Skip to main content

Pace Galleries

Cart icon

林 璎

Ebb and Flow

Installation view, "Maya Lin: Ebb and Flow," Pace Gallery, photography by Kerry Ryan McFate © Maya Lin.

Installation view, "Maya Lin: Ebb and Flow," Pace Gallery, photography by Kerry Ryan McFate © Maya Lin.

Installation view, "Maya Lin: Ebb and Flow," Pace Gallery, photography by Kerry Ryan McFate © Maya Lin.

Installation view, "Maya Lin: Ebb and Flow," Pace Gallery, photography by Kerry Ryan McFate © Maya Lin.

About 林 璎

林瓔廣受讚譽的作品包括大型戶外公共裝置,小型室內藝術作品、雕塑以及紀念碑等。她的作品透過二十一 世紀的眼光看待這個世界,運用科技的手段去研習自然景觀。在她的雕塑和繪畫作品中,她完美地將理性與 美感相融合。她打破二維與三維的空間,建立了與歷史、時空、科技以及語言相聯繫的景觀。林瓔曾經在世 界各地美術館舉行個人展覽,並且為紐約和新西蘭的眾多戶外公共場地以及私人收藏創作永久性裝置藝術。 目前,林瓔正在創作她最後名為「我們失去了什麼?」的紀念碑,旨在喚醒人們對於生物多樣性以及生態流 失的意識。林瓔於 1959 年出生於俄亥俄的阿森斯,畢業於耶魯大學和耶魯大學建築學院。佩斯畫廊自從 2008 年起代理林瓔。

Press Release

  • Maya Lin: Ebb and Flow

    New York—Pace Gallery is pleased to present Maya Lin: Ebb and Flow featuring 9 new installations and sculptures that continue the artist’s ongoing investigation of water in its different states. The exhibition includes wall and floor pieces made from recycled silver, glass marbles, steel pins, and marble. Lin’s fourth exhibition with Pace since she joined the gallery in 2008, Ebb and Flow is on view at 537 West 24th Street from September 8 through October 7, 2017. An opening reception for the artist will be held on Thursday, September 7, from 6 to 8 p.m.

    “I've always been fixated on water,” says Lin. “Maybe it's because it exists in multiple states, and you can never understand it in nature as a fixed moment in time. The new show coming up at Pace is about the transitory state of water, and of the earth itself. I'm very interested in the shifting flux of things. And especially now with human development and climate change, the world is being altered at an incredible pace—from rising seas, disappearing polar ice, to our major rivers and estuaries and how they have been changed by us. I wanted to capture some of those events: ‘Can we stop time? Can we freeze a moment in something that is always in flux? Can I reveal aspects of the natural world that you may not even realize are shifting?’”

    The works in Ebb and Flow map the water at Victoria Falls, in the Nile River, the Arctic, and the Antarctic and translate its presence into humanly scaled comprehensible forms. The exhibition includes two new Silver River works depicting the Nile and Columbia Rivers. Using recycled silver, Lin evokes water through the silver’s smooth and reflective qualities, and symbolically portrays a finite resource with a recycled material. In other works, such as Where the Water Flows North (2017) Lin uses steel pins set into the gallery wall to create a three-dimensional drawing that illustrates the dispersion and movement of waterways. Drawn together, the new works reflect Lin’s ongoing interest in capturing the different states and constant flux of our world’s most essential element.

    Maya Lin (b. 1959, Athens, Ohio) acclaimed work encompasses large-scale environmental installations, intimate studio artworks, architectural projects and memorials. Her artwork interprets the world through a twenty-first century lens, utilizing technological methods to study and visualize the natural environment. In her sculpture and drawing, Lin merges rational order with notions of beauty. Blurring boundaries between two- and three-dimensional space, Lin sets up a systematic ordering of the landscape tied to history, time, science and language.

    Her numerous awards include receiving the Presidential Medal of Freedom, the Nation’s highest civilian honor, in 2016 from President Barack Obama, the 2009 National Medal of the Arts conferred by President Obama and the 2014 Gish Prize for her contributions to art and social change. She is at work on her final memorial, What is Missing?, raising awareness about habitat loss and biodiversity.

    Lin’s work is held in numerous public collections worldwide, including the Crystal Bridges Museum of American Art, Bentonville, Arkansas; Museum of Fine Arts, Boston; Columbus Museum of Art; Wexner Center for the Arts, Columbus, Ohio; The Nelson-Atkins Museum of Art, Kansas City; Minneapolis Institute of Art; The Metropolitan Museum of Art, New York; Chrysler Museum of Art, Norfolk, Virginia; National Gallery of Canada, Ottawa; Phoenix Art Museum, Arizona; Nevada Museum of Art, Reno; Museum of Contemporary Art San Diego; Toledo Museum of Art; Colby Museum of Art, Waterville, Maine; National Gallery of Art, Washington, D.C.; and Cornell Fine Arts Museum at Rollins College, Winter Park, Florida, among others.

    The artist is also working on a permanent installation, An Ecological Primer, at Oberlin College, where one of three proposed elements has already been installed. Maya Lin: Systematic Landscapes, organized by the Henry Art Gallery at the University of Washington, Seattle, traveled to Contemporary Art Museum, St. Louis; Museum of Contemporary Art San Diego; de Young Museum, Fine Arts Museums of San Francisco; and Corcoran Gallery of Art, Washington, D.C. (2006–09). In 2009, three major works from the traveling exhibition were presented in Maya Lin: Three Ways of Looking at the Earth, Selections from Systematic Landscapes at Pace, New York. Lin has been the subject of exhibitions at venues including Carnegie Museum of Art, Pittsburgh (2012); Dayton Art Institute (2012); Parrish Art Museum, Water Mill, New York (2014); Nevada Museum of Art, Reno (2014); Ivorypress Art and Bookspace, Madrid (2014); and Orlando Museum of Art (2015).

    Lin has been commissioned to create major art and earth works by organizations around the world. A selection of her earth works include Eleven Minute Line (2004) at Wanås Foundation, Wanås, Sweden; Storm King Wavefield (2009) at Storm King Art Center, Mountainville, New York; and A Fold in the Field (2013) at Gibbs Farm, Kaipara Harbour, New Zealand, among others. Notable art commissions include Women’s Table (1993) for Yale University, New Haven; Above and Below (2007) for the Indianapolis Museum of Art; Pin River – Yangtze (2007) for the American Embassy in Beijing; Where the Land Meets the Sea (2008) and What is Missing? (2009) for the California Academy of Sciences, San Francisco; and Colorado River (2009) for Aria Resort & Casino, Las Vegas, among others.

    Committed to advocating sustainable design solutions in all her works, Lin’s architectural projects include Novartis Institutes for Biomedical Research in Cambridge, Massachsuetts (2015); the Museum for Chinese in America in New York City (2009); the Riggio-Lynch Interfaith Chapel in Clinton, Tennessee (2004); and Langston Hughes Library in Clinton, Tennessee (1999). Currently, the construction for her redesign of the Neilson Library at Smith College has begun and is set to be completed by fall 2020. Holding degrees from Yale and the Yale School of Architecture, Lin’s architectural designs create a close dialogue between the landscape and built environment.

    Pace is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Founded by Arne Glimcher in Boston in 1960 and currently led by Marc Glimcher, Pace has been a constant, vital force in the art world and has introduced many renowned artists’ work to the public for the first time. Pace has mounted more than 900 exhibitions, including scholarly shows that have subsequently traveled to museums, and published over 450 exhibition catalogues. Today, Pace has nine locations worldwide: three galleries in New York; one in London; one in Palo Alto, California; one in Beijing; and spaces in Hong Kong, Paris, and Seoul. In 2016, the gallery 3 launched Pace Art + Technology, a new program dedicated to showcasing interdisciplinary art groups, collectives and studios whose works explore the confluence of art and technology.