Kenneth Noland

Dates

Born 1924, Asheville, North Carolina

Died 2010, Port Clyde, Maine

Education

1946–1948, Black Mountain College, North Carolina

2023

Kenneth Noland: Stripes/Plaids/Shapes, Pace Gallery, London, January 25–March 4, 2023. Traveled to: Pace Gallery, 540 West 25th Street, New York, February 1–25, 2023.

2021

Kenneth Noland: Context is the Key – Paintings: 1958–1970, Yares Art, New York, October 9, 2021–January 22, 2022. (Catalogue in production)

Kenneth Noland, Pace Gallery, Palm Beach, Florida, February 25–March 14, 2021.

Kenneth Noland: Flares, Pace Gallery, Palo Alto, California, January 19–February 27, 2021.

2020

Noland Flares, Pace Gallery, 540 West 25th Street, New York, March 5–April 25 (temporarily closed during the COVID-19 pandemic, reopened on July 15, and extended through August 14 by appointment only), 2020. (Catalogue)

2019

Kenneth Noland, Almine Rech, Paris, April 18–May 25, 2019.

2017

Kenneth Noland: Circles—Early + Late, Yares Art, New York, November 11–December 30, 2017.

Kenneth Noland, Pace Prints, New York, January 26–March 4, 2017.

Kenneth Noland: Into the Cool, Pace Gallery, 32 East 57th Street, New York, January 26–March 4, 2017. (Catalogue)

2016

Helen Frankenthaler + L, M, N, O, P, Yares Art, New York, October 27, 2016–February 16, 2017.

Kenneth Noland: Unbalanced, Paul Kasmin Gallery, New York, January 28–February 27, 2016.

2015

Kenneth Noland: Color and Shape 1976–1980, Castelli, New York, June 8–July 31, 2015, and Honor Fraser, Los Angeles, July 18–August 29, 2015.

Kenneth Noland: Selected Works 1958–1980, Cardi Gallery, Milan, January 20–April 11, 2015.

2014

Kenneth Noland: Handmade Paper and Monoprints 1978–1984, Meredith Long & Company, Houston, September 18–October 18, 2014.

Kenneth Noland: Paintings 1975–2003, Pace Gallery, 32 East 57th Street, New York, March 21–April 19 (extended through April 24), 2014. (Catalogue)

2012

Kenneth Noland: Mysteries, Full Circle, Yares Art Projects, Santa Fe, October 5–December 8, 2012. (Catalogue)

2011

Kenneth Noland: Paintings 1958–1968, Mitchell-Innes & Nash, New York, March 17–April 30, 2011. (Catalogue)

2010

Kenneth Noland, 1924–2010: A Tribute, Solomon R. Guggenheim Museum, New York, May 21–June 20, 2010.

Kenneth Noland: A Tribute, Museum of Fine Arts, Houston, January 19–April 5, 2010.

2009

Kenneth Noland: Shaped Paintings 1981–82, Leslie Feely Fine Art, New York, October 29, 2009–January 30, 2010.

2008

Kenneth Noland, Fumagalli galleria d’arte moderna, Bergamo, Italy, May 17–July 20, 2008.

Kenneth Noland: Earning His Stripes, Leslie Feely Fine Art, New York, May 8–June 27, 2008.

2007

Kenneth Noland: Works on Paper, Butler Institute of American Art, Youngstown, Ohio, June 20–August 31, 2007.

2006

Kenneth Noland: Pulp Paper Works, Osuna Art, Bethesda, Maryland, December 2006–January 18, 2007.

Tate08 Series: Kenneth Noland: The Stripe Paintings, Tate Liverpool, May 13–August 28, 2006. (Brochure)

Century Masters: Kenneth Noland, Century Association, New York, April–June 2006.

Kenneth Noland: 360º on the Wall, Ameringer Yohe Fine Art, New York, January 12–February 11, 2006. (Catalogue)

2005

Kenneth Noland: 12 Works, Fumagalli galleria d’arte moderna, Bergamo, Italy, November 19, 2005–January 21, 2006.

2004

Kenneth Noland: The Nature of Color, Museum of Fine Arts, Houston, November 21, 2004–March 6, 2005. (Catalogue)

2003

Kenneth Noland: Contrapuntal, Ameringer Yohe Fine Art, New York, October 16–November 22, 2003. (Catalogue)

Kenneth Noland, Chac Mool Gallery, Los Angeles, May 22–July 12, 2003.

2002

Kenneth Noland: Colors, Ameringer Howard Yohe Fine Arts Gallery, New York, April 18–May 24, 2002. (Catalogue)

Kenneth Noland: Themes and Variations 1958–2000, Naples Museum of Art, Florida, March 1–June 14, 2002. Traveled to: Farnsworth Art Museum, Rockland, Maine, June 30–October 13, 2002. (Catalogue).

2001

Kenneth Noland: New Editions, Pace Prints, New York, 2001.

Kenneth Noland: New Paintings, Bernard Jacobson Gallery, London, October 4–November 5, 2001. (Catalogue)

Kenneth Noland: Circles of Time, Recent Paintings, Riva Yares Gallery, Santa Fe, September 28–October 31, 2001.

Noland’s Noland’s: Works by Kenneth Noland from His own Collection, Southern Vermont Art Center, Manchester, July 8–August 22, 2001.

2000

Kenneth Noland, Bernard Jacobson Gallery, London, 2000.

Kenneth Noland, Ameringer Howard Gallery, New York, December 7, 2000–January 20, 2001.

Kenneth Noland: Encounter and Reflection, Metta Galería, Madrid, January 3–February 3, 2000. (Catalogue)

1999

Kenneth Noland: Full Circle, Chac Mool Gallery, Los Angeles, April 30–June 5, 1999.

Kenneth Noland, Meredith Long Gallery, Houston, March 3–24, 1999.

1998

Kenneth Noland, Zone One Contemporary Gallery, Asheville, North Carolina, 1998.

Kenneth Noland: Circles, André Emmerich Gallery, New York, September 10–October 17, 1998. (Catalogue)

1995

Kenneth Noland, Gana Art Gallery, Seoul, 1995.

Kenneth Noland: A Selection of Paintings, Leo Castelli Gallery, New York, March 4–25, 1995.

1993

Kenneth Noland, Ulysses Gallery, New York, 1993.

Kenneth Noland: The Circle Paintings 1956–1963, Museum of Fine Arts, Houston, November 14, 1993–January 9, 1994. Traveled to: Museum of Art, Fort Lauderdale, March 31–May 5, 1994. (Catalogue)

Noland’s Nolands: A Retrospective Selection from the Artist’s Collection 1959–1991, William H. Van Every, Jr. Gallery, Davidson College, North Carolina, November 8–December 15, 1993. (Brochure)

Kenneth Noland: Paperworks, Extra Moenia arte moderna, Todi, Italy, June–August 1993. (Catalogue)

1992

Kenneth Noland: A Selection of Flares, Salander-O’Reilly Galleries, Beverly Hills, June 11–July 31, 1992.

Kenneth Noland, Meredith Long & Company, Houston, January 9–25, 1992.

1991

Kenneth Noland, Salander-O’Reilly Galleries, Inc., Berlin, November 1–December 7, 1991. (Catalogue)

Kenneth Noland: A Selection of Recent Paintings, Salander-O’Reilly Galleries, New York, May 15–June 29, 1991. (Catalogue)

Kenneth Noland: Pinturas 1958–1990, Galerias Afinsa and Almirante, Madrid, January 16–February 16, 1991. (Catalogue)

1990

Appreciating Noland, Edmonton Art Gallery, Alberta, November 17, 1990–January 6, 1991. (Catalogue)

Kenneth Noland: Paintings 1952–1990, Salander-O’Reilly Galleries, Beverly Hills, October 9–November 17, 1990. (Catalogue)

Kenneth Noland, Helander Gallery, Palm Beach, February 7–March 3, 1990.

Kenneth Noland, Meredith Long & Company, Houston, January 9–February 2, 1990.

1989

Kenneth Noland: Calles de Barcelona, Galería Joan Prats, New York, 1989. (Catalogue)

Kenneth Noland: An Important Exhibition of Paintings from 1958 to 1989, Salander-O’Reilly Galleries, Inc., New York, October 4–November 11, 1989. (Catalogue)

Kenneth Noland, Heath Gallery, Atlanta, April 15–May 27, 1989.

Kenneth Noland, Hokin Gallery, Bay Harbor Islands, Florida, January 5–30, 1989.

1988

Kenneth Noland, Gallery One, Toronto, December 10, 1988–January 4, 1989.

Kenneth Noland: Rains, Painted Monotypes, Mixografia Gallery, Los Angeles, May 1988. (Catalogue)

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, January 28–February 20, 1988.

1987

Kenneth Noland: Recent Works, Galerie Don Stewart, Montreal, October 2–20, 1987.

Kenneth Noland, Galerie Joan Prats, New York, May 1987.

1986

Kenneth Noland, Satani Gallery, Tokyo, November 25–December 20, 1986.

Kenneth Noland: Yamanashi—Japan, Galeria Joan Prats, Barcelona, opened November 23, 1986.

Kenneth Noland: Rains, Robert Martin Gallery, White Plains, New York, June 19–July 10, 1986. (Catalogue)

Kenneth Noland: Rains, Painted Monotypes, Gallery One, Toronto, May 17–June 4, 1986. (Catalogue)

Kenneth Noland: Major Works, R.H. Love Modern, Chicago, May 3–June 21, 1986. Traveled to: Butler Institute of American Art, Youngstown, Ohio, June 20–August 31, 1986; Hunter Museum of Art, Chattanooga, Tennessee, November 9, 1986–January 4, 1987; Loch Haven Arts Center, Orlando, March 15–May 3, 1987; Asheville Art Museum, North Carolina, May 19–July 5, 1987; Muskegon Museum of Art, Michigan, August 1–September 13, 1987; Springfield Art Museum, Massachusetts, October 18–December 13, 1987. (Catalogue)

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, April 3–26, 1986. (Catalogue)

1985

Kenneth Noland, Diputación de Valencia, Spain, December 1985.

Kenneth Noland: Rains, Gallery 10, New York, November 7, 1985–January 4, 1986.

Kenneth Noland: Paintings of the 1960s—Chevrons and Stripes, André Emmerich Gallery, New York, October 31–November 30, 1985. (Catalogue)

Kenneth Noland: Pinturas, Monotipos, Museo de Bellas Artes, Bilbao, September 1985. (Catalogue)

Kenneth Noland: Monotypes 1985, Galería Joan Prats, Barcelona, April–May 1985. (Catalogue)

Kenneth Noland: Doors and Ghosts, Painted Monotypes, André Emmerich Gallery, New York, March 6–30, 1985. (Catalogue)

1984

Kenneth Noland, Mixografia Gallery, Los Angeles, 1984.

Kenneth Noland, Städtische Galerie Villa Zanders, Bergisch Gladbach, West Germany, 1984.

Kenneth Noland, Waddington Shiell Gallery, Toronto, 1984.

Kenneth Noland: Monotypes, Barcelona, 1984, Galería Joan Prats, New York, 1984. (Catalogue)

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, December 6–29, 1984. (Catalogue)

Kenneth Noland, Makler Gallery, Philadelphia, October 1–30, 1984.

Kenneth Noland: Neue Bilde 1984, Reinhard Onnasch Galerie, Berlin, September 22–November 3, 1984. Traveled to: Galerie Wentzel, Cologne, November–December 1984. (Catalogue)

Kenneth Noland: Matrix 74, University Art Museum, University of California, Berkeley, August 1–September 30, 1984. (Brochure)

Noland in Paris, Galerie de France, Paris, June 14–July 28, 1984. (Catalogue)

1983

Kenneth Noland, Hokin Gallery, Inc., Bay Harbor Islands, Florida, 1983.

Kenneth Noland: Winds, Painted Monotypes, André Emmerich Gallery, New York, November 10–December 3, 1983. (Catalogue)

Kenneth Noland: Winds / Vientos, Museo de Arte Moderno, Mexico City, June–September 1983. (Catalogue)

Kenneth Noland: Monotypes, Galería Joan Prats, Barcelona, May 1983.

Kenneth Noland: Recent Paperworks, Duke University Museum of Art, Durham, North Carolina, March 4–April 15, 1983. (Catalogue)

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, March 3–April 2, 1983. (Catalogue)

1982

Kenneth Noland, Sandra K. Bertsch Gallery, Washington, D.C., 1982.

Kenneth Noland, B.R. Kornblatt Gallery, Washington, D.C., October 30–December 1, 1982.

Kenneth Noland: Ceramic Reliefs and Handmade Paper, Douglas Drake Gallery, Kansas City, Missouri, June 11–July 17, 1982.

Kenneth Noland: Monotypes, André Emmerich Gallery, New York, May 6–28, 1982. (Catalogue)

Kenneth Noland: Neue Bilder, Gimpel & Hanover, Zurich, April–May 1982. (Catalogue)

Kenneth Noland, Galerie Wentzel, Cologne, March 1982.

Kenneth Noland: Works on Paper, Visual Arts Museum, New York, March 8–26, 1982.

Kenneth Noland: New Works of Handmade Rag Paper, Downstairs Gallery, Edmonton, January 18–30, 1982.

1981

Kenneth Noland, Linda Farris Gallery, Seattle, 1981.

Kenneth Noland, Clarke Benton Gallery, Santa Fe, December 1981.

Kenneth Noland, Waddington Galleries, London, October 7–31, 1981.

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, May 27–June 26, 1981. (Catalogue)

Kenneth Noland: Handmade Papers, Theo Waddington Gallery, Toronto, May 6–30, 1981.

Kenneth Noland: Paperworks, Heath Gallery, Atlanta, March 7–April 1981.

1980

Kenneth Noland, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1980.

Kenneth Noland, Ulrich Museum of Art, Wichita State University, Kansas, 1980.

Kenneth Noland: Handmade Paper Collages, Asher / Faure Gallery, Los Angeles, November 29–December 31, 1980.

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, November 1–19, 1980. (Catalogue)

Kenneth Noland: Handmade Papers, Galerie Wentzel, Hamburg, April 30–May 27, 1980.

Kenneth Noland: Handmade Rag Papers, Castelli Graphics, New York, February 16–March 8, 1980.

1979

Kenneth Noland, Thomas Segal Gallery, Boston, 1979.

Kenneth Noland: Ceramics and Handmade Papers, Katonah Gallery, New York, November 11, 1979–January 6, 1980.

Kenneth Noland: Recent Paintings, Waddington Galleries, London, July 10–August 4, 1979. (Catalogue)

Kenneth Noland: Handmade Papers, Waddington Galleries, Toronto, June 19–July 14, 1979.

Kenneth Noland: Handmade Papers, Waddington Galleries, Montreal, March 17–April 6, 1979.

Kenneth Noland: Paper Works 1978, Waddington Graphics, London, March 6–31, 1979.

1978

Kenneth Noland, Medici Berenson Gallery, Bay Harbor Islands, Florida, 1978.

Kenneth Noland, Middendorf Lane Gallery, Washington, D.C., 1978.

Kenneth Noland: Paper Works, Meredith Long & Co., Houston, October 1978.

Handmade Papers by Kenneth Noland, Parke-McCullough House, North Bennington, Vermont, November 18–December 9, 1978.

Kenneth Noland: Paper Works 1978, André Ememrich Gallery, New York, October 21–November 11, 1978.

1977

Kenneth Noland, Thomas Segal Gallery, Boston, 1977.

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, December 10, 1977–January 11, 1978. (Catalogue)

Kenneth Noland: A Retrospective, Solomon R. Guggenheim Museum, New York, April 15–June 19, 1977. Traveled to: Hirshhorn Museum and Sculpture Garden, and Corcoran Gallery of Art, Washington, D.C., October 1–November 27, 1977; Toledo Museum of Art, Ohio, January 22–March 5, 1978; Denver Art Museum, March 24–May 7, 1978. (Catalogue)

1976

Kenneth Noland, André Emmerich Gallery, New York, November 15–December 6, 1976.

Kenneth Noland: Neue Bilder 1976, Galerie Wentzel, Hamburg, November 13, 1976–January 29, 1977. Traveled to: Kunsthalle Bielefeld, February 27–March 27, 1977. (Catalogue)

Kenneth Noland, Leo Castelli Gallery, New York, October 23–November 13, 1976.

Kenneth Noland, Galerie Daniel Templon, Paris, October 16–November 12, 1976.

Kenneth Noland, Galerie André Emmerich, Zurich, October 9–November 13, 1976.

Kenneth Noland: An Exhibition of Paintings from 1958–1973, David Mirvish Gallery. Toronto, April 10–May 5, 1976.

Kenneth Noland, Galleria Morone 6, Milan, April 8–May 10, 1976. (Catalogue)

1975

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, November 15–December 6, 1975. (Catalogue)

Kenneth Noland, Watson / de Nagy & Co., Houston, October 23–November 8, 1975.

Kenneth Noland, Edmonton Art Gallery, Alberta, March 6–April 21, 1975. (Catalogue)

Kenneth Noland: Early Circle Paintings, Visual Arts Gallery, School of Visual Arts, New York, January 6–31, 1975. (Brochure)

1974

Kenneth Noland, Rutland Gallery, London, November 12–December 14, 1974. (Catalogue)

Kenneth Noland, Waddington Galleries II, London, July 10–August 4, 1974.

Kenneth Noland, Jack Glenn Gallery, Corona del Mar, California, July 1–31, 1974.

Kenneth Noland, David Mirvish Gallery, Toronto, June 1–29, 1974.

Kenneth Noland, Galerie Wentzel, Hamburg, May 17–June 12, 1974.

Kenneth Noland, Janie C. Lee Gallery, Houston, March 2–April 6, 1974.

1973

Kenneth Noland, Galerie André Emmerich, Zurich, September 7–October 20, 1973.

Kenneth Noland: New Paintings, Waddington Galleries, London, July 10–August 4, 1973. (Catalogue)

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, February 17–March 7, 1973. (Catalogue)

1972

Kenneth Noland: Paintings 1969–1970, Galerie Mirko, Berlin, April 28–August 15, 1972. (Brochure)

1971

Kenneth Noland, Irving Blum Gallery, Los Angeles, opened November 9, 1971.

Kenneth Noland, Jack Glenn Gallery, Corona del Mar, California, October 9–November 13, 1971.

Kenneth Noland: New Paintings, André Emmerich Gallery, New York, October 9–November 3, 1971. (Catalogue)

1970

Kenneth Noland, J.L. Hudson Gallery, Detroit, through September 1970.

Kenneth Noland: New Paintings, Kasmin Ltd. and Waddington Galleries, London, June 9–July 4, 1970. (Catalogue)

1969

Kenneth Noland: 1967–69 Bilder, Galerie René Ziegler, Zurich, December 12, 1969–January 31, 1970.

Kenneth Noland, Lawrence Rubin Gallery, New York, April 5–30, 1969.

1968

Kenneth Noland, Kasmin Ltd., London, June 7–July 6, 1968.

1967

Kenneth Noland, André Emmerich Gallery, New York, November 11–30, 1967. (Catalogue)

Kenneth Noland, David Mirvish Gallery, Toronto, September 14–October 19, 1967.

1966

Kenneth Noland, Nicholas Wilder Gallery, Los Angeles, November 8–26, 1966.

Kenneth Noland, André Emmerich Gallery, New York, February 22–March 13, 1966.

1965

Kenneth Noland, Kasmin Ltd., London, April 2–May 2, 1965.

Kenneth Noland, David Mirvish Gallery, Toronto, February 21–March 16, 1965.

Kenneth Noland, Jewish Museum, New York, February 4–March 7, 1965. (Catalogue)

1964

Kenneth Noland, André Emmerich Gallery, New York, November 10–28, 1964.

Kenneth Noland, Galerie Alfred Schmela, Düsseldorf, May 22–June 19, 1964.

1963

Kenneth Noland, André Emmerich Gallery, New York, April 23–May 18, 1963. (Catalogue)

Kenneth Noland, Galerie Lawrence, Paris, April 23–May 16, 1963. (Catalogue)

Kenneth Noland: Paintings 1959–62, Kasmin Ltd., London, April 18–May 1963. (Catalogue)

1962

Kenneth Noland, André Emmerich Gallery, New York, April 10–May 5, 1962. (Catalogue)

Kenneth Noland, Galerie Alfred Schmela, Düsseldorf, March 30–April 30, 1962.

Kenneth Noland, Galerie Charles Lienhard, Zurich, March 1962. (Catalogue)

1961

Kenneth Noland, Galerie Neufville, Paris, April 25–May 27, 1961.

Kenneth Noland, New Gallery, Bennington College, Vermont, April 18–May 15, 1961.

Kenneth Noland: New Work, André Emmerich Gallery, New York, March 14–April 1, 1961.

1960

Kenneth Noland, Galleria dell’Ariete, Milan, November 3–18, 1960. (Catalogue)

Paintings by Kenneth Noland Selected from His Recent Exhibit at French and Co., Jefferson Place Gallery, Washington, D.C., January 5–21, 1960.

1959

Kenneth Noland: Paintings, French & Company, New York, October 14–November 7, 1959. (Catalogue)

1958

Kenneth Noland, Tibor de Nagy Gallery, New York, October 14–November 6, 1958.

Kenneth Noland, Jefferson Place Gallery, Washington, D.C., January 31–February 22, 1958.

1957

An Exhibition of Paintings by Kenneth Noland, Margaret Dickey Gallery of Art, District of Columbia Teachers College, Washington, D.C., January 7–30, 1957.

Kenneth Noland, Tibor de Nagy Gallery, New York, January 2–19, 1957.

1953

Kenneth Noland, Dublin Gallery, Philadelphia, 1953.

1952

Kenneth Noland, Dupont Theatre, Washington, D.C., 1952.

Kenneth Noland, Dublin Gallery, Philadelphia, September–October 13, 1952.

1951

Kenneth Noland, Dublin Gallery, Philadelphia, October 14–November 10, 1951.

1950

Paintings by Ken Noland, Watkins Gallery, American University, Washington, D.C., December 3–22, 1950.

1949

Ken Noland, Galerie Raymond Creuze, Paris, April 23–May 5, 1949.

2023

To Weave the Sky: Textile Abstraction from the Jorge M. Pérez Collection, El Espacio 23, Miami, November 2, 2023–August 3, 2024. (Catalogue)

Parallel Lines, Pace Gallery, Palm Beach, Florida, June 16–August 27, 2023.

2021

Fields of Color III, Yares Art, New York, April 10–September 10, 2021.

2020

Mapping the Collection, Museum Ludwig, Cologne, Germany, June 20–August 23, 2020.

Chewing Gum IV [Kohei Nawa, Kenneth Noland, Thomas Nozkowski, Adam Pendleton, Michael Rovner, Tony Smith, Xiao Yu, Zhang Xiaogang], Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, May 28–July 2, 2020.

Leap of Color, Yares Art, New York, February 29–July 25, 2020.

2019

Lineup, Almine Rech, New York, October 30–December 14, 2019.

Fields of Color II, Yares Art, New York, May 25–August 23, 2019.

Spilling Over: Painting Color in the 1960s, Whitney Museum of American Art, New York, March 29–August 2019.

2018

Epic Abstraction: Pollock to Herrera, The Met Fifth Avenue, New York, opened December 17, 2018.

The Joy of Color, Mnuchin Gallery, New York, November 1–December 15, 2018. (Catalogue)

One Shot, UTA Artist Space, Los Angeles, July 12–August 18, 2018.

Celebrating Maine’s Artist-Endowed Foundations, Dorothea and Leo Rabkin Foundation, Portland, Maine, opens on May 4, 2018.

Linear Abstraction, Barry Whistler Gallery, Dallas, April 7–May 26, 2018.

Fields of Color, Yares Art, New York, January 13–February 17, 2018.

2017

IMPULSE, Pace London, 6 Burlington Gardens, November 3–December 22, 2017. (Catalogue)

Summer Days (and Summer Nights), Pace Gallery, 32 East 57th Street, New York, July 20–August 18, 2017

2016

Postwar New York: Capital of the Avant Garde, Acquavella Galleries, New York, July 5–September 30, 2016.

Shapeshifters, Luhring Augustine, New York, June 27–August 12, 2016.

Enrico Castellani, Robert Mangold, Robert Morris, Kenneth Noland: A Personal View of Abstract Painting and Sculpture, Galleria Fumagalli, Milan, May 25–September 10, 2016.

2015

Hoyland, Caro, Noland, Pace London, 6 Burlington Gardens, November 20, 2015–January 16, 2016. (Catalogue)

Washington Color Painters Reconsidered, Loretta Howard Gallery, New York, June 25–July 31, 2015. (Catalogue)

From Above, Di Donna Galleries, New York, April 23–May 29, 2015.

The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art, Paul Kasmin Gallery, New York, January 13–March 14, 2015.

2014

In the Round, Pace Gallery, 32 East 57th Street, New York, July 16–August 15, 2014.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975, Clark Art Institute, Williamstown, August 2–October 13, 2014. (Catalogue)

Openness and Clarity: Color Field Works from the 1960s and 1970s, Honor Fraser, Los Angeles, June 7–August 2, 2014.

The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, May 11–July 3, 2014. (Catalogue)

Re-View: Onnasch Collection, Hauser & Wirth, New York, February 7–April 12, 2014.

Color: Theories and Structures, Gund Gallery, Kenyon College, Gambier, Ohio, January 24–May 18, 2014.

2013

Major Formats: Frankenthaler, Noland, Olitski, Christensen & Poons, Leslie Feely Fine Art, New York, November 15, 2013–January 3, 2014.

Re-View: Onnasch Collection, Hauser & Wirth, London, September 20–December 14, 2013. (Catalogue)

2011

Surface Truths: Abstract Painting in the Sixties, Norton Simon Museum, Pasadena, March 25–August 15, 2011.

2009

The Robert and Jane Meyerhoff Collection: Selected Works, National Gallery of Art, Washington, D.C., October 1, 2009–May 2, 2010.

2008

Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976, Jewish Museum, New York, May 4–September 21, 2008. Traveled to: Saint Louis Art Museum, Missouri, October 19, 2008–January 11, 2009; Albright-Knox Art Gallery, Buffalo, New York, February 13–May 31, 2009. (Catalogue)

Seeing through Modernism: Edmonton 1970–1985, Art Gallery of Alberta, Edmonton, March 1–May 31, 2008. (Catalogue)

Pop and Op, Nassau County Museum of Art, Roslyn Harbor, New York, February 17–May 4, 2008. (Catalogue)

2007

Living Colour, Vasarely Museum, Budapest, 2007.

Color and Line: Selections from The Menil Collection, The Menil Collection, Houston, July 21–October 22, 2006.

Morris Louis – Kenneth Noland: Colourfield Painting, El Sourdog Hex, Berlin, March 12–April 28, 2007.

2006

Accrochage: von Albers bis Warhol, Galerie Renée Ziegler, Zurich, October 11–December 16, 2006.

Starting at Zero: Black Mountain College 1933–57, Kettle’s Yard, Cambridge, United Kingdom, January 28–April 2, 2006.

2005

The Perception of the Horizontal, Museo d’arte moderna e contemporanea Bolanzo, Italy, September 17, 2005–January 8, 2006. (Catalogue)

Minimalism and After IV, DaimlerChrysler Contemporary, Potsdamer Platz, Berlin, July 29–November 27, 2005. (Catalogue)

Wilder: A Tribute to the Nicholas Wilder Gallery, Los Angeles 1965–1979, Franklyn Parrasch Gallery and Joan Washburn Gallery, New York, April 22–May 27, 2005.

2004

AAVV:30, Galleria Fumagalli, Bergamo, Italy, November 27, 2004–January 30, 2005.

Visions of America: Contemporary Art from the Essl Collection and the Sonnabend Collection, New York, Sammlung Essl, Austria, October 21, 2004–March 6, 2005. (Catalogue)

Geometric Abstraction and Beyond, Jacobson Howard Gallery, New York, June 24–August 13, 2004.

2003

Classic Works from the 1960s, Jacobson Howard Gallery, New York, December 3, 2003–January 26, 2004.

The Heroic Century: Masterpieces from The Museum of Modern Art, Museum of Fine Arts, Houston, September 21, 2003–January 4, 2004. Traveled to: Neue Nationalgalerie, Berlin, February 20–September 19, 2004. (Catalogue)

Gyroscope, Hirshhorn Museum and Sculpture Garden, Washington, D.C., August 1–December 2003.

Seeing Red: An International Exhibition of Non-Objective Painting, Part I—Pioneers of Non-Objective Painting, Berthat and Karl Leubsdorf Art Gallery, Hunter College, City University of New York, January 30–May 3, 2003.

2002

An American Legacy, A Gift to New York, Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003. (Catalogue)

2001

Claude Monet und die Moderne, Kunsthalle der Hypo-Kulturstiftung, Munich, November 23, 2001–March 10, 2002. (Catalogue)

Living with Art, Ameringer Howard Yohe Fine Art, New York, October 18–November 24, 2001. (Catalogue)

The American Way: American Painters and Sculptors, Tasende Gallery, West Hollywood, April 2001.

Clement Greenberg: A Critic’s Collection, Portland Art Museum, Oregon, July 14–September 16, 2001. Traveled to: Philbrook Museum of Art, Tulsa, August 10–November 2, 2002; Dayton Art Institute, Ohio, October 12, 2002–January 25, 2003; Joe and Emily Lowe Gallery, Syracuse University, New York, January 26–February 23, 2003; Columbia Museum of Art, South Carolina, March 15–June 15, 2003; Naples Museum of Art, Florida, January 24–April 18, 2004; Palm Springs Desert Museum, California, October 9, 2004–January 2, 2005; Katonah Museum of Art, New York, January 23–April 17, 2005. (Catalogue)

2000

Five, Lennon Weinberg Gallery, New York, September 5–30, 2000.

Postpictórico-pop: Noland–Warhol, Sala de Exposiciones Alameda, Málaga, Spain, March 31–May 14, 2000. Traveled to: Casa das Artes, Vigo, Spain, July 28–August 27, 2000. (Catalogue)

1999

Ten Americans, Dorothy Blau Gallery, Bay Harbour Islands, Florida, January 8–29, 1999.

1998

Kunst im Aufbruch: Abstraktion zwischen 1945 und 1959, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, October 18, 1998–January 31, 1999. (Catalogue)

1996

Color Field: The Classic Years 1960–1975, André Emmerich Gallery, New York, September 3–October 5, 1996.

1994

Anthony Caro, Kenneth Noland, Jules Olitski, Joseloff Gallery, Hartford Art School, West Hartford, Connecticut, April 28–June 15, 1994.

1991

Art in Embassies Program: United States Embassy, Seoul, March 1991.

1990

Washington Color Painters: The First Generation, Orlando Museum of Art, December 16, 1990–February 10, 1991. (Catalogue)

1989

Exposition Inaugurale, Musee Temporaire, Fondation Daniel Templon, Frejus, France, July 11–September 10, 1989. (Catalogue)

1988

Silvermine Collection ’88, Pitney Bowes, Inc., Stamford, Connecticut, April 23–May 1, 1988.

1987

Milton Avery Distinguished Professors Exhibition, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, September 2–November 8, 1987.

1986

An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale, January 12–March 30, 1986. (Catalogue)

1985

Contrasts of Form: Geometric Abstract Art, 1910–1980, The Museum of Modern Art, New York, October 7, 1985–January 7, 1986. (Catalogue)

Masters of the Fifties: American Abstract Painting from Pollock to Stella, Marisa del Re Gallery, New York, October–December 1985. (Catalogue)

Private Works by Public Artists: Scott Burton, Richard Fleischner, Kenneth Noland, List Visual Arts Center, Cambridge, October 1–November 24, 1985.

Contemporary American Monotypes, Chrysler Museum, Norfolk, Virginia, September 19–November 3, 1985.

New York / New Art Now 85, ARCA Centre d’Art Contemporain, Marseille, July 9–August 31, 1985.

Abstract American Painting, Margo Leavin Gallery, Los Angeles, June 19–August 24, 1985.

Paper: From Surface to Form, City Gallery, City of New York Department of Cultural Affairs, June 10–July 6, 1985.

Contemporary Monotypes, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, May 8–July 10, 1985.

Paperworks, Walker Art Center, Minneapolis, May 1985.

Selections from the William J. Hokin Collection. Museum of Contemporary Art, Chicago, April 20–June 16, 1985.

Grand Compositions: Selections from the Collection of David Mirvish, Fort Worth Art Museum, Texas, March 10–May 1, 1985. (Catalogue)

Pre-Postmodern: Good in the Art of Our Time, Richard F. Brush Gallery, St. Lawrence University, Canton, New York, March 8–April 5, 1985. (Catalogue)

Recent Acquisitions, The Museum of Modern Art, New York, February 16–March 17, 1985.

Group exhibition, Knoedler Gallery, London, January–February 1985.

1984

Contemporary Classics, André Emmerich Gallery, New York, December 13, 1984–January 5, 1985.

The Grand Scale, Edmonton Art Gallery, Alberta, November 10–December 9, 1984.

An Exhibition of Contemporary Paintings and Sculpture, William Beadleston Gallery, New York, October 25–November 20, 1984.

Prints from Tyler Graphics, Walker Art Center, Minneapolis, September 23, 1984–March 17, 1985. (Catalogue)

Recent Paintings by Kenneth Noland and Darby Bannard, Douglas Drake Gallery, Kansas City, Missouri, June 1–30, 1984.

American Post War Purism, Marilyn Pearl Gallery, New York, May 31–September 8, 1984.

Large Scale Master Paintings and Sculpture, André Emmerich Gallery, New York, February 25–March 7, 1984.

1983

The Artist as Printmaker: 23rd National Print Exhibition, Brooklyn Museum, New York, October 28, 1983–January 22, 1984. (Catalogue)

Tapestries: Contemporary Masters, Malcolm Brown Gallery, Shaker Heights, Ohio, October 21–November 30, 1983.

Made with Paper, Nina Freudenheim Gallery, Buffalo, New York, October 21–November 16, 1983.

Modern Art in the West Guggenheim, Tokyo Metropolitan Teien Art Museum, October 1–December 25, 1983. (Catalogue)

Painting in the South 1564–1980, Virginia Museum of Fine Arts, Richmond, September 14, 1983–February 3, 1985. (Catalogue)

Living with Art Two: The Collection of Walter and Dawn Clark Netsch, Miami University Art Museum, Oxford, Ohio, September 10–December 16, 1983. Traveled to: Snite Museum of Art, University of Notre Dame, Indiana, January 22–March 25, 1984. (Catalogue)

Early Works by Contemporary Masters, André Emmerich Gallery, New York, September 6–October 8, 1983.

Recent Paintings by David Noland and Darby Bannard, Douglas Drake Gallery, Kansas City, Missouri, June 1–30, 1983.

Jim Bird, Kenneth Noland, Arthur Secunda, Galería Joan Prats, Barcelona, May–June 1983. (Catalogue)

New York, New Art: Contemporary Paintings from New York Galleries, Delaware Art Museum, Wilmington, March 18–April 24, 1983.

Modern Master Tapestries, Kaiser Center Art Gallery, Oakland, March 14–April 14, 1983.

Selected Paintings, Yares Gallery, Scottsdale, Arizona, February 20–March 16, 1983.

Color III, Martha White Gallery, Louisville, Kentucky, January 6–February 26, 1983.

Arte Contemporaneo Norteamericans: Collection David Mirvish, Art in Embassies Program: American Embassy, Madrid, January 1983. (Catalogue)

1982

Works on Paper, Douglas Drake Gallery, Kansas City, Missouri, December 10, 1982–January 15, 1983.

Inaugural exhibition, Thomas Segal Alternative Space, Boston, December 1982.

Out of the South: An Exhibition of Work by Artists Born in the South, Heath Gallery, Atlanta, October 5–9, 1982. (Catalogue)

Of, On or About Paper, USA Today Corporate Headquarters, Arlington, September 15, 1982–March 15, 1983.

The New York School: Four Decades, Solomon R. Guggenheim Museum, New York, July 1–August 22, 1982.

46th Annual National Midyear Show, Butler Institute of American Art, Youngstown, Ohio, June 27–August 29, 1982.

New American Paperworks. Organized by the World Print Council, San Francisco. Traveled to: Sarah Campbell Blaffer Gallery, University of Texas, Houston, June 11–July 18, 1982; Birmingham Museum of Art, Alabama, September 19–October 30, 1982; National Museum of Modern Art, Kyoto, February 18–March 27, 1983; Fine Arts Center, Korean Culture and Arts Foundation, Seoul, May 24–June 13, 1983; Exhibition Hall; Central Library, Keimyung Museum of Art, Taegu, Korea, July 1–14, 1983; Hong Kong Museum of Art, August 19–September 30, 1983; Metropolitan Museum, Manila, October 13–November 30, 1983; Taipei Fine Arts Museum, Taiwan, December 20, 1983–January 30, 1984; National Museum, Republic of Singapore, March 1–April 1, 1984. (Catalogue)

Painters and Clay 1920–1981, Garth Clark Gallery, Los Angeles, June 5–July 10, 1982.

Threshold of Colour, Edmonton Art Gallery, Alberta, May 21–August 1, 1982.

Papermaking U.S.A.: History, Process, Art, American Craft Museum, New York, May 20–September 26, 1982. (Catalogue)

Made in California, Thomas Segal Gallery, Boston, May 8–June 5, 1982.

Long Island Collections: A Century of Art, Nassau County Museum of Fine Art, Roslyn, New York, April 20–July 18, 1982.

Through the Mill: Handmade Paper, American Cultural Center, Tel Aviv, February 22–March 18, 1982.

A Private Vision: Contemporary Art from the Graham Gund Collection, Museum of Fine Arts, Boston, February 7–April 4, 1982. (Catalogue)

Paperworks: Art on Paper, Art of Paper, Moderna Galerija Ljubzjana, Yugoslavia, January 13–24, 1982.

Twenty Years, Twenty Galleries, Grace Borgenicht Gallery and Terry Dintenfass Galllery, New York, January 9–February 4, 1982.

Groups V, Waddington Galleries, London, January 7–30, 1982.

1981

Not Just Paper, Arts Gallery, Baltimore, December 7, 1981–January 7, 1982.

Seven Works for Major Collections, André Emmerich Gallery, New York, December 6, 1981–January 10, 1982.

Americanische Malerei: 1930–1980, Haus der Kunst, Munich, November 14, 1981–January 31, 1982.

Eleven Paintings and Two Sculptures from the Sixties, B.R. Kornblatt Gallery, Washington. D.C., November 7–December 10, 1981.

New Works in Clay III, Everson Museum of Art, Syracuse University, New York, August 14–October 18, 1981.

Westkunst, Museen der Stadt Koln, Cologne, May 30–August 16, 1981.

An American Choice: The Muriel Kallis Steinberg Newmand Collection, Metropolitan Museum of Art, New York, May 21–September 27, 1981.

1981 Paperworks: 26th Annual Contemporary American Art Exhibition, Ralph Wilson Gallery, Lehigh University, Bethlehem, Pennsylvania, May 15–June 15, 1982.

Center Ring: The Artist—Two Centuries of Circus Art, Milwaukee Art Museum, May 7–June 28, 1981. Traveled to: Columbus Museum of Art, August 30–October 11, 1981; New York State Museum, Albany, December 11, 1981–March 7, 1982; Corcoran Gallery of Art, Washington, D.C., April 24–June 6, 1982. (Catalogue)

International Florida Artists, Ringling Museum of Arts, Sarasota, Florida, February 26–April 26, 1981.

Depuis la couleur, 1958–1964: Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Centre d’arts plastiques contemporains de Bordeaux, January 23–March 21, 1981. (Catalogue)

1980

Artist and Printer: Six American Print Studios, Walker Art Center, Minneapolis, December 7, 1980–January 18, 1981. Traveled to: Sarah Campbell Blaffer Gallery, University of Texas, Houston, closed April 5, 1981. (Catalogue)

Paintings from the United States from the Museums of Washington, D.C., Institute of Fine Arts, Mexico City, November 18, 1980–January 4, 1981.

American Drawings, DuBose Gallery, Houston, October 9–November 1980.

With Paper, About Paper, Albright-Knox Art Gallery, Buffalo, New York, September 12–October 26, 1980. (Catalogue)

The Washington Color School Revisited: The Sixties, Fendrick Gallery, Washington, D.C., September 9–October 4, 1980.

Washington Color Painters, Milwaukee Art Center, September 1–December 1980.

Group exhibition, Knoedler Gallery, London, July 1–September 6, 1980.

New Works on Paper, Thomas Segal Gallery, Boston, June 1980.

Paintings from the André Emmerich Gallery, Audrey Strohl Gallery, Memphis, May 23–June 27, 1980.

Aspects of the 70s: Painterly Abstractions, Brockton Art Museum Massachusetts, May 4–August 24, 1980.

Fire and Water: Paper as Art, Rockland Center for the Arts, Nyack, New York, March 30–May 3, 1980.

L’Amérique aux Indépendents, 91ème Exposition, Société des Artistes, Grand Palais, Paris, March 13–April 13, 1980.

1979

Works on Paper, Webb & Parsons, New Canaan, Connecticut, opened November 10, 1979.

Paper Works, Nina Freudenheim Gallery, Buffalo, New York, November 3–28, 1979.

Color Abstractions: Selections from the Museum of Fine Arts, Boston, Federal Reserve Bank, Washington, D.C., November 2, 1979–January 31, 1980.

Selections from the Collection of Mr. and Mrs. Eugene Schwartz, Knoedler Gallery, New York, October 31–November 28, 1979. (Brochure)

Fall Exhibition, Richard Hines Gallery, Seattle, October 9–November 16, 1979.

Selections from the Olga Hirshhorn Collection¸ Huntington Galleries, West Virginia, September 30–November 25, 1979. (Catalogue)

Seven Artists at Tyler Graphics, Trisolini Gallery, Ohio University, Athens, September 10–October 6, 1979.

International Biennial Exhibition of Prints in Tokyo, National Museum of Modern Art, Tokyo, June 29–August 5, 1979. Traveled to: National Museum of Art, Osaka, August 17–September 25, 1979; Museum of Modern Art, Hokkaido, October 6–28, 1979.

Art from Corporate Collections, Union Carbide Corporation Gallery, New York, May 9–30, 1979.

A Century of Ceramics in the United States, 1878–1978, Everson Museum of Art, Syracuse, New York, May 5–September 23, 1979. Traveled to: Renswick Gallery, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., November 9, 1979–January 27, 1980; Cooper-Hewitt National Design Museum, Smithsonian Institution, New York, February 26–May 25, 1980. (Catalogue)

The Minimal Tradition, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, April 29–September 2, 1979. (Catalogue)

Innovations with Monotypes, Art Corridor, Menlo Park, California, opened April 29, 1979.

Paper, Clay and Tapestry: Explorations into New Media, Thomas Segal Gallery, Boston, April 28–June 2, 1979.

Group exhibition, Hokin Gallery, Palm Beach, Florida, January 10–February 3, 1979.

1978

Artistes Américains Contemporains, Musée d’Art Contemporain, Montreal, 1978. (Catalogue)

Contemporary Masterworks, Meredith Long Contemporary, New York, 1978.

Group exhibition, Waddington Galleries, Toronto, 1978.

Paper as Medium. Organized by the Smithsonian Institution Traveling Exhibition Service, Washington, D.C. Traveled to: Idaho State University, Pocatello; Tyler Museum of Art, Texas; University of Wisconsin, Madison; Concord College, Athens, West Virginia; Lock Haven Art Center, Orlando; University of South Mississippi, Hattiesburg; Munson-Williams-Proctor Arts Institute, Utica, New York; Georgia Museum of Art, Athens; Joslyn Art Museum, Omaha, 1978–1981. (Catalogue)

Selected American Contemporary Artists, Meredith Long Gallery, Houston, 1978.

Grids: Format and Image in 20th Century Art, The Pace Gallery, 32 East 57th Street, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Museum, Ohio, March 24–May 6, 1979. (Catalogue)

American Painting of the 1970s, Albright-Knox Art Gallery, Buffalo, New York, December 12, 1978–January 14, 1979. Traveled to: Newport Harbor Art Museum, Newport, California; Oakland Museum; Cincinnati Art Museum; Art Museum of South Texas, Corpus Christie; Krannert Art Museum, University of Illinois, Champaign.

The Big Picture Show: Large Scale Paintings of the Past Two Decades, Grey Art Gallery, New York University, December 12, 1978–January 20, 1979.

New Works in Clay II, Joe and Emily Lowe Art Gallery, Syracuse University, New York, December 10, 1978–January 17, 1979.

New Ways with Paper, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., December 2, 1978–February 20, 1979. (Catalogue)

Fifteen Sculptors in Steel Around Bennington, 1963–1978, Park McCullough House Association, North Bennington, Vermont, August 12–October 15, 1978. (Catalogue)

American Painting, Galerie André Emmerich, Zurich, July–August 1978.

Group exhibition, David Mirvish Gallery, Toronto, January 7–31, 1978.

1977

For Collectors, Worcester Art Museum, Massachusetts, December 10, 1977–January 8, 1978.

Critics’ Choice, Joe and Emily Lowe Art Gallery, Syracuse University, New York, November 13–December 11, 1977. Traveled to: Munson–Williams–Proctor Arts Institute, Utica, New York, January 3–30, 1978. (Catalogue)

Eight Contemporary Masters, Art in Embassies Program, United States Embassy, Ottawa, November 1977.

New York: The State of Art, New York State Museum, Albany, October 8–November 28, 1977. (Catalogue)

A View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

Paper Forms: Hand-made Paper Projects, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, September 2–October 5, 1977. (Catalogue)

Less Is More, Sidney Janis Gallery, New York, April 7–May 7, 1977. (Catalogue)

American Paintings and Drawings, John Berggruen Gallery, San Francisco, March–May 1977.

1976

Surface, Edge and Color, Downtown Branch, Whitney Museum of American Art, New York, December 8, 1976–January 12, 1977. (Catalogue)

Acquisition Priorities: Aspects of Postwar Paintings in America, Solomon R. Guggenheim Museum, New York, October 15, 1976–January 16, 1977. (Catalogue)

Two Hundred Years of American Painting: A Bicentennial Exhibition. Organized by the Baltimore Museum of Art. Traveled to: Rheinisches Landesmuseum, Bonn, June 30–July 28, 1976; Museum of Modern Art, Belgrade, August 14–September 11, 1976; Galleria d’Arte Moderna, Rome, September 28–October 26, 1976; National Museum of Poland, Warsaw, November 12–December 10, 1976; Maryland Science Center, Baltimore, January 16–February 6, 1977. (Catalogue)

Three Decades of American Art, Seibu Department Store Art Gallery, Tokyo, June 18–July 20, 1976.

Painting and Sculpture Today, Indianapolis Museum of Art, June 9–July 18, 1976.

Artists at Bennington, Visual Arts Faculty 1932–1976, Suzanne Lemberg Usdan Gallery, Bennington College, Vermont, May 20–June 2, 1976. (Catalogue)

Three Hundred Years of American Art at the Chrysler Museum, Chrysler Museum of Art, Norfolk, Virginia, March 1–July 4, 1976. (Catalogue)

American Color: 1961–1964, Visual Arts Museum, New York, March 29–April 21, 1976. (Catalogue)

72nd American Exhibition, Art Institute of Chicago, March 13–May 9, 1976. (Catalogue)

Heritage and Horizon: American Painting 1776–1976, Albright-Knox Art Gallery, Buffalo, New York, March 6–April 11, 1976. Traveled to: Detroit Institute of Arts, May 5–June 13, 1976; Toledo Museum of Art, July 4–August 15, 1976; Cleveland Museum of Art, September 8–October 10, 1976. (Catalogue)

1975

American Abstract Painting, La Bertesca, Genoa, 1975.

25th Anniversary Exhibition, Part I, Tibor de Nagy Gallery, New York, December 6–31, 1975.

El Lenguaje del Color, Museo de Bellas Artes, Caracas, August 1975.

Group Show, Janie C. Lee Gallery, Houston, May 10–June 18, 1975.

Richard Brown Baker Collects!, Yale University Art Gallery, New Haven, April 24–June 22, 1975. (Catalogue)

Group exhibition, Waddington Fine Arts, Montreal, April 19–May 10, 1975.

34th Biennial of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., February 22–April 6, 1975. (Catalogue)

The Virginia and Bagley Wright Collection, American Art Since 1960, Denver Art Museum, February 1–March 16, 1975. (Catalogue)

Large-Scale Painting, André Ememrich Gallery, New York, January 4–22, 1975.

1974

The Vincent Melzac Collection, Part One: The Washington Color Painters, Norton Gallery and School of Art, Palm Beach, Florida, 1974. (Catalogue)

Group Show, Acquavella Contemporary Art, New York, December 11, 1974–January 11, 1975.

Léger, Louis, Olitski, Gottlieb, Noland, Smith, David Mirvish Gallery, Toronto, October 19–November 12, 1974.

Picasso to Lichtenstein, Tate Gallery, London, October 2–November 24, 1974. (Catalogue)

L’art au present, Daniel Templon, Palais Galliéra, Paris, October 2–November 10, 1974. (Catalogue)

Group exhibition, André Emmerich Gallery, New York, June 5–28, 1974.

Selected Works from the Collection of Carter Burden, Marlborough Gallery, New York, May 9–June 1, 1974. (Catalogue)

Ten Years Ago… an Exhibition of Paintings and Sculpture from 1964, David Mirvish Gallery, Toronto, February 9–March 6, 1974.

The Great Decade of American Abstraction, Modernist Art 1960–1970, Museum of Fine Arts, Houston, January 15–March 10, 1974. (Catalogue)

1973

Group exhibition, Janie C. Lee Gallery, Houston, December 18, 1973–January 19, 1974.

Futurism: A Modern Focus, The Lydia and Harry Lewis Winston Collection, Dr. and Mrs. Barnett Malbin, Solomon R. Guggenheim Museum, New York, November 6, 1973–February 3, 1974. (Catalogue)

Group exhibition, Daniel Templon, Paris, November–December 1973.

Diversity in the 20th Century: Four Northwood Women Collect, Blaffer Art Gallery, University of Houston, November 6–22, 1973.

Onze Artistes Américains, Musée d’Art Contemporain, Montreal, November 4–December 2, 1973. (Catalogue)

A Selection of American and European Paintings from the Richard Brown Baker Collection, San Francisco Museum of Art, September 14–November 11, 1973. Traveled to: Institute of Contemporary Art, Philadelphia, December 7, 1973–January 27, 1974. (Catalogue)

Ten Years Ago, 1964, David Mirvish Gallery, Toronto, Fall 1973.

American Art Third Quarter Century, Seattle Art Museum, August 22–October 14, 1973. (Catalogue)

Hans Hofmann and Kenneth Noland, Waddington Galleries, London, July 10–August 4, 1973.

Twenty-Five Years of American Painting, 1948–1973, Des Moines Art Center, Iowa, March 6–April 22, 1973. (Catalogue)

Mixed Bag, University of Maryland, College Park, January 18–March 9, 1973.

1973 Biennial Exhibition of Contemporary American Art, Whitney Museum of American Art, New York, January 10–March 18, 1973. (Catalogue)

1972

W. Darby Bannard, Robert Goodnough, Kenneth Noland, Jules Olitski, Larry Poons, Frank Stella, Galerie und Edition Merian, Krefeld, Germany, December 15, 1972–February 15, 1973. (Catalogue)

Contemporary Art: The Collection of Dr. and Mrs. Joseph A. Gosman, University of Michigan Museum of Art, Ann Arbor, September 13–October 15, 1972. (Catalogue)

Seventieth American Exhibition, Art Institute of Chicago, June 24–August 20, 1972. (Catalogue)

New Acquisitions: Paintings by Bannard, Christensen, Diller, Noland, Wofford, Noah Goldowsky Gallery, New York, May 15–June 17, 1972.

European and American Art from Princeton Alumni Collections, Art Museum, Princeton University, New Jersey, May 7–June 11, 1972. (Catalogue)

Masters of the Sixties, Edmonton Art Gallery, Alberta, May 4–June 4, 1972. (Catalogue)

American Art at Harvard, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, April 18–June 18, 1972. (Catalogue)

Abstract Painting in the 70s: A Selection, Museum of Fine Arts, Boston, April 14–May 21, 1972. (Catalogue)

Color Painting, Mead Art Building, Amherst College, Massachusetts, February 4–March 3, 1972. (Catalogue)

1972 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, January 25–March 19, 1972. (Catalogue)

1971

Recent Vanguard Acquisitions, Art Gallery of Ontario, Toronto, December 18, 1971–January 9, 1972. (Catalogue)

Living with Art: Selected Loans from the Collection of Mr. and Mrs. Walter A. Netsch, University of Iowa Museum of Art, Iowa City, September 15–October 21, 1971. (Catalogue)

The Deluxe Show, Deluxe Theater, Houston, August 15–September 12, 1971. (Catalogue)

Selections from the Collection of Mrs. Harry Lynde Bradley, Northwood Institute, Cedar Hill, Dallas, March 21–April 30, 1971.

The Structure of Color, Whitney Museum of American Art, New York, February 25–April 18, 1971. (Catalogue)

1970

American Artists of the 1960s, Boston University, 1970.

Selection of 5, Galerie Françoise Mayer, Brussels, 1970.

The Vincent Melzac Collection: Modernist American Art Featuring New York Abstract Expressionism and Washington Color Painting, Corcoran Gallery of Art, Washington, D.C., December 19, 1970–January 24, 1971. (Catalogue)

1970 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 12, 1970–February 7, 1971. (Catalogue)

Pittsburgh International, Museum of Art, Carnegie Institute, Pittsburgh, October 30, 1970–January 10, 1971. (Catalogue)

Two Generations of Color Painting, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 1–November 6, 1970. (Catalogue)

The Opening, David Mirvish Gallery, Toronto, September 19–October 10, 1970. (Catalogue)

The 1950s Revisted: Twentieth Anniversary Exhibition, Selections from the Gallery Alumni, Tibor de Nagy Gallery, New York, September 19–October 8, 1970.

Color and Field, 1890–1970, Albright-Knox Art Gallery, Buffalo, New York, September 15–November 1, 1970. Traveled to: Dayton Art Institute, Ohio, November 20, 1970–January 10, 1971; Cleveland Museum of Art, February 4–March 23, 1971. (Catalogue)

Ellsworth Kelly, Morris Louis, Kenneth Noland, Frank Stella, Museum of Contemporary Art, Chicago, September 12–October 26, 1970. (Catalogue)

Washington: Twenty Years, Baltimore Museum of Art, May 12–June 21, 1970. (Catalogue)

New Acquisitions, Dayton’s Gallery 12, Minneapolis, May 6–June 6, 1970.

American Art Since 1960, Art Museum, Princeton University, New Jersey, May 6–27, 1970. (Catalogue)

1900–1970: A Tenth Anniversary Selection from the Guggenheim Museum Collection¸ Solomon R. Guggenheim Museum, New York, May 1–September 13, 1970. (Catalogue)

Kenneth Noland and Frank Stella, Pace / Columbus, Ohio, May 1970.

Group exhibition, Waddington Galleries, London, Spring 1970.

A Selection from New Acquisitions, Art Gallery of Ontario, Toronto, March 28–May 3, 1970. (Catalogue)

UCLA Art Council Annual Exhibition, February 16–March 22, 1970.

Color, UCLA Art Galleries, University of California, Los Angeles, February 16–March 2, 1970. (Catalogue)

American Artists of the Nineteen Sixties, School of Fine and Applied Arts Gallery, Boston University, February 6–March 14, 1970. (Catalogue)

Ten Washington Artists: 1950–1970, Edmonton Art Gallery, Alberta, February 5–March 8, 1970. (Catalogue)

Color, Katonah Museum of Art, New York, February 1–March 15, 1970. (Catalogue)

69th American Exhibition, Art Institute of Chicago, January 17–February 22, 1970. (Catalogue)

1969

Recent Acquisitions 1969, Pasadena Art Museum, 1969. (Catalogue)

Kunst der Sechziger Jahre (Sammlung Ludwig), Wallraf-Richartz-Museum, Cologne, 1969. (Catalogue)

1969 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, December 16, 1969–February 1, 1970. (Catalogue)

Painting in New York: 1944 to 1969, Pasadena Art Museum, November 24, 1969–January 11, 1970. (Catalogue)

Stella, Noland, Caro, Dayton’s Gallery 12, Minneapolis, November 6–December 6, 1969. (Catalogue)

New York Painting and Sculpture: 1940–1970, Metropolitan Museum of Art, New York, October 16, 1969–February 1, 1970. (Catalogue)

The Direct Image in Contemporary American Painting, Worcester Art Museum, Massachusetts, October 16–November 30, 1969. (Catalogue)

Group exhibition, Waddington Fine Arts, Montreal, September 23–October 11, 1969. (Catalogue)

The Gosman Collection, Art Gallery, University of Pittsburgh, September 14–October 10, 1969. (Catalogue)

Artists from the Kasmin Gallery, Arts Council Gallery, Belfast, August 1–30, 1969.

Contemporary American Painting and Sculpture: Collection of Mr. and Mrs. Eugene M. Schwartz, Everson Museum of Art, Syracuse, New York, July 13–November 16, 1969. Traveled to: University Art Museum, University of Albany, New York, December 3, 1969–January 25, 1970. (Catalogue)

Stella, Noland and Olitski, Lawrence Rubin Gallery, New York, closed June 28, 1969.

Concept, Vassar College Art Gallery, Poughkeepsie, New York, April 30–June 11, 1969. (Catalogue)

The Rose Art Museum Collection, Brandeis University, at New Hampshire, Scudder Gallery, Paul Arts Center, University of New Hampshire, Durham, April 14–May 5, 1969. (Catalogue)

The Development of Modernist Painting: Jackson Pollock to the Present, Steinberg Hall Gallery, Washington University, St, Louis, Missouri, April 1–30, 1969. (Catalogue)

New York: The Second Breakthrough 1959–1964, Art Gallery, University of California, Irvine, March 18–April 27, 1969. (Catalogue)

Sammlung Karl Ströher: Austellung der Deutschen Gesellschaft für Bildende Kunst, March 1–April 14, 1969. Traveled to: Kunsthalle Dusseldorf, April 25–June 17, 1969. (Catalogue)

5 by 5, McMaster University, Hamilton, Ontario, March 1969.

The Disappearance and Reappearance of the Image: Painting in the United States since 1945. Organized by the International Art Program, National Collection of Fine Arts, Smithsonian Institution. Traveled to: Salas Dalles, Bucharest, January 17–February 2, 1969; Museul Banatului, Timisoara, Rumania, February 14–March 1, 1969; Galeria de Arta, Cluj, Rumania, March 14–April 2, 1969; Slovak National Gallery, Bratislava, Czechoslovakia, April 14–June 15, 1969; National Gallery, Wallenstein Palace, Prague, July 1–August 15, 1969; Palais des Beaux-Arts, Brussels, October 22–November 16, 1969. (Catalogue)

Three Centuries of New England Art from New England Museums, Brockton Art Center, Massachusetts, January 15–March 2, 1969. (Catalogue)

Selections from the Richard Brown Baker Collection, Art Gallery, University of Notre Dame, Illinois, January 5–February 23, 1969. (Catalogue)

Three by Noland. Three by Stella, Art Gallery of Ontario, Toronto, January 4–February 2, 1969. (Catalogue)

1968

Kenneth Noland and Frank Stella: New York Painters, McIntosh Memorial Art Gallery, University of Western Ontario, November 1968.

Kunstmark Köln 1969, Galerie Rudolf Zwirner, Cologne, October 15–20, 1968.

Signals in the Sixties, Honolulu Academy of Arts, October 5–November 14, 1968. (Catalogue)

Serial Imagery, Pasadena Art Museum, September 17–October 27, 1968. Traveled to Henry Art Gallery, University of Washington, Seattle, November 17–December 22, 1968; Santa Barbara Museum of Art, January 25–February 23, 1969. (Catalogue)

The Art of the Real: U.S.A. 1948–1968, The Museum of Modern Art, New York, July 3–September 8, 1968. Traveled to: Centre National d’Art Contemporain, Paris, November 14–December 23, 1968; Kunsthaus Zuirch, January 19–February 23, 1969; Tate Gallery, London, April 24–June 1, 1969. (Catalogue)

Documenta IV, Kassel, West Germany, June 27–October 6, 1968. (Catalogue)

Paintings from the Albright-Knox Art Gallery, Buffalo, New York, National Gallery of Art, Washington, D.C., May 19–July 21, 1968. (Catalogue)

Kenneth Noland, Morris Louis, Anthony Caro, Metropolitan Museum of Art, New York, May 16–June 16, 1968.

L;Art vivant 1965–1968, Fondation Maeght, Saint-Paul de Vence, April 13–June 30, 1968. (Catalogue)

Jack Bush, Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, Robert Murray, Galerie du siècle, Montreal, February 1968.

1967

Caro, Noland, David Mirvish Gallery, Toronto, 1967.

Kompass New York: Malerei nach 1945 aus New York, Frankfurter Kunstverein, December 30, 1967–February 11, 1968. (Catalogue)

1967 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York, December 13, 1967–February 4, 1968. (Catalogue)

1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Museum of Art, Carnegie Institute, October 27, 1967–January 7, 1968. (Catalogue)

Rosc ’67: The Poetry of Vision, National Museum of Ireland, Dublin, November 13–December 20, 1967.

Selected Works from the Collection of Mr. and Mrs. H. Gates Lloyd, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 18–November 19, 1967. (Catalogue)

The 180 Beacon Collection of Contemporary Art, 180 Beacon Street, Boston, October 1967. (Catalogue)

Art for Embassies Selected from the Woodward Foundation Collection, Washington Gallery of Modern Art, Washington, D.C., September 30–November 5, 1967. (Catalogue)

118 Show, Kasmin Limited, London, August 4–September 7, 1967.

Ninth Japanese International Exhibition, Metropolitan Museum, Tokyo, May 10–30, 1967.

Dix ans d’art vivant 1955–1965, Fondation Maeght, Saint-Paul de Vence, May 3–July 23, 1967. (Catalogue)

A Selection of Paintings and Sculpture from the Collections of Mr. and Mrs. Robert Rowan, May 2–21, 1967. Traveled to: San Francisco Museum of Art, June 2–July 2, 1967. (Catalogue)

American Painting Now, Expo 67, Montreal, April 27–October 29, 1967. Traveled to: Institute of Contemporary Art, Boston, December 15, 1967–January 10, 1968. (Catalogue)

Form, Color, Image, Detroit Institute of Arts, April 11–May 21, 1967. (Catalogue)

New Directions in Collecting, Part One: Museum Acquisitions, Institute of Contemporary Art, Boston, April 8–May 14, 1967. Traveled to: Berkshire Museum, Pittsfield, Massachusetts, July 5–25, 1967. (Catalogue)

Contemporary American Painting and Sculpture 1967, Krannert Art Museum, Champaign, Illinois, March 5–April 9, 1967. (Catalogue)

30th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., February 24–April 17, 1967. (Catalogue)

1966

Vormen van de Kleur, Stedelijk Museum, Amsterdam, November 19, 1966–January 15, 1967. Traveled to: Kunsthalle, Bern, April 14–May 21, 1967. (Catalogue)

The First Flint Invitational, Flint Institute of Art, DeWaters Art Center, Michigan, November 4–December 31, 1966. (Catalogue)

Two Decades of American Painting. Organized by The Museum of American Art, New York. Traveled to: National Museum of Modern Art, Tokyo, October 16–November 27, 1966; National Museum of Modern Art, Kyoto, December 10, 1966–January 22, 1967; Lalit Kala Gallery, Rabindra Bhavan, New Delhi, March 28–April 16, 1967; National Gallery of Victoria, Melbourne, June 6–July 9, 1967; Art Gallery of New South Wales, Sydney, July 17–August 20, 1967. (Catalogue)

5, Noah Goldowsky, New York, October 15–November 12, 1966.

Art of the United States: 1670–1966, Whitney Museum of American Art, New York, September 28–November 27, 1966. (Catalogue)

Selections from the John G. Powers Collection, Larry Aldrich Museum, Ridgefield, Connecticut, September 25–December 11, 1966. (Catalogue)

Systemic Painting, Solomon R. Guggenheim Museum, New York, September 21–November 21, 1966. (Catalogue)

Distillation, Stable Gallery and Tibor de Nagy Gallery, New York, September 20–October 8, 1966.

Black Mountain College, Carroll Reece Museum, East Tennessee State University, Johnson City, April 26–June 30, 1966. (Catalogue)

Brandeis University Creative Arts Awards, 1957–1966: Tenth Anniversary Exhibition, Larry Aldrich Museum, Ridgefield, Connecticut, April 17–June 26, 1966. (Catalogue)

Frankenthaler, Noland, Olitski, New Brunswick Museum, Saint John, Canada, January 7–30, 1966. Traveled to: Norman Mackenzie Art Gallery, University of Saskatchewan, Regina; Mendel Art Center, Saskatoon, Saskatchewan; Confederation Art Gallery and Museum, Charlottetown, Prince Edward Island. (Catalogue)

1965

1965 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, December 8, 1965–January 30, 1966. (Catalogue)

Colorists 1950–1965, San Francisco Museum of Art, October 15–November 21, 1965. (Catalogue)

Painting and Sculpture, Stratton Arts Festival, Vermont, September 30–October 12, 1965. (Catalogue)

118 Show, Kasmin Limited, London, August 12–September 18, 1965.

Held, Kelly, Mattmüller, Noland, Olitiski, Pfahler, Plumb, Turnbull, Kunsthalle Basel, June 26–September 5, 1965. (Catalogue)

The Washington Color Painters, Washington Gallery of Modern Art, Washington, D.C., June 25–September 5, 1965. Traveled to: University of Texas Art Galleries, Austin, October 3–31, 1965; Art Gallery, University of California Santa Barbara, November 16–December 19, 1965; Rose Art Galleries, Brandeis University, Waltham, Massachusetts, January 17–February 20, 1966; Walker Art Center, Minneapolis, March 7–April 10, 1966. (Catalogue)

Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella, Fogg Art Museum, Harvard University, Cambridge, April 23–May 30, 1965. Traveled to: Pasadena Art Museum, July 6–August 3, 1965. (Catalogue)

1965 Kane Memorial Exhibition, Critic’s Choice: Art Since World War II, Providence Art Club, Rhode Island, March 31–April 24, 1965. (Catalogue)

Painting Without a Brush, Institute of Contemporary Art, Boston, March 20–April 25, 1965. (Catalogue)

Contemporary American Painting and Sculpture 1965, Krannert Art Museum, Champaign, Illinois, March 7–April 11, 1965. (Catalogue)

The Responsive Eye, The Museum of Modern Art, New York, February 23–April 25, 1965. Traveled to: City Art Museum, St. Louis, Missouri, Nat 20–June 20, 1965; Seattle Art Museum, July 16–August 23, 1965; Pasadena Art Museum, September 25–November 7, 1965; Baltimore Museum of Art, December 14, 1965–January 23, 1966. (Catalogue)

International ’65: A Selection from the 1964 Pittsburgh International, Part One, J.L Hudson Gallery, Detroit, February 10–March 6, 1965. (Catalogue)

Art in Washington, Institute of Contemporary Arts, Washington, D.C., January 29–March 1, 1965.

1964

The Institute Collects, Detroit Institute of Arts, December 8, 1964–January 3, 1965. (Catalogue)

Arman, Kenneth Noland, Galerie Bonnier, Lausanne, December 2, 1964–January 29, 1965.

Noland e Stella, Piazza Cesare Augusto, La Galleria Notizie, Turin, November 16–December 20, 1964. (Catalogue)

The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, October 30, 1964–January 10, 1965. (Catalogue)

Premio Nacional e Internacional, Centro de Artes Visuales, Instituto de Tella, Buenos Aires, October 7–November 1, 1964. (Catalogue)

Between the Fairs: 25 Years of American Art 1939–1964, Whitney Museum of American Art, New York, June 24–September 23, 1964. (Catalogue)

XXXII Biennale d’Arte Venezia, Venice, June 20–October 18, 1964. (Catalogue)

The Biennale Eight, Institute of Contemporary Art, Boston, June 20–July 26, 1964.

Paintings by Jasper Johns, Morris Louis, Kenneth Noland and Robert Rauschenberg, Galleria dell’Ariete, Milan, opened June 11, 1964. (Catalogue)

Morris Louis, Kenneth Noland, Galerie Renée Ziegler, Zurich, June 9–July 15, 1964. (Catalogue)

Washington Collects Contemporary Art, Corcoran Gallery of Art, Washington, D.C., April 30–May 24, 1964. (Catalogue)

Post-Painterly Abstraction, Los Angeles County Museum of Art, April 23–June 7, 1964. Traveled to: Walker Art Center, Minneapolis, June 13–August 16, 1964; Art Gallery of Toronto, November 20–December 20, 1964. (Catalogue)

Painting and Sculpture of a Decade, 1954–1964, Tate Gallery, London, April 22–June 28, 1964. (Catalogue)

Third Annual New York Show, Quay Gallery, San Francisco, March 19–April 30, 1964.

The New Formalists: Contemporary American Paintings for Purchase Consideration, University of Michigan Museum of Art, Ann Arbor, January 15–February 9, 1964. (Catalogue)

1963

Directions: American Painting, San Francisco Museum of Art, 1963.

Group exhibition, David Stuart Gallery, New York, 1963.

Annual Exhibition 1963: Contemporary American Painting, Whitney Museum of American Art, New York, December 11, 1963–February 2, 1964. (Catalogue)

New Directions in American Painting, Munson-Williams Proctor Institutem Utica, New York, December 1, 1963–January 5, 1964. Traveled to: Isaac Delgado Museum of Art, New Orleans, February 7–March 8, 1964; Atlanta Art Association, March 18–April 22, 1964; J.B. Speed Art Museum, Louisville, May 4–June 7, 1964; Art Museum, Indiana University, Bloomington, June 22–September 20, 1964; Washington University, St. Louis, Missouri, October 5–30, 1964; Detroit Institute of Arts, November 10–December 6, 1964. (Catalogue)

Philadelphia Collects 20th Century, Philadelphia Museum of Art, October 3–November 17, 1963. (Catalogue)

The 118 Show, Kasmin Limited, London, August 9–September 13, 1963.

4th San Marino Biennale, Republic of San Marino, July 7–September 20, 1963.

Toward a New Abstraction, Jewish Museum, New York, May 19–September 15, 1963. (Catalogue)

Group exhibition, Green Gallery, New York, May 1963.

Recent Acquisitions: The Gevirtz-Mnuchin Collection and Related Gifts, Kootz Gallery, New York, March 26–30, 1963. Traveled to: Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts, May 3–23, 1963. (Catalogue)

The Twenty-Eighth Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of art, Washington, D.C., January 18–March 3, 1963.

Three New American Painters: Louis, Noland, Olitski, Norman Mackenzie Art Gallery, University of Saskatchewan, January 11–February 15, 1963. (Catalogue)

1962

Paintings by Young Americans, Barnard College, New York, 1962.

Art Since 1950: American and International, Seattle Fine Arts Pavilion, Seattle World’s Fair, April 21–October 21, 1962. Traveled to: Rose Art Museum, Brandeis University, Waltham, Massachusetts. November 21–December 23, 1962; Institute of Contemporary Art, Boston, 1963. (Catalogue)

Geometric Abstraction in America, Whitney Museum of American Art, New York, March 30–May 13, 1962. (Catalogue)

65th Annual American Exhibition: Some Direction in Contemporary Painting and Sculpture, Art Institute of Chicago, January 5–February 18, 1962. (Catalogue).

1961

New Directions in American Painting, Vassar College Art Gallery, Poughkeepsie, New York, 1961.

Annual Exhibition of 1961: Contemporary American Painting, Whitney Museum of American Art, New York, December 13, 1961–February 4, 1962. (Catalogue)

American Abstract Expressionists and Imagists, Solomon R. Guggenheim Museum, New York, October 18–December 31, 1961. (Catalogue)

New New York Scene, Marlborough Fine Art. Ltd., London, October–November 1961. (Catalogue)

1960

New Works by the Artists of the Gallery, André Emmerich Gallery, New York, May 24–June 30, 1960.

New American Painting, Galerie Neufville, Paris, May 3–31, 1960.

1959

Metropolitan Young Artists Show, National Arts Club, New York, December 9, 1959–January 7, 1960.

Twenty-Sixth Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., January 17–March 8, 1959. (Catalogue)

1958

Modern Design Show, Modern Design Shop, Washington, D.C., 1958.

1957

Group exhibition, Jefferson Place Gallery, Washington, D.C., 1957.

The Maryland Regional Exhibition: Painting, Sculpture and Crafts by Artists of Maryland, Delaware, and the District of Columbia, Baltimore Museum of Art, March 24–April 21, 1957.

1956

Young American Painters. Organized by The Museum of Modern Art, New York. Traveled to: Southern Illinois University, Carbondale, September 24–October 14, 1956; Michigan State University, East Lansing, November 14–December 4, 1956; Carleton College, Northfield, Minnesota, February 1–21, 1957; University of Manitoba, Winnipeg, March 1–22, 1957; University of Florida, Gainesville, April 5–26, 1957; Marshall College, Huntington, West Virginia, May 10–31, 1957; San Francisco Museum of Art, July 9–August 4, 1957; Portland Art Museum, Oregon, August 13–September 15, 1957; University of Washington, Seattle, October 1–22, 1957; Long Beach Municipal Art Center, California, November 7–28, 1957; Tucson Fine Arts Association, January 12–February 2, 1958; Atlanta Public Library, February 20–March 13, 1958; Lauren Rogers Library and Museum of Art, Laurel, Mississippi, March 30–April 20, 1958; Western Michigan College, Kalamazoo, May 5–26, 1958; Kansas State Teachers College, Pittsburg, Kansas, June 10–July 1, 1958.

Collecting for Pleasure, Corcoran Gallery of Art, Washington, D.C., May 15–September 23, 1956. (Catalogue).

1954

5 Directions, Catholic University, Washington, D.C., March 3–31, 1954.

Emerging Talent, Kootz Gallery, New York, January 11–30, 1954.

1953

Group exhibition, Catholic University, Washington, D.C., 1953.

Group exhibition, Washington Workshop Center, Washington, D.C., 1953.

1952

Group exhibition, Washington Workshop Center, Washington, D.C., 1952.

Paintings by Some Washington Artists, Phillips Collection, Washington, D.C., Summer 1952.

20th Annual Exhibition: Maryland Artists, Baltimore Museum of Art, April 6–27, 1952. (Catalogue)

1951

Annual Spring Purchase Exhibition, Watkins Gallery, American University, Washington, D.C., April 22–May 20, 1951. (Catalogue)

Ackland Art Museum, The University of North Carolina, Chapel Hill

Addison Gallery of American Art, Andover, Massachusetts

Albright-Knox Art Gallery, Buffalo

Anderson Collection at Stanford University, Palo Alto, California

Art Gallery of Ontario, Toronto

Art Gallery of South Australia, Adelaide

Art Institute of Chicago

Asheville Art Museum, North Carolina

Baltimore Museum of Art

Eli and Edythe Broad Art Museum, Michigan State University, East Lansing

Brooklyn Museum, New York

Butler Institute of American Art, Youngstown, Ohio

Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, Palo Alto, California

Carnegie Museum of Art, Pittsburgh

Centre Pompidou, Paris

Cleveland Museum of Art

Colby College Museum of Art, Waterville, Maine

Columbus Museum of Art

Cranbrook Art Museum, Bloomfield Hills, Michigan

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Daimler Art Collection, Berlin

Dallas Museum of Art, Texas

Davis Museum, Wellesley College, Massachusetts

Des Moines Art Center

Detroit Institute of Arts

Dublin City Gallery The Hugh Lane, Ireland

Edmonton Art Gallery, Alberta

Farnsworth Art Museum, Rockland, Maine

FitzWilliam Museums, Cambridge, England

Fogg Art Museum, Cambridge, Massachusetts

Maxine and Stuart Frankel Foundation for Art, Bloomfield Hills, Michigan

Greenville Museum of Art, North Carolina

Grey Art Gallery and Study Center, New York University

Peggy Guggenheim Collection, Venice

Solomon R. Guggenheim Museum, New York

Hara Museum of Contemporary Art, Tokyo

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Academy of Arts

Hunter Museum of American Art, Chattanooga, Tennessee

Indianapolis Museum of Art

The Johnson Collection, Spartanburg, South Carolina

Joslyn Art Museum, Omaha, Nebraska

Kunsthaus, Zurich

Kunstmuseum, Basel

Kunstsammlung Nordrhein-Westfalen, Düsseldorf

Los Angeles County Museum of Art

Louisiana Museum of Modern Art, Humlebæk, Denmark

Mendel Art Gallery, Saskatoon, Saskatchewan

The Menil Collection, Houston, Texas

The Metropolitan Museum of Art, New York

University of Michigan Museum of Art, Ann Arbor

Milwaukee Art Museum

MIT List Visual Arts Center, Cambridge, Massachusetts

Museum of Fine Arts, Boston

Museum of Fine Arts, Houston

The Museum of Modern Art, New York

Nasher Museum of Art at Duke University, Durham, North Carolina

National Gallery of Art, Washington, D.C.

National Gallery of Art, Corcoran Collection, Washington, D.C.

National Gallery of Australia, Canberra

National Gallery of Canada, Ottawa

National Museums Northern Ireland, Belfast

Palm Springs Art Museum, Palm Desert, California

Pérez Art Museum, Miami

Philadelphia Museum of Art

The Phillips Collection, Washington, D.C.

Portland Art Museum, Oregon

Rose Art Museum, Brandeis University, Waltham, Massachusetts

Saint Louis Art Museum, Missouri

Norton Simon Museum, Pasadena, California

San Francisco Museum of Modern Art

Smithsonian American Art Museum, Washington, D.C.

Stedelijk Museum, Amsterdam

Tate Gallery, London

Tochigi Prefectural Museum of Fine Arts, Japan

Ulster Museum, Belfast, Northern Ireland

University of Lethbridge Art Collections, Alberta

Vero Beach Museum of Art, Florida

Wadsworth Atheneum Museum of Art, Hartford, Connecticut

Walker Art Center, Minneapolis

Whitney Museum of American Art, New York

Williams College Museum, Williamstown, Massachusetts

Worchester Art Museum, Massachusetts

Frederick R. Weisman Art Foundation, Los Angeles

The Westmoreland Museum of Art, Greensburg, Pennsylvania

The Virginia and Bagley Wright Collection, Seattle Art Museum

Yale University Art Gallery, New Haven, Connecticut

2023

Barnes, Daniel. “Kenneth Noland: Stripes/Plaids/Shapes” (Pace Gallery exhibition review). FAD Magazine, 26 January 2023. https://fadmagazine.com/2023/01/26/kenneth-noland-stripes-plaids-shapes-2/

Grimley, Alex. “Kenneth Noland: Stripes/Plaids/Shapes” (Pace Gallery exhibition review). Brooklyn Rail, 14 April 2023. https://brooklynrail.org/2023/04/artseen/Kenneth-Noland-StripesPlaidsShapes

“Kenneth Noland” (Pace Gallery exhibition review). The Week Magazine, 4 February 2023. https://magazine.theweek.co.uk/editions/uk.co.dennis.theweek.single.issue1421/data/131091/index.html

2018

Kany, Daniel. “Art Review: Strong Rabkin Exhibition Built on a Solid Foundation” (Dorothea and Leo Rabkin Foundation exhibition review). Press Herald, 20 May 2018. https://www.pressherald.com/2018/05/20/art-review-strong-rabkin-exhibition-built-on-a-solid-foundation/

Machalova, Andrea. “Pace Gallery à la conquête du marché genevois!” Tribune de Genève, 1 February 2018: 25, illustrated.

2017

Dave, William. “Impulse: A Group Show at Pace Gallery, London” (exhibition review). Wall Street International Magazine, 2 December 2017. https://wsimag.com/art/33234-impulse

Edwards, Sarah. “Kenneth Noland: Into the Cool” (Pace Gallery exhibition review). Village Voice, 7 February 2017. http://www.villagevoice.com/event/kenneth-noland-into-the-cool-9652881

“Joel Shapiro: Three Figures / Fifteen Elements.” In Art City: Public Art in Kansas City 1986–2017. Kansas City, MO: Kansas City Municipal Art Commission, 2017: 49, illustrated.

“The Stars of the Washington Color School Get a Transcendent Survey – See It Here” (Pace London exhibition review). Artnet, 18 December 2017. https://news.artnet.com/exhibitions/color-field-show-stars-a-late-great-morris-louis-canvas-1180988

Wilkin, Karen. “At the Galleries” (Pace Gallery exhibition review). The Hudson Review LXX, no.1 (Spring 2017): 115–123.

2016

Forrest, Nicholas. “Pace London Puts Hoyland, Caro, and Noland in the Spotlight” (exhibition review). Artinfo, 3 January 2016. http://www.blouinartinfo.com/news/story/1306019/pace-london-puts-hoyland-caro-and-noland-in-the-spotlight

Halperin, Julia. “’Letting Colour Loose’: Kenneth Noland’s Final Paintings Come to Pace New York” (exhibition preview). The Art Newspaper, 9 December 2016. http://theartnewspaper.com/news/news/letting-colour-loose-kenneth-noland-s-final-paintings-come-to-pace-new-york/

Pola, Francesca. “Enrico Castellani, Robert Mangold, Robert Morris, Kenneth Noland. Galleria Fumagalli” (exhibition review). Artforum 55, no. 3 (November 2016): 297–298, installation view.

2014

Janjigian, Robert. “New Gallery Puts Abstract Artist’s Works on View” (Private View Gallery exhibition preview). Palm Beach Daily News, 23 April 2014. http://www.palmbeachdailynews.com/news/news/local/new-gallery-puts-abstract-artists-works-on-view/nfgST/

Laster, Paul. “’Re-View: Onnasch Collection’” (Private View Gallery exhibition review). Time Out New York, 27 March–2 April 2014: 37, illustrated.

2011

Hanson, Sarah P. “In His Prime.” Art + Auction 34, no. 7 (March 2011): 56.

Hedlund, Ann Lane. “Adventures in Modern Tapestry: Gloria Ross, Kenneth Noland and Native American Weavers.” American Indian Art 37, no. 1 (Winter 2011): 54–63, 78.

2010

Grimes, William. “Kenneth Noland. Abstract Painter of Brilliantly Colored Shapes, Dies at 85” (obituary). The New York Times, 6 January 2010.

McAlpine, Alistair. “Striking Stuff: Could Baseball have Inspired Some of Kenneth Noland’s Paintings, Wonders Alistair McAlpine.” World of Interiors (March 2010): 176.

Prince, Mark. “Kenneth Noland 1924–2010” (obituary). Art Monthly, no. 333 (February 2010): 19.

Prince, Mark. “News” (obituary). Art & Antiques 33, no. 2 (February 2010): 46.

Rich, Sarah K. “Passages: Sarah K. Rich on Kenneth Noland.” Artforum 48, no. 7 (March 2010): 55.

Wilkin, Karen. “Chronicles: Art—Albert Kresch, Kenneth Noland, and in Rome, Beatrice Caracciolo.” Hudson Review 63, no. 1 (2010): 110.

Wilkin, Karen. “At the Galleries” (Leslie Feely Fine Art exhibition review). Hudson Review 63, no. 1 (Spring 2010): 110.

Wilkin, Karen. “Kenneth Noland 1924–2010” (obituary). Art in America 98, no. 3 (March 2010): 176.

2006

Prince, Mark. “Conceptual Formalism: Mark Prince on the Legacy of Kenneth Noland.” Art Monthly, no. 299 (September 2006): 7–10.

2005

Coles, Alex. “Liam Gillick and the Kenneth Noland Scenario.” Parachute, no. 118 (April/May/June 2005): 68–83, illustrated.

Colpitt, Frances. “Kenneth Noland” (Museum of Fine Arts exhibition review). Art US, no. 8 (May/June 2005): 54.

2003

Wallach, Amei. “Driven to Abstraction.” Art News 102, no. 10 (November 2003): 145–151.

2001

Brenson, Michael. “Hidden Heart” (Ameringer Howard Gallery exhibition review). New York, 8 January 2001: 53.

Collings, Matthew. “Ken Noland.” Art Newspaper 12, no. 118 (October 2001): 44.

Goodman, Jonathan. “Kenneth Noland at Ameringer Howard” (exhibition review). Art In America 89, no. 5 (May 2001): 170.

Kunitz, Daniel. “Kenneth Noland: Circles” (Ameringer Howard exhibition review). New Criterion 19, no. 6 (February 2001): 49–50.

Taylor, Sue. “Clem’s Cache.” Art in America 89, no. 11 (November 2001): 100–109.

Wilkin, Karen. “Life after Formalism.” Art in America 89, no. 11 (November 2001): 110–115, 159.

1998

Kalina, Richard. “The Green Mountain Boys.” Art in America 86, no. 7 (July 1998): 117–118.

Rubey, Daniel. “Kenneth Noland at André Emmerich” (exhibition review). Art in America 86, no. 12 (December 1998): 92.

Siegel, Katy. “Kenneth Noland.” Artforum 37, no. 4 (December 1998): 126–127, illustrated.

“Up Front: Kenneth Noland, ‘Color Field’ ceramics at Zone One Contemporary Gallery, Asheville” (exhibition review). Ceramics Monthly 46, no. 8 (October 1998): 24.

Wilkin, Karen. “On the Cover: Kenneth Noland.” Paris Review 40, no. 149 (Winter 1998): 236.

1995

Kalina, Richard. “Kenneth Noland at Leo Castelli” (exhibition review). Art in America 83, no. 11 (November 1995): 117.

Wilkin, Karen. “Kenneth Noland.” Art News 94, no. 7 (September 1995): 141–142, illustrated.

1994

Noland, Kenneth. “Interview with Kenneth Noland.” Interview by Emma Ercoli. Next 10, nos. 32–33 (Autumn 1994–Winter 1995): 134–135.

Schwabsky, Barry. “Irreplaceable Hue.” Artforum 33, no. 1 (September 1994): 90–97, 127.

1993

“Kenneth Noland: The Concentric Circle Paintings 1956–1963” (exhibition review). Art in America 81, no. 8 (August 1993): 23.

1991

Whitehouse, Anne. “To Kenneth Noland of ‘Hover,’ 1963. American, 1924.” Ploughshares 17, no. 1 (Spring 1991): 220.

1990

Anfam, David. “Richard Serra and Kenneth Noland, New York.” Burlington Magazine 132, no. 1042 (January 1990): 66–67.

Perl, Jed. “The Legend Business.” New Criterion 8, no. 8 (January 1990): 57–60.

Second Opinion: Health, Faith and Ethics 14 (1990): cover.

1988

Wilkin, Karen. “Artist’s Dialogue: Kenneth Noland.” Art News 94, no. 7 (September 1995): 141–142.

1986

Tillim, Sidney. “Abstraction Revisted.” Art in America 74, no. 4 (April 1986): 166–171.

1985

McEvilley, Thomas. “Kenneth Noland” (André Emmerich Gallery exhibition review). Artforum 23, no. 7 (March 1985): 91–92.

Moffett, Kenworth. “Abstraction Offers the Most Exciting New Possibilities.” Art New England (September 1985): 9, 21.

Russell, John. “Kenneth Noland” (André Emmerich Gallery exhibition review). The New York Times, 15 November 1985: C21.

Tuchman, Phyllis. “Architectural Digest Visits Kenneth Noland.” Architectural Digest (July 1985): illustrated.

1984

Brenson, Michael. “Kenneth Noland” (André Emmerich Gallery exhibition review). The New York Times, 14 December 1984.

“Kenneth Noland: Winds, Painted Monotypes.” Print Collector’s Newsletter (January–February 1984): 217.

North, Percy. “Generations of the Washington Color School” (exhibition review). Washington Review 10, no. 3 (October/November 1984): 24.

Peppiatt, Michael. “Sujet Tabou: Exposition Risquee.” Connaissance des Arts (September 1984): 87.

Wilkin, Karen. “Kenneth Noland: Sensual Made Visible.” Art Press 83 (July–August 1984): 24–26.

1983

Cohen, Ronny. “Paper Routes.” Art News (October 1983): 78–85.

Gerrit, Henry. “Kenneth Noland at André Emmerich” (exhibition review). Art in America (Summer 1983): 156–158.

Glaberson, Barbara. “Kenneth Noland.” Art World (November 1983): 6.

Moure, Gloria. “Kenneth Noland: Denoting Color.” Arte, 9 January 1983.

Russell, John. “Kenneth Noland” (André Emmerich Gallery exhibition review). The New York Times, 11 March 1983: C22.

Russell, John. “Monotypes by Kenneth Noland.” The New York Times, 18 November 1983: C26.

Talley, Charles. “The Navajo Tapestry: A Medium of Exchange.” Craft International (April 1983): 16–20.

Tatransky, Valentin. “Kenneth Noland: As Great as Ever.” Arts Magazine (June 1983): 118–119.

1982

Allen, Jane Addams. “Time Tests the Artists’ Insights.” Washington Times, 12 November 1982.

Ameringer, Will. “Kenneth Noland.” Arts Magazine 56 (May 1982): 3.

Burstein, Joanne. “Painters and Sculptors as Ceramists.” Artweek, 27 February 1982: 6.

Carmean, E.A. “Celebrating the Birth of Stain Painting.” Washington Post, 26 October 1982: B7.

Hughton, Margie. “New Works in Clay at Syracuse.” Ceramics Monthly (April 1982): 52–53.

Jablons, Pamela. “Collection within a Tradition.” Diversion (August 1982): 201–208.

Kuspit, Donald B. “Out of the South: Eight Southern-born Artists.” Art Papers 6, no. 6 (November/December 1982): 2.

Lewis, Jo Ann. “Noland’s Paper Art.” Washington Post, 30 October 1982.

Rand, Harry. “Recent Painting. A Rambling Contemplation.” Arts Magazine (April 1982): 106–109.

Richard, Paul. “Full Circle for Noland.” Washington Post, 4 May 1982: C1–C2.

1981

Breerette, Geneviève. “Quatre abstraits amèricains à Bordeaux.” Le Monde, 12 March 1981: 15.

Deschamps, Madeleine. “Depuis la couleur.” Art Press 44 (January 1981): 24–25.

French-Frazier, Nina. “Kenneth Noland.” Art International 24, nos. 5–6 (January–February 1981): 142.

Kramer, Hilton. “Modernist Show Moves Met Firmly into Art of 20th Century” (exhibition review). The New York Times, 22 May 1981.

Lewis, Jo Ann. “The SoHo Connection.” Washington Post, 29 November 1981: G1, G11.

Richard, Paul. “$300,000 Surprise: Kenneth Noland’s Washington Color Canvas Hits the Bull’s-Eye.” Washington Post, 21 November 1981: C1.

Russell, John. “Kenneth Noland” (André Emmerich Gallery exhibition review). The New York Times, 5 June 1981.

1980

Deschamps, Madeleine. “Surfaces et supports des années 60: la post-painterly abstraction.” Art Press 36 (April 1980): 26–27.

Newman, Patricia. “New Processes Add Tangible Shape to Venerable Art Form.” The Smithsonian (August 1980): 60–64.

Russell, John. “Kenneth Noland” (André Emmerich Gallery exhibition review). The New York Times, 7 November 1980.

Tatransky, Valentin. “Group show, Knoedler” (exhibition review). Arts Magazine (February 1980): 36–37.

Wilson, Laurie. “Bride of the Black Moon: An Iconographic Study of the Work of Louise Nevelson.” Arts Magazine (May 1980): 140–148, illustrated.

1979

Cavaliere, Barbara. “Kenneth Noland.” Arts Magazine 53 (January 1979): 20.

Gerritt, Henry. “Paper in Transistion.” Print Collector’s Newsletter 10, no. 3 (July–August 1979): 84.

Goldstein, Carl. “Teaching Modernism: What Albers Learned in the Bauhaus and Taught to Rauschenberg, Noland, and Hesse.” Arts Magazine 54, no. 9 (December 1979): 108–116.

Mackie, Alwynne. “Kenneth Noland and Quality in Art.” Art International 23, nos. 3–4 (Summer 1979): 40–54.

Patton, Phil. “A Master of Abstract Painting: Kenneth Noland.” Eastern Review (June 1979): 74–79.

Raynor, Vivien. “Paper and Ceramics Are the Canvas.” The New York Times, 18 November 1979.

Richard, Paul. “Portrait: Washington, D.C.” Portfolio (June/July 1979): 82–87.

Schwartz, Ellen. “Kenneth Noland” (André Emmerich Gallery exhibition review). Art News (January 1979): 138–139.

1978

Burnside, Madeleine. “Kenneth Noland.” Art News 77, no. 2 (February 1978): 138.

Clurman, Irene. “Artist Kenneth Noland Offers No Easy Answers.” Rocky Mountain News, 2 April 1978: 16.

Edwards, Ellen. “Pay Attention to Kenneth Noland.” Miami Herald, 5 March 1978.

Frackman, Noel. “Review.” Arts Magazine (March 1978): 23–24.

Kingsley, April. “Galleries: Out-of-the-Ordinary Mixed Bags.” Village Voice, 2 January 1978: 66.

Perrone, Jeff. “Review.” Artforum (February 1978): 65–66.

Wright, Martha McWilliams. “Washington.” Art International 22, no. 1 (January 1978): 61–67.

1977

Bourdon, David. “Retreating from Olympus.” Village Voice, 2 May 1977.

Forgey, Benjamin. “In the Wake of the Washington Color School.” Washington Star, 2 October 1977: 1.

Glueck, Grace. “The 20th Century Artists Most Admired by Other Artists.” Art News (November 1977): 78.

Gold, Barbara. “Painters in the Shadow of Noland, Louis.” Baltimore Sun, 25 December 1977.

Hess, Thomas B. “Kenneth Noland, Hesitant Prophet.” New York, 23 May 1977: 76–78.

Hughes, Robert. “Pure, Uncluttered Hedonism.” Time, 2 May 1977: 73.

Jenkins, Mark. “Kenneth Noland’s Endlessly Charming Paintings.” Unicorn Times (November 1977): 59.

Kaufman, Betty. “Noland’s Pitch.” Art World 2, no. 4 (December 1977–January 1978).

Kramer, Hilton. “Art: Landmarks on the Color Field.” The New York Times, 22 April 1977: illustrated.

Noland, Kenneth. “Color, Format and Abstract Art: An Interview with Kenneth Noland.” Interview by Diane Waldman. Art in America 65, no. 3 (May/June 1977): 99–105.

Polcari, Stephen. “Kenneth Noland: Independence in the Face of Conformity.” Art News 76, no. 6 (Summer 1977): 53–55.

Richard, Paul. “Look Who’s Back, Letting Color Sing.” Washington Post, 30 September 1977.

Ronnen, Meir. “Kenneth Noland.” Jerusalem Post Magazine (November 1977): 20.

Rosenberg, Harold. “Kenneth Noland.” The New Yorker, 20 June 1977: 98.

Russell, John. “A Show to Lighten Your Step And Bring Smiles.” The New York Time, 1 May 1977: illustrated.

Stevens, Mark. “Noland’s Garden of Color.” Newsweek, 16 May 1977: 72.

Tallmer, Jerry. “Diamonds of the ‘50s Bring it All Back.” New York Post, 16 April 1977: 22.

Wallach, Amei. “Unfettered Classicist.” Newsday, 24 April 1977.

Wright, Martha McWilliams. “Washington.” Art International 22, no. 1 (January 1978): 61–67.

1976

Gablik, Suzi. “Kenneth Noland at Emmerich downtown” (exhibition review). Art in America 64, no. 2 (March–April 1976): 104.

Moffett, Kenworth. “Kenneth Noland’s New Paintings and he Issue of the Shaped Canvas.” Art International 10, nos. 4–5 (April–May 1976).

1975

Bourdon, David. “Art: Abstract Painting Changes Shape” (André Emmerich Gallery exhibition review). The Village Voice, 8 December 1975: 130, 133.

Carmean, E.A., Jr. “Kenneth Noland and the Compositional Cut.” Arts Magazine 50, no. 4 (December 1975): 80–85.

Overy, Paul. “Reviews.” London Times, 5 December 1975.

Ratcliff, Carter. “Notes on a Transitional Period: Noland’s Early Circle Paintings.” Art in America 63, no. 3 (May/June 1975): 66–67.

Rees, R.J. “Kenneth Noland” (Rutland Gallery exhibition review). Studio International 189, no. 973 (January/February 1975): 14.

Russell, John. “Art: In Show of New Noland Paintings, Consistency Takes Unexpected Forms” (André Emmerich Gallery exhibition review). The New York Times, 22 November 1975: illustrated.

Russell, John. “Art: Noland’s Early Circles, Genuine Contributions” (Visual Arts Gallery exhibition review). The New York Times, 11 January 1975.

1974

Carpenter, Ken. “To Re-Examine the Work of Kenneth Noland.” Studio International 188, no. 968 (July/August 1974): 21–26.

1973

Alloway, Lawrence. “Art” (André Emmerich Gallery exhibition review). The Nation 216, no. 12, 19 March 1975: 381–382.

Bell, Jane. “Reviews: New York” (André Emmerich Gallery exhibition review). Arts Magazine 47, no. 6 (April 1973): 78–79.

Borden, Lizzie. “Reviews” (André Emmerich Gallery exhibition review). Artforum 11, no. 9 (May 1973): 77–78.

Denver, Bernard. “Hans Hofmann and Kenneth Noland at the Waddington Gallery” (exhibition review). Studio International 186. No. 958 (September 1973): 107–108.

Elderfield, John. “Painterliness Redefined: Jules Olitski and Recent Abstract Art II.” Art International 17, no. 4 (April 1973): 36–41, 101.

Kramer, Hilton. “Kenneth Noland and the New Romanticism” (André Emmerich Gallery exhibition review). The New York Times, 4 March 1973.

Moffett, Kenworth. “Kenneth Noland.” Art International 17, no. 6 (Summer 1973): 22–33, 91–100.

Perreault, John. “Art: A Chic Springtime for Bagels” (André Emmerich Gallery exhibition review). The Village Voice 18, no. 9 (1973): 22, 24.

Rose, Barbara. “Beyond the Madding Crowd” (André Emmerich Gallery exhibition review). New York, 12 March 1973: 74.

Siegel, Jeanne. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 72, no. 4 (April 1973): 78–79.

Weinstein, David. “Noland and Zox at Emmerich” (exhibition review). Art in America 61, no. 5 (September 1973): 94–96.

1972

Baker, Kenneth. “The Problem of the Edge.” Christian Science Monitor, 16 February 1972: 8.

Elderfield, John. “Abstract Painting in the Seventies” (exhibition review). Art International 16, nos. 6–7 (Summer 1972): 92–94.

Elderfield, John. "Grids." Artforum 10, no.9 (May 1972): 52–59, illustrated.

Kramer, Hilton. “The Return of ‘Handmade’ Painting” (Museum of Fine Arts exhibition review). The New York Times, 30 April 1972.

Steinberg, Leo. “Reflections on the State of Criticism.” Artforum 10 (March 1972): 37–49.

1971

Bannard, Walter. “Noland’s New Paintings” (André Emmerich Gallery exhibition review). Artforum 10, no. 3 (November 1971): 50–53.

“Canvases Brimming with Color.” Life, 24 September 1971: 74.

Coulanges, Henri. “Beauté Suave.” Cpnnaissance des arts (March 1971): 81.

Elderfield, John. “Mondrian, Newman, Noland: Two Notes on Changes in Style.” Artforum 10, no. 4 (December 1971): 48–53.

Henning, Edward B. “Color and Field.” Art International, 20 May 1971: 46–50.

Kramer, Hilton. “Noland Paintings Begin a New Series” (André Emmerich Gallery exhibition review). The New York Times, 23 October 1971: illustrated.

Masheck, Joseph. “Sorting Out the Whitney Annual” (exhibition review). Artforum 9, no. 9 (February 1971): 70–74.

McCaughey, Patrick. “Pictorialism and Some Recent Sculpture.” Arts Magazine (Summer 1971): 21–22.

Moffett, Kenworth. “Noland Vertical.” Art News 70, no. 6 (October 1971): 48–49, 76–78.

Ratcliff, Carter, “New York Letter” (André Emmerich Gallery exhibition review). Art International 15, no. 10, 20 December 1971: 59–60.

Skurka, Norma. “Home for the working artist.” The New York Times,3 October 1971: illustrated.

1970

Bannard, Walter. “Notes on American Painting of the Sixties.” Artforum 8 (January 1970): 40–45.

Curjel, Hans. “Zurich: Kenneth Noland” (Galerie René Ziegler exhibition review). Werk 57, no. 3, 18 April 1970: 207.

Fenton, Terry. “The David Mirvish Opening Show: Toronto” (exhibition review). artscanada 27, no. 6 (December 1970/January 1971): 57–58.

Forgey, Benjamin. “Now There’s a Painting Gap” (Corcoran Gallery of Art exhibition review). Evening Star, 8 December 1970: C10.

Glazebrook, Elizabeth. “Art.” Queen (July 1970).

Gouk, Alan. “An Essay on Painting.” Studio International (October 1970): 146, illustrated.

Prak, Niels Luning. “Persistent Schemes: The Quest for a Neutral Form.” Art International 14 (September 1970): 76–78.

Richard, Paul. “But Not Forgotten” (Corcoran Gallery of Art exhibition review). Washington Post, 26 December 1970: B1, B3..

Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon.” Artforum 9 (November 1970): 67.

Wykes-Joyce, Max. “Art in London: Six New Exhibitions.” International Herald Tribune, 20–21 June 1970: 7.

1969

“Art: From the Brink, Something Grand” (Metropolitan Museum of Art exhibition review). Time 94, no. 17, 24 October 1969: 78–81.

Benson, Legrace G. “The Washington Scene.” Art International 13, no. 10 (Christmas 1969).

Calas, Nicolas. “Art & Strategy” (Pasadena Art Museum exhibition review). Arts Magazine 43, no. 5 (March 1969): 36–38.

Coplans, John. “Serial Imagery.” Artforum (October 1968): 34–43.

Freed, Eleanor. “A Windfall for Texas.” Art in America (November/December 1969): 78–85.

Fried, Michael. “Recent Work by Kenneth Noland.” Artforum 7, no. 10 (Summer 1969): 36–37, illustrated.

Jacobs, J. “Collector: Joseph H. Hirshhorn.” Art in America 57 (July 1969): 65.

Kline, Katherine. “Reviews and Previews” (Lawrence Rubin Gallery exhibition review). Art News 68, no. 4 (Summer 1969): 20.

Leider, Philip. “Modern American Art of the Met.” (exhibition review). Artforum 8, no. 4 (December 1969): 62–65.

Melville, Robert. “Gallery: Minimalism.” Architectural Review, no. 870 (August 1969): 146–148.

“Noland: The Spectrum is the Message” (Lawrence Rubin Gallery exhibition review). Time 93, 18 April 1969: 74–75.

“Painting: Bold Emblems.” Time, 18 April 1969: 74–75.

Schjeldahl, Peter. “New York Letter” (Lawrence Rubin Gallery exhibition review). Art International 13, no. 6 (Summer 1969): 64–65.

Shirey, David L. “Super Show” (Metropolitan Museum of Art exhibition review). Newsweek 74, no. 16, 20 October 1969: 80–84.

Wilkin, Karen. “Bold Emblems.” Time, 18 April 1969: 76.

1968

Ashton, Dore. “New York: (André Emmerich Gallery exhibition review). Studio International 175, no. 897 (February 1968): 93.

Calas, Nicolas. “Maximal and Minimal Contructivism and Structures.” Arts Magazine 42 (June/August 1968).

Coplans, John. “Serial Imagery.” Artforum 7 (October 1968): 34–43.

Dunlop, Ian. “Colourful and Likeable, That’s Kenneth Noland” (Kasmin Ltd. exhibition review). Evening Standard, 17 June 1968: 3.

Fieldman, Anita. “Kenneth Noland” (André Emmerich Gallery exhibition review), Arts Magazine 42, no. 3 (December 1967/January 1968): 60.

Gordon, A. “Art in the Modern Manner” (Kasmin Ltd. exhibition review). Connoisseur 169, no. 38 (September 1968): 38.

Greenberg, Clement. “Poetry of Vision.” Artforum 6, no. 8 (April 1968): 18–21.

Harrison, Charles. “Recent Works by Kenneth Noland at Kasmin” (exhibition review). Studio International 176, no. 902 (July 1968): 35–36.

Kramer, Hilton. “The Abstract and the Real, from Metaphysics to Visual Facts” (The Museum of Modern Art exhibition review). The New York Times, 21 July 1968.

Kramer, Hilton. “The Metropolitan Takes Another Step Forward” (exhibition review). The New York Times, 25 May 1968: 31, installation view.

Krauss, Rosalind. “On Frontality.” Artforum 6, no. 9 (May 1968): 40–46.

Leider, Philip. “New York: The Art of the Real” (exhibition review). Artforum 7, no. 1 (September 1968): 68.

Leider, Philip. “The Thing is Painting in Color.” The New York Times, 25 August 1968: illustrated.

Lippard, Lucy R. “Constellation by Harsh Daylight: The Whitney Annual” (exhibition review). Hudson Review 21, no. 1 (Spring 1968): 174–182.

Lord, B. “Three American Painters Tour Canada.” Canadian Art 23 (July 1968): 50.

Lynton, Norbert. “Wide Open Spaces” (Kasmin Ltd. exhibition review). The Guardian, 15 June 1968: 6.

Mellow, James R. “New York Letter” (André Emmerich Gallery exhibition review), Art International 12, no. 1, 20 January 1968: 62–64.

Pomeroy, Ralph. “New York.” Art and Artists 2, no. 10 (January 1968): 43.

Reise, Barbara M. “Greenberg and the Group: A Retrospective View, Part 1.” Studio International 175, no. 900 (May 1968): 254–257.

Reise, Barbara M. “Greenberg and the Group: A Retrospective View, Part 2.” Studio International 175, no. 901 (June 1968): 314–315.

Robertson, Bryan. “Arts: The Straight and the Narrow” (Kasmin Ltd. exhibition review). Spectator, 11 June 1968: 861–862.

Rose, Barbara. “Vogue’s Spotlight Art: New York Season, ‘A Breather.’” Vogue 151, no. 10 (June 1968): 78.

Siegel, Jeanne. “Documenta IV: Homage to the Americans?” (exhibition review). Arts Magazine 43, no. 1 (September/October 1968): 37–41.

Simon, Rita. “Kenneth Noland, Morris Louis, and Anthony Caro at Metropolitan Museum” (exhibition review). Arts Magazine 42, no. 8 (June/Summer 1968): 56–57.

Tilim, Sidney. “Evaluations and Re-Evaluations. A Season’s End Miscellany…” Artforum 6, no. 10 (Summer 1968): 20–23.

Whitford, Frank and Robert Kudielka. “Documenta 4: A Critical Review” (exhibition review). Studio International 176, no. 903 (September 1968): 74–78.

1967

Brunelle, Al. “The Sky-Colored Popsicle.” Art News 66 (November 1967): 42–43.

Cone, Jane Harrison. “Kenneth Noland’s New Paintings.” Artforum 6, no. 3 (November 1967).

Hudson, Andrew. “The Biennial: Corcoran’s 30th Exhibition Proves Value of Experiments” (exhibition review). Washington Post, 26 February 1967.

Hudson, Andrew. “The 1967 Pitsburgh International” (exhibition review). Art International 11, no. 10 (Christmas 1967): 57–64.

Hudson, Andrew. “Washington: An ‘American Salon’ of 1967” (Corcoran Gallery of Art exhibition review). Art International 11, no. 4, 20 April 1967: 73–79.

Kozloff, Max. “Art” (André Emmerich Gallery exhibition review), The Nation, 18 December 1967: 668.

Kramer, Hilton. “Kenneth Noland” (André Emmerich Gallery exhibition review), The New York Times, 18 November 1967: 31.

Meier, Kurt Von. “Los Angeles: The New Pure Painting” (Nicholas Wilder Gallery exhibition review). Art International 11, no. 2, 20 February 1967: 50–55.

Nodelman, Sheldon. “Sixties Art, Some Philosophical Perspectives.” Perspecta: The Yale Architecture Journal, no. 11 (1967): 72–89.

Perreault, John. “Art: Stripes as Stripes” (André Emmerich Gallery exhibition review), The Village Voice, 30 November 1967: 21, 26.

Russell, Paul. “Exhibition Reviews: Caro, Noland at David Mirvish Gallery” (exhibition review). Arts Canada 24, no. 114 (January 1967): 8.

Tillim, Sidney. “Scale and the Future of Modernism.” Artforum 6 (October 1967): 14–18.

1966

Alloway, Lawrence. “Background to Systemic.” Art News 65, no. 6 (October 1966): 30–33.

Ashton, Dore. “Conditioned Historic Reactions: New York Commentary” (exhibition review). Studio International 171, no. 877 (May 1966): 206.

Bannard, Walter Darby. “Present-day Art and Ready-made Styles.” Artforum 5, no. 4 (December 1966): 30–35.

Berkson, William. “In the Galleries” (André Emmerich Gallery exhibition review). Arts Magazine 40, no. 7 (May 1966): 59.

Boirdon, David. “Review” (André Emmerich Gallery exhibition review). The Village Voice, 10 March 1966.

Campbell, Lawrence. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 65, no. 2 (April 1966): 52.

Goossen, E.C. “Distillation: A Joint Showing” (exhibition review). Artforum 5, no. 3 (November 1966); 31–33.

Hudson, Andrew. “Kenneth Noland: Sarah’s Reach: A Mixture of Stillness and Movement, of Austerity amd Exuberance.” Washington Post, 8 May 1966.

Kozloff, Max. “The Inert and the Frenetic.” Artforum 4 (March 1966): 44–49.

Kramer, Hilton. “Art: The Postwar European Scene Documented” (André Emmerich Gallery exhibition review). The New York Times, 26 February 1966: 21.

Kramer, Hilton. “’Systemic Painting: An Art for Critics” (Solomon R. Guggenheim Museum exhibition review). The New York Times, 18 September 1966: D33.

Lippard, Lucy R. “New York Letter: Off Color” (André Emmerich Gallery exhibition review). Art International, 10, no. 4, 20 April 1966: 73–75.

Lord, Barry. “Three American Painters Tour Canada” (New Brunswick Museum exhibition review). Canadian Art 23, no. 3 (July 1966): 50.

McConoghau, Al. “Noland Wants His Paintings to Exist as Sensation.” Minneapolis Tribune, 13 March 1966: 4.

Pincus-Witten, Robert. “’Systemic’ Painting: A Well-Chosen View is Presented by Lawrence Alloway” (exhibition review). Artforum 5, no. 3 (November 1966): 42–45.

Swenson, G.R. “New York: The Boundaries of Chaos” (André Emmerich Gallery exhibition review). Art and Artists 1, no. 1 (April 1966): 62.

1965

Ashton, Dore. “Visual Pleasure from Austerity” (André Emmerich Gallery exhibition review). Studio International 169, no. 862 (February 1965): 92–93.

Baro, Gene. “London Letter” (Kasmin Ltd. exhibition review). Art International 9, no. 5 (June 1965): 67–70.

Campbell, Lawrence. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 63, no. 8 (February 1965): 92.

Campbell, Lawrence. “Reviews and Previews” (Jewish Museum exhibition review). Art News 64, no. 1 (March 1965): 12.

C.H. “Basel: Signale Held, Kelly, Mattmüller, Noland, Olitski, Pfahler, Plumb, Turnbull” (exhibition review). Werk 8 (August 1965): 179–180.

Cone, Jane Harrison. “On Color in Kenneth Noland’s Paintings.” Art International 9 (June 1965): 36–38.

Fried, Michael. “Anthony Caro and Kenneth Noland: Some Notes on Not Composing.” Lugano Review 1 (Summer 1965): 198–206.

Fried, Michael. “The Confounding of Confusion” (Jewish Museum exhibition review). Arts Yearbook 7 (1964): 37–45.

Gosling, Nigel. “Art: Surprises from New York” (Kasmin Ltd. exhibition review). The Observer 4 April 1965: 25.

Greenberg, Clement. “America Takes the Lead, 1945–65.” Art in America 53 (August 1965): 108–109.

Harrison, Jane. “On Color in Kenneth Noland’s Paintings.” Art International 9, no. 5 (June 1965): 36–38.

Hudson, Andrew. “Letter from Washington.” (Washington Gallery of Modern Art exhibition review). Art International 9, nos. 9–10 (December 1965): 56.

Judd, Donald. “In the Galleries: Kenneth Noland” (Jewish Museum exhibition review). Arts Magazine 39, no. 6 (March 1965): 54–55.

Judd, Donald. “New York Letter” (Jewish Museum exhibition review). Art International 9, no. 3 (April 1965): 74.

Lippard, Lucy. “New York Letter” (André Emmerich Gallery exhibition review). Art International 9, no. 1 (February 1965): 34–35.

Kozloff, Max. “Month in Review: Abstract Attrition” (André Emmerich Gallery exhibition review). Arts Magazine 39, no. 4 (January 1965): 48, 50.

Melville, Robert. “Gallery: The Amazing Continuity” (Kasmin Ltd. exhibition review). Architectural Review 138, no. 821 (July 1965): 57.

Mullins, Edwin. “Art: Most Important American” (Kasmin Ltd. exhibition review). Sunday Telegraph, 11 April 1965.

Peillix, Georges. “Lausanne: Parallèlement, Arman—Kenneth Noland” (exhibition review). Werk 3 (March 1965): 65–66.

Preston, Stuart. “Jewish Museum has Noland in Variety” (Jewish Museum exhibition review). The New York Times, 5 February 1965.

Rose, Barbara. “The Second Generation: Academy and Breakthrough.” Artforum 3 (September 1965): 53–63.

Russell, John. “The Stillness of a Noland.” Sunday Times, 4 April 1965.

Sandler, Irving. “The New Cool-Art.” Art in America 53 (February 1965): 96–101.

“Six Paintings by Mr. K. Noland” (Kasmin Ltd. exhibition review). The Times, 8 April 1965: 6.

Stevens, Elisabeth. “The Washington Color Painters” (exhibition review). Arts Magazine 40, no. 1 (November 1965): 29–33.

Thompson, David. “Art: Provocative New Talent” (Kasmin Ltd. exhibition review). The Queen, 7 April 1965.

Wilkin, Karen. “Peacock Duo.” Time , 8 January 1965: 50.

Wraight, Robert. “On the Galleries: Ringing the non-bells” (Kasmin Ltd. exhibition review). Tatler, 21 April 1965: 163.

1964

Baro, Gene. “The Venice Biennale” (exhibition review). Arts 38, no. 10 (September 1964): 32–37.

Canaday, John. “Straw Without Bricks” (André Emmerich Gallery exhibition review). The New York Times, 15 November 1964: 23.

Coplans, John. “Post-Painterly Abstraction: The Long-awaited Greenberg Exhibition Fails to Make Its Point” (exhibition review). Artforum 2, no. 12 (Summer 1964): 4–9.

Curjel, Hans. “Zurich: Morris Louis, Kenneth Noland” (exhibition review). Werk 8 (August 1964): 186–188.

“La Galleria ‘Notizie di Torino’ presenta: Kenneth Noland e Frank Stella” (exhibition review). Borsa d’Arte (December 1964): 4.

L.C. “Kenneth Noland” (André Emmerich Gallery exhibition review). Art News 63, no. 8 (December 1964): 14, illustrated.

Monte, James. “Third Annual New York Show, Quay Gallery” (exhibition review). Artforum 2, no. 11 (May 1964): 48.

Rose, Barbara. “Kenneth Noland.” Art International 8, no. 8 (Summer 1964): 58–62.

Rose, Barbara. “The Primacy of Color.” Art International 7 (May 1964): 22–26.

1963

“Abstract Painting from Paris and the United States” (Kasmin Ltd. exhibition review). The Times, 24 April 1963: 15.

Alexander, Leslie Judd. “Gotham is Alive with Summer Art” (Jewish Museum exhibition review). Washington Post, 23 June 1963.

Ashbery, John. “American Gallery in Paris Sells U.S. Art to Europeans” (Galerie Lawrence exhibition review). New York Herald Tribune, 2 May 1963.

Finley, Gerald E. “Noland, Louis, Olitski in Canada” (Norman Mackenzie Art Gallery exhibition review). Artforum 1, no. 4 (March 1963): 34–35.

Fried, Michael. “New York Letter” (André Emmerich Gallery exhibition review). Art International 7, no. 5 (May 1963): 69–71.

Greenberg, Clement. “Three New American Painters: Louis, Noland, Olitski” (Norman Mackenzie Art Gallery exhibition review). Canadian Art 20, no. 3 (May/June 1963): 172–175.

Hess, Thomas B. “The Phony Crisis in American Art.” Art News 62, no. 3 (May 1963): 24–37, 59–60.

Hodin, J.P. “Londres” (Kasmin Ltd. exhibition review). Quadrum 15 (1963): 161–164.

Judd, Donald. “In the Galleries: Kenneth Noland” (André Emmerich Gallery exhibition review). Arts Magazine 37 (September 1963): 53–54.

Judd, Donald. “In the Galleries: Toward a New Abstraction” (exhibition review). Arts Magazine 37 (September 1963).

Lucie-Smith. “Review” (Kasmin Ltd. exhibition review). The Listener, 2 May 1963.

Lynton, Norbert. “London Letter” (Kasmin Ltd. exhibition review). Art International 7, no. 5, 25 May 1963: 58.

Melville, Robert. “Exhibitions Painting and Sculpture” (Kasmin Ltd. exhibition review). Architectural Review 134, no. 797 (July 1963): 58.

Monte, James. “Directions: American Painting, San Francisco Museum of Art” (exhibition review). Artforum 2, no. 3 (November 1963): 43–44.

Mullins, Edwin. “In Search of a Line” (Kasmin Ltd. exhibition review). Apollo 77, no. 15 (May 1963): 416.

Sandler, Irving. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 62, no. 3 (May 1963): 11.

1962

Ahlander, Leslie Judd. “The Emerging Art of Washington.” Art International 6, no. 0 (November 1962): 30–33.

“Art: Hitting the Bull’s Eye.” Newsweek, 16 April 1962: 108–109.

Campbell, Lawrence. “New Blood in the Old Cross-Section” (Whitney Museum of American Art exhibition review). Art News 60, no. 9 (January 1962): 38–40.

Campbell, Lawrence. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 61, no. 3 (May 1962): 11.

Fried, Michael. “New York Letter.” Art International 6, no. 8 (October 1962): 70.

Greenberg, Clement. “After Abstract Expressionism.” Art International 6, no. 8 (October 1962): 24–29.

Judd, Donald. “In the Galleries: Geometric Abstraction in America” (exhibition review). Arts Magazine (May/June 1962).

Judd, Donald. “In the Galleries: Kenneth Noland” (André Emmerich Gallery exhibition review). Arts Magazine 36, no. 10 (September 1962): 49.

Kozloff, Max. “Art” (Whitney Museum of American Art exhibition review). The Nation, 21 April 1962: 364–366.

Kozloff, Max. “New York Letter” (André Emmerich Gallery exhibition review). Art International 6, no. 7 (September 1962): 38.

Noland, Kenneth. “Letter to the Editor.” Art News 61 (November 1962): 6.

O’Doherty, Brian. “Targets by Noland” (André Emmerich Gallery exhibition review). The New York Times, 14 April 1962: 22.

Sandler, Irving. “In the Art Galleries” (André Emmerich Gallery exhibition review). New York Post, 22 April 1962.

Sandler, Irving. “In the Art Galleries” (Whitney Museum of American Art exhibition review). New York Post, 15 April 1962.

1961

Alloway, Lawrence. “Easel Painting at the Guggenheim” (exhibition review). Art International 5, no. 10 (December 1961): 26–34.

Ashbery, John. “Paris Notes” (Galerie Neufville exhibition review). Art International 5, nos. 5–6 (June/August 1961): 42, 92.

Burrows, Carlyle. “Noland Art Purist” (André Emmerich Gallery exhibition review). New York Herald Tribune, 19 March 1961.

Canaday, John. “Whitney Again: The Annual Show Regulars Along with Twenty-Two Newcomers” (exhibition review). The New York Times, 17 December 1961.

Fried, Michael. “Visitors From America” (Marlborough Fine Art exhibition review). Arts Magazine 36, no. 3 (December 1961): 38–40.

Genauer, Emily. “Isms Die in Their Fashion” (Solomon R. Guggenheim Museum exhibition review). New York Herald Tribune, 15 October 1961.

Greenberg, Clement. “Art. Interview: Clement Greenberg.” Newsweek, 15 May 1961: 106.

Kroll, Jack. “American Painting and the Convertible Spiral” ((Solomon R. Guggenheim Museum exhibition review). Art News 60, no. 7 (November 1961): 34–37, 66, 68–69.

Preston, Stuart. “Art” (André Emmerich Gallery exhibition review). The New York Times, 18 March 1961.

Raynor, Vivien. “In the Galleries” (André Emmerich Gallery exhibition review). Arts Magazine 35, nos. 8–9 (May–June 1961): 98.

Reichardt, Jasia. “Modern Art in London: New New York Scene at New London Gallery” (exhibition review). Apollo 54, no. 441 (November 1961): 157.

Sandler, Irving. “New York Letter” (André Emmerich Gallery exhibition review). Art International 5, no. 4 (May 1961): 52–53.

Sandler, Irving. “Reviews and Previews” (André Emmerich Gallery exhibition review). Art News 60, no. 3 (May 1961): 52–53.

Truitt, James. “Art-Arid D.C. Harbors Touted ‘New’ Painters.” Washington Post, 21 December 1961: A20.

1960

Ahlander, Leslie Judd. “American Art in Microcosm” (Jefferson Place Gallery exhibition review). Washington Post, 17 January 1960: E7.

Curonici, Giuseppe. “Pittura Di Kenneth Noland.” Estratto Do Cenobio, Mensile di Cultura, no. 6 (November–December 1960).

Greenberg, Clement. “Louis and Noland.” Art International 4, no. 10 (May 1960): 26–29.

Rubin, William. “Younger American Painters” (French & Company exhibition review). Art International 4, no. 9 (January 1960): 24–31.

Sawyer, Kenneth B. “Art Notes: Noland and Hartigan Exhibits: (Jefferson Place Gallery exhibition review). Baltimore Sun, 31 January 1960: 5.

Wolfe, Thomas. “Artist’s New Technique Goes All Over” (Jefferson Place Gallery exhibition review). Washington Post, 5 January 1960.

1959

Ashton, Dore. “Art: An Emphasis on Size” (French & Company exhibition review). The New York Times, 16 October 1959.

“Big Pictures Fit in Little Rooms” (Modern Design Shop exhibition review). Washington Post, 28 January 1958: B5.

Campbell, Lawrence. “Reviews and Previews” (French & Company exhibition review). Art News 58, no. 6 (October 1959): 16.

Sawin, Martica. “In the Galleries: Kenneth Noland” (French & Company exhibition review). Arts Magazine 34, no. 2 (November 1959): 58.

Sawin, Martica. “New York Letter” (French & Company exhibition review). Art International 3, no. 9 (1959): 10–11.

Schuyler, James. “Reviews and Previews.” Art News 57, no. 6 (October 1958): 13.

1958

Portner, Leslie Judd. “Art in Washington” (Jefferson Place Gallery exhibition review). Washington Post and Times Herald, 9 February 1958: E7.

Schuyler, James. “Reviews and Previews” (Tibor de Nagy Gallery exhibition review). Art News 57, no. 6 (October 1958): 13.

Ventura, Anita. “In the Galleries” (Tibor de Nagy Gallery exhibition review). Arts Magazine 33, no. 1 (October 1958): 57.

1957

Ashton, Dore. “Kenneth Noland Abstractions on Display” (Tibor de Nagy Gallery exhibition review). The New York Times, 4 January 1957.

Mellquist, Jerome R. “In the Galleries: Kenneth Noland” (Tibor de Nagy Gallery exhibition review). Arts Magazine 31, no. 5 (February 1957): 65.

Schuyler, James. “Reviews and Previews: First One-Man Show of Oils in New York, at De Nagy” (exhibition review). Art News 55, no. 10 (February 1957): 10.

1954

Burrows, Carlyle. “Art Review” (Kootz Gallery exhibition review). New York Herald Tribune, 24 January 1954.

Fitzsimmons, James. “A Critic Picks Some Promising Painters” (Kootz Gallery exhibition review). Art Digest 28, no. 8, 15 January 1954: 10–11.

Preston, Stuart. “Gallery Variety” (Kootz Gallery exhibition review). The New York Times, 17 January 1954.

1953

Portner, Leslie Judd. “Two More Worthwhile Shows” (Catholic University exhibition review). Washington Post, 21 June 1953: 61.

Portner, Leslie Judd. “The Workshop and the Watkins” (Washington Workshop Center exhibition review). Washington Post, 1 February 1953: 51.

1952

“Noland Abstractions” (Dupont Theatre exhibition review). Sunday Star, 30 November 1952: E7.

Portner, Leslie Judd. “Auction Friday; a Calfee Show” (Washington Workshop Center exhibition review). Washington Post, 16 November 1952: 41.

1949

Devoluy, John. “Art News in Paris” (Galerie Creuze exhibition review). International Herald Tribune, 29 April 1949.

2024

Cateforis, David. Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present. New York: Oxford University Press, 2024: 350, illustrated.

2023

Hanna, Patricia, and Anelys Alvarez, eds. To Weave the Sky: Textile Abstraction from the Jorge M. Pérez Collection (exhibition catalogue). Miami: El Espacio 23, 2023: 98–99, 103, 126, illustrated.

Kramer, Sarah, ed. The Art Museum. New York: Phaidon, 2023: 378, illustrated.

2022

Aquin, Stéphane, and Anne Reeve, eds. Hirshhorn Museum and Sculpture Garden: The Collection. New York: DelMonico Books, 2022: 193, illustrated.

"Kenneth Noland." In The New York Tapes: Alan Solomon’s Interviews for Television 1965-66. Circle; Archives of American Art: New York, Washington, D.C., 2022: 281–329.

2021

Kenneth Noland: Context is Key, Paintings: 1958-1970 (exhibition catalogue in production). New York: Yares Art, 2021.

Robbins, Christa Noel. Artist as Author: Action and Intent in Late-Modernist American Painting. Chicago: The University Press, 2021.

2020

Kenneth Noland: Flares (exhibition catalogue). Text by Jeffrey Katzin. New York: Pace Gallery, 2020.

2018

The Joy of Color (exhibition catalogue). New York: Mnuchin Gallery, 2018: 36–37, illustrated.

2017

Kenneth Noland: Into the Cool (exhibition catalogue). Text by William C. Agee. New York: Pace Gallery, 2017.

IMPULSE (exhibition catalogue). Texts by Pernilla Holmes, Amelie von Wedel, Adrienne Edwards et al. London: Pace London, 2017.

Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 90–91, illustrated.

2016

Agee, William C. Modern Art in America. London and New York: Phaidon Press Limited, 2016: 259–64, illustrated.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 92, 93, 162, illustrated.

The Serial Attitude (exhibition catalogue). Texts by Rachel Schaefer, Susan Wallach and Katie Woods. New York: Eykyn Maclean,2016: 21, illustrated.

2015

Heyler, Joanne, Ed Schad and Chelsea Beck, ed. The Broad Collection. Munich, London, New York: Prestel Verlag, 2015, illustrated.

Hoyland Caro Noland (exhibition catalogue). London: Pace London, 2015.

2014

A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University. Texts by Gwen Allen, David Cateforis and Evelyn C. Hankins, etc. Stanford, California; New York: The Anderson Collection at Stanford University, 2014: 91, 106, illustrated.

Kenneth Noland: Paintings 1975–2003 (exhibition catalogue). Text by William C. Agee. New York: Pace Gallery, 2014.

Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 70–71, illustrated.

Museum Folkwang: Painting & Sculpture 19th–21st Century, Essen and Munich: Museum Folkwang; Sieveking Verla, 2014: 233, illustrated.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

Re-View: Onnasch Collection (exhibition catalogue). London: Snoeck; Hauser & Wirth, 2014: 99, 182–85, illustrated.

The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014.

2012

Kenneth Noland: Mysteries, Full Circle (exhibition catalogue). Santa Fe: Yares Art Projects, 2012.

Noland, Kenneth. “Color, Format, and Abstract Art: Interview by Diane Waldman (1977).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 120–124.

2011

Kenneth Noland: Paintings 1958–1968 (exhibition catalogue). Text by Paul Hayes Tucker. New York: Mitchell-Innes & Nash, 2011.

2010

Onnasch, Reinhard, ed. Nineteen Artists. Berlin: El Sourdog Hex, 2010.

2008

The Margulies Collection. Texts by Peter Plagens and Klaus Kertess; interview with Martin Margulies by Peter Plagens. Miami: The Martin Z. Margulies Foundation, 2008: 226, illustrated.

2006

Godfrey, Robert. Kenneth Noland: Music without Words. Greenville, North Carolina: Greenville Museum of Art, 2006.

Kenneth Noland: The Stripe Paintings (exhibition brochure). Text by Christoph Grunenberg. Liverpool: Tate Liverpool, 2006.

Kenneth Noland: 360º on the Wall (exhibition catalogue). Text by Paul Theroux. New York: Ameringer Yohe Fine Art, 2006.

2005

Hapkemeyer, Andreas, ed. The Perception of the Horizontal (exhibition catalogue). Cologne: Walter König, 2005.

Kenneth Noland. Text by Franco Fanelli. Milan: Silvana Editorale Spa, 2005.

Minimalism and After IV (exhibition catalogue). Texts by Jeff Amos, Andreas Pinczewski et al. Stuttgart: DaimlerChrysler AG, 2005.

2004

Campbell, Kathryn L. “Acrylics and Color Field Painting: Leonard Bocour, Morris Louis and Kenneth Noland.” Masters diss., Virginia Commonwealth University, 2004.

Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York (exhibition catalogue). New York: The Museum of Modern Art, 2004: 221, illustrated.

Kenneth Noland: The Nature of Color (exhibition catalogue). Texts by Alison de Lima Greene and Karen Wilkin. Houston: Museum of Fine Art, 2004.

2003

Kenneth Noland: Contrapuntal (exhibition catalogue). Text by Matthew Collings. New York: Ameringer Yohe Fine Art, 2003.

2002

Kenneth Noland: Colors (exhibition catalogue). New York: Ameringer Howard Yohe Fine Arts Gallery, 2002.

Kenneth Noland: Themes and Variations 1958–2000 (exhibition catalogue). Texts by Jamaica Kincaid and Terry Fenton. Rockland, Maine: Farnsworth Art Museum, 2002.

2001

Kenneth Noland: New Paintings (exhibition catalogue). Interview by Matthew Collings. London: Bernard Jacobson Gallery, 2001.

Sagner-Düchting, Karin. Monet and Modernism (exhibition catalogue). London, Prestel, 2002.

Simak, Ellen. “Kenneth Noland (1924–): Go.” In A Catalogue of the American Collection, Volume 2. Chattanooga, Tennessee: Hunter Museum of American Art, 2001: 55–56.

2000

Kenneth Noland (exhibition catalogue). Madrid: Metta Galería, 2000.

Postpictórico-pop: Noland–Warhol (exhibition catalogue). Málaga, Spain: Diputación de Málaga, Area de Cultura, 2000.

1998

Fried, Michael. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press, 1998.

Gassen, Richard W. Kunst im Aufbruch: Abstraktion zwischen 1945 und 1959 (exhibition catalogue). Ostfildern-Ruit: Verlag Gerd Hatje, 1998: illustrated.

Kenneth Noland: Circles (exhibition catalogue). Text by Karen Wilkin. New York: André Emmerich Gallery, 1998.

1995

Crusius, Timothy W. and Carolyn E. Channell. The Aims of Argument: A Brief Rhetoric. Mountain View, California: Mayfield Publishing Company, 1995: cover.

1993

Kenneth Noland: Paperworks (exhibition catalogue). Todi, Italy: Extra Moenia arte moderna, 1993.

Kenneth Noland: The Circle Paintings 1956–1963 (exhibition catalogue). Text by William C. Agee. Houston: Museum of Fine Arts, 1993.

Noland’s Nolands: A Retrospective Selection from the Artist’s Collection 1959–1991 (exhibition brochure). Text by Shaw Smith. Davidson, North Carolina: William H. Van Every, Jr. Gallery, Davidson College, 1993.

1991

Kenneth Noland: Neue Gemälde 1991 (exhibition catalogue). Berlin: Salander-O’Reilly Galleries, 1991.

Kenneth Noland: Pinturas 1958–1990 (exhibition catalogue). Madrid: Galerias Afinsa and Almirante, 1991.

Kenneth Noland: A Selection of Recent Paintings (exhibition catalogue). New York: Salander-O’Reilly Galleries, 1991.

1990

Kenneth Noland: A Selection of Recent Paintings (exhibition catalogue). Text by Karen Wilkin. Beverly Hills: Salander-O’Reilly Galleries, 1990.

Washington Color Painters: The First Generation (exhibition catalogue). Texts by Gerald Nordland and Sue Scott. Orlando: Orlando Museum of Art, 1990.

Wilkin, Karen. Kenneth Noland. New York: Rizzoli, 1990.

1989

Exposition Inaugurale (exhibition catalogue). Frejus, France: Fondation Daniel Templon, 1989: 120–121, illustrated.

Kenneth Noland: Calles de Barcelona (exhibition catalogue). New York: Galería Joan Prats, 1989.

Kenneth Noland: An Important Exhibition of Paintings from 1958 to 1989 (exhibition catalogue). Texts by Terry Fenton, Ken Carpenter et al. New York: Salander-O’Reilly Galleries, Inc., 1989.

1988

Kenneth Noland: Rains, Painted Monotypes (exhibition catalogue). Los Angeles: Mixografia Gallery, 1988.

Rudenstine, Angelica Zander. Modern Painting, Drawing & Sculpture Collected by Emily and Joseph Pulitzer Jr. Cambridge: Harvard University Art Museums, 1988: 795–8.

1987

Sterling, Susan Fisher. “Kenneth Noland’s Artistic Evolution, 1945–1965.” Ph. D. diss., Princeton University, 1987.

1986

Kenneth Noland (exhibition catalogue). White Plains, New York: Robert Martin Gallery, 1986.

Kenneth Noland: Major Works (exhibition catalogue). Text by Richard H. Love. Chicago: Haase-Mumm Publishing Co., 1986.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1986.

Kenneth Noland: Rains, Painted Monotypes (exhibition catalogue). Toronto: Gallery One, 1986.

1985

Contrasts of Form: Geometric Abstract Art, 1910–1980 (exhibition catalogue).

Dabrowski, Magdalena. Contrasts of Form: Geometric Abstract Art, 1910–1980 (exhibition catalogue). New York: The Museum of Modern Art, 1985: 233, illustrated.

Grand Compositions: Selections from the Collection of David Mirvish (exhibition catalogue). Text by Diane Upright. Fort Worth, Texas: Fort Worth Art Museum, 1985: illustrated.

Kenneth Noland (exhibition catalogue). Barcelona: Galería Joan Prats, 1985.

Kenneth Noland: Doors and Ghosts, Painted Monotypes (exhibition catalogue). New York: André Emmerich Gallery, 1985.

Kenneth Noland: Paintings of the 1960s—Chevrons and Stripes (exhibition catalogue). New York: André Emmerich Gallery, 1985.

Kramer, Hilton. The Revenge of the Philistines: Art and Culture, 1972–1984. New York: Free Press, 1985.

Masters of the Fifties: American Abstract Painting from Pollock to Stella (exhibition catalogue). Text by Sam Hunter. New York: Marisa del Re Gallery, 1985.: 42, illustrated.

Pre-Postmodern: Good in the Art of Our Time (exhibition catalogue). Canton, New York: Richard F. Brush Gallery, St. Lawrence University, 1985: 11, illustrated.

Rosenberg, Harold. Art and Other Serious Matters. Chicago: University of Chicago Press, 1985.

1984

Kenneth Noland: Matrix 74 (exhibition brochure). Text by Constance Lewallen. Berkeley, California: University Art Museum, University of California, 1984.

Kenneth Noland: Monotypes, Barcelona, 1984 (exhibition catalogue). New York: Galería Joan Prats, 1984.

Kenneth Noland: Neue Bilde 1984 (exhibition catalogue). Berlin: Reinhard Onnasch Galerie, 1984.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1984.

Kenneth Noland in Paris (exhibition catalogue). Text by Ann Hindry. Paris: Galerie de France, 1984.

Prints from Tyler Graphics (exhibition catalogue). Text by Elizabeth Armstrong. Minneapolis: Walker Art Center, 1984: 22.

1983

Jim Bird, Kenneth Noland, Arthur Secunda (exhibition catalogue). Barcelona: Galería Joan Prats, 1983.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1983.

Kenneth Noland: Recent Paperworks (exhibition catalogue). Durham, North Carolina: Duke University Museum of Art, 1983.

Kenneth Noland: Winds, Painted Monotypes (exhibition catalogue). Text by Henry Geldzahler. New York: André Emmerich Gallery, 1983.

Kenneth Noland: Winds / Vientos (exhibition catalogue). Mexico City: Taller de Gráfica Mexicana, 1983.

Modern Art in the West: Guggenheim (exhibition catalogue). Tokyo: Tokyo Metropolitan Art Museum, 1983.

1982

Ashton, Dore. American Art since 1945. New York: Oxford University Press, 1982.

Johnson, Ellen H. American Artists on Art from 1940 to 1980. New York: Harper & Row Publishers, 1982: 47–50.

Kenneth Noland: Monotypes (exhibition catalogue). New York: André Emmerich Gallery, 1982.

Kenneth Noland: Neue Bilder (exhibition catalogue). Zurich: Gimpel & Hanover, 1982.

Out of the South: An Exhibition of Work by Artists Born in the South (exhibition catalogue). Text by Donald Kuspit. Atlanta: Heath Gallery, 1982: 18–19.

A Private Vision: Contemporary Art from the Graham Gund Collection (exhibition catalogue). Texts by Carl Belz, Kenworth Moffett et al. Boston: Museum of Fine Arts, 1982: 36–39, illustrated.

1981

Center Ring: The Artist—Two Centuries of Circus Art (exhibition catalogue). Milwaukee: Milwaukee Art Museum, 1981: no. 75, illustrated.

Depuis la couleur, 1958–1964: Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski (exhibition catalogue). Bordeaux: Centre d’arts plastiques contemporains de Bordeaux.1981.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1981.

Lieberman, William S., ed. An American Choice: The Muriel Kallis Steinberg Newman Collection. New York: Metropolitan Museum of Art, 1981.

Myers, John Bernard. Tracking the Marvelous: A Life on the New York Art World. New York: Random House, 1981.

Rood, Ogden N. Modern Chromatics. New York: D. Appleton and Co., 1981.

Russell, John. The Meanings of Modern Art. New York: The Museum of Modern Art and Harper & Row, 1981: 355–357.

Selz, Peter. Art in our Times: A Pictorial History 1890–1980. New York: Harry N. Abrams, 1981.

1980

Barnett, Vivian Endicott. Handbook: The Guggenheim Museum Collection 1900–1980. New York: Solomon R. Guggenheim Foundation, 1980: 496–497.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1980.

With Paper, About Paper (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1980: 11, 56–57.

1979

Cummings, Paul. Artists in Their Own Words. New York: St. Martin’s Press, 1979: 149.

Kenneth Noland: Recent Paintings (exhibition catalogue). London: Waddington Galleries, 1979.

1978

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1978: cover.

Kenneth Noland: Handmade Papers. Text by Judith Goldman. Bedford Village, New York: Tyler Graphics, 1978.

Sandler, Irving. The New York School: The Painters and Sculptors of the Fifties. New York: Harper & Row, 1978.

Selections from the Collection of Mr. and Mrs. Eugene Schwartz (exhibition catalogue). Text by Lawrence Rubin. New York: Knoedler Gallery, 1978.

1977

Almeida, Deborah. “Kenneth Noland; A Formalist Approach to a Retrospective.” Masters diss., Hunter Colleger Department of Art, 1977.

Kenneth Noland: A Retrospective (exhibition catalogue). Text by Diane Waldman. New York: Solomon R. Guggenheim Foundation, 1977.

Moffett, Kenworth. Kenneth Noland. New York: Harry N. Abrams, 1977.

Naylor, Colin and Genesis P. Orridge, eds. Contemporary Artists. New York: St. Martin’s Press, 1977.

Paper Forms: Hand-made Paper Projects (exhibition catalogue). Interviews by Kathy Halbreich. Cambridge: Hayden Gallery, Massachusetts Institute of Technology, 1977.

1976

Amerikanische Kunst von 1945 bis heute: Kunst der USA in europäischen Sammlungen. Edited by Dieter Honisch and Jens Christian Jensen. Koln: DuMont Buchverlag Köln, 1976: illustrated.

Kenneth Noland (exhibition catalogue). Text by Germano Beringheli. Milan: Galleria Morone 6, 1976.

Kenneth Noland: Neue Bilder 1976 (exhibition catalogue). Hamburg: Galerie Wentzel, 1976.

Surface, Edge and Color: Paintings by Al Held, Ellsworth Kelly, Agnes Martin, Kenneth Noland, Larry Poons, Frank Stella (exhibition catalogue). New York: Whitney Museum of American Art, 1976.

1975

Kenneth Noland (exhibition catalogue). Text by Karen Wilkin. Alberta: Edmonton Art Gallery, 1975.

Kenneth Noland: Early Circle Paintings (exhibition brochure). Text by Jeanne Siegel. New York: Visual Arts Gallery, School of Visual Arts, 1975.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1975.

1974

Carmean, E.A. The Great Decade of American Abstraction, Modernist Art 1960–1970 (exhibition catalogue). Houston: Museum of Fine Arts, 1974: 12, no. 2, and 28, no. 8, illustrated.

Kenneth Noland (exhibition catalogue). London: Rutland Gallery, 1974.

Schmaelenbach, Werner. Picasso to Lichtenstein. London: Tate Gallery, 1974: 218.

1973

Franc, Helen M. An Invitation to See: 125 Paintings from The Museum of Modern Art. New York: The Museum of Modern Art, 1973: 37.

Hunter, Sam. American Art of the Twentieth Century. New York: Harry N. Abrams, 1973.

Kenneth Noland: New Paintings (exhibition catalogue). London: Waddington Galleries, 1973.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1973.

1972

Duberman, Martin. Black Mountain: An Exploration in Community. New York: E.P. Dutton & Co., 1972.

Fried, Michael. Morris Louis. New York: Harry N. Abrams, 1972.

Kenneth Noland: Paintings 1969–1970 (exhibition brochure). Berlin: Galerie Mirko, 1972.

Rosenberg, Harold. The De-Definition of Art. New York: Horizon Press, 1972.

Steinberg, Leo. Other Criteria: Confrontations with Twentieth Century Art. New York: Oxford University Press, 1972.

W. Darby Bannard, Robert Goodnough, Kenneth Noland, Jules Olitski, Larry Poons, Frank Stella (exhibition catalogue). Text by Friedrich W. Heckmanns. Krefeld, Germany: Galerie und Edition Merian, 1972.

1971

Art of the Sixties. Cologne: Richartz Museum, 1971: 127–129.

Baigell, Matthew. A History of American Painting. New York: Praeger, 1971.

Bernhard, Kerber. Amerikanische Kunst Seit 1945. Stuttgart: Reclam, 1971.

Calas, Nicolas and Elena, Icons and Images of the Sixties. New York: E.P. Dutton & Co., 1971: 187.

Fried, Michael. Morris Louis. New York: Harry N. Abrams, 1971.

Kenneth Noland: New Paintings (exhibition catalogue). New York: André Emmerich Gallery, 1971.

Pittsburgh International (exhibition catalogue). Pittsburgh: Carnegie Institute, 1970: 66.

Tucker, Marcia. The Structure of Color (exhibition catalogue). New York: Whitney Museum of American Art, 1971.

1970

Burnham, J.W. “The Aesthetics of Intelligent Systems.” In On the Future of Art. New York: Viking Press, 1970: 98–99.

Color: Ron Davis, Ellsworth Kelly, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella (exhibition catalogue). Los Angeles: UCLA Art Galleries, University of California, 1970.

Colt, Priscilla. Color and Field, 1890–1970 (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1970: 12, 16.

Ellsworth Kelly, Morris Louis, Kenneth Noland, Frank Stella (exhibition catalogue). Chicago: Museum of Contemporary Art, 1970.

Frank Stella (exhibition catalogue). Text by William S. Rubin. New York: The Museum of Modern Art, 1970.

Hamilton, George Heard. Nineteenth and Twentieth Century Art: Painting and Sculpture. New York: Harry N. Abrams, 1970.

Hudson, Andrew. Ten Washington Artists: 1950–1970 (exhibition catalogue). Alberta: Edmonton Art Gallery, 1970.

Hunter, Sam. La Pittura Americana del Dopoguerra. Milan: Fratelli Fabbri Editori, 1970: 14, 16.

Johnson, Diane. Washington: Twenty Years. Baltimore: Baltimore Museum of Art, 1970: 8–12, 17, 19.

Kenneth Noland: New Paintings (exhibition catalogue). London: Kasmin Ltd. and Waddington Galleries, 1970.

Mendelowitz, Daniel M. A History of American Art. New York: Holt, Rinehart and Winston, 1970: 458–463.

1969

Alley, Ronald. Recent American Art. London: Tate Gallery, 1969: 8.

Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. London: Pall Mall Press, Ltd., 1969.

Grohmann, Will et al. New Art Around the World: Painting and Sculpture. New York: Harry N. Abrams, 1969.

Lucie-Smith, Edward. Late Modern. New York: Praeger, 1969: 103, 107–110, 115.

Rose, Barbara. American Painting: The 20th Century. Lausanne: Skira, 1969.

Stella, Noland, Caro (exhibition catalogue). Text by Christopher Finch. Minneapolis: Dayton’s Gallery 12, 1969.

1968

The Art of the Real: USA 1948–1968 (exhibition catalogue). Text by Eugene C. Goosen. New York: The Museum of Modern Art, 1968: illustrated.

Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: E.P. Dutton, 1968: 54, 152, illustrated.

Coplans, John. Serial Imagery (exhibition catalogue). Pasadena, California: Pasadena Art Museum, 1968.

Documenta IV (exhibition catalogue). Kassel: Museum Fridericianum, 1968: 218–221.

Gray, Cleve, ed. David Smith by David Smith: Sculpture and Writings. London: Thames and Hudson, 1968: 16.

Kosloff, Max. “Frank Stella and Kenneth Noland.” In Renderings: Critical Essays on a Century of Modern Art. New York: Simon and Schuster, 1968: 264–273.

Read, Herbert. A Concise History of Modern Painting. London: Thames and Hudson, 1968: 340.

1967

Kenneth Noland (exhibition catalogue). New York: André Emmerich Gallery, 1967.

Morris Louis, 1912–1962 (exhibition catalogue). Text by Michael Fried. Boston: Museum of Fine Arts, 1967: 9, 11, 24.

Rickey, George. Constructivism: Origins and Evolution. New York: G. Braziller, 1967.

Rose, Barbara, American Art since 1900, A Critical History. New York: Frederick A. Praeger, 1967.

Solomon, Alan R. New York: The New Art Scene. New York: Holt, Rinehart and Winston, 1967.

1966

Alloway, Lawrence. Systemic Painting (exhibition catalogue). New York: Solomon R. Guggenheim Foundation, 1966.

Battcock, Gregory, ed. The New Art: A Critical Anthology. New York: Dutton, 1966.

Pellegrini, Aldo. New Tendencies in Art. New York: Crown Publishers, 1966.

Sonino, Michael, ed. New Art Around the World. New York: H.N. Abrams, 1966: 23–25, 57.

1965

Kenneth Noland (exhibition catalogue). Text by Michael Fried. New York: Jewish Museum, 1965.

Geldzahler, Henry. American Painting in the Twentieth Century. New York: Metropolitan Museum of Art, 1965: 206.

Seitz, William. The Responsive Eye (exhibition catalogue). New York: The Museum of Modern Art, 1965.

Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella (exhibition catalogue). Cambridge, Massachusetts: Fogg Art Museum, 1965.

The Washington Color Painters (exhibition catalogue). Washington, D.C.: Washington Gallery of Modern Art, 1965.

1964

Greenberg, Clement. Post-Painterly Abstraction (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 1964.

Paintings by Jasper Johns, Morris Louis, Kenneth Noland and Robert Rauschenberg (exhibition catalogue). Milan: Galleria dell’Ariete, 1964.

Paintings by Kenneth Noland and Frank Stella (exhibition catalogue). Turin: La Galleria Notizie, 1964.

Rosenberg, Harold. The Anxious Object: Art Today and Its Audience. New York: Horizon Press, 1964: 56.

Solomon, Alan R. XXXII Biennale d’Arte Venezia: Quatttro Artisti Germinali—Morris Louis, Kenneth Noland, Robert Rauschenberg, Jasper Johns; Quattro Artisti Più Giovani: John Chamberlain, Claes Oldenburg, Jim Dine, Frank Stella (exhibition catalogue). New York: Jewish Museum, 1964.

1963

Kenneth Noland (exhibition catalogue). New York: André Emmerich Gallery, 1963.

Kenneth Noland (exhibition catalogue). Paris: Galerie Lawrence, 1963.

Kenneth Noland: Paintings 1959–62 (exhibition catalogue). London: Kasmin Ltd., 1963.

Morris Louis 1912–1962: Memorial Exhibition, Paintings from 1954–1960 (exhibition catalogue). Text by Lawrence Alloway. New York: Solomon R. Guggenheim Foundation,1963.

1962

Kenneth Noland (exhibition catalogue). New York: André Emmerich Gallery, 1962.

Kenneth Noland (exhibition catalogue). Text by E.C. Goossen. Zurich: Galerie Charles Lienhard, 1962.

65th American Exhibition: Some New Directions in Contemporary Paintings and Sculpture (exhibition catalogue). Chicago: Art Institute of Chicago, 1962: no.56, illustrated.

1961

Arnason, H.H. American Abstract Expressionists and the Imagists (exhibition catalogue). New York: Solomon R. Guggenheim Foundation, 1961: 64, illustrated.

1960

Kenneth Noland (exhibition catalogue). Text by Clement Greenburg. Milan: Galleria dell’Ariete, 1960.

1959

Kenneth Noland: Paintings (exhibition catalogue). New York: French & Company, 1959.