Installation view, Elmgreen & Dragset: The Nervous System, November 10 – December 18, 2021, Pace Gallery, New York © Elmgreen & Dragset Essays When Shared By Sarah Lieberman From The Nervous Fictions: Writers Respond to Elmgreen & DragsetPublished Thursday, Dec 16, 2021 A memory is heavier when shared. Don’t tryto take a corner of the mattress up the stairs ifit’s being brought down. Read More I preserve the shape of cheers inside a glass case. I use it as a compass,a wax stamp, a palette. Can I unbecome the losing? We only deserve what we end up with. The rest: no resemblance. I don’t understand. How could you Read More be so ugly that everyone can see me? Grotesque, face-down, supine. Everyone was wondering, “what will happen next?” A dribble, a dismount, I won’t even lift my head. I have a sad, swollen mouth and a cold fire to come home to.When will I see you again? Would you offer me another time? I wonder: if time, too, could be different now: a pinprick held still, the continents stretching and spreading like several colors of clay all rolled together. I wonder if time creates tension, like a slingshot, and eventually jumps forward to meet the rest of the world,sometimes thrusting too far in the future, so that the memory of how time resumes is blurred. This rotten reward. In the clearest river water,fish bury themselves beneath the sand. Read More Maybe time spreads like paint. Maybe it moves thinner, speckled— a scrape.We are too concerned with waste and end up with not near enough. I won’tremember every day that left me terrible, and yet, there are very few promisesof forgetting. The only thing left to win: more torment— time and space.Maybe time spent in childhood, tasting rocks like salt on burnt and burningcourts, is preserved in jars, changed out every ten years, when one anotheris aged, expired, eaten. How many times can I come back to you?I could stay out here for a long time. I could lie on the hot, dusty ground forhours. I could wait until you forget about me completely. You would comeback, you would search for me, but, soon enough, you would remember, too,how difficult I am to look at.I leave a gun by the window, pointed right toward a constellationthat means nothing to me. So bright, I must turn my head away to sleep.So bright, long, and far, behind glass, and like nothing I’ve seen before,nothing so large, so able to hurt me. Like nothing I would point atelescope at, like nothing I would fight to remember.I take my time. This ghost dips his hands in the basin, and flicks them dry,clips his nails. I broke my left wrist, like every other half lucky child, andI slipped notes under the gaping sleeve between cast and wrist, whichmolded and mildewed. The year before, I put gauze in the bloody holesof your mouth, which hurt you after you were finished hurting me. I stuffedyou full of cotton, and it made my own throat go dry. I’d go and undo it.I don’t just feel you beating me, but I feel hundreds of hands on my body. Elmgreen & DragsetThe Nervous FictionsWriters Respond to Elmgreen & DragsetRead All Essays Essays — When Shared, by Sarah Lieberman, Dec 16, 2021