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Pace Galleries

亚历山大 考尔德

亚历山大·考尔德

Installation view.

Installation view.

Alexander Calder 3 Flèches Blanches, 1965. sheet metal and paint, 16' 6" x 14' 1" x 9' 9" (502.9 x 429.3 x 297.2 cm).

Alexander Calder 3 Flèches Blanches, 1965. sheet metal and paint, 16' 6" x 14' 1" x 9' 9" (502.9 x 429.3 x 297.2 cm).

Alexander Calder Saurien, 1975. steel plate, 18' 4" x 16' 8" x 16' 8" (558.8 x 508 x 508 cm).

Alexander Calder Saurien, 1975. steel plate, 18' 4" x 16' 8" x 16' 8" (558.8 x 508 x 508 cm).

Alexander Calder Angulaire, 1975. steel plate, 11' 4" x 10' x 10' (345.4 x 304.8 x 304.8 cm).

Alexander Calder Angulaire, 1975. steel plate, 11' 4" x 10' x 10' (345.4 x 304.8 x 304.8 cm).
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About 亚历山大 考尔德

亚历山大·考尔德(b. 1898, 宾夕法尼亚, d. 1976 纽约)是二十世纪最知名、影响力最大的雕塑家之一。他以发明动态雕塑闻名。考尔德的动态雕塑是一种将独立元素悬挂起来的动能装置,在不断变换的平衡与和谐中描绘每一个单独元素的运动。考尔德同时致力于利用螺栓钢进行户外大型雕塑创作。他的很多户外作品坐落在世界各处城市的公共广场上。佩斯画廊于1984 年起代理考尔德基金会。
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Press Release

  • Alexander Calder

    The Seagram Building

    375 Park Avenue, New York, NY

    October 5 – November 10, 2014

    New York—Pace Gallery is pleased to announce an exhibit of Alexander Calder’s work at the Seagram Building, 375 Park Avenue, realized in collaboration with the Calder Foundation. Pace will install three of the artist’s monumental sculptures on the plaza of the iconic International Style building in Midtown. The work will be on view from October 5 through November 10, 2014.

    The presentation coincides with Storm King Art Center’s annual gala on October 8, which is honoring the Calder Foundation and Alexander S.C. Rower, the president of the foundation since it was established in 1987 and the artist’s grandson. Storm King Art Center and the Calder Foundation have a longstanding relationship, with the former presenting the artist’s monumental work in its sculpture park for more than 25 years. The presentation at the Seagram Building is made possible by Aby Rosen, RFR Holding LLC.

    Calder experimented with and practiced in a variety of media but remains best known for his large-scale mobiles and stabiles, whose public display was of great importance to the artist. “My mobiles and stabiles must be put in open spaces, like city squares, or in front of modern buildings. And the same goes for all contemporary sculpture,” Calder said. “A sculpture in the city must be useful as signaling poles placed in sea lanes and waterways with their red discs, yellow squares and black triangles. It must be designed as a real urban signal as well as sculpture.” Calder’s work finds a kindred context at the Seagram Building, which was designed by Mies van der Rohe. Completed in 1958, the building is a hallmark of modernist architecture and its open plaza was an anomaly for its time with its attention to creating an open urban space.

    The works on view exemplify the artist’s artistic concerns and motifs: notably his striking use of color and dynamic forms. A standing mobile, 3 Flèches Blanches (1965) demonstrates Calder’s enduring interest in movement and balance through abstract black-and-white forms. This is its first time on view to the public in New York. Newly conserved, Angulaire (1974) is a stabile of jagged metal plates that achieves elegance through its balance and articulation of positive and negative space. It was recently on view in the Los Angeles County Museum of Art’s exhibition Calder and Abstraction: From Avant-Garde to Iconic (2013-14). At more than eighteen-feet tall, the monumental Saurien (1975), completed the year before the artist’s death, illustrates Calder’s bold use of color with its red undulating limbs and alpine-like ridge.

    The exhibit continues Pace’s tradition of presenting Calder’s work in a public setting and marks the first outdoor exhibit of Calder’s work at the Seagram Building since 2007 when his monumental mobile Ordinary (1969) was on view for one year. In 1995 and 2004, Pace exhibited Calder’s work at 590 Madison Avenue in New York. In the United Kingdom, Pace presented a group of Calder’s sculptures at Sudeley Castle and Gardens, Gloucestershire, in 2013 and in London for the 2012 Olympic Games.

    Alexander Calder (1898–1976) is one of the most acclaimed and influential sculptors of the twentieth century. Renowned for his invention of the mobile, a kinetic construction of suspended abstract elements that describe individual movements in changing harmony, Calder also devoted himself to making outdoor sculpture on a grand scale from bolted steel plate, many of which stand in public plazas in cities throughout the world. Calder’s wide body of work includes paintings, drawings, prints, book illustrations, jewelry, tapestries, as well as costumes and set designs for ballets and theatrical productions. In addition to being included in the collection of nearly every major public institution in the United States and abroad, Pace has represented Calder since 1984 and since presented twelve exhibitions of his work.

    The Calder Foundation, a non-profit organization, was founded in 1987 by Alexander S.C. Rower, Calder’s grandson, and is dedicated to collecting, exhibiting, preserving and interpreting the art and archives of Alexander Calder. The Foundation’s projects include collaborating on exhibitions and publications, organizing and maintaining the Calder archives, examining works attributed to Calder and cataloguing the artist’s works. One of the first organizations of its kind, the Calder Foundation, under Rower’s leadership, has provided the blueprint for the many artist foundations that have since emerged.

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News

      由10月5日起,作为佩斯和考尔德基金会(Calder Foundation)之间合作的一部分,三个由Alexander Calder做的纪念雕塑将于纽约公园大道375号的Seagram Building展出。展览恰逄Storm King Art Center于10月8日的年度盛会,这是为表扬基金会及其主席Alexander SC Rower,艺术家的孙子。   有赖于阿比·罗森,RFR控股有限公司( Aby Rosen, RFR Holding LLC),此装置将包含3件作品有三个白色箭头 (Flèches Blanches,1965)、角(Angulaire, 1974)以及蜥蜴 (Saurien,1976)。正如纽约时报的Randy Kennedy写道,「密斯·凡·德罗的建筑和亚历山大·考尔德的雕塑看来就似乎在一起的,就如同火腿与鸡蛋一样。」考尔德的作品将于Seagram大厦广场展出至11月10日。   浏览更多纽约时报的报导 here