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Pace Galleries

索尔 斯坦伯格

索尔·斯坦伯格 百年纪念展

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Saul Steinberg Untitled (Sam's Vaudeville), c. 1965. colored pencil, graphite, ink and watercolor on paper, 29 x 21" (73.7 x 53.3 cm).

Saul Steinberg Untitled (Sam's Vaudeville), c. 1965. colored pencil, graphite, ink and watercolor on paper, 29 x 21" (73.7 x 53.3 cm).

Saul Steinberg Untitled, c. 1985. brush and ink, crayon, colored pencil, graphite, with foil, cardboard and paper collage on brown paper bag, 16 x 8" (40.6 x 20.3 cm).

Saul Steinberg Untitled, c. 1985. brush and ink, crayon, colored pencil, graphite, with foil, cardboard and paper collage on brown paper bag, 16 x 8" (40.6 x 20.3 cm).

Saul Steinberg Untitled (Nine Postcard Landscapes with Figures), c. 1970s. watercolor, colored pencil, rubber stamps and collage on paper, 22-1/2 x 30" (57.2 x 76.2 cm).

Saul Steinberg Untitled (Nine Postcard Landscapes with Figures), c. 1970s. watercolor, colored pencil, rubber stamps and collage on paper, 22-1/2 x 30" (57.2 x 76.2 cm).

Saul Steinberg Untitled (Document), c. 1954. ink on paper, 23 x 29" (58.4 x 73.6 cm).

Saul Steinberg Untitled (Document), c. 1954. ink on paper, 23 x 29" (58.4 x 73.6 cm).

Saul Steinberg Untitled (Table), c. 1965. colored pencil, graphite, ink and collage on paper, 22-1/4 x 27-1/2" (56.5 x 69.9 cm).

Saul Steinberg Untitled (Table), c. 1965. colored pencil, graphite, ink and collage on paper, 22-1/4 x 27-1/2" (56.5 x 69.9 cm).

Saul Steinberg Untitled (Mail), 1962. crayon, graphite, ink and watercolor on paper, 23 x 14-1/2" (58.4 x 35.6 cm).

Saul Steinberg Untitled (Mail), 1962. crayon, graphite, ink and watercolor on paper, 23 x 14-1/2" (58.4 x 35.6 cm).

Saul Steinberg U.S. Post Office, Cincinnati, Ohio, 1981. crayon, graphite, brush and ink, gouache and colored pencil on paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg U.S. Post Office, Cincinnati, Ohio, 1981. crayon, graphite, brush and ink, gouache and colored pencil on paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg Summer Table, 1981. mixed media collage on wood, 57 x 80 x 36" (144.8 x 203.2 x 91.4 cm).

Saul Steinberg Summer Table, 1981. mixed media collage on wood, 57 x 80 x 36" (144.8 x 203.2 x 91.4 cm).

Saul Steinberg Nose IV, 1980. colored pencil on wood, 70 x 27-1/2 x 13-1/2" (177.8 x 69.9 x 34.3 cm).

Saul Steinberg Nose IV, 1980. colored pencil on wood, 70 x 27-1/2 x 13-1/2" (177.8 x 69.9 x 34.3 cm).

Saul Steinberg The Pyramid Table, 1974-1982. mixed media collage on wood, 13-1/2 x 47-1/4 x 2" (34.3 x 120 x 5.1 cm).

Saul Steinberg The Pyramid Table, 1974-1982. mixed media collage on wood, 13-1/2 x 47-1/4 x 2" (34.3 x 120 x 5.1 cm).

Saul Steinberg Canal Street Post Office, 1981. crayon, colored pencil and graphite on paper, 14 x 21-1/4" (35.6 x 54 cm).

Saul Steinberg Canal Street Post Office, 1981. crayon, colored pencil and graphite on paper, 14 x 21-1/4" (35.6 x 54 cm).

Saul Steinberg Riverhead Duck, 1986. ink, pastel, graphite and watercolor on paper, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg Riverhead Duck, 1986. ink, pastel, graphite and watercolor on paper, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg Looking West, 1986. crayon, graphite and watercolor on paper, 70 x 53-1/2" (177.8 x 135.9 cm).

Saul Steinberg Looking West, 1986. crayon, graphite and watercolor on paper, 70 x 53-1/2" (177.8 x 135.9 cm).

Saul Steinberg Union Square, 1982. colored paper, crayon and graphite on paper, 19 x 13-3/4" (48.3 x 34.9 cm).

Saul Steinberg Union Square, 1982. colored paper, crayon and graphite on paper, 19 x 13-3/4" (48.3 x 34.9 cm).

Saul Steinberg Mexico, 1981. torn paper tag and military patch, carved wood with graphite, ink, crayon, gouache and varnish with rubber stamps and oil on paper on wood panel, 21 x 16 x 1" (53.3 x 40.6 x 2.5 cm).

Saul Steinberg Mexico, 1981. torn paper tag and military patch, carved wood with graphite, ink, crayon, gouache and varnish with rubber stamps and oil on paper on wood panel, 21 x 16 x 1" (53.3 x 40.6 x 2.5 cm).

Saul Steinberg Moonlight, 1988. carved wood with ink, colored pencil, graphite, handmade penny on wood panel, 26 x 20 x 1-3/4" (66 x 50.8 x 4.4 cm).

Saul Steinberg Moonlight, 1988. carved wood with ink, colored pencil, graphite, handmade penny on wood panel, 26 x 20 x 1-3/4" (66 x 50.8 x 4.4 cm).

Saul Steinberg Taxi, 1977. acrylic, crayon, graphite and watercolor on paper, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg Taxi, 1977. acrylic, crayon, graphite and watercolor on paper, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg Luna Park, 1968. collage, crayon and watercolor paper, 29 x 23" .

Saul Steinberg Luna Park, 1968. collage, crayon and watercolor paper, 29 x 23" .

Saul Steinberg Junk Street, 1951. ink on gelatin silver print, 9-3/4 x 7-3/8" (24.8 x 18.7 cm).

Saul Steinberg Junk Street, 1951. ink on gelatin silver print, 9-3/4 x 7-3/8" (24.8 x 18.7 cm).

Saul Steinberg The American Sphinx, 1964. crayon, graphite, ink and watercolor on paper, 23 x 14-1/2" (58.4 x 36.8 cm).

Saul Steinberg The American Sphinx, 1964. crayon, graphite, ink and watercolor on paper, 23 x 14-1/2" (58.4 x 36.8 cm).

Saul Steinberg Untitled, 1967. screenprint on silk with hand additions, 23 x 180" (58.4 x 457.2 cm).

Saul Steinberg Untitled, 1967. screenprint on silk with hand additions, 23 x 180" (58.4 x 457.2 cm).

Saul Steinberg Still Life, 1980-1981. graphite on folded paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg Still Life, 1980-1981. graphite on folded paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg Untitled, 1981. brush and ink, marker, colored pencil and graphite on paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg Untitled, 1981. brush and ink, marker, colored pencil and graphite on paper, 14-1/2 x 23" (36.8 x 58.4 cm).

Saul Steinberg Untitled, 1970. watercolor, graphite, colored pencil and rubber stamps on paper, 13-7/8 x 22-3/8" (35.2 x 56.8 cm).

Saul Steinberg Untitled, 1970. watercolor, graphite, colored pencil and rubber stamps on paper, 13-7/8 x 22-3/8" (35.2 x 56.8 cm).

Saul Steinberg Untitled (Last Summer...), 1969. ink over graphite, crayon, oil and watercolor on paper, 19 x 15" (48.3 x 38.1 cm).

Saul Steinberg Untitled (Last Summer...), 1969. ink over graphite, crayon, oil and watercolor on paper, 19 x 15" (48.3 x 38.1 cm).

Saul Steinberg Untitled, 1961. ink, graphite and rubber stamp on paper, 22 x 14" (55.9 x 35.6 cm).

Saul Steinberg Untitled, 1961. ink, graphite and rubber stamp on paper, 22 x 14" (55.9 x 35.6 cm).

Saul Steinberg Twenty Americans (Twenty Professions), 1975. graphite, crayon, colored pencil, watercolor and pen ink on paper with graph paper collage, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg Twenty Americans (Twenty Professions), 1975. graphite, crayon, colored pencil, watercolor and pen ink on paper with graph paper collage, 20 x 15" (50.8 x 38.1 cm).

Saul Steinberg The American Corrida, c. 1981. colored pencil, crayon and graphite on two joined sheets of paper, 21 x 16" (53.3 x 40.6 cm).

Saul Steinberg The American Corrida, c. 1981. colored pencil, crayon and graphite on two joined sheets of paper, 21 x 16" (53.3 x 40.6 cm).

Saul Steinberg Untitled, 1949-1954. ink and graphite on paper, 14-1/2 x 23" (36.8 x 58.4 cm), six sheets, each.

Saul Steinberg Untitled, 1949-1954. ink and graphite on paper, 14-1/2 x 23" (36.8 x 58.4 cm), six sheets, each.

Saul Steinberg Rimbaud Document, 1953. ink, watercolor, rubber stamps, crayon and marker on paper, 14-1/2 x 22-7/8" (36.8 x 58.1 cm).

Saul Steinberg Rimbaud Document, 1953. ink, watercolor, rubber stamps, crayon and marker on paper, 14-1/2 x 22-7/8" (36.8 x 58.1 cm).

Saul Steinberg Untitled (Train Passengers), 1952. pen, ink and graphite on paper, 14-1/2 x 23-1/4" (36.8 x 59.1 cm).

Saul Steinberg Untitled (Train Passengers), 1952. pen, ink and graphite on paper, 14-1/2 x 23-1/4" (36.8 x 59.1 cm).

Saul Steinberg Flowers and Ink Bottles, 1985. watercolor, crayon, colored pencil, charcoal, gouache, graphite and collage on paper, 19 x 21-3/4" (48.3 x 55.2 cm).

Saul Steinberg Flowers and Ink Bottles, 1985. watercolor, crayon, colored pencil, charcoal, gouache, graphite and collage on paper, 19 x 21-3/4" (48.3 x 55.2 cm).

Saul Steinberg Untitled, 1981. ink over graphite and colored pencil, 15-1/2 x 23" (39.4 x 58.4 cm).

Saul Steinberg Untitled, 1981. ink over graphite and colored pencil, 15-1/2 x 23" (39.4 x 58.4 cm).

Saul Steinberg Untitled (USA), 1965. pen, ink, crayon and watercolor on paper, 23 x 15-7/8" (58.4 x 40.3 cm).

Saul Steinberg Untitled (USA), 1965. pen, ink, crayon and watercolor on paper, 23 x 15-7/8" (58.4 x 40.3 cm).

Saul Steinberg Sixteen Landscapes, 1972-1979. oil and graphite on paper, 20 x 29" (50.8 x 73.7 cm).

Saul Steinberg Sixteen Landscapes, 1972-1979. oil and graphite on paper, 20 x 29" (50.8 x 73.7 cm).

Saul Steinberg Untitled, 1967. watercolor, graphite and embossing on paper, 22 x 30" (55.9 x 76.2 cm).

Saul Steinberg Untitled, 1967. watercolor, graphite and embossing on paper, 22 x 30" (55.9 x 76.2 cm).

Saul Steinberg Untitled, 1968. colored pencil, crayon, marker, and brown paper and cardboard collage on cut brown paper bag, 14-3/4 x 8-3/8" (37.5 x 21.3 cm).

Saul Steinberg Untitled, 1968. colored pencil, crayon, marker, and brown paper and cardboard collage on cut brown paper bag, 14-3/4 x 8-3/8" (37.5 x 21.3 cm).
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About 索尔 斯坦伯格

索尔·斯坦伯格(生于1914年,罗马尼亚Râmnicul Sarat,卒于1999年,纽约)在1993年移居到意大利米兰成为一名工艺学校的建筑系学生之前,在布加勒斯的大学学习哲学历史。虽然他在1940年获得了学位,但是意大利法西斯的反犹太人的种族歧视的法律禁止他从事自己的专职。他在1941年逃离意大利,在圣多明各等了一年美国的签证,终于在1942年到达纽约。受一位美国海军少尉的委托,他在中国,北非,和意大利度过了二战时期。战争结束后他定居在纽约,但是成为了一个坚定不移的旅行者。遍布美国、南非、欧洲、亚洲、非洲、中东和印度的旅行让他对文化和20世纪的生活习俗有了广泛并且尖锐的观点。Steinberg的艺术作品成为了对社会、政治系统、语言和艺术本身的探索。
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Press Release

  • Saul Steinberg: 100th Anniversary Exhibition

    32 East 57th Street, New York

    September 11 - October 18, 2014

    Opening Reception: Wednesday, September 10, 6 – 8 PM

    New York—Pace Gallery and Pace/MacGill Gallery are pleased to present Saul Steinberg: 100th Anniversary Exhibition in honor of the artist’s centennial. The exhibition will be on view on the second and ninth floors at 32 East 57th Street from September 11 through October 18 and was realized with the cooperation of the Saul Steinberg Foundation. To accompany the exhibition, Pace and Pace/MacGill will publish a catalogue featuring a new essay by Joel Smith, curator of photography at the Morgan Library and Museum and author of Steinberg’s first academic monograph. The public is invited to attend an opening reception on Wednesday, September 10, 6-8 PM.

    Widely celebrated for his contributions to The New Yorker, Steinberg was a nimble artist who adapted to whatever medium fit his exploration of the world. The exhibition encompasses five decades of work and covers the breadth of his artistic practice. On the second floor gallery, Pace will exhibit a survey of the artist’s work in different media, while Pace/MacGill will dedicate its presentation on the ninth floor to a focused study of Steinberg’s photographic works in conversation with a selection of drawings. The exhibition will include more than eighty works, featuring some of Steinberg’s most iconic images as well as works that have never been publicly exhibited.

    Steinberg’s varied output reflects the defiant curiosity and fiercely modernist attitude of an artist trying to make sense of the chaotic postwar period. An immigrant to the United States, Steinberg crafted his visual outlook to explore the radical upheaval of the world and examine American values. Unlike his peers who receded into pure abstraction, Steinberg pursued a pictorial agenda, projecting his anxieties and uncertainties outward, into both the world of fine art and the homes of Americans through popular magazines. His influences spanned Dada, Surrealism, Cubism and Pop, but Steinberg was never content to just produce works of aesthetic interest. Instead, he sought to confront the world, creating what he called puzzles that elicited critical contemplation, raising questions without providing answers.

    His career attests to a sustained commitment to understand the world at a human scale. Steinberg described his images not as landscapes but “manmade situations,” marking each work with a measure of human invention or scale: people, cars, buildings, pyramids, even rubber stamps. In Untitled (Nine Postcard Landscapes with Figures) (c. 1970s), the artist depicts diminutive figures against landscapes with fabricated stamps standing in for the sun. He sidesteps any attempt at the sublime, presenting landscape imagery as a postcard cliché and a consequence of constant human reinvention. Harold Rosenberg wrote, “the matter of his art is artifice, the way people and things make themselves up, or are made up, to present themselves to the world.”

    Although Steinberg produced photographs at various points in his career, his most prolific output occurred in the late 1940s and early 1950s. Steinberg’s photographs—more aptly “hybrid photo-drawings” as Joel Smith wrote—function in two modes: photographs of surfaces on which he has drawn and manipulations atop printed photographs. His additions alter scale and perspective, transforming detritus into bustling urban landscapes and familiar scenes into uncanny grounds for drawing. These works dislocate any assumed objective representational authenticity of the photograph. “A photograph, for all the vaunted uniqueness of its medium, was…just one more piece of paper whose special qualities made it a Steinberg waiting to happen,” wrote Joel Smith.

    Steinberg never conformed to a specific movement or art historical moment. He forced his viewers to critically confront not only the content of his images but how they were constructed. Driven by this vision, Steinberg never fit neatly within any historical category yet stands as a canonical figure. Harold Rosenberg wrote that Steinberg “made it impossible for art to acknowledge his legitimacy without changing its conception of itself.”

    Saul Steinberg (1914-1999) was born in Râmnicul Sarat, Romania. He studied arts and letters at the University in Bucharest and later architecture in Milan before immigrating to the United States in 1942. Although based in New York for the remainder of his life, Steinberg traveled widely, spending part of World War II serving in China for the US and visiting parts of Africa and Europe. His work was widely circulated through prominent publications, most notably The New Yorker, during his lifetime and has been featured in landmark international group exhibitions since the 1940s, including the Venice Biennale (1993), Documenta (1977), and the US Expo at the World’s Fair in Brussels (1958). In 1967, Steinberg served as the first and only artist-in-residence at the Smithsonian.

    Concurrent with Pace and Pace/MacGill’s exhibition, Saul Steinberg: Commemorating the 100th Anniversary of His Birth is on view at the Art Institute of Chicago through October 12, which features works from a new, large gift of the artist’s work from the Saul Steinberg Foundation to the museum.

    Many works in the exhibition have also been included in Steinberg’s one-artist exhibitions in the United States and abroad, including, The Americans, Museum Ludwig, Cologne (2013); Saul Steinberg: The Adventures of the Line, Instituto Moreira Salles, Rio de Janeiro, which traveled to Associação Pinacoteca Arte e Cultura, São Paulo (2011); Saul Steinberg: Illuminations, Morgan Library and Museum, New York (2006-07), which traveled to numerous international venues including the Smithsonian American Art Museum, Washington, DC; Fondation Henri Cartier-Bresson, Paris; Kunsthaus Zürich; and Museum für Kunst und Gewerbe, Hamburg. Other one-person exhibitions include: A City on Paper: Saul Steinberg’s New York, Museum of the City of New York (2006-2007); Remembering: Saul Steinberg, The Menil Collection, Houston (1999); Saul Steinberg: About America, 1948-1995, 50 Works from the Collection of Fivia and Jeffrey Loria, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, which traveled to the Yale University Art Gallery, New Haven, CT (1996); Saul Steinberg, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (1985); Saul Steinberg, Whitney Museum of American Art, New York (1978), which traveled to the Hirshhorn Museum and Sculpture Garden, Washington, DC; Serpentine Gallery, London and Fondation Maeght, St. Paul de Vence; Louisiana Museum of Modern Art, Humlebæk, Denmark (1968); Corcoran Gallery, Washington, DC (1954); Stedelijk Museum, Amsterdam (1953); and the Institute of Contemporary Art, London (1957, 1952).

    Numerous international public collections hold Steinberg’s works, including the Art Institute of Chicago; American Academy and Institute of Arts and Letters, New York; The Baltimore Museum of Art; Hirshhorn Museum and Sculpture Garden, Washington, DC; Library of Congress, Washington, DC; Moderna Museet, Stockholm; The Museum of Fine Arts, Houston; Musées National d’Art Moderne, Centre Pompidou, Paris; The Museum of Modern Art, New York; Walker Art Center, Minneapolis, and the Whitney Museum of American Art, New York.

    This is the artist’s ninth exhibition with Pace since joining the gallery in 1980.

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News

佩斯和佩斯/ MacGill画廊将展出一个为纪念索尔·斯坦伯格满一百周年的展览。此次展览将于纽约举行,展期由9月11日开始至10月8日结束,并与索尔·斯坦伯格基金会合作。 开幕将于9月10日(星期三)下午6时至8时开放大众参观。

Catalogues

SAUL STEINBERG: 100TH ANNIVERSARY EXHIBITION

Joel Smith

2014. Pace Gallery. Paperback

84 pages: 58 color illustrations; 9 ⅝ x 9 ⅞ inches

9781935410614

$40.00

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