Lynda Benglis

Dates

Born 1941, Lake Charles, Louisiana

Lives and works in New York and Santa Fe, New Mexico

Education

1964, Newcomb College, New Orleans, BFA

2024

Lynda Benglis: Recent Sculptures, Turner Contemporary, Margate, United Kingdom, February 3–September 15, 2024.

Lynda Benglis, Fundación Juan March, Madrid, February – June 30, 2024.

2023

Lynda Benglis: Skeletonizer, Gallery 125 Newbury, New York, November 4, 2023—January 13, 2024.

Lynda Benglis, Thomas Dane Gallery, London, March 3–April 29, 2023.

2022

Lynda Benglis: COLOR + FORM, Pace Gallery, Palm Beach, Florida, November 30–December 31, 2022.

Lynda Benglis, Nasher Sculpture Center, Dallas, Texas, May 21–September 18, 2022. (Catalogue)

Lynda Benglis, Locks Gallery, Philadelphia, Pennsylvania, May 19–July 22, 2022. (Catalogue)

Lynda Benglis: Excavation, Blum & Poe, Los Angeles, May 14–June 25, 2022.

Lynda Benglis: Frozen Gestures, Mendes Wood DM, São Paulo, April 9–May 30, 2022.

2021

Lynda Benglis: Pleated Works, Mnuchin Gallery, New York, November 2–December 11, 2021. (Catalogue)

Lynda Benglis: Works in Video, Gene Siskel Film Center Virtual Cinema, Chicago, Illinois, October 7–14, 2021.

Lynda Benglis: Nœuds et nus, Xavier Hufkens, Brussels, September 9–October 16, 2021.

Lynda Benglis, National Gallery of Art, Washington D.C., June 18, 2021–January 2, 2022.

Lynda Benglis: An Alphabet of Forms, Pace Gallery, 510 West 25th Street, New York, May 5–July 2, 2021.

2020

Lynda Benglis: Early Works 1967-1979, Cheim & Read, New York, October 8–December 23, 2020.

Lynda Benglis: Early Works 1967-1979, Ortuzar Projects, New York, Tribeca and Upper East Side galleries, October 8–December 5, 2020.

Lynda Benglis: Ceramics & Sparkle Sculptures, Xavier Hufkens, Brussels, September 3–October 10, 2020.

Lynda Benglis: Hills and Clouds, Pace Gallery, 510 West 25th Street, New York, January 16–February 15, 2020.

2019

Lynda Benglis: Spettri, Thomas Dane Gallery, Naples, December 17, 2019–March 14, 2020.

Lynda Benglis: In the Realm of the Senses, Museum of Cycladic Art, Athens, November 22, 2019–March 15, 2020. (Catalogue)

Lynda Benglis: Elephant Necklace, Ogden Museum of Southern Art, Louisiana, New Orleans, September 21, 2019–January 19, 2020.

Lynda Benglis, Pace Gallery, Palo Alto, California, August 21–October 23, 2019.

Lynda Benglis: Over Air, Locks Gallery, Philadelphia, May 3–June 28, 2019.

Lynda Benglis: Bird’s Nest, The Harwood Museum of Art, University of New Mexico, Taos, February 9–May 12, 2019.

2018

Lynda Benglis, Paula Cooper Gallery, New York, November 10–December 15, 2018.

Lynda Benglis: Face Off, Kistefos-Museet, Jevnaker, Norway, opened on May 27, 2018.

Lynda Benglis, Paula Cooper Gallery, New York, May 10–June 16, 2018.

Lynda Benglis, Locks Gallery, Philadelphia, February 22–March 21, 2018. (Catalogue)

2017

Lynda Benglis, Blum & Poe, Los Angeles, October 26–December 16, 2017.

2016

Benglis and the Baroque, Thomas Brambilla Contemporary Art, Bergamo, Italy, December 10, 2016–February 25, 2017.

Lynda Benglis: Secrets, Bergen Assembly, KODE Art Museums of Bergen, Norway, October 28–November 13, 2016.

Lynda Benglis: New Work, Cheim & Read, New York, September 8–October 22, 2016. (Catalogue)

Cuerpos, Materia y Alma: Las Esculturas de Lynda Benglis / Bodies, Matter and Soul: The Sculptures of Lynda Benglis, Museo International del Barroco, Puebla, Mexico, September 3, 2016–March 31, 2017. (Catalogue)

Lynda Benglis: Adhesive Products, Bergen Assembly, Bergen Kunsthall, Norway, September 2–October 9, 2016.

Lynda Benglis: Double Albatross, Bergen Assembly, Kunstgarasjen, Bergen, Norway, April 30–May 1, 2016.

Lynda Benglis, Aspen Art Museum, Colorado, April 22–October 30, 2016.

Lynda Benglis: Glacier Burger, Bergen Assembly, Bergen School of Architecture, Norway, April 9–May 1, 2016.

Lynda Benglis: Primary Structures (Paula’s Props), PRAXIS at Bergen Assembly 2016, KODE Art Museums of Bergen, Bergen Assembly, Norway, February 7–28, 2016.

Lynda Benglis, Dhaka Art Summit, Samdani Art Foundation, Dhaka, Bangladesh, February 5–7, 2016.

2015

Lynda Benglis: Water Sources, Storm King Art Center, Mountainville, New York, May 16–November 30, 2015. (Catalogue)

Lynda Benglis, The Hepworth Wakefield, West Yorkshire, United Kingdom, February 6–July 5, 2015.

2014

Lynda Benglis: Planar Device, Thomas Dane Gallery, London, September 4–October 4, 2014.

Lynda Benglis, Cheim & Read, New York, January 16–February 15, 2014.

2013

Great Hall Exhibitions: Lynda Benglis, Institute of Fine Arts, New York University, September 15–October 30, 2013.

Lynda Benglis: Everything Flows, Locks Gallery, Philadelphia, May 16–June 29, 2013.

2012

Lynda Benglis: Flow and Marks, Winner of the Erich Hauser Award 2012, Erich Hauser Art Foundation, Rottweil, Germany, July 21–August 26, 2012.

Lynda Benglis: Figures, Savannah College of Art and Design Museum of Art, Georgia, June 25, 2012–January 27, 2013.

Part One: New Works on Paper, Kappatos Gallery, Athens, April 5–May 31, 2012.

Lynda Benglis: Prints & Cast Paper 1970’s–2000’s, Goya Contemporary, Baltimore, Maryland, March 2–May 2, 2012.

Lynda Benglis, Thomas Dane Gallery, London, February 9–March 17, 2012.

2011

Lynda Benglis Glass Masks, Texas Gallery, Houston, Texas, June 16–July 30, 2011.

Fountains, Salon 94 Freemans, New York, February 7–March 11, 2011.

2010

Lynda Benglis: Flow and Flesh, Locks Gallery, Philadelphia, November 19–December 30, 2010.

Wax’in Wane, Galerie Michael Janssen, Cologne, June 11–July 31, 2010.

2009

Lynda Benglis, New Work, Cheim & Read, New York, November 19–December 19, 2009 (extended through January 2, 2010).

Lynda Benglis, Van Abbemuseum, Eindhoven, Netherlands, June 20–October 4, 2009. Traveled to: Irish Museum of Modern Art, Dublin, November 4, 2009–January 24, 2010; Le Consortium, Centre d’Art Contemporain, Dijon, France, April 2–June 20, 2010; Museum of Art, Rhode Island School of Design, Providence, October 1, 2010–January 9, 2011; New Museum of Contemporary Art, New York, February 9–June 19, 2011; Museum of Contemporary Art, Los Angeles, July 31–October 10, 2011. (Catalogue)

2008

Lynda Benglis as Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati, Ohio, September 5–December 13, 2008.

Lynda Benglis: Shape-Shifters, Locks Gallery, Philadelphia, March 7–April 12, 2008.

2007

Lynda Benglis: Wax Paintings & Ceramic Sculptures, Texas Gallery, Houston, July 10–August 4, 2007.

Art Matters 11: Lynda Benglis, McNay Art Museum, San Antonio, Texas, May 2–July 29, 2007.

2006

Lynda Benglis, Bass Museum of Art, Miami, Florida, 2006.

New Work by Lynda Benglis, Nina Freudenheim Gallery, Buffalo, New York, September 9–October 24, 2006.

Lynda Benglis: Pleated, Knotted, Poured…, Locks Gallery, Philadelphia, May 19–June 30, 2006.

2005

Lynda Benglis: The Graces, Cheim & Read, New York, September 10–October 15, 2005.

Lynda Benglis: Ceramic Sculpture, Frank Lloyd Gallery, Santa Monica, September 7–October 8, 2005.

Lynda Benglis, Susanne Hilberry Gallery, Ferndale, Michigan, April 22–June 18, 2005.

2004

Lynda Benglis: Ceramic Sculpture, Franklin Parrasch Gallery, New York, April 16–May 22, 2004.

Lynda Benglis: A Sculpture Survey 1969-2004, Cheim & Read, New York, February 26–April 3, 2004.

2003

Lynda Benglis: Sculptures, Bass Museum of Art, Miami, December 4, 2003–June 30, 2004.

Lynda Benglis, Toomey Tourell, San Francisco, November 13, 2003–January 3, 2004.

2002

Lynda Benglis Soft Off, Locks Gallery, Philadelphia, April 18–May 31, 2002.

Lynda Benglis: Ceramic Sculpture, Franklin Parrasch Gallery, New York, January 8–February 16, 2002.

2001

New Work, Toomey Tourell Gallery, San Francisco, March 1–March 30, 2001.

Lynda Benglis: Color Echoes, Remba Gallery/Mixografia Workshop, Los Angeles, January 13–February 24, 2001.

2000

Lynda Benglis: Hot Spots, Texas Gallery, Houston, November 18–December 12, 2000.

Lynda Benglis: A Decade of Ideas, Bryan Ohno Gallery, Seattle, October 12–December 2, 2000.

Lynda Benglis: Materials Girl, curated by Michael Klein, Meadows Museum, Shreveport, Louisiana, March 11–June 11, 2000.

Lynda Benglis, Weatherspoon Gallery, University of North Carolina, Greensboro, March 5–April 23, 2000.

1999

Lynda Benglis: Wols: Photographs of the 1930s, Cheim & Read, New York, October 19–November 13, 1999.

Lynda Benglis, Sculpture, Galerie Simonne Stern, New Orleans, Louisiana May 1–June 1, 1999.

1998

Dynamic Silhouette, Kappatos Gallery, Athens, November 26, 1998–January 23, 1999.

Lynda Benglis: Recent Sculpture and a Screening of “Female Sensibility” from 1973, Cheim & Read, New York, September 12–October 10, 1998.

1997

Lynda Benglis, Galerie Michael Janssen, Cologne, November 7–December 20, 1997.

Lynda Benglis, Dorfman Projects, New York, September 20–October 31, 1997.

Lynda Benglis: Hidden Agenda, Gallery Chemould, Mumbai, August 25–September 5, 1997.

Lynda Benglis: Hidden Agenda, Contemporary Art Gallery, Ahmedabad, India, June 9–13, 1997.

Lynda Benglis: Selected Wall Reliefs, Elizabeth Mayer Fine Art, New York, April 9–May 17, 1997.

1996

Lynda Benglis: New Monotypes: Landscapes & Fetishes, Quartet Editions, New York, November 6–December 21, 1996.

Lynda Benglis: Ceramics, Porter Troupe Gallery, San Diego, November 2–December 31, 1996.

1995

Lynda Benglis, Susanne Hilberry Gallery, Birmingham, Michigan, November 1995.

Lynda Benglis: Sculpture, Galerie Simonne Stern, New Orleans, Louisiana, October 7–31, 1995.

Lynda Benglis: Recent Wall & Glass Sculpture, Heath Gallery, Atlanta, September 16–November 4, 1995.

1994

Lynda Benglis: Chimera—Recent Ceramic Sculpture, Harwood Foundation Museum, Taos, December 9, 1994–February 4, 1995. Traveled to: Boulder Museum of Art, Colorado, March 10–April 30, 1995; Cranbrook Art Museum, Bloomfield Hills, Michigan, November 17, 1995–January 14, 1996; University Art Gallery, New Mexico State University, Las Cruces, January 29–February 24, 1996; University of North Texas, Denton, October 10–November 11, 1997; Forum Kunst Rottweil, Germany, February 7–March 29, 1998; Galerie Six Friedrich & Lisa Ungar, Munich, May 7–June 9, 1998; Galerie Charim Klocker, Vienna, June 18–July 31, 1998.

Lynda Benglis: Wax Paintings, Heath Gallery, Atlanta, May 21–July 30, 1994.

Lynda Benglis: Wax Paintings, Paula Cooper Gallery, New York, February 4–26, 1994.

1993

Lynda Benglis: From the Furnace, Auckland City Art Gallery, Auckland, New Zealand, October 15–November 25, 1993. (Catalogue)15

Lynda Benglis, Gow-Langsford Gallery, Auckland, New Zealand, October 12–29, 1993.

Lynda Benglis: Ceramic Sculpture, Tavelli Gallery, Aspen, March 8–April 15, 1993.

Lynda Benglis:” Clothed and Unclothed”: Recent Sculpture, Richard Gray Gallery, Chicago, January 15–February 15, 1993.

1992

Lynda Benglis, Heath Gallery, Atlanta, November 17, 1992–January 9, 1993.

1991

Lynda Benglis, Margo Leavin Gallery, Los Angeles, September 5–October 5, 1991.

New Works, Tilden-Foley Gallery, New Orleans, May 31–July 10, 1991.

Lynda Benglis: Recent Work, Heath Gallery, Atlanta, May 31–July 10, 1991.

Lynda Benglis: Dual Natures, Retrospective, High Museum of Art, Atlanta, January 29–March 31, 1991. Traveled to: Contemporary Arts Center in conjunction with the New Orleans Museum of Art, Louisiana, June 1–August 4, 1991; San Jose Museum of Art, California, September 15–December 1, 1991. (Catalogue)

1990

Lynda Benglis: Trophies, Paula Cooper Gallery, New York, September 4–September 29, 1990.

Lynda Benglis, Sena Galleries West, Santa Fe, New Mexico, August 24–September 14, 1990.

Lynda Benglis: Sculpture and Silk Paintings, Linda Farris Gallery, Seattle, Washington, August 2–August 31, 1990.

Lynda Benglis: Recent Sculpture, Richard Gray Gallery, Chicago, March 23–May 10, 1990.

1989

Lynda Benglis: New Sculpture, Margo Leavin Gallery, Los Angeles, July 8–August 12, 1989.

Drawing with Materials: Process and Image: Works by Lynda Benglis, Atlantic Center for the Arts, New Smyrna Beach, Florida, July 3–August 31, 1989

Florida Fan Dance: A Palmetto Series. Monotype Prints by Lynda Benglis, Michael Murphy Gallery, Tampa, Florida, April 7–April 30, 1989.

Lynda Benglis, Tilden-Foley Gallery, New Orleans, April 1–May 10, 1989.

1988

Lynda Benglis, Fuller Gross Gallery, San Francisco, December 6, 1988–January 7, 1989.

Lynda Benglis: Recent Sculpture, Texas Gallery, Houston, October 18–November 19, 1988.

Lynda Benglis: Recent Sculpture and Works on Paper, Cumberland Gallery, Nashville, Tennessee, April 9–May 14, 1988.

1987

Lynda Benglis: New Sculpture, Margo Leavin Gallery, Los Angeles, May 16–June 20, 1987.

Lynda Benglis: Monoprints/Windy Hill Series, Landfall EastLyn, New York, April 1987.

Lynda Benglis: Recent Sculpture, Paula Cooper Gallery, New York, March 25–April 18, 1987.

1986

Lynda Benglis: Glass, Dart Gallery, Chicago, October 1986.

Lynda Benglis, Tilden-Foley Gallery, New Orleans, April 23–May 22, 1986.

Lynda Benglis, Fuller Goldeen Gallery, San Francisco, April 3–May 3, 1986.

1985

Lynda Benglis: Recent Wall Pieces and Glass Sculpture, Heath Gallery, Atlanta, November 16–December 14, 1985.

Lynda Benglis: Glass, Dart Gallery, Chicago, October 18–November 10, 1985.

Lynda Benglis: New Works in Glass, Susanne Hilberry Gallery, Birmingham, Michigan, September 28–October 26, 1985.

Lynda Benglis: Works in Glass, Margo Leavin Gallery, Los Angeles, February 16–March 23, 1985. (Catalogue)

1984

Lynda Benglis, Tilden-Foley Gallery, New Orleans, October 20–November 7, 1984.

Lynda Benglis: Recent Sculpture, Texas Gallery, Houston, September 11–October 20, 1984.

Lynda Benglis: New Sculpture, Paula Cooper Gallery, New York, March 22–April 14, 1984.

Lynda Benglis at First City Center, Cadillac Fairview First City Center, Dallas, opened January 18, 1984.

1983

Lynda Benglis: Sculpture, Dart Gallery, Chicago, November 5–December 7, 1983.

Lynda Benglis: New Sculpture, Susanne Hilberry Gallery, Birmingham, Michigan, June 17–July 30, 1983.

1982

Lynda Benglis “ΕΙ∆OΛΑ,” Fuller Goldeen Gallery, San Francisco, November 3–November 27, 1982.

ΕΙ∆ΩΛΑ Benglis, Paula Cooper Gallery, New York, October 30–November 27, 1982.

Lynda Benglis: Flux & Fusion: An Exhibition of Sculpture, Margo Leavin Gallery, Los Angeles, January 15–February 20, 1982.

Lynda Benglis: Sculpture and Works on Paper, Okun-Thomas Gallery, St. Louis, Missouri, January 9–February 6, 1982.

1981

Lynda Benglis, Texas Gallery, Houston, December 5, 1981–January 2, 1982.

Lynda Benglis: Recent Gold Pieces, Jacksonville Art Museum, Florida, November 5–December 29, 1981.

Lynda Benglis: New Work, Dart Gallery, Chicago, October 9–November 4, 1981.

Lynda Benglis: Recent Work, Museum of Art, University of Arizona, Tucson, Arizona, April 26–May 18, 1981.

Lynda Benglis: Indian Wood Block Series, Galerie Albert Baronian, Brussels, Belgium, March 22–April 14, 1981.

Lynda Benglis, Cirrus Gallery, Los Angeles, February 3–March 7, 1981.

1980

Lynda Benglis: New Work, Susanne Hilberry Gallery, Birmingham, Michigan, November 22–December 31, 1980.

Lynda Benglis, Woodland Gallery, Chatham College, Pittsburgh, Pennsylvania, November 1980.

Lynda Benglis: Recent Works, David Heath Gallery, Atlanta, September 20–October 16, 1980.

Lynda Benglis: Aquanots, Paula Cooper Gallery, New York, September 16–October 11, 1980.

Fans (Air) Kites (Air) Airport (Air). Lynda Benglis: “Patang.” The Atlanta Airport Commission and New Works Executed in Ahmedabad, India, Texas Gallery, Houston, June 14–July 9, 1980.

Recent Works by Lynda Benglis, Portland Center for the Visual Arts, Oregon, May 10–June 13, 1980.

Lynda Benglis, Margo Leavin Gallery, Los Angeles, March 22–April 12, 1980.

Lynda Benglis 1968–1978, University of South Florida, Tampa, Florida, February 8–March 6, 1980. Traveled to: Lowe Art Museum, University of Miami, Coral Gables, Florida, March 19–April 27, 1980.

Lynda Benglis: Cast Paper Multiples, Texas Gallery, Houston, February 1980.

1979

Lynda Benglis: Recent Works, Georgia State University Art Gallery, Atlanta, October 26–November 16, 1979.

Lynda Benglis: Bodies and Fans, Hansen-Fuller Goldeen Gallery, San Francisco, October 23–November 20, 1979.

Lynda Benglis: Wall Sculptures and Floor Installations, Real Art Ways, New Haven, Connecticut, October 5–November 3, 1979.

Lynda Benglis, Galerie Albert Baronian, Brussels, Belgium, June 11–December 31, 1979.

Lynda Benglis: New Works, Dart Gallery, Chicago, May 11–June 8, 1979.

Lynda Benglis: New Work, Texas Gallery, Houston, January 17–February 10, 1979.

1978

Lynda Benglis, Paula Cooper Gallery, New York, November 11–December 9, 1978.

1977

Lynda Benglis: Copper Knots and Floor Sculpture, Douglas Drake Gallery, Kansas City, Missouri, November 4–30, 1977

7 Come 11: A Series of Recent Sculpture by Lynda Benglis, Margo Leavin Gallery, Los Angeles, May 20–June 30, 1977.

1976

Lynda Benglis: Videotapes, AND/OR, Seattle, Washington, December 4–8, 1976.

Lynda Benglis Presents the Amazing Bow-Wow, The Kitchen, New York, October 18–20, 1976.

Lynda Benglis: Metallized Knots and Wax Paintings, Paula Cooper Gallery, Los Angeles, May 1–May 22, 1976.

1975

Lynda Benglis, Texas Gallery, Houston, November 8–29, 1975.

Lynda Benglis: Video Polaroids, The Kitchen, New York, November 8–November 15, 1975.

Lynda Benglis: Sculpture, Paula Cooper Gallery, New York, November 8–December 3, 1975.

Physical and Psychological Moments in Time: A First Retrospective of the Video Work of Lynda Benglis, Fine Arts Center Gallery, State University of New York College at Oneonta, New York, January 29–February 26, 1975. Traveled to: the Stedelijk van Abbemuseum, Eindhoven, Netherlands.

1974

Lynda Benglis: Knots, Hansen-Fuller Gallery, San Francisco, October 29–November 23, 1974.

Lynda Benglis Presents Metallized Knots, Paula Cooper Gallery, New York, May 4–May 29, 1974.

1973

Lynda Benglis: Sparkle Knots, The Clocktower, Institute for Art and Urban Resources, New York. December 6, 1973–January 20, 1974.

Lynda Benglis, Texas Gallery, Houston, November 18–December 10, 1973.

Lynda Benglis, Jack Glenn Gallery, Corona Del Mar, California, July 21–August 10, 1973.

Dimensional Paintings and Videotapes, Portland Center for the Visual Arts, Oregon, June 13–July 15, 1973.

Lynda Benglis: Paintings and Videotapes, Hansen-Fuller Gallery, San Francisco, May 2–May 26, 1973.

Lynda Benglis: Video Tapes, Paula Cooper Gallery, New York, February 17–March 10, 1973. Traveled to: Everson Museum of Art, Syracuse, New York, March 13–March 25, 1973.

1972

Lynda Benglis: Wax Paintings, Hansen-Fuller Gallery, San Francisco, February 1–26, 1972.

1971

Lynda Benglis: Polyurethane Foam, Two-Component System, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts, August November 8–December 17, 1971.

Lynda Benglis, Paula Cooper Gallery, New York, September 25–October 21, 1971.

The Kansas State University Union Art Gallery and the Kansas State University Department of Art Invitational Exhibition ’71, Union Art Galleries, Kansas State University, Manhattan, February 4–March 13, 1971.

1970

Lynda Benglis, Galerie Hans Müller, Cologne, June 26–July 23, 1970.

Lynda Benglis, Janie C. Lee Gallery, Dallas, May 23–June 21, 1970.

Lynda Benglis, Paula Cooper Gallery, New York, February 8–March 4, 1970.

1969

Lynda Benglis, Main Gallery, Fine Arts Center, University of Rhode Island, Kingston, 1969.

2024

When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024.

Beyond Form: Lines of Abstraction, 1950–1970, Turner Contemporary, Margate, United Kingdom, February 3–May 6, 2024.

A Walk on the Wild Side: ‘70s New York in the Norman E. Fisher Collection at MOCA Jacksonville, The Museum of Contemporary Art Jacksonville, Florida, January 18– June 30, 2024.

2023

A Walk on the Wild Side: '70's New York, Museum of Contemporary Art Jacksonville, Jacksonville, Florida, December 1, 2023–June 30, 2024.

The Divine Feminine: Contemporary Women Sculptors, The Norton, West Palm Beach, Florida, December 1, 2023–May 1, 2024.

Making Their Mark, organized by Shah Garg Foundation, 548 West 22nd Street, New York, November 2, 2023–January 27, 2024. Traveled to: the Berkeley Art Museum and Pacific Film Archive, California, opens in September 2024; Mildred Lane Kemper Art Museum St Louis, Missouri, opens in September 2025.

Quinquagesimum, Fondation CAB, Brussels, September 6–November 25, 2023. (Catalogue)

Linhas Tortas, Mendes Wood DM, Sao Paulo, Brazil, September 2–November 11, 2023.

Sangam/Confluence, Nita Mukesh Ambani Cultural Centre, Mumbai, India, April 2–June 3, 2023.

Think Pinker, GAVLAK, Los Angeles, February 11–March 25, 2023.

Abstract Colour, Marlborough, London, January 26–March 10, 2023.

2022

Group Exhibition, Paula Cooper Gallery, Palm Beach, Florida, December 17, 2022–January 28, 2023.

In the Balance: Between Painting and Sculpture, 1965–1985, The Whitney Museum of American Art, New York, October 19, 2022–March 5, 2023.

Wild Strawberries, Gallery 125 Newbury, New York, September 30–November 19, 2022. (Journal)

Faking the Real: Art of Seduction, Kunsthaus Graz, Graz, Austria, September 21, 2022–August 1, 2023

Lynda Benglis and Arlene Shechet, Pace Gallery, East Hampton, New York, August 18–28, 2022.

Calor Universal, Pace Gallery, East Hampton, New York, July 2–17, 2022.

Hanging/Leaning: Women Artists on Long Island, Eric Firestone Gallery, East Hampton, New York, May 24–July 26, 2022.

A Matter of Life and Death, Thomas Dane Gallery, Naples, Italy, March 26–May 28, 2022.

Ninth Street and Beyond: 70 Years of Women in Abstraction, Part I: The Gestural, Hunter Dunbar Projects, New York, March 3–April 9, 2022.

Benefit Print Project: 10 Years and Counting, National Arts Club, New York, March 1–April 6, 2022.

Some People, Cheim & Read, New York, February 24–May 14, 2022.

Everyday, Someday and Other Stories, Collection 1950-1980, Stedelijk Museum, Amsterdam, February 19–ongoing.

To Begin, Again: A Pre-History of the Wex, 1968-89, Wexner Center for the Arts, Columbus, Ohio, February 5–May 8, 2022.

Per Diem: The Gerd Metzdorff Collection, Griffin Art Projects, North Vancouver, Canada, February 4 –May 8, 2022.

Out of Joint. Moments of Disruption: Chapter 1, Migros Museum fur Gegenwartkunst, Zurich, Switzerland, January 29–May 1, 2022.

2021

New Wave Art Wknd, The Bunker Artspace, West Palm Beach, Florida, December 3–5, 2021.

Skin in the Game, presented by Palm Heights, 1620 Washington Avenue, Miami, November 30–December 1, 2021. Traveled to: 400 N. Peoria Street, Chicago, April 7–24, 2022.

On the Bowery, Zürcher Gallery, New York, November 13–December 23, 2021. Curated by Loren Monk. (Catalogue)

String, Steel, Spit Bite, New Britain Museum of American Art, New Britain, Connecticut, November 12, 2021–March 18, 2022.

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Selections from the Anderson Family Collection, Foundry Vineyards, Walla Walla, Washington, November 4, 2021–March 2022.

90 Years: Selections from the Permanent Collection, Guild Hall, East Hampton, New York, October 30, 2021–January 2, 2022.

The Flames, Musée d'art moderne de la ville de Paris, France. October 15, 2021–February 6, 2022.

Nothing is Lost: Art and Matter in Transformation, GAMeC (Galleria d'arte moderna e contemporanea di Bergamo), Bergamo, Italy. October 14, 2021–February 13, 2022. (Catalogue)

Making it: Women and Abstract Sculpture, Waddington Custot, London, October 1–November 13, 2021.

On the Edge: Los Angeles Art Scene 1967s-90s from the Joan and Jack Quinn Family Collection, Bakersfield Museum of Art, California. September 30, 2021–January 8, 2022 (extended through April 3, 2002).

Out of Body: Selected Artworks from the Brodsky Center at PAFA, Pennsylvania Academy of Fine Arts Museum, Philadelphia, September 16, 2021–January 2, 2022.

Slip Zone: A New Look at Postwar Abstraction in the Americas and East Asia, Dallas Museum of Art, Texas, September 14, 2021–July 10, 2022.

Christen Sveaas Art Foundation: This is the Night Mail, Whitechapel Gallery, London, August 27, 2021–January 2, 2022.

Community Trust Bank Presents the Vogel Collection: Fifty Works for West Virginia, Huntington Museum of Art, West Virgina, August 21–November 29, 2021.

Visions from the Multiverse, Iris Project, Los Angeles, August 21–September 5, 2021.

All Tomorrow's Parties, domicile (n.) gallery, Los Angeles. July 10–September 1, 2021, Curated by Michael Slenske.

Toes, Knees, Shoulders, Heads and Butts and Guts, Meredith Rosen Gallery, New York. June 17–July 17, 2021.

A room with a…, Pace Gallery, Palm Beach, Florida. June 4–September 10 (extended through October 3), 2021.

12 Artists: A Tribute to Klaus Kertess' Bykert Gallery 1966-75, David Nolan Gallery, New York. June 3–July 30, 2021.

Face à Arcimboldo, Centre Pompidou Metz, France, May 29–November 22, 2021. (Catalogue)

Los Angeles (State of Mind), Gallerie d'Italia, Palazzo Zevallos Stigliano, Naples, Italy. May 28–September 26, 2021. (Catalogue)

Stop Painting, Fondazione Prada, Venice, Italy. May 22–November 21, 2021, Curated by Peter Fischli. (Catalogue)

Women in Abstraction, Centre Georges Pompidou, Paris, France, May 5–September 6, 2021. Traveled to: Guggenheim Museum, Bilbao, Spain, October 8, 2021–January 30, 2022. (Catalogue)

Ells font l’abstraction, Centre Pompidou, Musée National d’Art Moderne, Galerie 1, Paris, May 5−August 23, 2021. Traveled to: Guggenheim Museum Bilbao, October 22, 2021−February 27, 2022. (Catalogue)

Highlights of Post-War and Contemporary Art, Mnuchin Gallery, New York. March 26–April 17, 2021.

Preservative Force: Recent Acquisitions to the Collection, Ogden Museum of Southern Art, New Orleans, Louisiana. March 20–August 22, 2021.

Built: Sculptural Art from the Permanent Collection, Ogden Museum of Southern Art, New Orleans, Louisiana. February 27–July 25, 2021.

Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection, Metropolitan Museum of Art, New York. February 22–August 29, 2021. (Catalogue)

On View: Seven Works from the Sixties, Cheim & Read, New York. January 28–February 13, 2021.

2020

Knotted, Torn, Scattered: Sculpture after Abstract Expressionism, Solomon R. Guggenheim Museum, New York, October 30, 2020–August 2, 2021.

Performa Telethon, screening of Document, On Screen and The Grunions are Running, online broadcast, Performa, New York, November 18, 2020.

FEM, Nassau County Museum of Art, Roslyn, New York, November 14, 2020–April 25, 2021.

Pace On Screen: Sixty Years, screening of Now and Female Sensibility, Youtube Premiere, Pace Gallery, New York, October 12–November 2, 2020.

Knotted, Torn, Scattered: Sculpture after Abstract Expressionism, Solomon R. Guggenheim Museum, New York, October 3, 2020–September 19, 2021.

Expanded Painting in the 1960s and 1970s, Philadelphia Museum of Art, Pennsylvania, September 26, 2020–October 10, 2021.

At the Noyes House, Eliot Noyes House, New Canaan, Connecticut, September 15–November 28, 2020. Organized by Blum & Poe and Mendes Wood DM and Object & Thing.

At Dawn, Cheim & Read, New York, September 10–October 3, 2020.

Lynda Benglis, Eric N. Mack, Kelley Walker, Paula Cooper Gallery, New York, September 8–October 10, 2020.

Four Years: Gifts and Acquisitions, Kunstmuseum Basel, Switzerland, September 5, 2020–January 10, 2021.

Post War Abstraction, Leslie Feely Gallery, East Hampton, August 19–20, 2020.

Approaches to Abstraction by Greek Artists of the Diaspora, Basil and Elise Goulandris Foundation - Museum of Contemporary Art, Chora Andros, Andros, Greece, July 1–September 27, 2020.

The Body Electric, National Gallery of Australia, Canberra, June 22, 2020–January 26, 2021.

Screening of ‘The Amazing Bow Wow’, PCG Studio, Paula Cooper Gallery, New York, May 1–3, 2020, https://paulacoopergallery-studio.com/.

Approaching Abstraction, online viewing room, Cheim & Read, New York, opened April 17, 2020, https://viewingroom.cheimread.com/viewing-room/approaching-abstraction3

Material Matters, online viewing room, Pace Gallery, New York, April 7–21, 2020.

Post-War and Contemporary, online viewing room, Leslie Feely Gallery, New York, April 6–May 4, 2020.

A Swiftly Tilting Planet, online viewing room, Pace Gallery, New York, March 31–April 14, 2020.

The Gloria Luria Collection, Heather James Fine Art, Palm Desert, California. March 16–August 31, 2020 (exhibition extended until September 30, 2020).

Material Meanings: Selections from the Constance R. Caplan Collection, Art Institute of Chicago, February 22–July 5, 2020. (exhibition closed early due to Covid-19)

Videotapes: Early Video Art (1965-1976), Zacheta, National Gallery of Art, Warsaw, Poland, February 15–April 30, 2020. (exhibition closed early due to Covid-19)

Abstract! Minimalism to Now, Jack Tilton Gallery, New York, February 11–April 12, 2020. (exhibition closed early due to Covid-19)

Works from the 1980s, Marlborough Gallery, New York, January 28–February 29, 2020.

2019

Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, England, 2019–ongoing.

Group Exhibition, Cheim & Read, New York, November 21, 2019–February 1, 2020.

Small Wonders, Imperial Calcasieu Museum, Lake Charles, Louisiana, November 12, 2019–January 4, 2020.

With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles, October 27, 2019–May 11, 2020. (Catalogue)

Contemporary Art: Five Propositions, Museum of Fine Arts, Boston, October 26–May 4, 2020.

Opening Installation, Museum of Modern Art, New York, October 21, 2019–ongoing.

She/Her: A New Look at a History of Art Since 1900, Heather James Fine Art, San Francisco, October 3–November 17, 2019.

Whole Grain, screening of Female Sensibility, Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, New York, October 3, 2019.

The Poydras Corridor Sculpture Exhibition: Presented by the Helis Foundation, Poydras Corridor, New Orleans, Louisiana, installed in September 25, 2019.

The Pleasure Principle, Maccarone, Los Angeles, September 21–November 23, 2019.

The Multiple Show, Zuleika Gallery, London, September 18–27, 2019.

Raid the Icebox Now, Rhode Island School of Design Museum, Providence, September 13–November 1, 2019.

Maskulinitaten, Bonner Kunstverein, Germany, September 1–November 24, 2019.

Covering the Art World: Six Decades of Artforum, Sotheby’s Gallery, New York, July 24–August 23, 2019.

Painting/Sculpture, Marianne Boesky Gallery, New York, July 10–August 9, 2019.

Painters Reply: Experimental Painting in the 1970s and Now, June 27–August 9, 2019.

Material Encounters, Hepworth Wakefield, West Yorkshire, June 22–September 28, 2019.

NOMEN: American Women Artists from 1945 to Today, Phillips, New York, June 19–August 3, 2019.

Seeing Things As They Really Are: Three-Dimensional Paper Works at Dieu Donné, Dieu Donné Papermill, New York, June 13–September 8, 2019.

Centennial Impressions: A Celebration of Prints, McDonough Museum of Art, Youngstown, Ohio, June 8–July 20, 2019.

Art & Porn, Aros Aarhus Kunstmuseum, Denmark, May 25–September 8, 2019. Traveled to: Kunsthal Charlottenborg, Denmark, October 5, 2019–January 12, 2020. (Catalogue)

The Palace at 4 a.m., Archaeological Museum of Mykonos, Greece, May 17–October 31, 2019.

Art After Stonewall, 1969-1989, Grey Art Gallery, New York, April 23–July 20, 2019; and Leslie-Lohman Museum of Gay and Lesbian Art, New York, April 24–July 21, 2019. Traveled to: Patricia & Phillip Frost Art Museum, Florida International University, Miami, September 14, 2019–January 5, 2020; Columbus Museum of Art, Ohio, March 6–May 31, 2020. (Catalogue)

Une Brève Histoire de la Modernité des Formes, Galerie Mitterand, Paris, April 19–July 27, 2019.

Straying from the Line, Schinkel Pavilion, Berlin, Germany, April 13–July 28, 2019.

Two Friends: Seeing Eye to Eye—Lynda Benglis and Tom Bronk, Vivian Horan Fine Art, New York, April 10–May 29 (extended through June 26), 2019.

Art of the City: Postmodern to Post-Katrina, Historic New Orleans Collection, Louisiana, April 6–October 6, 2019. (Catalogue)

C. Ludens Ringnes Sculpture Exhibition, Harvard Business School, Boston, Massachusetts, April 1–June 30, 2020 (extended through July 15, 2021, 2010).

Looking in the Mirror, I see Me: Early Women’s Video Art from the Video Data Bank Collection, Ann Arbor Film Festival, Michigan, March 30, 2019.

Sunrise, Museum of Contemporary Art Cleveland, Ohio, March 15–July 28, 2019.

Recent Acquisitions, Remai Modern, Saskatoon, Canada, March 2–July 1, 2019.

Intimate Immensity, Pennsylvania Academy of Fine Arts Museum, Philadelphia, February 12–April 7, 2019.

The World Exists to Be Put on a Postcard: Artists’ Postcards from 1960 to Now, British Museum, London, February 7–August 4, 2019. (Catalogue)

Prisoner of Love, Museum of Contemporary Art, Chicago, January 26–October 27, 2019.

Cumberland: A 39 Year Retrospective, Cumberland Gallery, Nashville, Tennessee, January 12–February 2, 2019.

1967–1980: Explorations, Paula Cooper Gallery, New York, January 10–February 9, 2019.

2018

Rising Tide: 12 Women Artists, Peters Projects, Sante Fe, New Mexico, December 14, 2018–March 16, 2019.

Group Exhibition, Rainboww Galerie, New York, December 1–31, 2018.

Minimalism: Space. Light. Object., National Gallery Singapore and Art and Science Museum, Singapore, November 16, 2018–April 14, 2019. (Catalogue)

Copper, Marble, Cotton, Thomas Brambilla Gallery, Bergamo, Italy, October 20–November 30, 2018.

Double Takes: Historic and Contemporary Film and Video, Museum of Contemporary Art, Cleveland, Ohio, October 19, 2018–August 11, 2019.

Ear to the Ground: Earth and Element in Contemporary Art, New Orleans Museum of Art, October 19, 2018–August 31, 2019.

Pattern, Decoration & Crime, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland, October 9, 2018–February 3, 2019. Traveled to: Le Consortium Centre d'art contemporain, Dijon, France, May 15–October 20, 2019.

Inaugural Exhibition, Glenstone Foundation, Potomac, Maryland, Opened October 4, 2018.

Video/Film Inventory, Kunstmuseum Basel, Switzerland, September 29, 2018–April 15, 2019.

Birthday Presents, Ackland Art Museum, The University of North Carolina at Chapel Hill, September 21, 2018–January 6, 2019.

Permanent Collection Exhibition, Albright-Knox Art Gallery, Buffalo, New York, Fall 2018.

Pop-Up Collection Exhibition: Art in Context: Selections from the UNLV Marjorie Barrick Museum of Art Collection, Marjorie Barrick Museum of Art, University of Nevada, Las Vegas, August 27–September 14, 2018.

Screening of Female Sensibility, Anthology Film Archives, New York, August 18, 2018, as a part of Multiply, Identify, Her, International Center of Photography, New York, May 23–September 2, 2018.

Painting amongst other things…, Drill Hall Gallery, Australia National University, Canberra, August 10–October 7, 2018. (Catalogue)

Downtown Art Ephemera 1970s-1990s, James Fuentes Gallery, New York, July 11–25, 2018.

The Mechanics of Fluids, curated by Melissa Gordon, Marianne Boesky Gallery, New York, June 21–August 3, 2018.

/ Off the Wall, Locks Gallery, Philadelphia, June 15–July 27, 2018.

Body Ego, Dallas Museum of Art, Texas, June 12–September 9, 2018.

MoMA at NGV: Melbourne Winter Masterpieces 2018, National Gallery of Victoria, Melbourne, Australia, June 9–October 7, 2018. (Catalogue)

Restricted, University of South Florida Contemporary Art Museum, Tampa, June 8–August 4, 2018.

Sam Gilliam in Dialogue: The Topographies of Color, Williams College Museum of Art, Williamstown, Massachusetts, June 7–September 3, 2018.

Zero de Conduite, screening of Female Sensibility, Museu Serralves, Porto, Portugal, June 1–September 9, 2018.

The Myriad Forms of Visual Art: 196 Works with 19 Themes, National Museum of Art, Osaka, Japan, May 26–July 1, 2018.

Wild Thing: Adventures with the Permanent Collection, Scottsdale Museum of Contemporary Art, Arizona, May 19–September 30, 2018.

A Study in Scarlet, FRAC Île-de-France, Le Plateau, Paris, May 17–July 22, 2018.

Studio Visit: Selected Gifts from Agnes Gund, Museum of Modern Art, New York, April 29–July 22, 2018.

Taos: 1960’s – Present, Vivian Horan Fine Art, New York, April 27–June 22, 2018.

Surface Work, Victoria Miro Gallery, London, April 11–May 19, 2018. (Online catalogue)

Paper/Print: American Hand Papermaking, 1960s to Today, International Print Center, New York, April 5–June 14, 2018. (Catalogue)

The Whole Drum Will Sound: Women in Southern Abstraction, Ogden Museum of Southern Art, New Orleans, March 22–July 22, 2018.

Entangled in the Everyday, curated by Ruth Erickson, Institute of Contemporary Art, Boston, March 16–April 7, 2018.

Kiss Off, Luxembourg & Dayan, New York, February 23–April 14, 2018.

Work By Women, Harwood Museum of Art, Taos, New Mexico, February 10–May 13, 2018.

Molding / Mark-Making: Ceramic Artists and Their Drawings, Dorsky Gallery Curatorial Program, Long Island City, New York, January 21–March 25, 2018.

Materiality, Mixografia, Los Angeles, January 13–March 3, 2018.

2017

Process and Practice: 40 Years of Experimentation, Fabric Workshop and Museum, Philadelphia, December 15, 2017–March 25, 2018. (Catalogue)

ISelf Collection: The Upset Bucket, Whitechapel Gallery, London, December 5, 2017–April 1, 2018. (Catalogue)

Opening Night: Lynda Benglis, Erika Verzutti, Jesse Vine, Fortes D’Aloia & Gabriel, Carpintaria, Rio de Janeiro, November 28, 2017–January 27, 2018.

Opening Night, Fortes D’Aloia & Gabriel, Carpinaria, Rio de Janeiro, November 25, 2017–January 27, 2018.

Annual Holiday Show, Locks Gallery, Philadelphia, November 17–30, 2017.

Holiday Windows, organized by Urban Glass, Bergdorff Goodman, New York, November 14, 2017–January 31, 2018.

The Long Run, Museum of Modern Art, New York, November 11, 2017–November 4, 2018.

The Permanent Collection: Five and Forward, Parrish Art Museum, New York, November 10, 2017–October 15, 2018.

Material Traces, Charim Galerie, Vienna, Austria, November 10–December 9, 2017.

Paperworks, White Space: The Mordes Collection, West Palm Beach, Florida, November 4, 2017–March 25, 2018.

Divergent Works: Landschaft/Paisaje, Harwood Museum of Art, Taos, New Mexico, October 7, 2017–January 14, 2018.

Pioneers of Pixels, Feedback and Glitch, screening of Collage, The Lightbox, International House, Philadelphia, October 5, 2017 as a part of Making/Breaking the Binary: Women, Art & Technology, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, October 9–December 8, 2017.

Delirious: Art at the Limits of Reason, 1950–1980, Met Breuer, Metropolitan Museum of Art, New York, September 13, 2017–January 14, 2018. (Catalogue)

Range: Experiments in New York, 1961–2007, Metropolitan Museum of Art, New York, August 18, 2017–February 25, 2018.

Heavy Metal, Judith Bear Isroff Gallery, Akron Art Museum, Akron, Ohio, August 12, 2017–February 18, 2018.

2017 Summer Group Show, Mixografia, Los Angeles, July 29–August 26, 2017.

Shades of Summer (online exhibition), Vivian Horan Fine Art, New York, July 13–September 5, 2017.

Wormwood, Ellis King, Dublin, Ireland, July 7–August 12, 2017.

Für Barbara, Hall Art Foundation, Schloss Derneburg, Germany, July 2017–October 2018.

Pride of Place: The Making of Contemporary Art in New Orleans, New Orleans Museum of Art, Louisiana, June 23–September 3, 2017. (Catalogue)

Citings / Sightings, Lennon, Weinberg, New York, June 22–September 16, 2017.

.

Bodies of Work, National Gallery of Art, Washington D.C., June 17, 2017–February 18, 2018.

Generation Loss: 10 Years of the Julia Stoschek Collection, Julia Stoschek Collection, Düsseldorf, June 10, 2017–July 10, 2018. (Catalogue)

ANTIDORON. The EMST Collection (part of documenta 14), Fridericianum, Kassel, Germany, June 10–September 17, 2017. (Catalogue)

Sculpture Milwaukee, Milwaukee Avenue, Downtown Milwaukee, Wisconsin, June 1–October 22, 2017. (Catalogue)

In My Garden: An Exhibition of Paintings and Sculpture, presented by Kipton Cronkite & Michael Klein, 36 Commerce Street, New York, May 5–May 14, 2017.

Making Space: Women Artists and Abstraction, The Museum of Modern Art, New York, April 15–August 13, 2017. (Catalogue)

HL2805xy57, Kappatos Gallery, Athens, April 5–July 17, 2017.

Moore College of Art and Design, Philadelphia, screening of Now, March 21, 2017.

Disobedient Bodies, curated by JW Anderson, Hepworth Wakefield, West Yorkshire, England, United Kingdom, March 18–June 18, 2017. (Catalogue)

No Boundaries: Sculptures by Thirteen Women, Malborough Gallery, New York, March 8–April 1, 2017. (Online catalogue)

Lynda Benglis, Alan Shields, Peter Young, Texas Gallery, Houston, February 25–April 1, 2017.

Masterclass: A Survey of Work from the Twentieth Century, Pavel Zoubok Gallery, New York, February 18–April 8, 2017.

Now You See Me, Sotheby’s S2, New York, February 7–March 5, 2017.

2016

Artists Choose Artists, Parrish Art Museum, Water Mill, New York, October 30, 2016–January 16, 2017.

Ectoplasm, screening of Female Sensibility, Galerie 1646, The Hague, Netherlands, October 14, 2016.

Continuum: Art-as-Art, Harwood Museum of Art, Taos, New Mexico, October 8, 2016–May 21, 2017.

Kneaded Knowledge: The Language of Ceramics, Kunsthaus Graz am Universalmuseum Joanneum, September 24, 2016–February 19, 2017. Traveled to: National Gallery of Prague, Czech Republic, March 17–August 27, 2017. (Catalogue)

Flesh: Skin and Surface, York Art Gallery, York, England, United Kingdom, September 23, 2016–March 19, 2017. (Catalogue)

No Rules, No Rules, Franklin Parrasch Gallery, New York, September 17–October 29, 2016.

Coming to Power: 25 Years of X-Plicit Art by Women, Maccarone Gallery, New York, September 9–October 16, 2016.

Short Film Program, screening of Now, Anthology Film Archives, New York, September 3, 2016.

My Skin is My Krustle (Pink Marble), curated by Marcus Herse, Guggenheim Gallery at Chapman University, Orange, California, August 29–September 25, 2016.

Crafting the Future, Elizabeth Leach Gallery, Portland, Oregon, July 21–August 27, 2016.

Puff Pieces, curated by Feelings, Rachel Uffner Gallery, New York, July 8–August 12, 2016.

Splotch, Sperone Westwater, New York, July 7–August 9, 2016; and Lesley Heller Workspace, New York, July 20–August 19, 2016. (Catalogue)

Picture Industry, LUMA, Arles, France, July 14–October 24, 2016. Traveled to: Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, June 24–December 15, 2017. A different form of the exhibition traveled to: LUMA Arles, France, October 12, 2018–January 6, 2019. (Catalogue)

Unexpected Surfaces, Cumberland Gallery, Nashville, Tennessee, June 30–July 30, 2016.

Invisible Adversaries: Marieluise Hessel Collection, Bard College, Annandale-On-Hudson, New York, June 25–September 18, 2016. (Catalogue)

The Female Gaze, Part Two: Women Look at Men, Cheim & Read, New York, June 23–September 2, 2016.

Skins: Body as Matter and Process, Garth Greenan Gallery, New York, June 23–August 12, 2016.

Foundation for Art and Preservation in Embassies (FAPE), Ronald Reagan Presidential Library and Museum, Washington, D.C., June 23–August 7, 2016.

FORTY, MoMA PS1, Long Island City, New York, June 19–August 28, 2016.

Paper in Profile: Mixografia and Taller de Grafica Mexicana, Georgia Museum of Art, Athens, June 4–August 21, 2016. (Catalogue)

La Mia Ceramica, Galerie Max Hetzler, Paris, June 4–July 16, 2016. (Catalogue)

César in Context, Luxembourg & Dayan, New York, May 5–July 1, 2016. (Catalogue)

From the Collection: 1960–1969, The Museum of Modern Art, New York, March 26, 2016–March 19, 2017.

About Art, Trondheim Kunstmuseum, Trondheim, Norway, March 13–October 16, 2016.

Revolution in the Making: Abstract Sculpture by Women, Hauser Wirth & Schimmel, Los Angeles, March 13–September 4, 2016. (Catalogue)

Performing for the Camera, Tate Modern, London, February 18–June 12, 2016. (Catalogue)

Number Twelve: Hello Boys, Julia Stoscheck Collection, Düsseldorf, February 13–July 31, 2016.

Dhaka Art Summit, Samdani Art Foundation, Shilpakala Academy, Bangladesh, February 5–8, 2016. (Catalogue)

2015

Thirty Nine Years: Anniversary Exhibition Honoring the Memory of Memorial Exhibition to Honor Susanne Feld Hilberry and the History of the Gallery, Susanne Hilberry Gallery, Ferndale, Michigan, December 12, 2015–March 12, 2016.

Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany, November 14, 2015–April 30, 2016. Traveled to: Museum of Modern Art Ludwig Foundation, Vienna, Austria, June 4–November 6, 2016. (Catalogue)

Flying Over the Abyss, Contemporary Art Center of Thessaloniki, Greece, November 7, 2015–February 29, 2016.

Inaugural Exhibition, Weber Fine Art, Greenwich, Connecticut, November 2–December 8, 2015.

Marks Made: Prints by Women Artists from the 1960s to the Present, Museum of Fine Arts, Houston, October 17, 2015–January 24, 2016. (Catalogue)

Highlights: The Castellani Collection, Castellani Art Museum of Niagara University, New York, October 17, 2015–July 17, 2016.

Seeing the Light: Illuminating Objects, Palm Springs Art Museum, California, October 10, 2015–January 3, 2016.

Immersed: An Exhibition of Works from the Linda Pace Foundation Collection, organized by Annette DiMeo Carlozzi, Linda Pace Foundation Collection, San Antonio, Texas, October 3, 2015–February 27, 2016.

40 The Anniversary Exhibition, Hal Bromm Gallery, New York, October 1, 2015–March 31, 2016.

Bottoms Up: A Sculpture Survey, University of Kentucky Art Museum, Lexington, Kentucky, September 12–December 18, 2015. (Catalogue)

The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, Connecticut, September 4, 2015–January 3, 2016. (Catalogue)

The Great Mother, Palazzo Reale, Milan, August 26–November 15, 2015. (Catalogue)

Differences in Identity: Artistic Perspectives, Church of San Lorenzo, Venice, Italy, July 1–31, 2015.

Le Musée Imaginaire, Lefebvre & Fils, Paris, June 23–July 31, 2015.

Thessaloniki Biennale of Contemporary Art 5: Ident-alter-ity, State Museum of Contemporary Art, Thessaloniki, Greece, June 17–July 31, 2015.

Free Fall: Lynda Benglis and Polly Apfelbaum, Locks Gallery, Philadelphia, June 12–July 24, 2015.

The Annual 2015: The Depth of the Surface, National Academy Museum, New York, June 3–August 23, 2015.

Double Eye Poke: Lynda Benglis, Dan Flavin, Sol LeWitt, Bruce Nauman, Kamel Mennour, Paris, May 26–July 25, 2015.

The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, Harvard Art Museums, Cambridge, Massachusetts, May 23–August 9, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Robert Rauschenberg and ‘The Five From Louisiana’, New Orleans Museum of Art, Louisiana, April 25–August 30, 2015.

From Above, Di Donna Galleries, New York, April 23–May 29, 2015.

Cumberland Gallery 35th Anniversary Show, Cumberland Gallery, Nashville, Tennessee, April 11–May 9, 2015.

Vessels, Blackston Gallery, New York, March 26–May 3, 2015.

All Back in the Skull Together, Maccarone Gallery, New York, March 14–April 18, 2015.

On the Wall/Off, Vivian Horan Gallery, New York, March 10–August 21, 2015.

In the Studio: Photographs, curated by Peter Galassi, Gagosian Gallery, Madison Avenue, New York, February 17–April 18, 2015. (Catalogue)

Lynda, Robert, Amy, Enzo and the Others, Kunstlerhaus Bremen, Germany, February 14–April 12, 2015.

Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts, February 11–June 7, 2015. (Catalogue)

Videotank #10: Lynda Benglis, screening of Female Sensibility and The Amazing Bow Wow, Foreman Art Gallery, Bishop’s University, Sherbrooke, Quebec, January 12–March 14, 2015.

A Golden Age, Locks Gallery, Philadelphia, January 9–February 14, 2015.

2014

tc: temporary contemporary, Bass Museum of Art, Miami, December 8, 2014–March 29, 2015.

10, Kappatos Gallery, Athens, November 20, 2014–January 29, 2015.

Ray Johnson’s Artworld, Richard L. Feigen & Co., New York, November 6, 2014–January 16, 2015. (Catalogue)

Benglis ’73/ 74, exhibition across three venues: Sutton Projects, Fitzroy, Australia, September 10–October 11, 2014; TCB Arts Inc., Victoria, Australia, October 1–18, 2014; Neon Parc, Melbourne, Australia, September 10–October 10, 2014. (Catalogue)

Some Collages, Texas Gallery, Houston, Texas, September 4–October 11, 2014.

Make it New: Abstract Paintings from the National Gallery of Art, 1950–1975, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, August 2–October 13, 2014. (Catalogue)

Temporal Domain, Peters Projects, Santa Fe, New Mexico, July 18–August 23, 2014. (Catalogue)

Earthly Delights, curated by Abigail Winograd, Museum of Contemporary Art Chicago, June 28–November 30, 2014.

Bloodflames Revisited: Ode to Summer, Paul Kasmin Gallery, New York, June 26–August 15, 2014. (Catalogue)

Foundation for Art and the Preservation of Embassies, Guild Hall, East Hampton, New York, June 21–July 27, 2014.

Art Expanded 1958–1978, Walker Art Center, Minneapolis, Minnesota, June 14, 2014–March 1, 2015. (Catalogue)

Mitchell, Benglis, Wilke, Williams College Museum of Art, Williamstown, Massachusetts, May 19, 2014–October 26, 2014.

The Gus Foster Collection, Harwood Museum of Art, Taos, New Mexico, May 17–September 7, 2014. (Catalogue)

The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, May 11–July 3, 2014. (Catalogue)

The Very Last Plastics Show: Industrial L.A. 1965 to the Present, Dorfman Projects and Nyehaus, New York, May 10–July 31, 2014. (Catalogue)

The Influencers II, Miami Dade College Museum of Art and Design, Miami, Florida, April 17–July 12, 2014.

The Last Brucennial, Bruce High Quality Foundation, New York, March 7–April 4, 2014.

Venus Drawn Out: 20th Century Works by Great Women Artists, The Armory Show at Pier 92, New York, March 6–9, 2014.

69/96, Gebert Stiftung fur Kultur, Rapperswil-Jona, Switzerland, February 28–March 30, 2014. (Catalogue)

Gravity’s Edge, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., February 7–June 15, 2014.

Looking Back, Moving Forward: PMA Permanent Collection Retrospective, Pensacola Museum of Art, Florida, January 14–February 15, 2014.

2013

To Be a Lady: An International Celebration of Women in the Arts, curated by Jason Andrew, organized in collaboration with Norte Maar, Sundaram Tagore Gallery, Singapore, October 23, 2013–January 5, 2014. (Online catalogue)

Come Together: Surviving Sandy, Year 1, Dedalus Foundation, New York, October 17–December 15, 2013. (Catalogue)

Shacklewell Studios, screening of Exchange, London, September 10, 2013.

Home, Octavia Art Gallery, New Orleans, August 3–September 19, 2013.

Lynda Benglis, Sean Bluechel, Jean Dubuffet, Mika Rottenberg, Axel Salto, Andrea Rosen Gallery, New York, May 4–June 29, 2013.

Glam! The Performance of Style, Tate Liverpool, United Kingdom, February 8–May 12, 2013. Traveled to: Lentos Kunstmuseum, Linz, Austria, October 18, 2013–February 2, 2014. (Catalogue)

Painting and Sculpture Changes 2013, The Museum of Modern Art, New York, January 1–December 31, 2013.

2012

We the People, screening of Female Sensibility, Robert Rauschenberg Foundation, New York September 26, 2012.

Less is More: Minimal and Post-Minimal Art in Australia, Heide Museum of Modern Art, Melbourne, Australia, August 3–November 4, 2012.

Landmarks, screening of Now, University of Texas, Austin, July 31. 2012.

The Dorothy and Herbert Vogel Collection: Fifty Works for Rhode Island, Rhode Island School of Design Museum, Providence, July 20–December 2, 2012. (Catalogue)

Escape: Video Art, screening of Female Sensibility, Guild Hall Museum, East Hampton, New York, June 30–July 29, 2012.

The Floor Show, Gagosian Gallery, Beverly Hills, California, June 16–July 28, 2012.

Watch Your Step, FLAG Art Foundation, New York, June 7–August 24, 2012.

Explosion! Painting as Action, Moderna Museet, Stockholm, June 2–September 9, 2012. Traveled to: Fundació Joan Miró, Barcelona, Spain, October 24, 2012–February 24, 2013. (Catalogue)

Changing States of Matter, Brand New Gallery, Milan, May 31–July 28, 2012.

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 17–June 10, 2012.

Crucible: Selections from an Art Foundry, Angles Gallery, Los Angeles, May 12–June 30, 2012.

You Don’t Know Jack, Katherine Cone Gallery, Culver City, California, May 5–June 2, 2012. (Online catalogue)

The Persistence of Pollock, Pollock-Krasner House & Study Center, East Hampton, New York, May 3–July 28, 2012.

MoMA Media Lounge, The Museum of Modern Art, New York, February 29, 2012–July 8, 2013.

Early Video in the U.S., screening of Enclosure, South London Gallery, London, February 8, 2012.

Los Angeles Filmforum, screening of Female Sensibility, February 2, 2012.

Once Emerging, Now Emerging: The Visitation, Cirrus Gallery, Los Angeles, January 14–March 5, 2012.

Public Spaces Changes 2012, The Museum of Modern Art, New York, January 1–December 31, 2012.

2011

Valéry Proust Museum/White Cube Fever, Mu.Zee, Kunstmuseum aan Zee, Ostend, Belgium, November 26, 2011–May 5, 2012. (Catalogue)

Body Gesture, Elizabeth Leach Gallery, Portland, Oregon, November 22, 2011–January 28, 2012.

MOCA Permanent Collection Masterworks 1945-1975, Museum of Contemporary Art, Los Angeles, November 15–July 20, 2011.

Space Reliant: An Erasure of the Border Between the Screen and the Body, Illges Gallery, Columbus State University, Georgia, November 1–19, 2011.

The Collectors Show: Part of Vanuit Hier (Out of Here), Van Abbemuseum, Eindhoven, Netherlands, September 3, 2011–January 29, 2012.

Books! Catalogs! Posters!, Margo Leavin Gallery, Los Angeles, August 18–20, 2011.

The Dorothy and Herbert Vogel Collection: Fifty Works for Ohio, Akron Art Museum, Ohio, June 18, 2011–October 2, 2011.

Remix: Selections from the International Collage Center, curated by the International Collage Center and William Low, Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, October 14– December 4, 2011. Traveled to: Daum Museum of Contemporary Art, Sedalia, Missouri, September 29–December 16, 2012; Katonah Museum of Art, New York, June 30–October 13, 2013; Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, November 4–December 9, 2013; Bates College Museum of Art, Bates College, Lewiston, Maine, January 24–March 21, 2014. (Catalogue)

Marvelous Mud: Clay Around the World, Denver Art Museum, Colorado, June 11, 2011–September 18, 2012.

Belief & Understanding, Nicole Klagsbrun Gallery, New York, June 9–July 29, 2011.

The Women in Our Life, Cheim & Read, New York, June 3–September 9, 2011.

Summer Show, Kappatos Gallery, Athens, Greece, June 1–September 17, 2011.

Four Sculptors 1968–1980: Lynda Benglis, Rosemarie Castoro, Ursula von Rydingsvard, Jackie Winsor, Lesley Heller Workspace, New York, May 25–June 25, 2011.

Micaela Amateau Amato, Lynda Benglis, Heather McGill, Dwight Hackett Projects, Santa Fe, May 21–July 2, 2011.

Fabric as Form, Jack Tilton Gallery, New York, May 3–July 29, 2011.

The Last Grand Tour, Museum of Cycladic Art, Athens, Greece, April 15–October 10, 2011. (Catalogue)

Tod’s Art Plus Drama Party, Whitechapel Gallery, London, March 24, 2011.

Then & Now, Contemporary Arts Center, New Orleans, March 17–June 12, 2011. (Booklet)

Polyglossia, Onassis Cultural Centre, Athens, Greece, March 15–June 30, 2011. (Catalogue)

Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents, Metropolitan Museum of Art, New York, March 8–August 21, 2011.

Unpainted Paintings, Luxembourg & Dayan, New York, March 3–May 27, 2011.

Sculpture, Margo Leavin Gallery, Los Angeles, February 12–March 19, 2011.

Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, High Museum of Art, Atlanta, January 29–June 5, 2011.

Modern Women: Single Channel, MoMA PS1 Contemporary Art Center, Long Island City, New York, January 23–August 22, 2011.

Painting and Sculpture Changes 2011, The Museum of Modern Art, New York, January 1–December 31, 2011.

Public Spaces Changes 2011, The Museum of Modern Art, New York, January 1–December 31, 2011.

2010

Amnesia, Andrea Rosen Gallery, New York, December 11, 2010–January 22, 2011.

Painting and Sculpture: To Benefit the Foundation for Contemporary Arts, Lehmann Maupin Gallery, New York, December 9–January 9, 2011.

Inspired Giving: The Apollo Society 25th Anniversary Exhibition, Toledo Museum of Art, Ohio, October 15, 2010–February 12, 2011.

Ordinary Madness, Carnegie Museum of Art, Pittsburgh, Pennsylvania, October 15, 2010–January 9, 2011. (Catalogue)

Nexus: Work & Vision, NYCAMS, New York, October 1–November 22, 2010. (Catalogue)

ARTPARK: 1974–1984, UB Art Gallery, State University of Buffalo, New York, September 25–December 18, 2010. (Catalogue)

Keeping It Real: An Exhibition in Four Acts: The D. Daskalopoulos Collection, Act 2, Whitechapel Gallery, London, September 17–December 5, 2010. (Catalogue)

Thrice Upon a Time, Magasin III, Stockholm Konsthall, Stockholm, Sweden, September 11–December 12, 2010.

Artist’s at Max’s Kansas City, 1965-1974: Hetero-holics and Some Women Too, Loretta Howard Gallery, New York, September 10–October 30, 2010. (Catalogue)

Contemporary Art from the Collection, The Museum of Modern Art, New York, June 30, 2010–September 19, 2011.

Christmas in July, Galerie Yvon Lambert, New York, June 30–July 31, 2010.

Behind The Green Door, Harris Lieberman, New York, June 24–July 30, 2010.

40, Texas Gallery, Houston, June 15–July 31, 2010.

Do Redo Undo: 45 Years of Performance Video from EAI, Wiels Contemporary Art Center, Brussels, Belgium, May 8–June 6, 2010.

Pictures by Women: A History of Modern Photography, The Museum of Modern Art, New York, May 7, 2010–April 18, 2011.

1968, Locks Gallery, Philadelphia, May 7–June 11, 2010.

Reflection, Nathan A. Bernstein & Co., Ltd., New York, May 6–July 1, 2010. (Catalogue)

Softcore and Sexual Subjects (Not Objects), screening of Female Sensibility, Maysles Institute, New York, April 26, 2010.

Works in Edition, Margo Leavin Gallery, Los Angeles, April 17–May 15, 2010.

Abstract Resistance, Walker Art Center, Minneapolis, February 27–May 22, 2010. (Catalogue)

Feminist Avant-Garde of the 1970s: The Sammlung Verbund Collection, Gallerie Nazionale d’Arte Moderna, Rome, February 19–May 16, 2010. Traveled to: Circulo de Bellas Artes, Madrid, June 3–September 1, 2013; Bozar, Palais des Beaux-Arts de Bruxelle, Belgium, June 18–August 31, 2014; Mjellby Konstmuseum, Halmstad, Sweden, September 20–January 11, 2015; Hamberger Kunsthalle, Hamburg, Germany, March 13–May 31, 2015; The Photographers’ Gallery, London, October 6, 2016–January 8, 2017; Museum Moderner Kunst Stiftung Ludwig, Vienna, May 4–September 10, 2017; ZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, November 18, 2017–April 1, 2018; Stavanger Kunstmuseum, MUST, Stavanger, Norway, June 15–October 14, 2018; Brno House of Arts, Czech Republic, December 12, 2018–March 3, 2019. (Catalogue)

Think Pink, curated Beth Rudin DeWoody, Gavlak Gallery, Palm Beach, Florida, February 13–March 20, 2010.

Territories Left of Center, Harriet & Charles Luckman Fine Arts Complex, California State University, Los Angeles, February 6–March 27, 2010.

Alistair Frost: Spontaneous Generation, Zach Feuer Gallery, New York, February 6–March 13, 2020.

New Work, Nina Freudenheim Gallery, Buffalo, New York, January 16–February 24, 2010.

Painting and Sculpture Changes 2010, The Museum of Modern Art, New York, January 1–December 31, 2010.

2009

Edition/Addition, Locks Gallery, Philadelphia, December 4, 2009–January 16, 2010.

Space as Medium, Miami Art Museum, Florida, November 20, 2009–February 28, 2010. (Brochure)

After Awkward Objects: Lynda Benglis, Louise Bourgeois, Alina Szapocznikow, Hauser & Wirth, London, November 17–December 19, 2009.

Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

Abstractions by Gallery Artists, Cheim & Read, New York, September 24–October 3, 2009.

10/20/40 Group Exhibition of Prints by Doug Duffey, Doyle Jeter, Lynda Benglis and Sarah Plaia Davidson, Arender Gallery, Monroe, Louisiana, August 24–October 31, 2009.

Not New Work: Vencent Fecteau Selects from the Collection, San Francisco Museum of Modern Art, July 25–November 8, 2009.

Sculpture, Margo Leavin Gallery, Los Angeles, July 11–August 22, 2009.

Bad Habits, organized by Heather Pesanti, Albright-Knox Art Gallery, Buffalo, New York, July 10–October 4, 2009.

The Female Gaze: Women Look at Women, Cheim & Read, New York, June 25–September 19, 2009.

Target Practice: Painting Under Attack 1949–1978, Seattle Art Museum, Washington, June 25–September 7, 2009. (Catalogue)

Lynda Benglis/Robert Morris, Susan Inglett Gallery, New York, June 18–July 31, 2009.

Soft Sculpture, National Gallery of Australia, Canberra, April 24–July 12, 2009. (Catalogue)

Arte Povera and Anti-Form, Tate Modern, London, April 9, 2009–ongoing.

The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, The Speed Art Museum, Louisville, Kentucky, March 22–May 17, 2009.

1968: The Great Innocence (Die Grosse Unschuld), Kunsthalle Bielefeld, Germany, March 15–August 2, 2009. (Catalogue)

American Concepts and Global Visions/Selections from the AT&T Collection: Contemporary Paintings and Sculpture, McNay Art Museum, San Antonio, Texas, February 11–May 17, 2009.

Synthetic, Whitney Museum of American Art, New York, January 22–April 19, 2009.

Sparkle & Glitter, Locks Gallery, Philadelphia, January 10–February 21, 2009.

Mixografia: Innovation and Collaboration, Portland Museum of Art, Oregon, January 10–April 26, 2009. (Brochure)

2008

Lynda Benglis, Elliot Hundley, Wolfgang Tillmans, Andrea Rosen Gallery, New York, September 30, 2008.

Agency, Art and Advertising, McDonough Museum of Art, Youngstown State University, Ohio, September 19–November 8, 2008. (Catalogue)

Metal, Kresge and Pascal Galleries, Berrie Center, Ramapo College, New Jersey, September 17–October 17, 2008.

Medien, Charim Ungar Contemporary, Berlin, September 5–October 11, 2008.

Pretty Ugly, Maccarone Gallery, New York, July 10–September 1, 2008.

Women Only: Greek Women Artists from the Beltsios Collection, Margaris Gallery, Margaris Foundation, Amfilochia, Greece, July 19–August 17, 2008. (Catalogue)

Summer Exhibition, Tahari Boutique, East Hampton, New York, July 5–August 5, 2008.

Sand: Memory, Meaning, and Metaphor, The Parrish Art Museum, Southampton, New York, June 29–September 14, 2008. (Catalogue)

Punk. No One Is Innocent, Kunsthalle Wien, Austria, May 16–September 7, 2008. (Catalogue)

Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s, Sculpture Center, Long Island City, New York, May 4–July 28, 2008.

Group Show, Texas Gallery, Houston, April 22–May 31, 2008.

The Alliance, doArt, Beijing, China, April 6–May 4, 2008. Traveled to: doArt, Seoul, Korea, June 12–July 13, 2008. (Catalogue)

Action Painting Jackson Pollock, Fondation Beyeler, Basel, Switzerland, January 27–May 12, 2008. (Catalogue)

The Sum of Its Parts, Cheim & Read, New York, January 8–February 2, 2008.

2007

90° The Margins as Center, Andrea Rosen Gallery, New York, December 12, 2007–January 24, 2008. (Catalogue)

eFEMera, Binghamton University, State University of New York, November 28, 2007–February 2, 2008.

Multiplex: Directions in Art, 1970 to Now, The Museum of Modern Art, New York, November 21, 2007–July 21, 2008.

Performance On Demand, Electronic Arts Intermix, New York, November 2–17, 2007.

I Am As You Will Be–The Skeleton in Art, Cheim & Read, New York, September 20–November 3, 2007. (Catalogue)

Sammelsurium II 1982-1993, Forum Kunst Rottweil, Germany, September 16–October 14, 2007. (Catalogue)

A batalla dos xéneros = gender battle, Centro Galego de Arte Contemporánea, Santiago de Compostela, A Coruña, Spain, September 13–December 9, 2007. (Catalogue)

Material Affinities: To Clay and Back, University of Southern California Fischer Gallery, Los Angeles, September 5–October 27, 2007. (Catalogue)

Sensuality in the Abstract, Frank Lloyd Gallery, Santa Monica, California, July 21–August 18, 2007.

What is Painting? Contemporary Art from the Collection, The Museum of Modern Art, New York, July 7–September 17, 2007.

Short Distance to Now, Paintings from New York 1967–1975, Galerie Kienzle & Gmeiner, Berlin, Germany, June 29–September 26, 2007. Traveled to: Galerie Thomas Flor, Düsseldorf, Germany October 26–December 22, 2007.

A Point in Space is a Place for an Argument, David Zwirner, New York, June 28–August 10, 2007.

Lynda Benglis and Louise Bourgeois: Circa 70, Cheim & Read, New York, June 21–August 31, 2007. (Catalogue)

Ithaca Regained: Greek Artists in New York, curated by Irving Sandler, Kouros Gallery, New York, April 14–May 19, 2007. (Catalogue)

Role Play: Feminist Art Revisited, 1960–1980, Galerie Lelong, New York, March 15–April 28, 2007.

WACK! Art and the Feminist Revolution, Museum of Contemporary Art (MOCA), The Geffen Contemporary, Los Angeles, March 4–July 30, 2007. Traveled to: National Museum of Women in the Arts, Washington, D.C., September 21–December 16, 2007; MoMA PS1, Long Island, New York, February 17–May 12, 2008; Vancouver Art Gallery, Vancouver, Canada, October 4, 2008–January 18, 2009. (Catalogue)

I am making art: 4 Studies on the Artist’s Body, Centre d'Art Contemporain Genève, Switzerland, February 24–April 22, 2007.

Not for Sale, MoMA PS1, Long Island City, New York, February 11–April 30, 2007.

2006

Responding to Kahn: A Sculptural Conversation, Yale University Art Gallery, New Haven, Connecticut, December 10, 2006–July 8, 2007. (Catalogue)

1970–1975, Paula Cooper Gallery, New York, November 9–December 2, 2006.

Femme Brut(e), Lyman Allyn Museum, New London, Connecticut, September 14, 2006–February 4, 2007. (Catalogue)

The Materialization of Sensibility: Art and Alchemy, Leslie Tonkonow Artworks & Projects, New York, September 8–October 14, 2006.

High Times, Hard Times: New York Painting 1967–75, organized by Independent Curators International, Weatherspoon Art Museum, University of North Carolina, Greensboro, August 6–October 15, 2006. Traveled to: American University Museum at the Katzen Arts Center, Washington, D.C., November 21, 2006–January 21, 2007; National Academy Museum, New York, February 15–April 22, 2007; Museo Tamayo Arte Contemporáneo, Mexico City, May 25–September 9, 2007; Neue Galerie Graz, Austria, December 14, 2007–February 24, 2008); ZKM | Center for Art and Media Karlsruhe, Germany, March 28–June 1, 2008. (Catalogue)

60 Years–The Skowhegan School of Painting and Sculpture, Colby College Museum of Art, Waterville, Maine, July 22–October 29, 2006. (Catalogue)

Your Beauty’s Gold is Clay, Alexandre Gallery, New York, June 28–August 4, 2006.

Into Me/Out of Me, MoMA PS 1, Long Island City, New York, June 25–September 25, 2006. Traveled to: Kunst-Werke Institute for Contemporary Art, Berlin, Germany, November 25–March 4, 2007; MACRO Museo d’Arte Contemporanea di Roma, Italy, April 21–September 30, 2007. (Catalogue)

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, May 17–June 4, 2006.

The 181St Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, May 11–June 18, 2006. (Catalogue)

Glass: Material Matters, Los Angeles County Museum of Art, April 30–December 10, 2006. (Catalogue)

The Last Time They Met, Stephen Friedman Gallery, London, April 27–May 27, 2006.

Women’s Work, Greenberg Van Doren Gallery, New York, March 21–April 15, 2006.

Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, March 7–April 9, 2006.

La Scoperta del Corpo Elettronico: arte e video negli anni 70, Civica Galleria d’Arte Contemporanea, Turin, Italy, January 26–March 26, 2006. (Catalogue)

The Downtown Show: The New York Art Scene, 1974-1984, Grey Art Gallery, New York University, New York, January 10–April 1, 2006. Traveled to: Andy Warhol Museum, Pittsburgh, Pennsylvania, May 20–October 22, 2006; Austin Museum of Art, Texas, November 18, 2006–January 28, 2007. (Catalogue)

2005

How American Women Artists Invented Post-Modernism, Rutgers University, New Brunswick, New Jersey, December 15, 2005–January 27, 2006. Traveled to: Monmouth Museum, Lincroft, New Jersey, July 24–September 3, 2006; The Harold B. Lemmerman Gallery and The Visual Arts Gallery, New Jersey City University, Jersey City, New Jersey, September 6–October 16, 2006; Noyes Museum, Oceanville, New Jersey, January 2007–April 2007; Hunterdon Museum of Art, Clinton, New Jersey, April 8–June 3, 2007; Morris Museum, Morristown, New Jersey, April 10–June 3, 2007. (Catalogue)

PART object PART sculpture, Wexner Center for the Arts, Columbus, Ohio, October 30, 2005–February 26, 2006. (Catalogue)

Multiplex 2, Smack Mellon, Brooklyn, New York, October 14–November 27, 2005.

Water without you I’m not, 3rd Valencia Biennial, Spain, September 24–November 30, 2005. (Catalogue)

Monique Prieto: New Paintings & Lynda Benglis: The Graces, Cheim & Read, New York, September 10–October 15, 2005.

Interstate, Nicole Klagsbrun Gallery, New York, September 8–October 1, 2005.

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

The Blake Byrne Collection, Museum of Contemporary Art, Los Angeles, July 3–October 10, 2005. (Catalogue)

Summer of Love: Psychedelic Art from the 60’s, Tate Liverpool, England, United Kingdom, May 27–September 25, 2005. Traveled to: Schirn Kunsthalle, Frankfurt, Germany, November 2, 2005–February 12, 2006; Kunsthalle Wien, Austria, May 12–September 17, 2006; Whitney Museum of American Art, New York, May 25–September 16, 2007. (Catalogue)

Dead/Undead, Galerie Six Friedrich Lisa Unger, Munich, April 15–June 17, 2005.

Draw, Dwight Hackett Projects, Santa Fe, New Mexico, April 2–May 14, 2005.

Contemporary Women Artists, University Art Gallery, Indiana State University, Terre Haute, January 19–February 11, 2005.

Inside/Outside: Notes for the ‘60s, Hellenic American Union, Athens, Greece, January 12–February 11, 2005. (Catalogue)

Potentially Harmful: The Art of American Censorship, Georgia State University, Welch School of Art & Design, Atlanta, January 10–March 10, 2005. (Catalogue)

2004

Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Austria, October 15, 2004–February 20, 2005. (Catalogue)

Improvisation: Lynda Benglis and Isaac Witkin, Locks Gallery, Philadelphia, October 1–November 12, 2004.

Some Sculptures, Texas Gallery, Houston, August 17–September 11, 2004.

North Fork/South Fork: East End Art Now – Part I, Parrish Art Museum, Southampton, New York, May 23–July 18, 2004. (Catalogue)

Four-Ply, Andrea Rosen, New York, July 15–August 20, 2004.

Soft Edge, Museum of Contemporary Art, Chicago, July 10, 2004–January 2, 2005.

Modern Means: Continuity and Change in Art, 1880 to Now, The Museum of Modern Art, New York, April 28–August 1, 2004. (Catalogue)

When I Think About You I Touch Myself, New York Academy of Art, New York, April 9–May 10, 2004. (Catalogue)

Sculpture, Danese, New York, February 18–May 19, 2004.

2003

How a Man Lives, Apartment 2003, Esquire Magazine Show House, Trump Tower, New York, October 1–November 15, 2003.

Breaking Boundaries, Ise Cultural Foundation Gallery, New York, September 12–October 25, 2003.

Encaustic Now II, Marcia Wood Gallery, Atlanta, Georgia, September 12–October 18, 2003.

Die Verlarung des Un—Gewohnlichen, Charim Galerie, Vienna, Austria, June 25–September 20, 2003.

25th Anniversary Exhibition, Arthur Roger Gallery, New Orleans, Louisiana, June 7–August 19, 2003.

Women’s Lines, G Fine Art, Washington, D.C., May 15–June 30, 2003.

My Mother’s An Artist, The Educational Alliance, New York, April 26–May 29, 2002.

Raid the Icebox, Margo Leavin Gallery, March 22–April 26, 2003.

In the Eye of the Beholder, George Adams Gallery, New York, February 12–March 29, 2003.

2002

Decades: Gretchen Albrecht, Lynda Benglis, Ron Gorchov, James Ross, Robert Steele Gallery, New York, November 21–December 21, 2002.

Lynda Benglis: Quartered Meteor; Bettina Rheims: Chambre Close 1991, Cheim & Read, New York, October 15–November 16, 2002.

Some Chromes, Harvard Art Museums, Cambridge, Massachusetts, October 5, 2002–January 25, 2003.

Gloria: Another Look at Feminist Art in the 1970s, White Columns, New York, September 13–October 20, 2002. Traveled to: The Galleries at Moore College of Art and Design, Philadelphia, January 21, 2003–February 26, 2003; Rhode Island School of Art and Design Museum of Art, Providence, November 21, 2003–February 4, 2004. (Catalogue)

Kunst Nach Kunst, Neues Museum Weserburg Bremen, Germany, August 18–November 3, 2002. (Catalogue)

Personal and Political: The Women’s Art Movement, 1969–1975, Guild Hall Museum, East Hampton, New York, August 9–October 20, 2002. (Catalogue)

Summarize/Summer Eyes, Jan Weiner Gallery, Kansas City, Missouri, July 5–August 31, 2002.

Revealing Nature, Glenn Horowitz Bookseller, East Hampton, New York, June 29–July 23, 2002.

Sculpture, Margo Leavin Gallery, Los Angeles, June 22–August 17, 2002.

Time Share, Sara Meltzer Gallery, New York, June 19–July 26, 2002.

Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York, June 13–September 15, 2002.

Art & Outrage, curated by Simon Watson, Robert Miller Gallery, New York, June 5–15, 2002.

The Sea, The Sea, Glenn Horowitz Bookseller, East Hampton, New York, May 25–June 24, 2002.

Artists of the Heath Gallery 1965-1998, Museum of Contemporary Art of Georgia, Atlanta, April 27–June 20, 2002. (Catalogue)

Small Bronzes and Wax Painting by Lynda Benglis and Images from Mexico, Photographs by Jack Spencer, Cumberland Gallery, Nashville, March 16–April 13, 2002.

Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis, Minnesota, February 17–October 12, 2002. (Brochure)

Women Artists, Their Work and Influence, Paule Anglim Gallery, San Francisco, January 9–February 2, 2002. (Catalogue)

2001

12th Annual Sculpture Project, College of Santa Fe Fine Arts Gallery, New Mexico, October 27–November 24, 2001.

College Proofs: The Riverhouse Editions Collection at the Mary and Leigh Block Museum of Art, Mary and Leigh Block Museum of Art, Evanston, Illinois, September 29–October 28, 2001. (Catalogue)

Rags to Riches: 25 Years of Paper Art From Dieu Donné Papermill, Kresge Art Museum, Michigan State University, Lansing, Michigan, September 4–October 28, 2001. Traveled to: Maryland Institute College of Art, Baltimore, Maryland, November 9–December 16, 2001; Marianna Kistler Beach Museum of Art, Kansas State Museum, Manhattan, April 2–June 30, 2002; Heckscher Museum of Art, Huntington, New York, November 23, 2002–January 26, 2003; Milwaukee Art Museum, Milwaukee, Wisconsin, April 11–June 22, 2003), Fort Wayne Museum of Art, Fort Wayne, Indiana, July 26–November 2, 2003. (Catalogue)

Female Sensibility, Charim Galerie, Vienna, Austria, July 22–August 31, 2001.

Liquid Properties, Cheim & Read, New York, July 6–August 3, 2001.

New York, Circa 1975, David Zwirner Gallery, New York, June 2–August 10, 2001.

Rededication of the Lynda Benglis Sculpture Garden, Imperial Calcasieu Museum, Lake Charles, Louisiana, April 27, 2001.

Autobiographies, Kappatos Gallery, Athens, Greece, April 2–September 22, 2001.

Super Phat, Cypress College Fine Art Gallery, Cypress College, California, March 22–April 24, 2001. (Catalogue)

Century City: Art and Culture in the Modern Metropolis, curated by Donna De Salvo, Tate Modern, London, February 1–April 29, 2001. (Catalogue)

Shadow Dancing: 1975–79, D’Amelio Terras Gallery, New York, January 6–February 10, 2001.

2000

Voici, 100 ans d’art contemporain, Palais des Beaux Arts, Brussels, Belgium, November 23, 2000–January 28, 2001. (Catalogue)

Clay: Works by Thirteen Artists, Jan Weiner Gallery, Kansas City, Missouri, November 10, 2000–January 10, 2001.

Feminist Film Series, Washington University Gallery of Art, St. Louis, Missouri, November 1, 2000.

Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, October 7, 2000–January 15, 2001. (Catalogue)

Matter, Museum of Modern Art, New York, September 28, 2000–January 2, 2001.

Summerstage, Charim Klocker Gallery, Salzburg, Austria, July 24–September 1, 2000.

Opulent, Cheim & Read, New York, June 14–September 1, 2000.

Re-Play: Anfänge internationaler Medienkunst in Österreich (Re-Play: The Beginning of Media Art in Austria), Kunsthalle Cologne, Germany, May 12–August 6, 2000. (Catalogue)

Rites of Spring 2000, Long House Reserve, East Hampton, New York, Opened April 29, 2000.

20th Anniversary Exhibition, Cumberland Gallery, Nashville, Tennessee, April 8–May 13, 2000.

Action/Performance & the Photograph, Sidney Mishkin Gallery, Baruch College, New York, March 17–April 18, 2000. (Catalogue)

American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, March 6–April 2, 2000.

Making Time: Considering Time as a Material in Contemporary Video & Film, Palm Beach Institute of Contemporary Art, Florida, March 5–May 28, 2000. Traveled to: Hammer Museum, Los Angeles, February 4–April 29, 2001.

The Persistence of Memory, Nature Morte Gallery, New Delhi, India, February 11–22, 2000.

Das Ich ist etwas anderes: Kunst am Ende des 20. Jahrhuderts (The I is Something Else: Art at the End of the 20th Century), Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, February–June 2000. (Catalogue)

The Likeness of Being: Contemporary Self Portraits by Sixty Women, DC Moore Gallery, New York, January 12–February 5, 2000. (Catalogue)

Eccentric Forms & Structures, Microsoft Corporation, Redmond, Washington, January 2–March 17, 2000.

1999

Xmas: A Project by the Department for Public Appearances, Kent Gallery, New York, November 26–December 24, 1999.

Lynda Benglis, Wols: Photographs of the 1930s, Cheim & Read, New York, October 19–November 30, 1999.

All About Blue: The Color that Changed the World, Vancouver Museum, Canada, October 15, 1999–April 9, 2000.

Artissimia 99, Palazzo Nervi, Turin, Italy, October 7–10, 1999.

Modern Odysseys: Greek American Artists of the 20th Century, Queens Museum of Art, Queens, New York, October 6, 1999–January 30, 2000. Traveled to: State Museum of Contemporary Art, Thessaloniki, Greece, September 3–November 30, 2000. (Catalogue)

The American Century: Art & Culture 1900-2000, Part II, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

Lynda Benglis, Joe Zucker, Guild Hall Museum, East Hampton, New York, August 14–September 26, 1999. (Booklet)

1999 Biennial Exhibition of Public Art, Neuberger Museum, Purchase, New York, June 27–October 24, 1999. (Catalogue)

The Art of Craft, Contemporary Works from the Saxe Collection, Fine Arts Museums of San Francisco, De Young Museum, California, June 26–October 17, 1999. (Catalogue)

Works on Paper: A Riverhouse Retrospective, Riverhouse Editions, Steamboat Springs, Colorado, June 4–July 23, 1999.

Waxing Poetic: Encaustic Art in America, The Montclair Art Museum, New Jersey, May 23–August 15, 1999. Traveled to: Knoxville Museum of Art, Tennessee, September 24, 1999–January 9, 2000. (Catalogue)

Petits Formats (Working Small), Yoshii Gallery, New York, May 6–June 19, 1999.

Afterimage: Drawing through Process, Film & Video program, Museum of Contemporary Art, Los Angeles, April 11–August 22, 1999. (Catalogue)

New Etchings & Monotypes, Quartet Editions, New York, April 13–May 8,1999.

Twistfoldlayerflake, Oliver Art Center, California College of Arts & Crafts, Oakland, California, January 27–March 17, 1999.

Women Artists, Miami Dade College Museum of Art and Design, Florida, March 1999.

1998

Off the Wall, 8 Contemporary American Sculptors, Asheville Art Museum, North Carolina, November 19, 1998–March 6, 1999. Traveled to: University of Alabama, Birmingham, September 12–October 8, 1999.

This is Not the Look We Want: Bob Tannen and Friends, Shooting Star Gallery, New Orleans, October 3–November 15, 1998.

Dreams for the Next Century: A View of the Collection, Parrish Art Museum, Southampton, New York, July 19–September 6, 1998.

Small Paintings, Cheim & Read, New York, July 1–31, 1998.

Disidentico: Maschile Feminile e Oltre, Palazzo Branciforte, Palermo, Italy, May 23–July 26, 1998. (Catalogue)

MAI 98 – Positions in Contemporary Art Since the 1960’s, Kunsthalle Cologne, Germany, May 21–July 19, 1998. (Catalogue)

Art in Bloom, New Orleans Museum of Art, Louisiana, Spring 1998.

International Group Show, Wainscott Gallery, Wainscott, New York, April 1998–May 1998.

Women Artists in the Vogel Collection, President’s Gallery, Simmons Visual Arts Center, Brenau University, Gainesville, Georgia, February 5–April 5, 1998. (Catalogue)

1997

Gravity – Axis of Contemporary Art, National Museum of Art, Osaka, Japan, October 30–December 14, 1997. (Catalogue)

Amerikanische Videos 1965-1973, Kunsthalle St. Gallen, Switzerland, October 28, 1997.

Surveying the 1st Decade: Video Art & Alternative Media in the United States, San Francisco Museum of Modern Art, California, October 23–November 23, 1997.

Hanging by a Thread, The Hudson River Museum, Yonkers, New York, October 3, 1997–February 17, 1998. (Catalogue)

Material Girls: Gender, Process & Abstract Art Sine 1970, Gallery 128, New York, October 1–November 1, 1997.

Women Artists of the 1970s, Jan Abrams Fine Arts, New York, Opened September 24, 1997.

Salientgreen, Susanne Hilberry Gallery, Birmingham, Michigan, August 1–September 13, 1997.

The Masters Exhibition, Fine Arts Gallery, Long Island University, Southampton, New York, July 21–September 6, 1997.

Clear Intentions, Auckland Art Gallery, New Zealand, July 1–September 14, 1997.

Selections from the Video Collection, Museum of Modern Art, Department of Film & Video, New York, June 27–September 21, 1997.

Envisioning the Contemporary: Selections from the Permanent Collection, Museum of Contemporary Art, Chicago, June 25, 1997–April 5, 1998.

Art Foundry Editions, Santa Fe, Knoedler & Company, New York, June 18–August 22, 1997.

Lynda Benglis, Adam Fuss, David Salle, Serge Spitzer, Cheim & Read, New York, June 5–July 31, 1997.

Luces, cámara, acción, ¡Corten! (videoacción: el cuerpo y sus fronteras) IVAM Centre Julio Gonzalez, Valencia, Spain, May 8–30, 1997. (Catalogue)

A Tribute to Frederick R. Weisman: Selections from the New Orleans Museum of Art, New Orleans Museum of Art, Louisiana, May–November 1997.

Laying Low, Kunstnernes Hus, Oslo, Norway, April 12–May 25, 1997. (Catalogue)

After the Fall: Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, March 27–June 29, 1997. (Catalogue)

Art/Fashion, Guggenheim Museum Soho, New York, March 11–June 8, 1997. (Catalogue)

Hello Again! A New Wave of Recycled Art and Design, Oakland Museum of California, February 14–July 27, 1997. Traveled to: Los Angeles Municipal Art Gallery, California, September 24–November 17, 1997; McAllen International Museum, Texas, January–May, 1998; Vancouver Museum, Canada, June–November, 1998.

Plastik, Wurttembergischer Kunstverein, Stuttgart, Germany, February 8–March 30, 1997. Traveled to: Stadtische Ausstellungshall am Haverkamp, Münster, Germany, October 12–November 30, 1997. (Catalogue)

The Edge of Chaos, Fotouhi Cramer Gallery, New York, January 16–February 22, 1997.

1996

Multiple Identity: American Art from the Whitney Museum 1975-1995, Museu d’art contemporani, Barcelona, Spain, December 20, 1996–March 31, 1997. Traveled to Kunstmuseum Bonn, Germany, June 4–September 7, 1997. (Catalogue)

Basic Ingredients, Cumberland Gallery, Nashville, Tennessee, October 19–November 30, 1996.

Partners in Printmaking: Works from Solo Impression, National Museum of Women in the Arts, Washington D.C., October 10, 1996–January 12, 1997.

Socrates Sculpture Park Tenth Anniversary Season, Socrates Sculpture Park, Long Island City, New York, September 29, 1996–April 1, 1997.

Paper, Wainscott Gallery, New York, September 13–October 10, 1996.

Women’s Work, Greene Naftali, Inc, New York, September 6–October 13, 1996.

La Toilette de Venus: Women & Mirrors, CRG Gallery, New York, September 5–October 5, 1996.

Art for Today Open House, Diana Aceti Fine Arts, Sag Harbor, New York, Opened August 24, 1996.

Summer Group Exhibition, Laura Carpenter Fine Arts, Santa Fe, July 13–September 4, 1996.

L'Art au Corps: The Exposed Body from Man Ray to Today, MAC, Galeries Contemporaines des Musées de Marseille, France, July 6–October 15,1996. (Catalogue)

Chimériques Polyméres: Le plastique dans l’art du XXème siècle, Musée d’Art Moderne et d’Art Contemporain, Nice, France, June 29–September 15, 1996. (Catalogue)

Art at the End of the 20th Century, Selections from the Whitney Museum of American Art, National Gallery, Alexandros Soutzos Museum, Athens, Greece June 10–September 30, 1996. Traveled to: Museu d’Art Contemporani, Barcelona, Spain December 18, 1996–April 6, 1997; Kunstmuseum Bonn, Germany, June 4–September 7, 1997. (Catalogue)

Lynda Benglis, John Chamberlain, Rudolf Stingel, James Welling, Margo Leavin Gallery, Los Angeles, June 8–July 13, 1996.

Lynda Benglis, Louis Lieberman, Astrid Fitzgerald, Murakami Gallery, New York, June 6–July 27, 1996.

Women’s Work: A Century of Achievement in American Art, Columbus Museum of Art, Ohio, June 2–August 25, 1996. (Catalogue)

FremdKörper-corps étranger-Foreign Body, Museum für Gegenwartskunst, Basel, Switzerland, June 1–September 29, 1996. (Catalogue)

Openclosure, Hand Graphics Gallery, Santa Fe, May 24–June 11, 1996.

Love Gasoline, Mercer Union, Toronto, May 23–June 29, 1996. (Catalogue)

New Acquisitions: Video, Centre Georges Pompidou, Paris, France, May 21, 1996.

Homeland of the Imagination: The Southern Presence in 20th Century Art, NationsBank Plaza, Atlanta, May 15–September 4, 1996. (Catalogue)

Gala Art Auction ’96, University Art Gallery, New Mexico State University, Las Cruces, May 11, 1996.

Graphics from Solo Impression, Inc., Albright-Knox Art Gallery, Buffalo, New York, May 1–June 16, 1996.

The Artist’s Choice, Santa Fe Fine Arts Gallery, College of Santa Fe, Spring 1996.

Sexual Politics: Judy Chicago’s Dinner Party in Feminist Art History, Armand Hammer Museum of Art & Cultural Center, University of California, Los Angeles, April 24–August 18, 1996. (Catalogue)

More Than Minimal: Feminism & Abstraction in the ‘70s, Rose Art Museum, Brandeis University, Waltham, Massachusetts, April 21–June 30, 1996. (Catalogue)

Lesbian Genders, Whitney Museum of American Art, New York, April 17–May 26, 1996.

Laura Carpenter Fine Arts, Santa Fe, February 1996.

Epitaphs, Edward Thorp Gallery, New York, January 12–February 24, 1996.

1995

44th Biennial: Exhibition of Contemporary American Painting: Painting Outside Painting, Corcoran Gallery of Art, Washington, D.C., December 16, 1995–February 19, 1996. (Catalogue)

Mortal Remains, O.K. Harris Gallery, New York, December 9, 1995–January 5, 1996. Traveled to: Intermedia Arts Minnesota, Minneapolis, April 11–May 12, 1996. (Catalogue)

In Three Dimensions: Women Sculptors of the 90's Part II – Beyond Gender, Snug Harbor Cultural Center, Staten Island, New York, October 29, 1995–January 14, 1996. (Catalogue)

Fémininmasculin: le sexe dans l’art, Centre George Pompidou, Paris, October 24, 1995–February 12, 1996. (Catalogue)

25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, September 23–October 28, 1995. (Catalogue)

The Golden & the Baroque in Contemporary Art, Robert McClain & Co, Houston, September 9, 1995.

Contemporary Sculpture from Local Collections: Contrasts, Cranbrook Art Museum, Bloomfield Hills, Michigan, September–October 1995.

Group Exhibition, Anne Reed Gallery, Ketchum, Idaho, August 1–August 31, 1995.

New Works at Laumeier Sculpture Park, Sunset Hills, Missouri, Summer 1995.

Phallic Symbols: Images in Contemporary Art, curated by Hal Bromm, 24 Hours for Life Gallery, New York, May 16–July 7, 1995.

Alternatives: 20 Years of Hallwalls Contemporary Arts Center 1975-95, Burchfield Penny Art Center, Buffalo State College, Buffalo, New York, April 8–June 18, 1995. Traveled to: Cumberland Gallery, Nashville, Summer 1995. (Brochure)

Prints from Solo Impression, Inc., New York, Gallery 72, Omaha, Nebraska, April 7–May 1, 1995.

Duck!, Edward Thorp Gallery, New York, January 28–March 11, 1995.

In a Different Light, University Art Museum, University of California, Berkeley, January 11–April 9, 1995. (Catalogue)

Light (For the Dark Days of Winter), A/D Gallery, New York, January–March 1995.

1994

Holiday Exhibition, Paula Cooper Gallery, New York, December 3, 1994–February 3, 1995.

Small Objects, Inman Gallery, Houston, Texas, October 21–November 27, 1994.

Poetic Heroic: 12 American Artists, Art Initiatives at Tribeca 148 Gallery, New York, October 18–November 19, 1994.

The Essential Gesture, Newport Harbor Art Museum, Newport Beach, California, October 15–December 31, 1994. (Catalogue)

Sculpture Santa Fe, Greer Garson Theatre Gallery, College of Santa Fe, New Mexico, October 8–29, 1994.

Prints from Solo Impression, Inc., New York, College of Wooster Art Museum, Ohio, August 24–October 9, 1994. (Catalogue)

Installations, Margo Leavin Gallery, Los Angeles, July 16–August 20, 1994.

From Minimal to Conceptual Art: Works from the Dorothy & Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29–November 27, 1994. Traveled to: Archer M. Huntington Art Gallery, Austin, 1997; Portland Art Museum, Oregon, 1997; Altonen Museum of Art, Turku, Finland; Tel Aviv Museum of Art, Israel, 1998. (Catalogue)

30 Years, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 18, 1994. (Catalogue)

Tandem Press: 5 Years of Collaboration & Experimentation, Elvehjem Museum of Art, University of Wisconsin, Madison, April 9–July 17, 1994. (Catalogue)

American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts and Letters, New York, February 28–March 27, 1994.

Sculpture, Nina Freudenheim Gallery, Buffalo, New York, January 22–March 2, 1994.

1993

Drawings: 30th Anniversary Exhibition to Benefit the Foundation for Contemporary Performance Arts, Castelli Gallery, New York, December 11, 1993–January 8, 1994.

9 Sculptors & Their Printer, Bernard Toale Gallery, Boston, December 6, 1993–January 22, 1994.

25 Years (Part II), Paula Cooper Gallery, New York, December 4–18, 1993.

If You Like, N.A.M.E. Gallery, Chicago, December 1993.

Artists Select (Part I), Artists Space, New York, November 20, 1993–January 15, 1994.

The Return of the Cadavre Exquis, The Drawing Center, New York, November 6–December 18, 1993. Traveled to: The Corcoran Gallery of Art, Washington D.C.; Foundation for Contemporary Art, Mexico City; Santa Monica Museum, California; Forum, St. Louis, Missouri. (Catalogue)

25 Years (Part I), Paula Cooper Gallery, New York, October 23–November 27, 1993.

Santa Fe Sculpture Project, College of Santa Fe Fine Arts Gallery, New Mexico, October 16–November 12, 1993.

An Exhibition, Richard Gray Gallery, Chicago, October 15–November 13, 1993.

Alan Shields, Jo Anne Carson, Lynda Benglis, Po Kim, Ralph Wickiser, Haenah-Kent Gallery, New York, September 18–October 13, 1993. (Catalogue)

Oro d’autore: Giappone e Stati Uniti d’America, Basilica Inferiore di San Francesco, Arezzo, Italy, September 4–November 1, 1993. (Catalogue)

The First Generation: Women & Video, 1970-75, organized by Independent Curators, Inc., New York; Musée d’Art Contemporain de Montreal, Quebec, September 3–26, 1993; University Gallery, University of Massachusetts, Amherst, September 10–October 22, 1993; October 7–November 4, 1993; The National Museum of Women in the Arts, Washington, D.C., November 20, 1993–January 2, 1994; Freedman Gallery, Albright College, Reading Pennsylvania, February 3–March 13, 1994; Art Gallery, Mount Saint Vincent University, Halifax, Nova Scotia, March 4–April 10, 1994; Mackenzie Art Gallery, Regina, Saskatchewan, March 27, 1994; March 26–April 17, 1994; Long Beach Museum of Art, Long Beach, California, June 5–August 21, 1994; Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, October 25–November 13, 1994; Thunder Bay Art Gallery, Ontario, February 25–March 18, 1995. (Catalogue)

Action Performance & the Photograph, Turner/Krull Galleries, Los Angeles, July 10–September 25, 1993. (Catalogue)

Minimalism/Postminimalism, Detroit Institute of Arts, Michigan, July 1993–August 1994.

Abject Art: Repulsion & Desire in American Art, Whitney Museum of American Art, New York, June 23–August 29, 1993. (Catalogue)

American Art in the 20th Century: Painting and Sculpture, Martin-Gropius Bau, Berlin, May 8–July 25, 1993. Traveled to: Royal Academy of Arts and the Saatchi Gallery, London, September 16–December 12, 1993. (Catalogue)

Design Invitations from 1940 to Present, Exit Art, New York, May 1–July 24, 1993.

Coming to Power: 25 Years of Sexually X-Plicit Art by Women, David Zwirner Gallery, New York, May 1–June 12, 1993. Traveled to: Real Arts Ways, Hartford, Connecticut, December 9, 1993–January 25, 1994. (Catalogue)

Blast Art Benefit, 142 Greene Street, 4th floor, New York, April 22–May 1, 1993.

Artists Select Artists, Cumberland Gallery, Nashville, April 17–May 22, 1993.

Hunter College MFA Faculty Artists 1981-1993, Hunter College Art Gallery, New York, March 2–April 10, 1993. (Catalogue)

Bodily, Penine Hart Gallery, New York, February 6–March 20, 1993.

Love, Sweet Love, Robert McDougall Art Gallery, Christchurch, New Zealand, February 2–March 28, 1993.

Group Installation, Margo Leavin Gallery, Los Angeles, January 9–30, 1993.

Sculpture & Multiples, Brooke Alexander Editions, New York, January 8–February 13, 1993.

1992

Small Works, Julian Pretto, New York, December 1-19, 1992.

10 Steps, Muranushi Lederman Productions, New York, through December 12, 1992.

Functional Objects by Artists & Architects, Rhona Hoffman Gallery, Chicago, November 20–December 24, 1992.

Glass: from Ancient Craft to Contemporary Art, 1962 to 1992 & Beyond, Morris Museum, Morristown, New Jersey, October 17–November 22, 1992. Traveled to: University of Oklahoma Museum of Art, Norman, January 15–March 7,1993; Fine Arts Museum of the South, Mobile, Alabama, April 10–May 30, 1993; Art Museum of South Texas, Corpus Christi, June 11–August 8, 1993; Scottsdale Center for the Arts, Arizona, August 18–November 14, 1993; Philbrook Museum of Art, Tulsa, Oklahoma, December 19, 1993–February 13, 1994. (Catalogue)

Fourth Benefit Art Auction, Contemporary Art Society, Milwaukee Art Museum, Wisconsin, October 3, 1992.

Her Art Works: A National Competitive Exhibition, juror & participant at national competitive exhibition co-sponsored by the South Bend Regional Museum of Art & the Indiana Women's Caucus for Art, Indiana, July 29–September 6, 1992. (Catalogue)

Cross Section, Battery Park City & World Financial Center, New York, July 9–September 20, 1992.

Benefit: YMCA Clayworks Youth Shelter Program, Stark Gallery, New York, June 30, 1992.

Volume: 6 Contemporary Sculptors, Guild Hall Museum, New York, June 13–August 2, 1992. (Catalogue)

Erotiques, A.B. Galleries, Paris, June 10–July 25, 1992.

Gallery Installation, Paula Cooper Gallery, New York, June 1992.

Clearly Art, Pilchuck's Glass Legacy, Whatcom Museum of History & Art, Bellingham, Washington May 16–August 9, 1992. Traveled to: Crocker Art Museum, Sacramento, California, November 7, 1992–January 3, 1993); Currier Gallery of Art, Manchester, New Hampshire, February 6–May 2, 1993; Chrysler Museum, Norfolk, Virginia, June 5–August 1,1993; Tucson Museum of Art, Arizona, August 4–October 31, 1993; Palm Springs Desert Museum, Palm Springs, California, December 4, 1993–January 30, 1994; Hunter Museum of Art, Chattanooga, Tennessee, June 4–July 31, 1994; Brunnier Gallery, Iowa State University, Ames, September 3–October 30, 1994; Muskegon Museum of Art, Michigan, December 3, 1994–January 29, 1995; Birmingham Museum of Art, Alabama, March 4–April 30, 1995; Fort Wayne Museum of Art, Indiana, June 3–July 30, 1995; Museum of Art, Washington State University, Pullman, September 2–October 15, 1995. (Catalogue)

3 Louisiana Women Artists: Benglis, Connell & Kohlmeyer, Masur Museum of Art, Monroe, Louisiana, May 9–June 14, 1992.

Celebrating Art & Architecture: Creating a Place for People, La Salle Partners, Charlotte, North Carolina, May 1992–January 1993. Traveled to: Federal Reserve Board, Washington, D.C., January 26–March 19, 1993. (Catalogue)

Blast Art Benefit, X-Art Foundation, New York, April 1992.

N.A.M.E.'s, 11th Annual St. Valentine's Exhibition & Benefit Auction, Chicago, January 28–February 15, 1992.

Visiting Artist Program: 20th Anniversary Show, CU Art Galleries, University of Colorado, Boulder, January 15–February 22,1992. (Catalogue)

1991

American Academy and Institute of Arts and Letters: 43rd Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 11–December 8, 1991.

Small-Scale Sculpture, Sewall Art Gallery, Rice University, Houston, October 24–December 14, 1991.

Paintings Off the Wall, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, Nebraska, October 1–December 1, 1991.

Presswork: The Art of Women Printmakers, National Museum of Women in the Arts, Washington D.C., September 24–December 1, 1991. (Catalogue)

The First Parrish Art Museum Design Biennial: Weathervanes, Parrish Art Museum, New York, August 18–September 15, 1991. (Catalogue)

Gallery Group and Other Great Things, Dorothy Goldeen Gallery, Santa Monica, August 3–25, 1991.

Small Sculpture in an Inner Space, Bellas Artes Gallery, Santa Fe, June 29–August 12, 1991.

Recent Acquisitions and Alumnae Gifts, Jewett Arts Center, Wellesley College, Massachusetts, June 1991.

Changing Sculpture Exhibition, Margo Leavin Gallery, Los Angeles, June 15–July 27, 1991.

Masterworks of Contemporary Sculpture, Painting & Drawing, the 1930's to the 1990's, Bellas Artes Gallery, Santa Fe, May 25–September 3, 1991.

Group Sculpture Exhibition, Paula Cooper Gallery, May 10–August 1, 1991.

Group Exhibition, Richard Gray Gallery, Chicago, May 10–June 29, 1991.

Aspects of Collage, Guild Hall Museum, East Hampton, New York, May 5–June 9, 1991. (Catalogue)

Show of Strength: A Sale of Works by Today’s Outstanding Women Artists in Support of MADRE, Anne Plumb Gallery, New York, April 27–May 4, 1991. (Catalogue)

Tenth Anniversary Exhibition, Bellas Artes Gallery, Santa Fe, New Mexico, April 22–September 30, 1991.

Blast Art Benefit, The X-Art Foundation, New York, April 20–27, 1991.

Motion as Metaphor: The Automobile in Art, Virginia Beach Center for the Arts, Virginia, April 13–Jun 16, 1991. (Catalogue)

Illème Biennale de Sculpture, Monte Carlo, Monaco, March 27–September 30, 1991. (Catalogue)

Little Things Mean A Lot, Momentary Modern, Amsterdam, Netherlands, March 17–April 1, 1991.

Physicality, Hunter College, New York, March 5–30, 1991. Traveled to: University Art Gallery, Albany, New York, October 1–November 24, 1991; DW Bell Gallery, Providence, Rhode Island, December 7, 1991–January 19, 1992; Plattsburgh Art Museum, Pennsylvania, January 25–February 29, 1992; R. Gibson Gallery, Potsdam, New York, March 6–April 5, 1992; University Art Museum, Binghamton University, State University of New York, July 10–August 9, 1992. (Catalogue)

Action & Reaction: Jackson Pollock's Influence, Panel discussion, School of Visual Arts, New York, February 19, 1991.

Setting the Stage: Contemporary Artists Design for the Performing Arts, Columbus Museum of Art, Ohio, February 24–April 21, 1991. (Catalogue)

Dead Heroes, Disfigured Love, Lorence-Monk Gallery, New York, February 2–23, 1991.

Focus on Louisiana: Artists from AMoA's Permanent Collection, The Alexandria Museum of Art, Louisiana, January 26–March 16, 1991.

25th Anniversary Exhibition, Gloria Luria Gallery, Miami, Florida, January 25–February 16, 1991.

Baubles, Bangles & Mardi Gras Beads, Galveston Arts Center, Texas, January 19–March 3, 1991.

Permanent Collection Exhibition, Miami Dade College Museum of Art and Design, Florida, January 1991.

1990

Tandem Press Benefit, Pace Prints, New York, October 11–13, 1990.

Amerikanische Videos aus den Jahren 1965–75, The Castelli/Sonnabend Tapes & Films, Ausstellungsraum Künstlerhaus Stuttgart, Germany, September 22–October 13, 1990.

Post Minimalism 1979-1990 An Extended Harvest, Genovese Gallery, Boston, August 1990.

Prints of the Eighties, Guild Hall Museum, East Hampton, New York, June 16–July 29, 1990.

Group Exhibition, Paula Cooper Gallery, New York, June 8–15, 1990.

Newer Sculpture, Charles Cowles Gallery, New York, June 1–29, 1990.

Let’s Play House, The Fabric Workshop, Philadelphia, May 25–September 7, 1990.

Breakthroughs: Art in Europe & America: The 1960s & 1970s, Wexner Center for the Visual Arts, Ohio State University, Columbus, May 19–August 5, 1990. (Catalogue)

Carsinart: The Automobile Icon, Pensacola Museum of Art, Florida, May 11–June 30, 1990. (Catalogue)

Auction, Glassell School of Art, Houston, May 11, 1990.

Beyond Illusion: American Film and Video Art, 1965-1975, Whitney Museum of American Art, New York, May 3–June 3, 1990.

Hellenikon, City Gallery, Department of Cultural Affairs, New York, May 1–June 1, 1990. (Catalogue)

Pharmacy, Jan Kesner Gallery, Los Angeles, April 7–May 12, 1990.

10th Anniversary Retrospective Exhibition, Cumberland Gallery, Nashville, Tennessee, March 31–April 28, 1990.

Hand, Body, House: Approaches to Sculpture, Ben Shahn Galleries, Center for the Visual Arts, William Paterson College, Wayne, New Jersey, March 26–April 27, 1990. (Catalogue)

Sculpture from New England Collections, Beth Urdang Fine Arts, Boston, March 17–April 21, 1990.

Art Pro Choice, NARAL Foundation, New York, March 13, 1990.

The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, February 20–June 3, 1990. Traveled to: Museum of Contemporary Art, Los Angeles, February 17–July 7, 1991. (Catalogue)

Benglis, Gimblett, Torreano: Large Scale Sculpture and Painting, Genovese Gallery, Boston, February 17–March 7, 1990.

Group Exhibition, Susanne Hilberry Gallery, Birmingham, New York, January 19–February 24, 1990.

Small Objects from the Permanent Collection, Grey Art Gallery, New York University, New York, January 17–February 24, 1990.

Writ in Water, Solo Press/Solo Gallery, New York, January 11–February 17, 1990.

The Radiant Principle, Penine Hart Gallery, New York, January 3–27, 1990.

1989

Benefit for the Wooster Group, Brooke Alexander Editions, New York, November 30–December 16, 1989.

Small & Stellar, Ruth Siegel Gallery, New York, November 29–December 22, 1989.

Sculptural Intimacies: Recent Small-Scale Works, Security Pacific Gallery, South Coast Metro Center, Costa Mesa, California, November 12, 1989–January 6, 1990. (Catalogue)

Benefit Auction of Contemporary Sculpture, International Sculpture Center, Washington, D.C., September 16–19, 1989.

Group Exhibition, Paula Cooper Gallery, New York, September 5–26, 1989.

Contemporary Art from New York: The Collection of the Chase Manhattan Bank, Yokohama Museum of Art, Japan, June 18–October 1, 1989. (Catalogue)

First Impressions: Early Prints by 46 Contemporary Artists, Walker Art Center, Minneapolis, June 4–September 10, 1989. Traveled to: Laguna Gloria Art Museum, Austin, Texas, December 2, 1989–January 21, 1990; Baltimore Museum of Art, Maryland, February 25–April 22, 1990; Neuberger Museum, Purchase, New York, June 21–September 16, 1990. (Catalogue)

Don't Bungle the Jungle, Tony Shafrazi Gallery, New York, June 3–30, 1989.

Festival of Arts Cruise, Mt. Olympus Cruise Ship, Epirotiki Lines, May 10–20, 1989.

Golden Opportunity: Benefit Exhibit for the Resettlement of Salvadoran Refugees, Leo Castelli Gallery, New York, April 28–May 6, 1989.

American Sculptors: New York and Los Angeles, Part 1: Lynda Benglis, Mark Lere, Kamakura Gallery, Tokyo, April 3–21, 1989. (Catalogue)

Making Their Mark: Women Artists Move into the Mainstream, 1970–1985, Cincinnati Art Museum February 22–April 2, 1989. Traveled to: New Orleans Museum of Art, New Orleans, Louisiana, May 6–June 18, 1989; Denver Art Museum, Colorado, July 22–September 10, 1989; Pennsylvania Academy of the Fine Arts, Philadelphia, October 20–December 31, 1989. (Catalogue)

Monoprints/Monotypes, University of Maine Museum of Art, Orono, Maine, February 20–March 28, 1989. (Catalogue)

Prints by Sculptors, Landfall Press, Chicago, February 17–April 28, 1989.

Sculptures and Drawings, Texas Gallery, Houston, January 15–March 5, 1989.

1988

Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, Illinois, December 17, 1988–February 5, 1989. (Catalogue)

Changing Group Exhibition, Paula Cooper Gallery, New York, December 6, 1988–January 21, 1989.

Private Reserve: Important Works from Artists Represented by the Gallery, Dorothy Goldeen Gallery, Santa Monica, California, December 1–31, 1988.

Video Art Series: Early Experimental Work & Recent Explorations, Gray Art Gallery, Jenkins Fine Art Center, East Carolina University, Greenville, North Carolina, November 7–December 2, 1988.

What Does She Want, Savannah College of Art and Design Museum of Art, Georgia, November 1988.

From the Collection of Dorothy & Herbert Vogel, Arnot Art Museum, Elmira, New York, October 15–December 31, 1988. Traveled to: Grand Rapids Art Museum, Michigan; Terra Museum of American Art, Chicago; Laumeier Sculpture Park, St. Louis, Missouri; Art Museum of Florida International University, Miami. (Catalogue)

Pilchuck: An Exhibition of Contemporary Glass Sculpture, Walter Gallery, Santa Monica, California, September 15–October 29, 1988.

The Gold Show 1988, Genovese Gallery, Boston, September 13–October 10, 1988.

Exhibition of World Invitational Open-Air Sculpture, Olympic Sculpture Park, Seoul, South Korea, September–October, 1988. (Catalogue)

In Bloom at BMW: Eighteen Contemporary Artists Celebrate Nature, BMW Gallery, New York, September 1988.

Group Exhibition: Gallery Artists, Tilden-Foley Gallery, New Orleans, August 13–September 24, 1988.

Knots and Nets, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, July 15–September 25, 1988. Traveled to: New York State Museum Cultural Education Center, Albany, New York, March 18–July 16, 1989; Parrish Art Museum, Southampton, New York, November 15, 1989–January 15, 1990. (Catalogue)

Vitrum, Wita Gardiner Gallery, San Diego, California, July 1–August 27, 1988.

Paper Thick: Forms and Images in Cast Paper, Erie Art Museum, Pennsylvania, June 26–August 7, 1988. (Catalogue)

Minos Beach Art Symposium, Minos Beach Hotel, Crete, Greece, June 11–September 30, 1988. (Catalogue)

The Material Image: Pure and Simple, Elizabeth McDonald Gallery, New York, June 11–July 30, 1988.

New Works in Glass by Artists in Residence, Pilchuck Glass School 1980-1988, Linda Farris Gallery, Seattle, Washington, June 2–July 3, 1988.

Calcasieu Marine National Bank, Lake Charles, Louisiana, June 1988.

Eleven Artists from Paula Cooper, Mayor Rowan Gallery, London, May 20–June 22, 1988. (Brochure)

Vital Signs: Organic Abstraction from the Permanent Collection, Whitney Museum of American Art, New York, April 28– June 5, 1988. (Catalogue)

Four Sculptors, Nina Freudenheim Gallery, Buffalo, New York, March 19–April 20, 1988.

Life Forms: Contemporary Organic Sculpture, Freedman Gallery, Albright College, Reading, Pennsylvania, March 15–April 17, 1988. (Catalogue)

Painting in Relief/Sculpture on the Wall, John C. Stoller and Company, Minneapolis, Minnesota, March 11–April 23, 1988.

Group Exhibition, Res Nova, New Orleans, February 24–March 30, 1988.

Private Works for Public Spaces, R.C. Erph Gallery, New York, February 19–March 19, 1988.

Extant Work: Tapes from The Kitchen Archives, The Kitchen, New York, February 2–27, 1988.

Lynda Benglis, John Chamberlain, Joel Fisher, Mel Kendrick, Robert Therrien, Magasin 3, Stockholm, Sweden, February 1888–March 1988. (Catalogue)

New Erotic Video, The Kitchen, New York, February 1988.

Changing Group Exhibition, Paula Cooper Gallery, New York, January 20–30, 1988.

Anniversary Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, January 16–February 20, 1988.

Collecting on the Cutting Edge: Frito-Lay, Inc, Laguna Gloria Art Museum, Austin, Texas, January 9–February 28, 1988. (Catalogue)

1987

The Gold Show, Maloney Gallery, Santa Monica, California, December 10, 1987–January 10, 1988.

Fifty Years of Collecting: An Anniversary Selection Sculpture of the Modern Era, Solomon R. Guggenheim Museum, New York, November 13, 1987–March 13, 1988. (Catalogue)

New Space, New Work, New York, The Helander Gallery, Palm Beach, Florida, November 13–December 8, 1987.

American Artists in Jewelry, Dorothy Goldeen Gallery, Santa Monica, California, November 11–December 5, 1987. Traveled to: Fuller-Gross Gallery, San Francisco; Nancy Hoffman Gallery, New York, December 19, 1987–January 20, 1988); Harcus Gallery, Boston, Massachusetts February 6–March 12, 1988; Rena Bransten Gallery, San Francisco, June 1–August 31, 1988.

Feminism in High Art: A Contradiction in Terms?, Ritter Art Gallery, Florida Atlantic University, Boca Raton, Florida, November 10–December 11, 1987.

Contemporary American Collage, 1960-1987, Herter Art Gallery, University of Massachusetts, Amherst, , November 9–December 11, 1987. Traveled to: William Bennett Museum of Art, University of Connecticut, Storrs, January 24–March 7, 1988; Lehigh University Galleries, Bethlehem, Pennsylvania, March 27–May 8, 1988; Butler Institute of American Art, Youngstown, Ohio, September 11–October 23, 1988; Kansas City Art Institute, Missouri, November 14–December 24, 1988; University Art Gallery, State University of New York, Albany, January 24–March 6, 1989; Nevada Institute for Contemporary Art, Las Vegas, March 27–May 8, 1989. (Catalogue)

Video Art Series: Early Experimental Work and Recent Explorations, Gray Art Gallery, East Carolina University, Greenville, North Carolina, November 7–December 2, 1987.

Contemporary Masters: Selection from the Collection of Southwestern Bell Corporation, St Louis Gallery of Contemporary Art, Missouri, October 18–November 29, 1987. (Catalogue)

Sculpture, Dart Gallery, Chicago, October 16–November 15, 1987.

A Bountiful Decade: Selected Acquisitions 1977–1987, Nelson-Atkins Museum of Art, Kansas City, Missouri, October 14–December 6, 1987. (Catalogue)

Handmade Paper, organized by Art Advisory Service for Corporate Members of Museum of Modern Art, New York, American Express Company, New York, October 10, 1987–February 20, 1988.

Lynda Benglis, Keith Sonnier: A Ten Year Retrospective, Alexandria Museum of Art, Louisiana, October 9–November 25, 1987. (Catalogue)

A Graphic Muse: Prints by Contemporary American Women, Mount Holyoke College Art Museum, South Hadley, Massachusetts, October 5–November 15, 1987. (Catalogue)

Faux Arts, La Jolla Museum of Contemporary Art, California, October 2–November 15, 1987. (Catalogue)

Avery Distinguished Professors, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, September 27–November 8, 1987.

AMFAR (American Foundation for AIDS Research), Dia Art Foundation, New York, September 16–October 4, 1987.

Group Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, September 15–October 4, 1987.

New Directions: Contemporary Art from Atlanta Collections, Emory University Museum of Art and Archaeology, Atlanta, September–October, 1987. (Catalogue)

Masters II, Fine Arts Gallery, Long Island University, Southampton, New York, August 1–September 21, 1987.

Structure to Resemblance: Work by Eight American Sculptors, Albright-Knox Art Gallery, Buffalo, New York, June 13–August 23, 1987. (Catalogue)

Art Against AIDS, organized by the American Foundation for AIDS Research, Paula Cooper Gallery, New York, June 4–30, 1987. (Catalogue)

Thirty Works Thirty Artists: An Auction to Benefit the Glassell School of Art, Museum of Fine Arts, Houston, Texas, May 15, 1987. (Catalogue)

Alternative Supports: Contemporary Sculpture on the Wall, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island, April 25–May 25, 1987. (Catalogue)

Acquisitions: Painting and Sculpture, Margo Leavin Gallery, Los Angeles, April 18–May 9, 1987.

Glass, curated by George Saxe, Contemporary Crafts Gallery, Contemporary Crafts Associate, Portland, Oregon, April 5–May 9, 1987.

What Does She Want?: A Video Debate, University Gallery, Ohio State University, Columbus, April 1987.

Floating Values, HALLWALLS Contemporary Arts Center, Buffalo, New York, March 28–April 25, 1987. Traveled to: Artists Space, New York, October 1–31, 1987. (Booklet)

Standing Ground: Sculpture by American Women, The Contemporary Arts Center, Cincinnati, Ohio, March 27–May 10, 1987. (Catalogue)

Artistas da Paula Cooper Gallery, Galerie EMI Valentim de Carvalho, Lisbon, Portugal, March 20–April 30, 1987. (Catalogue)

From the Sol LeWitt Collection, Wadsworth Atheneum, Hartford, Connecticut, March 12–May 24, 1987.

Group Exhibition, Tilden-Foley Gallery, New Orleans, February 14–March 12, 1987.

Kohlmeyer and Benglis: Teacher and Student in the 80’s, Imperial Calcasieu Museum, Lake Charles, Louisiana, January 30–March 15, 1987.

Sculpture Installation, Margo Leavin Gallery, Los Angeles, January 3–February 7, 1987.

1986

Benefit for The Kitchen, Brooke Alexander, New York, December 9–20, 1986.

Paper's Third Dimension, Bergen Museum of Art and Science, Paramus, New Jersey, December 5, 1986–January 25, 1987.

American Eccentric Abstraction: 1965–1972, BlumHelman, New York, November 16, 1986–January 31, 1987.

Contemporary Works from the Collection, The Museum of Modern Art, New York, November 6, 1986–March 31, 1987.

Works by American Women, 1976–86, First Bank Skyway Gallery, Minneapolis, Minnesota, October 15, 1986–January 15, 1987.

Philadelphia Collects: European & American Art since 1940, Philadelphia Museum of Art, September 28–November 30, 1986. (Catalogue)

Painting and Sculpture Acquisitions: 1973–1986, Whitney Museum of American Art, New York, September 18–November 30, 1986. (Catalogue)

Works from the Paula Cooper Gallery, John Berggruen Gallery, San Francisco, September 14–November 20, 1986. (Catalogue)

Sculpture Installation, Margo Leavin Gallery, Los Angeles, September 9–October 4, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel, Department of Art Galleries, University of Arkansas, Little Rock, September 7–November 16, 1986. Traveled to: Moody Gallery of Art, University of Alabama, Tuscaloosa, February 2–27, 1987. (Catalogue)

Twentieth Century Drawings & Sculptures, Janie C. Lee Gallery, Houston, September 4–October 9, 1986.

Group Exhibition, Paula Cooper Gallery, New York, September 4–27, 1986.

Changing Sculpture Exhibition, Paula Cooper Gallery, New York, August 1986.

Group Exhibition, Tilden-Foley Gallery, New Orleans, June 26–September 6, 1986.

Painting and Sculpture Today: 1986, Indianapolis Museum of Art, Indiana, June 24–August 24, 1986. (Catalogue)

Contemporary American and European Glass: The Saxe Collection, Oakland Museum of California, June 6–August 24, 1987. Traveled to: American Craft Museum, New York, April 11–October 18, 1987. (Catalogue)

Changing Sculpture Exhibition, Paula Cooper Gallery, New York, June 1986.

Entra la Geometria y el Gesto Escultura Norte-Americana, 1965–1975 = Between Geometry & Gesture: American Sculpture, 1965–1975, Palacio de Velazquez, Centro Nacional de Exposiciones, Madrid, May 23–July 31, 1986. (Catalogue)

1986 Museum of Contemporary Art Benefit Exhibition, Gemini Graphic Editions Limited and Margo Leavin Gallery, Los Angeles, May 10–13, 1986.

Natural Forms and Forces: Abstract Images in American Sculpture, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, and Bank of Boston Gallery, Boston, May 9–June 29, 1986. (Catalogue)

Cast Glass Sculpture, Main Art Gallery, Visual Arts Center, California State University, Fullerton, April 12–May 11, 1986. (Catalogue)

Pilchuck: The Creative Fire (1985 Pilchuck Faculty Exhibition), Washington State Capital Museum, Olympia, March 7–May 14, 1986. (Brochure)

Group Exhibition, Tilden-Foley Gallery, New Orleans, Louisiana, February 14–March 12, 1986.

Benefit for the Poetry Project at St. Mark’s Church, Dia Art Foundation, New York, February 7–9, 1986.

Women Artists, Miami Dade College Museum of Art and Design, Miami, Florida, February 1986.

Connecticut Collects: American Art Since 1960, Whitney Museum of American Art / Fairfield County, Stamford, Connecticut, January 29–March 26, 1986. (Catalogue)

Glass America, Heller Gallery, New York, January 3–26, 1986.

1985

Correspondences: New York Now, Laforet Museum, Tokyo, December 20, 1985–January 15, 1986. Traveled to: Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan February 8–March 23, 1986; Tazaki Hall Espace Media, Kobe, Japan, April 4–May 15, 1986. (Catalogue)

American Art: American Women 1965-1985, Stamford Museum and Nature Center, Connecticut, December 15, 1985–February 23, 1986. (Catalogue)

Sculpture, Nina Freudenheim Gallery, Buffalo, New York, December 14, 1985–January 15, 1986.

New York Artists, The Helander Gallery, Palm Beach, Florida, December 12, 1985–January 22, 1986.

Changing Sculpture Exhibit, Paula Cooper Gallery, New York, November 23, 1985–January 4, 1986.

Benefit Auction for Gay Men's Health Crisis, Sotheby's, New York, November 18–20, 1985.

Independent Curators' Inc. 10th Anniversary Exhibition & Auction, The Puck Building, New York, November 18, 1985.

A Decade of Visual Arts at Princeton: Faculty 1975–1985, Art Museum of Princeton University, New Jersey, November 17, 1985–January 12, 1986. (Catalogue)

The Easthampton Star 100th Anniversary Portfolio, Guild Hall Museum, East Hampton, New York, November 16, 1985–February 2, 1986.

Diversity: New York Artists, Main Art Gallery, University of Rhode Island, Kingston, November 12–December 6, 1985. (Catalogue)

Profile of a Connoisseur: The Collection of Muriel Bultman Francis, New Orleans Museum of Art, November 10, 1985–January 12, 1986. (Catalogue)

AIDS Benefit Exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, November 9–30, 1985.

Made in India, The Museum of Modern Art, New York, November 8, 1985–January 21, 1986.

Video Arts Festival, Stockholm, Sweden, November 1–10, 1985.

Art for Your Collection, La Jolla Museum of Contemporary Art, California, November 1985–January 1986.

Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum & Art Center, Brattleboro, Vermont, October 18–December 8, 1985. Traveled to: Museum of Art, Wellesley College, Massachusetts; League of New Hampshire Craftsmen, Concord; Worcester Craft Center, Massachusetts; Museum of Art, Science & Industry, Bridgeport, Connecticut; Bevrier Gallery, Rochester Institute of Technology, New York. (Catalogue)

Guerrilla Girls at The Palladium, New York, October 17–November 17, 1985.

20th Anniversary of the National Endowment for the Arts, The Museum of Modern Art, New York, September 23–October 29, 1985. (Catalogue)

El Bohio Benefit Auction and Exhibition, El Bohio Cultural and Community Center, New York, September 12–14, 1985. (Catalogue)

Body & Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, Ohio, September 6–October 12, 1985. (Catalogue)

Glass Sculpture, Traver Sutton Gallery, Seattle, August 8–31, 1985.

Paper: From Surface to Form, City Gallery, New York, June 10–July 6, 1985.

Abstract Relationships, Charles Cowles Gallery, New York, June 6–July 12, 1985.

Benefit Art Auction for Parallel Films, Littlejohn Smith Gallery, New York, May 5–7, 1985.

By the Sea, By the Sea..., Creative Time Benefit Art Sale, Christie's, New York, 1985.

In Three Dimensions: Recent Sculpture by Women, Pratt Manhattan Center Gallery, New York, April 22–May 18, 1985 and Pratt Institute Gallery, Brooklyn, New York April 22–May 10, 1985. (Catalogue)

Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, April 20–June 16, 1985. (Catalogue)

Drawings, Lorence-Monk Gallery, New York, April 4–27, 1985.

Kohlmeyer and Benglis: Teacher and Student in the 80s, Pensacola Museum of Art, Florida, March 15–April 30, 1985. (Brochure)

Dracos Art Center: 1st Show, New Dialogues, Dracos Art Center, Athens, Greece, March 4–April 18, 1985. (Catalogue)

Monuments to: An Exhibition of Proposals for Monumental Sculpture, University Art Museum, California State University, Long Beach, February 12–March 31, 1985.

Ten Years Later, Wallace Wentworth Gallery, Ltd., Washington D.C., February 5–28, 1985.

A New Beginning: 1968-1978, Hudson River Museum, Yonkers, New York, February 3–May 5, 1985. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, February 2–March 2, 1985.

A 1985 View, Miami Dade College Museum of Art and Design, Miami, January 1985.

1984

Creative Time Benefit, Oil and Steel Gallery, New York, 1984.

Gala! Gala! Art Auction, Museum of Contemporary Art, San Pedro, California, December 19, 1984.

Eight Artists from Paula Cooper Gallery, Contemporary Art Gallery, Seibu Corporation, Tokyo, December 6–31, 1984. (Catalogue)

Stars: A Theme Exhibition, Fuller Goldeen Gallery, San Francisco, December 4, 1984–January 5, 1985.

Pilchuck Glass, Traver Sutton Gallery, Seattle, Washington, December 2–24, 1984.

American Sculpture: Three Decades, Seattle Art Museum, Washington, November 15, 1984–January 27, 1985. (Brochure)

Works in Bronze: A Modern Survey, Sonoma State University Art Gallery, Rohnert Park, California, November 2–December 16, 1984. (Catalogue)

Arc Collection of Fine Furnishings, Gallery of Applied Arts, New York, Opened October 22, 1984.

American Bronze Sculpture: 1850 to the Present, Newark Museum, New Jersey, October 18, 1984–February 3, 1985. (Catalogue)

Highlights: Selections from the BankAmerica Corporation Art Collection, Plaza Gallery, Concourse Gallery, AP Gianni Gallery, San Francisco, October 4–November 27, 1984. (Booklet)

Content: A Contemporary Focus 1974-84, Hirshhorn Museum & Sculpture Garden, Washington, D.C., October 4, 1984–January 6, 1985. (Catalogue)

Group Exhibition, Olsen Gallery, New York, October 1–29, 1984.

Arabesque: Grand Gestures in Painting, Sculpture & Decorative Arts, Bette Stoler Gallery, New York, September 14–October 13, 1984.

Ecstasy, Monique Knowlton Gallery, New York, September 12–October 10, 1984. (Booklet)

Video: A Retrospective 1974-1984, Long Beach Museum of Art, California, September 9–November 4, 1984. (Catalogue)

A Changing Group Exhibition, Paula Cooper Gallery, New York, September 8–29, 1984.

Forming, The Parrish Art Museum, Southampton, New York, July 29–September 23, 1984. (Catalogue)

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Citywide Contemporary Sculpture Exhibition, Toledo Museum of Art, Ohio, July 15–October 14, 1984. (Catalogue)

50 Artists/50 States, Fuller Goldeen Gallery, San Francisco, July 11–August 25, 1984.

New American Video Art: A Historical Survey, 1967-1980, Whitney Museum of American Art, New York, June 13–July 1, 1984. (Catalogue)

Desire Caught By The Tail, Performance of Picasso’s play with costumes and sets by Lynda Benglis, John Drew Theater, East Hampton, New York, June 9–10, 1984; Robert Whitman Studio, New York, June 13-17, 1984.

International Water Sculpture, 1984 Louisiana World Exposition, New Orleans, Louisiana, May 12–November 11, 1984.

The Decorative Continues, Pam Adler Gallery, New York, April 4–28, 1984.

Paper Transformed: A National Exhibition of Paper Art, Turman Gallery, Indiana State University, Terre Haute, March 19–April 15, 1984. (Catalogue)

Monotypes, Weintraub Gallery, New York, March 15–April 14, 1984.

American Art Since 1970: Painting, Sculpture & Drawings from the Collection of the Whitney Museum of American Art, La Jolla Museum of Contemporary Art, California, March 10–April 22, 1984. Traveled to: Museo Tamayo, Mexico City, May 17–July 29, 1984; North Carolina Museum of Art, Raleigh, September 29–November 25, 1984; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, January 12–March 3, 1985; Center for the Fine Arts, Miami, Florida, March 30–May 26, 1985. (Catalogue)

2nd International Video Festival, Montbeliard, France, March 2, 1984.

Works by Women, Texas Women's University, Denton, February 21–March 23, 1984.

A Celebration of American Women Artists, Part II: The Recent Generation, Sidney Janis Gallery, New York, February 11–March 3, 1984. (Catalogue)

Intermedia: Between Painting & Sculpture, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, January 14–May 6, 1984. (Booklet)

Artists Call Against Intervention in Central America Benefit Exhibition, Paula Cooper Gallery, New York, January 14–28, 1984.

Cover to Cover, Penrose Hall Gallery, Tyler School of Art, Temple University, Philadelphia, January 12–29, 1984.

International Water Sculpture Competition, Davis McClain Galleries, Houston, January 12–February 11, 1984.

1983

Paper Works: An Invitational Exhibition of Handmade Paper Works, Fox Fine Arts Center, University of Texas at El Paso, December 9, 1983–January 20, 1984.

Changing Group Exhibition, Paula Cooper Gallery, New York, December 8–20, 1983.

Ray Parker, Peggy Cyphers, Lynda Benglis, Peter Halley, Richard Artschwager, Mary Obering, Christminster Fine Art, New York, December 7, 1983–January 2, 1984.

Floored, Hillwood Art Gallery, C.W. Post Center, School of the Arts, Long Island University, Greenvale, New York, November 18–December 7, 1983. Traveled to: Tyler Galleries, Tyler School of Art, Temple University, Elkins Park, Pennsylvania, January 12–29, 1984. (Catalogue)

Collector's Gallery XVII, Marion Koogler McNay Art Museum, San Antonio, Texas, November 4–December 26, 1983.

Exhibition of Designs for The First International Water Sculpture Competition, The Fendrick Gallery, Washington D.C., October 27–November 26, 1983.

Language, Drama, Source & Vision, New Museum of Contemporary Art, New York, October 8–November 27, 1983. (Booklet)

Of, On or About Paper-III, USA Today, Arlington, Virginia, October 6, 1983–April 16, 1984. (Catalogue)

Group Exhibition, Olsen Gallery, New York, October 1–29, 1983.

The Artist and the Quilt, Marion Koogler McNay Art Museum, San Antonio, Texas, September 25–October 29, 1983. Traveled to: The Arts Council, Winston Square, Winston-Salem, North Carolina, November 27–December 31, 1983; Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, January 16–March 4, 1984; Moore College of Art Gallery, Philadelphia, Pennsylvania, March 20–31, 1984; Peninsula Fine Arts Center, Newport News, Virginia, June 1–30, 1984; Art Center Association of Louisville, July 12–August 29, 1984; Indianapolis Art League and Herron Art Gallery, Indiana University, Indiana, September 14–October 26, 1984; Huntington Galleries, Huntington, West Virginia, November 10, 1984–January 2, 1985; Textile Museum, Washington D.C., January 24­–March 10, 1985; Frederick S. Wight Art Gallery, University of California, Los Angeles, April 7–May 12, 1985; Columbus Museum of Art, Ohio, May 29–July 14, 1985; Tampa Museum of Art, Florida, August 1–October 30, 1985; Lakeview Museum of Arts and Sciences, Peoria, Illinois, November 4–December 29, 1985; New York State Museum, Albany, January 1–April 20, 1986; Meadows Museum of Art, Centenary College, Shreveport, Louisiana, November 2, 1986–January 4, 1987. (Catalogue)

Sculpture from the Collection of the Grey Art Gallery & Study Center, Jamaica Arts Center, Queens, New York, September 24–December 10, 1983.

Season’s Greetings, Daniel Weinberg Gallery, San Francisco, September 10–October 8, 1983.

The Knot and the Spiral in Paintings and Sculpture, Suellen Haber Gallery, New York, September 1983.

Sixteenth Annual Artists of the Springs Invitational Exhibition, Ashawagh Hall, East Hampton, New York, August 6–20, 1983.

Black and White, Margo Leavin Gallery, Los Angeles, June 25–August 13, 1983.

Selections II, Fuller Goldeen Gallery, San Francisco, June 8–July 2, 1983.

New Decorative Art, The Berkshire Museum, Pittsfield, Massachusetts, June 4–July 31, 1983. Traveled to: State University of Albany, New York, September 6–October 23, 1983. (Catalogue)

Minimalism to Expressionism: Painting & Sculpture since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, June 2–September 18, 1983. (Brochure)

Group Exhibition, Paula Cooper Gallery, New York, June–July 1983.

American Art of the Seventies and Eighties Back to the U.S.A., Künstmuseum, Lucerne, Switzerland, May 29–July 31, 1983. Traveled to: Rheinisches Landesmuseum Bonn, West Germany; Württembergischer Künstverein, Stuttgart, West Germany. (Catalogue)

Vente aux enchéres: art contemporain, Palais des Beaux-Arts, Brussels, Belgium, May 27–June 6, 1983. (Catalogue)

All that Glitters, Tweed Gallery, Plainfield, New Jersey, May 11–June 18, 1983.

The Sixth Day: A Survey of Recent Developments in Figurative Sculpture, The Renaissance Society at the University of Chicago, May 8–June 15, 1983. (Catalogue)

Surreal, Robert Miller Gallery, New York, May 3–June 30, 1983.

Air Affair: Sky Art Performance, Art and Culture Center, Hollywood, Florida, April 23, 1983.

Small Bronzes, McIntosh/Drysdale Gallery, Houston, April 12–May 14, 1983.

20th Century Sculpture: Process & Presence, Whitney Museum of American Art at Phillip Morris, New York, April 8–May 11, 1983. (Catalogue)

Sky Art: Paintings in the Air, Art and Culture Center, Hollywood, Florida, April 7–May 31, 1983.

Paula Cooper, Nancy Hoffman, Phyllis Kind: A Profile of Three Art Directors, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania, April 7–25, 1983.

Lynda Benglis and John Duff, Margo Leavin Gallery, Los Angeles, March 23–April 16, 1983.

Arrivals, Guild Hall Museum, East Hampton, New York, March 19–April 24, 1983.

Printed by Women: A National Exhibition of Photographs & Prints, Port of History Museum at Penn’s Landing, Philadelphia, February 17–May 8, 1983. (Catalogue)

Krewe of Clones, Mardi Gras, New Orleans, Louisiana, February 1983.

Selections from the Collection of Robert Vogele, Swen Parson Gallery, Northern Illinois University, De Kalb, Illinois, February 13–March 20, 1983. (Catalogue)

New Work, Susanne Hilberry Gallery, Birmingham, Michigan, February 12–March 12, 1983.

Women Artists Invitational 1983: Selections from the Women Artists Historical Archives, Philadelphia College of Art Gallery, Philadelphia, February 11–March 19, 1983.

Festival of the Arts, Muhlenberg College, Allentown, Pennsylvania, February 10–28, 1983.

Art Video: Retrospectives and Perspectives, Palais des Beaux-Arts, Brussels, February 5–March 27, 1983. (Catalogue)

Emery Clark Drawings: Project Miami and Art Cars, Barbara Gilman Gallery, Miami, Florida, February 4–March 1, 1983.

A Century of Modern Sculpture 1882-1982, Museum of Fine Arts, Houston, Texas, January 14, 1983–January, 1984. (Catalogue)

1984 Olympic Fine Art Posters: 15 Contemporary Artists Celebrate the Games of the XXIII Olympiad, Municipal Art Gallery, Los Angeles, January 11–20, 1983. Traveled to: University Art Gallery, California State University, Dominguez Hills. (Catalogue)

Art Cars: A National Juried Exhibition, Contemporary Arts Center, New Orleans, Louisiana, January 1983.

1982

Changing Group Exhibition: Sculptor’s Drawings, Paula Cooper Gallery, New York, December 1, 1982–January 11, 1983.

New York Now, Kestner-Gesellschaft, Hanover, West Germany, November 26, 1982–January 23, 1983. (Catalogue)

The Destroyed Print, Harriet Pratt Bush/Pratt Manhattan Gallery, New York, November 15–December 11, 1982. (Catalogue)

Androgyny in Art, Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, New York, November 6–December 19, 1982. (Catalogue)

Shift: LA/NY, Newport Harbor Art Museum, Newport Beach, California, September 7–November 27, 1982. Traveled to: Neuberger Museum, Purchase, New York, October 9–December 23, 1983. (Catalogue)

Out of the South, Heath Gallery, Atlanta, October 5-9, 1982. (Catalogue)

Twentieth Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Sciences, Potsdam, New York, October 1–December 1, 1982. Traveled to: Gallery of Art, University of Northern Iowa, Cedar Falls, April 5–May 5, 1983. (Catalogue)

Post MINIMALism, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 19–December 19, 1982. (Catalogue)

Women of the Americas, Kouros Gallery and Center for Inter-American Relations, New York, September 14–October 17, 1982. (Catalogue)

Group Show: Sculptor’s Drawings, Paula Cooper Gallery, New York, September 14–October 30, 1982.

Selected Prints III, Brooke Alexander, Inc., New York, September 7–October 2, 1982. (Catalogue)

Metals: Cast-Cut-Coiled, Rhode Island School of Design Museum of Art, Rhode Island School of Design, Providence, Rhode Island, August 13–September 26, 1982. (Catalogue)

The Americans: The Collage 1950–82, Contemporary Arts Museum, Texas, July 11–October 3, 1982. (Catalogue)

Casting: A Survey of Cast Metal Sculpture in the 80’s, Fuller Goldeen Gallery, San Francisco, July 8–August 28, 1982. (Catalogue)

74th American Exhibition, The Art Institute of Chicago, June 12–August 1, 1982. (Catalogue)

Sweet Art Sale Benefit, Franklin Furnace Archive, Inc., New York, June 1982.

Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, May 18–August 31, 1982. (Catalogue)

Made in California: Major New Works from Experimental Printmaking, San Francisco, Thomas Segal Gallery, Boston, May 8–June 5, 1982.

Art Cars, PS1, Long Island City, New York, April 4–May 30, 1982.

Early Work, The New Museum of Contemporary Art, New York, April 3–June 3, 1982. (Catalogue)

Dynamix, Contemporary Arts Center, Cincinnati, Ohio, March 11–April 17, 1982. Traveled to: Sullivan Hall Gallery, Ohio State University, Columbus September 6–October 17, 1982; Allen Memorial Art Museum, Oberlin College, Ohio, November 1–21, 1982; Butler Institute of American Art, Youngstown, Ohio, December 6–January 9, 1983; University of Kentucky, Lexington January 15–February 20, 1983; Joslyn Art Museum, Omaha, Nebraska, March 19–May 1, 1983; Doane Hall Art Gallery, Allegheny College, Meadville, Pennsylvania, May 5–27, 1983. (Catalogue)

Nature as Image and Metaphor: Works by Contemporary Women Artists, 105 Greene Street, New York, February 23–March 13, 1982. (Catalogue)

Energie New York, E.L.A.C. (Espace Lyonnais d’Art Contemporain) Centre d'Echanges, Lyon, France, February 15–March 15, 1982. (Catalogue)

U.S. Art Now: Current Trends in American Art, Göteborgs Konsthall, Göteborgs, Sweden, January 31–September 1, 1982. (Catalogue)

Changing Group Exhibition, Paula Cooper Gallery, New York, January 24–February 20, 1982.

Critical Perspectives: Curators and Artists, PS 1, Long Island City, New York, January 17–March 14, 1982.

Flat & Figurative: 20th Century Wall Sculpture, Zabriskie Gallery, New York, January 6–February 6, 1982.

1981

Art for the E.R.A., Zabriskie Gallery, New York, 1981.

Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators, Inc., New York. New Gallery of Contemporary Art, Cleveland, December 11, 1981–January 16, 1982. Traveled to: Gibbes Art Gallery, Charleston, South Carolina, May 19–June 30, 1982; Hudson River Museum of Westchester, Yonkers, New York, July 25–September 5, 1982; University of South Florida, Tampa, April 8–June 3, 1983; Art Museum and Galleries, California State University, Long Beach; Alberta College of Art, Calgary, Canada; Pensacola Museum of Art, Florida. (Catalogue)

Currents: A New Mannerism, Jacksonville Museum of Art, Florida, December 11, 1981–January 24, 1982. Traveled to: University of South Florida Art Galleries, Tampa, Florida, Part I, February 12–March 23, 1982; Part II, May 14–June 17, 1982. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, December 1981–January 1982.

Polychrome, Hansen Fuller Goldeen Gallery, San Francisco, December 2, 1981–January 2, 1982.

Possibly-Overlooked Publications: A Re-examination of Contemporary Prints & Multiples, Landfall Gallery, Chicago, November 20, 1981–January 16, 1982.

Variants: Drawings by Contemporary Sculptors, Sewall Art Gallery, Rice University, Houston, November 2–December 12, 1981. Traveled to: Art Museum of South Texas, Corpus Christi; Newcomb Art Gallery, Tulane University, New Orleans; High Museum of Art, Atlanta. (Catalogue)

Benefit Exhibition for the Kitchen, Paula Cooper Gallery, New York, September 19–26, 1981.

Handmade Paper: Prints and Unique Works, Art Lending Service, Museum of Modern Art, New York, September 1981; Traveled to: General Electric Company, Fairfield, Connecticut, 1982

Cast, Carved and Constructed, Margo Leavin Gallery, Los Angeles, August 1–September 19, 1981.

Group Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, Summer 1981.

Developments in Recent Sculpture, Whitney Museum of American Art, New York, July 22–September 27, 1981. (Catalogue)

In the Summer Space, Okun-Thomas Gallery, St. Louis, Missouri, June 13–July 31, 1981.

Media Relief, John Weber Gallery, New York, June 6–27, 1981.

American Reliefs, 121 Gallery, Antwerp, Belgium, May 21–June 20, 1981.

The Great American Fan Show, Lerner Heller Gallery, New York, May 2–June 3, 1981 and Reynolds/Minor Gallery, Richmond, Virginia, May 8–June 12, 1981. (Catalogue)

New Dimensions in Drawing: 1950–1980, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 2–September 6, 1981. (Catalogue)

New Options in Sculpture, Mattingly Baker Gallery, Dallas, Texas, closed May 14, 1981.

ICA Street Sights 2, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, April 15–May 10, 1981, organized by Independent Curators, Inc., New York. Traveled to: New Gallery of Contemporary Art, Cleveland, Ohio; Long Beach Museum of Art, California; Contemporary Arts Center, New Orleans, Louisiana. (Catalogue)

Coast to Coast, Okun-Thomas Gallery, St. Louis, Missouri, March 10–March 31, 1981.

Selected Prints Published by Landfall Press, Fox Graphics Gallery, Boston, March 6–April 30, 1981.

Donne in Arte-Viaggo a New York, Provincia di Genova, Genoa, Italy, March 1981.

Art in the Public Eye: Recent Acquisitions of the Security Pacific Collection, Security Pacific National Bank, Los Angeles, California, February 23–April 4, 1981. (Catalogue)

Bronze, Hamilton Gallery, New York, January 30–February 28, 1981.

1981 Whitney Biennial, Whitney Museum of American Art, New York, January 20–April 19, 1981. (Catalogue)

Contemporary Prints from Landfall Press, Trisolini Gallery of Ohio University, Athens, January 13–February 7, 1981. (Catalogue)

Sculptors’ Drawings and Maquettes, Max Hutchinson Gallery, New York, January 13–February 14, 1981.

Decorative Sculpture, The Sculpture Center, New York, January 11–February 20, 1981.

Group Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, January 1981.

1980

New York City, Galerie Daniela Ferraria, Rome, 1980.

The Peaceable Kingdom, Hansen Fuller Goldeen Gallery, San Francisco, California, December 3–31, 1980.

All that Glistens..., Marilyn Pearl Gallery, New York, December 2–31, 1980.

Three Generations of Twentieth Century American Art: Betty Parsons, Helen Frankenthaler, Lynda Benglis, Birmingham Museum of Art, Alabama, November 23–December 12, 1980.

Working with Bummy Huss Paper, Nielsen Gallery, Boston, Massachusetts, October 1–31, 1980.

Flight Patterns, Third Floor Gallery, Forrest Avenue Consortium, Atlanta, Georgia, September 12–October 4, 1980.

With Paper, About Paper, Albright-Knox Art Gallery, Buffalo, New York, September 12–October 26, 1980. Traveled to: Museum of Fine Arts, Springfield, Massachusetts. (Catalogue)

Three Dimensional Painting, Museum of Contemporary Art, Chicago Illinois, August 2–November 9, 1980. (Catalogue)

Works by Women, University Gallery, Southern Methodist University, Dallas, Texas, June 1–September 1, 1980, organized by Gihon Foundation, Dallas. Traveled to: Rudder Tower Exhibit Hall, Texas A & M University, College Station, Texas; Cultural Activities Center, Temple, Texas; Art Center, Waco, Texas; Tyler Museum of Art, Texas; Wichita Falls Museum and Art Center, Texas; Student Center Gallery, Texas Christian University, Ft. Worth, Texas; Northwood Institute Art Center, Cedar Hill, Texas; Clyde H. Wells Find Arts Center, Tarleton State University, Stephenville, Texas; Abilene Fine Arts Museum, Texas; Scurry County Museum, Western Texas College, Synder, Texas; Stephen F. Austin University, Nacogdoches, Texas; Cameron University Gallery, Lawton, Oklahoma; Victoria Regional Museum, Texas; Amarillo Art Center, Texas; Longview Museum and Arts Center, Texas; John E. Conner Museum, Texas A & M University, Kingsville; Charles B. Goddard Center, Ardmore, Oklahoma; Meadows Art Museum, Centenary College of Louisiana, Shreveport; Weil Gallery, Corpus Christi, Texas; Warehouse Living Arts Center, Corsicana, Texas; University Gallery, Angelo State University, San Angelo, Texas; Museum of the Southwest, Midland, Texas; Museum of the Big Bend, Alpine, Texas; Firehouse Arts Center, Norman, Oklahoma; Texas Women’s University, Denton, Texas; Dallas Public Library, Texas; Central Exchange, Kansas City, Missouri; Arkansas Arts Center, Little Rock; Memphis Brooks Museum of Art, Tennessee; Union Gallery, Louisiana State University, Baton Rouge; McAllen International Museum, Texas; School of Art and Architecture Gallery, Louisiana Tech University, Ruston; Alexandria Museum, Louisiana; Michelson-Reves Museum of Art, Marshall, Texas; Plano Cultural Arts Center, Texas; Haggar Gallery, University of Dallas, Irving, Texas; Edwin A. Ulrich Museum of Art, Wichita State University, Kansas; Museum, Texas Tech University, Lubbock; The Museum of East Texas, Lufkin; Museum of Arts and Sciences, Macon, Georgia; Gertrude Herbert Memorial Institute of Art, Augusta, Georgia; Rosenberg Library, Galveston, Texas; RGK Foundation, Austin, Texas; Midwest Museum of American Art, Elkhart, Indiana; and Mitchell Museum, Mount Vernon, Illinois.

Drawings: The Pluralist Decade, organized by Institute of Contemporary Art, University of Pennsylvania, Philadelphia. American Pavilion, Venice Biennale, Italy, June 1–September 30, 1980 (a version of the exhibition traveled to Institute of Contemporary Art, Chicago, October 4–November 9, 1980). (Catalogue)

American Contemporary Sculpture, Max Hutchinson Gallery, New Orleans, Louisiana, May 29–July 3, 1980.

Lynda Benglis, Jonathan Borofsky, Peter Campus, Michael Hurson: Works on Paper, Paula Cooper Gallery, New York, May 24–June 14, 1980.

Sculpture in California 1975-1980, San Diego Museum of Art, California, May 18–July 6, 1980. (Catalogue)

Jack Brogan Projects, Baxter Art Gallery, California Institute of Technology, Pasadena, California, May 15–June 29, 1980. (Catalogue)

Painted Structure, Jeffrey Fuller Fine Art, Philadelphia, Pennsylvania, April 18–May 21, 1980. (Booklet)

Sculpture on the Wall: Relief Sculpture of the Seventies, University Gallery, University of Massachusetts, Amherst, Massachusetts, March 29–May 4, 1980. (Catalogue)

Urban Encounters: Art, Architecture, Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, March 19–April 30, 1980. (Catalogue)

Paula Cooper at Yvon Lambert, Galerie Yvon Lambert, Paris, February 16–March 15, 1980.

Invitational, David Winton Bell Gallery, Brown University, Providence, Rhode Island, February 1–24, 1980. (Brochure)

Painting in Relief, Whitney Museum of American Art/Downtown Branch, New York, January 30–March 5, 1980. (Catalogue)

Current/New York, Joe and Emily Lowe Art Gallery, Syracuse University, New York, January 27–February 24, 1980.

Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, The Contemporary Arts Museum, Houston, January 20–March 2, 1980. (Catalogue)

1979

After Image: Projects of the ‘70s, University of the Arts, Philadelphia, Pennsylvania, November 17–December 15, 1979.

Contemporary Video Art, University Gallery, University of Massachusetts at Amherst, October 16–November 11, 1979.

First Exhibition, Toni Girhead Gallery, Cincinnati, Ohio, October 19–November 25, 1979.

Carl Andre, Lynda Benglis, Jonathan Borofsky, Elizabeth Murray, Pete Omlor, Paula Cooper Gallery, New York, September 8–October 10, 1979.

From the Lydia Modi Vitale Collection: Video Tapes by Lynda Benglis and Joel Glassman, University Art Museum, Berkeley, California, September 2, 1979.

Painting: Five Views, Ben Shahn Galleries, William Paterson College, Wayne, New Jersey, September 1–30, 1979. (Catalogue)

An Exhibition of Selected Acquisitions, Margo Leavin Gallery, Los Angeles, August 4–September 15, 1979.

Pittura-Ambiente, Palazzo Reale, Milan, Italy, June 9–September 16, 1979. (Catalogue)

American Portraits of the Sixties and Seventies, The Aspen Center for the Visual Arts, Colorado, June 1–August 31, 1979. (Catalogue)

Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, The Museum of Modern Art, New York, May 18–August 7, 1979. (Catalogue)

Projects: Video XXVII, The Museum of Modern Art, New York, May 18–June 17, 1979.

Color and Structure, Hamilton Gallery, New York, May 5–June 2, 1979.

Lynda Benglis and Ron Gorchov, Susanne Hilberry Gallery, Birmingham, Michigan, April 14–May 12, 1979.

Artattack, Otis Art Institute Gallery, Los Angeles, March 14–April 15, 1979.

Images of the Self, Hampshire College Art Gallery, Hampshire College, Amherst, Massachusetts, February 19–March 14, 1979.

1978

Gold/Silver, Holly Solomon Gallery, New York, December 20, 1978–January 10, 1979.

Film/Video 1976-1978, Leo Castelli Gallery, New York, December 2–20, 1978.

Gold, Members’ Penthouse, The Museum of Modern Art, New York, November 29, 1978–February 19, 1979.

Feministische Kunst Internationaal: Performances, Video, Film, Dokumentatie, De Appel Arts Center, Amsterdam, Netherlands, November 29, 1978–January 31, 1979. (Catalogue)

Sculpture: Modern Works, Philbrook Art Center, Tulsa, Oklahoma, October 15–November 23, 1978. (Brochure)

Video Art: Made for TV?, The Kitchen, New York, September 30–October 21, 1978. Traveled to: Long Beach Museum of Art, California.

Made by Sculptors, Stedelijk Museum, Amsterdam, Netherlands, September 14–November 5, 1978. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, September 9–October 4, 1978.

Group Exhibition, San Francisco Museum of Art, California, Summer 1978.

Summer Video Archives, Long Beach Museum of Art, California, June 25–September 17, 1978.

Art at Work: Recent Art from Corporate Collections, Whitney Museum of American Art at Federal Reserve Plaza, New York, March 9–April 11, 1978. (Brochure)

International Film Festival, Berlin, West Germany, February 8, 1978.

Eleven Artists, Georgia State University Art Gallery, Atlanta, January 30–February 17, 1978.

Up Against the Wall, Daniel Weinberg Gallery, San Francisco, January 28–February 25, 1978.

Group Exhibition, Paula Cooper Gallery, New York, January 1–February 1, 1978.

1977

American Narrative/Story Art: 1967-1977, Contemporary Arts Museum, Houston, December 17, 1977–February 25, 1978. (Catalogue)

N.O.W. Showing California Women Artists, juried by Lynda Benglis, National Organization of Women, Sacramento, California, November 11–December 2, 1977.

In Video, Dalhousie Art Gallery, Halifax, Canada, November 1–30, 1977; Art Gallery of Ontario, Canada, January 7–February 26, 1978; Winnipeg Art Gallery, Canada, March 7–April 12, 1978. (Catalogue)

Video and Performance Art, Stedman Art Gallery, Rutgers, the State University of New Jersey, Camden, October 11–21, 1977.

Contemporary Women: Consciousness & Content, Brooklyn Museum Art School, New York, October 1–November 27, 1977. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, September 10–October 12, 1977.

A View of a Decade: 1967–1977, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

Charles Arnoldi, Lynda Benglis, Laddie John Dill, Joe Fay, Howard Kaneg, Ann Thornycroft, Tom Wudl, Southwestern College Art Gallery, Chula Vista, California, September 8–November 30, 1977.

Lynda Benglis and William Weege, Hansen Fuller Gallery, San Francisco, August 2–31, 1977.

For the Mind & the Eye: Artwork by Nine Americans, New Jersey State Museum, Trenton, April 23–June 12, 1977.

Filmex Video and Film Project, ABC Entertainment Center, Century City, March 25–27, 1977.

1977 Biennial Exhibition, Whitney Museum of American Art, New York, February 15–April 3, 1977. (Catalogue)

Materials of Art: Plastic, Joseloff Gallery, University of Hartford, Connecticut, February 9–25, 1977.

Recent Acquisitions, Solomon R. Guggenheim Museum, New York, February 4–27, 1977.

Five from Louisiana, New Orleans Museum of Art, January 28–March 27, 1977. (Catalogue)

A Women's Exhibition, Cedars-Sinai Medical Center, Los Angeles, January 9–February 19, 1977.

Group Exhibition, Paula Cooper Gallery, New York, January 4–26,1977.

1976

Opening Exhibition, Susanne Hilberry Gallery, Birmingham, Michigan, December 10, 1976–January 5, 1977.

Recent International Forms in Art: The 1976 Biennale of Sydney, The Art Gallery of New South Wales, Sydney, Australia, November 13–December 19, 1976. (Catalogue)

Benefit Exhibition for “Einstein on the Beach”, BlumHelman Gallery, New York, November 1976.

Southland Video Anthology, Part 2, Long Beach Museum of Art, California, October 23, 1976–January 9, 1977. Traveled to: State University of New York, Buffalo, New York. (Catalogue)

New York, Downtown Manhattan, Soho: Shows, Theater, Music, Performance, Video, Film, Akademie der Künste Berlin, West Germany, September 5–October 17, 1976. (Catalogue)

Reinstallation of the Painting and Sculpture Collection, The Museum of Modern Art, New York, September 3–November 9, 1976.

Five Contemporary Artists: Albuquerque, Arnoldi, Benglis, Castoro, Steir, Otis Art Institute Art Gallery, Los Angeles, September 2–October 3, 1976.

American Salon des Refusés: Contemporary American Sculptors Not Included in the Whitney Museum’s Concurrent “Two Hundred Years of American Sculpture Exhibition,” Stamford Museum and Nature Center, Stamford, Connecticut, July 10–August 30, 1976.

Video Projects: IX, The Museum of Modern Art, New York, July 1–September 30, 1976.

Celebration of the Body, Agnes Etherington Art Center, Queens University, Kingston, Canada, June 19-31, 1976. (Catalogue)

Selection of New Work, Texas Gallery, Houston, June 1–30, 1976.

Artpark, Lewiston, New York, Summer 1976. (Catalogue)

American Artists ‘76: A Celebration, Marion Koogler McNay Art Institute, San Antonio, Texas, May 23–August 1, 1976. (Catalogue)

Nine Sculptors: On the Ground, In the Water, Off the Wall, Nassau County Center for the Fine Arts, Roslyn, New York, May 2–July 25, 1976.

Sequential Imagery in Photography, Broxton Gallery, Los Angeles, April 27–May 29, 1976.

The Liberation: 14 American Artists, Aarhus Künstmuseum, Vennelystparken, Denmark, April 10–May 2, 1976. (Booklet)

First Pan Pacific Biennale, 1976: Colour Photography and Its Derivatives, Auckland City Art Gallery, New Zealand, March 20–April 20, 1976. (Brochure)

Work by Nine Americans, Paula Cooper Gallery, Los Angeles, March 16–June 15, 1976.

Video II, Smith College Museum of Art, Northampton, Massachusetts, February 24–February 29, 1976.

Group Exhibition, Paula Cooper Gallery, New York, February 14–March 4, 1976.

Approaching Painting: Part III, HALLWALLS Contemporary Arts Center, Buffalo, New York, February 10–March 1, 1976. (Booklet)

Exhibition of Recent Work by Nineteen New York Artists, Johnson Art Gallery, Middlebury College, Vermont, January 9–30, 1976.

1975

New Editions 1974-75, New York Cultural Center, New York, 1975.

Group Exhibition, Paula Cooper Gallery, New York, December 13, 1975–January 14, 1976.

Autogeography, Downtown Branch, Whitney Museum of American Art, New York, December 11, 1975–January 7, 1976. (Catalogue)

Video Circuit II, Student Art Gallery, University of Guelph, Canada, December 4–13, 1975. (Catalogue)

Lives, curated by Jeffrey Deitch, Fine Arts Building, New York, November 29–December 20, 1975.

Photography/Not Photography, curated by Edit DeAk, Fine Arts Building, New York, November 1–11, 1975.

Video Art USA, organized by Independent Curators International, XIII Bienal de Sao Pãulo, Brazil, October 17–December 15, 1975. (Catalogue)

Painting, Drawing and Sculpture of the 60’s and 70’s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 7–November 18, 1975. Traveled to: Contemporary Arts Center, Cincinnati, Ohio, December 17, 1975–February 15, 1976. (Catalogue)

Women’s Video Festival, State University of New York at Buffalo, New York, July 21–22, 1975.

Southland Video Anthology, Long Beach Museum of Art, California, June 8–September 7, 1975. Traveled to: San Francisco Museum of Modern Art. (Catalogue)

Projected Video, Whitney Museum of American Art, New York, June 5–18, 1975.

Artists' Rights Today, Rayburn Building, Washington, D.C. and West Broadway Gallery, New York, June 1975.

The Video Show, Serpentine Gallery, London, May 1–May 26, 1975. (Catalogue)

Video Weekend, Portland Center for the Visual Arts, Oregon, May 1975.

Media Arts Exhibition, Blair County Arts Festival, Altoona Campus of Pennsylvania State University, May 1975.

Group Exhibition, Paula Cooper Gallery, New York, Spring 1975.

Selections from the Collection of Herbert and Dorothy Vogel, The Clocktower, Institute for Art and Urban Resources, New York, April 19–May 17, 1975. (Booklet)

Fourteen Artists, Baltimore Museum of Art, Maryland, April 15–June 1, 1975. (Brochure)

There’s Always Mañana: Arnoldi, Benglis, Bengston, Wudl, Texas Gallery, Houston, February 1–25, 1975.

Time and Transformation, Lowe Art Museum, University of Miami, Coral Gables, Florida, January 18–February 23, 1975.

Video Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, January 17–February 28, 1975. Traveled to: Contemporary Arts Center, Cincinnati, Ohio, March 22–May 30, 1975; Museum of Contemporary Art, Chicago, June 28–August 31, 1975; Wadsworth Atheneum, Hartford, Connecticut, September 17–November 2, 1975. (Catalogue)

Year of the Woman, Bronx Museum of the Arts, New York, January 16–February 20, 1975. (Catalogue)

1974

John Doyle Gallery, Chicago, 1974.

Opening Exhibition , Galerie John Doyle, Paris, 1974.

Choice Dealer/Dealer's Choice, New York Cultural Center, New York, 1974.

Drawings and Other Work, Paula Cooper Gallery, New York, December 7, 1974–January 8, 1975.

Video Circuit I, McLaughlin Library, University of Guelph, Ontario, Canada, December 5, 1974–January 2, 1975. (Catalogue)

Video as an Art Form: An Anthology of Videotapes 1969-1974, Smith College Museum of Art, Northampton, Massachusetts, December 3–8, 1974.

Group Exhibition, Paula Cooper Gallery, New York, Fall 1974.

Projects: Video I, The Museum of Modern Art, New York, August 26–October 31, 1974.

Group Exhibition, Paula Cooper Gallery, New York, Spring 1974.

Six from Castelli, De Saisset Museum, Santa Clara University, California, March 12–April 28, 1974.

1973

Drawings and Other Work, Paula Cooper Gallery, New York, December 15, 1973–January 9, 1974.

Options 73/30, The Contemporary Art Center, Cincinnati, Ohio, September 25–November 11, 1973. (Catalogue)

Re: Vision: Series of Performance, Concerts and Film, Contemporary Arts Museum, Houston, September 24–October 4, 1973.

Options and Alternatives: Some Directions in Recent American Art, Yale University Art Gallery, New Haven, Connecticut, April 4–May 16, 1973. (Catalogue)

Some Recent American Art, National Gallery of Victoria, Melbourne, Australia, February 12–March 10, 1973. Organized by the International Council of the Museum of Modern Art, Traveled to: Art Gallery of New South Wales, Sydney, Australia, April 5–May 5, 1973; Art Gallery of South Australia, Adelaide, May 31–June 30, 1973; Western Australia Art Gallery, Perth, July 26–August 21, 1973; City of Auckland Art Gallery, Auckland, New Zealand, October 14–November 17, 1973. (Catalogue)

Three Weekends of Video: John Baldessari, Frederick Barthelme, Lynda Benglis, William Wegman, Texas Gallery, Houston and Contemporary Arts Museum, Houston, February 10–25, 1973.

University of Rochester Studio Art Faculty, Memorial Art Gallery, University of Rochester, New York, January 12–February 17, 1973.

1973 Biennial Exhibition of American Painting & Sculpture, Whitney Museum of American Art, New York, January 10–March 18, 1973. (Catalogue)

The Four, De Saisset Museum, Santa Clara University, California, January 9–February 25, 1973.

1972

Small Series, Paula Cooper Gallery, New York, December 9, 1972–January 13, 1973.

Unmanly Art, Suffolk Museum, Stony Brook, New York, October 14–November 24, 1972. (Catalogue)

Art for McGovern, Pace Gallery and Sidney Janis Gallery, New York, September 20–21, 1972.

12th Annual St. Jude Invitational, De Saisset Museum, Santa Clara University, California, October 3–29, 1972. Traveled to: Everson Museum of Art, Syracuse, New York.

12 Statements Beyond the 60's, Detroit Institute of Arts, Michigan, September 27–November 5, 1972. (Catalogue)

American Women: 20th Century, Lakeview Center for the Arts & Sciences, Peoria, Illinois, September 15–October 29, 1972. (Catalogue)

Sculpture 72, Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, California, June 16–August 16, 1972.

Painting or Sculpture?, Newark Museum, New Jersey, June 7–September 11, 1972.

Group Exhibition, Paula Cooper Gallery, New York, June 6–23, 1972.

32nd Annual Exhibition: Contemporary Works of Art, Society for Contemporary Art, Art Institute of Chicago, Chicago, May 16–June 25, 1972.

Painting and Sculpture Today, Indianapolis Museum of Art, Indiana, April 26–June 4, 1972. (Catalogue)

Painting New Options, Walker Art Center, Minneapolis, April 23–June 4, 1972. (Catalogue)

Kent Women’s Invitational Exhibition, School of Art Gallery, Kent State University, Ohio, April 16–28, 1972.

American Women Artists Show, GEDOK (Gemeinschaft der Künstlerinnen und Künstfreunde), Künsthaus, Hamburg, Germany, April 14–May 14, 1972. (Catalogue)

New York Artists, Richard Gray Gallery, Chicago, March 7–April 6, 1972.

New York '72: Paula Cooper Gallery Group, Hurlbutt Gallery, Greenwich Public Library, Connecticut, January 6–29, 1972.

1971

Paula Cooper Gallery Group, Windham College, Putney, Vermont, 1971.

University of Rochester Studio Arts Faculty, Memorial Art Gallery, University of Rochester, New York, December 3–26, 1971. (Catalogue)

Directions 3: Eight Artists, Milwaukee Art Museum, June 19–August 8, 1971. (Catalogue)

Group Exhibition, Paula Cooper Gallery, New York, June 1971.

Group Exhibition, Bykert Gallery, New York, May 18–June 22, 1971.

Works for New Spaces, Walker Art Center, Minneapolis, May 18–July 25, 1971. (Catalogue)

Twenty Six by Twenty Six, Vassar College Art Gallery, Poughkeepsie, May 1–June 6, 1971. (Catalogue)

Lynda Benglis and Allan Hacklin, Forum Kunst Rottweil, Germany, January 30–February 28, 1971.

MoMA’s Restaurant, Member’s Penthouse, Museum of Modern Art, New York, January 26–February 28, 1971.

Into the Seventies: Paintings and Graphics from the New Gallery, Mansfield Art Center, Ohio, January 17–30, 1971.

1970

Lynda Benglis, George Kuehn, Richard Van Buren, Paula Cooper Gallery, New York, Winter 1970.

Art for Your Collection IX, Rhode Island School of Design Museum of Art (RISD), Providence, December 9–20, 1970.

Small Works, New Gallery for Contemporary Art, Cleveland, December 4, 1970–January 10, 1971.

Drawing Exhibition: Lynda Benglis, Rosemarie Castoro, Robert Grosvenor, Julian Lethbridge, David Novros, Dorothea Rockburne, Paula Cooper Gallery, New York, December 1, 1970–January 31, 1971.

Recent Work: Lynda Benglis, Doug Sanderson, Richard Van Buren, Ithaca College Museum of Art, New York, October 13–November 8, 1970. (Catalogue)

Referendum 70 Exhibition, Paula Cooper Gallery, New York, September 1970.

Lynda Benglis and Mike Goldberg, College of Architecture and Urban Studies, Blacksburg, Virginia, Fall 1970.

Highlights of the 1969–1970 Art Season, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 21–September 13, 1970. (Catalogue)

1969

Winters Gallery, Winters College, York University, Toronto, Canada, 1969.

Drawing Show, Paula Cooper Gallery, New York, December 1969.

1969 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, December 16, 1969–February 1, 1970. (Catalogue)

Art and Process IV, Finch College Museum of Art, New York, December 11, 1969–January 26, 1970. (Catalogue)

Prospect ‘69, Städtische Künsthalle Düsseldorf, Germany, September 30–October 12, 1969. (Catalogue)

Lynda Benglis, Gary Dubosen, Alan Shields, Paula Cooper Gallery, New York, September 20–October 15, 1969.

Other Ideas, Detroit Institute of Arts, Detroit, Michigan, September 10–October 19, 1969. (Catalogue)

Group Exhibition, Carmen Lamanna Gallery, Toronto, Canada, July 21–August 18, 1969.

Lynda Benglis, Charles Close, Richard Van Buren, David Paul, Bykert Gallery, New York, May 20–June 20, 1969.

Note: (V) = video art

Ackland Art Museum, University of North Carolina at Chapel Hill

AD&A Museum, University of California, Santa Barbara

Agnes Etherington Art Centre, Queens University, Kingston, Canada (V)

Akron Art Museum, Ohio

Albright-Knox Art Gallery, Buffalo, New York

Alexandria Museum of Art, Louisiana

Allen Memorial Art Museum, Oberlin, Ohio

Anderson Collection at Stanford University, California

Arkansas Arts Center, Little Rock

Art Institute of Chicago, Illinois

Art Museum of South Texas, Corpus Christi

Arteleku, San Sebastian, Spain (V)

Asheville Art Museum, North Carolina

Atlantic Center for the Arts, New Smyrna Beach, Florida

Auckland Art Gallery Toi o Tāmaki, New Zealand

Baltimore Museum of Art, Maryland

Birmingham Museum of Art, Alabama

Blanton Museum of Art, University of Texas at Austin

Block Museum of Art, Northwestern University, Evanston, Illinois

Brenau University Galleries, Gainesville, Georgia

Brooklyn Museum, New York

Butler Institute of American Art, Youngstown, Ohio

Carnegie Museum of Art, Pittsburgh, Pennsylvania

Castellani Art Museum, Niagara University, New York

Centre Georges Pompidou, Paris, France (V)

Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (V)

Chase Manhattan Bank, New York

Chatham University Art Gallery, Pittsburgh, Pennsylvania

Cincinnati Art Museum, Ohio

Cleveland Museum of Art, Ohio

Collezione La Gaia Busca, Italy (V)

Columbia Museum of Art, South Carolina

Contemporary Art Museum, St. Louis, Missouri

Cranford Collection, London, United Kingdom

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Dallas Museum of Art, Texas

Davis Museum, Wellesley College, Massachusetts

Delaware Art Museum, Wilmington

Denver Museum of Art, Colorado

Detroit Institute of Arts, Michigan

Dominican Museum, Rottweil, Germany

Donum Estate, Sonoma, California

Everson Museum of Art, Syracuse, New York

Fabric Workshop Museum, Philadelphia, Pennsylvania

Federal Plaza, Albany, New York

Fine Arts Museums of San Francisco, California

Fleming Museum of Art, University of Vermont, Burlington

G.A.M. Gallery of Modern Art of Turin, Italy (V)

Georgia Museum of Art, Athens

Glenstone Foundation, Potomac, Maryland

Govett-Brewster Art Gallery, New Plymouth, New Zealand (V)

Greenville County Museum of Art, South Carolina

Grey Art Gallery, New York University, New York

Guild Hall Museum, East Hampton, New York

Hammer Museum, Los Angeles (V)

Hartsfield-Jackson Atlanta International Airport, Georgia

Harvard Art Museums, Cambridge, Massachusetts

Harwood Museum of Art, Taos, New Mexico

High Museum of Art, Atlanta, Georgia

Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Museum of Art, Hawaii

Hood Museum of Art, Hanover, New Hampshire

Huntington Museum of Art, West Virginia

H. Lee Moffit Cancer Center & Research Institute, Tampa, Florida

Imperial Calcasieu Museum, Lake Charles, Louisiana

Indianapolis Museum of Art, Indiana

The Institute of Contemporary Art, Boston, Massachusetts

Irish Museum of Modern Art, Royal Hospital, Kilmainham, Dublin

Israel Museum, Jerusalem

Jewish Museum, New York

John and Mabel Ringling Museum of Art, Sarasota, Florida

Joslyn Art Museum, Omaha, Nebraska

Kistefos-Museet, Jevnaker, Norway

Kunsthaus Zurich, Switzerland (V)

Kunstmuseum Basel, Switzerland

Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany (V)

Linda Pace Foundation, San Antonio, Texas

Los Angeles County Museum of Art, California

Magasin III, Stockholm, Sweden

Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan

Marieluise Hessel Collection, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York

Marjorie Barrick Museum of Art, University of Nevada, Las Vegas

Masur Museum, Monroe, Louisiana

Memphis Brooks Museum of Art, Memphis, Tennessee

Metropolitan Museum of Art, New York

Miami-Dade Community College, Florida

Milwaukee Art Museum, Wisconsin

Modern Art Museum of Fort Worth, Texas

Montclair Art Museum, New Jersey

Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (V)

Museum of Contemporary Art, Chicago, Illinois

Museum of Contemporary Art, Los Angeles, California

Museum of Contemporary Art San Diego, California

Museum of Fine Arts, Boston, Massachusetts

Museum of Fine Arts, Houston, Texas

Museum of Fine Arts, St. Petersburg, Florida

Museum of Glass, Tacoma, Washington

The Museum of Modern Art, New York

Muzeum Susch, Zernez, Switzerland

Nasher Museum of Art, Duke University, Durham, North Carolina

National Gallery of Art, Smithsonian Institution, Washington, D.C.

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne, Australia

National Museum of Art, Osaka, Japan

National Museum of Art, Oslo, Norway (V)

National Museum of Art, Tokyo, Japan (V)

National Museum of Women in the Arts, Washington D.C.

Nelson-Atkins Museum of Art, Kansas City, Missouri

Neuberger Museum of Art, Purchase, New York

New Mexico Museum of Art, Santa Fe

New Mexico State University Art Gallery, Las Cruces

Newcomb Art Museum, Tulane University, New Orleans, Louisiana

New Orleans Museum of Art, Louisiana

Nora Eccles Harrison Museum of Art, Logan, Utah

Norton Museum of Art, West Palm Beach, Florida

Oakland Museum of California

Ogden Museum of Southern Art, New Orleans, Louisiana

Oklahoma City Museum of Art, Oklahoma

Olympic Sculpture Park, Seoul, Korea

Palm Springs Art Museum, California

Parrish Art Museum, Southampton, New York

Pennsylvania Academy of Fine Arts Museum, Philadelphia, Pennsylvania

Pensacola Museum of Art, Florida

Perez Art Museum, Miami, Florida

Philadelphia Museum of Art, Pennsylvania

Phoenix Art Museum, Arizona

Portland Art Museum, Oregon[LB1]

Princeton University Art Museum, New Jersey

Prudential Insurance Company, Parsippany, New Jersey

Remai Modern, Saskatoon, Canada

Rhode Island School of Design Museum of Art, Providence

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

Serralves Museum, Porto, Portugal (V)

Sheldon Museum of Art, University of Nebraska, Lincoln

Sidney Mishkin Gallery, Baruch College, New York

Smart Museum of Art, University of Chicago, Illinois

Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.

Solomon R. Guggenheim Museum, New York

South Bend Regional Museum of Art, Indiana

South Dakota Art Museum, University of South Dakota, Brookings

Speed Art Museum, Louisville, Kentucky

Stedelijk Museum, Amsterdam, The Netherlands (V)

Storm King Art Center, Mountainville, New York

Saint Louis Art Museum, St. Louis, Missouri

Tate Modern, London, United Kingdom

Toledo Museum of Art, Ohio

United States Mission to the United Nations, New York

University Art Gallery, New Mexico State University, Las Cruces

University of Arizona Museum of Art, Tucson

University of California Berkeley Art Museum, Berkeley (V)

University of Michigan Museum of Art, Ann Arbor

University of South Florida Art Museum, Tampa

University of Wyoming Art Museum, Laramie

U.S. Consulate General, Mumbai, India

Virginia Museum of Fine Arts, Richmond (V)

Walker Art Center, Minneapolis, Minnesota

Weatherspoon Art Museum, University of North Carolina at Greensboro

Wexner Center for the Arts, Columbus, Ohio (V)

Whitney Museum of American Art, New York

Williams College Museum of Art, Williamstown, Massachusetts

Yale University Art Gallery, New Haven, Connecticut

[LB1]The Portland Museum of Art is in Maine. The Portland Art Museum is in Oregon.

2024

Benglis, Lynda. “Why Artist Lynda Benglis Doesn’t Want Anyone Looking Up to Her.” Interview with Mara Veitch. Cultured Magazine, 24 January 2024. https://www.culturedmag.com/article/2024/01/24/artist-lynda-benglis-painting-sculpture

“Lynda Benglis Gathers Her Fountains in a Private Garden in Madrid.” Artplugged, 26 February 2024. https://artplugged.co.uk/lynda-benglis-gathers-her-fountains-in-a-private-garden-in-madrid/

Rabb, Maxwell. “The 10 Best Booths at Frieze Los Angeles 2024.” Artsy, 1 March 2024. https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-los-angeles-2024.

Silver, Hannah. “Lynda Benglis jewelry for Loewe wins Best Wearable Art at Wallpaper Design Awards 2024.” Wallpaper, 8 January 2024. https://www.wallpaper.com/watches-jewellery/small-watches.

Silver, Hannah. "Oozing, squidgy, erupting forms come alive at Hayward Gallery.” Wallpaper, 7 February 2024. https://www.wallpaper.com/art/exhibitions-shows/when-forms-come-alive-sixty-years-of-restless-sculpture-hayward-gallery-london.

2023

Adam, Georgina. “Collector Irene Panagopoulos: ‘I feel a connection to the whole Mediterranean world.” Financial Times, 9 June 2023. https://www.ft.com/content/b474d5a3-2287-4c28-9807-0f6af70391d9

Bittencourt, Ela. “7 Must-See Shows during the 35t São Paulo Bienal” (Mendes Wood DM exhibition review). Artsy, 7 September 2023. https://www.artsy.net/article/artsy-editorial-7-must-see-35th-sao-paulo-biennial.

Culpan, Daniel. “Lynda Benglis Creates Sensory Illusions” (Thomas Dane Gallery exhibition review). Frieze Magazine, 27 March 2023. https://www.frieze.com/article/lynda-benglis-thomas-dane-2023-review

Hawkins, Laura. “The Key Spring/Summer 2024 Trends to Know Now.” British Vogue, 6 November 2023. https://www.vogue.co.uk/article/spring-summer-2024-jewellery-trends.

Lawson-Tancred, Jo. “Post-Minimal Legend Lynda Benglis’s Gleaming, Flowing Sculptures Adorned Loewe’s Paris Runway and Were Translated into Accessories.” Artnet News, 6 October 2023. https://news.artnet.com/style/loewe-lynda-benglis-2370069.

Moss, Jack. “This season’s most dramatic runway sets, from curtains of slime to disco balls.” Wallpaper, 13 October 2023. https://www.wallpaper.com/fashion-beauty/runway-sets-ss-2024-shows.

Sayej, Nadja. “Day One Highlights from Art Basel Miami Beach 2023.” Observer, 7 December 2023. https://observer.com/2023/12/highlights-art-basel-miami-beach-2023/.

2022

Ahmed, Osman. "Loewe taps into the surreal for AW22," i-D, 5 March 2022. https://i-d.vice.com/en_uk/article/93b8kz/loewe-aw22-review.

Anapur, Eli. "Lynda Benglis Explores the Theme of Excavation at Blum & Poe," Widewalls, 14 May 2022. https://www.widewalls.ch/magazine/lynda-benglis-blum-poe.

Anspon, Catherine D. "High Drama and Female Protagonists at Kimball Art Museum," Paper City, 17 August 2022. https://www.papercitymag.com/arts/museums/artemisia-gentileschi-kehinde-wiley- kimbell-art-museum-fort-worth/

“Art from Many Major Artists to be Displayed at Armenian Museum in Watertown," Watertown News, 31 May 2022. https://www.watertownmanews.com/2022/05/31/art-from-many-major-artists-to-be-displayed-at-armenian-museum-in-watertown/.

Bailey, Stephanie. “Lynda Benglis: Sculpture on Its Own Terms.” Ocula, 18 May 2022. https://ocula.com/magazine/features/lynda-benglis-sculpture-on-its-own-terms/

Benglis, Lynda. "Letters to an Artist: Advice to a Late-Career Artist," T: The New York Times Style Magazine (April 24, 2022): 68.

Bentley, Alex. "These are the 14 best things to do in Dallas this weekend," Culturemap Dallas, 19 May 2022. https://dallas.culturemap.com/news/entertainment/05-19-22-best-things-weekend- phoebe-bridgers-jane-goodall-new-kids-on-the-block-four-day-weekend/#slide=2.

“California's most notable contemporary artists from the Joan and Jack Quinn Family Collection to debut in Boston,” Armenian Weekly, 2 June 2022. https://armenianweekly.com/2022/06/02/californias-most-notable-contemporary-artists-from-the-joan-and-jack-quinn-family-collection-to-debut-in-boston/.

Goldman, Edward. “Solo Exhibitions by Adventurous Sculptors: Gwynn Murrill, Lynda Benglis and Kyong Boon Oh,” Art Matters, June 2022. https://mailchi.mp/edwardgoldman.com/art-matters-with-edward-goldman-9031645?e=5edd55ec7e

Granados, Marlowe. “Going Viral at Miami Art Basel 2022.” New York Magazine’s The Cut, 5 December 2022. https://www.thecut.com/2022/12/the-8-most-instagrammable-art-pieces-at-art-basel-2022.html

Haddad, Natalie. "Lynda Benglis Basks in the Light of Her Art," Hyperallergic, 22 June 2022. https://hyperallergic.com/742386/lynda-benglis-basks-in-the-light-of-her-art/.

Kienzer, Sabine. "Object of Desire." In Faking the Real. Kunsthaus Graz, November 2022: 164, 165, illustrated.

Laster, Paul. “The Ultimate Guide to the New Wave Art Wknd in Palm Beach.” Galerie Magazine, 22 November 2022. https://galeriemagazine.com/ultimate-guide-new-wave-art-wknd-palm-beach/

Lauesen, Conor. "Lynda Benglis," Brooklyn Rail, 2 August 2022. https://brooklynrail.org/2022/07/artseen/Lynda-Benglis-Locks.

Lawrence, Nora. ”Nora Lawrence's Top Five Works from Frieze Viewing Room,” Frieze, 18 May 2022. https://www.frieze.com/article/nora-lawrences-top-five-works-frieze-viewing-room.

“Lynda Benglis.” 125 Newbury, no.1 (October 2022): 30–31, illustrated.

Martin, Merritt. "The Best Things To Do In Dallas," Dallas Observer, 10 August 2022. https://www.dallasobserver.com/arts/best-things-to-do-in-dallas-august-10-august-16- dallas-observer-14557626.

Moore, Jane. “Art Basel to mark 20th anniversary in Miami Beach with largest event to date” (Pace Gallery exhibition review). Palm Beach Daily News, 28 November 2022. https://www.palmbeachdailynews.com/story/news/2022/11/28/art-basel-returns-20th-year-miami-beach-largest-event-date/10756560002/

Moraes, Carolina. "Como artista chacoalhou machismo nos EUA com esculturas gigantes de latex," Folha de S. Paulo, 19 April 2022. https://www1.folha.uol.com.br/ilustrada/2022/04/como-artista-chacoalhou-machismo-nos-eua-com-esculturas-gigantes-de-latex.shtml.

"Must See." Artforum, May 2022. https://www.artforum.com/artguide/blum-poe-los-angeles-374/excavation-205488.

Nys Dambrot, Shana. "Lynda Benglis: Excavation & Lauren Quin: Pulse Train Howl," Art and Cake, 13 June 2022. https://artandcakela.com/2022/06/13/lynda-benglis-excavation-lauren-quin-pulse-train-howl/.

Orr, Tom. "Made from Concentration." The Nasher (Spring 2022): 15–17.

"Top Five: May 26, 2022." Glasstire, 26 May 2022. https://glasstire.com/2022/05/26/top-five-may-26-2022/.

Ziots, Megan. "3 Under-the-Radar Art Exhibits to Catch in Dallas This Summer," Paper City, 25 May 2022. https://www.papercitymag.com/arts/3-new-art-exhibits-to-catch-in-dallas-this-summer-dma-nasher-sculpture-center/

2021

Agresta, Michael, Molly Glentzer, Rainey Knudson, Josh Alvarez. "2021 Was...? These Works of Art Help Make Sense of It." Texas Monthly, 12 December 2021. https://www.texasmonthly.com/arts-entertainment/best-texas-artworks-2021/

“An Alphabet of Forms” (Pace Gallery exhibition review). Whitewall, 15 June 2021. https://whitewall.art/whitewaller/new-york/an-alphabet-of-forms

Applin, Jo. "Lynda Benglis: The Erotics of Artmaking." Art Review (November 2021): 48–53. https://artreview.com/lynda-benglis-the-erotics-of-artmaking/

“Art in Bloom” (Pace Gallery exhibition preview). Avenue (May/June 2021): 38, illustrated.

Benglis, Lynda. “Artist Lynda Benglis Remembers Life at 222 Bowery in the 1970s.” Curbed, 28 June 2021. https://www.curbed.com/2021/06/artist-lynda-benglis-remembers-life-at-222-bowery.html

Cartagena, Rosa. "Juneteenth, Father's Day, and Live Go-Go: Things to Do in DC, June 10-13." Washingtonian (June 17, 2021). https://www.washingtonian.com/2021/06/17/things-to-do-june-17-20/

Chan, TF. "California's Donum Estate gets Scandinavian design makeover by David Thulstrup." Wallpaper (June 2, 2021). https://www.wallpaper.com/architecture/donum-house--donum-estate-david- thulstrup-california-usa

"Curated Selection: Sozita Goudouna: Platforming Greek Contemporary Art." Ocula, November 2021. https://ocula.com/advisory/curated-selections/sozita-goudouna-greece-in-usa/.

Dagen, Philippe. "Au Centre Pompidou, les femmes ont un fort pouvoir d'abstraction." Le Monde, May 20, 2021: 24.

Dias, Stefani. "Freedom, friendship at 'Edge' of BMoA's new exhibition." Bakersfield.com, 29 September 2021. https://www.bakersfield.com/entertainment/arts-theater/freedom-friendship-at-edge-of-bmoas-new- exhibition/article_14c8f522-20c5-11ec-a71f-af8eff3663c7.html

Donovan, Molly and Lynda Benglis. "Video Data Bank Conversations at the Edge." Video Data Bank, 8 October 2021. https://www.saic.edu/events/lynda-benglis-conversation

Fateman, Johanna. “Lynda Benglis” (Pace Gallery exhibition review). 4Columns, 28 May 2021. https://4columns.org/fateman-johanna/lynda-benglis

Frank, Peter. "On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection." Whitehot Magazine, October 2021. https://whitehotmagazine.com/articles/joan-jack-quinn-family-collection/5180

Ghys, Clément. “222 Bowery, l’adresse de tous les excès.” Le Monde, July 2021: 23–29, illustrated. https://www.lemonde.fr/m-le-mag/article/2021/07/30/sexe-drogue-et-poesie-le-222-bowery-a-new-york-cinquante-ans-d-avant-garde-et-d-exces_6089967_4500055.html

"Greek-American Artist Lynda Benglis & ARC Athens Introduce the Bill Fagaly Fund." The National Herald, 27 July 2021. https://www.thenationalherald.com/archive_events_culture_arts/arthro/greek_american_artist_lynda_benglis_arcathens_introduce_the_bill_fagaly_fund-2974004/

Hame, Kame. "Lynda Benglis' Sculptures in Paper and Bronze Come to Xavier Hufkens." Widewalls, 13 September 2021. https://www.widewalls.ch/magazine/lynda-benglis-xavier-hufkens.

Heathcote, Edwin. "Will Painting Ever Lose Its Gloss?." Financial Times, June 10. 2021, sec. Visual Arts. https://www.ft.com/content/b7f2a1f9-d2be-4e1f-940e-8c0c342a27fb

Hleba, Halyna and Kateryna Lakovlenko, "A Milk Portion for Working in Hazardous Conditions: Sexuality, Physicality, and Intimate Space in the Ukranian Art of the 1990s." Blok, 15 March 2021. https://blokmagazine.com/a-milk-portion-for-working-in-hazardous-conditions/

"Hot Lots: 7 Works That Completely Upended Expectations at Last Week's Modern and Contemporary Art Day Sales in New York." Artnet News, 5 October 2021. https://news.artnet.com/news-pro/hot-lots-september-2021-2014902

“‘If a Waterfall Freezes, How Do You Read It?’: Watch Lynda Benglis Translate the Energy of Painting Into Boundary-Blurring Sculpture” (National Gallery of Art exhibition review). Artnet News, 9 September 2021. https://news.artnet.com/art-world/art21-lynda-benglis-2007315

Kennicott, Philip. "Artist Lynda Benglis became controversial in an instant, but her career has thrived for decades" (National Gallery of Art exhibition review). The Washington Post, 29 August 2021, Sunday ed., sec. Art: E4-E5. https://www.washingtonpost.com/entertainment/museums/lynda-benglis-national-gallery-show/2021/08/24/799494ea-04e4-11ec-a266-7c7fe02fa374_story.html

Lankarani, Nazanin. "How Women Made Their Place in Abstract Sculpture." The New York Times, October 9, 2021. https://www.nytimes.com/2021/10/09/arts/frieze-women-abstract-sculpture.html

Laster, Paul. "Best of The Art Show 2021." Whitehot Magazine, November 2021. https://whitehotmagazine.com/articles/best-art-show-2021/5196

Lawson-Tancred, Jo. "Material Differences-the abstract women sculptors with utterly different approaches." Apollo, 29 October 2021. https://www.apollo-magazine.com/making-it-women-abstract-sculpture- waddington-custot/

Loos, Ted. "Art of the Dealer: Paula Cooper Shores Up Her Legacy." New York Times, April 16, 2021, sec. Arts. https://www.nytimes.com/2021/04/16/arts/design/paula-cooper-gallery.html

Malone, Peter. "Adroit realizations and obdurate miscues at Meredith Rosen." Two Coats of Paint, 10 July 2021. https://www.twocoatsofpaint.com/2021/07/adroit-realizations-and-obdurate-miscues- at-meredith-rosen.html

Mir, Stan. "When Abstraction Exploded in Form and Meaning." Hyperallergic (March 6, 2021). https://hyperallergic.com/626784/when-abstraction-exploded-in-form-and-meaning/

Nathan, Johannes, ed. "Paula Cooper Gallery" in De Gruyter Art Market Dictionary. De Gruyter Reference, 2021. Website.

Plagens, Peter. "‘Knotted, Torn, Scattered: Sculpture After Abstract Expressionism’ Review: Mutable Materials" (Solomon R. Guggenheim Museum exhibition review). The Wall Street Journal, 14 April 2021. https://www.wsj.com/articles/knotted-torn-scattered-sculpture-after-abstract-expressionism-review-mutable-materials-11618429660

Pottiger, Maya. "The National Gallery of Art's East Building Reopens Tomorrow. Here's What to See." Washingtonian (June 17, 2021): https://www.washingtonian.com/2021/06/17/the-national-gallery-of-arts-east-building- reopens-tomorrow-heres-what-to-see/

Ross, Toni. "Natalya Hughes: Sullivan + Strump, Sydney." Artforum (January/February 2021): 187.

Sarradet, William. "Apocalypse Yesteryear: Some Recent Shows in Dallas-Fort Worth." Glasstire (March 19, 2021). https://glasstire.com/2021/03/19/apocalypse-yesteryear-some-recent-shows-in-dallas- fort-worth/

Segal, Mark. "A Peculiar Picasso Play." The East Hampton Star, 21 October 2021. https://www.easthamptonstar.com/arts/20211021/peculiar-picasso-play

Smee, Sebastian. “Dawoud Bey, Jasper Johns and ‘Automania’ are among the many compelling reasons to visit museums this summer” (Pace Gallery exhibition review). The Washington Post, 11 June 2021. https://www.washingtonpost.com/entertainment/museums/art-museums-reopening-summer-shows/2021/06/09/a7ebfa02-c7ba-11eb-81b1-34796c7393af_story.html

Smith, Greg. "Ceramics, Craft & Outsiders: The Okun Collection Offered a Dealer's Eye." Antiques and the Arts Weekly (May 11, 2021). https://www.antiquesandthearts.com/ceramics-craft-outsiders-the-okun-collection- offered-a-dealers-eye/

Smith, Roberta. "Looking at Clay From All Angles." The New York Times, June 14, 2021, sec. C, p. 1. https://www.nytimes.com/2021/06/13/arts/design/robert-ellison-ceramics-met- museum.html

Sutton, Benjamin. “Artsy Insider: Two Artists Seeing Major Sales at Art Basel in Basel.” Artsy, 26 September 2021. (opens in a new window) https://www.artsy.net/article/artsy-editorial-artsy-insider-two-artists-major-sales-art-basel-basel

Thaddeus-Johns, Josie. “The 10 Best Booths at Art Basel in Basel 2021.” Artsy, 22 September 2021. https://www.artsy.net/article/artsy-editorial-10-best-booths-art-basel-basel-2021

Weschler, Lawrence. "The Alchemist: A Profile of Jack Brogan." Wondercabinet, 28 October 2021, Issue 2. https://lawrenceweschler.substack.com/p/october-28-2021-issue-2

Woodard, Daisy. "Free at Last: Brilliant Things to Do This May." AnOther (May 4, 2021): https://www.anothermag.com/design-living/13297/things-to-do-may-2021-exhibitions- art-photography-food-film-london

2020

Blistene, Bernard. "Seasons of Pleasure (Les Saisons du plasir)." Beaux Arts Magazine, no. 431 (May 2020): 56–69.

Block, Annie. "4 Exhibitions to See This Fall." Interior Design, 3 September 2020. https://www.interiordesign.net/articles/18323-4-exhibitions-to-see-this-fall/

Brady, Ann and Margaret Carrigan. "Private View: Must-See Gallery Shows Opening in January." The Art Newspaper. 6 January 2020. https://www.theartnewspaper.com/preview/private-view-new-commercial-gallery-shows-from-new-york- to-naples

Bundy, Jean. ”Quick! Hide your Children from Art-It's Worse Thank Covid-19.” Anchorage Press, 4 May 2020. https://www.anchoragepress.com/arts_and_entertainment/quick-hide-your-children-from-art--it-s-worse- than-covid-19/article_73c72ffc-8e41-11ea-b850-afa45647f8a6.html

"A Celebration of Public Art & Sculpture." Pace Gallery Journal, 16 June 2020. https://www.pacegallery.com/journal/celebration-public-art-sculpture-art- basel/?mc_cid=42c8705384&mc_eid=0c89f9c218

Drake, Cathryn. "Lynda Benglis Museum of Cycladic Art." Artforum, May/June 2020: 191–192.

"Exhibition Examines the Role of Materiality in Artistic Expression." Art Daily, 27 April 2020. https://artdaily.com/news/122844/Exhibition-examines-the-role-of-materiality-in-artistic- expression#.XqcOBtNKgc0

"Explore Modern Art and Architecture at the Noyes House." Untapped New York, 26 October 2020. https://untappedcities.com/2020/10/26/explore-modern-art-architecture-noyes-house/

Fahd, Cherine. "The Body Electric Review: An Erotic Centering of The Female Gaze at the National Gallery of Australia." The Conversation, 30 June 2020. https://theconversation.com/the-body-electric-review-an-erotic-centring-of-the-female-gaze-at-the-national- gallery-of-australia-141297

Ficca, Lea Marianna. ”Ghosts of Archaeology: Lynda Benglis' Spettri.” Mutual Art, 28 February 2020. https://www.mutualart.com/Article/Ghosts-of-Archaeology--Lynda-Benglis--Sp/ACC0BE4ABF066BE6?utm_source=mutualart&utm_medium=email_alert&utm_campaign=alert_b&utm_content=al_by_artist&refID=188370265D6E373815C2A629AE3E7539

Fondren, Precious. "Sculpture Garden Tour Allows Visitors To View Art From A Distance." The Blade, 11 July 2020. https://www.toledoblade.com/local/community-events/2020/07/11/Museum-sculpture-garden-tour-allows-visitors-to-appreciate-art-from-a-distance/stories/20200711087

Gerakiti, Errika. "The Post-Minimalistic and Feminist art of Lynda Benglis." Daily Art Magazine, 4 November 2020. https://www.dailyartmagazine.com/lynda-benglis-art/

Glickstein, Adina. "Lynda Benglis is Back-Knots, Pours, Dildos, and All." Hyperallergic, 7 October 2020. https://hyperallergic.com/592764/lynda-benglis-early-works-cheim-read-ortuzar/

Goldstein, Caroline. “A Lush Contemporary Art Show Inside Modernist Designer Eliot Noyes's Home is the Stuff of Real-Estate Fantasises-See it Here.” Artnet, 2 October 2020. https://news.artnet.com/exhibitions/at-the-noyes-house-1912601

Goodman, Jonathan. "Lynda Benglis at Cheim & Read." Whitehot Magazine, December 2020. https://whitehotmagazine.com/articles/lynda-benglis-at-cheim-read/4793

Greenberger, Alex. “In Ambitious New Book, Curator Barbara London Charts Video Art's Rise as One of Today's Dominant Mediums.” Artnews, 13 January 2020. https://www.artnews.com/art-news/news/barbara-london-video-art-interview-1202674984/

Heinrich, Will. "Ablaze with Art: Thriving Galleries in Lower Manhattan." New York Times, 15 October 2020. https://www.nytimes.com/2020/10/15/arts/design/art-galleries-tribeca-lower- manhattan.html

Hoby, Hermione. "Lynda Benglis Pours One Out," Frieze (March 2020): 82-91.

Laster, Paul. "Daytripping on the East End." Whitehot Magazine, August, 2020. https://whitehotmagazine.com/articles/daytripping-on-east-end/4699

"Lynda Benglis: Spettri at Thomas Dane Gallery, Naples." Arte Fuse, 19 March 2020. https://artefuse.com/2020/03/19/lynda-benglis-spettri-at-thomas-dane-gallery-naples/

Mallozzi, Vincent M. "For Two Art Lovers, a Picture-Perfect Scene." New York Times, August 21, 2020, sec. Mini-Vows. https://www.nytimes.com/2020/08/21/fashion/weddings/for-two-art-lovers-a- picture-perfect-scene.html

Miller, M.H. "See This: The Pioneering Early Work of Lynda Benglis." T Magazine, 14 October 2020. https://www.nytimes.com/2020/10/15/t-magazine/esperinos-le-monde-beryl.html.

Miriyagalla, Amaavi. ”Twenty-Six by Twenty-Six: Professor Nesbit's favorite Loeb collection.” The Miscellany News (Vassar College), October 7, 2020, sec. Arts. https://miscellanynews.org/2020/10/07/arts/twenty-six-by-twenty-six-professor-nesbits-favorite-loeb-collection/

Padua, Pat. "9 Art Exhibits and Events to See in March." DCist, 4 March 2020. https://dcist.com/story/20/03/04/9-art-exhibits-and-events-to-see-in-march/

Pateman, Daniel. "Lynda Benglis: In the Realm of the Senses." Brooklyn Rail, February 2020: 63-64.

Scobie, Ilka, "Navigating Downtown NYC Galleries During a Pandemic Autumn 2020," Artlyst, 26 October 2020. https://www.artlyst.com/reviews/navigating-downtown-nyc-galleries-during-a- pandemic-autumn-2020-ilka-scobie/

"Paula Cooper Gallery opens an exhibition of work by Lynda Benglis, Eric N. Mack, and Kelley Walker." Art Daily, 25 September 2020. https://artdaily.com/news/128513/Paula-Cooper-Gallery-opens-an-exhibition-of-work- by-Lynda-Benglis--Eric-N--Mack--and-Kelley-Walker#.X6BYrVNKiZ0

"Pets of the Art World! Meet 15 of the Adorable (Yet Edgy) Furry Friends Keeping Artists, Gallerists, and Curators Sane These Days." Artnet, 17 April 2020.

https://news.artnet.com/art-world/15-adorable-art-world-pets-1830873?utm_content=from_artnetnews&utm_source=Sailthru&utm_medium=email&utm_campaign=US %2010:30%20a.m.%20newsletter%20for%204/17/20&utm_term=US%20Daily%20Newsletter%20%5BM ORNING%5DMi

Shaw, Anny. "Surface glitter, serious depth." Financial Times, 18-19 January 2020, Weekend ed., sec. Life & Arts, p. 13.

Silva, Horacio. "Lynda Benglis." Cloakroom, May 2020: 42-79.

Solomon, Tessa. "Storm King Becomes as Sensation: Why the Upstate New York Sculpture Park Is Now a Destination." Artnews, 10 November 2020. https://www.artnews.com/feature/storm-king-art-center-most-famous-works- 1234576216/

"Spotlight: A Swiftly Tilting Planet Pace." Artforum, 1 April 2020. https://www.artforum.com/spotlight/pace-82642.

Summerfield, William. "Lynda Benglis: In the Realm of the Senses." This Is Contemporary Art Magazine, 8 January 2020. http://thisistomorrow.info/articles/lynda-benglis-in-the-realm-of-the-senses

Svirinavichyus, Nicole. ”A Look Into Baruch's Art Collection: Lynda Benglis.” The Ticker, 27 April 2020. https://theticker.org/ticker/2020/4/27/a-look-into-baruchs-art-collection-lynda-benglis

2019

Adam, Georgina. ”Komal Shah's mission to redress the art world's balance.” Financial Times, 26 April 2019. https://www.ft.com/content/da5b8a54-605e-11e9-9300-0becfc937c37?shareType=nongift

Adno, Michael. "At Home with the Man Who Helped Bring African Art to New Orleans." Artsy, 15 March 2019. https://www.artsy.net/article/artsy-editorial-the-nightcrawler-king-man-helped-bring-african-art-new-orleans

Alexander, Maya. "Angeletti hosts art tour of Newman Vertical Campus." The Ticker, 18 November 2019. https://theticker.org/ticker/2019/11/18/angeletti-hosts-art-tour-of-newman-vertical-campus

"Art World." Artnet News, 15 January 2019. https://news.artnet.com/art-world/art-industry-news-january-15-2019-1439524

Bookhardt, D. Eric. ”Art Review: 'Bondeye: Beyond and Between.'” Gambit (The Advocate), 4 February 2019. https://www.theadvocate.com/gambit/new_orleans/events/art_previews_reviews /article_fe5f3974-24a8-11e9-b5b9-9385f81d8ff0.html

Bookhardt, D. Eric. ”Review: 'Keith Sonnier: Until Today' at the New Orleans Museum of Art.” The Gambit 8 April 2019. https://www.theadvocate.com/gambit/new_orleans/events/art_previews_reviews/article_b7baa86c-5641- 11e9-b7df-af848a335f0f.html

Breslin, David, Martha Rosler, Kelly Taxter, Torey Thornton and Rikrit Tiravanija. “The 25 Works of Art That Define the Contemporary Age.” T: The New York Times Style Magazine, 15 July 2019. https://www.nytimes.com/2019/07/15/t-magazine/most-important-contemporary-art.html

Brooks, David. "Who Will Teach Us How to Feel?" The New York Times, July 23, 2019, sec. A, p.27.

Can Yerebakan, Osman. ”Artist's Questionnaire: Sculpt, Memory.” The New York Times, August 18, 2019, sec. Sunday Styles, p. 3.

Cascone, Sarah. ”Editor's Picks: 21 Things Not to Miss in New York's Art World This Week.” Artnet, 14 October 2019. https://news.artnet.com/art-world/editors-picks-october-14-1672195

Chew, Hannah T. ”'Contemporary Art: Five Propositions' Showcases the MFA's Contemporary Art Collection.” The Harvard Crimson, October 29, 2019. https://www.thecrimson.com/article/2019/10/29/contemporary-art-mfa/

CNN staff. ”5 New York exhibitions that honor Stonewall's legacy.” Crossroads Today, 28 May 2019. https://www.crossroadstoday.com/lifestyle/5-new-york-exhibitions-that-honor-stonewalls-legacy/1081572760

"Exhibition brings together twenty mid- to large-scale works from the 1970s to the present by Lynda Benglis," Artdaily.com, 26 August 2019. http://artdaily.com/news/116126/Exhibition-brings-together-twenty-mid--to-large-scale-works-from-the- 1970s-to-the-present-by-Lynda-Benglis#.XWPr6ZNKil5

Frank, Michael. ”Visit Museums For Free On Hot Days, Thanks To Helis Foundation's 'Art & AC.'” Off Beat Magazine, 29 July 2019. http://www.offbeat.com/news/visit-museums-free-hot-days-thanks-helis-foundations-art-c/.

Freeman, Nate. "The Rise and Fall of Mary Boone," Artsy (February 14, 2019): https://www.artsy.net/article/artsy-editorial-rise-fall-mary-boone-revolutionary- art-dealer-going-prison-tax-fraud.

"Greek-American Lynda Benglis Exhibition at the Museum of Cycladic Art in Athens," The National Herald, 21 November 2019. https://www.thenationalherald.com/269537/greek-american-lynda-benglis-exhibition-in-the-realm-of-the- senses/.

Greenberger, Alex. "Pace Gallery Now Represents Lynda Benglis." Artnews, 14 January 2019. http://www.artnews.com/2019/01/14/pace-gallery-now-represents-lynda- benglis/.

Gregory, Alicia. "Connecting the Threads: Lynda Benglis and Rodarte." Broad Strokes (National Museum of Women in the Arts Blog), 30 January 2019. https://blog.nmwa.org/tag/lynda-benglis/

Frock, Christian L. “Lynda Benglis” (Pace Gallery exhibition review). SF/Arts, 21 August 2019. https://www.sfarts.org/event.cfm?event_num=83191

"Greek-American Lynda Benglis Exhibition at the Museum of Cycladic Art in Athens." The National Herald, 21 November 2019. https://www.thenationalherald.com/269537/greek-american-lynda-benglis-exhibition-in-the-realm-of-the- senses/.

Greenberger, Alex. "Pace Gallery Now Represents Lynda Benglis." Art News, 14 January 2019. http://www.artnews.com/2019/01/14/pace-gallery-now-represents-lynda-benglis/

Gregory, Alicia. "Connecting the Threads: Lynda Benglis and Rodarte." Broad Strokes (National Museum of Women in the Arts Blog), 30 January 2019. https://blog.nmwa.org/tag/lynda-benglis/.

Haddad, Natalie. "Can a Porn Website Liberate Women in Art?" Hyperallergic, 16 November 2019. https://hyperallergic.com/528325/the-pleasure-principle-at-maccarone-los-angeles/.

Hollowell, Loie. "Loie Hollowell on Lynda Benglis." Pace Gallery website, November 2019. https://www.pacegallery.com/journal/loie-hollowell-on-lynda-benglis/.

Hotchkiss, Sarah. “Five Decades of Lynda Benglis' Sculptures at Pace Palo Alto” (Pace Gallery exhibition review). KQED, 14 October 2019. https://www.kqed.org/arts/13864690/lynda-benglis-pace-palo-alto

"In Pictures: Inside the New MoMA." The Art Newspaper, 11 October 2019. https://www.theartnewspaper.com/gallery/see-inside-the-new-moma.

”In The Realm of the Senses': Lynda Benglis's Exhibition at the Museum of Cycladic Art.” Athina 9.84, 21 November 2019. http://athina984.gr/wp-site/2019/11/25/in-the-realm-of-the-senses-ekthesi-tis-lynda-benglis-sto-moyseio- kykladikis-technis/.

Jhala, Kabir, Gabriella Angeleti and Anna Brady. ”Object Lessons: From a Persian shah's portrait to a popsicle stick 'painting.’” The Art Newspaper, 18 April 2019. https://www.theartnewspaper.com/gallery/object-lessons-blake-mokhtar-benglis-shah-qaja.

Kousteni, Matoula. "Realm of the Senses." Newspaper of the Editors (Greek), 22 November 2019, sec. Art. http://www.innews.gr.

Kousteni, Matoula. "The Realm of the Senses of Lynda Benglis." Efsyn.gr, 22 November 2019. https://www.efsyn.gr/tehnes/eikastika/220056_basileio-ton-aisthiseon-tis-linta-mpengklis.

Laster, Paul. "27 Must-See Artworks at Artissima 2019." Whitehot Magazine, October 2019. https://whitehotmagazine.com/articles/see-artworks-at-artissima-2019/4424.

”Lynda Benglis' first solo exhibition in a Greek museum is a fact.” Popaganda, 22 November 2019. https://popaganda.gr/newstrack/i-proti-atomiki-ekthesi-tis-lynda-benglis-se-elliniko-mousio-ine-gegonos/.

Malone, Ian. "At the Rainbow Room, Storm King Center Hosted its Annual Gala." Vogue, 17 October 2019. https://www.vogue.com/slideshow/storm-king-center-annual-gala-2019.

Marsh, Julia. "Lynda Benglis at Locks Gallery reflects the female in empowered feminist works." Artblog, 4 June 2019. https://www.theartblog.org/2019/06/lynda-benglis-at-locks-gallery-reflects-the-female-in-empowered-feminist-works/.

Mathieu, Romain. "Pattern, Decoration and Crafts," Artpress 462, January 2019: 44-50.

McLaughlin, Aimee. ”Sotheby's celebrates six decades of insightful Artforum covers.” Creative Review, 24 July 2019. https://www.creativereview.co.uk/sothebys-celebrates-six-decades-of-insightful- artforum-covers/.

Miller, Dena. ”Lynda Benglis's 'Bird's of Appetite' at the Harwood Museum of Art.” The Taos News, 7 February 2019, sec. Fine Arts. https://www.taosnews.com/stories/lynda-benglis-birds-appetite-harwood,54937.

Miller, Dena. ”Transition/Transformation: Lynda Benglis's 'Birds of Appetite' and more at the Harwood Museum.” Tempo, 7 to 13 February 2019: 14-15.

"Morning Links." Artnews, 19 August 2019. http://www.artnews.com/2019/08/19/metropolitan-museum-lynda-benglis-morning-links/.

"Museum of Cycladic Art in Athens honors American sculptor Lynda Benglis." Tornos News, 10 December 2019. https://www.tornosnews.gr/en/tornos/city-breaks/38019-museum-of-cycladic-art-in-athens-honors- american-sculptor-lynda-benglis.html.

Newall, Edith. ”Last call: Catch these Philly art exhibitions before it's too late.” The Inquirer, 21 March 2019, sec. https://www.philly.com/news/gallery-shows-philadelphia-march-pafa-womens-mobile-- 20190321.html

Nikiforou. "International artist, pioneer of minimalism, at her first solo exhibition in Greece." Doctv, 27 November 2019. https://www.doctv.gr/page.aspx?itemid=spg13639.

Nonnenberg, Sheryl. “Pace Gallery celebrates Lynda Benglis with a mini-retrospective” (exhibition review). Palo Alto Online, 4 September 2019. https://www.paloaltoonline.com/news/2019/09/04/pace-gallery-celebrates-lynda-benglis-with-a-mini-retrospective

"Pace Adds Lynda Benglis to Artist Roster, Debuts New Work at FOG Design + Art Fair." Artfix Daily, 14 January 2019. http://www.artfixdaily.com/artwire/release/267-pace-adds-lynda-benglis-to-artist-roster-debuts-new-work-at-fog-de

“Pace Gallery – Palo Alto” (exhibition review). California Homes, September 2019: 30, illustrated.

Paige, Jameson. ”Proposals for an In/Exhaustible Image of Identity Prisoner of Love Museum of Contemporary Art Chicago.” The Seen: Chicago's International Online Journal of Contemporary & Modern Art, 18 April 2019. http://theseenjournal.org/art-seen-chicago/an-in-exhaustible-image/

”Pollock's Greek-American successor.” Blue Aegean Inflight Magazine, December 2019: 34.

"Power Tower by Lynda Benglis in the 900 block of Poydras." The Advocate, 7 October 2019. https://www.theadvocate.com/image_4fd158c4-c05d-57bd-90dc-c016948e5298.html

”Ree Morton's Contemporaries: Feminist Video Art at the Tang.” Skidmore News, 17 October 2019. http://skidmorenews.com/new-blog/2019/10/17/ree-mortons-contemporaries-feminist-video-art-at-the-tang

Reid, Hilary. "Hirshhorn Museum Celebrates Intergenerational Artist Crushes." New York Magazine Vulture, 6 November 2019. https://www.vulture.com/2019/11/what-lawrence-weiner-and-catherine-opie-taught-each-other.html

Rise, Katerina I. "The Empire of Feelings in Cycladic Art-Ode to the Top Lynda Benglis." Iefimerida, 21 November 2019. https://www.iefimerida.gr/politismos/linta-mpengklis-neon-kykladikis-tehnis

Russeth, Andrew. ”MoMA's Expansion and Rehang Are Sumptuous and Smart-Now's the Time for It to Take Big Chances.” Artnews, 10 October 2019. http://www.artnews.com/2019/10/10/moma-expansion-review/

Russeth, Andrew. "Post-Chelsea, Cheim & Read Gallery Lands Uptown, Will Open in Fall with Ron Gorchov." Artnews, 16 July 2019. http://www.artnews.com/2019/07/16/cheim-read-moves-uptown-ron-gorchov/

Schnayerson, Michael. "Keeping Pace." Vanity Fair, December (Holiday) 2019/2020: 108-111.

Schwendener, Martha. "New York Galleries: What to See Right Now." The New York Times, 31 July 2019. https://www.nytimes.com/2019/07/31/arts/design/new-york-galleries-what-to-see-right-now.html

”See Dozens of Photos from MoMA's New Galleries That Show How the Museum is Rebooting the History of Modern Art.” Artnet, 11 October 2019. https://news.artnet.com/exhibitions/photos-of-the-new-moma-1676362

Selvin, Claire. "New ‘Artists on the Future’ Conversation Series Takes Talk of Art to Stanford University." Art News, 7 February 2019. http://www.artnews.com/2019/02/07/new-artists-future-conversation-series-takes-talk-art-stanford-university/

Smith, Erica. "How a Curator Gets Ready for a Museum Gala." New York Magazine, 20 November 2019. https://www.thecut.com/2019/11/kimberly-drew-guggenheim-gala.html

Sritharan, Abi. "8 Glorious Things To Do In London This Weekend (8-10 February 2019)." Luxury London, 5 February 2015. https://luxurylondon.co.uk/things-to-do-in-london/this-weekend/8-10-february- 2019

Sutton, Benjamin. "In California Wine Country, a Couple Has Planted a World-Class Sculpture Park." Artsy, 16 August 2019. https://www.artsy.net/article/artsy-editorial-california-wine-country-couple-planted-world-class-sculpture- park

"Taos Arts in Brief." The Taos News, 26 April 2019. https://www.taosnews.com/stories/taos-arts-in-brief,56544

Teitler, Nicole. "The Science of Printmaking, Sans Harsh Chemistry." The Independent, 20 October 2019. sec. Arts. https://indyeastend.com/arts/arts-arts/the-science-of-printmaking-sans-harsh-chemistry/

Vasiliadou, Maro. "Lynda Benglis Exhibition: An Extraordinary Artist." The Daily (Greek), November 22, 2019, p. 15.

Vasiliadou, Maro. "Raising the Flag of Equality (Of the Sexes)." The Daily, 1 December 2019, p. 9.

Weber, Jasmine. "Art Movements." Hyperallergic, 16 January 2019): https://hyperallergic.com/479332/art-movements-288/

”What's happening in Taos this week?” The Taos News, 6 May 2019. https://www.taosnews.com/stories/whats-happening-in-taos-this-week,56811

”What's On.” International New York Times Kathimerini, November 22, 2019, p. 3.

Whyte, Murray. "At the MFA, a thin contemporary art collection finally feels in step with the times." The Boston Globe, 19 December 2019. https://www.bostonglobe.com/2019/12/20/arts/mfa-thin-contemporary-art-collection-finally-feels-step- with-times/

Wilkinson, Missy. "Peep the new art in the Sydney and Walda Besthoff Sculpture Garden and Poydras Street." Curbed New Orleans, 26 September 2019. https://nola.curbed.com/2019/9/26/20885591/new-art-sydney-and-walda-besthoff-sculpture-garden-and-poydras-street

Zuri, Afrodet. "Frieze London 2019: Whimsical Sculptures." Cool Hunting, 18 October 2019. https://coolhunting.com/culture/frieze-london-whimsical-sculptures/

2018

Andrews, Max. "Picture Industry: A Provisional History of the Technical Image." Frieze (20 December 2018). https://frieze.com/article/picture-industry-provisional-history-technical-image

"Art News Daily." Apollo (29 June 2018). https://www.apollo-magazine.com/macron-to-reassess-artist-residency-programmes/

"The Barnett and Annalee Newman Foundation Gives Art and $10 Million to the Jewish Museum." Broadway World, 1 August 2018. https://www.broadwayworld.com/bwwart/article/The-Barnett-And-Annalee-Newman- Foundation-Gives-Art-And-10-Million-To-The-Jewish-Museum-20180801

“Barnett and Annalee Newman Foundation Gifts New York's Jewish Museum $10 Million and 70 Artworks.” Artforum (31 July 2018). https://www.artforum.com/news/barnett-and-annalee-newman-foundation-gifts- new-yorks-jewish-museum-10-million-and-70-artworks-76119

Beckenstein, Joyce. "Forum: Kistefos Sculpture Park." Sculpture 37.5 (June 2018): 14–16.

Benglis, Lynda. “You Can't Change Anything.” Permanent Collection V (Aspen Art Museum) (2018): cover, 58–64, back cover.

Bennet, Alex. “Lynda Benglis.” Novembre 13 (Spring/Summer 2018): 208–215, illustrated.

Berg, Allison. "Artist Keith Sonnier Unveils His Latest Work at 2 Hamptons Locations." Hamptons Magazine, 1 July 2018. https://hamptons-magazine.com/keith-sonnier-unveils-his-latest-work

Borcherdt, Gesine. "Lynda Benglis." Blau Magazine 26 (March 2018): 34–45.

Bowles, Hamish. “Here's What to Go See at This Year's Frieze Art Fair.” Vogue, 3 May 2018. https://www.vogue.com/article/frieze-art-fair-2018-what-to-see

Bradley, Paige Katherine. "Forget Deskilling, the Craft Invasion is ON in New York." Garage Magazine, 14 June 2018. https://garage.vice.com/en_us/article/qvnmvb/the-craft-invasion-of-contemporary-art

Bradley, Paige Katherine. “This '90s Exhibition About Feminism and Abstraction Started It All.” Garage Magazine 15, 4 September 2018.

Carde, Leslie. "Feminists in the Visual Arts." The Tulanian: The Magazine of Tulane University 90, no. 1 (September 2018): 28–31.

Carrigan, Margaret. "The Long Overlooked Female Artists Suddenly Getting Market Attention." Observer, 13 March 2018. http://observer.com/2018/03/art-market-report-armory-fair-sales-include-mary-corse-sheila-hicks/

Carrigan, Margaret. “Lynda Benglis on the Pleasures of Decoration, and Why She's 'Very Uncomfortable' Being Called a Feminist Artist.” Artnet, 5 June 2018. https://news.artnet.com/art-world/lynda-benglis-on-the-pleasures-of-decoration-and-why-shes-very-uncomfortable-being-called-a-feminist-artist-1297064

Cascone, Sarah. “Glenstone Museum's 50,000 Square Foot Expansion Will Feature Basquiat, Warhol, and Other Heavyweights of Modern Art.” Artnet, 19 July 2018. https://news.artnet.com/exhibitions/glenstone-museum-expansion-1320680

“Christie's London Announces a Curated Auction Dedicated to Modern and Contemporary Ceramics.” ArtDaily.com, 18 September 2018. http://artdaily.com/news/107600/Christie-s-London-announces-a-curated-auction-dedicated-to-modern-and-contemporary-ceramics#.W6JkyZNKgo9

Cohen, David. "Drill Hall Delectations: The Art Show at the Armory." Artcritical (2 March 2018). http://www.artcritical.com/2018/03/02/david-cohen-on-the-art-show-at-the-park-avenue-armory/

“Connoisseur-Worthy Hightlights from ADAA's 30th Anniversary Art Fair.” Artnet, 28 February 2018. https://news.artnet.com/market/five-fascinating-artworks-adaa-1232141

Couzens, Julia. "Two Galleries Showcase the Ethereal, Mesmerizing Work of Christine Hodgins." The Sacramento Bee, 20 September 2018. https://www.sacbee.com/entertainment/arts-culture/article218487790.html

“CWA picks for December 2017/January 2018." CAA News Today (College Art Association) (9 January 2018). http://www.collegeart.org/news/2018/01/09/cwa-picks-for-december- 2017january-2018/

"Dallas Museum of Art Celebrates 20th Anniversary of TWO x TWO for AIDS and Art with New Publication." ArtDaily.org, 21 September 2018. http://www.mutualart.com/ExternalArticle/Dallas-Museum-of-Art-Celebrates- 20th- Ann/B75E6B01CD3B3A37?utm_source=alert_b&utm_medium=email&utm_campaig n=al_by_artist&refID=D982DC6BF3EE3CE32C630593240F0EF4

Erickson, Ruth. “ICA Collection: Entangled in the Everyday, Curator's Perspective.” ICA New: The Magazine of the Institute of Contemporary Art Boston (Spring 2018): 8.

Eynaud, George Micallef. "Art Athina 2018-Curatorial Strategies Support Strong Artistic Statements." Artlyst, 3 July 2018. http://www.artlyst.com/features/art-athina-2018-curatorial-strategies-support- strong-artistic-statements-george-micallef-eynaud/

Fensom, Sarah E. "Deeper into the South." Art & Antiques (Summer 2018): 38–42.

Freeman, Nate. “At 30, ADAA Is the Country's Longest-Running Fair--and Hasn't Lost a Step.” Artsy, 27 February 2018. https://www.artsy.net/article/artsy-editorial-30-adaa-countrys-longest-running-fair-lost-step

Genzlinger, Neil. "Robert Pincus-Witten, Art Critic and Historian, Is Dead at 82." The New York Times, 2 February 2018: sec. B, 14.

Gordon, Amanda and Katya Kazakina. "Billionaires Glean Art Market Intelligence over $7,500 Beer Can." Bloomberg, 2 March 2018.

Greenberger, Alex. “New York's Cheim & Read to Close Chelsea Gallery, Move Uptown, Transition to 'Private Practice.’” Art News, 28 June 2018. http://www.artnews.com/2018/06/28/new-yorks-cheim-read-close-chelsea-gallery-move-uptown-transition-private-practice/

Grishin, Sasha. "Exhibition is thematically nebulous but challenging in scope and range." The Canberra Times, 21 August 2018.

Hutson, Laura. "Pink Carpet and Ugly Ceramics Make Elephant Gallery the Place to Be." Nashville Scene, 8 February 2018. https://www.nashvillescene.com/arts-culture/visual-art/article/20991567/pink-carpet-and-ugly-ceramics-make-elephant-gallery-the-place-to-be

Jansen, Charlotte. “What's in a kiss? Artists explore the expression of love in a new show.” Wallpaper (1 March 2018). https://www.wallpaper.com/art/kiss-off-luxembourg-and-dayan

Kalina, Richard. "Art Between Form and Anti-Form." Hyperallergic, 7 August 2018. https://hyperallergic.com/454354/keith-sonnier-until-today-dis-play-ii/

Kinsella, Eileen. “Cheim and Read, Storied New York Gallery, Will Close Its Chelsea Space After 21 Years and Transition to 'Private Practice.'” Artnet, 28 June 2018. https://news.artnet.com/market/cheim-read-quits-chelsea-private-upper-east- side-space-21-years-1311122

Kinsella, Eileen. "This California Winery Is Opening a Massive Sculpture Park with Works by Ai Weiwei, Yayoi Kusama, and More Blue-Chip Artists." Artnet, 21 September 2018. https://news.artnet.com/exhibitions/donum-winery-sculpture-park-1352590

Krementz, Jill. "Jill Krementz Covers the Annual Art Show." New York Social Diary, 2 March 2018. http://www.newyorksocialdiary.com/guest-diary/2018/jill-krementz-covers-the-annual-art-show

Landes, Jennifer. ”East End Reps at New York's Armory Week.” The East Hampton Star, 9 March 2018.

http://www.easthamptonstar.com/Art-Blog/East-End-Reps-New-York%E2%80%99s-Armory-Week

Larmon, Annie Godfrey. "Can Art Change the World?." BBC.com, 21 May 2018. http://www.bbc.com/culture/story/20180517-can-art-change-the-world

Laster, Paul. “Discovering Tom Bronk's Concentric Abstractions.” White Hot Magazine, October 2018. https://whitehotmagazine.com/articles/tom-bronk-s-concentric- abstractions/4069

Leturcq, Armelle. "Lynda Benglis." Crash Magazine 83.13 (Spring 2018): 60–67.

"Locks Gallery Advertisement." The New York Times, 2 February 2018: sec. C, 21.

“Lynda Benglis, Erika Verzutti & Jesse Wine at Fortes D'Aloia & Gabriel, Rio de Janeiro.” Blouin Artinfo, 23 January 2018. http://www.blouinartinfo.com/news/story/2802298/lynda-benglis-erika-verzutti-jesse-wine-at-fortes-daloia

Martiny, Donald. "Artist to Artist: An Interview with Sculptor Lynda Benglis." Artists on Art 28 (March/April 2018): 5–12.

Morrow, Nick. "Human Rights Campaign Announces ‘Artists for Equality’ Auction to Help Elect Pro-LGBTQ Candidates." Human Rights Campaign, 5 October 2018. https://www.hrc.org/blog/human-rights-campaign-announces-artists-for-equality- auction-to-help-elect

Moss, Jack. “Five Take-Aways from JW Anderson's Leisurely S/S19 Collection.” AnOther Magazine, 17 September 2018. http://www.anothermag.com/fashion-beauty/11169/five-take-aways-from-jw- andersons-leisurely-ss19-collection

Newhall, Edith. "In Philly galleries this March: Neysa Grassi, Lynda Benglis, Kazimira Rachfal, Robert Younger." The Philadelphia Inquirer (7 March 2018): sec. Entertainment-The Arts. https://www.philly.com/philly/entertainment/arts/in-philly-galleries-this-march-neysa-grassi-lynda-benglis-kazimira-rachfal-20180307.html

“New Orleans Museum of Art has its 'Ear to the Ground' with new exhibition.” Mid-City Messenger, 6 December 2018. http://midcitymessenger.com/2018/12/06/new-orleans-museum-of-art-has-its-ear-to-the-ground-with-new-exhibition/

Obler, Bibiana K. “Lynda Benglis Recrafts Abstract Expressionism.” American Art (Spring 2018): 2–23, illustrated.

Olesen, Ivy and Victoria Stapley-Brown. "Three to See: New York." The Art Newspaper, 24 May 2018. https://www.theartnewspaper.com/news/three-to-see-new-york-24-5

O'Neill-Butler, Lauren. “Interviews: Lynda Benglis.” Artforum (8 June 2018). https://www.artforum.com/interviews/lynda-benglis-shares-key-episodes-from- her-life-and-work-75676

“Opening Night: Lynda Benglis, Erika Verzutti, Jesse Wine' at Fortes D'Aloia & Gabriel, Carpinaria, Rio de Janeiro.” Art News, 9 January 2018. http://www.artnews.com/2018/01/09/opening-night-lynda-benglis-erika-verzutti-jesse-wine-fortes-daloia-gabriel-carpintaria-rio-de-janeiro/

Peoples, Landon. "Forget Paris-Proenza Schouler is Building a Global Empire." Refinery 29, 22 February 2018. https://www.refinery29.com/2018/02/191141/proenza-schouler-designers-jack-mccollough-lazaro-hernandez-interview

Quart, Leonard. "Letter from New York: Encountering the arts, in their many forms." The Berkshire Eagle, 29 March 2018. http://www.berkshireeagle.com/stories/leonard-quart-letter-from-new-york- encountering-the-artsin-their-many-forms,535790

Rees, Christina. "The DMA and the Art of Overcorrection." Glasstire, 31 July 2018. http://glasstire.com/2018/07/31/the-dma-and-the-art-of-overcorrection/

Rosen, Mis. "Vintage 70s Selfies Show an Artist Discovering Her Sexuality." Vice.com, 7 February 2018. https://www.vice.com/en_us/article/ne48j8/vintage-70s-selfies-show-an-artist-discovering-her-sexuality

Schulte-Fischedick, Valeria. "Something You Bump Into...Formlosigkeit, Post-Mininimalismus und (Queer-Feministische) Kunstkritikvor, um and nach 1968." FKW Zeitschrift Fur Geschlechterforschung und Visuelle Kultur, no. 65 (2018). https://www.fkw-journal.de/index.php/fkw/article/view/1456/1461

“Scottsdale Art Museum Offers 'Immersive' Summer Showcase.” Scottsdale Independent, 29 April 2018. https://www.scottsdaleindependent.com/entertainment/scottsdale-art-museum-offers-immersive-summer-showcase/

Smee, Sebastian. "Exhibiting Inequality." The Washington Post, 15 April 2018: sec. E, 1, 8–9.

“SMOCA's Summer Exhibitions Showcase Different Forms of Immersive Art.” Broadway World Phoenix, 24 April 2018. https://www.broadwayworld.com/phoenix/article/Smocas-Summer-Exhibitions-Showcase-Different-Forms-Of-Immersive-Art-20180424

Souter, Anna. "Must-see London exhibitions this April." The Upcoming, 1 April 2018. https://www.theupcoming.co.uk/2018/04/01/must-see-london-exhibitions-this-april/

Soboleva, Ksenia. "Confronting Our Fears of Looking at the Unknown." Hyperallergic, 18 July 2018. https://hyperallergic.com/452040/macon-reed-knockdown-center-who-is-watching-you-more-than-you-are-watching-you/

Sussman, Anna Louie. “Inside the $200 Million Expansion of America's New Must-See Museum.” Artsy, 25 September 2018. https://www.artsy.net/article/artsy-editorial-inside-200-million-expansion-americas-new-must-see-museum

Sutton, Benjamin. "Lynda Benglis, Catherine Opie, and Damaged Art at the ADAA Art Show." Hyperallergic, 26 February 2018. https://hyperallergic.com/429073/2018-adaa-art-show-fair-preview/

"UN/BREAKABLE: A Curated Auction Dedicated to Modern and Contemporary Ceramics." Webwire, 14 September 2018. https://www.webwire.com/ViewPressRel.asp?aId=228766

“Warm Receptions at Kistefos' Opening.” NewsinEnglish.no, 28 May 2018. http://www.newsinenglish.no/2018/05/28/warm-receptions-at-kistefos-opening/

2017

Arram, Danielle. "Why Are Women Artists so Underrepresented in Museums?." The Dallas Morning News, 10 February 2017, sec. Arts. http://www.dallasnews.com/arts/visual-arts/2017/02/10/women-artists-underrepresented-museums

Bamberger, Tom. "Why I Fell for the Pink Lady." Urban Milwaukee, 3 August 2017. http://urbanmilwaukee.com/2017/08/03/in-public-why-i-fell-for-the-pink-lady/

Benglis, Lynda. “Lynda Benglis.” Interview by Federica Bueti. Bomb, no. 138 (December 2016): 33–38, illustrated.

Benglis, Lynda. "Split Pea Dal." Gather Journal (Summer 2017): 105.

Betancourt, Diana Campbell. "Looking Forward: Diana Campbell-Betancourt." Frieze (7 October 2017). https://frieze.com/article/looking-forward-diana-campbell-betancourt

Bodin, Claudia and Sabina McGrew. "Die Unbestechlichen (The Incorruptible Ones)." Art: Das Kunstmagazin 10 (2017): 44–57.

Bookhardt, Eric D. “Lynda Benglis: I Choose My Dreams.” Sculpture Magazine 36, no. 3 (April 2017): 17–25, illustrated.

Bowles, Hamish. "Mix Master." Vogue, August 2017: 128.

"Breakfast with Art News." Art News, 4 December 2017. http://mailchi.mp/f1a676c66711/metal-machine-music-edition?e=36b14c1fbb

Campbell, Andy. "Lynda Benglis." Artforum (8 November 2017). https://www.artforum.com/picks/id=72051

Carrigan, Margaret. "Rashid Johnson Curates Parrish Museum Collection in a New Light." Observer, 17 November 2017. http://observer.com/2017/11/interview-rashid-johnson-curates-parrish-museums-five-and-forward/

"Cheim & Read at Frieze Masters 2017, London." Blouin Art Info, 18 August 2017. http://www.blouinartinfo.com/news/story/2446531/cheim-read-at-frieze-masters-2017-london

Dambrot, Shana Nys. "Lynda Benglis at Blum & Poe." Art and Cake, 29 November 2017. https://artandcakela.com/2017/11/29/lynda-benglis-at-blum-poe/

Drohojowska-Philp, Hunter. "Lynda Benglis at Blum & Poe." KCRW, 9 November 2017. https://www.kcrw.com/news-culture/shows/art-talk/lynda-benglis-at-blum-and-poe

Eastham, Ben. "Art Basel." Apollo (June 2017): 60–61.

“Exhibition at MoMA presents more than 100 works by 50 women artists." Artdaily.org, 21 April 2017. http://artdaily.com/news/95183/Exhibition-at-MoMA-presents-more-than-100-works-by-50-women-artists#.WPomcSMrJz-

Fite-Wassilak, Chris. "Layered Histories." Art Monthly 403 (February 2017): 40–41.

Forbes, Alexander. "Frieze London and Masters Find a Common Future for Contemporary Art." Artsy, 4 October 2017. https://www.artsy.net/article/artsy-editorial-frieze-london-masters-find-common-future-contemporary-art

Freeman-Attwood, Jessica. "A Timely but Limited Look at Feminist Art from the 1970s." Hyperallergic, 15 January 2017. http://hyperallergic.com/349546/a-timely-but-limited-look-at-feminist-art-from-the-1970s/

“Frieze Masters Talks 2017, London." Blouin Artinfo, 7 October 2017. http://www.blouinartinfo.com/news/story/2579036/frieze-masters-talks-2017-london

"Frieze Week Abundance." Blouin Artinfo, 4 October 2017. http://www.blouinartinfo.com/news/story/2569064/frieze-week-abundance

Goldman, Edward. "Beauty and the Beast: All About Art." Huffpost, 31 October 2017. https://www.huffingtonpost.com/entry/beauty-and-the-beast-all-about-art_us_59f8eb3be4b0412aab840bee

Gopinath, Gabrielle. “Gimme Shelter: Lori Goodman's Installatino and JoAnne Berke's Milestones.” North Coast Journal (30 November 2017).

Gerlis, Melanie. "Frieze Masters." Apollo (October 2017): 64–65.

Grant, Daniel. "For Contemporary Artists, Joining the National Academy is Suddenly Cool." Observer, 9 October 2017. http://observer.com/2017/10/for-artists-joining-the-national-academy-is-cool-again/

Guner, Fisun. "Shagged Out: At Frieze 2017." The Quietus, 8 October 2017. http://thequietus.com/articles/23354-frieze-fair-frieze-masters-2017-what-to-see-whatto-
miss

Hanson, Sarah P. "New commissions by nine artists for DiCaprio Foundation sale." The Artnewspaper, 20 July 2017. https://www.theartnewspaper.com/news/new-commissions-by-nine-artists-for-dicaprio-foundation-sale

Heindl, Gabu. "Bergen Assembly 2016." Springerin 1, 2017: 56–57.

“Hybrid Compositions: Lynda Benglis at Blum & Poe, Los Angeles." Blouin Artinfo, 11 October 2017. http://www.blouinartinfo.com/news/story/2588159/hybrid-compositions-lynda-benglisat-
blum-poe-los-angeles

“I'll Be Your Mirror.” The British Journal of Photography (May 2017): 36–49.

“International Sculpture Center 2017 Lifetime Achievement Award Lynda Benglis and Tony Cragg (Advertisment)." Sculpture (March 2017): 11.

"Jim Steg: New Work." Arts Quarterly (Spring 2017): 10–13.

Jul-Larsen, Kristoffer. "Bergen, 2007–2017 Stolthet Eller Hovmod?." Billedkunst 5, 2017: 20–27.

Kalinovski, Roman. "Spring/Break Has Sprung in Brooklyn." Art Critical, 7 May 2017. http://www.mutualart.com/ExternalArticle/SPRING-BREAK-Has-Sprung-in-BKLYN/C13D1AD389C9AE82?utm_source=alert_b&utm_medium=email&utm_campaign=al_by_artist&refID=62997590F2B8276323E4AFFB675580E5

Landes, Jennifer. "Through a Feminine Gaze." The East Hampton Star, 20 April 2017. http://easthamptonstar.com/Arts/2017420/Through-Feminine-Gaze

Marks, Olivia. "The Women to Watch at Frieze 2017." Vogue, 4 October 2017. http://www.vogue.co.uk/gallery/women-to-watch-at-frieze-2017

Martin, Hannah. "Look Inside the New York Glass Studio Used by More Than 200 Artists and Designers." Architectural Digest, 24 July 2017. http://www.architecturaldigest.com/story/urban-glass-new-york-glass-studio-fort-greene-brooklyn

Meier, Allison. ”Bergdorf Goodman's Holiday Windows Celebrate NYC Cultural Institutions.” Hyperallergic, 29 November 2017. https://hyperallergic.com/413748/bergdorf-windows-celebrate-cultural-institutions/

Micchelli, Thomas. "The Feminist Avant-Garde." Hyperallergic, 19 May 2017. https://hyperallergic.com/380348/woman-feminist-avant-garde-of-the-1970s-sammlung-verbund-mumok-2017/

Michelson, Noah. "The Powerful Reason Why This Artist Has Been Saving His Urine For The Last 200 Days." Huffington Post, 16 September 2017. http://www.huffingtonpost.com/entry/cassils-monumental-pissed urine_us_59bbeacee4b0edff971b88f4?ncid=APPLENEWS00001

Miranda, Carolina. "Essential Arts & Culture: Getty Center at 20, A Show Unearths Mexican Masterpieces, A Gold Rush Opera." Los Angeles Times, 1 December 2017. http://beta.latimes.com/entertainment/arts/miranda/la-et-cam-essential-arts-getty-center-turns-20-vermonica-20171201-story.html

Mueller, Matt. “Here's where to find all of the Sculpture Milwaukee art pieces.” On Milwaukee, 1 June 2017. https://onmilwaukee.com/ent/articles/sculpture-milwaukee-guide.html

Murphy, Joceyln. ”Creative Conversation: Context Informs Artist's Work.” Northwest Arkansas Democrat Gazette, 27 October 2017. http://www.nwaonline.com/news/2017/oct/27/creative-conversation-20171027/?features

Murphy, Jocelyn. ”Creative Conversation: Context Informs Artist's Work.” Northwest Arkansas Democrat-Gazette, 27 October 2017: sec. What's Up!, 7.

Nimptsch, Emily. "The Oozing, Undulating Forms of Lynda Benglis." Riot Material (29 November 2017). http://www.riotmaterial.com/the-oozing-undulating-forms-of-lynda-benglis/

“On the Direct and the Circular." A Public Space 25 (Winter 2017).

Oralkan, Jessica. "Dan Desmond on the Evolution of the Art World." Collecteurs Magazine, 11 June 2017. https://collecteursmagazine.com/magazine/2017/7/11/dan-desmond-on-the-evolution-of-the-art-world

Osberg, Annabel. "Lynda Benglis." Artillery (29 November 2017). http://artillerymag.com/lynda-benglis/

Pagel, David. "Lynda Benglis Sculptures at Blum & Poe Explode with Extraterrestrial Wonder." Los Angeles Times, 1 December 2017. http://www.latimes.com/entertainment/arts/la-et-cm-lynda-benglis-review-b-20171201-htmlstory.html

Phillips-Amos, Georgia. "The Weight of the World." C: International Contermporary Art 133, Spring 2017: 63–64.

Pioselli, Alessandra, translated by Maguerite Shore. "Artforum Picks: Lynda Benglis." Artforum (27 January 2017). https://www.artforum.com/picks/section=it#picks65839

"Renwick Gallery, Smithsonian American Art Museum." Sculpture 36.6 (July 2017): 15.

Rice, Robin. ”Reviews: Lynda Benglis: Water Sources.” Woman's Art Journal 38.1 (March 2017): 41–42.

Searle, Adrian. "Rachel Whiteread exhibition review-the secret life of things." The Guardian, 11 September 2017. https://www.theguardian.com/artanddesign/2017/sep/11/rachel-whiteread-exhibition-review-tate-britain

Scher, Robin. "New Museum to Celebrate Fortieth Anniversary with Free Admission for One Weekend." Art News, 2 November 2017. http://www.artnews.com/2017/11/02/new-museum-to-celebrate-fortieth-anniversary-with-free-admission-for-one-weekend/

Schjeldahl, Peter. "The XX Factor." The New Yorker, 24 April 2017: 100–101.

"Sculptures and Other Works by Lynda Benglis at Blum & Poe in LA." Modern Painters (November 2017): 156.

Searle, Adrian. “Frieze Masters 2017 Review - 'You want sex? We've got sex-and smoking skeletons too!.'” The Guardian, 4 October 2017. https://www.theguardian.com/artanddesign/2017/oct/04/frieze-masters-2017-review-you-want-sex-weve-got-sex-and-smoking-skeletons-too

Sherwin, Skye. "Arts." The Guardian, 10 September 2017: 14–15.

Sherwin, Skye. "Glitter, Latex and Double Dildos: Art Provacateur Lynda Benglis Relives Her Rollercoaster Career." The Guardian, 6 October 2017. https://www.theguardian.com/artanddesign/2017/oct/06/lynda-benglis-sculptorfeminist-frieze-masters-interview

Sillman, Amy. "Drug, Poison, Remedy, Talisman, Cosmetic, Intoxicant." The Serving Library, 2017. http://www.servinglibrary.org/journal/11/drug-poison-remedy-talisman-cosmetic-intoxicant

Sjostrom, Jan. “Top Artists in Unusual Mediums Shown at Palm Beacher's Whitespace.” Palm Beach Daily News, 30 October 2017: sec. The Shiny Sheet. http://www.palmbeachdailynews.com/news/local/top-artists-unusual-mediums-shownpalm-beacher-whitespace/FABjWAmw7uYrX4ZZslxKYN/

Smallwood, Christine. "Grounded: Why Are So Many Artists Making Work That Lies on the Floor?." The New York Times Magazine, 20 August 2017: 169–172.

Smith, Roberta. "Art." The New York Times, 22 September 2017: C23.

Smith, Roberta. "Delirious: Art at the Limits of Reason, 1950–1980." The New York Times, 15 September 2017: sec. Arts, C15.

Souter, Anna. "Frieze Art Fair 2017: Our Guide to Frieze Masters." The Upcoming, 6 October 2017. http://www.theupcoming.co.uk/2017/10/06/frieze-art-fair-2017-our-guide-to-friezemasters/

Strachan, Sue. "Prospect New Orleans Swamp Galaxy Gala at Home As Out of This World." Nola.com (Times-Picayune), 14 December 2017: sec. New Orleans Society. http://www.nola.com/society/index.ssf/2017/12/prospect_new_orleans_swamp_gal.html

Stiffler, Scott. "Pursuing the Unpredictable: The New Museum, 1977–2017." The Villager, 27 September 2017. http://thevillager.com/2017/09/27/pursuing-the-unpredictable-the-new-museum-1977-2017/

“Through Her Eyes: A Spotlight on Female Artists.” Christie's, 15 February 2017. http://www.christies.com/features/A-spotlight-on-seven-female-contemporary-artists-8095-1.aspx

“Top 10 Galleries to Check Out at Frieze Masters." Blouin Artinfo, 6 October 2017. http://www.blouinartinfo.com/news/story/2573895/top-10-galleries-to-check-out-atfrieze-
masters-2017

Bueti, Federica

Wagley, Catherine. "5 Free Art Shows to See in L.A. This Week." LA Weekly, 21 November 2017. http://www.laweekly.com/arts/best-free-art-shows-to-see-in-la-this-week-gilbert-magu-lujan-lynda-benglis-8867619

“What Not to Miss: Los Angeles November Shows." Whitewall, 14 November 2017. https://www.whitewall.art/art/not-miss-los-angeles-november-shows

Wild, Matt. "All 22 ‘Sculpture Milwaukee’ Sculptures Ranked." Milwaukee Record, 12 June 2017. http://milwaukeerecord.com/arts/all-22-sculpture-milwaukee-sculptures-ranked/

Zara, Janelle. "The Origin Story of Feminist Art Comes with a Big Asterisk." W, 26 July 2017. https://www.wmagazine.com/story/feminist-art-history-exhibition-mumok-vienna

Zargani, Luisa. ”Vogue Italia's October Issue Dedicated to Women Over 60.” WWD, 4 October 2017. http://wwd.com/business-news/media/vogue-italia-october-issue-dedicated-to-women-over-11018736/

2016

Abrams, Amah-Rose. "Ideas, Experimentation, and Pertinent Questions at the 2016 Bergen Assembly." Artnet, 5 September 2016. https://news.artnet.com/exhibitions/ideas-experimentation-and-pertinent-questions-at-the-2016-bergen-assembly-634064

Abrams, Loney. “Here's Everything You Need to Know About New York's Summer Shows.” Artspace, 9 July 2016. http://www.artspace.com/magazine/news_events/the_hot_list/heres-everything-you-need-to-know-about-new-yorks-summer-shows-53986

"Advertisement for International Sculpture Center 2017 Lifetime Achievement Award Lynda Benglis and Tony Cragg." Sculpture (June 2016).

Art Das Kustmagazin (October 2016): 44–57.

Barton, Dave. “Chapman University's Gallery Hosts Women-Centric Exhibit That's Patronizing When It's Not Boring.” OC Weekly, 14 September 2016. http://www.ocweekly.com/arts/chapman-universitys-guggenheim-gallery-hosts-women-centric-exhibit-thats-patronizing-when-its-not-boring-7512542

Beckenstein, Joyce. "Lynda Benglis: New Works." Surface Design Journal (Fall 2016): 74–75.

Beckenstein, Joyce. "When Artists Choose Artists." The Brooklyn Rail (December 2016/January 2017).

Benglis, Lynda. "Canine Freak Show." Art in America (September 2016): 77.

Binlot, Ann. “Portfolio 5: Artwork Lynda Benglis.” Document Journal (Spring/Summer 2016): 132–141, illustrated.

Boxer, Sarah. "An Era for Women Artists?." The Atlantic, December 2016. https://www.theatlantic.com/magazine/archive/2016/12/move-over- michelangelo/505826/

Broffino, Sara. "Datebook: Dhaka Art Summit." Blouin Artinfo, 2 February 2016. http://www.blouinartinfo.com/news/story/1322390/datebook-dhaka-art-summit

Bueti, Federica. "Lynda Benglis." Bomb (December 2016): 33–38.

Buhe, Elizabeth. "Lynda Benglis Cheim & Read." Art in America (December 2016): 118–119.

Buhe, Elizabeth. "Hippie Modernism: The Struggle for Utopia." College Art Association (11 November 2016). http://www.caareviews.org/reviews/2871#.Wl6PX5M-fnQ

Cachia, Amanda. "Revolution in the Making: Abstract Sculpture by Women." College Art Association (20 December 2016). http://www.caareviews.org/reviews/2977#.Wl6KSpM-fnQ

Cohen, Alina. “The Art World's Most Daring-And Fun-Season.” The New York Times, 28 July 2016: sec. T Magazine. http://www.nytimes.com/2016/07/28/t-magazine/art/summer-nyc-art-gallery-show-guide.html?rref=collection%2Fsectioncollection%2Ft-magazine&action=click&contentCollection=t-magazine&region=rank&module=package&version=highlights&contentPlacement=4&pgtype=sectionfront

Cohen, Alina. "A Year of Lynda Benglis Shows in Norway." Hyperallergic, 29 August 2016. http://hyperallergic.com/319817/a-year-of-lynda-benglis-shows-in-a-norwegian-city/

Colucci, Emily. “So Many Men So Little Time: Cheim & Read's 'The Female Gaze, Part 2: Women Look at Men.” Filthy Dreams, 26 June 2016. https://filthydreams.wordpress.com/tag/so-many-men-so-little-time/

Cutler, Aaron and Lynda Benglis. "The Best Old Movies on a Big Screen This Week: NYC Repertory Cinema Picks, August 31-September 6." Brooklyn Magazine, 30 August 2016. http://www.bkmag.com/2016/08/31/nyc-repertory-cinema-picks-august-31-september-6/6/

Dafoe, Taylor. ”New York Summer Group Shows: 'Splotch' at Sperone Westwater.” Blouin ArtInfo, 18 July 2016. http://www.mutualart.com/OpenExternalArticle/New-York-Summer-Group-Shows----Splotch--/37A17D5F7E8A8BAA?utm_source=alert_b&utm_medium=email&utm_campaign=al_by_artist&refID=E1041EA063EA8A93EC30AEF61B97C898

Davis, Ben. “Hauser, Wirth and Schimmel is a Gallery Built Like a Museum--What's Really Going On?.” Artnet, 11 March 2016. https://news.artnet.com/art-world/hauser-wirth-and-schimmel-abstract-sculpture-by-women447074?utm_campaign=artnetnews&utm_source=031216daily&utm_medium=email&utm_term=artnet%20News%20Daily%20Newsletter

"Datebook: Lynda Benglis at Cheim & Read, New York." Blouin Artinfo, 1 September 2016. http://www.blouinartinfo.com/news/story/1498441/datebook-lynda-benglis-at-cheim-read-new-york

Dawson, Jessica. "Lynda Benglis." The Village Voice, 8 September 2016. http://www.villagevoice.com/event/lynda-benglis-new-work-9075693

"Dhaka Art Summit." E-flux, 13 May 2015. http://www.e-flux.com/announcements/dhaka-art-summit-2016/.

Dickinson, Bob. "2nd Bergen Assembly." Art Monthly 402 (December 2016/January 2017): 28–30.

Duran, Maximilliano. "AD for LGBTQ Show with Photo by Trans Artist Cassils is Banned by German Rail, Then Allowd." Art News, 5 May 2016. http://www.artnews.com/2016/05/12/ad-for-lgbtq-show-with-photo-by-trans-artist-cassils-is-banned-by-german-rail-then-allowed/

Ebony, David. “David Ebony's Top 10 New York Gallery Shows for October.” Artnet, 5 October 2016. https://news.artnet.com/exhibitions/david-ebony-new-york-gallery-shows-october-669923

Eckardt, Stephanie. "Only the Very Best Art to See During NYFW." W Magazine, 11 September 2016. http://www.wmagazine.com/story/the-very-best-art-exhibitions-to-see-during-nyfw

“FORTY Features Artists Central to P.S.1's Founding in Celebration of 40th Anniversary.” Artdaily.org, 24 June 2016. http://www.mutualart.com/OpenExternalArticle/FORTY-features-artists-central-to-P-S-1-/ADB8684E3933F8C3?utm_source=alert_b&utm_medium=email&utm_campaign=al_by_artist&refID=1BE2EDB06DDCAA1DDD151D6B0C4722CA

Fowle, Alexandra. "The Female Gaze Part II: Women Look at Men." The Brooklyn Rail, September 2016: 58.

"Galleries-Chelsea: Lynda Benglis." The New Yorker, 26 September 2016: 10.

"Galleries-Chelsea: The Female Gaze, Part Two: Women Look at Men." The New Yorker, 29 August 2016.

“German Railroad Company Bans Ad for LGBTQ Show." Artforum (12 May 2016). http://artforum.com/news/id=59978

Goldsher, Tessa. “The Last Taboo is the Penis: John Cheim on 'The Female Gaze, Part II: Women Looking at Men' at Cheim & Read.” Art News, 5 August 2016. http://www.artnews.com/2016/08/05/the-last-taboo-is-the-penis-john-cheim-on-the-female-gaze-part-ii-women-looking-at-men-at-cheim-read/

Hoban, Phoebe. "Lynda Benglis at Cheim & Read." Whitehot Magazine, 15 September 2016. http://whitehotmagazine.com/articles/lynda-benglis-at-cheim-read/3510

"ISC People, Places, Events: 2017 Lifetime Achievement Award." Sculpture (September 2016): 80.

Johnson, Ken. "What to See in New York Art Galleries This Week." The New York Times, 28 July 2016: sec. Art & Design. http://www.nytimes.com/2016/07/29/arts/design/what-to-see-in-new-york-art-galleries-this-week.html?rref=collection%2Fsectioncollection%2Fdesign&action=click&contentCollection=design&region=rank&module=package&version=highlights&contentPlacement=5&pgtype=sectionfront

Kinselle, Eileen. "9 Must-See Summer 2016 Group Gallery Shows." Artnet, 30 June 2016. https://news.artnet.com/exhibitions/summer-group-gallery-shows-2016-524831

Knudson, Rainey. "A Conversation with Dave Hickey." Glasstire (Texas Visual Art), 11 September 2016. http://glasstire.com/2016/09/11/a-conversation-with-dave-hickey/

Knudson, Rainey. "This and That: Lynda Benglis & Rosie the Riveter." Glasstire (Texas Visual Art), 5 December 2016. http://glasstire.com/2016/12/05/this-and-that-lynda-benglis-rosie-the-riveter/

Lesser, Casey. "15 New York Group Shows You Need to See This July." Artsy, 28 June 2016. https://www.artsy.net/article/artsy-editorial-15-new-york-group-shows-you-need-to-see-this-july

"Lynda Benglis Recent Work (Advertisement)." Bomb 137 (Fall 2016): 12.

Marchione, Virginia. ”Unpoporno: Anche l'uomo e nudo.” Inside Art, 26 June 2016. http://insideart.eu/2016/06/26/anche-luomo-e-nudo/

Martin, Alison. "Lynda Benglis Combines New Medium with Signature Style In Latest Chelsea Gallery Show." Artfuse, 28 September 2016. https://artefuse.com/2016/09/28/lynda-benglis-at-cheim-and-read-124726/

Micchelli, Thomas. “When a Splotch Isn't Just a Splotch.” Hyperallergic, 6 August 2016. http://hyperallergic.com/315723/splotch-sperone-westwater-lesley-heller-workspace/

Miller, Michael. "The Shape-Shifter." Art News, The Icons Edition (Spring 2016): 98–105.

Miranda, Carolina. "Sneak Peek: Inside the Mega New Hauser and Wirth & Schimmel Gallery in Downtown L.A." Los Angeles Times, 11 March 2016: sec. Arts and Culture. http://www.latimes.com/entertainment/arts/miranda/la-et-cam-sneak-peek-hauser-wirth-schimmel-gallery-20160310-column.html

Mirtsioti, Giota. "Thessaloniki University Honors Greek-American artist Lynda Benglis." Ekathimerini.com, 10 October 2016. http://www.ekathimerini.com/212649/article/ekathimerini/life/thessaloniki-university-honors-greek-american-artist-lynda-benglis

Moore, Lucy Kumara. “Lynda Benglis.” Marfa Journal (March 2016): 294–305, illustrated.

New Orleans Museum of Art Annual Report, 2016.

Niemi, Julie. "Spooky Actions at a Distance." Frieze.com (19 September 2016). https://frieze.com/article/spooky-actions-distance

Nilsson, Orjan. "Lette verden over etter kunstnere som skulle stille ut i Bergen." Bergensavisen, 5 February 2016. http://www.ba.no/kultur/kunst/bergen/lette-verden-over-etter-kunstnere-som-skulle-stille-ut-i-bergen/s/5-8-272564

O'Halloran, Robbie. “200 Words #8/Lynda Benglis.” The Glaze London, 25 September 2016. https://theglazelondon.com/2016/09/25/200-words-8-lynda-benglis/

Osterweil, Ara. "Fuck You! A Feminist Guide to Surviving the Art World." Artforum (Summer 2016): 326–327.

Phillips, Kaitlin. "The Female Gaze, Part Two: Women Look at Men." Artforum (November 2016): 280–281.

Piejko, Jennifer. "Reviews: Bergen Assembly September Program." Modern Painters 28.10 (Winter 2016/2017): 100, 102.

“Portland Museum of Art.” Portland Museum of Art Members' Magazine, n.d.

Rakes, Rachel. "Bergen Assembly." Artforum (December 2016): 277–278.

Rangel, Hector. "En El Museo Barroco Se Exhibe La Exposicion de Lynda Benglis." Televisa Puebla, 3 September 2016. http://www.televisapuebla.tv/noticias/8-noticias-locales/14879-en-el-museo-barroco-se-exhibe-la-exposicion-de-lynda-benglis

Rhodes, David. "Lynda Benglis." The Brooklyn Rail, 4 October 2016: sec. Artseen. http://www.brooklynrail.org/2016/10/artseen/lynda-benglis

Riley, Charles A. "Art Review: New Sculpture by Lynda Benglis Shows Playful Spirit at Cheim & Read." HamptonsArtHub, 11 October 2016. http://hamptonsarthub.com/2016/10/11/review-art-review-new-sculpture-by-lynda-benglis-shows-playful-spirit-at-cheim-read/

Roed, Kjetil and Barbara Sirieix. "Double Tak-Bergen Assembly." Art Agenda, 23 September 2016. http://www.art-agenda.com/reviews/double-take%E2%80%94bergen-assembly/

Rose, Julian. "Spectator Sports." Artforum 55.1 (September 2016): 329–335.

Sansone, Valentina. “Bergen Assembly's Second Triennial,” Frieze (14 April 2016). https://frieze.com/article/bergen-assemblys-second-triennial

Schlaegel, Andreas. "Reviews: Lynda Benglis." Flash Art 49.309 (June/July/August 2016): 137.

School of Visual Arts. "New York Fall Exhibition Highlights: Suzanne Anker, Lynda Benglis and Joel Perlman." SVA NYC Features, 20 September 2016. http://www.sva.edu/features/new-york-fall-exhibition-highlights-suzanne-anker-lynda-benglis-and-joel-perlman

Sheets, Hilarie M. "Female Artists Are (Finally) Getting Their Turn." The New York Times, 29 March 2016: sec. Art & Design. http://www.nytimes.com/2016/04/03/arts/design/the-resurgence-of-women-only-art-shows.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region&region=top-news&WT.nav=top-news

Sheets, Hilarie M. “Through the Prism of Gender." The New York Times, 3 April 2016: sec. Arts & Leisure, 1, 18.

Sheikh, Simon. "Circulation and Withdrawal, Pt. 1 Circulation." E-flux, 1 February 2016. http://www.e-flux.com/journal/circulation-and-withdrawal-part-i-circulation/

Smith, Roberta. "Lynda Benglis New Work." The New York Times, 7 October 2016: sec. Weekend Arts II, C23.

Snaith, Sarah. "When The Camera Nearly Always Lies." Eye: The International Review of Graphic Design 23.92 (Summer 2016): 82.

Spada, Sabina. "In Bergamo: Lynda Benglis." Arte Mondadori (December 2016): 135–138.

Stamler, Hannah. "The Female Gaze, Part Two: Women Look at Men," Artforum, 1 July 2016. http://artforum.com/picks/id=61469

Steer, Emily. "Opening This Week: The Female Gaze, Part Two: Women Look at Men." Elephant, 22 June 2016. https://elephantmag.com/opening-week-female-gaze-part-two-women-look-men/.

Stromberg, Matt. "A Los Angeles Mega-Gallery Opens with Museum Ambitions." Hyperallergic, 11 March 2016. http://hyperallergic.com/282762/a-los-angeles-mega-gallery-opens-with-museum-ambitions/

Teeman, Tim. ”First Class Male: How Women Really See Men: A Survey of 'The Female Gaze' in Art.” The Daily Beast, 8 August 2016. http://www.thedailybeast.com/articles/2016/08/08/how-women-really-see-men-a-survey-of-the-female-gaze-in-art.html

Tyler, Sandra. "Exhibition Review: Artists Choosing Artists." The Woven Tale Press, 8 December 2016. http://www.thewoventalepress.net/2016/12/08/exhibition-review-artists-choosing-artists/

Vasey, George. "Feminist Avant-Garde of the 1970s." Art Monthly 402 (December 2016/January 2017): 19–20.

Wee, Darryl. "Top Art Events in Asia in Early 2016." Blouin Artinfo, 5 January 2016. http://www.blouinartinfo.com/news/story/1306620/top-art-events-in-asia-in-early-2016

Whiles, Virginia. "Dhaka Art Summit." Art Monthly 394 (March 2016): 36.

Wyma, Chloe. “Who's A Feminist?.” The New York Times Book Review, 10 January 2016: 18.

Yale University Art Gallery Bulletin, 2016. https://artgallery.yale.edu/sites/default/files/files/Pub_Bull_acquisitions_2016.pdf

"20 New York Gallery Exhibitions Everyone Should See This Fall." Artnet, 25 August 2016. https://news.artnet.com/exhibitions/fall-art-preview-new-york-galleries-610829?utm_campaign=artnetnews&utm_source=082516daily&utm_medium=email&utm_term=artnet%20News%20Daily%20Newsletter%20USE

2015

Abrams, Amah-Rose. "Lynda Benglis Talks Material and Controversy at Bergen Assembly.” Artnet, 5 May 2015. https://news.artnet.com/people/lynda-benglis-talks-bergen-assembly-487205

“Art in the frame for another good year." The Yorkshire Post, 1 February 2015. http://www.yorkshirepost.co.uk/yorkshire-living/arts/art/art-in-the-frame-for-another-good-year-1-7029443

“Ausbruch aus der Hausfrauenrolle." kunstmarkt.com, 18 March 2015.

Baldessari, John. "Lynda Benglis." Interview (March 2015): 252–261, 303.

Banks, Grace. "Rethink Pink!." Elephant 22 (Spring 2015): 75–78.

Barnard, Imelda. "Rule Breaker." Apollo (6 February 2015): 27–28. http://www.apollo-magazine.com/rule-breaker-lynda-benglis/

Benglis, Lynda. "My Year Ahead: Lynda Benglis." Christies.com, 8 January 2015.

Brennan, Matt. "New Orleans City Park does The Wave." Gambit, 14 July 2015: 19–20, 22.

Bria, Geneva. "Lynda Benglis: Materiality Gender." Artribune, 18 January 2015. http://www.artribune.com/2015/01/lynda-benglis-materialita-di-genere/

"The Brief: Storm King." Art in America (May 2015).

Brumfitt, Stuart. "Artist and Feminist Icon Lynda Benglis Gets Big British Show." i-D Vice, 6 February 2015. https://i-d.vice.com/en_gb/article/artist-and-feminist-icon-lynda-benglis-gets-big-british-show

Buck, Louisa. "(In Chinese)." Art Newspaper China, March 2015.

Buck, Louisa. "Lynda Benglis: Breaking Boundaries." The Telegraph, 3 April 2015: sec. Luxury, Art. http://www.telegraph.co.uk/luxury/art/66384/lynda-benglis-breaking-boundaries.html

Buck, Louisa. "Lynda Benglis: Going with the Flow." Art Newspaper, March 2015: 66.

Buck, Louisa. “Piombo, lattice e carne.” Vernissage: Il Giornale dell'Arte (March 2015): 6–7.

Bunyard, Jesc. "Lynda Benglis." Hunger TV, 15 February 2015. http://www.hungertv.com/feature/lynda-benglis/

Burns, Charlotte. "The New York gallerist who did it her way." The Art Newspaper, 13 October 2015: sec. Special Reports.

Busing, Nicole, Heiko Klaas. "Ausbruch aus der Hausfrauenrolle." Kieler Nachrichten, 20 March 2015.

Busing, Nicole, Heiko Klaas. "Nie wieder Kinder, Kuche, Kirche." Kurier am Sonntag, 22 March 2015.

Callahan, Sophia. “Bronze Crustaceans and Giant 'Pink Lady' Sculptures Go on Display at Storm King.” Vice Magazine: The Creators Project, 24 May 2015. http://thecreatorsproject.vice.com/en_uk/blog/bronze-crustaceans-and-giant-pink-lady-sculptures-go-on-display-at-storm-king

Castelli, Stefano. “Il Femminismo Frainteso Di Lynda Benglis (Lynda Benglis's Misunderstood Feminism).” Arte 499 (2015): 46–47.

Clark, Robert, Skye Sherwin. “Lynda Benglis, ABJAD, Ori Gerscht: this week's new exhibitions.” The Guardian, 7 February 2015. http://www.theguardian.com/artanddesign/2015/feb/07/this-weeks-new-exhibitions

Coghlan, Niamh. "Redefined Expectation." Aesthetica, April/May 2015.

"Critique." Air: A Magazine with Altitude, February 2015.

Dawson, Jessica. "The Art of America Abroad." Art Desk, Fall 2015: 58–64.

De Wachter, Ellen Mara. "Lynda Benglis: The Hepworth Wakefield." Frieze (April 2015): 154–155.

Dickie, Anna. "A Conversation with Lynda Benglis." Ocula, 28 February 2015. http://ocula.com/magazine/conversations/lynda-benglis/

Duguid, Hannah. "Lynda Benglis: The Hepworth, Wakefield." The Independent, 25 March 2015: 46.

Ellis-Petersen, Hannah. "Lynda Benglis-Sensuality, Sex Toys and Sea Creatures in Major Retrospective." The Guardian, 5 February 2015. http://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-sensuality-sex-toys-sea-creatures-retrospective

Enright, Robert. "Poring and Pouring: The Physical Body and Its Gestures: An Interview with Lynda Benglis." Border Crossings 34.2 (June 2015): 24–37.

Frank, Priscilla. “Lynda Benglis' Massive, Drippy Sculptures Bring Storm King to Life.” Huffington Post, 1 June 2015. http://www.huffingtonpost.com/2015/06/01/lynda-benglis-storm-king_n_7462398.html

Frank, Priscilla. "Photographer Captures." The Huffington Post, 5 February 2015: sec. Arts and Culture. http://www.huffingtonpost.com/2015/02/05/female-artist-portraits_n_6615342.html

Frank, Priscilla. "15 Badass Art World Heroines Over 70 Years Old." The Huffington Post, 8 January 2015. http://www.huffingtonpost.com/2015/01/08/female-artists-over-70_n_6424730.html

Gibb, Susan. "Australia." Art and Asia Pacific Almanac (2015): 94–98.

Gomez, Lauren Pellerano. "Site of It All." Cultured, May 2015. http://www.culturedmag.com/site-of-it-all/

Goodman, Jonathan. "Lynda Benglis at Storm King." Sculpturenature, 13 September 2015. http://www.sculpturenature.com/en/lynda-benglis-at-storm-king/

Green, Charles. "Benglis 73/74." Artforum 53.5 (January 2015): 236–237.

Haider, Faheem. "Priestesses at Play: Lynda Benglis at Storm King." Hyperallergic, 5 November 2015. http://hyperallergic.com/251103/priestesses-at-play-lynda-benglis-at-storm-king/?utm_medium=email&utm_campaign=Robert+Morriss+Spectral+Shrouds&utm_content=Robert+Morriss+Spectral+Shrouds+CID_e34dc316143281a40d77f6a06e069529&utm_source=HyperallergicNewsletter&utm_term=Priestesses%20at%20Play%20Lynda%20Benglis%20at%20Storm%20King

Hauser, Micah. “An Interview with Lynda Benglis, 'Heir to Pollock,' on Process, Travel and Not Listening to What Other People Say.” The Huffington Post, 23 January 2015: sec. Arts and Culture. http://www.huffingtonpost.com/micah-hauser/lynda-benglis_b_6527254.html

Heddaya, Moustafa. “Shows that Matter: Robert Rauschenberg and the 'Five From Louisiana.'” Blouin Artinfo, 19 January 2015. blouinartinfo.com/news/story/1072966/shows-that-matter-robert-rauschenberg-and-the-five-from

"The Hepworth Wakefield." Sculpture 34.5 (June 2015): 13.

H.M. "Lynda Benglis Hepworth Wakefield." Art Newspaper 24.265, February 2015: 31.

Huddleston, Yvette. "Lynda Benglis: Off the Wall By Nature." The Yorkshire Post, 24 February 2015: sec. Art. http://www.yorkshirepost.co.uk/yorkshire-living/arts/art/lynda-benglis-off-the-wall-by-nature-1-7111021

The Independent, 5 February 2015.

Johnson, Ken. “All Back in the Skull Together.” The New York Times, 10 April 2015.

Johnson, Ken. "Review: Tapping into the Fluidity of Nature." The New York Times, 19 June 2015: C24.

Kinsella, Eileen. "What Are Top Dealers Bringing to Art Basel in Miami Beach and Why?." artnet news, 25 November 2015. http://news.artnet.com/market/what-are-top-dealers-bringing-to-art-basel-miami-beach-and-why-178192?utm_campaign=artnetnews&utm_source=112514daily&utm_medium=email

Koerner von Gustorf, Oliver. "Mehr als Genitalpanik: Die Feministiche Avantgarde." Monopol, March 2015.

Krenstetter, Florian. "Sammlung Verbund gastiert in Hamburg: Neues Bild der Frau." Kronenzeitung, 24 March 2015.

Krolczyk, Radek. "Kaugummimuschis wie Furunkel." Tageszeitung, 28 April 2015: sec. Kulture, 23.

"Kunsthalle zeigt Frauen ausserhalb der Rollenklischees." Hamburger Abendblatt, 12 March 2015.

“Kunstlerhaus Bremen." E-flux, n.d. http://www.e-flux.com/announcements/lynda-robert-amy-enzo-and-the-others/

LaBorde, Lauren. ''‘The Wave' is Now Installed in City Park.” nola.curbed.com, 14 July 2015. http://nola.curbed.com/archives/2015/07/14/the-wave-lynda-benglis-city-park.php

“Last Words: In Conversation with Lynda Benglis." Aesthetica 63, February/March 2015: 162

Lilit, Marcus. "Escape to Storm King Art Center, Playground of Giants." Conde Nast Traveler, 1 June 2015. http://www.cntraveler.com/stories/2015-06-01/day-trip-nyc-storm-king-art-center-playground-of-giants

Litwin, Sharon. 'World's Fair Wave Returns with New Home in City Park.” NoLaVie, 4 May 2015. http://nolavie.com/worlds-fair-wave-returns-with-new-home-in-city-park-88114/

"Lynda Benglis." The Independent Radar, 21 March 2015: 28.

“Lynda Benglis at the Hepworth Wakefield." C-File, 20 August 2015. https://cfileonline.org/exhibition-lynda-benglis-at-the-hepworth wakefield/?mc_cid=7290d913d2&mc_eid=0df2e0ffd3

"Lynda Benglis: Images that Come Back to You." Elephant 22 (Spring 2015): 152–155.

"Lynda Benglis Set to Unveil Vibrant New Collection." eyesin.com, 26 February 2015. http://www.eyesin.com/article/art-design/art/lynda-benglis-set-to-unveil-vibrant-new-collection/

MacCash, Doug. "Long Lost Lynda Benglis sculpture dedicated in City Park." Nola.com, 5 October 2015: sec. Arts. http://www.nola.com/arts/index.ssf/2015/10/long_lost_linda_benglis_wave_f.html

MacCash, Doug. “Radical artist Lynda Benglis' 'Wave' fountain dedicated in City Park.” Nola.com, 6 October 2015. http://www.nola.com/arts/index.ssf/2015/10/radical_artist_linda_benglis_w.html

McKeown, Anne. "Lynda Benglis: Mud Mounds to Abaca Fiber." Hand Papermaking 30.1 (Summer 2015): 3–5.

“Momentaufnahme." Hamburger Morgenpost. 14 March 2015.

Morrish, Lydia. "Lynda Benglis: ‘You Cannot Kill Creativity.’" Dazed Digital (Dazed and Confused), February 2015. http://www.dazeddigital.com/artsandculture/article/23484/1/lynda-benglis

"Morning Links: Lynda Benglis Edition." Art News, 9 March 2015. http://www.artnews.com/2015/03/09/morning-links-lynda-benglis-edition/ (accessed: March 9, 2015).

Munro, Cait. “Last-Minute Art Getaways: Lynda Benglis's 'Water Sources' at Storm King.” Artnet, 22 June 2015. https://news.artnet.com/art-world/lynda-benglis-at-storm-king-310304

Mutti, Giulia. "Ten Things You Might Not Know About Lynda Benglis." Anothermag.com, 6 February 2015. http://www.anothermag.com/art-photography/4326/ten-things-you-might-not-know-about-lynda-benglis

Nathan, Emily. "Benglis En Plein Air." 1stdibs.com, 1 June 2015. http://www.1stdibs.com/introspective-magazine/lynda-benglis-at-storm-king-art-center/

“Notable Acquisitions, 2000-2015." Bulletin of the Detroit Institute of the Arts 89.1/4 (2015): 67.

Pavia, Will. "The woman who refused to take her clothes off for Warhol." The Times (of London), 2 February 2015: 8–9.

Perlson, Hili. "artnet Asks: Massimiliano Gioni Tackles a Century of Motherhood in Art." Artnet, 21 August 2015. https://news.artnet.com/art-world/interview-massimiliano-gioni-trussardi-foundation-325694

“Preview: Feministische Avantgarde." Kunstforum International Online, 9 March 2015.

Quinlan, Adriane. "Artist Whose Sculpture Was Lost in Kenner Storage Talks to Weekly." The Times-Picayune (nola.com), 15 July 2015. http://www.nola.com/politics/index.ssf/2015/07/artist_of_sculpture_lost_in_ke.html

Read, Claire. "Claire Read on the phone with Lynda Benglis." Rabbit Rabbit: an Exl publication (Oberlin Student Broadsheet), May 2015.

Reilly, Maura, Lynda Benglis et al. "Taking the Measure of Sexism: Facts, Figures and Fixes." Art News 114, no.6 (June 2015): 38–65.

“Revealing insight into mind of an artistic icon." Wakefield Express, 14 February 2015: sec. Arts and Entertainment. http://www.wakefieldexpress.co.uk/what-s-on/arts-entertainment/revealing-insight-into-mind-of-an-artistic-icon-1-7105133

Rosenberg, Karen. "Lynda Benglis on Her Aquatic Sculptures, the Art of Buoyancy, and That Infamous Artforum Ad." Artspace, 11 June 2015. http://www.artspace.com/magazine/interviews_features/lynda-benglis-on-her-aquatic-sculptures-the-art-of-buoyancy-and-that-infamous-artforum-ad

Satchell-Baeza, Sophia. "Molten Meteors and Dirty Icecream: Lynda Benglis at the Hepworth Wakefield." Sleek, 9 February 2015. http://www.sleek-mag.com/showroom/2015/02/molten-meteors-and-dirty-icecream-lynda-benglis-at-the-hepworth-wakefield/

Searle, Adrian. "Lynda Benglis Review: All Vitality and Good Dirty Fun." The Guardian, 5 February 2015. http://www.theguardian.com/artanddesign/2015/feb/05/lynda-benglis-review-good-dirty-fun

Schneider, Annette. "Frauen, die ihre Fesseln sprengen." Deutschland Radiokultur (13 March 2015).

Sheets, Hilarie M. "Review: Lynda Benglis Storm King Art Center." Art News (September 2015): 78, illustrated.

"Shifting Shapes." Garden Design Journal (April 2015): 3.

Stephens, Simon. "Great Expectations." Museums Journal 115.1 (February 2015): 30–33.

"Storm King Art Center." Cultured, Summer 2015.

“Storm King." Sculpture 34.8 (October 2015): 17.

Tannenbaum, Judith. "Judith Tannenbaum on the Work of Lynda Benglis." Obelisk 2.1 (Winter 2015). http://boothceramics.com/journal/judith-tannenbaum-on-the-work-of-lynda-benglis/

"Things to Do in Westchester, May 31 to 6, 2015." The New York Times, 28 May 2015: sec. NY/Region. http://www.nytimes.com/2015/05/31/nyregion/things-to-do-in-westchester-may-31-to-6-2015.html?_r=1

Verhagen, Erik, L.S. Torgoff. "Reviews: Double Eye Poke." Art Press 425 (September 2015): 32.

“West Yorkshire." Modern Painters (February 2015): 7, 24–25.

Whiles, Virginia. "Going with the Flow." Art Monthly 384 (15 March 2015): 1–3.

Whiles, Virginia. "Lynda Benglis." Art Monthly (March 2015): 1–4.

“Women at Work.” Harper's Bazaar, March 2015.

Wright, Katharine J. ”Art Everywhere: The Met's Little-Known Collection of Advertising Art.” In Circulation (Metropolitan Museum of Art Blog), 25 November 2015. http://www.metmuseum.org/blogs/in-circulation/2015/ad-art

Wyma, Chloe. “The Life Aquatic: Lynda Benglis's Watery Sculptures Delight at Storm King.” Blouin Artinfo, 5 June 2015. http://www.blouinartinfo.com/news/story/1169807/the-life-aquatic-lynda-bengliss-watery-sculptures-delight-at#

2014

Alvarez, Ana Cecelia. "Bend it Like Benglis." The New Inquiry, 20 October 2014. http://thenewinquiry.com/essays/bend-it-like-benglis/

Bailey, Stephanie. "Conversation with Phong Bui." Ocula, August 2014. http://ocula.com/magazine/conversations/phong-bui/

"Being Benglis." The Art Newspaper, 4 December 2014. http://www.theartnewspaper.com/articles/Being%20Benglis%20/36549

"Bloodflames Revisted." Art in America (July 2014). http://www.artinamericamagazine.com/exhibitions/bloodflames-revisited/

Burns, Charlotte. "Benglis Brings Her Sculpture Home." The Art Newspaper, 5 December 2014: sec. Art Basel Miami Beach daily edition. http://www.theartnewspaper.com/articles/Benglis%20brings%20her%20sculpture%20home%20/36566

Byrd, Cathy. "Fresh Talk: Lynda Benglis." Fresh Art International, 18 December 2014. http://freshartinternational.com/2014/12/18/fresh-talk-lynda-benglis/

Calder, Chad. “Sculpture Created for 1984 World's Fair To Be Repaired For Display in Kenner.” The New Orleans Advocate, 27 May 2014. http://www.theneworleansadvocate.com/news/9258248-171/sculpture-created-for-1984-worlds

"Calendar: Art Basel Miami Beach." The Art Newspaper, 4 December 2014: Art Basel Miami Daily Edition edition, 23.

Corbett, Rachel, Julia Halperin. ”La Meglio Gioventu Ha 90 Anni (The Best Youth is 90 Years Old).” Giornale Dell'Arte (June 2014): 41.

Corwin, Will. "Come Together: Surviving Sandy." Frieze 162 (April 2014). http://www.frieze.com/issue/review/come-together-surviving-sandy-year-one/

Crosby, Eric. "Adhesive Products." Living Collections Vol. II (Walker Art Center Online Publication), 2014. http://www.walkerart.org/collections/publications/art-expanded/adhesive-products/#/introduction

"Cultural Tourism." Blouin Artinfo, March 2014: sec. Frieze Art Fair Supplement.

D'Addario, John. “Lost and Found: Lynda Benglis' 'The Wave.'” Hyperallergic, 14 May 2014. http://hyperallergic.com/126294/louisiana-lost-and-found-lynda-benglis-the-wave/

Eccles, Tom. "Lynda Benglis: NSFW 40 Years after Artforum." New York Magazine (Vulture), 11 November 2014. http://www.vulture.com/2014/11/lynda-benglis-undaunted-40-years-after-artforum.html

"Galleries-Chelsea." The New Yorker, 10 February 2014.

Goodman, Jonathan. "New York: Lynda Benglis." Sculpture 33.4 (May 2014): 68–69.

Gronlund, Melissa. "Narcissism to the Dialogic: Identity in Art after the Internet." Afterall: A Journal of Art, Context and Enquiry 37 (Autumn/Winter 2014): 4–13.

Guiducci, Mark. "Ed Ruscha, John Baldessari, and Others Debut Homages to Artist Ray Johnson." Vogue, 11 August 2014. http://www.vogue.com/slideshow/945893/ed-ruscha-john-baldessari-james-rosenquist-and-others-debut-exclusive-new-work-in-homage-to-artist-ray-johnson-photos/#18

Hamer, Katy Diamond. “26 Female Artists on Lynda Benglis and the Art World's Gender Problems (NSFW).” New York Magazine: Vulture, 26 November 2014. http://www.vulture.com/2014/11/26-female-artists-on-lynda-benglis-nsfw.html

Hanson, Sarah P. "Conversation with Barbara Lee." Art + Auction, September 2014: 59, 119.

Heinrich, Will. "Lynda Benglis at Cheim and Read." New York Observer, 22 January 2014. http://observer.com/2014/01/lynda-benglis-at-cheim-and-read/.

Koplos, Janet. "Lynda Benglis at Cheim & Read." Ceramics: Art and Perception 98 (2014): 38–41.

Lapteva, Eugenia. "Colour, Sex and Scuba Diving with America’s Most Sensual Sculptor Lynda Benglis." Husk Magazine, 10 August 2014.

MacAdam, Alfred. "Bloodflames Revisited." Art News 113, no.9 (October 2014): 113.

MacAdam, Alfred. "Lynda Benglis." Art News (March 2014): 91.

“Major UK Exhibition to Spotlight American Artist and Feminist Icon Lynda Benglis." Artfix Daily, 6 November 2014. http://www.artfixdaily.com/artwire/release/9100-major-uk-exhibition-to-spotlight-american-artist-and-feminist-ico (accessed: November 7, 2014).

McTwigan, Michael. "Lynda Benglis." Ceramic Review 268 (July/August 2014): 26.

"Must See London." Artforum (2 September 2014). /artforum.com/?pn=guide&show=mustsee&country=GB&place=London.

Nagesh, Ashitha. "Lynda Benglis: Le Phallus Feminin: 40 Ans Plus Tard." Art Press 417 (December 2014): 52–54.

Norman, Lee Ann. "Burning Inside: Passion, Politics and Disruption at Paul Kasmin." Art Critical, 7 August 2014. http://www.artcritical.com/2014/08/07/norman-bloodflames-kasmin/

Ostrow, Saul. "The Shaped Canvas, Revisited." Modern Painters 26.7 (September 2014): 84.

Panero, James. "Gallery Chronicle." The New Criterion 32.8 (April 2014): 65–70.

"Phong Bui Talks Curating at Kasmin and His First Exhibition Since ‘Surviving Sandy.’” Blouin Artinfo In the Air, 26 June 2014. http://blogs.artinfo.com/artintheair/2014/06/26/phong-bui-talks-curating-at-kasmin-and-his-first-exhibition-since-surviving-sandy/

Preciado, Beatriz. "Le Corps Transgenre Comme Objet Dada (The Transgender Body as Dada Object)." Art Press 417 (December 2014): 55–56.

Roberts, Mike. ”Permanent Collection Show Kicks Off Pensacola Museum of Art's Anniversary.” Pensacola News Journal, 23 January 2014.

Rosenberg, Karen. "The Shaped Canvas: Luxembourg & Dayan." The New York Times, 20 June 2014: C25.

Rubio, Lorraine. "Artnet Asks: Lynda Benglis," Artnet News, 4 December 2014. http://news.artnet.com/people/artnet-asks-lynda-benglis-152296

Rule, Dan. “Lynda Benglis' Provocative Art Inspires Trio of Exhibitions.” The Sydney Morning Herald, 3 October 2014: sec. Entertainment: Art. http://www.smh.com.au/entertainment/art-and-design/lynda-benglis-provocative-art-inspires-trio-of-exhibitions-20141003-10pn4h.html

Schwabsky, Barry. "Sculpting With Color: Ed Clark and Lynda Benglis Are Still Making Art On A Grand Scale." The Nation, 22 April 2014. http://www.thenation.com/article/179483/sculpting-color#

Slenske, Michael. “All Fired Up.” Art + Auction (May 2014): 116–121, illustrated.

Sutton, Benjamin. “Phong Bui Brings Dance-Poetry Happening to 'Bloodflames Revisited.’” Artnet, 11 July 2014. http://news.artnet.com/in-brief/phong-bui-brings-dance-poetry-happening-to-bloodflames-revisited-59661

Tyen. "Paint Sculptures by Lynda Benglis." Artrepublik, 21 April 2014. http://www.artrepublik.com/2014/04/186/paint-sculptures-by-lynda-benglis

Vogel, Carol. "Inside Art." The New York Times, 4 December 2014: sec. Art.

Vogue Italia, December 2014.

Wilkin, Karen. "At the Galleries." The Hudson Review 67.3 (Autumn 2014): 463–469.

Zwick, Tracy. “Dancing with Clay: An Interview with Lynda Benglis.” Art in America (21 January 2014). http://www.artinamericamagazine.com/news-features/interviews/dancing-with-clay-an-interview-with-lynda-benglis/

"2014 Spring Gala." Paper (The New Museum of Contemporary Art) 16 (Spring/Summer 2014): 18.

2013

Bauer, Kristin. "Lynda Benglis and 6 Contemporary Artists Sculpt With Paint." Beautifuldecay, 23 November 2013. http://beautifuldecay.com/2013/11/23/lynda-benglis-6-contemporary-artists-sculpt-paint/

Beckenstein, Joyce. “Connie Fox: Reckoning with Rectangles.” Woman's Art Journal 34.1 (Spring/Summer 2013): 3–12.

Blom, Ina. "The Autobiography of Video: Outline for a Revisionist Account of Early Video Art." Critical Inquiry 39.2 (January 2013): 276–295.

Burn, Charlotte, Julia Halperin. “Lo dicono i collezionisti: la first lady ora e Frieze.” Il Giornale dell'Arte (June 2013): 47.

Coates, Rebecca. "Less is More." Art and Australia (January 2013): 471.

Corwin, William. "William Corwin in Conversation with Lynda Benglis and Susan Richmond, Author of Beyond Process." Artcore Journal (21 July 2013). https://artcorejournal.net/2013/07/21/william-corwin-in-conversation-with- lynda-benglis-and-susan-richmond-author-of-beyond-process/

Horodner, Stuart. "Lynda Benglis: Beyond Process." Bomb 125 (Fall 2013): 18.

Hunter, Becky Huff. "Lynda Benglis Locks Gallery." Artforum (June 2013).

Jhaveri, Shanay. "International Sculpture in India: 1960-1980." Take on Art 3.10 (2013): 42–45.

Lista, Giovanni. "Le Geste et La Trace." Ligeia (January–June 2013): 3–8.

Miller, Michael H. "This Lynda Benglis Can Be Yours for 1M at Frieze New York." Gallerist (The New York Observer), 9 May 2013.

Obler, Bibiana. "Lynda Benglis Locks Gallery." Artforum 52.1 (September 2013): 416–417.

Shearman, Bill. "Story of a Sculptor." Lake Charles American Press, 10 November 2013: sec. F, 1, 4.

Spagnesi, Licia. "Londra a New York nei segno del glam." Arte (March 2013): 40.

Thorson, Victoria. “Lynda Benglis, Beyond Process.” Woman's Art Journal 34.2 (Fall/Winter 2013): 63–64.

Quinlan, Adriane. "At former Kenner sewage plant, an avant garde sculpture sits unseen for three decades." The Times-Picayune, 11 October 2013. http://www.nola.com/politics/index.ssf/2013/10/at_kenner_sewage_plant_an_avan.html

2012

Asfour, Nana. "Mission Accomplished." Art News (January 2012).

Ayers, Robert. "Watch Your Step." Art News (September 2012): 109.

Barnett, Laura. "Lynda Benglis: Now You Are Ready." The Guardian, 22 February 2012. www.guardian.co.uk/artanddesign/2012/feb/22/lynda-benglis-uk-retrospective-interview

Belasco, Daniel. "Martha Friedman in the Studio with Daniel Belasco." Art in America (February 2012).

Belcove, Julie L. “‘I Keep Surviving': The American Sculptor Lynda Benglis is Rediscovered Yet Again.” The Financial Times, 4 February 2012: sec. Life & Arts, 12.

Bowery Artist Tribute (New Museum of Contemporary Art) 3 (2012).

Bryan-Wilson, Julia. "Dirty Commerce: Art Work and Sex Work since the 1970s." differences: A Journal of Feminist Cultural Studies (Summer 2012): 71–112.

Danneels, Veronique. "Du Recyclage des Performances Feministes." Ligeia 2, no. 117-120 (2012): 107–115, 257.

Diez, Renato. "Cindy Superstar." Arte, February 2012: 70–75.

Grossman, Wendy A. "Reconfiguring an African Icon." African Arts (Spring 2012): 78–80.

Hill, Chris. ”Dialogue Across Decades: BLW and People's Communication Network - Exercises in Remembering and Forgetting.” Journal of Film and Video 64.1-2 (Spring/Summer 2012): 17–29.

Lavrador, Judicael. "Le point gay." Beaux Arts Magazine (August 2012): 106–109.

“Media Study: Lynda Benglis." Artforum 51.1 (September 2012): 258.

Millar, Iain. "A 21st Century Take On Art Films." The Art Newspaper 21.234, April 2012: 60.

Milliard, Coline. "I Wanted to Have a Presence." Blouin Artinfo, 14 February 2012.

National Museum of Women in the Arts Members' Magazine (2012).

Noble, Kathy. "In Focus: Nicolas Deshayes." Frieze (October 2012): 238–239.

“Things We Like." Design Week, 10 February 2012.

Velasco, David. "No Place Like Home." Artforum 50.7 (March 2012): 87–88.

Schafer, Magnus. "Malerei nach dem Modernismus." Text zur Kunst 22.85 (March 2012): 96–105.

2011

"Advertisement for New Museum of Contemporary Art Retrospective." Modern Painters (May 2011): 22.

"Art Pick: Material Whirl." The New Yorker, 25 February 2011. www.newyorker.com/online/blogs/goingson/2011/02/art-pick-lynda-benglis.html

Athens Voice, 22–28 September 2011: 6, 30–31.

“A Bad Girl's Vast Vision.” Art & Antiques, February 2011: 29.

Bailey, Stephanie. "The Unfolding Legacy of Lynda Benglis." Insider Athens, July/August 2011: 10–11.

Battista, Kathy. "The Influentials." Art Monthly (October 2011): 35–36.

“Benglis, troppo radicale anche per i radicalli. La retrospettiva." Arte 450, February 2011: 22.

Bishop, Marlon. "New Sculpture Retrospective Comes to the New Museum." WNYC.org, 8 February 2011. http://culture.wnyc.org/articles/features/2011/feb/08/new-sculpture-retrospective-comes-to-the-new-museum

“CAA Awards.” Art in America (April 2011): 144.

“Calendar." Angeleno, July 2011: 6.

Civin, Marcus. "After Visiting the Lynda Benglis Traveling Retrospective." Artslant Worldwide, January 2011. www.artslant.com/ew/articles/show/20692

Dault, Gary Michael. "Jeanie Riddle." Border Crossings 30.4 (December 2011/Feburary 2012): 115–116.

Duvernoy, Sophie. "Lynda Benglis at MOCA: Conceptual Art Meets Dildoes (NSFW)." LA Weekly, 3 August 2011.

Favre, Jeff. "Artist Lynda Benglis Has Never Let Trends or Critics Disrupt Her Creative Flow." Ventura County Star, 19 August 2011.

Goldman, Edward. "The Road to Art Hell Is Paved With Good Intentions." Huffington Post, 8 August 2011

“The Guide: Galleries." Los Angeles Times, 28 August 2011: sec. E, 11.

Hoban, Phoebe. "That Seventies Sensibility." Art News (November 2011): 90–97.

Hudson, Suzanne. "Unpainted Paintings." Artforum 49.10 (Summer 2011): 400–401.

Johnson, Dan. “The Don't Miss List.” Los Angeles Downtown News, 8 August 2011.

Johnson, Paddy. “Lynda Benglis's Happy Dildos and Sexy Foam.” The L Magazine, 16 March 2011.

Knight, Christopher. “Art Review: 'Lynda Benglis' at the Museum of Contemporary Art.” Los Angeles Times, 4 August 2011.

Lequeux, Emanuelle, Judicael Lavrador, Alexandre Crochet. "Fiac hors les murs, Fondation Ricard et galeries Lafayette, Incontourables Foires off." Beaux Arts Magazine (November 2011): 94–98.

“Lynda Benglis." MOCA: The Contemporary (Fall 2011): 10.

"Lynda Benglis." Paper (The New Museum of Contemporary Art) (Spring/Summer 2011): 6–7.

Mack, Joshua. "Lynda Benglis." Art Review (May 2011): 123.

Mason, Brook S. "Working Women Artists: 2011 Status Report." The Art Economist 1.4 (2011): 12–15.

Meisel, Helene. "A Modern Museum for Modern Art 1937–1976. Mnam at the Palais de Tokyo." Palais de Tokyo (Summer 2011): 58–63.

“The Modernists' Masculine Malformation.” NY Arts, January 2011: 14–15.

"Museum Previews." Art in America Guide (2011): 29.

Nadelman, Cynthia. "Four Sculptors 1968–1980." Art News (October 2011): 110.

Nadelman, Cynthia. "The Women in Our Life." Art News 110, no.1 (November 2011): 112.

Nawrocki, Dennis Alan. "Parallel Currents: Selections from the James Pearson Duffy Collection." Bulletin of the Detroit Institute of the Arts 85.1/4 (2011): 12–21.

Powell, Malin Wilson. "Autoexotic." ABQ Journal (3 June 2011).

Robins, Corinne. “Lynda Benglis.” Woman's Art Journal 32.2 (Fall/Winter 2011): 61–62.

Ruiz, Alma. "Interview with Lynda Benglis." MOCA: The Contemporary (Summer 2011): 6–9.

Ruiz, Alma, Patrick Steffen. "Lynda Benglis: Figures." Flash Art (November/December 2011): 68–73.

Schwabsky, Barry. "Little Resistance to Gravity: On Lynda Benglis and David Hammons." The Nation, 10 March 2011.

Sheets, Hilarie M. "A Life of Melting the Status Quo." The New York Times, 13 February 2011: sec. Art, 21.

Slezak, Lilly. "Pour Us Another: Lynda Benglis at the New Museum." Art in America (10 February 2011). www.artinamericamagazine.com/news-opinion/the-scene/2011-02-10/lynda-benglis

Smith, Roberta. "Artful Commentary, Oozing from the Walls." The New York Times, 18 February 2011: sec. C, 25–27.

Solomon-Godeau, Abigail. "Witnessing for Women." Art in America (April 2011): 43–44, 46.

Sutton, Benjamin. “Lynda Benglis's Sculptures Splash All Over the Lower East Side.” The L Magazine, 16 February 2011.

Swenson, Kirsten. "Lynda Benglis." CAA Reviews (1 December 2011). http://www.caareviews.org/reviews/1723#.WYTUoCMrLJw.

“Traveling Exhibition Opens at MOCA." Los Angeles Downtown News, 28 July 2011.

Wiener, Mark, Linda DiGusta. "Shifting Shapes and Surprising Surfaces: Museums Feature Material Innovators Picasso and Benglis." Huffington Post, 25 February 2011.

Yablonski, Linda. "Pene del contrapasso." Vernissage 12.124 (March 2011): 10–11.

2010

Cashdan, Marina. "Time & Tide." Frieze (October 2010): 214–219.

"Consumed: 05." Art Review (December 2010): 50.

Cook, Greg. "A Lynda Benglis Retrospective at the RISD Museum." The Providence Phoenix, 27 October 2010.

Diez, Renato. "Nam June Paik." Arte, September 2010: 80–86.

Fagaly, Bill. "Letters." Artforum 48.9 (May 2010): 50, 52, 54.

Fanelli, Franco. "Le Ragioni del Giovin Curatore." Vernissage 11.121 (December 2010): 8–9.

Griffin, Tim. "In Secrecy." Artforum 48.5 (January 2010): 27.

Green, Tyler. "Our Avatars, Ourselves: What ever happened to self-portraits." Modern Painters (December 2010/January 2011): 28–29.

Julin, Richard. "Gaddlost Bi Samlar Ingen Honung." Magasin Tre Kunsthalle, 2010: 7.

Kalil, Susie. ”Women Power: Texas Gallery's 40 Sends A Welcome Jolt Through The Houston Art Scene.” Culturemap.com, 7 August 2010. http://culturemap.com/newsdetail/08-07-10-40-women-power-texas=gallery-40-is-a-welcome-jolt-through-the-houston-art-scene

Landi, Ann. "Getting Paint off the Wall." Art News (September 2010): 84–89.

Lavrador, Judicael. "Les artists et la drogue: Une histoire stupefiante." Beaux Arts Magazine (October 2010): 76–87.

Laurence, Robin. “Beauty's Abjection.” Border Crossings 29.3 (September/November 2010): 98–105.

Lessick, Helen. "Art Basel Miami Beach." Surface Design Journal 43.4 (Summer 2010): 62–63.

"Lynda Benglis February 9 to July 13, 2011." Paper (The New Museum of Contemporary Art) 9 (Fall/Winter 2010).

“Lynda Benglis." Museum of Art Rhode Island School of Design (November 2010–January 2011).

MacAdam, Alfred. "Lynda Benglis, Cheim & Read." Art News 109.2 (February 2010): 105.

McAvera, Brian. "Lynda Benglis." Irish Arts Review 27.1 (March/May 2010): 127.

Merrigan, James. "Stupid Judgment." Circa 131 (October 2010): 1–7.

Meyer, Richard. “Miss Lynda: Richard Meyer on Lynda Benglis's Klaus 1975.” Artforum 48.5 (January 2010): 178–181.

Bowery Artist Tribute Vol. 2 (New Museum of Contemporary Art), 2010.

Patten, Mary. "What Is To Be (Un)done: Notes on Teaching Art and Terrorism." Radical Teacher 89 (2010): 9–20, 80.

Pollock, Griselda. "Louise Bourgeois." Art Monthly 338.22 (July/August 2010): 22.

Pollock, Lindsay. "Cherchez la femme (se ci riuscite)." Vernissage 11.117 (July/August 2010): 13.

Pozzi, Lucio. “Il Successo E Di Bronzo, Alla Fine Anche Il Mercato Si E Accorto Di Lynda Benglis, Icona Irreverente Del Femminismo Negli Anni Sessanta.” Il Giornale Dell'Arte 28.296, March 2010: sec. Opinioni e Documenti, 38.

Rehberg, Vivian. "The Legacy of Lynda Benglis and Her Current Retrospective." Frieze (October 2010): 220–221.

Rosenberg, Karen. ”Commentary That's Both Visual and Vocal.” The New York Times, 1 July 2010.

Schlenzka, Jenny. "Lynda, das warden sie dir nie vergessen." Monopol, June 2010: 74–82.

Fletcher, Annie and Diana Franssen. “Duo achter het trio / Duo behind the trio” (Van Abbemuseum exhibition review). Interview with Dennis Mijnheer and Marc Deurloo. Blend, Van Abbemuseum Special, 2 April 2010: 12–21, illustrated.

Benglis, Lynda. “Starende blikken / Female gaze” (Van Abbemuseum exhibition review). Interview with Dennis Mijnheer. Blend, Van Abbemuseum Special, 2 April 2010: 61–71, illustrated.

Smee, Sebastian. "A Body of Work That Maximizes Provocation." Boston Sunday Globe, 10 October 2010: sec. N, 6.

Smith, Roberta. "Polyurethane and Color Punctuate a Long Career." The New York Times, 2 January 2010.

Steffen, Patrick. "Process is Not Dead." Flash Art (January/February 2010): 37–38.

Storr, Robert. "Talk, Talk." Frieze (January/February 2010): 15.

Terranova, Charissa N. "Margaret Meehan: Certainty Short-Circuited." Sculpture 29.9 (November 2010): 48–49.

Welch, Adam. "The Margins: A Theory of Resistance in Contemporary Ceramics." Ceramics, Art and Perception (March/May 2010): 42–47.

2009

"Benglis voor het eerst op grote schaal in Europa." Kunstbeeld 7/8, 2009: 97.

Bui, Phong. "In Conversation: Lynda Benglis." The Brooklyn Rail, December 2009–January 2010: 20–22.

Burton, Johanna. "Not a Single Point of View: Contemporary Sculpture and the Spatial Imaginary." Yale University Art Gallery Bulletin (2009): 70–83.

Capps, Kriston. "Lynda Benglis/Robert Morris." Art in America (December 2009).

“Coutdown Conundrum." The Sunday Times, 29 November 2009.

Evans, Sarah. “There's No Place Like Hallwalls: Alternative-Space Installations in an Artists' Community.” Oxford Art Journal 32.1 (March 2009): 95–119.

Friedman, Martin. "Up Against the Wall With Lynda Benglis." Art in America (December 2009): 102–109.

Funkenstein, Susan. “Encounters in the Virtual Feminist Museum: Time, Space and the Archive.” Woman's Art Journal 30.1 (Spring/Summer 2009): 55–57.

"Galleries: Chelsea." The New York Times, 4 September 2009: sec. C, 1.

Graves, Jen. "What Benglis Wore." The Stranger.com, July 2009.

Hudson, Suzanne. "Lynda Benglis." Artforum 48.1 (September 2009): 143.

"Jo Baer, Lynda Benglis, Jutta Koether Triotoonstellung." UIT Cultuurkrant, June 2009: 33.

Kim, Seungduk. "Lynda Benglis." Frog (Spring/Summer 2009): 144–157.

Kreimer, Julia. "Shape Shifter: Lynda Benglis." Art in America (December 2009): 94–101.

Lambrecht, Luk. "Werk van drie straffe vrouwen in het Van Abbemuseum in Eindhoven." Knack, 15 August 2009.

Michelson, Annette, Rosalind Krauss. "Letter to the Editor." Artforum 48.3 (November 2009): 40, 42.

Mijnheer, Dennis. "Starende Blikken (Female Gaze)." Times 3: Van Abbemuseum and Blen Special (2009): 60–71.

O'Neill-Butler, Lauren. ”Lynda Benglis and Robert Morris.” Artforum (October 2009): 234–235.

Paijmans, Theo. "Eat Meat." Blend, 30 June 2009: 22–23.

Schoonen, Rob. "Vertellingen van dri dames." Eindhovens Dagblad, 26 June 2009.

Smith, Roberta. "Art or Ad or What? It Caused a Lot of Fuss." The New York Times, 25 July 2009: sec. C, 1, 5.

Smith, Roberta. "Crucible of Creativity, Stoking Earth Into Art." The New York Times, 19 March 2009.

Smith, Roberta. "The Female Gaze: Women Look at Women." The New York Times, 21 August 2009: sec. C, 25.

“Supervrouwen Van Abbemuseum." Esta, 11 June 2009: 22.

Swan, Ethan. "222 Bowery: The Bunker." ANPQuarterly 2.4 (November 2009).

Vogel, Carol. “Company's Fortunes Change, And the Whitney Benefits.” The New York Times, 6 February 2009.

"Vrouwenpower." Opzij, 31 August 2009: 110.

Ward, Lucina. “Soft Sculpture. Don't Touch, Lick or Smell.” Artonview, March 2009: 20–27.

Wesseling, Janneke. "Naakt met zonnebril," NRC Handelsblad, 25 July 2009.

Wilson, Michael. "Lynda Benglis/Robert Morris: 1973–1974." Time Out New York, 7 July 2009. https://www.timeout.com/newyork/art/lynda-benglis-robert-morris-1973-1974

Wolff, Rachel. "Amusing, Newly Unearthed Responses to Lynda Benglis and Her Infamous Dildo." New York Magazine, 2 July 2009.

Wood, Catherine. "Best of 2009." Artforum 48.4 (2009): 184–185.

Wullschlaer, Jackie. "After Awkward Objects." The Financial Times, 28 November 2009.

2008

“The Alliance-An Exhibition in China and Korea." Art Map, May 2008: 56–59.

“The Alliance'-doArt Seoul Opening Exhibition.” Yonhap News, 12 June 2008.

"The Alliance." Vision, June 2008: 233–236.

"Bernard Lavier." Modern Weekly (26 April 2008): F20-F21.

Boettger, Suzaan. "Evaluating Land Art By Women in the 1970s." Sculpture 27.9 (November 2008): 38–45.

"Bowery Artist Tribute (New Museum of Contemporary Art)." Paper 3 (Winter 2008).

Csaszar, Tom. "Material Personae: Lynda Benglis." Sculpture Vol. 27.10 (December 2008): 40–45, illustrated..

Davidson, Chad. "The Kindness of Strangers." Beijing Talk, April 2008.

Eun-Joo, Lee. “An 'Alliance' That Crosses Age, Genre and Nationality.” The Joongang Daily, 19 June 2008.

Levin, Gail. "Action Painting: Perspectives from Two Sides of the Atlantic." Art Journal 67.4 (Winter 2008): 119–121.

Gluibizzi, Amanda. "Tickling the Ivory Tower: Toward a Salon Culture in Libraries." Art Documentation: Journal of the Art Libraries Society of North America 27.1 (Spring 2008): 24–27.

Hanley, William. "Lynda Benglis Locks, Philadelphia." Art News (June 2008).

Hasse, Amine. "High Times Hard Times: New York Painting 1967–1975." Kunstforum International (May/July 2008): 354–357.

Kaufman, Jason Edward. “What the Mind's Eye Sees: Action Painters Were Postwar Exemplars of American Individualism.” The American Scholar (Phi Beta Kappa Society) 77.2 (Spring 2008): 113–117.

Krummel, Clemens. "The Power of Not Now." Texte zur Kunst 18.69 (March 2008): 222–225.

Kuspit, Donald. "The Advance of Beauty." Artnet, 13 May 2008. http://www.artnet.com/magazineus/features/kuspit/kuspit5-13-08.asp

Kuzma, Marta. "Whatever Happened to Sex in Scandanavia? I Am Curious (Yellow)." Afterall: A Journal of Art, Context and Enquiry 17 (Spring 2008): 5–19.

"Lynda Benglis." Bowery Artist Tribute (New Museum of Contemporary Art) 1 (2008).

Micchelli, Thomas. "WACK!:Art and the Feminist Revolution." The Brooklyn Rail, March 2008.

"Mix In With Beijing Art Two Days and One Night." City Pictorial, July 2008: 86–91.

New Museum Paper 5 (Fall/Winter 2008).

Ozuna, Tony. "Punk: No One is Innocent Art-Style Revolt Kunsthalle Wien." Umelec (2008): 74–75.

Pincus-Witten, Robert. "The Eyes Had It." Artforum 46.5 (January 2008): 69–70, 73–74, 301, 310.

Pincus-Witten, Robert. "Louise Bourgeois." Artforum 47.3 (November 2008): 340–341.

Richmond, Susan. "The Ins and Outs of Female Sensibility: A 1973 Video by Lynda Benglis." Camera Obscura 23.3 (2008): 80–109.

Rosenberg, Karen. "This Land is Her Land (And Her Artwork Too)." The New York Times, 13 June 2008.

Rottmann, Andre. "Silke Wagner." Artforum 47.3 (November 2008): 365–366.

Saltz, Jerry. "Art." New York Magazine, 14 April 2008.

Schwartz, Kathy. “It's Hard to Hang a Label on Benglis.” The Cincinnati Enquirer, 28 November 2008.

Spiegler, Almuth. "Radikale Ausweitung der Leinwand." Art: Das Kunstmagazin, March 2008: 86.

"Stimulate the Cornea and Thrill the Tympanum." 1626 Products Design, May 2008.

Young Sung, Ha. "Contemporary Art Without Formula or Rules." Wolgan Misool Monthly Art Magazine (May 2008): 102–105.

2007

Allen, Gwen, Cherise Smith. "Publishing Art: Alternative Distribution in Print." Art Journal 66.1 (Spring 2007): 41–45.

Armstrong, Carol. “‘Global Feminisms', 'Wack!.'” Artforum 45.9 (May 2007): 360–362.

Berg, Ronald. "Short Distance to Now: Paintings from New York 1967–1975." Kunstforum International (October/November 2007): 384–385.

Bernardini, Andrew. "Wack! Art and the Feminist Revolution." Art Review (May 2007): 124–125.

Blistene, Bernard. “Une Histoire de l'Art et du Sexe au XXe (et XXIe) Siecle.” Beaux Arts Magazine (August 2007): 62–77.

Camhi, Leslie. "Body Work." The Village Voice, 8–14 August 2007: sec. Art, 55.

Cattan, Nacha. "Brushes with Death: The Exuberant ‘Final Hours of New York Painting.’" The Herald Mexico, 29 May 2007: sec. Art, 4.

"Circa 70." The New Yorker, 20 August 2007.

Cohen, David. "Sogginess With An Edge." The New York Sun, 28 June 2007: 17, 20.

Cotter, Holland. "Circa 70." The New York Times, 13 July 2007: sec. E, 31.

Cotter, Holland. "The Art of Feminism As It First Took Shape." The New York Times, 9 March 2007.

Donovan, Molly. "Lynda Benglis, Sparkle Knot." National Gallery of Art Bulletin 36 (Spring 2007): 22–23.

Frances, Richard. "High Times, Hard Times: New York Painting 1967–1975." Artforum 45.8 (April 2007): 265.

Goddard, Dan R. "Ceramic Sculptures of Lynda Benglis Give an Abstract Message." San Antonio Express-News, 8 July 2007: sec. Art.

"Goings On About Town." The New Yorker, 30 April 2007.

Huntington-Standley, Shannon. "CAM San Antonio 2007: 22 Years of Strength and Commitment." San Antonio Women (July/August 2007): 20–22.

Klaasmeyer, Kelly. “Liquid Courage, It's Time for Lynda Benglis to Become Cool Again.” Houston Press, 2–8 August, 2007: sec. Art, 42.

Knight, Christopher. "A Feminist Breakout." Los Angeles Times, 5 March 2007: sec. E, 6.

Kuo, Michelle. "The Producers.” Artforum 46.2 (October 2007): 352, 354–359, 402, 410.

Kuo, Michelle. "The Uncertainty of Objects and Ideas: Recent Sculpture." Artforum 45.6 (February 2007): 289.

Landi, Ann. "Lynda Benglis and Louise Bourgeois." Art News 106.9, October 2007.

Mack, Joshua. "Circa 70: Lynda Benglis and Louise Bourgeois." Time Out New York, 26 July–1 August 2007.

Meyer, Richard. “Feminism Uncovered: On the ‘Wack!’ Catalogue.” Artforum 45.10 (June 2007): 211–212, 538.

Micchelli, Thomas. "Artseen." The Brooklyn Rail, April 2007.

Miles, Christopher. "High Times Hard Times: New York Painting 1967–1975." Flash Art 40.253 (March/April 2007): 78–79.

“National Spotlight: Wack! Art and the Feminist Revolution at the Los Angeles Museum of Contemporary Art." The Magazine of and for the Arts (July 2007): 53.

Naves, Mario. "What is Painting...Really?." The New York Observer, 23 July 2007.

O'Brien, Paul. ”Embodied Time: Art Video, 1970 to the Present, Lewis Glucksman Gallery, Cork.” Circa 120 (Summer 2007): 61–63.

Pagel, David. "This Exhibit Molds Clay Into an Obvious Point." Los Angeles Times, 25 September 2007: sec. E10.

Princenthal, Nancy. "Feminism Unbound." Art in America (June/July 2007): 142–153, 221.

Richard, Frances. "Circa 1970." Artforum (October 2007): 373.

Roberts, Diana. "Lynda Benglis, McNay Art Museum, San Antonio, TX." Ceramics Monthly (December 2007): 19–20.

Roberts, Diana. "Lynda Benglis San Antonio." Art Lies 55, Fall 2007. www.artlies.org/article.php?id=1538&issue=55&s=0

Rubinstein, Raphael. “Annals of Painting: It's Not Made by Great Men.” Art in America (September 2007): 61–67.

Shaked, Nizan. "F is for Finally." X-tra 9.4 (Summer 2007): 38–45.

Siegel, Katy. "Sparkles and Freckles." Parkett (2007): 148–157.

Smith, Cherise. “Re-Member the Audience: Adrian Piper's Mythic Being Advertisements.” Art Journal 66.1 (Spring 2007): 47–58.

Smith, Roberta. "Going the Way of All Flesh, Artistically." The New York Times, 10 October 2007: E5.

Thompson, Adam. "Circa 70: Lynda Benglis and Louise Bourgeois." Art Papers 31.6 (November/December 2007): 73.

Viveros-Faune, Christian. "The Anxiety of Influence." The Village Voice, 22–28 August 2007: sec. Art, 52.

Weil, Harry Jacob. "Circa 70." ArtUS, December 2007: 47.

Wiebe, Christabel. ”What's A Girl To Do?.” Border Crossings 26.3 (August 2007): 112–117.

2006

Balducci, Temma. “Revisiting 'Womanhouse': Welcome to the (Deconstructed) 'Dollhouse.'” Woman's Art Journal 27.2 (Fall/Winter 2006): 17–23.

Bryan-Wilson. "Repetition and Difference." Artforum 44.10 (Summer 2006): 109–110.

Cheng, Scarlet. "Shattering Expectations." Los Angeles Times, 13 August 2006: sec. E, 42.

Dargis, Manohla. ”New York's Art Scene in the 60's and a Major Player Within it.” The New York Times, 1 February 2006.

"Gallery." Ceramic Review (January/February 2006): 16–18.

Harris, Mark. "Part Object Part Sculpture." Art Monthly (February 2006): 29–30.

Heiss, Alanna, Eugenie Tsai. "A Conversation with Ron Gorchov." P.S.1 Newspaper, Summer 2006: 1, 3.

Jimenez, Carlos. "3rd Valencia Biennial: A Watered Down Biennial." Art Nexus 5.60 (April/May 2006): 94–96.

Jones, Amelia. "Interventions Reviews: Art Since 1900: Modernism, Antimodernism, Postmodernism." The Art Bulletin 88.2 (June 2006): 373–389.

Johnson, Ken. "The Listings." The New York Times, 28 July 2006.

Kessler, Benjamin. "Julius and John Rosenthal and Rosenthal Art Slides." Visual Resources 22.3 (September 2006): 265–272.

Lambert-Beatty, Carrie. "Part Object Part Sculpture." Artforum 44.6 (February 2006): 203, 210.

Larsen, Lars Bang. "Summer of Love." Artforum 44.6 (February 2006): 222.

"May Guide.” Art in America Annual (2006–2007): 45

The McNay Art Museum. "Artmatters 11: Lynda Benglis." Impressions (September/December 2006): 10.

"Part Object Part Sculpture." American Craft 66.3 (June/July 2006): 54.

Reynolds, Jock. “Director's Report.” Yale University Art Gallery Bulletin (July 2006/June 2007): 4–23.

Schappert, Roland. "Summer of Love." Kunstforum International (February/April 2006): 310–313.

Schwabsky, Barry. "High Times, Hard Times: New York Painting 1967–1975, Weatherspoon Art Museum." Artforum (May 2006).

Smith, Roberta. "Art in Review." The New York Times, 7 April 2006.

Smith, Roberta. "Art in Review." The New York Times, 23 June 2006: sec. E, 30.

Smith, Roberta. ”Avant-gardist's Foray Into Origins of Video Art.” International Herald Tribune, 7 February 2006, 10.

Wexner Center for the Arts. "On View: Part Object, Part Sculpture." Wex Wide Open (2006).

2005

Allen, Jennifer. "Bik Van Der Pol." Artforum 44.4 (December 2005): 104–105, 107–108.

Anfam, David. "Summer of Love." Burlington Magazine 147.1232, November 2005: 768–770.

Benglis, Lynda. “The Artists' Artists.” Artforum 44.4 (December 2005).

Colman, David. "Up Close." Elle Décor, July/August 2005: 128–133.

Cork, Richard. "Stone Me." New Statesman 18.863 (13 June 2005): 38–40.

Ebony, David. "Art Show Shines in Big Apple." Art in America 93.4 (April 2005): 47.

Gockel, Cornelia. "Dead, undead: Retro-Mechanismen in der Aktuellen Kunst." Kunstforum International (2005).

Hewitt, Simon. "2005 Was a Very Good Year for Museum Acquisitions." Art Newsletter, 17 January 2005.

Hirsch, Faye. "Abstract Generations." Art in America (October 2005): 122–127, 191.

Kalonick, Jillian. "How Women Invented Postmodernism." Princeton Packet, 23 December 2005.

McKanic, Arlene. "Lynda Benglis and Monique Prieto." Art News (November 2005): 180–182.

Miller, John. "Sarah Lucas." Artforum 44, no.2 (October 2005): 269.

Mitchner, Stuart. "Women Artists: Up To, Including, and Exceeding Their Limits." Town Topics (Princeton), 21 December 2005: 11.

O'Dell, Kathy. “Ana Mendieta.” Artforum 43, no.7 (March 2005): 232–233.

Pagel, David. "Around the Galleries." Los Angeles Times, 23 September 2005.

Parker, Graham. "Extreme Abstraction - Albright Knox Art Gallery." Art Monthly (October 2005): 32–34.

Pasquariello, Lisa. "Part Object Part Sculpture." Artforum 44, no.1 (September 2005): 124.

Richmond, Susan. “Sizing Up the Dildo: Lynda Benglis' Artforum Advertisement as a Feminist Icon.” n.paradoxa, January 2005: 24–34.

“Rutgers Displays Feminist Art at the Mason Gross Galleries." Rutgers Focus: The Faculty and Staff Newspaper of Rutgers, The State University of New Jersey 60.7, 12 December 2005.

“Seminars with Artists." Public Programs (Whitney Museum of American Art) (March/May 2005).

Sheets, Hilarie M. "Underrated Overrated." Art News (January 2005): 100–109.

Smith, Roberta. "Monique Prieto and Lynda Benglis." The New York Times, 23 September 2005.

"Studio Intensive: Leaps and Bounds." Anderson Ranch Art Center Calendar Workshop and Residencies, 2005, 22.

Yood, James. "James Drake." Artforum 44.3 (November 2005): 257.

2004

Amy, Michael. "Reviews." Sculpture 23.8 (October 2004): 67–68.

"Art Guide." The New York Times, 26 March 2004: sec. E, 37.

"Art Museums and Libraries: At the Beach." The New Yorker (5 July 2004): 21.

Camhi, Leslie. “Knot's Landing.” The Village Voice 49.12, 24–30 March 2004: sec. Art.

Cohen, David. "Arts & Letters: Lynda Benglis." The New York Sun, 18 March 2004.

Edelman, Robert G. “In Pursuit of the Organic." Artnet, 12 April 2004. www.artnet.com/magazine/reviews/edelman/edelman4-12-04

Gingeras, Alison M. "Painting Without Canvas or Sculpting with Paint: Preparatory Sketch for an Exhibition." Contemporary (2004): 22–25.

Harrison, Helen A. ”An Earthly Sculptor's Organic Mysteries.” The New York Times, 9 May 2004: 1, 9.

Hay, David. ”The Artists' Architect, Building for Art's Sake.” The New York Times, 14 November 2004.

Huberty, Erica-Lynn. "Longhouse Reserve, East Hampton." Sculpture 23.6 (July/August 2004): 24–25.

Jana, Reena. "Four-Ply." Time Out New York, 26 August–2 September 2004.

Johnson, Ken. "Art in Review." The New York Times, 6 August 2004.

Jones, Amelia. "Televisual Flesh: Activating Otherness in New Media Art." Parachute (January/March 2004): 70–91.

Kalina, Richard. "Drawing with Light." Art in America (April 2004): 114–119.

Johnson, Ken. “Three Radicals, Two Generations: Revisiting Sculpture from the 60's.” The New York Times, 12 March 2004.

Landi, Ann. "Lynda Benglis." Art News 103, no.6 (June 2004): 111.

“Lynda Benglis." The New York Times, 19 March 2004.

"Lynda Benglis." The New Yorker, 22 March 2004: 17.

MacCash, Doug. "In the Big Easy." Sculpture 23.8 (October 2004): 20–21.

Mack, Joshua. "The Human Touch." Modern Painters 17.2 (Summer 2004): 24–29.

Marter, Joan. “The Paintings of Joan Mitchell by Jane Livingston.” Woman's Art Journal 25.1 (Spring/Summer 2004): 56–59.

“Memorial Weekend Activities." Hampton Jitney Magazine, 2004: 24–27.

Meyer, Richard. “Bone of Contention: Richard Meyer on Lynda Benglis's Controversial Advertisement.” Artforum (November 2004): 73–74, 249–250.

Morris, Catherine. "Rebel with a Cause." Time Out New York 422, 18–25 March 2004.

Myers, Julian. "Lynda Benglis." Frieze (Summer 2004): 134.

Nadelman, Cynthia. "Singular Forms (Sometimes Repeated)." Art News 103, no.5 (May 2004): 146.

Naves, Mario. "Victim of Minimalism Triumphs with Bold Ceramic Sculpture." The New York Observer, 17 May 2004.

Nichols, Matthew Guy. "Lynda Benglis at Cheim & Read." Art in America 92.8 (September 2004): 123.

Rodriguez, Johnette. "Glorious: The RISD Museum Focuses On Feminist Art." The Providence Phoenix, 9 January 2004: sec. Arts, 8.

Rosenberg, Karen. "Art." New York Magazine, 15 March 2004: 91.

Siegel, Jeanne. “Eva Hesse's Influence Today? Conversations with Three Contemporary Artists.” Art Journal 63.2 (Summer 2004): 72–88.

Stein, Judith. "The Likeness of Being." Art Newspaper.com, 2004.

"Voice Choices: Shortlist." The Village Voice 49.12, 24–30 March 2004.

Westfall, Stephen. “Formalism's Poetic Frontier.” Art in America 92.1 (January 2004): 70–75.

Yablonsky, Linda. "How Far Can You Go?." Art News 103, no.1 (January 2004): 104–109.

2003

Burton, Johanna. "Calling Gloria." X-tra 5.3 (2003): 16–19.

Griffin, Tim. "Cindy Sherman Talks to David Frankel." Artforum 41.7 (March 2003): 54–55, 259–260.

Lovelace, Carey. "Art & Politics I: Feminism at 40." Art in America (May 2003): 67–73.

"Museum of Southern Art for New Orleans." Art in America 91.10 (October 2003): 37.

Nadelman, Cynthia. "Lynda Benglis." American Ceramics 14.2 (2003): 54.

Nobel, Philip. "Plainly Stated." Architectural Digest, 31 October 2003: 296–298.

Plagens, Peter. "John Coplans." Art in America 91.10 (October 2003): 43.

Pollack, Barbara. “‘Gloria' and 'Regarding Gloria.'” Art News (February 2003): 127–128.

Rodriguez, Bill. “Expressions: Old and New Visions Abound." The Providence Phoenix, 19 September 2003: 8.

Starbird, Pamela. "Corbu in Ahmedabhad." Interior Design 74.2, February 2003: 142–149.

Tomkins, Calvin. "Missing in Action Profiles." The New Yorker, 4 August 2003: 36.

Thomas, Kelly Devine. "The Most Wanted Works of Art." Art News 102, no.10 (November 2003): 130–136.

Van Siclen, Bill. "A Delicate Subject Makes a Strong Statement." The Providence Journal, 4–7 December 2003: sec. LIVE, 32.

Waterlow, Nick. "Conversations on the Work of Hilarie Mais." Art and Australia, 2003: 240–247.

2002

A.F. "Hey Hey Frankenthaler: A Survey of Important Works By Lynda Benglis, Locks Gallery, Philadelphia." The Art Newspaper, May 2002.

Allen, Gwen. "Documents of 1960s Art." Art Journal 61.2 (Summer 2002): 100–103.

Cohen, David. "Challenging Art: Artforum 1962–1974." The Art Bulletin 84.3 (September 2002): 535–538.

Cotter, Holland. "Two Nods to Feminism, Long Snubbed by Curators." The New York Times, 11 October 2002: sec. E, 35.

Dailey, Meghan. "Gloria: Another Look at Feminist Art in the 1970s." Artforum 41.4 (December 2002): 141–142.

Ebony, David. "Art Fairs Energize New York Scene." Art in America (April 2002): 35–36.

Ebony, David. "Lynda Benglis at Franklin Parrasch." Art in America 90.10 (October 2002): 164–165.

“Exhibitions." Annual Report (Harvard University Art Museums (2002/2003): 32–45.

Fallon, Roberta. "Philadelphia Story." Artnet (5 July 2002). artnet.com/magazine/features/fallon/fallon/fallon5-7-02.asp

Jay, Martin. "Somaesthetics and Democracy: Dewey and Contemporary Body Art." Journal of Aesthetic Education 36.4 (Winter 2002): 55–69.

Krayera, Janet. "Feminist Flashback." Time Out New York, 2002: 52.

McDonald, Elvin. "Warp and Weft." Traditional Home, November 2002: 184–189.

Naves, Mario. "Another Revelation From Lynda Benglis." The New York Observer, 28 January 2002: 14.

Newhall, Edith. "Lynda Benglis." Art News (September 2002): 158.

Paulk, Ann Bronwyn. "Femi-Primitivism." Art Criticism 17.2 (2002): 41–54.

Rubinstien, Raphael. "American Criticism and How It Got That Way." Art in America (June 2002): 37–41.

Sansegundo, Sheridan. “Artists Decry Curator's Firing.” The East Hampton Star, 2002: sec. III.

Schwabsky, Barry. "Lynda Benglis." Artforum 41.2 (October 2002): 33.

Smith, Roberta. "Art in Review: Lynda Benglis, Franklin Parrasch." The New York Times, 1 February 2002.

Weinrich, Regina. "Personal and Political." The East Hampton Star, 2002.

2001

Baker, Kenneth. "Grimaces that Have No Faces." San Francisco Chronicle, 10 March 2001: sec. B, 1, 5.

Breidenbach, Tom. "New York ca. 1975." Artforum 40.3 (November 2001): 148–149.

Dannatt, Adrian. "This Text is a Work of Art." Parkett (2001): 163–168.

Heartney, Eleanor. "Boomtowns of the Avant-Garde." Art in America (September 2001): 65–71.

Fallon, Michael. "Bricks and Burnt Earth." Public Art Review 12.2 (Spring/Summer 2001): 15–19.

Fanning, Leesa. “Clay at Weiner Gallery." Review, January 2001: 32.

Kangas, Matthew. "Metamorphosis: Glass Sculptures by Lynda Benglis." Glass: The Urban Glass Art Quarterly 82 Special Czech Republic Section Glass (Spring 2001): 22–27.

Kaplan, Janet A., Lars Nittve, Iwona Blazwick, Olu Oguibe, Paolo Vanancio Filho, Donna de Salvo, Reiko Tomii, Geeta Kapur, Emma Dexter. "Century City: Conversations With The Curators." Art Journal 60.3 (Fall 2001): 48–65.

Kastner, Jeffrey. "c1975 and All That." Art Monthly (September 2001): 1–4.

Miller, Cynthia. "Hugh Merrill." Contemporary Impressions 9.2 (Fall 2001): 16–19.

Princenthal, Nancy. "Bodycount: Recent Photographs of Women by Women-And Some Precedents." Artext (February/April 2001): 64–71.

"Rags to Riches: 25 Years of Paper Art from Dieu Donne Papermill." American Craft (December 2001/January 2002): 34.

Stoeber, Michael. "Skulptur als Feld." Kunstforum International (November/December 2001): 318–321.

Vaisman, Daria. "Return of the Scandalous Dildo." New York Press, 11–17 July 2001: sec. Art, 8.

Versace, Candelora. "Collectors Barbara-Rose and Ed Okun." American Craft (June/July 2001): 50–55.

2000

A.D. "Our Choice of New York Contemporary Galleries." The Art Newspaper 105, July/August 2000.

Antonelli, Paula, Laura Hoptman. "Matter." MoMA Membership Calender (November 2000): 10–13.

Breitenberg, Mark. "Freak Culture." Arttext 68 (February/March/April 2000): 59–62.

Chave, Anna. "Minimalism and Biography." Art Bulletin 82.1 (March 2000): 149–163.

Chris, Cynthia. “Video Art: Stayin' Alive.” Afterimage (March/April 2000): 10–12.

Cohen, Mark Daniel. "Exhibitions: Modern Odysseys: Greek American Artists of the 20th Century." Review: The Critical State of Visual Art in New York (15 January 2000): 24–28.

Farr, Sheila. "Material as Message." The Seattle Times, 20 October 2000: sec. H, 32.

"Gallery Listings." The New York Times, 28 July 2000.

Glueck, Grace. "The Likeness of Being." The New York Times, 21 January 2000.

Green, J. Ronald. "Maximizing Indeterminacy: On Collage in Writing, Film, Video, Installation and Other Artistic Realms." Afterimage 27.6 (May/June 2000): 8–11.

Hackman, Kate. "The Power of Clay." The Kansas City Star, 17 December 2000: sec. I, 1, 3.

Huberty, Erica-Lynn. "Intensity of Form and Surface." Sculpture Magazine (July/August 2000): 31–37.

Johnson, Ken. "Opulent." The New York Times, 21 July 2000.

Kalina, Richard. “Odysseus's Progeny.” Art in America (September 2000): 60–63.

Lombardi, Dominick D. "Purchase New York 1999 Biennial Exhibition of Public Art, Neuberger Museum of Art." Sculpture (March 2000): 70–71.

"Museum Preview 2000–2001." Art in America 88.8 (August 2000): 27–39.

Naves, Mario. "The Mister Softee of the Current Art Diet." The New York Observer, 21 August 2000.

Pollack, Barbara. "Babe Power." Art Monthly (April 2000): 7–10.

Pops, Martin. "Three Exhibitions." Salmagundi 128-129 (Fall 2000/Winter 2001): 16–41.

Sansegundo, Sheridan. "Sculpture Added at Longhouse." The East Hampton Star, 20 April 2000: sec. III, 1, 5.

“Studios by the Sea." Vanity Fair (August 2000): 138–154.

Turner, Elisa. "New Life For Old Theater." Art News (March 2000): 66.

Wefers, Gudrun. “‘Frauenfilm als Gegenfilm' Die Rezeption feministischer Filmtheorie in Rebecca Horns 'Berlin-Ubungen in neun Stucken' (1974–75).” Marburger Jahrbuch fur Kunstwissenschaft 27 (2000): 337–359.

Youens, Rachel. "Opulent." NY Arts 5.7, July/August 2000.

Zoom (Greece) (2000): 12.

1999

“Advertisement for Lynda Benglis: Recent Work Wols: Photographs of the 1930's at Cheim & Read.” Artforum (October 1999).

"Art Guide." The New York Times, 5 November 1999: sec. E, 44.

“Arts Digest: UAB Visual Arts opens with ‘Off the Wall.’" The Birmingham News, 12 September 1999.

"Big Easy Does It." The Times-Picayune, 16 May 1999: sec. E, 2.

Bobby, Kate. “‘Modern Odysseys' at the QMA.” Forest Hills Ledger, 14 October 1999.

Bradley, Jeff. "From Patience to Fascination." The Denver Post, 1999: sec. E, 26.

Braff, Phyllis. "Cues from Materials, Size and Experience." The New York Times, 8 August 1999.

Braff, Phyllis. "Wave of Abstraction in Painting and Sculpture." The New York Times, 5 September 1999: sec. Long Island, 17.

Cotter, Holland. "A Garden of Subjects, Materials, Styles Across New Jersey." The New York Times, 30 July 1999.

Duncan, Michael. "L.A. Portraiture: Post-Cool." Art in America 87.10 (October 1999): 124–131.

Gomez, Edward M. "Improvised Images in Molten Wax, As Fluid As Jazz." The New York Times, 16 May 1999.

“Hot Spots." Longhouse 8.3 (Fall 1999): 1.

Huberty, Erica Gambino. "A Trio of Artists with Styles All Their Own." Southampton Press, 9 September 1999: sec. B, 5.

Huberty, Erica-Lynn. "Lynda Benglis at Cheim & Read." Gallery Guide (October 1999): cover, 11.

Johnson, Ken. "Lynda Benglis, Cheim & Read." The New York Times, 29 October 1999.

Klein, Michael. "Lynda Benglis at Cheim & Read." Sculpture (June 1999): 70–71.

Koroxenidis, Alexandra. "A Female Sensibility Made Tongue-In-Cheek." International Herald Tribune, 11 January 1999.

Lewis, Julia. "Wall to Wall." Interior Design, August 1999: 154–159.

"Lynda Benglis: New Work." New York Contemporary Art Report (October/November 1999): 18–19.

MacCash, Doug. "Form Follows Process." The Times-Picayune, 14 May 1999: 24, 25.

McClellan, Marian S. “Lynda Benglis' Processes.” The New Orleans Art Review (May/June 1999): 34–37.

"Modern Odysseys: Greek American Artists of the 20th Century." Queens Museum of Art News (October/December 1999): 1.

Murphy, Rick. "The Blue-Collar School of Fine Art." The New York Times, 25 April 1999.

Nagy, Peter. "Lynda Benglis + Joe Zucker." Time Out New York, 23–30 September 1999.

Nelson, James R. "Exhibit Offers Look At End-Of-Millenium Aesthetics." The Birmingham News, 26 September 1999: sec. F, 6.

Niles, Bo. "Inner View: Contemporary Vintage." Veranda, October 1999: 224.

“On View: Waxing Poetic: Encaustic Art in America." New York Magazine, 2 August 1999.

Russell, John. "A Pocket Tour of the Century in 86 Small Works." The New York Times, 28 May 1999: sec. B, 31.

Spurey, Kurt. "Chimera." Keramik Magazin, 1999: 23–25.

Trebay, Guy. "The Art of Effacement: Whitney Returns Ray Johnson to the Fold." The Village Voice, 19 January 1999: 41.

Vincent, Steven. "East Hampton, New York." Art & Auction (July/August 1999): 83.

Zeaman, John. "Warming Up To An Old Technique: Encaustic Revival in Montclair." The Hackensack (New Jersey) Record, 9 July 1999.

1998

"Advertisement for Lynda Benglis at Cheim & Read." Artforum (September 1998): 21.

Banfield, Susan. “Art Professor's Class a Real Sketch.” Connecticut Post, 15 March 1998: sec. C, cover, 1, 2.

Bonetti, David. "Painting is Back, Thanks to Pollock." San Francisco Examiner, 22 November 1998.

Bracker, Alison. "Lost Property: Lisa Lyon in Artforum." Make (September/November 1998): 14–18.

Braff, Phyllis. "A Concept and Conceptualism at the Parrish." The New York Times, 9 August 1998.

Braff, Phyllis. "Subjective and Abstract Flow in Many Directions." The New York Times, 3 May 1998: sec. Long Island, 24.

“Celebrating Women's Creativity.” Quinnipiac College, School of Liberal Arts (21 March 1998).

Cotter, Holland. "Messages Woven, Sewn or Floating in the Air." The New York Times, 9 January 1998.

“Critical Dialog in the Visual Arts." Artists Talk on Art Panel Series, 16 October 1998– 5 February 1999.

Cummings, Mary. "New Parrish Show: Thoughtful Questions On the Nature of Gifts." The Southampton Press, 19 November 1998.

Czach, Marie. "CAA in L.A.: Photograpy And/As/Or Art." Afterimage 25.6 (May/June 1998): 4–5.

Dunleavy, Virginia. "An Artful Fete at the Parrish." Newsday, 29 November 1998.

Ebony, David. "Isabel de Obaldia at Mary-Anne Martin." Art in America (May 1998): 128–129.

"An Exhibit of Gifts." The East Hampton Star, 19 November 1998.

"Exhibitions." Now in Athens, October/November 1998: 14–20.

Gambino, Erica-Lynn. ”A 'Thank-You' Show at Parrish.” The Southampton Press, 17 December 1998: sec. B, 1, 6.

“Galleries." New Yorker (12 October 1998).

Glueck, Grace. "Art in Review." The New York Times, 2 October 1998: sec. E.

Higgins, Andrea. "An Unconventional Visiting Artist Finds An Unconventional Setting at Quinnipiac." New Haven Register, 19 April 1998: sec. G, 1, 8.

"Home Gallery." Maison Figaro, October 1998: 132–139.

Koroxinidis, Alexandra. “Unbearable Strength of Art's Maturity.” International Herald Tribune, 30 November 1998: sec. Inside Kathimerini, 6.

"Le Corbusier Was Here." Elle Décor, July/August 1998: 62–71.

"Lynda Benglis." New York Contemporary Art Report, October 1998: 18–19.

"Lynda Benglis hat Aufsehen erregt." Time Out (Germany), 28 March 1998.

Maier, Heinrich. "Kunst aus Energie und Ton." Kultur, 9 March 1998.

Martin, Lois. "When Is Thread Art? Questions From An Exhibition." Surface Design Journal (Fall 1998): 9–15.

Nagy, Peter. "Beach Arty." Time Out New York, 6–13 August 1998: 51

Nebelung, Sigrid. "Die Alten sind frischer." Art, July 1998: 97–98.

Ocampo, Manuel. "Manuel Ocampo: To Infinity and Beyond." Arti (May/July 1998): 36–41.

“Parrish Museum: New Show, Gala Party." The East Hampton Star, 16 July 1998: sec. III, 5.

Perreault, John. "Glass Outside of Glass: A Portfolio." Glass: The Urban Glass Art Quarterly (1998): 26–29.

Pollack, Barbara. "Leaping Off The Pedestal." Art News (June 1998): 106–110.

Reilly, Maura. "Lynda Benglis at Cheim & Read." Art in America (November 1998): 124.

Ripley, Deborah. "Postcoital Painting." Artnet, 8 December 1998. www.artnet.com/magazine/reviews/ripley/ripley12-8-98.html

Robins, Corinne. "Rediscovering Sex in Feminist Art." Art Journal 57.1 (Spring 1998): 88–89.

Sansegundo, Sheridan. "Lynda Benglis: On Surfaces, Skins and Movement." The East Hampton Star, 12 November 1998: sec. III, 1, 5.

Schmerler, Sarah. "Lynda Benglis." Art News (November 1998): 164–165.

Schnekenburger, Bodo. "Mit organischen Formen dem Zeitgeist begegnen." 9 February 1998.

Slivka, Rose. "From the Studio." The East Hampton Star, 13 August 1998.

Slivka, Rose. "From the Studio: Dramatic Exhibit." The East Hampton Star, 10 December 1998: sec. III, 1, 5.

Unnutzer, Petra. "Lynda Benglis." Kunstforum International (March 1998): 382–383.

Walker, Hollis. "Good Energy is in the Air at the Art Foundry." Pasatiempo, 13–19 November 1998: 10–11.

“'Waxing Poetic' on Display at Museum.” Garden State Press, 22 July 1998.

Zimmer, William. "Works That Are Made From Textiles." The New York Times, 18 January 1998.

1997

Aletti, Vince. "Voice Choices." The Village Voice 42.26, 1 July 1997: 4.

"Art Guide." The New York Times, 24 October 1997: sec. E, 38.

Berkson, Bill. "Review of Books: The Pollock Effect." Art in America (December 1997): 29–31.

Braff, Phyllis. "Masters XI." The New York Times, 7 September 1997: sec. Long Island, 28.

Constable, Ann. "Art School Daze." Santa Fe Reporter, 8–15 October 1997: 13–18.

Cotter, Holland. "Material Girls." The New York Times, 31 October 1997.

Daniel, Mike. "Top Attraction: Lynda Benglis Works at UNT." The Dallas Morning News, 10 October 1997: sec. Guide, 47.

Denton, Monroe. "Inherent Voices." Arti, May/June 1997: 50–74.

"Fellow in Arts Lynda Benglis Expands Horizons for Students." Intercom (Quinnipiac College bi-weekly newsletter), 30 October 1997: 1.

"Galleries." The New Yorker 73.19, 14 July 1997: 20.

Glueck, Grace. "Lynda Benglis." The New York Times, 24 October 1997: sec. E, 38.

Hoffmann, Gabriel. "Jongelieren mit Alltaglichem." Stuttgarter Zeitung, 10 February 1997: 12.

Ibugochoubi, N. "Mapping Hidden Agenda." Bombay Times, The Times of India, 30 August 1997: sec. Kulture, 8.

"Internationale Positionen Zeitgenossicher Skulptur." Monatsspeigel, March 1997: 33

IVAM Centre. "En El Limite Estoy Al Limite Voy.” 8 May 1997.

Kangas, Matthew. "Doris Chase at Friesen." Art in America 85.7 (July 1997): 101.

Landi, Ann. "Site Specifics." Art News 96, no.4 (April 1997): 116–118.

Lath, Alpana. "The Third Dimension." Mid-Day, 27 August 1997: 4.

Markham, Pamela. "Lynda Benglis: Video." Arti 34 (May/June 1997): 88-97.

Mitchell, Charles Dee. "Lynda Benglis at UNT Art Gallery." The Dallas Morning News, 25 October 1997: sec. C, 12.

"Museum Weaves Exhibition and Events." Currents (The Hudson River Museum) (Fall/Holiday 1997/1998).

Norman, Kyle. "Artist Hosts Lecture, Exhibit in Art Gallery." The North Texas Daily, 14 October 1997: sec. Arts & Entertainment, 8.

Ratcliff, Carter. "The Fate of a Gesture: Lynda Benglis." Artnet, 13 June 1997. www.artnet.com/mag/magazine/index/ratcliff/ratcliff6-13-97.html

Rubinstein, Raphael. "Abstraction Out of Bounds." Art in America (November 1997): 104–115.

Samuelsen, Geir Harald. "Kunsten a stro." Morgenbladet: Kulturavisen Argang 178.14 (18 April 1997).

Schur, Friedrich. "Prinz Kunsttest: Die Interessantesten Austellungen in Februar." Prinz, February 1997: 71.

Siegel, Jeanne. "Lynda Benglis, Jackson Pollock and Process." Arti (May/June 1997): 75–87.

Stafne, Annelise. "Kunsten ned pa gulvet." Aftenposten, 13 April 1997.

Veitinger, Thomas Von. "Schritte zu einer neuen Sensibilitat." Esslinger Zeitung, 11 February 1997.

Veitinger, Thomas Von. "Von der Spulburste bis hin zum 3-D-Hund." Ludwigsburger Kreiszeitung, 8 February 1997: 31.

Veitinger, Thomas Von. "Wo Kunstschneekugeln Wackeln und 3-D Hunde Dackeln." Hohenloher Zeitung, 10 February 1997: 18.

Waddington, Chris. "All That Jazz." Art and Antiques, October 1997: 33–34, 36–37.

Wagner, Thomas. "Karriere Emes Haushaltsmaterials." Frankfurter Allgemeine Zeitung, 6 March 1997: 58.

Ward, Fraser. "Some Relations Between Conceptual and Performance Art." Art Journal 56.4 (Winter 1997): 36–40.

Wilson, Martha. "Performance Art." Art Journal 56.4 (Winter 1997): 2.

1996

"Art." New York Magazine, 9 September 1996.

“Arts Calendar." Round Up (Las Cruces, New Mexico), 25 January 1996: 6.

Bonami, Francesco. "Lynda Benglis." Flash Art 29.187 (March/April 1996): 99.

Cramton-Wexton, Lisa. "Deconstructing The Beast." Detroit Metro Times 16.14, 3–9 January 1996.

De Diego, Estrella. "? Sabe Usted Lo Que Pasando, Senora Jones?." Zehar (Spring 1996): 10–13.

Denton, Monroe. "Virtual (S)Exhibitionism." Art Journal 55.4 (Winter 1996).

Fricke, Roswitha. "Lynda Benglis." Art Press 17 (1996): 33–34.

Gilbert, Andrea. "Art at the End of the 20th Century: Selections from the Whitney Museum of American Art." Arti 31 (October/November/December 1996): 196–211.

Hannah, Deirdre. "Epoch-Making Art Sparks Love Gasoline." NOW, 20–26 June 1996.

Hill, Shawn. “Feminism Exhibit is 'More Than Minimal.'” Cambridge Tab, 4 June 1996.

Holert, Tom. "Die Kunst der Kontrolle: Anmerkungen zu Video, Authentizitat und Ubwerwachung." Texte zur Kunst 6.21 (March 1996): 68–79.

Holguin, Jaime. "Chimera Opening Creates ‘Unconscious Motion.’" Round Up (Las Cruces, New Mexico), 29 January 1996: 11.

Horowitz, Stash. "Sex Education." The Back Bay Courant, 25 June 1996: sec. Arts Alive, 10.

Klemic, Mary. "Clay Sculptures Mesmerize Viewers." The Eccentric, 4 January 1996.

“La Toilette de Venus." The Village Voice, 24 September 1996.

Moore, S. Derrickson. "Clay Artist To Give Lecture at NMSU." Sun-News, 24 January 1996: sec. A, 11.

Lumpkin, Libby. "Two Dissenting Views." Art Issues (September/October 1996).

Moore, S. Derrickson. "Sculpture Exhibit Opens at NMSU." Sun-News, 26 January 1996: sec. C, 1, 3.

“More Than Minimal: Feminism and Abstraction in the '70s.” Boston Magazine, June 1996: 81, 85.

Perrott, Jeff. "More Is: More than Minimal: Feminism and Abstraction in the Seventies." artsMEDIA, June 1996: 8–10.

Sieglaub, Seth. "The Context of Art/The Art of Context." Kunst & Museumjournaal 7.1/2/3 (1996): 52–94.

Smith, Roberta. ”Art in Review: Women's Work.” The New York Times, 27 September 1996.

Smith, Roberta. "Testing Limits at the Corcoran." The New York Times, 6 January 1996: sec. The Arts, 11, 13.

"Spotlight: Rose Art Museum, More Than Minimal." Art New England, April/May 1996: 12, 51.

Stapen, Nancy. "Feminism Meets Minimalism." The Boston Globe, 30 April 1996: sec. Living Arts, 27, 36.

“Voice Choices: Women's Work.” The Village Voice, 15 October 1996.

Yablonsky, Linda. "La Toilette de Venus." Time Out New York, 18–25 September 1996: 38.

1995

“Advertisement for Lynda Benglis at Galerie Simonne Stern." The New Orleans Art Review (September/October 1995): inside front cover.

Alderman, Ed. "Crawfish Towers Are Making The Art Scene." Lake Charles American Press, 6 October 1995: sec. D, 3.

Armitage, Diane. "Lynda Benglis: Ceramic Sculpture." THE Magazine, January/February 1995: 47.

Art in America Annual (1995).

Atkins, Robert. "Very Queer Indeed." The Village Voice, 31 January 1995.

Baker, Kenneth. "Common Ground in Queer Art." San Francisco Chronicle, 12 January 1995: sec. B, I, S.

Bonetti, David. "Looking at Art In a Different Light." San Francisco Examiner, 11 January 1995: sec. B, 1–3.

"Bronze Age." New Orleans, October 1995: 33, 51.

Colby, Joy Hakanson. “Retrospective Displays Artist's Link to Her Past Despite Change of Medium.” The Detroit News, 30 November 1995: sec. J, 2.

Cotter, Holland. "Sculpture Not Meant to Last Forever, Much Less Past Summer." The New York Times, 18 August 1995: sec. C, 1, 22.

"Cranbrook Art Museum." Detroit Free Press, 17 November 1995.

Duncan, Michael. "Queering the Discourse." Art in America (July 1995): 27.

Fressola, Michael J. “'Beyond Gender' Exhibit Focuses On Wider Issues.” Staten Island Advance, 27 October 1995: sec. B, 3.

Fressola, Michael. "Feminism Redux." Staten Island Sunday Advance, 27 August 1995: sec. E, 1.

Fressola, Michael J. ”Women's Work: Sculpture Show Features Work of Female Artists.” Staten Island Advance, 7 July 1995: sec. B.

Goldberger, Paul. "The Art of his Choosing." The New York Times Magazine, 26 February 1995: 30–39.

Green, Roger. “At Cranbrook, A 'Process Art' Pioneer.” The Ann Arbor News, 26 November 1995: sec. E, 1, 2.

Guillaud, Betty. "Spotlights Will Shine On Alumnae and Activists." The Times-Picayune, 3 October 1995: sec. D, 3.

Images (Laumeier Sculpture Park), Summer 1995.

"In Three Dimensions." Arts Humanities: Staten Island 6.4 (July/August 1995).

Knight, Christopher. “‘Shining a Different Light' on Both Artist and Viewer.” Los Angeles Times, 4 February 1995.

Leblanc-Berry, Lisa. “It's ‘Arty Gras’ in New Orleans.” Where/New Orleans, 1995: 16–17.

Littlejohn, David. "Queer Art Show: Gender Confusion." The Wall Street Journal, 22 March 1995: sec. F, 1, 10.

MacCash, Doug. "Eye Music." Offbeat, November 1995: 18–19, 33.

Mayo, Joy. “In Three Dimensions: Women Sculptors of the 90's.” Sculpture Review (Fall 1995).

McClellan, Marian S. "Sensation of Polish." New Orleans Art Review (November/December 1995): 22–24.

Misra, Prithwiraj. “Dongar '95.” The India Magazine of Her People and Culture, June 1995: 39–43.

Nemeth, Michael. ”Pilchuck's Glass Act.” Skagit Valley Herald, July 1995.

"Painting the Town: New Orleans Collectors Celebrate the Big Easy and Its Art." The Times-Picayune, 6 October 1995: 1, 15, 19–20.

Patnaik, K. Sudhakar. "Tribal Attraction." Aside, 15 May 1995: 24–25.

"Preview: The Secret Histories." Artforum (February 1995): 23–24, 104.

Rinder, Lawrence. "In a Different Light." University Art Museum Pacific Film Archive (January/February 1995): 2.

Schjeldahl, Peter. "Airfill (Nancy Rubins Review)." The Village Voice, 14 February 1995: 82.

Sizemore, Gene. "Mothers Mentors and Mischief: What Makes a Child Want To Be An Artist." Art News 95, no.1 (January 1995): 112.

Smith, Roberta. "Void, Self, Drag, Utopia (And 5 Other Gay Themes)." The New York Times, 26 March 1995: sec. Art.

Vogel, Carol. "Inside Art." The New York Times, 8 December 1995: sec. C, 26, 27.

Wei, Lilly. "Feminists In The Art World." Art in America 83.1 (January 1995): 35, 37.

1994

Berlind, Robert. "Art and Old Age." Art Journal 53.1 (Spring 1994): 19–21.

“Calendar.” National Gallery of Art (September 1994): 2.

“Calendar of Events.” National Gallery of Art (July 1994).

Choon, Angela. "Sense and Sensibility." Art and Antiques, February 1994: 27.

Ebony, David. "Rebecca Smith." Art in America 82.11 (November 1994): 136.

"Female Artists Find Expression Refuge in Video Art." Florida Flambeau, 7 March 1994: sec. Arts Review, 9.

Frank, Peter. "Introducing the Mothers of Beavis and Butthead: L.B. Museum Takes Surprising Looking at Early Video Art By Women." Los Angeles Times, 17 July 1994: sec. J, 8.

“Just Looking: An Art for Art's Sake Sampler.” The Times-Picayune, 30 September 1994: sec. Lagniappe, 25–27.

Kalil, Susie. "The Small and the Dreadful." The Houston Press, 17–23 November 1994: 38–39.

Knight, Christopher. "Eyewitnesses to Her Story." Los Angeles Times, 24 July 1994.

Lewis, Jim. "Pragmatics." Art Issues (January/February 1994): 12–15.

“Louise Bourgeois: A Living Legacy." Sculpture 13.5 (September/October 1994): 32–35.

Melrod, George. "Daniel Wiener." Art in America 82.2 (February 1994): 107

Newhall, Edith. "Hello, Old Paint." New York Magazine, 14 February 1994: 21.

Princenthal, Nancy. "Lee Tribe." Art in America 82.7 (July 1994): 89.

“Prints from Solo Impressions, Inc." Dialogue (September/October 1994): 30.

Rasenberger, Jean. "In the Beginning: The First Generation: Women and Video, 1970–75." Art Week, 21 July 1994.

Safran, Verna. "Women, Men and History." 0 Magazine, 1994: 5.

Saltz, Jerry. "A Year In The Life: Tropic of Painting." Art in America (October 1994): 93.

Smith, Roberta. "Postmasters.” The New York Times, 25 February 1994: sec. C, 22.

Southworth, Linda. "Part II: Resident Guide to Entertainment, Dining & The Arts." Upper West Side Resident, 16–29 March 1994: 19.

1993

Als, Hilton, Darryl Turner. "History of the Suburbs." Artforum 31.9 (May 1993): 70–75.

Art in America Annual (1993).

"Aspen: Lynda Benglis." Art Talk, March 1993: 46.

Baskett, Pat. "Waxing Lyrical." The New Zealand Herald, 31 October 1993.

"Galleries-Downtown." The New Yorker, 7 June 1993: 21.

Gibson, Eric. “Artistic Limits of 'Options.'” The Washington Times, 7 February 1993: sec. Arts.

Nesbit, Molly. "A Project for Artforum." Artforum (May 1993): 70–75.

Smith, Roberta. "Art Invitations As Small Scraps Of History." The New York Times, 16 May 1993: sec. H, 37, 42.

Smith, Roberta. "25 Years, Part I." The New York Times, 26 November 1993: sec. C, 29.

Yood, James. "Lynda Benglis, Richard Gray Gallery." Artforum (March 1993): 99–100.

1992

Avgikos, Jan. "Seeing With Our Bodies." Tema Celeste, Autumn 1992: 38–43.

Braff, Phyllis. "6 East End Sculptors at Midcareer." The New York Times, 26 July 1992: sec. Long Island, 11.

Cotter, Holland. "Far Better to Display than Merely to Receive." The New York Times, 29 May 1992.

"The First Generation Women and Video: 1970–1975." Independent Curators International Newsletter, December 1992.

Heartney, Eleanor. “Etats-Unis changement d'epoque.” Art Press (October 1992): 41–46.

"Heavy Metal at Guild Hall." Hamptons Magazine, 12 June 1992.

Kahn, Wolf. "Connecting Incongruities." Art in America (November 1992): 116–121.

Kirili, Alain. “Who's Afraid of Abstract Modeling?.” Tema Celeste 35, April/May 1992: 54–57.

Landau, Ellen G. “Cindy Sherman Deconstruite? Une Reconstruction.” Cahiers du Musee National d'Art Moderne 40 (Summer 1992): 36–47.

"Listings." The Village Voice, 4 August 1992: 71.

Long, Robert. "Sculpture at Guild Hall Moves Beyond Minimalism." The Southampton Press, 16 July 1992.

Rimer, Sara. "Collecting Priceless Art, Just for the Love of It." The New York Times, 11 February 1992: sec. B, 2.

"Sag Harbor Sculpture Feature in Show." The Sag Harbor Express, 11 June 1992: 9.

S.B. "Expo Sulfureux et Feminin." Museart 22 (July/August 1992).

Scott, Andrea K. "An Eloquent Silence." Tema Celeste 37–38 (Autumn 1992): 80–83.

“Sculpture at Guild Hall." The Southampton Press, 11 June 1992.

"Sculpture Exhibit Modern and Big." The East Hampton Star, 11 June 1992.

“Sculpture Donations.” Lake Charles American Press, 28 October 1992: 33.

Slivka, Rose C.S. "From the Studio." The East Hampton Star, 18 June 1992: sec. II, 9.

Smith, Roberta. "10 Steps." The New York Times, 4 December 1992: sec. C, 23.

Spoto, Donald. "Park Avenue Harmonics for Clive Davis." Architectural Digest, November 1992: 178–185.

Szeto, Regina. "Transfigured Forms: An Encounter with Lynda Benglis.” Cassandra Speaks, Spring/Summer 1992.

Tucker, Lori. "Three Women and Their Art." The News-Star, 8 May 1992: sec. C, 1, 3.

Vogel, Carol. "2 Unusual Collectors Pledge 2000 Works to National Gallery." The New York Times, 8 January 1992: sec. B, 1.

"Volume: Six Contemporary Sculptors." Newsday, 26 June 1992: sec. Weekend.

Weiss, Marion Wolberg. ”Volume: Six Sculptors Strut Their Stuff at Guild Hall.” Dan's Papers, 19 June 1992: sec. Art Galleries, 62.

Wylie, Patrice. "Nationally Known Sculptor Appears at Proscenium." Aztec Press, 14 October 1992: 6.

1991

Annas, Teresa. "Car Exhibit Takes You Places Metaphorically." The Virginia-Pilot, 12 May 1991.

Baker, Kenneth. “It's the 60s Again With The New Sculpture.” San Francisco Chronicle, 2 May 1991.

Baker, Kenneth. "Sculptor Carves Her Own Niche." San Francisco Chronicle, 26 October 1991.

Bonetti, David. "Provocateur Exhibits the Objects of Her Desire." San Francisco Examiner, 1 November 1991: sec. C, 2.

Bonetti, David. "Ten Who Shaped the World." San Francisco Examiner, 20 March 1991: sec. B, 3.

Burkhart, Dorothy. “Throwing a Soft Curve at Sculpture's Hard Edge.” San Jose Mercury News, 26 September 1991: sec. Art.

Calas, Terrington. "On Lynda Benglis." New Orleans Art Review, September/October 1991: 6–9.

Chadwick, Susan. "Art." The Houston Post, 20 October 1991: sec. J, 10.

Chattopadhyay, Collette. "The Sweat of Daily Life." Artweek 22.36, 31 October 1991.

Cullum, J. W. "Lynda Benglis at High Museum of Art, Atlanta." Sculpture 10.5 (September/October 1991): 82–83.

Cutajar, Mario. “An Acquiescent Dignity. The New Sculpture 1965–75: Between Geometry and Gesture at MOCA's Temporary Contemporary.” Artweek 22.14, 11 April 1991: 1, 16

Donohue, Marlena. "Organic Gesture and Flashy Flutterings." The Christian Science Monitor, 26 September 1991: sec. Art Now, 17.

Fox, Catherine. “Defiant, Daring, Enlightening: Indulge in Benglis's Wild World.” The Atlanta Journal, 22 February 1991: sec. F, 6

Fox, Catherine. "Pushing the Edges." The Atlanta Journal, 3 February 1991: sec. N, 1, 12.

“Gallery Guide.” Art Now/Southeast, June 1991: cover, 3.

Gray, Alice. "Lynda Benglis." Art News (May 1991): 163.

Green, Roger. "Landmark Works from Louisiana Artist." The Times-Picayune, 21 June 1991: sec. Art, 13.

Hall, Jacqueline. ”Setting the Stage Simulates Theater's World of Magic.” The Columbus Dispatch, 3 March 1991: sec. Visual Arts.

Heilenman, Diane. "Road Trips Offer an Artistic Winter Pick-Me-Up." The Courier Journal, 27 January 1991: sec. I, 6.

Hoban, Phoebe. "Artists on the Beach: Come Summer, The Hamptons are Soho by the Sea." New York Magazine, 1–8 July 1991: 38–45.

“Illustration." Wexner Center for the Arts (February 1991).

Jinkner-Lloyd, Amy. "Materials Girl." Arts Magazine (May 1991): 52–55.

Kandel, Susan. "Benglis Pointedly Deceptive Pleasures." Los Angeles Times, 12 September 1991: sec. F, 12.

Knight, Christopher. ”MOCA's New Sculpture a Fine Match of Work, Space.” Los Angeles Times, 20 February 1991: sec. F, 1, 10.

"Lake Charles Artist Pays a Call." Louisiana Life, July/August 1991: 9.

"Lannan Foundation, NEA, and Ford Sponsors Two Major Exhibitions." Developments (High Museum of Art) 5.2 (Spring 1991): 1.

"Lynda Benglis: Dual Natures." New Orleans Museum of Art 13.2 (April/May/June 1991): 15.

“Lynda Benglis: Dual Natures, September 15–November 10, 1991." Frameworks (San Jose Museum of Art) 4.7 (September 1991).

Nesbitt, Lois. "Diddle and Pillage: Anxious Art from Three New Sculptors." Elle, June 1991: 94, 96.

“News of the Print World: People and Places.” The Print Collector's Newsletter 22.2, May/June 1991: 50–55.

“Newsletter.” Parrish Art Museum, June/August 1991: 2.

Pincus, Robert. "An Ambitious Survey of Contemporary Sculpture." The San Diego Union, 7 April 1991: sec. E, 1, 6.

Plagens, Peter. "Objects of Affection." Newsweek 117.22, 3 June 1991: 68.

Raven, Arlene. "Graven Image." Art Papers 15.6 (November/December 1991): 3–6.

Schwendenwien, Jude. "Body Language.” Sculpture 10.6 (November/December 1991): 38–43.

Scott, Sue. "Motion as Metaphor: The Automobile in Art." Virginia Beach Center for the Arts Art Letter 7.2, April/May/June 1991: 1–2.

Servin, James. "SoHo Stares at Hard Times." The New York Times Magazine, 20 January 1991: 24–29.

Tanner, Marcia. "Out of the Pigeonhole: Lynda Benglis Dual Natures at the San Jose Museum of Art." Artweek 22.36, 31 October 1991: 13–14.

Tarchinski, Pamela. "Masterworks: The Last Six Decades of Sculpture, Painting and Drawing at Bellas Artes." Crosswinds, July 1991.

Taylor, Paul. "The Art of P.R., and Vice Versa." The New York Times, 27 October 1991: sec. Arts & Leisure, 1, 35.

Vetrocq, Marcia E. "Knots, Glitter and Funk." Art in America 79.12 (December 1991): 92–97.

Wolf, Stephen. "The New Sculpture as Junk Bonds: Geometrical Gestures at the Temp Contemp." Downtown News, 26 March 1991: 17–18.

1990

"Advertisement for ‘The New Sculpture: 1965–75.’" The Village Voice, 28 March–3 April 1990.

Anderson, Michael. "Pharmacy." Art Issues (Summer 1990): 31.

"Art." The New Yorker Magazine, 19 March 1990.

“Art: Museums and Libraries: The Whitney Museum of American Art." The New Yorker Magazine, 26 March 1990: 14.

Ashton, Dore. "The New Sculpture." Contemporanea (Summer 1990): 106.

Avgikos, Jan. "The New Sculpture 1965–1975." Flash Art (Summer 1990): 138–139.

Carrier, David. "The New Sculpture 1965–75 New York, Whitney Museum of American Art." The Burlington Magazine 132.1046, May 1990: 377–378.

Cohen, Ronny. "Lynda Benglis at Paula Cooper." Artforum 29.3 (November 1990): 168.

Cyphers, Peggy. "Trophies." Arts Magazine (December 1990): 100–101.

Danto, Arthur. "Art: Postminimalist Sculpture." The Nation 250.19, 14 May 1990: 680–684.

Denson, Roger G. "Lynda Benglis: Feminist Knot." Flash Art (November/December 1990): 146.

“A Dozen for the Decade." Southpoint: The Metropolitan Monthly, January 1990: 48–49.

“Goings on About Town." The New Yorker, 17 September 1990: 14.

“Goings on About Town." The New Yorker, 24 September 1990: 16.

Hackett, Regina. “Artist's Eye for Tawdry is Exhibited.” Seattle Post-Intelligencer, 10 August 1990: sec. What's Happening, 10.

Haden, Anthony. "Shades of Bleckner: Ross Bleckner." Vanity Fair, February 1990: 156–161, 198–199.

Hanson, Henry. "Living with Art." Art News 89, no.2 (February 1990): 93–96.

Hapgood, Susan. "Remaking Art History." Art in America (July 1990): 115–121, 181.

Hixson, Kathryn. "Chicago in Review." Arts Magazine 64, no.10 (Summer 1990): 104.

Honda, Margaret. "Interview: Jack Brogan." Visions Art Quarterly (Los Angeles) 4.3 (Summer 1990): 28–31.

Huard, Michael. "Le Whitney Celebre Dix Ans de Sculpture Americaine." Espace, Fall 1990: 11–13.

“Illustration." Gallery Guide, September 1990.

Larson, Kay. "Foreign Exchange." New York Magazine, 24 September 1990: 106–107.

Licht, Ira. "Coconut Grove Revival." Vogue Decoration, October/November 1990: 126–131.

McCracken, David. "Gallery Scene: Litzenberger Finds Beauty in Found Objects." Chicago Tribune, 6 April 1990: sec. 7, 84.

"Museum Preview: Lynda Benglis: A Retrospective." Art in America Annual (1990–1991): 47, 51.

"The New Sculpture 1965–75 at The Whitney Museum." Gallery Guide, 1990: 93.

Newall, Edith. "Galleries." New York Magazine, 10 September 1990: 56.

Princenthal, Nancy. "The New Sculpture, 1965–1975: Between Geometry and Gesture." Sculpture 9.4 (July/August 1990): 40–45.

Rafferty, Carole. "Arts Alive at Ben Shahn: Modern Sculpture Now on Display." The Beacon (Wayne, New Jersey: William Patterson College), 23 April 1990: sec. Leisure, 20.

Rayner, William P. "Art with a View." House & Garden 162.5, May 1990: 202–209.

“Review of Lynda Benglis." The New Yorker Magazine, 17 September 1990: 14.

Rubinstein, Raphael Meyer. "Lynda Benglis: Paula Cooper." Art News (November 1990): 161.

Schmerler, Sarah. "Lynda Benglis." Cover 4.7, September 1990: 21.

Sherman, Mary. "Sculpture from New England Collections." The Boston Globe, 22 March 1990: sec. Galleries.

Smith, Roberta. "Sculpture at the Whitney: The Radical Years." The New York Times, 9 March 1990: sec. B, 1, 9.

Straayer, Chris. "The She Man: Postmodern Bi-Sexed Performance in Film and Video." Screen 31.3 (Autumn 1990): 262–280.

Tallmer, Jerry. "Look Back at New Ideas." New York Post, 2 March 1990: sec. Eye on Art Weekend, 30.

“Update." Landfall Press Update 1.3, Spring/Summer 1990: 1.

The Village Voice, 3 April 1990.

Watkins, Eileen. "William Paterson Exhibits Deal with Ancient and Modern Styles." Newark Star-Ledger, 15 April 1990: sec. 4, 15.

Wood, Joe. “Choices: An Opinionated Survey of the Week's Events.” The Village Voice, 28 March–3 April 1990.

Yood, James. "Lynda Benglis." New Art Examiner, June 1990: 49.

Zimmer, William. "2 Themes: Domesticity and Grid." The New York Times, 15 April 1990: sec. 12, 11.

1989

"Benglis Returns to the ACA." The Observer Volusia, 14–20 July 1989.

Blagdan, Donna. "At the ACA: Former ACA Master Artist Exhibits." The Observer (New Smyrna Beach), 14–20 July 1989: sec. Volusia Magazine, cover, 7.

Bookhardt, Eric D. "Lynda Benglis." Art Papers: Covering the Arts in the Southeast 13, no. 4 (July/August 1989): 58.

Copelon, Dianne. "Gallery Hopping." The News-Journal (Daytona Beach), 1 July 1989: sec. D, 2.

Cullinan, Helen. “Center's Exhibit Displays All The Art That's Fit For Print.” The Plain Dealer, 16 July 1989: sec. H, 4.

Donohue, Marlena. "Expressing Herself." Los Angeles Times, 29 July 1989: sec. 5, 2.

Donohue, Marlena. "The Galleries: La Cienega Area." Los Angeles Times, 21 July 1989: sec. 6, 17.

Gardner, Paul. "Mesmerized by Minimalism." Contemporanea 2.9 (December 1989): 56–61.

Gerak, Sally. "Artists ‘Show and Tell’ Their Works at Benefit." Observer and Eccentric, 30 October 1989: sec. B, 4.

Gilbert, Jan. "Portraits of Success: Women Artists." The Times-Picayune, 14 May 1989: sec. E, 8.

Green, Roger. "Material Evidence of Success." The Times-Picayune, 7 April 1989: sec. Lagniappe, 16.

Hellekson, Diane. "Printing is Quite Impressive at Walker Art Show." St. Paul Pioneer Press Dispatch, 11 June 1989: sec. Arts and Entertainment, D.

Howell, John. "Paula Cooper Quite Contrary." Art News (March 1989): 152–157.

"Illustration." Spazio Umano (Human Space): International Magazinebook of Art and Literature, April 1989.

Koplos, Janet. "Foreign Invasion." Asahi Evening News (Tokyo), 14 April 1989: sec. Arts, n.p.

"Listing for Exhibition at Tilden-Foley." The Times Picayune, 7 April 1989: sec. Lagniappe, 17.

The Mainichi (Tokyo), April 1989.

Matlow, Annie. "Expressions of Music, Art and Poetry." The Observer, 27 January 1989: 8A.

Milani, Joanne. ”Artist's Prints Leave a Lasting Impression.” The Tampa Tribune, 19 April 1989: sec. F, 4.

“News of the Print World: People and Places.” The Print Collector's Newsletter 20.5, November/December 1989: 173–177.

“News of the Print World: People and Places.” The Print Collector's Newsletter 20.1, March/April 1989: 15–18.

O'Brien, John. “Sculptural Intimacies: Small Scale vs. Miniature.” Artweek 20.44, 28 December 1989.

Perron, Joel. "Growing Recognition of Regional Differences Reflected in Exhibition by Two West Coast Artists." The Japan Times, 16 April 1989: sec. Arts, 11.

Rinaldi, RosaMaria. “Casa D'Artista.” Interni, March 1989: 14–17.

Rosen, Randy. "Marking Their Mark: Women Artists Move into the Mainstream 1970–1985." Arts Quarterly (New Orleans Museum of Art) 11.2 (April/May/June 1989): 1–7.

Silberman, Rob. "Prints Charming." City Pages (Minneapolis), 21 June 1989: sec. 1, 20.

Solomon, Deborah. "A Downtown Aesthetic." Architectural Digest 46.11, November 1989: 316.

Straayer, Chris. "Sexuality and Video Narrative." Afterimage 16.10 (10 May 1989): 8–11.

Tancill, Karen B. "Museum Goes Knots." The Journal Times, 5 October 1989.

Waddington, Chris. “Critic's Choice/Exhibition.” The Minneapolis Star Tribune, 2 June 1989: sec. E, 2.

Zevon, Susan. "Modern Goes Mellow." House Beautiful 131.1, January 1989: 80–83.

1988

Avgikos, Jan. "The Southern Artist." Southern Accents 11.6, November/December 1988: 168–171.

Baker, Kenneth. "Show of Benglis, Henderson at Fuller Gross." San Francisco Chronicle, 30 December 1988: sec. E, 4.

Benglis, Lynda, John Galliano. "Lynda Benglis/John Galliano." Bomb 24, Summer 1988: 78.

BOMB Magazine, Spring 1988.

Cannon, Elizabeth. "Artists Choose Designers." BOMB Magazine, Summer 1988: 74–84.

Fox, Marilyn. "Art Takes On Life In College Exhibit." The Reading Times (Reading, PA), 1 April 1988: 2, 12

Fox, Marilyn J. "Regional Artists Gain Acceptance in Local Galleries and Exhibitions." The Reading Eagle (Reading, PA), 18 December 1988: sec. D, 1, 8.

Freudenheim, Susan. “It's Crystal Clear-Glass At Makes for Impressive Show.” San Diego Tribune, 1988.

Green, Roger. "Two Summer Shows With Substance." The Times-Picayune, 24 July 1988: sec. K, 2.

Heartney, Eleanor. "A Necessary Transgression." New Art Examiner 16.3, November 1988: 20–23.

Hieronymus, Clara. "Two Women Artists with Style." The Tennessean (Nashville), 3 April 1988: sec. F, 1, 8.

Huntington, Richard. "Show of 4 Sculptors Has Air of Artificiality." The Buffalo News, 6 April 1988: sec. B, 14.

Levin, Kim. "The Evil of Banality." The Village Voice, 20 December 1988: 115.

“News of the Print World: People and Places.” The Print Collector's Newsletter 19.1, March/April 1988: 12–16.

Schwalb, Claudia. "Review." Cover 2.8, September 1988: 12.

Van Proyen, Mark. "Layered Improvisations." Artweek 19.43, 24 December 1988: 6.

Wolff, Barbara. "The Art of Invention." Wisconsin Alumni 90.1, November/December 1988: 12–15, 29.

1987

"Album: Lynda Benglis." Arts Magazine 61, no. 8 (April 1987): 100–101.

“Alumnae Connections." Newcomb Under the Oaks 11.2, Fall 1987: 18–19.

Barnett, Kay. "Teacher/Student Exhibition." Arts, Humanities, Culture Clippings (Lake Charles, Louisiana: Calcasieu Arts and Humanities Council) 6.3, February/March 1987: 5.

"Benglis and Kohlmeyer Exhibit at the Lake Charles Museum." Lagniappe, 1 March 1987: 13.

Berman, Ann E. "Sculptors-in-Progress." Town and Country 141.5088, September 1987: 269–272.

Bernikow, Louise. "An Oasis in Bangkok." Architectural Digest 44.1, January 1987: 60–63.

Braff, Phyllis. "Faculty Show: Range of Ideas." The New York Times, 6 September 1987: sec. Long Island, 25.

Burkhart, Dorothy. "Finding Beauty in Chicken Wire and Wax." San Jose Mercury News, 1987.

Cotter, Holland. "Lynda Benglis at Paula Cooper." Art in America 75.7 (July 1987): 124–125.

Donohue, Marlena. "California, Lynda Benglis." Sculpture 6.5 (September/October 1987): 39–40.

Green, Roger. "Art." The Times-Picayune, 1 March 1987: 3.

Huntington, Richard. "Albright-Knox Turns Good Idea into Fine Show." The Buffalo Evening News, 2 August 1987: sec. G, 1, 3.

Long, Robert. "Faculty Art Is Shown." Southampton Press, 3 September 1987: sec. B, 9.

Muchnic, Suzanne. "Art: La Cienega Area." Los Angeles Times, 22 May 1987: sec. 6, 14.

Morgan, Robert C. "American Sculpture and the Search for a Referent." Arts Magazine 62, no. 3 (November 1987): 20–23.

Nilson, Lisbet. ”Chicago's Art Explosion.” Art News 86, no. 5 (May 1987): 110–119.

“Retrospective Features La. Natives." Alexandria Dailly Town Talk (Alexandria, LA), 2 October 1987: sec. C, 6.

"R.S.V.P.: Reception for Guest Artists." Lake Charles American Press, 8 February 1987: sec. 1, 48.

Thomas, Alice B. "Art Forms: Native La. Sculptor Casts for Challenging Ideas." Alexandria Daily Town Talk (Alexandria, LA), 16 October 1987: sec. C, 1, 2.

Thomas, Alice B. "Museum Celebrates 100th Year, Shows Works by 2 L.A. Natives." Alexandria Daily Town Talk (Alexandria, LA), 8 October 1987: sec. C, 1.

Thomas, Alice B. “Neon, Natural Elements Figure in Manou Native's Sculptures.” Alexandria Daily Town Talk (Alexandria, LA), 9 October 1987: sec. C, 1, 2.

Wallach, Amei. "Moving Beyond Provincialism." New York Newsday, 21 August 1987: sec. Weekend, 20.

1986

Baker, Kenneth. "Benglis: Sculptures Whose Form Is Their Substance." San Francisco Chronicle, 17 April 1986: sec. Daily Datebook, 65.

Bonetti, David. "Back to Natural: Sculpture Takes On The World." The Boston Phoenix, 3 June 1986: sec. 3, 4–5.

Bos, Michael. "Abstract Sculpture Show Is Very Impressive." The Tech (MIT), 13 May 1986: sec. 1, 7.

Brenson, Michael. "Art: The Guide." The New York Times, 3 August 1986: sec. A, 2.

Brenson, Michael. "Changing Sculpture Exhibition." The New York Times, 20 December 1986.

Brenson, Michael. "Sculpture Breaks the Mold of Minimalism." The New York Times, 23 November 1986: sec. 2, 1, 33.

Cohen, Stan. "Lynda Benglis." Art Papers 10.1 (January/February 1986): 63.

"Evolucion comparativa de ARCO." El Punto (Madrid), 14 April 1986: 6.

"Fans and Bows Unveiled." Sutter Post (San Francisco: Crocker West Tower, Inc.), February 1986: 3.

Green, Roger. "Benglis Shapes A Powerful Show of New Works." The Times-Picayune, 4 May 1986: sec. C, 2.

Green, Roger. "Benglis To Give Talk, Open Exhibit Today." The Times-Picayune, 23 April 1986: sec. D, 8.

Hackman, William. "Seven Artists in Search of A Place to Hang." California Magazine, November 1986: 89–95, 108.

Hayes, Michael. "The Forgotten Artists." Diversion Travel Planner, 15 March 1986: 78–79.

"Illustration." Parnassus: Poetry in Review 13.2 (Spring/Summer 1986): 56.

Jordan, George E. ”Critic's Choice.” Go: The Authentic Guide to New Orleans, May 1986: 92.

Malcolm, Janet. "Profiles: A Girl of the Zeitgeist." New Yorker 62.35, 20 October 1986: 49–66.

Morch, Al. "Creations of Steel and Glass." San Francisco Examiner, 7 April 1986: sec. E, 1, 6.

Morse, Margaret. "The Big Sleek." House & Garden 158.4, April 1986: 205–208.

Muchnic, Suzanne. "Glass Society Shows Its Mettle." Los Angeles Times, 17 April 1986: sec. 6, 10.

Performing Arts: The Theater and Music Magazine for Texas and California 4.9, September 1986: cover.

"Photograph of Benglis at Reception for Lecture at McNeese University." Contraband (McNeese University), 25 March 1986: 7.

Quinn, Joan Agajanian. "Cityscapes: L.A." Art & Auction, November 1986: 152–159.

Rabinovitz, Lauren. "History of American Video Art." Journal of Film and Video 38.3/4 (Summer/Fall 1986): 111–122.

Taylor, Robert. "Sculpture Show a Pioneering Effort." The Boston Globe, 18 May 1986: sec. A, 17, 20.

Wohlfert-Wihlborg, Lee. "A New Place in the Sun." Town and Country 140.5070, May 1986: 203–228.

1985

“Anniversary Portfolio: Artist View the South Fork." East Hampton Star, 5 September 1985: sec. 2, 17.

The Art Museum of Princeton University Newsletter Bulletin, Fall 1985.

Blue, Macdowell. "Film, Exhibit to show at Museum." Voyager, 18 March 1985: 3 ed., sec. 1.

Brenson, Michael. ”Art: 8 Artists in 'Between Drawing and Sculpture.'” The New York Times, 20 December 1985: sec. C, 29.

Bullard, E. John. "Profile of a Connoisseur: The Collection of Muriel Bultman Francis." Arts Quarterly 7.4 (October/November/December 1985): 1, 3–7.

Colby, Joy Hakanson. “Glass Gets a Boost from Ms. Benglis and Friends." The Detroit News, 13 October 1985: sec. J, 4.

Green, Roger. ”Visiting Atlanta's Magazine Street.” The Times-Picayune, 6 December 1985: sec. Lagniappe, 14.

Larson, Kay. ”Keep Your Eye on Art Women in the Vanguard.” Harper's Bazaar, March 1985: 276–277, 318, 320.

"Light and Shadow: Inside and Outside the Ground (Luce e ombra dentro e fuori terra)." Abitare 234, May 1985: 50–59.

Lloyd, Pat. "Museum Opening." The Pensacola Journal, 13 March 1985: sec. D, 2.

London, Barbara. "Video: A Selected Chronology." Art Journal 45.3 (Autumn 1985): 249–262.

McKenna, Kristine. "The Art Galleries." Los Angeles Times, 6 September 1985: sec. 6, 10.

Miro, Marsha. "Fearless Sculptor Sets Her Eyes on Glass." Detroit Free Press, 29 October 1985: sec. C, 1.

"Museum Features Abstracts." The Pensacola Journal, 5 April 1985: sec. E, 14.

“New Art Exhibits This Week." San Francisco Examiner, 5 November 1985.

Nicholas, Fontine. "Lynda Benglis: Sculptor, Teacher, Iconoclast." Proini Weekly Review, 24 May 1985: 13.

Poleskie, Steve. "Art and Flight: Historical Origins to Contemporary Works." Leonardo 18.2, 1985: 69–80.

Raynor, Vivien. "Abstract Relationships." The New York Times, 5 July 1985: sec. C, 21.

Rose, Barbara. "Portrait of Paula." Vogue, April 1985: 362–367, 410.

Saunders, Wade. "Talking Objects: Interviews with Ten Younger Sculptors." Art in America 37.11 (November 1985): 110–136.

Staniszewski, Mary Anne. "Corporate Culture.” Manhattan Inc. 2.12, December 1985: 145–149.

Tuchman, Phyllis. “Bryan Hunt's Balancing Act.” Art News 84, no.8 (October 1985): 64–73.

Watson, Bret. "Vision Helps a Young Couple Focus on Art Coming into View." Avenue Magazine 9.5, February 1985: 126–130.

Wilson, William. "The Galleries: La Cienega Area." Los Angeles Times, 22 February 1985: sec. 6, 13.

Wortz, Melinda. "Lynda Benglis at Margo Leavin." Art News 84, no.6 (Summer 1985): 101.

Zimmer, William. "Works by Women On View In Stamford." Los Angeles Times, 1985.

1984

“Artists' Sets, Picasso Play.” The East Hampton Star, 7 June 1984: sec. II, 7.

Bachmann, Donna G. "Works By Women: Central Exchange." Forum: Kansas City Artists Coalition, September 1984: 10–12.

Bell, Tiffany. "Lynda Benglis." Arts Magazine 58, no. 10 (Summer 1984): 2.

Bonetti, David. "Back to Natural, Sculpture Takes on the World." The Boston Phoenix, 3 June 1984: sec. 3, 4–5.

Bourgoyne, J.E. "Clones Honor Arts Patrons." The Times-Picayune, 12 December 1984: sec. C, 2.

Braff, Phyllis. "From the Studio." The East Hampton Star, 2 August 1984: sec. 2, 6.

Brenson, Michael. "Art: Open Juried Show at Academy of Design." The New York Times, 30 March 1984: sec. C, 24.

Calas, Terrington. "Cannon, Benglis, Dale." The New Orleans Art Review 3 (October/November 1984): 24–25.

"Calendar." Dialogue (Akron: Ohio Foundation of the Arts) 7.4, July/August 1984: 40.

"Citywide Contemporary Sculpture Competition, Toledo." Toledo Blade, 28 May 1984: sec. 2nd, 1.

Gallery Guide Art Now/Southeast, October 1984: cover.

Germany, Lisa. "The Modernist Stripe." Home and Garden, September 1984: 148–155.

Glueck, Grace. "Bronze in the Hands of Sculptors." The New York Times, 23 December 1984: 29, 31.

Green, Roger. "Diaphanous Designs as Heavy Metal." The Times-Picayune, 26 October 1984: sec. Lagniappe, 14.

Handy, Ellen. "Lynda Benglis at Paula Cooper." Arts Magazine 58, no. 10 (Summer 1984): 36–37.

Henry, Gerrit. "Ecstasy." Arts Magazine 59, no.3 (November 1984): 13.

Johnson, Patricia C. "Sculpture Exhibits Visions of Beauty." Houston Chronicle, 20 October 1984: sec. 4, 1, 6.

King, Marcia. "Go Sculpt-Touring." Toledo Alive Magazine 1.2, July/August 1984: 20–22.

Klein, Alvin. "Picasso Play gets Rare Showing." The New York Times, 10 June 1984: 18–19.

Kohen, Helen L. "Water, Water, Everywhere at New Orleans Fair." The Miami Herald, 15 April 1984: sec. L, 9.

James, Sibyl. “Painting the Town Read.” The Women's Review of Books 1.4 (January 1984): 6–7.

Johnson, Patricia C. "Sculptures Point to Brilliant Future for Public Art." Houston Chronicle, 21 January 1984: sec. 3, 7, 8.

"Lynda Benglis, Winner International Water Sculpture Competition, Louisiana World Exposition." Art in America (1984).

Lubell, Ellen. "Review of Exhibitions." Art in America 72.8 (September 1984): 219.

Marvel, Bill. “'Frozen' Works.” Dallas Times Herald, 31 January 1984.

Mayer, Charles. "Paper Transformed." Arts Insight 6.4 (May 1984): 22–23.

McDarrah, Timothy. "East Hampton Sculptress, Lynda Benglis." Hamptons Newspaper/Magazine, 10 July 1984: sec. 1, 7–8.

McDarrah, Timothy. "The Season: Art and Artists." Hamptons Magazine, 19 July 1984: 6–8.

Murray, Mary. "Toledo Alive." Dialogue (Akron: Ohoio Foundaiton of the Arts) 7.5 (September/October 1984): 22.

Nelson, Boris. "Citywide Contemporary Sculpture Show is Imaginative." Toledo Blade, 29 July 1984.

"New at the New Museum." Sculptors International 2.4 (1984): 25.

“Previews and Postscripts: Lynda Benglis Featured." The Southampton Press, 19 July 1984.

Raynor, Vivien. “Art Explanations for 'Success of Failure.'” The New York Times, 21 December 1984.

Russell, John. "Art: Just the Show for Summer in Hamptons." The New York Times, 3 August 1984.

“Sculpture's Fate will be decided by Court.” Lake Charles American Press, 27 November 1984: 7.

Shaver-Crandell, Annie. “The Artist and the Quilt.” Woman's Art Journal 5.1 (Spring/Summer 1984): 52–53.

Sozanski, Edward J. "Finding Right Space for Sculpture in World Art." Philadelphia Inquirer, 22 January 1984: sec. H, 14.

Taylor, Dan. "Bronze Look." The Press Democrat, 19 October 1984: sec. D, 1.

Winkel, Gabrielle. "Art of the Ankas." House and Garden 156.9, September 1984: 166–173.

Wright, Carolyne. "The Gihon Art Collection." Helicon Nine, Fall 1984: 32–41.

Zimmer, William. "Three Shows, Three Styles." The New York Times, 29 April 1984: sec. 23, 28.

1983

"Advertisement (Paula Cooper and Brooke Alexander).” Art in America (November 1983): 52

Anderson, Alexandra. “Editor's Choice: Selected Gallery Previews.” Portfolio 5.2 (March/April 1983): 26.

"Art Notes." The Washington Times, 26 May 1983: sec. B, 3B.

"The Artist and the Quilt." Triad Tonight: The Dining, Shopping and Entertaining Guide for the Triad, November 1983: cover.

"Artist Section." Artforum 22.1 (September 1983): 106.

Artner, Alan G. "Art Galleries: Joan Thorne, Lynda Benglis." Chicago Tribune, 25 November 1983: sec. 5, 18.

Artner, Alan G. "The Return of the Human Touch: Figurative Sculpture is Really Back in Vogue." Chicago Tribune, 15 May 1983: sec. 6, 20–21.

Bienn, David, Mary-Kate Tews. ”Results: 1984 Louisiana World Exposition's First International Water Sculpture Competition.” Arts Quarterly, published by the New Orleans Museum of Art 5.3 (September 1983): 36–40.

"Books: The Artist and the Quilt." Time, 12 December 1983: 103

Braff, Phyllis. "From the Studio." The East Hampton Star, 21 April 1983: sec. 2, 6.

Braff, Phyllis. "Sculpture Designed for the Floor." The New York Times, 4 December 1983.

Cohen, Ronny. "Paper Routes." Art News 82, no.8 (October 1983): 79–85.

Eisenman, Stephen F. "Lynda Benglis." Arts Magazine 57, no. 5 (January 1983): 40–41.

"A Fortune Portfolio: Keepers of Corporate Art." Fortune no. 6, 21 March 1983: 114–122.

Goldberger, Paul. "Philip Morris Building Plus Whitney Branch Combine Office Space and Art." The New York Times, 7 April 1983: C17.

Halley, Peter. “A Note on the 'New Expressionism' Phenomenon.” Arts Magazine 57.7, March 1983: 88–89.

Ianaco-Starrels, Josine. "Art News." Los Angeles Times, 11 September 1983: 83.

“Joe D'Urso in Hong Kong.” Interior Design 54.5, May 1983: 196–215.

Kenner City News, 29 September 1983.

Larson, Kay. "The New Ugliness." New York Magazine 16.22, 30 May 1983: 64–65.

"Lynda Benglis." Art in America (September 1983): 105.

"Lynda Benglis." The Detroit News, 3 July 1983: sec. E, 5.

Miro, Marsha. "Feminism Takes a Delicate Stance in Relief Sculptures." Detroit Free Press, 26 June 1983: sec. C, 7.

Muchnic, Suzanne. "The Galleries." Los Angeles Times, 1 April 1983: sec. 6, 12.

Muchnic, Suzanne. "The Galleries: The Cienega Area." Los Angeles Times, 8 July 1983: sec. 6, 12.

Muchnic, Suzanne. “16 Artists Chart an Independent Course for '84.” Los Angeles Times, 12 January 1983: sec. 6, 4.

“Multiples & Objects & Books.” The Print Collector's Newsletter 13.6, January/February 1983: 220.

"Quilt, Art Exhibit Planned." The Sentinel (Winston-Salem), 9 November 1983: 17.

Raynor, Vivien. “All the Glitters Isn't Always Gold.” The New York Times, 29 May 1983: sec. 11, 28.

Starbuck, Richard. "The Quilt As Is Art." The Sentinel (Winston-Salem), 19 November 1983: 1.

Stein, M.L. "16 Top Artists Create Olympics Posters." The Boston Globe, 12 January 1983: 36.

Tully, Judd. "Paper Chase." Portfolio: The Magazine of the Fine Arts 5.3, May/June 1983: 78–85.

"Visions of the Olympics." Newsweek 101.4, 24 January 1983: 74.

Watkins, Eileen. "TWEED Mines All That Glitters." The Sunday Star-Ledger (Newark, New Jersey), 5 June 1983: sec. 4, 16.

Wilson, William. "The Galleries: La Cienega Area." Los Angeles Times, 1 April 1983: 12.

Wilson, William. "Review." Los Angeles Times, 12 January 1983.

Women Artists 35.515, September 1983.

Zimmer, William. “‘Before' and 'After' Look from the Coast.” The New York Times, 30 October 1983: sec. C, 20.

1982

Baker, Kenneth. "Heavy Metals: A Tangle of Sculpture." The Boston Phoenix, 14 September 1982: sec. 3, 10.

Bishop, Joe. "Pick of the Week." Los Angeles Weekly, 5–11 February 1982: sec. Arts, 84.

Braff, Phyllis. "From the Studio." The East Hampton Star, 18 November 1982: sec. 2, 6.

Canaday, John. "The Artful Body." Town & Country 136.5024, May 1982: 148–158.

“Critic's Tip.” St. Louis Globe-Democrat, 8 January 1982: sec. B, 7.

Cohen, Ronny. "Developments in Recent Sculpture." Artforum 20.5 (January 1982): 79.

Curtis, Cathy. "Metallic Gestures." Artweek 13.39, 20 November 1982: 7.

Dickinson, Nancy Godwin. "Metals: Cast-Cut-Coiled." Art New England 3.8, October 1982: 11.

“Editor's Choice.” Portfolio (New York) 4.6, November/December 1982: 17.

Findsen, Owen. "Gleefully Exploding Art at CAC." The Cincinnati Enquirer, 14 March 1982: sec. D, 8.

Foreman, B.J. ”CAC's 'Dynamix' Big, Bold and Raucous Show.” The Cincinnati Post, 24 March 1982: sec. A, 12.

Gallery Guide 4.2, November 1982: cover, 1.

Gedo, Mary Mathews. "Art Institute of Chicago Exhibition." Arts Magazine 57.1, September 1982: 20.

Glueck, Grace. "After 2 Years, Selected Prints III." The New York Times, 24 September 1982: sec. C, 21.

Handy, Ellen. "Arts Reviews." Arts Magazine 57.4, December 1982: 32–33.

Henry, Gerrit. "Women of the Americas: Emerging Perspectives." Art News 81, no.10 (December 1982): 155.

"Illustration." River Styx 10, 1982: inside front cover.

“Illustration." River Styx 11, 1982.

"Illustration." River Styx 13, 1982.

J.A. "Scene in Review: Benglis at Paula Cooper." The Art Gallery Scene, 4 December 1982: 3.

King, Mary. “Lynda Benglis' Works: Diverse, Physical.” St. Louis Post-Dispatch, 26 January 1982: sec. D, 6.

Lawson, Thomas. "The Dark Side of the Bright Light." Artforum 21.3, November 1982: 62–66.

Lewinson, David. "Lynda Benglis Margo Leavin Gallery." Art Express 2.3, May/June 1982: 62–63.

Lipkin, Joan. "Lynda Benglis Is a Provocative Artist." St. Louis Globe-Democrat, 4 February 1982: sec. B, 4.

“Lyon: Les punks de Manhattan.” L'Express no. 1599, 5 March 1982: 62.

Mckay, Gary. "Artful Lodgings: How Four Houstonians Live With Art." Houston Home and Garden 9.2, November 1982: 132–137.

Mckinley, Curtis Cameron. “Adaptability: A Personal Expression in a Designer's Own San Francisco Home.” Architectural Digest, November 1982: 104–111.

“Multiples & Objects & Books.” The Print Collector's Newsletter 13.1, March/April 1982: 24–25.

The New Museum News, Fall 1982: 13.

Park, Betty. "The Whitney Museum of American Art." Fiberarts 9.2, March/April 1982: 11-14.

Perrone, Jeff. "Golden Peonie of Words." Arts Magazine 56.10, June 1982: 62–68.

Perrone, Jeff. "Subject A." Arts Magazine, November 1982: 128–131.

“Public Sculpture." Art in America Guide to Galleries, Museums, Artists (1982).

"Punk au mur." Connaissance des Arts no. 360 (February 1982): 21.

Raynor, Vivien. "Art: Knot-Theme Sculptures by Lynda Benglis." The New York Times, 26 November 1982: sec. C, 15.

Rozier, Jacqueline. “Energie importee d'outre-Atlantique.” Le Journal (Paris), 28 February 1982: n.p.

Russell, John. "Finding Pleasure in Early Work." The New York Times, 9 May 1982: sec. D, 29, 33.

Seiberling, Dorothy. "A New Kind of Quilt." New York Times Magazine, 3 October 1982: 42–50.

Sozanski, Edward J. "RISD Exhibit Redefines Traditional Sculpture." Providence Journal, 27 August 1982: sec. W, 3.

"Subject A." Arts Magazine 57.3, November 1982: 123–131.

Wilson, William. "Galleries: La Cienega Area." Los Angeles Times, 22 January 1982: sec. 6, 10.

1981

Albright, Thomas. "At the Galleries: Baubles and Freeways." San Francisco Chronicle, 24 November 1981: sec. 1, 32.

Butera, Virginia Fabbri. "The Fan as Form and Image in Contemporary Art.” Arts Magazine 55.9, May 1981: 88–92.

Dubois, Phillipe. "Peinture et Videographie: Miroir et Narcissisme." Art Press 47, April 1981: 19–21.

Fleming, Lee. "Adventures at Artpark." Washington Review 7.3, October/November 1981: 6–7.

"Galleries." LA Weekly, 11–17 September 1981: sec. Arts and Entertainment, 70.

Horne, David. “'Provocateur' Breaks New Ground.” The Arizona Daily Star, 10 May 1981: sec. I, 7.

Johnson, Patricia C. “Minimalist Heizer's Work Austere; Benglis' Process Misses Its Mark.” Houston Chronicle, 21 December 1981: sec. 6, 8.

Johnstone, Bryan. "Benglis: A Flamboyant Approach to Contemporary Art." Encore: Arizona Daily Wildcat (Tucson), 30 April 1981: 1–2.

Knight, Christopher. "Cast, Carved and Constructed. An Opportunity to Look at Good Sculpture." Los Angeles Herald Examiner, 16 August 1981: sec. E, 9.

Kramer, Hilton. "Art: Post Minimalists Show Recent Sculpture." The New York Times, 24 July 1981: sec. C, 21.

Kuspit, Donald. "Out of the South: Eight Southern-born Artists." Art Papers 6.6 (November 1981/December 1982): 2–5.

Larson, Kay. "Live Five." New York Magazine, 14 September 1981: 55, 58.

Lawson, Thomas. "Schilderkunst in New York: Een geillustreerde gids." Museumjournaal (Amsterdam) 26.3 (1981): 127–137.

Masterson, Kathleen. “Daryl Chin's 'Aesthetical Culture.'” The Drama Review: TDR 25.4, Winter 1981: 87–91.

Morgan, Stuart. "Animal House: The Whitney Biennial." Artscribe 29, June 1981: 28–31.

Muchnic, Suzanne. “A 'Cast' of 21 at Leavin Gallery.” Los Angeles Times, 28 August 1981.

“Multiples & Objects & Artists' Books.” The Print Collector's Newsletter 11.6, January/February 1981: 211–212.

“Multiples & Objects & Artists' Books.” The Print Collector's Newsletter 12.1, March/April 1981: 22.

“News of the Print World: People and Places.” The Print Collector's Newsletter 12.1, March/April 1981: 17–19.

Niepold, Mary Martin. "A Peak at Paris in Bourse." Philadelphia Inquirer, 12 April 1981: sec. K, 3.

Perrone, Jeff. "Lynda Benglis at Paula Cooper." Images & Issues, Spring 1981: 45–46.

Perrone, Jeff. "Notes on the Whitney Biennial." Images and Issues (Santa Monica) 2.1, Summer 1981: 46–49.

Phillips, Deborah C. "New York Reviews" Art News 80, no. 1 (January 1981): 170–171.

Phillips, Deborah C. "Reviews." Art News 80, no.7 (September 1981): 234, 236.

Pincus-Witten, Robert. "Entries: Style Shucks." Arts Magazine 56.2, October 1981: 94–97.

Ratcliff, Carter. "The Distractions of Theme." Art in America (November 1981): 19–23.

Raynor, Vivien. "30 Years of American Drawing." The New York Times, 21 June 1981: sec. 23, 22.

“Review: Three-Dimensional Painting.” The Print Collector's Newsletter 12.3, July/August 1981: 86.

Rickey, Carrie. "Curatorial Conceptions The Hirshhorn: Danger, Curves Ahead." Artforum 19.8 (April 1981): 48–57.

Rock, Maxine A. "A Gigantic Airport Harmonizes Art with Technology." Smithsonian Magazine 11.11, February 1981: 90–94.

Schjeldahl, Peter. "The Hallelujah Trail." The Village Voice 26.2, 18–24 March 1981: 77.

Smith, Roberta. "Biennial Blues." Art in America (April 1981): 92–101.

Van Izzy, Abrahami. "On Speaking Terms: Lynda Benglis." Avenue Magazine (Amsterdam) 2, February 1981.

Wolff, Theodore F. "Whitney Museum of Art: Dateline New York." Philadelphia Inquirer, 23 March 1981: sec. C, 5.

Zanetti, Paola. "New Work/New York." Meta: Parole & Immagini No.3, February/March 1981: n.p.

Zimmer, William. "Under Developments." The Soho Weekly News, 4 August 1981: 46.

1980

Ashberry, John. "Ramshackle Kennels Glimpsed by Moonlight." New York Magazine 13.39, 6 October 1980: 61, 63.

Ballatore, Sandy. "High Points, Low Points, and No Points: Los Angeles 1980." Images and Issues (Santa Monica) 1.3, Winter 1980: 17–21.

Bertolo, Diane. "Paper Exhibit." The Buffalo Evening News, 16 September 1980: sec. 2, 30.

Bickerton, Jane. "Reviews.” Atlanta Art Papers 4.6 (November/December 1980): 12–13.

Burnett, W.C. "Art as Afterthought Suffers in Poor Light, Placement; Avant Garde Works Humanize Structure But Few Are Well Integrated with Architecture." The Atlanta Journal/Constitution, 14 September 1980: sec. S, 16.

Colby, Joy Hakanson. "Their Versatility Clicks in Photography Exhibit." The Detroit News, 7 December 1980: sec. E, 14.

Crossley, Mimi. "Review: Extensions." The Houston Post, 25 January 1980: sec. E, 1, 5.

Dougherty, Steve. "Of Future World and Bad Art on Concourse C." The Atlanta Constitution, 14 September 1980: sec. S, 1, 19.

Edmunds, Emma. "Airport Photos Create Trip Theme." The Atlanta Constitution, 15 August 1980: sec. B, 1, 6.

Elliot, David. “In 3-D, He's a Diamond that Glitters.” Chicago Sun-Times, 10 August 1980: sec. Show, 9.

Glueck, Grace. "Art People." The New York Times, 19 September 1980.

Glueck, Grace. “How Picasso's Vision Affects American Artists.” The New York Times, 22 June 1980: sec. 2, 1, 25.

Goldberger, Paul. "New Atlanta Terminal Is Orderly, but Will It Fly." The New York Times, 24 September 1980: sec. A, 16.

Gruen, John. "Women Artists: 25 Best Investments." Working Woman 5.7, July 1980: 30–32.

Henson, Judy. "Reviews." Atlanta Art Papers 4.6 (November/December 1980): 13–14.

Houck, Catherine. "Women Artists Today." Cosmopolitan 188.1, January 1980: 198–199, 220, 258, 266.

Huntington, Richard. "Throwaway Paper Put on Pedestal." Courier Express (Buffalo), 21 September 1980: 1, 5.

Kalil, Susie. "Issues in Extension." Artweek 11.5, 9 February 1980: 1, 16.

Kalil, Susie. "Issues in Extension." The Houston Post, 25 January 1980: 5E.

Kramer, Hilton. "Art: Contrasts in Imagery: 2 Views of Louise Bourgeois." The New York Times, 3 October 1980: sec. C, 29.

Larson, Kay. "Avant to Be In Style." The Village Voice 25.41, 8–14 October 1980: 85.

Lewis, Louise. "Jack Brogan: Art Catalyst." Artweek, 21 June 1980: 1, 20.

Martin, Robert. "Artist Lynda Benglis Turns Her Back on Media Publicity." The Tampa Times, 9 February 1980: 9A.

Muchnic, Suzanne. “A 'Cast' of 21 at Leavin Gallery.” Los Angeles Times, 28 August 1980: sec. 6, 2.

Muchnic, Suzanne. "A Wider View of Artistic Endeavor." Los Angeles Times, 25 June 1980: sec. 6, 1, 6.

Nelson, James. “Museum's Three-Artist Show Is a Modest But Fun Exhibition.” Birmingham News, 30 November 1980: sec. E, 6.

Rickey, Carrie. "Reviews." Artforum 19.4 (December 1980): 71.

Roth, Karen. “Lynda Benglis' Colorful Curious Paintings.” Phase Two (Berkeley), December 1980: 4–5.

Russell, John. "Art People." The New York Times, 11 April 1980: C21.

Russell, John. "Review." The New York Times, 28 June 1980: sec. C, 27.

Saunders, Wade. "Hot Metal." Art in America 68.6 (Summer 1980): 86–95.

Semmel, Joan, April Kingsley. “Sexual Imagery in Women's Art.” Woman's Art Journal 1.1 (Spring/Summer 1980): 1-6.

Taylor, Ron. "Caviar Was Mite Salty, but Folks at Airport Party Had a Real Bash." The Atlanta Journal, 19 September 1980: sec. A, 1, 4.

Tennant, Donna. "4 Artists Struggle for Originality." Houston Chronicle, 27 January 1980: sec. Zest, 15–29.

Warren, George. "Lynda Benglis: Recent Work." The Atlanta Art Workers Coalition Newspaper 4.1, January/February 1980: 14–15.

Welch, D. "Exhibition Reviews." Arts Magazine 55.3, November 1980: 35

Wilson, William, Suzanne Muchnic. "Review: Margo Leavin Gallery." The Los Angeles Times, 28 March 1980: sec. 4, 6.

Zimmer, William. "Art Picks." The Village Voice, 24 September 1980: 40.

Zucker, Barbara. "Unusual Surfaces: Flock, Fur, Glitter, and Wax." Art Journal 39.4 (Summer 1980): 274–275.

1979

"Advertisement." Real Art Ways, Fall 1979.

Anderson. "Voice Choices-Art: Gold/Silver." The Village Voice, 8 January 1979: 47.

Bandini, Mirella. "La pittura che si trasforma in luce." Tuttolibri, 22 September 1979.

Bonesteel, M. "Art and the New Androgyny." New Art Examiner 6.10, Summer 1979: 9, 11.

Boots, A. "What is the Target of Aggression in Feminist Art? (Waartegen Richt Zich De Agressie van de Feministische Kunst?." Museumjournaal 24.2 (April 1979): 66–69.

Burnett, W.C. "Women Add Textures to Art World Mosaic." The Atlanta Journal, 21 October 1979: sec. E, 1, 3.

Butterfield, Jan. "Poured Art Sculptor Reveals Technique." Fort Worth Star-Telegram, 14 June 1979: sec. 1, 6.

Crossley, Mimi. "Reviews: Johnson, Goodnough, Benglis and the Museum School Faculty." The Houston Post, 26 January 1979: sec. E, 3.

Fagone, V. “Painting: Textual Environment - Two Themes from One Chapter (Pittura: Ambiente Testuale - Due Temi di un Capitolo).” D'Ars 20.91, December 1979: 34–49.

Falling, Patricia. "New York Reviews." Art News 78, no.3 (March 1979): 183–184.

Gardner, Paul. “Look! It's the Vogels!.” Art News 78, no. 3 (March 1979): 84–88.

Henry, Gerrit. “Paper in Transition.” The Print Collector's Newsletter 10.3, July/August 1979: 83–86.

Hirsch, Linda Blaker. "Sculpting the Sensuous Line: Lynda Benglis Knows How to Throw a Curve." Hartford Advocate, 10 October 1979: 19.

“Interview: Lynda Benglis." Ocular 4.2, Summer 1979: 30–43.

Kuspit, Donald. "Cosmetic Transcendentalism: Surface Light in John Torreano, Rodney Ripps and Lynda Benglis." Artforum 18.2 (October 1979): 38–41.

“Lake Charles Artist Work Featured in Newsweek." Lake Charles American Press, 7 April 1979: 9.

Lawson, Thomas. "Color and Structure, Hamilton Gallery." Flash Art 90–91 (June/July 1979): 53.

Lawson, Thomas. "Painting in New York: An Illustrated Guide." Flash Art (October/November 1979): 4–11.

Lubell, Ellen. "Lynda Benglis." Arts Magazine 53.5, January 1979: 14

Lubell, Ellen. "Lynda Benglis at Paula Cooper." Soho Weekly News, 14 June 1979: 28.

“News of the Print World.” The Print Collector's Newsletter 10.4, September/October 1979: 124–127.

“Prints and Photographs Published.” The Print Collector's Newsletter 10.5, July/August 1979: 94–95.

"Quelques Notes Sur ‘Pittura-Ambiente.’" Domus, October 1979: 56.

Raynor, Vivien. ”Avant-Garde Experiments in an 'Alternative Space.'” The New York Times, 21 October 1979: sec. 23, 20.

Ricard, Rene. "Lynda Benglis at Paula Cooper." Art in America 67.1 (January/February 1979): 141–142.

Sandler, Irving. "Art as Auto-Image." Arts Month (Hampshire College Gallery), March 1979: 1–6.

Shapiro, Lindsay Stamm. "Exhibitions." Craft Horizons 39.1, February 1979: 50.

Stevens, Mark. "The Dizzy Decade." Newsweek 93.13, 26 March 1979: 88–91, 94.

Tatransky, Valentin. "Art Reviews." Arts Magazine 53.5, January 1979: 18.

1978

Cole, Darrah, L. Ross. “Lynda Benglis: visiting Skowhegan Lecturer.” Vision: A Journal of the Visual Arts in Maine 1, no. 3 (September/October/November 1978): 10–11.

“George Christy The Great Life.” The Hollwood Reporter, 2 May 1978.

Louie, Reagan. “Up Against the Wall.” 18 February 1978.

“Multiples & Objects & Artists’ Books.” The Print Collector’s Newsletter 9, no. 5, November/December 1978: 29–30.

“Multiples & Objects & Artists' Books.” The Print Collector's Newsletter 9.5, November/December 1978: 164.

Robinson, Walter. “Storytelling, Infantilism and Zoophily.” Art-Rite 19, June/July 1978: 29–30.

Russell, John. “Art: Delicate Kites of Richard Smith.” The New York Times, 17 February 1978: C19.

Russell, John. “Review.” The New York Times, 17 November 1978: 19C.

1977

Amateau, Michele. “Interview: Paula Cooper.” Ocular 2, no 2, June 1977: 28–36.

Askey, R. “LA, Women, Art and the Future.” Women Artist Newsletter, 3, no. 1, May 1977: 2, 7.

Burnham, Jack. “Ten Years Before the Artforum Masthead.” The New Art Examiner, February 1977: 1, 6–7.

“But Where’s the Float?” The States Item (New Orleans), 29 January 1977: 1A.

Dalkey, Victoria. “Women’s Show Wins Even-Handed Condemnation.” The Sacramento Bee, 1977.

Freed, Hermine. “Collecting Video.” The Print Collector’s Newsletter 8, no 4, September/October 1977: 109–112.

Isaacs, Chuck. “Showing the art of Nude Photography.” Philadelphia Inquirer, 1977.

Jackson, Lily. “Looking and Listening-And Learning.” The Times-Picayune, 13 March 1977: 1.

Landry, Pat. “Benglis’ Knots Measure Success.” Lake Charles American Press, 19 February 1977: 15.

Lippard, Lucy. “You Can Go Home Again: five from Louisiana.” Art in America 65, no. 4 (July/August 1977): 20, 23, 25, 80–89.

Lubell, Ellen. “Review.” Arts Magazine 51, no. 7, March 1977: 39–41.

Lubell, Ellen. “Review.” Arts Magazine 52, no. 4, December 1977: 29–32.

Meisel, Alan. “Exhibitions.” Craft Horizons 37, no.6, December 1977: 68.

“Modern Art.” Bulletin of the Detroit Institute of Arts 56, no 5 (1977/1978): 267–289.

Morin, France. “Lynda Benglis in Conversation with France Morin.” Parachute 6, Spring 1977: 9–11.

Morin, France. “Some Reflections on Regionalism (Quelques Reflexions sur le Regionalisme).” Parachute 6, Spring 1977: 33–34.

Muchnic, Suzanne. “Lynda Benglis: Sculptural Knots.” Artweek 8, no. 22, 4 June 1977: 1, 20.

“News For the Mind and the Eye.” Friends of the New Jersey State Museum (May–June 1977).

Patton, Phil. “Other Voices, Other Rooms: the Rise of Alternative Spaces.” Art in America (July–August 1977): 80–89.

Perreault, John. “Women Artists: 1550–1950.” Soho Weekly News, 13 October 1977: 40–41, 44.

Praun, Phyllis. “Five From Louisianna/Four from Louisiana Talk About Making and Marketing Art.” Contemporary Art Southeast 1, no. 1, April/May: 26–34.

Price, Jonathan. “Video Art: A Medium Discovering Itself.” Art News 76, no. 1 (January 1977): 41–47.

Roufberg, Ruth B. “An Eye-Catching, and Mind-Catching Exhibit.” P.S., 25 May 1977: 10, 28.

Seldis, Henry J., Willima Wilson. “Art Walk: A Critical Guide to the Galleries.” The Los Angeles Times, 27 May 1977: sec. 4, 18.

Stein, Judith E. “Contemporary Issues: Works on Paper by Women.” Art Journal 36, no. 4 (Summer 1977): 328–329.

Trini, Tommaso. “La Biennale di Sidney.” Data 26, April/June 1977: 38–44.

“U of H to Show Plastics.” The Hartford Courant, 30 January 1977: sec. F, 2.

Watkins, Ellen. "Creativity is Alive and Well." The Sunday Star-Ledger (Newark), 22 May 1977: sec. 4, 11.

Williams, Tennessee. “Lynda Benglis.” Parachute 6, Spring 1977: 7–11.

Wortz, Melinda. “Majority Rule.” Art News 76, no. 3 (March 1977): 92–93.

1976

Ballatore, Sandy. “Lynda Benglis’ Humanism.” Artweek 7, no. 21, 22 May 1976: 5–6.

Baker, E.C. “Southern Exposure.” Art in America 64, no. 4 (July/August 1976): 49–51.

Barracks, Barbara. “’Artpark.’ The New Aesthetic Playground.” Artforum 15, no. 3 (November 1976): 1, 6.

Beller, Miles. “Albuquerque, Arnoldi, Cartoco, Steir.” Artweek 7, no. 31, 18 September 1976: 3.

Benglis, Lynda, Stanton Kaye. “The Amazing Bow Wow.” Criss Cross Double Cross, Fall 1976: 10.

Davis, Douglas. “Douglas Davis on Artpolitcs: Thoughts Against Prevailing Fantasies.” New York Arts Journal 1, no. 1 (May 1976): 8–9.

"Etcetera: News and Views of the World of Art." The Art Gallery (Ivyton) 19.6, August/September 1976: 10.

Gorney, Jay. “Drawing today in New York.” Art Journal 36, no. 2 (Winter 1976/1977): 143.

“Investing in Young Artists (A Business Week Supplement).” Business Week, 3 May 1976: 127–134.

Kramer, Hilton. “Artview: A Successful Counter Exhibition Inspired by the Whitney’s Failure.” The New York Times, 18 July 1976: 22D.

Krauss, Rosalind. “Video: the Aesthetics of Narcissism.” October 1 (Spring 1976): 50–64.

Langway, Lynn, Mary Rourke. “Corporations: The New Medicis.” Newsweek, 15 November 1976: 95.

Lippard, Lucy. “The Pains and Pleasures of Rebirth: Women’s Body Art.” Art in America 64, no 3 (May/June 1976): 47–53.

Lubell, Ellen. “Exhibition Review.” Arts Magazine 50, no. 5, January 1976: 17–19.

"Lynda Benglis." Art Now/Color Slides: A Continuing Documentation of Current Museum and Gallery Exhibitions 4.1 (1976).

Moser, Charlotte. “El Mundo Interior y Exterior del Movimento-Artistico Feminino.” Artes Visuales 9, March 1976: 37–42.

Moser, Charlotte. “New Show Reflects Intensification of Benglis’s Art.” Hourston Chronicle, 24 January 1976: sec. 6, 1.

Perimutter, Elizabeth. “Master Drawings, Voluptuous Boxes.” Art News 75, no. 7 (September 1976): 76.

Pincus-Witten, Rober. “Scott Burton: Conceptual Performance as Sculpture.” Arts Magazine 51, no. 1, September 1976: 112–117.

Pozzi, Lucio. “This New Tendecy is Very Prominent [Questa Nuova Tendenza e di Grande Rilievo].” Bolaffiarte 7, no.60, May/June 1976: 47–53.

Ratcliff, Carter. “Reviews.” Artforum 15, no. 2 (October 1976): 62–63.

Sargent-Wooster, Ann. “Review.” Artforum 14, no. 6 (February 1976): 60–64.

Schwartz, Barbara. “Exhibitions.” Craft Horizons 36, no. 1, February 1976: 60–64.

Seldis, Henry J. and William Wilson. “Art Walk: A Critical Guide to the Galleries.” Los Angeles Times, 7 May 1976: sec. 4, 12.

Soper, Susan. “Spring Flowering Sculpture.” New York Newsday, 30 April 1976: sec. A, 4–5.

Stubbs, A. “Rosalind Kraus.” Women Artists Newsletter 2, no. 5, November 1976: 1, 6.

Tarlton, John. “The Biennale.” Quarterly (Aukland City Art Gallery, New Zealand), no. 62–63 (December 1976): 11.

Weissman, Julian. “New York Reviews.” Art News 75, no. 1 (January 1976): 120.

Wilson, William. “Downbeat Exhibit at Otis Galleries.” The Los Angeles Times, 6 September 1976: sec. 4, 2.

1975

Abjornsen, Allison and Dick Burg. “Letters.” Artforum 13, no. 4 (December 1975): 9.

Antin, David. “Television: Video’s Frightful Parent.” Artforum 14, no 4 (December 1975): 36–45.

Bourdon, David. “The Grand Acquisitor Shows Off.” The Village Voice, 15 December 1975: 123.

Chalupecky, J. “U.S.A. Retour du puritanisme.” Chroniques de l’art vivant 55, February/March 1975: 37.

“Conventional Wisdom.” Art-Rite 8, Winter 1975: 17–18.

Davis, Douglas. “What’s in the Galleries.” Newsweek, 8 December 1975: 106–107.

Freed, H. “In Time, Of Time.” Arts Magazine, June 1975: 82–84.

Glueck, Grace. “Nude Art in Halls of Justice Stirs a Storm in the Bronx.” The New York Times, 20 February 1975: sec. 2, 40.

Grace, Trudie. “Artists Space.” Art Journal 34, no. 4 (Summer 1975): 323–326.

Hess, Thomas B. “Abstract Acrylicism.” New York Magazine, 8 December 1975: 114.

Kramer, Hilton. “What Happens When Art is Confused with Publicity.” The New York Times, 23 November 1975: 25D.

Kutner, Janet. “Nude Photo Shocks Artistic Community.” Dallas Morning News, 16 February 1975: 6C.

Lippard, Lucy. “On the Arts: Transformation Art.” Ms, 4, no. 4, October 1975: 33–39.

“Lynda Benglis.” Heute Kunst 5, February/March 1975.

Maritime, Mickey. “Letters.” Artforum 13, no. 7 (March 1975): 8.

Miller, John Pindyck. “Letters: Art vs. Advertising. New York Magazine, 10 March 1975: 5.

Nemser, Cindy. "Four Artists of Sensuality." Arts Magazine 49, no. 7, March 1975: 73–75.

Orenstein, Gloria Fman. “Art History.” Signs 1, no. 2, Winter 1975: 505–525.

Robinson, Walter. “The Chorus Line Role, Style, Media.” Art-Rite 10, Fall 1975: n.p.

Rosenblum, Robert. “Letters.” Artforum 13, no. 7 (March 1975): 8–9.

Ryan, Paul R. “Letters.” TDR: The Drama Review, 19, no. 2, June 1975: 136–139.

Seiberling, Dorothy. “The New Sexual Frankness: Good-by to Hearts and Flowers.” New York Magazine, 17 February 1975: 37–44.

Steward, Daniel H. “Letters.” Artforum 13, no. 7 (March 1975): 9.

1974

Alloway, Lawrence, Max Kosloff, Rosalind Krauss, Joseph Masheck, Annette Michelson. “Letters.” Artforum 13, no. 4 (December 1974): 9.

Andre, Michael. “Reviews and Previews.” Art News 72, no. 2 (February 1974): 90.

Benglis, Lynda. “Artforum Ad.” Artforum 13, no. 3 (November 1974): 4–5.

Benglis, Lynda. "Lynda Benglis Presents Metallized Knots (Macharina Ad)." Artforum 12.8 (April 1974): 85.

“Collage-Pin Ups.” Art News 73, no. 7 (September 1974): 42–45.

“Conventional Wisdom.” Art-Rite 8, Winter 1974: 17–18.

Corry, John. “A Serious Dirty Picture?.” The New York Times, 22 November 1974: sec. 1, 78.

“Cover Photo.” Extra (West Cologne), July 1974: cover.

Freed, H. “Video and Abstract Expressionism.” Arts Magazine 49, no. 4, December 1974: 67–69.

Gilbert-Rolfe, Jeremy. “Reviews: Lynda Benglis, The Clocktower.” Artforum 12, no. 6 (March 1974): 69–73.

Herrera, Hayden. “Reviews.” Art News 73, no. 7 (September 1974): 100.

“Illustration and Artist’s Statement.” Art-Rite 7, Autumn 1974: 12.

Johnson, Ray. “Abandoned Chickens.” Art in America 62, no. 6 (November 1974): 54–59.

Kuhn, Annette. “Culture Shock.” The Village Voice, 2 December 1974: 96.

Lubell, Ellen. “Museum and Gallery Reviews.” Arts Magazine 48, no. 5, February 1974: 68.

Nemser, Cindy. "Lynda Benglis: A Case of Sexual Nostalgia." The Feminist Art Journal 3.4 (Winter 1974/1975): 7, 23.

Pereault, John. “Celebrations Knotted and Dotted.” The Village Voice, 16 May 1974: 44.

Pincus-Witten, Robert. “Lynda Benglis: The Frozen Gesture.” Artforum 13, no. 3 (November 1974): 54–59.

Plagens, Peter. “Letters.” Artforum 13, no. 4 (December 1974): 9.

Raynor, Vivien. “The Art of Survival (and Vice Versa).” The New York Times Magazine, 17 February 1974: cover, 8–9, 50, 52–55.

Schjeldahl, Peter. “Updated Data on the Adventure of Being Human.” The New York Times, 26 May 1974: 17D.

Schwartz, Barbara. “Exhibitions.” Craft Horizons 34, no. 4, August 1974: 38–39.

Teres, Rosemary. “Modern Artists Have Varied Ways of Representing Space.” The (Rochester) Times Union, 2 February 1974: 5, 8.

Teres, Rosemary. “UR Studio Arts Faculty Exhibit Intriguing.” The (Rochester) Times-Union, 18 Deceber 1971: 11C.

“Un-Skirting the Issue.” Art-Rite 5, Spring 1974: 6–7.

Wooster, Ann Sargent. “Lynda Benglis at Cooper.” Art in America 67, no. 5 (September/October 1974): 106.

1973

Albright, Thomas. “Three Major U.S. Artists.” San Francisco Chronicle, 22 May 1973: 45.

Anderson, Laurie. “Reviews and Previews.” Art News 72, no. 3 (March 1973): 82.

Boice, Bruce. “Exhibition Reviews.” Artforum 11, no. 9 (May 1973): 83.

Butler, Susan L. “Lynda Benglis Has One-Man Show at Houston Gallery.” Lake Charles American Press, 24 November 1973: 5, 15.

Crimp, Douglas. “New York Letter.” Art International 17, no. 3 (March 1973): 46.

“Exploring the Medium.” Art + Cinema 1, no. 2, Fall 1973: 7, 22–23.

Fagan, Beth. “Benglis Show in Center for Visual Arts Reflects Her Painting-Sculpture Concerns.” The Sunday Oregonian, 24 June 1973: sec. Arts, 18.

Markell, Jon. “At the Galleries.” The Daily Californian Art Magazine 4, no. 137, 25 May 1973: 3.

McCann, Cecile N. “Lynda Benglis Dimensional Painting.” Artweek 4, no. 20, 19 May 1973: 3.

Meisel, Alan. “Exhibitions.” Craft Horizons 33, no. 4, August 1973: 26.

Minton, James. “Lynda Benglis: Videotapes.” Artweek 4, no. 20, 19 May 1973: 2.

Montgomery, Cara. “West Coast Report.” Arts Magazine 48, no. 1, September/October 1973: 55–56.

Morris, Robert. “Exchange ’73: From a Videotape.” Avalanche, Summer/Fall 1973: 22–25.

Moser, Charlotte. “Tom Canvas Pieces Part of a Larger Puzzle.” The Houston Post, 2 December 1973: 29.

“Part VI: Videotape and the New Imagery.” Art + Cinema 1, no. 1 (January 1973).

“Part III: The Video Artist.” Art + Cinema 1, no. 3 (1973/1974): 28.

Perreault, John. “At the Table, On the Stoop.” The Village Voice, 20 December 1973: 37, 39.

Pincus-Witten, Robert. “Thought Itself Is the Subject of the This Art.” The New York Times, 12 May 1973: sec. 2, 23.

Pozzi, Lucio. “An Extraordinary Collection of the Avant-Garde (Una Straordinaria Colleczione Delle Avanguardie.” Bolaffiarte 4, no. 31, June/July 1973: 62–67.

Stevens, Walter W. “A Case for No Organization.” ETC: A Review of General Semantics 30, no. 1 (March 1973): 81–89.

Sutinen, Paul. “A Tough-minded approach to glitter.” Portland Scribe 2, no. 19, 30 June–6 July 1973: 21.

1972

Berkman, Joanna. “Creativity Flows from Every Pour.” Pictorial Living Colorado Magazine (January 1972): 14.

Chiavaroli, Linda. “Lynda’s Giant Drips Are Hot Items on the Art Market.” Upstate, 27 February 1972: 14–19.

Dubrowin, S.R. "Latex in der Hand einer Kunstlerin." Semperit-Informationen (Munich) 66–67, February/March 1972: 4.

Frankenstein, Alfed. “From Foam to Wax.” San Francisco Chronicle, 12 February 1972: sec. 1, 35.

Kertess, Klaus. “Foam Structures.” Art and Artists, May 1972: 32–37.

Kurtz, Bruce. “Video is Being Invented.” Arts Magazine 47, no. 3 (December 1972/January 1973): 37–44.

McCann, Cecile. “Benglis’ Record of a Flowing.” Artweek, 3, no. 8, 19 February 1972: 2.

Matthias, Rosemary. “Galleries.” Arts Magazine 47, no. 1 (September/October 1972): 57–58.

Nunemaker, David A. “New York.” Art and Artists 6, no. 10, January 1972: 51.

“Public Art Museum Notes.” Art Journal 31, 4 (Summer 1972): 449–452.

Welish, Marjorie. “Exhibitions.” Craft Horizons 32, no. 1, February 1972: 48.

1971

Appell Jr., Frederick W. "The Walker is Not a Preserve." Minnesota Daily, 3 June 1971: 7, 9.

B.W. "Review." Art News (February 1971): 17.

Benglis, Lynda. "Social Conditions Can Change." In "Eight Artists Reply: Why Have There Been No Great Women Artists?." Art News (April 1971): 43.

“Closed Circuit TV to Cover Hayden Sculpture Creation.” Tech Talk (MIT), 10 November 1971: sec. 1, 6.

Davis, Douglas. "The Invisible Woman is Visible.” Newsweek 78.20, 15 November 1971: 130.

Dubrowin, S.R. “Latex-One Artist's Raw Material.” Rubber Developments 24.1, 1971: cover, 10–12.

Edwards, Karen. "The Interview 9/Lynda Benglis." The Sunday Herald, 13 June 1971: sec. 2, 11.

Elsen, Patricia, H.R.H. "College Museum Notes." Art Journal (Spring 1971): 290.

Elsen, Patricia, H.R.H. "College Museum Notes." Art Journal (Winter 1971/1972): 186–201.

“Foam, Paint, Wire Go into Hayden Sculpture.” Tech Talk (MIT), 17 November 1971: sec. 1, 6.

"Galleries-Downtown." The New Yorker, 7 June 1993.

Glueck, Grace. “New York: Trendless but Varied, the Season Starts.” Art in America 59, no 5 (September/October 1971): 121–123.

Gollin, Jane. “Reviews and Previews.” Art News 70, no. 6 (October 1971): 8.

"Hayden to Feature Growing Sculpture." Tech Talk (MIT), 3 November 1971: sec. 1, 4.

Henry, Gerrit. “New York: the whole Picture.” Art International 15, no. 10 (December 1971): 90.

Kramer, Hilton. "Minneapolis Museum Opens Today." The New York Times, 18 May 1971: sec. 2, 44.

Kramer, Hilton. "Grace, Flexibility, Esthetic Tact." The New York Times, 25 May 1971: sec. 2, 44.

“Minneapolis: The New Museum.” Art International, 20 (November 1971): 17–21.

Muller, Gregoire. “Materiality and Painterliness.” Arts Magazine 46, no. 1 (September/October 1971): 34–37.

Pastier, John. “Midwest Art Center Sets architectural example for L.A.” The Los Angeles Times, 20 June 1971.

Perreault, John. “Ferrer: Puzzling, Omnious, Moving.” The Village Voice, 14 October 1971: 37.

Pincus-Witten, Robert. “New York: Lynda Benglis.” Artforum 10, no. 4 (December 1971): 78–79.

Roberts, Patricia. "Artist Pours Herself into Major Work." The Milwaukee Journal, 14 June 1971.

Schjeldahl, Peter. “Sculptors make it big down in SoHo.” The New York Times, 30 October 1971: sec. 2, 23.

Schjeldahl, Peter. “Chronicles: New York.” Art International 12, no. 9 (November 1971): 71.

Schwartz, Bruce. “Adhesive Product.” Tech Talk (MIT), 17 November 1971: sec. 1, 6.

Steele, Mike. "Art Center Opens with Lavish." Minneapolis Tribune, 16 May 1971.

"Walker Opening." The Minneapolis Star, 14 May 1971: 16A, 1B, 1E.

Wehrwein, Austin C. "Walker Art Center Opens: Place for the New In Minneapolis." Christian Science Monitor, 19 May 1971.

Wolmer, Bruce. "Reviews and Previews." Art News 69, no. 10 (February 1971): 17.

1970

"Benglis, Sanderson, Van Buren. Ithaca College Museum: Art Review." The Ithaca Journal (20 October 1970): 12.

Bourdon, David. “Fling, Dribble, and Drip.” Life 68, 27 February 1970: 62–66.

Bourgeois, Jean-Louis. “Reviews: New York.” Artforum (April 1970): 82.

"Campus Notes." Intra College (Ithaca College) 2.6, 5 October 1970: 2.

“Campus Notes." Intra College (Ithaca College) 2.7, 12 October 1970: 3.

Constable, Rosalind. “New Sites for New Sights.” New York Magazine, 2 January 1970: 42–45.

Domingo, Willis. “Reviews: In the Galleries.” Arts Magazine (March 1970): 58.

Frackman, Noel. "Outposts of art: Aldrich Museum presents show of 1969–70 trends." Patent Trader (Mt. Kisco), 16 July 1970: 31.

Haacke, Lorraine. “Benglis Stresses Space.” Dallas Times Herald, 29 May 1970.

Kutner, Janet. “On Spot Creations Offer New Art Forum.” Dallas Morning News, 26 May 1970.

Leider, Philip. “Reviews: New York.” Artforum (February 1970): 68–70.

Pfeiffer, Günter. “Lynda Benglis.” Das Kunstwerk 23, no. 11–12, October–November 1970: 67.

Pincus-Witten, Robert. “Reviews: New York.” Artforum (January 1970): 65–70.

Ratcliff, Carter. “Reviews and Previews.” Art News (April 1970): 12.

Stevens, Elisabeth. “‘Warm Art': Cool Colors.” The Wall Street Journal, 17 July 1970.

Stone, Helen. “Local girl experimenting with expressionistic art.” Lake Charles American Press, 10 January 1970.

Vinklers, Bitite. “Chronicles.” Art International 14, no. 4 (20 April 1970): 65.

1969

"The Art Week Recent Openings." The New York Times, 28 September 1969.

Davis, Doug. "This is the Louse Pajnt Generation." The National Observer, 4 August 1969: 20.

Dienst, R.G. ''Austellungen: Prospect 69.” Das Kunstwerk, 23, n.o 1–2, October–November 1969: 59–60.

Kline, Katherine G. "Reviews and Previews.” Art News 68, no. 7 (November 1969): 12.

Kurtz, Stephan K. "Reviews and Previews." Art News (Summer 1969): 12–13.

Kurtz, Stephan K. "Review.” Art News (November 1969).

Nemser, Cindy. "Reviews: In the Galleries. David Paul, Richard Van Buren, Lynda Banglis and Chuck Close." Arts Magazine (Summer 1969): 58.

Pincus-Witten, Robert. "Reviews: New York." Artforum (December 1969): 68–69.

Schjelclahl, Peter. "Chronicles: New York Letter.” Art International 13, no. 7 (September 1969): 72.

Schjeldahl, Peter. "Chronicles: New York Letter." Art International 13, no. 9 (November 1969): 71.

Wasserman, Emily. "Reviews: New York." Artforum (September 1969): 56–62.

2023

Lynch, Elizabeth, Alicia Gregory, and Elisabeth Rochau-Shalem, eds. National Museum of Women in the Arts: Collection Highlights. Munich, Germany: Hirmer Publishers. 2023: 15, illustrated.

Godfrey, Mark, and Katy Siegel, eds. Making Their Mark: Art by Women in the Shah Greg Collection. New York: Gregory R. Miller & Co., 2023: 106–107, 218–219, illustrated.

Morley, Simon. World of Art: Modern Painting. New York: Thames & Hudson, 2023: 204, illustrated.

Packard, Cassie. Art Rules: How Great Artists Think, Crate, and Work. London: Frances Lincoln, an imprint of The Quatro Group, 2023: 130, 131, illustrated.

Quinquagesimum (exhibition catalogue). Texts by Albert Baronian and Catherine Mayeur. Brussels: Fondation CAB, 2023: 32, 33, illustrated.

2022

Aberth, Susan. Amor Mundi: The Collection of Marguerite Steed Hoffman. London: Ridinghouse, 2022.

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 280, illustrated.

Arnold, Leigh. Lynda Benglis. Dallas: Nasher Sculpture Center, 2022

Dawsey, Jill, Anthony Graham, Alana Hernandez, Kathryn Kanjo. Museum of Contemporary Art San Diego: Handbook of the Collection. San Diego: Museum of Contemporary Art, 2022.

Forty Years: Elizabeth Leach Gallery. Portland: Elizabeth Leach Gallery, 2022.

Getsy, David. Women's Caucus for Art 1972-2022, 50th Anniversary of WCA, 41st Lifetime Achievement Awards. New York: Women’s Caucus For Art, 2022.

Lynda Benglis (exhibition catalogue). Philadelphia: Locks Gallery, 2022.

Lynda Benglis (exhibition catalogue). Text by Leigh Arnold. Dallas: Nasher Sculpture Center, 2022.

Lynda Benglis. Edited by Andrew Bonacina, Nora Lawrence, and Bibiana Obler. New York: Phaidon, 2022.

A Matter of Life and Death (exhibition catalogue). Text by Jenni Lomax. Naples: Thomas Dane Gallery, 2022.

O’Neill-Butler, Lauren. Let’s Have a Talk: Conversations with Women on Art and Culture. New York: Karma Books, 2022.

2021

Aramphongphan, Paisid. Horizontal Together: Art, Dance and Queer Embodiment in 1960s New York. Manchester: Manchester University Press, 2021.

Eccles, Tom, Amy Zion. Hessel Collection. Annandale –on-Hudson, New York: Center for Curatorial Studies, Bard College, 2021.

Face à Arcimboldo (exhibition catalogue). Metz, France: Éditions du Centre Pompidou Metz, 2021: 314–317.

Fagaly, Bill. The Night Crawler King: Memoirs of an Art Museum Curator. Jackson: University Press of Mississippi, 2021.

Grundberg, Andy. How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to the Digital Age. New Haven: Yale University Press, 2021

Imagining Landscapes: Paintings by Helen Frankenthaler 1952-1976 (exhibition catalogue). Text by Robert Slifkin. London: Gagosian Gallery, 2021.

Lipiński, Filip. America: Revising the Visual Mythology of the United States (Ameryka: rewizje wizualnej mitologii Stanów Zjednoczonych). Poznań, Poland: Wydawnictwo Naukowe UAM, 2021.

Los Angeles (State of Mind) (exhibition catalogue). Milan: Skira, 2021.

Lynda Benglis: Pleated Works (exhibition catalogue). Text by Laila Pedro. New York: Mnuchin Gallery, 2021.

Naessens, Luke, “Exorbitant Matter: Materiality According to Lynda Benglis,” in Lead in Modern and Contemporary Art. Edited by Sharon Hecker and Silvia Bottinelli. London; New York: Bloomsbury Visual Arts, 2021.

Nothing is Lost: Art and Matter in Transformation (Nulla e perduto: Arte e materia in trasformazione) (exhibition catalogue). Bergamo, Italy: GAMeC Books, 2021.

O’Neill-Butler, Lauren, Katy Siegel. Carrie Moyer. New York: Rizzoli, 2021.

On the Bowery (exhibition catalogue). Text by Loren Monk. New York: Zürcher Gallery, 2021.

On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection (exhibition catalogue). Texts by Rachel McCullah Wainwright, Martin Filler, Tom Glover, Bob Colacello, Joel Wachs, Andrea Herman, Charles Arnoldi, Frank Gehry, Abbey Aguirre. Bakersfield: Bakersfield Museum of Art, 2021.

Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection (exhibition catalogue). Texts by Glenn Adamson, Robert A. Ellison Jr., Elizabeth Essner, Adrienne Spinozzi. New York: August Editions, 2021.

Stop Painting (exhibition catalogue). Milan: Fondazione Prada, 2021.

Women in Abstraction (exhibition catalogue). Texts by Christine Macel and Laurence Chauvelot-Moachon. London: Thames and Hudson, Centre Georges Pompidou, 2021.

Women in Abstraction: The Exhibition (exhibition catalogue). Texts by Christine Macel and Laurence Chauvelot-Moachon. London: Thames and Hudson, Centre Georges Pompidou, 2021.

2020

FAPE Coloring Kit. Washington D.C.: Foundation for Art and the Preservation of Embassies, 2020. p. 9.

A Guide to the Collections: Museum of Fine Arts, Boston. Texts by Matthew Teitelbaum and Maureen Melton. Boston: Museum of Fine Arts, 2020: 412, illustrated.

Getlein, Mark. Living with Art. 12th ed. New York: McGraw-Hill Education, 2020.

Joan Mitchell (exhibition catalogue). San Francisco; New Haven: San Francisco Museum of Modern Art in association with Yale University Press, 2020.

Karla Black: 20 Years (exhibition catalogue). Des Moines: Des Moines Art Center, 2020.

Lynda Benglis: Early Work 1967-1979 (digital exhibition catalogue). Text by Julia Bryan-Wilson. New York: Cheim & Read, 2020.

Lynda Benglis: In the Realm of the Senses (exhibition catalogue). Text by David Anfam. Athens: NEON, 2020.

Material Meanings: Selections from the Constance R. Caplan Collection (exhibition catalogue). Chicago: Art Institute of Chicago, 2020.

Pattern, Crime & Decoration (exhibition catalogue). Texts by Seungduk Kim and Franck Gautherot. Dijon, France: Les presses du réel, 2020.

Saltz, Jerry. How To Be An Artist. New York: Riverhead Books, 2020.

Straine, Stephanie. Abstract Art (World of Art Series). London: Thames and Hudson, 2020.

Torsen, Ingvild. “The Persistence of the Body in Sculpture After Abstraction,” in Philosophy of Sculpture: Historical Problems, Contemporary Approaches. London: Routledge, 2020.

2019

Art After Stonewall 1969-1989 (exhibition catalogue). Edited by Jonathan Weinberg. New York: Rizzoli Electa, 2019.

Art and Porn (exhibition catalogue). Texts by Erlend G. Hoyersten, Rasmus Stenbakken and Anne Mette Thomsen. Aarhus, Denmark: ARoS Aarhus Kunstmuseum, 2019.

Art of the City: Postmodern to Post-Katrina (exhibition catalogue). Text by Jan Gilbert. New Orleans: The Historic New Orleans Collection, 2019.

Art-Rite. Edited by Walter Robinson, Edit DeAk and Joshua Cohn. Brooklyn, New York: Primary Information; New York: Printed Matter, 2019.

Cheim & Read: Twenty-One Years. Bologna: Cheim & Read and Damiani, 2019.

Lynda Benglis: Power Tower (exhibition catalogue). Text by Thomas Micchelli. New York: Cheim & Read, 2019.

MoMA Highlights. New York: Museum of Modern Art, 2019.

MOMA PS1: A History. Edited by Klaus Biesenbach and Bettina Funcke. New York: Museum of Modern Art, 2019.

Morrill, Rebecca. Great Women Artists. London: Phaidon, 2019.

With Pleasure: Pattern and Decoration in American Art 1972-1985 (exhibition catalogue). Text by Anna Maria Katz. New Haven: Yale University Press, 2019.

The World Exists to Be Put on a Postcard: Artists' Postcards from 1960 to Now (exhibition catalogue). Text by Jeremy Cooper. London: Thames and Hudson, 2019.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 24, 25, 32, 236, illustrated.

Benglis, Lynda. “You Can’t Change Anything.” Interview with Heidi Zuckerman. In Permanent Collection: It Came to Feel Like Any Other Feeling. Aspen: Aspen Art Museum, 2018: 58–64, illustrated.

Beshty, Walead, ed. Picture Industry: A Provisional History of the Technical Image 1844–2018 (exhibition catalogue). Zurich: JRP Ringier Kunstverlag, 2018.

Cahill, James. Ways of Being: Advice for Artists. London: Laurence King Publishing Ltd., 2018: 34, 51, 56, 83, 93, 117, 125, 132, 138, 143, 156, 162.

Cenac, Mathieu, David Desrimais. Cross Examination: Works from the Tia Collection. Paris: Jean Boite Editions, 2018

Claire Falkenstein (exhibition catalogue). Text by Lynda Benglis. New York: Michael Rosenfeld Gallery, 2018.

Lynda Benglis (exhibition catalogue). Text by Judith Tannenbaum. Philadelphia: Locks Gallery, 2018.

MoMA at NGV: 130 Years of Contemporary Art (exhibition catalogue). Melbourne and New York: National Gallery of Victoria and Museum of Modern Art, 2018.

Minimalism: Space, Light, Object. (exhibition catalogue). Texts by Eugene Tam and Russell Storer. Singapore: National Gallery Singapore, 2018.

Painting Amongst Other Things...(exhibition catalogue). Canberra, Australia: Australian National University, 2018.

Paper/Print: American Hand Papermaking, 1960s to Today (exhibition brochure). Texts by Susan Gosin and Mina Takahashi. New York: International Print Center, 2018.

Surface Work (exhibition catalogue). London: Victoria Miro, 2018. http://viewer.zmags.com/publication/8554a0b8#/8554a0b8/1.

Two x Two x Twenty. Texts by Anna Katherine Broadbeck, Gavin Delahunty, Jeffrey D. Grove, Gabriel Ritter, Kevin W. Tucker. Dallas: Dallas Museum of Art, 2018: 46–47.

Wattolik, Eva. Zeit und Form: Spiegelungstechniken in der Film und Videokunst.Cologne. Weimar, Vienna: Bohlau Verlag, 2018.

2017

Bryan-Wilson, Julia. FRAY: Art and Textile Politics, 1970s–1990s. Chicago: University of Chicago Press, 2017.

Bui, Phong. Tell Me Something Good. New York: David Zwirner Books, 2017: 36–43.

Creating Ourselves: The Self in Art (exhibition catalogue). London: Whitechapel Gallery, 2017.

Delirious: Art at the Limits of Reason, 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock, Tina Rivers Ryan. New York: Metropolitan Museum of Art, New Haven: Distributed by Yale University Press, 2017.

Documenta 14: Daybook: Athens 8. Edited by Quinn Latimer and Adam Szymczyk. Munich: Prestel Verlag, 2017.

The Documenta 14 Reader. Edited by Quinn Latimer and Adam Szymczyk. Munich: Prestel Verlag, 2017.

Elderton, Louisa and Rebecca Morrill. Vitamin C: Clay and Ceramic in Contemporary Art. London: Phaidon, 2017: illustrated.

Foundation for Art and the Preservation of Embassies. Washington D.C.: Foundation for Art and the Preservation of Embassies, 2017.

Frieze Masters (exhibition catalogue). London: Frieze Masters, 2017.

Generation Loss: 10 Years Julia Stoschek Collection (exhibition catalogue). Dusseldorf: Kerber Art, 2017.

2017 International Sculpture Center Lifetime Achievement Award Gala Honoring Lynda Benglis and Tony Cragg. New York: International Sculpture Center, 2017.

Fichner-Rathus Lois. Understanding Art. 11th ed. 2010. Reprint, Cengage Learning, 2017.

Lynda Benglis (exhibition pamphlet). New York: Cheim & Read, Thomas Dane, 2017.

No Boundaries (digital exhibition catalogue). New York: Marlborough Gallery, 2017.

Pics Or It Didn't Happen. Texts by Arvida Bystrom, Molly Soda, Chris Kraus, Sarah T. Roberts, Merray Gerges, Alexis Anais Avedisian. Munich: Prestel Verlag, 2017.

Phillips, Lisa, ed. 40 Years New. New York: New Museum in association with Phaidon Press, 2017.

Pride of Place: The Making of Contemporary Art in New Orleans (exhibition catalogue). Texts by Katie Pfohl, Arthur Roger, John Waters and Bill Fagaly. New Orleans: New Orleans Museum of Art, 2017.

Sculpture Milwaukee (exhibition catalogue). Milwaukee: Sculpture Milwaukee, Blurb, 2017.

Storm King Art Center Sculpture Guide. 2 ed. 2015. Reprint, Windsor, New York: Storm King Art Center, 2017.

Zuckerman, Heidi. Conversations with Artists. Aspen: Aspen Art Press, 2017: 35–41.

2016

Anthology Film Archives. New York: Anthology Film Archives, 2016.

Cesar in Context. New York: Luxembourg & Dayan, 2016.

Cuerpos, Materia y Alma: Las Esculturas de Lynda Benglis / Bodies, Matter and Soul: The Sculptures of Lynda Benglis (exhibition catalogue). Puebla, Mexico: Museo International del Barroco, 2016.

Dickie, Anna and Stephanie Bailey, eds. Ocula Conversations. Hong Kong: Ocula. 2016: 296–307, illustrated.

Doug Aitken: Electric Earth (exhibition catalogue). Texts by Philippe Vergne, Joseph Grima, Anna Katz, Norman M Klein, Glenn D Lowry, Doug Aitken. Los Angeles and New York: The Museum of Contemporary Art; DelMonico Books-Prestel, 2016.

Gale, Matthew, ed. Tate Modern: The Handbook. Millbank, London: Tate Publishing, 2016: 64.

Hickey, Dave. 25 Women: Essays on Their Art. Chicago: University of Chicago Press, 2016: 22–29.

Humblet, Claudine. Post-minimalisme et Anti-Form: depassement de l’esthetique minimale. Milan: Skira, 2016: 163–197.

Invisible Adversaries. New York: Artbook/D.A.P., 2016.

Larsen, Jack Lenor. Learning from Longhouse. Edited by Susan Slesin. New York: Pointed Leaf Press, 2016.

Lynda Benglis (exhibition catalogue). Text by Nancy Princenthal. New York: Cheim & Read, 2016.

My Contemporary Sketchbook. Boston: Museum of Fine Arts, 2016.

Paper in Profile: Mixografia and Taller de Grafica Mexicana. Athens, Georgia: Georgia Museum of Art, University of Georgia, 2016.

Performing for the Camera (exhibition catalogue). London: Tate Publishing, 2016.

Schimmel, Paul and Jenni Sorkin, eds. Revolution in the Making: Abstract Sculpture by Women, 1947–2016 (exhibition catalogue). Milan: Skira, 2016: illustrated.

Schor, Gabriele and Jessica Morgan, eds. Renate Bertlmann Works 1969-2016 (exhibition catalogue). Texts by Berthold Ecker, Jessica Morgan, Gabriele Schor, Abigail Solomon-Godeau, Katharina Sykora. Vienna: Prestel, 2016.

Splotch (exhibition catalogue). New York: Neumeraki, 2016.

Terpak, Frances, Michelle Brunnick, Patti Smith, Jonathan Weinberg, Robert Mapplethorpe. Robert Mapplethorpe: The Archive. Los Angeles: Getty Research Institute, 2016.

Voulkos-The Breakthrough Years (exhibition catalogue). London, New York: Black Dog Publishing, Museum of Arts and Design, 2016.

Wingate, Donna and Marc Joseph Berg, eds. Piotr Urlanski: Fatal Attraction. Texts by Rosetta Brooks, Douglas Eklund, Jamieson Webster. New York: Gagosian/Rizzoli, 2016.

2015

Adams, Bruce. The Armand & Eleanor Castellani Collection: Art for the Public Eye. Lewiston, NY: Castellani Art Museum of Niagara University, 2015.

Aronson, Deborah, Diane Fortenberry, Rebecca Morrill. Body of Art. New York and London: Phaidon Press Limited, 2015.

Bottoms Up: A Sculpture Survey (exhibition catalogue). Lexington: University of Kentucky, 2015.

Feministiche Avantgarde der 1970er Jahre Werke aus der Sammlung Verbund, Wien (exhibition catalogue). Texts by Gabriele Schor and Catherine Morris. Munich, London, New York: Sammlung Verbund and Prestel, 2015.

Fichner-Rathus, Lois. Foundations of Art and Design. 2nd ed. Stamford, Connecticut: Cengage Learning, 2015.

Goergen, Stacey, Amanda Benchley, Oberto Gili. Artists Living with Art. New York: Harry N. Abrams, 2015.

The Great Mother (exhibition catalogue). Milan: Skira Editore, 2015.

In the Studio: Photographs (exhibition catalogue). Text by Peter Galassi. New York: Gagosian, 2015.

Istanbul Kültür Sanat Vakfi. Istanbul: YKY, 2015.

Jennings, Gabrielle, ed. Abstract Video: The Moving Image in Contemporary Art. Oakland, CA: University of California Press, 2015: 50–65.

Lynda Benglis (exhibition brochure). Wakefield, England: The Hepworth Wakefield, 2015.

Lynda Benglis: Water Sources (exhibition catalogue). Text by Nora Lawrence. Mountainville, New York: Storm King Art Center, 2015.

Marks Made: Prints by American Women Artists from the 1960s to the Present (exhibition catalogue). St. Petersburg, Florida: Museum of Fine Arts, 2015.

Nochlin, Linda. Women Artists The Linda Nochlin Reader. Edited by Maura Reilly. New York: Thames & Hudson, 2015: 20–22, 26, 323.

Olsen, Loren. Feelings: Soft Art. New York: Skira Rizzoli Publications, 2015.

Ray Johnson's Art World (exhibition catalogue). Text by Elizabeth Zuba. Dalton, Massachusetts: The Studley Press, 2014.

Siegel, Katy, ed. "The Heroine Paint" After Frankenthaler. New York: Gagosian, 2015.

Storm King Art Center Sculpture Guide. Windsor, New York: Storm King Art Center, 2015: 24–25.

Tate Americas Foundation Annual Report 2015. New York: Tate Americas Foundation, 2015: 12–13.

Tessier, Adam. Treasures of the Museum of Fine Arts Boston. 2nd ed. New York: Abbeville Press, 2015.

U.S. Mission to the United Nations (brochure). Washington D.C.: Foundation for Art and the Preservation of Embassies, 2015.

Weinberg, Adam D. and Dana Miller. Whitney Museum of American Art: Handbook to the Collection. New Haven: Yale University Press, 2015: 62.

Wilson, Siona. Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance. Minneapolis: University of Minnesota Press, 2015: 93–137.

2014

Benglis 73/74 (exhibition catalogue). Fitzroy: Sutton Projects, Neon Parc, TCB Arts, 2014.

Bloodflames Revisited (exhibition catalogue). Text by Phong Bui. New York: Paul Kasmin Gallery, 2014.

Cattelan, Maurizio, Marta Papini, and Myriam Ben Salah. Shit and Die. Bologna: Daimani, 2014: 80–81.

Come Together: Surviving Sandy, Year 1 (exhibition catalogue). Milan: Skira Editore S.p.A., 2014.

The Distaff Side (exhibition catalogue). Sharon, Connecticut: The Granary, 2014.

Epic Systems: Three Monumental Paintings by Jennifer Bartlett (exhibition catalogue). Interview with Jennifer Bartlett by Lynda Benglis. Cleveland: Cleveland Museum of Art, 2014.

A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Munich: DelMonico Books, 2014.

Foundation for the Art and Preservation in Embassies Site-Specific Collection. Washington D.C.: Foundation for the Art and Preservation, 2014.

The Gus Foster Collection: The Artist as Collector (exhibition catalogue). Taos, New Mexico: The Harwood Museum of Art of the University of New Mexico, 2014.

Make it New: Abstract Paintings from the National Gallery of Art, 1950–1975. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2014.

MFA Highlights: Contemporary Art. Boston: Museum of Fine Arts, Boston, 2014.

Mika Rottenberg: The Production of Luck (exhibition catalogue). New York: Gregory Miller & Company, 2014

The MOCA Index 2010–2013. Los Angeles: Museum of Contemporary Art, 2014: 54–55.

Nyehaus and Dorfman Projects present in Technicolor The Very Last Plastics Show Industrial L.A.: 1965 to the Present (exhibition catalogue). New York: Nyehaus and Dorfman Projects, 2014.

The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014.

Temporal Domain (exhibition catalogue). Santa Fe: Peters Projects, 2014.

Urban Theater: New York in the 1980s (exhibition catalogue). Texts by Michael Auping, Andrea Karnes, Alison Hearst. New York: Skira Rizzoli, 2014.

2013

Andrew, Jason. To Be A Lady: Forty Five Women in the Arts (digital exhibition catalogue). New York: Nortemaar, 2013. http://nortemaar.wpengine.com/wp-content/uploads/2012/08/4_Lady_Brochure.pdf.

Bildhauerzeichnungen der Gegenwart II: Neuwerbungen 1999–2012. Rottweil, Germany: Stadt Rottweil, 2013.

Carlozzi, Annette, Simone J Wich, Dalia Azim. Through the Eyes of Texas: Masterworks from Alumni Collections. Austin: Blanton Museum of Art, University of Texas, 2013.

Dekel, Tal. Gendered: Art and Feminist Theory. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.

Fichner-Rathus, Lois. Understanding Art. 10th ed. Boston, Massachusetts.: Cengage Learning; Wadsworth Publishing, 2013.

Heartney, Eleanor, Helaine Posner, Nancy Princenthal, Sue Scott. The Reckoning: Women Artists of the New Millenium. New York, Munich, London: Prestel Verlag, 2013: 15.

Lynda Benglis: Everything Flows (1980–2013) (exhibition catalogue). Text by Anna Chave. Philadelphia: Locks Gallery, 2013.

Ocvirk, Otto G. Art Fundamentals: Theory and Practice. 12th ed. Columbus, Ohio: McGraw-Hill Higher Education, 2013.

Paint Things: Beyond the Stretcher (exhibition catalogue). Lincoln, Mass.: DeCordova Sculpture Park and Museum, 2013.

Richmond, Susan. Lynda Benglis: Beyond Process. London: I.B. Taurus & Co. Ltd, Palgrave MacMillan, 2013.

Sporre, Dennis. Reality Through the Arts. 8th ed. Upper Saddle River, New Jersey.: Pearson Prentice Hall, 2013.

Wahl, Chris. “Between Art History and Media History: A Brief Introduction to Media Art.” In Preserving and Exhibiting Media Art: Challenges and Perspectives. Edited by Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maitre, Vinzenz Hediger. Amsterdam: Amsterdam University Press, 2013.

Noordegraaf, Julia, Cosetta G. Saba, Barbara Le Maitre, Vinzenz Hediger, eds. Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam: Amsterdam University Press, 2013.

2012

Arnason, H.H. and Elizabeth Mansfield. History of Modern Art. 7th ed. Upper Saddle River, N.J.:

Pearson Prentice Hall, 2012.

Art at the Conrad. New York: Goldman Sachs, 2012.

art:21: Art in the Twenty-first Century. Dalton, Massachusetts: The Studley Press, 2012: 86–99.

Bacigalupi, Don, Christopher B. Crosman, Emily D. Shapiro, William C Agee. Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of Art. Bentonville, Arkansas; Manchester, Vermont: Crystal Bridges Museum of Art; Hudson Hills Press, 2012.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by Douglas Dreishpoon, Louis Grachos, David Pagel, Heather Pesanti. Buffalo: Albright-Knox Art Gallery, 2012.

The Dorothy and Herbert Vogel Collection: Fifty Works for Rhode Island (exhibition catalogue). Providence: Rhode Island School of Design, 2012.

Foundation for Art and the Preservation of Embassies. Washington D.C.: FAPE, 2012.

Getlein, Mark. Living with Art. 10th ed. Columbus, Ohio: McGraw-Hill Education, 2012.

Pesanti, Heather and Lawrence F. Brose. Wish You Were Here: The Buffalo Avant-Garde in the 1970s. Buffalo, New York: Albright-Knox Art Gallery, 2012.

Remix: Selections from the International Collage Center (exhibition catalogue). Milton, Pennsylvania: International Collage Center with Daum Museum of Contemporary Art, 2012.

Sartisky, Michael, J. Richard Gruber, John R. Kemp. A Unique Slant of Light: The Bicentennial History of Art in Louisiana. New Orleans: Louisiana Endowment for the Humanities, 2012.

Works of the 1960s and 1970s. New York: Cheim & Read, 2012.

You Don't Know Jack (exhibition catalogue). Los Angeles: Katherine Cone Gallery, 2012.

2011

Alan Shields: Something Goin' On & On (exhibition catalogue). New York: Greenberg Van Doren Gallery, 2011.

Cassidy, Victor M. Sculptors at Work: Interviews About the Creative Process. Jefferson, North Carolina.: McFarlarnd & Co., 2011.

Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art. Bentonville, Arkansas: Crystal Bridges Museum of American Art, 2011: illustrated.

Hide/Seek: Difference and Desire in American Portraiture (exhibition catalogue). Washington D.C.: Smithsonian Books, 2011.

The Last Grand Tour (exhibition catalogue). Athens: Museio Kykladikes Technes, 2011.

Marter, Joan M. Grove Encyclopedia of American Art. New York: Oxford University Press, 2011.

Modern Women: The Channel (exhibition catalogue). New York: Museum of Modern Art, 2011.

Polyglossia (exhibition catalogue). Athens: Onassis Cultural Center, 2011.

Then and Now: The Relationship Between a Contemporary Art Space and the Community (exhibition catalogue). New Orleans: Contemporary Arts Center New Orleans, 2011.

Timmins, Leila. Martha Wilson Sourcebook: Forty Years of Reconsidering Performance, Feminism, Alternative Spaces. New York: Independent Curators International, 2011.

2010

Barbara Yoshida 80 Portraits (exhibition catalogue). Gdansk, Poland: Museum Narodowe w Gdansku, 2010.

Butler, Cornelia H. and Alexandra Schwartz et al. Modern Women: Women Artists at the Museum of Modern Art. New York: Museum of Modern Art, Distributed by D.A.P., 2010: 59, 356, 376, 377–379.

Coxon, Ann. Louise Bourgeois: LB. London: Tate Publishing, 2010.

Lynda Benglis: Flow and Flesh (exhibition catalogue). Text by Jeremy Gilbert-Rolfe. Philadelphia: Locks Gallery, 2010.

Nexus: Work & Vision Squire Broel (exhibition catalogue). Walla Walla, WA: NYCAMS and Walla Walla Foundry, 2010.

Reflection (exhibition catalogue). New York: Nathan A. Bernstein Gallery, 2010.

2009

Bacigalupi, Don, et. al. Toledo Museum of Art Masterworks. Toledo: Toledo Museum of Art, 2009.

Dixon, Annette. Mixografia: Innovation and Collaboration. Portland, Oregon: Portland Museum, 2009.

Lynda Benglis (exhibition catalogue). Edited by Franck Gautherot, Caroline Hancock, and Seungduk Kim. Dijon: Presses du réel, 2009.

Mixografia: Innovation and Collaboration (exhibition booklet). Los Angeles: Mixografia, 2009.

Osenant, Jean-Pierre. Art Contemporain: Arts Decoratifs du XXe siecle. Paris: Paris Fontainebleau Osenant, 2009.

Schrank, Sarah. Art and the City: Civic Imagination and Cultural Authority in Los Angeles. Philadelphia: University of Pennsylvania Press, 2009.

Target Practice: Painting Under Attack 1949–78 (exhibition catalogue). Seattle: Seattle Art Museum, 2009.

Ward, Lucina. Soft Sculpture. Canberra: National Gallery of Australia, 2009.

2008

Ciuha, Delia, Raphaël Bouvier, and Christopher Wynne. Action Painting: Jackson Pollock. Ostfildern, Germany: Hatje Cantz, 2008.

Agency: Art and Advertising (exhibition catalogue). Text by Kevin Concannon. Youngstown: McDonough Museum of Art, 2008.

The Alliance (exhibition catalogue). Text by Seungduk Kim and Franck Gautherot. Seoul: Hyungteh Do, 2008.

Fine, Ruth. The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States. Washington D.C.: National Endowment for the Arts, 2008.

Lynda Benglis: Shape-Shifters (exhibition catalogue). Text by Brenda Richardson. Philadelphia: Locks Gallery, 2008.

Sand: Memory, Meaning and Metaphor (exhibition catalogue). Text by Alicia Grant Longwell. Southampton: The Parrish Art Museum, 2008.

William McKeown, Irish Museum of Modern Art (exhibition catalogue). Text by Enrique Juncosa. Milan: Charta, 2008.

90 Degrees: The Margins as Center (exhibition catalogue). New York: Andrea Rosen Gallery, 2008: illustrated.

2007

A Batalla Dos Xeneros (Gender Battle) (exhibition catalogue). Text by Juan V. Aliaga. Santiago de Compostela: Centro Galego de Arte Contemporanea, 2007.

Circa 70: Lynda Benglis and Louise Bourgeois (exhibition catalogue). Text by Robert Pincus-Witten. New York: Cheim & Read, 2007.

Into Me Out of Me (exhibition catalogue). Ostfildern: Hatje Cantz, 2007.

Ithaca Regained: Greek Artists in New York (exhibition catalogue). Text by Irving Sandler. New York: Kouros Gallery, 2007.

Material Affinities: To Clay and Back (exhibition catalogue). Texts by Tressa Ruslander Miller and Trevor Norris. Los Angeles: USC Fisher Gallery, 2007.

90° The Margins as Center (exhibition catalogue). New York: Andrea Rosen Gallery, 2007.

I Am As You Will Be–The Skeleton in Art (exhibition catalogue). New York: Cheim & Read, 2007.

The Skeleton in Art (exhibition catalogue). Text by Xavier Tricot. New York: Cheim & Read, 2007.

Wack! Art and the Feminist Revolution (exhibition catalogue). Cambridge: the MIT Press, 2007.

2006

Dorosenko, Peter and Alison de Lima Greene. Joseph Havel: A Decade of Sculpture, 1996-2006 (exhibition catalogue). London: Scala, 2006.

The Downtown Book (exhibition catalogue). New York: Princeton University Press, 2006.

Glass: Material Matters (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 2006.

High Times Hard Times: New York Painting 1967–1975 (exhibition catalogue). Text by David Carrier. New York: Independent Curators International, D.A.P. Distributed Art Publishers, 2006.

How American Women Artists Invented Postmodernism: 1970–1975 (exhibition catalogue). New Brunswick: The Feminist Art Project and Rutgers State University, New York, 2006.

La Scoperta del Corpo Elettronico: arte e video negli anni 70 (exhibition catalogue). Milan: Silvana Editoriale SpA, 2006.

Potentially Harmful: The Art of American Censorship (exhibition catalogue). Texts by Cathy Byrd, Nina Felshin, Richard Meyer, Jon Lewis, Susan Richmond, Svetlana Mintcheva, Michelle Joan Wilkinson, Faith Wilding, Michael Landau. Atlanta: Ernest G. Welch School of Art & Design Gallery, 2006.

Ross, Christine. The Aesthetics of Disengagement: Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006: 51–93.

The Skowhegan School of Painting and Sculpture: 60 Years (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2006: illustrated.

Sprague, Tiffany. Responding to Kahn: A Sculptural Conversation (exhibition catalogue). New Haven: Yale University Art Gallery, 2006.

Wark, Jayne. Radical Gestures: Feminism and Performance Art in North America. Montreal: McGill-Queen's Press, 2006.

The 181st Annual: An Invitational Exhibition of Contemporary American Art (exhibition catalogue). New York: The National Academy Museum, 2006.

2005

The Blake Byrne Collection (exhibition catalogue). Los Angeles: Museum of Contemporary Art, 2005.

Extreme Abstraction (exhibition catalogue). Buffalo: Albright-Knox Art Gallery, 2005.

Part Object, Part Sculpture (exhibition catalogue). Text by Helen Molesworth. Columbus, Ohio and University Park, Pennsylvania: Wexner Center for the Arts, The Ohio State University; Pennsylvania State University Press, 2005.

Richier, Francesca and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: D.A.P./Distributed Art Publishers, 2005: 46, illustrated.

Ross, David A. Video Art: The Castello di Rivoli Collection. Edited by Ida Gianelli, Marcella Beccaria. Milan: Skira, 2005.

Sale, Teel and Claudia Betti. Drawing: A Contemporary Approach. 5th ed. San Diego: Harcourt Brace College Publishers, 2005.

Sam Gilliam: A Retrospective (exhibition catalogue). Text by Jonathan Binstock. Berkeley: University of California Press, 2005.

Summer of Love: Art of the Psychedelic Era (exhibition catalogue). Text by Christoph Grunenberg.

Millbank: Tate Publishing, 2005.

Taylor, Brandon. Art Today. London: Laurence King Publishers, 2005.

3a Bienal de Valencia: Agua: Sin Ti No Soy (exhibition catalogue). Milan: Charta, 2005.

2004

Anderson, Mark. Extending the Artist's Hand: Contemporary Sculpture from the Walla Walla Foundry. Pullman, Washington: Washington State University Museum of Art, 2004.

Brutten Herrick Collection of 20th Century Art (exhibition catalogue). Lambertville, New Jersey: Rago Arts and Auction Center, 2004.

Ich will, dass Du mir glabst!: anlasslich der 9. Triennale Kleinplastik Fellbach 2004 (exhibition catalogue). Fellbach: Kulturamt der Stadt Fellbach, 2004.

Foster, Hal, Rosalind E. Krauss, Yve-Alain Bois, B.H. Buchloh, David Joselit. Art Since 1900: Modernism, Antimodernism, Postmodernism. New York: Thames & Hudson, 2004.

Lynda Benglis: A Sculpture Survey 1969–2004 (exhibition catalogue). Text by Richard Marshall. New York: Cheim & Read, 2004.

McGowan, Alison. Who's Who in American Art. 25th ed. London: R.R. Bowker Co., 2004.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2004.

North Fork/South Fork East End Art Now (exhibition catalogue). Southampton: Parrish Art Museum, 2004.

Sieglaub, Seth, Marion Fricke, Roswitha Fricke. The Context of Art, The Art of Context: 1969–1992. Trieste, Italy: Navado Press, 2004.

Skulptur: Prekarer Realismus zwischen Melancholie und Komik (exhibition catalogue). Text by Sabine Folie. Wien: Kunsthalle Wien, 2004.

When I Think About You I Touch Myself (exhibition catalogue). Text by David Humphrey. New York: New York Academy of Art, 2004.

2003

Kosmidou, Zoe. The Power of Visual Logos: Greek Women Artists, 1990-2000. Athens: International Center for the Arts and Nature, 2003.

Laquer, Thomas W. Solitary Sex: A Cultural History of Masturbation. New York: Zone Books, 2003.

Wen, Laio. No More Nice Girls: Interview the American Feminist Critics and Artists. Taipei: Taipei Publisher, 2003.

Zacharopoulos, Denys. The Beltsios Collection: The Pioneers. Athens: Futurea Publications, 2003.

2002

Artists of the Heath Gallery 1965 to 1998 (exhibition catalogue). Atlanta, Georgia: Museum of Contemporary Art of Georgia, 2002.

Cheng, Meiling. In Other Los Angeleses. Berkeley: University of California Press, 2002: 66–92.

Decades: Gretchen Albert, Lynda Benglis, Ron Gorchov, James Ross (exhibition catalogue). New York: Robert Steel Gallery, 2002.

Gloria: Another Look at Feminist Art of the 1970s (exhibition catalogue). Text by Catherine Morris and Ingrid Schaffner. New York: White Columns, 2002.

Goldstein, Ann, Rebecca Morse, Paul Schimmel. This is Not to be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles. Los Angeles: Museum of Contemporary Art Los Angeles, 2002.

Kunst Nach Kunst / Art After Art (exhibition catalogue). Texts by Gregor Stemmrich, Guido Boulboulle, Raimar Stange, and Peter Friese. Bremen, Germany: Hauschild, 2002: illustrated.

Lynda Benglis: Soft Off (exhibition catalogue). Text by Carter Ratcliff. Philadelphia: Locks Gallery, 2002.

Personal and Political: The Women's Art Movement, 1969–1975 (exhibition catalogue). Texts by Simon Taylor and Nathalie Ng. East Hampton, New York: Guild Hall, 2002.

2001

Century City: Art and Culture in the Modern Metropolis (exhibition catalogue). London: Tate Publishing, 2001.

College Proofs: The Riverhouse Editions Collection at the Mary and Leigh Block Museum (exhibition catalogue). Evanston, Illinois: Mary and Leigh Block Museum of Art, 2001.

For Love or Money: Dieu Donne's 25th Anniversary Benefit Event. New York: Dieu Donne, 2001.

Princethal, Nancy, Jennifer Dowley. A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowship Program. New York: Harry N. Abrams in association with the National Endowment for the Arts, 2001.

Rags to Riches: 25 Years of Paper Art from Dieu Donné Papermill (exhibition catalogue). Foreword by Chuck Close. Texts by Susan Gosin, Trudy V. Hansen, and Donna Stein. New York: Dieu Donne Papermill Inc., 2001.

Super Phat (exhibition catalogue). Cypress: Cypress College Art Gallery Publications, 2001.

2000

Celebrating Modern Art: The Anderson Collection (exhibition catalogue). San Francisco, Berkeley: San Francisco Museum of Art, University of California Press, 2000.

Modern Odysseys: Greek American Artists of the Twentieth Century (exhibition catalogue). Thessaloniki, Greece: Kratiko Mouseio Synchrones Technes, 2000.

Re-Play: Anfänge internationaler Medienkunst in Österreich; (exhibition catalogue). Wien: Generali Foundation, 2000.

Voici, 100 ans d'art contemporain (exhibition catalogue). Paris: Flammarion, 2000.

1999

Afterimage: Drawing Through Process (exhibition catalogue). Text by Cornelia Butler. Cambridge: MIT Press, 1999.

The American Century: Art and Culture 1950–2000 (exhibition catalogue). Text by Lisa Phillips. New York: Whitney Museum of American Art in association with Norton, 1999.

The Art of Craft: Contemporary Works from the Saxe Collection (exhibition catalogue). San Francisco: Fine Arts Museums of San Francisco and Bulfinch Press, 1999.

Barlow, Margaret. Women Artists. New York: Hugh Lauter Levin Asssociates, Inc., 1999.

Lynda Benglis Joe Zucker (exhibition brochure). East Hampton, New York: Guild Hall, 1999.

Modern Odysseys: Greek American Artists of the 20th Century (exhibition catalogue). Texts by Peter Selz and William R. Valerio. New York: Queens Museum of Art, D.A.P. Publishers, 1999.

Siegel, Jeanne. Painting After Pollock: Structures of Influence. Amsterdam: G+B Arts International, 1999:105–110.

Waxing Poetic: Encaustic Art in America (exhibition catalogue). Montclair, New Jersey: Montclair Art Museum, 1999: 26, 71, illustrated.

Who's Who in American Art. New York: R.R. Bowker, 1999: 3724.

1999 Biennial Exhibition of Public Art (exhibition catalogue). Purchase: Purchase College, State University of New York, 1999.

The 20th Century Art Book. London: Phaidon, 1999: 609.

1998

Arnason, H.H., Marla F. Prather. History of Modern Art. 4th ed. London: Thames & Hudson, 1998.

Collecting on the Cutting Edge: Frito Lay, Inc. (exhibition catalogue). Text by Monika F. Kindraka. Austin, Texas: Laguna Gloria Museum, 1998.

Disidentico: Maschile Femminile e Oltre (exhibition catalogue). Text by Achille Bonito Oliva. Palermo: Panepinto Arte, 1998.

Forum Kunst Rottweil: Editionen, Publikationen, Dokumentationen. Rottweil: Form Kunst Rottweil, 1998.

Game Being. Denton, Texas: University of North Texas School of Visual Arts, 1998.

Hanging By A Thread (exhibition catalogue). Yonkers: Hudson River Museum, 1998.

Jones, Amelia. Body Art: Performing the Subject. Minneapolis, London: University of Minnesota Press, 1998.

Laumeier Sculpture Park: Second Decade, 1987–1996. Texts by Beej Nierengarten-Smith, George McCue, and Susan Brown. St. Louis, Missouri: Laumeier Sculpture Park and Museum, 1998: illustrated.

Lynda Benglis (exhibition catalogue). Athens: Kappatos Gallery, 1998.

Lynda Benglis: Action Sculpture (exhibition catalogue). New York: Cheim & Read, 1998.

Lynda Benglis: Chimera (exhibition catalogue). Text by Kertess Klaus. Rottweil, Germany: Forum Kunst Rottweil, 1998.

Mai 98: Positions in Contemporary Art Since the 1960's (exhibition catalogue). Cologne: Oktagon Cop., 1998.

Morgan, Robert C. The End of the Art World. New York: Allsworth Press, 1998.

Nierengarten-Smith, Beej, George McCue, Susan M Brown. Laumeier Sculpture Park: Second Decade 1987–1996. St. Louis: Laumeier Sculpture Park and Museum, 1998.

Posca, Claudia. Bildhauerzeichnungen de Gegenwart: Sammlung der Stadt Rottweil. Rottweil, Germany: Forum Kunst Rottweil, 1998.

Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art. Boulder: Westview Press, 1998.

This Is Not The Look We Want (exhibition catalogue). New Orleans: Shooting Star Gallery, 1998.

Women Artists in the Vogel Collection (exhibition catalogue). Gainesville, GA.: Brenau University Galleries, 1998.

1997

After the Fall: Aspects of Abstract Painting Since 1970 (exhibition catalogue). Staten Island, New York: Snug Harbor Cultural Center, 1997.

The Architect's Sourcebook 12 Architectural Arts & Sculpture. Madison, Wisconsin: Kraus Sikes Inc., 1997: 212.

Art Fundamentals. Dubuque, Iowa: WCB Brown & Benchmark Publishers Brown and Benchmark Publishers, 1997.

Art Walk NY (exhibition catalogue). New York: PaineWebber Inc., 1997.

Gravity: Axis of Contemporary Art (exhibition catalogue). Shisedo: Kokuritsu Kokusai Bijutsukan, 1997.

Laying Low: Carl Andre, Lynda Benglis, Mel Bochner, Barry Le Va, Robert Morris, Richard Serra, Robert Smithson, Hannah Wilke, Felix Gonzalez-Torres, Mike Kelley, Melissa McGill, John Miller, Jorge Pardo (exhibition catalogue). Text by Asmund Thorkildsen. Oslo: Kunsternes Hus, 1997.

Legacy: A History of the Art Museum of South Texas. Corpus Christi: The Art Museum of South Texas, Corpus Christi, 1997.

New Haven Symphony Orchestra (newsletter). New Haven: New Haven Symphony Orchestra, 1997.

Plastik (exhibition catalogue). Texts by Dirk Luckow, Gail Kirkpatrick, Anselmo Aportone, Wolf-Gunther Thiel. Stuttgart: Wurttembergischer Kunstverein, 1997.

Schneider, Rebecca. The Explicit Body in Performance. London: Routledge, 1997.

Who's Who in American Art. 25th ed. New York: R.R. Bowker, 1997.

1996

Art at the End of the 20th Century: Selections from the Whitney Museum of American Art (exhibition catalogue). Texts by David A. Ross, Eugenie Tsai, Joanna Decker. New York: Whitney Museum of American Art, 1996.

Bell, Tiffany. Polly Apfelbaum's Medley of Signs. New York: Brant Publications, Inc., 1996.

Chimeriques Polymeres: Le Plastique Dans L'Art XXeme Siecle (exhibition catalogue). Nice: Musee D'Art Moderne Et D'Art Contemporain, 1996.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent. London: Laurence King, 1996.

Femininmasculin: le sexe dans l'art (exhibition catalogue). Paris: Centre National d'Art et de Culture Georges Pompidou, 1996.

Fremdkorper = Corps Etranger: Videoinstallationen von Matthew Barney, Mona Hatoum, Gary Hill, Bruce Nauman, Marcel Odenbach, Bill Viola (exhibition catalogue). Basel: Museum fur Gegenwartskunst, 1996.

Hasumi, Tomoyuki, Nikko Tokyo Hoteru. Fine Art in the Hotel. Tokyo: Hoteru Nikko Tokyo, Tokyo Hyuman Entapuraizu, 1996.

Homeland of the Imagination: The Southern Presence in 20th Century Art (exhibition catalogue). Text by Donald Kuspit. Atlanta: NationsBank Plaza, 1996.

Jones, Amelia. "Interpreting Feminist Bodies: The Unframeability of Desire." In The Rhetoric of the Frame Beyond the Boundaries of the Framework. Edited by Paul Duro. Cambridge: Cambridge University Press, 1996.

Kunstler Videos: Entwicklung und bedeutung: Die Sammlung des Kunsthaus Zurich. Zurich: Kunsthaus Zurich, 1996.

Landfall Press: Twenty-Five Years of Printmaking (exhibition catalogue). Milwaukee: Milwaukee Art Museum, 1996.

Love Gasoline (exhibition catalogue). Toronto: Mercer Union, 1996.

More Than Minimal: Feminism and Abstraction in the 70's (exhibition catalogue). Text by Susan Stoops, et. al. Waltham, Massachusetts: Brandeis University, 1996.

Ratcliff, Carter. The Fate of a Gesture: Jackson Pollock and Postwar American Art. New York: Farrar, Straus and Giroux, 1996.

Sandler, Irving. Art of the Postmodern Era, From the Late 1960s to the Early 1990s. New York: HarperCollins, 1996: illustrated.

Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History (exhibition catalogue). Text by Amelia Jones. Los Angeles: Armand Hammer Museum of Art and Cultural Center, University of California Press, 1996.

Skowhegan 50th Anniversary Awards Dinner. Madison, Maine: Skowhegan, 1996.

Videobander (exhibition brochure). Basel: Museum fur Gegenwartskunst, 1996.

Wagner, Ann Middleton. Three Artists (Three Women): Modernism and the Art of Hesse, Krasner and O'Keefe. Berkeley, Los Angeles, London: University of California Press, 1996.

1995

Alternatives: 20 Years of Hallwalls (exhibition brochure). Text by Elizabeth Licata. Buffalo: Hallwalls, Buffalo State College, 1995.

The Architect's Sourcebook: 11 Architectural Arts & Sculpture. Madison, Wisconsin: Kraus Sikes Inc., 1995.

In a Different Light: Visual Culture, Sexual Identity, Queer Practice (exhibition catalogue). Text by Nayland Blake. San Francisco: City Lights Books, 1995.

In Three Dimensions: Women Sculptors of the 90's (exhibition catalogue). Staten Island: Sung Harbor Cultural Center, 1995.

Kahn, Robin. Time Capsule: A Concise Encyclopedia by Women Artists. New York: Creative Time, 1995.

Lynda Benglis: Chimera (exhibition catalogue). Boulder: Boulder Museum of Contemporary Art, 1995.

Malsch, Friedemann, Dagmar Streckel, Ursula Perucchi-Petri. Kunstler-Videos: Entwicklung und Bedeutung. Zurich: Cantz, 1995.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Mortal Remains (exhibition catalogue). Edited by Ricardo Bloch and Don Celender. New York: OK Harris Gallery, 1995.

Taylor, Brandon. Art of Today. London: Weidenfeld & Nicholson, 1995.

Taylor, Brandon. Avant-Garde and After: Rethinking Art Now. New York: Harry N. Abrams, 1995:19–20.

Zelanski, Paul and Mary Pat Fisher. Sharing Space. 2nd ed. Orlando, Florida: Harcourt Brace, 1995.

44th Biennial Exhibition of Contemporary Painting: Painting Outside Painting (exhibition catalogue). Edited by Christopher C. French and Kate Norment. Washington D.C.: The Corcoran Gallery of Art, 1995.

1994

American Art in the 20th Century: Painting and Sculpture (exhibition catalogue). Texts by C.M. Joachimides, N. Rosenthal, Brooks Adams. Munich: Prestel, 1994.

Art Fundamentals: Theory and Practice. Bowling Green: School of Art, Bowling Green State University, 1994.

Bad Girls (exhibition catalogue). New York, Los Angeles: New Museum of Contemporary Art, Wight Art Gallery, Los Angeles, 1994.

De Oliveira, Nicolas, Michael Petry. Installation Art. London: Thames and Hudson Ltd., 1994.

The Essential Gesture (exhibition catalogue). Newport Beach, California: Newport Harbor Art Museum, 1994.

Fineberg, Jonathan. Art Since 1940: Strategies of Being. London: Laurence King Publishing, 1994.

From Minimal to Conceptual: Works from the Dorothy and Herbert Vogel Collection (exhibition catalogue). Text by John T. Paoletti. Interview by Ruth Fine. Washington D.C.: National Gallery of Art, 1994.

Jones, Amelia. "Postfeminism, Feminist Pleasures, and Embodied Theories of Art." In The New Feminist Criticism. Edited by Joanna Frueh, Cassandra L. Langer, Arlene Raven. New York: Icon Editions, 1994: 16–41.

Moore, Catriona, ed. Dissonance: Feminism and the Arts 1970–90. St. Leonards, Australia: Allen & Unwin/Artspace, 1994: 40-45.

Prints from Solo Impressions, Inc. (exhibition catalogue). Texts by Thalia Gouma-Peterson, Ruth Fine, Kathleen Zurko. Wooster, Ohio: College of Wooster Art Museum, 1994.

1993

Abject Art: Repulsion and Desire in American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1993.

Action/Performance and the Photograph (exhibition catalogue). Text by Robert C. Morgan. Los Angeles: Turner/Krull Galleries, 1993.

Alan Shields, Jo Anne Carson, Lynda Benglis, Po Kim, Ralph Wickiser (exhibition catalogue). New York: Haenah-Kent Gallery, 1993.

Celebrating Art and Architecture: Creating a Place for People. Text by Joyce Pomeroy Schwartz. Washington D.C.: Board of the Governors of the Federal Reserve System, 1993.

Contemporary Art (Part II). New York: Sotheby's New York, 1993.

The First Generation: Women and Video, 1970–75 (exhibition catalogue). Acknowledgements by Susan Sollins. Texts by JoAnn Hanley and Ann-Sargent Wooster. New York: Independent Curators Incorporated, 1993.

The Harwood Foundation of the University of New Mexico/Taos 1923–1993. Taos: The Harwood Foundation, 1993.

Hunter College MFA Faculty Artists 1981–1993 (exhibition catalogue). New York: Hunter College, 1993.

Lynda Benglis: From the Furnace (exhibition catalogue). Text by Andrew Bogle. Interview by Priscilla Pitts. Auckland, New Zealand: Auckland City Art Center, 1993.

Oro d'autore: Giappone e Stati Uniti d'America (exhibition catalogue). Arezzo, Italy: 1993.

Return of the Cadavre Exquis (exhibition catalogue). Text by Ingrid Schaffner. New York: The Drawing Center, 1993.

Tandem Press: Five Years of Collaboration and Experimentation (exhibition catalogue). Madison: Elvehjem Museum of Art, 1993.

Ward, Roger and Patricia J. Fidler. The Nelson-Atkins Museum of Art: Handbook of the Collection. New York: Hudson Hills Press, 1993.

Whipple, Enez. Guild Hall of East Hampton: An Adventure in the Arts. East Hampton, New York: Guild Hall of East Hampton, 1993.

Women Artists (calendar). San Rafael, California: Cedco Publishing Company, 1993.

Yau, John. Sex Quake: Art After the Apocalypse. New York: 1st Art-Genes Portable Museum, 1993.

1992

Clearly Art: Pilchuck's Glass Legacy (exhibition catalogue). Text by Lloyd E. Herman. Bellingham, Washington: Whatcom Museum of History & Art, 1992.

The Fine Art Index. Chicago: International Art Reference, 1992.

Glass from Ancient Craft to Contemporary Art: 1962–1992 and Beyond (exhibition catalogue). Texts by Karen S. Chambers and Ferdinand Hampson. Morristown, New Jersey: Morris Museum, 1992.

Her Art Works (exhibition catalogue). South Bend, Indiana: South Bend Regional Art Center, 1992.

Kimmel, Roberta. In Artists' Homes: The Living Spaces of Contemporary Artists. New York: Clarkson N. Potter, Inc., 1992: 26–33.

Visiting Artist Program 20th Anniversary Show (exhibition catalogue). Boulder: University of Colorado at Boulder, 1992.

Volume: Six Contemporary Sculptors (exhibition catalogue). East Hampton, New York: Guild Hall Museum, 1992.

1991

Aspects of Collage (exhibition catalogue). Text by Peter Plagens. East Hampton, New York: Guild Hall, 1991.

Breakthroughs: Avant-Garde Artists in Europe & America: 1950­1990 (exhibition catalogue). Foreword by Robert Stearns. Preface by John Howell. Text by Lucy Lippard. Columbus: Wexner Center for the Visual Arts, Ohio State University, 1991.

Diederichsen, Diedrich. Mike Kelley: Why I Got Into Art (Vaseline Muses). Cologne: Jablonka Galerie and Verlag der Buchhandlung Walther Konig, 1991.

Fuller, Diana Burgess. Contemporary American Women Artists. San Rafael, Californua: Cedco, 1991: 14–17.

High Museum of Art Gift Catalogue. Atlanta, Georgia: High Museum of Art, 1991.

IIIeme Biennale De Sculpture Montecarlo (exhibition catalogue). New York: Marisa Del Re Gallery, 1991.

Motion as a Metaphor: The Automobile in Art (exhibition catalogue). Essay by Sue Scott. Virginia Beach: Virginia Beach Center for the Arts, 1991.

Pease, David. Art: Dean's Report Yale University School of Art. New Haven, Connecticut: Yale University, 1991.

Physicality (exhibition catalogue). Text by George Hoffman. New York: Hunter College of the City University of New York, 1991.

Presswork: The Art of Women Printmakers (exhibition catalogue). Washington D.C.: The National Museum of Women in the Arts, 1991.

Stroud, Marion Boulton. An Industrious Art: Innovation in Pattern and Print at The Fabric Workshop. New York and London: W.W. Norton & Company, Inc., 1991: 64–65.

1990

Art, Architecture, Society. Los Angeles: Frederick R. Weisman Art Foundation, 1990.

Carsinart: The Automobile Icon (exhibition catalogue). Pensacola, Florida: Pensacola Museum of Art, 1990.

Chadwick, Whitney. Women, Art and Society. New York: Thames and Hudson, 1990: 330–331.

Hand Body House: Approaches to Sculpture (exhibition catalogue). Text by Nancy Einreinhofer. Wayne, New Jersey: Ben Shahn Galleries, William Patterson College, 1990.

Heartney, Eleanor, Anne Rorimer, James Yood, Adam Brooks, Sue Taylor. The Refco Collection. Chicago: The Refco Group, 1990.

Hellenikon (exhibition catalogue). Introduction by Christina Eliopoulos. Texts by Klaus Ottmann and Catherine Cafopoulos. New York: City Gallery, 1990.

Lynda Benglis: Dual Natures (exhibition catalogue). Text by Susan Krane. Atlanta: High Museum of Art, 1990.

The New Sculpture 1965–75: Between Geometry and Gesture (exhibition catalogue). Texts by Richard Armstrong, John G. Hanhardt, Robert Pincus-Witten et al. New York: Whitney Museum of American Art, 1990: illustrated.

1989

American Sculptors: New York and Los Angeles (exhibition catalogue). Text by Nakamura Hideki. Tokyo: Kamakura Gallery, 1989.

Benefit Auction of Contemporary Sculpture. New York: Sotheby's, 1989.

Contemporary Art from New York: The Collection of the Chase Manhattan Bank (exhibition catalogue). Texts by Yokohama Bijutsukan, Gaimushoo Toshokan.Tokyo: Nion Keizai Shimbun, Inc., 1989.

Contemporary Art, Part II. New York: Sotheby's, 1989.

Drawing with Materials: Process and Image: Works by Lynda Benglis (exhibition catalogue). New Smyrna Beach, Florida: Hester Merwin Ayers Gallery, Atlantic Center for the Arts, 1989.

First Impressions: Early Prints by Forty-Six Contemporary Artists (exhibition catalogue). Introduction by Elizabeth Armstrong. Texts by Elizabeth Armstrong, Shelia McGuire. New York: Hudson Hill Press, 1989.

Image World: Art and Media Culture (exhibition catalogue). Texts by John G.Hanhardt, Martin Heiferman, Lisa Phillips. New York: Whitney Museum of American Art, 1989.

Making Their Mark: Women Artists Move into the Mainstream, 1970–1985 (exhibition catalogue). Introduction by Randy Rosen. Texts by Ellen G. Landau, Calvin Tomkins, Judith E. Stein, Ann-Sargent Wooster, Thomas McEvilley, Marcia Tucker. New York: Abbeville Press, 1989.

Sculptural Intimacies: Recent Small-Scale Work (exhibition catalogue). Texts by Robert H. Byer, Mark Johnstone. Los Angeles: Security Pacific Corporation, 1989.

1988

Eleven Artists from Paula Cooper (exhibition catalogue). London: Mayor Rowan Gallery, 1988.

First International Meeting of Fine Arts (symposium book). Introduction by Pericles Nearchou. Texts by D. Illiopoulou-Rogan, Catherine Koskina, Sania Papa. Delphi: First International Meeting of Fine Arts, 1988.

From the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Text by Pamela Beecher. Elmira, New York: Arnot Museum of Art, 1988.

Knots and Nets (exhibition catalogue). Ithaca: Office of Publications Services, Cornell University, 1988.

Life Forms: Contemporary Organic Sculpture (exhibition brochure). Text by David S. Rubin. Reading, Pennsylvania: Freedman Gallery, Albright College, 1988.

Lynda Benglis, John Chamberlain, Joel Fisher, Mel Kendrick, Robert Therrien (exhibition catalogue). Text by Carter Ratcliff. Stockholm: Magasin 3, 1988.

Krantz, Les. The New York Art Review. Chicago: American References Inc., 1988.

Mamidakis, Gina, Vicky Dracos. Minos Beach Art Symposium: Krete 1988. Athens: D.L. Coromilas, 1988.

Olympic Sculpture Park. Edited by Gallery Hyundai. Seoul, Korea: Seoul Olympic Organizing Committee, 1988.

Tandem Press. Madison: Tandem Press, 1988.

Three Decades: The Oliver-Hoffmann Collection (exhibition catalogue). Texts by Camille Oliver-Hoffmann, I. Michael Danoff, Phyllis Tuchman, Lynne Warren, Bruce Guenther. Chicago: Museum of Contemporary Art, Chicago, 1988.

Vital Signs (exhibition catalogue). Foreword by Tom Armstrong. Text by Lisa Phillips. New York: Whitney Museum of American Art, 1988.

1987

A Bountiful Decade (exhibition catalogue). Text by Deborah Emont Scott. Kansas City: Nelson-Atkins Museum of Art, 1987.

A Graphic Muse: Prints by Contemporary American Women (exhibition catalogue). Texts by Richard S. Feld, Ruth Fine. New York: Hudson Hills Press, Mount Holyoke College Art Museum, 1987.

Alternative Supports: Contemporary Sculpture on the Wall (exhibition catalogue). Text by Judith E. Tolnick. Providence: David Winton Bell Gallery, 1987.

Art Against AIDS (exhibition catalogue). Text by Robert Rosenblum. New York: American Foundation for AIDS Research, 1987.

Artistas da Paula Cooper Gallery (exhibition catalogue). Lisbon: Galeria EMI Valentin de Carvalho, 1987.

Contemporary American Collage 1960–1986 (exhibition catalogue). Foreword by Michael E. Coblyn. Text by Trevor Richardson. Amherst: Herter Art Gallery, University of Massachusetts, 1987.

Fassburg, Terry A., Terry A. Neff. Selections from the Frito-Lay Collection. Dallas: Frito-Lay, Inc., 1987.

Faux Arts: Surface Illusions and Simulated Materials in Recent Art (exhibition catalogue). Text by Ronald J. Onorato. La Jolla: La Jolla Museum of Art, 1987.

Fifty Years of Collecting: An Anniversary Selection; Sculpture of the Modern Era (exhibition catalogue). Text by Thomas Messer. New York: Solomon R. Guggenheim Museum, 1987.

Lynda Benglis, Keith Sonnier: A Ten Year Retrospective (exhibition catalogue). Text by Carter Ratcliff. Alexandria, Louisiana: The Alexandria Museum of Art, 1987.

Pincus-Witten, Robert. “Benglis' Video: Medium to Media.” In Postminimalism into Maximalism: American Art, 1966–1986. Ann Arbor, Michigan: UMI Research Press, 1987.

Robert Kushner (exhibition catalogue). Philadelphia: Institute of Contemporary Art, Philadelphia, 1987.

Standing Ground: Sculpture by American Women (exhibition catalogue). Foreword by Dennis Barrie. Text by Sarah Rogers-Lafferty. Cincinnati: The Contemporary Arts Center, 1987.

Structure to Resemblance: Work by Eight American Sculptors (exhibition catalogue). Texts by Michael Auping, Cheryl A. Brutvan, Susan Krane, and Helen Raye. Buffalo, New York: Albright-Knox Art Gallery, 1987.

Thirty Works Thirty Artists: An Auction to Benefit The Glassell School of Art. Houston: Museum of Fine Arts, Houston, 1987.

1986

Arnason, H.H.. History of Modern Art. 3rd ed. New York: Harry N. Abrams, Inc., 1986.

Art in the Environment. Boca Raton: Boca Raton Museum of Art, 1986.

Autonomous Objects (exhibition catalogue). Charlotte: Spirit Square Center for the Arts, 1986.

Cast Glass Sculpture (exhibition catalogue). Foreword by Dextra Frankel. Text by Donald Kuspit. Fullerton: California State University, 1986.

Contemporary American and European Glass from the Saxe Collection (exhibition catalogue). Oakland: The Oakland Museum, 1986.

Drawings from the Collection of Dorothy and Herbert Vogel (exhibition catalogue). Little Rock: University of Arkansas, 1986.

Entre la Geometría y el Gesto: Escultura Norteamericano, 1965–1975 (exhibition catalogue). Introduction by Richard Armstrong. Text by Marga Paz. Madrid: Palacio de Velázquez, Parque del Retiro, 1986.

Fischl, Eric and Jerry Saltz, eds. Sketchbook with Voices. New York: Alfred Van Der Marck Editions, 1986.

Marshall, Richard, Robert Mapplethorpe. 50 New York Artists. San Francisco: Chronicle Books, 1986: 22–23.