A leading female figure in Chinese contemporary art, Yin Xiuzhen (b. 1963, Beijing, China) began her career in the early 1990s following her graduation from Capital Normal University in Beijing where she received a B.A. in oil painting from the Fine Arts Department in1989. Her artworks have since been shown extensively in various international exhibitions. Best known for her works that incorporate second-hand objects, Yin uses her artwork to explore modern issues of globalization and homogenization. By utilizing recycled materials such as sculptural documents of memory, she seeks to personalize objects and allude to the lives of specific individuals, which are often neglected in the drive toward excessive urbanization, rapid modern development and the growing global economy. The artist explains, "In a rapidly changing China, ‘memory’ seems to vanish more quickly than everything else. That’s why preserving memory has become an alternative way of life."
Yin Xiuzhen’s works have been accorded femininity for the “soft” nature of her signature material: reclaimed fabrics from secondhand clothes. But the artist’s womanly virtues perhaps culminate in her “enterable” spaces, whose employ seems to have reached a crescendo in Collective Subconscious, 2007, currently on display at the Museum of Modern Art. For the piece, viewers are invited to step inside a patchwork caterpillar adjoining two ends of a nostalgic Chinese “breadbox car,” a minibus whose co
Through May 24 A site-specific installation exploring both personal and environmental themes, by the leading Chinese artist known for her use of found and recycled materials (used clothing, a minivan). On view here is her highly interactive Collective Subconscious (2007)—a massive, colorful tubelike structure outfitted with stools and filled with hushed pop music—where visitors are invited to hang out and escape the throngs.