Pace Galleries

蒂姆 艾特尔

Invisible Forces

View More

About 蒂姆 艾特尔

蒂姆·艾特尔1971年出生于德国莱昂贝格。他曾在斯图加特大学学习文学和哲学,随后进入莱比锡视觉艺术学院学习绘画,并于2001年至2003年作为研究生师从阿诺·林克教授。作为德国“新莱比锡画派”的代表人物、当代绘画中最具代表性的中坚力量之一,艾特尔以刻画当代社会的都市景观及心理肖像而闻名。他的绘画从当代生活及艺术史中汲取养分,持续探索并拓展色彩、形式等绘画语言的表达潜力。艾特尔的画作呈现出近乎抽象的简洁性,通过对现实进行去细节化的剥除,艾特尔在画布与颜料之上构建出了全新的现实,令观看者仿佛可以通过长时间的凝视中进入另一个时空,为现实主义题材的绘画注入了新的动力。 他自 2000 年起參加了超过五十次世界范围内的展览,同时获得众多奖项,其中包括 2003 年马里昂艾默奖和 2002 年德国萨克森国家研究生奖学金。2002 年,艾特尔获得资助参加柏林伯大尼艺术家之家国际工作室艺术家驻留专案。同时,他也是柏林艺术联盟的联合创始人之一。 艾特尔于2006 年加入佩斯画廊。
View More

Press Release

  • Tim Eitel: Invisible Forces
    PaceWildenstein is pleased to present a series of new oil on canvas paintings by Tim Eitel in his second solo exhibition at the gallery. A catalogue with an essay by Joachim Pissarro, Bershad Professor of Art History and director of the Hunter College Art Galleries, will accompany the exhibition. Tim Eitel: Invisible Forces will be on view from November 6 through December 5, 2009 at 545 West 22nd Street, New York City. The artist will be present at an opening reception on Thursday, November 5th from 6-8 p.m. In Tim Eitel’s emotionally complex and stirring paintings, the artist conflates fragments of images and memories of everyday life with print and film media, as well as the history of art. Using formal, realist painting techniques, Eitel creates disconnected worlds extracted from time. The artist isolates his anonymous subjects from their contexts, profoundly elevating the significance of every gesture and nuance. Past and present, memories, feelings, and associations converge, evoking ambiguous narratives which force viewers to reexamine their own perceptions of society and to see that which they often allow to become invisible. The new works are based on pictorial elements isolated from photographs that Eitel takes on city streets as part of an ongoing investigation of the world surrounding him. Eitel uses ambiguous settings and distills out all reference to motion or change, allowing the works to become a lens into the viewer’s own contextual references and associations. “There is a saying that we only see what we know, and sociologically, this notion might explain why it is so easy to ignore the homeless, the cardboard boxes, and the pigeons, that are all over the streets,” Eitel explains; “If you don’t ‘know’ these things, they become invisible. But in front of a painting, you bring so many things you know already—your expectations, taste, opinions—that you can’t help but look at the subject with other eyes. A painting is much like an invitation to go and see things differently.” Some of Eitel’s most recent works have become markedly more abstract, accompanying his growing interest in formal composition, like paintings in which figures disappear altogether: a pile of cloth strewn across the floor, a cot with rumpled sheets, paper towels and bags on the sidewalk. Looking to Piet Mondrian, Barnett Newman and Mark Rothko, Eitel’s abstraction is closely tied to spirituality and philosophy and how these messages can be expressed through art. Formal structure and meaning work in tandem in his canvases, such as Crows, 2009, (85-1/8" x 70-1/8"), where the bleak, grey backdrop serves as a formal device and simultaneously emphasizes a sense of despair. Tim Eitel was born in 1971 in the southern German city of Leonberg, near Stuttgart. He graduated with a degree in painting from the Hochschule für Grafik und Buchkunst in Leipzig in 2001. Eitel first gained recognition as a co-founder of the collective art gallery, Liga, in Berlin. He joined PaceWildenstein in 2006 and his first solo-exhibition at the gallery, Center of Gravity, was mounted the same year. Eitel has participated in more than fifty exhibitions worldwide since 2000. In 2008, Martin Hellmold, Director of the Kunsthalle Tübingen, Germany, organized and curated Tim Eitel: Die Bewohner, a traveling exhibition which debuted at the museum and had subsequent installations at the Kunsthallen Brandts, Denmark and Kunsthalle zu Kiel, Germany. Other significant solo exhibitions include Currents 96: Tim Eitel at the Saint Louis Art Museum, Missouri (2005-6); Tim Eitel: Terrain, a traveling exhibition organized by the Museum zu Allerheiligen/Kunstverein Schaffhausen (2004-5); and Tim Eitel at Künstlerhaus Bethanien, Berlin (2002). Eitel’s work has also been included in a traveling exhibition organized by Mass MocA (2004-2008) and in group shows at the Kunsthalle Wien, Vienna (2008-9); MART Museo di arte moderna e contemporanea di Trento e Rovereto, Italy (2008); Cleveland Museum of Art (2005); Rubell Family Collection, Miami (2004-8); Museum der Bildenden Künste, Leipzig (2003); and Frankfurter Kunstverein (2003). Eitel has received a number of prestigious scholarships and awards throughout his career, including the Marion Ermer-Preis (2003) and the Landesgraduiertenstipendium, Saxonia, Germany (2002). He was granted an artist’s residency in the International studio programme at Künstlerhaus Bethanien in Berlin in 2002. His work is part of numerous museum collections and important private collections worldwide, such as the Museum Frieder Burda, Baden-Baden, Germany; Ovitz Family Collection, Los Angeles; Sammlung Essl—Museum für Gegenwartskunst, Austria, and the Rubell Family Collection, Miami. The artist lives and works in New York City. For more information on Tim Eitel: Invisible Forces, please contact Jennifer Benz Joy at jjoy@pacewildenstein.com or Lauren Staub at lstaub@pacewildenstein.com or call 212.421.3292.
View More

Catalogues

TIM EITEL: INVISIBLE FORCES

Tim Eitel and Joachim Pissarro

2009. PaceWildenstein. Paperback

50 pages: 26 color illustrations; 9 x 7 ⅜ inches

9781935410003

$15.00

Add to Cart