Isamu Noguchi

Dates

Born 1904, Los Angeles

Died 1988, New York

2019

In Search of Contoured Playground, Noguchi Museum, New York, August 21, 2019- February 2, 2020.

Models for Spaces, Noguchi Museum, New York, August 21, 2019- February 2, 2020.

2018

Beyond the Pedestal: Isamu Noguchi and the Borders of Sculpture, Portland Museum of Art, Maine, October 5, 2018–January 6, 2019.

Akari: Sculpture by Other Means, Noguchi Museum, New York, February 28, 2018–April 14, 2019.

2017

Isamu Noguchi: From Sculpture to Body and Garden, Oita Prefectural Art Museum, Japan, November 17, 2017–January 21, 2018.

Self-Interned, 1942: Noguchi in Poston War Relocation Center, Noguchi Museum, New York, January 18, 2017–January 7, 2018.

2016

Isamu Noguchi: Archaic / Modern, Smithsonian American Art Museum, Washington, D.C., November 11, 2016–March 19, 2017. (Catalogue)

Museum of Stones: Ancient and Contemporary Art at the Noguchi Museum, The Isamu Noguchi Foundation and Garden Museum, New York, October 7, 2015–January 10, 2016.

Noguchi’s Playscapes, Museo Tamayo Arte Contemporáneo, Mexico City, May 11–October 11, 2016. Traveled to: San Francisco Museum of Modern Art, July 15–November 26, 2017. (Catalogue)

2015

Isamu Noguchi at Brooklyn Botanic Garden, Brooklyn Botanic Garden, September 8–December 14, 2014.

Isamu Noguchi: Variations, Pace Gallery, 508 and 510 West 25th Street, New York, February 20–March 21, 2015. (Catalogue)

Noguchi as Photographer: The Jantar Mantars of Northern India, Noguchi Museum, Long Island City, New York, January 8–May 31, 2015. (Brochure)

2014

Isamu Noguchi, Patent Holder: Designing the World of Tomorrow, The Noguchi Museum, Long Island City, New York, June 4–January 4, 2015. Expanded version traveled to: Dr. M. T. Geofrey Yeh Art Gallery, St. John’s University, Queens, New York, January 15–March 19, 2015. (Catalogue)

2013

Isamu Noguchi: We are the Landscape of All We Know, Portland Japanese Garden, Oregon, May 3–July 21, 2013.

2012

Hammer, Chisel, Drill: Noguchi’s Studio Practice, The Noguchi Museum, Long Island City, New York, October 3, 2012–April 28, 2013.

2011

Noguchi: California Legacy, Laguna Art Museum, Laguna Beach, California, June 12–October 2, 2011.

Tracks: Animal Drawings from Noguchi’s Travels, The Noguchi Museum, Long Island City, New York, May 25–September 18, 2011.

2010

Isamu Noguchi: Between East and West, Basil and Elise Goulandris Foundation, Museum of Contemporary Art, Andros, Greece, June 27–September 26, 2010. (Catalogue)

2009

Isamu Noguchi at the Philadelphia Museum of Art, Philadelphia Museum of Art, Pennsylvania, September 14, 2009–Summer 2013.

Noguchi ReINstalled, The Noguchi Museum, Long Island City, New York, June 17, 2009–October 24, 2010.

From Plaster to Stone, The Noguchi Museum, Long Island City, New York, March 25–August 30, 2009.

What is Sculpture? Akari from the 1986 Venice Biennale, Noguchi Museum, Long Island City, New York, February 18–May 31, 2009.

2008

Isamu Noguchi, Yorkshire Sculpture Park, West Bretton, Wakefield, July 18, 2008–February 22 (extended through May 4), 2009. (Catalogue)

Highlights from the Collection, The Noguchi Museum, Long Island City, New York, June 18, 2008–January 18, 2009.

2007

Isamu Noguchi: Survey of Paris Abstractions, Noguchi Museum, Long Island City, New York, May 24–August 26, 2007.

Thunder Rock, Channel Gardens at Fifth Avenue, Rockefeller Center, New York, February 12–April 6, 2007.

2006

Metamorfosis en barro: Noguchi en Kamakura, Fundación ICO, Madrid, October 20, 2006–January 7, 2007. (Catalogue)

Isamu Noguchi: Connecting the World through Sculpture, Yokohama Museum of Art, April 15–June 26, 2006. Traveled to: Museum of Modern Art, Shiga, July 8–September 18, 2006; Takamatsu City Museum of Art, September 29–November 12, 2006. (Catalogue)

2005

Isamu Noguchi: Energy out of Nothingness, Museum of Contemporary Art, Sapporo, Japan, July 2–August 28, 2005.

2004

Isamu Noguchi: Master Sculptor, Whitney Museum of American Art, New York, October 28, 2004–January 16, 2005. Traveled to: Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 10–May 8, 2005. (Catalogue)

Isamu Noguchi: Sculptural Design, Isamu Noguchi Garden Museum, Long Island City, New York, June 9–October 3, 2004.

Noguchi: The Bollingen Journey, Hiroshima City Museum of Contemporary Art, June 8–November 6, 2004. (Brochure)

2003

33 MacDougal Alley: The Interlocking Sculpture of Isamu Noguchi, PaceWildenstein, 32 East 57th Street, New York, September 12–October 4, 2003. (Catalogue)

Isamu Noguchi and Modern Japanese Ceramics, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, D.C., May 4–September 7, 2003. Traveled to: Japan Society, New York, October 16, 2003–January 11, 2004; Japanese American National Museum, Los Angeles, February 7–May 30, 2004. (Catalogue)

Noguchi: Contours, UBS Paine Weber Art Gallery, New York, April 10–June 20, 2003. (Brochure)

Noguchi: The Bollingen Journey Photographs and Drawings 1949–1956, The Isamu Noguchi Garden Museum, Long Island City, New York, February 13–July 28, 2003.

Isamu Noguchi: Sculpture in Stone, Steel, and Bronze, Lever House Plaza and Lever House Lobby Gallery, New York, February 1, 2003–February 28, 2006.

2002

Noguchi: Sculpture and Nature, Noguchi Museum, Long Island City, New York, June 29, 2002–January 13, 2003.

Zen No Zen: Aspects of Noguchi’s Sculptural Vision, The Isamu Noguchi Garden, Long Island City, New York, February 23–June 2, 2002.

2001

Isamu Noguchi—Sculptural Design, London Design Museum, July 19–November 18, 2001. Traveled to: Vitra Design Museum, Weil-am-Rhein, Germany, December 8, 2001–April 21, 2002; Maison de la Culture du Japon, Paris, September 23–December 14, 2002; MART, Roverto/Trento, March 14–May 4, 2003; Kunsthal Rotterdam, May 31–September 6, 2003; Isamu Noguchi Garden Museum, April 17–mid-September 2004.

Relocated; Twenty Stones from Japan, Isamu Noguchi Garden Museum, Long Island City, New York, April–October 2001. (Catalogue)

2000

Isamu Noguchi, Gallery Kasahara, Tokyo, October 2–31, 2000.

Isamu Noguchi: Working Metal 1940–1982, College of Saint Rose, Albany, New York, October 21–December 3, 2000.

1999

The Public and Private Worlds of Isamu Noguchi, University of California, San Francisco, October 25, 1999–March 15 (extended through June), 2000.

Isamu Noguchi: Beginnings, Michael C. Carlos Museum, Emory University, Atlanta, October 4, 1999–October 1, 2001.

Isamu Noguchi: Stone and Paper, Bryan Ohno Gallery, Seattle, September 2–October 9, 1999. (Catalogue)

Isamu Noguchi: New Acquisitions from the Hall Family Foundation Collection, The Nelson-Atkins Museum of Art, Kansas City, April 20–June 13, 1999. (Brochure)

Noguchi Y La Figura / Noguchi and the Figure, Museo de Arte Contemporáneo de Monterrey, Mexico, February 12–May 10, 1999. Traveled to: Museo Rufino Tamayo, Mexico City, June 3–September 6, 1999.

A Sculpture by Isamu Noguchi, The Harn Museum, Gainsville, Florida, January 17–September 26, 1999.

1998

Twentieth Century American Sculpture at The White House Exhibition VII: Inspired by Rodin, Jascquline Kennedy Garden, White House, Washington, D.C., September 28, 1998–October 1, 1999.

Light and Shadow—Sculptural Resonance in Space: The Works of Isamu Noguchi from New York and Mure, Museum of Contemporary Art, Sapporo, July 4–August 30, 1998. (Catalogue)

Isamu Noguchi: Stones and Water, PaceWildenstein, 32 East 57th Street, New York, May 1–June 26, 1998. (Catalogue)

1995

Isamu Noguchi: light sculptures, Musée des Art décoratifs, Montreal, Canada, May 18–September 17, 1995.

1994

Isamu Noguchi: Beginnings and Ends, PaceWildenstein, New York, December 3, 1994–January 21, 1995.

Noguchi at the Dance, The New York Public Library for the Performing Arts, New York, September 30, 1994–January 28, 1995.

Quiet Light: An Installation of Isamu Noguchi's Akari Light Sculptures by Tod Williams & Billie Tsien, The Gallery at Takashimaya, New York, July 20–September 17, 1994. (Catalogue)

Isamu Noguchi: Early Abstraction, Whitney Museum of American Art, New York, May 12-June 19, 1994. (Catalogue)

Noguchi, Fundación Juan March, Madrid, April 14–June 26, 1994. Traveled to: Fundació Caixa de Catalunya, La Padrera, Barcelona, September 20–November 20, 1994. (Catalogue)

Noguchi: The Artist as Photographer, The Cooper Union Humanities Gallery, New York, March 29–April 29, 1994.

1993

Rolywholyover - A Circus for Museum by John Cage, Museum of Contemporary Art, 250 South Grand Avenue, Los Angeles, September 12–November 28, 1993. Traveled to: Menil Collection, Houston, January 14–April 3, 1994; Guggenheim Museum SOHO, 575 Broadway, New York, April 24–July 31, 1994; Mito Art Tower, Japan. October–November 1994; Philadelphia Museum of Art, Philadelphia, PA. April–June 1995; IVAM Centre Juilio Gonzalez, Spain, August–October 1995; Centre Georges Pompidou, Paris, France. December 1995–February 1996.

1992

Dear Heartfelt Friend, Isamu Noguchi, Marugame Genichiro Inokuma Museum of Contemporary Art, Kagawa, November 23, 1992–March 14, 1993.

Isamu Noguchi Retrospective 1992, National Museum of Modern Art, Tokyo, March 14–May 10, 1992. Traveled to: National Museum of Modern Art, Kyoto, May 26–July 5, 1992. (Catalogue)

1989

Isamu Noguchi: Portrait Sculpture, National Portrait Gallery, Smithsonian Institution, Washington, D.C., April 15–August 20, 1989. (Catalogue)

Isamu Noguchi—The Bronzes: 1987–88, Gallery Kasahara Annex, Osaka, February 21–March 18, 1989. (Catalogue)

1988

Isamu Noguchi, Arnold Herstand Gallery, New York, 1988.

Isamu Noguchi: Bronze and Iron Sculpture, The Pace Gallery, New York, May 13–June 17, 1988. (Catalogue)

1986

Isamu Noguchi: What is Sculpture? 42nd Venice Biennale, American Pavilion, Venice, June–September 1986. (Catalogue)

Isamu Noguchi: Seven Stones, The Pace Gallery, New York, March 28–April 26, 1986. (Catalogue)

1985

Isamu Noguchi: Bronze Sculpture 1959-1962, Arnold Herstand Gallery, New York, October 30–December 14, 1985. (Catalogue)

Isamu Noguchi: Exhibit/Space of Akari and Stone, Yurakucho Art Forum, Tokyo; organized by The Seibu Museum of Art, February 1985.

Isamu Noguchi: Stones, Gallery Kasahara, Osaka, January 1985.

1984

Isamu Noguchi: 80th birthday exhibition, Sogetsu Art Gallery, Tokyo.

Isamu Noguchi: Exhibition of 26 galvanized steel sculptures, Gallery Kasahara, Osaka and Gallery Yamaguchi, Osaka, November 1983. Traveled to: Gallery Suzukawa, Hiroshima, February 1984; Sogetsu Plaza, Tokyo, April 1984; Basket Park Base, Oita, November 1984.

1983

Isamu Noguchi: New Sculpture, The Pace Gallery, New York, May 6–June 4 (extended through June 17), 1983. (Catalogue)

1982

Isamu Noguchi: Light Sculptures, Gallery Kasahara, Osaka, October 1982.

1981

Noguchi: Granits, basaltes, obsidiennes, Galerie Maeght, Paris, May 1981.

1980

Isamu Noguchi: 75th Birthday Exhibition—Recent Stones, The Pace Gallery, New York in conjunction with the Andre Emmerich Gallery, New York, February 16–March 15, 1980. (Catalogue)

Isamu Noguchi: The Sculpture of Spaces, Whitney Museum of American Art, New York, February–April 1980. (Catalogue)

1978

Noguchi's Imaginary Landscapes, Walker Art Center, Minneapolis, April 23–June 18, 1978. Traveled to: Denver Art Museum, October 22–December 3, 1978; Cleveland Museum of Art, January 23–March 4, 1979; Detroit Institute of Arts, April 10–June 10, 1979; San Francisco Museum of Modern Art, July 22–September 2, 1979. (Catalogue)

AKARI, University of Hawaii at Manoa, Hawaii, April–June 1978.

1977

Noguchi: The Sculptor as Designer, The Museum of Modern Art, New York, November 1977–January 1978.

1975

Noguchi: Steel Sculptures, The Pace Gallery, New York, May 10–June 20, 1975. (Catalogue)

1973

Sculpture by Isamu Noguchi, Minami Gallery, Tokyo, May 14–June 9, 1973. (Catalogue)

1972

Isamu Noguchi, Gimpel & Hanover Galerie, Zurich, November 1972.

Isamu Noguchi, Gimpel Fils, London, September 14–October 7, 1972.

1970

Isamu Noguchi, Cordier & Ekstrom Gallery, New York, November 4–28, 1970.

1968

Noguchi: Shapes of Light, Cordier & Ekstrom Gallery, New York, December 1968–January 1969.

Isamu Noguchi, Gimpel & Hanover Galerie, Zurich, October–November 1968. (Catalogue)

Isamu Noguchi, Gimpel Fils, London, July 9–August 24, 1968.

Isamu Noguchi, Whitney Museum of American Art, New York, April 17–June 16, 1968. (Catalogue)

Isamu Noguchi: Brush Drawings 1930, Cordier & Ekstrom Gallery, New York, April–May 1968.

1967

Isamu Noguchi, Cordier & Ekstrom Gallery, New York, April 1967.

1965

Isamu Noguchi, Cordier & Ekstrom Gallery, New York, March–April 1965.

1964

Isamu Noguchi, Galerie Claude Bernard, Paris, June 1964. (Catalogue)

Isamu Noguchi: AKARI, Bonniers, New York, April 1964

1963

Isamu Noguchi, Cordier & Ekstrom Gallery, New York, April 1963.

1962

Isamu Noguchi: AKARI, Bonniers, New York, 1962.

1961

Isamu Noguchi, Fort Worth Art Center, Texas, May–July 1961.

Noguchi: Weightlessness, Cordier & Warren Gallery, New York, May–June 1961.

1959

Isamu Noguchi, Stable Gallery, New York, April–May 1959.

1955

Sculpture and Drawings by Noguchi, Arts Club of Chicago, Chicago, November–December 1955.

Isamu Noguchi: AKARI, Bonniers, New York, opened April 1955.

1954

Isamu Noguchi, Stable Gallery, New York, November 1954.

1952

Isamu Noguchi, The Museum of Modern Art, Kamakura, Japan, September 23–October 19, 1952.

1950

Isamu Noguchi, Mitsukoshi Department Store, Tokyo, August 1950.

1949

Isamu Noguchi, Charles Egan Gallery, New York, March 1949.

1942

Isamu Noguchi, San Francisco Museum of Art, San Francisco, July 1942.

1940

Isamu Noguchi, Honolulu Academy of Arts, May 1940.

1935

Isamu Noguchi, Marie Harriman Gallery, New York, January–February 1935.

1934

Isamu Noguchi, Sidney Burney Gallery, London, Summer 1934.

1933

Drawings and Small Sculptures by Isamu Noguchi, Honolulu Academy of Arts, Hawaii; traveling exhibition organized by the Western Association of Art Museum Directors, 1933.

Sculpture and Drawings by Isamu Noguchi, Mellon Galleries, Philadelphia, February–March 1933.

1932

Sculpture and Drawings by Isamu Noguchi, Reinhardt Gallery, New York, December 1932.

Sculpture by Isamu Noguchi, John Becker Gallery, New York, February–March 1932.

Brush Drawings by Isamu Noguchi, Demotte Gallery, New York, February–March 1932.

1931

An Exhibition of Drawings by the Sculptor Isamu Noguchi, John Becker Gallery, New York, March 1931.

1930

Sculpture by Isamu Noguchi, Arts Club of Chicago, March–April 1930.

Fifteen Heads by Isamu Noguchi, Marie Sterner Gallery, New York, February 1930.

1929

Isamu Noguchi, Eugene Schoen Gallery, New York, April 1929.

2019

Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan, Noguchi Museum. Long Island City, New York, May 1–July 14, 2019.

2018

Epic Abstraction: Pollock to Herrera, The Met Fifth Avenue, New York, opened December 17, 2018.

Noguchi for Danh Vo: Counterpoint, M+ Pavilion, Hong Kong, November 16, 2018–April 22, 2019.

The Life of Forms, Di Donna, New York, October 26–December 14, 2018. (Catalogue)

Akari Unfolded: A Collection by YMER&MALTA, The Noguchi Museum, New York, February 28, 2018–January 27, 2019.

2017

Art in the Open: Fifty Years of Public Art in New York, Museum of the City of New York, November 10, 2017–May 13, 2018.

Never Built New York, Queens Museum, September 17, 2017–February 18, 2018.

American Sculpture: Sotheby’s Beyond Limits, Chatsworth, Derbyshire, United Kingdom, September 15–November 12, 2017.

Prière de Toucher - Homage to Maeght, Omer Tiroche Gallery, London, June 23–September 1, 2017.

Solid Doubts: Robert Stadler at The Noguchi Museum, Noguchi Museum, April 26–September 3, 2017

2016

Impasse Ronsin, Paul Kasmin Gallery, New York, October 28, 2016–January 14, 2017.

Postwar: Art between the Pacific and the Atlantic, 1945–1965, Haus der Kunst, Munich, October 14, 2016–March 26, 2017.

2015

Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection, Smithsonian American Art Museum and the Renwick Gallery, Washington D.C., October 30, 2015–April 10, 2016. (Catalogue)

Marvelous Objects: Surrealist Sculpture from Paris to New York, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., October 29, 2015–February 15, 2016. (Catalogue)

Museum of Stones, Noguchi Museum, Long Island City, New York, October 7, 2015–January 10, 2016.

The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, September 4, 2015–January 3, 2016. (Catalogue)

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

2014

Bronze in the XXth Century: Casting Modernity, Mnuchin Gallery, New York, April 24–June 7, 2014.

2013

Mingei: Are You Here?, Pace London, 6–10 Lexington Street, October 15–December 14, 2013. Traveled to: Pace Gallery, 508 West 25th Street, New York, March 7–April 5, 2014. (Catalogue)

Its Surreal Thing: The Temptation of Objects, Sheldon Museum of Art at the University of Nebraska-Lincoln, October 4–January 5, 2014. (Catalogue)

Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943–1963, Nasher Sculpture Center, Dallas, September 21, 2013–January 19, 2014. (Catalogue)

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

Isamu Noguchi / Qi Baishi / Beijing 1930, University of Michigan Museum of Art, Ann Arbor, May 18, 2013–January 25, 2014. Traveled to: Frye Art Museum, Seattle, February 22–May 25, 2014. (Catalogue)

Moving: Norman Foster on Art, Carré d'Art - Musée d'art Contemporain, Nîmes, France, May 3–September 15, 2013. (Catalogue)

2012

Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles, May 27–September 3, 2012. Traveled to: Haus der Kunst, Munich, October 11, 2012–January 20, 2013.

Mythology, The Pace Gallery, New York, February 22–March 24 (extended through April 14), 2012. (Catalogue)

2011

Civic Action: A Vision for Long Island City, The Noguchi Museum, Long Island City, New York, October 13, 2011–April 22, 2012. (Catalogue)

Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York, October 12, 2011–January 15, 2012. Traveled to: Memorial Art Gallery, University of Rochester, New York, February 26–May 20, 2012.

2010

Miró & Noguchi: Masters of Surrealist Sculpture, Margulies Collection at the Warehouse, Miami, November 18, 2009–April 25, 2010. (Catalogue)

On Becoming an Artist: Isamu Noguchi and His Contemporaries, 1922–1960, Noguchi Museum, Long Island City, New York, November 17, 2010–April 24, 2011. (Catalogue)

50 Years at Pace, The Pace Gallery, 32 East 57th Street, New York, September 17–October 23, 2010. (Catalogue)

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

Calder to Warhol: Introducing the Fisher Collection, San Francisco Museum of Modern Art, San Francisco, June 25–September 19, 2010. (Catalogue)

2009

Traces and Spaces: Jan Groth’s Influences and Contemporaries, Rogaland Museum of Fine Arts, Stavanger, Norway, November 13, 2008–April 13, 2009. Traveled to: Heine Onstad Art Center, Høvikodden, Norway, May 7–September 13, 2009.

Asian/America/Modern Art: Shifting Currents, 1900–1970, De Young Museum, San Francisco, October 25, 2008–January 18, 2009. Traveled to: Isamu Noguchi Foundation and Garden Museum, Long Island City, New York, February 18–August 23, 2009.

Independent Visions: American Paintings, Drawings, and Sculpture, John Berggruen Gallery, San Francisco, August–September 2009.

In-Finitum, Palazzo Fortuny, Venice, June 6–November 15, 2009. (Catalogue)

Marble, Gagosian Gallery, New York, February 12–April 11, 2009.

The Third Mind: American Artists Contemplate Asia, 1860–1989, The Solomon R. Guggenheim Museum, New York, January 30–April 19, 2009. (Catalogue)

Innovations in the Third Dimension: Sculpture of Our Time, Bruce Museum, Greenwich, January 24–May 24, 2009. (Catalogue)

2008

The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka, National Museum of Art, Osaka, December 18, 2007–February 11, 2008. (Catalogue)

Academia: Qui es-tu? La Chapelle de L’Ecole Nationale Supérieure des Beaux-Arts, Paris, September 10–November 23, 2008. (Catalogue)

Síntesis, Galería Cayón, Madrid, July 1–September 6, 2008.

2007

Art for Yale: Collecting for a New Century, Yale University Art Gallery, New Haven, Connecticut, September 18, 2007–January 13, 2008. (Catalogue)

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Sculpture, Dunn and Brown Contemporary, Dallas, May 11–June 23, 2007.

2006

The Imagery of Chess Revisited, The Noguchi Museum, Long Island City, New York, October 21, 2005–March 5, 2006.

Gerald Peters Modern: 20th Anniversary Exhibition, Gerald Peters Gallery, Dallas, July 7–August 19, 2006.

Best of Friends: R. Buckminster Fuller and Isamu Noguchi, Noguchi Museum, Long Island City, New York, May 19–October 15, 2006.

2005

Noguchi and Graham: Selected Works for Dance, Noguchi Museum, Long Island City, New York, December 1, 2004–May 1, 2005.

Design Is Not Art: Functional Objects From Donald Judd to Rachel Whiteread, Smithsonian Cooper–Hewitt, National Design Museum, New York, September 10, 2004–February 27, 2005. Travels to: Aspen Art Museum, August 5–October 2, 2005.

Extreme Abstraction, Albright–Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

Down The Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York, June 26–October 9, 2005.

2004

Cast and Carved: American Sculpture 1850–1950, Gerald Peters Gallery, New York, November 11–December 17, 2004.

The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, September 28, 2003–February 29, 2004.

A Secret History of Clay from Gauguin to Gormely, Tate Liverpool, May 28–August 30, 2004.

2003

Black/White, Danese Gallery, New York, November 21–December 19, 2003.

Esquire Show House, Trump World Tower, New York, September 26–December 19, 2004.

2002

American Beauty, Annely Juda Fine Art, London, May 23–July 13, 2002.

Abstract Sculpture by American Artists 1920–1950, Robert Henry Adams Fine Art, Chicago, February 15–March 30, 2002.

2001

20th Century Perspectives, John Berggruen Gallery, San Francisco, March 29–April 21, 2001.

2000

The Surrealists in Exile and the Beginning of the New York School, Museo Nacional Centro de Arte Reina Sofia, Madrid, December 14, 1999–February 2, 2000.

Art–Worlds in Dialogue, Museum Ludwig, Cologne, November 5, 1999–March 3, 2000.

Kunstwelten im Dialog: von Gauguin zur globalen Gegenwart, Museum Ludwig, Köln, November 5, 1999–March 19, 2000.

Your Private Sky R. Buckminster Fuller: The Art of Design Science, Museum für Gestaltung, Zürich, June 18–September 12, 1999. Traveled to: Zeppelin Museum, Friedrichshaven, Germany, October 14–January 10, 2000; Kunsthalle Tirol, Hall, Austria, March–May 2000; Design Museum, London, June 15–October 15, 2000; Bauhaus Dessau, Germany, November 11, 2000–January 16, 2001; Aichi Arts Center, Nagoya, Japan, February–April 2001; Museum of Modern Art, Kamakura, Japan, May–June 2001.

Paintings and Sculpture, Gow Langsford Gallery, New Zealand, February–March 11, 2000.

Earthly Forms: The Biomorphic Sculpture of Arp, Noguchi and Calder, PaceWildenstein, 32 East 57th Street, New York, February 18–March 18, 2000.

Correspondences: Isamu Noguchi and Ellsworth Kelly, Whitney Museum of American Art at Philip Morris, January 21–April 7, 2000.

1999

Riverside Playground Model and Drawings, Hammond Museum and Japanese Stroll Garden, North Salem, New York, August 18–October, 23, 1999.

The American Century: Art and Culture 1900–1950, Whitney Museum of American Art, New York, April 22–August 22, 1999.

Dance for a City: Fifty Years of the New York City Ballet, The New York Historical Society, New York, April 20–August 15, 1999.

1998

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

Summer Group Show, PaceWildenstein, New York, July 6–August 21, 1998.

100 Years of Sculpture: From the Pedestal to the Pixel, Walker Art Center, Minneapolis, February 22–May 24, 1998.

Portraits from the Collection of Michael Chow, PaceWildenstein, Los Angeles, February 14–28, 1998.

Expressions in Wood: Masterworks from the Wornick Collection, Oakland Museum of California, February 8–July 20, 1997. Traveled to: McAllen International Museum, Texas, October 7, 1997–January 4, 1998. (Catalogue)

The Surrealist Vision: Europe and the Americas, Bruce Museum of Arts and Science, Greenwich, January 17–April 5, 1998.

1997

Twentieth Century American Sculpture at The White House, Part V, The White House Sculpture Garden, Washington, D.C., October 1996–September 1997.

Masterworks of Modern Sculpture: The Nasher Collection, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor, October 1996–January 1997. Traveled as A Century of Sculpture: The Nasher Collection, to Solomon R. Guggenheim Museum, New York, February–April 1997.

The View From Denver: Contemporary American Art from the Denver Museum, Museum Moderner Kunst Stiftung Ludwig, Vienna, July 5–August 31, 1997. (Catalogue)

Icons: Magnets of Meaning, San Francisco Museum of Modern Art, San Francisco, April 18–August 5, 1997.

Queens Artists: Highlights of the 20th Century, Queens Museum of Art, Flushing Meadows Corona Park, New York, March 26–July 6, 1997. (Brochure)

1996

Designing Modernity: The Arts of Reform and Persuasion, 1885–1945, Wolfsonian Foundation, Miami Beach, July 21–September 22, 1996.

Play Mountain: Isamu Noguchi + Louis Kahn, The Watari Museum of Contemporary Art, Tokyo, May 11–September 8, 1996. (Catalogue)

Black & White, Gallery Seomi, Seoul, April 18–May 4, 1996. (Catalogue)

Isamu Noguchi and Kitaoji Rosanjin: Spaces of Taste: Ways for Modernism, Sezon Museum of Art, Tokyo, March 7–April 18, 1996. Traveled to: Kochi Museum of Art, Kochi, April 26–June 9, 1996; Kanagawa Museum of Modern Art, Kamakura, June 15–August 31, 1996; and Fukuyama Museum of Art, Fukuyama, September 13–October 20, 1996.

1995

Craft in the Machine Age: 1920–1945, American Craft Museum, New York, October 26, 1995–February 25, 1996. (Catalogue)

Miro and Noguchi: Selections from the Martin Z. Margulies Collection, Art Museum of Florida International University, Miami, September 8–October 11, 1995. (Catalogue)

Special Exhibition for the 50th Anniversary of the Hiroshima A–bombing: “After Hiroshima” Message from Contemporary Art, Hiroshima City Museum of Contemporary Art, Hiroshima, July 22–September 19, 1995.

1945: The End of the War, Annely Juda Fine Art, London, June 28–September 16, 1995. Traveled to: Galerie Denise Rene, Paris, September 26–November 4, 1995; Galerie Hans Mayer, Düsseldorf, November 11–December 20, 1995. (Catalogue)

Summer 1995, PaceWildenstein, New York, June 28–September 8, 1995.

The Figure in American Sculpture: A Question of Modernity, Los Angeles County Museum of Art, Los Angeles, February 26–April 30, 1995. Traveled to: Montgomery Museum of Fine Arts, Montgomery, June 22–September 10, 1995; Wichita Art Museum, Wichita, October 22, 1995–January 7, 1996; and National Academy of Design, New York, February 15–May 5, 1996.

1994

Between Transcendence and Brutality: American Sculptural Drawings from the 1940s and 1950s, Tampa Museum of Art, Florida, 1994.

Ideas for Objects: Selected Sculptures and Drawings from the Permanent Collection, Whitney Museum of American Art, New York, March 31–September 4, 1994.

1993

The Second Direction: Twentieth–Century Sculptors' Drawings, Brooklyn Museum, Brooklyn, New York.

In a Classical Vein: Works from the Permanent Collection, Whitney Museum of American Art, New York, October 21, 1993–April 3, 1994.

1992

Cross Section, Battery Bark City, New York, 1992.

Drawings for the Stage, Stephen Solovy Fine Art, Chicago, 1992.

10 Sculptors of the New York School, Manny Silverman Gallery, Los Angeles, November 21, 1991–January 11, 1992.

Things for the Home, Gerald Peters Gallery, Dallas, March 12–April 19, 1992.

American Masters: Six Artists from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art at Equitable Center, New York, January 10–March 18, 1992; Whitney Museum of American Art at Champion, April 17–June 17, 1992. (Catalogue)

Arte Americana 1930–1970, Lingotto, Turin, Italy, January 8–March 31, 1992.

1991

Reprise: The Vera G. List Collection—A Twentieth Anniversary Exhibition, David Winton Bell Gallery, Brown University, Providence, Rhode Island, October 12–November 24, 1991. (Catalogue)

Selected Works on Paper, O'Hara Gallery, New York, May 7–June 20, 1991

Visions/Revisions, Denver Art Museum, April 27–August 25, 1991.

Tokyo Art Expo '91, Tasende Gallery, La Jolla, California, March 29–April 3, 1991.

Abstract Sculpture in America: 1930–70, organized by The American Federation of Arts. Traveled to: Lowe Art Museum, University of Miami, Coral Gables, Florida, February 7–March 31, 1991; Museum of Arts and Sciences, Macon, Georgia, April 19–June 30, 1991; Akron Art Museum, Akron, Ohio, August 24–October 20, 1991; Fort Wayne Museum of Art, Fort Wayne, Indiana, November 9, 1991–January 4, 1992; Musée du Quebec, January 25–March 21, 1992; Terra Museum of American Art, Chicago, April 11–June 7, 1992. (Catalogue)

1990

The Experience of Landscape: Three Decades of Sculpture, Whitney Museum of American Art, Federal Reserve Plaza, New York, December 13¸1989–March 2, 1990. (Catalogue)

Arte abstracto, arte concreto: Cercle et carre, Paris 1930, IVAM Centre Julio Gonzalez, Valencia, Spain, September 20-December 21, 1990. (Catalogue)

Japanese Aesthetics and Sense of Space: Another Aspect of Modern Japanese Design, Sezon Museum of Art, Tokyo, September 8–24, 1990. (Catalogue)

Le Belvédère Mandiargues, Artcurial, Centre d'Art Plastique Contemporain, Paris, May 10–July 13, 1990.

1989

Anzaï: Rodin La Porte de l’Enfer, Galerie Tokoro, Tokyo, November 27–December 22, 1989. (Catalogue)

Tasende Gallery: 10th Anniversary Exhibition, Tasende Gallery, La Jolla, June 1989.

Chicago International Art Exposition, Chicago, 1989.

1988

Enduring Creativity, Whitney Museum of American Art, New York, April 15–June 15, 1988. (Catalogue)

1987

Fifty Years of Collecting: An Anniversary Selection, Solomon R. Guggenheim Museum, New York, 1987.

Sculpture from Surrealism, Zabriskie Gallery, New York, 1987.

Individuals: A Selected History of Contemporary Art, 1945–1986, Museum of Contemporary Art, Los Angeles, 1987.

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, Dallas Museum of Art, April 5–May 31, 1979. Traveled to: National Gallery of Art, Washington, D.C., June 28, 1987–February 15, 1988; Centro de Arte Reina Sofia, Madrid, April 6–June 5, 1991; Forte di Belvedere, Florence, July 8–November 1, 1991; Tel Aviv Museum of Art, January 1–April 26, 1992. (Catalogue)

1986

Machine Age, Brooklyn Museum, New York, 1986.

Spectacular Helmets of Japan, Japan House Gallery, New York, Fall 1985. Traveled to: Asian Art Museum of San Francisco, Winter 1986. (Catalogue)

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

1985

Transformation in Sculpture, Solomon R. Guggenheim Museum, New York, 1985.

Flying Tigers: Painting and Sculpture in New York 1939–1946, Bell Gallery, Brown University, Providence; The Parrish Art Museum, Southampton, New York, 1985.

Gemini G.E.L.: Art and Collaboration, National Gallery of Art, Washington , D.C., November 18, 1984–February 24, 1985. (Catalogue)

1984

Indiana Influence, Fort Wayne Museum of Art, Fort Wayne, Indiana, 1984.

The Skowhegan Celebration Exhibition, Hirschl & Adler Modern, New York, May 1–31, 1984. (Catalogue)

1983

Sculpture: The Tradition in Steel, Nassau County Museum of Fine Arts, Roslyn Harbor, New York, 1983.

Art for a Nuclear Weapons Freeze Benefit Exhibition, Margo Leavin Gallery, Los Angeles, 1983. Traveled to: Fuller Goldeen Gallery, San Francisco, 1983; Munson Gallery, Santa Fe, 1983; Dalahunty Gallery, Dallas, 1983; Greenberg Gallery, Saint Louis, 1983; John C. Stoller & Co., Minneapolis, 1983; Richard Gray Gallery, Chicago, 1983; Barbara Krakow Gallery, Boston, October 18, 1983; Brooke Alexander, New York, December 1–3, 1983. (Catalogue)

Abstract Painting & Sculpture in America, 1927–1944, Museum of Art, Carnegie Institute, Pittsburgh, 1983. Traveled to: San Francisco Museum of Modern Art and the Whitney Museum of American Art, New York, 1983.

1982

Artistic Choose Artists, CDS Gallery, New York, 1982.

The Pace Gallery at Asher/Faure. Asher/Faure Gallery, Los Angeles, California, March 13–April 10, 1982.

1981

Derrière le Miroir, Galerie Maeght, Paris, 1981.

The Life of the Mind: Unity and Diversity, American Academy of Arts and Sciences, Cambridge, 1981.

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Connecticut, September 4–October 14, 1981.

1980

Perceiving Modern Sculpture: Selections for the Sighted and Non–Sighted, Grey Gallery, New York, 1980.

Collaborations, Mary and Leigh Block Gallery, Northwestern University, Evanston, Illinois, September 28–October 26, 1980. (Catalogue)

American Sculpture: Gifts of Howard and Jean Lipman, The Whitney Museum of American Art, New York, April 15–June 15, 1980.(Catalogue)

Urban Encounters: Art Architecture Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, March 19–April 30, 1980. (Catalogue)

1979

A Century of Ceramics in America: 1878–1978, Everson Museum of Art, Syracuse, New York, 1979.

Art in America, Solomon R. Guggenheim Museum, New York, 1979.

Vanguard American Sculpture 1913–1939, Rutgers University Art Gallery, New Brunswick, New Jersey, 1979.

Places to Be: Unrealized Monumental Projects, Rosa Esman Gallery, New York, January 9–February 3, 1979.

1978

Collections: American Sculpture, Solomon R. Guggenheim Museum, New York, 1978.

Dada & Surrealism Reviewed, Harward Gallery, London, 1978.

Twentieth Century Sculpture from the Collection of Mr. & Mrs. Raymond D. Nasher, Meadows Museum, Southern Methodist University, Dallas, 1978.

William Carlos Williams and the American Scene, 1920–1940, Whitney Museum of American Art, New York, 1978.

1977

The Public Monument and Its Audience, Cleveland Museum of Art, Cleveland, 1977.

Opening Exhibition, Wave Hill Sculpture Garden, Bronx, 1977.

Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy and Institute of Arts and Letters, New York, 1977.

Fall 1977: Contemporary Collectors, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 25–December 18, 1977. (Catalogue)

Art in Architecture, Meadow Brook Art Gallery, Oakland University, Rochester, Michigan, January 23–March 13, 1977. (Catalogue)

1976

7 + 5: Sculptors of the '50s, Art Gallery, University of California, Santa Barbara, 1976.

Two Hundred Years of American Sculpture, Whitney Museum of American Art, New York, 1976.

1975

Arp, Calder, Giacometti, Lipchitz, Moore, Noguchi, Smith, Katonah Gallery, Katonah, New York, 1975.

Five Americans, The Pace Gallery, New York, 1975.

Sculpture: American Directions 1945–1975, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1975.

A Modern Consciousness: D.J. De Pree, Florence Knoll, Renwick Gallery of the National Collection of Fine Arts Smithsonian Institution, Washington, D.C., April 11–November 9, 1975. Traveled to: Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan, November 30, 1975–January 11, 1976. (Catalogue)

1974

Inaugural Exhibition, Hirshhorn Museum and Sculpture Garden, Washington, D.C., 1974.

Japan Tradition und Gegenwart, Städtische Kunsthalle, Düsseldorf, 1974.

Masters of Modern Sculpture, Solomon R. Guggenheim Museum, New York, 1974.

Arp & Noguchi, Cordier and Ekstrom Gallery, New York, March 13–April 13, 1974. (Catalogue)

1973

Master Sculptors, Gimpel Fils, London, 1973.

Nineteen Sculptors of the '40s, University of California, Santa Barbara, 1973.

American Art Mid–Century I, National Gallery of Art, Washington, October 28, 1973–January 6, 1974. (Catalogue)

1972

36a Esposizione Biennale Internazionale d'Arte Venezia, Venice, 1972.

Museum Pieces of Post War Era, Solomon R. Guggenheim Museum, New York, 1972.

Nineteenth and Twentieth Century Drawings, Brooklyn Museum, Brooklyn, New York, 1972.

1971

White on White, Museum of Contemporary Art, Chicago, 1971.

1970

American Art, Fondation Maeght, St. Paul–de–Vence, France, 1970.

Sculpture Selection from the Museum Collection, Solomon R. Guggenheim Museum, New York, 1970.

Noguchi & Rickey & Smith: An Exhibition of Sculpture in Honor of the Sesquicentennial of Indiana University, Indiana University Art Museum, Bloomington, November 8–December 3, 1970.

1969

Contemporary Art Dialogue Between the East and the West, National Museum of Modern Art, Tokyo, 1969.

New York Painting and Sculpture 1940–70, The Metropolitan Museum of Art, New York, 1969.

The Partial Figure in Modern Sculpture from Rodin to 1969, Baltimore Museum of Art, 1969.

Twentieth Century Art from the Nelson Aldrich Rockefeller Collection, The Museum of Modern Art, New York, 1969.

1968

Spoleto Festival 1968, Italy, June 27–July 14, 1968.

163rd Annual Exhibition of American Painting and Sculpture, Pennsylvania Academy of Fine Arts, Philadelphia, 1968.

Brush Drawings 1930, Cordier & Ekstrom Gallery, New York, 1968.

In Honor of Dr. Martin Luther King, The Museum of Modern Art, New York, 1968.

Opening Exhibition, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 1968.

1967

American Sculpture of the 60's, Los Angeles County Museum of Art, Los Angeles, 1967.

Exhibition of Susan Morse Hilles Collection, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1967.

Japan Tradition und Gegenwart, Städtische Kunsthalle, Düsseldorf, 1967.

Matters of Modern Sculpture, Solomon R. Guggenheim Museum, New York, 1967.

Noguchi and Arp, Cordier & Ekstrom, New York, 1967.

Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, 1967.

Sculpture: A Generation of Innovation, Art Institute of Chicago, 1967.

1966

Art of the United States 1670–1966, Whitney Museum of American Art, New York, 1966.

Fifty Years of Modern Art, The Cleveland Museum of Art, 1966.

Sculpture and Painting Today: Selections from the Collection of Susan Morse Hilles, Museum of Fine Arts, Boston, 1966.

1965

États–Unis Sculptures du XXe Siècle, Musée Rodin, Paris, 1965.

Four Centuries of American Painting and Sculpture, New York, 1965.

Sculpture from the Albert A. List Family Collection, New School for Social Research, New York, October 5–November 4, 1965. (Catalogue)

1964

Between the Fairs, Whitney Museum of American Art, New York, 1964.

Documenta III, Kassel, Germany, 1964.

Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, 1964.

Modern Gardens and the Landscape, The Museum of Modern Art, New York, 1964.

Modern Sculpture: Bo Boustedt's Collection, Dommuseum, Lubeck, Germany, 1964.

Monumental Sculpture of Our Day, Washington Gallery of Modern Art, Washington, D.C., 1964

Skulptur: Bo Boustedts, Samling, Göteborgs Konstmuseum, Goteborg, Sweden, 1964.

Painting and Sculpture of a Decade, Tate Gallery, London, April 22–June 28, 1964.

1963

Monumental Sculpture of Our Day, Washington Gallery of Modern Art, Washington, D.C., 1963.

Skulptur: Bo Boustedts, Samling, Göteborgs Konstmuseum, Goteborg, Sweden, 1963.

1962

Art Since 1950, Worlds' Fair, Seattle, 1962.

Continuity and Change, Wadsworth Atheneum, Hartford, Connecticut, 1962.

Modern Sculpture from the Joseph H. Hirshhorn Collection, Solomon R. Guggenheim Museum, New York, 1962.

65th American Exhibition: Some New Directions in Contemporary Paintings and Sculpture (exhibition catalogue). Chicago: Art Institute of Chicago, 1962: no.52, illustrated.

1961

42nd Pittsburgh International Exhibition, Carnegie Institute, Pittsburgh, 1961.

American Art of Our Century, Whitney Museum of American Art, New York, 1961.

1960

Sculpture Annual, Whitney Museum of American Art, New York, 1960.

1959

American National Exhibition, Moscow, 1959.

Documenta II, Kassel, Germany, 1959.

1958

Nature and Abstraction, Whitney Museum of American Art, New York, 1958.

Pittsburgh International Exhibition, Carnegie Institute, Pittsburgh, 1958.

1958 Brussels World’s Fair, U.S. Pavilion, April 17–October 19, 1958.

1956

Abstract Art 1910 to Today, Newark Art Museum, Newark, New Jersey, 1956.

Sculpture Annual, Whitney Museum of American Art, New York, 1956.

1955

50 Ans d'Art aux États–Unis, Musée d'Art Moderne, Paris, 1955.

Noguchi–Okada, Institute of Contemporary Arts, Corcoran Gallery, Washington, D.C., 1955.

1954

American Painting 1754–1954, Metropolitan Museum of Art, New York, 1954.

1952

Sculpture Annual, Whitney Museum of American Art, New York, 1952.

1951

Abstract Painting and Sculpture in America, The Museum of Modern Art, New York, 1951.

Bienal I, Museu de Arte Moderna, São Paulo, Brazil, 1951.

Modern Relief, The Museum of Modern Art, New York, 1951.

1950

Sculpture Annual, Whitney Museum of American Art, New York, 1950.

1949

Sculpture Since Rodin, Yale University Art Gallery, New Haven, Connecticut, 1949.

Modern Art in Your Life, The Museum of Modern Art, New York, 1949.

1947

Exposition International du Surréalisme, Galerie Maeght, Paris, 1947.

Bloodflames, Hugo Gallery, New York, 1947.

1946

Fourteen Americans, The Museum of Modern Art, New York, 1946.

Contemporary American Sculpture, Watercolors and Drawings, Whitney Museum of American Art, New York, 1946.

1945

Sculpture Annual, Whitney Museum of American Art, New York, 1945.

1944

Art in Progress, The Museum of Modern Art, New York, 1944.

1942

20th Century Portraits, The Museum of Modern Art, New York, 1942.

1939

Art in Our Time, The Museum of Modern Art, New York, 1939.

Sculpture Annual, Whitney Museum of American Art, New York, 1939.

1938

Trois Siècles d'Art aus États–Unis, Musée du Jeu de Paume, Paris, 1938.

1937

Chrysler Collection of Modern Art, Detroit Institute of Art, 1937.

1936

Fantastic Art, Dada, Surrealism, The Museum of Modern Art, New York, 1936.

1934

Modern Works of Art: 5th Annual Exhibition, The Museum of Modern Art, New York, 1934.

1933

Exhibition of the Works of the Artist Fellows of the John Simon Guggenheim Memorial Foundation, Whitney Museum of American Art, New York, 1933.

International Exhibition of Contemporary Sculpture, Philadelphia Museum of Art, 1933.

1932

45th Annual American Exhibition, Art Institute of Chicago, 1932.

American Paintings and Sculpture 1862–1932, The Museum of Modern Art, New York, 1932.

1931

An Exhibition of Sculpture by Isamu Noguchi and Chana Orloff, Art Gallery of Toronto, 1931.

Nikaten Arts Exhibition, Ueno Art Gallery, Tokyo, 1931.

1930

An Exhibition of the Work of 46 Painters and Sculptors under 35 Years of Age, The Museum of Modern Art, New York, 1930.

Watercolors by a Group of Five and Bronzes by Isamu Noguchi, Harvard Society for Contemporary Art, Cambridge, 1930.

1927

122nd Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, 1927.

1926

101st Annual Exhibition, National Academy of Design, New York, 1926.

Albright-Knox Art Gallery, Buffalo, New York

Art Gallery of Ontario, Toronto, Canada

The Art Institute of Chicago, Chicago, Illinois

The Art Museum, Princeton University, Princeton, New Jersey

The Art Museum at Florida International University, Miami, Florida

The Brooklyn Museum, Brooklyn, New York

The Cleveland Museum of Art, Cleveland, Ohio

Des Moines Art Center, Des Moines, Iowa

Peggy Guggenheim Collection, Venice

Hakone Open-Air Museum, Hakone-machi, Japan

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Academy of Arts, Honolulu, Hawaii

Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California

Israel Museum, Jerusalem, Israel

Los Angeles County Museum of Arts, Los Angeles, California

The Metropolitan Museum of Art, New York

The Mount Holyoke College Art Museum, South Hadley, Massachusetts

Musée des Art décoratifs, Montreal, Canada

Museum of Fine Arts, Boston, Massachusetts

The Museum of Fine Arts, Houston, Texas

Museum of Modern Art, Kamakura, Japan

The Museum of Modern Art, New York

Nagoya City Museum, Nagoya, Japan

The National Museum of Art, Osaka

The Nelson-Atkins Museum of Art, Kansas City, Missouri

New School for Social Research, New York

Ohara Museum of Art, Okayama, Japan

Rijksmuseum Kröller-Müller, Otterlo, The Netherlands

San Francisco Museum of Art, San Francisco, California

Solomon R. Guggenheim Museum, New York

Storm King Art Center, Sculpture Park, Mountainville, New York

Tate Gallery, London

The Toledo Art Museum, Toledo, Ohio

University of Nebraska Art Galleries - Sheldon Memorial Art Gallery, Lincoln, Nebraska

Wadsworth Atheneum, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

2019

Budds, Diana. “Revisiting one of Isamu Noguchi’s most elusive designs: An NYC playground” (Noguchi Museum exhibition review). Curbed, 27 August 2019. https://www.curbed.com/2019/8/27/20829914/noguchi-playground-playscape-design

Keh, Pei-Ru. “Isamu Noguchi’s unrealised playground design revealed in New York” (The Noguchi Museum exhibitions review). Wallpaper*, 29 August 2019. https://www.wallpaper.com/design/isamu-noguchi-in-search-of-contoured-playground-and-models-for-space-the-noguchi-museum-new-york

Li, Jennifer S. “Isamu Noguchi Was Thinking About Public Spaces All the Time” (Noguchi Museum exhibitions review). Architectural Digest, 21 August 2019. https://www.architecturaldigest.com/story/isamu-noguchi-was-thinking-about-public-spaces-all-the-time

Libbey, Peter. “Noguchi Museum Will Open Sculptor’s Studio to Public After Restoration.” The New York Times, 16 April 2019. https://www.nytimes.com/2019/04/16/arts/design/noguchi-museum-renovation.html

2018

Goukassian, Elena. “To Respect Isamu Noguchi’s Vision, Architects Revise Controversial Plaza Renovation Plan.” Hyperallergic, 19 March 2018. https://hyperallergic.com/433130/architects-revise-controversial-plaza-renovation-noguchi/

Goukassian, Elena. “Proposed 140 Broadway Plan Threatens Noguchi’s ‘Red Cube.’” Hyperallergic, 1 February 2018. https://hyperallergic.com/424346/proposed-140-broadway-plan-threatens-noguchis-red-cube/

Martin, Hannah. “Is Isamu Noguchi’s Akari the Most Ubiquitous Sculpture in the World?” (Noguchi Museum exhibition review). Architectural Digest, 28 February 2018. https://www.architecturaldigest.com/story/isamu-noguchi-akari-lanterns-noguchi-museum

Olson, Carly. “Noguchi Museum Curator Stages the Row’s NYFW Show.” Architectural Digest, 12 February 2018. https://www.architecturaldigest.com/story/the-row-mark-kate-ashley-olsen-noguchi-museum-nyfw-show

Voon, Claire. “How Noguchi Sculptures Inspired the Paper Lamps We See Everywhere.” Artsy, 28 May 2018. https://www.artsy.net/article/artsy-editorial-noguchi-sculptures-inspired-paper-lamps

2017

Abdolhamidi, Shervin. “’Self-Interned’ at The Noguchi Museum Explores Impact of Japanese Internment on Isamu Noguchi” (exhibition review). Untapped Cities, 31 January 2017. http://untappedcities.com/2017/01/31/self-interned-at-the-noguchi-museum-explores-impact-of-japanese-internment-on-isamu-noguchi/

Budick, Ariella. “Imprisoned by Choice: Isamu Noguchi’s Sculptures Celebrated” (Noguchi Museum exhibition review). Financial Times, 27 January 2017. https://www.ft.com/content/ed8e03b4-df18-11e6-86ac-f253db7791c6

Cascone, Sarah. “Exploring Isamu Noguchi’s Time in an Internment Camp” (Noguchi Museum exhibition review). Artnet News, 26 January 2017. https://news.artnet.com/exhibitions/isamu-noguchi-internment-camp-826979

Chiragdin, Neil. “Illuminating Contrasts Yield Insight at Noguchi” (exhibition review). Queens Chronicle, 10 August 2017. http://www.qchron.com/qboro/stories/illuminating-contrasts-yield-insight-at-noguchi/article_1c4a5d6d-f179-5eb6-b1f9-9fce3751ae76.html

Farago, Jason. “Isamu Noguchi’s Efforts to Improve Life in an Internment Camp” (Noguchi Museum exhibition review). The New York Times, 19 January 2017. https://www.nytimes.com/2017/01/19/arts/design/isamu-noguchis-efforts-to-improve-life-in-an-internment-camp.html

Fixsen, Anna. “How Isamu Noguchi Tried to Change a Japanese Prison Camp.” Architectural Record, 24 January 2017. http://www.architecturalrecord.com/articles/12216-how-isamu-noguchi-tried-to-change-a-japanese-prison-camp

Harrison, Bernice. “Noguchi Akari Lantern, 1950.” Irish Times, 14 January 2017. http://www.irishtimes.com/life-and-style/homes-and-property/interiors/noguchi-akari-lantern-1950-1.2930281

Heinrich, Will. “Remember When They Wanted to Build a Parking Lot Over the Hudson” (exhibition review). New York Times, 21 September 2017. https://www.nytimes.com/2017/09/21/arts/review-never-built-new-york-queens-museum.html

Hojnicki, Carrie. “Why the American Artist Isamu Noguchi Willingly Entered a Japanese Internment Camp” (Noguchi Museum exhibition review). Architectural Digest, 1 February 2017. http://www.architecturaldigest.com/story/why-american-artist-isamu-noguchi-willingly-entered-japanese-internment-camp

“How Prison Made Isamu Noguchi a True Modernist.” Phaidon, 23 January 2017. http://www.phaidon.com/agenda/art/articles/2017/january/23/how-prison-made-isamu-noguchi-a-true-modernist/

Kaufman, Sarah L. “The Painful Truth About Those Noguchi Stage Designs.” The Washington Post, 23 February 2017. https://www.washingtonpost.com/entertainment/theater_dance/the-painful-truth-about-those-noguchi-stage-designs/2017/02/23/47e19f94-f853-11e6-9845-576c69081518_story.html

Keats, Jonathan. “This Exhibit Shows How a Famous Artist Designed the Ultimate Playground (And Why It Never Got Made)” (San Francisco Museum of Modern Art exhibition review). Forbes, 10 October 2017. https://www.forbes.com/sites/jonathonkeats/2017/10/10/isamu-noguchi-sfmoma

Kedmey, Karen. “How Isamu Noguchi’s Seven Months in a Japanese Internment Camp Inspired His Art” (Noguchi Museum exhibition review). Artsy, 24 January 2017. https://www.artsy.net/article/artsy-editorial-noguchis-seven-months-japanese-internment-camp-inspired-art

Kennedy, Randy. “Native Art Gets Its Due at the MET.” The New York Times, 7 April 2017: C13, illustrated.

Luckman, Alexander. “Archtober Building of the Day: the Noguchi Museum.” The Architect’s Newspaper, 4 October 2017. https://archpaper.com/2017/10/archtober-building-of-the-day-the-noguchi-museum/

Martin, Hannah. “Why Isamu Noguchi’s Lanterns Are So Beloved.” Architectural Digest, 18 June 2017. http://www.architecturaldigest.com/story/why-isamu-noguchis-lanterns-are-so-beloved

Massara, Kathleen. “The Japanese-American Artist Who Went to the Camps to Help” (Noguchi Museum exhibition review). The New Yorker, 31 January 2017. http://www.newyorker.com/culture/culture-desk/the-japanese-american-artist-who-went-to-the-camps-to-help

“Noguchi Museum: ‘Self-Interned, 1942’” (exhibition review). The New Yorker, 27 February 2017: 8.

“Robert Stadler and Noguchi Will Have a Show Together at Noguchi Museum” (exhibition preview). The Architects Newspaper, 17 March 2017. https://archpaper.com/2017/03/robert-stadler-noguchi-museum-solid-doubts/

Rothstein, Edward. “A Look Back at Japanese Internment” (Noguchi Museum exhibition review). The Wall Street Journal, 23 February 2017: A12, illustrated.

Stavrinaki, Maria. “’Postwar: Art between the Pacific and the Atlantic, 1945–1965,’ Haus der Kunst, Munich” (exhibition review). Artforum 55, no. 7 (March 2017): 257–258, illustrated.

Voon, Claire. “Japanese Playgrounds at Night.” Hyperallergic, 3 October 2017. https://hyperallergic.com/388940/japanese-playgrounds-at-night/

Waligore, Athena. “Isamu Noguchi’s Creative Playground Designs Exhibit at SFMOMA” (exhibition review). Interior Design, 5 September 2017. http://www.interiordesign.net/articles/13659-isamu-noguchi-s-creative-playground-designs-exhibit-at-sfmoma/

Wood, Sura. “Isamu Noguchi at Play” (San Francisco Museum of Modern Art exhibition review). The Bay Area Reporter, 3 August 2017. http://www.ebar.com/arts/art_article.php?sec=general&article=427

Young, Michelle. “7 Works by the Artist Isamu Noguchi in NYC.” Untapped Cities, 22 February 2017. http://untappedcities.com/2017/02/22/7-works-by-the-artist-isamu-noguchi-in-nyc/

2016

“Art + SOM: Isamu Noguchi’s Garden for Lever House.” SOM.com, accessed 30 November 2016. http://www.som.com/ideas/slideshows/art__som_isamu_noguchis_garden_for_lever_house

Catlin, Roger. “After the Tragic Lindbergh Kidnapping, Artist Isamu Noguchi Designed the First Baby Monitor” (Smithsonian American Art Museum exhibition review). Smithsonian.com, 20 December 2016. http://www.smithsonianmag.com/smithsonian-institution/after-tragic-lindbergh-kidnapping-isamu-noguchi-designed-first-baby-monitor-180961454/

Emerson, Bo. “Noguchi Sculpture Coming to the High Museum This Week.” AJC.com, 9 May 2016. http://www.ajc.com/news/news/noguchi-sculpture-coming-to-the-high-museum-this-w/nrKBp/

Gamerman, Ellen. “Memories of the Year Noguchi Chose Internment” (Noguchi Museum exhibition review). The Wall Street Journal, 23 December 2016. http://www.wsj.com/articles/memories-of-the-year-noguchi-chose-internment-1482521001

Hegert, Natalie. “Isamu Noguchi: The International Idealist of Modern Sculpture” (Smithsonian American Art Museum exhibition review). Mutualart.com, 21 December 2016. https://www.mutualart.com/Article/Isamu-Noguchi--The-International-Idealis/C1DDD9DD36E5E558

Holleman, Joe. “’Noguchi Ceiling Restored at U-Haul Building by The Hill.” St. Louis Post-Dispatch, 3 May 2016. http://www.stltoday.com/lifestyles/columns/joe-holleman/noguchi-ceiling-restored-at-u-haul-building-by-the-hill/article_80706646-42ad-51b9-be07-03702def9f99.html

Kaplan, Howard. “Best of Both Worlds: Isamu Noguchi” (Smithsonian Museum of Art exhibition review). Eye Level, 11 November 2016. http://eyelevel.si.edu/2016/11/best-of-both-worlds-isamu-noguchi.html

“Isamu Noguchi: Driven to Create.” The Brooklyn Rail, 1 November 2016. http://www.brooklynrail.org/2016/11/verbatim/isamu-noguchi-driven-to-create

Kennicott, Philip. “Is It Possible to Make Noguchi Boring? Almost” (Smithsonian American Art Museum exhibition review). The Washington Post, 28 November 2016. https://www.washingtonpost.com/entertainment/museums/is-it-possible-to-make-noguchi-boring-almost/2016/11/28/7ee99d4a-b193-11e6-8616-52b15787add0_story.html

Lewis, Danny. “A Modernist Sculpted Ceiling Was Uncovered in a U-Haul Showroom.” Smithsonian.com, 6 May 2016. http://www.smithsonianmag.com/smart-news/modernist-sculpted-ceiling-was-uncovered-u-haul-showroom-180959016/?no-ist

Martinez, Natalie. “View Point: Atlanta’s Best Architecture, Isamu Noguchi Playscapes.” Biz Journals, 27 May 2016. http://www.bizjournals.com/atlanta/news/2016/05/27/atlantas-best-architecture-noguchi-playscapes.html

Miller, Meg. “In Photos: Isamu Noguchi’s Legendary Set Designs for Choreographer Martha Graham.” Fact Company, 18 February 2016. http://www.fastcodesign.com/3056807/exposure/in-photos-isamu-noguchis-legendary-set-designs-for-choreographer-martha-graham

Roniger, Taney. “Leah Raintree: Another Land: After Noguchi” (The Noguchi Museum exhibition review). The Brooklyn Rail, December 2016. http://www.brooklynrail.org/2016/12/artseen/leah-raintree-another-land-after-noguchi

Rule, Doug. “Spotlight: Isamu Noguchi’s Archaic/Modern at the American Art Museum” (exhibition review). Metro Weekly, 13 November 2016. http://www.metroweekly.com/2016/11/spotlight-isamu-noguchis-archaicmodern-american-art-museum/

Schuster, Angela M.H. “Market Spotlight: Isamu Noguchi, The Natural” (Smithsonian American Art Museum exhibition review). Artinfo, 9 December 2016. http://www.blouinartinfo.com/news/story/1728048/market-spotlight-isamu-noguchi-the-natural

Stapley-Brown, Victoria. “’Humanity Uprooted’: Noguchi Museum Marks 75th Anniversary of Japanese American Internment” (exhibition review). The Art Newspaper, 7 December 2016. http://theartnewspaper.com/news/museums/humanity-uprooted-noguchi-museum-marks-75th-anniversary-of-japanese-american-internment-/

Tcholakian, Danielle. “12,000-Pound Sculpture Installed in Hudson Square Near Holland Tunnel.” DNAinfo.com, 22 December 2016. https://www.dnainfo.com/new-york/20161222/hudson-square/12000-pound-sculpture-installed-hudson-square-near-holland-tunnel

2015

Bernstein, Fred. “The Uncertain Future of Isamu Noguchi’s Works.” The Wall Street Journal Magazine, 10 September 2015. http://www.wsj.com/articles/the-uncertain-future-of-isamu-noguchis-works-1441892679

Catton, Pia. “Noguchi Works Restored for Martha Graham Dance Company.” The Wall Street Journal, 9 February 2015. http://www.wsj.com/articles/noguchi-works-restored-for-martha-graham-dance-company-1423526538

Guzman, Alissa. “Fred Wilson on Isamu Noguchi’s Multifaceted Modernism.” Hyperallergic, 16 March 2015. http://hyperallergic.com/190978/fred-wilson-on-isamu-noguchis-multifaceted-modernism/

Kennedy, Randy. “Inside Art: Noguchi Show Planned For Brooklyn Garden.” The New York Times, 30 January 2015: C28, illustrated.

Lakin, Max. “Isamu Noguchi and the Importance of Public Sculptures in Big Cities” (Pace Gallery exhibition review). Vanity Fair, 4 March 2015. http://www.vanityfair.com/culture/2015/03/isamu-noguchi-variations-pace-sculptures

Martin, Hannah. “Isamu Noguchi Exhibition at New York’s Pace Gallery” (exhibition review). Architectural Digest, 20 February 2015. http://www.architecturaldigest.com/blogs/daily/2015/02/isamu-noguchi-exhibition-at-pace-gallery

Schmidt, Mackenzie. “Meet the Man Behind That Famous Paper Lantern” (Pace Gallery exhibition review). Lonny, 11 March 2015. http://www.lonny.com/See+It+Now/articles/o0q1TEI2mlV/Meet+Man+Behind+Famous+Paper+Lantern

Schwendener, Martha. “A Garden Idyll for Noguchi’s Stones and Steel” (Brooklyn Botanic Garden exhibition review). The New York Times, 11 September 2015: C29, illustrated.

Sheets, Hilarie M. “Inside Art: A Secret Noguchi Garden.” The New York Times, 17 April 2015: C24.

Vaiana, Vic. “The Indian Observatories That Inspired Noguchi’s Sculptures” (Noguchi Museum exhibition review). Hyperallergic, 4 March 2015. http://hyperallergic.com/181640/the-indian-observatories-that-inspired-noguchis-sculptures/

Zemaitis, James. “Design of the Times.” Art+Auction, no.8 (April 2015): 50–54, illustrated.

2014

“Asian-Pacific American Heritage: Isamu Noguchi.” UPS Stamps, 14 May 2014. http://uspsstamps.com/blog/2014/5/14

Chou, Kimberly. “Sculptor’s Honors Cubed.” The Wall Street Journal, 15 May 2014. http://on.wsj.com/1qGYkLK

Frank, Priscilla. “11 of the Best Southern California Art Spots That Aren’t In Los Angeles.” The Huffington Post, 30 April 2014. http://www.huffingtonpost.com/2014/04/30/southern-california-art-spots_n_5234821.html

Goldberg, Eve. "The Secret History Of The Noguchi Table." Fast Company, 17 December 2014. http://www.fastcodesign.com/3039963/the-secret-history-of-the-noguchi-table

“Isamu Noguchi and Qi Baishi: An Exploration of Artistic and Intellectual Exchanges” (The Frye Art Museum exhibition review). Artlyst, 2 March 2014. http://www.artlyst.com/articles/isamu-noguchi-and-qi-baishi-an-exploration-of-artistic-and-intellectual-exchanges

Martin, Hannah. “Isamu Noguchi’s Architectural Playground in Atlanta.” Architectural Digest, 9 October 2014. http://www.architecturaldigest.com/blogs/daily/2014/10/herman-miller-isamu-noguchi-playscape-atlanta

Miller, Brian. “Visual Arts: Isamu Noguchi and Mark Tobey (and Friends) at the Frye” (exhibition review). Seattle Weekly, 11 March 2014. http://www.seattleweekly.com/arts/951572-129/visual-arts-isamu-noguchi-and-mark

Peers, Alexandra. "Design Sales Hit Dizzying Heights; Noguchi Table Breaks Record." New York Observer, 18 December 2014. http://observer.com/2014/12/design-sales-hit-dizzying-heights-noguchi-breaks-record/

Vogel, Carol. “Inside Art: Table by Noguchi.” The New York Times, 5 December 2014: C24.

2013

“Iconic Public Artworks.” Time Out New York, no. 904, 25 April 2013: 14.

Owens, Mitchell. “The Noguchi Museum Explores Ink Painter Qi Baishi’s Mentorship of Isamu Noguchi” (exhibition review). Architectural Digest, 2 October 2013. http://www.architecturaldigest.com/blogs/daily/2013/10/isamu-noguchi-museum-qi-baishi-exhibit

Rosenberg, Karen. “Crossing Paths Briefly, With Life-Altering Results” (Noguchi Museum exhibition review). The New York Times, 18 October 2013: C27, illustrated.

Sam, Sherman. “London: ‘Mingei are you here?’” (exhibition review). Artforum, 23 December 2013. http://www.artforum.com/archive/id=44570

Shilling, Alana. “Glorious Madness: Art, Improbability, and Jean Dubuffet’s Excursions en no man’s space” (Pace Gallery exhibition review). The Brooklyn Rail (October 2013): 49, illustrated.

Sutton, Benjamin. “Public Art by Dubuffet and Noguchi Accessible Again in Lower Manhattan.” Artinfo, 3 December 2013. http://blogs.artinfo.com/artintheair/2013/12/03/public-art-by-dubuffet-and-noguchi-accessible-again-in-lower-manhattan/

Watson-Smyth, Kate. “The Noguchi coffee table.” Financial Times, 13–14 July 2013: 7, illustrated.

2012

Cooper, Arnie. “When You Need a Giant Canvas for Your Work” (Museum of Contemporary Art exhibition review). The Wall Street Journal, 6 June 2012, illustrated.

Swenson, Kirsten. “Land Art for the Media Age” (Museum of Contemporary Art exhibition review). Art in America, no. 9 (October 2012): 146–157, illustrated.

2011

Angel, Amanda, Andrew Frisicano and Sarah Rammos. “This Week in New York: Personal Museums.” Time Out New York, 3–9 November 2011, illustrated.

Barton, Dave. “Rock, Paper, Hipsters: Isamu Noguchi’s Designs Fascinate Both for Their Undeniable Beauty and for Their Intersection with Commerce” (Laguna Art Museum exhibition review). OC Weekly, 4 August 2011, illustrated. http://www.ocweekly.com/2011-08-04/culture/isamu-noguchi-california-legacylaguna-beach-art-museum-scenario-costa-mesa/2/

“Exhibition Focuses on Legacy of Artist/Designer Isamu Noguchi” (exhibition review). Rafu Shimpo, 30 July 2011. http://rafu.com/news/2011/07/exhibition-focuses-on-legacy-of-artistdesigner-isamu-noguchi/

Kourlas, Gia. “Celebrating an Enduring Partnership.” The New York Times, 18 March 2011.

“Noguchi Museum Launches Digital Catalogue Raisonné of Artist's Work in All Mediums and Genres.” Artdaily.org, 19 November 2011, illustrated. http://www.artdaily.org/index.asp?int_sec=2&int_new=51852

Rosenberg, Karen. “Noguchi Museum: ‘On Becoming an Artist: Isamu Noguchi and His Contemporaries, 1922–1960” (exhibition review). The New York Times, 22 April 2011, illustrated.

2010

Gordon, Amanda. “Art Talk: Noguchi’s Foundation.” Art News 109, no. 11 (December 2010): 36, illustrated.

Muhammad, Larry. “Isamu Noguchi Sculpture ‘Strange Bird’ Arrives at Speed Art Museum.” Courier-journal.com, 18 October 2010. http://www.courier-journal.com/article/20101018/SCENE05/310180027

Rosenberg, Karen. “The Far-Ranging Artistic Alliances That Shaped a Sculptor” (Noguchi Museum exhibition review). The New York Times, 17 December 2010: C31, C33, illustrated.

Wilkin, Karen. “Art: Evolution of a Sculptor” (Noguchi Museum exhibition review). Wall Street Journal, 30 December 2010: D4, illustrated.

2009

Ellwood, Mark. “Gaze and Graze.” Financial Times, 9–10 May 2009: 6.

Vogel, Carol. “Inside Art: Gift to Noguchi Museum.” The New York Times, 1 May 2009: C26.

2008

Briers, David. “Isamu Noguchi” (Yorkshire Sculpture Park exhibition review). Art Monthly, no. 320 (October 2008): 27–28, illustrated.

“What’s On: United Kingdom––Wakefield: Isamu Noguchi at Yorkshire Sculpture Park.” The Art Newspaper 17, no. 193 (July–August 2008): 65, illustrated.

“What’s On: California—Asian/America/Modern Art: Shifting Currents, 1900–1970” (De Young Museum exhibition review). The Art Newspaper 17, no. 195 (October 2008): 74.

2007

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Schwendener, Martha. “Following the Leader, and Sometimes Moving Past” (Noguchi Museum exhibition review). The New York Times, 27 July 2007: E30, illustrated.

Schwendener, Martha. “Midcentury Moderns in a Cross–Cultural Conversation” (Noguchi Museum exhibition review). The New York Time, 24 September 2007: E6.

Vogel, Carol. “Inside Art: A Home for a Heavyweight.” The New York Times, 9 February 2007: E32.

2006

“Buckminster Fuller and Isamu Noguchi Exhibit” (Noguchi Museum exhibition review). Artdaily.com, 20 May 2006. http://www.artaily.com/

Glueck, Grace. “Art Review: The Architect and the Sculptor: A Friendship of Ideas” (Noguchi Museum exhibition review). The New York Times, 19 May 2006: E34, illustrated.

Houx, Kellie. “Johnson Countian Helps With Nelson’s Sculptures” (Nelson-Atkins Museum of Art exhibition preview). The Johnson County Sun, 7 December 2006.

Joseph, Channing. “Museums: A View on A Forgotten Noguchi” (Noguchi Museum exhibition preview). The New York Sun, 1 November 2006: 1, 16.

McElheny, Josiah. “Preview: Best of Friends: Buckminster Fuller and Isamu Noguchi.” Artforum (May 2006): 117, illustrated.

Murg, Stephanie. “Art Talk: Model Friendship.” Art News 105 (June 2006): 40, illustrated.

“Panel Discussion on Shin Banraisha: A Cultural Memory.” Artdaily.com, http://www.artdaily.com/, 11 November 2006.

Princenthal, Nancy. “Report from Long Island City: The Future, As It Was” (Noguchi Museum exhibition review). Art in America (December 2006): 65–69, illustrated.

Wallach, Amei. “Hanging Out With Bucky, Thinking Big” (Noguchi Museum exhibition review). The New York Times, 21 May 2006: AR35, illustrated.

Wolin, Joseph R. “Best of Friends” (Noguchi Museum exhibition review). Time Out New York, 31 August–6 September 2006: 71.

2005

Davis, Ben. “We are Duchampians” (exhibition review). Artnet.com, 2 November 2005: illustrated.

Diaz, Eva. “Art–Reviews: The Imagery of Chess Revisited” (exhibition review). Time Out New York, 3–9 November 2005: 76, illustrated.

Esplund, Lance. “Arts and Letters–Museums: What Noguchi Bought” (exhibition review). The New York Sun, 18 August 2005: 16, illustrated.

Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.

Steinhauer, Jennifer. “The Arts Administration.” The New York Times Arts and Leisure, 23 October 2005: 1, 18, section 2, illustrated, discussed.

Stern, Fred. “Noguchi at 100.” Artnet.com (online journal), 28 January 2004, illustrated.

Viladas, Pilar. “9.4.05 Design: Zen Rock Garden.” The New York Times Magazine, 4 September 2005: 46–49, illustrated.

2004

Esplund, Lance. “Drawing Fire from Stone” (Whitney Museum of American Art exhibition review). New York Sun, 29–31 October 2004, Arts & Letters: 1, 17, illustrated.

Glueck, Grace. “Noguchi’s Exploration of the 3–Dimensional World” (Whitney Museum of American Art exhibition review). The New York Times, 29 October 2004, Weekend Arts: E37, illustrated.

Harris, Jane. “Object lesson: Isamu Noguchi’s Masterful Sculptures Take Center Stage at the Whitney.” Time Out New York, November 11–17, 2004: 63, illustrated.

Johnson, Ken.”Art Review: A Refuge for Repose Refreshed.” The New York Times, June 11, 2004: E33, E37, illustrated.

McGee, Suzanne and Ernest Beck. “Tending Noguchi’s Garden.” Art News (June 2004): 45, illustrated.

McPherson, Edward. “Noguchi’s Loyal Mistress.” New York Observer, July 19, 2004: 1.

Smith, Roberta. “Designers for a Day: Sculptors Take a Turn,” Cooper–Hewitt National Design Museum exhibition review. The New York Times, September 10, 2004, Weekend: E25.

Stevens, Mark. “A Uniter, Not a Divider: Isamu Noguchi Was a Man of Dualities: West and East, Coarse and Refined, Optimist and Realist.” New York, 8 November 2004: 80–81, illustrated.

2003

Bonanos, Christopher. “On View: The Basement Shapes. Noguchi’s Sculptures Go On View–Including A Long–Lost Gem” (PaceWildenstein, Isamu Noguchi Garden Museum and Japan Society exhibition reviews). New York, 22 September 2003: 73, illustrated.

“Gallery–Going” (PaceWildenstein exhibition review). New York Sun, 18 September 2003: 14.

Henry, Clare. “Noguchi. PaceWildenstein, New York” (exhibition review). Financial Times, 22 September 2003: 12, illustrated.

Johnson, Ken. “Noguchi’s Trips to Japan, Documented in Clay” (Japan Society exhibition review). The New York Times, 17 October 2003: E41.

Koplos, Janet. “Noguchi Work Dismantled.” Art in America (September 2003): 31.

Koplos, Janet. “Reciprocal Debts” (Japan Society exhibition review). Art in America (December 2003): 88–93+, illustrated.

Lyford, Amy. “Noguchi, Sculptural Abstraction, and the Politics of Japanese American Internment.” Art Bulletin 85, no. 1 (March 2003): 137–151.

“Portraits by the Artist as a Young Man.” Art on Paper (April 2003): 17.

Prinz, Neil. “Isamu Noguchi: Uniting Tradition & Modernity.” Grand Street 72 (Fall 2003): 42–52, illustrated.

Tuchman, Phyllis. “Seeing Noguchi Anew.” Art in America (December 2003): 95+, illustrated.

Vogel, Carol. “Inside Art: A Noguchi Dismantled.” The New York Times, 25 July 2003: E32.

“What Noguchi Saw.” New York Sun, 25 October 2003: Photography section.

2002

Campbell–Johnston, Rachel. “Rachel Campbell–Johnston’s Best London Exhibitions: ‘American Beauty: Part One. Annely Juda.” Times (London), June 2002.

Clifford, Katie. “‘Zen no Zen,’ Isamu Noguchi Garden Museum.” Art News (May 2002): 167.

Dannatt, Adrian. “Free Art—As in Unpaid. A Combination of the Economic Slowdown and 9/11 has Prompted Artists to Show Anywhere, and Often for Little or No Money.” Art Newspaper 124 (April 2002): 18.

“Design.” Art Newspaper (September 2002): 82–85.

Glueck, Grace. “Art Review: Forms to Free the Mind from Worldly Concerns.” The New York Times, 19 April 2002: E37.

Goldstein, Doris. “20th–21st Century Design Art.” Art + Auction (Summer 2002): 24.

Grayson, Susan. “Reeditez, C’est Moderne! Reissued Modern Furniture.” L’Architecture d’Aujourd’hui (Boulogne), November/December 2002: 90–93.

Grove, Nancy. “Isamu Noguchi: Isamu Noguchi Garden Museum.” Sculpture 21, no. 2 (March 2002): 69–70.

Herman, Elizabeth Dean. “The Collaboration of Wallace K. Harrison and Isamu Noguchi.” Casabella (Milan), June 2002: 56–67, 104–107.

Herman, Michele. “Noguchi to the People.” Metropolis, October 2002: 52.

Hladik, Murielle. “Isamu Noguchi, Sculptural Design.” L’Architecture d’Aujourd’hui (Boulogne), September/October 2002: 16–18.

Kent, Sarah. “American Beauty at Annely Juda” (exhibition review). Time Out London, 26 June–3 July 2002.

Taylor, Joel. “Bold and the beautiful” (Annely Juda exhibition review). West End Extra (London), 5 July 2002. (“Small Practices by Noguchi illustrated).

Vedrene, Elizabeth. “A la lumiere de Noguchi.” Connaissance des Art (October 2002): 20.

2001

Anspon, Catherine D. “Set in Stone.” Art and Antiques (December 2001): 74–78.

Brady, David. “Isamu Noguchi: Sculptural Design. The Design Museum, London.” Crafts (London), December 2001/January 2001: 50.

Cash, Stephanie. “Noguchi Garden for Lever House.” Art in America (March 2001): 39.

De Waal, Edmund. “Isamu Noguchi.” Crafts (London), November/December 2001: 20–21.

Douglas, Anna. “Sights and Lights to SooThe Senses.” Blueprint, no. 187 (September 2001): 135.

Kearton, Nicola. “Kathryn Gustafson: The Recurrent Ring.” Architectural Design (London) 71, no. 5. (September 2001): 50–57.

Muchnic, Suzanne. “Guarding Noguchi’s Garden.” Art News (October 2001): 60.

Oles, James. “Noguchi in Mexico: International Themes for a Working–Class Market.” American Art (Summer 2001): 10–33.

Schiff, Bennett. “An Oasis of Art.” Smithsonian (January 2001): 74–81.

Singlton, Iona. “‘Isamu Noguchi—Sculptural Design.’ Vitra Museum, Weil am Rhine, Germany.” Art Review (London) (December 2001/January 2002): 88–99.

Sudjic, Deyan. “The Strange Case of Mr. Noguchi.” Domus (Milan), October 2001: 22–25.

Taguchi, Chise. “The Monolith Man.” World of Interiors (London), August 2001: 68–73.

2000

Glueck, Grace. “Earthly Forms: The Biomorphic Sculpture of Arp, Calder, Noguchi / Correspondences: Isamu Noguchi and Ellsworth Kelly” (exhibitions review). The New York Times, 10 March 2000.

Naves, Mario. “Troika of the Biomorphic Blob: Calder, Noguchi, Arp, Naturally” (exhibition review). New York Observer, 20 March 2000: 20.

Tansini, Laura. “I Fiori Del Suo Giardino.” Arte In (Milan) (February/March 2000): 40–44.

1999

Buruma, Ian. “Back to the Future.” New York Review (4 March 1999): 21–23.

D’Alessandro, Stephanie. “Modern and Contemporary Art: The Lannan Collection at The Art Institute of Chicago: Isamu Noguchi.” Museum Studies 25, no. 1 (1999): 14–15.

Failing, Patricia. “Isamu Noguchi, Bryan Ohno, Seattle” (exhibition review). Art News (November 1999): 199. Illustrated.

Greco, Joann. “Outside Art: Five of America’s Best Sculpture Gardens.” Art & Antiques (April 1999): 74–79.

Hackett, Regina. “In The Galleries.” Seattle Post–Intelligencer, 2 September 1999.

Hackett, Regina. “Quiet Grace of Noguchi Sculptures Lost In Cluttered Display’s Cacophony.” Seattle Post-Intelligencer, 9 September 1999.

Itoi, Kay. “The Stones of Mure.” Artnews (September 1999): 90–92, 94.

Martin, James. “Noguchi Acquisitions.” Nelson–Atkins Museum of Art: April (April 1999): 2.

Ruhling, Nancy A. “A Stone’s Throw Away: Noguchi Museum Is A Hidden Treasure In LIC.” New York Post, 15 April 1999: A35.

Tuchman, Phyllis. “Noguchi’s Nirvana.” New York Daily News, 18 April 1999: 21.

Updike, Robin. “Seattle Exhibit Displays the Sculpting Genius of Isamu Noguchi.” Seattle Times, 9 September 1999.

1998

Adam, Georgiana. “Noguchi Museum Finally Nears Completion.” Art Newspaper, no. 84 (October 1998): 18.

Altshuler, Bruce. “Isamu Noguchi: Art into Life.” The Isamu Noguchi Garden Museum Research and Resources, 27 November 1998. http://www.noguchi.org/badesign.html

Dunlap, David W. “Now, Landlord to Repair 2 Noguchi Sculptures.” The New York Times, 29 July 1998: B7.

Kimmelman, Michael. “What Set Noguchi Apart: He Was Apart.” The New York Times, 5 June 1998: E35.

Kramer, Hilton. “The Beauty and Wisdom of Noguchi’s Late Work.” New York Observer, 1 June 1998: 1, 25.

Lutfy, Carol. “Noguchi’s Last Gift.” Architectural Digest (December 1998): 212–217, 249, illustrated.

Maniaci, Cara. “Isamu Noguchi.” NY Arts (June 1998: 46.

Mason, Brook S., “Isamu Noguchi at PaceWildenstein.” Art + Auction (June 1998): 54.

Sand, Olivia J. “Isamu Noguchi: Water and Stones.” Asian Art (Summer 1998).

Torres, Ana Maria. “Isamu Noguchi Stones and Water.” NY Arts (June 1998): 29.

Weinstein, Norman. “Isamu Noguchi: Master of Stone and Space.” The Modernist (Spring 1998): 30–37.

Worth, Alexi. “Isamu Noguchi” (PaceWildenstein exhibition review). Art News (June 1998): 123.

1997

Cotter, Holland. “Queens Artists.” The New York Times, 23 May 1997: C23.

Holborn, Mark. “Issey Miyake and Isamu Noguchi.” Artforum ((November 1997): 126–127.

1996

Russell, John. “Arne Ekstrom, 87, Director of a Prominent Art Gallery.” The New York Times, 19 May 1996: 35.

Smith, Roberta. “When Craft is Wedded to Machine Production.” The New York Times, 5 January 1996: C25.

1995

Bellet, Harry. “Jean Clair, Grand Prix of the Venice Biennial!” Atelier (October 1995): 17–21.

Bevan, Roger. “Contemporary art sales, New York: No trends, just good and bad pictures.” Art Newspaper (December 1995): 33.

“Chessy's Choice: Ever–New Noguchi.” Elle Decor Magazine (February/March 1995): 64.

Corn, Alfred. “Isamu Noguchi” (The Pace Gallery exhibition review). Art News (April 1995): 142, illustrated.

Donohue, Marlena. “Reviews: Los Angeles.” Sculpture Magazine (July–August 1995): 47.

Ellis, Bret Easton. “Talk of the Town.” Elle Decor (October–November 1995): 240–245.

Greenberg, Cara. “Fifties Furniture.” Art and Antiques (May 1995): 82–86.

Jones, Gareth. “Sculptors on Sculpture: From Morphology to Monument.” Sculpture (March–April 1995): 26–31.

Koplos, Janet. “How Japanese is It?” Art in America (January 1995): 79–85.

Kuspit, Donald. “Isamu Noguchi” (The Pace Gallery exhibition review). Artforum (March 1995): 88, illustrated.

Schwendener, Martha. “Reviews: Isamu Noguchi” (The Pace Gallery exhibition review). Flash Art (May–June 1995): 111–112, illustrated.

Snodgrass, Susan. “Report from Chicago: Two for the Road.” Art in America (September 1995): 57–59

1994

Altshuler, Bruce. “Isamu Noguchi: Early Drawings from Paris and Beijing.” Drawing 17 (November–December 1994): 73–77.

Ha-Van, Ha-Hong-Van. “Les monuments d’Isamu Noguchi pendant la période du New Deal.” Histoire de l’Art 27 (October 1994): 71–79, illustrated.

Hagen, Charles. “Art in Review: Isamu Noguchi.” The New York Times, 15 April 1994: C26.

Kramer, Hilton. “Isamu Noguchi at the Whitney: Time Well Spent in Paris” (exhibition review). New York Observer, 13 June 1994: 1, 19, illustrated.

Levin, Kim. “Voice Choices: Art.” New York Village Voice, 23 August 1994: 69.

Lufty, Carol. “Historic Houses: Isamu Noguchi.” Architectural Digest (September 1994): 162–174, 184.

Muschamp, Herbert. “How Noguchi Shed Light On Light Itself.” The New York Times, 21 July 1994: C1.

Schwabsky, Barry. “Book Forum.” Artforum (November 1994): 2, 30.

1993

Cox, Madison. “Beyond Bamboo.” Elle Decor (October/November 1993): 189–195.

1992

D'Arcy, David. “Isamu Noguchi: The East and West of Contemporary Sculpture.” Art Newspaper, no. 20 (July/September 1992): 16.

Lowitz, Leza. “Isamu Noguchi—National Museum of Modern Art, Tokyo” (exhibition review). Sculpture (November/December 1992): 78–79.

1991

“A Rock in a Hard Place.” Angeles (February 1991).

“Abstract Sculpture.” Sun Post, 14 February 1991.

Art & Antiques (March 1991).

Avila, Frances. “Trust Trying to Waive Bids to Get Noguchi's Slide Mantra into Park.” Miami Today, 21 February 1991.

Bernfeld, Linda Rodriguez. “3 New Suits over Bayfront Park Hit City after It Settles Another Case.” Miami Today, 7 March 1991.

Blustein, Paul. “The China Doll—Or Was She?” The Washington Post, 30 November 1991: D1, illustrated.

Fischer, Britta. “Trends.” Vogue (German), February 1991.

Frankel, Stephen Robert. “Back To the Future.” Art + Auction (March 1991).

Gouveia, Georgette. “Art and Life Commingle at Pepsi's Sculpture Garden.” The Daily News, 20 January 1991.

Graaf, Vera. “Im Dialog mit der Natur.” Sueddeutsche Zeitung, 8 January 1991.

Hurlburt, Roger. “Exhibit Underscores the Impact of the Abstract.” Sun–Sentinel, 23 January 1991.

Jackson, Paul. “Traveler's Update.” New York Post, 2 April 1991.

“Top Secrets.” Elle (March 1991).

1990

Barnes, Clive. “True Genius of Serious Martha.” New York Post, 6 October 1990.

Bernfeld, Linda Rodriguez. “Bayfront Park Fountain Blasts Off.” Miami Today, 17 May 1990.

Bernfeld, Linda Rodriguez. “City Gets OK for Big Splash in the Park.” Miami Today, 12 April 1990.

Bernfeld, Linda Rodriguez. “Commission to Hear Compromise Plan to Complete Bayfront Park.” Miami Today, 18 October 1990.

Bernfeld, Linda Rodriguez. “Park fountain ready to make big splash.” Miami Today, 10 May 1990.

Bernfeld, Linda Rodriguez. “Noguchi design of Bayfront Park faces city commission opposition.” Miami Today, 31 May 1990.

Bernfeld, Linda Rodriguez. “Trust studies bid for a $1 million grant for cancer memorial in park.” Miami Today, 27 September 1990.

Black, Rick. “In Time of Uncertainty, Israel Museum Rejoices.” The New York Times, 3 September 1990.

Brenner, Douglas. “Hide and Seek.” HG (May 1990).

Donovan, Joe. “Akari by Noguchi.” Elle Decor (May 1990).

Goldbfard, Carl. “Cancer survivors' 'victory garden' offered to Bayfront.” Miami Herald, 26 September 1990.

Goldfarb, Carl. “City considers proposal to have private firm manage Bayfront Park.” Miami Herald, 21 September 1990.

Iverem, Ether. “A Blossoming of Sculptures.” New York Newsday, 10 April 1990.

Jones, Derek. “Primitivism in Contemporary Clay Work.” Asahi Evening News (Tokyo), 20 July 1990.

Kane, Cheryl. “Bids going out to install sculpture in Bayfront.” Miami Today, 24 May 1990.

Kohen, Helen L. “More art in public places on the way – eventually.” Miami Herald, 9 December 1990.

Kovel, Ralph and Kovel, Terry. “Collectors seek '50s furniture.” New York Tribune–Review, 29 April 1990.

McCormack, Patricia. “Tour the wonders of Rockefeller Center.” Greenwich (Connecticut) Time, 12 October 1990.

The New Yorker, 1 October 1990: 9.

Page, Amy. “The Israel Museum.” Art + Auction (November 1990).

Rosen, Carol. “Sites and Installations: Outdoor Sculpture Revisited.” Arts Magazine (February 1990).

Slagle, Alton. “Concrete walls house sculptures of stone.” The Daily News, 30 October 1990.

Stewart, Donald. “Tales of an Italian Anchorage.” The New York Times, 20 May 1990.

Thune–Andersen, Gitte. “The Stones Speak for Isamu Noguchi.” International Herald Tribune, 20 August 1990: 14, illustrated.

“Video 'Isamu Noguchi' At Storm King.” Daily Mail, 12 October 1990.

Wallach, Amei. “The Secret Garden.” Newsday, 24 June 1990.

Weiner, Philip. “Eye on Rockefeller Plaza.” Trump's (May 1990).

1989

Alhalel, Rhony. “Conversations with Isamu Noguchi.” Kyoto Journal 10 (Spring 1989): 32–37, illustrated.

Donohue, Marlena. “In Remembrance; Isamu Noguchi.” Sculpture (May/June 1989).

“Early Noguchi portrait sculpture.” Flash Art News (Milan), April 1989.

Graham, Martha. “From Collaboration, a Strange Beauty Emerged.” The New York Times, 8 January 1989.

“Isamu Noguchi, 1904–1988.” Journal of Art (February/March 1989).

“Isamu Noguchi Dies at 84.” Progressive Architecture 70 (February 1989): 21.

Kimmelmann, Michael. “Noguchi as a Master of Portrait Sculpture.” The New York Times, 17 May 1989.

“Obituaries.” Art in America (August 1989).

Turner, Elisa. “Walls without a Museum.” Art News (January 1989).

Walls, Jeanette. “Graham to let Noguchi's Dance Away.” New York, 3–10 July 1989.

Wardwell, Allen. “Nation; A Dialogue with Stone and Space.” Art News (March 1989).

Yarrow, Andrew. “In Challenge to Auction Houses, Art Dealers Stage an Exhibition.” The New York Times, 14 February 1989.

1988

“250 Noguchi Works.” The New York Times, 15 July 1988.

Brenson, Michael. “Isamu Noguchi, the Sculptor, Dies at 84.” The New York Times, 31 August 1988, illustrated.

Butash, Titian. “A voyage in surreal America.” Advocate, 24 June 1988.

Cooper, James F. “Two Modernist Masters Continue to Set Standards of Excellence.” New York City Tribune, 20 May 1988.

Daxland, John. “Keeping Pace.” New York Daily News, 5 August 1988.

Raynor, Vivien. “Whitney Traces the Path that Led From Surrealism.”

The New York Times, 3 June 1988.

Schiff, Gert. “Contemplation in News.” Contemporanea (Bologna), September/October 1988.

Smith, Roberta. “Isamu Noguchi” (Pace Gallery exhibition review). The New York Times, 10 June 1988: illustrated.

Wolff, Theodore. “A kind of sculptural crash course peps up summer browsing.” The Christian Science Monitor, 1 August 1988.

1987

Molotsky, Irvin. “National Medal of Arts Awarded to 11 by Reagan.” The New York Times, 11 June 1987.

1986

Floda, Liviu. “An Interview with Isamu Noguchi on Brancusi.” Journal of the American Romanian Academy of Arts and Sciences 8–9 (1986): 270–276.

Hagen, Charles. “Isamu Noguchi: United States Pavilion, Biennale” (exhibition review). Artforum (October 1986): 144–145, illustrated.

Hill, Ed and Suzanne Bloom. “Isamu Noguchi: Museum of Fine Arts” (Museum of Fine Arts Houston exhibition review). Artforum (September 1986): 139–140, illustrated.

Hughes, Robert. “Egos, Kitsch and the Real Thing.” Time, 14 July 1986.

Lowry, W. McNeil. “Profiles (Lincoln Kirstein—Part I).” The New Yorker, 15 December 1986: 44–80.

Lowry, W. McNeil. “Profiles (Lincoln Kirstein—Part II).” The New Yorker, 22 December 1986: 37–63.

Masters, Greg. “Isamu Noguchi.” Arts Magazine (January 1986): 141.

Noguchi, Isamu. “The Courage to Desecrate Emptiness.” Art News (March 1986): 103–109, illustrated.

Papademetriou, Peter C. “Noguchi Garden in Houston.” Progressive Architecture 67 (July 1986): 25–26, illustrated.

Raynor, Vivien. “Art: Isamu Noguchi's Seven Stones.” The New York Times, 11 April 1986.

Ronnen, Meir. “Israel: Arts in an Ancient Land.” Horizon 29 (July/August 1986): 59–73, illustrated.

Tracy, Robert. “Noguchi: Collaborating with Graham.” Ballet Review 13 (Winter 1986): 9–17, illustrated.

1985

Atkins, Robert. “High Styles” (Whitney Museum exhibition review). Horizon 28 (September 1985): 51–55, illustrated.

Cerwinske, Laura. “Miami Morass: Bayfront Park.” Progressive Architecture 66 (July 1985): 42–44, illustrated.

Ellis, Stephen. “The Bronze Age, the Iron Age, The Age of Gold.” Issue (Spring/Summer) 1985.

Freiman, Ziva. “Noguchi’s New Museum.” Progressive Architecture 66 (August 1985): 28, illustrated.

Grove, Nancy. “Isamu Noguchi: The Image of Energy.” Arts (September 1985).

1984

Brenson, Michael. “Art: 100 Modern Sculptures at Storm King Center.” The New York Times, 3 August 1984.

Grove, Nancy. “Isamu Noguchi, Shaper of Space.” Arts Magazine 59 (December 1984): 111–115, illustrated.

1983

Robinson, Walter. “Art & the Law: 'Moral Rights' Come to New York.” Art in America (October 1983).

1980

Bell, Tiffany. “Imaginary Landscapes: The Work of Isamu Noguchi” (The Pace Gallery and André Emmerich Gallery exhibition review). Skyline (April 1980): 3, illustrated.

Hughes, Robert. “Sense and Subtlety in Stone.” Time 115, 17 March 1980: 84, illustrated.

Hunter, Sam. “Public Sculpture.” National Arts Guide (May/June 1980).

Kramer, Hilton. “Art Review: Noguchi at 75,” (The Pace Gallery and André Emmerich Gallery exhibition review). The New York Times, 2 March 1980: 1, 31, illustrated.

Parks, Addison. “Storm King Visited.” Arts (September 1980).

Tomkins, Calvin. “The Art World: Rocks.” The New Yorker, 24 March 1980: 76–82.

1979

Altman, Adelaide. “Noguchi is Still the Talk of the Town” (Detroit Institute of Arts exhibition review). Detroit Free Press, 24 April 1979: B3, illustrated.

“Houston Sculpture Garden by Noguchi.” Progressive Architecture 60 (June 1979): 36, illustrated.

Schulze, Franz. “Noguchi's Multiplicities.” Art in America (January/ February 1979).

“Sculpture in Public Places.” Horizon (October 1979).

1978

Bourdon, David. “Noguchi’s Imaginary Landscapes” (Walker Art Center exhibition review). Vogue 168 (April 1978): 46, 48.

1977

Cavaliere, Barbara. Arts Magazine (October 1977).

Colby, Joy Hakanson. “Bravo for Handpicked Exhibit at OU.” Detroit Sunday News, 23 January 1977.

“Noguchi Sculpture for Atlanta Park.” Progressive Architecture 58 (January 1977): 21, illustrated.

1976

Hoyt, Charles K. “The Bank of Tokyo: New Image with Old Roots.” Architectural Record (June 1976): 89–94.

Kramer, Hilton. “Art: Sampling of Asian Delights.” The New York Times, 18 January 1975.

1973

Bresette, James. “Noguchi: It’s Effect of Fountain That Counts.” Omaha World-Herald, 11 December 1974: 4, illustrated.

“Communities Greet Sculptor, Fountain To Be Unity Symbol.” Council Bluffs Nonpareil, 11 December 1974: 1, illustrated.

“Dodge Memorial Fountain.” Architectural Record 153 (May 1973): 47.

Kuh, Katharine. “Fine Arts: Noguchi in Japan.” World 2, 13 March 1973:60–61

“News Report: Fountain and Plaza Await Approval in Detroit.” Progressive Architecture 54 (May 1973): 38.

Ogata, Tamotsu. “Isamu Noguchi: The Wandering Artist.” Japan Illustrated 12 (July 1974): 2–7, illustrated.

Pond, Elizabeth. “Isamu Noguchi.” The Christian Science Monitor, 23 August 1973, illustrated.

1972

Pica, Agnoldomenico. “Quattro Progetti per Venezia Alla XXXVI Biennale.” Domus, 10 October 1972: 1–3, illustrated.

Steele, Robert. “Noguchi: A Sculptor’s World.” Film News 29 (October 1972): 14–15.

Vaizey, Marina. “Noguchi” (Gimpel Fils exhibition review). Financial Times, 7 September 1972.

1971

“Fountain Scheme for Detroit Civic Center Plaza Shown.” Progressive Architecture 52 (December 1971): 30, illustrated.

Genauer, Emily. “Art and the Artist.” New York Post, 4 September, 1971: 34.

Marandel, J. Patrice. “Lettre de New York.” Art International 15, no. 1, 20 January 1971: 43–45.

1970

Dodd, Jeremy. “Landscape and Water.” Architectural Review 148 (August 1970): 115–121, illustrated.

Kienzle, Connie. “Scrutable Sculptor Won’t Taunt Nature.” Pittsburg Press, 12 November 1970: 16, illustrated.

Osaka, Ad. “Acqua in Movimento.” Domus, 9 September 1970.

Papi, Lorenzo. “Isamu Noguchi.” La Nazione, 23 October 1970: 13.

Rogers, Susan. “Noguchi: Beauty is Not Forever.” New York Post, 21 April 1970: 6, illustrated.

Suzuki, Makato. “Fountains and Sculpture.” Japan Architect 45(May/June 1970): 162–163, illustrated.

Wellish, Marjorie. “Art.” Manhattan East, 24 November 1970: 2.

1969

Hayman, Sally. “A ‘Black Sun’ Rises Over Seattle.” Seattle Post-Intelligencer, 28 September 1969: 14.

Lewis, Sylvia. “Noguchi’s Granite Sun Rises in Volunteer Park.” Seattle Post-Intelligencer, 13 September 1969:3, illustrated.

“New Akari.” Japan Architect 44 (December 1969): 15, illustrated.

“Shapes of Light: Noguchi’s New Akari Sculpture (Corider and Ekstrom exhibition reveiw).” Interiors (January 1969): 12, illustrated.

Voorhees, John. “Black Sun Unveiled: Noguchi Hopeful Sculpture Will Be Meeting Place.” Seattle Times, 13 September 1969: 14.

Walker, Joan. “Outdoor Art in the City.” Cue, 3 May 1969: 10–11.

Winter, John. “Noguchi: A Comprehensive Artist.” RIBA Journal 76(December 1969): 537.

1968

Adams, Phoebe. “Potpourri.” The Atlantic 221 (May 1968): 114, illustrated.

Andreae, Christopher. “Noguchi’s Wonderful Garden of Rocks.” The Christian Science Monitor, 22 May 1968: 4, illustrated.

Ashton, Dore. “New York Commentary.” Studio International 175 (June 1968): 321, illustrated.

Berkman, Florence. “East and West Meet: Noguchi’s Sculpture Blends Cultures.” Hartford Times, 11 May 1968: 22.

“Big Bright Sculpture.” Architectural Forum (April 1968): 41–43, cover.

“Books.” Craft Horizons 28 (November/ December 1968): 50.

Brown, Gordon. “Month in Review.” Arts Magazine 42 (May 1968): 52, illustrated.

Burr, James. “London Galleries: A Hymn of Hedonism.” Apollo (July 1968): 62, illustrated.

Causey, Andrew. “Sculptor of Gardens.” The Illustrated London News, 6 July 1968: 31, illustrated.

Edgar, Natalie. “Noguchi: Master of Ceremony.” Art News 67 (April 1968): 50–52, 71–72. illustrated.

Fuller, R. Buckminster. “Isamu Noguchi: A Sculptor’s World.” Design (September 1968): 78.

Gruen, John. “The Artist Speaks.” Art in America 56 (March/April 1968): 28–31, illustrated.

Hershey, Lenore. “Sight and Sound: Isamu Noguchi.” McCall’s (April 1968): 20.

“In the Galleries: Isamu Noguchi (Cordier–Ekstrom Exhibition).” Arts Magazine 42 (May 1968): 60, illustrated.

“In the Museums: Isamu Noguchi (Whitney Museum of American Art Exhibition).”Arts Magazine 42 (June 1968): 55.

“Isamu Noguchi’s Sculpture and His Artistic Philosophy.” Japan Times, 27 March 1968: 10, illustrated.

Kuh, Katharine. “The Fine Arts.” Saturday Review, 1 June 1968: 36–39, illustrated.

Neugass, Fritz. “Skulpturen-Garten.” Frankfurter Allgemeine Zeitung, 20 July 1968: 11, illustrated.

Noguchi, Isamu. “The Sculpture and the Architect.” Studio International 176 (July/August 1968): 18–20, illustrated.

Oliver, Paul. “Noguchi.” Arts Review 20, 20 July 1968: 450, illustrated.

“Prodigious Noguchi is Here: No Support for Accent On The London Theatre Changes Hands.” The Times, 9 July 1968: 8.

Russell, John. “Castles in the Sand.” Times, 9 July 1969: 8, illustrated.

“Sculpture World of Noguchi.” Interiors (May 1968): 6, illustrated.

Spaak, Eleanor. “Sculptor Isamu Noguchi.” Home Furnishing Daily, 15 April 1968: 1–2.

Spencer, Charles. “How to See Sculpture.” Sculpture International 2 (October 1968): 32–39, illustrated.

Willard, Charlotte. “Between Two Worlds.” New York Post, 4 May 1968: 46.

Wolfe, Ruth. “Past, Present, Future.” Art in America 56 (March/April 1968): 32–45, illustrated.

Young, Mahorni Sharp. “Letter from U.S.A (Whitney Museum of American Art exhibition review).” Apollo (August 1968): 143.

1967

Andersen, Wayne. “American Sculpture: The Situation in the Fifties.” Art Forum 5 (1967): 60–67, illustrated.

Andersen, Wayne. “La Scultura Americana.” L'Arte Moderna, 1967.

“Austellungen in New York (Galerie Cordier and Ekstrom exhibition review).” Das Kunstwerk (April/May1967): 45.

Baker, Elizabeth C. “Reviews and Previews: Isamu Noguchi (Cordier & Ekstrom exhibition review).” Art News 66 (May 1967): 16.

Boustedt, Bo. “Vivre Avec La Sculpture.” XXe siècle (December 1967): 121–136, illustrated.

Coates, Robert M., “The Art Galleries: Sculpture at the Whitney.” The New Yorker, 7 January 1967.

Halstead, Whitney. “Chicago.” Art Forum 6 (October 1967): 64.

Henning, Edward B. “Two New Contemporary Sculptures.” Bulletin of the Cleveland Museum of Art 54 (September 1967): 219–227, illustrated.

“In the Galleries: Isamu Noguchi.” Arts Magazine 41 (May 1967): 56.

Noguchi, Isamu; interviewer: A. Fatt. Dance Magazine 41 (February 1967): 44–45.

“Notes by the Artist on his Recent Work in Japan.” Arts and Architecture (1967).

“Prophet Without Honor.” Art in America 55 (November/December 1967): 44–47, illustrated.

Sabacek, Jiri. “Sculpture for the Stage.” Sculpture International (1967): 55–59.

Spencer, Charles. “Martha Graham and Noguchi.” Studio International 173 (May 1967): 250–251.

“Triangolo (a vele) da giochi.” Architettura (November 1967): 464–465, illustrated.

1966

Brown, Gordon. “The Brandeis Awards.” Arts 40 (June 1966): 16, illustrated.

“Golden Anniversary Acquisitions.” Bulletin of the Cleveland Museum of Art 53 (September 1966): 245, illustrated.

“Musèe d’Israël à Jérusalem.” L’architecture d’au jourd’hui 129 (December 1966).

Stechow, Wolfgang. “Cleveland's Golden Anniversary Acquisitions.” Art News (September 1966): 64.

“Un Giapponese a Gerusalemme.” L’architettura 9 (February 1966): 670.

1965

“Acropolis in Jerusalem.” Progressive Architecture 46 (September 1965): 180–187, illustrated.

Ashton, Dore. “Art.” Arts and Architecture (May 1965): 8, 9, illustrated.

Ashton, Dore. “New Sculpture Fresh in Old Techniques.” Studio International 169 (June 1965): 260–261.

Benedikt, Michael. “Isamu Noguchi.” Art News 64 (May 1965): 13.

Bourdon, David. “The Driftwood Aesthetic.” College Art Journal 25 (Fall 1965): 29.

“Exhibition at the Cordier–Ekstrom Gallery.” Studio (June 1965): 169.

Gottehrer, Barry and Tim Hutchens. “Court Battles and Confusion Over Playground.” New York Herald Tribune, 27 February 1965: 4.

Grilli, Elise. “Japanese Art: Après–Guerre.” Art in America (June 1965): 141, illustrated.

Kahn, Louis I. “Remarks.” Perspecta: The Yale Architectural Journal (1965): 330–331.

“Mister One–Man, 1954.” Art in America 53 (September 1965): 41.

Noguchi, Isamu. “A Sculpture Garden in Jerusalem.” Ariel (1965): 31–32.

Noguchi, Isamu. “Sculpture Garden.” Arts and Architecture 82 (September 1964): 27–29, illustrated.

“Noguchi Uses A lot of Stone.” Kokomo Tribune, 12 May 1968: 23, illustrated.

du Plessix, Francine. “Anatomy of a Collector: Nelson Rockefeller.” Art in America 53 (April 1965): 47.

Raynor, Vivien. “In the Galleries.” Arts Magazine 39 (June 1965): 55.

“Reviews and Previews.” Art News 64 (May 1965): 13, illustrated.

1964

“American Sculpture between the Fairs.” Art in America (April 1964).

Ashton, Dore. “American Mutations.” Cimaise (1964): 29–40.

Ashton, Dore. “Dallo Studio di Isamu Noguchi.” Domus (June 1964): 51–54, illustrated.

Chevalier, D. “Les expositions à Paris.” Aujourd’hui (October 1946): 46.

Friedman, B.H. “Useful Objects by Artists.” Art in America 52 (December 1964): 54–61, illustrated.

“Gardens at Corporate Headquarters Symbolize Man's Past and Future.” International Magazine of International Business Machines Corporation, 1964.

“Giocare con la Terra.” Architettura 10 (September 1964): 338, illustrated.

“Kahn-Noguchi Playground Proposed for New York.” Progressive Architecture 45 (March 1964): 67, illustrated.

Michelson, Annette. “Noguchi: Notes on a Theatre of the Real.” Art International (December 1964): 21–25, illustrated.

“Modern Living: The Dymaxion American.” Time 83, 10 January 1964: 46–57.

Noguchi, Isamu. “New Stone Gardens.” Art in America 52 (June 1964): 84–89, illustrated.

“Paris: a Glimpse of Summer (Galerie Calude Bernard Exhibition).” Arts Magazine 38 (1964): 66–67, illustrated.

“Pariser Chronik.” Das Kunstwerk 18 (1964): 89, illustrated.

Ragon, Michel. “Recent Examples of the Integration of the Arts.” Ceraphis 20 (November 1964): 464–489, illustrated.

1963

Ashton, Dore. “Art.”Art and Architecure 80 (November 1963): 6–7, illustrated.

Ashton, Dore. “New York Report.” Das Kunstwerk 17 (July 1963).

Ashton, Dore. “Noguchi.” Arts and Architecture 80 (June 1963): 6–7, 30, illustrated.

Ashton, Dore. “Trio Tops New York Shows: Isamu Noguchi.” Studio 166 (July 1963): 20, illustrated.

DeMott, Helen. “Isamu Noguchi.” Art News 62 (May 1963): 12.

“Edifico do primeiro Banco nacional.” Binário 54 (March 1963): 170–172.

Franks, A.H. “Martha Graham in London.” Choreographic Art 54 (October 1963): 10–15.

Gray, Cleve. “Remburgers and Hambrandts.” Art in America 51 (December 1963): 118–129, illustrated.

Gruen, John. “Japanese Garden for Wall St.” New York Herald Tribune, 25 September 1963: 13.

“Isamu Noguchi.” Arts and Architecture 80 (June 1963): 6–7.

Raynor, Vivien. “In the Galleries.” Arts Magazine 37 (1963): 105–106, illustrated.

“Reviews and Previews: Isamu Noguchi.” Art News 62 (May 1963): 10, illustrated.

Rose, Barbara. “New York Letter.” Art International 10, 25 May 1963: 54–57.

“Sculpture in a Closed Court of the New Beinecke Rare Book and Manuscript Library at Yale.” Arts and Architecture 80 (November 1963): 6.

SOM. “Peristylar Structures Precast.” Progressive Architecture 44 (1963): 125.

“Total Sculpture.” The New Yorker 39, 14 December 1963: 45–49.

“Trio Tops New York Shows.” Studio 166 (July 1963): 20

Wadsworth Atheneum Bulletin, no. 13 (Spring 1963).

“With Eyes Open in a Painted World.” New York Herald Tribune, April 1963: section 4.

1962

The Artist’s Voice: Talks with Seventeen Artists. Text by Katharine Kuh. New York: 1962, 171–187.

Ashton, Dore. “Art.” Arts and Architecture 79 (April 1962): 8, illustrated.

Campbell, David. R. “Collaboration: Artist and Architect.” Arts and Architecture 79 (September 1962): 22–23.

“Exhibitions (Bonniers, New York Exhibit).” Craft Horizons 22m (1962): 65, illustrated.

“Kungälv, Svezia, un ‘parco di scultrua” privato” Domus, 11 November 1962: 32–39.

“Noguchi, The Sculptor Acclaimed for Stage Settings and Design for Ballet.” Art Voices 1 (December 1962): 20–21.

“Notiziario: arehittura.” Domus (April 1962).

Picnus–Witten, Robert. “Chicago Letter” Art International 6 (April 1962): 54–56, illustrated.

“Sculpture in the Grounds of the Connecticut General Life Insurance Co.” Arts and Architecture (September 1962).

“SOM’s Landscape Architecture: Related Design Fields.” Progressive Architecture 43 (June 1962): 132–143, illustrated.

1961

“42nd Pittsburg International Exhibition of Contemporary Painting and Sculpture.” Art International 5, 20 October 1961: 38, 48, 75, illustrated.

Art International (20 October 1961).

Askew, Rual. “Bank Concept Matches Need.” Dallas Morning News Section 5, 21 May 1961: 4.

Campbell, Lawrence. “Reviews and Previews.” Art News 60 (1961): 10.

Craig, Martin. “Notes on Sculpture in a Mad Society.” Art News 59 (January 1961): 29, 60.

Collier, Alberta. “New Sculpture is Being Placed.” The New York Times Section 3, 15 November 1961: 15.

Creighton, Thomas. “P.S.: The Relationship of Sculpture and Architecture.” Progressive Architecture (1961): 232, illustrated.

“DU: Roth: Noguchi.” Architectural Review 129 (March 1961): 150.

“Floating.” Newsweek, 22 May 1961.

Genauer, Emily. “Noguchi's Weightlessness.” Herald Tribune, March 1961: 18.

“Israel Culture (Israel National Museum exhibition review).” Architectural Forum 114 (February 1961): 138.

“Noguchi’s Weightlessness.” New York Herald Tribune Section 4, 21 May 1961: 18, illustrated.

Pease, Roland F Jr. and Dore Ashton. “New York Notes: Isamu Noguchi.” Art International 5 (1961): 95, illustrated.

Preston, Stuart. “An Abstract Sculptor.” The New York Times, 21 May 1961.

“Rare Building for Rare Book Skidmore, Owings, and Merrill.” Domus (March 1961): 1.

Raynor, Vivien. “In the Galleries: Isamu Noguchi.” Arts 35 (September 1961): 36–37, illustrated.

Willard, Charlotte. “On Stage.” Art in America 49 (1961): 78–83, illustrated.

1960

Ashton, Dore. “La Sculpture Américaine.” XXe siècle (1960): 85–91, illustrated.

Burchard, J.E. “Unesco House Appraised; The Noguchi Garden.” Architectural Record 127 (May 1960): 156.

Flemming, Hanns Theodor. “German: The Challenge of Contemporary Art.” Art in America 48 (1960): 60–65, illustrated.

Frankfurter, Alfred. “Why are Yalemen the Best Collectors?” Art News 59 (1960): 48, 74, illustrated.

Hirschberg, Vera. “Noguchi in Japan for Granite: Artist Does ‘Sculpture Gardens’.” Pacific Stars and Stripes 16, 11 June 1960: 2, illustrated.

Kuh, Katharine. “Sculpture.” Art in America 48 (1960): 30–33

“La Sculpture Americain.” XXe Siecle 22 (December 1960): 89–90.

“Musee National de Jerusalem.” Architecture d’aujorud’hui 43 (1960): 3.

Noguchi, Isamu. “Interview with Isamu Noguchi.” Interviewed by Katharine Kuh. (March 1960): 104–112.

Noguchi, Isamu. “Sculpture Garden of the New National Museum in Jersusalem.” Arts and Architecture 77 (October 1960): 20, illustrated.

Noguchi, Isamu. “Towards a Reintegration of the Arts.” College Art Journal 9 (1960): 59–60.

“Observatories of the Maharajah Sawai Jai Singh II.” Perspecta 6 (1960): 68–77, illustrated.

“People in the Arts.” Arts 34 (February 1960): 12, illustrated.

Ronnen, Meir. “Rose and Noguchi: Unique Center of Sculpture.” Jerusalem Post, 4 March 1960: 5.

“Sculpture Garden of the New National Museum in Jerusalem.” Arts and Architecture (1960).

1959

Ashton, Dore. “Isamu Noguchi.” Arts and Architecture 76 (August 1959): 14–15.

Berger, René. “L’Éte a Paris.” XXe siècle (1959).

Frankenstein, Alfred. “Judge Tells His Reasons Why Art Show Winner Won.” Chicago Daily News, 9 December 1959.

Huxtable, Ada Louise. “Art in Architecture 1959.” Craft Horizons 19 (January/February 1959): 15, illustrated.

“Japanese Garden at Unesco in Paris: Isamu Noguchi.” Domus (March 1959): 5, illustrated.

Jeffery, Alain. “Unesco.” Graphis 15 (March 1959): 138–143, illustrated.

Mathey, François. “Le jarden de Noguchi.” Quadrum VI (1959): 38–41, illustrated.

Noguchi, Isamu. “Unesco Gardens in Paris.” Arts and Architecture 76 (January 1959): 12–13, illustrated.

“Reviews and Previews.” Art News 58 (1959): 14, illustrated.

“Sculpture for the New Connecticut General Life Insurance Company Building.” Craft Horizons (January–February 1959).

Schwartz, Marvin D. “News and Views from New York.” Apollo 70 (August 1959): 34.

Tallmer, Jerry. “Isamu Noguchi: Abstract Sculptor has Concrete Objective.” Village Voice, 5 August 1959: 3, 5.

Tillim, Sydney. “In the Galleries.” Arts (June 1959): 55, illustrated.

“Toward the Timeless.” Time, 1 June 1959: 70, illustrated.

“We Respectfully Ask: Will the Judges Please Tell Why the Art Winner Won?
Chicago Daily News, 2 December 1959.

1958

“Child of the Bell.” Art Quarterly (1958).

Genêt. “Letter from Paris.” New Yorker 34, 11 October 1958: 176–180.

“Les Aets a la Maison de l’Unesco.” Aujourd’hui (September 1957): 66–71, illustrated.

Noguchi, Isamu. “Garden of Peace.” Courier (November 1958): 32–33, illustrated.

“Portrait.” Art in America (1958–1959).

Steichen, Edward. “Photography.” Art in America 46 (Winter 1958–59): 47, illustrated.

Weiss, Sabine. “Repose in Stone.” Courier (November 1958): 31, illustrated.

1957

“5 U.S. Sculptors for Fair Chosen (Belgian Exposition).” The New York Times, 27 October 1957: 83.

“Building with a Future.” Time, 16 September 1957: 86–91, illustrated.

“Insurance Sets a Pattern.” Architectural Forum 107 (September 1957): 127, 212.

“Little Gem for a Giant.” Interiors (November 1957): 116–117, illustrated.

Noguchi, Isamu. “The 'Arts' Called 'Primitive'.” Art News 56 (March 1967): 24–27, 64.

1956

Hess, Thomas B. “Mutt furisos.” Art News 55 (December 1956): 22–25, 64–65, illustrated.

“Isamu Noguchi.” Aujourd’hui 7 (March 1956): 82–85, illustrated.

“Isamu Noguchi per i bambini.” Domus (September 1956): 45.

“Modern Living: Sculptor Noguchi Transforms an African Stool into Modern Furniture for Teeters.” Life 40, 6 February 1956: 122, 125, illustrated.

Munro, Eleanor. “Explorations in Form.” Perspectives (1956): 167–168.

Page, Addison Franklin. “Isamu Noguchi: The Evolution of a Style.” Art in America 44 (Winter 1956–1957): 24–26, 64–66, illustrated.

Saarinen, Aline B. “Six Top Artists to Brighten UNESCO Home.” The New York Times, 13 June 1956: 1.

1955

“A Weird Kind of ‘Lear’: London Boggles at Bizarre Production.” Life 39, 8 August 1955: 64, illustrated.

“Art: Eastern Yeast.” Time, 10 January 1955: 54, illustrated.

Faison, S. Lane Jr. “Art.” The Nation 180, 15 January 1955: 56–57.

Frankfurter, Alfred. “The Controversial Noguchi sets for Lear.” Art News 54 (December 1955): 42.

Gage, Otis. “Art: Sculpturama.” Arts and Architecture 72 (February 1955): 4, 8–10, illustrated.

Noguchi, Isamu. “Akari.” Arts and Architecture 72 (May 1955): 14, 31, illustrated.

Noguchi, Isamu. “House.” Arts and Architecture 72 (November 1955): 26–27, illustrated.

“Noguchi's Akari.” Interiors 114 (April 1955): 118–121, illustrated.

“Reviews of the Month: American Dance.” Dance Observer 22, 16 June 1955: cover, 83.

“Terra – at the Stable Gallery.” Arts and Architecture (February 1955).

Worsley, T.C. “The Arts and Entertainment: King Lear.” Statesman and Nation 50, 6 August 1955: 160.

1954

“Back to Clay.” Newsweek, December 1954.

Coates, Robert. “Art Galleries: Sculpture Shows (Stable Gallery exhibition review).” The New Yorker, 4 December 1954: 173.

Kramer, Hilton. “Fortnight in Review: Noguchi.” Arts Digest, 1 December 1954: 30.

“Model for a Children's Playground.” Architectural Record 115 (January 1954): 157, illustrated.

Noguchi, Isamu. “Japanese Akari Lamps.” Craft Horizons 14 (September/October 1954): 16–18.

Noguchi, Isamu. “Rosanjin, Potter and Cook.” Vogue 123 (May 1954): 170.

Porter, Fairfield. “Isamu Noguchi.” Art News 54 (December 1954): 55.

Sawyer, Kenneth B. “Martha Graham et Noguchi.” Cimasie (July/August 1954): 18–19.

1953

Hayes, Bartlett H. Jr. “The Naked Truth and Personal View.” American Art 17 (February 1953): 37.

“Hiroshima Memorial to the Dead.” Arts and Architecture (April 1953).

Maurer, Herrymon. “Noguchi: An Abstract Sculptor Puts His Art to the Uses of an Industrial World.” Fortune 48 (September 1953): 116–121, illustrated.

1952

“Art: New Shapes for Lighting.” Life 32, 10 March 1952: 114–115, 117, illustrated.

Barclay, Dorothy. “Noguchi–Whittlesley Playground Model.” The New York Times Section 6, 20 April 1952: 52.

Brennan, Dorcas. “Lightolier’s Light Fantasties.” Interiors 111 (April 1952): 132, illustrated.

Hess, Thomas B. “The Rejected Playground.” Art News 51, 7 April 1952: 15, illustrated.

“Isamu-san and Shirly Too.” Time, 3 November 1952: 76, illustrated.

“Light Shedders.” Interiors (March 1952): 144, illustrated.

Louchheim, Aline B. “Two Kinds of Art: Noguchi Sculptures and a War Panorma.” The New York Times, 10 August 1952.

Louchheim, Aline B. “Playground Unit Shown at Museum.” New York Times, 25 March 1952: 25.

“Many-Sided Look at Modern Sculpture.” Art News 51 (October 1952): 21, illustrated.

“Mechanics of a Heat Pump Aid a Japanese Garden.” Architectural Forum 96 (March 1952): 106–107.

“Model of I. Noguchi––J. Whittlesley playground shown; plan was rejected by Commissioner Moses.” The New York Times, 25 March 1952: 2.

“Modern Playground.” New York Herald Tribune Section 1, 25 March 1952: 23.

“New Lamps from the Old World.” House and Home 1 (April 1952): 148, illustrated.

“New York Notes (Museum of Modern Art Exhibition).” Art Digest 26, 15 April 1952: 14.

Noguchi, Isamu. “Isamu Noguchi: Projects in Japan.” Arts and Architecture 69 (October 1952): 24–26, illustrated.

Noguchi, Isamu. “Theatre of Heroes and Phantoms.” Bazaar (June 1952): 62–64, illustrated.

“Noguchi in Kitakamura.” Interiors 112 (November 1952): 117–120, illustrated.

Pepis, B. “Artist at Home.” The New York Times Magazine, 31 August 1952.

“Playground for the United Nations.” Interiors 111 (April 1952): 14.

“Projects: Faculty Retreat Building, Keio University, Garden and Sculpture for Reader's Digest Office, Tokyo.” Arts and Architecture 69 (June 1952): 24–26.

Rudofsky, Bernard. “The Bread of Architecture.” Arts and Architecture 69 (October 1952): 27–29, illustrated.

“Sculpture: Noguchi Bridges.” Interiors (1952): 10, illustrated.

“Shockproof Office Building.” Architectural Forum 96 (March 1952): 99–107.

1951

“Astronomical City.” Portfolio: The Annual of the Graphic Arts 1 (1951): illustrated.

Drexler, Arthur. “Noguchi, Traveling Sculptor Pauses in Japan.” Interiors 110 (April 1951): 140–145, illustrated.

Genauer, Emily. “Modern Art and the Ballet.” Theatre Arts (October 1951): 16, 75–77.

Louchheim, Aline B. “Noguchi and ‘Sculptured’ Gardens.” The New York Times, 30 September 1951: 9, illustrated.

Louchheim, Aline G. “U.N. Rejects ‘Model’ Playground; Moses’ Project is Accepted Instead.” The New York Times, 7 October 1951: 1.

Preston, Stuart. “Museum Shows Architectural Art (Museum of Modern Art Exhibit).” The New York Times, 24 June 1951.

1950

Bouverie, D. Pleydell. “Demountable Table by Noguchi.” Architectural Review 107 (February 1950): 135, illustrated.

Drexler, Arthur. “Lighting Restudied.” Interiors (November 1950): 117–121, 192,194, illustrated.

Ishikawa, Joseph. “How Nebraska University Builds a Collection from its Annuals.” Art Digest 24, 15 March 1950: 12–13, illustrated.

La Farge, Henry A. “Ruisdael to Pissarro to Noguchi.” Art News 49 (13 March 1950): 32, 59, illustrated.

Noguchi, Isamu. “Isamu Noguchi.” Arts and Architecture 67 (November 1950): 24, 27–29, illustrated.

1949

Brummé, C. Ludwig. “Contemporary Sculpture: A Renaissance.” Magazine of Art 42, 3 October 1949: 212–217, illustrated.

“Designers in the East.” House and Garden (July 1949): 28.

Devree, Howard. “Stress on Space.” New York Times Section 2, 6 March 1949: 9.

Fremantle, Christopher E. “New York Commentary.” The Studio 138, 28 July 1949: 29–31, illustrated.

Greenberg, Clement. “Art.” The Nation, 19 March 1949: 341.

“From an Interview with Isamu Noguchi.” The League Quarterly 20 (1949): 8–9.

“In the Showroom.” Interiors 58 (March 1949): 130–131, illustrated.

“Isamu Noguchi on the Expanding Potential of Sculpture” Interiors 58 (March 1949): 118–123, illustrated.

de Kooning, Elaine. “Reviews and Previews.” Art News 48, 8 March 1949: 52.

Louchheim, Aline B. “A New Kind of Trophy.” The New York Times Section 2, 10 July 1949: 6.

“Modern Art Goes to Sea.” Fortune (June 1949): 94–98, illustrated.

“Modern Furniture.” Interiors 108 (July 1949): 111, illustrated.

“Nature and Enormous Potential Importance of Sculpture, The Art of Spaces.” Interiors 109 (March 1949): 118–123.

“New Design: Art in an Odd Place.” Interiors 109 (September 1949): 18.

Noguchi, Isamu. “Contemproary Documents: Towards a Reintegration of the Arts.” College Art Journal 9 (1949): 59–60.

Noguchi, Isamu. “Meanings in Modern Sculpture.” Art News 48 (March 1949): 12–15.

Reed, Judith Kaye. “Experiments of the Inventive Noguchi.” Art Digest 23, 15 March 1949: 12.

“Reviews: Free Form for Furniture.” Architectural Forum 90 (April 1949): 212.

1948

“Announcements (Cooper Union Museum exhibition).” Architectural Forum 88 (February 1948): 58, illustrated.

Bitterman, Eleanor. “Art on the High Seas.” Architectural Forum 88 (April 1948): 150–153, illustrated.

“Progress in St. Louis.” Architectural Forum 89 (October 1948): 74.

van Weernen-Friek, Hans. “Woodstock Conference.” Art Digest 22, 15 September 1948: 31.

1947

“Art and Current Ballet.” The New York Times Section 2, 30 March 1947: 10.

“Art Into Living: Sculptor-Designed Table.” Art News 46, 9 May 1947: 36, illustrated.

Blackshear, Kathleen. “Abstract and Surrealist American Art.” The Bulletin of the Art Institute of Chicago 41, 15 December 1947: 86–89, illustrated.

Danes, Gibson. “Architectural Sculpture Today.” Magazine of Art 40 (May 1947): 171–175.

Hayakawa, S.I. “The Society for Contemporary American Art” Art Institute of Chicago 45, 6 March 1947: 34–36, illustrated.

Kaufmann, Edgar, Jr. Art News (May 1947).

Jewell, Edward Alden. “In Abstract Vein.” The New York Times, 2 March 1947: 2.

“Movie Story: Rita Hayworth Coasts Down Sculptor Noguchi’s Spiral Playground Slide.” Architectural Forum 87 (October 1947): 13–14.

“Relief, Main Entrance Associated Press Building, New York City.” Magazine of Art 40 (May 1947): 173.

Sabine, Robert. “Reviews of the Month: Martha Graham and Her Company Give Repertory Season.” Dance Observer 14 (April 1947): 43–44.

“Sculpture Under Glass.” The New York Times, 7 April 1947: 18.

Terry, Walter. “Graham; Hawkins, Bettis Offer New Dances of Varying Worth.” New York Herald Tribune, Section 5, 9 March 1947: 9.

1946

Gibbs, Jo. “Fourteen Moderns at the Modern (Museum of Modern Art exhibition)” Art Digest 20. 15 September 1946: 5, 30–31, illustrated.

Gibbs, Jo. “Sculpture Dominates Whitney Exhibition.” Art Digest 20. 15 February 1946: 6.

“Hawaii's Noguchi.” Art News 44 (1 January 1946): 10, illustrated.

Hess, Thomas B. “Isamu Noguchi” Art News 45, 25 September 1946: 34–38; 47; 50–51, illustrated.

“Japanese–American Sculpture Shows off Weird New Works (Museum of Modern Art exhibition review).” Life 21, 11 November 1946: 12–13, 15, illustrated.

Louchheim, Aline B. “The Favored Few (Museum of Modern Art exhibition review).” Art News 45, 25 September 1946: 15–17, 51–52.

Reed, Judith Kaye. “Art on Stage.” Art Digest 20, 1 February 1946: 10.

Reed, Judith Kaye. “Sculptors Suggest (American British Art Center exhibition review).” Art Digest 21, 15 December 1946: 7.

Tyler, Parker. “Fourteen Minus One.” View (Fall 1946): 35–37, illustrated.

1945

Reed, Judith Kaye. “Noguchi Sets the Stage for Martha Graham.” Art Digest 19, 1 June 1945: 13.

1940

“New York: News Panel by Noguchi.” Art News 38, 27 April 1940: 22.

“News in Steel.” Art Digest 14 (1940): 12.

1938

“Decoration for the Associated Press Building, N.Y.” Newsweek (1938).

“Noguchi Did This in Three Days, Won 1000.” Art Digest (1938).

“Rockefeller Center Award,” Magazine of Art 31 (November 1938): 66.

1937

Lowe, Jeannette. “Detroit Sees the Chrysler Modern Art Collection.” Art News 36 (October 1937): 14.

1935

“Abstraction by Isamu Noguchi.” Parnassus (1935).

Eglington, Laurie. “Noguchi: Marie Harriman Gallery.” Art News 33 (February 1935): 8.

J.W. Parnassus (March 1935).

“Noguchi is called `Extraordinary'.” Art Digest (1935).

“Social Theme Developed by Noguchi in Show.” Art Digest (1935).

1933

Gutman, Walter. “News and Gossip.” Creative Art (March 1933).

Levy, Julien, “Isamu Noguchi.” Creative Art (January 1933).

1932

Glassgold, C.A. “The John Becker Gallery and the Demotte Galleries.” Creative Art (1932).

1931

“Drawings by Isamu Noguchi.” Art Digest 5, 15 March, 1931: 16.

“Isamu Noguchi: Becker Gallery.” Art News 29 (1931): 12.

“Isamu Noguchi: Reinhardt Galleries.” Art News 31 (December 1931) 6.

“Seated Figure by Isamu Noguchi.” Parnassus 3, (1931): 49.

1930

“Noguchi Wins Critics with His Portraits.” Art Digest 4 (1930): 18.

“Review: Portrait Heads by Noguchi, Ebihara–Marie Sterner Galleries.” Art News 28 (February 1930): 15.

2019

Hollein, Max. Modern and Contemporary Art in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 2019: 84–5, illustrated.

2018

Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 64, 180, 415, illustrated.

The Life of Forms (exhibition catalogue). Texts by Emmanuel Di Donna and Jennifer Field. New York: Di Donna, 2018: 92–101, illustrated.

2016

Art at Work: The JPMorgan Chase Art Collection. Third edition. New York: JP Morgan Chase & Co., 2016: 210–1, illustrated.

Barney, Tina and Stephen Shore. The Noguchi Museum: A Portrait. New York: Phaidon, 2016.

Hart, Dakin. Isamu Noguchi: Archaic/Modern (exhibition catalogue). Washington, D.C. and London: Smithsonian American Art Museum; D Giles Ltd., 2016.

Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 32–41, illustrated.

Noguchi’s Playscapes (exhibition catalogue). Mexico City: Museo Tamayo Arte Contemporáneo; Instituto Nacional de Bellas Artes, 2016.

Pasti, Carolina. A Life with Artists: Hannelore and Rudolph Schulhof. Texts by Richard Armstrong, Tom Freudenheim, Carol Goldberg, Suzanne Landau et al. New York: Skira Rizzoli Publication, 2016: 51, illustrated.

2015

Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection (exhibition catalogue). Washington D.C.: Smithsonian American Art Museum, 2015: 171–3.

Fletcher, Valerie J. Marvelous Objects: Surrealist Sculpture from Paris to New York (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2015: 120–8.

Herrera, Hayden. Listen to Stone: The Art and Life of Isamu Noguchi. New York: Farrar, Straus and Giroux, 2005.

Isamu Noguchi: Variations (exhibition catalogue). Text by John Yau. New York: Pace Gallery, 2015.

Isamu Noguchi, Patent Holder: Designing the World of Tomorrow (exhibition catalogue). Queens, New York: Dr. M. T. Geofrey Yeh Art Gallery, St. John’s University, 2015.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 282, illustrated.

Miller, Sequoia. The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery (exhibition catalogue). Text by John Stuart Gordon. New Haven: Yale University Art Gallery, 2015.

Noguchi as Photographer: The Jantar Mantars of Northern India (exhibition brochure). New York: The Noguchi Museum, 2015.

2014

Bronze in the XXth Century: Casting Modernity (exhibition catalogue). Texts by David Ekserdjian, Liana Corman and Peter Stevens. New York: Mnuchin Gallery, New York, 2014: 108–111, illustrated.

George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Phaidon, 2014: 90–1, illustrated.

Ilgen, Fré. Artist? The Hypothesis of Bodiness: A New Approach to Understanding the Artist and Art. Tübingen, Germany: Ernst Wasmuth Verlag GmbH & Co, 2014: 29, 134, illustrated.

Kan Yasuda. Text by Peter Benson Miller. New York: Eykyn Maclean, 2014: 14, 16, illustrated.

Menegazzo, Rossella. Wa: The Essence of Japanese Design. London: Phaidon Press Limited, 2014.

Noguchi, Isamu. “From A Sculptor’s World.” In Perl, Jed. Art in America 1945–1970: Writings from the Age of Abstract Expressionism, Pop Art, and Minimalism. New York: The Library of America, 2014: 359–366.

2013

Delong, Lea Rosson, ed. Des Moines Art Center Collects. Des Moines, Iowa: Des Moines Art Center, 2013: 296, 297, illustrated.

Hau, Amy and Heidi Coleman, eds. Isamu Noguchi / Qi Baishi / Beijing 1930 (exhibition catalogue). Texts by Britta Erickson, Natsu Oyobe, Jo-Anne Birnie Danzker, bert Winther-Tamaki, and Lang Shaojun. Milan: 5 continents Editions, 2013, illustrated.

Its Surreal Thing: The Temptation of Objects (exhibition catalogue). Lincoln: Sheldon Museum of Art at the University of Nebraska-Lincoln, 2013, illustrated.

Lyford, Amy. Isamu Noguchi’s Modernism: Negotiating Race, Labor, and Nation, 1930–1950. Berkeley and Los Angeles, California: University of California Press, 2013.

Mingei: Are You Here? (exhibition catalogue). Texts by Nicolas Trembley and Yuko Kikuchi. London: Pace London, 2013: illustrated.

Morse, Jed. Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso (exhibition catalogue). Texts by Catherine Craft, Dakin Hart and Marin R. Sullivan. Dallas: Nasher Sculpture Center, 2013.

Moving: Norman Foster on Art (exhibition catalogue). Texts by Norman Foster and Jean-Marc Prevost. London: Ivorypress Architecture: 328–329, 400, illustrated.

Stomberg, John R. and Rachel G. Beaupré, ed. Engage: The Mount Holyoke College Art Museum. South Hadley, Massachusetts: The Mount Holyoke College Art Museum, 2013: 143, illustrated.

2012

Beard, Lee, Adam Butler, Claire Van Cleave, Diane Fortenberry and Susan Stirling. The Art Book. London: Phaidon Press Limited, 2012: 324, illustrated.

Civic Action: A Vision for Long Island City (exhibition catalogue). Long Island City, New York: The Noguchi Museum, 2012.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: illustrated.

Mythology (exhibition catalogue). Interview between Matthew Spender and Marc Glimcher. New York: The Pace Gallery, 2012: 33, 35, 45, illustrated.

Noguchi, Isamu. “A Sculptor’s World (1968).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 605–609.

2011

Albright-Knox Art Gallery: Highlights of the Collection. Texts by Louis Grachos, Douglas Dreishpoon, Mariann W. Smith et al. London: Scala Publishers, 2011: 141, illustrated.

Armstrong, Tom. A Singular Vision. New York: The Quantuck Lane Press, 2011: illustrated.

Chikako, Takaoka. The Complete Catalogue of Ohara Museum of Art (I): Foreign Artists. Okayama, Japan: Ohara Museum of Art, 2011: 67, illustrated.

Rylands, Philip, ed. Hannelore B. and Rudolph B. Schulhof Collection. Text by Nicholas Fox Weber; interview by Lisa Jacobs. New York: the Solomon R. Guggenheim Foundation, 2011: 149, illustrated.

Sadao, Shoji. Buckminster Fuller and Isamu Noguchi: Best of Friends. Milan: 5 Continents Editions, 2011: illustrated.

2010

Calder to Warhol: Introducing the Fischer Collection (exhibition catalogue). Text by Neal Benezra, Doris Fisher, and Garry Garrels. San Francisco: San Francisco Museum of Modern Art, 2010.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Isamu Noguchi: Between East and West (exhibition catalogue). Texts by Kyriakos Koutsomallis, Jenny Dixon, Bonnie Rychlak et al. Turin: Umberto Allemandi & Co., 2010.

Miró & Noguchi: Masters of Surrealist Sculpture (exhibition catalogue). Texts by Bruc Altshuler and Robert S. Lubar. Miami: The Art Museum at Florida International University, 2010.

On Becoming an Artist: Isamu Noguchi and His Contemporaries, 1922–1960 (exhibition catalogue). Text by Amy Wolf. Long Island City, New York: Noguchi Museum, 2010.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 246–7, illustrated.

In-finitum (exhibition catalogue). Texts by Giandomenico Romanelli, Francesco Poli, Eddi De Wolf, etc. Wijnegem and Gent: Vervoordt Fountation; Paper Kunsthalle, 2009.

Innovations in the Third Dimension: Sculpture of Our Time (exhibition catalogue). Texts by Nancy Hall-Duncan and Joan Pachner. Greenwich: Bruce Museum, 2009: 39, 81–82, illustrated.

Marzio, Peter C. Director’s Choice: Masterpieces from the Museum of Fine of Arts, Houston. Texas: The Museum of Fine Arts, Houston, 2009: 188–189, illustrated.

Phifer, Jean Parker. Public Art New York. New York: W.W. Norton & Company, Inc, 2009: illustrated.

Riley II, Charles A. Art at Lincoln Center: The Public Art and List Print and Poster Collections. Hoboken, New Jersey: John Wiley & Sons, Inc., 2009.

Taylor, Michael, R. Arshile Gorky: A Retrospective (exhibition catalogue). Pennsylvania: Philadelphia Museum of Art in association with Yale University Press, 2009: illustrated.

The Third Mind: American Artists Contemplate Asia, 1860–1989 (exhibition catalogue). New York: Guggenheim Museum Publications, 2009: illustrated.

2008

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 398.

Isamu Noguchi (exhibition catalogue). Introduction by Peter Murray. Essay by Bonnie Rychlak. West Bretton, Wakefield: Yorkshire Sculpture Park, 2008.

Kleeblatt, Norman L., ed. Action / Abstraction: Pollock, De Kooning, and American Art, 1940–1976 (exhibition catalogue). Texts by Debra Bricker Balken, Morris Dickstein, Douglas Dreishpoon, Charlotte Eyerman, Mark Godfrey, Caroline A. Jones, Norman L. Kleeblatt and Irving Sandler. New York and New Haven: The Jewish Museum and Yale University Press, 2008: 17, 19, 298n51, 221.

Looking Back—Martha Parrish & James Reinish: 15 Years. New York: Martha Parrish & James Reinish, Inc., 2008: 89, no. 69, illustrated.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 215–225, illustrated.

Scott, Deborah Emont, ed. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Kansas City, Missouri: The Nelson-Atkins Museum of Art, 2008: 211, 222, 232, illustrated.

Speaking of Art: Selections from the Archives of American Art Oral History Collection, 1958–2008. Washington, D.C. and Falls Village, Connecticut: Archives of American Art, Smithsonian Institution; Winterhouse Editions, 2008: 20–23, illustrated.

Vervoordt, Axel, ed. Academia: Qui es-tu? (exhibition catalogue). Ghent: MER Paper Kunsthalle, 2008.

Whitney Museum of American Art at Altria. Foreword by Adam D. Weinberg. Introduction by Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

Isamu Noguchi and Isamu Kenmochi. New York: The Isamu Noguchi Foundation and Garden Museum / Five Ties Publishing, Inc., 2007.

Neff, Terry Ann R. The Fisher Collection: L–Z. Text by Mark Rosenthal. San Francisco: Doris and Donald Fisher, 2007: 146–149, 370, illustrated.

Sprague, Tiffany, ed. Art for Yale: Collecting for a New Century (exhibition catalogue). New Haven: Connecticut: Yale University Art Gallery, 2007: 289, plate 275, illustrated.

Tatehata, Akira. The 30th Anniversary: Selected Works from the Collection of the National Museum of Art, Osaka (exhibition catalogue). Osaka: National Museum of Art, 2007: 80–81, illustrated.

2006

Ashton, Dore. The New York School: A Cultural Reckoning. Berkeley: University of California Press, 2006.

Greene, Alison de Lima. Isamu Noguchi: A Sculpture for Sculpture (The Lillie and Hugh Roy Cullen Sculpture Garden). Texts by Valerie J. Fletcher and Marc Treib. Houston: The Museum of Fine Arts, 2006: illustrated.

Isamu Noguchi: Connecting the World through Sculpture (exhibition catalogue). Text by Bonnie Rychlak. Yokohoma: Yokohama Museum of Art, 2006.

Kuh, Katherine. “Isamu Noguchi: In Search of Home.” In My Love Affair with Modern Art: Behind the Scenes with Modern Art. Edited and completed by Avis Berman. New York: Arcade Publishing, 2006: 201–213, 205, 209, 210, 212, illustrated.

Metamorfosis en barro: Noguchi en Kamakura (exhibition catalogue). Texts by Bonnie Rychlak, Georges Sebbag, Bert Winther-Tamaki, etc. Madrid: Fundación ICO, 2007.

Slowik, Theresa J. America’s Art: Smithsonian American Art Museum. New York: Harry N. Abrams, Inc., 2006: 281, illustrated.

Varnedoe, Kirk. Pictures of Nothing: Abstract Art Since Pollock. Washington, D.C.: Board of Trustees, National Gallery of Art, 2006: illustrated.

2005

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 426–430, illustrated.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Art Gallery, 2005.

Perl, Jed. New Art City. New York: Alfred A. Knopf, 2005: 200, 258, 418, illustrated.

2004

Duus, Masayo. Isamu Noguchi: Master Sculptor. London: Scala, 2004.

Isamu Noguchi: Master Sculptor (exhibition catalogue). Texts by Valerie Fletcher, Dana Miller, Bonnie Rychlak, and Evelyn Hankins. London: Scala Publishers, 2004

Isamu Noguchi: Master Sculptor (exhibition catalogue). Whitney Museum of American Art, New York, October 28, 2004–January 16, 2005. Traveled to: Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 10–May 8, 2005. (Catalogue)

The Life of Isamu Noguchi: Journey Without Borders. Princeton, New Jersey: University Press, 2004.

Rychlak, Bonnie, Noguchi and Graham: Selected Works for Dance. New York: Isamu Noguchi Museum, 2004.

2003

33 MacDougal Alley: The Interlocking Sculpture of Isamu Noguchi (exhibition catalogue). New York: PaceWildenstein, 2003.

Cort, Louise Allison and Bert Winther-Tamaki. Isamu Noguchi and Modern Japanese Cermaics: A Close Embrace of the Earth. Texts by Bruce J. Altshuler and Niimi Ryu. Berkeley, California: University of California Press, 2003.

Noguchi In Paris: The Unesco Garden. San Francisco and Paris: William Stout Publishers ; UNESCO Publishing, 2003.

Noguchi: The Bollingen Journey. Photographs and Drawings 1949–1956 (exhibition brochure). New York: Isamu Noguchi Museum, 2003.

Noguchi: Contours (exhibition brochure). Text by Bonnie Rychlak. New York: The Isamu Noguchi Foundation, 2003.

2002

Rychlak, Bonnie. Zen No Zen: Aspects of Noguchi’s Sculptural Vision. New York: Isamu Noguchi Foundation, 2002.

2001

Isamu Noguchi: Sculptural Design. Berlin: Vitra Design Museum, 2001.

Relocated: Twenty Sculptures by Isamu Noguchi from Japan (exhibition catalogue). Text by Bonnie Rychlak. Long Island City, New York: Isamu Noguchi Foundation, Inc., 2001.

2000

Correspondences: Isamu Noguchi and Ellsworth Kelly (exhibition brochure). Text by Beth Venn. New York Whitney Museum of American Art at Philip Morris, 2000.

Earthly Forms: The Biomorphic Sculpture of Arp, Calder, Noguchi (exhibition catalogue). Text by Marc Glimcher. New York: PaceWildenstein, 2000.

Isamu Noguchi (exhibition catalogue). Seattle: Bryan Ohno Editions, 2000.

Isamu Noguchi (exhibition catalogue). Tokyo: Gallery Kasahara, 2000.

Isamu Noguchi: A Study of Space. Text by Ana Maria Torres. New York: Monacelli Press, 2000.

1999

Isamu Noguchi: New Acquisitions from the Hall Family Foundation Collection (exhibition brochure). Kansas City: The Nelson-Atkins Museum of Art, 1999.

Noguchi y La Figuera (exhibition catalogue). Monterey, Mexico: El Museo de Arte Contemporaneo de Monterey, 1999.

Scheps, Marc et al. Kunstwelten im Dialog: von Gauguin zur globalen Gegenwart im museum Ludwig Köln. Cologne: Stiftung Kunst und Kultur des Landes NRW, 1999.

1998

Causey, Andrew. Sculpture Since 1945. Oxford History of Art. Oxford: University Press, 1998.

Hall-Duncan, Nancy and Sam Hunter. The Surrealist Vision: Europe and the Americas (exhibition catalogue). Greenwich, Connecticut: Bruce Museum of Arts and Science, 1998.

Isamu Noguchi: Stones and Water (exhibition catalogue). Text by Jeremy Strick. New York: PaceWildenstein, 1998.

Light and Shadow–Sculptural Resonance In Space: The Works of Isamu Noguchi form New York and Mure (exhibition catalogue). Sapporo: Museum of Contemporary Art, 1998.

Watabiki, Kozo. Isamu Noguchi: Landscape Photographs by Kozo Wataniki., Tokyo: Gyosei Corporation, 1998.

1997

Queens Artists: Highlights of the 20th Century (exhibition brochure). New York: Queens Museum of Art, 1997: illustrated.

The View From Denver: Contemporary American Art from the Denver Museum (exhibition catalogue). Vienna: Museum Moderner Kunst Stiftung Ludwig, 1997.

1996

Black & White (exhibition catalogue). Seoul, Korea: Seomi Gallery, 1996: illustrated.

Expressions in Wood: Masterworks from the Wornick Collection (exhibition catalogue). Oakland, California: Oakland Museum of California, 1996, illustrated.

Gordon, Lynn. ABC of Design. San Francisco: Chronicle Books, 1996.

Niimi Ryi and Shigemi Oka, ed. Isamu Noguchi and Rosanjin Kitaoji (exhibition catalogue). Tokyo: Sezon Museum of Art, 1996.

Play Mountain: Isamu Noguchi + Louis Kahn (exhibition catalogue). Tokyo: The Watari Museum of Contemporary Art, 1996, illustrated.

1995

1945: The End of the War (exhibition catalogue). London: Annely Juda Fine Art, 1995: no, 46, illustrated.

Kardon, Janet, ed. Craft in the Machine Age 1920–1945 (exhibition catalogue). Text by Rosemarie Haag Bletter, Kate Carmel, Harvey Green, Janet Kardon, April Kingsley, Karen Lucic, Marcia Yockey Manhart, Barbara Perry, Mary Schoeser, and Jewel Stern. New York: Harry N. Abrams, Inc. in association with the American Craft Museum, 1995: illustrated.

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Miró & Noguchi: Selections from the Martin Margulies Collection (exhibition catalogue). Texts by Robert S. Lubar and Bruce Altshuler. Miami: FIU Publications, 1995.

1994

Altshuler, Bruce. Isamu Noguchi. New York: Abbeville, 1994.

Apostolos-Cappadona, Diane, and Bruce Altshuler, eds. Isamu Noguchi: Essays and Conversations. New York: Harry N. Abrams/The Noguchi Foundation, 1994.

Isamu Noguchi (exhibition catalogue). Texts by Shoji Sadao and Bruce Altshuler. Madrid: Fundación Juan March: 1994.

Isamu Noguchi: Beginnings and Ends (exhibition catalogue). New York: PaceWildenstein, 1994.

Isamu Noguchi: Early Abstraction (exhibition catalogue). Text by Bruce Altshuler. New York: Whitney Museum of American Art, 1994, illustrated.

Quiet Light: An Installation of Isamu Noguchi’s Akari Light Sculptures by Tod Williams & Billie Tsien (exhibition catalogue). New York: Takashimaya Co., 1994, illustrated.

1993

Aynsley, Jeremy. Design in the 20th Century: Nationalism and Internationalism. London: Victoria & Albert Museum, 1993, illustrated.

1992

American Masters: Six Artists from the Permanent Collection of the Whitney Museum of American Art (exhibition catalogue). Text by Kathleen Monaghan. New York: Whitney Museum of American Art, 1992: illustrated.

Inokuma, Genichiro. Dear Heartfelt Friend, Isamu Noguchi (exhibition catalogue). Marugame: Marugame Genichiro Inokuma Museum of Modern Art, 1992.

Isamu Noguchi Retrospective 1992 (exhibition catalogue). Text by Koji Takahashi. Tokyo: National Museum of Modern Art and Asahi Shimbun, 1992.

Ashton, Dore. Noguchi: East and West. Berkeley and Los Angeles: University of California Press, 1992.

Threlfall, Tim. Isamu Noguchi: Aspects of a Sculptor’s Practice: A Continuity with Life. Sussex, England: Seagull Books, 1992: illustrated.

Winther, Bert. Isamu Noguchi: Conflicts of Japanese Culture in the Early Postwar Years. Ann Arbor, Michigan: UMI, 1992.

1991

Anzaï, Shigeo. Anzaï, Homage to isamu Noguchi. Tokyo: Galerie Tokoro, 1991.

Arte abstracto, arte concreto: Cercle et carre, Paris 1930 (exhibition catalogue). Texts by Gladys Fabre and Ryszard Stanislawski. Valencia, Spain: IVAM Centre Julio Gonzalez, 1990.

Johnson, Jory. Modern Landscape Architecture: Redefining the Garden. New York: Abbeville Press, 1991: illustrated.

Polcari, Stephen. Abstract Expressionism and the Modern Experience. London: Cambridge University Press, 1991: illustrated.

1990

Abstract Sculpture in America: 1930–70 (exhibition catalogue). Text by P. Andrew Spahr. New York: The American Federation of Arts, 1990.

Japanese Aesthetics and Sense of Space: Another Aspect of Modern Japanese Design (exhibition catalogue). Tokyo: Sezon Bijutsukan, 1990.

Noguchi, Yone. Selected English Writings of Yone Noguchi: An East West Literary Assimiliation. Cranbury, New Jersey: Associated University Press, 1990.

1989

Anzaï: Rodin La Porte de l’Enfer (exhibition catalogue). Text by Isamu Noguchi, Yoshiaki Tono and Tadayasu Sakai. Tokyo: Galerie Tokoro, 1989.

The Experience of Landscape: Three Decades of Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1989.

Grove, Nancy. Isamu Noguchi: Portrait Sculpture (National Portrait Gallery exhibition catalogue). Foreword by Alan Fern. Washington, D.C.: Smithsonian Institution Press, 1989.

Isamu Noguchi—The Bronzes: 1987–88 (exhibition catalogue). Texts by Tadao Ando and the artist. Osaka, Japan: Gallery Kasahara Annex, 1989: illustrated.

Tasende Gallery: 10th Anniversary. Text by Thomas M. Messer. La Jolla, California: Tasende Gallery, 1989.

1988

Bliss, Paula Marlene. Mutually Influential: The Collaboration of Modern Dance Choreographer Martha Graham and Sculptor Isamu Noguchi. Ann Arbor, Michigan: UMI, 1988: illustrated.

Catalogue of the Latest Akari. Long Island City, New York: Isamu Noguchi Foundation, 1988.

Feinstein, Roni. Enduring Creativity (exhibition catalogue). New York: Whitney Museum of American Art, 1988.

Isamu Noguchi: Bronze and Iron Sculpture (exhibition catalogue). Text by Dore Ashton. New York: The Pace Gallery, 1988.

Isamu Noguchi: The New Bronzes 1987–88 (exhibition catalogue). New York: Arnold Herstand & Company, 1988.

1987

A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection (exhibition catalogue). Dallas: Dallas Museum of Art, 1987: 88, illustrated.

Isamu Noguchi Garden Museum. Text by the artist. New York: Harry N. Abrams, Inc., 1987.

1986

Catalogue of the Latest Akari. Long Island City, New York: Isamu Noguchi Foundation, 1986.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Isamu Noguchi: What is Sculpture? (exhibition catalogue for the 42nd Venice Biennale). Text by Henry Geldzahler. New York: P.S. 1, The Institute for Art and Urban Resources, Inc., 1986.

Noguchi: Seven Stones (exhibition catalogue). Statement by Isamu Noguchi. New York: The Pace Gallery, 1986.

1985

Grove, Nancy. “Isamu Noguchi: A Study of the Sculpture.” PhD diss., City University of New York, 1985.

Isamu Noguchi: Space of Akari and Stone (Seibu Museum of Art exhibition catalogue). Texts by Takahiko Okada, Arata Isozaki and Isamu Noguchi. Tokyo: Takanawa Art Company, 1985.

Isamu Noguchi: Bronze Sculpture, 1959–1962 (exhibition catalogue). Text by Arnold Herstand and Annette Michelson. New York: Arnold Herstand & Co., 1985: illustrated.

Isamu Noguchi: Stones (exhibition catalogue). Osaka: Gallery Kasahara, 1985.

A Landscape for Modern Sculpture: Storm King Art Center. Text by John Beardsley. New York: Abbeville Press, 1985: illustrated.

Munroe, Alexandra, ed. Spectacular Helmets of Japan (exhibition catalogue). Text by Isamu Noguchi, Rand Castile, John Whitney Hall, Yoshihiko Sasama, Iwao Fujimoto, and Yūichi Hiroi. New York: Japan Society, 1985: illustrated.

1984

Evans, Tamara S., ed. Alberto Giacometti and America. Text by Willy Rotzler, Patricia Phagan, Monroe Denton, Marion Wolf, Manuel José Borja, Margaret A. Glover, and Beth Alberty. New York: The Graduate School and University Center, City University of New York, 1984.

Fine, Ruth E. Gemini G.E.L.: Art and Collaboration (exhibition catalogue). New York: Abbeville Press, 1984: illustrated.

Greenberg, Cara. Mid-Century Modern: Furniture of the 1950s. New York: Harmony Books, 1984: illustrated.

Great American Artists: The Skowhegan Medal Recipients. New York and Skowhegan, Maine: Alpine Fine Arts Collection; Skowhegan School of Painting & Sculpture, 1984: 62–63, illustrated.

1983

Art for a Nuclear Weapons Freeze (exhibition catalogue). S.l. : s.n., 1983.

Isamu Noguchi (exhibition catalogue). Osaka: Gallery Kasahara, 1983.

Isamu Noguchi at Gemini 1982–1983. Los Angeles: Gemini G.E.L., 1983.

Michaelis, David. The Best of Friends: Profiles of Extraordinary Friendships. New York: William Morrow & Co., 1983.

Noguchi: New Sculptures (exhibition catalogue). Text by Dore Ashton. New York: The Pace Gallery, 1983.

1982

The Billy Rose Sculpture Garden. Text by Martin Weyl. Jerusalem: The Israel Museum, 1982: illustrated.

1981

Derrière le Miroir (exhibition catalogue). Text by Andre Pieyre de Mandiargues. Paris: Galerie Maeght, 1981.

Namuth, Hans. Artists 1950–81: A Personal View. New York: Pace Gallery Publications, 1981: portrait.

1980

American Sculpture: Gifts of Howard and Jean Lipman (exhibition catalogue). Text by Tom Armstrong and Philip Johnson. New York: Whitney Museum of American Art, 1980: illustrated.

Collaborations (exhibition catalogue). Text by Kathy Kelsey Foley. Evanston, Illinois: Mary and Leigh Block Gallery, 1980: illustrated.

Grove, Nancy and Diane Botnick. The Sculpture of Isamu Noguchi 1924–1979. A Catalogue. New York: Garland Publishing, Inc., 1980.

Isamu Noguchi. 75th Birthday Exhibition (exhibition catalogue). Text by Sam Hunter. New York: The Pace Gallery and Andre Emmerich Gallery, 1980.

Isamu Noguchi: The Sculpture of Spaces (exhibition catalogue). Foreword by Tom Armstrong; text by Isamu Noguchi. New York: Whitney Museum of American Art, 1980.

Thalacker, Donald W. The Place of Art in the World of Architecture. New York: Chelsea House Publishers, 1980: illustrated.

Urban Encounters: Art Architecture Audience (exhibition catalogue). Text by Janet Kardon, Lawrence Alloway, Ian L. McHarg, and Nancy Foote. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980: illustrated.

1979

Cummings, Paul. Artists in their Own Worlds: Interviews by Paul Cummings. New York: St. Martin’s Press, 1979: illustrated.

1978

Clarke, Mary and Clement Crisp. Design for Ballet. London: Studio Vista, 1978: illustrated.

Hughes, Sukey. Washi: The World of Japanese Paper. Text by Isamu Noguchi. New York: Kodansha International, 1978.

Hunter, Sam. Isamu Noguchi. New York: Abbeville Books, 1978.

Noguchi's Imaginary Landscapes (exhibition catalogue). Text by Martin Friedman. Minneapolis: Walker Art Center, 1978.

1977

Art in Architecture (exhibition catalogue). Text by Donald D. O’Dowd. Rochester, Michigan: Meadow Brook Art Gallery, 1977: illustrated.

Fall 1977: Contemporary Collectors (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of contemporary art, 1977: illustrated.

1976

Yamada, Chisaburoh F., ed. Dialogue in Art: Japan and the West. Tokyo: Kodansha International Ltd., 1976.

1975

A Modern Consciousness: D.J. De Pree, Florence Knoll (exhibition catalogue). Washington, D.C.: Smithsonian Institution Press, 1975.

Noguchi: Steel Sculptures (exhibition catalogue). Preface by Bryan Robertson. New York: The Pace Gallery, 1975.

1974

Arp & Noguchi (exhibition catalogue). New York: Cordier and Ekstrom Gallery, 1974.

Tobias, Tobi. Isamu Noguchi. The Life of a Sculptor. New York: Thomas Y. Crowell Co., 1974.

1973

Age of the Avant-Garde: An Art Chronicle of 1956–1972. Text by Hilton Kramer. New York: 1973.

American Art Mid-Century I (exhibition catalogue). Washington: National Gallery of Art, 1973: illustrated.

Sculptures by Isamu Noguchi (exhibition catalogue). Text by Yoshiro Taniguchi. Tokyo: Minami Gallery, 1973.

1972

Isamu Noguchi (exhibition catalogue). Zurich: Gimpel and Hanover, 1972.

1968

Isamu Noguchi (exhibition catalogue). Text by John Gordon. New York: Whitney Museum of American Art, 1968.

Isamu Noguchi (exhibition catalogue). Zurich: Gimpel & Hanover Galerie, 1968.

Noguchi, Isamu. A Sculptor's World. Text by R. Buckminster Fuller. New York and Evanston: Harper & Row, 1968. (autobiography)

Shapes of Light: Exhibition of Akari Light Sculptures (exhibition catalogue). New York: Cordier & Ekstrom, 1968.

1967

Isamu Noguchi: New Sculpture (exhibition brochure). New York: Cordier & Ekstrom, 1966.

1965

American Sculpture: A Catalogue of the Collection of the Metropolitan Museum of Art. Text by Albert TenEyck Gardner. New York: Metropolitan Museum of Art, 1965.

Sculpture from the Albert A. List Family Collection (exhibition catalogue). New York: New School for Social Research, 1965.

1964

Isamu Noguchi (exhibition catalogue). Text by Annette Michelson. Paris: Claude Bernard Gallery, 1964.

1962

Noguchi, Isamu. “Isamu Noguchi.” Interview with Katharine Kuh. In The Artist's Voice: Talks with Seventeen Artists. New York and Evanston, Illinois: Harper & Row, 1962: 171–188, illustrated.

Roots of Japanese Architecture. Text by Teiji Itoh. Forward by Isamu Noguchi. Tokyo: 1962, 7–8.

65th American Exhibition: Some New Directions in Contemporary Paintings and Sculpture (exhibition catalogue). Chicago: Art Institute of Chicago, 1962: no.47, illustrated.

1956

The Tragedy of King Lear. Text by William Shakespeare. Designs by Isamu Noguchi. London: Folio Society: 1956.

1953

Chairs. Text by George Nelson and Stanley Abercrombie. New York: Acanthus Press, 1953.

Noguchi. Tokyo: Bijutsu Shuppan-Sha, 1953.