News Introducing Superblue Aug 4, 2020 A groundbreaking new enterprise dedicated to producing, presenting, and engaging the public with experiential art.We are thrilled to announce the launch of Superblue, a new and separate enterprise from Pace Gallery, cofounded by our President and CEO Marc Glimcher and former Pace London President Mollie Dent-Brocklehurst, as published in (opens in a new window) The New York Times.Featuring long-term installations, Superblue experiential art centers enable the simultaneous presentation of multiple large-scale and interactive works—offering visitors unparalleled opportunities to be transported to an array of new worlds.Superblue was created in response to the rapidly growing public interest in experiential art and the needs of artists working outside the realm of object-based practices. Superblue works with artists who are among the pioneers and leading practitioners of experiential art and who reflect a wide range of artistic practices and experiences. They include: Nick Cave, Mary Corse, Es Devlin, DRIFT, Simon Heijdens, Jeppe Hein, Studio INI, JR, Koo Jeong A, Rafael Lozano-Hemmer, Kohei Nawa, Carsten Nicolai, Risa Puno, Random International, Michal Rovner, Jacolby Satterwhite, Jakob Kudsk Steensen, Studio Swine, teamLab, James Turrell, and Leo Villareal.Superblue is an entirely new and separate enterprise from Pace and a natural outgrowth from PaceX, which served as its initial research and development stage. Superblue was co-founded by Marc Glimcher, President & CEO of Pace Gallery, and Mollie Dent-Brocklehurst, former president of Pace London, who serves as Chief Executive Officer. “Artists conjure up extraordinary universes that provoke new ideas about ourselves and make us reimagine our relationship with each other and the world... Superblue represents a necessary evolution and disruption of the arts ecosystem, providing artists with the resources they need for realizing their most ambitious ideas and engaging the public in the ways they envisioned, which is so integral to the work itself.” Marc Glimcher, Co-Founder, Superblue; President & CEO, Pace Gallery Read More teamLab, Universe of Water Particles in the Tank, Transcending Boundaries, 2019, Interactive Digital Installation © teamLab 1/10 Leo Villareal, The Bay Lights, 2013 and 2016. LEDs, custom software. Site-specific installation on the San Francisco Bay Bridge. Courtesy of Illuminate. Photo by James Ewing © Leo Villareal 2/10 RANDOM INTERNATIONAL, Rain Room, 2012, Water, injection moulded tiles, solenoid valves, pressure regulators, custom software, 3D tracking cameras, steel beams, water management system, grated floor from 100m2, Exhibited at The Curve, Barbican, London, Courtesy of The Maxine and Stuart Frankel Foundation for Art, Photography by RANDOM INTERNATIONAL 3/10 DRIFT, Franchise Freedom, 2017, Special edition of Franchise Freedom in Rotterdam during Covid-19 pandemic as a sign of hope for the collective freedom, May 2020, Photo: Ossip van Duivenbode, Courtesy of DRIFT © DRIFT 4/10 Michal Rovner, Installation view, Alert, 2016, video projection, dimensions variable © Michal Rovner 5/10 Carsten Nicolai, unicolor, 2014, DLP-projectors, DMX-LED lights, mirrors, computer, sound, bench with loudspeakers, Dimensions variable, Edition of 3,Photo: Julia Guyd, Courtesy Galerie EIGEN + ART Leiipzig/Berlin © Carsten Nicolai 6/10 JR, Migrants, Mayra, Picnic across the Border, Tecate, Mexico – USA, 2017, Installation view © JR 7/10 Mary Corse, The Cold Room, 1968/2017, Argon, Plexiglas, high-frequency generator, light tubes, monofilament, compressor, refrigeration panels, plaster. Light work: 50" x 50" x 6-1/2". Installed: 11’ 11” x 11' 3" x 11' 3". Photography: Flying Studio. Courtesy Kayne Griffin Corcoran © Mary Corse 8/10 Kohei Nawa, Biota (Fauna/Flora), 2013, Installation view, Inujima Art House Project, F-Art House, Okayama, Collection of Benesse Holdings, Inc., Photo : Nobutada OMOTE | SANDWICH 9/10 Rafael Lozano-Hemmer, Cloud Display, 2019, Atmospheric Memory, Manchester International Festival, Manchester, United Kingdom, 2019. Photo by: Miguel Legault © Rafael Lozano-Hemmer 10/10 Carousel slide 0 Carousel slide 1 Carousel slide 2 Carousel slide 3 Carousel slide 4 Carousel slide 5 Carousel slide 6 Carousel slide 7 Carousel slide 8 Carousel slide 9 Bringing Experiential Art to MiamiSuperblue’s premiere experiential art center will launch in Miami in early spring 2021 with large-scale immersive art experiences by a number of artists and artist collectives.Located in the Allapattah neighborhood directly across from the Rubell Museum, the Miami center transforms an abandoned industrial building into a centrally located cultural resource for the South Florida community and visitors to the region.Miami, a global destination with a vibrant arts community, is the first of several cities internationally in which Superblue will open centers in the coming years—adding a completely new kind of venue to the cultural landscape in each city and expanding the audience for experiential art globally. (opens in a new window) Visit Superblue (opens in a new window) Read More in The New York Times Read More Journal View All Content All the World in a Painting Apr 13, 2024 News Announcing Representation of The Robert Indiana Legacy Initiative Apr 12, 2024 Content Painting as Process and Performance Apr 08, 2024 Pace Publishing Thomas Nozkowski: Everything in the World Mar 29, 2024 News — Introducing Superblue, Aug 4, 2020