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Pace Galleries

Narrative Through Form: A Survey of Chinese Art

Narrative Through Form: A Survey of Chinese Art

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Installation view of "Form Through Narrative: New Chinese Art" at 229 Hamilton Ave, Palo Alto, June 22 - August 20, 2017. Photography by Johnna Arnold.

Hong Hao Reflection No. 15, 2016. oil, molding material on canvas, 46-7/16" x 76-3/4".

Hong Hao Reflection No. 15, 2016. oil, molding material on canvas, 46-7/16" x 76-3/4".
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About Artists

Press Release

  • Form Through Narrative: New Chinese Art

    Palo Alto—Pace Gallery is pleased to presentForm through Narrative, a group exhibition of contemporary Chinese artists featuring works by Hong Hao, Liu Jianhua, Song Dong, Wang Guangle, Xie Molin and Yin Xiuzhen. The exhibition will be on view from June 23 through August 20,2017 at 229 Hamilton Avenue. An opening reception for the artists will be held on Thursday, June 22 from 4 to 7 p.m.

    Form through Narrative is a survey of leading Chinese artists whose multi-generational practices explore themes of place, identity and tradition. For the contemporary Chinese artists in this exhibition, art is rooted in storytelling and the narratives surrounding their lives. Form through Narrative features recent works by artists who were educated in conventional, representational modes of picture-making but gradually abandoned them. While narrative becomes apparent in the process, background and content, the artists on view purposely departed from representational aesthetics to reach complete abstraction.

    Highlights of the exhibition include Liu Jianhua’s work in porcelain, which responds to Chinese cultural history while addressing themes of globalization and consumerism. Liu Jianhua’s installation Square (2014), consisting of 64 individual steel sheets and gold-glazed porcelain pools, is currently on view in Viva Arte Viva at the 57th International Art Exhibition – La Biennale di Venezia. With the excesses of modern consumerism in mind, Hong Hao, who trained in printmaking, digitally scans the bases of everyday objects to visually deconstruct their functional properties. Also known for incorporating secondhand objects, Yin Xiuzhen seeks to personalize recycled items and allude to those who have been overlooked in the drive toward excessive urbanization, rapid development and the growing global economy.

    Confronting common perceptions of wealth in Asia, Song Dong’s works on paper repurpose discarded materials that relate to themes of accumulation and waste. By frying them in a vat of oil, he creates varied abstractions while responding to the rich culinary traditions of China. With similar concerns in mind, Song Dong’s Through the Wall(2016), a large-scale installation presented at this year’s Unlimited at Art Basel, uses reclaimed door and window frames to reflect on the contrasts between historic and contemporary forces that shape society. I Don't Know the Mandate of Heaven, presented this year at the Rockbund Art Museum, Shanghai, was Song Dong’s first major survey exhibition in eight years.

    For some contemporary Chinese artists, narrative does not only come from objects, but also from Chinese traditions. A pioneer of abstract and conceptual art, Wang Guangle’s process of the repetitive layering of different colors of acrylic paint was inspired by an ancient Chinese burial tradition from the Fujian province of southern China: the elderly acquire a casket and paint it in red lacquer, adding a coat of paint every year on the same date as a celebration of longevity. Xie Molin combines two traditions in his machine-generated abstract paintings: his classical training in fine arts and his use of a tri-axial linkage painting machine, continuing his father’s legacy as an engineer.

    Hong Hao

    Liu Jianhua

    Song Dong

    Wang Guangle

    Xie Molin

    Yin Xiuzhen

    Pace Gallery is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Founded by Arne Glimcher in Boston in 1960 and currently led by Marc Glimcher, Pace has been a constant, vital force in the art world and has introduced many renowned artists’ work to the public for the first time. Pace has mounted more than 900 exhibitions, including scholarly shows that have subsequently traveled to museums, and published over 450 exhibition catalogues. In recent years, Pace has continuously expanded the possibilities for its role in the contemporary art ecosystem, engaging in collaborations with cultural institutions around the world, establishing the Pace Art + Technology new media center, and the Future\Pace public art brand in a demonstration of the organization's focus on the future. Today, Pace has nine locations worldwide: three galleries in New York; one in London; one in Palo Alto, California; a 25,000 square-foot gallery in Beijing, and exhibition spaces in Hong Kong, Paris and Seoul. Having most recently opened Pace Seoul earlier this year, Pace will open a second location in Hong Kong by the end of 2017.

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