Mary Corse, Untitled (White Multiband, Beveled), 2019, glass microspheres in acrylic on canvas, 36" × 120" (91.4 cm × 304.8 cm) © Mary Corse, Courtesy Kayne Griffin Corcoran, Pace Gallery, Lisson Mary Corse Details:b. 1945, Berkeley, California Read More Mary Corse investigates materiality, abstraction, and perception through the subtly gestural and precisely geometric paintings that she has made over her sixty-year career.Earning a BFA in 1968 from Chouinard Art Institute, Los Angeles, Corse developed her initial work during the emergence of the Light and Space movement in Southern California. Throughout the 1960s, she experimented with unconventional media and supports, producing shaped canvases, works with plexiglass, and illuminated boxes. In 1968, Corse discovered glass microspheres, an industrial material used in street signs and dividing lines on highways. Combining these tiny refractive beads with acrylic paint, she creates paintings that appear to radiate light from within and produce shifts in appearance contingent on their surroundings and the viewer’s position. First developing her White Light paintings, by the 1970s she began making her Black Light series with black acrylic and microspheres. The Black Earth works followed-large ceramic slabs that she fired in a custom-built kiln and glazed black. After thirty years of working monochromatically, she reintroduced primary colours into her paintings based on her understanding of colour as constitutive of white light. Corse’s art emphasizes the abstract nature of human perception, expanding beyond the visual to include subtleties of feeling and awareness.In 2021, Corse was the subject of a major solo exhibition at the Long Museum, Shanghai which traveled to the Amorepacific Museum of Art in Seoul. Mary Corse: A Survey in Light, the artist’s first solo museum survey, was presented at the Whitney Museum of American Art in New York and the Los Angeles County Museum of Art in 2018 and 2019, respectively. Comprehensive catalogs were published with both surveys. A focused presentation of Corse’s work was on view at Dia: Beacon in New York for four years highlighting historical works from the collection.Corse was also included in the major presentation Pacific Standard Time: Crosscurrents in L.A., Painting and Sculpture, 1950-1970 at the J. Paul Getty Museum in Los Angeles in 2011. The artist’s work can be found in the permanent collections of Dia Art Foundation, New York; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the National Gallery, Washington D.C.; The Menil Collection, Houston, Texas; the J. Paul Getty Museum, Los Angeles; the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles; the Long Museum, Shanghai; Amorepacfic Museum, Seoul; and other institutions. Read More Mary Corse, Untitled (Black Earth), 1978, fired earth clay tile, 23" × 23" (58.4 cm × 58.4 cm) © Mary Corse, Courtesy Kayne Griffin Corcoran, Pace Gallery, Lisson Mary Corse, Untitled (Electric Light), 1968/2018, argon, Plexiglas, high-frequency generator, light tubes, monofilament, 61-1/8" × 11-1/4" × 8" (155.3 cm × 28.6 cm × 20.3 cm, overall installed © Mary Corse, Courtesy Kayne Griffin Corcoran, Pace Gallery, Lisson Exhibitions View All Past Robert Irwin + Mary Corse Parallax Oct 10 – Nov 11, 2023 London Past Chewing Gum VI Aug 4 – Sep 7, 2023 Hong Kong Past Mary Corse Seen and Unseen Mar 29 – Apr 30, 2022 Seoul Past Mary Corse Nov 4, 2021 – Jan 29, 2022 Palo Alto Journal View All Essays Pace Artists Reflect on Mark Rothko Oct 17, 2023 Essays Mary Corse in Conversation with Carol Yinghua Lu Sep 01, 2021 Museum Exhibitions Mary Corse at The Long Museum Jun 30, 2021 Museum Exhibitions Mary Corse: A Survey in Light Travels to LACMA Jul 26, 2019 One-Artist Exhibitions Group Exhibitions Public Collections Periodicals Books and Catalogues Close Mary CorseOne-Artist Exhibitions Mary Corse One-Artist Exhibitions DatesBorn 1945, Berkeley, CaliforniaLives and works in Los AngelesEducation1968, Chouinard Art Institute, Los Angeles, BFA2022Mary Corse: Painting with Light, Amorepacific Museum of Art, Seoul, November 2, 2021–February 20, 2022.Mary Corse: Painting with Light, SCAI Piramide, Tokyo, October 13–December 10, 2022.Mary Corse: Seen and Unseen, Pace Gallery, Seoul, March 29–April 30, 2022.2021Mary Corse, Pace Gallery, Palo Alto, November 4, 2021–January 29, 2022.Mary Corse: Painting with Light, Long Museum West Bund, Shanghai, July 2–September 5, 2021. Travels to: The Amorepacific Museum of Art, Seoul, October 19, 2021–February 20, 2022. (Catalogue)Mary Corse, Pace Gallery, Palm Beach, February 4–21, 2021.2020Mary Corse: Variations, Lisson Gallery, London, October 6–November 4, 2020.2019Mary Corse: Recent Paintings, Pace Gallery, 540 West 25th Street, New York, November 8–December 21, 2019 (extended through January 11, 2020).Mary Corse, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, March 26–May 11, 2019.2018Mary Corse: A Survey in Light, Whitney Museum of American Art, New York, June 8–November 25, 2018. Traveled to: Los Angeles County Museum of Art, July 28–November 11, 2019. (Catalogue)Mary Corse, Lisson Gallery, London, May 11–June 23, 2018.Mary Corse, Dia: Beacon, Beacon, New York, opened May 2018 (long-term view).2017Mary Corse: Then and Now, Kayne Griffin Corcoran, Los Angeles, September 16–November 11, 2017.Mary Corse, Lehmann Maupin, New York, September 7–October 7, 2017.2015Mary Corse, Lehmann Maupin, New York, April 23–June 13, 2005.2012Mary Corse: Recent Paintings, Ace Gallery, Los Angeles, February 25–October 6, 2012.Mary Corse: New Work, Lehmann Maupin, New York, February 2–March 10, 2012.2011Mary Corse: Inside the White Cube, White Cube Gallery, Bermondsey, London, October 12–November 27, 2011. (Catalogue)Mary Corse: Recent Paintings, Ace Gallery, Beverly Hills, California, closed October 2011.2009Mary Corse, Ace Gallery, Los Angeles, 2009.2006Mary Corse: Paintings, Light Paintings, Sculpture and Graphics from the Sixties, Ace Gallery, Beverly Hills, August 8–September 30, 2006.2003Mary Corse, Ace Gallery, Los Angeles, winter 2003–2004.2001Mary Corse, Ace Gallery, Los Angeles, November 2–December 22, 2001.Mary Corse: New Paintings, Ameringer / Howard Fine Art, Boca Raton, Florica, May–June 2001.2000Mary Corse, Peter Blake Gallery, Laguna, California, autumn 2000.1999Mary Corse, Ochi Fine Art, Ketchum, Idaho, 1999.1998Mary Corse, Chac Mool Gallery, September 11–October 31, 1998.1997Mary Corse, Chac Mool Gallery, Los Angeles, closed August 30, 1997.1996Mary Corse, Ace Contemporary Exhibitions, Los Angeles, closed September 1996.1995Mary Corse: Survey 1964–1994, Ace Gallery, New York, November 16, 1995–January 27, 1996.Mary Corse: Survey 1964–1994, Ace Contemporary Exhibitions, Los Angeles, closed March 11, 1995.1988Mary Corse, Ace Contemporary Exhibitions, Los Angeles, closed March 31, 1988.1986Mary Corse, Flow Ace Gallery, Los Angeles, closed October 31, 1986.1983Mary Corse: Paintings and Proposals, Janus Gallery, Los Angeles, July 8–30, 1985.1981Mary Corse, Clocktower, New York, April 22–May 16, 1981.1979Mary Corse: Earth Paintings, Janus Gallery, Venice, California, closed November 17, 1979.1975Mary Corse, Richard Bellamy Gallery, New York, 1975.1972Mary Corse, Joe LoGiudice Gallery, New York, spring 1972. Mary CorseGroup Exhibitions Mary Corse Group Exhibitions 2023Jumex Collection: Everything Gets Lighter, Fundacion Jumex, Mexico City, November 18, 2023–February 11, 2024.Making Their Mark, organized by Shah Garg Foundation, 548 West 22nd Street, New York, November 2, 2023–January 27, 2024. Traveled to: the Berkeley Art Museum and Pacific Film Archive, California, opens in September 2024; Mildred Lane Kemper Art Museum St Louis, Missouri, opens in September 2025.Robert Irwin and Mary Corse: Parallax, Pace Gallery, London, October 10–November 11, 2023.Chewing Gum VI, Pace Gallery, Hong Kong, August 4–September 7, 2023.Light, Space, Surface: Selections from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, April 2–October 1, 2023.Long Story Short. Museum of Contemporary Art, Los Angeles, California, January 15, 2023–May 5, 2024.202213 Women, Orange County Museum of Art, Costa Mesa, California, October 8, 2022–August 20, 2023.Multiple Sights: The Tenth Anniversary of the Long Museum, Long Museum (West Bund), Shanghai, November 13, 2022–February 5, 2023.Other Worlds Than This, Nassau County Museum of Art, Roslyn Harbor, New York, July 23–November 6, 2022.Ninth Street and Beyond: 70 Years of Women in Abstraction: Part II: Geometry, Hunter/Dunbar Projects, New York, April 14–May 25, 2022.Portals, Lisson Gallery, London, February 10–April 9, 2022.2021LIGHT & SPACE, Copenhagen Contemporary, December 3, 2021–September 4, 2022. (Catalogue)Light, Space, Surface: Works from the Los Angeles County Museum of Art, Addison Gallery of American Art, Andover, Massachusetts, November 23, 2021–March 20, 2022. (Traveled to Frist Art Museum, June 3–September 4, 2022). (Catalogue).A room with a…, Pace Gallery, Palm Beach, Florida. June 4–September 10 (extended through October 3), 2021.Light Upon Light: Light Art Since the 1960s, King Abdullah Financial District Conference Center, Riyadh, Saudi Arabia, March 18–June 12, 2021. (Catalogue)Group Presentation, Pace Gallery, 510 West 25th Street, New York, March 13–April 24, 2021.2020Bloom of Joy, Pace Gallery, 12/F, H Queen’s, 80 Queen’s Road Central, Hong Kong, September 4–October 15, 2020.On View in East Hampton, Pace Gallery, 68 Park Place, East Hampton, New York, July 22–29, 2020.2019At the Edge of Things: Baer, Corse, Martin¸ Pace Gallery, 6 Burlington Gardens, London, June 7–August 14, 2019.Twenty Five Years, Peter Blake Gallery, Laguna Beach, California, Summer 2019.2017Art and Space/El arte y el espacio, Guggenheim Bilbao, Spain, December 5, 2017–April 15, 2018.Deadeye Dick: Richard Bellamy and His Circle, Peter Freeman, New York, September 12–October 28, 2017.California Dreaming: Selections from the Frederick R. Weisman Art Foundation, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, August 29–December 10, 2017.Abstraction: Stories Told in Shape, Color, and Form, John Berggruen Gallery, San Francisco, March 16–May 13, 2017.Plastic Show, Almine Rech Gallery, London, February 9–March 25, 2017. (Catalogue)2016Radical Materiality, Lehmann Maupin, Hong Kong, July 7–August 27, 2016.Material Considerations, John Berggruen Gallery, San Francisco, February 4–March 12, 2016.2015Obsesión geométrica. Escuela Americana 1965–2015 / Geometric Obsession: American School 1965–2015, Museo de Arte Contemporáneo Buenos Aires, October 17, 2015–March 13, 2016. (Catalogue)Light and Space, Seattle Art Museum, August 15, 2015–November 6, 2016.Paths and Edges: Celebrating the Five-Year Anniversary of the Escalatte Collection, Guggenheim Gallery, Chapman University, Orange, California, July 20–September 18, 2015. (Catalogue)Elemental: Seeing the Light, Sturt Haaga Gallery, Descanso Gardens, La Cañada Flintridge, California, January 11–April 5, 2015.2014Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, October 4, 2014–January 25, 2015.The Avant-Garde Collection, Orange County Museum of Art, Newport Beach, California, September 7, 2014–January 4, 2015. (Catalogue)20139 from L.A., Wright Exhibition Space, Seattle, September 26, 2013–April 25, 2014.Mary Corse, Teresita Fernández, Maya Lin, Lehmann Maupin, New York, June 27–August 16, 2013.Set Pieces, Cardi Black Box, Milan, February 8–April 15, 2013.2012I Followed You Into the Water, Lehmann Maupin, New York, July 5–August 17, 2012.Polarized Space: Corse, McCracken, McLaughlin, Franklin Parrasch Gallery, New York, February 23–March 17, 2012.2011Surface, Support, Process: The 1960s Monochrome in the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, November 19, 2011–February 8, 2012.Pacific Standard Time: Crosscurrents in L.A. Painting And Sculpture, 1950–1970, The J. Paul Getty Museum, Los Angeles, October 1, 2011–February 5, 2012. Traveled to: Martin-Gropius-Bau, Berlin, as Pacific Standard Time: Art in Los Angeles 1950–1980, March 15–June 10, 2012. (Catalogue)Phenomenal: California Light and Space. Part of Pacific Standard Time in L.A. 1945–1980. Museum of Contemporary Art, San Diego, September 25, 2011–February 5, 2012. (Catalogue)New Out West–Peter Alexander, Mary Corse, Robert Irwin, Quint Contemporary, San Diego, September 23–November 12, 2011.Venice in Venice—Glow and Reflection: Venice California art from 1960 to the Present. Organized by Foundation 20 21, New York. Palazzo Contarini dagli Scrigni, Venice, June 1–July 31, 2011. (Catalogue)Color Field Paintings and related Abstractions revisited, Wright Exhibition Space, Seattle, May 12–September 23, 2011.What’s New, Pussycat? Torrance Art Museum, California, January 22–March 5, 2011. (Catalogue)2009Bing’s Choice, Wright Exhibition Space, Seattle, May 12–September 24, 2011.Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.Primary Forms: Featuring Annenberg Foundation Acquisitions, Museum of Contemporary Art San Diego, March 14, 2009–August 7, 2010.2007SoCal: Southern California Art of the 1960s and ‘70s from LACMA’s Collection, Los Angeles County Museum of Art, August 19, 2007–March 30, 2008. (Brochure)2006High Times, Hard Times: New York Painting 1967–1975. Organized by Independent Curators International, New York. Traveled to Weatherspoon Art Museum, University of North Carolina, Greensboro, August 6–October 15, 2006; American University Museum at the Katzen Arts Center, Washington, DC, November 31, 2006–January 21, 2007; National Academy Museum (now National Academy of Design), New York, February 15–April 22, 2007; Museo Tamayo, Mexico City, as Tiempos Intensos, Tiempos Difíciles! Pintura de Nueva York, 1967–1975, May 24–September 9, 2007; Neue Galerie Graz, Austria, December 14, 2007–February 24, 2008; ZKM|Center for Art and Media, Karlsruhe, Germany, March 29–June 1, 2008. (Catalogue).2004Singular Forms (Sometime repeated): Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York, March 5–May 19, 2004. (Catalogue)2003The Spirit of White, Galerie Beyeler, Basel, November 8, 2003–February 28, 2004. (Catalogue)3 Degrees of Cool, Wright Exhibition Space, Seattle, September 18–December 14, 2003. Traveled to: Washington State University Museum of Art, Pullman, January 6–February 29, 2004.2002California Art from the Frederick R. Weisman Art Foundation: 10th Anniversary Exhibition, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, August 31–November 24, 200s. Traveled to: Contemporary Art Center, New Orleans, as Made in California: Selections from the Frederick R. Weissman Art Foundation, January 11–March 23, 2003; Todd Madigan Art Gallery, California State University, Bakersfield, Selections from the Frederick R. Weissman Art Foundation, September 12–November 15, 2003: New Orleans Museum of art, as The Eclectic Eye: Selections from the Frederick R. Weissman Art Foundation, September 4–October 31, 2004 (catalogue); Beverly Hills Municipal Gallery, California, as L.A. Art Scene: Selections from the Frederick R. Weissman Art Foundation, J, March 6–June 4, 2006; Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, as Made in California: Contemporary Art from the Frederick R. Weissman Art Foundation, August 25–December 16, 2007; Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, as California Art: Selections from the Frederick R. Weissman Art Foundation, , August 20–December 4, 2011; Fullerton College Art Gallery, California, December 14, 2011–February 21, 2012; Carnegie Art Museum, Oxnard, California, March 4–May 20, 2012; Mana Wynwood, Miami, as Made in California Selections from the Frederick R. Weissman Art Foundation, December 3–6, 2015; Mana Contemporary, Jersey City, New Jersey, January 24–August 1, 2016; Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California, as California Dreaming: Contemporary Art from the Frederick R. Weisman Art Foundation, August 29–December 10, 2017.1999Material Issues: Recent Gifts from the Collection of Katherine and James Gentry, San Jose Museum of Art, California, February 28–May 2, 1999. (Brochure)Powder, Aspen Museum of Art, Colorado, February 2 5–April 11, 1999. (Catalogue)Southern California Art: 1969–1974, Organized as part of Radical P.A.S.T.: Contemporary Art and Music in Pasadena, 1960–74, Armory Center for the Arts, Pasadena, California, February 25–April 11, 1999.1998Thinking about Old Friends: An Exhibition of Paintings Dedicated to Richard Bellamy, Carl Solway Gallery, Cincinnati, Ohio, September 1–December 15, 1998.1997Elusive Paradise: Los Angeles Art from the Permanent Collection, Museum of Contemporary Art, Los Angeles, October 5, 1997–August 9, 1998.Permanent collection installation, Newport Harbor Art Museum (now Orange County Museum of Art), Newport Beach, California, January 25–August 24, 1997.1996Color Fields: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, November 24, 1996–March 30, 1997.1995Images of an Era: Selections from the Permanent Collection, Museum of Contemporary Art, Lost Angeles, October 15, 1995–August 10, 1996.Abstraction form Two Coasts, Lawing Gallery, Houston, March 18–May 20, 1995. (Catalogue)1994Installations: Selections from the Permanent Collection, Part One, Museum of Contemporary Art, Los Angeles, October 22, 1994–January 22, 1995.Geometric Forms and Abstract Images: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, October 9–November 27, 1994.Plane/Structures, Otis Gallery, Otis College of Art and Design, Los Angeles, September 10–November 5, 1994. Traveled to: Renaissance Society, University of Chicago, November 20–December 30, 1994; Pittsburgh Center for the Arts, February 3–April 12, 1995; Ezra and Cecile Zilkha Gallery, Center for the Arts, Wesleyan University, Middletown, Connecticut, April 25–May 28, 1995; White Columns, New York, October 13–November 19, 1995; University of North Texas Art Gallery, Denton, November 27, 1995–January 31, 1996; Nevada Institute for Contemporary Art, Las Vegas, March 7–April 21, 1996. (Catalogue)1993Let’s Get Physical: Physical Abstraction from L.A., Blum-Helman Gallery, New York, December 1, 1993–January 15, 1994.1992The New Physical Abstraction in Los Angeles, Ace Contemporary Exhibitions, Los Angeles, August 1–November 15, 1992.1991California Window, Part II, Memory’s Gallery, Nagoya, Japan, July 1–27, 1991. (Catalogue)1990Minimal 1960-1990 Los Angeles, Cirrus Gallery, Los Angeles, December 8, 1990–February 2, 1991.Perceptual Investigations: Light and Space Works in the Permanent Collection, The Museum of Contemporary Art, Los Angeles, August 1990–August 1991. (Catalogue)Physical Abstraction, Ace Contemporary Exhibitions, Los Angeles, closed March 28, 1990.198913 Los Angeles Painters, Sena Galleries West, Santa Fe, New Mexico, 1989.Constructing a History: A Focus on MOCA’s Permanent Collection, Museum of Contemporary Art, Los Angeles, November 19, 1989–March 4, 1990.1988One of a Kind: Contemporary Serial Imagery, Los Angeles Municipal Art gallery, December 6, 1988–January 15, 1989. (Catalogue)Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles, October 4, 1988–February 5, 1989.Visual Silences, Marc Richards Gallery, Los Angeles, May 19–June 18, 1988. (Catalogue)Selections from the Permanent Collection I, La Jolla Museum of Contemporary Art (now Museum of Contemporary Art San Diego), closed March 13, 1988.1987Highlights of California Art since 1945: A Collecting Partnership, Newport Harbor Art Museum (now Orange County Museum of Art), Newport Harbor, California, May 29–July 26, 1987.1985Imagine There’s a Future: A Celebration of Life. Organized by Hollywood Women’s Coalition in association with the Interfaith Center to Reverse the Arms Race. Japanese American Cultural and Community Center, Los Angeles, July 13–August 4, 1985.Summer 1985: Nine Artists, Museum of Contemporary Art, Los Angeles, June 26–September 29, 1985. (Catalogue)1983Young Talent Awards: 1963–1983, Los Angeles County Museum of Art, June 26–September 29, 1983. (Catalogue)Recent Acquisitions: The Menil Collection, Rice Museum, Rice University, Houston, January 8–30, 1983.1981Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Pasadena, California, February 17–March 14, 1981. (Catalogue)1980In the Constructivist Spirit, Janus Gallery, Los Angeles, 1980.Janus in San Diego, University Art Galleries, San Diego State University, November 29–December 27, 1980. (Catalogue)Group Show: Summer Exhibition Part I, L.A. Louver Gallery, Venice, California, July 25–August 16, 1980.1978Exploration in Drawing, Janus Gallery, Venice, California, November 17–December 23, 1978.Figure and Form 1960–70: Selections from the Michener Collection, University Art Museum (now Blanton Museum of Art), University of Texas, Austin, May 14–August 20. 1978.1976The Liberation: 14 American Artists. Organized by Corcoran Gallery of Art, Washington, DC. Traveled to: Aarhus Kunstmuseum, Denmark, as The Liberation: 14 Women Artists, April 10–May 13–June 6, 1976; Galerie Asbaek, Copenöhagen, May 13–June 6, 1976; Malmö Konsthall, Sweden, July 7–August 15, 1976; Museum of Contemporary art, Tampere, Finland, as 14 amerikkalaista naistaiteiljaa, September 1–October 10, 1976; Sociedade Nacional de Belas Artes, Lisbon, as Liberation–14 Artistas Americanas, closed February 20, 1977; Vienna Kunstlerhaus, as The Liberation: 14 amerikanische Künstlerinner, February 25–March 20, 1977. (Catalogue)The Many Arts of Science, Baxter Art Gallery, California Institute of Technology, Pasadena, California, February 19–March 13, 1976.1974Group Exhibition, Richard Bellamy Gallery, New York, 1974.L.A. 6/Summer 74, Los Angeles County Museum of art, July 16–August 13, 1974.1973Art and Things: Painting in the Sixties, University Art Museum (now Blanton Museum of Art), University of Texas, Austin, October 7, 1973–February 10, 1974.1972Carl Solway Gallery, Cincinnati, Ohio, 1972.The Michener Collection: American Paintings of the Twentieth Century, University Art Museum (now Blanton Museum of Art), University of Texas, Austin, November 22, 1972–March 1, 1973.12 Statements Beyond the 60s, Detroit Institute of the Arts, September 27–November 5, 1972. (Catalogue)15 Los Angeles Artists, Pasadena Art Museum (now Norton Simon Museum), California, February 22–March 29, 1972. (Catalogue)Paintings from the Collection of Mr. and Mrs. Burton G. Tremaine, Santa Barbara Museum of art, California, February 19–March 19, 1972.1971Ten Young Artists: Theodoron Awards, Solomon R. Guggenheim Museum, New York, September24–November 7, 1971. (Catalogue)New Work by Los Angeles Artists (24 Young Los Angeles Artists), Los Angeles County Museum of Art, May 11–July 4, 1971. (Catalogue)19701970 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 12, 1970–February 7, 1971. (Catalogue)Looking West 1970, Joslyn Art Museum, Omaha, Nebraska, October 18–November 29, 1970. (Catalogue)Young Artists, New Work, Locksley Shea Gallery, Minneapolis, Minnesota, June 27–July 18, 1970.Permutations, Light and Color, Museum of Contemporary Art, Chicago, May 17–June 28, 1970. (Catalogue)1969Electric Art, UCLA Art Galleries, Los Angeles, January 19–March 23, 1969.1968The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Oregon, February 9–March 6, 1968. Traveled to: Seattle Art Museum, March 21–April 21, 1968; M.H. de Yourn Memorial Museum, Fine Arts Museum of San Francisco, May 15–June 15, 1968; Los Angeles Municipal Art Gallery, August 27–September 22, 1968. (Catalogue) Mary CorsePublic Collections Mary Corse Public Collections Amore Pacific Museum of Art, SeoulArt Institute of Chicago, IllinoisArt Sonje Center, SeoulBlanton Museum of Art, The University of Texas, AustinChapman University, Orange, CaliforniaDia Art Foundation, New YorkFrederick R. Weisman Art Foundation, Los AngelesFundacion Jumex, Mexico CityGuggenheim Abu Dhabi, United Arab EmiratesJ. Paul Getty Museum, Los AngelesLeeum, Samsung Museum of Art, SeoulLong Museum, ShanghaiLos Angeles County Museum of Art, CaliforniaThe Menil Collection, HoustonMuseo Jumex, Mexico CityMuseum of Contemporary Art, Los AngelesMuseum of Contemporary Art, San DiegoMuseum of Fine Arts, BostonThe Museum of Modern Art, New YorkNational Gallery of Art, Washington DCNorton Museum of Art, West Palm Beach, FloridaOrange County Museum of Art, Newport Beach, CaliforniaPortland Art Museum, OregonSan Jose Museum of Art, CaliforniaSeattle Art Museum, WashingtonSolomon R. Guggenheim Museum, New YorkUCI Institute and Museum of California Art, Irvine, CaliforniaWhitney Museum of American Art, New York Mary CorsePeriodicals Mary Corse Periodicals 2023Scott, Izabella. “Charmed, I’m Sure.” Artforum, 18 October 2023. https://www.artforum.com/columns/frieze-london-keeps-calm-carries-on-517813/“This Week in Culture: October 9-15” (Pace Gallery exhibition review). Cultured, 9 October 2023. https://www.culturedmag.com/article/2023/10/09/alex-israel-laura-owens-wangari-mathenge#2022“Calendar: Galleries” (Pace Gallery exhibition review). California Homes Magazine, January/February 2022: 32, illustrated.Cho Sangin. “Art works by an art master will be presented in Seoul” (Pace Gallery exhibition review). Seoul Economy, 4 May 2022. https://n.news.naver.com/article/011/0004050196.Corse, Mary. "Time to recognize the light." Interview with Park Uiryeong. HARPER'S BAZAAR, May 2022.Finkel, Jori. “The women artists altering our perception of the Light and Space movement.” The Art Newspaper, 17 February 2022. https://www.theartnewspaper.com/2022/02/17/women-artists-light-and-space-movement.Gang Jonghun. “Pace Gallery expands the ground floor in Seoul … Exhibition ‘Bending Light 2’” (Pace Gallery exhibition review). MK&YNA, 28 March 2022. https://m.mk.co.kr/news/culture/view/2022/03/280168/.Jun, Young-Baek. “Mary Corse” (Amorepacific Museum of Art exhibition review). Art in Culture, January 2022: 126-137, illustrated.Kim Taeeon. “International Art Galleries flock to Seoul ‘Spring comes out’” (Pace Gallery exhibition review). Donga, 31 March 2022. https://www.donga.com/news/Culture/article/all/20220331/112619507/1."Mary Corse." In Great Women Painters, Phaidon: London, 2022: 83, illustrated."Mary Corse, Seen and Unseen." Art in Culture, April 2022.2021Corse, Mary. “Painting with Light” (Long Museum exhibition review). Interview with editors. Contemporary Artists, no.5 (November 2021): 77–81, illustrated.Nonnenberg, Sheryl. “Artist Mary Corse brings an ethereal light show to Pace Gallery” (Pace Palo Alto exhibition review). Palo Alto Weekly, 18 November 2021. https://www.paloaltoonline.com/news/2021/11/18/artist-mary-corse-brings-an-ethereal-light-show-to-pace-gallery.“Previewed” (Long Museum exhibition preview). Art Asia Pacific (Spring 2021): 17, 21–22, illustrated.“Worth a Look: Five Palm Beach Exhibitions Not to Miss” (Pace Gallery exhibition preview). Avenue Magazine (January/February 2021): 41, illustrated.Zhang, Kun. “Top artist sees the light” (Long Museum exhibition review). China Daily, 12 July 2021. https://global.chinadaily.com.cn/a/202107/12/WS60eb804fa310efa1bd661167.html2019“Agnes Martin, Jo Baer and Mary Corse are on the edge at Pace” (Pace Gallery exhibition review). Phaidon, 12 July 2019. https://www.phaidon.com/agenda/art/articles/2019/july/12/agnes-martin-jo-baer-and-mary-corse-are-on-the-edge-at-pace/“Bloom of Joy” (Pace Gallery exhibition review). Art Power HK, 27 August 2020. https://www.artpowerhk.com/en/features/bloom-of-joyBoi, Elisabetta. “Mary Corse: A Survey in Industrial Material” (Pace Gallery exhibition review). I:T in Tandem, 22 March 2019. http://www.itintandem.com/en/mary-corse-a-survey-in-industrial-material/Ch, Judy. “Zhao Hui Nei Xin de Ji Dong, Tan Suo Hong Kong Wei Yi Shu Jia Bao Liu de Yi Yu” (Pace Gallery exhibition review). A Day Magazine, 25 April 2019. http://www.adaymag.com/2019/04/25/weekend-in-hong-kong-about-art.htmlConnell, Anji. “Art Mart” (Pace Gallery exhibition preview). Perspective, March 2019: 68, illustrated.Cundy, Antonia. "Beyond Art Basel: Exhibitions to See Elsewhere in Hong Kong" (Pace Gallery exhibition preview). Financial Times, 22 March 2019.Dawson, Aimee, Gareth Harris, Kabir Jhala, Hannah Mcgivern and Julia Michalska. “Six Exhibitions to See during Art Basel in Hong Kong: Mary Corse” (Pace Gallery exhibition review). The Art Newspaper, 25 March 2019. https://www.theartnewspaper.com/preview/shows-to-see-during-art-basel-in-hong-kong“Hong Kong | Mary Corse apresenta primeira exposição individual na Ásia” (exhibition preview). Hojemacau, 22 February 2019. https://hojemacau.com.mo/2019/02/22/hong-kong-mary-corse-apresenta-primeira-exposicao-individual-na-asia/Jones, Jonathan. “What to See This Week in the UK: At the Edge of Things” (Pace Gallery exhibition review). The Guardian, 12 July 2019. https://www.theguardian.com/culture/2019/jul/12/what-to-see-this-week-in-the-ukKnight, Christopher. "Review: In Mary Corse’s light paintings at LACMA, some shadows" (LACMA exhibition review). Los Angeles Times, 5 August 2019. https://www.latimes.com/entertainment-arts/story/2019-08-04/mary-corse-light-paintings-lacma-whitneyKo, Seong Yeon. “2019 Art Basel in Hong Kong. The People” (Pace Gallery exhibition review). Style Chosun, April 2019: illustrated.Lai, Ka Yi, and Yunqin Tang. "Go straight to the gallery night and kick off Hong Kong Art Week" (Pace Gallery exhibition review). ARTouch, 26 March 2019. https://artouch.com/art-market/content-11025.htmlLownes, Brock. "The Illusive, Intimate Nature of Mary Corse’s Paintings" (Pace Gallery exhibition review). Hyperallergic, 11 December 2019. https://hyperallergic.com/532543/the-illusive-intimate-nature-of-mary-corses-paintings/“Mary Corse Ya Zhou Shou Zhan Jiang Liang Xiang Hong Kong: Tan Suo ‘Bai Guang’ Xi Lie 50 Nian” (exhibition preview). Art China, 18 February 2019. http://art.china.cn/zixun/2019-02/18/content_40665659.htm“Mary Corse: Pace Gallery Hong Kong” (exhibition preview). Vogue, March 2019: 173, illustrated.Michalarou, Efi. “Art Cities: London – At the Edge of Things” (Pace Gallery exhibition review). Dream Idea Machine, accessed 17 June 2019. http://www.dreamideamachine.com/en/?p=48268Muenzer, David. “At the Edge of Things” (exhibition review). Artforum, 2 November 2019. https://www.artforum.com/picks/at-the-edge-of-things-81130Paik, Sherry. “Mary Corse at LACMA: Painting Light and Space” (exhibition review). Ocula, 16 August 2019. https://ocula.com/magazine/insights/mary-corse-at-lacma-painting-light-and-space/Short, Stephen. “Short Cuts: Road to Abstraction” (Pace Gallery exhibition preview). Prestige Hong Kong, March 2019, Art Basel Hong Kong Supplement: 4, illustrated.“The Art of Seeing” (Pace Gallery exhibition preview). China Daily, 20 March 2019: LP2–3, illustrated.Wolfe, Shira. “Lost (and Found) Artist Series: Mary Corse.” Art Land, accessed 28 January 2019. https://artlandapp.com/lost-and-found-mary-corse/?nabe=4797008188276736:1Wullschläger, Jackie. “At the Edge of Things: Baer, Corse, Martin: Pace Gallery, London” (exhibition review). Financial Times, 15–16 June 2019: 18.2018Armstrong, Annie. “Pace Gallery Expands Its Representation of Mary Corse to New York.” Art News, 4 December 2018. http://www.artnews.com/2018/12/04/pace-gallery-expands-representation-mary-corse-new-york/Brown, Kate. “Art World: A Fire Broke Out at Dia: Beacon, Its Cause? An Electrically Powered Minimalist Painting by Mary Corse.” Artnet News, 25 October 2018. https://news.artnet.com/art-world/fire-dea-beacon-museum-1379608Cochran, Sam. "In the Light." Architectural Digest 75, no. 2 (February 2018): 28–30."The Glowing Canvas of Minimalism: Mary Corse's The Long-Overdue Institutional Recognition." Artco, no. 312 (September 2018): 166–7.Griffin, Jonathan. “‘I paint for my sanity’ – an interview with Mary Corse’” (Whitney Museum of American Art exhibition review). Apollo Magazine, 4 August 2018. https://www.apollo-magazine.com/i-paint-for-my-sanity-an-interview-with-mary-corse/Griffin, Jonathan. “Leading Light” (Whitney Museum of American Art exhibition review). Apollo Magazine, July and August 2018: 52–57, illustrated.Harrison, Anya. “‘Mary Corse’ at Lisson Gallery” (exhibition review). Modern Painters (May 2018): 128–129, illustrated.Howland, Jack. “Electrical fire in Dia: Beacon museum leads to damage of painting work more than $1M.” Poughkeepsie Journal, 21 October 2018. https://www.poughkeepsiejournal.com/story/news/local/2018/10/21/fire-dia-beacon-leads-damage-painting-worth-more-than-1-m/1720848002/Keats, Jonathon. “Now on View at the Whitney: Mary Corse Makes Paintings That Look Different Each Time You See Them” (Whitney Museum of American Art exhibition review). Forbes, 30 August 2018. https://www.forbes.com/sites/jonathonkeats/2018/08/30/mary-corse-whitney/#7ae881ad686bMalone, Peter. “The Luminous Effects of a Light and Space Painter” (Whitney Museum of American Art exhibition review). Hyperallergic, 23 August 2018. https://hyperallergic.com/456658/the-luminous-effects-of-a-light-and-space-painter/Muñoz-Alonso, Lorena. “Art and Space” (Guggenheim Museum, Bilbao, exhibition review). Frieze 193 (March 2018): 192–93.Russeth, Andrew. “Pace Gallery Will Represent Mary Corse in Asia.” Art News, 25 July 2018. http://www.artnews.com/2018/07/25/pace-gallery-will-rep-mary-corse-asia/Schneider, Tim and Eileen Kinsella. “The Painter Mary Corse Is Having a Late-Career Market Moment. How She’s Handling It Offers 5 Lessons for Other Artists.” Artnet News, 27 July 2018. https://news.artnet.com/art-world/mary-corse-surge-1323980Schwendener, Martha. “The Rediscovery of a Light Pioneer” (Whitney Museum of American Art exhibition review). The New York Times, 27 July 2018: C13, illustrated.2017Barrie, Lita. "Mary Corse: 'Then and Now'; Into the Infinite." (Kayne Griffin Corcoran exhibition review). Art Now LA, 11 November 2017. http://artnowla.com/2017/11/11/mary-corse-now/Campbell, Andy. “Mary Corse at Kayne Griffin Corcoran, Los Angeles” (exhibition review). Artforum, October 2017. https://www.artforum.com/picks/mary-corse-71511Carrigan, Margaret. "'Art and Space' at Guggenheim Bilbao Invites in Underrepresented Artists." Observer (New York). 8 December 2017. http://observer.com/2017/12/curator-manuel-cirauqui-on-art-and-space-exhibition-at-guggenheim-bilbao/Cascone, Sarah. "Light and Space Pioneer Mary Corse, Long Overlooked by Major Museums, Will Get a Survey at the Whitney." Artnet, 31 October 2017. https://news.artnet.com/exhibitions/ mary-corse-whitney-1131086.Gleadell, Colin. "Plastic Fantastic: Almine Rech Celebrates the 1960s Light and Space Movement." Telegraph (London), 7 February 2017. https://www.telegraph.co.uk/luxury/art/plastic-fantastic-almine-rech-celebrates-1960slight-space-movement/Judah, Hettie. "An Art Show Celebrates a Once-Maligned Material: Plastic." T: The New York Times Style Magazine, 10 February 2017. https://www.nytimes.com/2017/02/10/t-magazine/art/plastics-almine-rech-dewain-valentine.htmlMiranda, Carolina A. "The 'Whoa' Moment and Mary Corse: The Painter Who Toys with Light Is Finally Getting Her Due." Los Angeles Times, 2 November 2017. http://www.latimes.com/entertainment/arts/miranda/la-et-cam-mary-corse-kayne-griffin-corcoran-20171102-story.htmlRhodes, David. “Deadeye Dick: Richard Bellamy and His Circle at Peter Freeman, New York” (exhibition review). Brooklyn Rail (November 2017): 72. https://brooklynrail.org/2017/11/artseen/Deadeye-Dick-Richard-Bellamy-and-His-CircleRosenberg, Karen. "When Dealers, Too, Were Romantics" (Peter Freeman Gallery exhibition review). The New York Times, September 15, 2017.Volk, Gregory. “Mary Corse at Lehmann Maupin, New York” (exhibition review). Art in America 105. no. 10 (November 2017): 110. https://www.artinamericamagazine.com/reviews/mary-corse/Wagley, Catherine G. '"The Painting's Not Really on the Wall': Mary Corse on 50 Years of Her Elusive, Seductive Art, and Shows in Los Angeles and New York" (exhibition review). Artnews, 29 September 2017. http://www.artnews.com/2017/09/29/the-paintings-not-really-on-the-wall-mary-corse-on-50-years-of-her-elusive-seductive-art-and-shows-in-los-angeles-and-new-york/2016Bouchara, Claire. "Lehmann Maupin HK Explores the Boundaries of Raw Materials" (exhibition review). Blouin Artinfo, 14 July 2016. http://hk.blouinartinfo.com/news/story/1448624/lehmann-maupin-hk-explores-the-boundaries-of-raw-materialsColacello, Robert. "The Lure of LACMA." Vanity Fair (December 2016): 138–39.Finkel, Jori. "Creditors at a Gallery's Door, Followed by a Line of Artists." The New York Times, April 21, 2016.Mendelsohn, Meredith. "11 Female Artists Who Were Pioneering Minimalists." Artsy, September 2, 2016. https://www.artsy.net/article/artsy-editorial-11-female-minimalists-you-should-knowSobel, Gabrielle. "Mary Corse and Helen Pashgian Shake up the Light and Space Movement." Entity, November 23, 2016. https://www.entitymag.com/light-space-movement-shook-mary-corse-helen-pashgian/Tong, Valencia. “Radical Materiality at Lehmann Maupin, Hong Kong” (exhibition review). ArtAsiaPacific, August 2016. http://www.artasiapacific.com/Magazine/WebExclusives/RadicalMateriality2015Cantu, John Carlos. "UMMA's 'Reductive Minimalism' Exhibit Features Perspective of Women Artists" (University of Michigan Museum of Art exhibition review). Ann Arbor News, 3 January 2015. http://www.mlive.com/entertainment/ann·arbor/index.ssf/ 2015/01 /umma_reductive_minimalism.html.Ebony, David. "David Ebony's Top 10 New York Gallery Shows for May." Artnet, 22 May 2015, https://news.artnet.com/market/david-ebonystop-10-new-york-gallery-shows-may-299833.Plagens, Peter. "Smarts, Serious Fun in Painting Exhibitions: Mary Corse." (Lehmann Maupin exhibition review). Wall Street Journal, 9-10 May 2015.Prickett, Sarah Nicole. “Mary Corse at Lehmann Maupin, New York” (exhibition review). Artforum, June 12, 2015. https://www.artforum.com/picks/marycorse-52764Stryker, Mark. "U-M Museum Features Women Minimalists" (University of Michigan Museum of Art exhibition review). Detroit Free Press, 4 January 2015.Vankin, Deborah. "On View; Meditations on Light." (Sturt Haaga Gallery exhibition review). Los Angeles Times. February 15, 2015.2014Gotthardt, Alexxa. “Mary Corse’s Luminous Glass Microsphere Paintings Find New Light.” Artsy, 2 October 2014. https://www.artsy.net/article/editorial-mary-corses-luminous-glass-microsphere-paintings-find.2012Chang, Richard. “Art at a Different Angle: Chapman University Displays its Extensive Collection in Unexpected Ways.” Orange County (Ca) Register, 19 February 2012.Loos, Ted. “Editor’s Pick: Mary Corse at Lehmann Maupin.” 1stDibs.com. February 2012.Miranda., Carolina A. “This Week: Must See Arts in the City: Mary Corse, New York, at Lehmann Maupin” (exhibition review). WNYC, 1 February 2012. http://www.wnyc.org/story/184299-datebook-february-1Nichols, Matthew. “Mary Corse, Lehmann Maupin” (exhibition review). Art in America 100, no. 5 (May 2012): 169, illustrated.Nichols, Matthew. “Mary Corse is More Than a California Artist,” Art in America. 8 February 2012. http://www.artinamericamagazine .com/news-features/news/mary-corse-lehmann-maupinOllman, Leah. “Sensory Remix” (Museum of Contemporary Art San Diego exhibition review). Art in America 100, no. 1 (January 2012): 70–75.Schwendener, Martha. “It’s the ‘60s; Detach Yourself” (Solomon R. Guggenheim Museum exhibition review). The New York Times, 13 January 2012.Corse, Mary. “19 Questions for Light and Space Artist Mary Corse.” Interview with Chloe Wyma. Artinfo, 21 February 2012.Yablonsky, Linda. “Artifacts: Mary Corse,” The New York Times Style Magazine. 24 February 2012.2011Baker, Kenneth. “‘Pacific Standard’ Show Sheds Light in San Diego Installations” (Museum of Contemporary San Diego exhibition review). San Francisco Chronicle, 24 December 2011.Baldessari, John, et al. “L.A. Stories: A Roundtable.” Artforum 50, no. 2 (October 2011): 240–249.Baron, Joan Boykoff, and Reuben M. Baron. “No Choice but to trust the Senses: California Light and Space Revisited” (Contemporary Art San Diego exhibition review). Artcritical, 28 October 2011. http://www.artcritical.com/2011/10/28/light-and-space-southern-californiaBotta, Carlotta Loverini. “White Cube's Third Gallery,” Vogue Italia, 14 October 2011. http://www.vogue.it/en/people-are-talking-about/art-photo-design/2011/10/white-cubeBryant, Eric. “L.A., Ready for Its Close-Up: Meet the City's Artists and Designers Whose Markets Are About to Explode.” ARTINFO, International Edition. 3 October 2011. https://www.artforum.com/picks/venice-in-venice-28549Chute, James. “Contemporary Art Prepares Its Largest-Ever Exhibit” (Museum of Contemporary Art San Diego exhibition review). San Diego Union Tribune, 28 August 2011. http://www.sandiegouniontribune.com/entertainment/visual-arts/sdut-Museum-of-Contemporary-Art-San-Diego-Getty-2011aug28-htmlstory.htmlCoghlan, Niamh. “Manipulating Light” (Museum of Contemporary Art San Diego exhibition review). Aesthetica (August / September 2011). http://www.aestheticamagazine.com/manipulating-light/Finkel, Jori. “Lesser-known artists are poised for a breakthrough.” Los Angeles Times. 18 September 2011. http://www.latimes.com/entertainment/la-ca-pst-breakthrough-artists-20110918-story.htmlFreeland, David. “Means to an Effect.” (Museum of Contemporary Art San Diego). Architects Newspaper, 28 December 2011. https://archpaper.com/2011/12/means-to-an-effectFriedman, Julia. “‘Venice in Venice’ Palazzo Contarini Dagli Scrigni, Venice” (exhibition review). Artforum, 5 July 2011.Hammond, Drew. “The Rise of Mary Corse and the Ecstasy of Silence,” Art Economist 1, no. 10 (December 2011): 44–49.Loos, Ted. “Art: ‘Pacific Standard Time’ in L.A..” Vogue. 30 September 2011. https://www.vogue.com/article/art-pacific-standard-time-in-laPes, Javier. “Tripping the Light Fantastic” (Museum of Contemporary Art San Diego exhibition review). Art Newspaper 227 (September 2011): 70.Plagens, Peter. “Laying Claim to Its Place in the Sun.“ Wall Street Journal, 13 October 2011.Russeth, Andrew. “Lehmann Maupin to Show California Light and Space Artist Mary Corse.” Observer (New York), 10 October 2011. http://observer.com/2011/10/lehmann-maupin-to-show-california-light-and-spaceartist-mary-corseSmith, Roberta. “A New Pin on the Art Map.” (Pacific Standard Time multiple venue exhibition review). The New York Times, 13 November 2011.Wagley, Catherine. “Looking at Los Angeles: Boosteism.” (Pacific Standard Time multiple venue exhibition review). Art21 12 October 2011. http://magazine.art21.org/2011/10/13/looking-at-los-angeles-boosterism/#.WqmU30xFxPY2010Pincus, Robert. “Arts News: MCASD’s ‘Incredible Luxury.’” San Diego Union Tribune, 5 July 2011.2007Blanco, Sergio R. “Exhiben otra cara de pintura en EU” (Museo Tamayo exhibition review). Reforma (Mexico City), 23 May 2007.Knight, Christopher. “SoCal’ Dreaming” (Los Angeles County Museum of Art exhibition review). 28 August 2007.Smith, Roberta. “Painting in the Heady Days, After It was Proclaimed Dead” (National Academy Museum exhibition review). The New York Times, 16 February 2007.2005Sheets, Hilarie M. “Underrated / Overrated.” Art News 104, no. 1 (January 2005), 100–109.2004Crane, Julianne. “Cool Cubed; ‘3Degrees of Cool’ lands at WSU’s Museum of Art” (exhibition review). Spokesman review (Spokane, Washington), 8 January 2004.Faroux, Renaud. “Les monochromes lumineux de Mary Corse.” L’Oeil 554 (January 2004): 50.Karmel, Pepe. “The Year of Living Minimally.” Art in America 92, no. 11 (December 2004): 90–101, 149.2003Hacket, Regina. “Cool’ Is the Hottest Show in Town” (Wright Exhibition Space exhibition review). Seattle Post-Intelligencer, 23 September 2003.2001Duncan, Michael. “Report from Los Angeles: Assessing the Golden State.” Art in America 89, no. 4 (April 2001): 47–71.2000Carasso, Roberta. “Mary Corse” (Peter Blake Gallery exhibition review). ArtScene, December 2000.1999Hickey, Dave. “Best of the ‘90s Top Ten.” Artforum 38, n0. 4 (December 1999): 112.Pagel, David. “The Lingering Influences of Pasadena’s Radical Past” (exhibition review). Los Angeles Times, 17 February 1999.1998Duncan, Michael. “Live from the Getty.” Art in America 86, no 5 (May 1998): 98–101.Ise, Claudine. “Galleries” (Chac Mool Gallery exhibition review). Los Angeles Times, 18 September 1998.Forgács, Eva. “Mary Corse at Chac Mool Gallery” (exhibition review). Art Issues no. 5 (November / December 1998): 96.1997Kandel, Susan. “Galleries” (Chac Mool Gallery exhibition review). Los Angeles Times, 22 August 1997.Morera, Daniela. “Mary Corse,” Vogue Italia, January 1997: 214–219, 222–223.1996Mitchell, Charles Dee. “Works in UNT Exhibit Are Monochromatic but Multifaceted” (University of North Texas, Denton, exhibition review). Dallas Morning News, 25 January 1996.Pagel, David. "Bringing an Ethereal Style Down To Earth" (Ace Cotemporary Exhibitions review) Los Angeles Times. 5 September 1996.Wei, Lilly. “Mary Corse At Ace” (exhibition review). Art in America 84, no 6 (June 1996).1995Clothier, Peter. “Two Shows to Honor the Second Wave“ (Ace Cotemporary Exhibitions review). Los Angeles Times, 27 February 1995.Darling, Michael. “Mary Corse survey at Ace Contemporary Exhibitions” (review). Artweek 26 (February 1995): 30.Karmel, Pepe. “Art Review: Women Inside and Outside the Grid” (Ace Gallery, New York exhibition review). The New York Times, 15 December 1995.Wilson, William. "Two Shows to Honor the Second Wave" Los Angeles Times. 27 February 1995: 14.1994Curtis, Cathy. “Art Review at Newport Harbor: Into the Limelight.” Los Angeles Times, 9 August 1994.Wilson, William. “‘Plane/Structures at Otis: Enriching Work” (Otis College of Art and Design exhibition review). Los Angeles Times, 19 September 1994.1992Maleski, Stash. "Painting the Town: Conceptual Art Meets the Paintbrush at Ace Gallery" (exhibition review). Village View, 11–17 September 1992.Pagel, David. "Art: Big Sensations" (Ace Contemporary Exhibitions review). Los Angeles Times. 7 August 1992.Peterson, William. "Physical Abstraction: On Some Abstract Painting in Los Angeles" (Ace Contemporary Exhibitions review). Artspace. December 1992: 53–60.1990McKenna, Kristine. “Cirrus Offers Minimalism with a West Coast Slant” (Cirrus Gallery exhibition review). Los Angeles Times, 12 December 1990.Wasserman, Isabelle. Review of Perceptual Investigations: Light and Space Works in the Permanent Collection (Museum of Contemporary Art, Los Angeles exhibition review). San Diego Union, 21 September 1990.Wilson, William. "Abstractions' Contrasting Temperaments" (Ace Contemporary Exhibitions review). Los Angeles Times. 16 March 1990.1989Wilson, William. “Ambitious Exhibits Demonstrate MOCA Spread Itself Too Thin” (Museum of Contemporary Art, Los Angeles exhibition review). Los Angeles Times, 27 November 1989.1988Curtis, Cathy. "Assessing the Current Vitality of Repetition" (Los Angeles Municipal Art Gallery exhibition review). Los Angeles Times, 30 December 1988. Part VI: 22.Donohue, Marlena. “Galleries: Wilshire Center” (Ace Contemporary Exhibitions review). Los Angeles Times, 12 February 1988.Hugo, Joan. "The Syntax of Visual Language" (Ace Contemporary Exhibitions review). Artweek 19 no. 6 (13 February 1988): 5.Ollman, Leah. “’Selections I’ Prods the Mind, Not the Spirit” (La Jolla Museum of Contemporary Art exhibition review). Los Angeles Times, 11 February 1988.Willson, William. “The Fall Season Is About to Rise.” Los Angeles Times, 11 September 1988.1986Morera, Daniela. “Arte a Los Angeles.” Vogue Italia, October 1986: 270–275.Wilson, William. "The Art Galleries: La Cienega." Los Angeles Times, 17 October 1986.1985Baker, Kenneth. “Nine Artists on the Loose in Los Angeles” (Museum of Contemporary Art, Los Angeles exhibition review). San Francisco Chronicle, 18 July 1985.Muchnic, Suzanne. “First Slate of ‘Summer 1985’ at MOCA” (Museum of Contemporary Art, Los Angeles exhibition review). Los Angeles Times, 2 July 1985.Muchnic, Suzanne. “’Future’: More Thana Wistful Look at a Bomb” (Japanese Cultural Center, Los Angeles exhibition review). Los Angeles times, 23 July 1985.Muchnic, Suzanne. “Outside-in Tour of L.A. in ‘Summer ’85: 9 Artists.’” Los Angeles Times, 22 June 1985.Plagens, Peter. "MOCA Mix: The Good, The Bad and The Unplugged" (Museum of Contemporary Art, Los Angeles exhibition review). L.A. Weekly. 9–15 August 1985.Schipper, Merle. "Light's Seductive Spell" (Museum of Contemporary Art, Los Angeles exhibition review). Artweek 16, no. 27(10 August 1985): 5.Wilson, William. “Browsing in the ‘Summer 1985’ Boutique.” (Museum of Contemporary Art, Los Angeles exhibition review). Los Angeles Times, 18 August 1985.Wilson, William. "Coping with Those Ol’ Art Summer Blues." Los Angeles Times, 9 June 1986.1983Muchnic, Suzanne. “The Galleries: La Cienega Area, Mary Corse Paintings at Janus Gallery.” Los Angeles Times. 15 July 1983.1981Smith, Roberta. “Art: Mary Corse at the Clocktower, New York.” Village Voice. 6–12 May 1981: 83.1980Tennesen, Michael and Richard B. Marks. "Local' Art Hits the Big Time," Los Angeles Magazine, February 1980: 114–121, 296.1979Wilson, William. “A Critical Guide to the Galleries: Venice.” Review of Mary Corse: Earth Paintings at Janus Gallery, Venice,California.” Los Angeles Times. 23 March 1979.1974Plagens, Peter. “L.A. 6/Summer ’74 at Los Angeles County Museum of Art” (exhibition review). Artforum 13, no. 2 (October 1974): 75.1972Macheck, Joseph. “Review: Mary Corse at Jo LoGiudice Gallery, New York.” Artforum. 10, no. 10 (June 1972): 82.Plagens, Peter. “The Decline and Rise of Younger Los Angeles Art” (Pasadena Art Museum exhibition review). Artforum, 10, no. 9 (May 1972): 79–81.Witus, Barbara. “15 L.A. Artists Show at Pasadena” (Pasadena Art Museum exhibition review). L.A. Free Press, March 24–30, 1972.1971Baker, Elizabeth C. "Los Angeles, 1971." Artnews 70, no. 5 (September 1971): 27–39, illustrated.Davis, Douglas. "The Invisible Woman Is Visible." Newsweek. 15 November 1971: 130–131.Kramer, Hilton. " Los Angeles, Now The 'In' Art Scene" (Los Angeles County Museum of Art exhibition review). The New York Times, 1 June 2017: 21.Pincus-Witten, Robert. “New York” (Solomon R. Guggenheim Museum exhibition review). Artforum 10, no. 3 (November 1971): 79–81.Pincus-Witten, Robert. "New York." Review of Ten Young Artists: Theodoron Awards at the Guggenheim Museum, New York. Artforum 10, no. 4 (December 1971): 78–81.Plagens, Peter. “Los Angeles” (Los Angeles County Museum of Art exhibition review). Artforum 10, no. 2 (October 1971): 86–90.Plagens, Peter. "West Coast Blues: A New Museum in Berkely, A West Coast Show in Omaha, NE.” Artforum 9, no. 6 (February 1971): 52–57.Wilson, William. "Two Shows Give Southlander Broad Look at What's New" (Los Angeles County Museum of Art exhibition review). Los Angeles Times. 13 June 1971: 48.1968Danieli, Fidel A. "Creg Card, Mary Corse: Two Younger Los Angeles Artists." Artforum 6, no. 10 (Summer 1968): 42–45. Mary CorseBooks and Catalogues Mary Corse Books 2023Godfrey, Mark, and Katy Siegel, eds. Making Their Mark: Art by Women in the Shah Greg Collection. New York: Gregory R. Miller & Co., 2023: 245, illustrated.2022Morrill, Rebecca, ed. Great Women Painters. London: Phaidon, 2022: 83, illustrated.2021LIGHT & SPACE (exhibition catalogue). Copenhagen: Copenhagen Contemporary; Berlin: Light Art Space, 2022: 21, 61, 103, 104–105, illustrated.Light, Space, Surface: Works from the Los Angeles County Museum of Art (exhibition catalogue). Los Angelas, California: Los Angeles County Museum of Art; New York: DelMonico Books, 2021, illustrated.Light Upon Light Exhibition 2021 (exhibition catalogue). Riyadh, Saudi Arabia: Royal Commission for Riyadh City, 2021: 46–47, 130, illustrated.Mary Corse: Painting with Light (exhibition catalogue). Texts by Douglas Fogle and Wang Wei. Interview with the artist. Shanghai: Shanghai Culture Publishing House, 2021.Noor Riyadh 2021: The Annual Festival of Light and Art: ‘Under One Sky’ (exhibition catalogue). Riyadh, Saudi Arabia: Royal Commission for Riyadh City, 2021: np, illustrated.2019At the Edge of Things: Baer / Corse / Martin (exhibition brochure). Texts by Andria Hickey and Anthony Huberman. London: Pace Gallery, 2019.2018Mary Corse: A Survey in Light (exhibition catalogue). Texts by Kim Conaty, Robin Clark, Alexis Lowry, David Reed, Michael Govan, and Melinda Land. New York: Whitney Museum of American Art, 2018.2017Mary Corse (exhibition catalogue). Texts by Suzanne Hudson; interview by Alex Bacon. New York and Los Angeles: Inventory Press; Kayne Griffin Corcoran, 2017.Plastic Show (exhibition catalogue). London: Almine Rech Gallery, 2017.2016Stein, Judith E. Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art. New York: Farrar, Straus and Giroux, 2016.Vitamin P3: New Perspectives in Painting. London: Phaidon, 2016.2015Geometric Obsession: American School 1965–2015 (exhibition catalogue). Texts by Robert C. Morgan, Donald Kuspit, Stephen Westfal. Buenos Aires: Museo de Arte Contemporáneo, 2015.Paths and Edges: Celebrating the Five-Year Anniversary of the Escalatte Collection (exhibition catalogue). Orange, California: Chapman University, 2015.2014The Avant-Garde Collection (exhibition catalogue). Texts by Dan Cameron and Fatima Manalili. Newport Beach, Calif.: Orange County Museum of Art, 2014: 23.Minmal: 1960–1990 Los Angeles. Los Angeles: Cirrus Gallery and Cirrus Editions, 2014.Reductive Minimalism (exhibition catalogue). Ann Arbor: University of Michigan Museum of Art, 2014.2011Phenomenal: California Light and Space (exhibition catalogue). Edited by Robin Clark. Berkeley and San Diego: University of California Press; Museum of Contemporary Art, 2011.Mary Corse (exhibition catalogue). London: Edited by Honey Luard and Dorothy Feaver; text by Drew Hammond. London: White Cube Gallery, Bermondsey, 2011.Pacific Standard Time: Los Angeles Art, 1945–1980 (exhibition catalogue). Edited by Rebecca Peabody, et al., eds. Los Angeles: Getty Research Institute and J. Paul Getty Museum, 2011.Venice in Venice (exhibition catalogue). New York.Nyheus, 2011.What’s New, Pussycat? (exhibition catalogue). Torrance, California: Torrance Art Museum, 2011.2007SoCal: Southern California Art of the 1960s and ‘70s from LACMA’s Collection (exhibition brochure). Los Angeles: Los Angeles County Museum of Art, 2008.2006High Times, Hard Times: New York Painting 1967–1975 (exhibition catalogue). New York: Independent Curators International, 2006.2004The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation (exhibition catalogue). Los Angeles: Frederick R. Weisman Art Philanthropic FoundationSingular Forms (Sometime repeated): Art from 1951 to the Present (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 2004.2003The Spirit of White (exhibition catalogue). Basel: Galerie Beyeler, 2003.1999Material Issues: Recent Gifts from the Collection of Katherine and James Gentry (exhibition catalogue). San Jose, California: San Jose Museum of Art, 1999. (Brochure)Powder (exhibition catalogue). Aspen, Colorado: Aspen Museum of Art, 1999.1996Haden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly, 1996.1995Abstraction form Two Coasts (exhibition catalogue). Houston: Lawing Gallery, Houston, 1995.1994Plane/Structures (exhibition catalogue). Los Angeles: Otis Gallery, Otis College of Art and Design, 1994.1991California Window (exhibition catalogue). Nagoya, Japan: Memory’s Gallery, 1991.1990Perceptual Investigations: Light and Space Works in the Permanent Collection (exhibition catalogue). Los Angeles: Museum of Contemporary Art, 1990.1989Hopkins, Henry T. California Painters: New Work. San Francisco: Chronicle Books, 1989.1988One of a Kind: Contemporary Serial Imagery (exhibition catalogue). Los Angeles: Los Angeles Municipal Art Gallery, 1989.Visual Silences (exhibition catalogue). Los Angeles: Marc Richards Gallery, 1988.1985Summer 1985: Nine Artists (exhibition catalogue). Los Angeles: Museum of Contemporary Art, 1985.1983Edgerton, Anne Carnegie, and Maurice Tuchman. Young Talent Awards: 1963–1983 (exhibition catalogue). Los Angeles County Museum of Art Bulletin 27. Los Angeles: Los Angeles County Museum of Art, 1983.1981Decade: Los Angeles Painting in the Seventies (exhibition catalogue). Padadena, California: Art Center College of Design, 1981.1980Janus in San Diego (exhibition catalogue). San Diego, California: University Art Galleries, San Diego State University, 1980.1976The Liberation: 14 American Artists (exhibition catalogue). Aarhus, Denmark: Aarhus Kunstmuseum, 1976.197215 Los Angeles Artists (exhibition catalogue). Pasadena, California: Pasadena Art Museum, 1972.12 Statements Beyond the 60s (exhibition catalogue). Detroit, Michigan: Detroit Institute of the Arts, 1972.1971Ten Young Artists: Theodoron Awards (exhibition catalogue). New York: Solomon R. Guggenheim Museum, 1971.24 Young Los Angeles Artists (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 1971.1970Looking West 1970 (exhibition catalogue). Omaha, Nebraska: Joslyn Art Museum, 1970.1970 Annual Exhibition: Contemporary American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1970.Permutations, Light and Color (exhibition catalogue). Chicago: Museum of Contemporary Art, 1970.1969Electric Art (exhibition catalogue). Text by Jack Burnham. Los Angeles: UCLA Art Galleries, 1969.1968The West Coast Now: Current Work from the Western Seaboard (exhibition catalogue). Portland, Oregon: Portland Art Museum, 1968.