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Pace Galleries

Lee Ufan

New Works

Installation View.

Installation View.

Lee Ufan Dialogue, 2015. Oil on Canvas , 162 cm x 130 cm x 5cm.

Lee Ufan Dialogue, 2015. Oil on Canvas , 162 cm x 130 cm x 5cm.

Installation View.

Installation View.

Lee Ufan Dialogue, 2014. Oil on Canvas, 162 cm x 130 cm x 3cm.

Lee Ufan Dialogue, 2014. Oil on Canvas, 162 cm x 130 cm x 3cm.

Installation View.

Installation View.

Lee Ufan Dialogue, 2015. Oil on canvas, 146 cm x 114 cm x 5cm.

Lee Ufan Dialogue, 2015. Oil on canvas, 146 cm x 114 cm x 5cm.

Lee Ufan Dialogue, 2014. Watercolor on paper, 104.8 cm x 76 cm.

Lee Ufan Dialogue, 2014. Watercolor on paper, 104.8 cm x 76 cm.
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About Lee Ufan

Lee Ufan (b. 1936, Kyongsang-namdo, Korea) emerged as one of the founders and major proponents of the avant-garde Mono-ha ("School of Things") group in the late 1960s. Mono-ha was Japan’s first internationally recognized contemporary art movement, rejecting Western notions of representation and emphasizing materials and perception and interrelationships between space and matter. Lee creates his sculptural works using only two materials: steel and stone. In 1970, the artist explained that “[t]he highest level of expression is not to create something from nothing, but rather to nudge something that already exists so that the world shows up more vividly.” In 2014, Lee presented a major solo exhibition at the prestigious Chateau de Versailles in France. Lee joined the gallery in 2007.

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Press Release

  • Lee Ufan
    Pace Hong Kong, 15C Entertainment Building, 30 Queens Road Central
    2015.11.20 - 2016.01.09
    Pace Hong Kong is pleased to announce its first solo exhibition of Lee Ufan which presenting his new works. It is the artist's first exhibition in Hong Kong after his landmark 2011 survey at the Solomon R. Guggenheim Museum, and follows his 2014 solo presentation of twelve site-specific works created for the Château de Versailles. The exhibition will be on view from Nov 20, 2015 to Jan 9, 2016 at 15C Entertainment Building.
    Lee Ufan is considered a leading figure of the Japanese Mono-ha movement, and the builder of its theoretical underpinnings. In the social and cultural upheaval of the postwar era, with its corresponding reflections on values, art movements rapidly emerged around the world, including Minimalism in the United States, Arte Povera in Italy and Anti-Form in Britain, and modernism came under fierce criticism and reexamination of its values. Unlike the ideas and experimental schools then seeking expression in the West, Mono-ha, the only such school to emerge in the East, focused on the material properties of objects themselves and the relations between objects and the space they occupy.
    Lee began writing essays researching objects and space in the 1960s, using "relations" as a reference for artworks. Influenced by ancient Greek philosophy, he held that the formation of each object is rooted in the relationships between things. These philosophical ideas came to form the principles and theories behind Mono-ha, which pursued not the expression of natural material itself, but that "moment when beauty is perceived upon encountering the vividness of the original state of the world in a certain setting."
    Lee Ufan's unique revelation of the hidden "relations" specific to the East, seem to be the theme of the "dialogue" taking place in his recent works, one which highlights a form of existence that transcends the environment of the object itself. The artwork exists beyond the object, constructing a "relational" sense of existence. The energy produced in the setting around the object, both visible and invisible, provokes reflection about the essence of the surrounding world and the object, producing the "attributes of a dialogue. "The powerful primal sense and energy created by Lee Ufan's works, whether sculptures or paintings, are unique to the East.
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