Frieze Seoul Upcoming Sep 2 – Sep 5, 2022 Seoul Art Fair Details:Frieze SeoulCOEXBooth A15Sep 2 – 5, 2022Online Presentation:Agnes MartinAug 26 – Sep 6, 2022Press:Press ReleaseConnect:Frieze Seoul@friezeofficial@pacegalleryAbove: Huong Dodinh, J 6, 1996, canvas mounted on wood panel © Huong Dodinh Pace is pleased to detail its presentation for the inaugural edition of Frieze Seoul. The gallery’s booth will feature a focused selection of works, grounded in abstraction, by a group of artists within and beyond Pace’s roster. Spotlighting Pace’s strong contemporary program, the gallery’s Frieze Seoul booth traces exchanges among intergenerational abstractionists. Pace will also unveil a new expansion of its arts complex in Seoul during the fair.Pace’s Frieze Seoul presentation will feature works by Huong Dodinh, Virginia Jaramillo, and Maysha Mohamedi, all of whom joined Pace’s program in 2022. Frieze Seoul marks Jaramillo’s debut showing with Pace, and the artist will have her first solo exhibition with the gallery in Los Angeles in 2023. Booth highlights also include new paintings by Torkwase Dyson and Adam Pendleton; a new sculpture by Lynda Benglis; two recent sculptures by Kiki Smith; and works by Louise Nevelson, Gerhard Richter, Prabhavathi Meppayil, Marina Perez Simão, Mika Tajima, and others. Concurrent with Frieze Seoul, Benglis is presenting a major exhibition at the Nasher Sculpture Center in Dallas, Texas; Pendleton’s largest museum show in Europe to date is on view at Mumok in Vienna; and Tajima’s solo exhibition at the Dazaifu Tenmangu Museum and Shrine Grounds in Japan continues through October 10.A six-by-six-foot painting by Agnes Martin, a key figure in the gallery’s history and legacy, will be the cornerstone of the presentation. Reflecting Pace’s roots in Minimalism, this striking late-career work, Untitled #2 (1992), can be understood as part of Martin’s pursuit to deepen her understanding of painting’s essence by way of radiant, meditative abstraction—Martin’s works of this caliber and type are rarely made available. With multicolor stripes that appear to float on its canvas, the painting reflects the artist’s interest in unearthing new possibilities of perception and experience, toward a purity of expression, through her medium. Martin’s creation of Untitled #2 was followed by a return to exuberant color that would mark her work from 1994 until her death in 2004.On the occasion of the fair, Pace will open an outdoor sculpture courtyard and Osulloc Tea House—where a rotating display of prints, editions, and titles from Pace Publishing, the gallery’s imprint, will be on view and available for purchase—at its gallery complex in Seoul. This latest expansion of Pace’s Seoul gallery, where a new ground floor exhibition space specially equipped for immersive, experiential artworks opened in March 2022, builds on its strong presence in the Korean capital since 2017, when it became one of the first international galleries to establish a permanent space in the city. Solo exhibitions by Adrian Ghenie and the collective teamLab will be presented at Pace’s Seoul gallery during the run of Frieze Seoul. NFT projects from Pace Verso, the gallery’s web3 arm, will also be on view at the gallery. Read More Featured Works Huong Dodinh, J 6, 1996, Canvas mounted on wood panel, 145 cm × 122 cm (57-1/16" × 48-1/16") Learn More Close modal Huong Dodinh J 6 1996 Canvas mounted on wood panel 145 cm × 122 cm (57-1/16" × 48-1/16") Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Agnes Martin, Untitled #2, 1992, acrylic and graphite on linen, 72 x 72" (182.9 x 182.9 cm) Learn More Close modal Agnes Martin Untitled #2 1992 acrylic and graphite on linen 72 x 72" (182.9 x 182.9 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Lynda Benglis, B-Witched, 2022, Everdur bronze (golden), 35" × 21-1/4" × 17-1/2" (88.9 cm × 54 cm × 44.5 cm), estimated dimensions Learn More Close modal Lynda Benglis B-Witched 2022 Everdur bronze (golden) 35" × 21-1/4" × 17-1/2" (88.9 cm × 54 cm × 44.5 cm), estimated dimensions Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Maysha Mohamedi, Maman's Vein, 2022, oil on canvas, 63" × 51" (160 cm × 129.5 cm) Learn More Close modal Maysha Mohamedi Maman's Vein 2022 oil on canvas 63" × 51" (160 cm × 129.5 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Adam Pendleton, Untitled (WE ARE NOT), 2022, silkscreen ink on canvas, 96" × 120" (243.8 cm × 304.8 cm) Learn More Close modal Adam Pendleton Untitled (WE ARE NOT) 2022 silkscreen ink on canvas 96" × 120" (243.8 cm × 304.8 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Journal View All News Announcing Further Expansion of Our Seoul Gallery Jun 29, 2022 Films Huong Dodinh On "Ascension," Her First Exhibition in Italy Jul 18, 2022 News Maysha Mohamedi Joins Pace Gallery Apr 12, 2022 News Huong Dodinh Joins Pace Gallery Apr 05, 2022 Overview Featured Works Journal