Robert Ryman

Dates

Born 1930, Nashville, Tennessee

Died 2019. New York

Education

1949–1950, Tennessee Polytechnic Institute, Cookeville, Tennessee

2018

Robert Ryman: Drawings, Pace Gallery, 510 West 25th Street, New York, February 23–March 24, 2018. (Catalogue)

2015

Robert Ryman, Dia: Chelsea, New York, December 9, 2015–June 18, 2016. Traveled to: Museo Jumex, Mexico City, March 4–May 14, 2017. (Catalogue)

2013

Robert Ryman: Recent Paintings, Pace Gallery, 508 West 25th Street, New York, September 12–October 26, 2013. (Catalogue)

2012

Robert Ryman: Untitled, A Painting in Four Parts, 1963–1964, Gagosian Gallery, New York, July 30–August 24, 2012.

2010

Robert Ryman: Variations & Improvisations, Phillips Collection, Washington, D.C. June 5–September 12, 2010. (Catalogue)

Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing, PaceWildenstein, 32 East 57th Street, New York, February 19–March 27, 2010.

Robert Ryman, Dia: Beacon, Beacon, New York, opened January 15, 2010 [ongoing].

2009

Robert Ryman, Yvon Lambert, New York, October 28–December 23, 2009.

2008

Advancing the Experience: Robert Ryman and Urs Raussmüller, Hallen für neue Kunst, Schaffhausen, Switzerland, opened June 1, 2008 [ongoing]. (Catalogue)

2007

Contemporary Conversations: Robert Ryman, 1976, Menil Collection, Houston, November 9, 2007–February 17, 2008.

Robert Ryman: No Title Required, PaceWildenstein, 32 East 57th Street, New York, March 2–April 7, 2007.

2006

Robert Ryman: Small Works, Pennsylvania Academy of the Fine Arts, Philadelphia, October 13, 2006–January 28, 2007.

Robert Ryman at Inverleith House, Inverleith House, Royal Botanic Garden Edinburgh, Scotland, July 17–October 1, 2006.

2005

Robert Ryman, Dallas Museum of Art, December 18, 2005–April 2, 2006. (Catalogue)

Robert Ryman, Xavier Hufkens, Brussels, November 17–December 17, 2005. (Catalogue)

Robert Ryman: Monotypes, Pace Prints, New York, April 14–May 21, 2005.

2004

Robert Ryman, PaceWildenstein, 534 West 25th Street, New York, November 19, 2004–January 8, 2005. (Catalogue)

Robert Ryman, Kawamura Memorial Museum of Art, Sakura City, Japan, July 10–October 24, 2004. (Catalogue)

Robert Ryman: Works on Paper 1957–1964, Peter Blum SoHo, New York, May 20–September 25, 2004. Traveled to: Arts Club of Chicago, January 21–April 1, 2005. (Catalogue)

2003

Robert Ryman: New Paintings, Haunch of Venison, London, January 3–29, 2003. (Catalogue)

2002

Robert Ryman: New Paintings, PaceWildenstein, 534 West 25th Street, New York, October 10–November 9, 2002. (Catalogue)

Robert Ryman, Thomas Ammann Fine Art, Zurich, June 10–September 28 (extended through October 31), 2002. (Catalogue)

2001

Robert Ryman: Early and Recent Paintings. Galerie Konrad Fischer, Düsseldorf, August 31–October 6, 2001.

2000

Robert Ryman Retrospective, Haus der Kunst, Munich, December 8, 2000–February 18, 2001. Traveled to: Kunstmuseum Bonn, March 22–May 5, 2001. (Catalogue)

Robert Ryman: Paintings from the Sixties, Xavier Hufkens, Brussels, September 14–December 2, 2000. (Catalogue)

1999

Robert Ryman, Studio 7 L, Paris, October 8–November 21, 1999. (Catalogue)

Robert Ryman: Paintings, PaceWildenstein, 32 East 57th Street, New York, January 15–February 6, 1999.

1996

Robert Ryman, Kukje Gallery, Seoul, December 13, 1996–January 20, 1997.

Temporary Contemporary: Recent Paintings by Robert Ryman, Cheekwood Museum of Art, Nashville, May 31–July 28, 1996.

Robert Ryman: Recent Paintings, PaceWildenstein, 32 East 57th Street, New York, May 4–June 21, 1996.

1995

Robert Ryman: Core Paintings, PaceWildenstein, 32 East 57th Street, New York, December 8, 1995–January 13, 1996.

Robert Ryman, Akira Ikeda Gallery, Nagoya, July 1–29, 1995.

1994

Robert Ryman: Recent Paintings, Daniel Weinberg Gallery, San Francisco, December 1, 1994–January 31, 1995.

Robert Ryman Prints 1969–93, Betsy Senior Gallery, New York, November 5–December 30, 1994. Traveled to: Galerie Tanit, Munich, February–March 1995; Galerie Annemarie Verna, Zurich, May 18–July 15, 1995; Galerie Alice Pauli, Lausanne, September 2–October 7, 1995; Milwaukee Art Museum, April 5–June 23, 1995; Edicions T Galerie d’Art, Barcelona, November 1995–January 1996.

Robert Ryman: New Paintings, Galerie Marc Blondeau, Paris, February 19–March 26, 1994.

1993

Robert Ryman: New Paintings, The Pace Gallery, 142 Greene Street, New York, December 3, 1993–January 22, 1994. (Catalogue)

Robert Ryman, Hallen für neue Kunst, Schaffhausen, Switzerland, April 1993–April 20, 2008.

Robert Ryman, Tate Gallery, London, February 17–April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofía, Madrid, May 25–August 16, 1993; The Museum of Modern Art, New York, September 22, 1993–January 4, 1994; San Francisco Museum of Modern Art, February 3–April 17, 1994; Walker Art Center, Minneapolis, July 23–October 2, 1994. (Catalogue)

Robert Ryman: Works on Paper, Victoria Miro Gallery, London, February 15–March 19, 1993.

1992

Robert Ryman: Works on Paper, Galerie Konrad Fischer, Düsseldorf, September 5–24, 1992.

Robert Ryman: Versions, Hallen für neue Kunst, Schaffhausen, Switzerland, May 10–October 31, 1992. Traveled to: The Pace Gallery, New York, December 4, 1992–January 2, 1993. (Catalogue)

1991

Robert Ryman, RENN Espace d'Art Contemporain, Paris, and Hallen für neue Kunst, Schaffhausen, Switzerland, October 27, 1991–July 23, 1992. (Catalogue)

1990

Robert Ryman: New Paintings, The Pace Gallery, 32 East 57th Street, New York, April 6–May 10, 1990. (Catalogue)

Robert Ryman: Six Aquatints, Nohra Haime Gallery, New York, January 9–February 3, 1990.

1989

Robert Ryman Prints, The Projects Room, John Weber Gallery, New York, June 23–August 25, 1989.

1988

Robert Ryman, Dia Art Foundation, New York, October 7, 1988–June 18, 1989. (Catalogue)

1987

Robert Ryman, Galerie Konrad Fischer, Düsseldorf, October 1987.

Robert Ryman: The Charter Series: A Meditative Room for the Collection of Gerald S. Elliott, Art Institute of Chicago, May 7–July 12, 1987. Traveled to: San Francisco Museum of Modern Art, January 14, 1988–March 13, 1988. (Brochure)

1986

Robert Ryman, Raum für Malerei, Cologne, April 30–July 15, 1986.

Currents No. 16: Robert Ryman, Institute of Contemporary Art, Boston, February 20–April 20, 1986.

Robert Ryman: New Paintings, Galerie Maeght Lelong, New York, January 14–February 15, 1986.

Robert Ryman, Leo Castelli Gallery, New York, January 11–February 1, 1986.

1985

Robert Ryman, Rhona Hoffman Gallery, Chicago, May 3–June 1, 1985.

1984

Ryman: peintures récentes, Galerie Maeght Lelong, Paris, April 20–June 2, 1984. (Catalogue)

Ryman: New Paintings, Galerie Maeght Lelong, New York, February 2–March 18, 1984.

1983

Robert Ryman, Hallen für neue Kunst, Schaffhausen, Switzerland, June 1, 1983–January 1993.

Robert Ryman: Recent Paintings, Daniel Weinberg Gallery, Los Angeles, November 22–December 23, 1983.

Robert Ryman, Bonnier Gallery, New York, March 4–April 9, 1983.

1982

Robert Ryman: Recent Paintings, Mayor Gallery, London, November 17–December 17, 1982.

Robert Ryman: Paintings, Young Hoffman Gallery, Chicago, March 12–April 13, 1982.

1981

Robert Ryman, Sidney Janis Gallery, New York, May 7–June 5, 1981. (Brochure)

1980

Robert Ryman: Neue Bilder, Kunstraum Munich, November 12–December 20, 1980.

Robert Ryman, Galerie Konrad Fischer, Düsseldorf, October 4–November 4, 1980.

Robert Ryman: Gemälde, InK, Halle für Internationale neue Kunst, Zurich, June 15–August 10, 1980. Traveled to: Musée national d'art moderne, Centre Georges Pompidou, Paris, October 1–November 16, 1981; Städtische Kunsthalle Düsseldorf, December 4, 1981–January 10, 1982. (Catalogues)

1979

Robert Ryman, Halle für Internationale neue Kunst, Zurich, May 10–June 11, 1979.

Robert Ryman, Sidney Janis Gallery, New York, January 4–27, 1979. (Catalogue)

1978

Robert Ryman, Halle für Internationale neue Kunst, Zurich, June 15–July 22, 1978.

1977

Robert Ryman, Galerie Charles Kriwin, Brussels, October 1977.

Robert Ryman, Whitechapel Art Gallery, London, September 21–October 23, 1977. (Catalogue)

Robert Ryman: Neue Bilder, Galerie Annemarie Verna, Zurich, May–June 1977.

Robert Ryman, Galleria Gian Enzo Sperone, Rome, May 1977.

Robert Ryman: Paintings 1976, P.S. 1, Institute for Art and Urban Resources, Long Island City, New York, January 26–February 20, 1977.

1975

Robert Ryman: Paintings and Prints, John Weber Gallery, New York, November 1–26, 1975.

Robert Ryman, Kunsthalle Basel, June 19–August 10, 1975. (Catalogue)

1974

Robert Ryman, John Weber Gallery, New York, September 28–October 23, 1974.

Robert Ryman, Palais des Beaux-Arts, Brussels, September 22–November 23, 1974.

Robert Ryman: Komplete Graphik, Westfälisches Kunstverein, Muenster, May 12–June 16, 1974. (Catalogue)

Robert Ryman, Stedelijk Museum, Amsterdam, February 1–March 24, 1974. (Catalogue)

1973

Robert Ryman, Galerie Konrad Fischer, Düsseldorf, November 1973.

Robert Ryman, Art & Project, Amsterdam, October 9–26, 1973.

Robert Ryman: Paintings and Etchings, John Weber Gallery, New York, April 21–May 9, 1973.

Robert Ryman, Galleria San Fedele, Milan, April 2–20, 1973. (Catalogue)

1972

Robert Ryman, Lisson Gallery, London, December 5, 1972–January 20, 1973.

Robert Ryman, Galerie Annemarie Verna, Zurich, September 30–October 31, 1972.

Robert Ryman, Current Editions, Seattle, July 5–25, 1972.

Robert Ryman: Thirty-one Trial Proofs. Galerie Heiner Friedrich, Munich, June 20–30, 1972.

Robert Ryman: Early Paintings, John Weber Gallery, New York, April 1–22, 1972.

Robert Ryman, Solomon R. Guggenheim Museum, New York, March 3–May 7, 1972. (Catalogue)

1971

Robert Ryman, Current Editions, Seattle, 1971.

Robert Ryman, Galerie Heiner Friedrich, Cologne, June 22–July 17, 1971.

Robert Ryman: Paintings, Dwan Gallery, New York, February 6–March 4, 1971.

Robert Ryman, Fischbach Gallery, New York, January 30–February 18, 1971.

1970

Robert Ryman: Delta Paintings, 1966, Fischbach Gallery, New York, February 14–March 5, 1970. (Catalogue)

1969

Robert Ryman, Galerie Françoise Lambert, Milan, December 1969.

Robert Ryman, Galerie Yvon Lambert, Paris, November–December 1969.

Robert Ryman Drawings, Galerie Heiner Friedrich, Munich, November 21–December 20, 1969.

Robert Ryman, Galerie Konrad Fischer, Düsseldorf, November 11–December 12, 1969.

Robert Ryman: Wall Show—Part I, Ace Gallery, Los Angeles, August 26–30, 1969.

Robert Ryman, Fischbach Gallery, New York, April 26–May 15, 1969.

1968

Robert Ryman, Galerie Konrad Fischer, Düsseldorf, November 21–December 17, 1968.

Robert Ryman, Galerie Heiner Friedrich, Munich, November 19–December 10, 1968.

1967

Robert Ryman: Paintings, Paul Bianchini Gallery, New York, April 11–May 3, 1967.

2018

50 Years: An Anniversary, Paula Cooper Gallery, New York, October 10–November 3, 2018.

Intimate Infinite: Imagine a Journey, Lévy Gorvy, New York, September 6–October 24, 2018. (Catalogue)

Polarities, Totah, New York, September 6–October 14, 2018.

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

2017

The Long Run, Museum of Modern Art, New York, November 11, 2017–November 4, 2018.

Minimalism & Beyond, Mnuchin Gallery, New York, September 13–October 18, 2017. (Catalogue)

In Line, Pace Seoul, June 1–August 12, 2017.

Minimal Art from Marzona Collection, Galerie Thaddaeus Ropac, London, April 28–July 29, 2017. (Catalogue)

2016

Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue)

I Still Believe in Miracles: Celebrating 30 Years of Inverleith House, Inverleith House, Edinburgh, July 28–August 28, 2016.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, Philadelphia Museum of Art, June 28–September 5, 2016. (Catalogue)

Forty, MoMA PS1, June 19–August 28, 2016.

Unfinished: Thoughts Left Visible, The Metropolitan Museum of Art, New York, March 18–September 4, 2016. (Catalogue)

Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy Gallery, New York, January 27–March 19, 2016. (Catalogue)

Dansaekhwa & Minimalism, Blum & Poe, Los Angeles, January 16–March 12, 2016. Traveled to: Blum & Poe, New York, April 14–May 21, 2016.

2015

Cornering the Round, Barbara Krakow Gallery, Boston, October 25–November 21, 2015.

Black Sun, Fondation Beyeler, Riehen / Basel, Switzerland, October 4, 2015–January 10, 2016.

Giordio Morandi + Robert Ryman: Object/Space, Kohn Gallery, Los Angeles, September 19–October 31, 2015.

Carl Andre in His Time, Mnuchin Gallery, New York, September 9–December 5, 2015.

Brancusi: Pioneer of American Minimalism, Paul Kasmin Gallery, New York, May 7–July 11, 2015.

Selections from The Kramarsky Collection, David Zwirner, New York, May 5–June 20, 2015.

Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, February 2–November 30, 2015.

2014

Sylvia Plimack Mangold and Robert Ryman, Barbara Krakow Gallery, Boston, November 29, 2014–January 24, 2015.

Solides Fragiles, Mudam Luxembourg, Musée d’Art ModerneGrand-Duc Jean, October 4, 2014–February 8, 2015.

White Magic: Robert Ryman / Rudolf Staffel, David Nolan, New York, September 10–October 25, 2014.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975, The Clark Art Institute, Williamstown, August 2–October 13, 2014. (Catalogue)

Biennale of Painting: The Paintstroke, Museum Dhondt-Dhaenens, Deurle, Belgium, April 6–July 15, 2014.

Love Story – The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere Vienna, June 15, 2014–October 5, 2014. (Catalogue)

Mingei: Are You Here?, Pace Gallery, 508 West 25th Street, New York, March 7–April 5, 2014. (Catalogue)

Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014.

Fruits of Passion－The Collection of the Pompidou Center, The Hyogo Prefectural Museum of Art, Kobe, Japan, January 18–March 23, 2014.

2013

A Place In Two Dimensions: a Selection From Collección Jumex + Fred Sandback, Museo Jumex, Mexico City, November 19, 2013–February 10, 2014.

When Attitudes Become Form: Bern 1969/Venice 2013, Ca’ Corner della Regina, Fondazione Prada, Venice, June 1–November 3, 2013. (Catalogue)

The Illusion of the Precise: Robert Ryman, Todd Williamson, Mark Williams, Wade Wilson Gallery, Houston, January 11–February 2, 2013.

2012

The Charm of Quasi-Parallel Lines, Rhona Hoffman Gallery, Chicago, December 14, 2012–January 26, 2013.

Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art, Brooklyn Museum, New York, September 14, 2012–February 3, 2013.

Notations: Contemporary Drawing as Idea and Process, Mildred Lane Kemper Art Museum, Washington University, Saint Louis, September 14, 2012–January 7, 2013.

White: The Anatomy of a Color, National Academy Museum, New York, May 23–August 26, 2012.

Derive, Barbara Krakow Gallery, Boston, April 28–June 16, 2012.

2011

Structure & Absence, White Cube, London, October 12–November 26, 2011. (Catalogue)

Malevich and the American Legacy, Gagosian Gallery, New York, March 3–April 30, 2011. (Catalogue)

Contemporary Collecting: The Judith Neisser Collection, Art Institute of Chicago, February 13–May 22, 2011. (Catalogue)

Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, New York, January 23–May 1, 2011.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 22–March 20, 2011. (Catalogue)

2010

On-Line: Drawing through the Twentieth Century, The Museum of Modern Art, New York, November 21, 2010–February 7, 2011. (Catalogue)

New Editions: Ingrid Calame, Tara Donovan, Robert Mangold, Robert Ryman and Dan Walsh, Pace Prints, New York, September 23–November 9, 2010.

50 Years at Pace, The Pace Gallery, 534 West 25th Street, and 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, June 25–September 19, 2010. (Catalogue)

Reflection, Peter Blum Gallery, New York, May 14–July 30, 2010.

With a Probability of Being Seen: Dorothee and Konrad Fischer: Archives of an Attitude, Museu d'Art Contemporani de Barcelona, March 15–October 12, 2010. Traveled to: Museum Kurhaus Kleve, Germany, November 14, 2010–March 20, 2011. (Catalogue)

Monet and Abstraction, Museo Thyssen-Bornemisza, Madrid, February 23–May 30, 2010. Traveled to: Musée Marmottan Monet, Paris, June–September 2010. (Catalogue)

Prints by Albers, Judd, Reinhardt, Ryman and Tuttle, Pace Prints, New York, February 19–March 27, 2010.

2009

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

1969, P.S.1 Contemporary Art Center, Long Island City, New York, October 25, 2009–April 5, 2010.

Sans-Titre #1: Peintures des années 1970–1980, Œuvres de la Collection Lambert, Collection Lambert, Avignon, October 24, 2009–January 31, 2010.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York, July 2–August 21, 2009.

New York/New Drawings 1946–2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, January 27–May 24, 2009. (Catalogue)

Piero Manzoni: A Retrospective, Gagosian Gallery, New York, January 24–March 21, 2009. (Catalogue)

2008

Now You See It, Aspen Art Museum, December 19, 2008–February 1, 2009. (Catalogue)

Collector’s Eye, Gana Art, New York, November 20–December 23, 2008.

Art of our Time: The 20th Anniversary of Praemium Imperiale, Ueno Royal Museum, Tokyo, September 27–November 9, 2008. (Catalogue)

Circa 1958: Breaking Ground in American Art, Ackland Art Museum, University of North Carolina at Chapel Hill, September 21, 2008–January 4, 2009. (Catalogue)

Forest of Painting, Kawamura Memorial Museum of Art, Sakura City, June 3–August 31, 2008.

ONE More, In Memoriam: Sol LeWitt, Esbjerg Kunstmuseum, Esbjerg, Denmark, May 31–August 31, 2008. Traveled to: Thomas Rehbein Gallery, Cologne, January 2009. (Catalogue)

Who’s Afraid of Jasper Johns?, Tony Shafrazi Gallery, New York, May 9–July 12, 2008.

Abstract Vision, Thomas Ammann Fine Art, Zurich, February 11–April 25, 2008. (Catalogue)

2007

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York, The Museum of Modern Art, New York, June 13–October 22, 2007. Traveled to: Museu de Arte Contemporânea de Serralves, Portugal, May 9–June 22, 2008; Museum Wiesbaden, September 28, 2008–January 18, 2009. (Catalogue)

Think with the Senses, Feel with the Mind: Art in the Present Tense, 52nd Biennale di Venezia, Venice, June 10–November 21, 2007. (Catalogue)

Sublime Convergence: Gothic to the Abstract, Richard L. Feigen and Co., New York, May 1–June 15, 2007. (Catalogue)

Black Square: Hommage à Malevich, Hamburger Kunsthalle, March 23–June 10, 2007. (Catalogue)

Pure, Sean Kelly, New York, March 23–April 28, 2007.

2006

LeWitt x 2: Structure and Line / Selections from the LeWitt Collection, Madison Museum of Contemporary Art, Wisconsin, November 5, 2006–January 14, 2007; Miami Art Museum, February 9–June 3, 2007; Weatherspoon Art Museum, University of North Carolina, Greensboro, September 9, 2007–January 18, 2008; Austin Museum of Art, Texas, May 24–August 17, 2008.

Elemental Form, L & M Arts, New York, October 19–December 9, 2006. (Catalogue)

Glenstone: Inaugural Exhibition, Glenstone Museum Foundation, Potomac, Maryland, September 2006–December 2008. (Catalogue)

Minimalism: On and Off Paper, Vivian Horan Fine Art, New York, September 28–November 17, 2006.

Nothing and Everything, Peter Freeman, Inc., New York, September 7–October 28, 2006. Traveled to: Fraenkel Gallery, San Francisco, November 30, 2006–January 27, 2007. (Catalogue)

Wax Works, Silvermine Guild Arts Center, New Canaan, Connecticut, September 1–October 1, 2006.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Kunstmuseum Winterthur, Switzerland, August 26–November 19, 2006. (Catalogue)

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006. (Catalogue)

Where Are We Going?: Selections from the François Pinault Collection, Palazzo Grassi, Venice, April 30–October 1, 2006. (Catalogue)

Public Space / Two Audiences: Works and Documents from the Herbert Collection, Museu d’Art contemporani, Barcelona, February–April 2006. Traveled to: Kunsthaus Graz, June–September 2006. (Catalogue)

Imageless Icons: Abstract Thoughts, Gagosian Gallery, London, February 3–March 26, 2006. (Catalogue)

Line and Surface: Works on Paper, Peter Blum Gallery, New York, January 20–March 25, 2006.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Ryman, Michael Kohn Gallery, Los Angeles, January 13–February 25, 2006.

2005

Looking at Words, Andrea Rosen Gallery, New York, November 2–December 31, 2005.

Drawings + Sculpture, Cook Fine Art, New York, September 20–October 21, 2005.

Salon d’Automne, Annemarie Verna Gallery, Zurich, September 7–October 15, 2005.

The Unseen Hand: Minimalism and Anonymity, Archeus Fine Art, London, June 1–July 9, 2005.

Heavenly or Slice of White, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, March 24–May 7, 2005. (Catalogue)

Contemporary Voices: Works from the UBS Art Collection, The Museum of Modern Art, New York, February 4–April 25, 2005. Traveled to: Fondation Beyeler, Basel, November 27, 2005–February 26, 2006. (Catalogue)

Sets, Series, and Suites: Contemporary Prints, Museum of Fine Arts, Boston, January 19–May 30, 2005. (Catalogue)

2004

[Some] Drawings [Now and Then], Larry Becker Contemporary Art, Philadelphia, December 3, 2004–January 22, 2005.

Prints: Judd, LeWitt, Reinhardt, Ryman, Twombly, Nohra Haime Gallery, New York, September 9–October 9, 2004.

Summer 2004, PaceWildenstein, 32 East 57th Street, New York, July 8–September 10, 2004.

Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Ryman, Lawrence Weiner, Alona Kagan Gallery, New York, July 6–September 30, 2004.

Beyond Geometry: Experiment in Form, 1940s–70s, Los Angeles County Museum of Art, June 13–October 3, 2004. Traveled to: Miami Art Museum, November 18, 2004–May 1, 2005. (Catalogue)

Mondrian to Ryman, Solomon R. Guggenheim Museum, New York, June 11–September 19, 2004.

A Minimal Future? Art as Object 1958–1968, Museum of Contemporary Art, Los Angeles, March 14–August 2, 2004. (Catalogue)

Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, March 4–May 19, 2004. (Catalogue)

2003

Black/White, Danese Gallery, New York, November 21–December 19, 2003.

The Spirit of White, Galerie Beyeler, Basel, November 8, 2003–March 27, 2004. (Catalogue)

Art in Tennessee, Frist Center for the Visual Arts, Nashville, September 12, 2003–January 18, 2004. (Catalogue)

Back to the Present: Minimalist Works from the Museum’s Collection, Rhode Island School of Design, Providence, June 27–August 31, 2003.

An International Legacy: Selections from Carnegie Museum of Art, Oklahoma City Museum of Art, May 16–August 10, 2003. Traveled to: Nevada Museum of Art, Reno, January 9–April 4, 2004; Mobile Museum of Art, Alabama, January 7–April 3, 2005. (Catalogue)

The Great Drawing Show 1550–2003, Michael Kohn Gallery, Los Angeles, April 12–May 31, 2003.

The Exquisite Object, Lucas Schoormans Gallery, New York, January 23–March 1, 2003.

2002

Paintings from the early 1960s, Paula Cooper Gallery, New York, December 12, 2002–January 14, 2003.

Zenroxy, Von Lintel Gallery, New York, November 26, 2002–January 18, 2003.

An American Legacy, A Gift to New York, Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003. (Catalogue)

Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Urbana–Champaign, September 4–November 3, 2002. Traveled to: Arkansas Art Center, Little Rock, November 14, 2002–February 2, 2003; Georgia Museum of Art, Athens, February 7–March 23, 2003; Cincinnati Museum of Art, August 22– November 16, 2003. (Catalogue)

A Century of Progress: Twentieth Century Painting in Tennessee, Cheekwood Museum of Art, Nashville, July 13–October 13, 2002. Traveled to: West Tennessee Regional Art Center, Humboldt, October 26–December 30, 2002; Knoxville Museum of Art, January 11–April 27, 2003; Carroll Reece Museum, East Tennessee State University, Johnson City, May 12–August 3, 2003; Morris Museum of Art, Augusta, Georgia, August 17–November 17, 2003.

Painting on the Move: There Is No Final Picture—Painting after 1968, Museum of Contemporary Art, Basel, May 25–September 8, 2002. (Catalogue)

American Beauty, Annely Juda Fine Art, London, May 23–July 13, 2002. (Catalogue)

The Physical World: An Exhibition of Painting and Sculpture, Gagosian Gallery, New York, May 9–June 29, 2002. (Catalogue)

Claude Monet... up to digital impressionism, Fondation Beyeler, Basel, March 28–August 18, 2002. (Catalogue)

John Zurier, Robert Ryman, Joseph Marioni: Painting, Larry Becker Contemporary Art, Philadelphia, February 15–April 13, 2002.

2001

The Onnasch Collection. Aspects of Contemporary Art, Museu d’Art Contemporani de Barcelona, November 7, 2001–February 24, 2002. Traveled to: Museu de Arte Contemporânea de Serralves, Portugal, March 22–June 23, 2002. (Catalogue)

Black + White, Blains Fine Art, London, June 21–August 25, 2001.

As Painting: Division and Displacement, Wexner Center for the Arts, Ohio State University, Columbus, May 11–August 12, 2001. (Catalogue)

Ian Wilson and Robert Ryman, Peter Blum Gallery, New York, April 5–June 2, 2001.

Measure/Mass, Annemarie Verna Galerie, Zurich, April 5–May 26, 2001.

Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990, Museum of Fine Arts, Florida State University, Tallahassee, February 16–April 1, 2001. Traveled to: Appleton Museum of Art, Ocala, Florida, May 1–June 25, 2001. (Catalogue)

2000

Voici Cent ans d’art contemporain, Societe des Expositions du Palais des Beau-Arts, Brussels, November 23, 2000–January 28, 2001. (Catalogue)

Summer 2000, PaceWildenstein, 32 East 57th Street, New York, June 19–August 31, 2000.

Painting Abstraction, New York Studio School, March 2–April 8, 2000.

Painting Zero Degrees. Organized by Independent Curators International, New York. Traveled to: Cranbrook Art Museum, Bloomfield Hills, Michigan, February 5–April 2, 2000; Fred Jones Jr. Art Museum, University of Oklahoma, Norman, September 22–October 15, 2000; University of Maryland/Baltimore County, Albin O. Kuhn Library and Gallery, January 22–March 10, 2001; St. Mary’s University Art Gallery, Halifax, May 11–July 14, 2001; Fuller Art Museum, Brockton, Massachusetts, September 15–November 25, 2001; Cleveland Center for Contemporary Art, March 22–May 26, 2002. (Catalogue)

Stephan Anotonakos: Time Boxes 2000, with Richard Artschwager, Daniel Buren, Sol LeWitt, and Robert Ryman, Rose Art Museum, Brandeis University, Waltham, Massachusetts, January 20–March 12, 2000. (Catalogue)

1999

Word and Image: Samuel Beckett and the Visual Text, Lilly Library, Indiana University, Bloomington, October 20–December 18, 1999. Traveled to: Cabinet des Estampes du Musée des Beaux-arts, Caen, France, March 15–April 10, 2000. (Catalogue)

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

Waxing Poetic: Encaustic Art in America, Montclair Art Museum, New Jersey, May 23–August 15, 1999. Traveled to: Knoxville Museum of Art, Tennessee, September 24, 1999–January 9, 2000. (Catalogue)

Context: A Survey of Minimalism, Soma Gallery, La Jolla, April 9–May 15, 1999.

1998

American Art after 1950, Fogg Museum, Harvard University Art Museum, Cambridge, December 26, 1998–January 28, 2001.

Art and the American Experience, Kalamazoo Institute of Arts, Michigan, September 10–December 6, 1998. (Catalogue)

Summer group exhibition, PaceWildenstein, 32 East 57th Street, New York, July 6–August 21, 1998.

Group exhibition, Fundacio “La Caixa,” Malmö Konsthall, Malmö, April 25–June 7, 1998.

PAPER + works on Dieu Donné paper, The Gallery at Dieu Donné Papermill, New York, April 18–May 29, 1998.

Painting Object Film Concept: Works from The Herbig Collection, Christie’s, New York, February 17–March 1, 1998.

1997

Winter group exhibition, PaceWildenstein, 32 East 57th Street, New York, December 19, 1997–January 24, 1998.

“Drawing Is Another Kind of Language”: Recent American Drawings from a New York Private Collection, Harvard University Art Museum, Cambridge, December 12, 1997–February 22, 1998. Traveled to: Graphische Sammlung Albertina, Vienna, March 18–May 17, 1998; Kunstmuseum, Winterthur, September 4–November 15, 1998; Kunst-Museum, Ahlen, November 28, 1998–January 24, 1999; Akademie der Kunste, Berlin, February 19–May 2, 1999; Parrish Art Museum, Southampton, New York, September 26–November 14, 1999. (Catalogue)

Contemporary Art in Transition—From the Collection of the Ho-Am Art Museum, Ho-Am Art Gallery, Seoul, October 17–December 28, 1997. (Catalogue)

On The Edge: Contemporary Art From the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York, September 30, 1997–January 20, 1998. (Catalogue)

The Serial Attitude, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 20, 1997–January 4, 1998: Traveled to: Wexner Center for the Arts, Ohio State University, Columbus, May 9–August 8, 1998. (Catalogue)

Collecció d’Art Contemporani Fundació “la Caixa”, Fundació “la Caixa”, Barcelona, September 5–October 5, 1997.

Group exhibition of gallery artists, PaceWildenstein, 32 East 57th Street, New York, June 30–August 1, 1997.

Surface: Ad Reinhardt, Gerhard Richter, Robert Ryman, Mark Rothko, 11 Duke Street Ltd., London, closed July 25, 1997.

Surface: Ad Reinhardt, Robert Ryman, Mark Rothko, Galerie Franck & Schulte, Berlin, May 24–June 21, 1997.

The Age of Modernism: Art in the Twentieth Century, Martin-Gropius-Bau, Berlin, May 7–July 27, 1997. (Catalogue)

Group exhibition, Peder Bonnier Gallery, New York, April–May 1997.

In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of The Art Museum, Princeton University, Art Museum, Princeton University, New Jersey, February 22–June 8, 1997. (Catalogue)

Color on Paper, Galerie Nächst St. Stephan: Rosemarie Schwarzwalder, Vienna, January 1997.

1996

Open Secrets: Seventy Pictures in Paper from 1815 to the Present, Matthew Marks Gallery, New York, November 19–December 28, 1996. Traveled to: Fraenkel Gallery, San Francisco, January 16–March 1, 1997. (Catalogue)

Sniper’s Nest: Art That Has Lived with Lucy Lippard, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York, October 28–December 22, 1996. Traveled to: Scales Fine Arts Center, Wake Forest University, Winston-Salem, January 15–April 10, 1997; Archer M. Huntington Art Gallery, University of Texas, Austin, June 6–July 20, 1997; Spencer Museum of Art, University of Kansas, St. Lawrence, November 2–December 21, 1997; Museum of Fine Arts, Santa Fe, April 24–September 28, 1998. (Catalogue)

Contemplation: Five Installations, Des Moines Art Center, Iowa, October 12, 1996–January 12, 1997. (Catalogue)

Some Recent Acquisitions, The Museum of Modern Art, New York, Autumn 1996–1997.

Summer group exhibition, PaceWildenstein, Los Angeles, July 24–September 28, 1996.

Chimeriques polymeres: le plastique dans l’art du XXème siècle, Musée d’art moderne et d’art contemporain, Nice, June 29–September 15, 1996. (Catalogue)

Summer group exhibition, PaceWildenstein, 32 East 57th Street, New York, June 28–September 4, 1996.

Summer Olympic Exhibition, Heath Gallery, Atlanta, June 11–August 2, 1996.

Summer group exhibition, PaceWildenstein, Los Angeles, June 8–July 20, 1996.

Image Afterimage, The Workspace at Dolgenos Newman & Cronin, LLP, New York, May 18–July 19, 1996. (Catalogue)

Black & White, Gallery Seomi, Seoul, April 18–May 4, 1996. (Catalogue)

In Quest of the Absolute, Peter Blum Gallery, New York, April 6–June 8, 1996. (Catalogue)

Abstraction in the 20th Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum, New York, February 9–May 12, 1996. (Catalogue)

1995

Fabbrica, Bonnefantenmuseum, Maastricht, The Netherlands, 1995–1996.

Ad Reinhardt, Robert Ryman, Robert Mangold, Richard Serra, Ellsworth Kelly: Editions, One Great Jones, New York, 1995.

Main Stations, Casino Luxembourg, November 11, 1995–March 3, 1996. (Catalogue)

Group exhibition of gallery artists, PaceWildenstein, 32 East 57th Street, New York, June 28–August 1, 1995.

Into a New Museum: Recent Gifts and Other Acquisitions of Contemporary Art, Part II, San Francisco Museum of Modern Art, May 25, 1995–May 1, 1996.

1995 Biennial Exhibition, Whitney Museum of American Art, New York, March 23–June 4, 1995. (Catalogue)

1994

New York on Paper, Galerie Thaddaeus Ropac, Paris, 1994.

Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland, December 2, 1994–February 5, 1995. (Catalogue)

White Works, The Pace Gallery, 32 East 57th Street, New York, July 8–September 9, 1994.

On A Clear Day, Staatliche Kunsthalle Baden-Baden, July 7–September 11, 1994. (Catalogue)

Dream of the Absolute, Galerie Beyeler, Basel, June–September 1994. (Catalogue)

From Minimal to Conceptual: Works from The Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29–November 27, 1996. (Catalogue)

The Tradition of the New: Postwar Masterpieces from the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, May 20–September 11, 1994.

Painting, Rhona Hoffman Gallery, Chicago, April 29–May 1994.

Arte contemporanea dalla Collezione della Federazione cooperative Migros, Museo Cantonale d'Arte, Lugano, Italy, April 1–June 5, 1994. (Catalogue)

The Brushstroke and its Guises, New York Studio School of Drawing, Painting and Sculpture, March 7–April 16, 1994.

Alternative Visions: French Wallpapers of the XIX Century, Minimal Art Forms of the XX Century, Barbara Mathes Gallery, New York, February 19–June 9, 1994.

1993

Peinture, Emblèmes et Références, Musée d'art contemporain, Bordeaux, December 10, 1993–February 27, 1994. (Catalogue)

Manifeste, Musée national d'art moderne, Centre Georges Pompidou, Paris, September 23–December 13, 1993. (Catalogue)

Early Minimal Art Masterworks, John Weber Gallery, New York, September 1–October 9, 1993.

Singular Dimensions in Painting, Guggenheim Museum SoHo, New York, May 27–August 22, 1993. (Catalogue)

Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquartier Messepalast und Kunsthalle, Vienna, May 26–July 25, 1993. Traveled to: Deichtohallen, Hamburg, October 14, 1993–January 2, 1994. (Catalogue)

American Art in the Twentieth Century: Painting and Sculpture 1913–1993, Martin-Gropius-Bau, Berlin, May 8–July 25, 1993. Traveled to: Royal Academy of Arts and the Saatchi Gallery, London, September 16–December 12, 1993. (Catalogue)

Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh, February 20–April 25, 1993. (Catalogue)

Out of Sight, Out of Mind, Lisson Gallery, London, February 15–April 3, 1993.

1992

Group exhibition, Galerie Lelong, New York, 1992.

de Opening, De Pont, Tilburg, The Netherlands, September 13, 1992–January 31, 1993. (Catalogue)

Shapes and Positions, Kunsthalle Ritter Klagenfurt, Austria, September 11, 1992–January 30, 1993. Traveled to: Museum Fridericianum Kassel, February 14–April 18, 1993. (Catalogue)

From Brancusi to Bourgeois, Aspects of the Guggenheim Collection, Guggenheim Museum Soho, New York, June 28–September 6, 1992.

15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, May 8–June 13, 1992.

Passions & Cultures: Selected Works from the Rivendell Collection, 1967–1991, Richard and Marieluise Black Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, New York, April 4–December 22, 1992. (Catalogue)

Paint, Edward Thorp Gallery, New York, April 4–May 9, 1992.

Abstract Painting Between Analysis and Synthesis, Galerie Nächst St. Stephan, Vienna, January 24–March 18, 1992. (Catalogue)

Yvon Lambert collectionne, Musée d'art moderne de la Communauté Urbaine de Lille, Villeneuve d'Ascq, France and Musée des Beaux-Arts, Tourcoing, France, January 18–April 20, 1992. (Catalogue)

Arte Americana 1930–1970, Lingotto, Turin, January 8–March 31, 1992. (Catalogue)

Artifice, Artefacts, La galerie de poche, Paris, January 8–February 1, 1992.

1991

Monocromo, Theospacio, Madrid, 1991.

Prints, John Weber Gallery, New York, 1991.

Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, Philadelphia, October 4, 1991–January 5, 1992. Traveled to: Newport Harbor Art Museum, Newport Beach, California, April 16–June 21, 1992. (Catalogue)

After Reinhardt: The Ecstasy of Denial, Tomoko Liguori Gallery, New York, September 14–October 12, 1991. (Catalogue)

Sélection, FAE Musée D'Art Contemporain, Pully/Lausanne, Switzerland, June 10–October 13, 1991. (Catalogue)

Summer 1991, The Pace Gallery, 32 East 57th Street, New York, June 1–September 6, 1991.

The Picture after the Last Picture, Galerie Metropol, Vienna, April 15–June 15, 1991. (Catalogue)

Artists' Sketchbooks, Matthew Marks Gallery, New York, March 20–May 4, 1991. (Catalogue)

Post-War Geometric Concepts 1945–1991, Marilyn Pearl Gallery, New York, March 6–April 6, 1991.

Masterpieces from the Permanent Collection, Museum of Contemporary Art, Los Angeles, January 20–February 17, 1991.

1990

Contemporary Master Prints, Susan Sheehan Gallery, New York, 1990.

Group exhibition, The Project Room, John Weber Gallery, New York, 1990.

Group print exhibition, Tate Gallery, London, 1990.

Some Interesting Prints, Harcus Gallery, Boston, 1990.

Beyond The Frame, Rubin/Spangle, New York, November 17, 1990–January 5, 1991.

Minimal and..., Gallery Yamaguchi, Osaka, November 15, 1990–February 11, 1991. (Catalogue)

Classic Modernism: Six Generations, Sidney Janis Gallery, New York, November 15–December 29, 1990.

Homenaje al cuadrado, Galería Theo, Madrid, opened November 14, 1990. (Brochure)

Ad Reinhardt, Yves Klein, Robert Ryman, Gunter Umberg, S. Bitter-Larkin Gallery, New York, October 13–November 24, 1990.

White Out, Thomas Babeor Gallery, San Diego, closed October 30, 1990.

Minimal Art, National Museum of Art, Osaka, October 6–November 25, 1990. (Catalogue)

Homage to the Square, Nohra Haime Gallery, New York, September 5–29, 1990.

Pharmakon '90, Nippon Convention Center, Makuhari Messe International Exhibition Hall, Chiba, July 28–August 20, 1990. (Catalogue)

Painting and Sculpture, The Pace Gallery, 32 East 57th Street, New York, July 16–August 24, 1990.

The Future of the Object! A Selection of American Art; Minimalism and After, Galerie Ronny Van de Welde, Antwerp, May 20–July 28, 1990. (Catalogue)

Affinities and Intuitions: The Gerald S. Elliott Collection of Contemporary Art, Art Institute of Chicago, May 12–July 29, 1990. (Catalogue)

American Masters of the 60’s: Early and Late Works, Tony Shafrazi Gallery, New York, May 9–June 23, 1990. (Catalogue)

Minimalist Prints, Susan Sheehan Gallery, New York, May–June 1990. (Catalogue)

Minimal Art, Blum/Helman Gallery, New York, January 10–February 10, 1990.

1989

75 Million Years of Art and Objects: Part Two, Anthony Ralph Gallery, New York, 1989–1990.

Artists' Books, Brooke Alexander Editions, New York, 1989.

Geometric Abstraction and Minimalism in America, Solomon R. Guggenheim Museum, New York, December 15, 1989–February 11, 1990. (Catalogue)

Einleuchten: Will, Vorstel und Simul in HH, Deichtorhallen Hamburg, November 11, 1989–February 18, 1990. (Catalogue)

Domenico Bianchi, Robert Ryman, Richard Tuttle, Sperone Westwater Fischer Gallery, New York, September 16–October 24, 1989.

Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, New York, July 28–October 15, 1989. (Catalogue)

Wege Zur Abstraktion, Galerie Beyeler, Basel, July–September 1989. (Catalogue)

The Private Eye: Selected Works from Collections of Friends of The Museum, Museum of Fine Arts, Houston, June 11–August 13, 1989. (Catalogue)

American Rainbow. 56 Artistes Americains, Galerie 1900–2000 and La galerie de poche, Paris, April 17–May 6, 1989.

Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960, Museum Ludwig, Cologne, April 8–June 28, 1989. (Catalogue)

Vive le Nouveau Musée: Un choix dans les collections du nouveau Musée de Villeurbanne, Palais des Beaux-Arts, Charleroi, Belgium, March 11–April 16, 1989.

Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York, January 7–February 4, 1989.

1988

Borenbont: Maastrichts Aardewerk, Bonnefantenmuseum, Maastricht, The Netherlands, 1988.

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, December 17, 1988–February 5, 1989. (Catalogue)

Twentieth Century Art: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., December 13, 1988–December 31, 1990. (Catalogue)

Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, November 5, 1988–January 22, 1989. (Catalogue)

La Couleur Seule, l'Experience du Monochrome, Musée St. Pierre, Art Contemporain, Lyon, October 7–November 5, 1987. (Catalogue)

Black and White, Marisa Del Re Gallery, New York, October–November 1988. (Catalogue)

20th Anniversary Group Exhibition, Paula Cooper Gallery, New York, September 6–28, 1987.

The Collection of the Van Abbemuseum of Eindhoven, Musée d'Art Contemporain, Nîmes, July 11–November 2, 1988. (Catalogue)

Zeitlos, Kunst von Heute im Hamburger Bahnhof, Berlin, June 22–September 25, 1988. (Catalogue)

1988: The World of Art Today, Milwaukee Art Museum, May 6–August 28, 1988. (Catalogue)

1987

Group exhibition, Galerie Maeght Lelong, New York, 1987.

Group exhibition, Donald Young Gallery, Chicago, 1987.

Made: Remade: Unmade, Laurie Rubin Gallery, New York, November 21–December 19, 1987.

Fifty Years of Collecting, An Anniversary Selection: Painting Since World War II, Solomon R. Guggenheim Museum, New York, November 13, 1987–March 13, 1988.

Primary Structures, Rhona Hoffman Gallery, Chicago, September 11–October 10, 1987.

Similia/Dissimilia: Modes of Abstractions in Painting, Sculpture and Photography, Städtische Kunsthalle Düsseldorf, August 29–September 25, 1987. Traveled to: Leo Castelli Gallery, Sonnabend Gallery, and Wallach Art Gallery, Columbia University, New York, December 5–22, 1987. (Catalogue)

Art Against AIDS, Paula Cooper Gallery, New York, June 4–July 4, 1987. (Catalogue)

L'époque, la mode, la morale, la passion: 1977–1987, Musée national d'art moderne, Centre Georges Pompidou, Paris, May 21–August 17, 1987. (Catalogue)

1987 Biennial Exhibition, Whitney Museum of American Art, New York, April 10–July 5, 1987. (Catalogue)

White, Blum/Helman Gallery, New York, January 7–31, 1987.

1986

Painting: Wall Paintings, Stadtmuseum Graz mit Museumsapotheke, Austria, 1986. (Catalogue)

Individuals: A Selected History of Contemporary Art, 1945–85, Museum of Contemporary Art, Los Angeles, December 10, 1986–January 10, 1988. (Catalogue)

Art Minimal II, Musée d'art contemporain, Bordeaux, France, December 12, 1986–February 22, 1987. (Catalogue)

Abstrakte Malerei am Beispiel von 3 Europaischen und 3 Amerikanischen Kunstlern, Galerie Nacht St. Stephan, Vienna, October 31–December 23, 1986. (Catalogue)

Major Acquisitions Since 1980: Selected Paintings and Sculpture, Whitney Museum of American Art, New York, September 18–November 30, 1986. (Catalogue)

Group exhibition, Galerie Maeght Lelong, New York, Summer 1986.

Summer group exhibition, Leo Castelli Gallery, New York, June 14–September 13, 1986.

The Hidden Surface, Middendorf Gallery, Washington, D.C., May 17–June 14, 1986.

Political Geometries, Hunter College Art Gallery, New York, May 15–June 20, 1986. (Catalogue)

Contemporary Art from the FCM Collection, Acquisitions 1977–1986, Kunsthaus, Zurich, May 11–June 17, 1986. Traveled to: Musée Rath, Geneva, October 9–November 23, 1986. (Catalogue)

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, January 12–March 30, 1986. (Catalogue)

1985

Abstract Issues, Oscarsson Hood Gallery, New York, 1985.

Minimalism, Martina Hamilton Gallery, New York, 1985.

Œuvres modernes d'art contemporain, Galerie Yvon Lambert, Paris, 1985.

Wolfgang Laib, Robert Ryman, Ian Wilson, Galerie Maeght Lelong, New York, 1985.

A Selection of American Minimalists, The Saatchi Gallery, London, December 1985–January 1986.

Drawing: Aspects of Drawing 1960–1985, Frankfurter Kunstverein, Frankfurt, November 19, 1985–January 1, 1986. Traveled to: Kasseler Kunstverein, Kassel, January 15–February 23, 1986; Museum Moderner Kunst, Vienna, March 13–April 4, 1986. (Catalogue)

Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh, November 9, 1985–January 5, 1986. (Catalogue)

Andre, Chamberlain, Flavin, LeWitt, Ryman, Stella, The Saatchi Collection, London, October 1985–July 1986. (Catalogue)

Contrasts of Form: Geometric Abstract Art, 1910–1980, The Museum of Modern Art, New York, October 2, 1985–January 7, 1986. Traveled to: Biblioteca Nacional Madrid; Museo Nacional de Bellas Artes, Buenos Aires; Museo d' Arte de São Paulo; Museo de Arte Contemporaneo, Caracas. (Catalogue)

Actual Size: An Exhibition of Small Paintings and Sculptures, Larry Gagosian Gallery, Los Angeles, September–October 1985.

From Twombly to Clemente: Selected Works from a Private Collection, Kunsthalle Basel, July 14–September 15, 1985. (Catalogue)

American Abstract Painting 1960–80, Margo Leavin Gallery, Los Angeles, June 19–August 24, 1985.

Process und Konstruktion 1985 in München, Archives of Contemporary Thought, Kulturreferat der Landeshauptstadt München, Munich venand Galerie Brigitte March, Stuttgart, June 9–10, 1985. (Catalogue)

New Works on Paper 3, The Museum of Modern Art, New York, June 6–September 3, 1985. (Catalogue)

Now and Then: A Selection of Early and Recent Paintings, Daniel Weinberg Gallery, Los Angeles, June 1–August 31, 1985.

Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, April 20–June 16, 1985. (Catalogue)

Philip Johnson Installation, The Museum of Modern Art, New York, April 10–October 27, 1985.

The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, March 24–April 28, 1985. (Catalogue)

Minimal Art: A Survey of Early and Recent Work, John Weber Gallery, New York, March 9–March 30, 1985.

Giacometti to Johns: The Albert and Vera List Family Collection, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, March 1–April 21, 1985. (Catalogue)

From the Collection of Sol LeWitt. Organized by Independent Curators International, New York. Traveled to: Ackland Art Museum, University of North Carolina, Chapel Hill, January 26–March 3, 1985; Everhart Museum, Scranton, April 27–June 8, 1985; Grey Art Gallery, New York University, July 8–August 26, 1985; Museum of Art, Fort Lauderdale, March 5–April 16, 1986. (Catalogue)

1984

Berthot, Rotterdam, Ryman, Tàpies, Twombly. Storrer Gallery, Zurich, 1984.

Crex Collection, Hallen für neue Kunst, Schaffhausen, Switzerland, 1984. (Catalogue)

1964–1984, Donald Young Gallery, Chicago, 1984.

Peinture Abstraite, Ecart Gallery, Geneva, 1984.

Perspektiven und Erinnerungen zum Jahresende und zum Jahrensanfang, Galerie Annemarie Verna, Zurich, 1984–1985.

Overture: arte contemporanea, Castello di Rivoli, Turin, December 18, 1984–June 15, 1985. (Catalogue)

La Grande Parade: Highlights in Painting Since 1940, Stedelijk Museum, Amsterdam, December 15, 1984–April 15, 1985. (Catalogue)

Metals, Modules and Paint, Galerie Maeght Lelong, New York, September 18–October 27, 1984.

American Post War Purism, Marilyn Pearl Gallery, New York, May 31–September 8, 1984.

A Decade of American Painting, Daniel Weinberg Gallery, Los Angeles, April 21–May 19, 1984.

La rime et la raison: Les collections Menil (Houston-New York), Grand Palais, Paris, April 17–July 30, 1984. (Catalogue)

Experiment Sammlung I: une collection imaginaire, Kunstmuseum Winterthur, Switzerland, April 1–May 27, 1984. (Catalogue)

The Meditative Surface, The Renaissance Society, University of Chicago, April 1–May 16, 1984. (Catalogue)

Collection Becht, Stedelijk Museum, Amsterdam, March 16–May 6, 1984. (Catalogue)

American Art Since 1970: Paintings, Sculpture and Drawings from the Collection of the Whitney Museum of American Art, La Jolla Museum of Contemporary Art, March 10–April 22, 1984. Traveled to: Museo Tamayo, Mexico City, May 17–July 29, 1984; North Carolina Museum of Art, Raleigh, September 29–November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, March 30–May 26, 1985. (Catalogue)

Untitled, 1984, Max Protetch Gallery, New York, February 9–March 3, 1984.

1983

Small Works, Bonnier Gallery, New York, 1983.

ARS 83 Helsinki, Art Museum of the Ateneum, Helsinki, October 14–December 11, 1983. (Catalogue)

Mangold, Marden, Ryman, Paula Cooper Gallery, New York, September 13–October 1, 1983.

Season’s Greetings, Daniel Weinberg Gallery, Los Angeles, September 10–October 8, 1983.

Society for Contemporary Art 38th Annual, Art Institute of Chicago, closed July 24, 1983.

Chia, Gorchov, Judd, Mangold, Marden, Ryman, Shapiro, Stella, True, Twombly, Bonnier Gallery, New York, opened June 4, 1983.

Minimalism to Expressionism, Whitney Museum of American Art, New York, June 2–December 4, 1983. (Catalogue)

New Work by Basquiat, Fahlstrom, Jaudon, Mangold, Marisol, Ryman, Segal, Wesselmann, Sidney Janis Gallery, New York, opened May 5, 1983.

New Abstraction by Eight New York Painters, Sidney Janis Gallery, New York, February 10–March 5, 1983.

Paint as Image, Max Hutchinson Gallery, New York, opened January 22, 1983.

Abstract Painting: 1960–69, P.S. 1, Institute for Art and Urban Resources, Long Island City, January 16–March 13, 1983. (Catalogue)

1982

Changing Group Exhibition: Works from 1969–82, Paula Cooper Gallery, New York, 1982.

Group exhibition, Galerie Konrad Fischer, Düsseldorf, 1982.

Purism, Ruth Siegel Contemporary Art, New York, 1982.

NSCAD: The Nova Scotia College of Art & Design: Prints and Books, University of Connecticut, Stamford, October 9–November 21, 1982. Traveled to: University of Rhode Island, Providence, December 7, 1982–January 21, 1983; University of Massachusetts, Amherst, February 4–March 20, 1983; University of Vermont, Burlington, April 8–June 6, 1983; University of Southern Maine, Gorham, Summer 1983; University of New Hampshire, Durham, September 13–October 26, 1983; University of Maine, Orono, November 8–December 15, 1983. (Catalogue)

Out of the South, Heath Gallery, Atlanta, October 5–9, 1982. (Catalogue)

Ryman, Tuttle, Twombly: New York, Blum Helman Gallery, New York, September 15–October 9, 1982. (Catalogue)

The New York School: Four Decades, Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York, July 1–August 22, 1982. (Catalogue)

Documenta 7, Kassel, Germany, June 19–September 28, 1982. (Catalogue)

'60–'80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, April 9–July 11, 1982. (Catalogue)

Selected Paintings and Sculpture Acquired Since 1978, Whitney Museum of American Art, New York, February 9–April 4, 1982.

1981

Seven New York Painters, Sarah Lawrence College Art Gallery, Bronxville, New York, 1981.

Amerikanische Malerei 1930–1980. Organized by the Whitney Museum of American Art, New York. Traveled to: Haus der Kunst, Munich, November 14, 1981–January 31, 1982. (Catalogue)

Westkunst-Heute: Zeitgenössische Kunst seit 1939, Museen der Stadt Köln, Cologne, May 20–August 16, 1981. (Catalogue)

Minimal Art, Fundación Juan March, Madrid, January 26–March 8, 1981. Traveled to: Las Atarazanas, Barcelona, March 12–April 13, 1981. (Catalogue)

A New Spirit in Painting, Royal Academy of Arts, London, January 15–March 18, 1981. (Catalogue)

1980

1900–1980: From the Museum's Collection, Solomon R. Guggenheim Museum, New York, 1980.

Minimal and Conceptual Art from the Panza Collection, Museum für Gegenwartskunst, Basel, November 9, 1980–June 28, 1981. (Catalogue)

Art of the Seventies, 39th Biennale di Venezia, Venice, June 1–September 30, 1980. (Catalogue)

Seven Decades of Twentieth Century Art from the Sidney and Harriet Janis Collection of The Museum of Modern Art and the Sidney Janis Gallery Collection, La Jolla Museum of Contemporary Art, March 29–May 11, 1980. Traveled to: Santa Barbara Museum of Art, June 6–August 10, 1980. (Catalogue)

Kunst der 70er Jahre, Beispiele aus der Sammlung Crex, Badischer Kunstverein, Karlsruhe, March 18–May 4, 1980. (Catalogue)

Printed Art since 1965, The Museum of Modern Art, New York, February 14–April 1, 1980. (Catalogue)

Andre, Dibbets, Long, and Ryman, Louisiana Museum of Modern Art, Humlebæk, January 19–February 24, 1980. (Catalogue)

1979

American Prints, Galerie Nancy Gillespie/Elisabeth de Laage, Paris, 1979.

Drawing, Hal Bromm Gallery, New York, 1979.

Hassam Fund Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 19–December 30, 1979. (Catalogue)

Ateliers aujourd’hui: Œuvres contemporaines des collections nationales: Accrochage 3, Musée national d'art moderne, Centre Georges Pompidou, Paris, October 10–November 19, 1979. (Catalogue)

In the Realm of the Monochromatic, The Renaissance Society, University of Chicago, September 23–October 20, 1979. Traveled to: Anderson Gallery, School of the Arts, Virginia Commonwealth University, Richmond, 1979.

American Abstract Artists: Language of Abstraction, Betty Parsons Gallery and Marilyn Pearl Gallery, New York, June 19–August 3, 1979.

American Painting and Sculpture: 73rd Annual, Art Institute of Chicago, June 9–August 5, 1979. (Catalogue)

Une Exposition d’Artistes invités par Ian Wilson proposée et organisée par Michel Claura, 92, rue Saint Lazare, Paris, June 1–30, 1979.

The Minimal Tradition, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, April 29–September 2, 1979. (Catalogue)

The Reductive Object: A Survey of the Minimalist Aesthetic in the 1960s, Institute of Contemporary Art, Boston, March 7–April 29, 1979. (Catalogue)

Wall Painting: Marcia Hafif, Richard Jackson, Lucio Pozzi, Robert Ryman, Robert Yasuda, Museum of Contemporary Art, Chicago, March–May 1979. (Catalogue)

Two Decades of Abstraction: New Abstraction, University of South Florida Fine Arts Gallery, Tampa, January 8–February 17, 1979.

1978

The Artists of Chelsea, Roy G. Biv Gallery, New York, 1978.

Four Major Works, Young Hoffman Gallery, Chicago, 1978.

Group exhibition, Galerie Nancy Gillespie/Elisabeth de Laage, Paris, 1978.

Group exhibition, New Gallery, Cleveland, 1978.

Group exhibition, Sperone Westwater Fischer Gallery, New York, 1978.

Recent Works, John Weber Gallery, New York, 1978.

Works from the Collection, Stedelijk Museum, Amsterdam, 1978.

American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York, December 9, 1978–January 14, 1979. Traveled to: Newport Harbor Art Museum, California, February 3–March 18, 1979; Oakland Museum, April 10–May 20, 1979; Cincinnati Art Museum, July 6–August 26, 1979; Art Museum of South Texas, Corpus Christi, September 9–October 21, 1979; Krannert Museum, University of Illinois, Champaign, November 11, 1979–January 22, 1980. (Catalogue)

Works from the Crex Collection, Zurich / Werke aus der Sammlung Crex, Zürich, InK, Halle für internationale neue Kunst, Zurich, September 20–October 25, 1978. Traveled to: Louisiana Museum of Modern Art, Humlebæk, December 9, 1978–February 4, 1979; Städtische Galerie im Lenbachhaus, Munich, September 12–October 7, 1979; Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, 1979. (Catalogue)

Monochrome Show, Susan Caldwell Gallery, New York, Summer 1978.

38th Biennale di Venezia, Venice, July 2–October 15, 1978. (Catalogue)

Summer Show, Lisson Gallery, London, July–September 16, 1978.

American Post-War Painting from the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, July 1–September 11, 1978.

Déjà Vu: Masterpieces Updated, Downey Museum of Art, California, June 25–September 3, 1978. Traveled to: Citrus Community College Art Gallery, Glendora, California, September 11–29, 1978. (Catalogue)

Art Inc.: American Paintings from Corporate Collections, Corcoran Gallery of Art, Washington, D.C., June 15, 1978–January 15, 1979. (Catalogue).

Two Decades of American Printmaking: 1957–1977, Worcester Art Museum, Massachusetts, March 15–May 14, 1978. (Catalogue)

Das Museum of Modern Art New York zu Gast im Kunstmuseum Bern und Ludwig Köln, Amerikanische kunst des 20. Jahrhunderts, Kunstmuseum Bern, February 16–April 16, 1979. Traveled to: Museum Ludwig, Cologne, May 19–July 16, 1979. (Catalogue)

Aspects of Minimalism, Julian Pretto Gallery, New York, February 1978.

Three Generations: Studies in Collage, Margo Leavin Gallery, Los Angeles, January 26–March 4, 1978.

Atypical Works, Julian Pretto Gallery, New York, January 1978.

1977

American Abstract Artists, Paterson Museum, New Jersey, 1977.

Group exhibition, Galerie Jean and Karen Bernier, Athens, 1977.

Prints, Fine Arts Center, University of Rhode Island, Kingston, 1977.

Prints, Young Hoffman Gallery, Chicago, 1977.

Artists' Salute to Skowhegan, Kennedy Galleries, New York, December 8–21, 1977. (Catalogue)

Group exhibition, Galerie Charles Kriwin, Brussels, opened November 7, 1977.

New York: The State of Art, New York State Art Gallery, Albany, October 8–November 27, 1977 (extended through January 15, 1978). (Catalogue)

Ferrara, Lichtenstein, Nevelson, Ryman, Sarah Lawrence College Art Gallery, Bronxville, New York, September 14–October 9, 1977. (Catalogue)

View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

Group exhibition, John Weber Gallery, New York, September 1977.

Etchings of the Twentieth Century, Margo Leavin Gallery, Los Angeles, July 9–August 13, 1977.

Documenta 6, Kassel, Germany, June 24–October 2, 1977. (Catalogue)

Drawing and Collage: Selections from the New York University Art Collection, Grey Art Gallery and Study Center, New York University, June 1–July 1, 1977. (Catalogue)

Words at Liberty, Museum of Contemporary Art, Chicago, May 7–July 3, 1977. (Catalogue)

Less Is More: An Exhibition of Minimal Painting, Sidney Janis Gallery, New York, April 7–May 7, 1977. (Catalogue)

1977 Biennial Exhibition, Whitney Museum of American Art, New York, February 15–April 3, 1977. (Catalogue)

Works and Projects of the Seventies, P.S. 1, Institute for Art and Urban Resources, Long Island City, January 26–February 20, 1977.

Paintings on Paper, Drawing Center, New York, January 15–26, 1977.

1976

Choice, School of Art and Architecture, Yale University, New Haven, Connecticut, 1976.

Group exhibition, John Weber Gallery, New York, 1976.

Prints, University Art Museum, University of California, Berkeley, 1976.

Prints, Young Hoffman Gallery, Chicago, 1976.

Minimal Art: Druckgrafik, Kestner-Gesellschaft, Hannover, December 10, 1976–January 23, 1977. (Catalogue)

America, America, Galerie Beyeler, Basel, October–December 1976. (Catalogue)

Prospect/Retrospect: Europa 1946–1976, Städtische Kunsthalle Düsseldorf, October 20–31, 1976. (Catalogue)

American Artists: A New Decade, Detroit Institute of Arts, July 31–September 19, 1976. Traveled to: Grand Rapids Art Museum, Michigan, March–April 1977; Modern Art Museum of Fort Worth, Texas, July 30–September 12, 1977. (Catalogue)

37th Venice Biennale, Venice, July 18–October 10, 1976. (Catalogue)

Three Decades of American Art. Organized by the Whitney Museum of American Art, New York. Traveled to: Seibu Department Store Art Gallery, Tokyo, June 18–July 20, 1976. (Catalogue)

Rooms, P.S. 1, Institute for Art and Urban Resources, Long Island City, June 9–June 26, 1976. (Catalogue)

Europa-America: l’astrazione determinate 1960–1976, Galleria d'Arte Moderna, Bologna, May–September 1976. (Catalogue)

Three into Five: Critical Perspectives in American Art, Fine Arts Center, University of Massachusetts, Amherst, April 10–May 9, 1976. (Catalogue)

Cronaca, Galleria Civica, Modena, March 18–May 2, 1976. (Catalogue)

Yesterday, Today, Tomorrow, Lowe Art Museum, University of Miami, Coral Gables, March 4–April 11, 1976. (Catalogue)

Approaching Painting, Part Two, Hallwalls, Buffalo, New York, January 23–February 13, 1976.

Drawing Now, The Museum of Modern Art, New York, January 21–March 9, 1976. Traveled to: Kunsthaus Zürich, October 10–November 14, 1976; Staatliche Kunsthalle Baden-Baden, November 1976–January 16, 1977; Graphische Sammlung Albertina, Vienna, January 20–February 28, 1977. (Catalogue)

Drawing/Transparency; Disegno/trasparenza, Cannaviello Studio d'Arte, Rome, January 1976. (Catalogue)

1975

Graphic Works, Galleria Peccolo, Livorno, Italy, 1975.

Group exhibition, Galerie MTL, Brussels, 1975.

Group exhibition, Glenn Smith Gallery, Newport Beach, California, 1975.

Prints, Art Gallery of Ontario, Toronto, December 18, 1975–January 19, 1976. (Catalogue)

New Prints: Robert Ryman and Richard Smith, The Museum of Modern Art, New York, November 6–30, 1975.

Painting, Drawing and Sculpture of the '60s and the '70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 7–November 18, 1975. Traveled to: Contemporary Arts Center, Cincinnati, December 17, 1975–February 15, 1976. (Catalogue)

Von Pop zum Konzept, Sammlung Ludwig, Neue Galerie, Aachen, Germany, October 4–November 9, 1975. (Catalogue)

Printsequence, The Museum of Modern Art, New York, October 3, 1975–January 18, 1976.

Empirica: l'Arte tra addizione e sottrazione, Ente Fiera, Rimini and Museo di Castelvecchio, Verona, May 18–June 25, 1975. (Catalogue)

USA Zeichnungen 3, Städtisches Museum Leverkusen, Schloss Morsbroich, Germany, May 15–June 25, 1975. (Catalogue)

Society for Contemporary Art Exhibition 34th Annual: The Small Scale in Contemporary Art, Art Institute of Chicago, May 8–June 15, 1975. (Catalogue)

Less/More: Paintings by Contemporary American Artists, Douglas Drake Gallery, Kansas City, Missouri, May 2–August 1, 1975.

Marcelin Pleynet présente: J. Bishop, A. Martin, R. Ryman, W. Nestler, Galerie Rencontres, Paris, April 24–May 16, 1975. (Catalogue)

Fourteen Artists, Baltimore Museum of Art, April 15–June 1, 1975. (Brochure)

Fundamentele Schilderkunst / Fundamental Painting, Stedelijk Museum, Amsterdam, April–June 1975. (Catalogue)

Fourteen Abstract Painters, Frederick S. Wight Art Gallery, University of California, Los Angeles, March 25–May 25, 1975. (Catalogue)

Color. Organized by The Museum of Modern Art, New York. Traveled to: Museo de Arte Moderno de Bogotá, February–March 1975; Museo de Bellas Artes, Caracas, August 1975; Museo de Arte Moderno, Mexico City; Museu de Arte de São Paulo Assis Chateaubriand; Museu de Arte Moderna do Rio de Janeiro. (Catalogue)

Four from the East/Four from the West, Art Galleries, University of California, Santa Barbara, February 23–March 30, 1975. (Catalogue)

1974

Choice Dealers/Dealers' Choice, The New York Cultural Center, New York, 1974.

Group exhibition, Galerie Aronowitsch, Stockholm, 1974.

Group exhibition, Galerie Rolf Preisig, Basel, 1974.

Group exhibition, Landmark Gallery, New York, 1974.

Group exhibition, Scottish Arts Council, Edinburgh, 1974.

Jo Baer, Alan Charlton, Bob Law, Robert Mangold, Robert Ryman, Lisson Gallery, London, December 3, 1974–January 18, 1975.

American Abstract Artists Association, Betty Parsons Gallery, New York, July–August 1974.

The Bay Area Collects: Sandra and Breck Caldwell, University Art Museum, University of California, Berkeley, July 3–August 11, 1974. (Catalogue)

Painting and Sculpture Today, 1974, Indianapolis Museum of Art, May 22–July 14, 1974. Traveled to: Contemporary Arts Center and the Taft Museum, Cincinnati, September 12–October 26, 1974. (Catalogue)

Basically White, Institute of Contemporary Arts, London, April 15–28, 1974. (Catalogue)

Geplante Malerei, Westfälischer Kunstverein, Muenster, March 30–April 28, 1974. (Catalogue)

Een Schilderijent Entoonstelling van een aantal schilders, die wellicht het schilderij als mogelijkheid onderzoeken, ICC Internationaal Cultureel Centrum, Antwerpen, March 9–April 7, 1974.

American Painting in the Watershed Year, 1961, Allan Frumkin Gallery, New York, March 9–April 2, 1974. (Catalogue)

Some Recent American Art. Organized by the International Program of The Museum of Modern Art, New York. Traveled to: National Gallery of Victoria, Melbourne, February 12–March 10, 1974; Art Gallery of New South Wales, Sydney, April 5–May 5, 1974; Art Gallery of South Australia, Adelaide, May 31–June 30, 1974; Western Australian Art Gallery, Perth, July 26–August 21, 1974; City of Auckland Art Gallery, October 14–November 17, 1974. (Catalogue)

1973

Group exhibition, Lo Giudice Gallery, New York, 1973.

Group exhibition, Terrain Graphics Gallery, New York, 1973.

Group exhibition, John Weber Gallery, New York, 1973.

Multipli, Modern Art Agency, Naples, 1973.

New Acquisitions, Solomon R. Guggenheim Museum, New York, 1973.

Contemporanea, Parcheggio di Villa Borghese, Rome, November 1973–February 1974. (Catalogue)

Eine Malerei-Ausstellung mit Malern, die Malerei in Frage stellen könnten, Städtisches Museum Abteiberg Mönchengladbach, Germany, November 15–December 23, 1973. (Catalogue)

American Art: Third Quarter Century, Seattle Art Museum, August 22–October 14, 1873. (Catalogue)

Daniel Buren, Alan Charlton, Girorgio Griffa, Bernd Lohaus, Brice Marden, Agnes Martin, Robert Ryman, Palermo, Niele Toroni: une expoistion de peinture reunissant certains peintres qui mettraient la peinture en question, 16 Place Vendome, Paris, May–June 1973. Traveled to: Städtisches Museum, Mönchengladbach, Germany, November 15–December 23, 1973; Internationaal Culturaal Centrum, Antwerp, March 9–April 7, 1974. (Catalogue)

American Drawings 1963–1973, Whitney Museum of American Art, New York, May 25–July 22, 1973. (Catalogue)

Bilder-Objekte-Filme-Konzepte: Sammlung Jost Herbig, Städtische Galerie im Lenbachhaus, Munich, April 3–May 13, 1973. (Catalogue)

Drawings, Margo Leavin Gallery, Los Angeles, March 13–April 15, 1973.

Works from the Early Sixties, Paula Cooper Gallery, New York, February 17–March 10, 1973.

Young American Artists: Drawings and Graphics, Gentofte Kunstvenner, Gentofte Raadhus, Copenhagen, January 24–February 11, 1973. Traveled to: Oslo; Hamburg; Stockholm. (Catalogue)

1972

Group exhibition, Galleria Il Cortile, Rome, 1972.

Group exhibition, John Weber Gallery, New York, 1972.

Actualité d'un bilan, Galerie Yvon Lambert, Paris, October 30–December 5, 1972. (Catalogue)

Etchings Etc., The Museum of Modern Art, New York, October 25, 1972–February 5, 1973.

Crown Point Press at the San Francisco Art Institute, Emanuel Walter Gallery, San Francisco Art Institute, September 1–October 1, 1972. (Catalogue)

Documenta 5, Kassel, Germany, June 30–October 8, 1972. (Catalogue)

Seventieth American Exhibition, Art Institute of Chicago, June 24–August 20, 1972. (Catalogue)

420 West Broadway at the Spoleto Festival, Italy, June 23–July 9, 1972. (Catalogue)

Grids, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 27–March 1, 1972. (Catalogue)

1971

Collage of Indignation II, The New York Cultural Center, New York, 1971.

Group exhibition, Galerie Françoise Lambert, Milan, 1971.

Ten from the Bowery, Galerie de Gestlo, Hamburg, 1971.

White on White: The White Monochrome in the 20th Century, Museum of Contemporary Art, Chicago, December 18, 1971–January 30, 1972. (Catalogue)

Group exhibition, Galleria Marilena Bonomo, Bari, opened December 1971.

20 Artisti Americani, Chase Manhattan Bank, Bari, October 21–November 7, 1971. (Catalogue)

Prints from Halifax, Art Lending Service, The Museum of Modern Art, New York, October 6–November 12, 1971. (Catalogue)

Group exhibition, Fischbach Gallery, New York, Summer 1971.

Final Exhibition, Dwan Gallery, New York, June 1971.

Paintings Without Supports, New Gallery, Bennington College Museum of Art, Vermont, March 30–April 23, 1971.

Sixth Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, February 12–April 25, 1971. (Catalogue)

Second Triennale-India 1971. Organized by the International Council, The Museum of Modern Art, New York. Traveled to: Lalit Kala Akademi, New Delhi, January 1971. (Catalogue)

1970

Drawing Show, Paula Cooper Gallery, New York, December 20, 1970–January 13, 1971.

Drawings, Janie C. Lee Gallery, Dallas, December 12, 1970–February 7, 1971.

Early Works by Gallery Artists, Dwan Gallery, New York, November 28–December 23, 1970.

Fifth Annual Graphic Exhibition, Phoenix Gallery, New York, November 28–December 23, 1970.

Monumental American Art, Contemporary Arts Center, Cincinnati, September 13–November 1, 1970. (Catalogue)

American Drawings, Galerie Yvon Lambert, Paris, September 1970.

Drawings, Galerie Françoise Lambert, Milan, September 1970.

Conceptual Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Turin, June–July 1970. (Catalogue)

Zeichnungen amerikanischer Künstler, Galerie Rolf Ricke, Cologne, May 15–June 26, 1970. (Catalogue)

Using Walls, Jewish Museum, New York, May 13–June 21, 1970. (Catalogue)

Art Since 1960, Art Museum, Princeton University, New Jersey, May 6–27, 1970. (Catalogue)

Bildernische Ausdrucksformen 1960–1970, Sammlung Karl Ströher, Hessisches Landesmuseum Darmstadt, Germany, April 24–June 14, 1970. (Catalogue)

Modular Painting, Albright-Knox Art Gallery, Buffalo, New York, April 21–May 24, 1970. (Catalogue)

18 Paris IV 70, rue Mouffetard, Paris, April 1970. (Catalogue)

The Drawing Society: New York Regional Exhibition 1970, Cooper-Hewitt Museum, Smithsonian Institution, New York, March 9–May 9, 1970.

Some New Things, Art Gallery, Randolph-Macon Woman's College, Lynchburg, Virginia, March 5–30, 1970.

American Abstract Artists, Loeb Student Center, New York University, February–April 16, 1970.

The Invisible Image, School of Visual Arts Gallery, New York, February 10–March 5, 1970.

1969

Drawings. Galerie Heiner Friedrich, Munich, 1969. (Catalogue)

Group exhibition, Galleria Toselli, Milan, 1969.

Art in Process IV, Finch College Museum of Art, New York, December 11, 1969–January 26, 1970. (Catalogue)

Art on Paper, Weatherspoon Art Gallery, University of North Carolina at Greensboro, November 1969.

American Drawings, Modern Art Museum of Fort Worth, Texas, October 28–December 6, 1969. (Catalogue)

Kunstmarkt 1969, Josef-Haubrich-Kunsthalle, Cologne, October 1969. (Catalogue)

Prospect 69, Städtische Kunsthalle Düsseldorf, September 30–October 12, 1969. (Catalogue)

557,087, Seattle Art Museum, September 5–October 5, 1969. Traveled to: as 955,000, Vancouver Art Gallery, January 13–February 8, 1970; as 2,972,453, Centro de Arte y Communicación, Buenos Aires, opened December 4, 1970. (Catalogue)

Highlights of the 1968–1969 Art Season, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 22–September 14, 1969. (Catalogue)

Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, May 19–July 6, 1969. (Catalogue)

Verborgene Strukturen, Museum Folkwang Essen, May 9–June 22, 1969. (Catalogue)

When Attitudes Become Form: Works-Concepts Processes-Situations-Information, Kunsthalle Bern, March 22–April 4, 1969. Traveled to: Museum Haus Lange, Krefeld, May 9–June 15, 1969; Institute of Contemporary Arts, London, September 28–October 27, 1969. (Catalogue)

Op Losse Schroeven: Situaties en Cryptostructuren, Stedelijk Museum, Amsterdam, March 15–April 27, 1969. (Catalogue)

Sammlung 1968 Karl Ströher, Neue Nationalgalerie, Berlin, March 1–April 14, 1969. Traveled to: Städtische Kunsthalle, Düsseldorf, April 25–June 17, 1969; Kunsthalle, Bern, July 12–September 28, 1969. (Catalogue)

American Abstract Artists, North Carolina Museum of Art, Raleigh, February 9–March 9, 1969.

Here and Now: An Exhibition of Thirteen Artists, Steinberg Hall, Washington University Gallery of Art, Saint Louis, Missouri, January 10–February 21, 1969. (Catalogue)

1968

Group exhibition, Bykert Gallery, New York, 1968.

Group exhibition, Galerie Konrad Fischer, Düsseldorf, 1968.

The Square in Painting. Organized by the American Federation of Arts, New York. Traveled to: Appalachian State University, Boone, North Carolina, October 27–November 17, 1968; Georgia Museum of Art, University of Georgia, Athens, January 15–February 9, 1969; Tucson Art Center, March 2–23, 1969; University of Wyoming, Laramie, April 13–May 4, 1969; University of Michigan, Ann Arbor, July 6–27, 1969; Stout State University, Menomonie, Wisconsin, September 28–October 19, 1969.

Benefit for the Student Mobilization Committee to End the War in Vietnam, Paula Cooper Gallery, New York, October 22–31, 1968.

Four NYC Artists: Gordon, Lonzano, Ryman, Stanley, Contemporary Arts Center, Cincinnati, May 23–June 22, 1968. (Catalogue)

1967

Normal Art, Lannis Museum of Normal Art, New York, November 12–December 3, 1967.

Rejective Art. Organized by the American Federation of Arts, New York. Traveled to: University of Nebraska, Omaha, November 9–30, 1967; Museum of Fine Arts, Houston, December 14, 1967–January 4, 1968; School of Architecture, Clemson University, South Carolina, January 19–February 9, 1968. (Catalogue)

Collectors', Critics' and Curators' Choice, A.M. Sachs Gallery, New York, closed October 4, 1967.

A Romantic Minimalism, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 13–October 11, 1967. (Catalogue)

Selected New York Artists, Ithaca College Museum, New York, April 4–May 27, 1967. (Catalogue)

1966

Systemic Painting, Solomon R. Guggenheim Museum, New York, September–November 1966. (Catalogue)

Paintings from American Abstract Artists, Loeb Student Center, New York University, August 1–30, 1966.

Art in Embassies. Organized by the International Council, The Museum of Modern Art, New York. Traveled to: the residences of American Embassy officials in Montreal and Budapest, February 1966–December 1967.

1965

Art ‘65: Lesser Known and Unknown Painting—Young American Sculpture—East to West, American Express Pavilion, The World's Fair, New York, opened April 19, 1965. (Catalogue)

29th Annual Exhibition of Members and Guests: American Abstract Artists, Riverside Museum, New York, March 14–April 25, 1965.

1964

Art rental exhibition, Baltimore Museum of Art, 1964.

The Individual Image, Alan Auslander Gallery, New York, May 5–30, 1964. (Catalogue)

Eleven Artists, Kaymar Gallery, New York, March 31–April 14, 1964.

1958

Christmas group show, Brata Gallery, New York, January 1958.

Albright-Knox Art Gallery, Buffalo, New York

Anderson Collection Museum at Stanford University, California

The Art Institute of Chicago, Illinois

Berkeley Art Museum and Pacific Film Archive, University of California

Cedars-Sinai Medical Center, Los Angeles

Centre Pompidou, Paris

The Chinati Foundation, Marfa, Texas

The Cleveland Museum of Art, Cleveland

Dallas Museum of Art, Dallas

Denver Art Museum, Colorado

Des Moines Art Center, Iowa

The Detroit Institute of Arts, Michigan

Dia Art Foundation, New York

The J. Paul Getty Museum, Los Angeles

Solomon R. Guggenheim Museum, New York

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Ho-Am Art Museum, Seoul

Indianapolis Museum of Art, Indiana

Joslyn Art Museum, Omaha, Nebraska

Kolnischer Kunstverein, Cologne

Los Angeles County Museum of Art, Los Angeles

Louisiana Museum of Modern Art, Humlebaek, Denmark

The Metropolitan Museum of Art, New York

Modern Art Museum of Fort Worth, Texas

Musée d'Art Contemporain, Lyon

Musée d'Art Moderne de la Ville de Paris

Museo Nacional Centro de Arte Reina Sofia, Madrid

Museum of Contemporary Art, Chicago, Illinois

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, San Diego

Museum of Fine Arts, Boston

The Museum of Modern Art, New York

Orange County Art Museum, Newport Beach, California

Philadelphia Museum of Art, Philadelphia

San Francisco Museum of Modern Art

Seattle Art Museum, Washington

Sentinel Plaza, Pasadena Police Department, Pasadena

Norton Simon Museum, Pasadena

Stuart Collection, University of California, San Diego

United States Courthouse, San Diego

Walker Art Center, Minneapolis, Minnesota

Wexner Center for the Arts, The Ohio State University, Columbus

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven

2019

“Aos 88 anos, morre o artista minimalista Robert Ryman.” Folha de S. Paulo, 10 February 2019. https://www1.folha.uol.com.br/ilustrada/2019/02/aos-88-anos-morre-o-artista-minimalista-robert-ryman.shtml

Betsky, Aaron. “Artist Robert Ryman Made Architecture with More Success Than Any Other.” Dezeen, 21 February 2019. https://www.dezeen.com/2019/02/21/robert-ryman-opinion-aaron-betsky/

Bois, Yve-Alain, Amy Baker Sandback, and Suzanne Hudson. “Robert Ryman 1930–2019.” Artforum 57, no. 8 (April 2019): 41–42, 44, illustrated.

Colaizzi, Vittorio. “Robert Ryman Gave Us a Lot to Look at.” Apollo, 5 March 2019. https://www.apollo-magazine.com/tribute-robert-ryman/

Duponchelle, Valérie. “Disparition de Robert Ryman, l'homme aux carrés blancs.” Le Figaro, 11 February 2019. http://www.lefigaro.fr/arts-expositions/2019/02/11/03015-20190211ARTFIG00251-disparition-de-robert-ryman-l-homme-aux-carres-blancs.php

Harris, Gareth. “Art world tributes for Minimalist painter Robert Ryman, who has died aged 88.” The Art Newspaper, 11 February 2019. https://www.theartnewspaper.com/news/tributes-for-the-minimalist-painter-robert-ryman-who-has-died-aged-88

Hudson, Suzanne. “Robert Ryman (1930–2019) An Obituary by Suzanne Hudson.” Texte Zur Kunst, 12 April 2019. https://www.textezurkunst.de/articles/robert-ryman-1930-2019/

JVH. “American painter Robert Ryman died.” Nieuwsblad, 10 February 2019. https://www.nieuwsblad.be/cnt/dmf20190210_04166717

Meyer, James. “New York: ’50 Years: An Anniversary,’ Paula Cooper Gallery” (exhibition review). Artforum 57, no. 5 (January 2019): 184, illustrated,

Miller, Leigh Anne. “Obituaries: Robert Ryman.” Art in America (April 2019): 104, illustrated.

Neuendorf, Henri. “‘Bob Was Extraordinarily Kind to Me’: The Art World Pays Tribute to Robert Ryman, Late Master of Minimalist Painting.” Artnet News, 12 February 2019. https://news.artnet.com/art-world/robert-ryman-tributes-1462540

Rea, Naomi. “Robert Ryman, the Minimalist Painter Who Stripped the Canvas Down to Its Bare Essentials, Has Died.” Artnet News, 11 February 2019. https://news.artnet.com/art-world/robert-ryman-obituary-1461799

“Robert Ryman (1930–2019).” Artforum, 10 February 2019. https://www.artforum.com/news/robert-ryman-1930-2019-78605

Smith, Roberta. “Robert Ryman, 88, Minimalist Painter Who Made the Most of White, Dies.” The New York Times, 11 February 2019: D8, illustrated.

2018

Battaglia, Andy. “First Comprehensive Survey of Robert Ryman Drawings to Show at Pace Gallery in New York” (Pace Gallery exhibition preview). Art News, 25 January 2018. http://www.artnews.com/2018/01/25/first-comprehensive-survey-robert-ryman-drawings-show-pace-gallery-new-york/

Cohen, Alina. “What Makes a Monochrome Painting Good” (Pace Gallery exhibition review). Artsy, 5 March 2018. https://www.artsy.net/article/artsy-editorial-monochrome-painting-good

Istomina, Tatiana. “Robert Ryman” (Pace Gallery exhibition review). Art in America (June/July 2018): 115–116, illustrated.

McGlynn, Tom. “Robert Ryman: Drawings” (Pace Gallery exhibition review). Brooklyn Rail, 5 March 2018. https://brooklynrail.org/2018/03/artseen/ROBERT-RYMAN-Drawings

Stapley-Brown, Victoria, Ivy Olesen and Gabriella Angeleti. “Three to See: New York” (Pace Gallery exhibition review). The Art Newspaper, 22 February 2018. https://www.theartnewspaper.com/news/three-to-see-new-york-23-2

2017

Colaizzi, Vittorio. “How Robert Ryman got from Jazz to Abstract Painting.” Phaidon, 16 November 2017. http://www.phaidon.com/agenda/art/articles/2017/november/14/how-robert-ryman-got-from-jazz-to-abstract-painting/

Kennedy, Randy. “A Master of Minimalism Makes a Maximalist Gift.” The New York Times, 13 April 2017: C4, illustrated.

Li, Suchao. “White.” Artco China (May 2017): 53–59, illustrated.

2016

Macel, Christine. “Best of 2016: 6. Robert Ryman” (Dia:Chelsea exhibition review). Artforum 55, no. 4 (December 2016): 203, installation view.

McDermon, Daniel. “When a White Square Is More Than a White Square” (Dia: Chelsea exhibition review). The New York Times, 4 February 2016. http://www.nytimes.com/interactive/2016/02/04/arts/design/robert-ryman-dia-chelsea.html

“10 Farben Weiss Robert Ryman.” Conversation among Urs Raussmüller, Jan Dibbets, Gerhard Richter, Cordy Ryman et al. Blau, no.13, September 2016: 46–57, illustrated.

Panicelli, Ida. “New York: Robert Ryman, DIA: Chelsea” (exhibition review). Artforum, accessed 25 March 2016. http://artforum.com/picks/id=57236

Rhodes, David. “Robert Ryman” (Dia: Chelsea exhibition review). The Brooklyn Rail (February 2016), illustrated. http://www.brooklynrail.org/2016/02/artseen/robert-ryman-feb2016

2015

Kahn, Howie. “Home Is Where the Art Is: The Ryman Family.” The Wall Street Journal Magazine, December 2015/January 2016: 156–9, illustrated.

Smith, Roberta. “One Color Holds the Key to Many” (Dia: Chelsea exhibition review). The New York Times, 11 December 2015: C25.

2014

Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere del Ticino, 13 March 2014: 34, illustrated.

Jovanovic, Rozalia. “Artnet News’ Top 10 Most Expensive Living American Artists.” Artnet News, 28 April 2014. http://news.artnet.com/market/ten-most-expensive-american-artists-11863

2013

Buchloch, Benjamin H.D. “Painting as Diagram: Five Notes on Frank Stella’s Early Paintings, 1958–1959.” October, no. 143 (Winter 2013): 126–144, illustrated.

“Galleries: Pace Gallery” (exhibition review). Time Out New York, 19–25 September 2013: 42.

Hudson, Suzanne. “Robert Ryman, Pace” (exhibition review). Artforum 52, no. 4 (December 2013): 260–261, illustrated.

Patkin, S. “New York – Robert Ryman: ‘Recent Paintings’ at Pace Gallery Through Oct 26th, 2013” (exhibition review). Art Observed, 29 September 2013. http://artobserved.com/2013/09/new-york-robert-ryman-%E2%80%9Crecent-paintings%E2%80%9D-at-pace-gallery-through-oct-26th-2013/

Pogrebin, Robin. “Art: One Artist, Several Scenes” (Pace Gallery exhibition review). The New York Times, 15 September 2013: 4, illustrated.

Plagens, Peter. “Persuasion in Pieces and Disarray” (Pace Gallery exhibition review). The Wall Street Journal, 28 September 2013: A20, illustrated.

Wei, Lily. “Robert Ryman” (Pace Gallery exhibition review). Art News 110, no. 10 (November 2013): 112, illustrated.

2011

Archey, Karen. “Signature and Style.” Flash Art 44, no. 276 (January–February 2011: 72–75, illustrated.

“Profiles: Robert Ryman.” Art Economist 1, no. 1 (January 2011): 30, illustrated.

2010

Damiano, Michael. “Review: Robert Ryman: Variations and Improvisations at the Phillips Collection” (exhibition review). Artdaily.org, 26 July 2010. http://www.artdaily.org/index.asp?int_sec=2&int_new=39483

Hudson, Suzanne. “Robert Ryman, PaceWildenstein” (exhibition review). Artforum 48, no. 9 (May 2010): 246, illustrated.

Rosenberg, Karen. “Robert Ryman: ‘Large-Small, Thick-Thin, Light Reflecting, Light Absorbing’” (exhibition review). The New York Times, 19 March 2010: C31.

Yau, John. “Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing” (exhibition review). The Brooklyn Rail (March 2010).

2009

Berwick, Carly. “Weak Economy, Strong Art.” Art in America (February 2009): 28, illustrated.

2008

Cotter, Holland. “Golden Oldies All Over Chelsea” (Yvon Lambert exhibition review). The New York Times, 4 December 2009: C37.

Hudson, Suzanne. “Robert Ryman: The ‘How’ and the ‘What.’” Flash Art 41, no. 263 (November/December 2008): 52–54, illustrated.

Imdal, Georg. “Es is ähnlich wie Musik hören.” Kölner Stadt Anzeiger, 1 July 2008. 21, illustrated.

Mack, Gerhard. “Die Liebe zur Farbe Weiss.” Art, no. 6 (June 2008): illustrated.

Platzker, David. “How to Make Art.” 2wice 9, no. 2 (2008): 4–12.

Schweizer, Martin. “Der Herr der weissen Bilder.” Schaffhauser Nachrichten, 5 April 2008: 19, installation view.

2007

Bonami, Francesco. “Isolated Incident” (Venice Biennale exhibition review). Artforum (September 2007): 396.

Coggins, David. “Robert Ryman at PaceWildenstein” (exhibition review). Art in America (November 2007): 207, illustrated.

Cohen, David. “Gallery–Going: When Painted Opposites Attract” (PaceWildenstein exhibition review). New York Sun, 15 March 2007: 15, illustrated.

Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts” (exhibition review). New York Sun, 11 June 2007: 15.

Colaizzi, Vittorio. “‘How It Works.’ Stroke, Music, and Minimalism in Robert Ryman’s Early Paintings.” American Art: Smithsonian American Art Museum 21, no. 1 (Spring 2007): 28–49, illustrated.

Colaizzi, Vittorio. “Two Kinds of Thickness in Abstract Painting.” The Painting Center. http://thepaintingcenter.org/2007/04/09/two–kind–of–thickness–in–abstract–paintnig/ (accessed 10 May 2007).

Hudson, Suzanne. “Robert Ryman’s Pragmatism.” October 119 (Winter 2007): 121–138, illustrated.

Jordan, Courtney. “Art Talk: As Seen on TV.” Art News 106 (October 2007): 64.

MacAdam, Barbara A. “Reviews: The Venice Biennale” (exhibition review). Art News 106 (September 2007): 144–145.

Mack, Joshua. “Art: Robert Ryman” (PaceWildenstein exhibition review). Time Out New York, 5–11 April 2007: 74, illustrated.

Morgan, Jessica. “Categorical Imperatives” (Venice Biennale exhibition review). Artforum (September 2007): 391–397.

Ryman, Robert. “In Conversation: Robert Ryman with Phong Bui” (PaceWildenstein exhibition review). The Brooklyn Rail (June 2007): 20–23, illustrated.

Tully, Judd. “A Modern Pathfinder.” Art + Auction (March 2007).

Schjeldahl, Peter. “The Art World: Abstraction Problem” (PaceWildenstein exhibition review). The New Yorker, 19 March 2007: 146–147.

Siegel, Katy. “The Buck Stops Here” (Venice Biennale exhibition review). Artforum (September 2007): 388–397, illustrated.

Tupitsyn, Margarita. “Black Square: Hommage à Malevich” (exhibition review). Artforum (September 2007): 465.

Vetrocq, Marcia. “The Venice Biennale, all’americana” (exhibition review). Art in America (September 2007): 136–147+.

Wennerstrom, Nord. “Philadelphia—Robert Ryman: Small Works” (exhibition review). Artforum.com, http://www.artforum.com/ (accessed 10 January 2007).

2006

Checkland, Sarah Jane. “Collecting: ‘I Couldn’t Live Without It.’” Financial Times, 2–3 December 2006: 11.

Fineman, Mia. “Psst, You Want a Donald Judd? I’ve Got a Connection.” The New York Times, 15 October 2006: 30, illustrated.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89, illustrated.

2005

“The Art News 200 Top Collectors: Michael Ovitz.” Art News (Summer 2005): 167, discussed.

Emerling, Susan. “Looking After Their Own.” Art News 104 (May 2005): 128–131, illustrated.

“Forest of Art.” Japan Art Association Newsletter, no. 22 (Winter 2005): illustrated; cover.

MacAdam, Barbara A. “Robert Ryman: PaceWildenstein” (exhibition review). Art News 104, no.3 (March 2005): 115, illustrated.

Montreuil, Gregory. “On the Edge” (PaceWildenstein exhibition review). The Villager, 5–11 January 2005: illustrated.

“On View: Robert Ryman.” Dallas Museum of Art Magazine (October–November 2005): 4, illustrated.

Ryman, Robert. “Jazz Tunes and White Paint.” Interview by Ethan Ryman. Yard 2 (2005): 14–21, illustrated.

Ryman, Robert. “World Artist: Robert Ryman.” Gallery 248 (December 2005): 14–21, illustrated.

“17th Praemium Imperiale given to 5 Laureates.” Sanke Shimbun Tokyo, 18 October 2005: 1, 16, illustrated.

Smith, Roberta. “Art in Review: Robert Ryman” (PaceWildenstein exhibition review). The New York Times, 7 January 2005: E43.

Van Gelder, Lawrence. “Arts, Briefly: Awards from Japan.” The New York Times, 18 October 2005: E2.

2004

Aono, Naoko. “Art: Men Attracted by White and Nails.” Vogue Nippon Tokyo (September 2004): 214, illustrated.

“Artist Talks: Robert Ryman.” Cut (Tokyo), no. 169 (September 2004).

Cohen, David. “Gallery–Going: Robert Ryman” (PaceWildenstein exhibition review). New York Sun, December 23, 2004: 18.

Cohen, David. “Robert Ryman, Works on Paper, 1957–1964: Peter Blum Gallery” (exhibition review). New York Sun, July 22, 2004: 10, illustrated.

Colman, David. “The Relentless Pursuit of Less.” The New York Times, July 4, 2004: 8.

Cotter, Holland. “Exactly What About White Don’t You Understand?” (Peter Blum exhibition review). The New York Times, 4 June 2004: E29, illustrated.

“The First Retrospective of Robert Ryman Exhibition in Japan.” Skyward (July 2004): 112, illustrated.

Goodbody, Bridget L. “Art Reviews: Robert Ryman” (PaceWildenstein exhibition review). Time Out New York, 30 December 2004–5 January 2005: 56, illustrated.

Hirano, Chieko. “Exhibition: Robert Ryman” (exhibition review). Monthly Art Magazine Bijutsu Techno 56, no. 857 (November 2004): 196–197, illustrated.

Kimmelman, Michael. “‘A Minimal Future’: How Not Much Is a Whole World.” (exhibition review). The New York Times, April 2, 2004.

Kuspit, Donald. “Robert Ryman: Peter Blum” (exhibition review). Artforum (November 2004): 221–222, illustrated.

Maeda, Kyoji. “Retrospective in Art 2004” (exhibition review). Yomiuri Shimbun Tokyo, 8 December 2004: 4, illustrated.

Maeda, Kyoji. “Still Breaking New Ground at the age of 74.” Yomiuri Shimbun Tokyo, 4 August 2004: 4.

Maekawa, Akane. “Art: A Man Who Has Been Pursuing White.” Ryuko Tsushin Tokyo (September 2004): 126–127, illustrated.

Matsuda, Eriko. “Robert Ryman Exhibition.” Weekly Pia Japan, 19 July 2004: 26, illustrated.

Nishida, Kensaku. “White Abstraction in Square.” Asahi Shimbun Tokyo, 9 July 2004: 5, illustrated.

“Robert Ryman.” Monthly Art Magazine Bijutsu Techo Tokyo 56, no. 853 (August 2004): 205, illustrated.

“Robert Ryman: White March.” Geijutsu Shincho Tokyo (September 2004): 121, illustrated.

Ryman, Robert. “The Modern Gone By: Inspiration for a New Way of Art.” The New York Times, 18 November 2004: E3.

Sanda, Haruo. “Art of this Year.” Mainichi Shimbun Tokyo: 14 December 2004: 6.

Sanda, Haruo. “Robert Ryman Exhibition.” Mainichi Shumbun Tokyo, 17 August 2004: 4, illustrated.

Schjeldahl, Peter. “Bare Minimal. Views from New York and Los Angeles.” The New Yorker, 3 May 2004: 108–109.

Shibazaki, Reko. “Artist Talks: Robert Ryman.” Cut Tokyo (September 2004): 133, illustrated.

Sicha, Choire. “Robert Ryman Explains Himself” (PaceWildenstein exhibition review). The New York Times, 26 December 2004: 45.

Stringfield, Ann, ed. “Art: Galleries–Chelsea: Robert Ryman” (PaceWildenstein exhibition review). The New Yorker, 13 December 2004: 20.

“View: Rich Natural Surroundings and Art of Happiness.” Mrs., no. 597 (October 2004): illustrated.

Yau, John. “The Education of Robert Ryman” (Peter Blum exhibition review). Art on Paper 9, no.1 (September/October 2004): 67, illustrated.

2003

Anderson, H. “Opening this week: Robert Ryman.” (Haunch of Venison exhibition preview). Evening Standard, 24 January 2003: 36.

“Best of London Exhibitions: Robert Ryman, Haunch of Venison” (exhibition review). Times London, 25 January 2003, illustrated.

Graham-Dixon, Andrew. “In the picture.” Sunday Telegraph Magazine, 5 January 2003: 49.

Jones, Jonathan. “Robert Ryman, Haunch of Venison, London” (exhibition review). Guardian Manchester, 5 February 2003.

Kimmelman, Michael. “The Forgotten Godmother of Dia’s Artists.” The New York Times, 11 May 2003: 19.

Mullins, Charlotte. “A new frame of reference” (Haunch of Venison exhibition review). Financial Times London, 30 January 2003: VII.

Pollock, Lindsay. “Koons’s ‘Poples’ Topples, But Postwar Sales Remain Strong.” New York Sun, 13 November 2003: 15.

Renton, Andrew. “The White Stuff.” Evening Standard London, 7 January 2003: 39.

“Robert Ryman” (Haunch of Venison exhibition preview). The Guardian: Guide, 25–31 January 2003: 34, illustrated.

Ryman, Robert. “Painting is for pleasure.” Interview by Louisa Buck. Art Newspaper, no. 133 (February 2003): 20.

Schwendener, Marth. “Robert Ryman at PaceWildenstein” (exhibition review). Artforum (February 2003).

Stevens, Mark. “Soho on the Hudson.” New York, 26 May 2003: 60+.

Wei, Lilly. “Robert Ryman at PaceWildenstein” (exhibition review). Art in America (April 2003): 130–131.

Weiss, Jeffrey. “Space Opera.” Artforum (September 2003): 213–215.

Wilkin, Karen. “The Gallery: Minimal Art, Maximal Setting.” Wall Street Journal, 15 July 2003: D8.

2002

“‘American beauty’ Annely Juda Fine Art” (exhibition review). Art Newspaper (May 2002).

Campbell-Johnston, Rachel. “Rachel Campbell-Johnston’s best London exhibitions: ‘American Beauty: Part One. Annely Juda” (exhibition review). Times London (June 2002).

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25 October 2002: E38.

Dannatt, Adrian. “Robert Ryman: PaceWildenstein.” The Art Newspaper (October 2002): 3.

Kent, Sarah. “American Beauty at Annely Juda” (exhibition review). Time Out London, 26 June–3 July 2002.

Kunitz, Daniel. “Gallery chronicle.” New Criterion (December 2002): 59.

MacAdam, Barbara A. “Reviews: Robert Ryman PaceWildenstein.” Art News (December 2002): 115.

“Robert Ryman” (PaceWildenstein exhibition review). The New Yorker, 11 November 2002: 42.

Trepp, Judith. “Robert Ryman.” (Thomas Ammann Fine Art exhibition review). Art News (October 2002): 166, 176.

Weiss, Jeffrey. “Radiant Dispersion.” Artforum (September 2002): 186–191, 224.

2001

Bois, Yve-Alain. “Robert Ryman: Kunstmuseum” (exhibition review). Artforum (January 2001): 63, illustrated.

“New Materials, New Ideas: Issues In Conservation.” MoMA Magazine (July/August 2001): 6–9.

Smith, Roberta. “Browsing in the Galleries: From the Puzzling to the Self-Evident.” The New York Times, 27 April 2001: E34.

Soutif, Daniel. “Robert Ryman” (Hause Der Kunst, Munich exhibition review). Artforum (April 2001): 132.

Wilson, Andrew. “Voici 100 years of contemporary art.” Art Monthly (February 2001): 22–23.

1999

Buren, Daniel. “Ryman” La Résistance de l’invisible.” Beaux-Arts Magazine, no. 185 (October 1999): illustrated.

Diehl, Carol. “Robert Ryman.” Art News (April 1999): 115.

Hainly, Bruce. “Best of the ‘90s: 10 Top Tens.” Artforum (December 1999): 112.

McDonough, Tom. “Robert Ryman at PaceWildenstein.” Art in America 87, no.6 (June 1999): 116.

Raussmüller, Urs et al. “Robert Ryman.” Beaux Arts (October 1999).

"Robert Ryman." Les Hors-Série de Beaux Arts Magazine, 1999: 19, illus.

Schwabsky, Barry. “Robert Ryman, PaceWildenstein” (exhibition review). Artforum (May 1999): 176, illustrated.

Smith, Roberta. “Robert Ryman.” The New York Times, 5 February 1999: E38.

Vogel, Carol. “Dia Center to Open a Museum Upstate.” The New York Times, 9 March 1999, E1.

1998

Vogel, Carol. “Inside Art: A Gift of Rymans.” The New York Times, 20 March 1998: E34.

1997

Carrier, David. “Robert Ryman on the Origins of His Art.” The Burlington Magazine 139, no. 1134 (September 1997): 631–633.

Gardner, Paul. “Who Will Be Remembered in the Year 2022?” Art News (November 1997): 200–203.

1996

Bevan, Roger. “Emmerich/Sotheby’s: The way ahead?” Art Newspaper (July–August 1996).

Bostick, Alan. “Enlightenment at the core of Robert Ryman’s art” (Cheekwood Museum of Art exhibition review). Nashville Tennessean, 6 June 1996: 1D, 2D.

“8 Days a Week: Our Critic’s Picks” (Cheekwood Museum of Art exhibition review). Nashville Scene, 30 May 1996: 45.

Hughes, Robert. “Golden Oldies.” Time, 4 March 1996: 60–62.

Kertess, Klaus. “Robert Ryman, ‘Standard, 1967.’” Artforum 35 (September 1996): 93, illustrated.

Nahas, Dominique. “Robert Ryman at PaceWildenstein.” Review (June 1996): 5–6.

“Review of PaceWildenstein exhibition.” The New Yorker, 3 June 1996: 20.

“Robert Ryman’s White World.” Nashville Life (June/July 1996): 34–36.

Siegel, Lee. “Reviews: New York, Robert Ryman at PaceWildenstein.” (exhibition review). Art News (Summer 1996): 156.

Sirmans, Franklin. “Reviews: New York, Robert Ryman at PaceWildenstein.” Flash Art (November–December 1996): 105.

Tomkins, Calvin. “Total Abstraction.” The New Yorker, 25 March 1996: 92–95.

1995

Adlmann, Jan Ernst. “Report from Santa Fe: Going Mainstream.” Art in America (January 1995): 51–55.

Bailey, Martin. “The twentieth century reaches London.” Art Newspaper (November 1995): 9.

Cameron, Dan. “Critical Edge: Kertess’s List.” Art and Auction (February 1995): 58, 60.

Danto, Arthur C. “Ryman et le postmodernisme.” Art Press, no. 16 (1995) 184–185.

“Front Page: Whitney Biennial Preview.” Art in America (January 1995).

Johnson, Ken. “Report from New York, Big Top Whitney.” Art in America (June 1995): 39–55

Knight, Christopher. “A Blue-Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53, 56.

Kreyling, Christine. “The ultimate in minimalism.” Boulevard (Winter 1995): 23, 25.

Larson, Kay. “1995 Whitney Biennial.” Atelier (July 1995): 8–17.

Rubinstein, Raphael. “Front Page: Lippard at Bard.” Art in America (December 1995): 32.

Scheljdahl, Peter. “Peinture Abstraite: Début, Milieu ou Fin?” Art Press, no. 16 (1995): 183–184.

Slonim, Jeffrey. “In With the Out Crowd.” Artforum (March 1995): 12–14.

1994

Cameron, Dan. “The Return of Beauty.” Art and Auction (February 1994): 58.

Hugo, Joan. “San Francisco Fax.” Art Issues (May/June 1994): 34–35.

Nehr, Ross. “Robert Ryman: The Great White Hope.” New York Review of Art 1, no. 1 (February 1994): 10–12.

Ostrow, Saul. “Reviews: Robert Ryman” (The Museum of Modern Art and The Pace Gallery exhibitions review). Flash Art (May/June 1994): 113, illustrated.

Rian, Jeff. “Art Under Attack.” Flash Art (January/February 1994): 59.

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America (October 1994): 90–101.

Stein, Deidre. “John Cage Chance Collection.” Art News (September 1994): 88.

Vincent, Steven. “Dream of the Absolute at Beyeler.” Art & Auction (June 1994): 50.

Wood, Christopher S. “Ryman's Poetics.” Art in America (January 1994): 62–71.

1993

Bevan, Roger. “White-out at the Tate.” Art Newspaper, no. 25 (February 1993): 5.

Bower, Tim. “Art: Robert Ryman/Dan Flavin” (The Pace Gallery exhibition review). The New Yorker, 27 December 1993: 32, illustrated.

Carrier, David. “Exhibition Reviews: New York, Museum of Modern Art-Robert Ryman.” The Burlington Magazine (December 1993).

Czoppan, Gabi. “Aufsteiger des Jahres.” Focus, no. 27, 5 July 1993: 62–67.

Danto, Arthur C. “Art.” Nation, 22 November 1993.

Denizot, René. “Curators: Urs Raussmüller.” Galeries Magazine (December 1992/January 1993): 73–79, 112–113.

Drolet, Owen. “NY Reviews: Singular Dimensions in Painting.” Flash Art (October 1993): 78–79.

Farrow, Clare. “Robert Ryman: A Sequence of Variations.” A.D., no. 33 (1993).

“Goings On About Town.” The New Yorker, 27 December 1993: 32.

Hindry, Ann. “Ryman, Éloge du blanc.” Beaux Arts Magazine, no. 121 (March 1994).

Hughes, Robert. “A Paler Shade of White.” Time, 11 October 1993: 75.

Kramer, Hilton. “White Squares at MoMA: Ryman a Minimal Talent.” New York Observer, 4 October 1993: 1.

Kimmelman, Michael. “Art in Review: Robert Ryman.” The New York Times, 8 January 1993: C18.

Kuspit, Donald. “Neo-News is No News.” Artforum (November 1993): 87–88, 131.

Larson, Kay. “A Paler Shade of White.” New York, 11 October 1993: 81–82.

Levin, Kim. “Voice Choices: Art.” Village Voice, 12 October 1993: 71.

MacAdam, Barbara. “Ryman's New Romanticism” (The Pace Gallery exhibition review). Art News (March 1993): 107, illustrated.

Mack, Gerhard. “Robert Ryman.” Künstler: kritisches Lexikon der Gegenwartskunst, no. 21 (1993): 3–16, illustrated.

Madoff, Steven Henry. “Robert Ryman: Painting the Paint.” Art News (December 1993): 125.

Massera, Jean-Charles. “Robert Ryman.” Arte Factum (June/July/August 1993): 24–26.

Montolío, Celia. “La experiencia de la vision.” Lapiz 11, no. 94 (1993): 37, illustrated.

Morley, Simon. “Robert Ryman.” Art Monthly (March 1993): 10–11.

“News: Robert Ryman at the Tate.” Flash Art (January/February 1993): 106.

Perl, Jed. “Code Name: Painting.” New Criterion (December 1993): 46–51.

Pedersen, Victoria. “Gallery Go 'Round.” Paper (October 1993): 27.

Royoux, Jean-Christophe. “The Broken Mirror.” Galeries Magazine (Summer 1993): 80–81.

Ryman, Robert. “On Paintings and Pictures.” Interview by David Batchelor. Frieze (May 1993): 42–46.

Smith, Roberta. “More to It Than Meets the Eye: A Show of Minimalist Paintings.” The New York Times, 3 September 1993: C14.

Smith, Roberta. “Robert Ryman Derives Poetry From White on White.” The New York Times, 24 September 1993: C28.

Storr, Robert. “Robert Ryman, des dons simples.” Art Press, no. 181 (June 1993): 19, illustrated.

Tuchman, Phyllis with Robert Storr. “Robert Ryman.” MoMA Magazine (Fall 1993): 8–11.

Turner, Jonathan. “The Berlingieris: A Nun, an Eskimo, and Elvis.” Art News (May 1993): 83–86.

Wallach, Amei. “Ryman's Riches in White.” New York Newsday, 24 September 1993: 81.

Wood, Carol. “Robert Ryman: Versions.” Art Papers (March/April 1993).

1992

“Absolute Malerei ohne Farbe.” Singener Wochenblatt, 20 May 1992.

Altorfer, Sabine. “Robert Ryman–New Paintings.” COOP–Zeitung, 6 August 1992.

Arici, Laura. “Interpretation oder Projektion?” Neue Zürcher Zeitung, 14 September 1992.

Atkins, Robert. “Scene & Heard: Guggenheim or Guggen–Him?” Village Voice, 24 March 1992: 104.

Baumann, Hans. “Die Unendlichkeit von Weiss.” Der Bund, Bern, 21 May 1992.

Betsky, Aaron. “The New Seattle Art Museum.” Artspace (May/June 1992): 51–53.

Bevan, Roger. “Guggenheim: bigger and better.” Art Newspaper (June 1992): 4.

Bois, Yve Alain. “Robert Ryman, Surprise and Equanimity.” Galeries Magazine no. 49 (June/July 1992): 82–91.

Bontzolakis, Christian. “Claude Berri: la lumière dans la peau.” Jardin des Modes (February 1992): 14–15.

Bouzerand, Jacques. “Ryman: le grand blanc.” Le Point, no. 1009, 18 January 1992: 66–70.

Brenson, Michael. “Big Time at the Guggenheim.” Art and Auction (April 1992): 91–95, 129–131.

M.C. “Robert Ryman, 7 rue de Lille.” Passages (February 1992).

Caillet, Elisabeth, and Pierre Durieu. “Librairie.” Galeries Magazine (April/May 1992): 118–119.

Cembalist, Robin. “The Guggenheim's High-Stakes Gamble.” Art News (May 1992): 84–92.

Criqui, Jean-Pierre. “Reviews: Robert Ryman.” Artforum 30, no. 8 (April 1992): 108.

“Das Weisse Quadrat.” ARTIS, Zeitschrift für neue Kunst (May 1992).

De Mèredieu, Florence. “Ryman (RENN, Espace d'art contemporain).” La Nouvelle Revue Française, no. 469 (February 1992).

Decker, Andrew. “What Price Guggenheim?” Village Voice, 23 June 1992: 39–42.

Fanelli, Franco. “Minimal minimizzato: 'Non ho fatto niente di nuovo, se non cose maiviste.'“Il Giornale Dell' Arte (May 1992).

Fessy, Emmanuel. “Les Temples des Contemporains.” Vogue Hommes (February 1992).

Fiedler, Oliver. “Absoluteste Form der Malerei.” Singener Wochenblatt, 13 February 1992.

François, Alain-Henri. “Robert Ryman Peintre.” Voir, no. 87 (March 1992).

Fritschi, Edith. “'Der Künstler hat nichts zu verbergen'.” Schaffhauser Nachrichten, 11 May 1992.

Fritschi, Edith. “Der Maler, der Jazzer sein wollte.” Schaffhauser Nachrichten, 11 May 1992.

Fritschi, Edith. “Robert Ryman kommt.” Schaffhauser Nachrichten, 2 April 1992.

“Goings On About Town: Art.” The New Yorker, 10 August 1992: 8.

Heartney, Eleanor. “The Panza Collection.” Guggenheim Commemorative Magazine (June 1992).

Hess, Elizabeth. “Born Again.” Village Voice, 7 July 1992: 87.

Hiltmann, Gabriela. “Weiss und immer anders weiss.” Basler Zeitung, 2 June 1992.

“'I miei nuovi amori: plastici, monocromi e riduzionisti'.” Il Giornale Dell' Arte (May 1992): 31.

Johnson, Ken. “Starship Guggenheim.” Art in America (September 1992): 106–119.

Kelmacher, Hélène. “Robert Ryman à l'Espace d'Art Contemporain.” Les Annonces de la Seine, no. 18, 5 March 1992.

King, Sarah. “New Art Center in Paris.” Art in America (April 1992): 37.

Kramer, Hilton. “Dispersing a museum collection.” New Criterion (September 1992): 4–7.

Kramis, Eva. “Weiss beginnt über dem Bildgrund zu schweben.” Luzerner Neueste Nachrichten, 3 June 1992.

Lambrecht, Luk. “De laatste impressionist.” De Morgen, 21 March 1992.

Lambrecht, Luk. “Ultra Radical: Paint as an End-In-Itself.” Forum International, no. 14 (September/October 1992): 85–90.

Larson, Kay. “Modern Times.” New York, 20 July 1992: 53–54.

Larson, Kay. “The Wright Stuff.” New York, 1 June 1992: 34–35.

Lavoignat, Jean-Pierre. “Claude Berri.” Studio (February 1992).

Le Foll, Josephine. “Claude Berri tient galerie.” Maison Française (January/February 1992).

Mack, Gerhard. “Bewegtes Weiss.” Hannoversche Allgemeine Zeitung, 23 July 1992.

Mack, Gerhard. “Bewegtes Weiss.” Turicum Schweizer Kultur und Wirtschaft (August/September 1992).

Mack, Gerhard. “Farblandschaften in Weiss.” Badische Zeitung, 21 August 1992.

Mack, Gerhard. “Versionen von Farbe und Licht.” Sueddeutsche Zeitung, 3 September 1992.

McEvilley, Thomas. “Absence Made Visible.” Artforum 30, no. 10 (Summer 1992): 92–96.

“Neue 'Ryman in den Hallen'.” Schaffhauser Nachrichten, 11 February 1992.

Nuridsany, Michel. “Ryman: l'insoutenable légèreté de la peinture.” Le Figaro, 19 May 1992.

G.P. “The Guggenheim: Cultural Network or Ruthless Imperialist?” Flash Art (May/June 1992): 129.

Pagel, David. “Reviews: 'From Brancusi to Bourgeois, Aspects of the Guggenheim Collection.” Artforum (October 1992): 107–108.

Rawsthorn, Alice. “Bounty in Contemporary Spaces.” Financial Times London, 8 May 1992.

“Robert Ryman–neue Gemälde.” Anzeiger am Rhein, 8 May 1992.

“Robert Ryman–neue Gemälde.” Kunstmarkt (August 1992).

Rose, Barbara. “The Abstract Art Renaissance.” Art and Auction (April 1992): 36–40.

Rose, Barbara. “French Dealers as Donors.” Art and Auction (March 1992): 50–52.

Ryman, Robert. Interview by Claudia Jolles. Kunstbulletin (June 1992).

“Sites, Spaces, Faces.” Artscribe (February/March 1992): 13.

Smith, Roberta. “Guggenheim Reopens on a New Chapter.” The New York Times, 29 June 1992: C11, C14.

Stegeman, Elly. “The Dancing Light.” Metropolis M, no. 1 (January 1992).

Vetrocq, Marcia E. “Report from Turin: Back to Basics.” Art in America (April 1992): 67–71.

Vezin, Luc. “L'espace lumière de Claude Berri.” Vogue Decoration (February/March 1992).

Viau, René. “Paris, Ryman.” Kanal Europe, no. 2 (April/May 1992).

Vögele, Christoph. “Bilder-nichts ausser sich selbst.” Schaffhauser Nachrichten, 2 June 1992.

“Weisser Maler.” Madame (August 1992).

1991

Breerette, Geneviève. “Claude Berri fait le blanc.” Le Monde, 7 December 1991.

Cameron, Dan. “Robert Ryman: Ode To A Clean Slate.” Flash Art (Summer 1991): 90–93.

Faussier, Emanuel. “Un 'espace d'art contemporain' pour Claude Berri.” Impact Medicin Quotidien, no. 138, 21 November 1991.

“Galleries: New York.” Flash Art (November/December 1991): 153.

Heliot, Armelie. “Claude Berri: rêveries d'un amateur.” Le Quotidien, 23–24 November 1991.

Lebovici, Elisabeth. “L'hypothèse de Robert Ryman.” Liberation, 25 December 1991.

Millet, Catherine. “Robert Ryman: Une Rétrospective Sans Chronologie.” Art Press, no. 162 (October 1991): 43–45.

Pradel, Jean-Louis. “Claude Berri étonne la galerie.” L'Evenement du Jeudi, 12–18 December 1991.

Rudolph, Karen. “Les bons plans de Claude Berri.” Beaux-Arts, no. 96 (December 1991): 24.

Russell, John. “Art View: Where Little Nothings Turn Into Big Somethings.” The New York Times, 7 April 1991: 33–35.

Sager, Peter, and Timm Rautert. “Makler Der Moderne.” Zeitmagazin (1991).

Smith, Robert. “Reviews/Art: 'Artists' Sketchbooks.’” The New York Times, 5 April 1991: C26.

l990

Adrian, Dennis. “Elliott Exhibit Proves Instructive.” Chicago Sun-Times, 27 May 1990.

Artner, G. Alan. “An Instinct for Art.” Chicago Tribune, 27 May 1990.

Brenson, Michael. “New Curator at Modern Challenges Convention.” The New York Times, 28 December 1990.

Carrier, David. “New York.” Art International (Autumn 1990).

Chalais, François. “Berri.” Le Figaro, 15 December 1990.

Criqui, Jean-Pierre. “Signe Ryman.” Artstudio (Spring 1990).

Cuvelier, Pascaline. “Do it Rutault.” Liberation, 9 July 1990.

Gauville, Herve. “L'Art De Vivre En Panzanie.” Liberation, 18 July 1990.

Gliewe, Gert. “Junge Kunst im alten Palazzo.” Abendzeitung, 20 October 1990.

Glueck, Grace. “Guggenheim May Sell Artworks To Pay for a Major New Collection.” The New York Times, 5 March 1990.

Godfrey, Tony. “Report From London; Decline and Fall?” Art in America (February 1990).

“Goings On About Town” (The Pace Gallery exhibition review). The New Yorker, 20 August 1990.

Hagen, Charles. “Robert Ryman.” Artforum (September 1990).

“Hallen für neue Kunst zeigen jetzt Werke von Gerhard Richter.” Thurgauer Tagblatt, 7 May 1990.

Hanson, Henry. “Living with Art.” Art News (February 1990).

Kuspit, Donald. “The Only Immortal.” Artforum (February 1990).

Linden, Dana Wechsler. “Must I be a saint?” Forbes, 22 October 1990: 72.

Melikian, Souren. “An Art Capital In The Making.” Art and Auction (April 1990).

Myers, Terry. “New York Review.” Arts Magazine (September 1990).

“The Pace Gallery.” Print Collector's Newsletter (July–August 1990).

Polaczek, Dietmar. “Neues von der Expansion des Kunstmulti.” Frankfurter Allgemeine, 13 November 1990.

Russell, John. “At the Tate, A Compelling Inside Job.” The New York Times, 25 February 1990.

Smith, Roberta. “Donald Judd's Spare Boxes Full of Color and Light.” The New York Times, 4 May 1990.

Smith, Roberta. “Minimalism on the March: More and More Less and Less.” The New York Times, 26 January 1990.

Smith, Roberta. “Robert Ryman.” The New York Times, 4 May 1990.

Spira, Alain. “Claude Berri: Comment On Devient Le Premier Producteur Français.” Paris-Match, 6 December 1990: 3–5.

Warnod, Jeanine. “Musee Du Louvre: Polyptyques en poupe.” L'Aurore, 17 April 1990.

Wasserman, Isabelle. “Artworthy: `White Out'.” San Diego Union, 21 September 1990.

Zellweger, Von Harry. “Alle zwei Jahre wieder: Kommerz vor Asthetik.” Schaffhauser Nachrichten, 13 June 1990.

l989

Gardner, Paul. “Mesmerized by Minimalism.” Contemporanea (December 1989).

Glueck, Grace. “A Leading Art Collector Is Selling, And the Market Wonders Why.” The New York Times, 23 November 1989.

Hollenstein, Roman. “Diemagisch Weissen Bilder von Robert Ryman.” Du (December 1989).

Kuspit, Donald. “Red Desert and Arctic Dreams.” Art in America (March 1989).

McCoy, Pat. “Review of Dia Show.” Arts Magazine (April 1989).

“Neuer Blick auf die Moderne.” Art (August 1989): 33, illustrated.

“The New Art History.” Avenue Magazine (February 1989).

Schjeldahl, Peter. “White-Out.” 7 Days, 15 February 1989.

l988

Baker, Kenneth. “Ryman Art Opens 'New Work' Series.” San Francisco Chronicle, 29 January 1988.

Berkson, Bill. “Review of San Francisco Museum of Art Show.” Artforum (May 1988).

Gilbert-Rolfe, Jeremy. “Non-Representation in l988: Meaning Production Beyond the Scope of the Pious.” Arts Magazine (May 1988).

Griffiths, John. “Deconstructionist Tendencies In Art.” Art and Design (1988).

Hollenstein, Roman. “The Master of White Paintings.” Neue Zuercher Zeitung, 9–l0 July 1988.

Larson, Kay. “Review of Dia Art Foundation Exhibition.” New York, 24 October 1988.

Smith, Roberta. “Works by Robert Ryman in Redone Dia Galleries.” The New York Times, 7 October 1988.

Ratcliff, Carter. “Dandyism and Abstraction in a Universe Defined by Newton.” Artforum (December 1988).

l987

Indiana, Gary, and Kim Levin. “Review of the Whitney Biennial.” Village Voice, 28 April 1987.

l986

Brenson, Michael. “Robert Ryman.” The New York Times, 31 January 1986.

Grimes, Nancy. “Robert Ryman's White Magic.” Art News (Summer 1986): 86–98, illustrated.

Larson, Kay. “Robert Ryman.” New York, 3 February 1986.

Raynor, Vivien. The New York Times, 3 January 1986.

Russell John. “Art.” The New York Times, 3 February 1986.

Storr, Robert. “Robert Ryman: Making Distinctions.” Art in America (June 1986).

l985

Artner, Alan. “The Paintings of Robert Ryman Have Broken New Ground.” Chicago Tribune, 24 May 1985.

Danto, Arthur. “Works on Paper.” The Nation, 17–24 July 1985.

Januszczak, Waldemar. “Bricklaying with Andre.” Guardian, 12 December 1985.

Kent, Sarah. “Art: Selections and Reviews.” Time Out London, 5–11 December 1985: 44.

Larson, Kay. “Privileged Access.” New York, 22 July 1985.

Lyon, Christopher. “Ryman Retains Subtle Style.” Chicago Sun Times, 10 May 1985.

Moser, Charlotte. “Robert Ryman.” Art News (September 1985).

Raynor, Vivien. “Art: Contemporary Drawings at the M.O.M.A.” The New York Times, 5 July 1985.

Russell, John. “Wolfgang Laib, Robert Ryman, Ian Wilson.” The New York Times, 24 May 1985.

Sandback, Amy Baker. “Art/On Location.” Artforum (November 1985).

l984

Brenson, Michael. “Robert Ryman.” The New York Times, 17 February 1984.

Frey, Patrick. “Eine Halle für schwierige Kunst.” Kunstbulletin des Schweizerischen Kunstvereins, no. 6 (June 1984): 9, illustrated.

Gerritt, Henry. “Robert Ryman.” Art News (April 1984).

Pacquement, Alfred. “Resource.” Revue d'art contemporain artistes (1984).

l983

Bell, Tiffany. “Responses to Neo-Expressionism.” Flash Art (May 1983).

Delgado, Michael. “Robert Ryman.” Los Angeles Weekly, 16 December 1983.

Drohojowska, Hunter. “The Bare Minimum.” San Francisco Herald Examiner, 16 December 1983.

Glueck, Grace. “An Experimental Outpost Looks Back.” The New York Times, 6 February 1983.

Muchnic, Suzanne. “Robert Ryman.” Los Angeles Times, 25 November 1983.

Ryman, Robert. “The 60's in Abstract: Thirteen Statements and an Essay.” Interview by Maurice Poirier and Jane Necol. Art in America (October 1983).

Smith, Roberta. “Expression without the Ism.” Village Voice, 29 March 1983.

Smith, Roberta. “Reductivism Redux.” Village Voice, 22 February 1983.

l982

Lemaire, Gerard-Georges. “Robert Ryman, Centre Georges Pompidou.” Artforum (April 1982).

“On Dokumenta.” Stern Magazine (June 1982).

l98l

Bois, Yve-Alain. “Ryman's Tact.” October (Winter 1981): 93–104, illustrated.

Bois, Yve-Alain. “De tact van Robert Ryman.” Museum Journal, no.6 (1981): 274–284, illustrated.

Farnon, Patrick. “The man who measures fame.” Vision (June 1981).

Hafif, Marcia. “Getting on with Painting.” Art in America (April 1981).

Ratcliff, Carter. “Mostly Monochrome.” Art in America (April 1981).

l980

Blum, Peter. “Robert Ryman.” Du (Summer 1980).

De Duve, Thierry. “Ryman Irreproductible.” (Autumn 1980).

Hijorth, Oystein. “Andre, Dibbets, Long, Ryman.” Louisiana Revy (March 1980).

Kern, Hermann. “Robert Ryman.” Neue Kunst in Munchen (November–December 1980).

Marcelis, Bernard. “Robert Ryman: An Analysis from Europe.” Domus (February 1980).

Schenker, Christoph. “Robert Ryman: Minimal Art.” Kunstforum International 41 (May 1980): illustrated.

l979

Gibson, Eric. “Robert Ryman.” Art International (March 1979).

Hafif, Marcia. “Robert Ryman: Another View.” Art in America (September 1979).

Kuspit, Donald. “Ryman, Golub: Two Painters, Two Positions.” Art in America (July–August 1979).

“Robert Ryman.” Art World (January–February 1979).

“Robert Ryman.” Flash Art (April 1979).

Perrone, Jeff. “Robert Ryman.” Artforum (March 1979).

l978

Kline, Katy. “`Painting of '70s' Exhibit Has Variety.” Courier–Express, 9 December 1978.

Sauer, Christel. “Robert Ryman.” Louisiana Revy (December 1978).

Spector, Naomi. “Robert Ryman: une chronologie.” Macula (Paris), no. 3/4 (November 1978).

l977

Castelli, Tomaso. “Nella Stanza dell'Arte.” Casa Vogue (February 1977).

Glueck, Grace. “The 20th–Century Artists Most Admired By Other Artists.” Art News (November 1977).

Pincus-Witten, Robert. “Entries. The White Rectangle: Robert Ryman and Benni Efrat.” Arts Magazine (April 1977).

Spector, Naomi. “Robert Ryman: Six Aquatints.” Print Collector's Newsletter (March–April 1977).

“White in Art is White?” Print Collector's Newsletter (March–April 1977).

l976

Frank, Peter. “Visual, Conceptual and Poetic Sequences.” Art News (March 1976).

Kutner, Janet. “Visceral Aesthetic of a New Decade's Art.” Arts Magazine (December 1976).

Zucker, Barbara. “Robert Ryman.” Art News (January 1976).

l975

Bonita Oliva, Achille. “Adress.” Art Dimension (April–June 1975).

Cane, Louis and Catherine Millet. “Robert Ryman.” Art Press (March–April 1975).

Gilbert–Rolfe, Jeremy. “Appreciating Ryman.” Arts Magazine 50, no. 4 (December 1975).

Goldin, Amy. “Patterns, Grids, and Painting.” Artforum (September 1975).

Goodman, Judy. “Post–Minimal Artist.” Arts Magazine (September 1975).

Kozloff, Max. “Painting and Anti–Painting: A Family Quarrel.” Artforum (September 1975).

Kurtz, Bruce. “Robert Ryman at Weber.” Art in America (March–April 1975).

l974

Bongartz, Roy. “Question: How Do You Buy a Work of Art Like This?” The New York Times, 11 August 1974.

Boudaille, Georges. “Une vitrine de l'art americain?” Les Nouvelles Litteraires, 15 April 1974.

Dippel, Rini. “Ryman.” Museumjournaal (February 1974).

Gilbert–Rolfe, Jeremy. “Review.” Artforum (December 1974).

Lubell, Ellen. “Robert Ryman.” Arts Magazine (December 1974).

“Mönchengladbach: Sammlung Panza.” Magazin Kunst, no.2 (1974).

Pozzi, Lucio. “Adesso la pittura dipinge la pittura.” Bolaffiarte (March 1974).

Reise, Barbara. “Robert Ryman at the Stedelijk Museum.” Art in America (July–August 1974).

Reise, Barbara. “Robert Ryman: Unfinished I (Materials).” Studio International 187, no. 963 (February 1974).

Reise, Barbara. “Robert Ryman: Unfinished II (Procedures).” Studio International (March 1974).

Reise, Barbara. “Robert Ryman: Senza Titolo III (Posizione).” DATA 4, no. 11 (Spring 1974).

“Review.” Heute Kunst (July–August 1974).

Ryman, Robert. “Robert Ryman, Le Geste.” Interview by Marian Verstraeten. Revue d'Art Contemporain (November 1974).

l973

Boice, Bruce. “Review.” Artforum (September 1973).

Celant, Germano. “Ryman.” Casabella (1973).

Davis, Douglas. “A Spring Sampler of Shows.” Newsweek, 30 April 1973.

Hand, Lockere. “Kunst.” Der Spiegel (October 1973).

Russell, John. “Robert Ryman.” The New York Times, 12 October 1973.

Spector, Naomi. “Suite of Seven Aquatints, l972; Nine Unique Aquatints, l972.” Art & Project Bulletin, 28 September 1973.

Stittleman, Paul. “New York Galleries.” Arts Magazine (November 1973).

Thompson, Anthony. “L'essentiel et son ambiguite, Robert Ryman.” Chroniques de l'Art (1973).

Vivant (May 1973).

l972

Boice, Bruce. “The Quality Problem.” Artforum (October 1972).

Brett, Guy. “Exclusively White.” London Times, 12 December 1972.

Canaday, John. “Art: Ryman's White-on-White Oeuvre.” The New York Times, 2 May 1972.

Cork, Richard. “Anarchy Achieving Clarity and Perfection.” London Evening Standard, 14 December 1972.

Mellow, James R. “Review” (Solomon R. Guggenheim exhibition review). The New York Times, 2 May 1972.

Pincus-Witten, Robert. “Ryman, Marden, Manzoni: Theory, Sensibility, Meditation.” Artforum (June 1972).

Ratcliff, Carter. “Adversary Spaces.” Artforum (October 1972).

“Review” (Solomon R. Guggenheim exhibition review). Financial Times, 22 March 1972.

Rose, Barbara. “Art.” New York, 5 June 1972.

Schjeldahl, Peter. “The Malaise That Afflicts Soho's Avant-Garde Galleries.” The New York Times, 11 June 1972.

Wolmer, Denise. “In the Galleries.” Arts Magazine (May 1972).

l97l

Baker, Kenneth. “Robert Ryman, Fischbach Gallery.” Artforum (April 1971).

“The Colors of Monochrome: An Introduction to the Seduction of Reduction.” Arts Canada (October–November 1971).

Domingo, Willis. “Robert Ryman.” Arts Magazine (March 1971).

“1971 This Way.” Vogue (January 1971).

Ratcliff, Carter. “New York Letter.” Art International (February 1971).

Ratcliff, Carter. “New York Letter.” Art International (May 1971).

Ratcliff, Carter. “Robert Ryman's Double Positive.” Art News (March 1971).

Tuchman, Phyllis. “An Interview with Robert Ryman.” Artforum 9, no. 9 (May 1971): 46–53.

“Scenes.” Village Voice, 12 March 1971.

Schjeldahl, Peter. “The Ice Palace That Robert Ryman Built.” The New York Times, 7 February 1971.

l970

Bochner, Mel. “Excerpts from Speculation (l967–70).” Artforum (May 1970).

Borgeaud, Bernard. “Paris.” Arts Magazine (February 1970).

“Delta Series” (exhibition review). Art International, 20 May 1970.

Glueck, Grace. “Drawings by an All–Star Cast.” The New York Times, 2 March 1970.

“Leaning/Hanging” (exhibition review). Art International, 20 May 1970.

Pincus-Witten, Robert. “Robert Ryman, Fischbach Gallery (exhibition review).” Artforum 8, no. 8 (April 1970): 75.

Ratcliff, Carter. “New York Letter.” Art International (May 1970).

Reeves, Jean. “Albright–Knox Shows Eight Modular Painters in a Stunning Display.” Buffalo Evening News, 21 April 1970.

“Review of Lambert Collection.” Flash Art (February 1970).

Tuchman, Phyllis. “American Art in Germany.” Artforum (November 1970).

Vinklers, Betite. “Review.” Art International (March 1970).

l969

Glueck, Grace. “Like a Beginning.” Art in America (May–June 1969).

Goldin, Amy. “Sweet Mystery of Life.” Art News (May 1969).

Hahn, Otto. L'Express, 8 December 1969.

Karp, Ivan. “Here and Now.” Arts Magazine (March 1969).

Kramer, Hilton. “Review.” The New York Times, 3 May 1969.

Kramer, Hilton. “Review.” The New York Times, 22 May 1969.

Leveque, Jean–Jacques. Le Nouveau Journal, 13 December 1969.

Marchand, Sabine. Le Figaro, 12 December 1969.

Pincus-Witten, Robert. “Abstract Illusionism.” Artforum (November 1969).

“Review.” Art International (September 1969).

“Review.” Flash Art (December 1969).

“Review” (Fischbach Gallery exhibition review). Art News (Summer 1969).

Wasserman, Emily. “Anti–Illusion: Procedures/Materials” (exhibition review). Artforum (Summer 1969).

l968

“The Avant-Garde: Subtle, Cerebral, Elusive.” Time, 22 November 1968: 70–77, illustrated.

Lippard, Lucy R. and John Chandler. “The Materialization of Art.” Art International (February 1968).

Perreault, John. “Review.” Village Voice, 31 October 1968.

“Review” (Paula Cooper Gallery exhibition review). Art News (December 1968).

1967

Kosuth, Joseph. “In the Galleries.” Arts Magazine (Summer 1967).

Lippard, Lucy. R. “The Silent Art.” Art in America (January–February 1967): 58–63.

Waldman, Diane. “Reviews and Previews.” Art News (Summer 1967).

1965

Rose, Barbara. “ABC Art.” Art in America (October–November 1965).

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 160–161.

Intimate Infinite: Imagine a Journey (exhibition catalogue). New York: Lévy Gorvy, 2018: 30–53, 66–67, illustrated.

Robert Ryman: Drawings (exhibition catalogue). Text by Dieter Schwarz. New York: Pace Gallery, 2018.

2017

The Art Museum. London: Phaidon, 2017: 383, illustrated.

Bell, Julian. What is Painting? London: Thames & Hudson Ltd., 2017: 149, illustrated.

“To Colour Well”: Viewing the Caplan Collection. Edited by Virginia M. G. Anderson. Baltimore, Maryland: Constance R. Caplan, 2017: 72, illustrated.

Colaizzi, Vittorio. Robert Ryman. London: Phaidon Press Limited, 2017.

Jacobs, Steven, Susan Felleman, et al. Screening Statues: Sculpture and Cinema. Edinburgh: Edinburgh University Press, 2017: 157–158, illustrated.

Minimal Art from Marzona Collection (exhibition catalogue). London: Galerie Thaddaeus Ropac, 2017: 86–87, illustrated.

Minimalism & Beyond (exhibition catalogue). New York: Mnuchin Gallery, 2017: 40–41, illustrated.

Painting Paintings (David Reed) 1975 (exhibition catalogue). New York: Gagosian Gallery, 2017.

Robert Ryman (exhibition catalogue). Texts by Courtney J. Martin and Robert Storr. Mexico City: Museuo JUMEX, 2017.

Robert Ryman (exhibition catalogue). Texts by Robert Storr, Lucy R. Lippard, John Szwed, et al. New York and New Haven: Dia Art Foundation; Yale University Press, 2017.

Ryman, Robert. “Robert Ryman with Phong Bui.” In Tell Me Something Good: Artist Interviews from The Brooklyn Rail. New York: David Zwirner Books, 2017: 386–393, illustrated.

Ryman, Robert. “Robert Ryman.” In Robert Storr. Interviews on Art. Text by Francesca Pietropaolo. London: Heni Publishing, 2017: 760–783, illustrated.

Storr, Robert. From the Masterpieces to Rooms Full of Art – and Back? Edinburgh: National Galleries of Scotland, 2017: 37, illustrated.

2016

Drawing Then: Innovation and Influence in American Drawings of the Sixties (exhibition catalogue). New York: Dominique Lévy, 2016: 73, illustrated.

Embracing the Contemporary: The Keith L. and Katherine Sachs Collection (exhibition catalogue). Texts by Timothy Rub, Katherine Sachs, Joseph J. Rishel et al. Philadelphia: Philadelphia Museum of Art, 2016: 222–3, illustrated.

Lawrence Paul Yuxweluptun: Unceded Territories. Edited by Karen Duffek and Tania Willard. Vancouver: The Museum of Anthropology at UBC, 2016: 105, illustrated.

Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 125–6, pp. 238–9, illustrated.

Michaud, Philippe-Alain. Sur le film. Paris: Éditions Macula, 2016: 87, illustrated.

Unfinished: Thoughts Left Visible (exhibition catalogue). New York: The Metropolitan Museum of Art, 2016: 225, illustrated.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 181, 197, illustrated.

San Francisco Museum of Modern Art 360°: Views on the Collection. Edited by Judy Bloch and Suzanne Stein. San Francisco: San Francisco Museum of Modern Art, 2016: 130, illustrated.

2015

Robert Ryman: December 9, 2015–June 18, 2016 (exhibition brochure). Text by Courtney J. Martin. New York: Dia: Chelsea, 2016.

2014

The Distaff Side (exhibition catalogue). Texts by Ryan Frank, Caitlin Smith, Joan Simon, et al. Sharon, Connecticut: The Granary, 2014: 144, illustrated.

Falconer, Morgan. Painting Beyond Pollock. London: Phaidon Press Limited, 2015: 155, 190, 192, 198, 200, 272; 190–191, illustrated

Love Story – The Anne & Wolfgang Titze Collection (exhibition catalogue). Vienna: Verlag für modern Kunst Nürnberg, 2014: 258–9, illustrated.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 34, 35, 102, 103, illustrated.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014: 338.

Ormiston, Rosalind. 50 Art Movements You Should Know. New York: Prestel Publishing, 2014: 115, illustrated.

2013

Celant, Germano, Thomas Demand, Rem Koolhaas and Harald Szeemann. When Attitudes Become Form: Bern 1969/Venice 2013 (exhibition catalogue). Milan: Ca’ Corner della Regina and Fondazione Prada, 2013: 577, illustrated.

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 210, 211, illustrated.

Mingei: Are You Here? (exhibition catalogue). Texts by Nicolas Trembley and Yuko Kikuchi. London: Pace London, 2013: illustrated.

Pierrette Bloch. Zurich: JPR Ringier, 2013: 52, illustrated.

Robert Ryman: Recent Paintings (exhibition catalogue). New York: Pace Gallery, 2013.

2012

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 472, illustrated.

Klein, Jacky and Suzy. What Is Contemporary Art? A Children’s Guide. London: Thames & Hudson, 2012: 31, illustrated.

Ryman, Robert. “Statement (1971), Statement (1983).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 720–721.

Soppelsa, Walter, ed. A Selection from the Daros Collection. Text by Jean-Christophe Ammann. Zurich: Daros Services AG, 2012: plates 83–88, illustrated.

2011

Alexej von Jawlensky, Joself Albers: Farbe-Abstraktion-Serie (exhibition catalogue). Germany: Museum Wiesbaden, 2011: illustrated, 48.

Holzwarth, Hans Werner and Laszlo Taschen, eds. Modern Art: 1870–2000, Impressionism to Today. Cologne: Taschen, 2011: 534–535, illustrated.

O’Keeffe, Linda. Brilliant: White in Design. New York: The Monacelli Press, 2011: 175, illustrated.

Rondeau, James. The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago: Art Institute of Chicago, 2011: 126–129, illustrated.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber. Interview by Lisa Jacobs. New York: Solomon R. Guggenheim Foundation, 2011: 122–123, 150, illustrated.

Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists (exhibition catalogue). Text by Nancy E. Green. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2011: 38, illustrated.

Staff, Craig G. Modernist Painting and Materiality. London: McFarland & Company Inc., Publishers, 2011: 143, illustrated.

Structure & Absence (exhibition catalogue). Texts by Craig Burnett, Dario Gamboni and Jerry Saltz. London: White Cube, 2011: 26, illustrated.

2010

Contemporary Collecting: Selections from the Donna and Howard Stone Collection (exhibition catalogue). Chicago: Art Institute of Chicago, 2010: illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Jacob Kassay: Untitled (exhibition catalogue). Italy: Collezione Maramotti, 2010: illustrated.

Kamien-Kazhden, Adina, ed. Modernism in Dialogue: 20th-Century Painting and Sculpture in the Israel Museum. Jerusalem: Israel Museum, 2010: 75, illustrated.

Martín Ramírez (exhibition catalogue). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010: illustrated.

Max Gordon: Architect for Art. Seattle: Marquand Books, 2010: illustrated.

Meyer, James, ed. Minimalism. London: Phaidon Press Ltd., 2010: illustrated.

Monet and Abstraction (exhibition catalogue). Text by Paloma Alarcó. Madrid: Museo Thyssen-Bornemisza, 2010: illustrated.

On-Line: Drawing through the Twentieth Century (exhibition catalogue). Texts by Catherine de Zegher and Cornelia H. Butler. New York: The Museum of Modern Art, 2010: 68, illustrated.

Painting: Process and Expansion. From the 1950s to the Present Day (exhibition catalogue). Austria: Museum Moderner Kunst Stiftung Ludwig Wien, 2010: 30, illustrated.

Rattemeyer, Christian et al. Exhibiting the New Art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’ 1969. London: Afterall, 2010: 157, illustrated.

Robert Ryman: Variations & Improvisations (exhibition catalogue). Text by Vesela Sretenovic. Washington, D.C.: Phillips Collection, 2010.

Robert Ryman and Urs Raussmüller: Advancing the Experience. Text by Christel Sauer. Basel: Raussmüller Collection, 2010.

Roman Opałka: Oktogon/ 1–∞ (exhibition catalogue). Poznań, Poland: Art Stations Foundation, 2010: illustrated.

United States Embassy London: Art in Embassies Exhibition. Washington, D.C.: Art in Embassies Program, 2010: 29, illustrated.

With a Probability of Being Seen: Dorothee and Konrad Fischer: Archives of an Attitude (exhibition catalogue). Texts by Rudi Fuchs, Friedrich Meschede, Konrad Fischer and Ronand Mönig. Barcelona: Museu d'Art Contemporani de Barcelona, 2010: 325, 326, illustrated.

2009

Art of Our Time. Volume 2, 1999–2008. Tokyo: Japan Art Association, 2009.

Colaizzi, Vittorio, ed. Robert Ryman: Critical Texts since 1967. London: Ridinghouse, 2009.

Godfrey, Tony. Painting Today. London: Phaidon Press Limited, 2009: illustrated.

Hudson, Suzanne P. Robert Ryman: Used Paint. Cambridge, Massachusetts and London: The MIT Press, 2009.

Irwin & Hooper: The Frances and John Bowes Collection. San Francisco: California College of the Arts MA Program in Curatorial Practice, 2009: 2, 36–39, illustrated; back cover.

New York/New Drawings 1946–2007 (exhibition catalogue). Texts by Elizabeth Finch and William Corbett. Segovia, Spain: Museo de Arte Contemporáneo Esteban Vicente, 2009: 211, illustrated.

Richard, Sophie. Unconcealed: The International Network of Conceptual Artists 1967–77: Dealers, Exhibitions and Public Collections. London: Ridinghouse, 2009.

Rush, Michael. The Rose Art Museum at Brandeis. New York: Abrams, 2009: 263, illustrated.

2008

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira Editore, 2008: 189–192, illustrated.

Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 124–125, illustrated, discussed.

Frei, Georg, ed. Abstract Vision (exhibition catalogue). Zurich: Thomas Ammann Fine Art, 2008: 2, 6, illustrated.

Frémon, Jean. The Paradoxes of Robert Ryman. Brooklyn: Black Square Editions and the Brooklyn Rail, 2008.

Glenstone: Inaugural Exhibition (exhibition catalogue). Potomac, Maryland: Glenstone Foundation, 2008.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 75, 77, 80, illustrated.

Ishikawa, Chiyo, ed. A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Washington: Seattle Art Museum, 2008: 45, illustrated.

Kawamura Memorial Museum of Art: Volume I and II. Tokyo: DIC Corporation, 2008: illustrated.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. New York and New Haven: Jewish Museum; Yale University Press, 2008: 36.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York (exhibition catalogue). Texts by Glenn D. Lowry, João Fernandes, Volker Rattemeyer and Christian Rattemeyer. Wiesbaden and Porto: Museum Wiesbaden; Museu de Arte Contemporânea de Serralves, 2008: 183, illustrated.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 263–264, illustrated.

Now You See It (exhibition catalogue). Text by Heidi Zuckerman Jacobson. Colorado: Aspen Art Museum, 2008: 20–23, illustrated.

One More, In Memoriam: Sol LeWitt (exhibition catalogue). Esbjerg, Denmark: Esbjerg Kunstmuseum, 2008: 34–35, illustrated.

Selections from the Frances and John Bowes Collection. San Francisco: California College of the Arts MA Program in Curatorial Practice, 2008: 50–53, illustrated.

Signs of the Apocalypse/Rapture. Chicago: Front Forty Press, 2008: illustrated.

2007

Boswell, Peter. LeWitt x 2 (exhibition brochure). Miami: Miami Art Museum, 2007: discussed.

Collection Art Contemporain. Paris: Éditions du Centre Pompidou, 2007: 402–403, illustrated.

Colpitt, Frances, et al. James Hayward. San Francisco: Modernism Inc., 2007.

De Corral, María and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas and New Haven: Dallas Museum of Art; Yale University Press, 2007: 132–136, illustrated.

Dreishpoon, Douglas and David Bonetti. The Panza Collection: An Experience of Color and Light (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 2007: 17–21, 103, illustrated.

Jonathan Lasker (exhibition catalogue). Text by David Moos. New York: Cheim & Read, 2007: illustrated.

Pacquement, Alfred. Selected Works: La Collection du Centre Pompidu, Musée National D’Art Moderne. Paris: Éditions du Panama / Éditions du Centre Pompidou, 2007: 205, illustrated.

Rondeau, James. Jasper Johns: Gray (exhibition catalogue). Chicago and New Haven: Art Institute of Chicago and Yale University Press, 2007: 43, illustrated.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 344, plate 325, illustrated.

Think with the Senses, Feel with the Mind: Art in the Present Tense, 52nd Biennale di Venezia (exhibition catalogue). Text by Robert Storr. Italy: Marsilio, 2007.

2006

Bernstein, J. M. Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. Stanford, California: Stanford University Press, 2006.

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 320–323, illustrated.

Elemental Form (exhibition catalogue). Text by Robert Storr. New York: L & M Arts, 2006: 30–31, 41, illustrated.

Hudson, Suzanne Perling. “Robert Ryman: Painting Pragmatism.” PhD diss., Princeton University, New Jersey, 2006.

LeWitt x 2 (exhibition catalogue). Texts by Dean Swanson and Martin Friedman. Madison, Wisconsin: Madison Museum of Contemporary Art, 2006: 32, illustrated.

Nothing and Everything (exhibition catalogue). San Francisco: Fraenkel Gallery, 2006: no. 35, illustrated.

Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur (exhibition catalogue). Düsseldorf: Richter Verlag, 2006: 146–147, 149–151, illustrated.

Richardson, Brenda. Jennifer Bartlett: Early Plate Work (exhibition catalogue). Andover, Massachusetts: Addison Gallery of American Art, Phillips Academy, 2006: 20, illustrated.

Robert Ryman (exhibition catalogue). Text by Charles Wylie. Dallas: Dallas Museum of Art, 2006.

Robert Ryman: Small Works (exhibition brochure). Text by Alex Baker. Philadelphia: Pennsylvania Academy of the Fine Arts, 2006.

Robert Ryman at Inverleith House, Royal Botanical Garden. Frauenfeld/Basel: Raussmüller Collection, 2006.

Ryman Paintings and Ryman Exhibitions, Raussmüller Collection. Texts by Urs Raussmüller and Christel Sauer. Frauenfeld/Basel: Raussmüller Collection, 2006.

Varnedoe, Kirk. Pictures of Nothing: Abstract Art since Pollock. The A. W. Mellon Lectures in the Fine Arts, 2003, National Gallery of Art, Washington, D.C. Bollingen Series 35:48. Washington, D.C.: Board of Trustees, National Gallery of Art, 2006: illustrated; cover.

Where Are We Going? Selections from the François Pinault Collection (exhibition catalogue). Milan: Skira editore S.p.A., 2006: 144–151, illustrated.

2005

Colaizzi, Vittorio. “Robert Ryman, Painting as Actuality: 1953–1969.” PhD diss., Virginia Commonwealth University, 2005.

Contemporary Voices: Works from the UBS Art Collection (exhibition catalogue). Interview by Ann Temkin. New York: The Museum of Modern Art, 2005: 106–115, 228–229, illustrated.

Frémon, Jean. The Paradoxes of Robert Ryman. Translated by Brian Evenson. Berkeley, California and Brooklyn: Black Square Editions; The Brooklyn Rail, 2005: cover.

Noji, Tsuneyoshi and Hiroshi Senjyu. New York Art Navigation. Tokyo: Kobunsha Publishers, Ltd.: 117, illustrated.

Robert Ryman (exhibition catalogue). Text by Jan Dibbets. Brussels: Xavier Hufkens, 2005.

Ryman, Robert. “Sobre a pintura.” In Pintura Abstracção Depois Da Abstracção. Edited by Johannes Meinhardt. Serralves, Portugal: Fundação de Serralves, 2005.

Sajet, Kim. In Private Hands: 200 Years of American Painting. Philadelphia: Pennsylvania Academy of the Fine Arts, 2005: 221, no. 88, illustrated.

Sets, Series, and Suites: Contemporary Prints (exhibition catalogue). Boston: Museum of Fine Arts, 2005.

2004

Butler, Cornelia and Catherine de Zeghher. On Line: Drawing Through the Twentieth Century. New York: The Museum of Modern Art, 2010.

Cooke, Lynne and Michael Govan. Dia: Beacon. New York: Dia Art Foundation, 2004: 247, 250–255, illustrated.

Farquharson, Alex, ed. Brian Wilson: An Art Book. London: Four Corners Books, 2004: illustrated.

Hayashi, Michio. Art Seminar Series 2002–2003: Robert Ryman. Tokyo: Art Trace, 2004.

Intuition/(Im)Precision (exhibition catalogue). Salzburg: Galerie Thaddaeus Ropac, Salzburg, 2004: illustrated.

Robert Ryman (exhibition catalogue). New York: PaceWildenstein, 2004.

Robert Ryman (exhibition catalogue). Texts by Michio Hayashi and Sumi Hayashi. Interview by Phyllis Tuchman. Sakura–City, Japan: Kawamura Memorial Museum of Art, 2004.

Robert Ryman: Works on Paper 1957–1964 (exhibition catalogue). Interview by Peter Blum. New York: Peter Blum Edition, 2004.

Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Solomon R. Guggenheim Museum, 2004, 114, 115, illustrated.

Still Mapping the Moon: Perspektiven zeitgenössischer Malerei. Bonn: Kunstmuseum Bonn, 2004,

2003

Art of Tennessee (exhibition catalogue). Texts by Benjamin H. Caldwell, Jr. et al. Nashville: Frist Center for the Visual Arts, 2003.

Conkelton, Sheryl. An International Legacy: Selections from Carnegie Museum of Art. New York: American Federation of Arts, 2003.

Humblet, Claudine. The New American Abstraction, 1950–1970. Milan: Skira, 2003.

Robert Ryman: New Paintings (exhibition catalogue). Text by Yve-Alain Bois. London: Haunch of Venison, 2003.

2002

Belli, Gabriella. Le Stanze dell’Arte: Figure e immagini del XX secolo (exhibition catalogue): Milan: Skira Editore, 2002: 420, illustrated.

Helfenstein, Josef and Jonathan Fineberg, eds. Drawings of Choice from a New York Collection (exhibition catalogue). Champaign, Illinois: Krannert Art Museum, 2002: 132–135, illustrated.

Heller, Nancy G. Why A Painting Is Like A Pizza: A Guide to Understanding and Enjoying Modern Art. Princeton, New Jersey: Princeton University Press, 2002, 60, discussed; 61, plate 31, illustrated.

Robert Ryman (exhibition catalogue). Interviews by Phyllis Tuchman and Amy Baker Sandback. Zurich: Thomas Ammann Fine Art, 2002.

Robert Ryman: New Paintings (exhibition catalogue). Text by Yve-Alain Bois. New York: PaceWildenstein, 2002.

2001

Cheekwood Museum of Art Permanent Collection. Nashville: Cheekwood Museum of Art, 2001.

Colecção Onnasch: Aspectos da Arte Contemporanea / The Onnasch Collection. Aspects of Contemporary Art (exhibition catalogue). Barcelona and Porto, Portugal: Museu d'Art Contemporani de Barcelona; Fundação de Serralves, 2001.

Nasgaard, Roald. Pleasures of Sight and States of Being: Radical Abstract Painting Since 1990 (exhibition catalogue). Tallahassee, Florida: Museum Press, 2001.

2000

Catálogo de la Colección de Arte Contemporáneo Fundación “la Caixa.” Barcelona: Fundación “la Caixa,” 2000.

De Duve, Thierry. Voici: 100 ans d’art contemporain. Brussels: Palais des Beaux Arts, 2000: illustrated.

Meyer, James, ed. Minimalism. London: Phaidon Press Ltd., 2000.

Painting Zero Degree. Texts by Carlos Basualdo and Ellen Tepfer. New York: Independent Curators International, 2000.

Robert Ryman (exhibition catalogue). Ostfildern: Edition Tertium, 2000.

Robert Ryman: Paintings from the Sixties (exhibition catalogue). Text by Thierry de Buve. Brussels: Xavier Hufkens Gallery, 2000.

Robert Ryman Retrospektive mit Räuman von Ariane Epars, Clay Ketter, Albert Weis und Beat Zoderer (exhibition catalogue). Ostfildern: Edition Tertium, 2000.

1999

Bois, Yve Alain. Abstraction, Gesture, Ecriture: Paintings from the Daros Collection. Zurich and New York: Alesco; Scalo, 1999.

Corzo, Miguel Angel, ed. Mortality Immortality? The Legacy of 20th-Century Art. Los Angeles: Getty Conservation Institute, 1999.

Mitchel, Breon and Lois More Overbeck, eds. Word and Image: Samuel Beckett and the Visual Text. Atlanta: Robert W. Woodruff Library, Emory University, 1999.

Robert Ryman (exhibition catalogue). Text by Urs Raussmüller, Christel Sauer, Daniel Buren and Alfred Pacquement. Paris: Beaux Arts Magazine, 1999.

Robert Ryman (exhibition catalogue). Text by Christel Sauer. New York: PaceWildenstein, 1999.

Van Lil, Kira. Hallen für Neue Kunst Schafhausen. Kurzführer zu den ausgestelltenb Werke / Concise Guide to Exhibited Work. Ostfildren: Hatje Cantz, 1999.

1996

Black & White (exhibition catalogue). Seoul: Seomi Gallery, 1996: illustrated.

Contemplation: Five Installations: Barbara Bloom, Ann Hamilton with Kathryn Clark, Nam June Paik, Robert Ryman, James Turrell. Des Moines, Iowa: Des Moines Art Center, 1996.

Franz, Erich and Peter Blum. In Quest of the Absolute. New York: Peter Blum Editions, 1996.

Rosenthal, Mark. Abstraction in the 20th Century: Total Risk, Freedom, Discipline (exhibition catalogue). New York: Solomon R. Guggenheim Foundation, New York.

1995

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Selected Works from Kawamura Memorial Museum of Art. Sakura, Japan: Kawamura Memorial Museum of Art, 1995: 138–139, illustrated.

1994

Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman (exhibition catalogue). Text by Ursula Perucchi-Petri. Zurich and Ostfildern, Germany: Kunsthaus Zurich; Cantz Verlag, 1994: 122–129, illustrated.

On a Clear Day (exhibition catalogue). Text by Carmen Schliebe and Markus Stegmann. Baden-Baden: Staatliche Kunsthalle, 1994: 27, illustrated.

1993

Robert Ryman (exhibition catalogue). Texts by María de Corral, Robert Storr, Catherine Kinley, Lynn Zelevansky and Linda Norden. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1993.

Robert Ryman (exhibition catalogue). Texts by Nicolas Serota, Robert Storr, Catherine Kinley, Lynn Zelevansky and Linda Norden. London: Tate Gallery, 1993.

Robert Ryman: New Paintings (exhibition catalogue). New York: The Pace Gallery, 1993.

Sandback, Amy Baker. Robert Ryman: Prints 1969–1993. New York: Parasol Press, 1993.

Der zerbrochene Spiegel: Positionen zur Malerei (exhibition catalogue). Murr, Germany: KunstBuchDienst, 1993: 48–51, illustrated.

1992

Ansichtssachen. Bochum, Germany: Gallery m, 1992: illustrated.

Devil on the Stairs: Looking Back on the Eighties (exhibition catalogue). Text by Robert Storr. Philadelphia: Institute of Contemporary Art, 1992.

Robert Ryman: Versions (exhibition catalogue). Interview by Urs Raussmüller. Schaffhausen and New York: Hallen für neue Kunst; The Pace Gallery, 1992.

1991

Artists’ Sketchbooks (exhibition catalogue). Texts by Guy Davenport and Matthew Marks. New York: Matthew Marks Gallery, 1991: illustrated.

Emanuel Hoffmann-Stiftung. Basel: Emanuel Hoffmann-Stiftung, 1991: illustrated.

Frémon, Jean. Robert Ryman: le paradoxe absolu. Caen, France: L'Échoppe, 1991.

Robert Ryman (exhibition catalogue). Texts by Urs Raussmüller, Christel Sauer, Robert Storr and the artist. Paris: Espace d'art Contemporain, 1991.

1990

Robert Ryman: New Paintings (exhibition catalogue). Text by Yve-Alain Bois. New York: The Pace Gallery, 1990.

1989

Beckett, Samuel. Nohow On. New York: John Calder Pub Ltd, 1989: illustrated.

1988

Robert Ryman (exhibition catalogue). Text by Charles Wright. Interview by Gary Garrels. New York: Dia Art Foundation, 1988.

Robert Ryman: The Charter Series. New Work: A Series of Recent Work by Younger and Established Artists (exhibition brochure). Text by Neal Benezra. San Francisco: San Francisco Museum of Modern Art, 1988.

1987

Armstrong, Richard. 1987 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1987: 116–118.

1986

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

1985

From Twombly to Clemente: Selected Works from a Private Collection (exhibition catalogue). Switzerland: Kunsthalle Basel, 1985: illustrated.

New Works on Paper 3 (exhibition catalogue). Text by Bernice Rose. New York: The Museum of Modern Art, 1985.

1984

Art of Our Time: The Saatchi Collection. Volume 1. London and New York: Lund Humphries; Rizzoli, 1984: illustrated.

Ryman. Peintures Récentes (exhibition catalogue). Text by Jean Frémon. Paris: Galerie Maeght Lelong, 1984.

1981

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

Robert Ryman (exhibition brochure). New York: Sidney Janis Gallery, 1981.

Robert Ryman (exhibition catalogue). Texts by Yve-Alain Bois and Christel Sauer. Paris: Musée national d'art moderne, Centre Georges Pompidou, 1981.

Spector, Naomi. Some Ryman Words. New York: Naomi Spector, 1981.

1980

Robert Ryman (exhibition catalogue). Text by Christel Sauer. Zurich: InK, Halle für Internationale neue Kunst, 1980.

Sauer, Christel. Dokumentation 6 (exhibitions catalogue). Zurich: Halle für Internationale neue Kunst, 1980.

Seven Decades of Twentieth-Century Art: From the Sidney and Harriet Collection of The Museum of Modern Art and the Sidney Janis Gallery Collection (exhibition catalogue). Text by William Rubin. La Jolla and Santa Barbara: La Jolla Museum of Contemporary Art; Santa Barbara Museum of Art, 1980: 72–73, illustrated.

1979

Robert Ryman: An Exhibition of Recent Paintings (exhibition catalogue). New York: Sidney Janis Gallery, 1979.

Sauer, Christel. Dokumentation 3 (exhibitions catalogue). Zurich: Halle für Internationale neue Kunst, 1979.

1978

American Painting of the 1970s (exhibition catalogue). Text by Linda Cathcart. Buffalo, New York: Albright-Knox Art Gallery, 1978: 54–55, illustrated.

Sauer, Christel. Dokumentation 1 (exhibitions catalogue). Zurich: Halle für Internationale neue Kunst, 1978.

1977

Artists' Salute to Skowhegan (exhibition catalogue). New York: Kennedy Galleries, 1978.

Drawing and Collage: Selections from the New York University Art Collection (exhibition catalogue). New York: Grey Art Gallery and Study Center, 1977.

Robert Ryman (exhibition catalogue). Texts by Naomi Spector and by the artist. London: Whitechapel Art Gallery, 1977.

1976

Three into Five: Critical Perspectives in American Art (exhibition catalogue). Amherst, Massachusetts: Fine Arts Center, University of Massachusetts, 1976.

La Biennale di Venezia, 1976: Environment, Participation, Cultural Structures, vol. 1 (exhibition catalogue). Venice: Alfieri edizioni d’arte, 1976: 162.

1975

Empirica: L’arte tra addizione e sottrazione. Milan: Ripalta, 1975: illustrated.

Robert Ryman (exhibition catalogue). Text by Carlo Huber. Basel: Kunsthalle Basel, 1975.

1974

American Painting in the Watershed Year, 1961 (exhibition catalogue). New York: Allan Frumkin Gallery, 1974.

Robert Ryman (exhibition catalogue). Text by Naomi Spector. Amsterdam: Stedelijk Museum, 1974.

1973

Robert Ryman: Exhibition of Works (exhibition catalogue). Texts by Luca M. Venturi and the artist. Milan: Galleria San Fedele, 1973.

1972

Ryman, Robert. “Oral History Interview with Robert Ryman, Conducted by Paul Cummings.” Smithsonian Archives of American Art, 13 October–7 November 1972.

Robert Ryman: Exhibition of Works (exhibition catalogue). Text by Diane Waldman. New York: Solomon R. Guggenheim Museum, 1972.

1971

20 Artisti Americani (exhibition catalogue). Bari, Italy: Chase Manhattan Bank, 1971.

1970

Art Since 1960 (exhibition catalogue). Princeton, New Jersey: Art Museum, Princeton University, 1970.

Bildernische Ausdrucksformen 1960–1970, Sammlung Karl Ströher (exhibition catalogue). Darmstadt, Germany: Hessisches Landesmuseum 1970.

Conceptual Art, Arte Povera, Land Art (exhibition catalogue). Turin: Galleria Civica d'Arte Moderna, 1970.

Modular Painting (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1970: illustrated.

Monumental American Art (exhibition catalogue). Cincinnati: Contemporary Arts Center, 1970.

Robert Ryman: Delta Paintings, 1966 (exhibition catalogue). New York: Fischbach Gallery, 1970.

Using Walls (exhibition catalogue). New York: Jewish Museum, 1970.

Zeichnungen amerikanischer Künstler (exhibition catalogue). Cologne: Galerie Rolf Ricke, 1970.

1969

American Drawings (exhibition catalogue). Fort Worth, Texas: Modern Art Museum of Fort Worth, 1969.

Anti-Illusion: Procedures/Materials (exhibition catalogue). New York: Whitney Museum of American Art, 1969.

Drawings (exhibition catalogue). Munich: Galerie Heiner Friedrich, 1969.

Here and Now: An Exhibition of Thirteen Artists (exhibition catalogue). Saint Louis, Missouri: Steinberg Hall, Washington University Gallery of Art, 1969.

Highlights of the 1968–69 Art Season (exhibition catalogue). Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1969: no. 55, illustrated.

Kunstmarkt 1969 (exhibition catalogue). Cologne: Josef-Haubrich-Kunsthalle, 1969.

Op Losse Schroeven: Situaties en Cryptostructuren (exhibition catalogue). Amsterdam: Stedelijk Museum, 1969.

Prospect 69 (exhibition catalogue). Düsseldorf: Städtische Kunsthalle, 1969.

Sammlung 1968 Karl Ströher (exhibition catalogue). Berlin: Neue Nationalgalerie, 1969.

Szeemann, Harald. Live in Your Head: When Attitudes Become Form (exhibition catalogue). Bern: Kunsthalle Berne, 1969: 87, illustrated.

1968

Four NYC Artists: Gordon, Lonzano, Ryman, Stanley (exhibition catalogue). Cincinnati: Contemporary Arts Center, 1968.

1967

Rejective Art (exhibition catalogue). New York: American Federation of Arts, 1967.

A Romantic Minimalism (exhibition catalogue). Text by Steven S. Prokopoff. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1967.

Selected New York Artists (exhibition catalogue). Ithaca, New York: Ithaca College Museum, 1967.

1966

Systemic Painting (exhibition catalogue). Text by Lawrence Alloway. New York: Solomon R. Guggenheim Museum, 1966.

1965

Art ‘65: Lesser Known and Unknown Painters—Young American Sculpture—East to West (exhibition catalogue). New York: Star Press, 1965.

1964

The Individual Image (exhibition catalogue). New York: Alan Auslander Gallery, 1964.