Tabak, May Natalie. “Herring: ‘Tradition Defying Innovators Dub You a Fogy if You Protest That a Herring is Not a Lithograph.” Craft Horizons (February 1970): 34–37+.

Taylor, W. S. “Pomposity in Plastic from Oldenburg.” Sheffield Manning Telegraph, 20 July 1970.

Terbell, Melinda. “Irving Blum Gallery, Los Angeles; Exhibition.” Arts Magazine (November 1970): [25] 53.

Tisdall, Caroline. “Softly, Softly.” The Guardian (London), 25 June 1970: 19.

Trini, Tommaso. “At Home With Art: The Villa of Count Giuseppe Panza di biumo.” Art in America (September 1970): 107+.

Tuchman, Phyllis. “American Art in Germany; The History of a Phenomenon.” Artforum (November 1970): 58–69.

Vaizey, Marina. “‘Claes Oldenbrug.’” The Financial Times, 21 July 1970.

van Garbel, Betty. “‘Kunst: ‘Ik ben trewig, maar niet altijd’” Een midag met Claes Oldenburg.” Vrij Nederland, 7 February 1970.

Wingen, Ed. “Claes Oldenburg Was Here: An Ear of a Hat for Amsterdam.” De Telegraf (Amsterdam), 22 January 1970.

Young, Joseph E. “Los Angeles.” Art International, 20 March 1970: 83–84.

1969

Alloway, Lawrence. “Popular Culture and Pop Art.” Studio International (July/August 1969): 17–21.

Andreae, Christopher. “Oldenburg Retrospective.” Christian Science Monitor, 4 October 1969.

“Archiworks.” Art in America (May 1969): 46.

Ashton, Dore. “Dubuffet and Anticulture.” Arts Magazine (December 1969): 38.

“Bedroom Ensemble, Replica I.” Studio International (July 1969): 2–3.

Bohm, Hansi. “New York Duo: Lichtenstein & Oldenburg.” Arts Review (December 1969).

Bourgeois, Jean–Louis. “Exhibition at Museum of Modern Art.” Artforum (November 1969): 14+.

Canaday, John. “Oldenburg as the Picasso of Pop.” The New York Times, 28 September 1969.

Carroll, Paul. “Ode to Oldenburg.” Art Scene (Chicago) (May 1969): [cover] 6–7.

“Claes Oldenburg: Fireplugs.” Design Quarterly, no. 74–75 (1969): 36–43.

Clow, Gerald. “Oldenburg Exhibit Of ‘Vinyl Jokes’ Opens at Museum of Modern Art.” Yale Daily News, 1 October 1969.

Coplans, John. “The Artist Speaks: Claes Oldenburg.” Art in America (March 1969): 52–56.

Darnton, John. “Oldenburg Hopes His Art will Make Imprint at Yale.” The New York Times, 16 May 1969: 37.

“Exhibit at New York’s Museum of Modern Art.” Industrial Design 16 (1969): 18.

Elsen, Albert. “Notes on the Partial Figure.” Artforum (November 1969): 58–63.

Finch, Christopher. “Notes for a Monument to Claes Oldenburg.” Art News (October 1969): 52–56.

Franc, Helen M. “Claes Oldenburg.” Members Newsletter Museum of Modern Art (Fall 1969).

Gablik, Suzi. “Protagonists of Pop: Five Interviews Conducted by Suzi Giblik.” Studio International (July 1969): 9–16.

García–Herráiz, E. “Crónica de Nueva York.” Goya (Madrid) (November 1969): 176–177.

Genauer, Emily. “Art and the Artist.” New York Post, 27 September 1969.

Gilmour, Pat. “Notes Towards the Definition of a Multiple.” Art & Artists (January 1969): 36+.

Gilmour, Pat. “Notes Towards the Definition of a Multiple.” Art & Artists (June 1969): 41+.

Glaubert, Robert. “Oldenburg and Wiley: Artistic Involvement in the Crisis of Our Time.” Skyline (Chicago), 21 May 1969.

Glueck, Grace. “Coast Art–Industry Project Blossoms.” The New York Times, 17 April 1969: 54.

Glueck, Grace. “Hanging Henry’s Show.” The New York Times, 3 August 1969: 21–22.

Glueck, Grace. “Soft Sculpture or Hard–They’re Oldenburgers.” The New York Times Magazine, 21 September 1969: 28+.

Greenhaw, Wayne. “If It Speaks, It’s ‘Important.’” Montgomery Journal (Alabama), 8 October 1969.

Gruen, John. “Art in New York: Things That Go Limp.” New York, 1 September 1969.

Halstead, Whitney. “Chicago.” Artforum (January 1969): 67+.

Halstead, Whitney. “Chicago Exhibition at Richard Feigen Gallery.” Artforum (September 1969): 67–68.

Hanson, Henry. “Claes and His Mouse.” Chicago News, 15 November 1969.

“Ik ga nu iets maken dat wel uitvoerbaar is.” Nieuw Utrechts Dagblad, 12 July 1969.

Kokkimen, Eila. “Claes Oldenburg: Drawings and Prints.” Arts Magazine (November 1969): 12+.

Kroll, Jack. “A Lipstick for Yale.” Newsweek, 2 June 1969: 69.

Marcuse, Herbert. “Commenting on Claes Oldenburg’s Proposed Monuments for New York City.” Perspecta (Yale University Architectural Journal) 12 (1969): 75–76.

“The Master of the Soft Touch.” Life, 21 November 1969.

McDonagh, Don. “Oldenburg.” The Financial Times, 13 November 1969.

Meadmore, Clement. “Proposals for Monuments and Buildings 1965–69, by Claes Oldenburg.” Arts Magazine (December 1969): 10.

Mellow, James R. “On Art: Oldenburg’s Scatological ‘Soft Touch.’” The New Leader, 10 November 1969.

“News: Oldenburg Exhibit.” Industrial Design 16 (1969): 18.

Oldenburg, Claes. Art Now: New York (October 1969).

“Other Things and Lichtenstein.” The Village Voice, 2 October 1969.

“P/A News Report.” Progressive Architecture (November 1969).

Plagens, Peter. “Marsden Hartley Revisited.” Artforum (May 1969): 9+.

Plagens, Peter. “The Possibilities of Drawing.” Artforum (October 1969): 50–55.

Richard, Paul. “The Man Who Wants to Make Real Monuments.” Washington Post–Times–Herald, 12 October 1969.

Rigg, Margaret. “the Art of Protest.” Civil Liberties (February 1969): 16–20.

Rose, Barbara. “Oldenburg Joins the Revolution.” New York, 2 June 1969: 54–57.

Rose, Barbara. “The Origin, Life and Times of Ray Gun.” Artforum (November 1969): 50–57.

Rose, Barbara. “Problems of Criticism: The Politics of Art: Part II.” Artforum (January 1969): 44–49.

Rose, Barbara. “Problems of Criticism, VI: The Politics of Art: Part III.” Artforum (May 1969): 46–49.

Rosenburg, Harold. “The Art World: Marilyn Mondrian.” The New Yorker, 8 November 1969: 167–170+.

Russell, J. “Pop Reappraised.” Art in America (July 1969): 81+.

Schjeldahl, Peter. “Exhibition at the Museum of Modern Art.” Art International (November 1969): 68–70.

Schulze, Franz. “Sculptor Claes Oldenburg: A Wry View of the ‘Locked Mind of Chicago’ and its Ruthless, Dominating Edifices.” Panorama (magazine of Chicago Daily News), 17 May 1969: 24–28.

Siegel, Jeanne. “Oldenburg’s Places and Borrowing.” Arts Magazine (November 1969): 48–49.

Skelton, Robin. “Pop Art and Pop Poetry.” Art International (October 1969): 39–41.

Smith, Miles A. “Colossal Monuments’ Latest in Pop Art.” Baltimore Morning Sun, 13 November 1969.

Wasserman, Emily. “New York: Process, Whitney Museum.” Artforum (September 1969): 56–58.

Young, Jeseph E. “Claes Oldenburg at Gemini.” Artist’s Proof 9 (1969): 44–52.

1968

“About the Famous Toronto Drainpipe.” Arts Canada (August 1968): 40–41.

Altman, Jack. “Claes Oldenburg: The Super, Giant, Economy–Sized Fantasies of the King of Neubern.” Midwest (magazine of Chicago Sun Times), 18 February 1968: 6+.

“The Avant-Guarde: Subtle, Cerebral, Elusive.” Time, 22 November 1968: 70–77, illustrated.

Baker, Elizabeth C. “Artschwager’s Mental Furniture.” Art News (January 1968): 48–49+.

“Claes Oldenburg’s Invisible Sculpture.” Landscape Architecture (April 1968): 205–206.

“Exhibition at Irving Blum Gallery, Los Angeles.” Arts Magazine (June/Summer 1968): 66.

Finch, Christopher. “Role of the Spectator.” Design Quarterly 73 (1968): [unpaginated 3–10].

Forge, Andrew. “Store Days.” Studio International (March 1968): 162–163.

Graham, Dan. “Oldenburg’s Monuments.” Artforum (January 1968): [cover] 30–37.

Halasz, Piri. “Exhibitions: Love, Hate & the Machine.” Time, 6 December 1968: 86–89.

Oldenburg, Claes. “Some Program Notes about Monuments, Mainly.” Chelsea, no. 22/23 (June 1968): 87–92.

Kind, Joshua. “Notes on Pop.” Artscene (July/August 1968): 8–11.

Koselanetz, Richard. “Review of Store Days.” Kenyon Review (Gambier, Ohio) 30, no. 3 (1968): 413–418.

Mandelbaum, Ellen. “Dada, Surrealism and Their Heritage: 3. Surrealist Composition: Surprise Syntax.” Artforum (May 1968): 32–35.

Morris, Robert. “Anti form.” Artforum (April 1968): 33–35.

Price, Jonathan. “CO: Or I Spent Four Very Long Years at Yale–I Can’t Remember Anything About Them.” Yale Alumni Magazine (December 1968): 26–31.

“Sculpture on the Streets.” Architectural Review 143 (1968): 212.

Sylvester, David. “The Soft Machines of Claes Oldenburg.” Vogue (February 1968): 166+.

Trini, Tommaso. “Un Diario segreto di quadri celebri: La Collezione Panza di Biumo.” Domus (January 1968): 51–53.

1967

Alloway, Lawrence. “Hi–Way Culture: Man at the Wheel.” Arts Magazine (February 1967): 28–33.

Baker, Russell. “Observer: On Crying ‘Art!’ to an Unused Grave.” The New York Times, 10 October 1967.

Bourdon, David. “Claes Oldenburg’s Store Days.” The Village Voice, 28 December 1967.

Bourdon, David. “Immodest Proposals for Monuments.” New York World Journal Tribune, 8 January 1967: 22–23.

Broadwater, Bowden. “He Raises Monuments to the Commonplace.” Newsday, 8 May 1967.

Brown, Gordon. “Exhibition at Janis Gallery.” Arts Magazine (May 1967): 56.

C. F.I. “In the Galleries: Bianchini Group.” Arts Magazine (February 1967): 59.

Canaday, John. “Art: Some Recent History of Sculpture.” The New York Times, 19 April 1967.

Clarman, Julian. “Spot Check: some Observations of the State of the Arts in America Today: Painting Sculpture.” Harper’s Bazaar (January 1967): 2–6.

de Bretteville, Peter and Arthur Golding, eds. “Portfolio: 4 Sculptors.” Perspecta 11 (1967): 44–53.

Flynn, Betty. “You Can Take an Object and Change It from Small to Big to Colossal.” Panorama (magazine for Chicago Daily News), 22 July 1967: 2–3.

Fulford, Robert. “A 500 Foot Soft Drain Over Toronto.” Toronto Daily Star, 14 January 1967.

G., E. “57th Street Environs.” World Journal, 28 April 1967.

G., D. “Oldenburg, the ‘Soft–Touch’ Artist.” Aspen Times, 10 August 1967: 9C.

Gassiot–Talabot, Gerald. “Lettre de Paris.” Aujourd’hui (Paris) (December 1966–January 1967): 145.

Glauber, Robert H. “Oldenburg’s Projects for Monuments.” Art Scene (November 1967): 115–116.

Graham, Dan. “Models and Monuments.” Arts Magazine (March 1967): 30–37.

Hale, Barrie. “One Artist’s Response to Toronto [Dine, Oldenburg, Segal: Who Are They? What Are They? And What Do They Want Anyway?]” Telegram (Toronto), 17 January 1967: 40.

“Jackson Pollock: An Artist Symposium.” Art News (May 1967): 27.

Kozloff, Max. “Art: Store Days and Assemblage, Environments, Happenings.” The Nation, 3 July 1967: 27–29.

Kudielka, R. “London im Frühjahr 1967.” Kunstwerk (February 1967): 55.

“Les Idée de Claes Oldenburg.” Aujourd’hui (Paris) (January 1967): 132–135.

Lippard, Lucy. “Homage to the Square.” Art in America (July 1967): 50–57.

Loftis, Norman. “Exhibitions: Monuments, Tombstones and Trophies. Museum of Contemporary Crafts.” Craft Horizons (May 1967): 51–53.

Lynton, Norbert. “London Letter.” Art International, 20 January 1967: 50–51.

Mellow, James R. “New York.” Art International (Summer 1967): 49.

Melville, Robert. “Exhibition at the Robert Fraser Gallery.” Architectural Review (February 1967): 141–142.

Oldenburg, Claes. “American: War & Sex, Etc.” Arts Magazine (Summer 1967): [cover] 32–38.

Perrault, John. “Touch of the Scary.” The Village Voice, 11 May 1967.

Reichardt, Jasia. “Bridges and Oldenburg.” Studio International (January 1967): 2–3.

Rose, Barbara. “Claes Oldenburg’s Soft Machines.” Artforum (Summer 1967): 30–35.

Russell, John. “London.” Art News (February 1967): 58

Russell, Paul. “Exhibitions: Toronto: Dine, Oldenburg, Segal: Painting/Sculpture.” Arts Canada (February 1967): Supplement 3.

Rykwert, J. “Exhibition in London.” Domus (January 1967): 50.

Snadberg, John. “Some Traditional Aspects of Pop Art.” Art Journal (Spring 1967): 228

“Take a Cigarette Butt and Make it Heroic: Projects for Colossal Civic Monuments in Capital Cities.” Art News (May 1967): 30+.

Time, 26 May 1967: 75.

Trini, Tommaso. “Libri: Claes Oldenburg’s ‘Store Days.’” Domus (August 1967): [45], 51.

Tuten, Frederic. “American Sculpture of the Sixties: A Los Angeles ‘Super Show.’” Arts Magazine (May 1967): 40–44.

Tuten, Frederic. “Books: Store Days by Claes Oldenburg.” Arts Magazine (September–October 1967): 63.

Weschler, Judith. “Why Scale?” Art News (Summer 1967): 32–35+.

Willard, Charlotte. “In the Art Galleries: Metamorphosis.” New York Post, 6 May 1967: 48.

Wolheim, Richard. “Modern Taste.” New Statesman, 13 January 1967.

Yates, Peter. “Music.” Arts & Architecture (July 1967): 30–32.

1966

Adrian, Dennis. “New York: Claes Oldenburg.” Artforum (May 1966): 50.

Amaya, Mario. “The New Super Realism.” Sculpture International (January 1966): 19.

Anderbert, Rolf. “Pop som Monument.” GP –––––, 24 September 1966.

Ashton, Dore. “Exhibiton at the Sidney Janis Gallery.” Studio International (May 1966): 204–205.

Åström, Lars Erik. “Vad är verklighet?” GHT (Stokholm) (1966).

“Back Page: Monumental Artist.” The Observer Weekend, 10 November 1966.

Bækström, Tord. “Oldenburg fetischer.” GHT (Stockholm), 2 September 1966.

Bækström, Tord. “Svar till Dougals Feuk.” GHT (Stockholm), 4 October 1966.

Bannard, Darby. “Present–Day Art and Ready–Made Styles: In Which the Formal Contribution of Pop Art is Found To be Negligible.” Artforum (December 1966): 30–35.

Baro, Gene. “Claes Oldenburg, or the Things of This world.” Art International, 20 November 1966: 41–43+.

“Big City Boy.” Newsweek, 21 March 1966.

Bourdon, David. “A New Direction.” The Village Voice, 24 March 1966.

Berkson, William. “In the Galleries: Claes Oldenburg.” Arts Magazine (May 1966): 57–58.

Canaday, John. “Art: The London Scene; Unlike Culture Boom Here, There Are Only a Few Commercial Rumblings.” The New York Times, 10 December 1966: 44.

“Claes Oldenburg’s First London Exhibition.” The Times, 12 December 1966.

“Exhibition at Janis Gallery.” Arts Magazine (May 1966): 40.

Fahlström, Öyvind and Ulf Linde. “Claes Oldenburg at the Moderna Museeet, Stockholm, Two Contrasting Viewpoints.” Studio International (December 1966): 326–329.

Fant, Gösta. “PopkonstnäOldenburg återskapar verkligheten.” Norrbottens-Kuriren (Stockholm), 28 September 1966.

Frime, Monica. “Konst eller bara Konstigt?” Göteborgs-Tidningen (1966).

Genauer, Emily. “Art Tour: Critical Guide to the Galleries.” New York Herald Tribune, 12 March 1966.

Glueck, Grace. “Artist Abroad.” The New York Times, 18 December 1966.

Goldin, Amy. “Requiem for a Gallery: The Green gallery’s Rise and Demise.” Arts Magazine (January 1966): 25–29.

Goodman, Percival. “Book Reviews: Dreaming with the AIA.” Progressive Architecture (June 1966): 228+.

Gosling, Nigel. “Claes Oldenburg at Robert Fraser Gallery.” London Observer, 12 November 1966.

Granath, Ollie. “How I Learned to Love the Tube: Reflections Surrounding a Stockholm Visitor.” Konstrevy (Stockholm) 42, no. 5–6 (1966): 221–224.

Grinke, Paul. “London Fantasies.” The Financial Times, 10 December 1966.

“Happening i kväll: Mounumentalt Knäckebröd.” Aftonbladet, 4 October 1966.

“Il Lavoro di Oldenburg nel suo grande studio a New York.” Domus (May 1966): index page, 54–56.

Irwin, David. “Pop Art and Surrealism.” Studio International (May 1966): 187–191.

Johansson, Fru. “Fru Johansson: Stillsam happening.” Aftonbladet (1966).

Johansson, Stig. “Herbert Reads Vrede.” Svenska Dagbladet (Stockholm), 31 May 1966.

Jörgen. “Vingmutter över Karlaplan förslag av happeningkonstnär.” Svenska Dagbladet (Stockholm), 31 May 1966.

Kozloff, Max. “The Inert and the Frenetic.” Artforum (March 1966): 40–44.

Kozloff, Max. “Surrealist Painting Re–examined.” Artforum (September 1966): 5–9.

Lagercrantz, Olof. “En spänningsfylld dialog.” Dagens Nyheter (Stockholm), 9 January 1966.

Lejefors, Ann–Sofiz. “Egentligen skulle man göra ett stort sparrisfält.” Idun-Vecko Journalen, 23 September 1966.

Linde, Ulf. “En Pajs Tillstånd.” Dagens Nyheter (Stockholm), 17 September 1966.

Lippard, Lucy. “An Impure Situation.” Art International, 20 May 1966: 50–65.

Malice. “Heer Oldenburg i Knäckebröholm.” Dagens Nyheter (Stockholm), 26 August 1966.

Mekas, Jonas. “Movie Journal.” The Village Voice, 3 February 1966: 21.

Melville, Robert. “Common Objects.” New Statesmen, 25 November 1966.

Mullins, Edwin. “A City Full of Shows.” The London Telegraph, 27 November 1966.

N., B. “Poponst och ‘hands up–teater’ i höstlight livfull huvudstad.” Lördag (Stockholm), 15 October 1966.

“Namn Man Nämner.” GHT (Stockholm), 30 August 1966.

The New York Times, 5 December 1966: International Edition.

Novick, Elizabeth. “Happenings in New York.” Studio International (September 1966): 154–159.

Olvång, Bengt. “Han njuter av lkyftan mellan konstverket och livet.” GHT (Stockholm) (1966).

Overy, Paul. “Sticklike and Drooping.” The Listener, 22 December 1966.

Pellsjö, Owe. “Konst som lajban.” NT–ÖD, 3 October 1966.

Picard, Lil. “Voyeuraman: Soft Imitations of Hard Objects.” East Village Other, 1–15 April 1966: 11.

“Popkonstnären.” Göteborgs-Tidningen (Stockholm), 18 September 1966.

“Portrait.” Kunstwerk (April 1966): 31.

Reichardt, Jasia. “Gigantic Oldenburgs.” Architectural Design (November 1966): 534.

Restany, Pierre. “Le Pop Art: Un nouvel humanisme americain.” Aujourd’hui (Paris) (December 1966–January 1967): 121–122.

Robertson, Bryan. “Very Lovely Home.” Spectator, 2 December 1966.

Rosenberg, Harold. “From Pollock to Pop: 20 Years of Painting and Sculpture.” Holiday (March 1966): 96–100+.

Rosenstein, Harris. “Climbing Mt. Oldenburg.” Art News (February 1966): 21–25, 56–59, illustrated, cover.

Russell, John. “The Face is Familiar.” The Times, 27 November 1966.

“Säng–Konst!” Expressen (Stockholm), 4 October 1966.

Schlanger, Jeff. “Oldenburg: Extension of Drawing, Sculpture (Time and Life at New York’s Janis Gallery).” Craft Horizons (June 1966): 88–90.

Shilling. Interview. Bau, no. 4 (1966).

Skulpterad grönsallad borde pryda Nybroplan.” GHT (Stockholm), 7 September 1966.

Smith, Brydon. “Claes Oldenburg.” Albright–Knox Gallery Notes 29, no. 2 (1966): 20–21.

“Soft in the Head.” Progressive Architecture (July 1966): 178.

Sottsass, Ettore, Jr. “Dada, New Dada, New Realists.” Domus (December 1966): 49–50.

Spencer, Charles S. “An Artist Who Paints Objects with Souls.” The New York Times (International Edition), 12 December 1966.

Sutton, Keith. “Galleries.” London Life, 10 December 1966.

Swenson, G.R. “New York: The Boundaries of Chaos.” Art & Artists (April 1966): 60–63.

Sydoff, Beate. “Konsumerad Pop–Konst.” Svenska Dagbladet (Stockholm), 22 September 1966.

Sylvester, David. “Junior Misses.” New Statesman, 4 March 1966.

“Vingmutter och sallad Oldenburgska monument.” Svenska Dagbladet (Stockholm), 6 September 1966.

von Meir, Kurt. “Los Angeles–San Francisco Letter.” Art International, 15 September 1966: 39–42.

Wahlström, Görel. “Pop, Konstens Fader.” KvP (Stockholm), 7 August 1966.

1965

Alfieri, Bruno. “La Situazione delarte: ‘Pop’ ugual ‘Non populare.’” Metro 9 (1965): 4–13.

Alfieri, Bruno. “Diario Critico (II).” Metro 10 (1965): 4–13.

Berkson, W. “Exhibition on Bianchini Gallery.” Arts Magazine (May 1965): 59.

Factor, Don. “Los Angeles: Drawings by Dine, Oldenburg, Talbert and Whitman, Dwan Gallery.” / “Claes Oldenburg: four Drawings.” Artforum (April 1965): 24–25+.

França, Jose–Augusto. “Exposition à Paris: Claes Oldenburg.” Aujourd’hui (Paris) (January 1965): 86.

Geist, Sidney. “Color it Sculpture.” Arts Yearbook 8 (1965): 91–98.

Hahn, Otto. “Ettre de Paris et de Bruxelles.” Art International (April 1965): 67–69.

Hess, Thomas B. “Disrespectful Hand–Maiden: American Sculptors in the Whitney’s Latest Survey.” Arts Yearbook 8 (1965): 91–98.

Judd, Donald. “Specific Objects.” Arts Yearbook 8 (1965): 74–48.

Judd, Donald. “To Encourage Sculpture: the Howard and Jean Lipman Collection.” Arts Yearbook 8 (1965): 176–179.

Krim, Seymour. “A Funny Thing Happened...” New York Herald Tribune, 19 December 1965: 37.

Lippard, Lucy. “New York Letter.” Art International (February 1965): 41.

Lippard, Lucy. “New York Letter.” Art International (April 1965): 51.

Marmer, Nancy. “Los Angeles Letter.” Art International (May 1965): 45.

“New Interior Decorators.” Art in America (June 1965): 58–59.

Noguchi, Oldenburg, Pavia, Segal, Sugarman, and James Wines. “The Spontaneous and Design.” It Is (Fall 1965): 77–80+.

Oldenburg, Claes. “Object: Still Life; Interview.” Craft Horizons (September 1965): 31+.

Restany, Pierre. “Claes Oldenburg 1965 e i disegni di ‘Monumenti Giganti’ per New York.” Domus (December 1965): 59–63.

Restany, Pierre. “Une personnalité charnière de l’art américain: Claes Oldenburg, premières oeuvres.” Metro (Milan) (March–April 1965): 50–53.

Rose, Barbara. “Pop in Perspective.” Encounter (August 1965): 59–63.

1964

Ashton, Dore. “Four Environments, Exhibition at Janis Gallery.” Arts & Architecture (February 1964): 9.

Beeren, W.A.L. “Een Populaire Kunst.” Museumjournal Folge 9, no. 8 (1964).

Bergmark, Torsten. “Pop–den amerikanska drömmen.” Dagens Nyheter (Stockholm), 25 February 1964.

Bongard, Willi. “Der Autoreifen und die Kunst–Pop Art greift nach der Welt der Wissenschaft.” Die Zeit, no. 3 (1964): 21.

Bourdon, David. “Claes Oldenburg.” Konstrevy (Stockholm) 40, no. 5–6 (1964): 164–169.

Canaday, John. “Hello, Goodbye.” The New York Times, 12 January 1964.

Canaday, John. “Maybe Hopeful: Symptoms in a New Pop Exhibition.” The New York Times, 12 April 1964.

Canaday, John. “Pop Art Sells On and On––Why?” The New York Times Magazine, 31 May 1964: 7+.

Carluccio, Luigi. “Alla XXXII Biennale.” Domus (September 1964): 45–55+.

Chevalier, Denys. “La Sculpture a la XXXIIe Biennale de Venise.” Art International, 25 September 1964: 42–44.

de Marchis, Giorgio. “The Significance of the 1964 Venice Biennale.” Art International, 25 November 1964: 23–23.

Ferebee, Ann. “Statement: On the Move.” Industrial Design 11 (1964): 62–64.

“Fifty–Six Painters and Sculptors.” Art in America (August 1964): 66.

Gassiot–Talabot, Gerald. “Lettre de Paris.” Art International (December 1964): 55–56.

Genauer, Emily. “The Large Oldenburgs and Small Van Goghs.” New York Herald-Tribune, 12 April 1964: 39.

Gendel, Milton. “Hugger–Mugger in the Giardini.” Art News (September 1964): 32.

Hopkins, Henry T. “Abstract Expressionism.” Artforum (Summer 1964): 56–68.

Johnston, Jill. “Reviews and Previews: Claes Oldenburg.” Art News (May 1964): 12.

Judd, Don. “In the Galleries: Claes Oldenburg.” Arts Magazine (September 1964): 63.

Kelly, Edward T. “New–Dada: A Critique of Pop Art.” Art Journal 23, no. 3 (1964): 197–201.

Kozloff, Max. “Art.” The Nation, 27 January 1964.

Kozloff, Max. “Art: Dissimulated Pop.” The Nation, 13 November 1964.

Kozloff, Max. “New Works by Oldenburg.” The Nation, 27 April 1964: 445–446.

Léonard. “Oldenburg.” France Observateur, 5 November 1966.

Lynton, Norbert. “London Letter.” Art International, 15 February 1964: 42.

Malice. “Popsvensk.” Dagens Nyheter, 26 March 1964.

Mégret, Fédéric. “Claes Oldenburg: le Pop’ Art au cours des Halles ou la sculpture au kilo.” Figaro Littérair, 29 October–4 November 1964.

Monte, James. “San Francisco: Americans, 1963, San Francisco Museum of Art.” Artforum (September 1964): 43–44.

Nordland, Gerald. “Marcel Duchamp and Common Object Art.” Art International, 15 February 1964: 30–32.

Oeri, Georgine. “The Object of Art.” Quadrum 16 (1964): 4–26.

Ragon, Michel. “Oldenburg, un art alimentaire.” Arts (Paris), 28 October 1964: 25.

Roberts, Colette. “Les expositions à New York.” Aujourd’hui (Paris), 8 January 1964: 96.

Rose, Barbara. “New York Letter.” Art International, 25 April 1964: 53.

Rose, Barbara. “New York Letter.” Art International (Summer 1964): 80.

Solomon, Alan R. “The New American Art.” Art International, 20 March 1964: 50–55.

Sottsass, Ettore, Jr. “‘Soft Typewriter’ 1963.” Domus, 7 July 1964: 48.

Swenson, G. R. “Reviews and Previews: Four Environments at Janis.” Art News (February 1964): 8.

Sylvester, David. “New York Take Over: American on Target.” The Times Weekly Colour Supplement, 26 April 1964: 24–34.

Taylor, Robert. “Events in Art: Oldenburg’s ‘Pop’ Exhibit; Our Illusions are Challenged” (The Pace Gallery exhibition review). The Boston Herald, 17 May 1964.

“Venice: The XXXII Biennale: A Selection of Photographs of Works to be Shown.” Art International (Summer 1964): 37–51.

Willard, Charlotte W. “Drawing Today.” Art in America (October 1964): 48–67.

1963

Alloway, Lawrence. “IV Biennale Internazionale d’Arte: Palazzo del Kursal, Republic of San Marino.” Art International, 25 June 1963: 51–63..

“Americans 1962’ at the Museum of Modern Art, New York.” Art International, 25 June 1963: 71–75.

Ashbery, John. “Paris Notes.” Art International, 25 June 1963: 76–77.

Aston, Dore. “Americans 1963 at the Museum of Modern art.” Arts & Architecture (July 1963): 80.

Aston, Dore. “Exhibition at the Green Gallery.” Studio International (January 1963): 25–26.

Aston, Dore. “New York Letter.” Kunstwerk (January 1963): 32.

Baro, Gene. “A Gatherings of Americans.” Arts Magazine (September 1963): 28–32.

Bergman, Art. “Venice Spotlights Commonplace Objects.” Los Angeles Times, 11 November 1963.

Coplans, John. “Notes from San Francisco.” Art International, 25 October 1963: 93–94.

Coplans, John. “Pop Art USA.” Artforum (October 1963): 27–30.

de Marchis, Giorgio. “Aspetti del–arte contemporanea.” Art International, 5 December 1963: 37–39.

Fried, Michael. “New York Letter.” Art International, 25 March 1962: 52.

Gray, Cleve. “Remburgers and Hambrandts.” Art in America (December 1963): 118–120+.

Hopper, Dennis. “Forum: Nine Photographs by Dennis Hopper.” Artforum (December 1963): 20–25.

Johnson, Ellen H. “Is Beauty Dead?” Allen Memorial Art Museum Bulletin (Oberlin College) 20, no. 2 (1963): 56–65.

Johnson, Ellen H. “The Living Object.” Art International, 25 January 1963: 42–45.

Langsner, Jules. “Los angeles Letter.” Art International, 25 January 1963: 81–82.

Neugass, Dr. Fritz. “Pop Art Epidemie.” Weltkunst (September 1963): 12.

Rasmusson, Ludwig. “Pop.” Rondo 3, no. 2 (1963): 25–32.

Restany, Pierre. “Le Nouveau Réalisme à la conquête de New York.” Art International, 25 January 1063: 29–36.

Restany, Pierre. “Le Raz de marée réaliste aux USA.” Domus (February 1963): 33–35.

Restany, Pierre. “Une tentative américaine de synthèse de l’information artistique: les Happenings.” Domus (August 1963): 35–42.

Rose, Barbara. “Americans 1963.” Art International, 25 September 1963: 77–79.

Rose, Barbara. “Dad Then and Now.” Art International, 25 September 1963: 77–79.

Rudikoff, Sonya. “New Realists in New York.” Art International (1963).

Sandler, Irving Hershel. “New York Letter.” Quadrum 14 (1963): 118–119.

Seckler, Dorothy Gees. “Audience is His Medium!” Art in America (April 1963): 62–67.

Seitz, William C. “Pop Goes the Artist.” Partisan Review 30 (Summer 1963): 313–316.

Selz, Peter. “A Symposium on Pop Art.” Arts Magazine (April 1963): 39–45.

Sottsass, Ettore, Jr. “Dada, New Dada, New Realists.” Domus (February 1963): 27–32.

1962

“A Happening.” Scene (August 1962): 13–14.

Alloway, Lawrence. The Listener, 27 December 1962: 1085.

Ashton, Dore. “Exhibition at Green Gallery.” Kunstwerk (November 1962): 70.

Breer, Robert. “What Happened?” Film Culture (Fall 1962): 58.

Fried, Michael. “New York Letter.” Art International, 25 October 1962: 59–65, 74–76

Hansen, Al. “New Trends in Art.” Prattler, 4 May 1962: 4.

Johnston, Jill. “Exhibitions for 1961–62.” Art News (January 1962): 47+.

Johnston, Jill. “Exhibition at Oldenburg and Green Gallery.” Art News (May 1962): 55.

Johnston, Jill. “Exhibition at Green Gallery.” Art News (November 1962): 34–36.

Johnston, Jill. “Off–Broadway; ‘Happening’ at Ray Gun Mfg. Co.” The Village Voice, 26 April 1962: 10.

Kozloff, Max. “New York Letter.” Art International (September 1962): 33–35.

Kozloff, Max. “Pop’ Culture Metaphysical Disgust, and the New Vulgarians.” Art International (March 1962): 34–36.

Preston, Stuart. “Current and Forthcoming Exhibitions: New York.” The Burlington Magazine (November 1962): 508.

Roberts, C. “Lettre de New York.” Aujourd’hui (Paris) (November 1962): 50.

Rudikoff, Sonya. “New York Letter.” Art International, 25 November 1962: 62.

Scull, Robert, ed. “New Talent USA: Sculpture.” Art in America (1962): 32–33.

Sorrentino, Gilbert. “Kitsch into Art: The New Realism.” Kulcher 2, no. 8 (1962): 10–23.

Tillim, Sidney. “Month in Review: New York Exhibitions.” Arts Magazine (November 1962): 36–38.

Tillim, Sidney. “Month in Review: New York Exhibitions.” Arts Magazine (February 1962): 34–37.

1961

Hayes, Richard. “Reviews and Previews: New Names this Month: New Work by New Artists.” Art News (April 1961): 20.

Johnston, Jill. “Art Without Walls; Three New York Exhibitions.” Art News (April 1961): 36, 57.

Kroll, Jack. “Reviews and Previews: Situations and Environments.” Art News (September 1961): 16.

Nichols, Robert. “Entertainment: Ironworks Fotodeath.” The Village Voice, 2 March 1961.

Petersen, Valerie. “Varieties at Reuben.” Art News (February 1961): 16.

“Situations and Environments at Jackson Gallery.” Art News (September 1961): 16.

1960

Sandler, Irvin Hershel. “Ash Can Revisited, A New York Letter.” Art International (October 1960): 28–30.

Sandler, Irvin Hershel. “Reuben Gallery.” Art News (Summer 1960): 16, 59.

Tillim, Sidney. “In the Galleries: Claes Oldenburg.” Arts Magazine (June 1960): 53.

1959

Levin, Meyer and Eli Levin. “Painter Gives Intimacy to Art.” Long Island Sunday Press, 15 November 1959.

Ventura, Anita. “In the galleries: Claes Oldenburg, James Dine.” Arts Magazine (December 1959): 59.

2024

Cateforis, David. Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present. New York: Oxford University Press, 2024: 331, illustrated.

2023

American Watercolors, 1880–1990: Into the Light (exhibition catalogue). Texts by Horace D. Ballard, Elisa Germán, Joachim Homann, Penley Knipe, Miriam Stewart, and Richard Tuttle. Cambridge, Massachusetts: Harvard Art Museums, 2023: 138, illustrated.

Boetteger, Suzaan. Inside the Spiral: The Passions of Robert Smithson. Minneapolis: University of Minneapolis Press, 2023: 6, illustrated.

Briend, Chrisrian, and Marie Sarré, eds. Masterpieces of the Centre Pompidou. Paris: Éditions du Centre Pompidou, 2023: n.p., illustrated.

Everything At Once: Postmodernity, 1967–1992 (exhibition catalogue). Bonn, Germany: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland; Munich, Germany: Hirmer Publishers, 2023: 136, illustrated.

Gheysens, Hélène, and Nicholas-Liucci-Goutnikov, eds. Amis: 120 Years with the Musée National d’Art Moderne. Paris: Éditions du Centre Pompidou, 2023: 146, illustarted.

Nadel, Dan, Thomas Crow, Clare Lilley, Jason Schmidt. KAWS. New York: Phaidon, 2023: 94, illustrated.

Scale: Sculpture 1945–2000 (exhibition catalogue). Edited by Jordi Sanguino. Madrid: Fundación Juan March, 2023: 176, illustrated.

Western Arts in the 20th Century Through Printmaking: The Challenge of Artists (exhibition catalogue). Takamatsu: Takamatsu Art Museum, 2023: 25, illustrated.

ZEIT - von Dürer bis Bonvicini eine Bildgeschichte von Zeitbegriffen (exhibition catalogue). Texts by Mónica Bello and Cathérine Hug. Cologne, Germany: Snoeck, 2023.

2022

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 210–211, illustrated.

Booth, David; Pesanti, Heather. Paradox Cove. Austin, Texas: David Booth, 2022.

Cornelia Parker (exhibition catalogue). London: Tate Publishing, 2022: 11, illustrated.

FLAGS (exhibitions catalogue). Texts by Louma Salamé, Alfred Pacquement, Jean-Noël Jeanneney, and Fabrice Biasino. Brussels: Fondation Boghossian, 2022: 83, illustrated.

Fugues in Color (exhibition catalogue). Paris: Éditions Gallimard, 2022: 132, illustrated.

Gerken, Ingo. Offenes Buch. Berlin: Hatje Cantz Verlag, 2022: 34–35, illustrated.

Grant, Alexandra. Love: A Visual History of the grantLOVE Project. Petaluma, California: Cameron + Company, 2022:136, illustrated.

Herman, Amy E. Smart: Use Your Eyes to Boost Your Brain. New York: Simon & Schuster, 2022: 20, illustrated.

Lapa, Pedro, ed. Coleção Berardo 1909–2019. Lisbon: Museum Coleção Berardo, 2022: 425, Illustrated.

Pellerin, Anna, ed. The Gourmand's Egg: A Collection of Stories and Recipes. Cologne, Germany: TASCHEN, 2022: 33, illustrated.

Winer, Laurie, ed. A History for the Future: The Museum of Contemporary Art, Los Angeles, 1979–2000. Glendale, California: Sam Francis Foundation, 2022: 169, illustrated.

New York: 1962–1964 (exhibition catalogue). Edited by Germano Celant. New York: Jewish Museum; Milan: Skira editore, Milan: 2022: 32–33, 163, 197, illustrated.

Une Histoire de Famille: Collections(s) Robelin (exhibition catalogue). Lyon, France: Musée d’Art Contemporain de Lyon; Paris: Lienart Éditions, 2022: 44, illustrated.

2021

Fogle, Douglas, and Hanneke Skerath, eds. Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, 2021: 61, illustrated.

Phyllida Barlow: Collected Lectures, Writings and Interviews. Edited by Sara Harrison. New York: Hauser & Wirth Publishers, 2021: 33, illustrated.

Jones, John, and Nicolette Jones. The American Art Tapes: Voices of the Twentieth-Century Art. London: Tate Publishing, 2021.

2020

Berggruen Gallery: 50 Years 1970–2020. San Francisco: Berggruen Gallery, 2020: 232–235, illustrated.

Jim Dine (exhibition catalogue). Macerata, Italy: Quodlibet, 2020: 75, illustarted.

2019

How We Live: selections from the Marc and Livia Straus family collection (exhibition catalogue). Texts by Maxwell, Douglas, Mark Straus, Omar Lopez-Chahoud and Nicola Trezzi. Hudson Valley, New York: Hudson Valley Museum of Contemporary Art, 2019: 60, 61, 114, illustrated.

Kopp, Edouard, John Elderfield, Richard Shiff, and Terry Winters. Drawing Is Everything: Founding Gifts of the Menil Drawing Institute. New Haven and London: Yale University Press, 2019: 161, illustrated.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 118–121, illustrated.

2017

The Art Museum. London: Phaidon, 2017: 386, illustrated.

Claes Oldenburg: Shelf Life (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2017.

Baum, Kelly, Lucy Bradnock, and Tina Rivers Ryan. Delirious: Art at the Limits of Reason, 1950–1980 (exhibition catalogue). Metropolitan Museum of Art, 2017.

Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.79, illustrated.

Haywood, Robert E. Allan Kaprow and Claes Oldenburg: art, happenings, and culture politics, 1958-1967. New Haven: Yale University Press, 2017.

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 (exhibition catalogue). New York and Munich: Grey Art Gallery, New York University; Delmonico Books Prestel, 2017: 128–31, 208–13, illustrated.

Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 122–124, illustrated.

Olszewski, Edward J. Claes Oldenburg and Coosje van Bruggen, Cleveland's Free Stamp. Athens, Ohio: Ohio University Press, 2017.

Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 57, illustrated.

UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 106, illustrated.

2016

“Claes Oldenburg.” In Donald Judd Writings. New York: Judd Foundations, 2016: 180–4.

Cohen, John. Cheap Rents…and de Kooning. Text by John Elderfield. Göttingen: Steidl, 2015: 131, illustrated.

The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 25–31, illustrated.

Fuji Xerox Print collection (exhibition catalogue). Yokohama and Tokyo: Yokohama Museum of Art; Tokyo Publishing House, 2016.

Galerie Templon 50 Years. Paris: Galerie Daniel Templon, 2016: 199, illustrated.

Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing Ltd., 2016: 188–91, illustrated.

Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 37–41, pp. 142–4, illustrated.

The Ordinary Must Not Be Dull: Claes Oldenburg’s Soft Sculptures (exhibition catalogue). Texts by Tamara H. Schenkenberg and Claes Oldenburg. Saint Louis, Missouri: Pulitzer Arts Foundation, 2016.

Sculpture on the Move 1946–2016 (exhibition catalogue). Basel: Kunstmuseum Basel, 2016: 60–1, illustrated.

Stein, Judith E. Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art. New York: Farrar, Straus and Giroux, 2016.

2015

A Strong Sweet Smell of Incense: A Portrait of Robert Fraser (exhibition catalogue). Texts by Arne Glimcher, Brian Clarke, and Harriet Vyner. London: Pace London, 2015: illustrated.

Claes Oldenburg and Coosje van Bruggen: Things Around the House (exhibition catalogue). Texts by Claes Oldenburg and Maartje Oldenburg. New York: Paula Cooper Gallery, 2015.

2014

Eliel, Carol S. John Altoon (exhibition catalogue). Los Angeles and New York: Los Angeles County Museum of Art; Prestel Verlag, 2014: 112, illustrated.

Everything falls faster than an anvil (exhibition catalogue). Text by Dave Hickey. London: Pace London, 2014: illustrated.

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop (exhibition catalogue). Paris: Bibliothèque nationale de France, 2014: 65, illustrated.

George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 88–9, illustrated.

Intenzione manifesta: il disegno in tutte le sue forme = Manifest intention (exhibition catalogue). Texts by Beatrice Merz and Marianna Vecellio. Mantua, Italy: Mantova Corraini Edizioni, 2014.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

Oldenburg, Claes. “From Store Days.” In Perl, Jed. Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism. New York: The Library of America, 2014: 653–657.

Re-View: Onnasch Collection (exhibition catalogue). London: Snoeck; Hauser & Wirth, 2014: 109, 186–95, illustrated.

The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014.

Taylor, Brandon. After Constructivism. London and New Haven: Yale University Press, 2014: 200, illustrated.

2013

404 E 14 (exhibition catalogue). New York: Tibor de Nagy Gallery, 2013: illustrated.

Albrecht Dürer to Claes Oldenburg: Collecting at the Cornell, 1990–2010 (exhibition catalogue). Text by Patricia C. Pongracz. Winter Park, Florida: Cornell Fine Arts Museum, Rollins College, 2013: 17, illustrated.

American Pop Art from the John and Kimiko Powers Collection (exhibition catalogue). Texts by Nobuyuki Konishi, Yukihiro Hirayoshi, Hana Takigami and Yusuke Minami. Tokyo: The National Center, 2013: 84–99,106, illustrated.

Atkins, Robert. Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. New York and London: Abbeville Press Publishers, 2013: 204, illustrated.

Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 17, 344, 345, illustrated.

Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013: 69–71, illustrated.

Claes Oldenburg Writing on the Side (exhibition catalogue). Achim Hochdörfer, Maartje Oldenburg, and Barbara Schröder, editors. New York: The Museum of Modern Art, 2013.

The Contemporary Art Masters. Japan: Bijutsu Shuppan-Sha, 2013: 198, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 244, 245, illustrated.

De Young: Inside and Out. San Francisco: Fine Arts Museums of San Francisco, 2013: 48, illustrated.

Ferriani, Barbara and Marina Pugliese, eds. Ephemeral Monuments: History and Conservation of Installation. Text by Germano Celant. Los Angeles: Getty Publications, 2013: 49, illustrated.

Its Surreal Thing: The Temptation of Objects (exhibition catalogue). Lincoln: Sheldon Museum of Art at the University of Nebraska-Lincoln, 2013, illustrated.

The Pop Object: The Still Life Tradition in Pop Art (exhibition catalogue). Text by John Wilmerding. New York: Acquavella Galleries, 2013: illustrated.

Strange Eggs. Text by Michelle White. New Haven: Yale University Press, 2013.

Van Wyk, Gary. Pop Art: 50 Works of Art You Should Know. Munich: Prestel Verlag, 2013: 112–3, illustrated.

Welchman, John C. Sculpture and the Vitrine. Surrey, United Kingdom: Ashgate Publishing Limited, 2013: illustrated.

Wells, Rachel. Scale in Contemporary Sculpture. Surrey, United Kingdom: Ashgate Publishing Limited, 2013: illustrated.

Your Museum Transformed. Saint Louis, Missouri: Saint Louis Art Museum, 2013: 37, illustrated.

2012

Bird, Michael. 100 Ideas That Changed Art. London: Laurence King Publishing Ltd., 2012: 19, 38, illustrated.

Claes Oldenburg and Coosje van Bruggen (exhibition catalogue). Seoul: PKM Trinity Gallery, 2012.

Claes Oldenburg and Coosje van Bruggen: Theater and Installation 1985–1990: Il Corso del Coltello and The European Desktop (exhibition catalogue). Interview by Ida Gianelli. New York: The Pace Gallery, 2012.

Claes Oldenburg: Los Años Sesenta (exhibition catalogue). Texts by Achim Hochdörfer, Branden W. Joseph, Ann Temkin, Gregor Stemmrich, Benjamin H.D. Buchloh and Maartje Oldenburg. Wien, Austria: Museum Moderner Kunst Stiftung Ludwig Wien in association with FMGB Guggenheim Bilbao Museo, 2012.

Claes Oldenburg: The Sixties (exhibition catalogue). Texts by Achim Hochdörfer, Branden W. Joseph, Ann Temkin, Gregor Stemmrich, Benjamin H.D. Buchloh and Maartje Oldenburg. Wien, Austria: Museum Moderner Kunst Stiftung Ludwig Wien in association with Del Monico Books, 2012.

David Shrigley: Brain Activity (exhibition catalogue). London: Hayward Publishing, 2012: 30, illustrated.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 315, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 178, illustrated.

Gielen, Denis. S.F. Art, Science & Fiction. Brussels: Musée des Arts Contmporains de la Fédération Wallonie-Bruxelles au Grand-Hornu, 2012: illustrated.

Glimcher, Mildred L. Happenings: New York, 1958–1963 (exhibition catalogue). New York: The Monacelli Press, 2012.

Handmade Holiday Cards from 20th-Century Artists. Washington, D.C.: Smithsonian Books, 2012: 165, illustrated.

Hodge, Susie. Why Your Five Year Old Could Not Have Done That. London: Thames & Hudson, 2012: 24, illustrated.

Klein, Jacky and Suzy. What Is Contemporary Art? A Children’s Guide. London: Thames & Hudson, 2012: cover, 28, illustrated.

Oldenburg, Claes. “I Am for an Art…(1961).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 385–388.

Peppiatt, Michael. Interviews with Artists 1966–2012. New Haven and London: Yale University Press, 2012: 242–254.

Pogue, Dwight W. Printmaking Revolution: New Advancements in Technology, Safety, and Sustainability. New York: Watson-Guptill Publications, 2012: 103, illustrated.

Rottner, Nadja, ed. Claes Oldenburg: October Files 13. Cambridge, Massachusetts: The MIT Press, 2012.

Selections from the Private Collection of Robert Rauschenberg (exhibition catalogue). Text by Robert Storr. New York: Gagosian Gallery, 2012: 218–219, illustrated.

2011

Allen Memorial Art Museum: Highlights from the Collection. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 2011: 192, illustrated.

Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: 338, illustrated.

Chikako, Takaoka. The Complete Catalogue of Ohara Museum of Art (I): Foreign Artists. Okayama, Japan: Ohara Museum of Art, 2011: 68, illustrated.

Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery (exhibition catalogue). Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira Editore spa, 2011: illustrated.

Drohojowska-Philp, Hunter. Rebels in Paradise: The Los Angeles Art Scene and the 1960s. New York: Henry Holt and Company, 2011.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Cologne: Taschen, 2011: illustrated.

Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California (exhibition catalogue). California: Getty Publications in association with Norton Simon Museum, 2011: illustrated.

Off the Wall (exhibition catalogue). Texts by Chrissie Iles and João Fernandes. New York and Porto, Portugal: Whitney Museum of American Art; Fundação de Serralves, 2011: illustrated.

The Passionate Collector: Robert B. Mayer’s Adventures in Art. Chicago: Beatrice Cummings Mayer, 2011: 76, 77, illustrated.

Surfaces of Everyday Life: Postwar and Contemporary Masters from Ai Weiwei to Andy Warhol (exhibition catalogue). Text by Charles Merewether. Singapore: Ikkan Art International, 2011: 28–29, illustrated.

Un capolavoro chiamato Pasta. Uno stile alimentare globale: A Masterpiece called Pasta for a Global Diet. Florence: Alinari 24 Ore, 2011: 194, illustrated.

2010

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Text by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

Crash: Homage to JG Ballard (exhibition catalogue). London: Gagosian Gallery, 2010: 66, illustrated.

The European Desktop: Claes Oldenburg and Coosje van Bruggen (exhibition guide). London and New York: Ivorypress; PaceWildenstein, 2010.

The European Desktop: Claes Oldenburg and Coosje van Bruggen (exhibition catalogue). Texts by Richard Cork and Ida Gianelli. London and New York: Ivorypress; PaceWildenstein, 2010.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 289, illustrated.

La Prade, Erik. Breaking Through: Richard Bellamy and the Green Gallery 1960–1965, Twenty-Three Interviews. New York: Midmarch Arts Press, 2010: 58–65, illustrated.

Lippincott, Jonathan. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010: illustrated.

Marquis, Alice Goldfarb. The Pop Revolution. Boston: Museum of Fine Arts Publications, 2010: illustrated.

Meyer, James, ed. Minimalism. London: Phaidon Press, Inc., 2010: 27, illustrated.

Modern Views. Inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House. Text by Sylvia Lavin. New York: Assouline, 2010: 120–121, illustrated/

Onnasch, Reinhard, ed. Nineteen Artists. Berlin: El Sourdog Hex, 2010: 80–91, illustrated.

Popular: Brands, Symbols, Icons, 1960–2010 (exhibition catalogue). Munich: Galerie Thomas Modern, 2010: 11, illustrated.

Rattemeyer, Christian, et al. Exhibiting the New Art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’ 1969. London: Afterall, 2010: illustrated.

Robert & Ethel Scull: Portrait of a Collection (exhibition catalogue). Text by Judith Goldman. New York: Acquavella Galleries, 2010: 183–192, illustrated.

Robinson, Julia, ed. New Realisms: 1957–1962. Object Strategies between Readymade and Spectacle (exhibition catalogue). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010: illustrated.

Thanks for Being with Us: Contemporary Art from the Douglas Nielsen Collection (exhibition catalogue). Tucson: Tucson Museum of Art, 2010: 32, illustrated.

United States Embassy London: Art in Embassies Exhibition. Washington, D.C.: Art in Embassies Program, 2010: 23, illustrated; 5, installation view.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 292–3, illustrated.

Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book. London: Goodman, 2009: 172, illustrated.

Classic Contemporary: Lichtenstein, Warhol & Friends (exhibition catalogue). Los Angeles: Museum of Contemporary Art, Los Angeles, 2009: 26–27, illustrated.

Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2009: 92, no. 77, illustrated.

Danto, Arthur C. Andy Warhol. New Haven, Connecticut: Yale University Press, 2009: 31–32, discussed.

Fer, Briony. Eva Hesse: Studiowork (exhibition catalogue). Edinburgh: The Fruitmarket Gallery, 2009: 91–92, illustrated.

If We Could Imagine (exhibition catalogue). Texts by Emily Wei Rales and Jeffrey Weiss. Potomac, Maryland: Glenstone Foundation, 2009: 20, 71, illustrated.

Innovations in the Third Dimension: Sculpture of Our Time (exhibition catalogue). Texts by Nancy Hall-Duncan and Joan Pachner. Greenwich, Connecticute: Bruce Museum, 2009: 46, 60, 82, illustrated.

Phifer, Jean Parker. Public Art New York. New York: W.W. Norton & Company, Inc., 2009: 114, illustrated.

Piero Manzoni: A Retrospective (exhibition catalogue). Text by Germano Celant. Milan: Skira Editore, 2009: 16, illustrated.

The Quick and the Dead (exhibition catalogue). Minneapolis: The Walker Art Center, 2009: illustrated.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 210, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: illustrated.

Shannon, Joshua. The Disappearance of Objects: New York Art and the Rise of the Postmodern City. New Haven, Connecticut: Yale University Press, 2009: 9–48, illustrated.

Soft Sculpture (exhibition catalogue). Text by Lucina Ward. Canberra: National Gallery of Australia, 2009: 2, illustrated.

Unfolding Process: Conceptual and Material Practice on Paper (exhibition catalogue). Ithaca, New York: The Herbert F. Johnson Museum of Art, Cornell University, 2009: illustrated.

2008

Acton, Mary. Guardare l’arte contemporaea. Torino, Italy: Piccola Biblioteca Einaudi, 2008: illustrated.

Castello di Rivoli: The Castle Collection. Text by Ida Gianelli, Andrea Bruno, Maria Grazia Cerri. Milan: Skira Editore, 2008: 330, 384, 385, illustrated.

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 81–102, illustrated.

Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 9, 60–61, illustrated and discussed.

Claes Oldenburg: Drawings 1965–1973 (exhibition catalogue). Text by James D. Herbert. New York: Craig F. Starr Gallery, 2008.

Collecting Collections: Highlights of the Permanent Collection (exhibition catalogue). Los Angeles: Museum of Contemporary Art, 2008.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 402–403, 526.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 41, 383.

Heavy Metal: On the Inexplicable Lightness of a Material (exhibition catalogue). Kiel: Kunsthalle zu Kiel, 2008: 80, illustrated.

The History Book: On Moderna Museet 1958–2008. Göttingen, Germany: Steidl, 2008.

Ishikawa, Chiyo, ed. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Seattle,: Seattle Art Museum, 2008: 45, illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, et al. New York and New Haven, Connecticut: The Jewish Museum and Yale University Press, 2008: 34, 97, 172, 173–174, 218, illustrated.

Large. London: Waddington Galleries, 2008: illustrated.

Macnair, Jennifer, Thomas Frick and Nola Butler, ed. BCAM/LACMA 2008. Los Angeles: Los Angeles County Museum of Art, 2008: 82–83, 109–110, 139–141, illustrated.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 230–232, illustrated.

Mesch, Claudia. Modern Art at the Berlin Wall. London: Tauris Academic Studies, 2008: 56, 134.

Schall, Jan and Robert Storr. Sparks! The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art (exhibition catalogue). Kansas City, Missouri: Trustees of the Nelson-Atkins Museum of Art, 2008: 39, illustrated.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 221, 237, illustrated.

This Is Not to Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, Los Angeles, 2008.

Whitney Museum of American Art at Altria. Texts by Adam D. Weinberg and Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

All for Art! Great Collections Among Us (exhibition catalogue). Montreal: Museé des beaux-arts de Montréal, 2007.

Art Works: The Progressive Collection. Texts by Dan Cameron, Peter B. Lewis, Toby Devan Lewis and Toni Morrison. New York: Distributed Art Publishers, Inc., 2007: 8, 25, illustrated.

Beal, Graham W. J. and Dera N. Mancoff. Treasures of the DIA (Detroit Institute of Arts). Detroit: Detroit Institute of Arts, 2007: 427, illustrated.

Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961–1968 (exhibition catalogue). Texts by Barbara Rose, Gerald Nordland and Hardy S. George. Oklahoma City: Oklahoma City Museum of Art, 2007: illustrated.

Collins, Judith. Sculpture Today. London: Phaidon Press Limited, 2007: illustrated.

Double Vision: The Poetic Focus of Claes Oldenburg and Coosje van Bruggen (exhibition catalogue). Text by Marco Livingstone. London: Waddington Galleries, 2007.

Dreishpoon, Douglas and David Bonetti. The Panza Collection: An Experience of Color and Light (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 2007: 17.

Godfrey, Mark. Abstraction and the Holocaust. New Haven, Connecticut and London: Yale University Press, 2007: 132, 133, illustrated.

Milwaukee Art Museum: Friends of Art Celebrating 50 Years. Milwaukee: Petullo Publishing, 2007: 66, illustrated.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: illustrated.

Pacquement, Alfred. Selected Works: La Collection du Centre Pompidu, Musée National D’Art Moderne. Paris: Éditions du Panama / Éditions du Centre Pompidou, 2007: 10, 177, illustrated.

Plastic: A Proposal of John Temblay: Works in Vacuum-Formed Plastic, From the 1960s to Today (exhibition catalogue). Zurich: JRP Ringier Kunstverlag AG, 2007: 19, 23–27, illustrated.

Pop Art: Contemporary Perspectives (exhibition catalogue). Princeton, New Jersey: Princeton University Art Museum, 2007.

Pop Art Is (exhibition catalogue). London: Gagosian Gallery, 2007: unpaginated, figures 26–31, 91, illustrated.

Sculpture. London: Waddington Galleries, 2007: 50–53, illustrated.

The UBS Collection: Drawings. Germany: Hatje Cantz, 2007: 170–173.

2006

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore, 2006: 149, 220–223, illustrated.

Claes Oldenburg and Coosje van Bruggen: Sculpture By the Way (exhibition catalogue). Texts by Germano Celant, Dieter Koepplin, Richard Morphet, et al. Milan: Skira Editore, 2006.

Lewis, Michael J. American Art and Architecture. London: Thames & Hudson, Ltd., 2006: 280–281, illustrated.

Picasso and American Art (exhibition catalogue). Text by Michael FitzGerald. New York: Whitney Museum of American Art, 2006: 261, illustrated.

2005

Brecht, George, Julia Robinson, and Alfred M. Fischer. George Brecht: Events: Eine Heterospektive: A Heterospective. Cologne: Walther König, 2005: 261, illustrated.

Claes Oldenburg/Coosje van Bruggen: The Music Room (exhibition catalogue). Text by Richard Morphet. New York: PaceWildenstein, 2005.

Claes Oldenburg: Early Work. (exhibition catalogue). Text by Julia E. Robinson. New York: Zwirner & Wirth, 2005.

Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). New York: The Museum of Modern Art, 2005: 204–205, illustrated.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

50 Jahre / Years of Documenta 1955–2005 (exhibition catalogue). 2 volumes. Göttingen, Germany: Steidl, 2005: 115, illustrated.

Francis, Mark, ed. Pop. London: Phaidon Press Limited, 2005.

High Museum of Art: Selected Works from the Collection. Atlanta: High Museum of Art, 2005: 148, illustrated.

Pop: Roy Lichtenstein, Konrad Lueg, Claes Oldenburg, Sigmar Polke, Gerhard Richter, Andy Warhol (exhibition catalogue). New York: Zwirner and Wirth, 2005.

2004

An American Odyssey 1945/1980 [Debating Modernism] (exhibition catalogue). Texts by Stephen C. Foster, Daniel A. Siedell, Estera Milman, John Yau, and Janis Mink. Madrid: Circulo de Bellas Artes, 2004.

Claes Oldenburg and Coosje van Bruggen: Images à la carte (exhibition catalogue). New York: PJC, 2004.

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 219, illustrated.

“1961: Oldenburg and Happenings.” In Art Since 1900. Edited by Hal Foster, et al. London: Thames and Hudson, 2004: 450–455.

Kellein, Thomas and Angela Lampe. Das Große Fressen. Von Pop bis heute. Bielefeld, Germany: Kunsthalle Bielefeld, 2004: 22, no. 8, illustrated; 58–67, discussed, illustrated.

Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection New York (exhibition catalogue). Klosterneuburg, Austria: Edition Sammlung Essl, 2004: illustrated.

2003

20th Century Sculpture: An Exhibition (exhibition catalogue). New York: Acquavella Galleries, 2003: no. 32, illustrated.

Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art (exhibition catalouge). Texts by Francis M. Naumann and Thomas Girst. New York: Dickinson Roundell, 2003.

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, Massachusetts: The MIT Press, 2003: 83–84, 173.

2002

Claes Oldenburg/Coosje van Bruggen: Recent Work (exhibition catalogue). Text by Richard Morphet. New York: PaceWildenstein, 2002.

Claes Oldenburg, Coosje van Bruggen–Down Liquidambar Lane: Sculpture in the Park (exhibition catalogue). Texts by Richard Cork, Alexandre Melo et al. Porto, Portugal: Fundação de Serralves, 2002.

Lee, Janie C, ed. Claes Oldenburg: Drawings in the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 2002.

2001

Brauer, David E. Pop Art: U.S./U.K. Connections, 1956–1966 (exhibition catalogue). Houston: Menil Collection, 2001: illustrated.

Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Text by Arne Glimcher. Milan: Leonardo International, 2001.

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven, Connecticut and London: Yale University Press, 2001.

Onnasch: Aspects of Contemporary Art (exhibition catalogue). Texts by Reinhard Onnasch, Roberto Sebastián Matta Echaurren, Boris Groĭs et al. Barcelona and Porto, Portugal: Museu d'Art Contemporani de Barcelona; Museu de Arte Contemporânea de Serralves, 2001.

Rorimer, Anne. New Art in the 60s and 70s Redefining Reality. London: Thames & Hudson Ltd., 2001.

Sylvester, David. Interviews with American Artists. London: Random House, 2001.

2000

Berardo Collection 1917–1999 (exhibition catalogue). Texts by Donald Kuspit, Delfim Sardo and Margarida Veiga. Lisbon: Centro Cultural de Bélem, 2000: 220, illustrated.

Collischan, Judy. End Papers: Drawings from 1890–1900 & 1990–2000 (exhibition catalogue). Purchase, New York: Neuberger Museum of Art, State University of New York, 2000: illustrated.

Encounters: New Art from Old (exhibition catalogue). Text by Richard Morphet. London: National Gallery Company Ltd., 2000: 258, illustrated.

Schneider, Cynthia P and Claire Van Cleave, ed. Art in Embassies Program: Another Salute. The Hague, American Embassy, 2000: 39, illustrated.

1999

Celant, Germano. Claes Oldenburg/Coosje van Bruggen (exhibition catalogue). Milan: Skira Editore, 1999.

Corzo, Miguel Angel, ed. Mortality Immortality? The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999.

Morris, Robert. Continuous Project Altered Daily: The Writings of Robert Morris. Boston: Massachusetts Institute of Technology, 1995: 47, illustrated.

Process as the Muse: Fifty Years of Artists Teaching Art (exhibition catalogue). Pasadena: Armory Center for the Arts, 1999.

Radical Past: Contemporary Art & Music in Pasadena, 1960–1974 (exhibition catalogue). Pasadena and Santa Monica: Armory Center for the Arts, Art Center College; RAM Publication & Distribution, 1999: 85, illustrated.

1998

Causey, Andrew. Oxford History of Art: Sculpture since 1945. New York and Oxford: Oxford University Press, 1998.

Double Trouble: The Patchett Collection (exhibition catalogue). Texts by Elizabeth Armstrong, Julian Zugazagoitia, Kevin Power et al. San Diego, California: Museum of Contemporary Art, 1998: 194–195.

Works by Contemporary American Artists: Residence of the Ambassador of the United States of America to Austria. Vienna: USIA Regional Office, 1998: illustrated.

1997

Axsom, Richard H. and David Platzker. Printed Stuff: Prints, Posters and Ephemera by Claes Oldenburg. A Catalogue Raisonné 1958–1996. New York: Hudson Hills Press, Inc., 1997.

Bottle of Notes: Claes Oldenburg, Coosje van Bruggen. Text by Richard Cork. Middleborough, United Kingdom and London: Middleborough Borough Council; Lund Humphries Publishers, 1997.

Future, Present, Past: XLVII La Biennale di Venezia (exhibition catalogue). Milano: Electa, 1997.

Schneede, Marina. Amerikanische Pop Art in der Hamburger Kunsthalle. Hamburg: Hamburger Kunsthalle, 1997: 21, illustrated.

The View From Denver: Contemporary American Art from the Denver Museum (exhibition catalogue). Vienna: Museum Moderner Kunst Stiftung Ludwig, 1997: 326, illustrated; 327, discussed.

1996

Brancusi to Beuys: Works from the TED Power Collection (exhibition catalogue). Text by Jennifer Mundy. New York: Tate Gallery, 1996: 46–47, illustrated.

From Figure to Object: A Century of Sculptors’ Drawings (exhibition catalogue). London: Frith Street Gallery; Karsten Schubert Gallery, 1996.

1995

Claes Oldenburg: An Anthology (exhibition catalogue). Texts by Germano Celant, Dieter Koepplin, Mark Rosenthal, and Marla Prather. New York and Washington, D.C.: Guggenheim Museum Publications; National Gallery of Art, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Phillips, Lisa, ed. Beat Culture and the New America: 1950–1965 (exhibition catalogue). New York and Paris: Whitney Museum of American Art; Flammarion, 1995.

The Popular Image: Pop Art in America (exhibition catalogue). New York: O’Hara Gallery and Marisa del Re Gallery, 1995.

Sanford, Mariellen, R., ed. Happenings and Other Acts. London: Routledge, 1995.

XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery (exhibition catalogue). San Francisco: John Berggruen Gallery, 1995.

1994

Claes Oldenburg, Coosje van Bruggen: Large-Scale Projects. New York: The Monacelli Press, 1994.

Claes Oldenburg / Coosje van Bruggen: Large-Scale Projects: Drawings and Sculpture (exhibition catalogue). New York: The Pace Gallery, 1994.

Claes Oldenburg and Coosje van Bruggen: Inverted Collar and Tie. Ostfildern, Germany: Cantz, 1994.

Claes Oldenburg: Multiples and Notebook Pages (exhibition catalogue). Tel Aviv: Tel Aviv Museum of Art, 1994.

Gemini G.E.L.: Recent Prints and Sculpture (exhibition catalogue). Texts by Ruth E. Fine and Charles Ritchie. Washington, D.C.: National Gallery of Art, 1994.

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994: illustrated.

For Twenty-Five Years: Brooke Alexander Editions (exhibition brochure). Text by Wendy Weitman. New York: The Museum of Modern Art, 1994.

1993

American Art in the Twentieth Century: Painting and Sculpture 1913−1993 (exhibition catalogue). Texts by Brooks Adams, David Anfam, Richard Armstrong, et al. Berlin: Martin-Gropius-Bau, 1993.

Claes Oldenburg: Recent Print and Sculpture Editions (exhibition catalogue). New York: Gemini G.E.L., 1993.

L’Ivresse du réel: L’Objet dans l’arte du XXe siècle (exhibition catalogue). Texts by Jean-Pierre Criqui, Elisabeth Lebovici, Pierre Restany and Guy Tosatto. Nîmes: Carré d’Art, Musée d’Art Contemporain, 1993.

1992

A Century in Sculpture (exhibition catalogue). Texts by Wim Beeren, Marja Bloem, et al. Amsterdam: Stedelijk Museum, 1992.

Claes Oldenburg: New Work (exhibition catalogue). Interview by Arne Glimcher. New York: The Pace Gallery, 1992.

Claes Oldenburg: Die frühen Zeichnungen (exhibition catalogue). Basel: Das Kupferstichkabinett der Öffentlichen Kunstsammlung Basel, 1992.

Claes Oldenburg: In the Studio (exhibition catalogue). Minneapolis: Walker Art Center, 1992.

Claes Oldenburg: Recent Sculpture (exhibition brochure). Text by Pamela R. Esch. Cleveland: Cleveland Center of Contemporary Art, 1992.

Hand-Painted Pop: American Art in Transition, 1955−62 (exhibition catalogue). Texts by David Deitcher, Donna De Salvo, et al. Los Angeles: Museum of Contemporary Art, Los Angeles, 1992.

Hentschel, Martin, Thomas Lawson and David Platzker. Claes Oldenburg: Multiples 1964–1990 (exhibition catalogue). Frankfurt: Portikus, 1992.

Koepplin, Dieter. Claes Oldenburg: Die frühen Zeichnungen (exhibition catalogue). Basel: Museum für Gegenwartskunst, 1992.

New Directions in Multiples (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1992.

…Reperti…O meio ambiente visto por 18 dos mais renomados artistas do mundo (exhibition catalogue). Texts by Ricardo Grassi and Eugenio Miccini. Rio de Janeiro: Museu Nacional de Bellas Artes, 1992.

Territorium Artis (exhibition catalogue). Texts by Pontus Hultén and Oldenburg. Bonn: Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, 1992.

Transform: Bild Object Skulptur im 20. Jahrhundert (exhibition catalogue). Basel: Kunstmuseum and Kunsthalle, 1992.

X 6–New Directions in Multiples (exhibition catalogue). Texts by Richard Klein and Susan Tallman. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1992.

1991

Beyond the Frame: American Art 1960-1990 (exhibition catalogue). Tokyo: Committee for Beyond The Frame, 1991.

Bruggen, Coosje van. Claes Oldenburg: nur ein anderer Raum. Frankfurt am Main: Museum für Moderne Kunst, 1991.

Claes Oldenburg: Sculptures & Lithographs at Gemini 1988–91. New York: Gemini G.E.L., 1991.

Large Scale Project: Claes Oldenburg and Coosje van Bruggen. New York: Gemini G.E.L., 1991.

The Political Arm (exhibition catalogue). Text by Dennis Adams. New York and St. Louis: John Weber Gallery and Washington University Gallery, 1991.

Pop Art (exhibition catalogue). Texts by Dan Cameron, Constance W. Glenn, Thomas Kellein, et al. London: Royal Academy of Arts, 1991.

Solway, Arthur, Thomas Lawson, David Platzker and the artist. Claes Oldenburg: Multiples in Retrospect, 1964–1990 (exhibition catalogue). New York: Rizzoli International, 1991.

van Bruggen, Coosje. Claes Oldenburg: Nur ein anderer Raum. Frankfurt: Museum für Moderne Kunst, 1991.

1990

Claes Oldenburg: Eight Sculptures 1961−1987 (exhibition catalogue). London: The Mayor Gallery, 1990.

Claes Oldenburg: Multiples in Retrospect, 1964–1990 (exhibition catalogue). New York: Brooke Alexander Editions, 1990

Claes Oldenburg: Prints and Multiples (exhibition brochure). New York: Susan Sheehan Gallery, 1990.

Claes Oldenburg: The European Desktop, Sketches and Blottings toward the European Desktop (exhibition catalogue). Text by Coosje van Bruggen. Milan and Florence: Galleria Christian Stein; Hopeful Monster, 1990.

High & Low: Modern Art and Popular Culture (exhibition catalogue). Texts by Adam Gopnik and Kirk Varnedoe. New York: The Museum of Modern Art, 1990.

Zeichnungen: Joseph Beuys, Francesco Clemente, Martin Disler, Donald Judd, Bruce Nauman, Claes Oldenburg, A. R. Penck, Frank Stella (exhibition catalogue). Texts by Lucius Grisebach and Dieter Koepplin. Nuremberg: Kunsthalle Nürnberg, 1987.

1989

Magiciens de la Terre (exhibition catalogue). Texts by Homi Bhabha, Mark Francis, Pierre Gaudibert, et al. Paris: Musée National d'Art Moderne, Centre Georges Pompidou and La Grande Halle−La Villette, 1989.

Modern Masters ’89 (exhibition catalogue). Texts by J. O. Mallander, Seppo Niinivaara, Ullamaria Pallasmaa, et al. Helsinki: Helsingin Taidelhalli, 1989.

Osterwold, Tilman. Pop Art. Kőln: Benedikt Taschen Verlag, 1989: 192–201, illustrated.

Selections from the Collection of Marc and Livia Straus (exhibition catalogue).Text by Dan Cameron. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1989: listed.

van Bruggen, Coosje. Claes Oldenburg: Dibujos/Drawings 1959–1989 (exhibition catalogue). Valencia, Spain: IVAM, Instituto Valenciano de Arte Moderno, 1989.

1988

Celant, Germano. Claes Oldenburg and Coosje van Bruggen: A Bottle of Notes and Some Voyages (exhibition catalogue). Texts by the artists. Sunderland and Leeds: Northern Centre for Contemporary Art and The Henry Moore Centre for the Study of Sculpture; Leeds City Art Galleries, 1988.

Collection Sonnabend (exhibition catalogue). Bordeaux: CAPC Musee d'art Contemporain, 1988.

Claes Oldenburg: Drawings and Prints. Secaucus, New Jersey: Wellfleet Books, 1988.

International Exhibition of the XVII Triennale di Milano: World Cities and the Future of the Metropolis (exhibition catalogue). 2 volumes. Milan: Electa, 1988.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer Jr. Cambridge: Harvard University Art Museums, 1988: 798–808.

1987

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection (exhibition catalogue). Dallas: Dallas Museum of Art, 1987: 102–103, illustrated.

1967: At the Crossroads (exhibition catalogue). Texts by Hal Foster, Janet Kardon, Lucy R. Lippard, Barbara Rose and Irving Sandler. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1987.

Dalla Pop Art Americana alla Nuova Figurazione: Opere del Museo d’Arte Moderna di Francoforte (exhibition catalogue). Texts by Hans Hollein, Peter Iden and Rolf Lauter. Milan: Padiglione d’Arte Contemporanea, 1987.

Le Couteau Navire: Décors, Costumes, Dessins, “Il Corso del Coltello” de Claes Oldenburg, Coosje van Bruggen et Frank O. Gehry (exhibition catalogue). Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1987.

Made in U.S.A.: An Americanization in Modern Art, The 50's and 60's (exhibition catalogue). Texts by Ben H. Bagdikian, James E. B. Breslin, Thomas Schaub and Sidra Stich. Berkeley: University Art Museum, University of California at Berkeley, 1987.

Oldenburg, Claes, Coosje van Bruggen and Frank O. Gehry. Il Corso del Coltello / The Course of the Knife. (exhibition catalogue). New York: Rizzoli International Publications, Inc., 1987.

Skulptur Projekte in Münster (exhibition catalogue). 2 volumes. Texts by Marianne Brouwer, Benjamin H. D. Buchloh, Thomas Kellein, et al. Münster: Westfälisches Landesmuseum für Kunst and Kulturgeschichte, 1987.

Storck, Gerhard and Coosje van Bruggen. Claes Oldenburg: The Haunted House (exhibition catalogue). Essen: Verlag H. Gerd Margreff, 1987.

1986

Celant, Germano. El Cuchillo Barco de Il Corso del Coltello: Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry (exhibition catalogue). Milan and Madrid: Electa and Ministerio de Cultura, 1986.

Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940 (exhibition catalogue). Texts by Craig Adcock, Dore Ashton, Alberto Boatto, John Cage, et al. Cologne: Museum Ludwig, 1986.

Gohr, Siegfried. Museum Ludwig Cologne: Paintings, Sculptures, Environments from Expressionism to the Present Day. Munich: Prestel-Verlag, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Individuals: A Selected History of Contemporary Art, 1945−1986 (exhibition catalogue). Texts by German Celant, Hal Foster, Sherri Geldin, Richard Koshalek, Donald Kuspit, et al. Los Angeles: The Museum of Contemporary Art, Los Angeles, 1986.

Qu’est-ce que la sculpture modern? (exhibition catalogue). Texts by Benjamin H. D. Buchloh, Jean-Pierre Criqui, Thierry de Duve, Rosalind Krauss, et al. Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1986.

Reality Remade (exhibition catalogue). Text by Douglas Walla. New York: Kent Fine Art, 1986.

Sonsbeek 86: International Beelden Tentoonstelling (exhibition catalogue). 2 volumes. Texts by Saskia Bos, Marianne Brouwer and Antje von Graevenitz. Utrecht: Veen/Reflex, 1986.

1985

Cinquante ans de dessins américains: 1930−1980 (exhibition catalogue). Text by Walter Hopps with Neil Pintz. Houston: Menil Collection, 1985.

Claes Oldenburg: Cross Section of a Toothbrush with Paste in a Cup on a Sink Portrait of Coosje’s Thinking. Krefeld, Germany: Krefelder Kunstmuseen und Autoren, 1985.

Il corso del coltello. Venice: Comune di Venezia; Gruppo finanziario Tessile, 1985.

Nine Printmakers and the Working Process (exhibition catalogue). Text by Pamela Gruninger Perkins. New York: Whitney Museum of American Art, 1985.

Oldenburg, Claes, Frank O. Gehry and Coosje van Bruggen. Il Corso del Coltello: Menu. Turin and Milan: Gruppo Finanziario Tessile and Gabriele Mazzotta, 1985.

Oldenburg: Tube Supported by Its Contents (exhibition catalogue). Dusseldorf: Galerie Schmela, 1985.

The Panza Collection (exhibition catalogue). Los Angeles: The Museum of Contemporary Art, Los Angeles, 1985.

Pop Art: 1955−70 (exhibition catalogue). Text by Henry Geldzahler. Sydney: International Cultural Corporation of Australia, 1985.

Räume heutiger Zeichnung (exhibition catalogue). Text by Dieter Koepplin. Baden-Baden: Die Kunsthalle, 1985.

Selections from the Ileana and Michael Sonnabend (exhibition catalogue). New Jersey: The Art Museum, Princeton University, 1985: 70–5w, illustrated.

1984

Automobile and Culture (exhibition catalogue). Text by Gerald Silk. Los Angeles: The Museum of Contemporary Art, Los Angeles, 1984.

Blam! The Explosion of Pop, Minimalism, and Performance, 1958−1964 (exhibition catalogue). Texts by John G. Hanhardt and Barbara Haskell. New York: Whitney Museum of American Art, 1984.

Claes Oldenburg: Standing Mitt with Ball: From Concept to Monument (exhibition catalogue). New York: Wave Hill, 1984.

Drawings: 1974−1984 (exhibition catalogue). Texts by Frank Gettings and Claes Oldenburg. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1984.

Gemini G.E.L.: Art and Collaboration (exhibition catalogue). Texts by Bruce Davis and Ruth E. Fine. Washington, D.C.: National Gallery of Art, 1984.

Gettings, Frank. Drawings 1974–1984. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, 1984: 216–222, illustrated.

Great American Artists: The Skowhegan Medal Recipients. New York and Skowhegan, Maine: Alpine Fine Arts Collection; Skowhegan School of Painting & Sculpture, 1984: 26–27, illustrated.

Skulptur im 20. Jahrhundert (exhibition catalogue). Basel: St. Jakob Merian-Park, 1984.

10 Painters and Sculptors Draw (exhibition catalogue). Boston: Museum of Fine Arts, Boston, 1984: illustrated.

Twentieth-Century American Drawings from the Arkansas Arts Center Foundation Collection. Text by Townsend Wolfe. Little Rock: The Arkansas Arts Center, 1984.

1983

American Still Life 1945–1983 (exhibition catalogue). Houston and New York: Contemporary Arts Museum; Harper & Row Co., 1983.

Blok, Cor, ed. Claes Oldenburg: Het Schroefboog-projekt; een opdracht van Museum Boymans-van Beuningen, Rotterdam 1978–82. The Screwarch Project commissioned by Museum Boymans-van Beuningen, Rotterdam 1978–82 (exhibition catalogue). Rotterdam: Museum Boymans-van Beuningen, 1983.

Changes (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1983: illustrated.

The Comic Art Show: Cartoons in Painting and Popular Culture (exhibition catalogue). Texts by John Carlin and Sheena Wagstaff. New York: Whitney Museum of American Art, 1983.

Knipe, Tony, ed. Drawing in Air: An Exhibition of Sculptors’ Drawings: 1882−1982 (exhibition catalogue). Texts by Antoine Bourdelle, Terry Friedman, Knipe, and Paul Overy. United Kingdom: Sunderland Arts Center, 1983.

Neue Zeichnungen aus dem Kunstmuseum Basel (exhibition catalogue). Text by Dieter Koepplin. Basel: Kunstmuseum Basel, 1983.

Twentieth Century Sculpture: Process and Presence (exhibition catalogue). Text by Lisa Phillips. New York: Whitney Museum of American Art, 1983

1982

Claes Oldenburg (exhibition brochure). Dusseldorf: Galerie Schmela, 1982.

Documenta 7 (exhibition catalogue). Kassel: Museum Fridericianum, 1982.

‘60−’80: Attitudes/Concepts/Images (exhibition catalogue). Texts by Wim Beeren, Cor Blok, Edy de Wilde, Gijs van Tuyl, and Antje von Graevenitz. Amsterdam: Stedelijk Museum, 1982.

Twenty American Artists: Sculpture 1982 (exhibition catalogue). San Francisco: San Francisco Museum of Modern Art, 1982.

1981

American Prints: Process and Proofs (exhibition catalogue). Text by Judith Goldman. New York: Whitney Museum of American Art, 1981.

Contemporary American Prints and Drawings 1940−1980 (exhibition brochure). Text by Andrew Robison. Washington, D.C.: National Gallery of Art, 1981.

The Image in American Painting & Sculpture 1950–1980 (exhibition catalogue). Akron, Ohio: Akron Art Museum, 1981: 37, plate 11.

Mapped Art: Charts, Routes, Regions (exhibition catalogue). New York: Independent Curators Inc., 1981.

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1981: illustrated.

Twenty-Second National Print Exhibition (exhibition catalogue). Text by Gene Baro. New York: The Brooklyn Museum, 1981.

Westkunst: Zeitgenoissische Kunst seit 1939 (exhibition catalogue). Text by Laszlo Glozer. Cologne: Museen der Stadt Köln, 1981.

1980

From Reinhardt to Christo (exhibition catalogue). Texts by Ellen H. Johnson and William Orlander. Oberlin, Ohio: Allen Memorial Art Museum, 1980.

Late Entries to the Chicago Tribune Tower Competition (exhibition catalogue). Text by Stanley Tigerman. Chicago: Museum of Contemporary Art, 1980.

Monumente-Denkmal (exhibition catalogue). Texts by Wulf Herzogenrath, Ed Kienholz, Claes Oldenburg, Michael Sandle, and Timm Ulrichs. Cologne: Kölnischer Kunstverein, 1980.

The Morton G. Neumann Family Collection: Selected Works (exhibition catalogue). 2 volumes. Texts by E. A. Carmean, Jr., Sam Hunter, Eliza E. Rathbone, and Trinkett Clark. Washington, D.C.: National Gallery of Art, 1980.

Pop Art: Evoluzion di una generazione (exhibition catalogue). Venice: Instituto di Cultura di Palazzo Grassi, 1980.

Skulptur im 20. Jahrhundert: Austellung im Wenkenpark Riehen/Basel (exhibition catalogue). Text by: Reinhold Hohl. Basel: Werner Druck, 1980.

Urban Encounters: Art Architecture Audience (exhibition catalogue). Texts by Lawrence Alloway, Nancy Foote, Janet Kardon, and Ian L. McHarg. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980.

van Bruggen, Coosje, Claes Oldenburg and R.H. Fuchs. Claes Oldenburg: Large-Scale Projects, 1977–1980 (exhibition catalogue). New York: Rizzoli International Publications, Inc., 1980.

1979

Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Chapel Hill, North Carolina: The Ackland Art Museum, 1979: illustrated.

Van Bruggen, Coosje. Claes Oldenburg: Mouse Museum / Ray Gun Wing (exhibition catalogue). Cologne: Museum Ludwig, 1979.

1978

Art About Art (exhibition catalogue). Texts by Jean Lipman with Richard Marshall and Leo Steinberg. New York: E. P. Dutton in association with the Whitney Museum of American Art, 1978.

Aspekte der 60er Jahre: Aus der Sammlung Reinhard Onnasch (exhibition catalogue). Berlin: Nationalgalerie Berlin, 1978.

1977

Oldenburg, Claes, Coosje van Bruggen. Teckningar, Akvareller och Grafik/ Drawings, Watercolors and Prints. Stockholm: Moderna Museet, 1977.

Ambiente/Arte: Dal Futurismo Alla Body Art (exhibition catalogue). Venice: La Biennale di Venezia, 1977: 98, illustrated.

Claes Oldenburg (exhibition catalogue). Delft, The Netherlands: De Volle Maan, 1977.

Claes Oldenburg: Dessins, aquarelles et estampes (exhibition catalogue). Text by Coosje van Bruggen. Paris: Centre Georges Pompidou, 1977.

Claes Oldenburg: The Inverted Q (exhibition catalogue). Akron, Ohio: Akron Art Institute, 1977.

Claes Oldenburg: Tekeningen, aquarellen en grafiek. Texts by Edy de Wilde, Coosje van Bruggen and Ad Petersen. Amsterdam: Stedelijk Museum, 1977.

Documenta 6: Wirklichkeit—Klischee und Reflexion und Objektkataloge (exhibition catalogue). Kassel: Orangerie and Neue Galerie, 1977.

Fall 1977: Contemporary Collectors (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of contemporary art, 1977: illustrated.

Landfall Press: A Survey of Prints (1970−1977) (exhibition catalogue). Chicago: Museum of Contemporary Art, 1977.

The Mouse Museum / The Ray Gun Wing: Two Collection / Two Buildings by Claes Oldenburg (exhibition catalogue). Chicago: Museum of Contemporary Art, 1977.

Paris—New York: Un Album (exhibition catalogue). Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 1977.

Skulptur: Austellung in Münster, 1977 (exhibition catalogue). 2 volumes. Text by Gottfried Boehm, Laszlo Glozer, Kurt Johnen, Bernhard Kerber, Werner Schnell, and Herbert Schöttle. Munster, Germany: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 1977.

1976

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen. Edited by Dieter Honisch and Jens Christian Jensen. Koln: DuMont Buchverlag Köln, 1976: illustrated.

American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present (exhibition catalogue). Text by Theodore E. Stebbins, Jr. New York: Whitney Museum of American Art, 1976.

American Pop Art and the Culture of the Sixties (exhibition catalogue). Texts by Carol Nathanson, Nina Sundell, and Marjorie Talalay. Cleveland: The New Gallery of Contemporary Art, 1976.

Claes Oldenburg (exhibition catalogue). New York: Leo Castelli Gallery, 1976.

Claes Oldenburg (exhibition catalogue). Texts by Adriani Götz, Dieter Koepplin and Barbara Rose. Hannover: Kesner-Gesellschaft, 1976.

Claes Oldenburg: Log, May 1974–August 1976 (exhibition catalogue). 2 volumes. Stuttgart and New York: Hansjörg Mayer and Store Days, 1976.

Claes Oldenburg: The Soft Screw (exhibition catalogue). Texts by Oldenburg and Melinda Wortz. Los Angeles: Gemini G.E.L., 1976.

Drawing Now (exhibition catalogue). Text by Bernice Rose. New York: The Museum of Modern Art, 1976.

Images of an Era: The American Poster 1945–1975 (exhibition catalogue). Washington, D.C.: National Collection of Fine Arts, Smithsonian Institute, 1975.

Seventy-Second American Exhibition (exhibition catalogue). Text by Anne Rorimer. Chicago: The Art Institute of Chicago, 1976.

Thirty Years of American Printmaking (exhibition catalogue). Text by Gene Baro. New York: The Brooklyn Museum, 1976.

Twentieth Century American Drawing: Three Avant-Garde Generations (exhibition catalogue). Text by Diane Waldman. New York: Solomon R. Guggenheim Museum, 1976.

1975

Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co.

American Art since 1945 from the Collection of The Museum of Modern Art (exhibition catalogue). New York: Museum of Modern Art, 1975.

Claes Oldenburg: The Alphabet in L.A. (exhibition catalogue). Los Angeles: Margo Leavin Gallery, 1975.

Claes Oldenburg: Recent Erotic Fantasy Drawings (exhibition catalogue). London: The Mayor Gallery, 1975.

Götz, Adriani, Dieter Koepplin and Barbara Rose. Zeichnungen von Claes Oldenburg (exhibition catalogue). Basel and Tübingen: Kunstmuseums Basel; Kunsthalle Tübingen, 1975.

Kostelanetz, Richard, ed. Essaying Essays: Alternative Forms of Exposition. New York: Out of London Press, 1975.

The Martha Jackson Collection at the Albright-Knox Art Gallery (exhibition catalogue). Buffalo: Albright-Knox Art Gallery, 1975.

Minami ’75: A Selection of Twentieth Century Art (exhibition catalogue). Tokyo: Minami Gallery, 1975.

Oldenburg: Six Themes (exhibition catalogue). Text by Martin Friedman and interviews with the artist. Minneapolis: Walker Art Center, 1975.

1974

American Pop Art (exhibition catalogue). Text by Lawrence Alloway. New York: Whitney Museum of American Art, 1974.

Claes Oldenburg: The Lipstick Comes Back (exhibition catalogue). New Haven: Yale University Press, 1974.

Monumenta: A Biennial Exhibition of Outdoor Sculpture (exhibition catalogue). Texts by Sam Hunter and Hugh M. Davies with Sally E. Yard. Newport, Rhode Island: Monumenta Newport, Inc., 1974.

Painting and Sculpture Today 1974 (exhibition catalogue). Text by Richard L. Warrum. Indianapolis: Indianapolis Museum of Art, 1974.

Poets of the Cities, New York and San Francisco, 1950−1965 (exhibition catalogue). Texts by Neil A. Chassman, Robert Creeley, Lana Davis, John Clellon Holmes and Robert M. Murdock. New York: E. P. Dutton, 1974.

Selected Works from the Collection of Carter Burden (exhibition catalogue). New York: Marlborough Gallery, 1974.

Stilkunde an Beispielen: Einlehrspiel (exhibition catalogue). Mönchengladbach, Germany: Städtisches Museum Abteiverg Mönchengladbach, 1974.

25 Years at Janis: Part 2, From Pollock to Pop, Op and Sharp-Focus Realism (exhibition catalogue). New York: Sidney Janis Gallery, 1974.

1973

Claes Oldenburg (exhibition catalogue). Tokyo: Minami Gallery, 1973.

Claes Oldenburg: More Ray Gun Poems (1960). Philadelphia: Moore College of Art and Falcon Press, 1973.

Claes Oldenburg: Recent Prints and Preparatory Drawings (exhibition catalogue). New York: M. Knoedler and Co., 1973.

Claes Oldenburg: Standing Mitt with Ball, 1973 (exhibition catalogue). Cleveland: The New Gallery, 1973.

König, Kasper, ed. Raw Notes. Halifax: The Press of the Nova Scotia College of Art and Design, 1973.

1972

Claes Oldenburg: Works in Edition (exhibition catalogue). San Francisco: John Berggruen Gallery, 1972.

Colossal Scale: The Appeal of Gigantic Representational Images for Today’s Artists (exhibition catalogue). New York: Sidney Janis Gallery, 1972.

Diagrams and Drawings (exhibition catalogue). Text by R. Oxenaar. Otterlo, The Netherlands: Rijksmuseum Kröller-Müller, 1972.

Documenta 5: Maus Museum: Eine Auswahl von Objekten gesammelt von Claes Oldenburg / Mouse Museum: A Selection of Objects Collected by Claes Oldenburg (exhibition catalogue). Text by Kasper König. Kassel, Germany: Documenta GmbH, 1972.

Immagine per la Citta’ (exhibition catalogue). Genova, Italy: Ente Manifestazioni Genovesi, 1972.

New York Collection for Stockholm (exhibition catalogue). Texts by Emile de Antonio, Pontus Hultén and Billy Klüver. Stockholm: Moderna Museet, 1972.

1971

Amerikanst kunst 1950−70 (exhibition catalogue). Text by Öyvind Fahlström and Oldenburg. Humlebaek, Denmark: Louisiana Museum, 1971.

Art and Technology (exhibition catalogue). Texts by John Forkner, Jane Livingston, Gail R. Scott and Maurice Tuchman. Los Angeles: Los Angeles County Museum of Art, 1971.

Art in the Mind (exhibition catalogue). Text by Athena T. Spear. Oberlin, Ohio: Allen Memorial Art Museum, Oberlin College, 1971.

Claes Oldenburg: Notes in Hand. Switzerland: Professional Prints Ltd., 1971.

Claes Oldenburg: Works in Edition (exhibition catalogue). Los Angeles: Margo Leavin Gallery, 1971.

Haskell, Barbara. Claes Oldenburg: Object into Monument (exhibition catalogue). Pasadena, California: Pasadena Art Museum, 1971.

Highlights of the 1970–1971 Art Season (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1971: no. 39, illustrated.

Johnson, Ellen H. Penguin New Art 4: Claes Oldenburg. New York: Penguin Books, 1971.

Multiples: The First Decade (exhibition catalogue). Text by John L. Tancock. Philadelphia: Philadelphia Museum of Art, 1971.

Oldenburg’s Giant 3-Way Plug at Oberlin. Text by Ellen H. Johnson. Oberlin, Ohio: Allen Memorial Art Museum, 1971.

ROSC ’71: The Poetry of Vision (exhibition catalogue). Text by David M. Wilson. Dublin: Royal Dublin Society, 1971.

Sonsbeek 71: Sonsbeek buitten de perken (exhibition catalogue). Text by Ton Haak. Arnhem, The Netherlands: Park Sonsbeek, 1971.

Technics and Creativity: Gemini G.E.L. (exhibition catalogue). Text by Riva Castleman. New York: The Museum of Modern Art, 1971.

1970

XXXV International Art Exhibition, La Biennale di Venezia (exhibition catalogue). Venice: La Biennale, 1970.

Claes Oldenburg (exhibition catalogue). Amsterdam: Stedelijk Museum, 1970.

Claes Oldenburg (exhibition catalogue). London: Arts Council of Great Britain, 1970.

Claes Oldenburg (exhibition catalogue). Text by Barbara Rose. New York: The Museum of Modern Art, 1970. Reprint,1976.

Expo ’70 (exhibition catalogue). Osaka: Japan Association for the 1970 World Exposition, 1970.

Happening & Fluxus (exhibition catalogue). Cologne: Kölnischer Kunstverein, 1970.

New Multiple Art (exhibition catalogue). Text by Robin Campbell. London: Arts Council of Great Britain, 1970: no. 450.

New Work by Claes Oldenburg (exhibition catalogue). New York: Sidney Janis Gallery, 1970.

1970 Annual Exhibition: Contemporary American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1970.

1970 Pittsburgh International: Exhibition of Contemporary Art (exhibition catalogue). Pittsburg: Museum of Art, Carnegie Institute, 1970.

Seven Artists: New Work by Fahlstrom, Kelly, Marisol, Oldenburg, Segal, Steinberg, Wesselmann (exhibition catalogue). New York: Sidney Janis Gallery, 1970.

String and Rope (exhibition catalogue). New York: Sidney Janis Gallery, 1970.

1969

Art by Telephone (exhibition catalogue). Text by Jan van der Marck. Chicago: Museum of Contemporary Art, 1969.

Baro, Gene. Claes Oldenburg: Drawings and Prints. Lausanne; London and New York: Publications I.R.L.; Chelsea House Publishers, 1969.

Claes Oldenburg: Constructions, Models, and Drawings (exhibition catalogue). Chicago: Richard Feigen Gallery, 1969.

Dubuffet and the Anticulture (exhibition catalogue). Texts by George Cohen, Jean Dubuffet, Richard L. Feigen, and Oldenburg. New York: Richard Feigen & Co., 1969.

Lippard, Lucy, ed. New York 13 (exhibition catalogue). Vancouver: Vancouver Art Gallery, 1969.

New York Painting and Sculpture: 1940−1970 (exhibition catalogue). Text by Henry Geldzahler. New York: The Metropolitan Museum of Art, 1969.

Oldenburg, Claes. Proposals for Monuments and Buildings 1965–69. Interview with Paul Carroll. Chicago: Big Table Publishing Co., 1969.

Pop Art (exhibition catalogue). Texts by John Russell and Suzi Gablik. London: Hayward Gallery, 1969.

Seven Artists: Dine, Fahlstrom, Kelly, Marisol, Oldenburg, Segal, Wesselmann (exhibition catalogue). New York: Sidney Janis Gallery, 1969.

The Spirit of the Comics (exhibition catalogue). Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1969.

1968

Art of the 60s: Selections from the Collection of Hanford Yang (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1968: nos. 66 and 70, illustrated.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton, 1968: 438, 439, illustrated.

Claes Oldenburg: Notes. Text by Barbara Rose. Los Angeles: Gemini G.E.L., 1968.

Dada, Surrealism, and Their Heritage (exhibition catalogue). Text by William S. Rubin. New York: The Museum of Modern Art, 1968.

Documenta 4 (exhibition catalogue). 2 volumes. Texts by Arnold Bode, Jürgen Harten, Max Imdahl, J. Leering, Janni Müller-Hauch, et al. Bad Godesberg, Germany: Inter Nationes, 1968.

Homage to Marilyn Monroe (exhibition catalogue). New York: Sidney Janis Gallery, 1968.

Linee della ricera dall’informale alle nuove strutture: XXXIV International Art Exhibition, La Biennale di Venezia (exhibition catalogue). Venice: Padiglione Centrale, 1968.

The Machine as Seen at the End of the Mechanical Age (exhibition catalogue). Text by K. G. Pontus Hulten. New York: The Museum of Modern Art, 1968.

Richard J. Daley (exhibition catalogue). Chicago: Richard Feigen Gallery, 1968.

Sammlung 1968 Karl Ströher (exhibition catalogue). Text by Jürgen Wissmann. Munich: Haus der Kunst, Neue Pinakothek, 1968.

Sculpture in Environment (exhibition catalogue). New York: Seybert-Nicholas Print. Corp., 1967.

Three Blind Mice / de Collecties: Visser, Peeters, Becht (exhibition catalogue). Texts by W. A. L. Beeren, Hubert Peeters, and Pierre Restany. Eindhoven: Stedelijk Van Abbemuseum, 1968.

1967

American Painting Now (exhibition catalogue). Text by Alan Solomon. Boston: Institute of Contemporary Art, 1967.

American Sculpture of the Sixties (exhibition catalogue). Text by Lawrence A. Alloway, et al. Los Angeles: Los Angeles County Museum of Art, 1967.

An Exhibition of New Work by Claes Oldenburg (exhibition catalogue). Text by the artist. New York: Sidney Janis Gallery, 1967.

Color, Image, Form (exhibition catalogue). Detroit: Detroit Institute of Art, 1967: illustrated.

Dine, Oldenburg, Segal: Painting/Sculpture (exhibition catalogue). Text by Ellen H. Johnson. Toronto: Art Gallery of Ontario, 1967.

New York: The New Art Scene. Photographs by Ugo Mulas and text by Alan Solomon. New York: Holt, Rinehart, Winston, 1967: 196–211, illustrated.

Oldenburg, Claes. Store Days: Documents from the Store (1961) and Ray Gun Theater (1962). New York: Something Else Press, Inc., 1967.

IX Bienal do Museu de Arte Moderna, São Paulo: Environment U.S.A., 1957−1967 / Meio-Natural U.S.A., 1957−1967 (exhibition catalogue). Texts by William C. Seitz and Lloyd Goodrich. Washington, D.C., International Art Program, National Collection of Fine Arts, Smithsonian Institution, 1967.

1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalogue). Pittsburgh: Museum of Art, Carnegie Institute, 1967.

Nuove Tecniche d’Immagine (exhibition catalogue). [Venice]: Alfieri Edizioni d’Arte, 1967: 100, illustrated.

Sculpture in Environment (exhibition catalogue). Text by Irving Sandler. New York: New York City Administration of Recreation and Cultural Affairs for Cultural Showcase Festival, 1967.

1966

Annual Exhibition 1966: Contemporary Sculpture and Prints (exhibition catalogue). New York: Whitney Museum of American Art, 1966.

As Found: An Experiment in Selective Seeing (exhibition brochure). Text by Ulfert Wilke. Boston: Institute of Contemporary Art, 1966.

Claes Oldenburg (exhibition brochure). Texts by Gene Baro, Öyvind Fahlström and Ulf LInde. London: Robert Fraser Gallery, 1966.

Claes Oldenburg: Skulpturer och teckningar, 1963−66 (exhibition catalogue). Stockholm: Moderna Museet, 1966.

Eight Sculptors: The Ambiguous Image (exhibition catalogue). Texts by Martin Friedman and Jan van der Marck. Minneapolis: Walker Art Center, 1966.

Master Drawings: Pissarro to Lichtenstein (exhibition catalogue). New York: Bianchini Gallery, 1966.

Multiplicity (exhibition catalogue).Text by Molly Rannells. Boston: Institute of Contemporary Art, 1966.

New Work by Oldenburg (exhibition catalogue). New York: Sidney Janis Gallery, 1966.

Oldenburg, Claes. Injun and Other Histories (1960). New York: A Great Bear Pamphlet, 1966.

The Object Transformed (exhibition catalogue). Texts by Mildred Constantine and Arthur Drexler. New York: The Museum of Modern Art, 1966.

The Other Tradition (exhibition catalogue). Text by Gene R. Swenson. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966.

1965

Beyond Realism (exhibition catalogue). Text by Michael Kirby. New York: The Pace Gallery, 1965.

A Decade of American Drawing, 1955−1965 (exhibition catalogue). New York: Whitney Museum of American Art, 1965.

Eleven from the Reuben Gallery (exhibition catalogue). Text by Lawrence Alloway. New York: Solomon R. Guggenheim Museum, 1965.

Etas-Unis: Sculptures de XXe siècle (exhibition catalogue). Paris: Musée Rodin, 1965.

Pop Art (exhibition catalogue). Text by Otto Hahn. Zurich: City-Galerie Zurich, 1965.

Pop Art and the American Tradition (exhibition catalogue). Text by Tracy Atkinson. Milwaukee: Milwaukee Art Center, 1965.

Recent Work by Arman, Dine, Fahlstrom, Marisol, Oldenburg, Segal at Sidney Janis (exhibition catalogue). New York: Sidney Janis Gallery, 1965.

1964

American Drawings (exhibition catalogue). Text by Lawrence Alloway. New York: Solomon R. Guggenheim Museum, 1964.

Amerikanst pop-konst (exhibition catalogue). Text by Alan R. Solomon. Stockholm: Moderna Museet, 1964.

Annual Exhibition 1964: Contemporary American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1964.

Boxes (exhibition catalogue). Text by Walter Hopps. Los Angeles: Dwan Gallery, 1964.

Claes Oldenburg (exhibition catalogue). Paris: Galerie Ileana Sonnabend, 1964.

Contemporary Painters and Sculptors as Printmakers (exhibition catalogue). Text by Elaine L. Johnson. New York: The Museum of Modern Art, 1964.

Exhibition of Recent Work by Claes Oldenburg (exhibition catalogue). New York: Sidney Janis Gallery, 1964.

54–64: Painting and Sculpture of a Decade (exhibition catalogue). London: Calouste Gulbenkian Foundation, 1964: illustrated.

In Focus: A Look at Realism in Art (exhibition catalogue). Rochester, New York: The Memorial Art Gallery, 1964.

Nieuwe Realisten (exhibition catalogue). The Hague: Haags Gemeentemuseum, 1964.

1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture (exhibition catalogue). Pittsburgh: Museum of Art, Carnegie Institute, 1964.

A Selection of Twentieth Century Art of Three Generations (exhibition catalogue). New York: Sidney Janis Gallery, 1964.

XXXII Esposizione Biennale Internazionale d’Arte: Quattro Artisti Più Giovani / Four Younger Artists (exhibition catalogue). Venice: Biennale International D'Arts, 1964.

1963

According to the Letter (exhibition brochure). Text by Nicolas Calas. New York: Thibaut Gallery, 1963.

An American Viewpoint, 1963 (exhibition catalogue). Cincinnati: The Contemporary Arts Center, 1963.

Harvest of Plenty: De Gustibus (exhibition catalogue). Text by C. C. Cunningham. Hartford, Connecticut: Wadsworth Atheneum, 1963.

Miller, Dorothy C., ed. Americans 1963 (exhibition catalogue). New York: The Museum of Modern Art, 1963.

Mixed Media and Pop Art (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1963.

Pop Art USA (exhibition catalogue). Text by John Coplans. Oakland, California: Oakland Art Museum, 1963.

Popular Art: Artistic Projections of Common American Symbols (exhibition catalogue). Text by Ralph R. Coe. Kansas City, Missouri: Nelson Gallery-Atkins Museum, 1963.

The Popular Image (exhibition catalogue). Text by Alan R. Solomon. London: Institute of Contemporary Arts, 1963.

The Popular Image Exhibition (exhibition catalogue). Text by Alan R. Solomon. Washington, D.C.: The Washington Gallery of Modern Art, 1963.

Schrift en beeld (exhibition catalogue). Amsterdam: Stedelijk Museum, 1963.

66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture (exhibition catalogue). Chicago: Art Institute of Chicago, 1963.

1962

Art 1963—A New Vocabulary (exhibition brochure). New York: Tanager Gallery, 1962.

Continuity and Change: Forty-Five American Abstract Painters and Sculptors (exhibition catalogue). Hartford, Connecticut: Wadsworth Atheneum, 1962.

My Country ‘Tis of Thee (exhibition catalogue). Text by Gerald Nordland. Los Angeles: Dwan Gallery, 1962.

New Realists (exhibition catalogue). Texts by John Ashbery, Pierre Restany, and Sidney Janis. New York: Sidney Janis Gallery, 1962.

1961 (exhibition catalogue). Dallas: Dallas Museum of Contemporary Arts, 1962.

1961

Environments, Situations, Spaces (exhibition catalogue). New York: Martha Jackson Gallery, 1961.

Painting and Sculpture Acquisitions (exhibition catalogue). New York: Museum of Modern Art, 1961.

1960

New Forms–New Media I (exhibition catalogue). Texts by Lawrence Alloway and Allan Kaprow. New York: Martha Jackson Gallery, 1960.

New Forms–New Media II (exhibition catalogue). New York: Martha Jackson Gallery, 1960.

Oldenburg, Claes. More Ray Gun Poems (artist book). New York: Judson Gallery, 1960.

Oldenburg, Claes. Ray Gun Poems (artist book). New York: Judson Gallery, 1960.

Oldenburg, Claes. Spicy Ray Gun (artist book). New York: Judson Gallery, 1960.

1956

Momentum 1956 (exhibition catalogue). Chicago: Momentum, [1956].

1955

A Collection of Paintings by Claes Thure Oldenburg (exhibition brochure). Evanston, Illinois: The Bramson Gallery, 1955.