PACE Galleries

Olga Chernysheva

奥尔加·切尼榭娃

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Waiting for The Miracle, Olga Chernysheva, 2000. analog print, 100 cm x 150 cm (39-3/8" x 59-1/16"), © Olga Chernysheva.

Untitled (A drawing with obvious compositional technique), Olga Chernysheva, 2013. charcoal, 86 cm x 61 cm (33-7/8" x 24").

Untitled (A drawing with obvious compositional technique), Olga Chernysheva, 2013. charcoal, 86 cm x 61 cm (33-7/8" x 24").

Untitled (Urban fittings of rectangular planes), Olga Chernysheva, 2013. charcoal, 40 cm x 41.5 cm (10-5/10" x 10-5/10").

Untitled (Urban fittings of rectangular planes), Olga Chernysheva, 2013. charcoal, 40 cm x 41.5 cm (10-5/10" x 10-5/10").

Untitled (A winter story, obliquely viewed from above), Olga Chernysheva, 2013. charcoal, 61 cm x 86 cm (24" x 33-7/8").

Untitled (A winter story, obliquely viewed from above), Olga Chernysheva, 2013. charcoal, 61 cm x 86 cm (24" x 33-7/8").

Untitled (Three men, fused with the environment physically and perhaps in spirit), Olga Chernysheva, 2013. charcoal, 61 cm x 86 cm (24" x 33-7/8").

Untitled (Three men, fused with the environment physically and perhaps in spirit), Olga Chernysheva, 2013. charcoal, 61 cm x 86 cm (24" x 33-7/8").

Untitled (A drawing of the excursion made in case you ever need to draw an excursion), Olga Chernysheva, 2013 . charcoal, 61 cm x 86 cm (24" x 33-7/8") .

Untitled (A drawing of the excursion made in case you ever need to draw an excursion), Olga Chernysheva, 2013 . charcoal, 61 cm x 86 cm (24" x 33-7/8") .

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

Installation view.

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Installation view.

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About Olga Chernysheva

奥尔加·切尼谢娃(1962年生于莫斯科)目前于莫斯科生活及工作。她的个展包括2011年在荷兰BAK艺术中心举行的"In the Middle of Things“展览, 以及2013年在德国埃尔福特艺术中心(Kunsthalle Erfurt)的”Compossibilities“。此外, 她也参与过不同的国际群展,如2010年第六届的柏林双年展和2011年在纽约新当代艺术博物馆(New Museum)的Ostalgia。 2001年,她曾于威尼斯双年展中为俄罗斯国家馆展出代表艺术家。 奥尔加·切尼谢娃(1962年生于莫斯科)目前于莫斯科生活及工作。她的个展包括2011年在荷兰BAK艺术中心举行的"In the Middle of Things“展览, 以及2013年在德国埃尔福特艺术中心(Kunsthalle Erfurt)的”Compossibilities“。此外, 她也参与过不同的国际群展,如2010年第六届的柏林双年展和2011年在纽约新当代艺术博物馆(New Museum)的Ostalgia。 2001年,她也是2011年威尼斯双年展俄罗斯国家馆的代表艺术家。
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Press Release

  • Olga Chernysheva

    26 November 2014 – 17 January 2015

    6-10 Lexington Street, London, W1F 0LB

    Pace London is pleased to present an exhibition by Moscow-based artist Olga Chernysheva. The exhibition will be on view from 26 November 2014 to 17 January 2015 at 6–10 Lexington Street. The first presentation of Chernysheva’s work at Pace, this exhibition will feature photographs capturing the streets of Moscow alongside drawings, videos and a projection.

    Moving fluidly between media, Chernysheva offers a lens into the world of post-Soviet Russia. She became well known in the 1990s for her exploration of the ironies and idiosyncrasies to emerge in the aftermath of the USSR’s dissolution. Fascinated with capitalism and individualism as notions once alien to Russian life, Chernysheva depicts the residuals of collectivism, once central to the Russian experience, in tension with the domineering tendencies of individualism and consumerism that permeate the public sphere of her home in Moscow.

    The photographs on view illustrate Chernysheva’s sharp eye for the sociological value of the daily life in Russia. She documents both the general and specific in her photographs of daily life. Her photographs—always taken from behind—depict the variety of winter hat styles she has seen on strangers in Moscow. The different shapes and colours ensnare the viewer with their formal properties and stage a dialogue about individuality and mass culture, highlighting difference in spite of the uniform composition of each photograph.

    Chernysheva’s interest in the mundane reality of street life reveals both an embrace of nineteenth-century Realism and a rejection of the more aggrandizing Socialist Realism that pervaded her childhood. “I work quite consciously with unimportant things, always drawn to places where an event either already happened or has not yet begun,”*1 Chernysheva said. Her work reflects the tradition of Soviet propaganda and its tendency towards conformity and repetition while incorporating the transition to consumer-driven individuality.

    This interest finds its roots in her academic training and childhood. Part of the last generation of artists who grew up during the Soviet Union, Chernysheva studied in Moscow in the mid-1980s, training in socialist modes of art production. Her development out of such a rigid system has informed her media-spanning observations of contemporary Russian life. “Her ecological talent to transform life’s everyday absurdity into meaningful art is the hallmark of Chernysheva,” wrote Ekaterina Andreeva. “It stems from a strong desire to be in contact with the world and from her belief in the practical magic of art.” *2

    Pace’s exhibition coincides with Keeping Sight at M HKA—Museum of Contemporary Art, Antwerp, an exhibition in which Chernysheva responds to and displays work alongside pieces from the museum’s permanent collection. Keeping Sight remains on view until 18 January 2015.

    *1 Olga Chernysheva, quoted in Astrid Wege, “Olga Chernysheva: Bak, Basis Voor Actuele Kunst,” Trans. Oliver E. Dreyfuss, Artforum, 49.9, May 2011, 300

    *2 Ekaterina Andreeva, “Our Time According to Olga Chernysheva” The Happiness Zone, (Moscow: Stella Art Gallery, 2004),17-23.

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News

Ahead of Olga Chernysheva’s solo exhibition at The Drawing Centre in New York in October, curator Nova Benway of the Drawing Center will be in conversation with the artist at Garage Museum for Contemporary Art, Moscow, on 27th April at 19.30-21.00. More details by clicking here. 

25/02/2016 | 8pm | Cinéma 1  Presented by Alicia Knock and Pamela Sticht, in the presence of the artist Olga Chernysheva. Adopting a poetic style in order to document Russia’s passage into consumerist society, Chernysheva’s film Streamboat Dionysius (2004) questions the persistence of the idea of community after the fall of USSR. Anna Jermolaewa’s films are also marked by the era of post communism. Her film Kremlin Doppelgänger (2009) confronts the historic city of Kremlin with its present d

‘Peripheral Visions’ celebrated the work of Moscow-based artist Olga Chernysheva as part of the sixth Moscow Biennale. Showcasing thirty new and unseen drawings and a range of work in various mediums, Chernysheva explored the interactions of people and objects with the structures and spaces of contemporary Russia. Curated by Elena Sudakova, the exhibition highlighted the power of an artistic ‘peripheral vision’ to shine light on issues that are relegated to the margins of our thought processe

The 56th Biennale di Venezia titled All the World’s Futures, curated by Okwui Enwezor and chaired by Paolo Baratta, features work by Russian artist Olga Chernysheva.  Pace London presented an exhibition of Chernysheva’s work in November 2014 – January 2015.

Beginning on 9 December 2014, Russian artist Olga Chernysheva’s video ‘Trashman’ will be shown in London at the Whitechapel Gallery. Curated by Fiona Banner, Chernysheva’s work is part of an exhibition focusing on artists from the V-A-C collection in Moscow. The show will be on view until 8 March 2015. Click here for more information about the exhibition.

Russian artist Olga Chernysheva is featured in an exhibition entitled Keeping Sight at the Museum van Hedendaagse Kunst (M HKA) in Antwerp. Highlighting her work and the museum’s collection, Chernysheva’s photographs, films and drawings are shown alongside artists Francis Alÿs, Hans Eijkelboom, Antoni Muntadas and Hermann Pitz. Earlier works in her career as well her most recent projects are presented in the exhibition. Running until 18 January, Keeping Sight will coincide with Pace London’s e