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London

Mark Rothko

1968: Clearing Away

Upcoming
Oct 8–Nov 13, 2021

The inaugural program for our new London gallery will present Mark Rothko’s jewel-like paintings on paper from the late 1960s, marking the first exhibition solely dedicated to this masterful body of work in the United Kingdom.

Exhibition Details

Mark Rothko
1968: Clearing Away
Oct 8 – Nov 13, 2021

Above: Mark Rothko, Untitled, 1968. Artwork on paper by Mark Rothko Copyright © 2020 by Kate Rothko Prizel and Christopher Rothko.
Gallery

5 Hanover Square
London

Visitors will be required to book appointments in advance. Click here to schedule your visit.

Pace is honored to inaugurate its new London gallery with Mark Rothko 1968: Clearing Away, an exhibition of rarely seen paintings on paper from the final years of Mark Rothko’s life. On view October 8 – November 13 at 5 Hanover Square, this landmark exhibition will be the first in the United Kingdom that is solely dedicated to the artist’s extraordinary paper-based practice. The exhibition will be accompanied by a fully illustrated catalogue featuring an introduction by Christopher Rothko and a new essay by art historian Eleanor Nairne, curator at the Barbican Art Gallery.

Mark Rothko 1968: Clearing Away brings together key paintings from Rothko’s renowned body of work made in the late 1960s—a significant and prolific period in the artist’s life. In the wake of a particularly difficult bout of ill health and a tumultuous time in his personal life, Rothko was forced to reduce the scale of his practice from his signature monumental canvas to more intimately sized paper. Despite physical limitations, Rothko worked feverishly with a renewed enthusiasm for color, delighted by the effect of acrylic paint, which he had newly discovered.

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Mark Rothko, Untitled, 1968, oil on paper, on canvas, 39" x 25-3/16" (99.1 cm x 64 cm) © 2020 Kate Rothko Prizel and Christopher Rothko

These jewel-like paintings encourage intimate examination, offering a meditative, pulsating quality that envelops viewers within their frame. Rendered in an array of pigments, from the deepest blue to riotous pink, Rothko’s manipulation of color and light is masterful. Central to his iconic sectional compositions is Rothko’s unique negotiation of space. He creates visual tension through rectangular forms that are at once contained yet expansive. Rothko’s expert layering and feathering of color creates the illusion of luminous, infinite space, yet the painting’s edge maintains focus within the color-field.

Greatly influenced by the writings of Nietzsche—who advocated for the importance of an artist’s freedom from the physical world in order to arrive at ideas of eternity and the mythic—Rothko explained that his ultimate ambition was "the elimination of all obstacles between the painter and the idea, and between the idea and the observer." The paintings borne from this singular moment in the artist’s life represent the realization of this lifelong endeavor, showcasing his enduring will to clear away all ties to representation and refine his vision of boundlessness.

The comparatively small scale of these works allows viewers an intimate encounter, fulfilling Rothko’s desire to collapse boundaries between artist and viewer. Rothko playfully suggested that the optimal distance from which to engage with these works was 18 inches away, mirroring his own proximity to the paintings as he made them. This exhibition offers viewers a rare glimpse into the artist’s more spontaneous practice as he experimented with color and medium, unencumbered by the demands of large-scale canvases.

This exhibition coincides with Tate Britain’s landmark display of Rothko’s 1958 Seagram Murals in dialogue with paintings by J.M.W. Turner. The suite of large-scale paintings originally intended for the Four Seasons Restaurant in New York were given by the artist to the Tate in 1969, arriving in London in 1970. This new display marks 50 years since the iconic paintings came to London, fulfilling Rothko’s wish to have his work hung beside the British painter he deeply admired.

Mark Rothko 1968: Clearing Away will be the first exhibition in Pace’s new London gallery on Hanover Square. The opening program will also feature Liquid a Place, a collaborative performance and sculptural installation by Torkwase Dyson presented by Pace Live.

Pace’s new London gallery has been designed by architect Jamie Fobert Architects. Fobert enjoys a longstanding relationship with Pace having been involved with the original gallery on Lexington Street in 2011. For Hanover Square, Fobert will completely transform the interior architecture of the existing building to incorporate flexible galleries across two floors. The levels will be connected by a feature staircase rendered in black steel, giving the impression of a fully integrated space. The new modular layout will allow for dynamic presentations and will accommodate installations of works ranging from intimate to monumental in scale.

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Mark Rothko

Mark Rothko, a pioneer of the New York School, is one of the most significant and influential artists of the twentieth century, predominantly recognized for his mesmerizing Color-field paintings of immense scale. Among Rothko’s artistic philosophies, he held that painting was a deeply psychological and spiritual experience through which basic human emotions could be communicated.

Learn More

Reproduction, including downloading of Rothko Artworks is prohibited by copyright laws and international conventions without the express permission of the copyright holder. Requests for reproduction should be directed to Artists Rights Society (ARS), New York.

London — Mark Rothko, 1968: Clearing Away, Oct 8–Nov 13, 2021