Monochrome

The Seattle Art Museum (SAM) today announced that sculptor and installation artist Tara Donovan (b. 1969) will be featured as part of its Calder at SAM initiative, which celebrates the life, legacy, and work of iconic American artist Alexander Calder (1898–1976). Monochrome: Calder and Tara Donovan explores a connection between the two artists that goes beyond a simple color choice. For Calder and Donovan, the monochrome is a lens through which to examine materials, movement, and visual perception. Curated by Tara Donovan and Catharina Manchanda, SAM’s Jon and Mary Shirley Curator of Modern and Contemporary Art, the exhibition will run from May 13, 2026, through January 17, 2027.

“This is the second exhibition where we invite a leading contemporary artist to illuminate a key aspect of Calder’s artistic practice after Thaddeus Mosley last year. Donovan is looking at Calder’s work through the lens of monochrome color and material, an artistic choice that delineates the overall form from its surroundings,” said Catharina Manchanda, exhibition curator. “I am especially excited for visitors to experience the

subtle changes of form and volume in each artist’s work as they navigate the gallery.”

Donovan’s works in the exhibition come from five separate series, which showcase her elevation of mass-produced industrial materials to create mesmerizing installationsreminiscent of biological structures and geological formations. Working with a single material or object at a time, Donovan compares her approach to a monochromatic practice animated by light.

Through her use of translucent, refractive, and reflective materials that possess the qualities to be activated, Donovan prompts the question of whether a material can transcend its origin, its intended purpose, and its function. In Transplanted, thick layers of tar paper form a floor installation evoking a geological formation. Works such as Apertures feature subtle illumination, operating at the outer margins of perception. The largest work in the exhibition comprises clusters of Mylar, recalling a supersized molecular structure.

As dual touchpoints for the exhibition, Donovan selected two of Calder’s matte black works: the cascading hanging mobile Jacaranda (1949), on loan from The National Gallery of Canada, Ottawa, and the bold stabile Mountains (1:5 intermediate maquette, 1976), from SAM’s permanent collection. When asked about the role of color in his work, Calder replied, “Well, it’s really secondary. I want things to be differentiated. Black and white are first—then red is next—and then I get sort of vague.” Both works also draw attention to constantly changing outlines and forms. “The mobile has actual movement in itself, while the stabile is back at the old painting idea of implied movement,” Calder noted. “You have to walk around a stabile or through it—a mobile dances in front of you.”

“My primary, though not sole, focus on the color black references Calder’s use of black in many of his works as a neutralizing force that flattens sculptural shapes,” Donovan explains. “While color in my own work stays limited, as determined by the chosen object, there is a spectrum of effects that occur from the use of both silver and black materials and the given lighting conditions. By limiting the palette to monochrome, the

physical identity of the material becomes the primary event for the viewer.”

Monochrome is the latest incarnation of Calder at SAM, a multiyear initiative which features exhibitions, programs, and artistic and institutional collaborations that deepen engagement with Alexander Calder’s work while celebrating the life, legacy, and iconic work of the artist. Previous iterations include Following Space: Thaddeus Mosley & Alexander Calder and the inaugural Calder: In Motion, The Shirley Family Collection.

THE CALDER AT SAM INITIATIVE

Calder at SAM is a multiyear initiative that celebrates the life, legacy, and work of iconic American artist Alexander Calder (1898–1976). It was made possible by a transformative promised gift to SAM by longtime supporters Jon and Kim Shirley of over 45 works by Calder, as well as lithographs and rare ephemera, representing every decade of the artist’s career. The gift also includes a $10M endowment and $1M in

additional funds for special programming and ticket and transportation subsidies to ensure under-resourced or previously excluded communities. With annual exhibitions, programs, and artistic and institutional collaborations centered on the artist, it expands knowledge and access to these critical works and establishes SAM as a national destination for Calder appreciation and scholarship. The initiative’s inaugural exhibition,Calder: In Motion, The Shirley Family Collection (November 8, 2023–October 20, 2024), debuted to the public the entire collection for the first time, allowing visitors to experience seminal works from every decade of the artist’s career.

EXHIBITION ORGANIZATION AND SUPPORT

Monochrome: Calder and Tara Donovan is organized by the Seattle Art Museum. The exhibition is generously supported by the Kim and Jon Shirley Foundation.

(opens in a new window) Learn more at seattleartmuseum.org.