Frieze Seoul Past Sep 2 – Sep 5, 2022 Seoul Art Fair Details:Frieze SeoulCOEXBooth A15Sep 2 – 5, 2022Online Presentation:Agnes MartinBeneath Thought and Idea Aug 18 – Sep 6, 2022Press:Press ReleaseConnect:Frieze Seoul@friezeofficial@pacegalleryAbove: Huong Dodinh, J 6, 1996, canvas mounted on wood panel © Huong Dodinh Pace is pleased to detail its presentation for the inaugural edition of Frieze Seoul. The gallery’s booth will feature a focused selection of works, grounded in abstraction, by a group of artists within and beyond Pace’s roster. Spotlighting Pace’s strong contemporary program, the gallery’s Frieze Seoul booth traces exchanges among intergenerational abstractionists. Pace will also unveil a new expansion of its arts complex in Seoul during the fair.Pace’s Frieze Seoul presentation will feature works by Huong Dodinh, Virginia Jaramillo, and Maysha Mohamedi, all of whom joined Pace’s program in 2022. Frieze Seoul marks Jaramillo’s debut showing with Pace, and the artist will have her first solo exhibition with the gallery in Los Angeles in 2023. Booth highlights also include new paintings by Torkwase Dyson and Adam Pendleton; a new sculpture by Lynda Benglis; two recent sculptures by Kiki Smith; and works by Louise Nevelson, Gerhard Richter, Prabhavathi Meppayil, Marina Perez Simão, Mika Tajima, and others. Concurrent with Frieze Seoul, Benglis is presenting a major exhibition at the Nasher Sculpture Center in Dallas, Texas; Pendleton’s largest museum show in Europe to date is on view at Mumok in Vienna; and Tajima’s solo exhibition at the Dazaifu Tenmangu Museum and Shrine Grounds in Japan continues through October 10.A six-by-six-foot painting by Agnes Martin, a key figure in the gallery’s history and legacy, will be the cornerstone of the presentation. Reflecting Pace’s roots in Minimalism, this striking late-career work, Untitled #2 (1992), can be understood as part of Martin’s pursuit to deepen her understanding of painting’s essence by way of radiant, meditative abstraction—Martin’s works of this caliber and type are rarely made available. With multicolor stripes that appear to float on its canvas, the painting reflects the artist’s interest in unearthing new possibilities of perception and experience, toward a purity of expression, through her medium. Martin’s creation of Untitled #2 was followed by a return to exuberant color that would mark her work from 1994 until her death in 2004.On the occasion of the fair, Pace will open an outdoor sculpture courtyard and Osulloc Tea House—where a rotating display of prints, editions, and titles from Pace Publishing, the gallery’s imprint, will be on view and available for purchase—at its gallery complex in Seoul. This latest expansion of Pace’s Seoul gallery, where a new ground floor exhibition space specially equipped for immersive, experiential artworks opened in March 2022, builds on its strong presence in the Korean capital since 2017, when it became one of the first international galleries to establish a permanent space in the city. Solo exhibitions by Adrian Ghenie and the collective teamLab will be presented at Pace’s Seoul gallery during the run of Frieze Seoul. NFT projects from Pace Verso, the gallery’s web3 arm, will also be on view at the gallery. Read More Agnes Martin, Untitled #2, 1992, acrylic and graphite on linen, 72 x 72" (182.9 x 182.9 cm) Reserved Agnes Martinb. 1912, Macklin, Saskatchewan, Canadad. 2004, Taos, New MexicoAgnes Martin, one of the most influential painters of her generation, left an indelible mark on the history of modern and contemporary art. Growing up in western Canada, she moved between New Mexico and New York throughout her early career. For a pivotal decade starting in 1957, Martin lived and worked in Coenties Slip, a neighborhood in lower Manhattan she shared with emerging artists including Ellsworth Kelly, before returning to New Mexico in 1968. Inspired by the transcendent qualities of paintings by Mark Rothko and Ad Reinhardt, Martin considered herself to be an Abstract Expressionist. Nonetheless, her oeuvre played a critical role in heralding the advent of Minimalism, influencing, among others, Eva Hesse’s sculptural practice and Sol LeWitt’s wall drawings. Characterized by austere lines and grids superimposed upon muted grounds of color, Martin’s paintings elegantly negotiate the confines of structure and space, draftsmanship, and the metaphysical.Learn more about this pivotal work in the online exhibition Agnes Martin: Beneath Thought and Idea. Close modal Agnes Martin Untitled #2 1992 acrylic and graphite on linen 72 x 72" (182.9 x 182.9 cm) Reserved Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Featured Works Huong Dodinh, J 6, 1996, Canvas mounted on wood panel, 145 cm × 122 cm (57-1/16" × 48-1/16") Sold Huong Dodinhb. 1945, Soc Trang, VietnamHuong Dodinh was born in 1945 in Soc Trang, in the Mekong Delta, Vietnam. Dodinh and her family were forced to flee their war torn home in 1953 and sought refuge in Paris, where the artist continues to live and work today. At a boarding school in Rambouillet, Dodinh witnessed snow for the first time, marveling at the blending of land and sky. She calls this luminescent scene her artistic “epiphany” and it continues to inspire her painting. Dodinh studied at the prestigious École Nationale Supérieure de Beaux-Arts in Paris from 1965 to 1969, completing courses in a wide array of disciplines including engraving, lithography, frescoes, painting, and architecture. During this time, Dodinh was deeply affected by the violence of the Vietnam War and the uprisings of May 1968. After a three-year break, Dodinh was able to return to her artistic practice with a newfound sense of freedom. In the decades that followed, Dodinh dedicated herself to painting, occasionally exhibiting in Paris and often encountering fellow artists based in France such as Peter Matisse, Joan Mitchell, and Lisa de Kooning.Dodinh is the recipient of several important awards and distinctions including, 1st Prize at the International Grand Prize for Painting in Cannes (1981), the Silver Cross of Merit and French Dedication (1996), and the Vice President Maison de la Culture d'Asie Orientale (1997). She presented a solo exhibition in 2021 at the Musée national des arts asiatiques - Guimet, and has participated in group presentations at FRAC de Champagne-Ardenne, Reims, as well as the major contemporary art exhibition Triptyque in Angers. Close modal Huong Dodinh J 6 1996 Canvas mounted on wood panel 145 cm × 122 cm (57-1/16" × 48-1/16") Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Matthew Day Jackson, Tree (after CDF), 2022, Wood, acrylic paint, urethane plastic, fiberglass, stones, needlepoint, lead on panel, stainless steel frame, 80-1/4" × 61-1/4" × 2" (203.8 cm × 155.6 cm × 5.1 cm) Sold Matthew Day Jacksonb. 1974, Panorama City, CaliforniaMatthew Day Jackson is a painter, sculptor, draftsperson, and photographer based in Brooklyn, New York. Through his multifarious practice, which includes collage, drawing, video, performance, and installation, Jackson engages with a wide range of subjects, from the historical and scientific to the futuristic and fantastical.Utilizing notably American images and iconography associated with LIFE magazine, the Apollo 11 Moon landing, the West, the atomic bomb, and more, he examines how an inexorable pursuit of a false utopia throughout American history has shaped notions of national identity. Jackson brings his own experience and embodiment of the past and present to the fore of his practice. At the core of his work is a deep interest in finding similarities within binaries and dichotomies, particularly the simultaneity of beauty and horror. Close modal Matthew Day Jackson Tree (after CDF) 2022 Wood, acrylic paint, urethane plastic, fiberglass, stones, needlepoint, lead on panel, stainless steel frame 80-1/4" × 61-1/4" × 2" (203.8 cm × 155.6 cm × 5.1 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Indo 3, 1975, Oil on canvas, 90" × 66" (228.6 cm × 167.6 cm) Learn More Virginia Jaramillob. 1939, El Paso, TexasBorn in southwestern Texas, Jaramillo’s family relocated to Los Angeles, California, when she was two years old, a move that would shape her artistic career. From a young age, her parents encouraged her to explore the arts, enrolling her at Manual Arts High School, which counts Jaramillo among their distinguished alumnae along with Jackson Pollock, Philip Guston, and Daniel LaRue Johnson. Over the weekends, Jaramillo’s art teacher would take a small group of students to Charles and Ray Eames’ studio for lectures and films. The Eames’ sleek, minimal, industrial style influenced Jaramillo, whose lifelong practice has been marked by a commitment to complementary tenets of minimalism and modernity. Close modal Virginia Jaramillo Indo 3 1975 Oil on canvas 90" × 66" (228.6 cm × 167.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Maysha Mohamedi, Maman's Vein, 2022, oil on canvas, 63" × 51" (160 cm × 129.5 cm) Sold Maysha Mohamedib. 1980, Los AngelesMaysha Mohamedi received a BS in 2002 from the University of California, San Diego, where she studied cognitive science, specializing in neuroscience. After graduating, she went on to earn an MFA in painting from the California College of the Arts in San Francisco in 2011. In her abstract paintings, the artist meditates on selfhood and consciousness through a singular lexicon of color, composition, and mark-making. Vibrant and playful, Mohamedi’s innovative practice points toward a new mode of atmospheric abstraction that registers certain conditions specific to Los Angeles—and American life as a whole—in the early 21st century. Reflecting her personal history, everyday experiences, and key constellations in her own cultural matrix as a woman of Iranian descent, her palette is both purely abstract and directly connected to the patchwork of landscapes, objects, and environments that comprise her life. These range from an Ojai, California playground the artist visited with her children, clippings from cookbooks and magazines, to sea glass found on the shore. Mohamedi’s works are reflections of her own thinking, crystallized as moments of haptic communion. The artist’s academic background in neuroscience is found in the liveliness and expansiveness of her paintings. Liberated from the constraints and dictates of the three-dimensional world, her immersive works exude a sense of freedom and illimitability. For Mohamedi, the viewer is an equal creator in this shared universe of boundless possibilities. Mohamedi’s work has been the subject of solo exhibitions with Parrasch Heijnen Gallery, Los Angeles (2011); The Lodge, Los Angeles (2018); Halsey McKay Gallery, East Hampton (2020); and Massimo De Carlo, Paris (2022). Her work has been presented in group exhibitions at Artual Gallery, Beirut, Lebanon (2019); Fourteen30 Contemporary, Portland, Oregon (2019); and Blum & Poe, Los Angeles (2021), among others. Close modal Maysha Mohamedi Maman's Vein 2022 oil on canvas 63" × 51" (160 cm × 129.5 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Adam Pendletonb. 1984, Richmond, Virginia Read More Adam Pendleton, Untitled (WE ARE NOT), 2022, silkscreen ink on canvas, 96" × 120" (243.8 cm × 304.8 cm) Sold Close modal Adam Pendleton Untitled (WE ARE NOT) 2022 silkscreen ink on canvas 96" × 120" (243.8 cm × 304.8 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Adam Pendleton is recognized for his conceptual practice, which engages with language, abstraction, and identity through a wide range of media, including painting, sculpture, writing, film, and performance. His works are centered around linguistic and visual communication with varying degrees of legibility that create thought-provoking presentations. Often referencing artistic and political movements, he appropriates and reconfigures images and texts to critically examine the resonance of ideas from varied cultural perspectives. Pendleton explores the construction and negation of meaning through Black Dada, which he proposes as a conceptual framework that he introduces into broader conversations about representation. Read More Lynda Benglis, B-Witched, 2022, Everdur bronze (golden), 35-3/4" × 19" × 16-1/2" (90.8 cm × 48.3 cm × 41.9 cm), estimated dimensions Sold Lynda Benglisb. 1941, Lake Charles, LouisianaSince the 1960s, Lynda Benglis has been celebrated for the free, ecstatic forms she has made that are simultaneously playful and visceral, organic and abstract. Benglis began her career in the midst of Postminimal art and has pushed the traditions of painting and sculpture into new territories throughout her career. Comprised of a variety of materials—from beeswax, latex, and polyurethane foam to later innovations with plaster, gold, vaporized metals, glass, ceramics, and paper—her works demonstrate an enduring fascination with process. The embrace of flowing forms, color, and sensual surfaces attests to her inventive and radical spirit. Benglis’s experimental videos expand her interest of process to new media, featuring performative actions and using technological mediation to explore themes of physical presence, narcissism, sexuality, and gendered identity. Through her multifarious practice, Benglis continues a long-running investigation of the proprioceptive, sensory experiences of making and viewing her works. Close modal Lynda Benglis B-Witched 2022 Everdur bronze (golden) 35-3/4" × 19" × 16-1/2" (90.8 cm × 48.3 cm × 41.9 cm), estimated dimensions Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Torkwase Dyson, I Am Everything That Will Save Me_Scale IV (Bird and Lava), 2022, wood, acrylic, graphite, and string, 36" (91.4 cm), diameter, 2 tondos, each 74" × 36" × 2-3/4" (188 cm × 91.4 cm × 7 cm), overall installed Reserved Torkwase Dysonb. 1973, Chicago, IllinoisTorkwase Dyson describes herself as a painter working across multiple mediums to explore the continuity between ecology, infrastructure, and architecture. Examining environmental racism as well as the history and future of black spatial liberation strategies, Dyson’s abstract works grapple with the ways in which space is perceived and negotiated, particularly by black and brown bodies. In 2019, Dyson’s solo exhibition I Can Drink the Distance was on view at The Cooper Union, New York, and her work was also presented at the Sharjah Biennial.In addition to participating in group exhibitions at the Smithsonian National Museum of African Art, Washington, D.C.; Whitney Museum of American Art, New York; The Museum of Modern Art, New York; and California African American Museum, Los Angeles, Dyson has had solo exhibitions and installations at Colby College Museum of Art, Waterville, Maine; Graham Foundation for Advanced Studies in the Fine Arts, Chicago; Schuylkill Center for Environmental Education, Philadelphia; and Suzanne Lemberg Usdan Gallery, Bennington College, Vermont. Close modal Torkwase Dyson I Am Everything That Will Save Me_Scale IV (Bird and Lava) 2022 wood, acrylic, graphite, and string 36" (91.4 cm), diameter, 2 tondos, each 74" × 36" × 2-3/4" (188 cm × 91.4 cm × 7 cm), overall installed Reserved Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back All Works Grid List Lynda Benglis, B-Witched, 2022 2022, Everdur bronze (golden), 35-3/4" × 19" × 16-1/2" (90.8 cm × 48.3 cm × 41.9 cm) Unavailable Learn More Close modal Lynda Benglis B-Witched 2022 Everdur bronze (golden) 35-3/4" × 19" × 16-1/2" (90.8 cm × 48.3 cm × 41.9 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Huong Dodinh, K.A. 236, 2020 2020, Organic binders and natural pigments on canvas mounted on wood, 106 cm × 106 cm (41-3/4" × 41-3/4") Sold Sold Close modal Huong Dodinh K.A. 236 2020 Organic binders and natural pigments on canvas mounted on wood 106 cm × 106 cm (41-3/4" × 41-3/4") Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Huong Dodinh, J 6, 1996 1996, Canvas mounted on wood panel, 145 cm × 122 cm (57-1/16" × 48-1/16") Sold Sold Close modal Huong Dodinh J 6 1996 Canvas mounted on wood panel 145 cm × 122 cm (57-1/16" × 48-1/16") Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Huong Dodinh, G 6, 1992 1992, Coated paper mounted on wooden panel, 55 cm × 38 cm (21-5/8" × 14-15/16") Sold Sold Close modal Huong Dodinh G 6 1992 Coated paper mounted on wooden panel 55 cm × 38 cm (21-5/8" × 14-15/16") Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Torkwase Dyson, I Am Everything That Will Save Me_Scale IV (Bird and Lava), 2022 2022, wood, acrylic, graphite, and string, 36" (91.4 cm), diameter, 2 tondos, each 74" × 36" × 2-3/4" (188 cm × 91.4 cm × 7 cm), overall installed Reserved Reserved Close modal Torkwase Dyson I Am Everything That Will Save Me_Scale IV (Bird and Lava) 2022 wood, acrylic, graphite, and string 36" (91.4 cm), diameter, 2 tondos, each 74" × 36" × 2-3/4" (188 cm × 91.4 cm × 7 cm), overall installed Reserved Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Elmgreen & Dragset, On Target, Fig. 4, 2022 2022, mirror-polished stainless steel and lacquer, 51-3/16" × 51-3/16" × 16-5/8" (130 cm × 130 cm × 42.2 cm) Sold Sold Close modal Elmgreen & Dragset On Target, Fig. 4 2022 mirror-polished stainless steel and lacquer 51-3/16" × 51-3/16" × 16-5/8" (130 cm × 130 cm × 42.2 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Matthew Day Jackson, Tree (after CDF) 2022, Wood, acrylic paint, urethane plastic, fiberglass, stones, needlepoint, lead on panel, stainless steel frame, 80-1/4" × 61-1/4" × 2" (203.8 cm × 155.6 cm × 5.1 cm) Sold Sold Close modal Matthew Day Jackson Tree (after CDF) 2022 Wood, acrylic paint, urethane plastic, fiberglass, stones, needlepoint, lead on panel, stainless steel frame 80-1/4" × 61-1/4" × 2" (203.8 cm × 155.6 cm × 5.1 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Indo 3 1975, Oil on canvas, 90" × 66" (228.6 cm × 167.6 cm) Unavailable Learn More Close modal Virginia Jaramillo Indo 3 1975 Oil on canvas 90" × 66" (228.6 cm × 167.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, South Atlantic Anomaly 2022, screenprint with water-based inks on Coventry Rag 335 gsm paper, 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Available Close modal Virginia Jaramillo South Atlantic Anomaly 2022 screenprint with water-based inks on Coventry Rag 335 gsm paper 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Maya 2022, screenprint with water-based inks on Coventry Rag 335 gsm paper, 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Available Close modal Virginia Jaramillo Maya 2022 screenprint with water-based inks on Coventry Rag 335 gsm paper 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Quantum Shift 2022, screenprint with water-based inks on Coventry Rag 335 gsm paper, 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Unavailable Learn More Close modal Virginia Jaramillo Quantum Shift 2022 screenprint with water-based inks on Coventry Rag 335 gsm paper 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Elysian Fields 2022, screenprint with water-based inks on Coventry Rag 335 gsm paper, 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Available Close modal Virginia Jaramillo Elysian Fields 2022 screenprint with water-based inks on Coventry Rag 335 gsm paper 42-1/2" × 32-3/4" (108 cm × 83.2 cm) 44-3/4" × 35" × 1-7/8" (113.7 cm × 88.9 cm × 4.8 cm), frame Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Virginia Jaramillo, Spatial Quadrant 2021, Acrylic and wax pastel on canvas, 72" × 72" (182.9 cm × 182.9 cm) Available Available Close modal Virginia Jaramillo Spatial Quadrant 2021 Acrylic and wax pastel on canvas 72" × 72" (182.9 cm × 182.9 cm) Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Agnes Martin, Untitled #2, 1992 1992, acrylic and graphite on linen, 72 x 72" (182.9 x 182.9 cm) Reserved Reserved Close modal Agnes Martin Untitled #2 1992 acrylic and graphite on linen 72 x 72" (182.9 x 182.9 cm) Reserved Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Prabhavathi Meppayil, NewYorkMay/Ninteen, 2022 2022, Copper embedded gesso cubes, 91.4 cm × 91.4 cm × 7.6 cm (36" × 36" × 3") Sold Sold Close modal Prabhavathi Meppayil NewYorkMay/Ninteen 2022 Copper embedded gesso cubes 91.4 cm × 91.4 cm × 7.6 cm (36" × 36" × 3") Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Prabhavathi Meppayil, NewYorkMay/Nine, 2021 2021, Copper wire embedded in gesso panel, 183.5 cm × 183.5 cm × 3.8 cm (72-1/4" × 72-1/4" × 1-1/2") Reserved Reserved Close modal Prabhavathi Meppayil NewYorkMay/Nine 2021 Copper wire embedded in gesso panel 183.5 cm × 183.5 cm × 3.8 cm (72-1/4" × 72-1/4" × 1-1/2") Reserved Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Maysha Mohamedi, Maman's Vein 2022, oil on canvas, 63" × 51" (160 cm × 129.5 cm) Sold Sold Close modal Maysha Mohamedi Maman's Vein 2022 oil on canvas 63" × 51" (160 cm × 129.5 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Maysha Mohamedi, Zest Begets Zest 2022, oil on canvas, 63" × 51" (160 cm × 129.5 cm) Sold Sold Close modal Maysha Mohamedi Zest Begets Zest 2022 oil on canvas 63" × 51" (160 cm × 129.5 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Untitled, 1976 1976-1978, wood painted black, 95-5/8" x 39-1/2" x 23-1/2" (242.9 cm x 100.3 cm x 59.7 cm) Unavailable Learn More Close modal Louise Nevelson Untitled 1976-1978 wood painted black 95-5/8" x 39-1/2" x 23-1/2" (242.9 cm x 100.3 cm x 59.7 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Untitled, 1970 1970, cardboard, fabric, mirror and wood on canvas, 30" x 20" x 1/2" (76.2 cm x 50.8 cm x 1.3 cm) Unavailable Learn More Close modal Louise Nevelson Untitled 1970 cardboard, fabric, mirror and wood on canvas 30" x 20" x 1/2" (76.2 cm x 50.8 cm x 1.3 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Southern Shores VII, XII and XV, 1966 1966, plywood painted white, 30 x 20" (76.2 x 50.8 cm), 3 panels, each 31-1/4" × 62-7/8" × 1-3/8" (79.4 cm × 159.7 cm × 3.5 cm), overall, framed together Available Available Close modal Louise Nevelson Southern Shores VII, XII and XV 1966 plywood painted white 30 x 20" (76.2 x 50.8 cm), 3 panels, each 31-1/4" × 62-7/8" × 1-3/8" (79.4 cm × 159.7 cm × 3.5 cm), overall, framed together Available Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Untitled, 1959 1959, ball point pen, cardboard, paint and wood collage on board, 40" x 30" (101.6 cm x 76.2 cm) Unavailable Learn More Close modal Louise Nevelson Untitled 1959 ball point pen, cardboard, paint and wood collage on board 40" x 30" (101.6 cm x 76.2 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Untitled, 1968 1968, cardboard, paint, paper and wood collage on board, 36" x 36" (91.4 cm x 91.4 cm) Unavailable Learn More Close modal Louise Nevelson Untitled 1968 cardboard, paint, paper and wood collage on board 36" x 36" (91.4 cm x 91.4 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Untitled, 1982 1982, batting, cardboard, fabric, paint and wood collage on board, 30-1/8" x 20" x 5/8" (76.5 cm x 50.8 cm x 1.6 cm) Unavailable Learn More Close modal Louise Nevelson Untitled 1982 batting, cardboard, fabric, paint and wood collage on board 30-1/8" x 20" x 5/8" (76.5 cm x 50.8 cm x 1.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Adam Pendleton, Untitled (WE ARE NOT) 2022, silkscreen ink on canvas, 96" × 120" (243.8 cm × 304.8 cm) Sold Sold Close modal Adam Pendleton Untitled (WE ARE NOT) 2022 silkscreen ink on canvas 96" × 120" (243.8 cm × 304.8 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Gerhard Richter, Abstraktes Bild 1986, oil on canvas, 27-3/4" × 39-3/8" (70.5 cm × 100 cm) Sold Sold Close modal Gerhard Richter Abstraktes Bild 1986 oil on canvas 27-3/4" × 39-3/8" (70.5 cm × 100 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Marina Perez Simão, Untitled, 2022 2022, oil an canvas, 78-3/4" × 66-15/16" (200 cm × 170 cm) Sold Sold Close modal Marina Perez Simão Untitled 2022 oil an canvas 78-3/4" × 66-15/16" (200 cm × 170 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Kiki Smith, Goat Moths and Turkey Tails, 2016 2016, bronze, 24" × 76-1/2" × 2" (61 cm × 194.3 cm × 5.1 cm) Unavailable Learn More Close modal Kiki Smith Goat Moths and Turkey Tails 2016 bronze 24" × 76-1/2" × 2" (61 cm × 194.3 cm × 5.1 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Kiki Smith, Rest Upon, 2009 2009 (fabricated 2016), bronze, 34" × 82" × 39" (86.4 cm × 208.3 cm × 99.1 cm), Cast 1 of 3, Edition of 3 + 1 AP Unavailable Learn More Close modal Kiki Smith Rest Upon 2009 (fabricated 2016) bronze 34" × 82" × 39" (86.4 cm × 208.3 cm × 99.1 cm), Cast 1 of 3, Edition of 3 + 1 AP Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Mika Tajima, Negative Entropy (Atago Jinja, Clapping Prayer, Blue Gold, Double), 2022 2022, Cotton, polyester, nylon, wool acoustic baffling felt, and wood, 54-1/2" × 42" × 1-1/2" (138.4 cm × 106.7 cm × 3.8 cm) Sold Sold Close modal Mika Tajima Negative Entropy (Atago Jinja, Clapping Prayer, Blue Gold, Double) 2022 Cotton, polyester, nylon, wool acoustic baffling felt, and wood 54-1/2" × 42" × 1-1/2" (138.4 cm × 106.7 cm × 3.8 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back John Wesley, Show Girls, 1996 1996, acrylic on canvas, 32" × 60" (81.3 cm × 152.4 cm) Sold Sold Close modal John Wesley Show Girls 1996 acrylic on canvas 32" × 60" (81.3 cm × 152.4 cm) Sold Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Load more To inquire about any of the artists or works featured here, please email us at inquiries@pacegallery.com. Journal View All pace_live_trailer_16-9 Pace Live Explore Over 100 Performances with Pace Live News Leo Villareal Presents New Cosmic Bloom NFT Series with Outland Dec 06, 2022 Artist Projects Art Blocks x Pace Verso Miami NFT Exhibition Nov 17, 2022 evolution Pace Verso How to Grow Your Perfect Life in Our Minds NFT Nov 11, 2022 Overview Agnes Martin Featured Works All Works Journal