Frieze Los Angeles Past Feb 17 – Feb 20, 2022 Los Angeles Art Fair Details:Frieze Los AngelesBooth D15Feb 17 – Feb 20, 2022Connect: (opens in a new window) Frieze Los Angeles (opens in a new window) @friezeofficial (opens in a new window) @pacegalleryAbove: Sonia Gomes, Espelho, 2021 © Sonia Gomes, courtesy Mendes Wood DM and the artist Pace Gallery is pleased to detail its presentation at the 2022 edition of Frieze Los Angeles. The gallery’s booth will reflect its robust contemporary program and commitment to supporting artists’ advanced studio practices. Among the highlights in the booth will be a selection of works from Leo Villareal’s first series of NFTs, titled Cosmic Reef and presented in collaboration with the platform Art Blocks. The booth will also spotlight works by California artists Glenn Kaino and Richard Misrach; new paintings by Paulina Olowska, who joined the gallery in 2022, and Nigel Cooke; a Gazing Ball sculpture by Jeff Koons; new works on paper by David Byrne and Loie Hollowell; and sculptures by Sonia Gomes, Fred Wilson, and Louise Nevelson.Digital works from Leo Villareal’s Cosmic Reef NFT series, which sold out within two hours of its debut on Art Blocks in January, feature unique combinations of geometry, color, light, and composition that explore beauty and randomness in the natural world. Layered geometries in the NFTs are the result of both human control and computational chance. In spring 2022, following the fair, Pace and Art Blocks will partner on a series of online talks hosted on Twitter and Discord. This program will kick off with a conversation between Pace President and CEO Marc Glimcher and Art Blocks Founder and CEO Erick Calderon.Sculpture and painting by L.A.-based artist Glenn Kaino, who joined Pace in 2021, will also be on view in the gallery’s booth. These abstract works exemplify the artist’s interest in a wide range of materials and mediums. Beyond Pace’s booth, Kaino will present his monumental circular sculpture Revolutions (2022) at Frieze L.A. Revolutions features metal bars tuned to play specific musical notes when hit with a baton, and the sculpture will be activated in a series of performances throughout the fair’s run. Revolutions was inspired by protests in Selma, Alabama, and Northern Ireland, drawing connections between struggles for equality and justice across space and time. Both events that informed the sculpture are known as Bloody Sunday, and when the work’s metal bars are struck in sequence the melody from U2’s 1983 song of the same name is played. An edition of Revolutions is currently on view at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams through September 5 as part of Kaino’s solo exhibition In the Light of a Shadow.In the way of photography, Pace will present works by Richard Misrach, who will have a solo exhibition with the gallery in New York this spring. Misrach, a key figure in the Bay Area scene, is known for his politically resonant images of the American West. Recent works by the artist on view in Pace’s booth depict multifarious views of the ocean and body surfers amid towering waves.Pace’s presentation of a new painting by Paulina Olowska at the fair will mark the artist’s debut with the gallery. With Artist’s Flea Market (2021), Olowska engages with her longstanding interests in the political and social histories of Eastern Europe, American consumerism and pop culture, feminism, and the aesthetics of fashion advertisements.Also included in the booth is Jeff Koons’s 2013 sculpture Gazing Ball (Antinous-Dionysus), which features a mesmerizing blue orb atop the head of a classical bust made of plaster, and a sculpture, collage, and photograph by JR. New works on paper by artist and musician David Byrne, who is presenting a solo exhibition of drawings at Pace’s New York gallery through March 19, will be on view. Byrne often injects his understated, playful drawings with a sense of humor and wit. New works on paper by Loie Hollowell depict dynamic forms that can be understood in conversation with her famed painting practice. Sculptures by Sonia Gomes, Fred Wilson, and Louise Nevelson— including a new piece by Gomes and a mirror work by Wilson—reflect the artists’ distinct and idiosyncratic approaches to the medium. Read More Featured Works Paulina Olowska, Artist's Flea Market, 2021, oil on canvas, 220 cm × 335 cm (86-5/8" × 10' 11-7/8") Learn More Close modal Paulina Olowska Artist's Flea Market 2021 oil on canvas 220 cm × 335 cm (86-5/8" × 10' 11-7/8") Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Paulina Olowskab. 1976, Gdansk, PolandPaulina Olowska, who joined Pace in 2022, makes her debut with the gallery in this presentation. Olowska’s practice spans painting, collage, sculpture, video, installation, and performance. The artist’s figurative paintings often feature women in a wide range of environments, from offices and shops to farms and jungles. Deeply engaged with histories of Eastern Europe, American consumerism and pop culture, feminism, and the aesthetics of fashion advertisements, her work challenges and upends art historical conventions as well as traditional notions of femininity in Eastern and Western cultures. Olowska imbues her canvases with surreal, dreamlike effects through her distinct use of color and perspective. For a new series of paintings, including Artist’s Flea Market (2021), the artist drew on research into art spaces and educational institutions helmed by women in the US and Poland. Read More Jeff Koons, Gazing Ball (Antinous-Dionysus), 2013, plaster and glass, 60-3/8" × 44-3/8" × 27-1/2" (153.4 cm × 112.7 cm × 69.9 cm) Learn More Jeff Koonsb. 1955, York, Pennsylvania Close modal Jeff Koons Gazing Ball (Antinous-Dionysus) 2013 plaster and glass 60-3/8" × 44-3/8" × 27-1/2" (153.4 cm × 112.7 cm × 69.9 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Nigel Cookeb. 1973, Manchester, United Kingdom Read More Nigel Cooke, Sunsets, 2021, oil and acrylic on linen, 225 cm × 164 cm (88-9/16" × 64-9/16") Learn More Close modal Nigel Cooke Sunsets 2021 oil and acrylic on linen 225 cm × 164 cm (88-9/16" × 64-9/16") Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Nigel Cooke, Pines, 2019, oil and acrylic on linen, 88-9/16" × 64-9/16" (224.9 cm × 164 cm) Learn More Close modal Nigel Cooke Pines 2019 oil and acrylic on linen 88-9/16" × 64-9/16" (224.9 cm × 164 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Developing an emotive and highly focused use of color, Nigel Cooke’s calligraphic images are delicately balanced, with structure and collapse held together in a state of tension. Like the present works, these paintings contrast staining techniques on raw linen with classical techniques of layering and spatial depth, indebted to both Abstract Expressionism and the figurative compositions of European Classicism. Much of the work’s revisions are visible in the final image, which play fine, schematic areas against passages of gestural impasto. Cooke’s background in masterfully executed figurative painting provides the sense of drawing and representational rendering that permeate the abstract marks. Read More Sonia Gomes, Espelho, 2021, different fabrics, laces, cotton threads, buttons, metal key, metal hoop, pin, mirror, crochet and knitting, 53-1/2" × 20-7/8" × 11-3/4" (135.9 cm × 53.1 cm × 29.8 cm) Learn More Sonia Gomesb. 1948, Caetanópolis, BrazilSonia Gomes is known for her abstract sculptures featuring intricate combinations of found materials, such as textiles, and wires. Espelho (2021) reflects her ability to imbue assemblages with both political and personal meaning. The hanging sculpture is comprised of fabric features of variously sized components situated atop and around one another. The elaborate layers of textured materials give the work an undulating, energized quality. Cords and tassels contribute to this sense of choreography and motion, and the sculpture’s largely subdued color palette is punctuated by bursts of vibrant green and red fabric emerging from various openings. Gomes draws inspiration from Brazilian dances as well as sacred objects of Brazil’s African diaspora. Her practice is deeply engaged with themes of memory and erased histories. Close modal Sonia Gomes Espelho 2021 different fabrics, laces, cotton threads, buttons, metal key, metal hoop, pin, mirror, crochet and knitting 53-1/2" × 20-7/8" × 11-3/4" (135.9 cm × 53.1 cm × 29.8 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Loie Hollowell, Around the Clock, July 19, 2021, soft pastel on paper, 30-1/2" × 30-1/2" (77.5 cm × 77.5 cm) Learn More Loie Hollowellb. 1983, Woodland, California Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Loie Hollowell Around the Clock July 19, 2021 soft pastel on paper 30-1/2" × 30-1/2" (77.5 cm × 77.5 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Fred Wilson, I Saw Othello's Visage in His Mind, 2013, Murano glass, paint, and wood, 64" × 51-1/2" × 7-3/4" (162.6 cm × 130.8 cm × 19.7 cm) Learn More Fred Wilsonb. 1954, Bronx, New YorkBeginning with his early black glass drips—also referred to as teardrops—Fred Wilson soon pivoted toward more complex representations in glass, using the reflective quality of the medium as a formal device and a unifying element in his oeuvre. In preparation for his 2003 solo exhibition, Speak of Me As I Am, at the U.S. pavilion during the fiftieth Venice Biennale, Wilson worked with the Murano glass company to produce ornate black mirrors and create a large-scale chandelier in an eighteenth- century Venetian style—rendered for the first time in black glass. Describing one of his early chandelier sculptures, Wilson reveals: “For me, its monstrous melancholy goes hand in hand with its beauty. This sculpture, the chandelier, though designed from one first made during the Venetian Empire, can be seen as a metaphor for contemporary conundrums of power and blackness.” Close modal Fred Wilson I Saw Othello's Visage in His Mind 2013 Murano glass, paint, and wood 64" × 51-1/2" × 7-3/4" (162.6 cm × 130.8 cm × 19.7 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Seventh Decade Garden I, 1971, directed-welded, painted aluminum, 109" × 57" × 40" (276.9 cm × 144.8 cm × 101.6 cm) Learn More Louise Nevelsonb. 1899, Kievd. 1988, New York Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Louise Nevelson Seventh Decade Garden I 1971 directed-welded, painted aluminum 109" × 57" × 40" (276.9 cm × 144.8 cm × 101.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Glenn Kainob. 1972, Los Angeles, California Read More Glenn Kaino, Revolutions, 2022, powder coated steel and aluminum, 120" × 178" (304.8 cm × 452.1 cm) Learn More Close modal Glenn Kaino Revolutions 2022 powder coated steel and aluminum 120" × 178" (304.8 cm × 452.1 cm) $250,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Revolutions (2022) is a monumental sculpture and instrument inspired by the connection between global protests for equal rights. From the march on the Edmund Pettus Bridge in Selma, Alabama in 1965 to Bishops’ Field in Northern Ireland in 1972, this work explores the similarities and differences between two protests known as Bloody Sunday. Revolutions is a circular structure made from metal bars, each of which is tuned to play a specific musical note when hit with a baton. Struck in sequence, the bars play the melody from U2’s Sunday Bloody Sunday. The sculpture conjures the intimidating structures of political suppression and border divisions, transformed by Kaino from a barrier into an instrument, one that gives voice rather than suppresses it. The sculpture takes the literal form of revolution. A version of Revolutions is prominently featured in Kaino’s current solo exhibition at MASS MoCA, In the Light of a Shadow. Read More RevolutionsPresented in Frieze ProjectsPerformances:Thursday, Feb 17, 2 PMSaturday, Feb 19, 2 PMWe visited Kaino's Los Angeles studio, where the work was made, to speak with the artist about how Revolutions conveys the universality of the Civil Rights Movement, how artist and musician Deon Jones's own experiences informed the work's creation, and why performance is an integral part of the experience of the work. Glenn Kaino, In Search of New Systems (Logarithmic), 2015, gold, nickel and ruthenium plated model parts, meteorite, cotton, insect pins, paint and high-density urethane, 72" × 72" × 6" (182.9 cm × 182.9 cm × 15.2 cm) Learn More Close modal Glenn Kaino In Search of New Systems (Logarithmic) 2015 gold, nickel and ruthenium plated model parts, meteorite, cotton, insect pins, paint and high-density urethane 72" × 72" × 6" (182.9 cm × 182.9 cm × 15.2 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Robert Longob. 1953, Brooklyn, New York Read More Robert Longo, Study for White House, 2019, ink and charcoal on vellum, 11-15/16" × 33-1/16" (30.3 cm × 84 cm), image 26-5/8" × 46-3/8" (67.6 cm × 117.8 cm), frame Learn More Close modal Robert Longo Study for White House 2019 ink and charcoal on vellum 11-15/16" × 33-1/16" (30.3 cm × 84 cm), image 26-5/8" × 46-3/8" (67.6 cm × 117.8 cm), frame $90,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back JRb. 1983, Paris Read More JR JR, The Gun Chronicles: A Story of America, Work in Progress #3, USA, 2018, relief ink jet print, laser cut cardboard, vinyl, and printed duraclear, 28-1/2" × 60" × 3" (72.4 cm × 152.4 cm × 7.6 cm) Learn More Close modal JR JR The Gun Chronicles: A Story of America, Work in Progress #3, USA 2018 relief ink jet print, laser cut cardboard, vinyl, and printed duraclear 28-1/2" × 60" × 3" (72.4 cm × 152.4 cm × 7.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Richard Misrachb. 1949, Los Angeles, California Read More Richard Misrach, Icarus Suite #110, 2019, pigment print mounted to Dibond, 58" × 89-1/2" (147.3 cm × 227.3 cm), image, paper and mount 63" × 94-1/8" × 3" (160 cm × 239.1 cm × 7.6 cm), frame Learn More Close modal Richard Misrach Icarus Suite #110 2019 pigment print mounted to Dibond 58" × 89-1/2" (147.3 cm × 227.3 cm), image, paper and mount 63" × 94-1/8" × 3" (160 cm × 239.1 cm × 7.6 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Richard Misrach is known for his pioneering work with large-scale format and color photography. He began photographing the American West in the 1970s with an eye towards landscape, environmental awareness, and the politics of geography and infrastructure. The artist often photographs the same view repeatedly in different states of weather, light, and movement. The Icarus Suite series draws reference to the Greek myth of Icarus and Daedalus, in which Icarus flies too close to the sun and consequently falls into the ocean. In Icarus Suite #140 (2019), a figure is visible surfing on a wave, calling to mind this tale through the relationship of the figure and the water. Read More Icarus SuiteIn this film, photographer Richard Misrach opens up his studios in Marin County, California to discuss the inspirations and processes that inform his Icarus Suite of photographs, on view in our presentation for Frieze Los Angeles. Richard Misrach, Duet For Debbie #10, 2021, pigment print mounted to Dibond, 47-1/8" × 117" (119.7 cm × 297.2 cm), image, paper and mount 48-1/2" × 119-3/8" × 3" (123.2 cm × 303.2 cm × 7.6 cm), frame Learn More Close modal Richard Misrach Duet For Debbie #10 2021 pigment print mounted to Dibond 47-1/8" × 117" (119.7 cm × 297.2 cm), image, paper and mount 48-1/2" × 119-3/8" × 3" (123.2 cm × 303.2 cm × 7.6 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back David Byrne, Ancient Kingdoms & Topological Correspondences, 2004, pencil on paper, 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame Learn More David Byrneb. 1952, Dumbarton, Scotland Close modal David Byrne Ancient Kingdoms & Topological Correspondences 2004 pencil on paper 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame $10,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Leo Villareal, Cosmic Reef #125, 2022, non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000125 Learn More Leo VillarealCosmic ReefPresented by Pace Verso and Art BlocksPace Verso is pleased to partner with (opens in a new window) Art Blocks, the preeminent platform for generative art, in the presentation of Leo Villareal's first series of NFTs, Cosmic Reef, at Frieze Los Angeles. This collaboration marks a natural evolution in Villareal’s practice and includes the first works created by the artist to exist in a born-digital form. Drawing upon an infinite array of sequences in the natural world, Cosmic Reef, which consists of 1,024 unique NFTs, reflects on randomness in nature, which is capable of producing beauty and symmetry. Close modal Leo Villareal Cosmic Reef #125 2022 non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000125 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Leo Villareal, Cosmic Reef #579, 2022, non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000579 Learn More Close modal Leo Villareal Cosmic Reef #579 2022 non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000579 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Leo Villareal, Cosmic Reef #152, 2022, non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000152 Learn More Close modal Leo Villareal Cosmic Reef #152 2022 non-fungible token; Contract ID: 0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270, Token ID: 250000152 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back All Works Grid List David Byrne, Pattern Recognition, 2002 2002, pencil on paper, 16-7/8" × 14" (42.9 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame Available $10,000 USD Learn More Close modal David Byrne Pattern Recognition 2002 pencil on paper 16-7/8" × 14" (42.9 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame $10,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back David Byrne, Comfortable Restlessness, 2003 2003, pencil on paper, 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame Sold $8,000 USD Learn More Close modal David Byrne Comfortable Restlessness 2003 pencil on paper 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back David Byrne, Ancient Kingdoms & Topological Correspondences, 2004 2004, pencil on paper, 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame Available $10,000 USD Learn More Close modal David Byrne Ancient Kingdoms & Topological Correspondences 2004 pencil on paper 17" × 14" (43.2 cm × 35.6 cm), paper 19" × 16" × 1-1/2" (48.3 cm × 40.6 cm × 3.8 cm), frame $10,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Nigel Cooke, Sunsets, 2021 2021, oil and acrylic on linen, 225 cm × 164 cm (88-9/16" × 64-9/16") Sold $285,000 USD Learn More Close modal Nigel Cooke Sunsets 2021 oil and acrylic on linen 225 cm × 164 cm (88-9/16" × 64-9/16") Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Nigel Cooke, Pines, 2019 2019, oil and acrylic on linen, 88-9/16" × 64-9/16" (224.9 cm × 164 cm) Sold $285,000 USD Learn More Close modal Nigel Cooke Pines 2019 oil and acrylic on linen 88-9/16" × 64-9/16" (224.9 cm × 164 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Sonia Gomes, Espelho, 2021 2021, different fabrics, laces, cotton threads, buttons, metal key, metal hoop, pin, mirror, crochet and knitting, 53-1/2" × 20-7/8" × 11-3/4" (135.9 cm × 53.1 cm × 29.8 cm) Sold $150,000 USD Learn More Close modal Sonia Gomes Espelho 2021 different fabrics, laces, cotton threads, buttons, metal key, metal hoop, pin, mirror, crochet and knitting 53-1/2" × 20-7/8" × 11-3/4" (135.9 cm × 53.1 cm × 29.8 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Loie Hollowell, Shell we Juggle August 9, 2021, soft pastel on paper, 21" × 26-1/2" (53.3 cm × 67.3 cm) Sold $45,000 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Loie Hollowell Shell we Juggle August 9, 2021 soft pastel on paper 21" × 26-1/2" (53.3 cm × 67.3 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Loie Hollowell, Around the Clock July 19, 2021, soft pastel on paper, 30-1/2" × 30-1/2" (77.5 cm × 77.5 cm) Sold $50,000 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Loie Hollowell Around the Clock July 19, 2021 soft pastel on paper 30-1/2" × 30-1/2" (77.5 cm × 77.5 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back JR JR, 28 Millimètres, Women Are Heroes, Eyes on bricks, New Dehli, Inde, 2009 2009, color print, mounted on dibond, mat plexiglas, flushed wooden black frame, 49-3/16" × 74" × 2-3/4" (124.9 cm × 188 cm × 7 cm) Unavailable €60,000 EUR Learn More Close modal JR JR 28 Millimètres, Women Are Heroes, Eyes on bricks, New Dehli, Inde 2009 color print, mounted on dibond, mat plexiglas, flushed wooden black frame 49-3/16" × 74" × 2-3/4" (124.9 cm × 188 cm × 7 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back JR JR, The Gun Chronicles: A Story of America, Work in Progress #3, USA, 2018 2018, relief ink jet print, laser cut cardboard, vinyl, and printed duraclear, 28-1/2" × 60" × 3" (72.4 cm × 152.4 cm × 7.6 cm) Unavailable €78,000 EUR Learn More Close modal JR JR The Gun Chronicles: A Story of America, Work in Progress #3, USA 2018 relief ink jet print, laser cut cardboard, vinyl, and printed duraclear 28-1/2" × 60" × 3" (72.4 cm × 152.4 cm × 7.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Glenn Kaino, One Crisis at a Time (ATER IS LIFE, NOW!), 2021 2021, acrylic, burnt wood on canvas over panel, 61" × 49" × 3" (154.9 cm × 124.5 cm × 7.6 cm) Available $110,000 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Glenn Kaino One Crisis at a Time (ATER IS LIFE, NOW!) 2021 acrylic, burnt wood on canvas over panel 61" × 49" × 3" (154.9 cm × 124.5 cm × 7.6 cm) $110,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Glenn Kaino, Cloud Paths, 2021 2021, gold, nickel and ruthenium plated model parts, meteorite, amber, sea urchin exoskeleton, insect pins, paint and high-density urethane, 22" × 55" × 4-1/2" (55.9 cm × 139.7 cm × 11.4 cm) Sold $80,000 USD Learn More Close modal Glenn Kaino Cloud Paths 2021 gold, nickel and ruthenium plated model parts, meteorite, amber, sea urchin exoskeleton, insect pins, paint and high-density urethane 22" × 55" × 4-1/2" (55.9 cm × 139.7 cm × 11.4 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Glenn Kaino, In Search of New Systems (Logarithmic), 2015 2015, gold, nickel and ruthenium plated model parts, meteorite, cotton, insect pins, paint and high-density urethane, 72" × 72" × 6" (182.9 cm × 182.9 cm × 15.2 cm) Sold $90,000 USD Learn More Close modal Glenn Kaino In Search of New Systems (Logarithmic) 2015 gold, nickel and ruthenium plated model parts, meteorite, cotton, insect pins, paint and high-density urethane 72" × 72" × 6" (182.9 cm × 182.9 cm × 15.2 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Glenn Kaino, Salute (Legacy Team), 2021 2021, urethane resin, steel, wire, gold paint, glass, light, 38-1/2" × 51-1/2" × 8" (97.8 cm × 130.8 cm × 20.3 cm) Sold $80,000 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Carousel slide 2 Glenn Kaino Salute (Legacy Team) 2021 urethane resin, steel, wire, gold paint, glass, light 38-1/2" × 51-1/2" × 8" (97.8 cm × 130.8 cm × 20.3 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Jeff Koons, Gazing Ball (Antinous-Dionysus), 2013 2013, plaster and glass, 60-3/8" × 44-3/8" × 27-1/2" (153.4 cm × 112.7 cm × 69.9 cm) Sold $2,800,000 USD Learn More Close modal Jeff Koons Gazing Ball (Antinous-Dionysus) 2013 plaster and glass 60-3/8" × 44-3/8" × 27-1/2" (153.4 cm × 112.7 cm × 69.9 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Robert Longo, Study for White House, 2019 2019, ink and charcoal on vellum, 11-15/16" × 33-1/16" (30.3 cm × 84 cm), image 26-5/8" × 46-3/8" (67.6 cm × 117.8 cm), frame Available $90,000 USD Learn More Close modal Robert Longo Study for White House 2019 ink and charcoal on vellum 11-15/16" × 33-1/16" (30.3 cm × 84 cm), image 26-5/8" × 46-3/8" (67.6 cm × 117.8 cm), frame $90,000 Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Richard Misrach, Icarus Suite #110, 2019 2019, pigment print mounted to Dibond, 58" × 89-1/2" (147.3 cm × 227.3 cm), image, paper and mount 63" × 94-1/8" × 3" (160 cm × 239.1 cm × 7.6 cm), frame Unavailable $70,000 USD Learn More Close modal Richard Misrach Icarus Suite #110 2019 pigment print mounted to Dibond 58" × 89-1/2" (147.3 cm × 227.3 cm), image, paper and mount 63" × 94-1/8" × 3" (160 cm × 239.1 cm × 7.6 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Richard Misrach, Icarus Suite #140, 2019 2019, pigment print mounted to Dibond, 37" × 117" (94 cm × 297.2 cm), image, paper and mount 42" × 121-5/8" × 3-1/2" (106.7 cm × 308.9 cm × 8.9 cm), frame Unavailable $70,000 USD Learn More Close modal Richard Misrach Icarus Suite #140 2019 pigment print mounted to Dibond 37" × 117" (94 cm × 297.2 cm), image, paper and mount 42" × 121-5/8" × 3-1/2" (106.7 cm × 308.9 cm × 8.9 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Richard Misrach, Duet For Debbie #10, 2021 2021, pigment print mounted to Dibond, 47-1/8" × 117" (119.7 cm × 297.2 cm), image, paper and mount 48-1/2" × 119-3/8" × 3" (123.2 cm × 303.2 cm × 7.6 cm), frame Sold $70,000 USD Learn More Close modal Richard Misrach Duet For Debbie #10 2021 pigment print mounted to Dibond 47-1/8" × 117" (119.7 cm × 297.2 cm), image, paper and mount 48-1/2" × 119-3/8" × 3" (123.2 cm × 303.2 cm × 7.6 cm), frame Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Louise Nevelson, Seventh Decade Garden I, 1971 1971, directed-welded, painted aluminum, 109" × 57" × 40" (276.9 cm × 144.8 cm × 101.6 cm) Sold $0 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Louise Nevelson Seventh Decade Garden I 1971 directed-welded, painted aluminum 109" × 57" × 40" (276.9 cm × 144.8 cm × 101.6 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Paulina Olowska, Artist's Flea Market 2021, oil on canvas, 220 cm × 335 cm (86-5/8" × 10' 11-7/8") Sold $200,000 USD Learn More Close modal Paulina Olowska Artist's Flea Market 2021 oil on canvas 220 cm × 335 cm (86-5/8" × 10' 11-7/8") Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Marina Perez Simão, Untitled, 2021 2021, watercolor on paper, 16-1/8" × 12-3/16" (41 cm × 31 cm) Framed Size: 18-1/2 x 2-1/4 x 14-5/8 inches Sold $30,000 USD Learn More Close modal Marina Perez Simão Untitled 2021 watercolor on paper 16-1/8" × 12-3/16" (41 cm × 31 cm) Framed Size: 18-1/2 x 2-1/4 x 14-5/8 inches Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Marina Perez Simão, Untitled, 2021 2021, watercolor on paper, 16-3/8" × 11-5/8" (42 cm × 29.7 cm), paper Sold $12,000 USD Learn More Close modal Marina Perez Simão Untitled 2021 watercolor on paper 16-3/8" × 11-5/8" (42 cm × 29.7 cm), paper Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Marina Perez Simão, Untitled, 2021 2021, watercolor on paper, 16-1/8" × 12-3/16" (41 cm × 31 cm), paper Sold $8,500 USD Learn More Close modal Marina Perez Simão Untitled 2021 watercolor on paper 16-1/8" × 12-3/16" (41 cm × 31 cm), paper Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Fred Wilson, I Saw Othello's Visage in His Mind, 2013 2013, Murano glass, paint, and wood, 64" × 51-1/2" × 7-3/4" (162.6 cm × 130.8 cm × 19.7 cm) Sold $185,000 USD Learn More Close modal Fred Wilson I Saw Othello's Visage in His Mind 2013 Murano glass, paint, and wood 64" × 51-1/2" × 7-3/4" (162.6 cm × 130.8 cm × 19.7 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Fred Wilson, Slow Swill, 2021 2021, blown glass, 63" × 20-1/4" × 2-7/8" (160 cm × 51.4 cm × 7.3 cm) Sold $80,000 USD Learn More Close modal View Previous View Next Carousel slide 0 Carousel slide 1 Fred Wilson Slow Swill 2021 blown glass 63" × 20-1/4" × 2-7/8" (160 cm × 51.4 cm × 7.3 cm) Inquire How can we reach you? First Name* Last Name* Email* Phone Inquiry Message Have you purchased from Pace before?* Yes No Submit Inquiry Or go back Load more To inquire about any of the works or artists featured in this presentation, please email us at inquiries@pacegallery.com. 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