Pace Galleries

Summer Group Show

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Installation view, Summer Group Show, Itaewon-ro 262, Yongsan-gu, Seoul, June 5 – August 11, 2018..

Nozkowski, Thomas Untitled (9-5), 2011. oil on linen on panel, 22" x 28" (55.9 cm x 71.1 cm).

Nozkowski, Thomas Untitled (9-5), 2011. oil on linen on panel, 22" x 28" (55.9 cm x 71.1 cm).
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For nearly forty years, Du Pasquier has playfully blurred the boundaries between fine art and design. Since 1987, she has dedicated her practice to painting and sculpture. She continues to challenge the concept of representation. As with her early design work, her vividly-coloured paintings explore complex arrangements of forms, ideas of depiction versus reality, and the expressive relations between objects and colours. Du Pasquier’s work is currently featured in The Almanach 18, an interna