Pace Galleries

乔 夏皮罗

New Work

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About 乔 夏皮罗

乔·夏皮罗(b. 1941,纽约)是一位世界知名的艺术家。他曾经受邀参与超过30 件公共雕塑的创作,作品遍布于亚洲、欧洲和北美。同时,他在全球范围内举办了超过160 次个人展览与回顾展。在他最近对形式与色彩表达的探索中,夏皮罗将已经上色的木质结构悬挂在房顶、墙壁甚至地板上,以此脱离建筑本身来探索空间的可能性。 2011 年,夏皮罗用15 件悬挂的木质结构素材装饰了在德国科隆43 英尺高的路德维希博物馆的巨大空间。
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Press Release

  • Joel Shapiro: New Work
    The Pace Gallery is pleased to present Joel Shapiro: New Work, the artist’s ninth solo exhibition at the gallery since joining in 1992. Joel Shapiro: New Work will be on view at 534 West 25th Street, New York City from April 17 through May 15, 2010. Joel Shapiro’s new body of work is composed of painted rough wood elements suspended in space from the walls, the floor and ceiling via string. Shapiro cuts the wood and paints it with dry pigment in casein emulsion, either before or after it has been suspended. The configurations float and intersect on lines of various angles and tensions. Some are elastic, others more rigid. The string is the structure that supports the individual elements of the form. The string itself is high or low tech, simple fishing line. The floating elements are, for the most part, carefully trimmed three-dimensional wood. The fastenings are industrial. The artist explains that the installation is “really about discovering the possibilities of the organization of form,” while “simultaneously overcoming the inevitable effect the constructed flatness of architecture (or for that matter a tabletop) has on the situation of form.” The works’ installation is determined in the space. Although they utilize architecture, “they are not about flatness as a starting point,” but rather “the projection of thought into space without the constraint of architecture.” The evolution towards this body of work can be seen throughout Mr. Shapiro’s career, dating back to the early seventies when he dismantled a draftsman’s dummy and exhibited its dismembered body parts on the floor of The Clocktower in New York City. During the eighties Shapiro made a body of work that utilized a matrix of wood or metal rectangular rods to elevate, support and suspend larger rectilinear elements in space. A series of hanging constructions in wood which Shapiro began creating in 2001 and exhibited in a five-year survey of his work at the gallery in 2005 were an important precursor to this new group of work. They also relate to 4 elements, a site-specific work installed in L.A. Louver's Skyroom in 2004. In a recent commission for a large-scale suspended bronze sculpture at 23 Savile Row in central London, inaugurated in 2009, Shapiro cantilevered Verge (2003–2008), a 16 x 14 x 16 foot bronze sculpture, above the street using cables, occupying the threshold between private and public space. Joel Shapiro (born 1941, New York City) received a B.A. (1964) and M.A. (1969) from New York University. Since his first one-person exhibition in 1970, his work has been the subject of nearly 160 solo exhibitions and retrospectives internationally. He has been included in prestigious group exhibitions such as the Whitney Biennial (1977, 1979, 1981, 1989), Documenta (1977, 1982), and the Venice Biennale (1980). Shapiro was elected to the Swedish Royal Academy of Art in 1994 and to the American Academy of Arts and Letters in 1998. In 2005, he received the Chevalier dans l’Ordre des Arts et des Lettres, France. More than 30 commissions and publicly sited sculptures by the artist are located in major Asian, European and North American cities. Most recently, in 2008, BILBAO Ria 2000, inaugurated a commission by Shapiro for the Lasesarre Park in the town of Barakaldo in Bilbao, Spain. This is the artist’s first public sculpture in Spain. Shapiro is currently working on a large scale painted sculpture commissioned by the Foundation for Art and Preservation in Embassies (FAPE) for the future United States consulate that will be built in Guangzhou, China. Joel Shapiro lives and works in New York City. For more information on Joel Shapiro: New Work please contact Jennifer Benz Joy at jjoy@thepacegallery.com or Lauren Staub at lstaub@thepacegallery.com, or call 212.421.3292.
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Picture tropical fish (or birds, either work equally well) in suspended animation. Or how about a freeze-frame, 'bullet-time' animation from "The Matrix"? Better yet: any of the Bowser's castle levels on Super Mario 64. Joel Shapiro's exhibition of new works at The Pace Gallery would make an ill Mario Bros 3D platform game. OK here's the deal: Shapiro is presenting an important and thoroughly enjoyable show. Amid the museum-quality posthumous exhibitions of influential artists — just this year a

Joel Shapiro’s new body of work comprises painted wood elements that are suspended in space from the walls, floor, and ceiling via string. The configurations float independently, but intersect along various sight lines. Although the works utilize architecture, “they are not about flatness as a starting point,” according to the artist; rather, they are “the projection of thought into space without the constraint of architecture.”