Pace Galleries

理查德 塔特尔

弗雷兹纽约艺博会(Frieze New York)

Richard Tuttle Aspect II, 2015. archival watercolor paper, cardboard backing material, acrylic, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2.

Richard Tuttle Aspect II, 2015. archival watercolor paper, cardboard backing material, acrylic, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2.

Richard Tuttle Aspect IV, 2015. Archival watercolor paper, cardboard backing material, watercolor, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2" (82.6 cm x 66 cm x 3.8 cm).

Richard Tuttle Aspect IV, 2015. Archival watercolor paper, cardboard backing material, watercolor, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2" (82.6 cm x 66 cm x 3.8 cm).

Richard Tuttle Aspect XII, 2015. Archival watercolor paper, cardboard backing material, gesso, watercolor, graphite, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect XII, 2015. Archival watercolor paper, cardboard backing material, gesso, watercolor, graphite, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect VIII, 2015. Archival watercolor paper, cardboard backing material, acrylic, gesso, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect VIII, 2015. Archival watercolor paper, cardboard backing material, acrylic, gesso, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect IX, 2015. Archival watercolor paper, cardboard backing material, acrylic, watercolor, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect IX, 2015. Archival watercolor paper, cardboard backing material, acrylic, watercolor, maple wood, and furniture-grade lacquer, 26" x 32-1/2" x 1-1/2" (66 cm x 82.6 cm x 3.8 cm).

Richard Tuttle Aspect X, 2015. Archival watercolor paper, cardboard backing material, acrylic, pigment dye, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2" (82.6 cm x 66 cm x 3.8 cm).

Richard Tuttle Aspect X, 2015. Archival watercolor paper, cardboard backing material, acrylic, pigment dye, maple wood, and furniture-grade lacquer, 32-1/2" x 26" x 1-1/2" (82.6 cm x 66 cm x 3.8 cm).
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About 理查德 塔特尔

理查德·塔特尔 (生于1941年,新泽西州,拉威)是当代知名艺术家。自60年代中期,他创作了一个不同于历史或风格化的作品。Tuttle的作品介于油画,雕塑,诗歌,组合装置,和素描之间。他用简陋的材料创作出了美,在他的诗歌作品中反映了世界的脆弱。没有具体的参照点,因为深切的求知欲,他对线,量,色彩,质感,形状和形式的研究充满了灵感和了解。语言,空间关系,和规模都是为观众的审美体验,保持敏锐意识的艺术家的核心问题。Tuttle是从2012年9月到2013年6月居住在Getty Research Institute的艺术家。艺术家工作并生活在缅因州沙漠山,新墨西哥洲阿比基,和纽约。
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Press Release

  • Pace Presents Richard Tuttle at Frieze New York

    New York—Pace is pleased to announce its inaugural appearance in the Frieze New York art fair with a solo presentation of new drawings by Richard Tuttle. Since the 1960s, Tuttle has challenged conventions of genre and media, sensitizing viewers to the experience of looking with his work. This new series of drawings, titled Aspects, were completed in Maine in the summer of 2014 and evince Tuttle’s interest in formal properties of line and scale. In each work—a cut sheet from an artist’s drawing pad mounted on its cardboard backing—he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

    For Frieze New York, Tuttle has conceived of the stand as an immersive environment—what he calls a pavilion. Both the interior and exterior walls will be painted black, and his red-framed drawings will be exhibited with a white band surrounding them. Twelve purple, ovoid forms will be spray-painted onto the specially designed Masonite floor. The environment creates a hermetic space that envelops the viewer, heightening the intimacy of the experience with these drawings.

    The presentation at Frieze follows Tuttle’s recent commission at the Tate Modern’s Turbine Hall, which coincided with a survey of his textile works at the Whitechapel Gallery. The survey, as well as a retrospective of his prints organized by the Bowdoin College Museum of Art, will both open at the Fabric Workshop and Museum, Philadelphia, on May 15. Also in May, the Pulitzer Art Foundation, St. Louis, will present a solo exhibition of Tuttle’s seminal 1972 wire pieces from May 1 to September 12.

    Richard Tuttle (b. 1941, Rahway, New Jersey) has been the subject of more than two-hundred solo exhibitions during his career, ranging from his first museum exhibition at the Whitney Museum of American Art, New York, curated by Marcia Tucker (1975), to his travelling retrospective organized by the San Francisco Museum of Modern Art (2005). Tuttle’s work has been included in numerous important group shows including Documenta (1972, 1977, 1982) and the Venice Biennale (1976, 1997, 2001); his work is represented in the collections of more than fifty institutions worldwide. His work will be included in the five-artist exhibition Drawing Redefined, opening October 1 at the de Cordova Sculpture Park and Museum, Lincoln, MA.

    Richard Tuttle lives and works in Abiquiu, New Mexico; Mount Desert, Maine; and New York.

    For press inquiries, please contact: Jennifer Joy, Sutton PR, +1 212 202 3402 or jen@suttonpr.com.

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News

In this video, filmed during Art Basel Miami Beach in 2012. Richard Tuttle and Tate Modern director Chris Dercon discuss the signifiance of textiles.  Pace Gallery will open Richard Tuttle's "Studies" and Drawings for Turbine Hall on February 7 at 32 East 57th Street featuring preparatory work for the artist's commission for the Tate Modern's Turbine Hall.