Frieze New York

Hollowell’s luminous, sculpted paintings transform bodily forms into abstract planes and radiant compositions. Exploring the dualities of light, volume, and scale, her paintings blur the line between the illusory and the real. Similarly, Mary Corse’s luminous paintings explore the limits of perception using glass microspheres that invite phenomenological response.

Mounting his handwoven textiles on canvas, Brent Wadden complicates notions of medium by transposing craft techniques into the realm of painting. Nathalie Du Pasquier similarly bridges traditions—of design with high art—expanding her practice from its early roots in the Memphis Group. Continuously experimenting with complex arrangements of forms, Du Pasquier creates paintings that move easily between the representational and non-representational, reality and imagination, and the two- and three-dimensional.

Torkwase Dyson, a painter who works across multiple mediums, explores the continuity between ecology, infrastructure, and architecture. Examining environmental racism as well as the history and future of black spatial liberation strategies, Dyson’s abstract works grapple with the ways in which space is perceived and negotiated, particularly by black and brown bodies. Adam Pendleton uses historical and aesthetic content from texts and visual culture to critically examine the resonance of ideas from varied cultural perspectives, including social resistance movements and Dada, Minimalism, and Conceptualism.