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Robert Whitman

Soundies

Diving Board, 2015. Audio-visual, Piece: 36 x 48 x 1-1/2" Display Card: 4-1/8 x 8-1/2" Amplifier: 1-3/4 x 6-1/8 x 4-1/4".

Diving Board, 2015. Audio-visual, Piece: 36 x 48 x 1-1/2" Display Card: 4-1/8 x 8-1/2" Amplifier: 1-3/4 x 6-1/8 x 4-1/4".

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

About Robert Whitman

Robert Whitman (b. 1935, New York) was a leading figure in New York’s Happenings movement from the late 1950s through the early 1960s. A pioneer of performance art and multimedia installation, he co-founded Experiments in Art and Technology (E.A.T.), a nonprofit organization dedicated to collaboration between artists and engineers. Throughout his career, Whitman has aspired to transform and transcend the limitations of images by emphasizing their spatial, temporal, and dimensional qualities.

Although Whitman received his first one artist exhibition at the Rutgers affiliated gallery, Art House, in 1958, he debuted his Constructions at Hansa Gallery, New York, in 1959. He has composed and produced over forty performance works, nine of which, spanning from 1976 to 1983, were created in conjunction with Dia Art Foundation. Whitman’s work is held in numerous collections in the United States and abroad, including Centre Pompidou, Paris; Dia Art Foundation, New York; The Fabric Workshop and Museum, Philadelphia; Moderna Museet, Stockholm; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Smithsonian American Art Museum, Washington, D.C; and Walker Art Center, Minneapolis.

Press Release

  • Robert Whitman

    New York—Pace is pleased to announce Soundies, an exhibition of Robert Whitman’s new audiovisual work. Soundies will be on view at 32 East 57th Street from April 2 to May 2, 2015.

    In his newest body of work, Whitman continues his exploration of the possibilities of images that has occupied his practice since his involvement with the Happenings and the Expanded Cinema movement. The exhibition’s title derives from the term talkies, used to describe the first motion pictures with sound. Each work features a sonically evocative still image such as dripping faucet or a diving board. He complements the image with audio of the associative sound and a wall label with a matter-of-fact description of the image. Captured from his immediate surroundings, each work possesses a universally perceptible quality when heard, seen or described.

    The works stem from his longstanding interest in developing works and performances that can be experienced by blind and sighted audiences. For Soundies, Whitman consulted with Emilie Gossiaux, an artist who is blind, who helped him determine nonvisual ways to encounter the images. By relying on text and audio elements, Whitman shuns any hierarchy that might privilege the visual over the other senses, inviting viewers to experience the work aurally or discursively.

    The works in Soundies relate to Whitman’s new performance Swim, premiering at the Alexander Kasser Theater at Montclair State University on March 26, 2015. Whitman will create a multisensory performance that expands the experience of theater into something that can be felt through all the senses. Presented by Peak Performances, there will be four presentations of Swim from March 26 to March 29.

    Robert Whitman (born 1935, New York, NY) was a leading figure in New York’s downtown art scene in the 1960s. Along with Claes Oldenburg, Jim Dine, Allan Kaprow and Lucas Samaras, he created some of the first Happenings, though unlike his peers, Whitman allowed his works to be restaged. Whitman is a vanguard in both performance and media works, often working at the forefront of new technological innovations and considered a key figure in the Expanded Cinema movement. From 1968 to 1970, he developed the Experiments in Art and Technology program with Robert Rauschenberg and engineers Billy Klüver and Fred Waldhauer.

    Whitman has had solo exhibitions at the Whitney Museum of American Art, New York (1968); Museum of Contemporary Art, Chicago (1968); Jewish Museum, New York (1968–69). In 2003, Dia Center for the Arts, New York, organized an exhibition of his work that traveled to Museu Serralves, Museu de Arte Contemporanea, Porto, and Museu d’Art Contemporani de Barcelona. His performance work Local Report, originally conceived in 1972, was recently performed in 2005 at multiple venues including the Solomon R. Guggenheim Museum, New York. Creative Time organized a subsequent presentation of the work in New York in 2012.

    His theater works have been presented at the New York Film Festival (1966); Contemporary Arts Museum, Houston (1974); The Kitchen, New York (1974, 1990); Walker Art Center, Minneapolis (1974): Dia Center for the Arts, New York (1976, 2003–04); Dia: Beacon (2011); Stedelijk Museum, Amsterdam (1982); Moderna Museet, Stockholm (1987); Philadelphia Museum of Art (1987, 1989); MIT List Visual Arts Center, Cambridge, MA (1990); and Raven Row, London (2014), among other venues.

    His work is included in public collections including Dia Center for the Arts, Beacon, NY; Moderna Museet, Stockholm; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Musée National d´Art Moderne, Centre Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; American Art Museum, Smithsonian Institution, Washington; and Walker Art Center, Minneapolis, among others.

    Robert Whitman lives and works in Warwick, NY. This is his seventh exhibition at the gallery.

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    For press inquiries, please contact: Jennifer Joy, Sutton PR, +1 212 202 3402 or jen@suttonpr.com.

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