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Pace Galleries

基思 考文垂

Junk Paintings

Keith Coventry Untitled (Junk Painting), 2012. Oil on linen, glass and wood, 177.5 x 146.5 cm x 8 cm (69-7/8 x 57-11/16 x 3-1/8");.

Keith Coventry Untitled (Junk Painting), 2012. Oil on linen, glass and wood, 177.5 x 146.5 cm x 8 cm (69-7/8 x 57-11/16 x 3-1/8");.
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About 基思 考文垂

基思·考文垂在1958年生于英国伯恩利,并在伦敦生活及工作。他于1978至81年在布莱顿理工学院上课,并于1981至82年在切尔西艺术学院上课。英国皇家科学院于1997年举办了开创性的展览,名为「Sensation」并重点展出他的作品。而在2006年,他在格拉斯哥的Tramway Art Centre 有一个职业生涯中期回顾。他也是City Racing的联合创始人和策展人,这是个从1988年1998年在伦敦南部肯宁顿的一个具有影响力且不营利的画廊。 他的作品已在英国及欧洲被广泛展出,也被包括在世界各地的收藏,当中包括英国文化委员会、泰特现代美术馆、英格兰艺术委员会、沃克艺术中心、明尼阿波利斯以及纽约的现代艺术博物馆。在2010年,考文垂获得了约翰摩尔斯绘画奖(John Moores Painting Prize)。
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Press Release

  • Pace London was proud to present Junk Paintings, an exhibition by the British artist Keith Coventry at the gallery’s space at 6-10 Lexington Street. The exhibition, on view from 2 November to 21 December, features ten new paintings that reinterpret details of the iconic McDonald’s logo.

    For more than two decades, Coventry has created paintings and sculptures that manipulate legacies of Modernism while addressing conditions of contemporary urban life. The artist's work conveys an enduring interest in the dark side of idealism: urban decay, drug abuse, and alienation. Coventry creates direct references to the utopian ideals of Modernism, which originally strived to refashion the world. He plays with these beliefs, revealing them to be misplaced or even misconceived; the gulf between belief and reality stimulates a series of troubling undercurrents in his work.

    In Junk Paintings, Coventry proposes a new visual language that focuses on elements of the instantly recognizable McDonald’s logo. He first began to manipulate the American fast-food chain’s logo in 2000, inspired by the discarded fast-food wrappers that accumulated outside his studio. Coventry noticed that the yellow, red, and blue of the company’s visual identity mirrored his own palette, which was originally inspired by the Russian Constructivists. The trampled packaging naturally created compositions reminiscent of the work of artists from the Constructivist movement. “Capitalist organisations have the ability to swallow everything, including aesthetics that have emerged from the Communist era,” said Coventry about his use of primary colours in this body of work. Coventry began to revisit the McDonald’s concept a year ago, isolating and cropping parts of the logo to yield new paintings that link Minimalism, Modernism, and Pop Art with elements of mass-consumerism.

    “I’ve explored the McDonald’s logo in the past but the difference with this exhibition is that these new paintings are much more abstract. I am moving from the objectivity of the logo to the non-objective abstract field. I am purifying it from the commercial dimension in a way.” – Keith Coventry, 2012.

    In addition to Junk Paintings at Pace London, this year Coventry’s work will be exhibited across various spaces in the UK including the David Roberts Art Foundation, the New Art Centre, and Peer.

    For press inquiries, please contact:

    London: Nicolas Smirnoff, nicolas@pacegallery.com / +44 20 7297 2820
    New York: Sarah Goulet, sgoulet@pacegallery.com / +1 212 421 8987

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