Michal Rovner’s (b. 1957, Israel) work in video, sculpture, drawing, sound, and installation reflects on the continuum of human experience. Her work defines an evocative language of abstraction, dealing with themes such as time, history, and science. While generally avoiding specific issues or events, Rovner’s work shifts between the poetic and the political, and between current time and historical memory, to explore questions of nature, identity, dislocation, and the fragility of human existence.
She has been exhibited in over 60 solo exhibitions including a mid-career retrospective at the Whitney Museum of Art, the Israeli Pavilion at the Venice Biennale, the Jeu de Paume, and the Louvre. In 2006, Rovner began a series of monumental structures titled “Makom” (Place), using stones from dismantled or destroyed Israeli and Palestinian houses from Jerusalem, Bethlehem, Haifa, the Galilee, and the border of Israel and Syria. She worked with Israeli and Palestinian masons to construct new spaces encompassing history, memory, and time. In 2013, Rovner created the installation “Traces of Life” at the Auschwitz-Birkenau State Museum devoted to the 1.5 million Jewish children murdered in the Shoah. In 2018, Celebrating Israel’s 70th Anniversary: Michal Rovner and Tal Shochat was exhibited at Nevada Museum of Art.