The New York Art Book Fair

Pace Publishing

Past
Sep 11 – Sep 14, 2025
New York
 
Pace Publishing, Pace Gallery’s imprint, is pleased to participate in Printed Matter’s 2025 New York Art Book Fair (NYABF), taking place at MoMA PS1 in Queens from September 11 to 14.

Pace Publishing’s booth (#J3) will spotlight new and recent titles released between 2022 and 2025, including publications highlighting the practices of Alexander Calder, Nigel Cooke, Pam Evelyn, Robert Frank, Adam Pendleton, and Joel Shapiro, along with signed editions by David Byrne, Maysha Mohamedi, Kohei Nawa, and Paolo Roversi. On the occasion of the fair, Pace Publishing has also created its first-ever, limited-edition artist tote bag, featuring Yto Barrada’s artwork How to Pronounce Artists' Names (2019).

In celebration of Pace’s 65th anniversary year, the booth will showcase a selection of rare, vintage titles and ephemera, including Jean Dubuffet: Painted Sculptures (1968), Calder: Stabiles (1989), a 2003 vellum print by Agnes Martin, Yto Barrada: Tree Identification for Beginners (2017), and more. The presentation will also include a capsule of Pace Publishing titles on Lucas Samaras, produced between 1979 and 2023, paying homage to an artist who has been central to the gallery’s program since the mid-1960s.

For over six decades, Pace Gallery has been publishing books in collaboration with and in support of its artists, establishing Pace Publishing as one of the longest standing gallery imprints and a pioneer in art bookmaking.

Over 500 titles have been created under Pace Publishing, with an enduring focus on original scholarship and innovative design, underpinned by a rigorous and creative approach. Today, Pace Publishing remains dedicated to working closely with artists, commissioning writing that introduces new voices to the art historical canon, and creating lasting resources for understanding each artist’s unique practice. Pace Publishing draws on the expertise of the gallery’s tenured in-house design team, who have been at Pace for nearly 30 years, to creatively direct every publication, as well as its in-house curators to identify leading thinkers in the field.

New titles from Pace Publishing include Adam Pendleton: An Abstraction (2025), featuring text by Pace CEO Marc Glimcher, and Nigel Cooke: Paintings 2019-2025 (2025), the gallery’s first monograph dedicated to Cooke’s practice. Among the other recent books available on the booth at the fair will be Alexander Calder: Un effet du Japonais (2024), Pace Publishing’s first bilingual title, produced on the occasion of a landmark exhibition of Calder’s work co-presented by Pace and Azabudai Hills Gallery in Tokyo last year; monographs on Huong Dodinh, Pam Evelyn, and Kylie Manning, all released in 2024; Robert Frank: Hope Makes Visions (2024), which features an essay by Ocean Vuong; Joel Shapiro: Out of the Blue (2024), which accompanied Shapiro’s exhibition of large-scale sculptures with Pace in New York last year; and Torkwase Dyson: A Liquid Belonging (2023), comprising texts and experimental writing by Dionne Brand, LeRonn P. Brooks, Saidiya Hartman, Jaleh Mansoor, and Mabel O. Wilson as well as a conversation with Christina Sharpe.

Signed editions of Pace Publishing titles Maysha Mohamedi: yesterday I was a tiny tube of toothpaste (2024) and Kohei Nawa: Aether (2022), as well as the Phaidon publication David Byrne: A History of the World in Dingbats (2022), will also be available on the booth. In the way of rare Pace Publishing books, the presentation will feature Lucas Samaras: Reconstructions at Pace (1979), Lucas Samaras: Boxes and Mirrored Cell (1988), and Lucas Samaras: Gold (1998); Calder: Stabiles (1989); Louise Nevelson: Sculpture of the ’50s and ’60s (2002); Adolph Gottlieb: Pictographs 1941–1951 (2004); and other archival titles.

Browse all Pace Publishing titles, special editions, posters, and more on the (opens in a new window) Pace Shop.

 

Featured Titles

Cover of An Abstraction by Adam Pendleton

Adam Pendleton

An Abstraction

Text by Marc Glimcher

Adam Pendleton: An Abstraction is both a document and an evolution of Adam Pendleton’s first solo show at Pace’s New York gallery in ten years. Comprised of paintings and drawings from the artist’s Black Dada and Untitled (Days) bodies of work, hanging within a monumental, site-specific architecture, An Abstraction created unexpected spaces in the gallery and extended the visual language of the exhibited works.

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Cover of Nigel Cooke: Paintings 2019-2025

Nigel Cooke

Paintings 2019-2025

Text by Chloe Aridjis, Marcelle Polednik, Claire Selvin

This monograph focuses on Nigel Cooke's recent output of abstract, calligraphic images, which display a delicate balance of emotive color and form. Also included are an introduction by Claire Selvin alongside an essay by Marcelle Polednik and a literary response by Chloe Aridjis.

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Cover of Calder: Un effet du japonais

Calder

Un effet du japonais

Text by Alexander S. C. Rower, Susan Braeuer Dam, Marc Glimcher, Jane Hirshfield, Jean McGarry, Stephanie Goto, Akira Tatehata

This new catalogue from Pace Publishing—available in English and Japanese—accompanies Calder: Un effet du japonais, a landmark exhibition of Alexander Calder’s work co-presented by Pace and Azabudai Hills Gallery in Tokyo. Exploring the enduring resonance of the American modernist’s art with Japanese traditions and aesthetics, Calder: Un effet du japonais marks the first exhibition dedicated to Calder’s work to be mounted in Tokyo in nearly 35 years.

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Cover of Huong Dodinh: Transcendence

Huong Dodinh

Transcendence

Text by Catherine David, Khoa Dodinh, Marc Glimcher. Interview by Olivia Sand.

Over the last six decades, Huong Dodinh has devoted her practice to three central tenets—light, density, and transparency—through which she explores the fluidity of line, form, and negative space. Published on the occasion of the artist’s first-ever solo presentation in the United States, Huong Dodinh: Transcendence brings together paintings and works on paper she has created over the course of her career, from the 1960s to the present day.

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Cover of Pam Evelyn

Pam Evelyn

Text by Yuval Etgar. Interview by Matthew Higgs

This monograph traces Pam Evelyn’s ongoing evolution, documenting the works from her first two exhibitions at Pace Gallery, Handful of Dust (2023) and Frame of Mind(2024).

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Cover of Kylie Manning

Kylie Manning

Text by Ted Barrow

Showcasing recent paintings alongside the five large-scale canvases and related drawings on view in Sea Change, this volume makes extensive use of details to allow the reader to inhabit Kylie Manning’s vibrant, mercurial world.

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Cover of Robert Frank: Hope Makes Visions

Robert Frank

Hope Makes Visions

Text by Ocean Vuong, Shahrzad Kamel

Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Robert Frank’s birth, Robert Frank: Hope Makes Visions presents an in-depth look at the photographer and filmmaker’s process across various media.

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Cover of Out of the Blue by Joel Shapiro

Joel Shapiro

Out of the Blue

Text by Vincent Katz

With vibrant images and foldout pages, this publication evokes the forms of Joel Shapiro’s large-scale, colorful sculptures and maquettes made of wood, wire, and bronze from his 2024 exhibition at Pace Gallery in New York. Also included is an essay by poet and scholar Vincent Katz.

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Cover of A Liquid Belonging by Torkwase Dyson

Torkwase Dyson

A Liquid Belonging

Text by Dionne Brand, LeRonn P. Brooks, Torkwase Dyson, Saidiya V. Hartman, Jaleh Mansoor, Mabel O. Wilson. Conversation with Torkwase Dyson and Christina Sharpe

Composed of one bound paper book and an array of unbound materials—including acetate and accordion-folded paper—all contained in a box-slipcase, Torkwase Dyson’s first publication is as much an art object as it is an addendum to her recent exhibition at Pace Gallery in New York.

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Cover of yesterday I was a tiny tube of toothpaste by Maysha Mohamedi

Maysha Mohamedi

yesterday I was a tiny tube of toothpaste

Text by Brian Dillon

Published on the occasion of her first solo show at Pace in Tokyo, this facsimile edition of Maysha Mohamedi’s studio notebook spotlights never-before-exhibited paintings produced in 2023 and 2024 and the varied clippings from vintage magazines and other printed ephemera that influenced their palettes.

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Catalogues_2022_NAWA_Aether_v06_4x5

Kohei Nawa

Aether

Texts by Brett Litman, Kohei Nawa

Aether presents a survey of Kohei Nawa’s new and recent works spanning sculpture, painting, and installation. Co-published by Sandwich and Pace Publishing on the occasion of the multimedia artist's first exhibition with Pace in New York, this book provides a close look at key works in the multimedia artist’s oeuvre from the past fifteen years.

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Cover of History of the World (In Dingbats) by David Byrne

David Byrne

A History of the World in Dingbats

Text by David Byrne, Alex Kalman

Through striking and humorous figurative drawings, the iconic artist and musician David Byrne depicts daily life in intriguing ways. His illustrations, created while under quarantine, expand on the dingbat, a typographic ornament used to illuminate or break up blocks of text, to explore the nuances of life under lockdown and evoke the complex, global systems the pandemic cast in bright light.

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Cover of Stabiles by Alexander Calder

Calder

Stabiles

Published in 1989, this title offers a vibrant exploration of Alexander Calder’s iconic stationary sculptures. With an accordion-folded interior, this publication features 25 color illustrations that highlight the dynamic forms and playful geometry of the stabiles.

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Louise Nevelson: Sculpture of the ’50s and ’60s

Louise Nevelson

Sculpture of the ’50s and ’60s

Text by Robert C. Morgan

Sculpture of the ’50s and ’60s takes a close look at 13 of Louise Nevelson’s early wooden sculptures, from smaller works like her Moon Spikes series to larger assemblages such as Sky Cathedral (1958). Published in conjunction with the exhibition held in New York in 2002, this publication also includes a text by Robert C. Morgan that traces the development of the artist’s practice across the two formative decades.

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