Installation image of Anicka Yi's In Love With The World, Hyundai Commission 2021, Turbine Hall, Tate Modern; October 2021 – January 2022; Anicka Yi born 1971; Will Burrard-Lucas; I03277 Anicka Yi Portrait of Anicka Yi, 2024Photo by Jae An Lee DETAILS:b. 1971, SeoulCONNECT: (opens in a new window) Anicka Yi Studio (opens in a new window) @anickayi_studio Read More Anicka Yi draws on scientific inquiry to explore human existence, the symbiotic relationships between living and non-living forms, and the inherently mutable nature of the universe and its systems.Working across installation, sculpture, painting, and immersive environments, Yi invites viewers to consider the porous boundaries between art and biology, human and non-human intelligence, and natural and constructed worlds. Yi addresses human anxieties surrounding impermanence, the passage of time, and cultural mythologies through a wide range of disciplines including microbiology, synthetic biology, and artificial intelligence research.Yi’s studio functions as a laboratory where she conducts trials and tests hypotheses, often collaborating with specialists such as software engineers, forensic chemists, and perfumers to refine and develop her ideas. Through these interdisciplinary exchanges, she reimagines future possibilities in expansive and imaginative terms. Yi incorporates unorthodox, volatile, and intangible materials in her practice—yeast, fungi, bacteria, tempura batter, glycerin soap, and living organisms—foregrounding the agency of the matter itself. Environmental, bacterial, and entropic forces shape her works, challenging traditional notions of permanence and authorship. Among her early bodies of work, the Tempura Fried Flowers series (2010–present) features plants and flowers in a coarse tempura batter, producing organic forms that become greasy, unstable, and pungent. In subsequent projects such as You Can Call Me F (2015), Kombucha Sculptures (2015), and Kelp Sculptures (2019–present), Yi expanded her use of organic and microbial materials. She has also described air as sculptural—an invisible medium that can be shaped and activated. In her Dryer Door series (2014–15) and Immigrant Caucus (2017), she uses fragrance as a sculptural component, enabling visitors to trace the contours and movements of air through scent. More recent bodies of work—including Aerobes (2021), Quantum Foam Paintings (2022–24), Alien Ocean Paintings (2022–25), Radiolaria Series (2023–present), and Saturn Paintings (2025–present)—extend her inquiry into cosmology, biological systems, and the unseen forces structuring contemporary life.In her early twenties, Yi lived in London, working across a broad range of freelance jobs including writing advertising copy and styling fashion shoots before relocating to New York in 1996. She studied film theory at Hunter College, New York (2000–03) and at the University of California, Los Angeles (1989–90), before devoting herself to her artistic practice. Yi has presented solo exhibitions internationally, including You Can Call Me F, The Kitchen, New York (2015); Jungle Stripe, The Fridericianum, Kassel, Germany (2016); Life Is Cheap, Solomon R. Guggenheim Museum, New York (2017); In Love With The World, Tate Modern, London (2021); Metaspore, Pirelli HangarBicoca, Milan (2021); There Is Another Evolution, But In This One, Leeum, Samsung Museum of Art, Seoul (2024); There Is Another Evolution, But In This One, UCCA Center for Contemporary Art, Beijing (2025); and Karmic Debt, The Museum of Fine Arts, Houston, Texas (2025). Yi will present her first large-scale outdoor project, a major site-specific installation, at Storm King Art Center in New Windsor, New York, which will open to the public on May 17, 2026.Her work has been presented in numerous group exhibitions, including the Whitney Biennial, Whitney Museum of American Art, New York (2017); May You Live In Interesting Times, 58th Venice Biennale, Italy (2019); New Order: Art and Technology in the Twenty-First Century, The Museum of Modern Art, New York (2019); Catastrophe and Recovery, National Museum of Modern and Contemporary Art, Seoul (2021); Mountain/Time, Aspen Art Museum, Colorado (2022); Flowing Moon, Embracing Land, 3rd Jeju Biennale, South Korea (2023); Dream Machines, DESTE Foundation Project Space, Slaughterhouse, Hydra, Greece (2023); Whose Forest, Whose World, Daegu Art Museum, South Korea (2024); Between Pixel and Pigment: Hybrid Painting in Postdigital Times, Kunsthalle Bielefeld, Germany (2024); and Natural Mystics, The Warehouse, Dallas, Texas (2025–26), among many others. She was the subject of the 2023–24 research season at the Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco, titled Anicka Yi is on our mind. She is included in the forthcoming group exhibition New Humans: Memories of the Future, opening on March 21, 2026, at the New Museum, New York, which will inaugurate the New Museum’s expanded building.Yi received The Louis Comfort Tiffany Foundation Award in 2011 and The Hugo Boss Prize in 2016. In 2019, she was awarded the Transformations of the Human Artist Fellowship from the Berggruen Institute. Her 2020 Tate Turbine Hall Hyundai Commission resulted in her seminal exhibition In Love With The World, presented the following year at the Tate Modern, London. She was a visiting artist at the MIT Center for Art, Science & Technology Visiting Artists Program, Cambridge, Massachusetts (2014–15); the artist in residence at the Headlands Center for the Arts, Sausalito, California (2018); and a visiting artist at the Stanford Arts Institute, Stanford University, California (2022–23). In 2024, she received the Josep Luís Sert Practitioner in the Arts residency from the Department of Art, Film, and Visual Studies at Harvard University,Cambridge, Massachusetts.Yi’s performance works span collaborative and solo presentations at international venues, including Un-Spa, Albion, New York (2008), and Circular File Channel, Performa 09, New York (2009), both created with Josh Kline and Jon Santos. Subsequent projects include Nuts in May, Jack Hanley Gallery, New York (2010), and Esprit de She, The High Line, New York (2014). Most recently, Yi and Kline reconvened to present Studio Visit, a curatorial project and installation on view at Performance Space New York through April 11, 2026.Works by Yi are held in major public collections worldwide, including the Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; The Museum of Fine Arts, Houston, Texas; The Museum of Modern Art, New York; and the Tate, London, among others. She lives and works in Brooklyn, New York. Read More Anicka Yi, Grabbing At Newer Vegetables, 2015, plexiglas, agar, female bacteria, fungus, 214.6 × 62.2 cm. Installation view, The Kitchen, New York, 2015. Photo by Agostino Osio © 2026 Anicka Yi / Artists Rights Society (ARS), New York Anicka Yi, Lifestyle Wars, 2017, ants, mirrored Plexiglas, Plexiglas, two-way mirrored glass, LED lights, epoxy resin, glitter, aluminum racks with rackmount server cases and ethernet cables, metal wire, foam, acrylic, aquarium gravel, imitation pearls, overall dimensions variable. Detail view, Solomon R. Guggenheim Museum, New York, 2017. Photo by Joerg Lohse © 2026 Anicka Yi / Artists Rights Society (ARS), New York Anicka Yi, Biologizing The Machine (tentacular trouble), 2019, kelp, acrylic, animatronic moths, concrete, water, overall dimensions variable. Installation view, 58th Venice Biennale, 2019. Photo by Renato Ghiazza © 2026 Anicka Yi / Artists Rights Society (ARS), New York Anicka Yi, Biologizing The Machine (spillover zoonotica), 2022, glass vitrines, powder-coated steel, mud, calcium carbonate, calcium sulfate, egg yolks, cellulose, Raspberry Pi 4, Waveshare 2.7-inch e-Paper Display, SGX Sensor Board, and H2S Electrochemical Sensor, overall variable dimensions. Commissioned and produced by Pirelli HangarBicocca, Milan © 2026 Anicka Yi / Artists Rights Society (ARS), New York Installation view, Anicka Yi: There Exists Another Evolution, But In This One, Leeum Museum of Art 2024. Photograph by Andrea Rossetti, courtesy Leeum Museum of Art © 2026 Anicka Yi / Artists Rights Society (ARS), New York Anicka Yi, Each Branch Of Coral Holds Up The Light Of The Moon, 2024, animated color video with sound, 16:04 min. Exhibition view, Museum of Fine Arts, Houston, 2025 © 2026 Anicka Yi / Artists Rights Society (ARS), New York Journal View All News Anicka Yi Joins Pace Gallery Mar 03, 2026 One-Artist Exhibitions Group Exhibitions Public Collections Books and Catalogues Periodicals Close Anicka Yi One-Artist Exhibitions Anicka Yi One-Artist Exhibitions DatesBorn 1971, SeoulLives and works in New YorkEducation2025Anicka Yi: Karmic Debt, The Museum of Fine Arts, Houston, Texas, June 29–September 7, 2025.2024Anicka Yi: There Is Another Evolution, But In This One, Leeum Samsung Museum of Art, Seoul, September 5–December 29, 2024. Traveled to: UCCA Center for Contemporary Art, Beijing, March 22–June 15, 2025.2023Anicka Yi, Wattis Institute for Contemporary Arts, California College of the Arts, San Francisco, 2023.Anicka Yi: A Schimmer Through The Quantum Foam, Esther Schipper, Berlin, September 15–October 21, 2023.Anicka Yi: The Postnatal Egg, Indianapolis Museum of Art at Newfields, Indiana, March 17–September 17, 2023.2022Anicka Yi: ÄLñ§ñ, Gladstone Gallery, New York, October 6–November 12, 2022.Anicka Yi: Begin Where You Are, Gladstone Gallery, Seoul, May 31–July 8, 2022.Anicka Yi: Metaspore, Pirelli HangarBicocca, Milan, February 24–August 7, 2022. (Catalogue)2021Anicka Yi: In Love With the World, Hyundai Commission, Tate, London, October 12, 2021–February 6, 2022. (Catalogue)2019Anicka Yi: We Have Never Been Individual, Gladstone Gallery, Brussels, April 23–June 15, 2019.2017The Hugo Boss Prize 2016: Anicka Yi, Life Is Cheap, Solomon R. Guggenheim Museum, New York, April 21–July 5, 2017.2016Anicka Yi: Jungle Stripe, Fridericianum, Kassel, Germany, May 29–September 4, 2016. (Catalogue)2015Anicka Yi: 6,070,430K of Digital Spit, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, May 22–July 26, 2015. Traveled to: Kunsthalle Basel, June 12–August 16, 2015. (Catalogue)Anicka Yi: You Can Call Me F, The Kitchen, New York, March 5–April 11, 2015.2014Anicka Yi: Death, The Cleveland Museum of Art, Ohio, October 11, 2014–January 17, 2015. (Catalogue)Anicka Yi: Divorce, 47 Canal, New York, May 1–June 8, 2014.2013Anicka Yi: Denial, Lars Friedrich, Berlin, November 29, 2013–January 25, 2014.2011Anicka Yi: SOUS-VIDE, 47 Canal, New York, September 21–October 23, 2011.Anicka Yi: Excuse Me, Your Necklace Is Leaking, Green Gallery East, Milwaukee, Wisconsin, April 30–June 12, 2011. Anicka Yi Group Exhibitions Anicka Yi Group Exhibitions 2026Rituals of Perception, Tanoto Art Foundation, Singapore, January 21–March 1, 2026.Winter 2026, Esther Schipper, Berlin, January 20–February 28, 2026.Iter Subterraneum, Bergen Kunsthall, Norway, January 16–April 5, 2026.2025Vital Forms: New Ecological Aesthetics, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, New York, December 1–12, 2025.Data Dreams, Art and AI, Museum of Contemporary Art Australia, Sydney, November 21, 2025–April 27, 2026.ECHO DELAY REVERB: American Art, Francophone Thoughts, Palais de Tokyo, Paris, October 22, 2025–February 15, 2026. (Catalogue)MACHINE LOVE: Video Game, AI and Contemporary Art, Mori Art Museum, Tokyo, February 13–June 8, 2025.2024Good Morning Korea In the Land of the Morning Calm, Maison Guerlain, Paris, October 16–November 12, 2024.Mutable Structures, Esther Schipper, Paris, October 16–December 21, 2024.Between Pixel and Pigment. Hybrid Painting in Post-digital Times, Kunsthalle Bielefeld, Germany, July 7–October 11, 2024.2023Making Their Mark, Shah Garg Collection, New York, November 2, 2023–March 23, 2024. Traveled to: University of California, Berkeley Art Museum and Pacific Film Archive, October 27, 2024–April 20, 2025; Mildred Lane Kemper Art Museum, St. Louis, Missouri, September 12, 2025–January 5, 2026; National Museum of Women in the Arts, February 27–July 26, 2026. (Catalogue)Portals and Omens: New Work from the Collection, Auckland Art Gallery Toi Tāmaki, New Zealand, October 21, 2023–July 7, 2024.Storefront Futures Fund: Tomorrow is the Question, kurimanzutto, New York, April 20–22, 2023.AVANT L'ORAGE, Bourse de Commerce, Pinault Collection, Paris, February 8–September 9, 2023. (Catalogue)2022Flowing Moon, Embracing Land, 3rd Jeju Biennale, Jeju Museum of Contemporary Art, South Korea, November 16, 2022–February 12, 2023.Symbionts: Contemporary Artists and the Biosphere, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, October 21, 2022–February 26, 2023. (Catalogue)The Painter’s New Tools, Nahmad Contemporary, New York, June 22–September 24, 2022. (Catalogue)Mountain/Time, Aspen Art Museum, Colorado, May 27–September 11, 2022.Among the Machines, Zabludowicz Collection, London, March 24–July 17, 2022.2021Catastrophe and Recovery, National Museum of Modern and Contemporary Art, Seoul, May 22–August 1, 2021. (Catalogue)친구, 47 Canal, New York, May 14–June 12, 2021.Transmutations, Bortolami, New York, May 1–June 12, 2021.2020Psychic Wounds: On Art & Trauma, The Warehouse, Dallas, Texas, February 6, 2020–November 28, 2021. (Catalogue)2019The Extreme Present (co-presented by Gagosian and Jeffrey Deitch), Moore Building, Miami, December 4–8, 2019.La Plage, Galleria Zero, Milan, November 7, 2019–January 18, 2020.May You Live in Interesting Times, 58th International Art Exhibition, La Biennale di Venezia, May 11–November 24, 2019. (Catalogue)The Body Electric, Walker Art Center, Minneapolis, Minnesota, March 30–July 21, 2019. Traveled to: Yerba Buena Center for the Arts, San Francisco, September 6, 2019–February 23, 2020; MDC Museum of Art and Design, Miami Dade College, Florida, November 5, 2020–May 30, 2021.New Order: Art and Technology in the Twenty-first Century, The Museum of Modern Art, New York, March 17–June 15, 2019.2018Laws of Motion, Gagosian, Hong Kong, November 20–December 21, 2018. Traveled to: Gagosian, San Francisco, January 14–March 9, 2019.In Tune with the World, Fondation Louis Vuitton, Paris, November 4–August 8, 2018.The Marvellous Cacophony: 57th October Salon, Serbian Academy of Art and Science, Belgrade, September 15–October 28, 2018. (Catalogue)The Racial Imaginary Institute: Whiteness, The Kitchen, New York, June 27–August 3, 2018.An Exhibition with Art Installations by Susana Mejia, Pamela Rosenkranz, and Anicka Yi, Kunstinstituut Melly, Rotterdam, May 6–August 19, 2019.School of Chairs, 500 Capp Street Foundation, San Francisco, February 17–June 9, 2018.Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston, February 7–May 20, 2018. (Catalogue)2017The Trick Brain: Selections from the Tony and Elham Salamé Collection, Aïshti Foundation, Beirut, 2017. (Catalogue)Remedial Works, Perth Institute of Contemporary Art (PICA), Australia, November 11–December 24, 2017.Michel Blazy, Piero Gilardi, Tetsumi Kudo, Anicka Yi, Andrew Kreps Gallery, New York, October 27–December 22, 2017.Trigger: Gender as a Tool and a Weapon, New Museum, New York, September 17, 2017–January 1, 2018. (Catalogue)Future Eaters, Monash University Museum of Art, Melbourne, July 22–September 23, 2017.The Dream of Forms, Palais De Tokyo, Paris, July 14–September 10, 2017.An Inventory of Shimmers, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, May 19–July 16, 2017. (Catalogue)56 Artillery Lane, Raven Row, London, April 20–June 10, 2017.The Case of the Osmanthus Flower Jelly, Marieluise Hessel Collection, Bard College, Annandale-on-Hudson, New York, April 9–May 28, 2017..com/.cn, K11 Art Foundation, co-presented with MoMA PS1, Hong Kong, March 21–April 30, 2017. (Catalogue)Whitney Biennial 2017, Whitney Museum of American Art, New York, March 17–June 11, 2017. (Catalogue)Jaguars and Electric Eels, Julia Stoschek Collection, Berlin, February 5–November 26, 2017. (Catalogue)Trans-subjective Engagements, Koenig & Clinton, New York, January 21–February 18, 2017.The Stand, P!, New York, January 13–February 26, 2017.2016Self-Portrait, Massimo de Carlo, Milan, 2016.Faisons de l'Inconnu un Allié, Lafayette Anticipation – Fondation d’Entreprise Galeries Lafayette, Paris, October 11–October 23, 2016.Development, Okayama Art Summit 2016, Japan, September 10–November 27, 2016.Dolores, Team Gallery, New York, September 8–October 9, 2016.Overpop, Yuz Museum, Shanghai, September 4, 2016–January 15, 2017.The Eighth Climate (What Does Art Do?), 11th Gwangju Biennale 2016, South Korea, September 2–November 6, 2016. (Catalogue)FOOD–Ecologies of the Everyday, 13th FellbachTriennial of Small-Scale Sculpture, Alte Kelter, Germany, June 11–October 2, 2016. (Catalogue)Outrageous Acts and Everyday Rebellions, Kaufmann Repetto, Milan, June 7–September 11, 2016.2015NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Museum, Miami, December 2, 2015–July 30, 2016. Traveled to: Museum of Women in the Arts, Washington, D.C., September 30, 2016–January 8, 2017.MOMMY, Yale Union, Portland, Oregon, October 10–December 20, 2015.Under the Clouds: From Paranoia to the Digital Sublime, Fundação de Serralves, Porto, Portugal, June 20–September 20, 2015. (Catalogue)THEM, Schinkel Pavillon, Berlin, June 13–July 26, 2015.Inhuman, Museum Fridericianum, Kassel, Germany, March 29–June 14, 2015.The Radiants, Bortolami, New York, February 28–March 28, 2015.The Gentle Way (JUDO), Clifton Benevento, New York, January 10–February 14, 2015.2014@the shrink, Shanaynay, Paris, 2014.Double Indemnity, Manchester Cornerhouse, United Kingdom, September 14–January 5, 2014.The Great Acceleration, Taipei Biennial 2014, Taipei Fine Arts Museum, September 13–January 4, 2014. (Catalogue)The Promise of Multiple Temporalities, Parc Saint Léger, Pougues-les-Eaux, France, September 12–December 21, 2014. (Exhibition booklet)Elusive Earths, Etablissement d’en face, Brussels, September 11–October 22, 2014.Essential Loneliness, Taylor Macklin, Zurich, August 31–October 9, 2014.Chatbots, Tongues, Denial, and Various Other Abstractions, Bortolami, New York, June 12–August 22, 2014.De Pictura, Galleria Franco Noero, Turin, Italy, April 16–May 24, 2014.2013Neo Povera, L&M Arts, Los Angeles, 2013.‘O the sleeping bag contains the body but not the dreaming head,’ Altman Siegel, San Francisco, 2013.Absolut, White Flag Projects, St. Louis, Missouri, November 16–December 21, 2013.Love of Technology, Institute of Contemporary Art, Miami, September 28–November 3, 2013.Meanwhile...Suddenly and Then, 12th Biennale de Lyon, France, September 12, 2013–January 5, 2014. (Catalogue)Politics of Friendship, Studiolo, Zurich, September 1–November 10, 2013.Art of Living (i.e. Goodbye, Blue Monday), Galerie Philippe Valentin, Paris, June 22–July 27, 2013.Some End of Things, Museum fur Gegenwartskunst, Kunstmuseum Basel, May 25–September 9, 2013.How Far Away is Mars, T293, Rome, May 19–September 7, 2013.Screens, Murray Guy, New York, May 2–June 15, 2013.Downtown: A View of the Lower East Side, James Cohan, Shanghai, March 8–May 5, 2013.DIS Image Studio, The Suzanne Geiss Company, New York, February 2–24, 2013.das Ding!, Swiss Institute, New York, opened February 1, 2013.2012Group Show, West Street Gallery, New York, 2012.OO, Misako & Rosen, Tokyo, December 16, 2012–January 20, 2013.The Log-O-Rithmic, Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy, September 28, 2012–January 20, 2013.A Disagreeable Object, Sculpture Center, New York, September 15–November 26, 2012. (Catalogue)Steel Life, Michael Benevento, Los Angeles, May 25–August 4, 2012.2011No More Presents, Artist’s Institute, New York, 2011.You Told Me The Other Night, West Street Gallery, New York, 2011.Looking Back / The 6th White Columns Annual, White Columns, New York, December 10, 2011–February 18, 2012.Tim Lee, Anicka Yi, Galerie Rüdiger Schöttle, Munich, December 8–January 28, 2012.Inside/Outside: Dressing the Monument, Lynden Sculpture Garden, Milwaukee, Wisconsin, September 25, 2011–November 27, 2011.Belief and Understanding, Nicole Klagsbrun Gallery, New York, June 8–July 29, 2011.SKIN SO SOFT, Gresham’s Ghost, New York, May 26–June 25, 2011.Join the Black Mamba, Karma International, Zurich, May 2–28, 2011.Addicted to Highs and Lows, Bortolami, New York, April 7–June 4, 2011.HOW DO YOU DO, NOMA Gallery, San Francisco, March 17–April 16, 2011.2010Josh Kline and Anicka Yi: Loveless Marriages, 179 Canal, New York, April 9–May 3, 2010.2009ABCyz, Silvershed, New York, 2009.Today and Everyday, X-Initiative, New York, 2009.The Living and The Dead, Gavin Brown Enterprises, New York, July 1–August 7, 2009.Nobodies New York, 179 Canal, New York, May 1–May 3, 2009.2008I Decided to Give Birth to You Under an Apple Tree, Shigenobu Twilight perfume installation, Commonspace Studios, New York, 2008.Sleepwalkers, Video and Performance, New Museum, New York, 2008.Swap Meet, High Desert Test Site, Joshua Tree, California, 2008. Anicka Yi Public Collections Anicka Yi Public Collections Aïshti Foundation, BeirutThe Cleveland Museum of Art, OhioDaegu Art Museum, South KoreaDenver Art Museum, ColoradoDikeou Collection, Denver, ColoradoThe George Economou Collection, AthensFondation d’entreprise Galeries Lafayette, ParisFondation Louis Vuitton, ParisInstitute of Contemporary Art, MiamiJulia Stoschek Collection, Dusseldorf, GermanyK11 Art Foundation, Hong KongLeeum, Samsung Museum of Art, SeoulLos Angeles County Museum of ArtMuseum of Contemporary Art, Los AngelesPinault Collection, Paris and VeniceRubell Museum, MiamiSehwa Art and Culture Foundation, SeoulSeoul Museum of ArtSolomon R. Guggenheim Museum, New YorkTate, LondonThe Warehouse, Dallas, TexasWhitney Museum of American Art, New YorkWilliams College Museum of Art, Williamstown, Massachusetts Anicka Yi Books and Catalogues Anicka Yi Books and Catalogues 2023Avant l’Orage: La Collection Pinault à la Bourse de Commerce (exhibition catalogue). Paris: Bourse de Commerce-Pinault Collection, 2023.Making Their Mark, Shah Garg Collection (exhibition catalogue). New York: Gregory R. Miller & Co., 2023.2022Anicka Yi: Metaspore (exhibition catalogue). Texts by Rachel Lee, Merlin Sheldrake, Giovanni Aloi, and Fiametta Griccioli. Venice: Marsilio arte, 2022.The Painter’s New Tools (exhibition catalogue). New York: Nahmad Contemporary, 2023.Symbionts: Contemporary Artists and the Biosphere (exhibition catalogue). Cambridge, Massachusetts: MIT Press, 2022.2021Anicka Yi: In Love With The World, Hyundai Commission (exhibition catalogue). London: Tate Publishing, 2021.Catastrophe and Recovery (exhibition catalogue). Seoul: National Museum of Modern and Contemporary Art, 2021.Jungle Stripe (exhibition catalogue). Kassel, Germany: Fridericianum, 2021.Psychic Wounds: On Art & Trauma (exhibition catalogue). Dallas, Texas: The Warehouse, 2021.2019Linda, Maria. Seven Years: The Rematerialisation of Art from 2011 to 2017. Berlin: Sternberg Press, 2019.May You Live in Interesting Times: Biennale Arte (exhibition catalogue). Venice: La Biennale di Venezia, 2019.Munder, Heike, ed. Producing Futures: A Book on Post-Cyber-Feminisms. Zurich: Migros Museum für Gegenwartskunst, 2019.2018Art in the Age of the Internet, 1989 to Today (exhibition catalogue). Boston: Institute of Contemporary Art, 2018.The Marvelous Cacophony (exhibition catalogue). Belgrade, Cultural Centre of Belgrade, 2018.Trigger: Gender as a Tool and a Weapon (exhibition catalogue). New York: New Museum, 2018.2017Ceruti, Mary. How Does it Feel? Inquiries Into Contemporary Sculpture. Long Island City, New York: SculptureCenter, 2017..com/.cn (exhibition catalogue). Hong Kong: K11 Art Foundation, 2017.Future Eaters (exhibition catalogue). Melbourne: Monash University Museum of Art, 2017.An Inventory of Shimmers (exhibition catalogue). Cambridge, Massachusetts: MIT List Visual Arts Center, Massachusetts Institute of Technology, 2017.Jaguars and Electric Eels (exhibition catalogue). Berlin: Julia Stoschek Collection, 2017.The Trick Brain: Selections from the Tony and Elham Salamé Collection—Aïshti Foundation (exhibition catalogue). Milan: Skira, 2017.Whitney Biennial 2017 (exhibition catalogue). New York: Whitney Museum of American Art, 2017.2016The 11th Gwangju Biennale: The Eighth Climate: What Does Art Do? (exhibition catalogue). Gwangju: Gwangju Biennale Foundation, 2016.FOOD–Ecologies of the Everyday: 13th FellbachTriennial of Small-Scale Sculpture (exhibition catalogue). Berlin: Kerber Verlag, 2016.2015Anicka Yi: 6,070,430K of Digital Spit (exhibition catalogue). Cambridge, Massachusetts: MIT List Visual Arts Center, Massachusetts Institute of Technology, 2015.Anicka Yi: 7,070,430K of Digital Spit, A Memoir (exhibition catalogue). Text by Elena Filipovic. Basel: Kunsthalle Basel, 2015.The Great Acceleration (exhibition catalogue). Taipei: Taipei Fine Arts Museum, 2015.No Man’s Land: Women Artists from the Rubell Family Collection (exhibition catalogue). Miami: Rubell Museum, 2016.Under the Clouds: From Paranoia to the Digital Sublime (exhibition catalogue). Porto, Portugal: Fundação de Serralves, 2015.2014Anicka Yi: Death (exhibition catalogue). Cleveland, Ohio: The Cleveland Museum of Art, 2014.Downtown: A View of the Lower East Side (exhibition catalogue). New York: James Cohan Gallery, 2013.Some end of things, oder, Es muss auch mal ein Ende geben = Some end of things, or, At some point things must come to an end (exhibition catalogue). Basel: Kunstmuseum Basel, Museum für Gegenwartskunt, 2014.201312th Biennale de Lyon: Meanwhile...Suddenly and Then (exhibition catalogue). Dijon, France: Les Presses du réel, 2013.2012A Disagreeable Object (exhibition catalogue). New York: Sculpture Center, 2012. Anicka Yi Periodicals Anicka Yi Periodicals 2026"Inside the Anicka Yi Hype: Weird Science, Living Art & Big Money Vibes." Ad Hoc News, 9 February 2026. https://www.ad-hoc-news.de/boerse/news/ueberblick/inside-the-anicka-yi-hype-weird-science-living-art-and-big-money-vibes/685672472025"Anicka Yi, Wendy Red Star, and 7 Other Artists Pick the Most Influential Environmental Art of the Past Century." Cultured, 21 April 2025. https://www.culturedmag.com/article/2025/04/21/best-environmental-art-of-the-past-century/Elliot, Amber. "Summer at MFAH: Textiles from India, Anicka Yi immersive open in Museum District." Houston Chronicle, 11 July 2025. https://www.houstonchronicle.com/entertainment/art_exhibits/article/summer-mfah-parpia-anicka-yi-20759622.phpFord, Madison. "Double Vision & Francesca Mollett." Brooklyn Rail (May 2025). https://brooklynrail.org/2025/05/artseen/double-vision-and-francesca-mollett/“Korean American Artist Brings Science and AI-Inspired Show to China.” Associated Press, 29 March 2025. https://www.msn.com/en-ca/news/world/korean-american-artist-brings-science-and-ai-inspired-show-to-china/vi-AA1BTJ6UPieterson, Mark. “Houston: Anicka Yi: Karmic Debt.” ArtAsiaPacific (September/October 2025). https://www.artasiapacific.com/issue/houston-anicka-yi-karmic-debt/“The 100 Best Artworks of the 21st Century.” ARTnews, 5 March 2025. https://www.artnews.com/list/art-news/news/100-best-artworks-21st-century-1234734225/Yi, Anicka. "Scent of 100 Women: Artist Anicka Yi on Her New Viral Feminism Campaign at the Kitchen." Interview by Karen Rosenberg. Phaidon, 2 October 2025. https://www.phaidon.com/en-us/blogs/stories/scent-of-100-women-anicka-yis-viral-feminism"Young Ran Yun’s Five Favourite Works from Frieze Seoul Viewing Room." Frieze, 4 September 2025. https://www.frieze.com/article/young-ran-yuns-five-favourite-works-frieze-seoul-viewing-room2024Dickie, Hanna. “Anicka Yi: ‘Everything, Everywhere, All at Once.’” Ocula, 5 September 2024. https://ocula.com/magazine/conversations/anicka-yi-everything-everywhere-all-at-once/Greenfield, Remina. “Anicka Yi: The Sensory Ecology of Intelligence.” LAS Art Foundation (April 2024). https://www.las-art.foundation/explore/publication-interspecies-future-a-primerPark, Jaeyong. “Anicka Yi’s Web of Care.” Frieze, 12 November 2024. https://www.frieze.com/article/anicka-yi-there-exists-another-evolution-but-in-this-one-2024-review2023Bartels, Daghild. “Berlin ist diesen Herbst Treffpunkt der internationalen Szene für zeitgenössische Kunst.” Neue Zürcher Zeitung, 23 September 2023. https://www.nzz.ch/feuilleton/kunstherbst-internationale-gegenwartskunst-in-berlin-ld.1757123Beach, Charlotte. “‘Art in the 21st Century’ Follows Some of Today’s Most Exciting Artists.” Print Magazine, 10 March 2023. https://www.printmag.com/design-news/art-in-the-21st-century-season-11/Berner, Irmgard. “Algorithmen in der Ursuppe.” Berliner Zeitung, 15 September 2023. https://www.berliner-zeitung.de/kultur-vergnuegen/kunst/berlin-algorithmen-in-der-ursuppe-anicka-yi-stellt-in-der-galerie-esther-schipper-aus-li.388860Campbell, Sandra. “New ArtScience Museum Exhibition Interprets Science Fiction and Mythologies by Asian Female Artists.” SG Magazine, 18 October 2023. https://sgmagazine.com/things-to-do/new-artscience-museum-exhibition-interprets-science-fiction-and-mythologies-by-asian-female-artists/Carrión, Jorge. “París combate con arte el nuevo orden climático.” La Vanguardia, 27 August 2023. https://www.lavanguardia.com/cultura/20230827/9188099/arte-cambio-climatico-paris-bolsa-palais-tokyo.htmlChamberlain, Colby. “Anicka Yi, Gladstone Gallery.” Artforum 61, no. 5 (January 2023): 128. https://www.artforum.com/events/anicka-yi-5-250759/Chamberlain, Colby. “Cultures.” Artforum, no. 61 (April 2023): 141–142. https://www.artforum.com/features/colby-chamberlain-on-the-art-of-josh-kline-252578/Culgan, Rossilynne Skena. “The Empowering New Art Show in NYC Features Nearly 100 Women Artists.” Time Out New York, 6 November 2023. https://www.timeout.com/newyork/news/this-empowering-new-art-show-in-nyc-features-nearly-100-women-artists-110623Droitcour, Brian. “Josh Kline and Anicka Yi Imagine Dystopian Futures.” Frieze, 2 May 2023: 66–73. https://www.frieze.com/article/josh-kline-anicka-yi-essay-235Duplat, Guy. “Les artistes inventent nos paysages juste avant l’orage.” La Libre, 11 March 2023.Duponchelle, Valérie. “‘Avant l’orage’ à la Bourse de commerce à Paris: Quand les artistes se lâchent sur la nature.” Le Figaro, 13 February 2023.Edgar, Hannah K. and Karen Ho. “25 Pathbreaking Asian American Artists Whose Names You Need to Know.” ARTnews, 27 May 2023. https://www.artnews.com/list/art-news/artists/asian-american-pacific-islander-artists-1234669732/sarah-sze-1969/Gawthrop, Alice. “A History of the Tate Modern’s Turbine Hall Commissions.” Reader’s Digest, 3 March 2023.Goldstein, Caroline. “Hank Willis Thomas, Amy Sherald, and More Star in the New Season of Art21’s Flagship Video Series, Dropping in April.” Artnet News, 22 February 2023. https://news.artnet.com/art-world/hank-willis-thomas-amy-sherald-and-more-star-in-the-new-season-of-art21s-flagship-video-series-dropping-in-april-2259523Greenberger, Alex. “In Memoriam: Chara Schreyer.” ARTnews, 21 March 2023: 98.Greenberger, Alex. “The 100 Greatest New York City Artworks, Ranked.” ARTnews, 29 August 2023.Guedj, Johan-Frédérik Tel. “Pinault Collection: Nouveaux Territoires de Perception à Paris et Venise.” L’Echo, 15 April 2023.Hoy, Estelle. “Anicka Yi's Debut Show at Esther Schipper.” Spike Art Magazine, no. 77 (Autumn 2023): 152–153. https://spikeartmagazine.com/articles/review-anicka-yi-esther-schipper-2023“‘I Grew Up in a Very Pungent Home’: Watch Artist Anicka Yi Deep Fry Flowers as Part of Her Multi-Sensory, Biopolitical Practice.” Artnet News, 29 June 2023. https://news.artnet.com/art-world/anicka-yi-art21-2329868Jacquet, Matthieu. “À la Bourse de commerce: L’art Face à Une Planète Qui Brûle.” Numéro,15 February 2023.Languin, Irène. “Une Exposition Rend Hommage Pluriel à la Métamorphose.” Tribune de Genève, 2 February 2023.Legrand, Cyril. “Un Temps Suspendu—Sur l’exposition ‘Avant l’orage.’” AOC, 7 May 2023.Maju, Sunena V. “Can the Recent Revolution in BioArt Revise Human Relationships to the Planet?” Stirworld, 30 January 2023.McLaughlin, Laurel V. “Symbionts: Contemporary Artists in the Biosphere.” Art Papers, 1 February 2023.Miller, Helen and Michael Strand. “The Trouble with ‘Symbionts’—and an Unlikely Antidote.” The Art Fuse, 14 January 2023.Ono-Dit-Biot, Christophe. “La Fragile Beauté du Monde.” Le Point, 16 February 2023: 96–98.Ribelles, Geles. “La Bourse de Commerce de París y la Fragilidad de la Naturaleza.” Class Paper, 13 February 2023.Schulz, Bernhard. “Kunst zum Klima in der Pariser Bourse: Willkommen in der neuen Wirklichkeit.” Tagesspiegel, 27 March 2023.Schütze, Irene. “Mikroben, Moleküle, Materielle Körperlichkeit. Feministisches und Posthumanes Wissen in der Kunst von Anicka Yi und Sonja Bäumel.” FKW. Zeitschrift für Visuelle Kultur und Geschlechterforschung, no. 72 (2023): 31–44.Steinberg, Claudia. “Anicka Yi.” TANK Magazine, no. 10 (Spring 2023): 286–287.Sutton, Elizabeth. “Avant l’orage—L’exposition Coup de Tonnerre à la Bourse de Commerce.” IDBOOK, 8 February 2023.Takata, Masae. “New Museum of Contemporary Art in Paris, Designed by Tadao Ando.” Figaro Japan (May 2023).Thaddeus-Johns, Josie. “10 Must-See Shows at Berlin Art Week 2023.” Artsy, 13 September 2023.Thobie-Gorce, Léna. “‘Avant l’orage’ à la Bourse de commerce à Paris: La Fragilité de la Nature au Coeur de la Nouvelle Exposition de la Collection Pinault.” FranceInfo:Culture, 10 February 2023.Troadec, Michel. “À la Bourse du Commerce de Paris, La Collection Pinault Expose la Nature en Danger.” Ouest France, 10 February 2023.Wise, Lloyd. “Critics’ Picks: New York, Refik Anadol.” Artforum (March 2023).2022“An Artist’s Clear and Subtle Ecosystem.” Vogue Korea, no. 312 (July 2022): 128–133.“Anicka Yi.” Numéro China, no. 5 (Summer 2022): 10–29.“Anicka Yi.” The New York Times, 28 October 2022.“Anicka Yi Brings Bacteria to Metaspore.” designboom, 25 February 2022.Alliata Nobili, Alessandra. “Anicka Yi, Metaspore.” ArtAsiaPacific 128 (May/June 2022): 93.Brevi, Manuela. “Metaspore: I sensi nell’arte di Anicka Yi.” Arte 583 (March 2022): 111–115.Carmago, Natalia Palacino. “Anicka Yi’s ‘ÄLñ§ñ’ Disrupts Traditional Forms of Art Making.” Washington Square News, 8 November 2022.Cattelan, Maurizio. “In Conversazione con Anicka Yi.” Icon, 11 May 2022.Delson, Susan. “New Art for a New Year.” The Wall Street Journal, 31 December 2022.Demircan, Saim. “The 5 Best Shows to See During Miart.” Frieze, 31 March 2022.Diehl, Travis. “Computers and Painting’s Identity Crisis.” The New York Times, 15 July 2022.Fateman, Johanna. “Anicka Yi: ÄLñ§ñ.” 4 Columns, 28 October 2022.“Floating Around.” New Design, no. 152 (2022): 7.Fullerton, Elizabeth. “Anicka Yi: Tate Modern.” Sculpture, no. 41 (May/June 2022): 92–93.Gaskin, Sam. “Spiders, Sperm, and Calvin Klein Obsession Co-Exist in MIT Show ‘Symbionts.’” Ocula, 3 October 2022.Ghassemitari, Shawn. “Anicka Yi to Showcase ‘Metaspore’ at Pirelli HangarBicocca.” Hypebeast, 2 February 2022.Hildyard, Daisy. “On Hybridity.” Art Agenda, 22 February 2022.Hullander, Megan and Hans Ulrich Obrist. “Anicka Yi’s paintings are living, autonomous creatures.” Document Journal, December 12, 2022.Johns-Thaddeus, Josie. “Not All Microbes.” Art in America, 18 March 2022.Lachenmyer, Nathan S., and Sadiya Akasha. “An Aquarium of Machines: A Physically Realized Artificial Life Simulation.” Proceedings of the ACM on Computer Graphics and Interactive Techniques 5 (September 2022).Lenzer, Emma. “Der Geruch der Zukunft.” Weltkunst (March 2022).Mackertich, Joe. “It’s Your Last Chance to Catch Anicka Yi’s Robo-Jellyfish at Tate Modern.” Time Out London, 31 January 2022.Masoero, Ada. “Per Agire Nell’Ambiente Ci Vogliono Batteri: Le ‘Metaspore’ di Anicka Yi e il ‘Sunshine State’ di Steve McQueen.” Il Giornale delle Mostre, supplement of Il Giornale dell’Arte, no. 39 (March 2022): 59.Papini, Marta. “In a Nutshell.” ICON Magazine (May 2022).Pentecost, Claire. “Symbolic Art.” Art in America, 2 March 2022.“Power 100.” ArtReview (December 2022).Provan, Alexander, Matthew Shen, and Rachel Ossip. “A Note on True to Life.” Triple Canopy, 27 October 2022.Siddall, Victoria. “The Art Market in the Post-Pandemic World.” The Artro, 8 August 2022.Sondermann, Simone. “Der Geruch der Zukunft: Anicka Yi.” Die Weltkunst, no. 197 (April 2022): 24–25.2021“Anicka Yi at Tate Modern.” London on the Inside (November 2021).Barrila, Silvia Anna. “Euforia e NFT ad Art Basel Miami Beach.” Il Sole 24 Ore (December 2021).Cleary, Mary. “Perfumes for Women Inspired by Powerful Women.” Wallpaper Magazine, 10 March 2021.Feldhaus, Tim. “Portrait: Anicka Yi.” Monopol Magazine (December 2021).Florian, Federico. “Aerobi e Odori d’Epoca nella Turbine Hall.” Il Giornale delle Mostre, supplement of Il Gionale dell’Arte (November 2021): 28.Godfrey, Mark. “The Politics of Air.” Tate Etc., no. 53 (Autumn 2021).Gómez-Upegui, Salomé. “10 Women Artists with Major Museum Shows in 2021.” Artsy, 8 March 2021.Greenfield, Remina, and Shuyi Cao. “The Edge of Life-as-We-Know-It: Aesthetics of Decay Within Artificial Life and Art.” Technoetic Arts: A Journal of Speculative Research, no. 19 (2021): 185–201.Horne, Lydia. “Artists Re-Imagine How Covid-19 Will Shape the World.” Wired, 9 February 2021.Jeffries, Stuart. “The Tyranny of the Visual.” The Spectator, 6 November 2021.Maitland, Hayley. “Earthly Delights.” British Vogue, 8 October 2021: 100–101.“Power 100.” ArtReview (December 2021).Quicho, Alex. “‘Cells Interlinked Within Cells Interlinked’: On Ambivalent Contamination.” C Magazine, no. 148 (December 2021).Rhee, Jieun. “Art in the Anthropocene: Case Studies of the Works of Tomás Saraceno, Pierre Huyghe, and Anicka Yi.” Journal of the Association of Western Art History, no. 54 (2021).Solomon, Tessa. “Beyond Painting: Engaging the Senses.” ARTnews, 28 December 2021.Souter, Anna. “At Tate Modern, an Installation Blurs the Line Between Tech and Biology.” Hyperallergic, 16 November 2021.Thackara, Tess. “The Artistic Aromas of Anicka Yi.” The New York Times, 11 October 2021.“Top 100.” Monopol Magazine (December 2021).Torija, Natalia. “Anicka Yi: Sculpting the Air.” Damn 80 (Winter 2021).Wu, Danielle. “Haters Need Not Apply.” ARTnews 120:6 (December 2021/January 2022): 90–93.Wullschläger, Jackie. “The Best Art of 2021, From Goya via the Turbine Hall to a Revived Courtauld.” FT.com, 24 December 2021.“Year in Review: Top 10 Fragrance Stories of 2021.” Wallpaper, 22 December 2021.Zhang, Ga. “Leonardo im Labor: Kunst und Wissenschaft: Integrative, Interdisziplinär, Interaktiv.” Kunstforum International (October 2021): 74–83.Zhang, Gary Zhexi. “’I’m Not Too Attached to “Survival.’” ArtReview, no. 73 (October 2021): 58–65.2020“Anicka Yi.” Living Content (February 2020).Berggruen, Olivier. “Interview: Anicka Yi with Olivier Berggruen.” Brooklyn Rail (July 2020).Cleary, Mary. “Contemporary Artists Are Creating Conceptual Perfumes: Artists Isaac Julien, Anicka Yi, and Linder Foray into Fragrance.” Wallpaper (February 2020).Dafoe, Taylor. “Artist Anicka Yi Explains Why COVID-19 Is Terrible for Humanity, But Fundamentally ‘Good for the Planet.’” Artnet News, 8 July 2020.Dambrot, Shana Nys. “Human Nature: Are We Animals or Are We Machines?” LA Weekly, 9 April 2020.Devi, Nirmala. “Work of the Week: Anicka Yi.” ArtReview, 4 May 2020.“Experimental Artist Anicka Yi, Who Has Made Art With AI, Insects, and Smells, Is Tapped for the Next Tate Turbine Hall Commission.” Artnet News, 13 March 2020.Jones, Caroline A. “Virions: Thinking Through the Scale of Aggregation.” Artforum (May/June 2020): 9.Stipanovich, Alexandre. “Episode 2: Anicka Yi.” Flash Art Online, 3 September 2020.2019“10 Artists at the Venice Biennale We Know & Love.” Cultured, 7 May 2019.Blythe, Finn. “Five Artists for the Future from Art Brussels 2019.” Hero Magazine, 2 May 2019.Bukuts, Carina. “The Best Shows to See in Brussels.” Frieze, 25 April 2019.Burger, Mark. “Anicka Yi’s Perfumes Contain Notes of Yuzu, Patchouli, and Ancient Egypt.” Interview, 21 November 2019.Cascone, Sarah. “Artist Anicka Yi Is Launching a Line of Perfumes That Blend Oils, Herbs—and Glandular Secretions.” Artnet News, 7 October 2019.Cohen, Alina. “Anicka Yi’s Latest Work Is a Line of Feminist Futuristic Perfumes.” Artsy, 28 October 2019.D’Souza, Aruna. “Venice Biennale 2019.” 4Columns, 2 August 2019.Desaive, Pierre-Yves. “Anicka Yi Gladstone Gallery / Brussels.” Flash Art, 24 June 2019.“Five to See: Brussels.” ArtReview, 27 April 2019.Gavin, Francesca. “Six Artists to Discover During Art Brussels.” Twin Factory, 28 April 2019.Kim, Soyi. “Anicka Yi’s Ironic Scheme of Art.” OMNES: The Journal of Multicultural Society, no. 9 (2019): 34–58.Knight, Christopher. “MOCA Shows Signs of Renewal.” Los Angeles Times, 16 June 2019.Kwon, Mee-yoo. “Venice Biennale Empowers Women, Diversity.” Korea Times, 12 May 2019.Lee, Rachel. “Metabolic Aesthetics: On the Feminist Scentscapes of Anicka Yi.” Food, Culture & Society, no. 22 (2019): 692–712.Malachosky, Evan. “Artist Anicka Yi’s Debut Fragrance Collection, Biography.” Cool Hunting, 20 November 2019.McCormick-Goodhart, Emma. “Anicka Yi’s New Perfume Joins a Lineage of Fragrance as Art.” W Magazine, 25 November 2019.“New Experiments in Art, Science and Technology Ten Years of Images Selected by Hans Ulrich Obrist.” Cura, 2019.Russeth, Andrew. “Don’t Turn Away: An Unrelenting, Uneven Venice Biennale Shows Artists in a Time of Crisis.” ARTnews (May 2019).Scott, Andrea K. “New Order: Art and Technology in the Twenty-First Century.” The New Yorker, 19 April 2019. https://www.newyorker.com/goings-on-about-town/art/new-order-art-and-technology-in-the-twenty-first-centuryStagg, Natasha. “Eau De New York.” Artforum, no. 58 (November 2019): 77.Tauer, Kristen. “Artist Anicka Yi Launching Fragrance with Dover Street Market.” Women’s Wear Daily, 8 October 2019.Voon, Claire. “Anicka Yi Releases a Perfume Line Evoking the Scents of History-Making Women.” Observer, 25 October 2019.“What Constitutes Self? Anicka Yi.” Matto, no. 2 (June 2019).Williams, Maxwell. “Anicka Yi Releases Volume 1 of Her New Perfume Series.” Cultured, 7 November 2019.2018Blidaru, Adriana. “Anicka Yi.” Living Content (November 2018).Budd, Amy. “The Dutch Brooklyn?” Art Monthly, no. 420 (October 2018): 40–41.Fiduccia, Joanna. “Anicka Yi: Gestank der Bakerien = The Pong of Bacteria.” Spike Art Quarterly, no. 54 (Winter 2018): 82–93.Russeth, Andrew. “Weird Science.” W Magazine (September 2018): 142–147.“What Constitutes Self? Anicka Yi.” Matto Magazine, no. 2 (June 2018).2017Burton, Johanna and Lauren Cornell. “Alongsideness: Intimacy in Art.” Mousse Magazine (February 2017): 166–173.Davis, Ben. “The Whitney Nails a Balancing-Act Biennial.” Artnet News, 14 March 2017.Everts, Sarah. “Body Oder, Bacteria, and Insect Mind Melds.” Chemical & Engineering News, 15 May 2017: 48.Fox, Dan. “Whitney Biennial 2017.” Frieze, 14 March 2017.Fox, Dan and Joanna Ruocco. “Multi-Course Small Plates, Craft Lofts, Prix Fixe.” Frieze (June/July/August 2017): 138–143.“Fridericianum, Anicka Yi, Kassel.” ArtAsiaPacific Almanac, no. 12 (2017).Fujimori, Manami. “Anicka Yi.” Elle Japan, 28 January 2017.Gregory, Alice. “Burn After Reading.” T: The New York Times Style Magazine, 19 February 2017: 163–166.“Guggenheim Museum NY Celebrates 80th Anniversary.” Asian Art, 1 March 2017.Halle, Howard. “Review: 2017 Whitney Biennial.” Time Out New York, 14 March 2017.Halle, Howard. “Review: ‘The Hugo Boss Prize 216: Anicka Yi, Life is Cheap’.” Time Out New York, 5 May 2017.Haslett, Tobi. “Tropical Malady.” Artforum, no. 55 (May 2017): 303–305.Indrisek, Scott. “At Anicka Yi’s New Guggenheim Show, the Art Smells (and Crawls).” Artsy, 20 April 2017.Kim, Jane Yong. “Anicka Yi’s Strangely Persuasive World of Smells.” The Atlantic, 1 June 2017.Kuennen, Joel. “Anicka Yi: Life is Cheap.” ArtSlant, 1 April 2017.Kunitz, Daniel. “Art and Science with Anicka Yi.” Cultured (April 2017).LaBarge, Emily. “56 Artillery Lane.” Esse 91 (Fall 2017): 109.Leeson, Lynn Hershman. “2017: The Year According to Lynn Hershman Leeson.” Walker Reader, 14 December 2017.Macabasco, Lisa Wong. “Artist Anicka Yi’s Scents and Sensibilities.” Vogue, 5 May 2017.“Making Scents.” Vogue (May 2017): 116.Pys, Pavel. “A Rancid Portrait of a Practice.” L’Officiel Art (March 2017).Rosenberg, Karen. “Lights, Ant Farm, Aroma!” The New York Times, 12 May 2017.Saltz, Jerry. “The 2017 Whitney Biennial Is the Most Politically Charged in Decades.” Vulture, 14 March 2017.Simonini, Ross. “Anicka Yi: In The Studio.” Art in America (April 2017): 100–107.Smith, Roberta. “The Beauty of Bacteria: Anicka Yi’s ‘Life is Cheap’.” The New York Times, 15 April 2017.Smith, Roberta. “Why the Whitney’s Humanist, Pro-Diversity Biennial is a Revelation.” The New York Times, 16 March 2017.Spagnesi, Licia. “Technosensual: L’arte olfattiva di Anicka Yi.” Arte, no. 524 (April 2017): 120–124.Sutton, Benjamin. “An Omnivorous Tour of the 2017 Whitney Biennial.” Hyperallergic, 13 March 2017.Tittiger, Annie. “A Whiff of Culture: Fine Art that Really Grows on You.” Wired (April 2017): 28.Voon, Claire. “A Display of Sweat, Ants, and Bacteria at the Guggenheim.” Hyperallergic, 27 June 2017.Watlington, Emily. “Anicka Yi: Thick Skin, Goose Bumps.” Espace Art Actuel (Fall 2017).2016“Anicka Yi, Chemical Contact.” Privilege Magazine (December 2016).Bier, Arielle. “Molecular Materiality.” Sleek, 25 April 2016.Copeland, Huey. “Collective Consciousness: A Roundtable.” Artforum (Summer 2016).Crow, Kelly. “Artists to Watch at Art Basel in Miami Beach.” The Wall Street Journal, 30 November 2016.Hsu, Hsuan L. “Olfactory Art, Transcorporeality, and the Museum Environment.” Resilience: A Journal of the Environmental Humanities (Winter 2016): 1–24.Kennedy, Randy. “Artist of Olfactory Appeal Wins Hugo Boss Prize.” The New York Times, 20 October 2016.Ko, Hanae. “Anicka Yi Wins 2016 Hugo Boss Prize.” ArtAsiaPacific, 20 October 2016.Pechman, Alexandra. “Hugo Boss Prize Winner Anicka Yi is Forcing the Art World to Take Scents Seriously.” W Magazine, 28 October 2016.Pfeffer, Susanne. “Non-Science-Fiction.” Frankfurter Allgemeine Quarterly, 17 November 2016.Rappolt, Mark. “Other People and Their Ideas: Maria Lind.” ArtReview, (October 2016).Schillinger, Jakob. “Post-Humannerism.” MAY (June 2016).Schwarze, Dirk. “Anicka Yi: Jungle Stripe.” Kunstforum International 241 (August 2016): 338–340.Sharp, Chris. “Anicka Yi’s Allegorical Bouquets.” Cura, 6 June 2016.Sheets, Hilarie M. “At MIT, Science Embraces a New Chaos Theory: Art.” The New York Times, 4 March 2016.Stansfield, Ted. “Fragrance Artist Anicka Yi Wins Major Art Prize.” Dazed (November 2016).2015“Anicka Yi at Kunsthalle Basel.” Contemporary Art Writing Daily, 13 August 2015.Archey, Karen. “Anicka Yi on the Power of Smell, Bacteria, and Feminism.” e-Flux Conversations, 13 March 2015.Archey, Karen. “Beginnings + Ends.” Frieze (November/December 2013): 124–131.Ballard, Thea. “Studio Check: Anicka Yi.” Modern Painters (March 2015): 32–33.Bailey, Stephanie. “The Best Exhibitions to See in Basel.” Ocula, 12 June 2015.Bier, Arielle. “Visions of a Fractured Self: THEM at Schinkel Pavillon.” Sleek, 19 June 2015.Brooks, Katherine. “What Bacteria and Smell Have to Do with Feminism.” The Huffington Post, 20 March 2015.Burton, Johanna, and Lauren Cornell. “Alongsideness: Intimacy in Art.” Mousse Magazine (February 2015): 166–173.Carlson, Eryn. “Anicka Yi Creates Art for All of the Senses at MIT List Center.” The Boston Globe, 18 June 2015.Cole, B. “New York—Anicka Yi: ‘You Can Call Me F’ at the Kitchen Through April 11th, 2015.” Art Observed, 4 April 2015.Creahan, D. “Basel, Switzerland—Anicka Yi: ‘7,070,430K of Digital Spit’ at Kunsthalle Basel Through August 16th, 2015.” Art Observed, 2 August 2015.Dafoe, Taylor. “Viral Feminism: Anicka Yi at The Kitchen.” Artcritical, 16 April 2015.Dunbar, Olivia. “THEM: Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanovic, Sarah Lucas, Katja Novitskova, Carolee Schneemann and Anicka Yi.” C: International Contemporary Art (Autumn 2015): 62.Eason, Emily. “Feminism as an Organism: Anicka Yi at the Kitchen.” Snack Art Review, 8 April 2015.Engel, Xymna. “Anicka Yi in Basel: Was bleibt und was wird.” Monopol: Magazin für Kunst und Leben, 4 August 2015.Kirsty Bell. “Anicka Yi, Kunsthalle Basel.” Frieze (September 2015): 170–171.Kirsty Bell. “The Most Influential Museum Shows of 2015.” Artsy, 16 December 2015.Kalb, Peter R. “Anicka Yi 6,070,430K of Digital Spit.” ArtAsiaPacific (September/October 2015): 146.Kim, Jane Yong. “Feminist Fumes.” The Paris Review, 6 April 2015.O’Neill-Butler, Lauren. “Critic’s Picks.” Artforum (March 2015).Piejko, Jennifer. “Anicka Yi The Kitchen / New York.” Flash Art, 12 May 2015.Quackenbush, Casey. “An ‘Olfactory Art Installation’ From an MIT-Trained Artist.” Observer, 30 July 2015.Rutland, Beau. “Anicka Yi: 6,070,430K of Digital Spit.” Artforum (May 2015).Russeth, Andrew. “Shrimp, Female Bacteria, and the Smell of Gagosian: Anicka Yi at the Kitchen.” ArtNews, 3 April 2015.Russeth, Andrew. “Unforgettable: Anicka Yi at Kunsthalle Basel.” ARTnews, 15 June 2015.Scott, Andrea K. “Scent of a Woman.” The New Yorker, 3 April 2015.Stamler, Hannah. “The Sights (and Smells) of Anicka Yi’s Bacteria Art Show.” The Creators Project, 17 March 2015.Vogel, Wendy. “What’s That Smell in the Kitchen? Art’s Olfactory Turn.” Art in America, 8 April 2015.Walker, Elspeth. “Anicka Yi: You Can Call Me F at The Kitchen.” Daily Serving, 19 March 2015.Wyma, Chloe. “Girls Gone Viral: Anicka Yi’s Pathological Feminism.” Momus, 24 March 2015.Yi, Anicka. “The Flavor Genome.” Engine Institute, 10 March 2015.2014Armstrong, Patrick. “Anicka Yi, Lars Friedrich/Berlin.” Flash Art (March/April 2014).Burton, Johanna. “Split Subjects.” Texte zur Kunst (September 2014): 213–215.Busta, Caroline. “Taipei Biennial 2014: ‘The Great Acceleration.’” Artforum, no. 53 (September 2014).Daniel, Horn. “Critics’ Picks.” Artforum (January 2014).Everitt Howe, David. “FutureGreats 2014.” ArtReview, (March 2014).Gat, Orit. “Chatbots, Tongues, Denial and Various Other Abstractions.” ArtReview (September 2014): 177.“Julia Wachtel and Anicka Yi ‘Death’ at Cleveland Museum of Art.” Mousse Magazine, 9 November 2014.https://www.moussemagazine.it/magazine/watchelandyideath_clevelandmuseumofart_cleveland2014 /McLean-Ferris, Laura. “Chatbots, tongues, denial & various other abstractions.” Frieze, no. 166 (October 2014): 264.McLean-Ferris, Laura. “The Great Acceleration: Art in the Anthropocene.” Art Agenda, 15 September 2014.Prickett, Sarah Nicole. “Anicka Yi.” Interview (October 2014).Rittenbach, Kari. “Narratives of Scent and Material Decay.” Frieze, no. 160 (January/February 2014): 112–113.Scrimgeour, Alexander. “Anicka Yi, Lars Friedrich.” Artforum, no. 52 (March 2014).Vogel, Wendy. “Taipei Biennial 2014: The Great Acceleration.” Modern Painters, no. 26 (December 2014): 90–91.2013Archey, Karen. “Beginnings + Ends.” Frieze 159 (November/December 2013): 124–131.D’Aurizio, Michele. “Meet New York-based artist Anicka Yi.” Kaleidoscope (September 2013).Halpern, Clara. “A Disagreeable Object.” Modern Painters (January 2013): 68.McGarry, Kevin. “12th Biennale de Lyon.” Frieze, 18 October 2013.McLean-Ferris, Laura. “Some End of Things.” Frieze d/e 11 (September/October 2013).Rutland, Beau. “Openings: Anicka Yi.” Artforum (January 2013): 188–191.Sanchez, Michael. “2011: Art and Transmission.” Artforum 51 (Summer 2013): 295–301.Tschida, Anne. “First show under new MOCA leadership delivers clear vision.” MiamiHerald, 18 October 18, 2013.Yi, Anicka. “The Closed Mouth Gathers No Feet.” Le Derrière Cri (September 2013): 141–145.2012Chan, Katherine. “Interview with Anicka Yi.” CaFleureBon, 15 September 2012.Chamberlain, Colby. “A Disagreeable Object.” Artforum (December 2012): 278.Demby, Nicole. “Feminine Airs and Awkward Remainders: Alexandra Bircken, Anicka Yi, and Elaine Cameron-Weir.” BOMBlog, 2 January 2012.Gartenfeld, Alex. “Anicka Yi.” Art in America (September 2012): 35.Rosenberg, Karen. “A Throwaway? Not from This Angle.” The New York Times, 5 October 2012.Russeth, Andrew. “When Is a Cat Not a Cat? When It’s a Sculpture.” GalleristNY, 10 April 2012.Upadhyay, Kriti. “Interview: Anicka Yi.” Zingmagazine (June 2012).2011Asfour, Nana. “The Art of Giving.” The Paris Review Daily, 27 January 2011.Baker, Allese Thomson. “Anicka Yi, 47 Canal.” Artforum, 10 October 2011.Diamond Hamer, Katy. “Anicka Yi, 47 Canal Street, New York.” Flash Art (November/December 2011): 98.Everitt Howe, David. “Anicka Yi: Sous-Vide.” ArtReview (December 2011).“Goings On About Town: Art.” The New Yorker, 1 June 2011.“Goings On About Town: Art.” The New Yorker, 13 October 2011.Russeth, Andrew. “Top Ten Gallery Shows.” The New York Observer, 15 September 2011.2010Chamberlain, Colby. “179 Canal / Anyways” (exhibition review). Artforum, 17 November 2010.Fiduccia, Joanna. “Josh Kline and Anicka Yi.” Artforum, 20 April 2010.Kitnick, Zak. “Not so Autonomous Maybe: 179 Canal at White Columns” (exhibition review). Idiom, 10 November 2010.Pundyk, Anne Sherwood. “179 Canal/Anyways” (exhibition review). Brooklyn Rail, 1 December 2010.2009Clary, Katherine. “On High Alert: Shigenobu Twilight.” Interview Magazine, 2 February 2009.Granata, Francesca. “X-Initiative II,” Fashion Projects, 9 August 2009.