Pace Live Lee Kun-Yong Snail's Gallop Thursday, July 135:30 PM EDT540 West 25th StreetNew York Event Details:Lee Kun-Yong: Snail's GallopThursday, July 135:30 PM EDT540 West 25th StreetNew YorkHow to Attend: (opens in a new window) RSVPConnect: (opens in a new window) @leekunyong79 (opens in a new window) @pacegallery On the occasion of Lee Kun-Yong’s first-ever solo exhibition in New York, on view at Pace Gallery from July 14 to August 19, the artist will stage a one-off performance of his work Snail’s Gallop, which he debuted in 1979 at Namgye Gallery in Daejeon, Korea and staged at the 15th Bienal de São Paulo that same year. Best known for his inventive and influential performances, Lee has cultivated a practice that also includes painting, sculpture, installation, and video—mediums that often complement his live interventions.Presented by Pace Live—the gallery’s multidisciplinary platform for live art performances, musical acts, conversations, and other events—Snail’s Gallop is an act of both creation and obliteration. In this work, the artist carefully and methodically traces his journey across a given space, drawing lines to mark his body’s positions and movements. After Lee draws a line, he crosses it in a shuffling motion, erasing part of his mark in the process.At Pace, the artist will perform Snail’s Gallop atop a 10 x 1.2-meter sized vinyl sheet, which will remain on view in the gallery for the duration of the exhibition. This work reflects a central element of Lee’s performances: communication with the viewer. He continually explores this idea of exchange with each of the different audiences present for his performances of Snail’s Gallop, extending the life of the work beyond its first enactment some 45 years ago.Lee’s live performance of Snail’s Gallop will take place at Pace’s 540 West 25th Street gallery on Thursday, July 13 at 5:30 p.m., ahead of the opening reception for the artist’s exhibition, which will run from 6–8 p.m. that evening. Read More Lee Kun-YongLee Kun-Yong is known for his performances that reimagine the ways that the body and its movements can be understood across time. The artist cultivated his highly experimental practice during the 1970s, when martial law and authoritarianism presented a major affront to civil rights and freedom of expression in South Korea.Learn More Journal View All Films Brian Dillon on Maysha Mohamedi's Painting Process, Narrated by Edoardo Ballerini Aug 30, 2024 Artist Projects Pace Playlists: Kylie Manning Aug 30, 2024 News Kenjiro Okazaki Joins Pace Gallery Aug 28, 2024 Museum Exhibitions Elmgreen & Dragset at the Musée d’Orsay Aug 26, 2024 Pace Live — Lee Kun-Yong: Snail's Gallop, Jun 16, 2023