Untitled by Young Sook Park

Park Young Sook, Untitled, 2025, Collaboration with Lee Ufan © Park Young Sook

Frieze Seoul

Upcoming
Sep 2 – 5, 2026
Seoul
 
At the 2026 edition of Frieze Seoul, Pace will present works exemplifying the breadth and depth of its contemporary program, including James Turrell’s newest work, an elliptical glass installation; a pair of never-before-exhibited sculptures and a painting by Anicka Yi; and a new painting by Loie Hollowell. A 1992 painting by Emily Kam Kngwarray will be among key historical works also presented on Pace’s booth.

Pace’s presentation will feature additional works by contemporary artists Mary Corse, Huong Dodinh, Adrian Ghenie, Alicja Kwade, Lee Ufan, Robert Longo, Kylie Manning, Maysha Mohamedi, William Monk, Yoshitomo Nara, Kohei Nawa, Robert Nava, Kenjiro Okazaki, Paulina Olowska, Park Young Sook, Lauren Quin, Marina Perez Simão, Kiki Smith, and Mika Tajima.

Historical paintings by Adolph Gottlieb and Yoo Youngkuk will provide compelling counterpoints to the wide range of works on view from the present day.

An exhibition of new paintings by Friedrich Kunath at Pace Seoul, on view through October 24, coincides with the fair.

Highlights on Pace’s booth include:

James Turrell’s newest installation, in which an elliptical shape with a frosted glass surface is animated by an array of technically advanced, wall-mounted LED lights, generated by computer programming.

Pit and the pendulum in red (2026) by Loie Hollowell, who curated and contributed work to this year’s group exhibition Exquisite Corpse at Pace in Berlin.

Two glass and wood sculptures of organism-like forms and a Saturn Paintings work by Anicka Yi, whose site-specific installation Message from the Mud is on view at Storm King Art Center in New Windsor, New York, through November 9.

A vibrant abstract painting from 1992 by Emily Kam Kngwarray, who was the subject of the recent exhibition The Turning Season at Pace in New York.

Sans titre (1992) and K.A.145, December 2011 – January 2012 (2011–2012) by Huong Dodinh, whose work will feature in the dual exhibition Park Seo-Bo & Huong Dodinh: Emptiness Fullness at the Park Seo-Bo Museum in Seoul, from August 21 through January 3, 2027.

Maysha Mohamedi’s Lunch for One (2026), a new painting created after her exhibition Maysha the Fool held earlier this year in at Pace in New York.

A painting inspired by the winter mountain landscape of Calgary, Canada—Work (1989)—by Yoo Youngkuk, subject of a major retrospective, A Mountain Within Me, on view at Seoul Museum of Art (SeMA) through October 25.

Negative Entropy (Kurozumikyo Shrine Meditation, Blue, Quad) (2026) by Mika Tajima, who recently presented the exhibition 37 Dimensions at Pace in Los Angeles.

A new painting by Lauren Quin, whose work will feature in a solo presentation on Pace’s booth at Tokyo Gendai 2026.

William Monk’s Smoke Ring Mountain V (2026) and Untitled (79 AD) (2026), part of his ongoing series of paintings exploring liminality and the metaphysical included in his recent solo exhibition Noon Day Night at Pace in Tokyo.

A new work by Robert Nava, whose exhibition at the Peter Marino Art Foundation in Southampton, New York, continues through October 3.