Joel Shapiro

Dates

Born 1941, New York, New York

Education

1964, New York University, New York, BA

1969, New York University, New York, MA

2019

Joel Shapiro: Plaster Sculptures 1971–2014, Part II, Craig F. Starr Gallery, New York, April 8–May 18, 2019. (Catalogue)

Joel Shapiro: Plaster Sculptures 1971–2014, Part I, Craig F. Starr Gallery, New York, February 19–March 20, 2019. (Catalogue)

2018

Joel Shapiro, Kasmin Sculpture Garden, New York, October 10–December 22, 2018.

Joel Shapiro: The Bronzes, Madison Museum of Contemporary Art, Wisconsin, September 23, 2018–January 13, 2019. (Catalogue)

Joel Shapiro, Paula Cooper Gallery, New York, March 24–April 28, 2018.

Joel Shapiro: Plaster, Paper, Wood, and Wire, Yale University Art Gallery, New Haven, Connecticut, March 2–June 10, 2018. (Catalogue)

2017

Joel Shapiro, Pace London, 6 Burlington Gardens, May 19–June 17, 2017.

Joel Shapiro: Floor Wall Ceiling, Kunstmuseum Winterthur, Switzerland, January 11–April 17, 2017. (Catalogue)

2016

Joel Shapiro, Dominique Lévy, New York, October 28, 2016–January 7, 2017. (Catalogue)

Joel Shapiro, Nasher Sculpture Center, Dallas, May 7–August 21, 2016. (Catalogue)

2015

Joel Shapiro: Wood Plaster Bronze, Galerie Karsten Greve, Cologne, January 30–April 11, 2015. (Catalogue)

2014

Joel Shapiro: Painted Wood, Almine Rech Gallery, Brussels, October 9–November 12, 2014.

Joel Shapiro: Iron and Bronze 1973–76, Craig F. Starr Gallery, New York, September 5–November 1, 2014. (Catalogue)

Joel Shapiro, Elizabeth Leach Gallery, Portland, Oregon, July 2–August 2, 2014.

Joel Shapiro, Portland Art Museum, Oregon, June 21–September 21, 2014.

Joel Shapiro: Works on Paper 2011–2013, Pace Gallery, 508 West 25th Street, New York, May 9–June 28, 2014. (Catalogue)

Joel Shapiro: Wood Plaster Paint, Galerie Karsten Greve, Paris, May 3–August 23 2014. 

Joel Shapiro: Prints 1975–2011, Susanne Hilberry Gallery, Ferndale, Michigan, March 1–April 19, 2014.

Joel Shapiro, Paula Cooper Gallery, New York, January 25–February 22, 2014.

Joel Shapiro, Musée de l'Art Moderne Saint-Etienne Métropole, Saint-Étienne, France, January 17–May 18, 2014. (Catalogue)

2013

Joel Shapiro, L.A. Louver, Venice, California, November 14, 2013–January 11, 2014.

Joel Shapiro: Sculpture and Drawings 1969–1972, Craig F. Starr Gallery, New York, February 1–March 23, 2013. (Catalogue)

2012

Joel Shapiro: Up Down Around, Gemini G.E.L at Joni Moisant Weyl, New York, September 27–October 23, 2012.

Joel Shapiro: untitled (end of summer), Galerie Daniel Templon, Paris, September 8–October 20, 2012.

Joel Shapiro: Sculpture and Drawings, John Berggruen Gallery, San Francisco, April 5–May 12, 2012.

Joel Shapiro: New Sculptures and Drawings, Texas Gallery, Houston, February 3–March 31, 2012.

Joel Shapiro: Untitled, Rice University Art Gallery, Houston, February 2–March 18, 2012. (Catalogue)

2011

Joel Shapiro, Galerie Forsblom, Helsinki, August 19–September 25, 2011.

Joel Shapiro: Five Recent Sculptures, L.A. Louver, Venice, California, July 21–August 27, 2011.

Joel Shapiro, L.A. Louver, Venice, California, March 10–April 16, 2011.

Joel Shapiro, Museum Ludwig, Cologne, February 26–September 25, 2011. (Catalogue)

2010

Joel Shapiro: Works 1969–1979, Paula Cooper Gallery, New York, January 8–February 13, 2010.

Joel Shapiro: New Work, The Pace Gallery, 534 West 25th Street, New York, April 17–May 15, 2010.

Joel Shapiro: Skulptur, Galerie Karsten Greve, Cologne, September 2–November 6, 2010.

2009

Joel Shapiro: Sculpture, Galerie Karsten Greve, St. Moritz, Switzerland, December 29, 2009–February 20, 2010.

Boat, Bird, Mother and Child: Joel Shapiro at Gemini, Gemini G.E.L. at Joni Moisant Weyl, New York, November 10–December 12, 2009. (Brochure)

Joel Shapiro: Works on Paper, Galerie Daniel Templon, June 20–July 25, 2009.

Joel Shapiro, L.A. Louver, Venice, California, January 15–February 14, 2009.

2008

Joel Shapiro: Sculptures and Works on Paper, Texas Gallery, Houston, January 10–February 16, 2008.

Joel Shapiro: Wood/Painted Wood, The Van Every/Smith Galleries, Davidson College, Davidson, North Carolina, January 18–February 29, 2008. (Catalogue)

Joel Shapiro, Gana Art Gallery, Seoul, Korea, February 1–24 2008. Traveled to: Gana Art Busan, Korea, February 28–March 30, 2008. (Catalogue)

Joel Shapiro: Sculpture from the 80’s, Nohra Haime Gallery, New York, October 7–November 15, 2008. 

2007

Joel Shapiro: New Sculpture, PaceWildenstein, 545 West 22nd Street, New York, November 2, 2007–January 19, 2008. (Catalogue)

2006

Joel Shapiro: Skulpturen, Galerie Jamileh Weber, Zurich, October 28, 2006–January 27, 2007.

Joel Shapiro, L.A. Louver, Venice, California, March 31–May 6, 2006.

2005

Joel Shapiro: Sculpture and Drawings, Russell Bowman Art Advisory, Chicago, October 21–December 3, 2005.

Joel Shapiro: Sculpture and Drawings, John Berggruen Gallery, San Francisco, September 15–October 29, 2005.

Correspondances: Joel Shapiro/Jean-Baptiste Carpeaux, Musée d’Orsay, Paris, April 12–July 10, 2005. (Catalogue)

Joel Shapiro: Work in Wood, Plaster, and Bronze 2001–2005, PaceWildenstein, New York, March 10–April 16, 2005. (Catalogue; essay by Steven A. Nash)

Joel Shapiro: Drawings and Sculpture, Cooke Fine Art, New York, January 7–February 25, 2005.

2004

Art Now: Sculptures of Joel Shapiro, Middlebury College Museum of Art, Vermont, September 7–December 5, 2004.

Joel Shapiro: Small Scale Sculpture, Galerie Daniel Templon, Paris, May 4–June 5, 2004.

Joel Shapiro: Recent Sculpture, LA Louver, Venice, California, January 16–February 21, 2004.

2003

Joel Shapiro: Off the Wall: 1976–2003, Susanne Hilberry Gallery, Ferndale, Michigan, November 14, 2003–January 24, 2004.

Joel Shapiro: Recent Sculpture, PaceWildenstein, 534 West 25th Street, New York, May 2–July 31, 2003. (Catalogue; essay by Arthur c. Danto)

Joel Shapiro, Samuel P. Harn Museum of Art, University of Florida, Gainesville, February 4–April 6, 2003.

2001

Joel Shapiro on the Roof, The Metropolitan Museum of Art, Gerald B. Cantor Rooftop Galleries, New York, May 1–November 8, 2001.

Joel Shapiro: Recent Sculpture and Drawings, PaceWildenstein, New York, April 27–May 26, 2001. (Catalogue; interview by Amy Newman).

Joel Shapiro, Galerie Daniel Templon, Paris, January 27–March 3 (extended through March 22), 2001.

2000

Joel Shapiro: Painted Wood, Timothy Taylor Gallery, London, November 8–December 16, 2000.

Joel Shapiro: Sculpture, Middleton Place, Spoleto Festival USA, Charleston, South Carolina, May 22–September 4, 2000. Traveled to: McNay Art Museum, San Antonio, October 1, 2000–January 7, 2001; Denver Art Museum, February 13–April 30 extended through May 28), 2001. (Catalogue; essay by Martin Friedman)

Joel Shapiro: Sculpture and Works on Paper, John Berggruen Gallery, San Francisco, May 4–July 1, 2000.

1999

Joel Shapiro, National Gallery of Canada, Ottawa, September 20, 1999–January 23, 2000. Exhibition held simultaneously with the installation of Conjunction, a commission by Friends of Art and Preservation in Embassies (FAPE) for the Embassy of the United States, Ottawa.

Joel Shapiro Sculpture 1974–1999, Yorkshire Sculpture Park, Wakefield, Yorkshire, England, July 16–October 31, 1999. (The outdoors installation was exhibited July 16, 1999–February 27, 2000). (Catalogue; edited by Clare Lilley)

Joel Shapiro Sculpture, New Art Centre Sculpture Park & Gallery, Roche Court, East Winterslow, Salisbury, Wiltshire, England, June 22–August 31, 1999. (The three outdoor bronze sculptures remained on view until November 28, 1999).

Joel Shapiro, Museum of Fine Arts, Boston, April 17–November 28, 1999.

Joel Shapiro: Roma, American Academy in Rome, March 12–June 15, 1999. (Recent work at the Academy and outdoor sculpture installed around the city). (Catalogue; essays by Peter Boswell, Klaus Kertess, Donald Kuspit; interview by Ester Coen)

Joel Shapiro: Recent Sculpture, PaceWildenstein, Los Angeles, January 12–March 13, 1999.

1998

Joel Shapiro: New Wood & Bronze Sculpture, PaceWildenstein, 32 East 57th Street and 142 Greene Street, New York, October 15–November 14, 1998. (Catalogue; essay by Klaus Kertess)

1997

Joel Shapiro: Skulpturen 1993–1997, Haus der Kunst, Munich, October 24, 1997–January 18, 1998. Traveled to: Barlach HALLE K, Hamburg, February 5–March 22, 1998. (Catalogue; essays by Hubertus Gassner and Donald Kuspit)

Joel Shapiro Drawings, Galerie Biedermann, Munich, October 15–December 30, 1997.

Joel Shapiro: Sculpture in Clay, Plaster, Wood, Iron and Bronze, 1971–1997, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 20–January 4, 1998. (Catalogue; interview by Jock Reynolds; lecture at Harvard University by Joel Shapiro)

Galerie Jamileh Weber, Zurich, September 5–October 11, 1997.

1996

Joel Shapiro: Recent Drawings and Sculpture, Gallery Seomi, Seoul, November 12–December 20, 1996. (Catalogue; essay by Sung Hee Kim)

Joel Shapiro: Recent Sculpture, PaceWildenstein, 142 Greene Street, New York, September 27–November 2, 1996.

Joel Shapiro: Selected Prints 1975–1995, University of Missouri, Kansas City Gallery of Art, Kansas City, Missouri, September 7–June 1997.

Joel Shapiro: Sculpture and Drawings, PaceWildenstein, Los Angeles, March 14–April 20, 1996. (Catalogue; essay by Michael Brenson)

Joel Shapiro: Early Works, Daniel Weinberg, San Francisco, March 9–April 27, 1996.

Joel Shapiro: New Etchings and Painted Wood Sculptures, Susanne Hilberry Gallery, Birmingham, Michigan, February 6–March 30, 1996.

1995

Joel Shapiro: Etchings, Betsy Senior Gallery, New York, October 26–December 22, 1995.

Joel Shapiro: Outdoors, Walker Arts Center/Minneapolis Sculpture Garden, Minneapolis, May 15, 1995–March 15, 1996. Traveled to: The Nelson-Atkins Museum of Art/Kansas City Sculpture Park, Kansas City, April 23–October 13, 1996. (Catalogue; essay by Deborah Emont Scott; interview by Peter Boswell)

Joel Shapiro Sculpture, Galerie Karsten Greve, Paris, May 4–August 31, 1995.

Joel Shapiro: Painted Wood Sculpture and Drawings, The Pace Gallery, New York, March 24–April 22, 1995. (Catalogue; interview by Ellen Phelan)

Joel Shapiro: Teckningar, Galerie Aronowitsch, Stockholm, February 11–March 15, 1995.

1994

Joel Shapiro: Sculture e Disegni, Galleria Karsten Greve, Milan, September 8–November 8, 1994.

Joel Shapiro: Drawing & Sculpture, Gallery Seomi, Seoul, April 19–May 18, 1994. (Brochure; text by Professor Choi Insu)

1993

Joel Shapiro: Skulpturen/Arbeiten auf Papier, Galerie Karsten Greve, Cologne, September 23, 1993–January 6, 1994.

Joel Shapiro: Sculpture and Drawings, The Pace Gallery, 32 East 57th Street, New York and 142 Greene Street, New York, April 30–June 18, 1993. (Catalogue; essay by Peter Schjeldahl)

1991

Joel Shapiro Recent Sculpture, John Berggruen Gallery, San Francisco, October 30–November 30, 1991.

Joel Shapiro: Sculptures-Wood, Bronze, Gallery Mukai, Tokyo, May 10–June 8, 1991. (Catalogue)

Joel Shapiro, Asher/Faure, Los Angeles, April 20–May 18, 1991.

Joel Shapiro: Selected Drawings 1968–1990, Center for the Fine Arts, Miami, April 6–June 2, 1991. (Catalogue; essay by Mark Ormond; “Joel Shapiro Talks with Paul Cummings,” interview by Paul Cummings)

Joel Shapiro, Salon de Mars, Paris, March 20–March 25, 1991.

1990

Joel Shapiro, Paula Cooper Gallery, New York, November 3–December 1, 1990.

Joel Shapiro, Louisiana Museum for Moderne Kunst, Humlebæk, Denmark, September 15–November 18, 1990. Traveled to: IVAM Centre Julio González, Valencia, Spain, November 29–February 10, 1991; Kunsthalle Zürich, March 23–May 26, 1991; Musée des Beaux-Arts, Calais, France, June 22–September 8, 1991. (Catalogue; essays by Nancy Princenthal and Rosalind Krauss)

Joel Shapiro, Galerie Aronowitsch, Stockholm, September 1–September 29, 1990.

Joel Shapiro: Tracing the Figure, Baltimore Museum of Art, Maryland, August 21–October 7, 1990. Traveled to: Des Moines Art Center, Iowa. November 17, 1990–January 13, 1991; Center for the Fine Arts, Miami, April 6–June 2, 1991. (Catalogue; essay by Donald Kuspit; interview by Deborah Leveton)

Joel Shapiro Skulptur & Grafik 1985–1990, Museet i Varberg, Varberg, Sweden, June 17–August 19, 1990.

Joel Shapiro, The Greenberg Gallery, St. Louis, Missouri, May 24–July 21, 1990.

Joel Shapiro, Pace Prints, New York, May 4–June 3, 1990.

1989

Joel Shapiro, Waddington Galleries, London, October 4–October 28, 1989. (Catalogue; essay by Lynne Cooke)

Joel Shapiro, Paula Cooper Gallery, New York, May 3–June 3, 1989.

Playing with Human Geometry: Joel Shapiro’s Sculpture, The Toledo Museum of Art, Toledo, Ohio, January 15–February 26, 1989.

Joel Shapiro, Asher and Faure, Los Angeles, January 14–February 11, 1989.

1988

Joel Shapiro: Recent Sculptures and Drawings, Cleveland Museum of Art, December 6, 1988–January 29, 1989.

Joel Shapiro, Galerie Daniel Templon, Paris, September 10–October 12, 1988.

Joel Shapiro, Susanne Hilberry Gallery, Birmingham, Michigan, May 21–June 22, 1988.

Joel Shapiro, Hans Strelow, Düsseldorf, April 29–June 4, 1988.

Joel Shapiro, Gallery Mukai, Tokyo, April 4–May 7, 1988. (Catalogue; essay by Lynne Cooke)

Joel Shapiro, Paula Cooper Gallery, New York, March 3–March 31, 1988.

1987

Joel Shapiro: Painted Wood, Hirshhorn Museum and Sculpture Garden, Washington, D.C., December 2, 1987–February 28, 1988. (Brochure; essay by Ned Rifkin)

Joel Shapiro, John Berggruen Gallery, San Francisco, September 30–November 28, 1987.

Joel Shapiro, Donald Young Gallery, Chicago, April 3–May 2, 1987.

1986

Joel Shapiro, Asher and Faure, Los Angeles, November 15–December 20, 1986.

Joel Shapiro, Paula Cooper Gallery, New York, November 8–December 6, 1986.

Joel Shapiro: Sculpture and Drawings 1981–85, The John and Mable Ringling Museum of Arts, Sarasota, Florida, October 31–December 14, 1986. (Catalogue; essay by Mark Ormond)

Joel Shapiro, Hal Bromm Gallery, New York, September 12–October 11, 1986.

Joel Shapiro, Seattle Art Museum, Seattle, Washington, March 13–May 11, 1986. (Catalogue)

Joel Shapiro, Galerie Daniel Templon, Paris, March 9–May 3, 1986.

1985

Joel Shapiro, Stedelijk Museum, Amsterdam, September 6–October 20, 1985. Traveled to: Kunstmuseum Düsseldorf, Germany, November 10, 1985–January 19, 1986; and Staatliche Kunsthalle, Baden-Baden, Germany, February 1–March 31, 1986. (Catalogue; essays by Marja Bloem and Karel Schampers; statement by Joel Shapiro) 

Joel Shapiro, Knoedler Kasmin, London, June 20–July 1985.

1984

Joel Shapiro, Paula Cooper Gallery, New York, November 1–29, 1984.

Joel Shapiro, Galerie Aronowitsch, Stockholm, April–May 1984.

Joel Shapiro: Gouaches, Paula Cooper Gallery, New York, March 22–April 14, 1984.

1983

Joel Shapiro, Galerie Aronowitsch, Stockholm, 1983.

Joel Shapiro, Asher and Faure, Los Angeles, November 19–December 24, 1983.

Joel Shapiro, Paula Cooper Gallery, New York, May 5–June 4, 1983.

1982

Joel Shapiro, Whitney Museum of American Art, New York, October 21, 1982–January 2, 1983. Traveled to: Dallas Museum of Fine Arts, Dallas, March 9–May 8, 1983; Art Gallery of Ontario, Toronto, August 13–May 8, 1983; and La Jolla Museum of Contemporary Art, La Jolla, California, December 3–January 15, 1984. (Catalogue; text by Richard Marshall; essay by Roberta Smith)

Joel Shapiro, Yarlow/Salzman Gallery, Toronto, April 6–May 1, 1982.

Joel Shapiro, Susanne Hilberry Gallery, Birmingham, Michigan, April 3–June 4, 1982.

Joel Shapiro, Portland Center of the Visual Arts, Portland, Oregon, March 30–May 2, 1982.

Joel Shapiro: Drawings, Paula Cooper Gallery, New York, January 9–February 6, 1982.

1981

Joel Shapiro, Young-Hoffman Gallery, Chicago, November 20, 1981–January 5, 1982.

Joel Shapiro, Galerie Mukai, Tokyo, October 5–October 24, 1981. (Catalogue)

Joel Shapiro, The Israel Museum, Jerusalem, September–October 1981. (Catalogue; essay by Stephanie Rachum)

Joel Shapiro, Daniel Weinberg Gallery, San Francisco, May 5–June 6, 1981.

Joel Shapiro, John Stoller Gallery, Minneapolis, April 10–June 28, 1981.

Joel Shapiro, The Ackland Art Museum, University of North Carolina, Chapel Hill, January 11–February 8, 1981. 

1980

Joel Shapiro, Bell Gallery, Brown University, Providence, November 22–December 17, 1980. Traveled to: Georgia State University, Atlanta, February 2–February 27, 1981; and The Contemporary Arts Center, Cincinnati, September 17–November 1, 1981. (Catalogue; essay by William Jordy)

Joel Shapiro, Paula Cooper Gallery, New York, November 19–December 13, 1980.

Joel Shapiro, Galerie Aronowitsch, Stockholm, November 8–November 25, 1980.

Joel Shapiro: Lithographs, 1979–1980, Brooke Alexander Gallery, New York, September 9–October 4, 1980. Traveled to: Delahunty Gallery, Dallas, October 11–November 5, 1980. (Catalogue)

Joel Shapiro, Asher and Faure, Los Angeles, June 7–July 3, 1980.

Joel Shapiro, Galerie Mukai, Tokyo, April 11–May 10, 1980.

Joel Shapiro: Sculpture and Drawing, Whitechapel Art Gallery, London, January 18–February 24, 1980. Traveled to: Museum Haus Lange, Krefeld, Germany, March 16–April 27, 1980; and Moderna Museet, Stockholm, October 31–December 14, 1980. (Catalogue; essay by Roberta Smith)

1979

Joel Shapiro, Ohio State University, Columbus, 1979.

Joel Shapiro, Galerie Gillespie-de Laage, Paris, May 19–June 21, 1979.

Joel Shapiro, Paula Cooper Gallery, New York, April 14–May 12, 1979.

Joel Shapiro, Akron Art Institute, Akron, Ohio, February 3–March 18, 1979.

1978

Joel Shapiro, Galerie m, Bochum, Germany, 1978.

Joel Shapiro, The Greenberg Gallery, St. Louis, March 16–April 30, 1978.

1977

Joel Shapiro: Drawings, Galerie Gillespie-de Laage, Paris, November 19–December 15, 1977.

Joel Shapiro, Paula Cooper Gallery, New York, November 19–December 15, 1977.

Joel Shapiro, Galerie Aronowitsch, Stockholm, November 19–December 15, 1977.

Joel Shapiro, Susanne Hilberry Gallery, Birmingham, Michigan, April 16–May 14, 1977.

Joel Shapiro, Albright-Knox Art Gallery, Buffalo, New York, March 26–April 17, 1977. (Catalogue; essay by Linda Cathcart)

Joel Shapiro, Max Protetch Gallery, Washington, D.C., February 19–March 20, 1977.

1976

Joel Shapiro, Museum of Contemporary Art, Chicago, September 11–November 7, 1976. (Catalogue; essay by Rosalind Krauss)

Joel Shapiro, Paula Cooper Gallery, Los Angeles, April 6–24, 1976.

1975

Joel Shapiro, Walter Kelly Gallery, Chicago, 1975.

Joel Shapiro, Paula Cooper Gallery, New York, October 11–November 5, 1975.

Joel Shapiro, The Garage, London (with Jennifer Bartlett), April 23–May 17, 1975.

1974

Joel Shapiro, Galeria Salvatore Ala, Milan, October 4–November 1, 1974.

Joel Shapiro, Paula Cooper Gallery, New York, February–March 6, 1974.

1973

Joel Shapiro, The Clocktower, Institute for Art and Urban Resources, New York, April 12–April 28, 1973.

1972

Joel Shapiro, Paula Cooper Gallery, New York, January 15–February 9, 1972.

1970

Joel Shapiro, Paula Cooper Gallery, New York, March 8–April 1, 1970.

2019

ARTZUID 2019, Amsterdam, May 17–September 15, 2019. (Catalogue) 

Chewing Gum III, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, May 25–July 4, 2019.

Robert Mangold and Joel Shapiro: Angles in Color, Mignoni, New York, February 26–May 25, 2019.

Going Public: Florida Collectors Celebrate the Norton, Norton Museum of Art, West Palm Beach, Florida, February 9–June 4, 2019.

Looking at Art with Alex Katz. London: Laurence King Publishing, 2019: 158–159, illustrated.

1967–1980: Explorations, Paula Cooper Gallery, New York, January 10–February 9, 2019.

2018

Suspension: A History of Abstract Hanging Sculpture. 1918–2018, Oliver Malingue, London, October 1–December 15, 2018.

Polarities, Totah, New York, September 6–October 14, 2018.

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

/ Off the Wall, Locks Gallery, Philadelphia, June 15–July 27, 2018.

2017

Monochrome: Painting in Black and White, National Gallery, London, October 30, 2017–February 18, 2018.

American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15–November 12, 2017.

Summer Days (and Summer Nights), Pace Gallery, 32 East 57th Street, New York, July 20–August 18, 2017 

Multiple Impressions, Talley Dunn Gallery, Dallas, June 10–August 5, 2017.

Sculpture Milwaukee, Downtown Milwaukee, June 1–October 22, 2017.

Victors for Art: Michigan’s Alumni Collectors at the University of Michigan Museum of Art, Part 1: Figuration, A. Afred Taubman Gallery, the University of Michigan Museum of Art, February 19–June 11, 2017; Part 2: Abstraction, A. Afred Taubman Gallery, the University of Michigan Museum of Art, July 1–October 29, 2017; Irving Stenn, Jr. Family Gallery, the University of Michigan Museum of Art, August 19–November 26, 2017. (Catalogue)

The Human Form, Berggruen Gallery, San Francisco, January 13–March 11, 2017.

2016

Rhona Hoffman 40 Yeas, Part 1, Rhona Hoffman Gallery, Chicago, September 16–October 22, 2016.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, June 28–September 5, 2016. (Catalogue)

Talking on Paper, Pace Beijing, April 16–June 11, 2016.

2015

On the Square Part II, Pace Gallery, 32 East 57th Street, New York, October 1–29, 2015.

Summer Group Show, Pace Gallery, 32 East 57th Street, New York, July 15–August 21, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Construction/Destruction, Almine Rech Gallery. Paris, April 29–June 6, 2015.

Attention, The Giant Contemporary Artist: Agnes Martin, Sol LeWitt, Joel Shapiro, Frank Stella, Robert Longo, Ellsworth Kelly, Robert Mangold, Sky Art Museum, Seoul, April 4–May 7, 2015.

Objects and Bodies at Rest and in Motion, Moderna Museet Malmö, September 26, 2015–February 7, 2016. Traveled to: Moderna Museet, Stockholm, March 12–June 12, 2016. (Catalogue)

Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, February 2–November 30, 2015.

2014

A Brief History of Pace, Pace Menlo Park, California, September 18–December 13, 2014.

Foundation for Art and Preservation in Embassies (FARE) Exhibition, Guild Hall, New York, June 21–July 27, 2014.

Art on Color, Gemini G.E.L. at Joni Moisant Weyl, New York, June 5–September 13, 2014.

Cross-Cuts: Joel Shapiro and Richard Nonas, Clocktower / Knockdown Center, Maspeth, New York, May 11–June 8, 2014

Print // Line, Bridgette Mayer Gallery, Philadelphia, April 29–June 21, 2014.

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop, Bibliothèque nationale de France, Paris, April 8–July 13, 2014. (Catalogue)

Grounded, Pace Gallery. 534 West 25th Street, New York, January 17–February 22, 2014.

2013

Come Together: Surviving Sandy, Year 1, Industry City, New York, October 20–December 15, 2013.

Kiasma Hits: Kiasma Collections, Kiasma Museum of Contemporary Art, Helsinki, September 27, 2013–August 31, 2014. (Catalogue)

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon, Tacoma Art Museum, Washington, February 23–May 26, 2013. (Catalogue).

Winter Group Show, Pace Gallery, 32 East 57th Street, New York, January 7–26, 2013.

2012

10th Anniversary Exhibition, Russell Bowman Art Advisory, Chicago, November 2, 2012–January 26, 2013.

FAPE's Lee Kimche McGrath Original Print Collection, Matthew Marks Gallery, Los Angeles, October 6–13, 2012.

Summer Group Show 2012, The Pace Gallery, New York, July 30–August 24, 2012.

Drawings, Russell Bowman Art Advisory, Chicago, February 3–April 21, 2012.

2011

Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, November 19, 2011–February 12, 2012.

The Art of Climbing Mountains, 303 Gallery, New York, June 29–July 29, 2011.

Surfaces of Everyday Life: Postwar and Contemporary Masters from Ai Weiwei to Andy Warhol, Ikkan Art Gallery, Singapore, May 18–June 5, 2011. (Catalogue; text by Charles Merewether.)

Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, February 10–May 1, 2011. (Catalogue: texts by Donna de Salvo and Joseph Giovannini)

Drawn / Taped / Burned: Abstraction on Paper, The Katonah Museum of Art, Katonah, New York, January 23–May 1, 2011.

2010

Five on Paper, Russell Bowman Art Advisory, Chicago, September 20–October 30, 2010.

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco, June 25–September 19, 2010. (Catalogue)

Devotion, Galerie Zürcher, New York, April 7–May 16, 2010.

3 x 3: Minimal Sculpture and Painting, L.A. Louver, Venice, California, January 14–February 13, 2010.

Andre, LeWitt, Shapiro, Perry Rubenstein Gallery, New York, January12–February 7, 2010.

On the Square, PaceWildenstein, New York, January 8–February 13, 2010.

Works on Paper, Danese, New York, January 8–February 6, 2010.

Group show, Paula Cooper Gallery, New York, January 8–30, 2010.

2009

Group Show, L.A. Louver, Venice, California, November 12–December 31, 2009.

Selected Works, John Berggruen Gallery, San Francisco, November 5–December 5, 2009.

The Robert and Jane Meyerhoff Collection: Selected Works, National Gallery of Art, Washington, D.C., October 1, 2009–May 2, 2010. (Catalogue)

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

A Walk in the Park: Outdoor Sculpture at PaceWildenstein, PaceWildenstein, 545 West 22nd Street, New York, June 19–July 24, 2009.

Sculpture and Drawings, Danese, New York, April 24–May 29, 2009.

Afterimage: Drawing Through Process, Museum of Contemporary Art, Los Angeles, April 11–August 22, 1999. Traveled to: Contemporary Arts Museum, Houston, May 13–July 16, 2000; Henry Art Gallery, University of Washington, Seattle, July–September 2000. (Catalogue)

Preview for Upcoming Exhibitions, Jamileh Weber Gallery, Zurich, March 28–May 9, 2009.

A Matter of Form, John Berggruen Gallery, San Francisco, March 5–28, 2009.

New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, January 27–May 24, 2009. (Catalogue)

2008

Sarah Braman and Joel Shapiro, Andrea Rosen Gallery, New York, September 13–October 18, 2008.

Summer in the City 2008, John Berggruen Gallery, San Francisco, July 10–August 31, 2008.

The Hague Sculpture 2008: Freedom–American Sculpture, The Koninklijke Schouwburg, The Hague, The Netherlands, June 6–August 31, 2008. (Catalogue)

Geometry as Image, Robert Miller Gallery, New York, May 8–July 30, 2008.

On Paper: The Lincoln Center/List Collection, UBS Art Gallery, New York, May 1–July 25, 2008.

Sculpture, Texas Gallery, Houston, April 22–May 21, 2008.

Paintings, Drawings and Sculpture, Part II, John Berggruen Gallery, San Francisco, March 4–April 5, 2008.

Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, February 10–May 19, 2008. (Catalogue)

2007

Works on Paper, Rosenbaum Contemporary, Boca Raton, Florida, December 4, 2007–January 2, 2008.

The Human Figure–2500 B.C. to 2000 A.D. (long–term installation), Bowdoin College Museum of Art, Brunswick, Maine, October 14, 2007–June 22, 2008.

Summer Show, John Berggruen Gallery, San Francisco, July 10–September 1, 2007. 

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Paper, Fisher Landau Center for Art, Long Island City, New York, May 19, 2007–January 14, 2008.

LIC, NYC, Socrates Sculpture Park, Long Island City, N.Y. May 6–August 5, 2007.

After the Age of Aquarius: American Art in The Early Seventies, Vito Acconci, Michael Hurson, Bruce Nauman, Lucas Samaras, Joel Shapiro, The Ian Potter Museum of Art, The University of Melbourne, April 28–July 15, 2007. (Brochure)

Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, February 11–April 16, 2007. 

2006

Responding to Kahn: A Sculptural Conversation, Yale University Art Gallery, New Haven, December 10, 2006–July 9, 2007.

Fast Forward: Contemporary Collections for the Dallas Museum of Art November 21, 2006–April 8, 2007.

LeWitt x 2: Structure and Line / Selections from the LeWitt Collection, Madison Museum of Contemporary Art, Wisconsin, November 5, 2006–January 14, 2007. Traveled to: Miami Art Museum, Florida, February 9–June 3, 2007; Weatherspoon Art Museum, The University of North Carolina at Greensboro, September 9, 2007–January 18, 2008; Austin Museum of Art, Texas, May 24–August 17, 2008.

Group Sculpture, Rosenbaum Contemporary, Boca Raton, Florida, October 12–November 30, 2006.

Seven Rooms: Seven Artists (Dale Chihuly, Frederick Hammersley, David Hockney, Jason Martin, Michael C. McMillen, Joel Shapiro and Peter Shelton), L.A. Louver, Venice, California, July 13–September 2, 2006.

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006.

Summer Group Show, PaceWildenstein, 534 West 25th Street, New York, June 27–August 25, 2006.

The New Landscape/The New Still Life: Soutine and Modern Art, Cheim and Read, New York, June 22–September 9, 2006.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York, The Museum of Modern Art, New York, June 13–October 22, 2007. Traveled to: Museu de Arte Contemporânea de Serralves, May 9–June 22, 2008; Museum Wiesbaden, September 28, 2008–January 18, 2009. (Catalogue)

Homage to Chillida, Guggenheim Bilbao Museum, April 5–June 11, 2006. (Catalogue)

In Joseph Havel: A Decade of Sculpture 1996–2006, Museum of Fine Arts, Houston, March 26–June 18, 2006.

The Peninsula Show 2006, Carl Schlosberg Fine Arts, Peninsula Hotel, Beverly Hills, February 11–19, 2006.

2005

Empreinte Moi, Galerie Emmanuel Perrotin, Paris, October 29–December 3, 2005.

2D From 3D, Elizabeth Leach Gallery, Portland, Oregon, October 6–November 23, 2005.

Drawings, Susanne Hilberry Gallery, Ferndale, Michigan, September 23–November 5, 2005.

Drawings + Sculpture, Cook Fine Art, New York, September 20–October 21, 2005.

Highlights: New Acquisitions, John Berggruen Gallery, San Francisco, August 2–September 9, 2005.

The 237th Royal Academy of Arts Summer Exhibition, London, June 7–August 15, 2005.

Domicile, Musée d’Art Moderne Saint–Etienne Metropole, France, May 12–August 31, 2005.

Drawings: 1945–Now, Russell Bowman Art Advisory, Chicago, April 29–June 18, 2005.

2004

Beyond Geometry: Experiment in Form, 1940s–70s, Miami Art Museum, Florida, November 18, 2004–May 1, 2005. (Catalogue)

Schlossberg Peninsula Show, Carl Schlossberg Fine Art, Los Angeles, November 5–November 14, 2004.

Object Versus Design, Musée d’art moderne de Saint-Etienne, France, October 8–December 6, 2004.

Specific Objects: The Minimalist Influence, Museum of Contemporary Art, San Diego, September 26, 2004–January 30, 2005.

Design is Not Art: Functinal Objects from Donald Judd to Rachel Whiteread, Cooper–Hewitt, National Design Museum, New York, September 10, 2004–February 2, 2005. Traveled to: Museum of Design, Atlanta, April 1–July 1, 2005; and Aspen Art Museum, August 5–October 2, 2005.

Chelsea Group Show 2004, PaceWildenstein, 534 West 25th Street, New York, September 10–October 9, 2004.

Sculpture 2004, LA Louver, Los Angeles, July 9–August 28, 2004.

Summer Group Show 2004, PaceWildenstein, New York, July 8–September 10, 2004.

La Sculpture Américaine: 15 artistes au Bonjon de Vez. Donjon de Vez, France, July 3, 2004–October 31, 2005.

Sculpture and Form, John Berggruen Gallery, San Francisco, June 3–July 10, 2004.

Art in Embassies Program 40th Anniversary Sculpture Exhibition, Department of State, Diplomatic Reception Rooms, Washington, D.C., May 6–July 6, 2004.

179th Annual Exhibition: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, May 5–June 20, 2004. (Catalgoue)

Art, Artists, and the Addison, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, March 30–July 31, 2004.

Abstractions: Inaugural exhibitions, Cooke Fine Art, New York, March 10–April 24, 2004.

2003

The Brownstone Collection: Minimal to the Max, Norton Museum of Art, West Palm Beach, Florida, November 22, 2003–March 7, 2004. (Catalogue)

Drawing Modern: Works from the Agnes Gund Collection, The Cleveland Museum of Art, October 26, 2003–January 11, 2004. (Catalogue)

Architectural Digest Show House, Aol Time Warner Center, New York, October 9–November 30, 2003.

Small Bronzes, The Metropolitan Museum of Art, New York, September 5–December 7, 2003.

Group Exhibition, LA Louver Gallery, Venice, California, September 5–October 11, 2003

Art in the Gardens, LongHouse Reserve, East Hampton, New York, April 15, 2003–April 15, 2004.

Chuck Close/Joel Shapiro, Clark Fine Art, Southampton, New York, August 15–September 8, 2003.

LeWitt’s LeWitt and Selections from the Collection of Carol and Sol LeWitt, New Britain Museum of American Art, New Britain, Connecticut, July 23–August 23, 2003.

Summer Travels, PaceWildenstein, New York, July 1–August 8, 2003.

Inside/Outside/On the Wall, The Hebrew Home for the Aged at Riverdale, New York, June 19–August 31, 2003.

For the Love of Venus, Donjon de Vez, Vez, France, June 14–October 5, 2003.

Strangely Familiar: Approaches to Scale in the Collection of The Museum of Modern Art, Museum of Modern Art (organizer), New York State Museum, Albany, April 6–June 29, 2003.

Recent Acquisitions: Works on Paper, The Metropolitan Museum of Art, New York, February 4–May 4, 2003.

2002

Oh Beautiful, John Berggruen Gallery, San Francisco, January 10–March 2, 2002.

Silent Poetry, Timothy Talylor Gallery, London, January 16–March 1, 2002.

Happy New Year! PaceWildenstein, New York, January 19–February 9, 2002.

Treasures 2002, Carl Schlosberg Fine Arts, Los Angeles, February 8–February 17, 2002.

Conservatory Sculpture Exhibition: Sculpture from The Museum of Modern Art at The New York Botanical Garden, New York, April 26, 2002–August 31, 2003.

Pier Walk 2002: Dave Hickey Selects, Chicago, May 8–October 20, 2002.

American Beauty, Annely Juda Fine Art, London, May 23–July 13, 2002. (Catalogue)

American Standard: (Para) Normality and Everyday Life, Paula Cooper Gallery, New York, June 25–August 30, 2002. (Catalogue)

Selections from the Permanent Collection: The 1970s, Museum of Contemporary Art, San Diego, Downtown, July 7, 2001–January 22, 2002.

Independent Vision: Painting and Sculpture, John Berggruen Gallery, San Francisco, July 11–August 31, 2002.

Judd, LeWitt, Mangold, Martin and Shapiro, PaceWildenstein, 534 West 25th Street, New York, July 11–31, 2002.

Time, Space, and Motion, Galerie Thaddeus Ropac, Salzburg, July 24–August 29, 2002.

Selected Works, Grant Selwyn Fine Art, New York, September–October 19, 2002.

All American, Part II, Artemis Greenberg Van Doren Gallery, New York, October 8–November 2, 2002.

Joe Goode, Jason Martin, Joel Shapiro. LA Louver, Venice, California, December 6, 2002–January 11, 2003.

2001

The Cultural Desert: Art, Medicine & Environment, Mayo Clinic Scottsdale, November 29, 2001–April 22, 2002. Companion exhibition: Inside Contemporary Sculpture, Scottsdale Museum of Contemporary Art, January 19–April 21, 2002. (Catalogue)

A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., November 18, 2001–April 7, 2002. (Catalogue)

American Tableaux, Walker Art Center, Minneapolis, Minnesota, November 10, 2001–June 16, 2002.

Sculpture: Figure in Motion, Kent Gallery, New York, October 24–December 21, 2001.

Information, Percy Miller Gallery, London, July 17–September 14, 2001.

Sculpture, Drawings and Works in Relief, John Berggruen Gallery, San Francisco, July 12–September 8, 2001.

Summer In The City, PaceWildenstein, New York, June 1–September 12, 2001.

A Survey of Sculpture: Antiquities to Contemporary, Carl Schlosberg Fine Arts, Sherman Oaks, California, May 5–June 5, 2001.

Acquisitions in Honor of Neil and Angelica Rudenstein, Fogg Art Museum, Cambridge, Massachusetts, May 4–6, 2001.

20th Century Perspectives, John Berggruen Gallery, San Francisco, March 29–April 21, 2001.

The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta, March 3–May 27, 2001. (Catalogue)

Work by Spring Visiting Faculty, Department of Visual and Environmental Studies, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts, February 25–March 23, 2001.

Couples, Katherina Rich Perlow Gallery, February 10–March 10, 2001.

Vancouver International Sculpture Project, Vancouver, British Columbia, January 22–May 31, 2001.

Shadow Dancing: 1975–79, D’Amelio Terras, New York, January 6–February 10, 2001.

2000

Drawings & Photographs at Matthew Marks Gallery—Benefit Exhibition, New York, December 8–December 23, 2000.

Postcards from the Edge—A Visual Aids Benefit Event, Andrew Kreps Gallery, New York, November 5, 2000.

Works on Paper 2000. An Exhibition in the Residence of the American Ambassador, The Slovak Republic, Bratislava, Slovak Republic, October 18, 2000.

Changing Perceptions: The Panza Collection, The Guggenheim Museum Bilbao, October 10, 2000–February 11, 2001.

Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, October 7, 2000–January 15, 2001. (Catalogue)

New Work, Galerie Jamileh Weber, Zurich, September 30–November 18, 2000.

MOMA 2000: Open Ends, The Museum of Modern Art, New York, September 28, 2000–January 2, 2001.

Art in America: 2000, Art in Embassies Program, Bratislava, September 2000–March 2001.

The International Festival of Contemporary Sculpture of Monaco: Contemporary American Sculpture, July 26–October 31, 2000. (Catalogue)

Summer In The City, John Berggruen Gallery, San Francisco, July 12–September 9, 2000

Fine Prints and Drawings, Galerie Simonne Stern, New Orleans, July 8– August 1, 2000.

00: Drawings 2000 at Barbara Gladstone Gallery, Barbara Gladstone Gallery, New York, July 6–August 30, 2000. (Catalogue)

Summer 2000, PaceWildenstein, New York, June 19–August 31, 2000

A Decade of Collecting: Recent Acquisitions of Prints and Drawings, 1940–2000, Fogg Art Museum, Harvard University, Cambridge, June 3–August 27, 2000.

Zig-Zag, Fonds régional d’art contemporain de Picardie, Amiens, France, April 1–June 19, 2000.

Portraits and Figures, Carl Schlosberg Fine Arts, Sherman Oaks, California, March 4–31, 2000.

175th Annual Exhibition, National Academy of Design, New York, February 9–March 26, 2000. 

Group Exhibition, PaceWildenstein, 142 Greene Street, New York, February 5–March 11, 2000.

End Papers: Drawings from 1890 –1900 and 1990–2000, Neuberger Museum of Art, State University of New York, Purchase, January 30–April 23, 2000. (Catalogue)

Vancouver International Sculpture Project, Vancouver, July 1–October 31, 2000. Traveled to: Kirkland, Washington, as Kirkland Sculpture Project, January 22–May 31, 2001. (Catalogue)

1999

Sculptors’ Drawings, Paula Cooper Gallery, New York, December 11, 1999–January 29, 2000.

Acquisitions, John Berggruen Gallery, San Francisco, December 8, 1999–January 29, 2000.

25th Anniversary Exhibition, Jamileh Weber Gallery, Zurich, November 8, 1999–February 26, 2000.

KölnSkulptur 2, Skulpturenpark Köln, Cologne, November 6, 1999–September 2001. (Catalogue)

Head to Toe: Impressing the Body, University Museum of Contemporary Art, University of Massachusetts, Amherst, November 6–December 17, 1999. (Catalogue)

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000.

Summer ‘99, PaceWildenstein, 32 East 57th Street, July 9–August 13, 1999 and 142 Greene Street, New York, July 9–30, 1999.

Line, Form, Color, John Berggruen Gallery, San Francisco, July 8–August 31, 1999.

American Academy in Rome Annual Exhibition 1999, American Academy in Rome, June 17–July 18, 1999. (Catalogue)

Selections from the Permanent Collection: Realism, Museum of Contemporary Art San Diego, La Jolla, June 13–September 12, 1999.

Modern Masterworks on Paper from the Israel Museum, Jerusalem, Cleveland Museum of Art, June 13–August 29, 1999. (Catalogue)

Twenty Years of the Grenfell Press, Paul Morris Gallery, New York, June 8–August 15, 1999.

Important Sculptors of the Late Twentieth Century, Stamford Sculpture Walk, Stamford, Connecticut, June 1–August 31, 1999.

Circa 1968, Museu de Arte Contemporanea, Fundação de Serralves, Porto, Portugal, June–August 1999. (Catalogue)

Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, April 10–August 22, 1999. Traveled to: Contemporary Arts Museum, Houston, May 20–June 23, 2000; Henry Art Gallery, University of Washington, June–September 2000. (Catalogue)

Art at Work: Forty Years of The Chase Manhattan Collection, The Museum of Fine Arts, Houston, concurrent with Contemporary Arts Museum, Houston, March 3–May 2, 1999. Traveled to: Queens Museum of Art, New York, May 23–October 1, 2000. (Catalogue)

Drawn From Artists’ Collections, The Drawing Center, New York (organizer), April 24–June 12, 1999. Traveled to: Hammer Museum of Art, University of California, Los Angels, July 13–September 26, 1999. (Catalogue)

Context: A Survey of Minimalism, SOMA Gallery, La Jolla, California, April 9–May 15, 1999.

The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, March 4–May 9, 1999. (Catalogue)

Primarily Structural, P.S.1, The Institute for Contemporary Art, Inc., Long Island City, New York, February 7–April 3, 1999.

Group Exhibition, PaceWildenstein, 142 Greene Street, New York, January 21–February 27, 1999.

1998

Off the Wall, Asheville Art Museum, North Carolina, November 19, 1998–March 6, 1999.

Art in Embassies, Residence of the Ambassador of the United States of America to Austria, Vienna, opened October 27, 1998.

Artists on Line for ACOR, Gagosian Gallery, New York, September 9–12, 1998.

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

One Common Denominator, Anne Reed Gallery, Ketchum, Indiana, August 7–September 2, 1998.

Summer Group Show, PaceWildenstein, New York, July 6–August 21, 1998.

Giacometti to Judd: Prints by Sculptors, The Museum of Modern Art, New York, June 9–October 13, 1998.

Exhibition of Work by New Members and Recipients of Awards, American Academy of Arts and Letters, New York, May 20–June 7, 1998.

Der sprechende Körper, Österreichisches Theatermuseum, Vienna, March 27–July 5, 1998.

Essential Elements: The Sculptor, Margaret Lipworth International Arts, Boca Raton, Florida, March 12–April 9, 1998.

The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, Florida, March 12–June 21, 1998. (Catalogue)

5729–5756: Contemporary Artists Welcome the New Year––The Jewish Museum List Graphic Commission, The Jewish Museum, New York, March 8–May 10, 1998.

Contemporary Art: The Janet Wolfson de Botton Gift, Tate Gallery, London, February 24–April 26, 1998.

100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, February 22–May 24, 1998.

Four Artists the Body/The Figure: Eric Fischl, Susan Rothenberg, Joel Shapiro, Kiki Smith, Harvard University at the Carpenter Center, Cambridge, January 28–February 26, 1998.

1997

Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, December 12, 1997–February 22, 1998. Traveled to: Graphische Sammlung Albertina, Vienna, March 18–May 17, 1998; Kunstmuseum, Winterthur, September 4–November 15, 1998; Kunst–Museum, Ahlen, November 28, 1998–January 24, 1999; Akademie der Künste, Berlin, February 19–May 2, 1999; The Parrish Art Museum, Southampton, September–November 1999. (Catalogue)

Maxwell’s Demon, Margo Leavin Gallery, Los Angeles, November 8–December 20, 1997.

Winter Group Show, PaceWildenstein, 32 East 57th Street and 142 Greene Street, New York, December 19, 1997–January 24, 1998.

Masters of Contemporary Sculpture, Galerie Jamileh Weber, Zurich, October 14–November 13, 1997.

The Serial Attitude, Addison Gallery of American Art, Andover, Massachusetts, September 20, 1997–January 4, 1998. Traveled to: the Wexner Center for the Arts, The Ohio State University, Columbus, May 9 –August 8, 1998.

Inaugural Exhibition Ace Gallery Mexico, Ace Gallery, San Rafael, Mexico, September 9–November 15, 1997.

At the Threshold of the Visible: Miniscule and Small–Scale Art, 1964–1996. Independent Curators Incorporated, New York (organizer). Traveled to: Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, August 30–October 26, 1997; Meyerhoff Galleries, Maryland Institute of Art, Baltimore, Maryland, November 21–December 21, 1997; Art Gallery of Ontario, Toronto, Ontario, January 28–April 22, 1998; Art Gallery of Windsor, Windsor, Ontario, May–June 1998; Virginia Beach Center for the Arts, Virginia Beach, Virginia, June 26–August 23, 1998; Santa Monica Museum of Art, Santa Monica, California, October–December 1998; Edmonton Art Gallery, Edmonton, Alberta, April 10–June 13, 1999.

Structures: Architecture in American Art, 1900–1997, John Berggruen Gallery, San Francisco, July 10–mid September 1997.

Summer Show 97, PaceWildenstein, 142 Greene Street, New York, June 30–August 1, 1997.

Summer 1997, PaceWildenstein, New York, June 30–August 22, 1997.

Contemporary Sculpture: The Figurative Tradition, Margaret Woodson Fisher Sculpture Gallery, Leigh Yawkey Woodson Art Museum, Wasau, Wisconsin, June 1997–May 1998. (Catalogue)

Allegory, Joseph Helman Gallery, New York, May 6–June 21, 1997.

Icons: Magnets of Meaning, San Francisco Museum of Modern Art, San Francisco, April 18–August 5, 1997.

Queens Artists: Highlights of the 20th Century, Queens Museum of Art, Flushing Meadows Corona Park, Queens, New York, March 26–July 6, 1997. (Brochure)

Wood Not Wood/Work Not Work, A/D, New York, March 22–May 3, 1997.

Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1987, The Corcoran Gallery of Art, Washington, D.C., February 15–June 30, 1997. Traveled to: UCLA Armand Hammer Museum of Art and Cultural Center, Los Angeles, October 27, 1997–January 4, 1998; Sezon Museum of Art, Tokyo, February 27–May 10,1998; Kitakysyu Municipal Museum of Art, Kitakysyu City, Japan, June–July 1998. (Catalogue)

Gallery Selections, Barbara Mathes Gallery, New York, January 1997.

1996

Group show, Paula Cooper Gallery, New York, November 29, 1996–January 5, 1997.

Twentieth Century American Sculpture at The White House. Exhibition V, Washington, D.C., October 8, 1996–April 1997.

Figuration, Richard Gray Gallery, Chicago, October 4–November 11, 1996.

Golden Oldies & New Delights, Pace Prints, New York, October 4–19, 1996.

Masterworks of Modern Sculpture: The Nasher Collection, Fine Arts Museums of San Francisco, Palace of the Legion of Honor, October 1996–January 1997. Traveled to as: A Century of Sculpture: The Nasher Collection, Solomon R. Guggenheim Museum, New York, February–April 1997. (Catalogue)

From Figure to Object: A Century of Sculptors’ Drawings, Frith Street Gallery and Karsten Schubert Gallery, London, September 13–November 2, 1996. (Catalogue)

Summer group exhibition, works on paper, PaceWildenstein, Los Angeles, June 27–July 20, 1996.

Thinking Print: Books to Billboards, 1980–95, The Museum of Modern Art, New York, June 19–September 10, 1996.

Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, National Gallery, Alexandros Soutzos Museum, Athens, June 10–September 30, 1996. Traveled to as: Multiple Identity: Selections from the Whitney Museum of American Art, Museu d’Art Contemporani, Barcelona, December 18, 1995–April 6, 1997; Kunstmuseum, Bonn, June 1–September 1, 1997.

Contemporary Printmaking in America: Collaborative Prints and Presses, National Museum of American Art, Smithsonian Institution, Washington, D.C., May 10–August 4, 1996.

Black & White, Gallery Seomi, Seoul, Korea, April 18–May 4, 1996. (Catalogue)

The Robert and Jane Meyerhoff Collection, National Gallery of Art, Washington, DC, March 31–July 21, 1996. (Catalogue)

Continuity and Contradiction, Museum of Contemporary Art, San Diego, March 10–August 31, 1996. Traveled to: Center for the Fine Arts, Miami Beach, December 19, 1996–February 23, 1997.

The Human Body in Contemporary American Sculpture, Gagosian Gallery, February 1–March 2, 1996.

Selected Works on Paper, Heath Gallery, Atlanta, January 20–March 16, 1996.

Drawings by Sculptors, C. Grimaldis Gallery, Baltimore, Maryland, January 4–27, 1996.

The House Transformed, Barbara Mathes Gallery, New York, January–March 2, 1996.

Minimalism, Margaret Lipworth International Arts, Boca Raton, Florida, January 11–February 5, 1996.

1995

Of the Human Form, Waddington Galleries, London, November 22–December 22, 1995.

XI Mostra de Graveura de Curitiba, various locations, Curitiba, Brazil, October 31–December 29, 1995. (Catalogue)

A Passion for the New: New Art in Tel Aviv Collections, Tel Aviv Museum of Art, Tel Aviv, October 30, 1995–January 27, 1996.

XI Mostra da Gravura Cidade de Curitiba/Mostra America (Brazil), Fundacao Cultural de Curitiba, Curitiba, Brazil, October 23–December 23, 1995.

Twentieth Century American Sculpture at The White House, Exhibition III, Washington, D.C., October 6, 1995–March 15, 1996; curated by Alison de Lima Greene.

Drawings from the Collection of Agnes Gund, The Century Association, New York, October 3–November 16, 1995.

Sculptors’ Drawings: 1945–90, The Metropolitan Museum of Art, New York, August 22, 1995–January 7, 1996.

Group show, Anne Reed Gallery, Ketchum, Idaho, August 4–September 1, 1995.

Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Aspen, Colorado, July 27–September 24, 1995; curated by Mark Rosenthal. (Catalogue)

Summer 1995, PaceWildenstein, New York, June 28–August 31, 1995.

Sculpture From the Collection, The Museum of Modern Art, June 17–August 20, 1995.

Cornered, Paula Cooper, New York, June 9–July 28, 1995.

Group Show, PaceWildenstein, 142 Greene Street, New York, May 20–September 8, 1995.

FLOORED Sculpture from the Lannan Foundation Collection, Lannan Foundation, Los Angeles, April 8–August 13, 1995.

A Geometric Progression, Rachel Adler Gallery, New York, April 1–May 31, 1995.

Crossing State Lines: 20th Century Art From Private Collections in Westchester and Fairfield Counties, Neuberger Museum of Art, Purchase College, State University of New York, March 26–June 18, 1995.

Go Figure, Patricia Faure Gallery, Santa Monica, California, March 15–April 12, 1995.

Options: 1 Selections from the Modern and Contemporary Permanent Collection, Denver Art Museum, Denver, Colorado, February 23–June 18, 1995.

American Sculptors in the 1960s: Selected Drawings from the Collection, The Museum of Modern Art, New York, February 16–June 13, 1995.

1994

Sculpture: The Figure Transformed, Barbara Mathes Gallery, New York, October 26–December 30, 1994.

Fine Lines, Anthony Slayter-Ralph, Santa Barbara, California, October 20–December 11, 1994.

The Essential Gesture, Newport Harbor Art Museum, Newport Beach, California, October 15–December 31, 1994.

Selected Works, Daniel Weinberg Gallery, San Francisco, September–October 1, 1994.

Academy of Art College Sculpture Exhibition, Academy of Art College, San Francisco, August 4–21, 1994.

White Works, PaceWildenstein, New York, July 8–September 9, 1994.

Paper Work, John Weber Gallery, New York, July 5–September 17, 1994.

30 YEARS: Art in the Present Tense: The Aldrich's Curatorial History 1964–1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

Gift, The InterArt Center, New York, May 13–June 25, 1994.

Grafik: Jonathan Borofsky, David Hockney, Howard Hodgkin, Joel Shapiro, Galleri Nord, Stockholm, April 29–May 21, 1994.

Ideas for Objects: Selected Sculptures and Drawings from the Permanent Collection, Whitney Museum of American Art, New York, March 31–September 4, 1994.

Twenty-six Artists: A Selection of Works from John Berggruen Gallery, Friesen Gallery, Seattle, February 8–March 20, 1994.

The Figure in Sculpture, Transamerica Pyramid Lobby, San Francisco, February 2–April 13, 1994.

Sculpture, Nina Freudenheim Gallery, Buffalo, New York, January 22–March 2, 1994.

Sculptors' Maquettes, The Pace Gallery, New York, January 14–February 12, 1994.

1993

From Rodin to Serra, Galerie Saqqârah, Gstaad, Switzerland, 1993. (Catalogue)

Our Public Image, Hans and Walter Bechtler Gallery, Carillon Building, Charlotte, North Carolina, 1993.

Masters of American Print, Margaret Lipworth Fine Art, Boca Raton, Florida, November 4–December 1, 1993.

25 Years, Part I, Paula Cooper Gallery, New York, October 23–November 27, 1993.

In a Classical Vein: Works from the Permanent Collection, Whitney Museum of American Art, New York, October 21, 1993–April 3, 1994

Postminimal Sculptures at the Collection of IVAM, IVAM Centre Del Darme (sponsored by IVAM Centre Julio Gonzalez), September–December 1993.

Fujisankei Biennale, The Utsukushi-ga-hara Open-Air Museum, Nagano-ken, Japan, July 16–October 31, 1993. (Catalogue)

Wall and Floor, The Pace Gallery, 142 Greene Street, New York, July 6–September 10, 1993.

Group Show, Paul Cooper Gallery, New York, Summer 1993.

Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia under the aegis of the 45th Venice Biennale, Peggy Guggenheim Collection, Venice, June 8–13, 1993. (Catalogue)

Spring/Summer Exhibition, Grounds for Sculpture, Hamilton, New Jersey, May 22–September 30, 1993.

De la main à la tête, l'objet théorique, Le Domaine de Kerguehennec, Centre d'art, Locminé, France, May 1–September 19, 1993.

The Director's Anniversary, 1968–1993: A Legacy and a Mandate, The Newark Museum, New Jersey, April 28–September 5, 1993.

Manhattan Breeze: Five Contemporary Artists, Takashimaya, Tokyo, April 22–27, 1993. Traveled to: Takashimaya in Osaka, April 29–May 4, 1993; Kyoto, May 13–18, 1993; Yokohama, June 10–15, 1993. (Catalogue)

Pittsburgh Collects, The Carnegie Museum of Art, Pittsburgh, February 20–April 25, 1993.

Sculpture and Color, The Pace Gallery, New York, January 15–February 6, 1993.

1992

Pitched Black, Vivian Horan Fine Art, New York, November 5–December 19, 1992.

28th Annual Exhibition of Art on Paper, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, November 24, 1992–January 6, 1993. (Catalogue)

Century in Sculpture, Stedelijk Museum, Amsterdam, Summer 1992.

Grounds for Sculpture, Johnson Atelier, Mercerville, New Jersey, June 6–August 31, 1992.

Summer Group Exhibition, The Pace Gallery, New York, June 5–September 11, 1992.

The Figure, Blum Helman Gallery, New York, June 3–July 25, 1992.

15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, May 8–June 13, 1992.

XV Benefit, The New Museum of Contemporary Art, New York, May 3, 1992.

Drawing Redux, San Jose Museum of Art, California, March 22–June 21, 1992. (Catalogue)

Allegories of Modernism, The Museum of Modern Art, New York, February 16–May 5, 1992.

Group Exhibition, Rubin Spangle Gallery, New York, February 15–March 14, 1992.

Stars in Florida, Museum of Art, Fort Lauderdale, February 7–March 22, 1992.

In Search of Form: Drawings by Fifteen Sculptors, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, 1992.

1991

A Passion for Art: Watercolors and Works on Paper, Tony Shafrazi Gallery, New York, December 7, 1991–January 25, 1992.

Sam Fentress, Gary Passanise, Joel Shapiro, Eliot Smith Contemporary, St. Louis, December 6, 1991–February 2, 1992.

Act-Up Benefit Exhibition, Paula Cooper Gallery, New York, New York and Matthew Marks Gallery, New York, December 5–21, 1991

Vision by Room, Art and Architecture from 1910 to 1990, Galerie Gmurzynska, Cologne, November 15, 1991–January 31, 1992. (Catalogue)

American Academy and Institute of Arts and Letters: 43rd Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 11–December 8, 1991.

Minimalism and Post-Minimalism: Drawing Distinctions, Parrish Art Museum, Southampton, New York, September 22–November 17, 1991.

Antony Gormley, Joel Shapiro, Judith Shea, Betsy Senior Contemporary Prints, New York, September 17–November 5, 1991.

Vito Acconci, Jeff Koons, Joel Shapiro, American Fine Arts, Co., New York, September 14–October 12, 1991.

Selections from the Permanent Collection: 1975–1991, The Museum of Contemporary Art at The Temporary Contemporary, Los Angeles, September 14–December 15, 1991.

La Sculpture Contemporaine: après 1970, Fondation Daniel Templon, Musée Temporaire, Fréjus, France, July 4–September 29, 1991.

Summer Studios, Courthouse Gallery, Lake George, New York, June 27–September 6, 1991.

Geometric Perspectives, Pfizer Inc., New York, June 27–September 27, 1991.

Small Format Works on Paper, John Berggruen Gallery, San Francisco, June 26–August 3, 1991.

Sol LeWitt, David Rabinowitch, Joel Shapiro, Tony Smith, Galerie Pierre Huber, Geneva, June 14–July 27, 1991.

Works From Private Collections: Contemporary Figurative Sculpture, The Platt Gallery, Los Angeles, May 2–May 29, 1991.

Watercolor Across the Ages, The Gallery at Bristol-Myers Squibb, Princeton, New Jersey, April 13–May 27, 1991.

Sélection, FAE Museum of Contemporary Art, Pully/Lausanne, Switzerland, April 10–October 13, 1991. (Catalogue)

Large Scale Works on Paper, John Berggruen Gallery, Los Angeles, February 21–March 16, 1991. (Catalogue)

Not on Canvas, Asher and Faure, Los Angeles, February 16–March 23, 1991.

Selection from the Permanent Collection, The Wexner Center for the Arts, Columbus, Ohio, January 26–February 24, 1991.

Recent Work/Recent Acquisitions, The Museum of Contemporary Art, Los Angeles, January 19–February 17, 1991.

The 1980s: A Selected View from the Permanent Collection, Whitney Museum of American Art, New York, January 16–March 3, 1991.

Masterworks, Blum Helman, New York, January 16–February 23, 1991.

20th Century Collage, Margo Leavin Gallery, Los Angeles, January 12–February 16, 1991. Traveled to: Centro Cultural de Arte Contemporáneo, Mexico City, June 13–August 13, 1991; Musée d'Art Contemporain, Nice, September 27–November 11, 1991.

Face & Figure/Figure & Face, John C. Stroller & Co., Minneapolis, January 10–February 1991.

1990

Act Up Auction For Action, Paula Cooper Gallery, New York, November 27–30, 1990.

Home, Asher and Faure, Los Angeles, November 17–December 22, 1990. (Catalogue)

42nd Annual Academy—Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 1990.

Group Exhibition, Angles Gallery, Santa Monica, California, November 2–26, 1990.

Minimalism and Post–Minimalism: Drawing Distinctions, Hood Museum of Art, Dartmouth College, Hannover, New Hampshire, October 27–December 16, 1990. (Catalogue)

8th International Small Sculpture Triennal of Budapest, Palace of Exhibitions, Budapest, September 27–October 28, 1990. (Catalogue)

The Unique Print. 70s into 90s, Museum of Fine Arts, Boston, September 15–December 16, 1990. (Catalogue)

On the Road: Selections from the Permanent Collection of the Museum of Contemporary Art, San Diego. Traveled to: Duke University Museum of Art, Durham, North Carolina, September 7–November 4, 1990; J.B. Speed Art Museum, Louisville, Kentucky, December 3, 1990–February 3, 1991; Springfield Museum of Fine Art, Massachusetts, March 3–May 19, 1991; Museum of Contemporary Art, San Diego, La Jolla, June 7–August 4, 1991; Memorial Art Gallery of the University of Rochester, New York, September 28–November 17, 1991; Utah Museum of Fine Art at the University of Utah, Salt Lake City, May 18–June 28, 1992; The Philbrook Museum of Art, Tulsa, Oklahoma, July 17–September 6, 1992; Scottsdale Center for the Arts, Arizona, September 24–November 22, 1992; Contemporary Arts Museum, Houston, February 20–May 3, 1993. (Catalogue)

Group Exhibition, Pace Prints, New York, September 7–October 6, 1990.

Pharmakon '90, Nippon Convention Center, Tokyo, July 28–August 20, 1990. (Catalogue)

Group Exhibition, Galerie Thaddaeus Ropac, Salzburg, Austria, July 27–August 31, 1990.

For Summer: Some Recent Acquisitions, John C. Stoller and Co., Minneapolis, July 6–September 8, 1990.

Selected Paintings, Drawings and Sculpture, John Berggruen Gallery, San Francisco, July 5–September 8, 1990.

Selected Publications 1969–1989, Brooke Alexander Editions, New York, June 21–August 3, 1990.

Sculpture, Daniel Weinberg Gallery, Santa Monica, California, June 9–July 14, 1990.

Group Exhibitions, Paula Cooper Gallery, New York, June 7–15, 1990.

Artists for Amnesty, Blum Helman Gallery, New York, June 6–16, 1990.

The Kitchen Art Benefit, Curt Marcus Gallery and Castelli Graphics, New York, May 31–June 6, 1990.

The Art of Drawing, Kunstnernes Hus, Oslo, Norway, May 5–June 1, 1990. (Catalogue)

Minimal Art, The Contemporary Art Gallery, Tokyo, April 13–May 23, 1990.

Trisha Brown Company Benefit Art Sale, Paula Cooper Gallery, New York, April 11–21, 1990.

The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, February 20–June 3, 1990. Traveled to: Museum of Contemporary Art, Los Angeles, February 17–July 7, 1991. (Catalogue)

Minimalism, Galerie Ressle, Stockholm, February 24–March 17, 1990.

Major Sculpture, Gagosian Gallery, New York, February 17–March 17, 1990.

Recent Acquisitions, John Berggruen Gallery, San Francisco, February 14–March 17, 1990.

1989

The 1980s: Prints from the Collection of Joshua P. Smith, National Gallery of Art, Washington, D. C., December 17, 1989–April 8, 1990. (Catalogue)

American Masters, Fabian Carlsson Gallery, December 15, 1989–February 6, 1990.

Drawing Portfolios, Blum Helman Gallery, New York, December 12–22, 1989.

Group Exhibition, Paula Cooper Gallery, New York, December 2–23, 1989.

41st Annual Academy—Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 13–December 10, 1989.

Master Drawings 1859–1989, Janie C. Lee Master Drawings, New York, October–November 1989. (Catalogue)

Sculptor's Drawings, John C. Stoller & Co., Minneapolis, opened October 20, 1989.

Sculpture, John Berggruen Gallery, San Francisco, July 19–September 2, 1989.

A Decade of American Drawing 1980–1989, Daniel Weinberg Gallery, Los Angeles, July 15–August 26, 1989.

Exposition Inaugurale, Musee Temporaire, Fondation Daniel Templon, Frejus, France, July 11–September 10, 1989. (Catalogue)

Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, New York, July 7–October 29, 1989.

Contemporary Art from New York: The Collection of the Chase Manhattan Bank, Yokohama Museum of Art, Japan, June 18–October 1, 1989. (Catalogue)

la Triennal de dibuix Joan Miró, Fundació Joan Miró, Barcelona, June 15–September 10, 1989.

Seven Sculptures by Seven Sculptors, John C. Stoller & Co., Minneapolis, May 5–July 9, 1989.

1989 Biennial Exhibition, Whitney Museum of American Art, New York, April 26–July 9, 1989. (Catalogue)

The Linear Image: American Master Works on Paper, Marisa del Re Gallery, New York, April 25–May 27, 1989. (Catalogue)

Sightings, Drawing with Color, Pratt Manhattan Gallery, New York, April 24–May 20, 1989. (Catalogue)

No Man's Land/Open Limitation, Kunsthalle, Recklinghausen, Germany, January 29–March 5, 1989. (Catalogue)

Contemporary Perspectives 1: Abstraction in Question, The John and Mable Ringling Museum of Art, Sarasota, Florida, January 20–April 2, 1989. Traveled to: Center for Fine Arts, Miami, May 20–July 23, 1989.

1988

Three Decades: The Oliver–Hoffman Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989.

25th Anniversary Exhibition for the Benefit of the Foundation for Contemporary Performance Arts, Inc., Leo Castelli Gallery, New York, and Brooke Alexander Gallery, New York, December 8–30, 1988.

Sightings: Drawing with Color, Instituto de Estudios Norteamericanos, Barcelona, November 16–December 16, 1988. Traveled. (Catalogue)

SoHo at Duke: Six Artists from the Paula Cooper Gallery, Duke University Museum of Art, Durham, North Carolina, November 11–December 28, 1988. (Catalogue)

Carnegie International, The Carnegie Museum of Art, Pittsburgh, November 5, 1988–January 22, 1989. (Catalogue)

Innovations in Sculpture, The Aldrich Museum, Ridgefield, Connecticut, September 24–December 31, 1988.

Works on Paper, John Berggruen Gallery, San Francisco, September 8–October 8, 1988.

Unpainted Metal, John Davis Gallery, New York, September 6–October 1, 1988.

Sculpture Since the Sixties from the Permanent Collection of the Whitney Museum of American Art at Equitable Center, New York, August 18, 1988–August 9, 1989. (Catalogue) Wording??

Selected Acquisitions, John Berggruen Gallery, San Francisco, July 16–September 3, 1988.

Sculpture Inside Out, Walker Art Center, Minneapolis, May 22–September 18, 1988. (Catalogue)

Eleven Artists from Paula Cooper, Mayor Rowan Gallery, London, May 20–June 22, 1988.

Embodiments, Brattleboro Museum & Art Center, Brattleboro, Vermont, May 14–August 16, 1988. (Catalogue)

1988: The World of Art Today, Milwaukee Art Museum, May 6–August 28, 1988. (Catalogue)

Leon Golub, Philip Guston, , Sigmar Polke, Joel Shapiro, The Saatchi Collection, London, April 29–September, 1988. (Catalogue)

New Art on Paper, The Philadelphia Museum of Art, April 16–July 3, 1988. (Catalogue)

Selections from the Permanent Collection: Part II, La Jolla Museum of Contemporary Art, La Jolla, California, opened March 18, 1988.

Painting in Relief / Sculpture on the Wall, John C. Stoller & Co., Minneapolis, opened March 11, 1988.

John Chamberlain, Donald Judd, Richard Serra, Joel Shapiro, Lawrence Oliver Gallery, Philadelphia, March 10–April 9, 1988.

Big Little Sculpture, Williams College Museum of Art, Williamstown, Massachusetts,February 13–April 17, 1988. Traveled to: Plymouth State College Art Gallery, Plymouth, New Hampshire, October 12–November 5, 1988; New Britain Museum of Art, New Britain, Connecticut, November 13, 1988–January 5, 1989; Middlebury College, Johnson Art Gallery, Middlebury, Vermont, January 15–February 26, 1989; St. Paul's School, Art Center in Hargate, Concord, New Hampshire, April 4–May 20, 1989. (Catalogue)

Revelations Drawing / America, organized by the United States Information Agency and the National Endowment for the Arts. Traveled to: Umjetnicka Galerija Bosne I Hercegovine, Sarajevo, Yugoslavia, June 7–28, 1988; Moderna Galerija, Ljubljana, Yugoslavia, July 5–August 5, 1988; Galerija Josip-Bepo Benkovic, Herceg Novi, Yugoslavia, August 11–25, 1988; Museo de Arte Contemporaneo, Madrid, November 14–31, 1988; Festival International du Dessin Contemporain, Grand Palais, Paris, December 14–31, 1988; The Arkansas Arts Center, Little Rock, January 19–March 26, 1989. (Catalogue)

Black in the Light, Genovese Graphics, Boston, February 6–March 5, 1988.

Artschwager, Shapiro, Byars, Kent Fine Art, New York, February 4–March 5, 1988. (Catalogue)

Selected Sculpture, John Berggruen Gallery, San Francisco, January 16–February 27, 1988.

1987

Abstract Expressions: Recent Sculpture, Lannan Museum, Lake Worth, Florida, December 18, 1987–May 10, 1988.

Lead, Hirschl & Adler Gallery, New York, December 3, 1987–January 16, 1988.

Changing Group Exhibition, Paula Cooper Gallery, New York, December 2, 1987–January 30, 1988.

The Fourth Japan Ushimado International Art Festival, Ushimado, Japan, November 1–3, 1987. (Catalogue)

Drawings, Marc Richards Gallery, Los Angeles, October 29–November 31, 1987.

Strong Statements in Black and White, James Goodman Gallery, New York, October 6–31, 1987.

Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, September 13–November 8, 1987.

Early Concepts of the Last Decade, Holly Solomon Gallery, New York, September 10–26, 1987.

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5–May 31, 1979. Traveled to: National Gallery of Art, Washington, D.C., June 28, 1987–February 15, 1988; Centro de Arte Reina Sofia, Madrid, April 6–June 5, 1991; Forte di Belvedere, Florence, July 8–November 1, 1991; Tel Aviv Museum of Art, January 1–April 26, 1992. (Catalogue)

Changing Group Exhibition, Paula Cooper Gallery, New York, Summer 1987.

The Greenberg Gallery, St. Louis, June 20–August 1, 1987.

Drawing for Sculpture, Thomas Segal Gallery, Boston, June 10–September 10, 1987.

Art Against AIDS: A Benefit Exhibition, Paula Cooper Gallery, New York, June 4–July 4, 1987.

The Re-emergent Figure: Seven Sculptors at Storm King Art Center, Mountainville, New York, May 20–October 21, 1987. (Catalogue)

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5–May 31, 1987. Travelled to: National Gallery of Art, Washington, D.C., June 28, 1987–January 3, 1988. (Catalogue)

Artists from the Paula Cooper Gallery, Galeria EMI-Valentim de Carvalho, Lisbon, March 20–May 24, 1987. (Catalogue)

From thel LeWitt Collection, Wadsworth Atheneum, Hartford, Connecticut, March 12–May 24, 1987.

Drawings, Sylvia Cordish Fine Arts, Baltimore, March 5–28, 1987.

New Acquisitions, John Berggruen Gallery, San Francisco, January 27–March 28, 1987.

Cast in Bronze, The University of Missouri, Kansas City Gallery of Art, January 25–February 22, 1987.

Changing Group Exhibition, Daniel Weinberg Gallery, Los Angeles, January 17–February 14, 1987. (Catalogue)

1986

The Third Japan Ushimado International Art Festival, Ushimado, Japan. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, December 10, 1986–January 15, 1987.

Individuals: A Selected History of Contemporary Art 1945–1986, The Museum of Contemporary Art, Los Angeles, December 6, 1986–January 10, 1987. (Catalogue)

Benefit for the Kitchen, Brooke Alexander Gallery, New York, December 10–December 23, 1986.

Drawings: 60s–80s, Barbara Toll Fine Arts, New York, December 6, 1986–January 10, 1987.

38th Annual Academy–Institute Purchase Exhibition, American Academy of Arts and Letters, New York, November 17–December 14, 1986.

The Purist Image, Marian Locks Gallery, Philadelphia, November 1986. (Catalogue)

70's Into 80's: Printmaking Now, The Lois and Michael Torf Gallery of Art, Museum of Fine Arts, Boston, October 22, 1986–February 8, 1987. (Catalogue)

Works from the Paula Cooper Gallery, John Berggruen Gallery, San Francisco, October 15–November 15, 1986. (Catalogue)

Sculpture and Works in Relief, John Berggruen Gallery, San Francisco, October 15–November 15, 1986.

Twentieth Century Drawings and Sculptures, Janie C. Lee Gallery, Houston, begins October 9, 1986

Focus On The Image: Selections from the Rivendell Collection, Phoenix Art Museum, October 5, 1986–February 7, 1987. Traveled through January 2, 1990: Museum of Art, Norman, Oklahoma; Munson-Williams-Proctor Institute Museum of Art, Utica, New York; University of South Florida Art Galleries, Tampa, Florida; Lakeview Museum of Art and Sciences, Lakeview, Illinois; University Art Museum, California State University, Long Beach, California; Laguna Gloria Art Museum, Austin,Texas. 

En Subjektiv Historia, Galerie Aronowitsch, Stockholm, opened September 27, 1986

Dessins de Sculptures, Galerie Gabrielle Maubrie, Paris, September 24–October 24, 1986.

Non Objective, Hal Bromm, New York, September 12–October 12, 1986.

Prospect 86, Frankfurter Kunstverein, Frankfurt, Germany, September 9–November 2, 1986. (Catalogue)

New Trends in Contemporary Sculpture: New Technique Advances in World Sculpture, Contemporary Sculpture Centers, Tokyo and Osaka, June 20–August 2, 1986. (Catalogue)

The Barry Lowen Collection, The Museum of Contemporary Art, Los Angeles, June 16–August 10, 1986. (Catalogue)

Inaugurazione, Galleria Bonomo, Bari, Italy, begins June 6, 1986

American Sculpture: A Selection, Arnold Herstand & Company, New York, June 4–July 31, 1986.

Between Geometry and Gesture: American Sculpture 1965–1975, Palacio de Velazquez, Madrid, May 13–July 20, 1986. (Catalogue)

1986 Museum of Contemporary Art Benefit Auction, Gemini G.E.L. and Margo Leavin Gallery, Los Angeles, May 10–May 13, 1986.

National Drawing Invitational, The Arkansas Arts Center, Little Rock, May 9–June 29, 1986. (Catalogue)

Spectrum: The Generic Figure, The Corcoran Gallery of Art, Washington, D.C., March 8–April 20, 1986. (Catalogue)

Sculpture, Susanne Hilberry Gallery, Birmingham, Michigan, March 1–April 1, 1986.

Sculpture Court Installation, Whitney Museum of American Art at Phillip Morris, New York, March–August 1986.

Figure as Subject, The Last Decade: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Equitable Center, New York, February 13–June 4, 1986. (Catalogue)

1986: A Celebration of the Arts Apprenticeship Program, City Gallery, New York, January 29–March 15, 1986.

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

Sculpture, Tony Shafrazi Gallery, New York, January 11–February 8, 1986.

1985

Figurative Sculpture, Susanne Hilberry Gallery, Birmingham, Michigan, 1985.

Drawings, Knight Gallery, Charlotte, North Carolina, December 20, 1985–February 7, 1986.

Sculpture, Larry Gagosian Gallery, New York, December 10, 1985–January 25, 1986.

Drawings! Barbara Toll Fine Arts, New York, December 7, 1985–January 4, 1986.

Vom Zeichen―Aspekte der Zeichnung 1960–1986, Frankfurter Kunstverein, Frankfurt, Germany. Traveled to: Kasseler Kunstverein, Kassel, Germany and Museum Moderner Kunst, Vienna. (Catalogue)

Big Drawings, The Museum of Modern Art, New York, November 25, 1985–March 4, 1986.

Changing Sculpture Exhibition, Paula Cooper Gallery, New York, November 23, 1985–January 4, 1986.

Transformations in Sculpture, Solomon R. Guggenheim Museum, New York, November 22, 1985–February 16, 1986. (Catalogue)

Contemporary Works from the Collection of The Museum of Modern Art, The Museum of Modern Art, New York, November 21, 1985–April 1, 1986.

Contemporary Bronze: Six in the Figurative Tradition, Sheldon Memorial Art Gallery, Lincoln, Nebraska, November 19, 1985–January 19, 1986. Traveled to: Kansas City Art Institute, Kansas City, Missouri, February 11–March 23, 1986; Des Moines Art Center, Des Moines, Iowa, April 8–May 13, 1986. (Catalogue)

A Benefit Auction for Gay Men's Health Crisis, Sotheby's, New York, November 18–20, 1985.

A Decade of Visual Arts at Princeton: Faculty 1975–1985, The Art Museum, Princeton, New Jersey, November 17, 1985–January 12, 1986. (Catalogue)

Stone, Edward Thorp Gallery, New York, November 16–December 16, 1985.

Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle, Krannert Art Museum, University of Illinois, Urbana/Champaign, November 9–December 22, 1985. (Catalogue)

Aids Benefit Exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, November 9–20, 1985.

Geometric Abstraction: A Decade of Selections, 1975–1986, The Bronx Museum of the Arts, New York, October 3–December 28, 1985.

Charcoal Drawings 1880–1985, Janie C. Lee Gallery, Houston, October–November 1985. (Catalogue)

Contemporary American Prints Recent Acquisitions, Louis Comfort Tiffany Foundation Purchases, The Brooklyn Museum, New York, September 27–December 30, 1985.

Twentieth Anniversary of the National Endowment for the Arts, The Museum of Modern Art, New York, September 23–October 29, 1985.

Black and White Drawings from the David Nellis Collection, Fine Arts Gallery, California State University, Los Angeles, September 23–October 18, 1985.

Body and Soul: Aspects of Recent Figurative Sculpture, The Contemporary Arts Center, Cincinnati, September 6–October 12, 1985.

Imagenes en Cajas, Museo Rufino Tamayo, Mexico City, July 18–September 8, 1985. (Catalogue)

Affiliations: Recent Sculpture and Its Antecedents, Whitney Museum of American Art/Fairfield County, Stamford, Connecticut, June 28–August 24, 1985. (Catalogue)

Process und Konstruktion―1985 in München, (Organized by Archives of Contemporary Thought, Kulturreferat der Landeshauptstadt München, and Galerie Brigitte March) Künstlerwerkstatt Lothringerstraße 13, Munich. June 3–July 9, 1985. (Catalogue)

Brooklyn Academy of Music Benefit, Mary Boone Gallery, New York, June 1–29, 1985.

Sculpture, Paula Cooper Gallery, New York, May 4–June 1, 1985.

8 Artists: The Minimal Image, John C. Stoller and Co., Minneapolis, May–June 1985.

Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, April 20–June 26, 1985. (Catalogue)

First Exhibition–Dialogue on Contemporary Art in Europe, The Modern Art Center, Calouste Gulbenkian Foundation, Lisbon, March 28, 1985–June 16, 1985. (Catalogue)

Sculptors' Drawings, Paula Cooper Gallery, New York, March 7–30, 1985.

Giacometti to Johns: The Albert and Vera List Family Collection, Hayden Gallery, Albert and Vera List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, March 1–April 21, 1985.

Drawings, Daniel Weinberg Gallery, Los Angeles, February 20–March 16, 1985.

Between Abstraction and Reality, Marilyn Pearl Gallery, New York, February 6–March 2, 1985.

A New Beginning: 1968–1978, The Hudson River Museum, Yonkers, New York, February 3–May 5, 1985. (Catalogue)

The Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, New York, February 3–March 3, 1985. (Catalogue)

1984

Highlights: Selections from the Bank American Corporation Art Collection, Plaza Gallery, Concourse Gallery, A.P. Gianni Gallery, San Francisco, 1984.

The Sculptor as Draftsman, The Visual Arts Gallery, Florida International University, Miami, 1984.

Untitled, 1984, Max Protetch Gallery, New York, 1984.

Eight Artists from Paula Cooper Gallery, The Contemporary Art Gallery, Tokyo, December 7–December 31, 1984.

Sex, Cable Gallery, New York, December 1984

Cunningham Dance Foundation Benefit Art Sale, Leo Castelli Gallery, New York, November 29–December 8, 1984.

American Sculpture: Three Decades, The Seattle Art Museum, November 15, 1984–January 27, 1985.

Eccentric Images, Margo Leavin Gallery, Los Angeles, October 20–November 24, 1984.

American Bronze Sculpture: 1850 to the Present, The Newark Museum, New Jersey, October 18, 1984–February 3, 1985. (Catalogue)

Hidden Desires: Six American Sculptors, Neuberger Museum, State University of New York at Purchase, New York, September 30–December 23, 1984.

Sculpture: The Language of Scale, The Bruce Museum, Greenwich, Connecticut, September 15–December 1, 1984.

Universal Limited Art Editions: Recent Publications, Barbara Krakow Gallery, Boston, September 7–October 2, 1984.

ROSC '84, The Guinness Hop Store, Dublin, August 19–November 17, 1984.

Forming, The Parrish Art Museum, Southampton, New York, July 29–September 23, 1984. (Catalogue)

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Citywide Contemporary Sculpture Exhibition, Toledo Museum of Art, Columbus, July 15–October 14, 194. (Catalogue)

50 Artists/50 States, Fuller Goldeen Gallery, San Francisco, July 11–August 25, 1984.

An International Survey of Recent Painting and Sculpture, The Museum of Modern Art, New York, May 17–August 19, 1984. (Catalogue)

The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf, Williams College Museum of Art, Williamstown, Massachusetts, May 5–July 16, 1984. Traveled to: Museum of Fine Arts, Boston, August 1–October 14, 1984. (Catalogue)

American Sculpture, Donald Young Gallery, Chicago, opened April 28, 1984.

The Private Eye: 20th–Century Art from New York and Connecticut Collections, Neuberger Museum, South Gallery, State University of New York at Purchase, New York, April 8–June 10, 1984.

The Meditative Surface, The Renaissance Society at the University of Chicago, April 1–May 16, 1984. (Catalogue)

Drawings 1974–1984, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., March 15–May 13, 1984. (Catalogue)

American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, La Jolla Museum of Contemporary Art, California, March 10–April 22, 1984. Traveled to: MuseoTamayo, Mexico City, May 17–July29, 1984; North Carolina Museum of Art, Raleigh, September 29–November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, March 30–May 26, 1985. (Catalogue)

Parasol and Simca: Two Presses/Two Processes, The Center Gallery, Bucknell University, Lewisburg, Pennsylvania, February 3–April 4, 1984. Traveled to: Sordoni Art Gallery, Wilkes College, Wilkes-Barre, Pennsylvania. (Catalogue)

1 + 1 = 2, Bernice Steinbaum Gallery, New York, January 24–February 18, 1984. Traveled to: Brentwood Gallery, St. Louis; University of California, Irvine; University of Northern Iowa Gallery of Art, Cedar Falls. (Catalogue)

Artists Call–Against U.S. Intervention in Central America Benefit Exhibition, Paula Cooper Gallery and Leo Castelli Gallery, New York, January 14–January 28, 1984.

1983

Currents 1983 / 1984, Institute of Contemporary Art, Boston, 1983.

Drawings, Susanne Hilberry Gallery, Birmingham, Michigan, 1983.

Festival of the Arts, Muhlenberg College, Allentown, Pennsylvania, 1983.

Habitats, Klein Gallery, Chicago, 1983.

New Work, Susanne Hilberry Gallery, Birmingham, Michigan, 1983.

The First Show: Painting and Sculpture from Eight Collections 1940–1980, The Museum of Contemporary Art, Los Angeles, November 20, 1983–February 19, 1984. (Catalogue)

Sculpture on a Small Scale, Galerie Maeght-Lelong, New York, November 1–December 9, 1983.

The House that Art Built, The Main Art Gallery, Visual Arts Center, California State University, Fullerton, California, October 28–December 7, 1983. (Catalogue)

The American Artist as Printmaker: Twenty-third National Print Exhibition, Brooklyn Museum, New York, October 28, 1983–January 22, 1984. (Catalogue)

ARS '83: Helsinki, The Art Museum of the Ateneum, Helsinki, October 14–December 11, 1983. (Catalogue)

Sculpture: The Tradition in Steel, Nassau County Museum of Fine Art, Roslyn Harbor, New York, October 9, 1983–January 22, 1984.

Contemporary Drawings, Delahunty Gallery, Dallas, October 8–November 9, 1983.

Student Choice Exhibition, Yale University School of Art, New Haven, Connecticut, October 3–October 14, 1983.

Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, September 23–November 9, 1983.

Selected Drawings: An Exhibition of Works by Sixteen Contemporary Artists, Jersey City Museum, Jersey City, New Jersey, September 14–October 15, 1983.

New Art, Tate Gallery, London, September 14–October 9, 1983.

Director’s Choice, Des Moines Art Center, Iowa, September 13–November 13, 1983.

Season's Greetings, Daniel Weinberg Gallery, Los Angeles, September 10–October 8, 1983.

Sculpture as Architecture, Thomas Segal Gallery, Boston, July 6–August 19, 1983.

Black and White, Margo Leavin Gallery, Los Angeles, June 25–August 13, 1983.

Chia, Gorchov, Judd, Mangold, Marden, Ryman, Shapiro, Stella, True, Twombly, Bonnier Gallery, New York, June 4–July 2, 1983.

Minimalism to Expressionism: Painting and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, June 2–December 14, 1983.

Back to the USA, Kunstmuseum Luzern, Switzerland, May 29–July 31, 1983; Rheinisches Landesmuseum Bonn, October 27, 1983–January 15, 1984; Wurttembergisher Kunstverein, Stuttgart, May 3–June 17, 1984. (Catalogue)

Moderna Museet 1958–1983, Moderna Museet, Stockholm, 25th Anniversary, May 9, 1983. (Catalogue)

The Sixth Day, The Renaissance Society, The University of Chicago, May 8–June 15, 1983. (Catalogue)

Small Bronzes: A Survey, McIntosh/Drysdale Gallery, Houston, April 12–May 14, 1983.

BIG American Figure Drawings, School of Visual Arts, New York, March 7–March 24, 1983.

Entering the Eighties: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, February 11–April 13, 1983. (Catalogue)

Drawing Conclusions: A Survey of American Drawings, 1958–1983, Daniel Weinberg Gallery, Los Angeles January 29–February 25, 1983.

1982

Abstraction et Investissement Libidinal, Galerie Jolliet, Montreal, 1982.

Amerikanische Zeichnungen, Galerie Biedermann, Munich, 1982.

Changing Group Exhibition, Paula Cooper Gallery, New York, 1982.

Casting, Fuller Goldeen Gallery, San Francisco, 1982.

Currents: A New Mannerism, Jacksonville Art Museum, Florida and USF Art Galleries, Tampa, 1982.

Drawings from the Collection of Agnes Gund Saalfield, Contemporary Arts Center, Cincinnati, 1982.

Nature du Dessin, traveled to: Musée d'Evreux, Musée de Besançon, Maison de la Culture d'Amiens, Musée de Martigues, Musée de Rennes, Musée de Perpignan, Salle d'Art Graphique du M.A.A.M., 1982

Selected Prints III, Brooke Alexander Gallery, New York, 1982. (Catalogue)

Techniques of Printmaking, Van Straaten Gallery, Chicago, 1982.

Une Experience Museographique: Echange Entre Artistes 1931–1982 Pologne-U.S.A., ARC, Musée d'Art Moderne de la Ville de Paris, 1982.

Twentieth Century Sculpture: Statements of Form, Whitney Museum of American Art at Philip Morris, New York, October 21, 1982–January 2, 1983. (Catalogue)

Correspondencias: 5 Arquitectos, 5 Escultores, Palacio de las Alhajas, Madrid, October–November 1982. Traveled to: Malaga and Bilbao, Spain. (Catalogue)

postMINIMALism, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 19–December 19, 1982. (Catalogue)

Changing Group Exhibition, Paula Cooper Gallery, New York, September 11–October 23, 1982.

Directions in Metal: Work Produced at The Johnson Atelier Technical Institution of Sculpture, Brainerd Art Gallery, State University College of Arts and Sciences at Potsdam, New York, September 1–22, 1982.

Twenty American Artists: Sculpture 1982, San Francisco Museum of Modern Art, July 22–September 19, 1982.

Works in Wood, Margo Leavin Gallery, Los Angeles, July 10–September 11, 1982.

Documenta 7, Kassel, Germany, June 19–September 29, 1982.

74th American Exhibition, The Art Institute of Chicago, June 12–August 1, 1982. (Catalogue)

Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, May 18–August 31, 1982. (Catalogue)

Abstract Drawings 1911–1981: Selections from the Permanent Collection, Whitney Museum of American Art, New York, May 5–July 11, 1982.

Great Big Drawings, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts, April 3–May 2, 1982.

Surveying the Seventies: Selections from the Permanent Collection, Whitney Museum of American Art/Fairfield County, Stamford, Connecticut, February 12–March 31, 1982.

Selected Paints and Sculpture Acquired Since 1978, Whitney Museum of American Art, New York, February 9–April 4, 1982.

American Prints: 1960–1980, Milwaukee Art Museum, Milwaukee, February 5–March 21, 1982. (Catalogue)

1981

Art for E.R.A., Zabriskie Gallery, New York, 1981.

Benefit Exhibition for the Kitchen, Paula Cooper Gallery, New York, 1981.

Constructivism and the Geometric Tradition: Selections from the McCrory Corporation Collection, Detroit Institute of the Arts, 1981.

The Image of the House in Contemporary Art, University of Houston, Lawndale Annex, Texas, 1981.

New Dimensions in Drawing, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1981.

Polychrome, Hansen Fuller Goldeen Gallery, San Francisco, 1981.

Trois Dimensions: Sept Americains, Galerie Gillespie-Laage-Salomon, Paris, 1981.

Variants: Drawings by Contemporary Sculptors, Sewall Art Gallery, Rice University, Houston, November 2–December 12, 1981. Traveled to: Art Museum of South Texas, Corpus Christi, December 31, 1981–January 28, 1982; The High Museum of Art, Atlanta, March 26–May 2, 1982. (Catalogue)

Body Language: Figurative Aspects of Recent Art, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts, November 21–December 24, 1981.

Figures: Forms and Expressions, Albright-Knox Art Gallery, Buffalo, New York, November 21–December 24, 1981. (Catalogue)

Amerikanische Zeichnungen der Siebziger Jahre, Louisiana Museum of Modern Art, Humlebaek, Denmark, August 15–September 20, 1981. Traveled to: Kunsthalle Basel, October 4–November 18, 1981; Stadtische Galerie im Lenbachhus, Munich, February 16–April 11, 1982; Wilhelm–Hack Museum, Ludwigschafen, Germany, September–October 1982.

Figuratively Sculpting, The Institute for Art and Urban Resources at P.S.1, Long Island City, New York, October–December 13, 1981.

Drawing Acquisitions, 1978–1981, Whitney Museum of American Art, New York, September 17–November 8, 1981.

Alex Katz and Joel Shapiro, The Contemporary Art Center, Cincinnati, September 17–November 1, 1981.

The Image in American Painting and Sculpture, 1950–1980, Akron Art Museum, Ohio, September 12–November 8, 1981. (Catalogue)

Drawing: Joel Shapiro, Jennifer Bartlett, Elizabeth Murray, Galerie Mukai, Tokyo, August 24–September 22, 1981.

Drawing Distinctions: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebaek, Denmark, August 15–September 20, 1981. (Catalogue)

Cast, Carved and Constructed, Margo Leavin Gallery, Los Angeles, August 1–September 19, 1981.

Bestandsaufrahme, Tatig Keitsberight, einer Galerie, Galerie m, Bochum, Germany, May 27–September 27, 1981.

Drawings from Georgia Collections, 19th and 20th Centuries, High Museum of Art, Atlanta, May 14–June 28, 1981. Traveled to: Georgia Museum of Art, University of Georgia, Athens, July 12–August 23, 1981. (Catalogue)

Heidi Glück, Joshua Neustein, David Reed, Joel Shapiro, Richard Tuttle, Bertha Urdang Gallery, New York, May 2–29, 1981.

Sculptural Density, Visual Arts Museum, School of Visual Arts, New York, March 30–April 24, 1981.

1981 Biennial Exhibition, Whitney Museum of American Art, New York, February 4–April 19, 1981. (Catalogue)

Nature du Dessin, Musée national d'art moderne, Centre Georges Pompidou, Paris, January 14–February 9, 1981.

Sculptor's Drawings and Maquettes, Max Hutchinson Gallery, New York, January 13–February 14, 1981.

1980

American Contemporary Sculpture, Max Hutchinson Gallery, New Orleans, 1980.

American Drawing in Black and White 1970–1980, Brooklyn Museum, New York, November 22, 1980–January 18, 1981.

Interior Sculpture, Galerie Schellmann & Kluser, Munich, October–November 1980.

Architectural Sculpture, Los Angeles Institute of Contemporary Art, Los Angeles, September 30–November 21, 1980.

Paintings, Sculpture, Drawings, Prints and Photographs, Thomas Segal Gallery, Boston, September 13–October 8, 1980.

Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted, Grey Art Gallery, New York University, New York, July 8–August 22, 1980. (Catalogue)

Reliefs, Formprobleme zwischen Malerei und Skulptur im 20 Jahrhundert, Westfalisches Landesmuseum, Münster, June 1–August 3, 1980. Traveled to: Kunsthaus Zürich, August 28–November 2, 1980.

Drawings: The Pluralist Decade, United States Pavilion, 39th Venice Biennale, June 1–September 30, 1980. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 4–November 9, 1980; The Museum of Contemporary Art, Chicago, May 29–June 26, 1981.

Drawings 1980, Landmark Gallery, New York, May 19–June 11, 1980.

Skulptur im 20 Jahrhundert, Werkenpark, Basel, May 10–September 14, 1980.

Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, May 8–June 22, 1980. Traveled to: the Rijksmuseum Kröller-Müller, Otterlo, July 13–September 8, 1980.

Drawings/Structures, Institute of Contemporary Art, Boston, May 7–June 29, 1980.

Zeitgenossische Plastik, Kulturhistorisches Museum, Bielefeld, Germany, April 20–June 15, 1980.

Paula Cooper at Yvon Lambert, Galerie Yvon Lambert, Paris, February 17–March 15, 1980.

Invitational, Bell Gallery, Brown University, Providence, February 1–February 24, 1980.

Painting in Relief, Whitney Museum of American Art/Downtown Branch, New York, January 30–March 5, 1980.

1979

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, 1979.

Drawings, Toni Birkhead Gallery, Cincinnati, 1979.

Galerie Gillespie-de Laage, Paris, 1979.

Opening Exhibition, Okun-Thomas Gallery, St. Louis, 1979.

Tendencies in American Drawings of the Late Seventies, Stadtische Galerie im Lenbachhaus, Munich, 1979.

Recent Acquisitions, 1979, The Metropolitan Museum of Art, New York, October 16–December 28, 1979.

From Allan to Zucker, Texas Gallery, Houston, August 17–September 28, 1979.

Selections from the Permanent Collection, La Jolla Museum of Contemporary Art, La Jolla, July 18–August 19, 1979.

Five Sculptors, Yarlow/Salzman Gallery, Toronto, July 7–August 3, 1979.

Decade in Review: Selections from the 70's, Whitney Museum of American Art, New York, June 19–September 2, 1979.

Contemporary Sculpture: Selections form the Collection of the Museum of Modern Art, The Museum of Modern Art, New York, May 18–August 7, 1979. (Catalogue)

The Minimal Tradition, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, April 29–September 2, 1979. (Catalogue)

Acquisitions 1976–78, University Gallery of Fine Art, Ohio State University, Columbus, March 27–April 29, 1979.

Sculptural Perspectives: An Exhibition of Small Sculpture of the 70's,University Art Museum, University of California, Santa Barbara, February 14–March 25, 1979. (Catalogue)

1979 Biennial Exhibition, Whitney Museum of American Art, New York, February 6–April 8, 1979. (Catalogue)

Drawings and Sculpture, Adler Gallery, Los Angeles, February 3–March 17, 1979.

Removed Realities: New Sculpture, Katonah Gallery, Katonah, New York, January 28–March 4, 1979.

Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, January 1–March 11, 1979. (Catalogue; text by Innis H. Shoemaker)

1978

Group Exhibition, Paula Cooper Gallery, New York, 1978.

Minimal Image, Protetch–McIntosh Gallery, Washington, D.C., 1978.

New York, 1977, Amherst College, Massachusetts.

Group Exhibition, Paula Cooper Gallery, New York, December 12, 1978–January 10, 1979.

Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, November 11, 1978–January 1, 1979. (Catalogue)

Dwellings, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 20–November 25, 1978. Traveled to Neuberger Museum, State University of New York, Purchase, New York. (Catalogue)

100 Drawings of the 1970's from the Collection of Richard Brown Baker, Stamford Museum, Connecticut, October 8–December 10, 1978.

Architectural Analogues, Whitney Museum of American Art/Downtown Branch, New York, September 20–October 8, 1978. (Catalogue)

Door beeldhouwer gemaakt, Stedelijk Museum, Amsterdam, September 14–November 5, 1978.

10th Anniversary Show, Paula Cooper Gallery, New York, September 9–October 4, 1978.

Sculpture, Hal Bromm Gallery, New York, September 5–September 30, 1978.

Sculpture, Thomas Segal Gallery, Boston, June 3–July 7, 1978.

Indoor/Outdoor, P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, May 16–May 21, 1978.

American Art: 1950 to the Present, Whitney Museum of American Art, New York, May 3–September 10, 1978.

Hunt, Jenney, Lane, Rothenberg, Shapiro, Vassar College Art Gallery, Poughkeepsie, New York, April 9–June 4, 1978. (Catalogue)

Jenney, Nauman, Serra, Shapiro, Blum Helman Gallery, New York, February–March 1978.

1977

Foire Internationale d'Art Contemporain, Grand Palais, Paris, 1977.

Objects! Marian Goodman Gallery, New York, 1977.

Early work by Five Contemporary Artists, The New Museum of Contemporary Art, New York, November 11–December 30, 1977. (Catalogue)

Small Objects, Whitney Museum of American Art/Downtown Branch, New York, November 3–December 7, 1977.

Scale and Environment: 10 Sculptors, Walker Art Center, Minneapolis, October 2–November 27, 1977. (Catalogue)

Ten Years: A View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

Group Show, Paula Cooper Gallery, New York, September 10–October 12, 1977.

Documenta 6, Kassel, Germany, June 24–October 2, 1977. (Catalogue)

Ideas in Sculpture 1965–1977, The Renaissance Society, The University of Chicago, May 1–June 11, 1977. (Catalogue)

A Question of Scale, Visual Arts Museum, School of Visual Arts, New York, April 4–April 22, 1977.

Improbable Furniture, Institute of Contemporary Art, Philadelphia, March 10–April 10, 1977. (Catalogue)

1977 Biennial Exhibition: Contemporary American Art, Whitney Museum of American Art, New York, February 15–April 3, 1977. (Catalogue)

Dessins Contemporains: Europeans et Americains, Galerie Gillespie-de Laage, Paris, January 29–February 24, 1977.

Collection in Progress: 200 or So Selections from the Collection of Milton Brutten and Helen Herrick, Moore College of Art, Philadelphia, January 14–February 11, 1977. (Catalogue)

Abstract Images, Willard Gallery, New York, January 4–February 3, 1977.

1976

Benefit Exhibition for Einstein on the Beach, Blum Helman Gallery, New York, 1976.

Drawings, Sales and Rental Gallery, Baltimore Museum of Art, 1976.

Gestures, Gallery of July and August, Woodstock, New York, 1976.

Paula Cooper Gallery Group Show, Galerie Mukai, Tokyo, 1976.

Preparatory Notes and Thinking Drawings, Woman Center, Boulder, 1976.

Recent Work, The Johnson Gallery, Middlebury College, Middlebury, Vermont, 1976.

Scale, Fine Arts Building, New York, 1976.

Sculptors' Drawings, Fine Arts Building, New York, 1976.

Opening Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, December 10, 1976–January 31, 1977.

Biennale of Sydney: Recent International Forms in Art, Art Gallery of New South Wales, Sydney, November 13–December 19, 1976.

Soho, Akademie der Kunste, West Berlin, Germany, September 5–October 17, 1976.

Project Rebuild, Grey Art Gallery and Study Center, New York University, New York, August 11–27, 1976.

International Tendencies 1972–1976, 37th Venice Biennale, July 18–October 10, 1976.

Group Exhibition, Paula Cooper Gallery, New York, May 29–June 26, 1976.

Ideas on Paper 1970–1976, The Renaissance Society, University of Chicago, May 2–June 6, 1976.

Roelof Louw, Marvin Torfield, Joel Shapiro: New Sculpture, Plans, and Projects, Fine Arts Building, New York, May 1–May 11, 1976.

Critical Perspectives in American Art, Fine Arts Center Gallery, University of Massachusetts, Amherst, April 10–May 9, 1976. Traveled to: United States Pavilion, 37th Venice Biennale, July 18–October 10, 1976. (Catalogue)

1975

Drawings, Bykert Gallery, New York, 1975.

Fall Group Exhibition, Paula Cooper Gallery, New York, 1975.

Group Exhibition, Paula Cooper Gallery, New York, 1975.

Group Show, The Johnson Gallery, Middlebury College, Middlebury, Vermont, 1975.

Spring Group Exhibition, Paula Cooper Gallery, New York, 1975.

Small Sculpture and Related Drawings, New Gallery, Cleveland, December 9–31, 1975.

Collectors of the Seventies, Part III, Milton Institute for Art and Urban Resources, New York, September–October 18, 1975.

Painting, Drawing, and Sculpture of the '60s and '70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 7–November 18, 1975. Traveled to: The Contemporary Arts Center, Cincinnati, December 17, 1975–February 15, 1976.

The Small Scale in Contemporary Art, The Art Institute of Chicago, May 8–June 15, 1975.

Jennifer Bartlett and Joel Shapiro, The Garage, London, April 23–May 17, 1975.

1974

A–Z (with Joe Zucker and Richard Artschwager), 410 West Broadway, New York, 1974.

Choice Dealers–Dealer’s Choice, New York Cultural Center, New York, 1974.

Drawings and Other Work, Paula Cooper Gallery, New York, December 7, 1974–January 8, 1975.

71st American Exhibition, The Art Institute of Chicago, June 15–August 11, 1974.

Painting and Sculpture Today: 1974, Indianapolis Museum of Art, May 22–July 14, 1974.

Figuratively Sculpting, The Clocktower Institute for Art and Urban Resources, New York, Spring 1974.

1973

Drawings, Barbara Cusack Gallery, Houston, 1973.

Drawings and Other Work, Paula Cooper Gallery, New York, December 15, 1973–January 9, 1974.

New American Graphic Art, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, September 12–October 28, 1973.

American Drawings 1963–1973, Whitney Museum of American Art, New York, May 25–July 22, 1973.

Art in Evolution, Xerox Square Exhibition Center, Rochester, New York, May 16–June 27, 1973.

Opening Group Exhibition, Paula Cooper Gallery, New York, May 5–June 5, 1973.

The Last Picture Show at 100 Prince Street, Paula Cooper Gallery, New York, February 17–March 10, 1973.

1972

Art on Paper, Bard College, Annandale-on-Hudson, New York, 1972.

New York 72, Paula Cooper Gallery Exhibition, Greenwich, Connecticut, 1972.

Small Series, Paula Cooper Gallery, New York, December 9, 1972–January 13, 1973.

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 17–December 17, 1972. (Catalogue)

1971

Recent Acquisitions, University of Massachusetts, Amherst, 1971.

Paula Cooper Gallery Exhibition, Windham College, Putney, Vermont, 1971.

Kid Stuff? Albright-Knox Art Gallery, Buffalo, New York, July 25–September 6, 1971.

Twenty-six by Twenty-six, Vassar College Art Gallery, Poughkeepsie, New York, May 1–June 6, 1971. (Catalogue)

Works on Paper: 31st Annual Exhibition, The Society for Contemporary Art, The Art Institute of Chicago, April 27–May 30, 1971.

Kent State University School of Art Annual Invitational Exhibition, Dedicated as a Memorial to May 4, 1970, Van Deusen Galleries, Kent State University, Ohio, April 4–15, 1971.

Changing Group Exhibition, Paula Cooper Gallery, New York, April–June 1971.

1970

Drawings, Janie C. Lee Gallery, Dallas, 1970.

Hanging/Leaning, The Emily Lowe Gallery, Hofstra University, Hempstead, New York, February 2–February 27, 1970. (Catalogue)

Drawings and Watercolors by Young Americans, The Akron Art Institute, Ohio, September 30–October 15, 1970.

Viewpoints 4, The Picker Art Gallery, Colgate University, Hamilton, New York, October 21–November 15, 1970. (Catalogue)

Art on Paper, The Weatherspoon Art Gallery, University of North Carolina, Greensboro, November 15–December 17, 1970.

Paperworks, The Museum of Modern Art, New York, November 24, 1970–January 10, 1971.

Art for Your Collection IX, Museum of Art, Rhode Island School of Design, Providence, December 9, 1970–January 7, 1971.

Contemporary American Sculpture: 1970 Annual Exhibition, Whitney Museum of American Art, New York, December 12, 1970–February 7, 1971. (Catalogue)

Drawings, Paula Cooper Gallery, New York, December 19–January 7, 1971.

1969

Recent Acquisitions, Herter Gallery, University of Massachusetts, Amherst, Winter 1969–1970.

Drawings, Paula Cooper Gallery, New York, December 6, 1969–January 7, 1970.

Anti-Illusion: Procedure/Material, Whitney Museum of American Art, New York, May 19–July 6, 1969. (Catalogue)

The Ackland Art Museum, Chapel Hill, North Carolina

The Addison Gallery of American Art, Andover, Massachusetts

Albany Institute of History and Art, New York

Albright-Knox Art Gallery, Buffalo, New York

Art Gallery of Ontario, Toronto

The Art Institute of Chicago, Illinois

Art Museum of South Texas, Corpus Christi

Ball State University Museum of Art, Muncie, Indiana

The Baltimore Museum of Art, Maryland

BILBAO Ría 2000, Lasesarre Park, Barakaldo, Spain 

Birmingham Museum of Art, Alabama

British Museum, London

Eli Broad Foundation, Los Angeles

Brooklyn Museum, New York

The Chase Manhattan Collection, New York
Centre Pompidou, Paris

Cincinnati Art Museum, Ohio

The Cleveland Museum of Art, Ohio

Colby College Museum of Art, Waterville, Maine

Communaute de Communes de L’Agglomeration Orleanaise, Orléans, France

The Corcoran Gallery of Art, Washington, D.C.

Dallas Museum of Art, Texas

Davidson College, North Carolina

The Denver Art Museum, Colorado

Des Moines Art Center, Iowa

The Detroit Institute of Arts, Michigan

Embassy of the United States, Ottawa, Canada

Embassy of the United States, Vienna

The Fine Arts Museums of San Francisco, M. H. De Young Memorial Museum, 

San Francisco

Kawamura Memorial Museum of Art, Sakura, Japan

Maxine and Stuart Frankel Foundation for Art, Bloomfield Hills, Michigan

The Foundation for Art and Preservation in Embassies (FAPE), The Lee Kimche 

McGrath Original Print Collection, Washington, D.C.

The J. Paul Getty Museum, Los Angeles

Grand Rapids Art Museum, Michigan

Hakone Open-Air Museum, Hakone-machi, Japan
Harvard Art Museums, Fogg Museum, Cambridge, Massachusetts

Harvard Business School, Boston

High Museum of Art, Atlanta

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Ho-Am Art Museum, Seoul

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

International Sculpture Collection Rotterdam, The Netherlands

Israel Museum, Jerusalem

IVAM Centre Julio González, Valencia, Spain

Kanton of Aargau, Aarau, Switzerland

Kansas City International Airport, Missouri

Kawamura Memorial Museum of Art, Chiba, Japan

Kiasma Museum of Contemporary Art, Helsinki, Finland

Kunsthaus Zürich, Switzerland

Los Angeles County Museum of Art, California

Louisiana Museum for Moderne Kunst, Humlebaek, Denmark

Marion Koogler McNay Art Museum, San Antonio, Texas

The Menil Collection, Houston

The Metropolitan Museum of Art, New York
Milwaukee Art Museum, Wisconsin

Modern Art Museum of Fort Worth, Texas

Moderna Museet, Stockholm

The Morgan Library and Museum, New York

Museum of Contemporary Art, Chicago

The Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, San Diego

Museum of Fine Arts, Boston

The Museum of Fine Arts, The Lillie and Hugh Roy Cullen Sculpture Garden, Houston

Museum of Modern Art, Friuli, Italy

The Museum of Modern Art, New York

Nasher Sculpture Center, Dallas

National Gallery of Art Sculpture Garden, Washington, D.C.

National Gallery of Australia, Canberra

The Nelson-Atkins Museum of Art, Kansas City, Missouri

The Newark Museum, New Jersey

New Orleans Museum of Art, Louisiana

North Carolina Museum of Art, Raleigh

The Norton Museum of Art, West Palm Beach, Florida

Nykytaiteen Museo, Helsinki, Finland

The Parrish Art Museum, Southampton, New York

Philadelphia Museum of Art, Pennsylvania

The Picker Art Gallery, Colgate University, Hamilton, New York

The Principal Riverwalk, Des Moines, Iowa

The Rachofsky House, Dallas

The John and Mable Ringling Museum of Art, Sarasota, Florida

Rockefeller University, New York

Rose Art Museum, Brandeis University, Waltham, Massachusetts

The Saint Louis Art Museum, Missouri

Skulpturenpark Köln, Cologne

The University of Texas Southwestern Medical Center, Dallas

Stedelijk Museum, Amsterdam

Storm King Art Center, New Windsor, New York

Tate, London

Tel Aviv Museum of Art, Israel

The Toledo Museum of Art, Ohio

United States Holocaust Memorial Museum, Washington, D.C.

University of Chicago, Illinois

University of Cincinnati, Ohio

University of Massachusetts, Amherst

University of Nebraska, Sheldon Memorial Art Gallery and Sculpture Garden, Lincoln, Nebraska

Walker Art Center, Minneapolis

Weatherspoon Art Gallery, University of North Carolina, Greensboro

Wexner Center for the Arts, Ohio State University, Columbus

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

2019

Kazakina, Katya. “Hudson Yards Adorned With Art to Last Beyond.” Bloomberg, 24 January 2019. https://www.bloomberg.com/news/articles/2019-01-24/hudson-yards-adorned-with-art-to-last-beyond-anyone-s-lifetime

Schulz, Dana. “Hudson Yards unveils new contemporary art by Jaume Plensa, Frank Stella, and Joel Shapiro.” 6sqft, 24 January 2019. https://www.6sqft.com/hudson-yards-unveils-new-contemporary-art-by-jaume-plensa-frank-stella-and-joel-shapiro/

2018

Mclaughlin, John. “Massive Elegance” (Madison Museum of Contemporary Art exhibition review). Isthmus, 20 September 2018. https://isthmus.com/arts/visual-arts/mmoca-brings-joel-shapiros-bronze-sculptures-indoors/

Shapiro, Joel. “Magic Thinking with Sculptor Joel Shapiro.” Interview with Charlotte Burns. Art Agency Partner, 28 June 2018. Online audio, 33:06. http://www.artagencypartners.com/podcast/joel-shapiro/

Sulieman, Razan. “Beyond the Boundaries of Minimalism” (Yale University Art Gallery exhibition review). Yale Daily News, 30 March 2018. https://yaledailynews.com/blog/2018/03/30/beyond-the-boundaries-of-minimalism/

2017

Evans, Suzannah V. “Joel Shapiro at Pace London” (exhibition review). The London Magazine, 19 June 2017. https://www.thelondonmagazine.org/joel-shapiro-at-pace-london/

Feldman, Max L. “Joel Shapiro, Pace Gallery, London, UK” (exhibition review). Frieze, no. 189 (September 2017): 182–183, installation view.

Gerlis, Melanie. “The Cost of Bacon: Sotheby’s Has Thrown Its Weight” (Chatsworth exhibition review). FT Weekend, 16–17 September 2017: 17, illustrated.

Koeberle, Susanna. “Die Grazie der Marionetten” (Winterthur Kunstmuseum exhibition review). Neue Burcher Beitung, 19 January 2017: 43, illustrated.

Messervy, Georgia. “A Review of Joel Shapiro at Pace Gallery, London” (exhibition review). Arteviste, 19 June 2017. http://www.arteviste.com/arteviste/2017/6/19/a-review-of-joel-shapiro-at-pace-london

Partridge, Amanda. “Joel Shapiro — Sculpting Scale” (Chatsworth House exhibition preview). Sotheby’s, 20 September 2017. http://www.sothebys.com/en/news-video/blogs/all-blogs/chatsworth-house/2017/09/joel-shapiro-sculpting-scale.html

Shapiro, Joel. “Joel Shapiro’s Space-Defying Sculptures at Pace London” (exhibition review). Interview with Nicholas Forrest. Artinfo, 9 June 2017. http://www.blouinartinfo.com/news/story/2254765/joel-shapiros-space-defying-sculptures-at-pace-london

Shapiro, Joel. “Joel Shapiro’s Vibrant Sculptures” (Pace London exhibition review). London Live, 19 May 2017. Online video, 01:49. http://www.londonlive.co.uk/news/2017-05-19/joel-shapiro-s-vibrant-sculptures

Sjostrom, Jan. “Sculptor Joel Shapiro vies a thumbs-up to his works’ new site outside the Norton.” Palm Beach Daily News, 30 April 2017. http://www.palmbeachdailynews.com/entertainment/arts--theater/sculptor-joel-shapiro-gives-thumbs-his-works-new-site-outside-the-norton/1mjE2gQ4pTn1526bhU9YfJ/

Stummer, Robin. “Joel Shapiro: Pace Gallery” (Pace London exhibition review). Culture Whisper, accessed 22 May 2017. https://www.culturewhisper.com/r/visual_arts/pace_gallery_joel_shapiro_london_exhibition_whats_on/9151

Wolfe, Alexandra. “Self-Portraits and Photos for a David Hockney Birthday” (Getty Center exhibition review). The Wall Street Journal, 23 June 2017. https://www.wsj.com/articles/self-portraits-and-photos-for-a-david-hockney-birthday-1498227916

2016

Baker, Kenneth. “The Seriousness of a Child at Play: Kenneth Baker on Joel Shapiro at the Nasher Sculpture Center” (exhibition review). The Art Newspaper, 1 July 2016. http://theartnewspaper.com/comment/reviews/books/the-seriousness-of-a-child-at-play-kenneth-baker-on-joel-shapiro-at-the-nasher-sculpture-center/

“Galleries—Uptown: Joel Shapiro” (Dominique Lévy exhibition review). The New Yorker, 19 26 December 2016: 28.

“Joel Shapiro, May 7–August 21.” The Nasher Members Magazine, Spring 2016: 11, illustrated.

Lv, Xuesong. “Zhan Lan Tui Jian: Chui Ji Da Zhan ‘Zhi Shang Tan Bing’: Ning Ju yu Zhi Shang de Si Xiang Pian Duan” (Pace Beijing exhibition review). Artron, 16 April 2016. http://news.artron.net/20160416/n830767.html

Mason, Isabella. “Joel Shapiro at Dominique Lévy Gallery, New York” (exhibition review). Artinfo, 14 December 2016. http://www.blouinartinfo.com/news/story/1788275/joel-shapiro-at-dominique-levy-gallery-new-york

Morse, Jed. “Joel Shapiro, May 7–August 21.” The Nasher (Summer 2016): 6–9, illustrated.

“Nasher Sculpture Center Announces Joel Shapiro” (exhibition preview). Dallas Weekly, 2 March 2016. http://www.dallasweekly.com/arts_and_entertainment/article_5e72fc1e-e088-11e5-923f-03309b15a45f.html

Smart, Jennifer. “Joel Shapiro’s Minimalist Sculpture Interacts Poetically with Architecture at the Nasher” (exhibition review). Dallas Observer, 1 June 2016. http://www.dallasobserver.com/arts/joel-shapiros-minimalist-sculpture-interacts-poetically-with-architecture-at-the-nasher-8349784

Spiegelman, Willard. “Joel Shapiro” (Nasher Sculpture Center exhibition review). The Wall Street Journal, 24 May 2016: D5, illustrated.

2015

Shapiro, Joel. “The Artists’ Artists:’Henri Matisse: The Cut-Outs’ (Museum of Modern Art, New York.)” Artforum 54, no. 4 (December 2015): 111.

Smolik, Noemi. “Joel Shapiro Triumphs at Galerie Karsten Greve Cologne” (exhibition review). Artnet News, 9 February 2015. http://news.artnet.com/art-world/joel-shapiro-triumphs-at-galerie-karsten-greve-cologne-246161

2014

Castro, Jan Garden. “In the Studio with Joel Shapiro: ‘A Metaphor for the Human Spirit’.” Sculpture, 12 February 2014. http://blog.sculpture.org/2014/02/12/joel-shapiro/

Howe, David Everitt. “New York: Joel Shapiro” (Paula Cooper Gallery exhibition review). Modern Painters (June 2014): illustrated.

“Joel Shapiro” (Paula Cooper Gallery exhibition review). Time Out New York, no. 941, 6–12 February 2014: 33.

Kuspit, Donald. “Joel Shapiro, Paula Cooper Gallery” (exhibition review). Artforum 52, no. 8 (April 2014): 260, illustrated.

Motley, John. “In Portland Art Museum Show, Joel Shapiro Reimagines Sculpture’s Relationship to the Ground” (exhibition review). Oregon Live, 30 June 2014. http://www.oregonlive.com/art/index.ssf/2014/06/review_joel_shapiro_at_portlan.html

Ruiz, Varenka. “Richard Nohas and Joel Shapiro ‘Cross-cuts’ @ Knockdown Center, NY” (exhibition review). Juxtapoz, 22 May 2014. http://www.juxtapoz.com/current/richard-nonas-and-joel-shapiro-cross-cuts-knockdown-center-ny

Storr, Robert and Joel Shapiro. “Video: FAPE Debuts Hamptons Exhibit with Joel Shapiro, Tina Barney, and More” (Guild Hall exhibition review). Artinfo. Online video, 04:35. 3 July 2014. http://www.blouinartinfo.com/news/story/1042970/video-fape-debuts-hamptons-exhibit-with-joel-shapiro-tina

Shapiro, Joel. “Joel Shapiro/Sculptor of Space.” Interview with Nick Demarco. The Pop Manifesto, no. 11 (2014). http://thepopmanifesto.com/issue11/contents/joel-shapiro/

Shapiro, Joel. “Outtake.” Art in America (January 2014): 37, illustrated.

2013

Bui, Phong. “Artseen: Joel Shapiro, Sculpture and Drawings 1969–1972” (Craig F. Starr Gallery exhibition review). The Brooklyn Rail (April 2013): illustrated. http://www.brooklynrail.org/2013/04/artseen/joel-shapiro-sculpture-and-drawings-1969-1972

Fiske, Courtney. “Critic’s Picks, New York: Joel Shapiro” (Craig F. Starr Gallery exhibition review). Artforum.com, 19 March 2013. http://www.artforum.com/picks/section=nyc#picks39837

“Northpark Center.” Modern Painters (March 2013), illustrated.

Seno, Alexandra A. “New, Blue Figure Joins Consulate.” Wall Street Journal, 25 March 2013: C14, illustrated.

Shapiro, Joel. “Joel Shapiro Talks Public Art, Henry Moore, and the Pursuits of An Artist.” Interview with Katherine Brooks. The Huffington Post, 21 October 2013. http://www.huffingtonpost.com/2013/10/21/joel-shapiro_n_4139014.html

Smith, Roberta. “Joel Shapiro: ‘Sculpture and Drawings 1969–1972,’ Craig F. Starr, Gallery” (exhibition review). The New York Times, 15 March 2013: C23.

Sobieski, Elizabeth. “Joel Shapiro: Art’s Diplomat.” The Huffington Post, 23 October 2013. http://www.huffingtonpost.com/elizabeth-sobieski/joel-shapiro-arts-diploma_b_4146089.html

Sutton, Benjamin. “Joel Shapiro, Dakota Fanning, and More Receive 2013 National Arts Awards.” Artinfo, 9 September 2013. http://blogs.artinfo.com/artintheair/2013/09/09/joel-shapiro-dakota-fanning-and-more-receive-2013-national-arts-awards/

2012

Baker, Kenneth. “Joel Shapiro hits nerve at Berggruen Gallery” (exhibition review). SFGate, 28 April 2012. http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2012/04/28/DD0P1O8LAC.DTL&feed=rss.entertainment

Deliso, Meredith. “Suspension of Convention: Joel Shapiro’s rebellious spirit explodes at Rice Gallery.” Houston Press, 15 February 2012. http://www.houstonpress.com/2012-02-16/culture/joel-shapiro-rice-gallery/

Foundation for Art and Preservation in Embassies (FAPE): U.S. Department of State Dinner. Washington D.C.: U.S. Department of State, 2012: illustrated

Terranova, Charissa N. “Review: Joel Shapiro ‘New Installation’” (exhibition review). Arts and Cultures Magazine Houston, 1 March 2012. http://artsandculturehouston.com/review-joel-shapiro-new-installation/

2011

Cotter, Holland. “Opportunity on Madison.” The New York Times, 31 July 2011: installation view.

Jeppesen, Travis. “Cologne: Joel Shapiro” (Museum Ludwig exhibition review). artforum.com. http://www.artforum.com/picks/section=de#picks28509 (accessed 7 July 2011).

“Profiles: Joel Shapiro.” Art Economist1, no. 1 (January 2011): 25, illustrated.

2010

“Galleries—Chelsea: Joel Shapiro” (The Pace Gallery exhibition review). The New Yorker, 17 May 2010: 21.

Kazanjian, Dodie. “A Winter’s Tale.” Vogue (December 2010): 280–285, illustrated.

Pincus-Witten, Robert. “Reviews: Joel Shapiro, Paula Cooper Gallery” (exhibition review). Artforum 48, no. 8 (April 2010): 194–195, illustrated,

Saltz, Jerry. “Art: The Power of the Petite” (Paula Cooper Gallery exhibition review). New York, 1 February 2010: 69, illustrated.

Smith, Roberta. “Art in Review: Joel Shapiro, works: 1969–1979” (Paula Cooper Gallery exhibition review). The New York Times, 29 January 2010: C25.

2009

Cohen, Patricia. “Employing Art Along With Ambassadors.” The New York Times, 27 June 2009: discussed.

Emerling, Susan. “Reviews: Joel Shapiro” (LA Louver exhibition review). Art News (June 2009): 110, illustrated.

“First Stop, Paris!” MFA Friday and Saturday Afternoon Lectures (May/June 2009): illustrated.

Klein, Michèle Gerber. “Joel Shapiro.” Bomb, no. 109 (Fall 2009): 30–37, illustrated.

Knight, Christopher. “Review: Joel Shapiro at LA Louver Gallery” (exhibition review). Los Angeles Times, 22 January 2009. http://latimesblogs.latimes.com/.

Shapiro, Joel. “Joel Shapiro.” Interview by Michèle Gerber Klein. BOMB (Fall 2009):30–37, illustrated.

2008

AD Den Haag Sculptuur (Summer 2008): 12, illustrated no. 8.

Alonso, Aitor. “Instalan una estatua en el Parque Lasesarre.” DEIA, 25 September 2008: 8, illustrated.

“Arte a pie de calle.” El Nervión, 30 September 2008: 4, illustrated.

“Arte a pie de calle en el Parque de Lasesarre.” BILBAO Ría 2000 (December 2008): 28–29, inside back cover, illustrated.

“Barakaldo exhibe la primera obra pública de Joel Shapiro en España.” Soitu.es, 24 September 2008: illustrated. http://www.soitu.es/.

“Barakaldo exhibe la primera obra pública de Joel Shapiro en España.” El Mundo, 25 September 2008: 24, illustrated.

“Barakaldo presume de una escultura de Shapiro.” El Nervión, 25 September 2008: illustrated.

“Barakaldo: Primera obra pública de Shapiro.” Metro, 25 September 2008: illustrated.

“Cultura: Barakaldo acoge la primera obra de Joel Shapiro en España.” El País, 25 September 2008: 8, illustrated.

“Nueva Escultura.” Qué, 25 September 2008: illustrated.

“La primera obra pública de Shapiro, en Barakaldo.” 20 Minutes, 25 September 2008: illustrated.

Rucabado, Beatriz. “La renovación del Aula de Cultura de Romo multiplicará por cinco el espacio actual.” El Mundo, 25 September 2008: Bizkaia, 24, illustrated.

“Shapiro saca su arte a la calle en Barakaldo.” El Correo, 25 September 2008: 10C, illustrated.

Spike, John T. “Tin Soldiers: Abstract Sculptor Joel Shapiro Hasn’t Marched in Step.” Art & Antiques (October 2008): 144, illustrated.

Stephens, Suzanne. “Bowdoin College Museum of Art, Maine.” Architectural Record, February 2008: 120–125, illustrated.

Tijero, Margarita. “Bronce evocador: Shapiro acerca su arte.” ADN, 25 September 2008: 13, illustrated.

2007

“Abstract Art, Concrete Thought: Davidson Hopes Discussions Grow from Sculpture Garden.” (exhibition review). The Charlotte Observer, 27 August 2007: 1B, 4B, illustrated.

Ayers, Robert. “Joel Shapiro.” ArtInfo.com, 19 December 2007: illustrated. http://www.artinfo.com/.

Shapiro, Joel. “Joel Shapiro with Phong Bui” (PaceWildenstein exhibition review). Interview with Phong Bui. The Brooklyn Rail (November 2007): illustrated. https://brooklynrail.org/2007/11/art/joel-shapiro-with-phong-bui

Cohen, David. “Gallery– Going: Joel Shapiro, PaceWildenstein” (exhibition review). The New York Sun, 21 November 2007: 16.

“Galleries–Chelsea: Joel Shapiro” (PaceWildenstein exhibition review). The New Yorker, 3 December 2007: 23.

Genocchio, Benjamin. “Joel Shapiro: New Sculpture” (PaceWildenstein exhibition review). The New York Times, 30 November 2007: E28, illustrated.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

2006

Cassidy, Victor M. “Prairie Smoke.” Artnet.com, http://www.artnet.com/ (accessed 1 January 2006.

Clayworth, Jason. “Riverwalk Gardens, Bridge Ready to Open.” The Des Moines Register, 19 July 2006: 1A, illustrated; 3A.

“I Will Never Look at a Painting the Same Way Again.” Art News, October 2006: 166.

Kahn Reopens (news letter). Yale University Art Gallery (New Haven, 8 December 2006): 17, illustrated.

“Reviews: Soutine and Modern Art.” Art News (October 2006): 172.

“Reviews: Soutine and Modern Art.” Art Review (October 2006): 150.

Schjeldahl, Peter. “The Critics, The Art World: Other Dimensions: David Smith¹s sculptural experiment.” The New Yorker, 6 March 2006.

Smith, Roberta. “One Collection, Many Stoies From the Land of Mavericks” (The Museum of Modern Art exhibition review). The New York Times, 12 May 2006: 27E, 36E.

Tavernetti, Dennis R. “Sculpture Brings World–Class Art to Public.” The Greenville News, 21 June 2006. http://www.greenvilleonline.com/ (accessed June 23, 2006.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89.

“Visionary Support: Governor Honors Welleses.” Art Matters (Spring 2006): 17, illustrated.

Yablonsky, Linda “Why Small is Big.” Art News (December 2006): 123.

2005

Baker, Kenneth. “Joel Shapiro’s Sculptural Abstractions Evoke the Discomfort of Being Human” (exhibition review). San Francisco Chronicle, 22 October 2005: E10.

“From the Metropolitan to AAG; Academy Installs Joel Shapiro. Albany Academy for Girls, Summer Magazine, (summer 2005): 9, illustrated.

“Goings on About Town: Galleries–Uptown: Joel Shapiro” (exhibition review). The New Yorker, 11 April 2005.

Johnson, Ken. “The Listings: Art.” The New York Times, 21 January 2005, Section E: E28.

Mehalick, Susan. “Arts Talk: Modern Sculpture for Albany Academy.” Times Union, 22 May 2005: illustrated.

Naves, Mario. “Joel Shapiro’s Rickety Sculptures Hang Loose at PaceWildenstein” (exhibition review). The New York Observer, 4 April 2005: 18, illustrated.

Nichols, Matthew Guy. “Joel Shapiro at PaceWildenstein” (exhibition review). Art in America (September 2005): 151, illustrated.

Rochebouet, Beatrice. “Le Sceau du Contemporain.” Le Figaro, November

2005.

Vogel, Carol. “Inside Art: Museum Accompanists.” The New York Times, 8 April 2005: E30.

Yablonsky, Linda. “Why Small is Big.” Art News. December 2005: 123.

2004

“Acclaimed Artist To Discuss Craft.” Addison County (Massachusetts) Independent, 8 November 2004.

Awodey, Marc. “Go Figure.” Seven Days, 10–17 November 2004: 47A.

Crawford, Lynn. “Joel Shapiro.” Tema Celeste (Siracusa, Italy), April 2004: 100.

Frank, Peter. “Joel Shapiro: LA Louver Gallery.” Modern Painters, April 2004: 130.

Grosso, Chris. “Modern Sculptor Angles Metal.” Middlebury Campus, 30 September 2004: 17.

Johnson, Ken. “‘The 179th Annual’,” National Academy of Design Museum exhibition review. The New York Times, 14 May 2004, Art In Review.

Kennedy, Randy. “Where Creative Heat Meets Molten Metal.” The New York Times, 13 August 2004, section E: 29, 36.

Pagel, David. “A General in the Culture Wars.” Los Angeles Times, 13 February 2004: E22–23.

Pierre, Amanda. “Riverwalk Sculptures Unveiled.” Des Moines Register, 6 October 2004: 1B, 4B illustrated.

“Sculpture: around the Galleries: Part 1.” Los Angeles Times, 30 July 2004: E28–29.

Smith, Roberta. “Designers for a Day: Sculptors Take a Turn,” Cooper–Hewitt National Design Museum exhibition review. The New York Times, 10 September 2004: Weekend: E25.

2003

Amy, Michaël. “Joel Shapiro at PaceWildenstein” (exhibition review). Art in America, October 2003: 125, illustrated.

Baker, Kenneth. “Powerful sculptures enhance work space–Deacon and Shapiro craft simple but sophisticated pieces for Foundry Square.” SF Gate, 24 June 2003. https://www.sfgate.com/bayarea/article/Powerful-sculptures-enhance-work-space-Deacon-2607086.php

Buddick, Ariella. “Sculpture Steps Outdoors: Art finds a way to stand out from the environment around it.” Newsday, 24 August 2003. http://www.newsday.co…/ny–ffart3422788aug24,0,6229151.story?coll+ny–features–headline (August 28, 2003)

Cohen, David. “Gallery–Going,” PaceWildenstein exhibition review. New York Sun, 15 April 2003: Art & Letters: 14.

“Defining Moment: Nasher can give new personality to Dallas.” Dallas News.com (19 October 2003): http://www.dallasnews.com/cgi–bin/bi/gold_print.cgi (20 October 2003).

“Galleries—Chelsea: Joel Shapiro” (PaceWildenstein exhibition review). The New Yorker, 19 May 2003: 23.

Glueck, Grace. “The Nashers Keep It Close to Home.” The New York Times, 19 October 2003: Art/Architecture: 30.

Goetz, Adrien. “La nouvelle Orleans.” Actualities, 2003: 101, illustrated.

“On the Cover - Joel Shapiro: Recent Sculpture” (PaceWildenstein exhibition review). Gallery Guide (May 2003): 11, cover, illustrated.

Hamlin, Peter. “Galleries—Chelsea: Joel Shapiro” (PaceWildenstein exhibition review). The New Yorker, 26 May 2003.

“The Hebrew Home for the Aged at Riverdale.” Bronx Senior News, June 2003.

“The Hebrew Home for the Aged at Riverdale.” Jewish Week, 20 June 2003.

High Museum of Art. 2002 Annual Report, 2003: cover illustrated.

“Inside/Outside/On the Wall,” exhibition review. Forward, 27 June 2003.

“Inside/Outside/On the Wall,” exhibition review. Time Out New York, 3–10 June 2003.

Johnson, Ken. “Joel Shapiro” (PaceWildenstein exhibition review). The New York Times, 6 June 2003, Art Guide: E34.

Kuspit, Donald. “Joel Shapiro/PaceWildenstein” (exhibition review). Artforum, September 2003: 226.

Kutner, Janet. “A Not So Secret Garden: Nasher Sculpture Center to Bring Unique Art, Venue to Dallas.” Dallas Morning News, 29 June 2003: 1A.

Kutner, Janet. “The Nasher Schlpture Center. Special Report.” Dallas Morning News, 19 October 2003: section W: 1W–15W, 14, illustrated.

Muto, Shelia. “Office Owners Turn to Art to Lure Tenants.” Wall Street Journal, 21 May 2003: Section B: 4.

Panero, James. “Gallery Chronicle: Joel Shapiro,” (PaceWildenstein exhibition review). New Criterion 21, no. 10 (June 2003): 55–56.

Raver, Anne. “Field Trip: Manhattan Statues in a Garden in the Bronx.” The New York Times, 23 April 2003: section G: 13.

Smith, Roberta. “Video, in Its Infancy, Had to Crawl Before It Could Walk,” P.S. 1 exhibition review of “Video Acts.” The New York Times, 24 January 2003: E39.

Spiegelman, Willard. “The Gallery: The Nasher Center, a Showcase for Sculpture.” Wall Street Journal, 4 November 2003, Leisure & Arts: D8.

“Stepping Out: Editor’s Choice: Sculptors show work at home.” Riverdale (New York) Press, 19 June 2003.

2002

“‘American beauty’ Annely Juda Fine Art,”(exhibition review). Art Newspaper, May 2002.

Ben–Haim, Tsipi. “New York: Joel Shapiro Metropolitan Museum of Art,” (exhibition review). Sculpture, January/February 2002: 68, illustrated.

Brozane, Nadine. “Artists Canvassing for Space.” The New York Times, 13 October 2002: section 11: 1+.

Campbell–Johnston, Rachel. “Rachel Campbell–Johnston’s best London exhibitions: ‘American Beauty: Part One.’ Annely Juda.” Times (London), June 2002: illustrated. (Untitled, 2001).

Carrier, David. “Exhibition reviews: New York Modern sculpture.” Burlington Magazine (London), January 2002: 55, illustrated.

Eberle, Todd. “VF Camera: Black and White Wedding.” Vanity Fair, February 2002: 74.

Falkenstein, Michelle. “Handle with Care: When sculpture live outdoors, even the most durable materials need extra attention.” Art News, September 2002: 132–134, illustrated.

Kent, Sarah. “American Beauty at Annely Juda,” exhibition review. Time Out London, 26 June–3 July 2002.

Lange, Alexandra. “Queens Modern.” New York, 17 June 2002: 34–37, 66.

Ratcliff, Carter. “Sensibility on Parade,” (review of Summer group exhibitions). Art in America, October 2002: 73–75, illustrated.

Smith, Roberta. “Five Seated Figures.” The New York Times, January 2002.

Smith, Roberta. “Dots, Dashes and Doodles In A Multi–Media Ferment.” The New York Times, 8 February 2002: E. 34.

2001

Andre, Mila. “Sculptures take to the great outdoors.” New York Daily News, 4 May 2001: 71, illustrated.

“Art News Event Guide.” Korea Times, 27 April 2001.

Budick, Ariella. “Skyline Sculptures: From the Met’s Roof, Joel Shapiro Captures a City’s Energy.” New York Newsday, 17 August 2001: B–6, illustrated.

Canning, S.E. “Sculptors on Madison for May.” Dealers Gazette, May 2001.

Chandler, Mary Voelz. “Defying Gravity.” Denver Rocky Mountain News, 30 January 2001: 6D, 8D.

Conley, Kevin. “Joel Shapiro at PaceWildenstein.” New Yorker, 21 May 2001: 18.

Cunningham, Bill. “Evening Hours: The Beat Goes On.” The New York Times, 21 October 2001: 7–8.

Dagen, Philippe. “Des Platiciens Trop Bien Informes.” Le Monde (Paris), 4 February 2001.

Erikson, Emily. “U.S. Shorts.” Artforum, May 2001: 52.

Fremason, Ruth. “A Room With A View, Close–Up and Long–Range.” The New York Times, 2 May 2001.

Gardner, James. “Top of the Met, where the art is rarefied,” review. New York Post, 17 May 2001: 55, illustrated.

Gelber, Eric. “Joel Shapiro Hits the Roof.” [http:/www.artcritical.com/EGShapiro.htm]. 23 October 2001.

Gerster, Mary Brennan. “Art Beat of Rye.” Rye (New York) Record, 31 May 2001.

Gouveia, Georgette. “Sculptures kick up a dynamic display.” Westchester Journal News, 17 May 2001: 21G.

Glubock, Shirley. “19th and 20th Century Chinese Paintings from the Ellsworth Collection at the Metropolitan Museum.” La Voz Hispana, April 2001.

Holland, Cotter. “Cosmopolitan Trove on the Road to China.” The New York Times, 16 November 2001: E30–32.

“In–depth Art News: Joel Shapiro on the Roof.” [http://www.abosolutearts.com/artnews/2001/05/03/28502.html]. 3 May 2001.

“Joel Shapiro On The Roof.” New York Antique Almanac, April 2001: 22, illustrated.

Johnson, Ken. “Shadow Dancing: 1975–1979.” The New York Times, 5 February 2001.

Karkowski, Czeslaw. “Nowojorska Kronika Kulturlana.” Prezglad Polski (Cracow), 11 May 2001: 7.

Kunitz, Daniel. “Exibition notes. ‘Joel Shapiro on the Roof’ and ‘Recent Sculpture and Drawings.’” New Criterion, June 2001: 53–54.

Larson, Hilary Jacquelynne. “Previews: PaceWildenstein.” Art & Auction, April 2001: 126.

MacMillan, Kyle. “Sculpture Park Finally Has Some.” Denver Post, 25 January 2001.

MacMillan, Kyle. “Sculptor’s Pieces Have Link To Degas.” Denver Post, 4 April 2001.

Mason, Brooke S. “New York: Il signor Pace.” Il Giornale Dell’Arte (Turin), 205 (2001): 4–7.

“Met Roof Garden Has Artistic Appeal.” New York Resident, 25 April 2001, illustrated.

Monaster, Thomas. “Lifeline Season Finale: A Guide to the City’s Late–Summer Attractions.” Daily News, 2 September 2001: 1–2.

Moorman, Margaret. “Spaces for the Spirit.” Art News, Summer 2001: 112–18.

“Museums and Libraries–Metropolitan Museum.” New Yorker, 9 July 2001: 13.

Naves, Mario. “Kid From Queens Towers Over Manhattan.” New York Observer, 2 –9 July 2001.

“Paying for Billion–Dollar Cultural Dreams in Uncertain Times.” The New York Times, 30 January 2001: E6.

Roberts, Emma. “Sculptural Diplomacy.” Sculpture, September 2001: 49.

Sausset, Damien. “Les formes simples de Joel Shapiro.” L’Oeil (Lausanne), February 2001: 106.

Solomon, Deborah. “From the Rubble, Ideas for Rebirth.” The New York Times, 30 September 2001.

“Tip Sheet: So What Are You Doing Later? Best Bronzes.” Washington, D.C. Shuttle Sheet, June 2001.

“Today in New York and Tomorrow: Sculpture Happening.” Daily News, 30 April 2001.

“U.S. Ambassador Donates Sculpture.” Austria Today, 29 May 2001: 14.

“Where Sculpture Meets the Skyline: Joel Shapiro on the Roof.” The New York Times, 8 June 2001.

Worth, Alexi. “Art Jocks.” New Yorker, 23 July 2001: 82–83, illustrated.

Yee, Marilyn. “Man at Work; Children at Play.” The New York Times, 1 May 2001.

Zinnes, Harriet. “Joel Shapiro,” (exhibition review). NYARTS, June 2001: 85.

2000

Aradillas, Elaine. “McNay’s teen–age guides bolster museum.” San Antonio Express–News, 5 November 2000: 7h.

Baker, Kenneth. “Shapiro’s Ambiguous Forms Keep Pace With the Times.” San Francisco Chronicle, 27 May 2000: B1, B8.

Belcove, Julie L. “The Collector.” W, September 2000: 474–481: 524.

Bell, Bob. “A New Chancery for Ottawa.” State (Ontario) Magazine, January 2000: 12–13.

Coldwell, Paul. “Joel Shapiro,” review. Galleries (London), November 2000.

Comte, Par Beatrice. “Monaco: Sculptures au Jardin.” Monaco Hebdo, 12 July 2000.

Cotter, Holland. “An Impresario of Menace in Simple Things.” The New York Times, 26 March 2000: section 2:1, 44. [Review of Robert Gover, mentions Joel Shapiro: 44]

Day, Jeffrey. “In wide–open Charleston setting, sculptor sees his art differently.” Columbia (South Carolina) State, 4 June 2000: F1, F4.

Day, Jeffrey. “Compelling Sculpture Struggles with its Surrounding.” Columbia (South Carolina) State, 4 June 2000: F1, F4.

Day, Jeffrey. “Compelling Sculpture Struggles With Its Surroundings.” Columbia (South Carolina) State, 25 June 2000: F1, F3.

Estrade, Brigitte. “Le tramway a rendez–vous avec l’art.” Vivre Orléans, September 2000: 8, 9, illustrated.

Falkenstein, Michelle. “Bronze Bombshell.” Art News, January 2000: 68.

“Festival Internacional de Sculpture de Monte–Carlo.” Gazette de Monaco, 15 July 2000.

“The Full Monte Carlo.” Scotsman (Edinburgh), 29 August 2000.

Goddard, Dan R. “Stick men revel in body language.” San Antonio Express–News, 2000.

Hubbard, Sue. “Culture.” Independent On Sunday (London), 3 December 2000, illustrated.

“Il Corpo Nudo, Blu in Camino e Scultores.” Il Giornale Dell’ Arte (Rome), August 2000.

“Joel Shapiro,” review. Independent On Sunday (London), 3 December 2000.

Kent, Sarah. “Art: Preview.” Time Out (London), November 29–December 6, 2000, illustrated.

Kent, Sarah. “Joel Shapiro. Timothy Taylor West End,” review. Time Out (London), 29 November–6 December 2000: 58.

“La Sculpture Fait Un Festival!” Cote–Edition Monaco, July 2000.

“Look Who Moved To Queens.” Art News, September 2000: 81.

MacAdam, Alfred. “Drawings 2000.” Art News, September 2000: 81.

McEwen, John. “Joel Shapiro: painted wood,” review. Sunday Telegraph (London), 10 December 2000: 24.

Martin, Frank. “The Angular Lyricism of Joel Shapiro.” Charleston Post and Courier, 30 May 2000: 11–A, 16–A.

Maschal, Richard. “Harmony in contrast: Shapiro exhibit marries the natural with the created,” Charlotte Observer, 2 June 2000: 24E–25E.

Muchnic, Suzanne. “200 Silent Ambassadors to the World.” Los Angeles Times (Sunday Calendar), 23 April 2000.

Peterson, Bo. “Art on the lawn: Sculptor gets ready for Spoleto exhibition.” Charleston Post and Courier, 14 March 2000: 1–B, 5–B.

Peterson, Bo. “Rising to Another Plane: Sculptor Joel Shapiro Whimsically Tackles the Block From One Form to Another.” Charleston Post and Courier, 30 May 2000: 11–A.

“Renowned artist Joel Shapiro .…” Spoletonotes: the newsletter of Spoleto Festival USA 4, no. 2 (Spring 2000): 1.

Rhodes, Kristen. “Antebellum Goes Modern.” Charleston City Paper, 24 May 2000: 48–49.

Rowlands, Penelope. “Double Feature.” Art News, November 2000: 182–184, illustrated.

Russell, John. “Making Pen and Ink Seem Passé: The Proliferation of New Ways to Draw.” The New York Times, 18 August 2000: E33.

Sokolitz, Roberta. “Outdoors with Joel Shapiro.” Sculpture, November 2000: 16–19, illustrated.

Steiker, Valerie. “From Khmer to Kiki Smith.” Art News, Summer 2000: 174, 175, illustrated.

Tasset, Jean–Marie. “La Sculpture au Champ d’azur.” Le Figaro (Paris), 4 July 2000.

W., T.N. “Visual and Performance Art Highlight Spoleto Festival.” Art and Antiques, May 2000: 34.

1999

Apuleo, Vito. “Shapiro sfida Bernini.” Il Messaggero (Rome), 11 March 1999.

Baker, Kenneth. “Making More Out of Minimalism.” San Francisco Chronicle, 31 July 1999: C1, C10.

Boswell, Peter. “Joel Shapiro In Rome.” Carte D’Arte Internazionale (Messina, Italy), Spring/summer, 1999: 4–9. (Reproduction on cover)

Braff, Phyllis. “Tiles and Drawings, and Beyond.” The New York Times, 31 October 1999: 21.

Brooke, James. “A New Embassy Design Reflects a Cautious World View.” The New York Times, 14 October 1999: F7.

Brutvan, Cheryl. “Joel Shapiro.” Museum of Fine Arts, Boston Preview, May–June 1999: 7.

Buchanan, Carrie. “Embassy sculpture to soar to 40 feet.” Ottawa Citizen, 23 September 1999: A1–2.

“Building the Collection: New Acquisitions for the Sculpture Garden.” National Gallery of Art Bulletin 22 (Fall 1999): 10–13.

Cittadini, Marco. “Shapiro ha messo l’arte in piazza.” Il Giornale, (Rome ed.), 18 March 1999.

Cherney, Elena. “U.S. Embassy Sculpture Draws Oohhs and Ughs.” Ottawa National Post, 27 September 1999: A4

Clarke, Laura. “Foreign Cultural Academies & Institutions.” Wanted in Rome, 17 March 1999.

Conroy, Sarah Booth, “Artistic Gifts to The World: Embassies to Get New Johns Work.” Washington Post, 3 March 1999: C2.

Darwent, Charles. “Charge of the Bronze Brigade.” Independent on Sunday (London), 8 August 1999.

Darwent, Charles. “No one was big enough.” Independent on Sunday (London), 19 December 1999.

Donavan, Frank. “Poor Americans.” Ottawa Citizen, 29 September 1999: A17.

Fanello, Antonio. “Joel Shapiro: Minimalismo barocco nelle piazza di Roma.” Liberal (Rome), 18 March 1999.

“For Art’s Sake.” Ottawa Citizen, 16 October 1999: A17.

Gessell, Paul. “Conjucntion takes flight: ‘Controversial’ sculpture installed outside new American embassy.” Ottawa Citizen, 25 September 1999: A1–2: A4–5.

Gibson, Eric. “National Gallery’s New Sculpture Garden.” Wall Street Journal, 2 June 1999.

Godfrey, Tony. “Salisbury, London, West Bretton: Recent Public Sculpture.” Burlington Magazine (London), December 1999: 764–765.

Huberty, Erica–Lynn. “Parrish Exhibit focuses on Art of Drawing.” Southampton Press, 7 October 1999: B1, B5.

L., B. “Rome: Joel Shaprio American Academy.” Artforum, January 1999: 55.

“La Prima Volta di Joel Shapiro.” Il Matino, 20 March 1999.

Landi, Ann. “Drawing Is Another Kind of Language.” Art News (December 1999): 172.

McNaughton, Derek. “Embassy art creates a stir in Market: First reviews range from ‘uplifting’ to ‘harsh.’” Ottawa Citizen, 26 September 1999: A12.

Magrit, Paola. “Cosi l’avanguardia conquista umanita.” Il Giornale (Rome ed.), 18 March 1999.

Marin, Rick. “Footloose Where Art Lives.” The New York Times, 21 Novemeber 1999, section 9: 1, 5.

Mead, Andrew. “A Focus on the Figure.” Architect’s Journal (London), 16 September 1999: 47.

Mendrek, T.J. “MFA Plans to Depend on Friends for Funding.” Boston Herald, 28 May 1999: S14.

“Monumental Artist.” Boston Herald, 22 October 1999.

Morgan, Robert C. “Joel Shapiro, Hamish Fulton,” PaceWildenstein and John Weber Gallery reviews. Art Press (Paris), January 1999: 75–76.

Nathan, Jean. “For 82 Artists, Immortality is Worth Rising Early.” The New York Times, 26 September 1999: 2.

Naves, Mario. “Sale of the Century” Anti–Art on the Docket.” New York Observer, 22 November 1999: 25.

Needleman, Deborah. “Shadow and Act.” House and Garden, March 1999: 124–133.

O’Neill, Juliet. “Hillary Clinton Praises Conference: First Ladies’ Gatherings Have Improved Lives.’” Ottawa Citizen, 19 October 1999: A1.

O’Sullivan, Michael. “Sculpture Takes Root.” Washington Post, 21 May 1999: weekend section.

Ortolani, Fabrizio. “La magia plastica di Joel Shapiro sfida l’arte romana,” Il Giornale d’Italia (Rome), no. 69 (12 March 1999): F1, F3.

Pagel, David. “‘Afterimage’ Reviews Artists Making Rationa” (Museum of Contemporary Art exhibition review). Los Angeles Times, 22 April 1999: 2–3.

Perl, Jed. “Dream Team.” New Republic, 14 June 1999: 32–35.

Pratesi, Ludovico. “Quelle ‘figure’ nel parco – Anche a villa Borghese le sculture di Shapiro.” La Repubblica (Rome), 12 March 1999.

Pritchett, Jennifer. “Sculpture Inspires Tribute To The Arts.” Ottawa Citizen, 1 October 1999: A1, A4.

“Rome: The Sculpture of Joel Shapiro.” Delta Air Lines, March 1999.

“Roma – Shapiro: minimal? No, barocco.” Il Giornale dell’Arte (Turin), March 1999: 18.

Rothbart, Daniel. “Joel Shapiro.” NY Arts, May 1999: 31.

“Sculpture in Conjunction with Art.” Ottawa Citizen, 28 September 1999: D4.

Shapiro, Joel. “I want it to take off, to soar.…” Ottawa Citizen, 25 September 1999: A4.

Shapiro, Joel. “The Perils of Public Art.” Civilization, February/March 1999: 68–71.

Shapiro, Joel. “Un americano a Roma.” Il Venerdi di Repubblica (Italy), 26 February 1999: 106–110.

“Shapiro Sfida Roma.” La Stampa (Turin), 15 March 1999.

Sheets, Hilarie M. “The Syntax of Drawing, From Old and New Alike.” New York Newsday, 1 October 1999.

Sherman, Mary. “MFA Embraces Shapiro Image.” Boston Herald, 30 May 1999.

“Skulpturenpark mit neuen spektakulären Plastiken.” Sonderveröffentlichung, 3 November 1999.

Sondoki, Laszlo. “Twisted Metal Fails As Public Art.” Ottawa Citzen, 12 October 1999: A17.

Taber, Jane. “Backroom Girl.” Ottawa Citizen, 29 November 1999: A11.

Taplin, Robert. “Joel Shapiro at PaceWildenstein.” Art in America, May 1999: 157.

Temin, Christine. “Shapiro’s Chameleons.” Boston Globe, 9 June 1999.

Temin, Christine. “MFA curator hosts her contemporaries.” Boston Globe, 7 April 1999: D1, D6.

Wright, Karen. “Joel Shapiro: Yorkshire Sculpture Park” (exhibition review). Modern Painters, Autumn 1999: 107.

1998

“Abstrtaktion und Bildhaftigkeit.” Hamburger Abendblatt, 30 January 1998: 6.

“Austellungen.” Charivari, January 1998: 21.

“Balance–Spiele werden zum Experiment mit dem Betrachter.” Die Welt (Berlin), 7 February 1998: 24.

Bell, J. Bowyer. “Joel Shapiro, New Wood and Bronze Sculpture” (PaceWildenstein exhibition review). Review (London), 1 November 1998: 35.

“Bronezequador Hamburg.” Lufthansa Magazine, May 1998, reproduction, 50–51.

Brown, Christie. “Aspirational Art: Dealers Sell ‘Look,’ Lifestyle.” Wall Street Journal, 27 March 1998: W12.

“Enshrined.” The New York Times, 20 May 1998: E1.

Fischer, Oliver. “Alles aus dem Lot.” Hamburger Morgenpost, 7 February 1998: 26.

Flynn, Tom. “A bent for chiselling.” Art Newspaper (London), April 1998: 182.

“Galleries: SoHo–Joel Shapiro.” The New York Times, 11 October 1998: Section 2, illustrated.

“Joel Shapiro’s Kam–pf mit der Schwerkraft.” Welt am Sonntag (Hamburg), 1 February 1998: 80.

Johnson, Ken. “Angst and Introspection In a Time of Transition.” The New York Times, 18 September 1998: E36.

Johnson, Ken. “Art in Review: Joel Shapiro” (PaceWildenstein exhibition review). The New York Times, 6 November 1998: E38.

“Julião Sarmento/Joel Shapiro.” German Galleries (Internet).

Klein, Michael. “Joel Shapiro: Sculpture in Clay, Plaster, Wood, Iron, and Bronze.” Sculpture, May/June 1998: 81–82.

MacAdam, Alfred. “Joel Shapiro: PaceWildenstein,” (PaceWildenstein exhibition review). Art News (November 1998): 162.

McMillian, Elizabeth. “House of Glass.” Art & Antiques, September 1998: 64–69.

Mason, Brook S. “Joel Shapiro at PaceWildenstein: Uptown and Down” (PaceWildenstein exhibition review). Art & Auction, 5–18 October 1998: 74.

“Off the Wall.” Ashevilel (North Carolina) Citizen–Times, 13 December 1998: D4.

Poerschke, Von Ralf. “Vor dem Kollaps. Skulpturen 1993 bis 1997: Joel Shapiro in der Barlach Halle K.” Hamburger Rundschau, 12 February 1998: 51.

Reitter, Barbara. “Schreckensbilder und einstürzende bauten.” Nürnberger Zeitung, 1 January 1998.

Rooks, Michael. “Landlocked and Ceremonial: Prairie Sculpture.” New Art Examiner, May 1998: 34–37.

Solomon, Deborah. “Getting into MoMA – in miniature.” The New York Times Magazine, 15 November 1998: 85.

Schiff, Hajo. “Autonomie und Inzenierung: Ein Gespräch mit joel Shapiro, einem der bedeutendsten Plastiker, die sich heute mit der Figuration ausseinandersetzen.” Taz Hamburg, 11 February 1998: 23.

Walcott, Ellison Austen. “Joel Shapiro, New Wood and Bronze Sculpture.” Review (London), 1 November 1998: 25–26.

“Was das Auge nicht zu fassen vermag.” Hamburger Abendblatt, 14/15 February 1998: 12.

Worth, Alexi. “Joel Shapiro.” New Yorker, 9 November 1998: 20.

1997

Adams, Brooks. “Art World Diva.” Elle Decor, February 1997: 128–133.

Babnik, Erika. “Zerbrechliche Rätsel.” Müchner Stadtmagazin, November 1997: 7.

Becker, Michael. “Korrespondenz der Gegensätze.” Nüremberger Nachrichten, Erlanger Nachrichten, Treuchtlinger Kurier, Der bote, Fürther Nachrichten, Fränkische Landeszeitung, and Pegntiz–Zeitung, 12 December 1997.

Bode, Peter M. “Wo auch die Balken tanzen.” Abendzeitung (Munich), 12 December 1997.

Cotter, Holland. “A Show That Could Travel in Just a Carry–On Bag.” The New York Times, 14 December 1997: 44–45.

“Elson Artist–in–Residence Program.” Friends of the Addison 3, Fall 1997: 1–3.

Harb, Karl. “Bilder und Skulpturen, die von Menschen erzählen.” Salsburger Nachrichten, 30 December 1997.

“Joel Shapiro.” Kunst aktuell, November 1997: 15.

“Joel Shapiro.” Prinz München (Munich), December 1997: 9.

Landi, Ann. “Queens Bounty.” Newsday, 4 April 1997.

“Lust zum Raufklettern.” TZ (Munich), 28 October 1997.

Mack Gerhard. “Der Schwerkraft enthoben” (Jamileh Weber exhibition review). Extra Cash (Zürich), 19 September 1997: 55.

Marquardt, Joy. “Sculptures in Outdoor Gallery Examine the Human Form.” Wasau (Wisconsin) Daily Herald, 31 July 1997:

Meier, Philipp. “Tanzende Skulpturen – Joel Shapiro in der galerie Jamileh Weber” (exhibition review). Neue Zürcher Zeitung, 23 September 1997: 54.

Partsch, Susanna. “Abstrakte Realität – gegenständliche Abstraktion.” Beue Züricher Zeitung, 19 November 1997.

Ott, Günther. “In der Schwebe.” Donau–Zeitung, Mindelheimer Zeitung, Neubiburger Rundschau, Neu–Ulmer Zeitung, Donauwörther Zwitung, Schwabmünchner Allgemeine, Rieser Nachrichten, Augsburger Allgemaine, Friedberger Allgemeine, Günzburger Zeitung, and Landsberger Tagblatt. 31 October 1997.

Ott, Günther. “Reine Farbe, tiefe Nacht.” Buchloer Zeitung (Buchlohe) and Allgäuer Zeitung (Fuessen), 31 October 1997.

“Preview: Joel Shapiro, Haus der Kunst.” Artforum, September 1997: 69.

Raymond, David. “Addison Gallery of American Art, Phillips Academy/Andover: Joel Shapiro: Sculpture in Clay, Plaster, Wood, Iron and Bronze, 1971–1997,” (exhibition review). Art New England, December 1997/January 1998: 52–53.

Sherman, Mary. “Deft Minimalism is Taken to Max.” Boston Sunday Herald, 12 October 1997: 58.

Sonna, Birgit. “Casanova und die Liebe zur Geometrie.” Süddeutsche Zeitung (Munich), 24 October 1997.

“System aus Widersprüchen.” Eichstätter Kurier (Eichstätt), Donaukurier (Inglostadt), and Paffenhofener Kurier (Paffenhoffen), 13 December 1997.

Temin, Christine. “Joel Shapiro’s Floor Show.” Boston Globe, 18 November 1997: D1.

Temin, Christine. “Visual Arts: The Best of ’97.” Boston Globe, 28 December 1997: D2.

“Vier sehenswerte Austellungen.” Abendzeitung (Munich), 12 December 1997.

Vogel, Carol. “Inside Art.” The New York Times, 21 March 1997.

Wachtmeister, Marika. “Joel Shapiro: Många som ser konst är blinda som fladdermöss.” Femina (Denmark), 10 October 1997: 180–184.

1996

Adhikari, Sara. “American Art to Celebrate Indian Freedom.” Sunday Times (New Delhi), 10 March 1996.

Avila, Oscar. “Two sculptures installed at KCI.” Kansas City Star, 2 May 1996: C4.

Baker, Kenneth. “Minimalism and More by Shapiro.” San Francisco Chronicle, 2 April 1996: G1.

Bevan, Roger. “Contemporary art sales, London.” Art Newspaper (London), January 1996: 29–30.

Conroy, Sarah Booth. “The White House’s New Scene.” Washington Post, 8 January 1996.

Gear, Josephine. “The Old is New Again: Joel Shapiro at PaceWildenstein” (exhibition review). Review, 15 October 1996: 1.

Jin–Hi, Lee. “Joel Shapiro at Gallery Seomi.” Space: Arts & Architecture: Environment, December 1996.

MacAdam, Barbara A. “Joel Shapiro: Punch and Judy.” Art News, January 1996: 83.

Museum of Contemporary Art, San Diego. “Joel Shapiro Untitled, 1991: MCA La Jolla Strauss Plaza.” View, April–May–June, 1996: 4.

Pagel, David. “Joel Shapiro’s Sculptures Embody Joy of Movement” (PaceWildenstein exhibition review). Los Angeles Times, 28 March 1996: F6.

Peebles, Debra. “New Public Gardens.” Kansas City Pitch Weekly, 23 May 1996: 48.

Selby, Holly. “Exhibit of a Lifetime.” Baltimore Sun, 31 March 1996: section H.

Shapiro, Joel. “Joel Shapiro on his Recent Prints: An Interview.” By James Cuno. Print Collector’s Newsletter, May–June 1996: 46–50.

Slesin, Suzanne. “Prarie Home Companions.” House & Garden, November 1996: 196–203.

Smith, Roberta. “Art Review: Celebrating Size and Rough Simplicity. Still.” The New York Times, 26 July 1996: C30.

Solomon, Deborah. “Windy City’s Cool New Museum.” Leisure & Arts, 24 June 1996: A20.

Thorson, Alice. “Building blocks...just for fun.” Kansas City Star, 18 May 1996: E1, E3.

Thorson, Alice. “Something special on the ground.” Kansas City Star, 10 May 1996: 22.

Vogel, Carol. “Contemporary Art Bounces Back.” The New York Times, 8 May 1996: C20.

1995

Auer, James, “Art museum exhibit embraces pluralism.” Milwaukee Journal Sentinel, 10 September 1995: 1, 12.

Cameron, Dan. “Two Years Before the Mast.” Artforum, March 1995: 11–12.

Chandler, Mary Voelz. “Exhibit of drawings outlines method’s frontiers.” Denver Rocky Mountain News, 13 August 1995.

Castenfors, Mårten. “Balansakt med volymer” (Galleri Aronowitsch exhibition review) Svenska Dagbladet (Stockholm), 18 February 1995.

Donohue, Marlena. “Reviews: Los Angeles.” Sculpture, July–August 1995: 47.

“Goings on About Town.” New Yorker, 17 April 1995: 19.

Knight, Christopher. “A Blue–Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53,56.

Landi, Ann. “Kiss & Tell.” Art News, February 1995: 116–119.

Loren Jenkins. Aspen Times Gazette, Summer 1995: 5.

McFadden, Sarah. “Report from Cologne: Changing of the Guard.” Art in America, February 1995: 51–57.

Moore, Susan. “The Human Form at Waddington.” Art & Auction, December 1995: 48.

“Museums & Dealer Catalogues.” Print Collector's Newsletter 26, no. 2 (May–June 1995): 69.

Napack, Jonathan, “Talk of the trade: SoHo’s New Presence.” Art & Auction, May 1995: 60–64.

Nilsson, Håkan. “Reviews: Stockholm.” Material (Stockholm), no. 24 (1995): 12.

Polsky, Richard. “Ahead of the curve: Buy? Sell? Hold?” Art & Auction, December 1995: 60–64.

Ph. D. “Dans les Galeries.” Le Monde (Paris), 15 May 1995: 19.

Print Collectors Newsletter, November/December 1995: 84.

Schwartzman, Allan. “Drawn to Art.” Aspen Magazine, Midsummer 1995: 55–63.

Smith, Roberta. “Joel Shapiro Looks Back, Differently.” The New York Times, 31 March 1995: C32.

Suchère, Eric. “Joel Shapiro: Galerie Karsten Greve.” Translation by C. Penwarden. Art Press (Paris), English Edition, July/August 1995: 65.

Wilson, Jane. “Primal Drawing.” Aspen Times, 29–30 July 1995: 1B, 20B.

Zevi, Adachiara. “Joel Shapiro: the public privacy of sculpture.” L’Architettura (Milan), May 1995: 376.

1994

Gibson, Eric. “The Figure Reconsidered.” Sculpture, May/June 1994: 10.

Goodrow, Gérard A. “Joel Shapiro–Karsten Greve” (exhibition review). Art News, February 1994: 150.

Kang, Tae Hee. “The Artworld of Joel Shapiro.” Space, May 1994.

Litt, Steven. “Eugene Stevens – The Gallery in Pepper Pike.” Art News, January 1994: 99–101.

Sparnadlo, Silvia. “Torna dopo vent'anni Joel Shapiro con effetti geometrici post–minimalisti.” L'Informazione (Milan), 10 September 1994.

Thorson, Alice. “Artist Now at Work on Airport Sculpture.” Kansas City Star, 10 April 1994.

Zevi, Adachiara. “United States Holocaust Museum, Washington: art as a silent evocation.” L’Architettura (Milan), September 1994: 648–650.

1993

“A Powerful Testament.” Art News, April 1993: 40–42.

“Art & Politics...Again.” Mirabella, April 1993: 80–82.

“Art Slated for Holocaust Memorial.” Art in America, February 1993: 29.

Campbell, Robert. “Wellesley's Work of Art – College's New Museum is a Triumph of Design Inside a Boring Container.” Boston Sunday Globe, 10 October 1993: B21.

Cotter, Holland. “Art in Review: Joel Shapiro” (PaceWildenstein exhibition review). The New York Times, 21 May 1993: C20.

“Cronica de Exposiciones.” Arte: Revista de las artes visuals, no. 7 (November/December 1993): 53–54.

“El IVAM Centre del Carme inaugura con dos muestras.” Diario 16 (Vigo), 1 October 1993: 47.

Gill, Brendan. “The Holocaust Museum: An Unquiet Sanctuary.” New Yorker, 19 April 1993: 107–109.

“Goings On About Town: Art.” New Yorker, 31 May 1993: 17.

Glueck, Grace. “Witnesses to the Making of a Most Glamorous Borough” (The Pace Gallery exhibition review). New York Observer, 31 May 1993: 22, illustrated.

Iranzo, Amador. “Laurens Mol y la escultura postminimal abren temporada en el Centre del Carmen.” El Mercantil Valenciano, 1 October 1993: 77.

Jarque, Vicente. “Más allá del minimalismo.” El Guia, September 1993.

Johnson, Ken. “Art and Memory.” Art in America, November 1993: 90–99.

Kimmelman, Michael. “Making Art of the Holocaust: New Museum, New Works.” The New York Times, 23 April 1993: A1.

Kuspit, Donald. “Joel Shapiro – Pace Gallery” (exhibition review). Artforum (November 1993): 103, illustrated.

Larson, Kay. “Where Does It End?” New York, 10 May 1993: 66–68.

“Las esculturas post–minimal del IVAM,” Diario 16 (Vigo), 26 September 1993: 45.

MacAdam, Barbara. “Joel Shapiro–Pace” (exhibition review). Art News (October 1993): 160, illustrated.

Maschal, Richard. “Our Public Image.” Charlotte Observer, 19 June 1993: 16A.

“1993 Lifetime Achievement Award.” Sculpture, November/December 1993.

Padon, Thomas. “Reviews.” Sculpture, November/December 1993: 54.

Pellicer, Nello. “Las últimas tendencies.” El Mundo, 8 October 1993: E4.

Pinchbeck, Daniel. “Openings” (The Pace Galley exhibition review). Art & Antiques (May 1993).

Princenthal, Nancy. “Joel Shapiro at Pace” (exhibition review). Art in America, September 1993: 109, illustrated.

Richard, Paul. “Obscene Pleasure: Art Among the Corpses.” Washington Post, 18 April 1993: G1, G6.

Rivelles, Rafael Prats. “Una aproximación a la escultura post–minimal.” Que y Donde, 17 October 1993.

Saltz, Jerry. “Mayday, Mayday, Mayday.” Art in America, September 1993: 41–45.

Schemo, Diana Jean. “Holocaust Memorial Hailed as Sacred Debt to Dead.” The New York Times, 23 April 1993: A1, illustrated.

Schemo, Diana Jean. “Museum Opens With Firm Grip On the Emotions.” The New York Times, 27 April 1993: A14, illustrated.

Schwartzman, Allan. “Can I Interest You in A Schnabel, Mr. Ovitz?” The New York Times Magazine, 3 October 1991: 77.

Smith, Roberta. “Art in Review: '25 Years, Part I.'“ The New York Times, 26 November 1993: C29.

Veroli, Patrizia. “New York: Joel Shapiro/The Pace Gallery” (exhibition review). Terzoocchio (Bologna) (September 1993): 55, illustrated.

Villaescusa Blanca, José V. “Exposiciones: La escultura post–minimal en las colecciones del IVAM.” Tendencias 1 (November 1993): 32.

1992

“Art: Drawing Redux.” Peninsula, May 1992: 114.

“Art For Art's Sake.” Print Collector's Newsletter 23, no. 1 (March/April 1992): 18.

Baker, Kenneth. “Big–City Art Doesn't Know Way in San Jose.” San Jose Chronicle, 24 May 1992: 41–42.

Bigham, Elizabeth French. “Joel Shapiro.” Tema Celeste (Milan), Summer 1992: 82–83.

Bonetti, David. “Drawing show draws on mainstream successes.” San Francisco Examiner, 12 June 1992.

Burkhart, Dorothy. “A Fine Line: Drawing From the '80s.” San Jose Mercury News, March 1992.

Dance Ink. 3, no. 3 (Fall 1992): 29. (Reproduction of drawing by Joel Shapiro, Untitled, 1988).

Decker, Andrew. “Collector's lawsuit reveals absence of secondary market.” Atelier, July 1992: 60.

“Drawing Redux.” San Jose Mercury News, 20 March 1992: 28.

“Drawings on Exhibition.” Drawing, March/April 1992: 132.

Gardner, Paul. “Waking Up and Warming Up.” Art News, October 1992: 114–117.

Gimelson, Deborah. “Newhouse's Koons From Gagosian: $1 Million, Maybe.” New York Observer, 16 March 1992.

Kertess, Klaus. “Cast in Bronze.” Elle Decor, April/May 1992: 17–21.

Kimmelman, Michael. “Just What Is a Drawing? Definitions, Definitions.” The New York Times, 21 February 1992: C–29, illustrated.

“The News.” Galeries Magazine (Boulogne), December 1992–January 1993: 21.

“1991 in Review: Public Art.” Art in America (Annual), August 1992: 34–35.

Ramljak, Suzanne. “Collectors: Joseph Helman.” Sculpture, November/December 1992: 24–25.

Raynor, Vivien. “Outdoor Home for Sculpture.” The New York Times, 12 July 1992, New Jersey edition: 12.

Saltz, Jerry and Gober, Robert. “Paula Cooper.” Galeries Magazine (Boulogne), June/July 1992: 99–103, 126–127.

Sherman, Ann Elliott. “Paper Views.” Metro, 26 March–1 April 1992.

Sozanski, Edward J. “A sculpture park is taking root at Johnson Atelier near Trenton.” Philadelphia Inquirer, 9 July 1992.

Vogel, Carol. “The Art Market.” The New York Times, 10 January 1992: 19, illustrated.

1991

“Arts: Joel Shapiro.” La Croix, 4 August 1991.

Bonetti, David. “Ten Who Shaped Their World.” San Francisco Examiner, 20 March 1991: B–3.

“Borofsky, Otterness and Shapiro Create Figures for the Los Angeles Federal Building.” GSA Arts, Summer 1991: 1, 3–4.

Bosetti, Petra. “Figuren in der Schwebe.” Art, April 1991: 132, illustrated.

Braff, Phyllis. “Defining the Minimalist Directions From the 60's to the Present.” The New York Times, 10 November 1991.

Brockman, Linda. “Tracing the Figure.” Palm Beach Jewish World, 12–18 April 1991, Section B: 1.

Cesarman, Esther Mateos. “El Arte de Ver: Collages del Silgo XX.” Universal, Cultural, 5 July 1991: 3.

Clothier, Peter. “Living with Art: The Gershes Bringing Home the Bacon.” Art News 90, no.10 (December 1991): 59.

Cotter, Holland. “Joel Shapiro at Paula Cooper.” Art in America, July 1991: 125, illustrated.

Cummings, Mary, “The 'Art' of Collecting.” Southampton Press, 26 September 1991.

Cutajar, Mario. “An Acquiescent Dignity.” Artweek, 11 April 1991: 1, 16, illustrated.

Decker, Andrew. “Best Bids: From Major to Minor.” New York, 4 February 1991: 32, illustrated.

Dobbels, Daniel. “Joel Shapiro au bord de la chute.” Libération (Paris), 29 July 1991: 31.

“Drawings on Exhibition.” Drawing, May–June 1991: 14, illustrated.

Faust, Gretchen. “Joel Shapiro.” Arts Magazine, February 1991: 102

Greenstein, M.A. “'My Awe and Wonder of That Moment Remained...'“ Artweek, 11 April 1991: 15, 20.

“Hauser der Erinnerung und Ballet Mecanique.” Neue Zurcher Zeitung (Zurich), 8 April 1991.

Hergott, Fabrice & Saglio, Jerome. “Du Nord À La Bretagne.” Galeries Magazine (Boulogne), August/September 1991: 80–85, illustrated.

Holscher, Vibeke. “Louisiana Parken.” Louisiana (Humlebæk), March 1991: 24, illustrated.

Hummeltenberg, Hanna. “Künstler Kritisches Lexikon der Gegenwartskunst: Joel Shapiro.” Munich, no. 6 (1991).

Isenberg, Barbara. “‘The Art of Hollywood’ Other Deals.” Los Angeles Times, 12 May 1991: calendar, illustrated.

Jaunin, Françoise. “Parcours en Helvetie.” Galeries Magazine (Boulogne), August/September 1991: 64–67, illustrated.

“Joel Shapiro.” Louisiana (Humlebæk), March 1991: 55, illustrated.

“Joel Shapiro choisit le Musée des Beaux–Arts de Calais.” Nord Littoral (Marseille), 28 June 1991: 6, illustrated.

“Joel Shapiro: L'Equilibre, I.” Sans–Titre, July–August–September 1991.

Kohen, Helen. “Shapiro's layered works dominate space at CFA.” Miami Herald, 21 April 1991: 31, illustrated.

Knight, Christopher. “MOCA's New Scupture a Fine Match of Work, Space.” Los Angeles Times, 20 February 1991: F1, 10.

Kurt, Chandra. “Das Spiel mit dem Gleichgewicht.” Zurcher Altstadt (Zurich), 4 April 1991.

“Les histoires d'equilibre de Joel Shapiro.” Nord Littoral (Marseille), 28 June 1991, illustrated.

Maurer, Simon. “Emotionalitat und Form.” Zurichsee–Zeitung (Zurich), 18 April 1991, illustrated.

New York, The Museum of Modern Art. Annual Report 1990–91: 15, 17, illustrated.

Perl, Jed. “Mostly Minimal: Joel Shapiro.” Art & Antiques, February 1991: 91, illustrated.

Perez, David. “Joel Shapiro.” Lapiz, February 1991: 94, illustrated.

Piguet, Philippe. “Musée des Beaux–Arts et de la Dentelle, Calais, France; exhibit.” L’Oeil (Lausanne), July/August 1991: 81.

Pincus, Robert L. “An Ambitious Survey of Contemporary Sculpture.” San Diego Union, 7 April 1991: E–1, 6.

Renggli, Von Hans. “Zwischen Abstraktion and Darstellung.” Tages–Anzeiger (Zurich), 15 April 1991, illustrated.

Rolet, Fernand. “Choregraphies immobiles de Joel Shapiro.” La Voix du Nord (Lille), 2 August 1991.

Russo, Alex. “Mystery of Minimalism.” Hampton Chronicle–News, 31 October 1991.

Russo, Alex. “Two Shows at Parrish.” Southampton Press, 14 November 1991.

Schneider, Greg. “Joel Shapiro.” Artweek, 16 May 1991: 13, illustrated.

Seager, Susan. “Judges Flay, Praise Federal Building's Art.” Los Angeles Daily Journal, Friday, 22 November 1991: 1, 9, illustrated.

Shinn, Jerry. “Son of Gumby.” Charlotte Observer, 25 February 1991, illustrated.

Slivka, Rose C.S. “From the Studio.” East Hampton Star, 31 October 1991: II–13.

Smulders, Caroline. “Joel Shapiro, L'Espace Métamorphique.” Art Press (Paris), June 1991: 23–27, illustrated.

“Tickets Pour L'Europe.” La Libre Belgique (Brussels), 7 August 1991.

Wachtova, Ludmila. “Ein Haus Kalmmert sich fest and die Wand.” Die Welt Woche (Berlin), 18 April 1991, illustrated.

1990

Anfam, David. “Evaluating a Radical Decade.” Art International (Lugano) 12 (Autumn 1990): 94–95.

Alton, Peder. “Skulptural circus.” Dagens Nyheter, 14 September 1990: B3, illustrated.

Ashton, Dore. “The New Sculpture.” Contemporanea, Summer 1990: 106, illustrated.

Benezra, Neal. “Gerald S. Elliot.” Galeries Magazine (Boulogne), June/July 1990: 118–129, illustrated.

“Balancekunst.” Dagbladet, 15 September 1990, illustrated.

Brenson, Michael. “Joel Shapiro.” The New York Times, 23 November 1990: C4.

Brenson, Michael. “The State of the City as Sculptors See It.” The New York Times, 27 July 1990: C22, illustrated.

Clothier, Peter. “Living with Art: Jay Chiat.” Art News, May 1990: 113–116, illustrated.

Danto, Arthur C. “Postminimalist Sculpture.” Nation, 14 May 1990: 680–84.

Degener, Patricia. “Subject Matter Confers Appeal Upon Cool, Cerebral Works.” St. Louis Post–Dispatch, 17 June 1990.

Dorsey, John. “Figures Without Features.” Baltimore Sun, 21 August 1990: 1C, 3C, illustrated.

Dorsey, John. “Sculptors' drawings complement Shapiro show.” Baltimore Sun, 19 August 1990: 24

Dorsey, John. “Shapiro Shows Minimalism isn't a Dead End.” Baltimore Sun, 19 August 1990: 1D–3D, illustrated.

Elliot, Karin. “Mer amerikanskt pa Louisiana.” Kvallsposten i Dag (Stockholm), 8 October 1990.

Gibson, Eric. “Sculptor Joel Shapiro: from abstraction to representation.” Washington Times, 29 August 1990: E1, E2, illustrated.

Giuliano, Mike. “BMA exhibit examines sculptor's human allusions.” Evening Sun (London), 23 August 1990, illustrated.

Gralnick, Herbert. “Energy Marks Sculptor Joel Shapiro's New Work on Exhibit.” St. Louis Jewish Light, 16 May 1990: 18.

Hall, James. “World Chronicle.” Art International (Lugano), Spring 1990: 68, illustrated.

Hierholzer, Michael. “Wenig zu sehen und viel zu denken.” Faz (Frankfurt am Main), 19 May 1990.

Hjort, Oystein. “Minimalist med folelse.” Eldelser, September 1990, illustrated.

Honda, Hiromi. “Joel Shapiro.” Nikkei Art, September 1990: 97–102, illustrated.

Hughes, Robert. “Sculpture of the Absurd.” Time, 1 October 1990: 100–102, illustrated.

Hygum, Preben. “Hvor ubalancen ligger og balancen star.” Information, 19 September 1990: 9, illustrated.

Shapiro, Joel. “Joel Shapiro Talks with Paul Cummings.” Interview by Paul Cummings. Drawing, July–August 1990: 31–35, illustrated.

Irve, Bent. “Taendstikmennesket er ophojet til skulptur.” Jylland (Denmark), September 1990, illustrated.

Jimenez, Pablo. “Joel Shapiro: psicologia del signo.” ABC de las artes (Madrid), 29 November 1990: 1, 129, illustrated.

“Joel Shapiro.” Remington Rambler 21, no. 7 (March 1987).

“Joel Shapiro opens at the BMA.” BMA Release. 1 May 1990.

“Joel Shapiro: Tracing the Figure.” Wall Street Journal, 21 August 1990.

Landecker, Heidi. “Garden Allegory.” Architecture, December 1990.

Levinson, Joan. “Maximum From the Minimum.” St. Louis Riverfront Times, June 27–July 3, 1990: 44.

Lundquist, Torbjorn. “Joel Shapiro: Skulptoren som skapar tidlosa verk.” Holland Nyheter, 19 June 1990: 26, illustrated.

M., R.V. “Shapiro: ‘Yo quiero hacer una escultura más humanista.’” El Mercantil Valenciano, 29 November 1990: 71.

Morgenstern, George. “Den Mangfoldige Kunsten a Tegne.” Aftenpoften (Oslo), 18 May 1990.

Nusbaum, Eliot. “25 Shapiro works on view here.” Des Moines Sunday Register, 25 November 1990, illustrated.

Obiol, Maria Jose. “Joel Shapiro expone sus esculturas se las emociones en Valencia.” El Pais, 29 November 1990: 36, illustrated.

Princenthal, Nancy. “The New Scultpure 1965–1975: Between Geometry and Gesture,” Sculpture, July/August 1990: 40–45, illustrated.

“Prints & Photographs Published.” Print Collector's Newsletter, July–August 1990: 111.

Pohl, Eva. “Mennesket i bevaegelse.” Berlingke Tidende (Copenhagen), 11 October 1990, illustrated.

Richard, Paul. “Life Forms With a Heart,” or “The Sculptor's Energetic Life Forms.” Washington Post, 25 August 1990: C1–C2, illustrated.

“Rumfang.” Politiken (Copenhagen), 5 October 1990: section 2: 8.

Russell, John. “Adding Up the Costs of Changes at the Top.” The New York Times, 18 March 1990.

Shortal, Helen. “Joel Shapiro Bronze Ages.” City Paper, 31 August 1990, illustrated.

“Skaeve vinckler og skarpe kanter.” Helsinger Daqbkad, 15 September 1990, illustrated.

Smith, Roberta. “Sculpture at the Whitney: The Radical Years.” The New York Times, 9 March 1990: Cl, C28.

Sorensen, Ann. “Invitation og afvisning.” Frederiksborg, September/November 1990, illustrated.

Sozanski, Edward J. “Sculptor's humanism comes through.” Philadelphia Enquirer, 2 September 1990: 1K, 6K, illustrated.

“Space Cases.” Elle, November 1990: 230, illustrated.

Steinbach, Alice. “Drawing Out the Giggles of Youth.” Baltimore Sun, 24 September 1990.

Tojner, Poul Erik, “Det udsatte fald.” Weekend Avisen (Copenhagen), September/November, illustrated.

“Una selection de obras de Joel Shapiro muestra en el IVAM el futuro de la escultura actual,” Diaro 16 (Vigo), 29 November 1990.

“The Year in Review: Selections 1989.” Bulletin of the Cleveland Museum of Art, February 1990: 64, cover, illustrated.

1989

Baker, Kenneth. “Joel Shapiro's Sculptures of the 80's.” Artforum, February 1989: 102–106, illustrated.

Baker, Kenneth. “Summer Surprises in Group Shows.” San Francisco Chronicle: C5, illustrated.

Brenson, Michael. “A Sculptor Who Rejects Nothing.” The New York Times, 21 May 1989: 31, 42, illustrated.

Brenson, Michael. “The Whitney Today: Fashionable to a Fault.” The New York Times, 1 January 1989: C1, 27

Burr, James. “Review.” Apollo (London), October 1989.

Christy, George. “The Great Life.” Hollywood Reporter, 19 January 1989.

Cullinan, Helen. “Sorting through 'Untitled' art.” Cleveland Plain Dealer, 12 January 1989, illustrated.

Gibson, Eric. “Donald Judd: The End of Sculpture.” New Criterion, April 1989: 55.

Greenberg, Jeanne. “Dialogue with Joel Shapiro.” Splash Magazine, Winter 1989: 12–15, illustrated.

Greenspan, Stuart. “Previews.” Art & Auction, November 1989: 260.

Grimes, Nancy. “Whitney Biennial.” Tema Celeste (Milan), July – September 1989: 66–68, illustrated.

Glueck, Grace. “A 'Yellow Brick Road' Brightens a Museum.” The New York Times, 12 November 1989: 37, 43.

Goldberger, Paul. “Refined Modernism Makes a Splash in the Land of Glitz.” The New York Times, 17 December 1989.

Kachur, Lewis. “Sculpture's Unbounded Range.” Arts International (Lugano), Autumn 1989: 57–58, illustrated.

Kastor, Elizabeth. “Three New Sculptures at NGA.” Washington Post, 23 November 1989: D2, illustrated.

Kent, Sarah. “Joel Shapiro.” Time Out, 25 October 1989.

Kimmelman, Michael. “Helms Bill, Whatever Its Outcome, Could Leave Mark on Arts Grants.” The New York Times, 30 July 1989.

Knight, Christopher. “Mortal Yearnings.” Los Angeles Herald Examiner, 27 January 1989, illustrated.

Kramer, Hilton. “The Whitney's '89 Biennial Exhibition: Bourse for Marketing Reputation.” New York Observer, 15 May 1989: 13.

Larson, Kay. “The Children's Hour.” New York, 8 May 1989: 95.

Larson, Kay. “The Whitney Biennial.” Galeries Magazine (Boulogne), June/July 1989: 66, illustrated.

Marcus, Liz. “Joel Shapiro.” Sculpture, September–October 1989: 83–84, illustrated.

“Minimalist With a Human Touch.” American, 22 September 1989.

Morgan, Robert C. “Letter from Europe.” Arts, January 1989: 110, illustrated.

North Carolina Museum of Art, Annual Report Issue 1989–1990: 27, 31, illustrated.

Okura Lantern (Okura, Japan), Summer 1989: 61, illustrated. photograph of the artist.

Princenthal, Nancy. “Against the Grain: Joel Shapiro's Prints.” Print Collector's Newsletter, September–October 1989: 121–124, illustrated.

Rosenthal, Mary O. “Cleveland Museum of Art; exhibit.” New Art Examiner, April 1989: 59.

Schjeldahl, Peter. “The Muses on Strike.” Seven Days, 17 May 1989: 67.

Sherman, Mary. “Excellent Exhibit Draws on Contemporary Artists.” Chicago Sun–Times, 9 June 1989: 27.

Smith, Roberta. “More Women and Unknowns in the Whitney Biennial.” The New York Times, 28 April 1989: C32.

Tokyo. Bijutsu Techo, May 1989: 9, 180, cover.

Tuchman, Phyllis. “Sculpture Parks – a New Collecting Trend becomes an American Institution.” Journal of Art, September/October 1989: 23, illustrated.

Yau, John. “Official Policy.” Arts, September 1989: 54.

1988

Annual Report of The Museum of Modern Art, 1988–1989: 17, illustrated.

Bass, Ruth. “Joel Shapiro.” Art News, Summer 1988: 171–172, illustrated.

Beaumont, Mary Rose. “Eleven Artists from Paula Cooper.” Arts Review, 3 June 1988.

Brenson, Michael. “Human Figures Enshrined by the Early Greeks.” The New York Times, 14 February 1988: 29, 34.

Bouisset, Maiten. “Constructions de Joel Shapiro.” Beaux Arts Magazine (Paris), September 1988: 94, illustrated.

Dagen, Philippe. “Constructions, Reconstructions.” Le Monde (Paris), 14 September 1988.

Dorment, Richard. “Looking Death in the Face.” Daily Telegraph (London), 5 May 1988.

Enders, Alexandra. “Stepping Out.” Art & Antiques, May 1988: 36, illustrated.

Feaver, William. “Monsters in Jeans.” Observer (London), 8 May 1988: 40.

Greenberg, Jeanne. “Dialogue With Joel Shapiro.” Splash Magazine, Winter 1988.

Johnson, Ken. “Joel Shapiro at Paula Cooper.” Art in America, July 1988: 133, illustrated.

Kent, Sarah. “Saatchi's Showcase.” Time Out (London), 8 May 1988: 33.

Kohen, Helen. “Emphasis Kept on Art at Lannan.” Miami Herald, 27 March 1988: 1K, 6K.

Kollias, Jana. “First Student Curator Organizes Art Exhibit.” Chronicle, 15 November 1988: 1, 6.

Le Chevallier, Isabelle. “Quatre Artistes a la Saatchi.” Beaux Arts Magazine (Paris), July/August 1988: 101, illustrated.

Lee, David. “Violence Viewed on Canvas.” Times (London), 29 April 1988.

McClintic, Miranda. “Sculpture Today.” Art & Auction, May 1988: 162–163, 167, illustrated.

Packer, William. “Figuratively Speaking.” Financial Times (London), 10 May 1988.

Raynor, Vivien. “Small Scale Sculpture on View in New Britain.” The New York Times, 11 December 1988: 42, illustrated.

Selinsky, Debbie. “Art History Major Gets Chance to Organize Duke Exhibition.” Durham (North Carolina) Morning Herald, 5 November 1988.

Silva, Arturo. “French Frames, American Grains.” Daily Yomiuri (Osaka), 14 April 1988: 9.

Sozanski, Edward, J. “Works of Four Prominent Sculptors.” Philadelphia Inquirer, 17 March 1988: 5F, illustrated.

Thornton, Gene. “Art that Requires an Act of Faith.” News and Observer, 4 December 1988: 3E, illustrated.

Wilson, Christopher. “Saatchi Good Show.” Sunday Telegraph Magazine (London), 1 May 1988: 63.

1987

Allen, Jan Addams. “Sapiro Work Simple, yet Quixotic.” Washington Times, 17 December 1987: E1, illustrated.

Baker, Kenneth. “Shapiro Has it Figured Out.” San Francisco Chronicle, 21 October 1987: E2, illustrated.

Bass, Ruth. “Minimalism Made Human.” Art News 86, no. 3 (March 1987): 94–101, cover, illustrated.

Berman, Ann E. “Sculptors–in–Progress.” Town and Country, September 1987: 269–272, illustrated.

Brenson, Michael. “Images That Express Human Emotions.” The New York Times, 26 July 1987: C29–30, illustrated.

Clothier, Peter. “Douglas Cramer: Passionate Perfectionist,” Art News, Summer 1987: 146–150, illustrated.

Glueck, Grace. “The Fine Art of Collecting Collectors.” The New York Times, 3 May 1987: Section 2: 1, 26, illustrated.

Hedglon, Mary. “Tons of Art Roll Into Storm King Show.” Middletown (New York) Times Herald Record, 15 May 1987.

Hughes, Robert. “Art and the Alien Social Picture.” Los Angeles Times, 20 December 1987.

Kratt, Mary. “Risk–Free Art?” Charlotte Observer, 30 November 1987.

Lewis, Jo Ann, “At the Hirshhorn, the Joys of the New.” Washington Post, 2 December 1987: B1, B8, illustrated.

Maschal, Richard. “Art for Coliseum: $400,000 Project.” Charlotte Observer, 28 August 1987: A1, A8, illustrated.

Maschal, Richard. “How Do You Make the Choice of Art a Democratic One?” Charlotte Observer, 18 December 1987: A14–15.

Maschal, Richard. “The Man Behind “Gumby”; Shapiro Talks About His Work.” Charlotte Observer, 11 September 1987: C1–3, illustrated.

Neisser, Judith. “A Magnificent Obsession: Gerald Elliot, a Compulsive Collector.” Art & Auction, December 1987: 108, 113.

“Ornament the Season.” Harper's Bazaar, December 1987: 98, 100, 185.

“Pressing On.” Print Collector's Newsletter, May/June 1987: 59, illustrated.

Princenthal, Nancy. “Joel Shapiro at Paula Cooper.” Art in America, February 1987: 141–142, illustrated.

Rubinstein, Meyer R. and Daniel Weiner. “Joel Shapiro.” Arts Magazine, March 1987: 97, illustrated.

Wolff, Millie. “Sculptures At Lannan Provoke Viewer's Intellect.” Palm Beach Daily News, 22 December 1987: 3.

1986

“Album: Joel Shapiro.” Arts Magazine, November 1986: 114–115, illustrated.

Altabe, Joan. “Art in the Balance.” Sarasota Herald–Tribune, 26 October 1986, illustrated.

Altabe, Joan. “Shapiro's Work Mirrors Man's Evolution.” Sarasota Herald–Tribune, 3 November 1986, illustrated.

Arnoux, Brigitta. “Kühne Formen im weiten Raum.” Badische Nueste Nachrichten (Karlsruhe), 4 February 1986.

Auffermann, Verena. “Gegenwart ist Summe des Vergangenen.” Frankfurter Rundschau, 15 September 1986.

Baker, Kenneth. “Newer Art in Small Doses.” San Francisco Chronicle, 21 March 1986: 82.

Bode, Ursula. “Kunstkalender Düsseldorf: Joel Shapiro.” Die Zeit (Berlin), no. 3–10 (January 1986): 36.

Braxmaier, Rainer. “Ein außergwöhnlich vielseitiger Künstler läßt manchem Zweifel Raum.” Badisches Tagblatt (Baden–Baden), 3 February 1986, illustrated.

Brenson, Michael. “Art: The Guide.” The New York Times, 3 August 1986: 2.

Brenson, Michael. “Sculpture Breaks the Mold of Minimalism.” The New York Times, 23 November 1986: Arts and Leisure section: 1, 33, illustrated.

Brenson, Michael. “Joel Shapiro.” The New York Times, 14 November 1986: C26.

Cohen, Ronny. “A New Look at Big Drawing.” Drawing, September/October 1986: 52–57, illustrated.

Cooke, Lynne. “Joel Shapiro at the Stedelijk Museum.” Artscribe (London), June/July 1986: 83–84, illustrated.

Cooke, Lynne. “What is Modern Sculpture.” Artscribe (London), November/December 1986: 56–58.

Contemporary [The Museum of Contemporary Art, Los Angeles] 3, no.2 (spring 1986): 1, 3, illustrated.

Dagen, Philippe. “Joel Shapiro: exercises de sculpture moderns.” Art Press (Paris), December 1986: 38–40, illustrated.

Dagen, Philippe. “Joel Shapiro, Fantaisies Geometriques.” Le Monde (Paris), 23 April 1986.

Dagen, Philippe. “Joel Shapiro: Galerie Daniel Templon.” Art Press, no.104 (June 1986), illustrated.

Drohojowska, Hunter. “MOCA Exhibit a Tribute to Barry Lowen's Eye for Art.” Los Angeles Herald Examiner, 6 July 1986: E10.

“Festgemauert.” Fränkischer Tag (Bamberg), 7 February 1986.

Art Now/New York Gallery Guide, November 1986: 4, cover, illustrated.

Gibson, Eric. “Two Sculptors.” New Criterion, January 1986: 57–60.

Glowen, Ron. “Joel Shapiro.” Artweek, 19 April 1986: 1.

Hejny, Mathias. “Ein Abgesang auf den wilden Kampfgeist.” Allgemeine Zeitung Mainz, 19 September 1986.

Husumer Nachricgten, reproduction, 12 March 1986.

“Joel Shapiro.” L'Autre Journal (Paris), 16 April 1986.

“Joel Shapiro: Ohne Titel.” Lahrer Anzeiger, 13 February 1986.

“Kein Trend, Keine Bilanzen.” Die Zeit (Berlin), 2 October 1986.

La Palma, Marina. “A Cryptic Lyricism.” Artweek 17, no. 41 (6 December 1986) illustrated.

Larson, Kay. “Body and Soul.” New York, 10 February 1986: 72–73, illustrated.

Larson, Kay. “The Shrinking Spiral.” New York, 13 January 1986: 58.

McGill, Douglas. “Art People.” The New York Times, 31 October 1986: C29.

McGill, Douglas C. “New Midtown Branch for the Whitney.” The New York Times, 27 January 1986: C21, illustrated.

Malone, Maggie. “A Museum of One's Own?” Manhattan, Inc., April 1986: 159–161.

Merkel, Ursula. “Joel Shapiro.” Kunstforum (Mainz), no. 84 (June/July/August 1986): 274–275, illustrated.

Monteil, Annemarie. “Listiges Spiel mit dem Minimalen.” Basler Zeitung (Basel), 5 March 1986: 37, illustrated.

Muller, Gerald. “Kultur–Nachrichten,” Ortsgespräch, no. 49 (15–28 February 1986): 4–5, illustrated.

Neubert, George. “Small Scale,” International Sculpture 5, no.6 (November/December 1986): 9–13.

New York, Skowhegan School of Painting and Sculpture. 40th Anniversary Awards. 1986.

“Prints & Photographs Published.” Print Collector’s Newsletter, January/February 1986: 215–218.

Richard, Paul. “Upbeat Creature Feature at the Corcoran.” Washington Post, 15 March 1986, illustrated.

Saunders, Wade. “At Critical Mass.” Art in America, October 1986: 152–155.

Schwartz, Sanford. “The Saatchi Collection, or A Generation Comes Into Focus.” New Criterion, March 1986: 22–37.

Shapiro, Michael Edward. “Twentieth–Century American Sculpture.” Saint Louis Art Museum 1986 Winter Bulletin: 38, illustrated.

Sischy, Ingrid. “On Location: Joel Shapiro.” Artforum, November 1986: 4–5, illustrated.

Sozanski, Edward J. “A focus on work of 6 minimalists.” Philadelphia Inquirer, 20 November 1986, Arts sec.

“Spitzentanz der Balken und Klötze.” Vaihinger Kreiszeitung, 12 February 1986.

Tuchman, Phyllis. “70's Imagery Tells How We Got to Where We Are Today.” New York Newsday, 14 December 1986, Part II: 19.

Tuchman, Phyllis. “Shapiro: Redirecting Sculpture's Shapes.” New York Newsday, 28 November 1986: Weekend section: 25, illustrated.

Berkeley University Art Museum Calendar, February 1986: 12, illustrated.

von Berswordt, Kornelia. “Joël Shapiro.” Arte Factum, February/March 1986: 52–53.

von Berswordt, Kornelia. “Joel Shapiro,” NIKE, no. 12 (March/April 1986): 40, illustrated. (reprinted in Arte Factum, December 1986: 52–53, illustrated.)

Wilson, William. “A MOCA show to Hold Your Breath By.” Los Angeles Times, 22 June 1986: 110–111, illustrated.

Winter, Peter. “Der menschliche Winkel.” Frankfurter Allegmeine Zeitung, no. 44 (21 February 1986): 25.

Wurster, Reinhold. “Schräg gegen die schöne Ordnung.” Schwäbisches Tagblatt (Tübingen), 14 February 1986.

1985

Brenson, Michael. “Changing Sculpture Exhibition.” The New York Times, 20 December 1985: C29.

Conrady, Helene. “Poesie aus Holz und Eisen.” Neue Rhein Zeitung (Dusseldorf), 13 November 1985: illustrated.

Cooke, Lynne. “Exhibition Reviews: Joel Shapiro, Sculptures and Drawings at Knoedler, London.” Burlington Magazine (London), September 1985: 635–636, illustrated.

“Douglas Cramer: One of the Most Powerful Producers in Hollywood Talks About His Collection of Contemporary Art.” Art & Antiques, November 1985: 46–47.

Friedrichs, Yvonne. “Balkan im Raum.” Rheinisches Post, 13 November 1985.

Gibson, Eric. “The Minimal and the Magical.” New Criterion 3, no. 5 (January 1985): 42–44.

Gibson, Eric. “Thinking About the Seventies.” New Criterion, May 1985: 45–48.

Hayward, Brooke. “High Art in the Valley.” House and Garden, November 1985: 154–158, 262, 266, 269, illustrated.

Hernandez, Celestino–Celso. “ARCO '85 de la Escultura.” Hartisimo, March/April/May 1985: 24, illustrated.

“Holz und Bronze in Komplizierter Balance.” Amstblatt, no. 47 (November 1985).

Lamoree, Jhim. “Bevroren Bewigingen uit een Slapstick.” Haagse Post (The Hague), 21 September 1985, illustrated.

“Magazin: Kunst zum Jahrsende.” Brigitte 26/85: 84, illustrated.

Maister, Helga. “Minimales und Magisches.” Westdeutsche Allegmeine Zeitung (Frankfurt), 28 November 1985.

Museum Journal (Amsterdam), no. 4 (1985).

Newark Museum Annual Report 1984, 1985: 38, illustrated.

Ratcliff, Carter. “The Collectors: Contemporary Cast.” Architectural Digest, February 1985: 118–125, illustrated.

Ringnalda, Mariana. “Joel Shapiro – Stedelijk Museum.” Art Press (Paris), no. 98 (1985): 62, illustrated.

Roskam, Mathilde. “Emoties in compacte vormen.” Parool (Amsterdam), 9 September 1985.

Russell, John. “Art Breathes Freely at M.I.T.'s New Center.” The New York Times, 28 April 1985: Arts and Leisure: 31–32, illustrated.

Saunders, Wade. “Talking Objects: Interviews with Ten Younger Sculptors.” Art in America, November 1985: 110–137, illustrated.

Schneckenburger, Manfred. “Process and Konstruktion.” NIKE, no. 9 (1985), illustrated.

“Sculpture – Language of Scale Opening September 15 at Bruce Museum.” Greenwich Time, 4 September 1985: A8, illustrated.

Sill, Gertrude Grace. “Sculpture: ‘Language of Scale’ at The Bruce.” Fairfield Citizen News, 16 October 1985: 13, illustrated.

Sorkin, Michael. “A Light in the Forest.” House and Garden, January 1985: 87–101, illustrated.

Stiemer, Flora. “Spelen met bewigingen.” Algemeen Dahblad (Amsterdam), 21 September 1985, illustrated.

Tuchman, Phyllis. “Bryan Hunt's Balancing Act.” Art News, October 1985: 65–73, illustrated.

“Von Galerie zu Galerie: Skulpturen als Balance–Akte.” Düsseldorf Hefte, 24/85, illustrated.

Wesseling, Janneke. “Shapiro's ‘miniaturen’ in monumentaliteit onovertroffen.” NRC Handelsblad (Amsterdam), 21 September 1985, illustrated.

Wolff, Theodore F. “Sculpture – Old and New.” Christian Science Monitor, 11 February 1985: 29.

Wolff, Theodore F. “Today's Landscape Painting – Large, Bold, Unsentimental.” Christian Science Monitor, 11 February 1985: 29.

Zimmer, William. “The Big and Little of Sculpture.” The New York Times, 13 October 1985: 32, illustrated.

1984

“American Bronze Sculpture: 1980 to the Present on View at Newark Museum.” Antiques and The Arts Weekly, 14 December 1984.

Baker, Kenneth. “Artist's Dialogue: The Art of Joel Shapiro.” Architectural Digest, June 1984: 170–177, illustrated.

Berger, Maurice. “Joel Shapiro: War Games.” Re–Dact: An Anthology of Art Criticism, no.1 (1984): 16–21, illustrated.

Braff, Phyllis. “From the Studio.” East Hampton Star, 2 August 1984.

Brandeis Review: The Arts 3, no. 5 (Spring 1984): 9.

Brenson, Michael. “A Living Artists Show at the Modern Museum.” The New York Times, 21 April 1984: 11.

Currents [The Institute of Contemporary Art, Boston] 1, no. 4 (March/April 1984).

Fukaya, Tetsu. “Neo y Chromosome.” Brutus 85, 1 April 1984: 132–133, illustrated.

“A Gallery of Art from American Corporations.” Art and Auction, October 1984: 135–144, illustrated.

Glueck, Grace. “Bronze in the Hands of American Sculptors.” The New York Times, 23 December 1984: 29.

Gordon, Alastair. “Letters to the Editor.” The New York Times Magazine, 19 August 1984.

“Hidden Desires: Six American Sculptors.” Neuberger Museum, Fall 1984, Calendar: 1, illustrated.

Johansson, Stig. “Engelskt–amerikanskt.” Svenska Dagbladet (Stockholm), 14 May 1984, illustrated.

Knight, Christopher. “Cal State Long Beach Show Looks Sentimentally at Artists as Heroes.” Los Angeles Herald Examiner, 11 April 1984: B6.

McGill, Douglas. “Art People: SoHo Thefts: The Outcome.” The New York Times, 23 November 1984.

Murray, Mary. “Toledo Alive.” Akron Art Institute Dialogue, September/October 1984: 22.

Pincus, Robert L. “A Transformer of Minimalism.” Los Angeles Times, 5 November 1984.

Russell, John. “Art: Just the Show for Summer in the Hamptons.” The New York Times, 3 August 1984: C1.

Shapiro, Michael Edward. “Nature into sculpture: Nancy Graves and the tradition of direct casting.” Arts Magazine, November 1984: 92–6.

Shirey, David L. “Bronzes at Newark Museum.” The New York Times, 4 November 1984: 28, 30.

Smith, Roberta. “Exercise for the Figure.” Village Voice, 20 November 1984: 108, illustrated.

1983

Anderson, Alexandra. “The New Bronze Age.” Portfolio, March/April 1983: 79–83, illustrated.

Armstrong, Richard. “Reviews.” Artforum, October 1983: 77, illustrated.

Artner, Alan G. “The Return of the Human Touch: Figurative Sculpture is Really Back in Vogue.” Chicago Tribune, 15 May 1983.

Badiola, Txomin. “115 Escultores en el Museo de Bellas Artes de Bilbao.” Chivato, 1983: 14.

Clark, James. “Joel Shapiro: Art Gallery of Ontario.” Ontario Vanguard, November 1983: 49, illustrated.

Damsker, Matt. “Sculptor's Forms Question Nature of Sculpture.” Los Angeles Times, 9 December 1983.

Doueil, Teresa. “Correspondencias: Escultura y arquitectura en el Museo de Bellas Artes de Bilbao.” El Correo Espanol (Madrid), 1983: 1.

Doueil, Teresa. “Arquitectos y esculores de fama internacional exponen en Bilbao.” El Pueblo Vasco (Madrid), 1983.

“The Galleries, La Cienega Area.” Los Angeles Times, 25 November 1983: part 6: 2, illustrated.

Glatt, Cara. “Sculptors Look at Human Form.” Herald, 25 May 1983: 10.

Kidder, Gayle. “House is not a home to Joel Shapiro.” San Diego Union, 2 December 1983: A44, illustrated.

Klein, Michael. “New York Reviews.” Art News, February 1983: 147.

Knight, Christopher. “Joel Shapiro is a master of 'monumental intimacy.'“ Los Angeles Herald Examiner, 11 December 1983, illustrated.

Kuspit, Donald. “Manifest Densities.” Art in America, May 1983: 148–152, illustrated.

Kutner, Janet. “Explorations of Space, Shapiro's Sculptures Offer Eccentric Points of View.” Dallas Morning News, 14 March 1983: Section C: 1C, 7C.

La Jolla Museum of Contemporary Art Newsletter, November/December 1983: 3, illustrated.

“Las correspondencias entre arquitectura y escultura en la obra de diez grandes artistas contemporaneous.” Diario Sur, 3 February 1983: 5.

Levin, Kim. “Top Forms.” Village Voice, 24 May 1983: 84, 85, 95.

Linker, Kate. “Reviews/New York.” Artforum, January/February 1983: 79.

Lloyd, Robert. “Why so Gloomy, Gus?” Los Angeles Herald Examiner, 25 November 1983: D2.

Lowe, Ron. “DMFA Stages Major Show of Joel Shapiro's Sculpture.” Fort Worth Texas Star Telegram (Fort Worth), 6 March 1983: 35.

Lugo, Mark–Elliot. “Its a Perfect Exhibit to Trip Up Lovers of Art.” San Diego Tribune, 16 December 1983: FL2, illustrated.

Marvel, Bill. “Minimal and More, Is That Little Thing Really a Work of Art?” Dallas Times Herald, 3 April 1983: Section G: 1, 6.

Moser, Charlotte. “Renaissance Show Surveys 10 Years of Using Human Forms in Sculpture.” Sun–Times (London), 29 May 1983.

Muchnic, Suzanne. “Exhibiting a World of Difference.” Los Angeles Times, 20 December 1983, illustrated.

Ondrechen, Jana. “Shapiro's size is small in size. Big on warmth.” La Jolla Light, 3 December 1983: B10, illustrated.

“One Beautiful New Saks Fifth Avenue.” Advocate, 22 March 1983, advertisement with reproduction: A5.

Philadelphia Museum of Art Bulletin 79, no. 340 (Fall 1983): 22, illustrated.

Raynor, Vivien. “Art: Neo–Expressionists or Neo–Surrealists?” The New York Times, 13 May 1983: C27.

Raynor, Vivien. “The Spirit of the 80's.” The New York Times, 27 March 1983: 24.

Rose, Barbara. “Americans: Two Shows Contrast Then...and Now.” Vogue, August 1983: 116, 120.

Russell, John. “Art: New New Museum.” The New York Times, 7 October 1983.

Russell, John. “Sculpture on a Small Scale.” The New York Times, 11 November 1983.

“Sculpture and Fiction.” Bomb, no. 6 (1983): 38.

Shapiro, Michael. “Four Sculptors on Bronze Casting: Nancy Graves, Bryan Hunt, Joel Shapiro, Herk Van Tongeren.” Arts Magazine, December 1983: 111–117, illustrated.

Tomkins, Calvin. “The Art World, Season's End.” New Yorker, 18 July 1983: 80–83.

“Weekend Guide, Art: Adding to the Slate.” Los Angeles Times, 18 November 1983.

1982

Baker, Kenneth. “Drawing Conclusions.” Boston Phoenix, 20 April 1982: Section 3: 10.

Baker, Kenneth. “Joel Shapiro.” Christian Science Monitor, 8 September 1982: 20, illustrated.

Baker, Kenneth. “The Saying and the Seeing.” Christian Science Monitor, 18 March 1982: 21, illustrated.

Brenson, Michael. “Sculpture Takes on a Fresh Prominence.” The New York Times, 12 September 1982: Arts and Leisure: 33.

Bonet, Juan Manuel. “Escultores y Arquitectos juntos en Madrid La Sencillez Creadora.” Tiempo, November 1982.

Baker, Kenneth. “La Sencillez Creadora.” Tiempo, 15–22 November 1982: 101.

Caldwell, John. “Two Shows: Photos and Drawings.” The New York Times, 31 January 1982: C19.

Coffin, Anne. “Corporate Collecting: State of the Art.” Downtown, October 1982: 1, 4, illustrated.

“Drawings from the Collection of Agnes Gund Saalfield.” Akron Art Institute Dialogue, July/August 1982: 29.

Drawing 4, no. 4 (November/December 1982): 89, illustrated.

Gedo, Mary Matthews. “Art Institute of Chicago Exhibition.” Arts Magazine, September 1982: 20.

Glueck, Grace. “Art After 2 Years, 'Selected Prints III.'“ The New York Times, 24 September 1982: Section C.

Jordy, William H. “The Sculpture of Joel Shapiro.” New Criterion, December 1982: 54.

Knight, Christopher. “Joel Shapiro's Work Tugs at Our Hearstrings.” Los Angeles Herald Examiner, 7 November 1982: Section E, illustrated.

Larson, Kay. “Ways With Wit.” New York, 15 November 1982: 98.

Lawson, Thomas. “Too Good to be True.” LAICA Journal, Summer 1982: 42–45, illustrated.

“Las 'correspondencias' entre arquitectura y escultura, expuestas en las obras de 10 artistas contemporaneous.” El Pais (Madrid), October 1982.

Marin–Medina, Jose. “Una Propuesta de cultura arquitectonica.” Informaciones, 4 November 1982: 26–27.

“Opportunities and Events.” Sculptors International 1, no. 4 (1982): 18.

Phillips, Deborah C. “Joel Shapiro.” Art News, May 1982: 162–163, illustrated.

“Preview 1982–83.” Art in America: Annual 1982: 19–21, illustrated.

Price, Aimee Brown. “The Collectors: Contemporary Focus.” Architectural Digest, October 1982: 116–123, illustrated.

Russell, John. “Drawings by Joel Shapiro.” The New York Times, 22 January 1982: C23.

“Sculpture: Joel Shapiro in Whitney Exhibition.” The New York Times, 22 October 1982: C20, illustrated.

Schjeldahl, Peter. “Clemente to Marden to Keifer.” Village Voice, 12 October 1982: 83.

Sutinen, Paul. “Joel Shapiro at Portland Center for Visual Arts.” Williamette (Portland) Week, 28 April 1982.

“The World of Joel Shapiro.” Axis (Japan), October 1982: 64–67, illustrated.

Tomkins, Calvin. “Looking For the Zeitgeist.” New Yorker, 6 December 1982: 150–153.

Wolff, Theodore F. “Is Modernism Dead? No – But Maybe Too Ingrown.” Christian Science Monitor, 9 November 1982: 19, illustrated.

1981

Artner, Alan. “Large or Small, Shapiro Sculptures Scaled to Please.” Chicago Tribune, 29 November 1981, Section 6: 22.

Phillips, Deborah C. “Joel Shapiro.” Arts Magazine, January 1981: 30.

Crossley, Mimi. “In the Galleries: Reviews.” Houston Post, 27 November 1981: 13AA.

Foreman, B.J. “Awkward Art at Center's Opener.” Cincinnati Post, 21 September 1981: 3B.

“Group Show at John Weber.” Art News, September 1981: 233–234.

Johnson, Patricia C. “The Image of the House Through the Artists' Eyes.” Houston Chronicle, 15 November 1981.

“Katz/Shapiro Exhibitions Open Contemporary Arts Center's Season.” Cincinnati Enquirer, 23 September 1981: C2.

Payant, Rene.”Les Formes Complexes de Joel Shapiro.” Art Press (Paris), no. 46 (March 1981): 23, illustrated.

Rickey, Carrie. “Curatorial Conceptions: The Whitney's Latest Sampler.” Artforum, April 1981: 52–57.

Ronnen, Meir. “Small is Beautiful.” Jerusalem Post Magazine, 11 September 1981.

Schall, Jan. “Visiting Artist: Joel Shapiro.” Southeast Art Papers, March/April 1981: 17.

“The Seated Muse: Chairs by Artists.” Realites, March/April 1981: 98, illustrated.

Smith, Roberta. “Biennial Blues.” Art in America, April 1981: 92–101, illustrated.

Stearns, Robert. “Joel Shapiro.” Dialogues, September/October 1981: 30–31, illustrated.

1980

Baker, Kenneth. “Art Sculpture from the Groundup” (Bell Gallery, Brown University exhibition review). The Boston Phoenix, 9 December 1980: Section 3: 2

Ekbom, Torsten. “Kleinkunst.” Dagens Nyheter, 27 November 1980.

Foster, Hal. “Review.” Artforum, November 1980: 35, illustrated.

Hess, Elizabeth. “Figuratively Speaking” (Paula Cooper Gallery exhibition review). The Village Voice, 10–16 December 1980: 89.

Hicks, Bill. “Gallery Explorations.” Times (London), 2 February 1980, Educational Supplement.

Isozaki, Arata. “Joel Shapiro at Galerie Mukai.” Yomiuri Shinbun (Tokyo), 8 May 1980.

Januszczak, Waldemar. “Mario Merz/Joel Shapiro.” Guardian (London), 19 February 1980.

“Joel Shapiro.” Asahi Evening News (Tokyo), 25 April 1980: 10.

“Koncentrat.” Svenska Dagbladet (Stockholm), 15 November 1980.

Larson, Kay. “Review.” New York, 8 December 1980: 78.

Nittve, Lars. “Explosionsfärdiga object.” Svenska Dagbladet (Stockholm), 8 November 1980, illustrated.

“Prints Published: Joel Shapiro.” Print Collector's Newsletter, September/October 1980: 132–133, illustrated.

Russell, John. “Art: The Zeitgeist Signals Just Downstairs on 73rd Street.” The New York Times, 7 November 1980: C24.

Russell, John. “Review.” The New York Times, 12 December 1980: 21.

Saunders, Wade. “Hot Metal.” Art in America, June 1980: 86, illustrated.

Shapiro, Joel. “Small and Big Sculpture by Joel Shapiro.” Interview by Yusuke Nakahara. Bijutso Techo 32, no. 466 (June 1980): 180–201.

Sozanski, Edward. “Shapiro’s Sclpture is Perceptual Experience” (Bell Gallery, Brown University exhibition review). The Providence Sunday Journal, 20 November 1980: Arts and Travel section: H15.

Vaizey, Marina. “Art.” Times (London), 27 January 1980.

Welch, Douglas. “Review.” Arts Magazine, November 1980: 35, illustrated.

Wohlfert, Lee. “Young Artists New Yorkers are Talking About.” Town and Country, September 1980: 199–200, 202–207, illustrated.

1979

Kramer, Hilton. “Review.” The New York Times, 27 April 1979: C21.

Lecombre, Sylvain. “Joel Shapiro, Couper l'Espace.” Art Press (Paris), July/August 1979: 41, illustrated.

Lubell, Ellen.”Reviews.” Soho Weekly News, 10 May 1979: 47.

Russell, John. “Art: ‘Contemporary Sculpture’ at Modern.” The New York Times, 15 June 1979: C25.

Russell, John. “Minimal Art in Ridgefield.” The New York Times, 20 July 1979: C1, 21.

Schjeldahl, Peter. “Joel Shapiro.” Artforum, Summer 1979: 63–64.

Shapiro, Joel. “Joel Shapiro: An Interview.” By John Coplans. Akron Art Institute Dialogue, January/February 1979: 7–9, illustrated.

“What's News, What's Coming.” Vogue, August 1979: 30.

1978

“Dwelling Places of the Mind.” Philadelphia Inquirer, November 1978: Weekend Section.

Field, Marc. “On Joel Shapiro's Sculptures and Drawings.” Artforum, Summer 1978: 31–37, illustrated.

Foster, Hal. “Review.” Artforum, February 1978: 67–68, illustrated.

Henry, Gerrit. “Review.” Art News, February 1978: 151.

Hess, Thomas B. “Where Have All the ISMS Gone.” New York, 13 February 1978: 69–79.

Lipkin, Joan. “Art in Review.” Saint Louis Literary Supplement 2, no. 3 (1978).

Lubell, Ellen. “Review.” Arts Magazine, February 1978: 35–36, illustrated.

Pincus–Witten, Robert. “Strategies Worth Pondering: Bochner, Shapiro, Reise, LeWitt.” Arts Magazine, April 1978: 143–144, illustrated.

Quigley, Michael A. “Challenging Our Standard Perspectives.” Daily Pennsylvanian, 16 November 1978.

Ratcliff, Carter. “Joel Shapiro's Drawings.” Print Collector's Newsletter 9, no.1 (March/April 1978): 1–4, illustrated.

Ratcliff, Carter. “New York Letter.” Art International 22, no.1 (January 1978).

1977

Bannon, Anthony. “Sculpture by Shapiro Demands Awareness.” Buffalo Evening News, 29 March 1977, Section III: 44.

Bruner, Louise. “'Improbable Furniture' Exhibit is Far Out – And Very Hilarious.” Toledo (Ohio) Blade, 14 August 1977.

Clark, Susan. “Shapiro's 'Aggressive' Geometry Shapes Space into Solid Forms.” Buffalo Evening News, 25 March 1977.

Colby, Joy Hakanson. “Three Exhibits Bring Breath of Fresh Air.” Sunday News, 24 April 1977: 10H.

Glueck, Grace. “Art People.” The New York Times, 4 March 1977.

Granath, Olle. “Om skillnaden mellan storlek och skala.” Dagens Nyhetter, 29 November 1977: illustrated.

Hess, Thomas B. “Ceremonies of Measurement.” New York, 21 March 1977: 60–62, illustrated.

“Improbable Furniture.” Philadelphia Arts Exchange, May/June 1977.

Kramer, Hilton. “Review.” The New York Times, 2 December 1977: C19.

“Lek med storlek,” Svenska Dagbladet (Stockholm), 26 November 1977.

Lewis, Jo Ann. “Galleries.” Washington Post, 12 March 1977: B5.

Miro, Marsha. “Two Radical Artists: A Londoner's Photos, Shapiro's Sculpture.” Detroit Free Press, 8 May 1977: 12C.

Masheck, Joseph. “Cruciformality.” Artforum, Summer 1977: 56–63, illustrated.

Russell, John. “Art: The New Museum Where Small is Beautiful.” The New York Times, 11 November 1977: C17, illustrated.

“Se på konst,” Svenska Dagbladet (Stockholm), 25 November 1977.

Shapiro, David. “A View of Kassel.” Artforum, September 1977: 61.

Smith, Roberta. “The 1970s at the Whitney.” Art in America, May/June 1977: 91–93, illustrated.

1976

Bruner, Louise. “Frogs, Frogs Everywhere in Chicago Contemporary Show.” Toledo (Ohio) Blade, 3 October 1976: G4.

Floroni, Giosetta. “New York Strizza L'occhio a Morandi.” Tempo, April 1976: 19.

Glueck, Grace. “Bringing Back the Biennale.” The New York Times, 2 May 1976, Arts & Leisure: 1.

Kramer, Hilton. “Our Venice Offering – More a Syllabus Than a Show.” The New York Times, 2 May 1976: Arts & Leisure section, 29.

“Museum and Dealer's Catalogues.” Print Collector's Newsletter, November/December 1976.

“Prints and Photographs Published.” Print Collector's Newsletter 6, no. 6 (January/February 1976): 161, illustrated.

Ratcliff, Carter. “Notes on Small Sculpture.” Artforum 14 (April 1976): 35–42, illustrated; cover.

Schwarz, Sanford. “Little Big Sculpture.” Art in America, April 1976: 35–42, illustrated.

Seldis, Henry J. and William Wilson. “Art Walk.” Los Angeles Times, 16 April 1976: 10.

Siegel, Jeanne. “Abstraction and Representation Made Visible.” Arts Magazine, November 1976: 70–73, illustrated.

Smith, Roberta. “Review: Joel Shapiro, Paula Cooper Gallery.” Artforum, February 1976: 67–68, illustrated.

1975

Bear, Liza. “Joel Shapiro Torquing: A Dialogue with Liza Bear.” Avalanche, Summer 1975: 14–19, illustrated.

Kramer, Hilton. “Review.” The New York Times, 1 November 1975: 21.

Lubell, Ellen. “Joel Shapiro.” Arts Magazine, December 1975: 20, illustrated.

Morris, Robert. “Aligned with Nazca.” Artforum, October 1975: 26–39, illustrated.

1974

Celant, Germano.”Piccole cosefait, personali.” Domus (Milan) 534, May 1974.

Collins, James. “Reviews.” Artforum, May 1974: 73–74, illustrated.

1973

Crimp, Douglas. “New York Letter.” Art International 17, no. 3 (March 1973): 41; illustrated.

Gilbert–Rolfe, Jeremy. “Joel Shapiro Works in Progress.” Artforum, December 1973: 73–74, illustrated.

Smith, Roberta. “Reviews: Joel Shapiro, The Clocktower.” Artforum 9, no. 10 (June 1973): 85–86, illustrated.

1972

Borden, Lizzie. “Reviews.” Artforum 10, no. 8 (April 1972): 83–84, illustrated.

de Jong, Connie. “New York Miscellaneous.” Attitudes, no. 4 (February 1972).

Ratcliff, Carter. “New York Letter. “ Art International 16, no. 3 (March 1972): 31.

Wolmer, Denise. “In the Galleries.” Arts Magazine 46, no. 5 (March 1972): 58.

1970

Paris, Jeanne. “Hanging/Leaning.” Long Island Press, 8 February 1970: 75.

Pincus–Witten, Robert. “Reviews.” Artforum 8, no. 9 (May 1970): 76–77.

Ratcliff, Carter. “Review.” Art News, May 1970: 26.

1969

Glueck, Grace. “Air, Hay and Money.” The New York Times, 25 May 1969.

Kramer, Hilton. “Art: Melting Ice, Hay, Dog Food, Etc.” The New York Times, 24 May 1969.

Schjeldahl, Peter. “To Experience Art as it is Evolving.” The New York Times, 28 December 1969.

Wasserman, Emily. “Reviews.” Artforum 8, no. 1 (September 1969): 57.

2019

ARTZUID 2019 (exhibition catalogue). Amsterdam: ARTZUID, 2019.

Joel Shapiro: Plaster Sculptures 1971–2014 (exhibition catalogue). Text by Nancy Princenthal. New York: Craig F. Starr Gallery, 2019.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 178–179, illustrated.

Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 410, 463, illustrated.

Joel Shapiro: The Bronzes (exhibition catalogue). Texts by Stephen Fleischman and Peter Boswell. Madison, Wisconsin: Madison Museum of Contemporary Art, 2018.

Joel Shapiro: Plaster, Paper, Wood, and Wire (exhibition catalogue). Text by Pamela Franks. New Haven, Connecticut: The Yale University Art Gallery, 2018. 

Michael Taylor: Traversing Parallels (exhibition catalogue). Tacoma, Washington: Museum of Glass, 2018: 100, illustrated.

2017

Barrett, Terry. Why Is That Art? Aesthetics and Criticism of Contemporary Art. Third edition. New York and Oxford, United Kingdom: Oxford University Press, 2017: 114, 137–142, illustrated.

Joel Shapiro: Floor Wall Ceiling (exhibition catalogue). Text by Dieter Schwarz. Winterthur, Switzerland: Kunstmuseum Winterthur, 2017.

“Joel Shapiro: Three Figures / Fifteen Elements.” In Art City: Public Art in Kansas City 1986–2017. Kansas City, MO: Kansas City Municipal Art Commission, 2017: 49, illustrated.

Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 92, illustrated.

2016

Joel Shapiro (exhibition catalogue). Text by Jed Morse. Dallas: Nasher Sculpture Center, 2016.

Joel Shapiro (exhibition catalogue). Texts by Phyllida Barlow, Peter Cole, Ange Mlinko, et al. New York: Dominique Lévy, 2016.

Objects and Bodies at Rest and in Motion (exhibition catalogue). [Stockholm and Malmö:] Moderna Museet, 2015: 24, fig. 16.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 221, illustrated.

Galerie Templon 50 Years. Paris: Galerie Daniel Templon, 2016: 362, 363, 602, 603, 674, 675, 769, 831, illustrated.

2015

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection (exhibition catalogue). Texts by Timothy Rub, Katherine Sachs, Joseph J. Rishel et al. Philadelphia: Philadelphia Museum of Art, 2016: 230–1, illustrated.

Goldberg, Edwin C., Janet Ross Marder, Sheldon Joseph Marder, and Joel Shapiro. Mishkan HaNefesh: Machzor for the Days of Awe. New York: CCAR Press, 2015: illustrated.

International Sculpture Center Lifetime Achievement Award Gala Honoring Joel Shapiro. New York: International Sculpture Center; Sculpture Magazine, 2014.

Joel Shapiro: Wood Plaster Bronze (exhibition catalogue). Text by Bettina Haiss. Cologne: Galerie Karsten Greve, 2015.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 344, illustrated.

2014

Joel Shapiro (exhibition catalogue). Texts by Lorand Hegyi and Richard Shiff. Saint-Étienne, France: Musée de l'Art Moderne Saint-Etienne Métropole, 2014.

Joel Shapiro: Iron and Bronze 1973–76 (exhibition catalogue). Text by Bill Berkson. New York: Craig F. Starr Gallery, New York, 2014.

Joel Shapiro: Works on Paper 2011–2013 (exhibition catalogue). Text by Peter Cole. New York: Pace Gallery, 2014.

2013

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 84, 85, illustrated.

Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon (exhibition catalogue). Text by Rock Hushka. Tacoma, Washington: Tacoma Art Museum, 2013: 9, illustrated.

From Picasso to Jasper Johns. Aldo Crommelynck’s Workshop (exhibition catalogue). Paris: Bibliothèque nationale de France, 2014: 91, illustrated.

Joel Shapiro: Sculpture and Drawings 1969–1972 (exhibition catalogue). New York: Craig F. Starr Gallery, New York, 2013.

Kiasma Hits: Kiasma Collections (exhibition catalogue). Helsinki: Kiasma Museum of Contemporary Art, 2013: 118, illustrated.

Pierrette Bloch. Zurich: JPR Ringier, 2013: 54, illustrated.

2012

Davidson Collects: 100 Writers Respond to Art. Texts by Brad Thomas, Jessica A. Cooley et al. Davidson, North Carolina: Davidson College, 2012: 230–231, illustrated.

Joel Shapiro: Untitled (exhibition catalogue). Texts by Kimberly Davenport and Richard Shiff. Houston: Rice University Art Gallery, 2012. 

2011

Artists and Legacy: A Symposium. Long Island City, New York: Isamu Noguchi Foundation and Garden Museum, 2011: 61–84.

Blume, Peter F. The Ball State University Museum of Art at 75: The Museum and a History of Its Collection. Muncie, Indiana: Ball State University Museum of Art, 2011: 169, illustrated.

Didi-Huberman, Georges. O que nós vemos, O que nos olha. Porto: Dafne Editora, 2011: illustrated. 

Joel Shapiro (exhibition catalogue). Texts by Julia Friedrich and Richard Shiff. Cologne: Museum Ludwig, 2011.

Legacy: The Emily Fisher Landau Collection (exhibition catalogue). Texts by Donna de Salvo and Joseph Giovannini. New York: Whitney Museum of American Art, 2011: 251, 357, illustrated.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber; interview by Lisa Jacobs. New York: the Solomon R. Guggenheim Foundation, 2011: 125,150, illustrated.

Sauer, Christel, Three Works by Robert Mangold. Basel: Raussmüller Collection, 2011: illustrated.

Surfaces of Everyday Life: Postwar and Contemporary Masters from Ai Weiwei to Andy Warhol (exhibition catalogue). Text by Charles Merewether. Singapore: Ikkan Art International, 2011: illustrated.

2010

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Text by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

FAPE: Foundation for Art and Preservation in Embassies, Site-Specific Collection. [S.I.]: Foundation for Art and Preservation in Embassies, [2010]: illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Kamien, Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: The Israel Museum, 2010: 81, illustrated.

North Carolina Museum of Art: Handbook of the Collections. Raleigh: North Carolina Museum of Art, 2010: 528–529, illustrated.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009.

Boat, Bird, Mother and Child: Joel Shapiro at Gemini (brochure). Text by Dave Hickey. Los Angeles: Gemini G.E.L., 2009.

Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2009: 137, no. 112, illustrated.

Kennedy, Brian P. and Emily Schubert Burke, eds. Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2009: 117, illustrated.

New York/New Drawings 1946–2007 (exhibition catalogue). Texts by Elizabeth Finch and William Corbett. Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2009: 229, 231, illustrated.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 250, illustrated.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009: illustrated.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 15, 220, 267, illustrated.

Tresaco, Xavier. Best New York Art. New York: Theredoom, 2009: 224–229, illustrated.

2008

Barrett, Terry. Why Is That Art? Aesthetics and Criticism of Contemporary Art. New York: Oxford University Press, 2008: 108, 125–130,138, 140; nos. 16 and no. 17, illustrated.

En Perspective: Giacometti (exhibition catalogue). Caen, France: Musée des Beaux-Arts de Caen, 2008: 86, illustrated.

Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991–2006. New York: Fifth Floor Foundation, 2008: 141, illustrated

The Hague Sculpture 2008: Freedom–American Sculpture (exhibition catalogue). The Hague, The Netherlands: Foundation the Hague Sculpture, 2008: 74, illustrated.

The History Book: On Moderna Museet 1958–2008. Germany: Steidl, 2008.

Joel Shapiro (exhibition catalogue). Text by Klaus Kertess. Seoul, Korea: Gana Art Gallery, 2008.

Joel Shapiro: Wood/Painted Wood (exhibition catalogue). Text by Brad Thomas. Interview by Richard Shiff. North Carolina: The Van Every/Smith Galleries, Davidson College, 2008.

Kawamura Memorial Museum of Art: Volume I. Tokyo: DIC Corporation, 2008: 162–63, illustrated.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York (exhibition catalogue). Texts by Glenn D. Lowry, João Fernandes, Volker Rattemeyer and Christian Rattemeyer. Wiesbaden and Porto: Museum Wiesbaden; Museu de Arte Contemporânea de Serralves, 2008: 203, illustrated.

Piras, Sebastian. A Pocketful of Contemporary Artists. Victoria, Australia: Peleus Press, 2008: 214–215, illustrated.

This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles (exhibition catalogue). Texts by Ann Goldstein, Rebecca Morse, and Paul Schimmel. Los Angeles: The Museum of Contemporary Art, 2008.

United States Embassy Nassau, The Bahamas: ART in Embassies Exhibition (exhibition catalogue). Washington, D.C.: U.S. Department of State, 2008: 16, 17, illustrated.

Whitney Museum of American Art at Altria.  Texts by Adam D. Weinberg and Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

After the Age of Aquarius: American Art in The Early Seventies, Vito Acconci, Michael Hurson, Bruce Nauman, Lucas Samaras, Joel Shapiro (exhibition brochure). Text by Dr. Chris McAuliffe. Melbourne: The Ian Potter Museum of Art, The University of Melbourne, 2007.

Boswell, Peter. LeWitt x 2 (exhibition brochure). Miami: Miami Art Museum, 2007: mentioned.

Collection Art Contemporain. Paris: Éditions du Centre Pompidou, 2007: 428, illustrated.

Collins, Judith. Sculpture Today. London: Phaidon Press Limited, 2007: 123, 376–377, illustrated.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 483–4, illustrated.

Godfrey, Mark. Abstraction and the Holocaust. New Haven and London: Yale University Press, 2007: 4, 17. 197, 198, illustrated; 200–203, illustrated, 210–211, 217–22, 219, illustrated; 221–223 illustrated; 233–235 illustrated; 236–237, 252.

Joel Shapiro: New Sculpture (exhibition catalogue). Text by Richard Shiff. New York: PaceWildenstein, 2007.

Lauer, David A. and Stephen Pentak. Design Basics. 7th edition. Boston: Thomas Learning, Inc., 2007: 48, 49, 52.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 270–277, 381, illustrated. 

The Price of Everything… Perspectives on the Art Market. Text by martin Braathen, Minnie Scott, Mike Sperlinger and Stephanie Fabre. New York: Whitney Museum of American Art, 2007: 41, illustrated.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 292, plate 279; 310, plate 295, illustrated.

Stangos, Nikos. Pure Reason: Poems by Nikos Stangos. London: Thames and Hudson Ltd., 2007: 26, illustrated; cover.

2006

Against the Grain: Contemporary Art from the Edward R. Broida Collection (exhibition catalogue). Text by John Elderfield. Interview by Ann Temkin. New York: The Museum of Modern Art, 2006: 97–100, illustrated.

Blanc, Francois. 40 Ans: Galerie Daniel Templon. Paris: CommunicArt, 2006: 278, 322, 562, 634 illustrated.

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 502–505, illustrated.

De Barañano, Kosme. Homage to Chillida (exhibition catalogue). Bilbao: Guggenheim Bilbao Museoa, 2006: 253, illustrated.

Greene, Alison de Lima. Isamu Noguchi: A Sculpture for Sculpture (The Lillie and Hugh Roy Cullen Sculpture Garden). Texts by Valerie J. Fletcher and Marc Treib. Houston: The Museum of Fine Arts, 2006: 33, 89, 94–95, illustrated.

Joseph Havel: A Decade of Sculpture, 1996–2006 (exhibition catalogue). London : Scala in association with; Houston, Texas: The Museum of Fine Arts, 2006: 48 illustrated.

Lewitt x 2: Sol Lewitt: Structure and Line, Selections from the Lewitt Collection (exhibition catalogue). Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006: 64, illustrated; 79.

The New Landscape / The New Still Life: Soutine and Modern Art, 1950–2006 (exhibition catalogue). Text by Maurice Tuchman and Esti Dunow. New York: Cheim & Read, 2006: illustrated.

Responding to Kahn: A Sculptural Conversation (exhibition catalogue). Text by Victoria Sambunaris. New Haven, Connectucut: Yale University Art Gallery, 2006: 3; 15 and 16, illustrated.

Richer, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362Artists. New York: D.A.P./Distributed Arts Publishers, Inc., 2006: 341, illustrated.

Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock. Washington, D.C.: Board of Trustees, National Gallery of Art, 2006: illustrated.

2005

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 508, illustrated.

Correspondances Musée d’Orsay, Art Contemporain, No. 3: Joel Shapiro/Jean-Baptiste Carpeaux. Texts by Thierry Dufrêne and Laure de Margerie. Paris: Musée d’Orsay, 2005.

Green, Denise. Metonymy in Contemporary Art: A New Paradigm. Minneapolis, Minn.: University of Minnesota Press, 2005: 13, 51, 54–56 illustrated, 59, 62.

Joel Shapiro: Work In Wood, Plaster, and Bronze 2001–2005 (exhibition catalogue). Text by Steven Nash. New York: PaceWildenstein, 2005.

Lingen, Ruth. Prints and Books: Artist Collaborations with Printmaker Ruth Lingen. Walla Walla, Washington: Donald H. Sheehan Gallery, Whitman College, 2005: 27, illustrated.

2004

The One Hundredth And Seventy-Ninth Annual: An Invitational Exhibition of Contemporary American Art (exhibition catalogue). New York: National Academy of Design, 2004: 114, illustrated.

Two and Two for Aids and Art. Dallas: amfAR and Dallas Museum of Art, 2004: N.p., illustrated.

Wye, Deborah. Artists and Prints: Masterworks from the Museum of Modern Art. Texts by Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, Wendy Wietman. New York: Museum of Modern Art, 2004: 191, illustrated.

Zelevansky, Lynn. Beyond Geometry: Experiments in Form, 1940s–70s. Cambridge, Massachusetts: The MIT Press, 2004: 87, illustrated.

2003

The Cleveland Museum of Art. Drawing Modern: Works from the Agnes Gund Collection. Cleveland: The Museum, 2003: 133, illustrated.

de Chassey, Eric. The Brownstone Collection: Minimal to the Max. West Palm Beach: Norton Museum of Art, 2003.

Donjon de Vez. Pour L’Amour de Venus. Vez, France: Donjon de Vez, 2003.

Joel Shapiro: Recent Sculpture. Text by Arthur C. Danto. New York: PaceWildenstein, 2003.

New York State Museum. Strangely Familiar: Approaches to Scale in the Collection of The Museum of Modern Art. Text by Lilian Tone. New York: Fleet Great Art Series, 2003.

2002 

Anderson, Maxwell L. American Visionaries Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2002: 276, illustrated.

Barbara Gladstone Gallery. American Standard. New York: Barbara Gladstone Gallery, 2002, illustrated: 29, 30.

Franks, Pamela. The Tiger¹s Eye: The Art of a Magazine. New Haven and London: Yale University Press, 2002.

Hankins, Evelyn C. The New York Scene: Selections from the Whitney Museum of American Art at City Hall. New York: Whitney Museum of American Art, 2002, Illustrated: 5.

Otis, Denise. Grounds for Pleasure. Four Centuries of the American Garden. New York: Harry N. Abrams, 2002: 222, 223, 308 illustrated. 

2001

The American Friends of the Israel Museum. A Contemporary Gala. October 29, 2001. Text by James Snyder. New York: American Friends of the Israel Museum, 2001: 3, 20–21.

Brodie, Judith and Andrew Robinson. A Century of Drawing: Works on Paper from Degas to LeWitt. Washington, D.C.: National Gallery of Art, 2001: 284–285.

Brooke Alexander Editions. Selected Prints & Multiples IV. New York: Brooke Alexander Editions, 2001: catalogue numbers 261, 262, 263, 264, 265, 266.

Gesellschaft der Freunde des Skulpturenparks Koln. Koln Skulptur 3. e.V. Text by Gabriella De Ferrari. Cologne: Vienand, 2001: 156–163.

Gift of the Nation Project. Gift to the Nation. Washington D.C.: Friends of Art and Preservation in Embassies, 2001: 217, 240.

Glimcher Mildred and Arnold B. Glimcher. Adventures in Art: 40 Years at Pace. Milan: Leonardo International, 2001: 464–465.

Joel Shapiro: Recent Sculpture and Drawings. Interview by Amy Newman. New York: PaceWildenstein, 2001.

Pryzbilla, Carrie and Peter Morrin. The Lenore and Burton Gold: Collection of 20th Century Art. Text by Trinkett Clark. Atlanta: High Museum of Art, 2001: 94–95.

Schneegass, Cristian.. Minimal Concept: Zeichenhafte Sprahen im Raum. Dresden: Verlag der Kunst and Berlin: Akademie der Künste, 2001: 15, 20, 113, 117.

The Metropolitan Museum of Art. Recent Acquisitions: A Recent Selection, 2000–2001. Text by Nan Rosenthal. New York: The Metropolitan Museum of Art Bulletin, Fall 2001: 71. 

Scottdale Museum of Contemporary Art. The Cultural Desert. Scottsdale.Arizona.: Bentley Gallery and Mayo Clinic: Scottdale Museum of Contemporary Art, 2001.

2000

00: Drawings 2000 at Barbara Gladstone Gallery (exhibition catalogue). Text by Klaus Kertess. New York: Barbara Gladstone Gallery, 2000: 84, illustrated.

A.P.I.A.W. 35 Ans de l’apiaw: Millenaire de la Principaute de Liege. Liege, Belgium: A.P.I.A.W., 2000: 66.

Benezra, Neal, Michael Auping and Gary Garrels. Celebrating Modern Art: The Anderson Collection. San Francisco: San Francisco Museum of Modern Art and Berkely: University of California Press, 2000: 231, catalogue number 274, plate 139: 231.

Bersharat, Nicole, ed. Vancouver International Sculpture Project (exhibition catalogue). Vancouver: Buschlen Mowatt Galleries, Ltd., 2000: 44–45, illustrated. Catalogue of two exhibitions held in Vancouver in 1998 and 2000.

Chase Manhattan Corporation. Art At Work: Forty Years of the Chase Manhattan Collection. Edited by Emily Russell. New York: Chase Manhattan Corporation, 2000.

Collischan, Judy. End Papers: Drawings 1890–1900. Purchase, New York: Newuberger Museum of Art, 2000.

Dufrene, Thierry. “Deux masons, Joel Shapiro.” In L’art dans le paysage; Tramway d’Orleions. Paris: Réunion des musées nationaux, 2002.

Fineberg, Jonathan. Art Since 1940, Strategies of Being. 2nd ed. Upper Saddle River, New Jersey: Prentice Hall, 2000: 439, illustrated.

Harkavy, Donna. Head to Toe: Impressing the Body. Amherst: University Gallery, University of Massachusetts, 1999.

Joel Shapiro: Sculpture (exhibition catalogue). Text by Martin Friedman. Charleston, South Carolina and San Antonio, Texas: Spoleto Festival USA; Marion Koogler McNay Art Museum, 2000.

Landay, Janet. The Museum of Fine Arts, Houston: Visitor Guide. London: Scala Publishers and Houston: The Museum of Fine Arts, Houston, 2000.

Monte Carlo International Sculpture Festival: Contemporary American Sculpture. Text by Robert Buck. S.I.: s.n., 2000: 42, 43 illustrated.

Spoleto Festival USA 2000 (program guide book). Charleston, South Carolina: Spoleto Festival USA Marketing and Public Relations, 2000: cover, illustrated; 13, illustrated; 123, illustrated.

Varnedoe, Kirk, Paola Antonelli and Joshua Siegel. Modern Contemporary: Art at MoMA since 1980. New York: The Museum of Modern Art; distributed by H.N. Abrams, Inc., 2000.

Yale University Art Gallery Bulletin. New Haven, Connecticut: Yale University Art Gallery, 2000: 139, 146.

1999

Afterimage: Drawing Through Process (exhibition catalogue). Texts by Pamela M. Lee and Cornelia H. Butler. Los Angeles: The Museum of Contemporary Art, 1999: illustrated.

American Academy in Rome 1999 (exhibition catalogue).Interview with the artist by Ester Coen; texts by Peter Boswell, Klaus Kertess, and Donald Kuspit. Rome and New York: American Academy in Rome 1999: 70–73, illustrated.

The Artists' Museum, Lodz. The Artists' Museum: international provisional artists' community Lodz. Lodz, Poland: The Artists' Museum, 1999. Reproduction of postcard sent by Joel Shapiro: 17; 122, illustrated.

Butler, Cornelia H. Afterimage: Drawing through Process. Los Angeles: Museum of Contemporary Art, Los Angeles and Cambridge, Massachusetts: MIT Press, 1999.

Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999.

Fairbrother, Trevor. The Virginia and Bagley Wright Collection of Modern Art, Text by Bagley Wright. Seattle: Seattle Art Museum, 1999: 203; illustrated endsheet (front).

Gesellschaft der Freunde des Skulpturenparks Köln. Köln Skulptur 2. Cologne: Wienand, 1999: 149,151,153, illustrated.

Joel Shapiro: Roma (exhibition catalogue). Texts by Peter Boswell, Klaus Kertess, and Donald Kuspit. Interview by Ester Coen. Rome: American Academy in Rome, 1999.

Joel Shapiro: Sculpture 1974–1999 (exhibition catalogue). Texts by James Hall and Clare Lilley. Wakefield: Yorkshire Sculpture Park, 1999.

Israel Museum and The Cleveland Museum of Art. Modern Masterworks on Paper from The Israel Museum. Texts by James Synder et al. Jerusalem: Israel Museum in cooperation with the Cleveland Museum of Art, 1999.

Museum of Fine Arts, Houston. Art at Work: Forty Years of The Chase Manhattan Collection. Houston: Museum of Fine Arts and Contemporary Arts Museum (Houston), 1999.

Philbin, Ann and Jack Shear. Drawn From Artists’ Collections. New York: Drawing Center, 1999.

Phillips, Lisa. The American Century: Art & Culture 1950–2000. New York: Whitney Museum of American Art, 1999.

Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Albright–Knox Art Gallery, 1999: 276–277, illustrated.

Todoli, Vincente. Circa 1968: Fundação de Serralves. June 1999–August 1999. Texts by Vincente Todoli, João Fernandes, Antje von Graevenitz, Eduardo Prado Coelho, Germano Celant, Maria José Fazenda, Marita Sturken, Miguel Wandschneider, and Robert Pincus–Witten. Lisbon: Museu Serralves and Fundação de Serralves, 1999: 318–319, illustrated.

1998 

Beudert, Monica and Sean Rainbird. Contemporary Art: The Janet Wolfson de Botton Gift. London: Tate Gallery Publishing, 1998.

Causey, Andrew. Sculpture Since 1945. Oxford and New York: Oxford University Press, 1998.

Joel Shapiro: New Wood and Bronze Sculpture (exhibition catalogue). Text by Klaus Kertess. New York: PaceWildenstein, 1998.

Joel Shapiro: Sculpture in Clay, Plaster, Wood, Iron, and Bronze (exhibition catalogue). Interview by Jock Reynolds. Text by the artist. Andover, Massachusetts: Addison Gallery of American Art, 1998. 

Joel Shapiro: Sculpture and Drawings. Text by Hendel Teicher and Michael Brenson. New York: Harry N. Abrams, 1998.

Polsky, Richard. Art Market Guide: Contemporary American Art. San Francisco: The Marlit Press, 1998.

Scott, Sue and Betsy Gwinn. The Edward R. Broida Collection: A Selection of Works. Interview with Edward Broida. Orlando, Florida: Orlando Museum of Art, 1998: 133–138, illustrated.

Whitney Museum of American Art. American Art of the Twentieth Century: Treasures of the Whitney Museum of American Art. New York: Abbeville Press and Whitney Museum of American Art, 1998.

Works by Contemporary American Artists: Residence of the Ambassador of the Untied States of America to Austria. Vienna: USIA Regional Office, [1998]: illustrated.

1997

Contemporary Sculpture: The Figurative Tradition. Wasau, Wisconsin: Leigh Yawkey Woodson Art Museum, 1997: 13.

Gaßner, Hubertus and Donald Kuspit. Joel Shapiro: Skulpturen 1993–1997. Munich: Haus der Kunst, Hamburg; Barlach HALLE K, 1997.

Joel Shapiro: Skulpturen 1993–1997. Texts by Hubertus Gassner and Donald Kuspit. Munich: Haus der Kunst and Hamburg: Barlach Halle K, 1997.

Katz, Alex. Invented Symbols. Positions in Contemporary Art. Edited by Rolf Lauter. Ostfildern-Ruit, Germany: Cantz Verlag, 1997.

Lee, Pamela and Christine Mehring. Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection. Text by Dieter Schwarz and contributions by Christian Schneegass and Julie Vicinus. Cambridge, Massachusetts: Harvard University Art Museums, 1997.

Queens Artists: Highlights of the 20th Century (exhibition brochure). New York: Queens Museum of Art, 1997.

Towle, Tony and Sue Scott. Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997. Washington, D.C.: Corcoran Gallery of Art, 1997: 269, plates 86, 87, 88.

1996 

Black & White (exhibition catalogue). Seoul, Korea: Seomi Gallery, 1996: illustrated.

Geometric Order of Energy - Joel Shapiro. Text by Sung Hee Kim. Seoul: Gallery Seomi, 1996. 

Giménez, Carmen and Steven A. Nash. A Century of Sculpture: The Nasher Collection. Text by Michael Brenson. New York: Solomon R. Guggenheim Museum: Distributed by Harry N. Abrams, Inc., 1996.

Joel Shapiro: Recent Drawings and Sculpture. Seoul, Korea: Seomi Gallery, 1996. 

Joel Shapiro: Sculpture and Drawings. Text by Michael Brenson. Los Angeles: PaceWildenstein, 1996.

McCarthy, Jane and Laura K. Epstein. Sculpture Parks and Gardens of America, New York: Michael Kesend Publishing, Ltd. 1996.

National Gallery of Art. National Gallery of Art 1995 Annual Report. Washington D.C.: National Gallery of Art, 1996.

Pfeiffer, Andreas and Sylvia C. Weber. Plätze und Platzzeichen: Der Platz Ein Thema der Kleinplastik seit Giacometti. Sigmaringen, Germany: J. Thorbecke, 1996.

Rosenthal, Mark. The Robert and Jane Meyerhoff Collection. Washington, D.C.:National Gallery of Art, 1996: 16, 90.

San Diego Museum of Contemporary Art. San Diego Museum of Contemporary Art: Selections from the Permanent Collection. Text by Ronald J. Onarato. La Jolla, California: Museum of Contemporary Art, 1996.

Sandler, Irving. Art of the Postmodern Era From the Late 1960s to the Early 1990s. New York: Icon Editions/Harper Collins, 1996: 75, 76, illustrated.

Shone, Richard. From Figure to Object: A Century of Sculptors’ Drawings. London: Frith Street Gallery and Karsten Schubert Gallery, 1996, illustrated.

Tokyo International Forum Art Collection. The Tokyo International Forum Art Collection: A Boat of Diversity. Tokyo: Tokyo International Forum Art Collection, 1996: 128, plate 088.

Wye, Deborah. Thinking Print: Books to Billboards, 1980–95. New York, The Museum of Modern Art, 1996.

1995

Fineberg, Jonathan. Art Since 1940, Strategies of Being, New York: Harry N. Abrams, 1995: 427, 428, illustrated.

Fundação Cultural de Curitiba. XI Mostra de Gravura de Curitiba: 31 de otubro a 29 de dezembro. Curitiba, Portugal: Fundação Cultural de Curitiba, 1995: 23, illustrated.

Joel Shapiro: Outdoors. Text by Deborah Emont Scott; interview by Peter Boswell. Minneapolis: Walker Art Center and Kansas City, Missouri: Nelson-Atkins Museum of Art, 1995. 

Joel Shapiro: Painted Wood Sculpture and Drawings. Interview by Ellen Phelan. New York: PaceWildenstein, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Rosenthal, Mark. Contemporary Drawing: Exploring the Territory. Aspen, Colo.: Aspen Art Museum, 1995.

Selected Works from Kawamura Memorial Museum of Art. Sakura, Japan: Kawamura Memorial Museum of Art, 1995: 176–177, illustrated.

Yonebayashi, Yuichi. Towards Beauty and Creativity. Japan: Nihon Bunkyo Shuppn Co., Ltd., 1995: 49, illustrated.

1994

The Hakone Open Air Museum. Guidebook. Hakone, Japan: Hakone Open Air Museum 1994: 60, illustrated.

Joel Shapiro: Drawing & Sculpture (brochure). Text by Professor Choi Insu. Seoul: Gallery Seomi, 1994.

30 YEARS––Art in the Present Tense: The Aldrich's Curatorial History 1964–1994 (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1994: illustrated.

1993

Bach, Penny Balkin. Public Art in Philadelphia. Philadelphia: Temple University Press, 1993: 157–158.

Bezzola, Tobia. Equilibre: Gleichgewicht, Äquivalenz und Harmonie in der Kunst des 20. Jahrhunderts. Baden: Verlag Lars Müller. 1993.

Cheim, John. Drawing the Line Against AIDS. Texts by Matilda Krim, Elizabeth Taylor, and Achille Bonito Oliva. New York: American Foundation for AIDS Research (AmFAR) International, 1993.

The Fujisankei Biennale. Japan: Nagano–ken The Utsukushi–ga–hara Open–Air Museum, 1993.

Greenberg, Jan and Sandra Jordan. The Sculptor's Eye: Looking at Contemporary Art. New York: Delacorte Press, 1993.

Jacobson, Howard. Roots Schmoots A Journey Among Jews. New York: Penguin Books, 1993.

Joel Shapiro: Sculpture and Drawings (exhibition catalogue). Text by Peter Schjeldahl. New York: The Pace Gallery, 1993. 

Marci, Geroges. From Rodin to Serra. Gstaad: Galerie Saqqârah, 1993. 

Ogura, Tadao. Manhattan Breeze–Five Contemporary Artists. Tokyo: Takashimaya, 1993.

1992

Ansichtssachen. Bochum, Germany: Gallery m, 1992: illustrated.

Stedelijk Museum. Century in Sculpture. Amsterdam: Stedelijk Museum, 1992.

Tuchman, Phyllis. Drawing Redux. San Jose, California: San Jose Museum of Art, 1992.

Weatherspoon Art Gallery. 28th Annual Exhibition of Art on Paper. Greensboro, North Carolina: Weatherspoon Art Gallery, 1993.

1991

Catalogue des Exposants. Paris: Salon de Mars, 1991: 102–103, illustrated.

Galassi, Peter. Pleasures and Terrors of Domestic Comfort. New York: Museum of Modern Art, 1991: 14, illustrated.

Gmurzynska–Bscher, Krystyna and Mathias Rastorfer. Vision by Room, Art and Architecture from 1910 to 1990. Cologne: Galerie Gmurzynska, 1991: 57, illustrated.

Joel Shapiro. Tokyo: Gallery Mukai, 1991.

Joel Shapiro: Selected Drawings 1968–1990. Text by Mark Ormond; interview by Paul Cummings. Miami, Florida: Center for the Fine Arts, 1991.

John Berggruen Gallery. Large Scale Works on Paper. San Francisco: John Berggruen Gallery, 1991: 38, illustrated.

Riley, Charles A. II. Sélection. Pully/Lausanne: FAE Musée D'Art Contemporain, 1991.

Rosenblum, Robert. Scott Burton: The Last Tableau. New York: Whitney Museum of American Art 1991.

1990

Ackley, Clifford S. The Unique Print. 70s into 90s. Boston: Museum of Fine Arts, 1990: 6, 74.

Anderson, Lisa et al. Minimalism and Post Minimalism: Drawing Distinctions. Text by James Cuno. Hanover: Hood Museum of Art, 1990: 24, illustrated.

Armstrong, Richard, John G. Hanhardt, and Robert Pincus-Witten. The New Sculpture 1965–75: Between Geometry and Gesture. New York: Whitney Museum of American Art, 1990, illustrated.

Asher and Faure Gallery. Home. Los Angeles: Asher and Faure, 1990: illustrated

Gallery Yamaguchi. Minimal and…. Text by Manji Kitamura. Osaka: Gallery Yamaguchi, 1990.

Greenberg Gallery. Selected Works. St. Louis, Missouri: Greenberg Gallery, 1990: 42, illustrated.

Joel Shapiro (exhibition catalogue). Texts by Nancy Princenthal and Rosalind Krauss. Humlebæk and Valencia: Louisiana Museum; IVAM Centre Julio González, 1990.

Joel Shapiro Skulptur & Grafik 1985–1990. Introductory Text by Staffan Schmidt. Varberg, Sweden: Museet i Varberg, 1990: illustrated.

Joel Shapiro: Tracing the Figure (exhibition catalogue). Text by Donald Kuspit; interview by Deborah Leveton. Des Moines: Des Moines Art Center, 1990.

Kawamura Memorial Museum of Art. Selections from the Kawamura Memorial Museum of Art. Texts by Nobuyuki Senzoku, Yusuke Nakahara, and Yoshikuni Iida. Sakura City, Japan: Kawamura Memorial Museum of Art, 1990: 151, illustrated

Kunstnernes Hus. The Art of Drawing. Text by Reidar M. Kraugerud. Oslo: Kunstnernes Hus, 1990: 2–29, illustrated.

Mucsarnok (Budapest, Hungary). 8th International Small Sculpture Triennal of Budapest. Budapest: [s.n.], 1990: 38–39, illustrated.

Nippon Convention Center. Pharmakon '90. Texts by Jan Avgikos, Achille Bonito Oliva, and Motoaki Shinaohara, Chiba: Nippon Convention Center, 1990: 372–73, illustrated.

Schwartz, Sanford. Artists and Writers. New York: Yarrow Press, 1990: 88, 193, 213–215, 271, fig. 29.

1989

Armstrong, Tom and Larsen, Susan C. Art in Place: Fifteen Years of Acquisitions. New York: Whitney Museum of American Art, 1989: 175, 178, 185, illustrated.

Exposition Inaugurale (exhibition catalogue). Frejus, France: Fondation Daniel Templon, 1989: 152–153, illustrated.

Fine, Ruth, Charles M. Ritchie, and Thomas Coolsen. The 1980s: Prints from the Collection of Joshua P. Smith. Interview with Ruth E. Fine and Joshua P. Smith. Washington, D.C.: National Gallery of Art 1989: 35, illustrated.

Hunter, Sam. The Linear Image, American Master Works on Paper. New York: Marisa del Re Gallery, 1989: 12, illustrated.

Janie C. Lee Master Drawings (Gallery). Master Drawings 1859–1989. New York: Janie C. Lee Gallery, 1989: 56–57, illustrated.

Joel Shapiro (brochure). Waterville, Maine: Colby College Museum of Art, 1989.

Joel Shapiro. Introduction by Lynne Cooke. London: Waddington Galleries, 1989.

Kunsthalle Recklinghausen. Niemandsland. Recklinghausen, Germany: Kunsthalle Recklinghausen, 1989: 24–25, illustrated.

Marisa del Re Gallery. Biennale de Sculpture Monte Carlo 1989. New York: Marisa del Re Gallery, 1989: 62, illustrated.

Stedelijk Museum. Drawings Since 1960. Texts by Ad Peterson and Jurrie Poot. Amsterdam: Stedelijk Museum, 1989: 34, 35, cover, illustrated.

Valjakka, Timo. Synnyt: Sources of Contemporary Art, Helsinki: Museum of Contemporary Art (Nykytaiteen Museo), 1989: 178, 194, illustrated.

Whitney Museum of American Art. Biennial 1989. New York: Whitney Museum of American Art, 1989: 132–135, illustrated.

Yokohama Museum of Art. Contemporary Art from New York: The Collection of the Chase Manhattan Bank. Yokohama: Yokohama Museum of Art, 1989: 112, 137, illustrated.

1988

Linker, Kate and Howard Singerman. Individuals: A Selected History of Contemporary Art, 1945–1986. Los Angeles: The Museum of Contemporary Art and New York: Abbevile Press, 1988: 146–147, illustrated.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer Jr. Cambridge: Harvard University Art Museums, 1988: 890–7.

1987

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection (exhibition catalogue). Dallas: Dallas Museum of Art, 1987: 124, illustrated.

Gablik, Suzi. The Reemergent Figure. Mountainville, New York: Storm King Art Center, 1987: illustrated.

Galeria EMI Valentim de Carvalho. Artistas da Paula Cooper Gallery. Lisbon: Galeria EMI Valentim de Carvalho, 1987, illustrated.

Joel Shapiro: Painted Wood (brochure). Text by Ned Rifkin. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 1987.

Lucie–Smith, Edward. Sculpture Since 1945. Oxford: Phaidon Press, Ltd., 1987: 149–151, illustrated.

Nash, Steven A. A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection. New York: Rizzoli, 1987: 124, illustrated.

Reichard, Stephan and Anne Livet. Art Against Aids. New York: American Federation for Aids Research, 1987: 76, illustrated.

Schjedahl, Peter. The Nathan Manilow Sculpture Park. University Park, Illinois: Governor's State University Foundation, 1987: 29, illustrated.

Ushimado International Art Festival. The 4th Japan Ushimado International Art Festival.

Zabriskie Gallery. Timothy Woodman: Recent Sculpture. Text by Bruce Altshuler. New York: Zabriskie Gallery, 1987.

1986

Ackley, Clifford S., David P. Becker, and Barbara Stern Shapiro. 70's Into 80's: Printmaking Now. Boston: Museum of Fine Arts, 1986.

Arkansas Arts Center. National Drawing Invitational. Little Rock: Arkansas Arts Center, 1986: 38–39, illustrated.

Armstrong, Richard and Richard Marshall. Between Geometry and Gesture: American Sculpture 1965–1975. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes 7y Archivos, Centro Nacional de Exposiciones, 1986: 118, 120, 125, 132, 140, 155, 160, 163, 164, 168, 174, 175, 179, illustrated.

Arnason, H.H. History of Modern Art. 3rd ed. New York: Harry N. Abrams, 1986: 632, illustrated.

Bank America Corporation. Bank America Corporation Art Program 1985. San Francisco: Bank America Corporation, 1986: 7, 16 illustrated.

Boca Raton Museum of Art. Boca Raton Museum of Art Presents: Art in the Environment. Boca Raton, Florida: Boca Raton Museum of Art, 1986: 61, illustrated.

Cole, Peter. Rift. New York: The Grenfell Press, 1986. (Cover by Joel Shapiro)

Detterer, Martina and Peter Weiermair. Prospect 86: eine internationale Ausstellung aktueller Kunst. Frankfurt/Main: Frankfurter Kunstverein, 1986: 193, 194, illustrated.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Joel Shapiro: Sculptures and Drawings 1981–85. Text by Mark Ormond. Sarasota, Florida: John and Mable Ringling Museum of Art, 1986.

John Berggruen Gallery. Works from the Paula Cooper Gallery. San Francisco: John Berggruen Gallery, 1986: 27, illustrated.

Knight, Christopher. The Barry Lowen Collection. Los Angeles: Museum of Contemporary Art, 1986, illustrated.

Marian Locks Gallery. The Purist Image. Philadelphia: Marian Locks Gallery, 1986: 21, 23, illustrated.

Rifkkin, Ned. The Generic Figure. Washington, D.C.: The Corcoran Gallery of Art, 1986.

Kuspit, Donald. “Joel Shapiro: Recipient of the Skowhegan Medal for Sculpture.” In Skowhegan School of Painting & Sculpture 40th Anniversary Awards Dinner. New York and Skowhegan, Maine: Skowhegan School of Painting & Sculpture, 1986: 8, illustrated.

Sims, Patterson. Figure as Subject: The Last Decade (Selections from the Permanent Collection of the Whitney Museum of American Art). New York: Whitney Museum of American Art, 1986.

Sims, Patterson. Painting and Sculpture Acquisitions 1973–1986. New York: Whitney Museum of American Art, 1986: 155, illustrated.

Tate Gallery. Illustrated Catalogue of Acquisitions, 1982–1984. London: Tate Gallery,1986: 321–322, illustrated.

Ushimado International Arts Festival. The 3rd Ushimado International Art Festival. 1986. Text by Shigeo Chiba: 18.

Walker, Barry. Public and Private: American Prints Today. New York: Brooklyn Museum of Art, 1986: 115, illustrated.

Yoshiaki, Inui. New Trends in Contemporary Sculpture/10 New Outstanding Sculptors of America and Japan. Tokyo and Osaka:Gendai Chokoku Senta, 1986: 13–15, illustrated.

1985

Barbara Krakow Gallery. Exhibition pamphlet. Boston: Barbara Krakow Gallery, 1985. illustrated.

Bruce Museum. Sculpture: The Language of Scale. Greenwich, Connecticut: Bruce Museum, 1985.

Calouste Gulbenkian Foundation. First Exhibition–Dialogue on Contemporary Art in Europe. Lisbon: Calouste Gulbenkian Foundation, 1985: 363–365.

Cummings, Paul. Drawing Acquisitions 1981–1985. New York: Whitney Museum of American Art, 1985: 57.

Delahoyd, Mary. A New Beginning: 1968–1978. Yonkers, New York: The Hudson River Museum, 1985.

Des Moines Art Center. Des Moines Art Center: Selected Paintings, Sculptures and Works on Paper. Des Moines: The Center, 1985: 195–196, illustrated.

Emily Lowe Gallery, Hofstra University. The Art Heritage at Hofstra. Hempstead, New York: Emily Lowe Gallery, Hofstra University, 1985.

Felshin, Nina. Focus On the Image. Selections from the Rivendell Collection. [S. 1]: ITA Corporation, 1985: 153, illustrated.

Jacob, Mary Jane. Gordon Matta-Clark: A Retrospective. Text by Robert Pincus-Witten. Interview with Joel Shapiro by Joan Simon. Chicago: Museum of Contemporary Art, 1985: 142.

Janie C. Lee Gallery. Charcoal Drawings 1880–1985. Houston: Janie C. Lee Gallery, 1985.

Joel Shapiro (exhibition catalogue). Texts by Marja Bloem, Karel Schampers and the artist. Amsterdam: Stedelijk Museum, 1985. 

Joel Shapiro. Texts by Marja Bloem and Karel Schampers. Amsterdam: Stedelijk Museum, 1985.

Jordan, William B. Northpark Sculpture: A Celebration of Contemporary Art. Dallas, 1985.

Krannert Art Museum. Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle. Text by Kenneth Baker. Urbana/Champaign, Illinois: Krannert Art Museum, University of Illinois, 1985.

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Myths. Cambridge, Massachusetts: M.I.T. Press, 1985: 289–290, illustrated.

Lucie-Smith, Edward. American Art Now. New York: William Morrow, 1985: 22, illustrated.

March, Brigitte. Process und Konstruktion: 1985 in Munchen. Lodz: Archives of Contemporary Thought, 1985: 62, illustrated.

Museo Rufino Tamayo. Imagenes en Cajas. Mexico D.F.: Museo Rufino Tamayo, 1985: 27, illustrated.

Neff, Terry Ann R. Selections from the William J. Hokin Collection. Chicago: Museum of Contemporary Art, 1985: 117–118, illustrated.

Process und Konstruktion 1985 in München (exhibition catalogue). Lodz: Archives of Contemporary Thought, 1985.

Senie, Harriet. A Decade of Visual Arts at Princeton: Faculty 1975–1985. Princeton, New Jersey: The Art Museum, Princeton University.

Sheldeon Memorial Art Gallery. Contemporary Bronze, Six in the Figurative Tradition: Willem de Kooning, Stephen DeStaebler, Robert Graham, Manuel Neri, George Segal, Joel Shapiro. Lincoln, Neb.: Sheldon Memorial Art Gallery, University of Nebraska, 1985.

Waldman, Diane. Transformations in Sculpture. Four Decades of American and European Sculpture. New York: Solomon R. Guggenheim Museum, 1985.

Weiermair, Peter. Vom Zeichnen: Aspekte der Zeichnung 1960–1985. Frankfurt: Der Frankfurter Kunstverein, 1985: 301–393, illustrated.

Whitney Museum of American Art. Selections from the Permanent Collection. New York: Whitney Museum of American Art, 1985: 214, illustrated.

Whitney Museum of American Art, Fairfield County. Affiliations: Recent Sculpture and Its Antecedents. New York: Whitney Museum of American Art, 1985.

1984

Brach, Paul and Bernice Steinbaum. 1 + 1 = 2. New York: Bernice Steinbaum Gallery, 1984: 18, illustrated.

Brooklyn Museum of Art. The American Artist as Printmaker: 23rd National Print Exhibition. New York: Brooklyn Museum, 1984: 112, illustrated.

Marano, Lizbeth. Parasol and Simca: Two Presses/Two Processes. Lewisburg, Penn.: Bucknell University, 1984: 28, illustrated.

Earls–Solari, Bonnie. BankAmerica Corporation Art Program Acquisitions 1983–1984. San Francisco: Bank of America Corporation, 1984: 20.

Force, Debra J. What's It Supposed to Be? Abstract Art from the CIGNA Collection. 1984: 6.

Gettings, Frank. Drawings 1974–1984. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, 1984: 216–222, illustrated.

Hunter, Sam. The Museum of Modern Art. New York: Harry N. Abrams/The Museum of Modern Art, 1984: 378, illustrated.

Jacksonville Art Museum. Currents: A New Mannerism. Jacksonville, Florida: Jacksonville Art Museum, 1984.

Kertess, Klaus. Forming. Southhampton, New York: Parrish Art Museum, 1984.

McShine, Kynaston, Harriet Shoenholz Bee, and Jane Fluegel. An International Survey of Recent Painting and Sculpture. New York: The Museum of Modern Art, 1984.

New Art. Edited by Phyllis Freeman. New York: Harry N. Abrams, 1984.

Ratcliff, Carter. The Meditative Surface. Chicago: The Renaissance Society at the University of Chicago, 1984: 17, illustrated.

Reynolds, Gary A. American Bronze Sculpture. Newark, New Jersey: Newark Museum, 1984: 66, illustrated.

Shoemaker, Innis H. The Ackland Art Museum: A Handbook (1958 1983). Chapel Hill, North Carolina: Ackland Art Museum, 1984.

Toledo Museum of Art. Citywide Contemporary Sculpture–Exhibition. Toledo, Ohio: Toledo Museum of Art, 1984: 42, illustrated.

Whitney Museum of American Art. American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York. New York: Whitney Museum of American Art, 1984.

Williams College Museum of Art. The Modern Art of the Print: Selections from the Collection of Lois and Michael Torf. Williamstown, Massachusetts: Williams College Museum of Art with The Museum of Fine Arts, Boston. 1984.

1983

Art Museum of the Ateneum, Helsinki. ARS '83 Helsinki. Helsinki: Art Museum of the Ateneum, 1983.

Brown, Julia and Bridget Johnson. The First Show: Painting and Sculpture from Eight Collections, 1940–1980. Los Angeles: Museum of Contemporary Art, 1983.

Flood, Richard. The Sixth Day: A Survey of Recent Developments in Figurative Sculpture. Chicago: The Renaissance Society, University of Chicago, 1983: 20, illustrated.

Frankel, Dextra et al. The House That Art Built. Fullerton, California: California State University, The Main Art Gallery, Visual Arts Center, 1983: 90–91, illustrated.

Honef, Klaus et al. Back to the USA: Amerikanische Kunst der Siebziger und Achtziger. Cologne: Rhineland Verlag, 1983: 204–207, illustrated.

Moderna Museet, Stockholm. Moderna Museet 1958–1983. Stockholm: Moderna Museet, 1983: 199, illustrated.

Phillips, Lisa. 20th Century Sculpture: Process and Presence. New York: Whitney Museum of American Art at Philip Morris, 1983.

University of South Florida. Objects, Structures, Artifice: American Sculpture 1970–1983. Tampa, Florida: University of South Florida, SVC Fine Arts Gallery, 1983: 36, 37, illustrated.

1982

Ahearn, John. 74th American Exhibition. Chicago: Art Institute of Chicago, 1982: 44, illustrated.

Aldrich Museum of Contemporary Art. Postminimalism. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1982.

Brooke Alexander, Inc. Selected Prints III. New York: Brooke Alexander, 1982.

Gimenez, Carmen and Juan Munoz. Correspondencies: 5 Arquitectos. 5 Escultores. Madrid: Mensa, 1982.

Joel Shapiro. Texts by Richard Marshall and Roberta Smith. New York: Whitney Museum of American Art, 1982. 

Milwaukee Art Museum. American Prints: 1960–1980. Milwaukee, Wisconsin: Milwaukee Art Museum, 1982: 25, illustrated.

Schwartz, Sanford. The Art Presence. New York: Horizon Press, 1982: 72, 76.

Yale University Art Gallery. Prints by Contemporary Sculptors. New Haven, Connecticut: Yale University Art Gallery, 1982.

1981

Ahearn, John. Figures, Forms, and Expressions. Buffalo, New York: Buffalo Fine Arts Academy, 1981.

Akron Art Museum. The Image in American Painting and Sculpture 1950 1980. Akron Museum of Art September 12–November 8, 1981. Akron, Ohio: Akron Art Museum, 1981: 92–93, illustrated.

Deschamps, Madeleine. La Peinture Americaine. Paris: Editions Denoel, 1981: 261.

Joel Shapiro. Text by Stephanie Rachum. Jerusalem: Israel Museum, 1981.

Kren, Alfred. Drawing Distinctions: American Drawings of the Seventies. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1981, illustrated.

Morrin, Peter and Eric Zafran. Drawings from Georgia Collections, 19th and 20th Centuries. Atlanta: High Museum of Art, 1981: 206–207, illustrated.

Sewall Art Gallery, Rice University. Variants: Drawings by Contemporary Sculptors. Houston: Sewall Art Gallery, Rice University, 1981: 11, illustrated

Whitney Museum of American Art. 1981 Biennial Exhibition. New York: Whitney Museum of American Art, 1981: 100, illustrated.

1980

Brook Alexander, Inc. New Publications Acquisitions. New York: Brooke Alexander, Inc., 1980: 101, 104.

The Grey Art Gallery and Study Center. Perceiving Modern Sculpture: Selections for the Sighted and Non–Sighted. New York: The Grey Art Gallery and Study Center, 1980.

The Institute of Contemporary Art. Drawings: The Pluralist Decade. Philadelphia: The Institute of Contemporary Art, University of Pennsylvania, 1980: 55, illustrated.

Joel Shapiro. Text by William Jordy. Providence, Rhode Island: Bell Gallery, Brown University, 1980.

Joel Shapiro Lithographs 1979-1980. New York: Brooke Alexander Inc. and Paula Cooper Gallery, 1980.

Joel Shapiro: Sculpture and Drawing. Text by Roberta Smith. London: Whitechapel Art Gallery, 1980. 

Riehen–Basel, Wenkenpark. Skulptur im 20 Jahrhundert. Basel: Wenkenpark, 1980: 160–161, illustrated.

1979

Acconci, Vito et al. Made by Sculptors. Amsterdam: Stedelijk Museum, 1979.

Aldrich Museum of Contemporary Art. The Minimal Tradition. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1979.

The Museum of Modern Art. Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art. New York: The Museum of Modern Art, 1979.

Plous, Phyllis. Sculptural Perspectives: An Exhibition of Small Sculpture of the 70s, Joel Shapiro, Judy Pfaff, Don Johnson, Tony Berland, Thomas Bang. Santa Barbara: University of California, 1979: 11–16, illustrated.

Shoemaker, Innis H. Drawings About Drawing Today. Chapel Hill, North Carolina: Ackland Art Museum, 1979: 74–75, illustrated.

Whitney Museum of American Art. 1979 Whitney Biennial Exhibition. New York: Whitney Museum of American Art, 1979: 79, illustrated.

1978

Door beeldhouwer gemaakt (exhibition catalogue). Text by Rini Dippel and Geert van Beijeren. Amsterdam: Stedelijk Museum, 1978: illustrated.

University of Pennsylvania. Dwellings. Philadelphia: University of Pennsylvania, Institute of Contemporary Art, 1978: 7, 15, illustrated.

Vassar College Art Gallery. Hunt, Jenney, Lane, Rothenberg, Shapiro. Poughkeepsie, New York: Vassar College Art Gallery, 1978.

Vogel, Dorothy. Works from the Collection of Dorothy and Herbert Vogel. Ann Arbor, Michigan: University of Michigan Museum of Art, 1978. 

Whitney Museum of American Art/Downtown Branch. Architectural Analogues. Text by Lisa Phillips. New York: Whitney Museum of American Art/Downtown Branch, 1978.

Whitney Museum of American Art/Downtown Branch. Small Objects. New York: Whitney Museum of American Art/Downtown Branch, 1978.

1977

Artists' Space. Pictures. New York: Committee for the Visual Arts, 1977: 4, illustrated.

Friedman, Martin and Robert Pincus-Witten. A View of a Decade. Chicago: Museum of Contemporary Art, 1977.

Joel Shapiro. Text by Linda Cathcart. Buffalo, The Albright-Knox Art Gallery, 1977. 

Moore College of Art Gallery. Collection In Progress. 200 Or So Selections from the Collection of Milton Brutten and Helen Herrick. Philadelphia: Moore College of Art Gallery, 1977.

New Museum of Contemporary Art. Early Work by Five Contemporary Artists. Text by Marcia Tucker, interview by Susan Logan. New York: New Museum of Contemporary Art, 1977. 

Renaissance Society at the University of Chicago. Ideas in Sculpture, 1965–1977. Chicago: Renaissance Society at the University of Chicago, 1977.

Schneckenburger, Manfred. Documenta 6. Kassel, Germany: P. Dierich, 1977: 240–241, illustrated.

University of Pennsylvania, The Institute of Contemporary Art. Improbable Furniture. Philadelphia: University of Pennsylvania, The Institute of Contemporary Art, 1977: 21–30, illustrated.

Walker Art Center. Scale and Environment: 10 Sculptors. Minneapolis: Walker Art Center, 1977.

Whitney Museum of American Art. 1977 Biennial Exhibition: Contemporary American Art. New York: Whitney Museum of American Art, 1977: 74, 75, illustrated.

1976

Hunter, Sam and Rosiland Krauss. Critical Perspectives in American Art (exhibition catalogue). Amherst, Massachusetts: Fine Arts Center Gallery, 1976: 55, illustrated.

Joel Shapiro. Text by Rosalind Krauss. Chicago: Museum of Contemporary Art, 1976.

La Biennale di Venezia, 1976: Environment, Participation, Cultural Structures, vol. 1 (exhibition catalogue). Venice: Alfieri edizioni d’arte, 1976: 162, 167.

1972

Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and the Invitational Showing of Paintings on Paper (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1972.

1971

Vassar College Art Gallery. Twenty Six by Twenty Six. Poughkeepsi, New York: Vassar College Art Gallery, 1971. 

1970

Hofstra University. Hanging/Leaning. Text by Robert Littman. Hempstead, New York: Hofstra University, 1970. (February 2–February 27, 1970)

The Picker Art Gallery. Viewpoints 4. Hamilton, New York: Colgate University, The Picker Art Gallery, 1970. (October 21–November 15, 1970)

Whitney Museum of American Art. Contemporary American Sculpture: 1970 Annual Sculpture. Text by John Baur. New York: Whitney Museum of American Art, 1970: 53. (December 12, 1970–February 7, 1971).

1969

Whitney Museum of American Art. Anti–Illusion: Procedure/Material. New York: Whitney Museum of American Art, 1969: 4. (May 19–July 6, 1969).