Pressure in red, Pressure in yellow, and Pressure in blue by Loie Hollowell

MAZE Art Gstaad

Past
Feb 19 – 22, 2026
Gstaad
 
ART FAIR DETAILS

MAZE Art Gstaad
Festival-Zelt
February 19 – 22, 2026

PRESS

Press Release (ENG)
Press Release (FR)

CONNECT

(opens in a new window) MAZE Art Gstaad
(opens in a new window) @maze.presents
(opens in a new window) @pacegallery

Above: Loie Hollowell, Installation view of Pressure in red, 2024; Pressure in yellow, 2025; Pressure in blue, 2025 © Loie Hollowell
Pace returns to MAZE Art Gstaad with a presentation of works by eleven artists, including Lynda Benglis, Alexander Calder, Elmgreen & Dragset, Loie Hollowell, Alicja Kwade, Robert Longo, Kenjiro Okazaki, Adam Pendleton, Irving Penn, Kiki Smith, and Cy Twombly.

Highlights on Pace’s booth include:

Three sculptural paintings by Loie Hollowell, ahead of her exhibition of new work at Pace’s London gallery opening March 4

Untitled (c. 1965) by Alexander Calder, a crimson-colored brass standing mobile. Calder will be the subject of a major solo exhibition at Fondation Louis Vuitton, opening this April

Paintings by Kenjiro Okazaki, who has been represented by the gallery since 2024, underscored by a new work made this year

For K.B. (1979), a gold and silver leaf chicken wire sculpture by Lynda Benglis, who is currently the subject of an exhibition at the Barbican, London, which places her work in dialogue with historic sculptures by Alberto Giaccometti, through May 31

A bronze sculpture and four diaphanous works on paper by Kiki Smith

A painting from Adam Pendleton’s Black Dada series, which directs attention to the fundamental attributes of painting. Pendleton is currently the subject of a major presentation at the Hirshhorn Museum, Washington, D.C., and will open a solo exhibition at the Langen Foundation, Neuss, Germany, this spring

Works by Robert Longo, including Study of Iceberg Crown (2025), first presented in The Weight of Hope, which unfolded across four floors of Pace’s 540 West 25th Street gallery in New York

 

Featured Works

Elmgreen & Dragset, How to Become A Bird, 2024, nest, miniature book, MDF, lacquer, acrylic, Nest: 48-1/16" × 12-5/8" × 12-5/8" (122.1 cm × 32.1 cm × 32.1 cm)

Elmgreen & Dragset

Michael Elmgreen | b. 1961, Copenhagen, Denmark
Ingar Dragset | b. 1969, Trondheim, Norway

Elmgreen & Dragset, Still Life (Pink), 2025, glass and metal, 2-3/4" × 5-1/2" × 9-1/16" (7 cm × 14 cm × 23 cm)
Kiki Smith, Empath 112, 2022, watercolor and crayon on kitakata paper, 17-1/2" × 20-1/2" (44.5 cm × 52.1 cm)

Kiki Smith

American, b. 1954, Nuremberg, Germany

Kiki Smith, skymap, 2021, bronze, 2-1/2" × 45-1/4" × 35-1/2" (6.4 cm × 114.9 cm × 90.2 cm)
Kiki Smith, Respite, 2017, bronze, 17" × 14" × 11" (43.2 cm × 35.6 cm × 27.9 cm)
Kiki Smith, Empath 167, 2022, watercolor and crayon on kitakata paper, 17-1/2" × 20-1/2" (44.5 cm × 52.1 cm)
Kiki Smith, Empath 149, 2022, watercolor and crayon on kitakata paper, 17-1/2" × 20-1/2" (44.5 cm × 52.1 cm)
Loie Hollowell, Pressure in red, 2024, Oil on aqua resin cast in linen covered frame, 28" × 21" × 3-1/2" (71.1 cm × 53.3 cm × 8.9 cm)

Loie Hollowell

b. 1983, raised in Woodland, California
Lives in New York

Loie Hollowell, Pressure in yellow, 2025, oil on aqua resin cast in linen covered frame, 29" × 21" × 3-1/2" (73.7 cm × 53.3 cm × 8.9 cm)
Loie Hollowell, Pressure in blue, 2025, oil on aqua resin cast in linen covered frame, 28" × 21" × 3-1/2" (71.1 cm × 53.3 cm × 8.9 cm)
Alicja Kwade, Murmuration III, 4000 moments in 3566 directions, 2025, brass watch hands on cardboard, framed, 50-3/8" × 63" × 2-3/16" (128 cm × 160 cm × 5.5 cm), frame

Alicja Kwade

b. 1979, Katowice, Poland
Lives and works in Berlin

Adam Pendleton, Black Dada (A), 2025, silkscreen ink and black gesso on canvas, Overall: 60 x 47 ½ in. (152.4 x 120.7 cm) Framed: 63 ⅜ x 50 ⅝ x 3 ⅜ in. (160.7 x 128.6 x 8.6 cm)

Adam Pendleton

b. 1984, Richmond, Virginia

Kenjiro Okazaki, The Edge Bridges Edges of Time / namaḥ sarvebhyas tīrthaṅkarebhyo'tītānāgatavartamānebhyaḥ, 2025, acrylic on canvas, 18.2 cm × 25.3 cm × 3 cm (7-3/16" × 9-15/16" × 1-3/16")

Kenjiro Okazaki

b. 1955, Tokyo, Japan

Kenjiro Okazaki, How Is It You've Stopped and I Have Not / Aṅgulimāla / Like the Moon Freed from Clouds, 2025, acrylic on canvas, 25.2 cm × 18.2 cm × 3 cm (9-15/16" × 7-3/16" × 1-3/16")
Kenjiro Okazaki, Lily gives scent. I walk this road because it drew me. The rose blooms. A branch bears no fruit unless it remains. The road is the vine; we are its branches. I have not seen rose-fruit, yet its thorn drew blood. The word was spoken. Then the bell struck eight., 2026, acrylic on canvas, 160 cm × 130 cm × 7 cm (63" × 51-3/16" × 2-3/4")
To inquire about any of the artists or works featured here, please email us at inquiries@pacegallery.com.
 

Journal

View All