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布伦特 瓦登

sympathetic resonance

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 173 cm × 182 cm × 4 cm (68-1/8" × 71-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 173 cm × 182 cm × 4 cm (68-1/8" × 71-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 184 cm × 184 cm × 4 cm (72-7/16" × 72-7/16" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 184 cm × 184 cm × 4 cm (72-7/16" × 72-7/16" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 71 cm × 93 cm × 4 cm (27-15/16" × 36-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 71 cm × 93 cm × 4 cm (27-15/16" × 36-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 157 cm × 188 cm × 4 cm (61-13/16" × 74" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 157 cm × 188 cm × 4 cm (61-13/16" × 74" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 232 cm × 232 cm × 4 cm (91-5/16" × 91-5/16" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 232 cm × 232 cm × 4 cm (91-5/16" × 91-5/16" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 115 cm × 115 cm × 4 cm (45-1/4" × 45-1/4" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 115 cm × 115 cm × 4 cm (45-1/4" × 45-1/4" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 72 cm × 93 cm × 4 cm (28-3/8" × 36-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 72 cm × 93 cm × 4 cm (28-3/8" × 36-5/8" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 115 cm × 115 cm × 4 cm (45-1/4" × 45-1/4" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 115 cm × 115 cm × 4 cm (45-1/4" × 45-1/4" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 112 cm × 188 cm × 4 cm (44-1/8" × 74" × 1-9/16").

Wadden, Brent Untitled, 2018. handwoven fibers, wool, cotton and acrylic on canvas, 112 cm × 188 cm × 4 cm (44-1/8" × 74" × 1-9/16").

About 布伦特 瓦登

布倫特·瓦登(生於1979年,新斯科捨,加拿大)2003年畢業於諾瓦藝術與設計大學並住在柏林。他的個展列表包括:佩雷斯項目組,柏林(2013,2014);Sorry We’re Closed畫廊,布魯塞爾(2013年);阿爾敏·萊希畫廊,布魯塞爾(2014);米歇爾-英尼斯與納什畫廊,紐約(2015)。2016年1月,瓦登於北美的首次博物館個展《灰色區域》於埃德蒙頓艾伯塔省立美術館舉辦。 瓦登的作品於佩斯的首次展覽是由尼古拉斯·特倫布萊策劃的於紐約空間舉辦的《民藝:你在這兒嗎?》。他近期參與的其它群展包括:《美國的現代抽象藝術》,薩奇畫廊,倫敦(2014);《保持神秘》,華特菲利普斯畫廊,艾伯塔省,加拿大(2014);《女性,展覽》,汽車中心-當代藝術中心,柏林(2014);《非書面用語》,Exnergasse美術館的,維也納(2014);以及《認知幾何學》,西門菲莎大學,溫哥華(2015)。

Press Release

  • sympathetic resonance

    Pace Gallery is delighted to present sympathetic resonance, an exhibition of new work by Canadian artist Brent Wadden at 6 Burlington Gardens. The exhibition will be on view from 22 November 2018 to 11 January 2019.

    Working on backstrap and floor looms, Wadden creates his large-scale work by weaving linear and abstract forms that he then stretches over raw canvas. Influenced by folk and Bauhaus textiles, the language and techniques of women quilters of Gee’s Bend, Alabama, as well as painting movements such as Minimalism, Wadden’s pieces balance full and empty spaces, throwing the distinction between high and low into flux and using technical mistakes to progress. His paintings complicate hierarchies of media and disciplines, surfaces and textures with his own woven arrangements.

    “Brent Wadden is resolutely an abstract painter. But then everything we view by him contradicts this first impression or in some way complicates our understanding of what it is we’re looking at. We apprehend the made qualities of the work itself; we recognize its materiality; we delight in its appearance. And yet Wadden investigates the potentials of these material and sensorial facts imbuing them with a contemporary relevance that stretches far beyond well-worn and overly familiar discussions.” Nigel Prince, Executive Director of the Contemporary Art Gallery, Vancouver.

    The new compositions reveal an intricate symmetry of arrangements, rare textures and interplay between materials such as acrylic, left-over cotton and wool. They are the result of a continued technical and compositional experimentation with weaving stripes and the inherent idea of infinity that they address. Focusing on a consistent colour scheme which goes through the entire body of work, Wadden’s concern with weave reveals the depth of Abstract Expressionism’s influence on his practice, recognizing canvas not only as a precious support surface but one that has tactile qualities and complex intelligence.

    The title of the exhibition refers to external harmonic audio vibrations that can create other sounds and hereby have secondary meanings. By extension, the term can also deal with human energy, a double meaning which was of specific interest to Wadden for these new works.

    Wadden’s turn toward labour-intensive methods and techniques situates him within a group of artists who have resisted technology in favour of more physical, craft-based media. He sees his paintings as accumulating the residual energy of his materials, his labour and the different categorical translations that happen as he transforms raw craft material into a painting. Rather than reject the distinctions between textile and painting, craft and fine art, he embraces each, weaving them into his own aesthetic that resists fixed boundaries between media.

    This is the third presentation of works by Brent Wadden at Pace in London.