62668 (1).jpeg — Lucas Samaras, *Box #86*, 1973, mixed media, 9-1/4" × 12-1/2" × 15" (23.5 cm × 31.8 cm × 38.1 cm) © Lucas Samaras

Lucas Samaras

Details:

b. 1936, Kastoria, Macedonia, Greece

d. 2024, New York

Pace Publications:

Eluding historical categorization, Lucas Samaras’s oeuvre is united through its consistent focus on the body and psyche, often emphasizing autobiography.

The theme of self-depiction and identity has been a driving force behind his practice, which, at its onset in the early 1960s, advanced the Surrealist idiom yet proposed a radical departure from the presiding themes of Abstract Expressionism and Pop art.

Samaras emigrated with his family from Greece to the United States in 1948, settling in West New York, New Jersey. He attended Rutgers University, New Brunswick, New Jersey, studying under Allan Kaprow and George Segal, and then at Columbia University, New York, where he studied art history under Meyer Schapiro. His interest in self-investigation began during this period, when he initiated painting self-portraits from the front and back using a mirror. He also gravitated toward the use of pastels, which enabled him to work quickly, exploring figurative and geometrical forms in rich colors and with luxuriant texture, characteristics that would reoccur throughout his work. He soon shifted toward objects, producing assemblage reliefs and boxes comprised of elements culled from his immediate surroundings and five-and-dime stores—cutlery, nails, mirrors, brightly colored yarn, and feathers—affixed with liquid aluminum or plaster.

His first New York exhibition was held at Reuben Gallery in 1959, which came on the heels of his first group show at the gallery, Kaprow’s 18 Happenings in 6 Parts. Through his involvement at the Reuben Gallery and his participation in Happenings, Samaras met Jim Dine, Red Grooms, and Claes Oldenburg. He had met Robert Whitman, another key figure in the Happenings movement, while at Rutgers and the two collaborated on performances. Samaras debuted his assemblage boxes in 1961 at Green Gallery, New York. For the artist, the boxes possessed elements of sculpture, architecture, and painting, amplified by the inclusion of objects such as mirrors and photographs—additions that situated Samaras as one of the earliest artists to emphasize his ego and corporeal self in his art. His early boxes led to his inclusion in his first institutional group show, The Art of Assemblage, held at The Museum of Modern Art, New York, in 1961.

In 1965, Samaras joined Pace Gallery, which mounted an exhibition of his works made between 1960 to 1966, that included Samaras’ immersive Room No. 2 (1966), also known as Mirrored Room. A culmination of his mirrored boxes, Room No. 2 was his first installation to become a part of a museum collection, acquired in 1966 by the Albright-Knox Art Gallery, Buffalo, New York. Samaras received his first major solo exhibition at The Museum of Modern Art, New York in 1969, which was followed by his first international museum exhibition, held at the Kunstverein Museum in Hanover (1970). By the mid-1970s, he had also received his first large-scale commission for which he produced Silent Struggle (1976), a sculpture comprised of Cor-ten steel, initially installed at the Hale Boggs Federal Courthouse in New Orleans.

In 1969, Samaras began to expand upon his use of photography, experimenting with a Polaroid 360 camera, which appealed to his sense of immediacy. His innovation further materialized with his use of the Polaroid SX-70 in 1973 in a melding of self-portraiture and abstraction, created by manipulating the wet-dye emulsions with a stylus or fingertip before the chemicals set. This processed progressed with digital art in 1996 when he obtained his first computer and began to experiment with printed texts on typewriter paper. By 2002, he had acquired a digital camera and the use of Photoshop became an integral component of his practice. These technologies gave way to Photofictions (2003), a series characterized by distorted self-portraits and psychedelic compositions.

Gesturing toward a larger investigation of (self) reflection in his work, found in his mirror rooms, self-portraiture, and use of digital mirror-imaging, Samaras’s oeuvre acts as an extension of his body while underscoring the transformative possibilities of the everyday—a true blurring of art and life.

Lucas Samaras, *Reconstruction #41*, 1978, sewn fabrics, 7' 11" x 9' 2" (241.3 x 279.4 cm) © Lucas Samaras

Lucas Samaras, *XYZ 0862 (Chinoiserie)*, 2012, pure pigment on paper mounted on Dibond, 35" x 62" x 1-1/4" (88.9 cm x 157.5 cm x 3.2 cm) © Lucas Samaras

Exhibitions

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Journal

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Lucas Samaras
One-Artist Exhibitions

Lucas Samaras One-Artist Exhibitions

Dates

Born 1936, Kastoria, Macedonia, Greece

Died 2024, New York

Education

1955–1959, Rutgers University, New Brunswick, New Jersey

1959, Columbia University, New York, New York

2024

Lucas Samaras, Dia Beacon, New York, opens September 21, 2024.

2022

Lucas Samaras: Albums, Pace Gallery, New York, June 29–August 19, 2022.

2021

Online: Lucas Samaras: Gestures and Constructions, Pace Gallery, February 9–28, 2021.

2020

Lucas Samaras: Me, Myself and…, Pace Gallery, 540 West 25th Street, New York, January 17–February 22, 2020.

2018

Lucas Samaras: Photo-Transformations, Craig F. Starr Gallery, New York, June 7–August 10, 2018. (Catalogue)

2017

Lucas Samaras: Gold, Salon 94 Design, New York, September 26–November 3, 2017.

Lucas Samaras: New York City, No-Name, Re-Do, Seductions, Pace Gallery, 510 West 25th Street, New York, September 15–October 21, 2017. (Catalogue)

2016

Lucas Samaras: AutoPolaroids, 1969–71, Craig F. Starr Gallery, New York, June 9–August 12, 2016. (Catalogue)

Dreams in Dust: Lucas Samaras Pastels, Morgan Library & Museum, New York, May 6–August 21, 2016. (Catalogue)

Lucas Samaras, Pace Prints, New York, February 25–March 19, 2016.

2015

Lucas Samaras: Chairs and Pastels, Peder Lund, Oslo, May 9–August 29, 2015.

Samaras: Album 2, Pace Gallery, 510 West 25th Street, New York, May 2–June 27 (extended through August 28), 2015. (Catalogue)

2014

Lucas Samaras: Reflections, Albright-Knox Art Gallery, Buffalo, June 21–November 16, 2014.

Lucas Samaras: Prints and Albums, Pace Prints, New York, February 27–March 8, 2014.

Lucas Samaras: Offerings from a Restless Soul, Metropolitan Museum of Art, New York, February 24–September 1, 2014.

2013

Lucas Samaras Pastels, Craig F. Starr Gallery, New York, June 7–August 9, 2013. (Catalogue)

2012

Lucas Samaras: XYZ, Pace Gallery, 508 West 25th Street, New York, September 28–October 27, 2012. (Catalogue)

2011

Lucas Samaras: Photoworks, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, March 1–April 16, 2011.

2010

Lucas Samaras: Poses, The Pace Gallery, 534 West 25th Street, New York, November 9–December 24, 2010. (Catalogue)

Lucas Samaras: Polaroids from the 70s, Peder Lund, Oslo, March 6–April 10, 2010.

2009

Lucas Samaras: Paraxena, 53rd International Art Exhibition, Venice Biennale, Greek Pavilion, June 7–November 22, 2009. (Catalogue)

2008

Lucas Samaras: NYC Chairs, PaceWildenstein, 534 West 25th Street, New York, February 22–March 29, 2008. (Catalogue)

New Histories of Photography 13: Lucas Samaras, International Center of Photography, New York, January 18–May 4, 2008. (Catalogue)

2007

Lucas Samaras, Stephen Friedman Gallery, London, October 12–November 17, 2007. (Catalogue)

Lucas Samaras: Sculptures, Pastels and Photographs, Russell Bowman Art Advisory, Chicago, April 13–June 9, 2007.

2006

Lucas Samaras: iMovies, PaceWildenstein, 534 West 25th Street, New York, September 12–October 7, 2006.

2005

Lucas Samaras: PhotoFlicks (iMovies) and PhotoFictions (A to Z), PaceWildenstein, 534 West 25th Street, New York, April 8–May 7, 2005 and Pace/MacGill Gallery, New York, April 8–April 30, 2005. (Catalogue)

Lucas Samaras: A Retrospective. Organized by the J.F. Costopoulos Foundation, Athens. Traveled to: National Gallery of Greece, Alexandros Soutzos Museum, Athens, April 6–June 30 (extended through July 31), 2005. (Catalogue)

Strouza, Effi. The Emfietzoglou Collection: Modern and Contemporary Greek Art. Athens, Greece: Vivliosinergatiki AEPEE, 2005: illustrated.

2004

Lucas Samaras, Rena Bransten Gallery, San Francisco, October 21–November 27, 2004.

Lucas Samaras: Photofictions, Waddington Galleries, London, March 23–April 17, 2004. (Catalogue)

2003

Unrepentant Ego: The Self-Portraits of Lucas Samaras, Whitney Museum of American Art, New York, November 13, 2003–February 8, 2004. (Catalogue)

Lucas Samaras: Photofictions, PaceWildenstein, 32 East 57th Street, New York, November 11, 2003–January 17, 2004. (Catalogue)

Lucas Samaras: Mutations, Galerie Xippas, Paris, November 7–December 14, 2002. (Catalogue)

2001

Lucas Samaras: Paint, PaceWildenstein, 534 West 25th Street, New York, November 14, 2001–January 5, 2002. (Catalogue)

2000

Lucas Samaras: Sittings 1978–1980, Galerie Xippas, Paris, May 4–June 10, 2000. (Catalogue)

1999

Lucas Samaras: Reconstructions, Jay Grimm, New York, March 11–April 17, 1999.

1998

Lucas Samaras: Gold, PaceWildenstein, 32 East 57th Street, New York, November 18, 1998–January 2, 1999. (Catalogue)

1997

Lucas Samaras: Photo-Transformations, PaceWildenstein, Los Angeles, July 31–September 20, 1997.

Lucas Samaras: Photo-Transformations 1973–1976, Galerie Xippas, Paris, April 19–June 21, 1997. (Catalogue)

1996

Lucas Samaras: Pastels, PaceWildenstein, Los Angeles, November 14, 1996–January 11, 1997.

Lucas Samaras: Photo-Transformations 1973–1976, PaceWildenstein, 142 Greene Street, New York, November 8–December 14, 1996. (Joint catalogue with Lucas Samaras: Kiss Kill—Perverted Geometry—Inedibles—Self-Absorption exhibition)

Lucas Samaras: Kiss Kill—Perverted Geometry—Inedibles—Self-Absorption, PaceWildenstein, 32 East 57th Street, New York, October 24–November 30, 1996. (Catalogue)

1995

Lucas Samaras, Gallery Seomi, Seoul, February–March 1995.

1994

Lucas Samaras: Cubes, Pragmata and Trapezoids, The Pace Gallery, 142 Greene Street, New York, October 21–November 26, 1994. (Catalogue)

1993

Lucas Samaras: Pastels, The Pace Gallery, 142 Greene Street, New York, February 20–March 20, 1993. (Catalogue)

1992

The Photographs of Lucas Samaras: Selections from a Recent Gift, The Museum of Modern Art, New York, August 29–December 1, 1992.

1991

Lucas Samaras: Slices of Abstraction, Slivers of Passion and/or Mere Decor, The Pace Gallery, 32 East 57th Street, New York, October 25–November 30, 1991. (Catalogue)

Lucas Samaras—Self: 1961–1991, Yokohama Museum of Art, Japan, October 13–December 15, 1991. Traveled to: Hiroshima City Museum of Contemporary Art, Japan, April 11–May 24, 1992. (Catalogue)

Lucas Samaras, Galerie Renos Xippas, Paris, September 14–October 19, 1991.

Lucas Samaras, Pace/MacGill Gallery, New York, February 28–March 30, 1991. (Catalogue)

Lucas Samaras: Recent Works, Hokin Gallery Inc., Bay Harbor Islands, Florida, January 25–February 15, 1991.

1990

Lucas Samaras, Waddington Galleries, London, June 20–July 14, 1990. (Catalogue)

1989

Samaras: Photographs, 1969–1987, Tampa Museum of Art, Florida, October 1–November 26, 1989.

Samaras on Paper, Metropolitan Museum of Art, New York, April 11, 1989–February 25, 1990.

1988

Lucas Samaras: Boxes and Mirrored Cell, The Pace Gallery, 32 East 57th Street, New York, October 28–November 26, 1988. (Catalogue)

Lucas Samaras: Figures and Still Life, Pace/MacGill Gallery, New York, October 27–November 26, 1988. (Catalogue)

Lucas Samaras: Objects and Subjects 1969–1986, Denver Art Museum, May 7–July 10, 1988. Traveled to: National Museum of American Art, Smithsonian Institution, Washington, D.C., August 12–October 16, 1988; High Museum of Art, Atlanta, November 26, 1988–January 22, 1989; Center for the Fine Arts, Miami, March 6–April 30, 1989; Virginia Museum of Fine Arts, Richmond, June 13–August 13, 1989; Museum of Fine Arts, Boston, September 20–November 12, 1989. (Catalogue)

1987

Lucas Samaras: Chairs and Drawings, The Pace Gallery, 32 East 57th Street, New York, February 6–March 7, 1987. (Catalogue)

1986

Lucas Samaras: Spectators, Pastels, and Panoramas, Mayor Gallery, London, September 9–October 3, 1986.

Lucas Samaras, Serpentine Gallery, London, September 6–October 12, 1986.

Lucas Samaras, Jean Bernier Gallery, Athens, March 27–April 19, 1986.

Lucas Samaras: Panoramas and Adjustments, Pace/MacGill Gallery, New York, February 20–March 22, 1986.

1985

Lucas Samaras: Paintings, The Pace Gallery, 32 East 57th Street, New York, October 18–November 16, 1985. (Catalogue)

1984

Lucas Samaras: Pastels, Wildenstein and Company, New York, January 18–March 2, 1984.

Lucas Samaras: Chairs, Heads, The Pace Gallery, 32 East 57th Street, New York, January 13–February 11, 1984. (Catalogue)

Lucas Samaras: Panoramas, Pace/MacGill Gallery, New York, January 13–February 11, 1984. (Joint catalogue with Lucas Samaras: Chairs Heads exhibition)

1983

Lucas Samaras, Jean Bernier Gallery, Athens, December 7, 1983–January 14, 1984.

Lucas Samaras: Photos Polaroid Photographs, 1969–1983, Organized by the Polaroid International Collection. Traveled to: Musée National d’Art Moderne, Centre Georges Pompidou, Paris, September 21–November 27, 1983; Musée d’Art et d’Histoire, Fribourg, Switzerland, December 16–January 29, 1984; Frankfurter Kunstverein, Frankfurt, April 13–May 20, 1984; International Center of Photography, New York, July 13–August 19, 1984; University of Arizona Museum of Art, Tucson, 1984; Phoenix Art Museum, Arizona, January 13–February 10, 1985; Louisiana Museum of Modern Art, Humlebæk, Denmark, July 6–September 1, 1985; Krannert Art Museum, Champaign, Illinois, March 8–April 13, 1986; Lowe Art Museum, University of Miami, Coral Gables; Serpentine Gallery, London; Kennedy Gallery, Cambridge, Massachusetts; Photographic Research Center, Boston, November 13–December 19, 1986; Museum of Photographic Arts, San Diego. (Catalogue)

1982

Lucas Samaras: Pastels and Bronzes, The Pace Gallery, 32 East 57th Street, New York, February 19–March 20, 1982. Concurrent with: Richard Gray Gallery, Chicago, February 5–March 6, 1982; and Mayor Gallery, London, March 2–April 7, 1982. (Catalogue)

1981

Samaras: Pastels, Denver Art Museum, October 3–December 27, 1981. Traveled to: Lowe Art Museum, University of Miami, Florida, January 27–March 7, 1982; Madison Art Center, Wisconsin, March 21–May 9, 1982; Walker Art Center, Minneapolis, June 27–August 22, 1982; Portland Art Museum, Oregon, September 15–October 31, 1982; Art Museum of South Texas, Corpus Christi, November 29, 1982–January 1, 1983; Institute of Contemporary Art, Boston, January 18–March 20, 1983. (Catalogue)

Samaras, Galerie Watari, Tokyo, May 20–July 7, 1981. (Catalogue)

1980

Lucas Samaras: Sittings, The Pace Gallery, 32 East 57th Street, New York, December 15, 1980–January 10, 1981. (Catalogue)

Lucas Samaras: Reconstructions, Photo-Transformations, The Pace Gallery, Columbus, November 29, 1980–January 5, 1981.

Currents 8: Lucas Samaras Reconstructions 1979–1980, St. Louis Art Museum, Missouri, August 15–October 12, 1980. (Brochure)

Lucas Samaras: Reconstructions, Margo Leavin Gallery, Los Angeles, April 18–May 17, 1980.

1979

Lucas Samaras: New Reconstructions, The Pace Gallery, 32 East 57th Street, New York, November 29, 1979–January 5, 1980. (Catalogue)

Lucas Samaras: Reconstructions, Richard Gray Gallery, Chicago, May 5–June 6, 1979. (Catalogue)

1978

Lucas Samaras: Reconstructions and Photo-Transformations, Akron Art Museum, Ohio, December 9, 1978–January 28, 1979.

Lucas Samaras, Jean Bernier Gallery, Athens, May 10–June 17, 1978.

Lucas Samaras, Mayor Gallery, London, March 2–April 1, 1978.

Samaras: Reconstructions, The Pace Gallery, 32 East 57th Street, New York, February 18–March 18, 1978. (Catalogue)

1977

Viewpoints: Lucas Samaras, Walker Art Center, Minneapolis, December 17, 1977–January 15, 1978.

Lucas Samaras: Photo-Transformations with Polaroid SX-70, Zabriskie Gallery, Paris. November 29–December 21, 1977.

1976

Lucas Samaras: Phantasmata, The Pace Gallery, 32 East 57th Street, New York, December 4, 1976–January 8, 1977. (Catalogue)

Lucas Samaras: Himself and Others, Margo Leavin Gallery, Los Angeles, November 10–December 3, 1976.

1975

Lucas Samaras: Photo-Transformations, University Art Museum, California State University, Long Beach, November 17–December 14, 1975. Traveled to: University of North Dakota Art Gallery, Grand Forks, February 17–March 10, 1976; Wright State University Art Gallery, Dayton, Ohio, April 4–25, 1976; Institute of Contemporary Art, Boston, May 7–June 7, 1976; Modern Art Pavilion, Seattle Art Museum, June 18–July 18, 1976; A.C.A. Gallery, Alberta College of Art, Calgary, August 15–September 15, 1976. (Catalogue)

Samaras and Some Others, The Pace Gallery, 32 East 57th Street, New York, October 25–November 27, 1975. (Catalogue)

Lucas Samaras, Makler Gallery, Philadelphia, May 5–31, 1975. (Catalogue)

Samaras 1974, The Museum of Modern Art, New York, March 3–April 13, 1975. (Brochure)

1974

Lucas Samaras: Photo-Transformations, The Pace Gallery, 32 East 57th Street, New York, March 23–April 27, 1974. (Catalogue)

1972

Lucas Samaras: New Chicken Wire Boxes, The Pace Gallery, 32 East 57th Street, New York, December 2, 1972–January 3, 1973.

Lucas Samaras, Whitney Museum of American Art, New York, November 18, 1972–January 7, 1973. (Catalogue)

Lucas Samaras: AutoPolaroids, Boxes, Chairs, Harcus-Krakow Gallery, Boston, January 11–February 12, 1972.

1971

Lucas Samaras, Phyllis Kind Gallery, Chicago, October 30–December 12, 1971.

Lucas Samaras: Boxes, Museum of Contemporary Art, Chicago, October 30–December 12, 1971. (Catalogue)

Lucas Samaras: Part II: Stiff Boxes, The Pace Gallery, 32 East 57th Street, New York, October 16–November 2, 1971.

Lucas Samaras: Part I: Auto-Polaroids, The Pace Gallery, 32 East 57th Street, New York, September 25–October 14, 1971.

1970

Lucas Samaras, Kunstverein Museum, Hannover, 1970.

Lucas Samaras: Chair Transformations, The Pace Gallery, 32 East 57th Street, New York, October 3–31, 1970. (Catalogue)

1969

Lucas Samaras, Galerie der Spiegel, Cologne, October–November 1969.

Lucas Samaras: Book, Sachs Print Gallery, The Museum of Modern Art, New York, August 4–September 10, 1969.

1968

Lucas Samaras: Boxes/Transformations, The Pace Gallery, 32 East 57th Street, New York, October 12–November 12, 1968.

1966

Samaras: Selected Works, 1960–1966, The Pace Gallery, 9 West 57th Street, New York, October 8–November 5, 1966. (Catalogue)

1964

Lucas Samaras: Boxes, Dwan Gallery, Los Angeles, November 24, 1964–January 3, 1965.

Lucas Samaras, Green Gallery, New York, September 16–October 10, 1964.

1962

Lucas Samaras, Sun Gallery, Provincetown, Massachusetts, Summer 1962.

1961

Lucas Samaras: Pastels, Plasters, Boxes, Etcetera, Green Gallery, New York, December 5–23, 1961.

1959

Lucas Samaras, Reuben Gallery, New York, November 6–26, 1959.

1958

Lucas Samaras, Art House, Rutgers University, New Brunswick, New Jersey, March 1958.

1955

Scholarship Exhibition, Art House, Rutgers University, New Brunswick, New Jersey, Fall 1955.

Lucas Samaras
Group Exhibitions

Lucas Samaras Group Exhibitions

2024

Animal Watch, Gallery 125 Newbury, New York, January 26-March 2, 2024.

2023

Face Values, Gallery 125 Newbury, 395 Broadway, New York, June 9-July 28, 2023.

2022

Wild Strawberries, Gallery 125 Newbury, New York, September 30–November 19, 2022. (Journal)

Act of Sight: The Tsiaras Family Photography Collection, Colby College Museum of Art, Waterville, Maine, February 10–August 14, 2022. (Catalogue)

Olvido, Sombra, Nada:Tiona Nekkia McClodden, Lucas Samaras and Paul Mpagi Sepuya, Mitchell-Innes & Nash, Mexico City, February 3–March 5, 2022.

2021

Little Things: Parts I & II, Pace Gallery, Geneva, November 10, 2021–January 5, 2022.

Online: Convergent Evolutions: In Focus, Pace Gallery Website, September 15–October 23, 2021.

Convergent Evolutions: The Conscious of Body Work, Pace Gallery, 510 West 25th Street, New York, September 10–October 23, 2021.

2019

Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, The Frances Lehman Loeb Art Center, Vassar Collee, Poughkeepsie, New York, September 20–December 15, 2019. (Catalogue)

Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art Boston, June 26–September 22, 2019.

Open Call: Maryam Hoseini and Phoebe D’Heurle, The Shed, New York, June 19–August 25, 2019.

Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, May 24, 2019–January 12, 2020.

2018

Eye to I: Self-Portraits from 1900 to Today, National Portrait Gallery, Washington, D.C., November 4, 2018–August 18, 2019.

Welcome Back, Pace Prints, New York, September 12–October 13, 2018.

Intimate Infinite: Imagine a Journey, Lévy Gorvy, New York, September 6–October 24, 2018. (Catalogue)

American Masters 1940–1980, National Gallery of Australia, Canberra, August 24–November 11, 2018. (Catalogue)

I Still Believe in Miracles, Astrup Fearnley Museum, Oslo, June 9–September 2, 2018. (Catalogue).

Pastels du 16e au 21e siècle Liotard, Degas, Klee, Scully..., Fondation de l'Hermitage, Lausanne, Switzerland, February 2–March 21, 2018. (Catalogue)

Multiple Medium: Photographs from the Collection, Cincinnati Art Museum, Ohio, January 23–March 25, 2018.

2017

Polaroids: The Disappearing, Nathalie Karg Gallery, New York, December 17, 2017–January 5, 2018.

The Everywhere Studio, Institute of Contemporary Art, Miami, December 1, 2017–February 26, 2018. (Catalogue)

Deadeye Dick: Richard Bellamy and His Circle, Peter Freeman, Inc., New York, September 12–October 28, 2017.

Summer Days (and Summer Nights), Pace Gallery, 32 East 57th Street, New York, July 20–August 18, 2017.

EMST at documenta 14, Fridericianum, Kassel, Germany, June 10–September 17, 2017.

The Polaroid Project: At the Intersection of Art and Technology, Amon Carter Museum of American Art, Fort Worth, Texas, June 3–September 3, 2017. Traveled to: WestLicht Museum for Photography, Vienna, December 5, 2017–March 4, 2018; C/O Berlin and Museum für Kunst und Gewerbe, Hamburg, March 16–May 27, 2018; National Museum of Singapore, October 2018–January 2019; MIT Museum, Cambridge, 2019.

ReTooled: Highlights from the Hechinger Collection, Columbia Museum of Art, South Carolina, June 2–August 27, 2017.

Booknesses: Artists’ Books from the Jack Ginsberg Collection, University of Johannesburg Art Gallery, Johannesburg, South Africa, March 25–May 5, 2017. (Catalogue)

Speech¸ Pace/MacGill Gallery, New York, February 9–April 29, 2017.

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965, Grey Art Gallery, New York University, New York, January 10–April 1, 2017. Traveled to: NYUAD Art Gallery, Abu Dhabi, October 4, 2017–January 13, 2018. (Catalogue)

2016

Urgent Conversations; Athens—Antwerp, National Museum of Contemporary Art, Athens, October 31, 2016–January 29, 2017.

There Was a Whole Collection Made: Photography from Lester and Betty Guttman, Smart Museum of Art, the University of Chicago, September 22–December 30, 2016. (Catalogue)

Los Angeles to New York: Dwan Gallery, 1959–1971, National Gallery of Art, Washington, D.C., September 30, 2016–January 29, 2017. Traveled to: Los Angeles County Museum of Art, March 19–September 10, 2017. (Catalogue)

Fétiche, Venus, New York, February 19–April 16, 2016.

Borrowed Light: Selections from the Jack Shear Collection, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, February 6–August 14, 2016. (Catalogue)

Identity Revisited, The Warehouse, Dallas, February 1–December 1, 2016.

2015

Keeping Pace: Eva Glimcher and Pace/Columbus, Columbus Museum of Art, Ohio, October 23, 2015–January 17, 2016.

40: The Anniversary Exhibition, Hal Bromm Gallery, New York, October 5, 2015–January 3, 2016.

Flaesh, Galerie Rudolfinum, Prague, October 1, 2015–January 3, 2016.

On the Square Part II, Pace Gallery, 32 East 57th Street, New York, October 1–29, 2015.

The Mannequin of History: Art After Fabrications of Critique and Culture, Manifattura Tabacchi, Modena, Italy, September 18, 2015–January 31, 2016.

Summer Group Show, Pace Gallery, 32 East 57th Street, New York, July 15–August 21, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

In the Studio: Photographs, Gagosian Gallery, New York, February 17–April 18, 2015. (Catalogue)

Embracing Modernism: Ten Years of Drawing Acquisitions, The Morgan Library & Museum, New York, February 13–May 24, 2015.

2014

Cinderella, Sky Art Museum, Seoul, December 20, 2014–March 22, 2015.

Contemporary/Modern: Selections from the Permanent Collection, Santa Barbara Museum of Art,

August 31, 2014–January 4, 2015.

Multi Panel, Pace/MacGill Gallery, New York, March 27–May 29, 2014.

What Is a Photograph?, International Center of Photography, New York, January 31–May 4, 2014. (Catalogue)

Grounded, Pace Gallery. 534 West 25th Street, New York, January 17–February 22, 2014.

2013

Color!, Amon Carter Museum of American Art, Fort Worth, Texas, October 5, 2013–January 5, 2014. Traveled to: Dixon Gallery and Gardens, Memphis, January 19–March 23, 2014.

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

Paradise, Pace Gallery, 534 West 25th Street, New York, July 15–August 16, 2013.

Specific Objects, Susan Inglett Gallery, New York, June 20–July 26, 2013.

Ambiguous Portrait of a Cunning Linguist: Verbal Imagery in Art, Ikkan Art Gallery, Singapore, June 8–July 27, 2013. (Catalogue)

Displaced Visions: Émigré Photographers of the 20th Century, The Israel Museum, Jerusalem, May 28–September 28, 2013.

Material World, Denver Art Museum, May 19–September 22, 2013.

The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, April 12–June 30, 2013. Traveled to: Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, September 20–December 1, 2013; Norton Museum of Art, West Palm Beach, December 19, 2013–March 23, 2014. (Catalogue)

Swing State, 119 Hester Street, New York, April 7–May 5, 2013.

Color Rush: 75 Years of Color Photography in America, Milwaukee Art Museum, Wisconsin, February 22–May 19, 2013. (Catalogue)

2012

10th Anniversary Show, Russell Bowman Art Advisory, Chicago, November 2, 2012–January 26, 2012.

Self-Portrait, Louisiana Museum of Modern Art, Humlebaek, September 14, 2012–January 13, 2013. (Catalogue)

Things Beyond Our Control, Fredric Snitzer Gallery, Miami, July 14–August 18, 2012.

Á rebours, Venus Over Manhattan, New York, May 10–June 30, 2012.

Faces, Onassis Cultural Centre, Athens, April 2–July 1, 2012. (Catalogue)

Futures, Artiscope, Brussels, March 9–June 9, 2012.

Happenings: New York, 1958–1963, The Pace Gallery, 534 West 25th Street, New York, February 10–March 17, 2012. (Catalogue)

2011

Hunters and Gatherers: The Art of Assemblage, Sotheby’s, New York, November 18–December 16, 2011. (Catalogue)

Crafting Modernism: Midcentury American Art and Design, Museum of Arts and Design, New York, October 12, 2011–January 15, 2012.

From Picasso to Koons: The Artist as Jeweler, Museum of Arts and Design, New York, September 20, 2011–January 8, 2012. Traveled to: Benaki Museum, Athens, May 15–September 2, 2012; Bass Museum of Art, Miami, March 15–July 21, 2013. (Catalogue)

PhotoEspaña 2011, Real Jardín Botánico de Madrid, Spain, June 1–July 24, 2011.

Off the Wall, Museum of Contemporary Art, Serralves Museum, Portugal, May 20–October 2, 2011. (Catalogue)

The Last Grand Tour, Museum of Cycladic Art, Athens, Greece, April 15–October 10, 2011. (Catalogue)

2010

Drawings & Photographs: An Exhibition to Benefit the Foundation for Contemporary Performance Arts, Inc., Matthew Marks Gallery, December 8–23, 2000.

Icon Effigy, Pace Primitive, New York, November 4–December 23, 2010.

Hide/Seek: Difference and Desire in American Portraiture, National Portrait Gallery, Smithsonian Institution, Washington, D.C., October 30, 2010–February 13, 2011. Traveled to: Brooklyn Museum, New York, November 18, 2011–February 12, 2012; Tacoma Art Museum, Washington, March 17–June 10, 2012. (Catalogue)

Sculpture, Waddington Galleries, London, October 5–30, 2010. (Catalogue)

50 Years at Pace, The Pace Gallery, 545 West 22nd Street, New York, September 17–October 23, 2010. (Catalogue)

Off the Wall, Whitney Museum of American Art, New York, July 1–September 19, 2010. (Catalogue)

Lucas Samaras/George Segal: Pastel Drawings 1950s–1970s and Two Sculptures, Senior & Shopmaker Gallery, New York, April 23–June 12, 2010. (Digital Catalogue)

Robert & Ethel Scull: Portrait of a Collection, Acquavella Galleries, New York, April 13–May 27, 2010. (Catalogue)

Pastiche, The Pace Gallery, 545 West 22nd Street, New York, April 2–24, 2010.

Isole Mai Trovate/Island Never Found, Palazzo Ducale, Genoa, Italy, March 12–June 13, 2010. Traveled to: State Museum of Contemporary Art, Thessaloniki, Greece, June 26–November 28, 2010; Musée d’Art Moderne de Saint-Étienne Métropole, France, December 17, 2010–April 17, 2011. (Catalogue)

Donald Judd and 101 Spring Street, Nicholas Robinson Gallery, New York, March 2–April 17, 2010.

Return to Reason, Istanbul Museum of Modern Art, Turkey, February 16–May 16, 2010.

On the Square, PaceWildenstein, 32 East 57th Street, New York, January 8–February 13, 2010.

2009

Collection: MOCA’s First 30 Years, Museum of Contemporary Art, Los Angeles, November 15, 2009–May 3, 2010.

Shake It: An Instant History of the Polaroid, Pump House Gallery, London, October 6–December 13, 2009.

Surface Tension: Contemporary Photographs from the Collection, The Metropolitan Museum of Art, New York, September 15, 2009–May 16, 2010.

Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles, July 12–October 26, 2009.

In Focus: Making a Scene, J. Paul Getty Museum, Los Angeles, June 30–October 18, 2009.

Source Codes, Galerie Sprüth Magers, Berlin, June 28–August 29, 2009.

Through the Lens: Photography from the Lowe Art Museum, University at Miami, Lowe Art Museum, University of Miami, June 27–October 4, 2009. (Catalogue)

A Walk in the Park: Outdoor Sculpture at PaceWildenstein, PaceWildenstein, 545 West 22nd Street, New York, June 19–July 24, 2009.

Heart in Heart, the Collection, National Museum of Contemporary Art, Athens, Greece, June 11–October 11, 2009.

Works On Paper, William Shearburn Gallery, Santa Fe, May 1–June 13, 2009.

Soft Sculpture, National Gallery of Australia, Canberra, April 24–July 12, 2009. (Catalogue)

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, April 22–July 17, 2009. (Catalogue)

Reflections/Refractions: Self-Portraiture in the Twentieth Century, National Portrait Gallery, Smithsonian Institution, Washington, D.C., April 10–August 16, 2009. (Catalogue)

Artists Making Photographs: Chamberlain, Rauschenberg, Samaras, Ruscha, Warhol, Whitney Museum of American Art, New York, January 16–April 20, 2009.

2008

Strange Bodies: Figurative Works, Hirshhorn Museum and Sculpture Garden, Washington, D.C., December 11, 2008–November 8, 2009.

Image in the Box: From Cornell to Contemporary, Hollis Taggart Gallery, New York, November 20, 2008–January 10, 2009. (Catalogue)

Circa 1958: Breaking Ground in American Art, Ackland Art Museum, University of North Carolina, Chapel Hill, September 21, 2008–January 4, 2009. (Catalogue)

Through You: Photography Selections from the Martin Z. Margulies Collection, Charles Addams Fine Arts Gallery, University of Pennsylvania Department of Fine Arts, Philadelphia, September 4–October 24, 2008. (Catalogue)

Sculpture, Texas Gallery, Houston, April 22–May 21, 2008.

Book/Shelf, The Museum of Modern Art, The Paul J. Sachs Print and Illustrated Books Galleries, New York, March 25–July 7, 2008.

Rivane Neuenschwander, Stephen Friedman Gallery, London, March 13–April 12, 2008.

Self-Portraits 1973–2008, James Fuentes Gallery, New York, March 12–April 6, 2008.

Mirror, Mirror, Edward Thorpe Gallery, New York, January 18–February 23, 2008.

2007

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, Canada, December 6, 2007–March 2, 2008. (Catalogue)

Works on Paper, Rosenbaum Contemporary, Boca Raton, Florida, December 4, 2007–January 2, 2008.

PEEP: Glimpses of the Last 4 Decades from the Kerry Stokes Collection, TarraWarra Museum of Art, Healesville, Victoria, Australia, November 25, 2007–April 6, 2008. Traveled to: Art Gallery of Western Australia, Perth, May 29–August 25, 2008. (Catalogue)

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Free Summer Movie Festival, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Vertigo: Il secolo di arte off-media dal Futurismo al web / Vertigo: A Century of Multimedia Art from Futurism to the Web, Museo d’Arte Moderna di Bologna, Italy, May 5–November 4, 2007. (Catalogue)

After the Age of Aquarius: American Art in The Early Seventies, Vito Acconci, Michael Hurson, Bruce Nauman, Lucas Samaras, Joel Shapiro, The Ian Potter Museum of Art, University of Melbourne, April 28–July 15, 2007. (Brochure)

Ithaca Regained: Greek Artists in New York, Kouros Gallery, New York, April 14–May 19, 2007.

2006

Photography and the Self: The Legacy of F. Holland Day, Whitney Museum of American Art, New York, December 20–March 11, 2007.

Masquerades: Femininity, Masculinity and Other Certainties, State Museum of Contemporary Art, Thessaloniki, Greece, December 6, 2006–February 4, 2007. (Catalogue)

Extra-Ordinary: The Everyday Object in American Art, Frist Center for the Visual Arts, Nashville, November 10, 2006–February 11, 2007.

The Alpha Bank Collection: Greek Art from 1920 Until Today, Macedonian Museum of Contemporary Art, Thessaloniki, Greece, November 9, 2006–January 14, 2007. (Catalogue)

The Eighth Square: Gender, Life and Desire in the Arts since 1960, Museum Ludwig, Cologne, August 19–November 12, 2006. (Catalogue)

New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco, July 14–September 10, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006.

Dereconstruction, Gladstone Gallery, New York, June 29–August 18, 2006. (Catalogue)

Modern and Contemporary Master Drawings, Connaught Brown, London, June 15–July 31, 2006.

Odyssey: Greek Art from the Last Fifty Years, Galerie Gmurzynska, Zurich, June 11–July 15, 2006.

Mundos Interiores al Desubieto, Sala de Exposiciones de la Fundación “La Caixa,” Madrid, January 27–April 2, 2006. Traveled to: Whitechapel Gallery, London, April 26–July 2, 2006; Irish Museum of Modern Art, Dublin, July 25–October 15, 2006. (Catalogue)

2005

The Years if Defiance: The Art of the 70s in Greece, National Museum of Contemporary Art in Athens, Greece, December 15, 2005–May 7, 2006. (Catalogue)

Interstate, Nicole Klagsbrun Gallery, New York, September 8–October 1, 2005.

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, July 15–October 2, 2005. (Catalogue)

Summer of Love: Art of the Psychedelic Era, Tate Liverpool, May 27–September 25, 2005. Traveled to: Schirn Kunsthalle Frankfurt, November 2, 2005–February 12, 2006; Whitney Museum of American Art, New York, May 24–September 16, 2007. (Catalogue)

2004

Contemporary Art: Floor to Ceiling, Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, October 31, 2004–April 24, 2005.

Arti & Architettura 1900–2000, Palazzo Ducale, Genoa, October 2, 2004–January 9, 2005. (Catalogue)

Summer 2004, PaceWildenstein, 32 East 57th Street, New York, July 8–September 17, 2004.

2003

Drawing Modern: Works from the Agnes Gund Collection, Cleveland Museum of Art, Ohio, October 26, 2003–January 1, 2004. (Catalogue)

Global Village: The 1960s, Montréal Museum of Fine Arts, October 2, 2003–January 18 (extended through March 7), 2004. (Catalogue)

Summer Travels, PaceWildenstein, 32 East 57th Street, New York, July 7–August 28, 2003.

Me, Myself and I: Looking at Portraiture, CRG Gallery, New York, June 24–August 1, 2003.

A Happening Place, The Gershman Y, Jewish Community Centers of Greater Philadelphia, April 28–June 30, 2003.

The Nude Ideal and Reality, Galeria d’Arte Moderna, Bologna, January 22–May 9, 2004.

2002

An American Legacy, A Gift to New York, Whitney Museum of American Art, New York, October 24, 2002–January 26, 2003. (Catalogue)

Something Anything: An Exhibition Curated by Nayland Black, Matthew Marks Gallery, New York, July 2–August 16, 2002.

Couleurs en trois dimensions, Artiscope, Brussels, June–September 2002.

Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, June 27–September 22, 2002. (Catalogue)

American Academy of Arts and Letters Invitational of Painting and Sculpture, American Academy of Arts and Letters, New York, March 7–April 7, 2002.

Happy New Year!, PaceWildenstein, 32 East 57th Street, New York, January 19–February 9, 2002.

2001

The Cultural Desert: Art, Medicine & Environment, Mayo Clinic Scottsdale, Arizona, November 29, 2001–April 22, 2002. Concurrent with: Inside Contemporary Sculpture, Scottsdale Museum of Contemporary Art, Arizona, January 19–21 April 2002.

Heritage of Genius: Master Quilts Past and Present. Exhibition in three New York locations. Exhibited in: Quilts Now: Old Medium Modern Message, Condé Nast Building, Times Square, November 29, 2001–January 31, 2002.

Devices of Wonder: From the World in a Box to Images on a Screen, J. Paul Getty Museum, Los Angeles, November 13, 2001–February 3, 2002. (Catalogue)

Naked Since 1950, C & M Arts, New York, October 11–December 8, 2001. (Catalogue)

Summer in the City, PaceWildenstein, 32 East 57th Street, New York, June 1–September 12, 2001.

Self Made Men, DC Moore Gallery, New York, April 4–May 5, 2001.

2000

Art in America: 2000, Art In Embassies Program: United States Embassy, Slovak Republic, September 2000–March 2001.

American Art Today, Art Museum, Florida International University, Miami, September 15–November 5, 2000.

American Perspectives: Photographs from the Polaroid Collection, Tokyo Metropolitan Museum of Photography, September 12–November 12, 2000. Traveled to three other venues through 2001. (Catalogue)

Monte Carlo International Sculpture Festival: Contemporary American Sculpture, Monte Carlo, Monaco, July 26–October 31, 2000. (Catalogue)

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, June 16–September 13, 2000.

About Collage, Tate Gallery, Liverpool, April 7, 2000–March 4, 2001.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, February 5–March 11, 2000.

1999

Ghost in the Shell: Photography and the Human Soul, 1850–2000, Los Angeles Museum of Art, October 16, 1999–January 17, 2000. (Catalogue)

Modern Odysseys: Greek American Artists of the 20th Century, Queens Museum of Art, New York, October 6, 1999–January 30, 2000. (Catalogue)

The American Century: Art & Culture 1950–2000, Whitney Museum of American Art, New York, September 26, 1999–February 13, 2000. (Catalogue)

Summer ‘99, PaceWildenstein, 32 East 57th Street, New York, July 9–August 13, 1999.

House of Sculpture, Modern Art Museum of Fort Worth, Texas, May 23–August 8, 1999.

20th Century Sculpture, Nassau County Museum of Art, Roslyn, New York, March 28–May 31, 1999. (Catalogue)

Coming to Life, Henry Art Gallery, University of Washington, Seattle, February 25–June 13, 1999.

Off Limits: Rutgers University and the Avant-Garde, 1957–1963, Newark Museum, New Jersey, February 18–May 16, 1999. (Catalogue)

Berardo Collection 1917–1999, Centro Cultural de Belém, Lisbon, Portugal, January 28–April 30, 1999. (Catalogue)

1998

Aspects de la Photographie Hellenique, Centre Municipal de la Photographie, Nice, September 12–December 12, 1998.

Sculpture, PaceWildenstein, Los Angeles, September 3–October 3, 1998.

Contemporary Art: The Janet Wolfson de Botton Gift, Tate Gallery, London, February 24–April 26, 1998. (Catalogue)

1997

Group exhibition, PaceWildenstein, 142 Greene Street, New York, December 19, 1997–January 24, 1998

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, December 19, 1997–January 24, 1998

The Pop ‘60s: Transatlantic Crossing, Fundação das Descobertas/Centro Cultural de Belém, Lisbon, Portugal, September 11–November 17, 1997.

The Great American Pop Art Store: Multiples of the Sixties, University Art Museum, California State University, Long Beach, August 26–October 26, 1997.

The View From Denver: Contemporary American Art from the Denver Museum, Museum Moderner Kunst Stiftung Ludwig, Vienna, July 5–August 31, 1997. (Catalogue)

Inside, Henry Art Gallery, University of Washington, Seattle, April 13–June 29, 1997.

A Survey of Twentieth Century Sculpture, David Klein Gallery, Birmingham, Michigan, April 12–May 3, 1997.

Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York, January 17–April 27, 1997. (Catalogue)

1996

Group exhibition, PaceWildenstein, 142 Greene Street, New York, December 20, 1996–January 4, 1997.

48th Annual American Academy Purchase Exhibition, American Academy of Arts and Letters, New York, November 4–December 1, 1996.

Pastels by Ten Contemporary Artists, DC Moore Gallery, New York, September 10–October 5, 1996.

Group exhibition, PaceWildenstein, Los Angeles, July 24–September 28, 1996.

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, June 28–September 4, 1996.

Group exhibition, PaceWildenstein, 142 Greene Street, New York, June 28–August 8, 1996.

Summer Academy 3, PaceWildenstein, 32 East 57th Street, New York, June 14–September 13, 1996.

Group exhibition, PaceWildenstein, Los Angeles, June 8–July 20, 1996.

Box, Fotouhi Cramer Gallery, New York, May 17–June 22, 1996.

Twentieth American Sculpture, Part IV, White House Sculpture Garden, Washington, D.C., April 12–September 26, 1996.

Fifteen Degrees from Rutgers, Rutgers University, Mason Gross School for the Arts, New Brunswick, New Jersey, February 28–March 31, 1996.

Deformations: Aspects of the Modern Grotesque, The Museum of Modern Art, New York, February 10–May 21, 1996.

Homebodies, NationsBank Plaza, Charlotte, North Carolina, January 27–October 31, 1996. (Catalogue)

Group exhibition, PaceWildenstein, 142 Greene Street, New York, January 20–February 10, 1996.

Ivan Karp: The Face of Contemporary Art, A Celebration of Forty Years of Fine Arts Dealership, Norton Center for the Arts, Danville, Kentucky, January 16–March 29, 1996.

1995

Of the Human Form, Waddington Galleries, London, November 22–December 22, 1995. (Catalogue)

47th Annual American Academy Purchase Exhibition, American Academy of Arts and Letters, New York, November 6–December 3, 1995.

Summer Academy 2, PaceWildenstein, 32 East 57th Street, New York, June 28–September 23, 1995.

Group exhibition, PaceWildenstein, 32 East 57th Street, New York, June 28–August 31, 1995.

Bloom, Cristinerose Gallery, New York, June 15–July 29, 1995.

1994

Drawings of the 60s, The Pace Gallery, 32 East 57th Street, New York, December 2, 1994–January 7 (extended through January 21), 1995.

Group exhibition, Ho Gallery, Hong Kong, November 11–December 10, 1994.

Facts and Figures: Selections from the Lannan Foundation Collection, Lannan Foundation, Los Angeles, October 22, 1994–February 26, 1995.

Guys Who Sew, University Art Museum, University of California, Santa Barbara, October 5–December 11, 1994. (Catalogue)

White Works, The Pace Gallery, 32 East 57th Street, New York, July 8–September 9, 1994.

Printed in the 1970s / Drawn in the 1970s, Brooke Alexander Gallery, New York, June 23–August 12, 1994.

Worlds in a Box, City Art Centre, Edinburgh, May 28–July 16, 1994. Traveled to: Graves Art Gallery, Sheffield, July 30–September 24, 1994; Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, October 10–November 30, 1994; Whitechapel Art Gallery, London, December 9, 1994–February 12, 1995. (Catalogue)

30 YEARS—Art in the Present Tense: The Aldrich’s Curatorial History 1964–1994, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15–September 17, 1994. (Catalogue)

American Art Today: Heads Only, Florida International University Art Museum, Miami, April 8–May 6, 1994. (Catalogue)

Transparency and Metaphor, California Crafts Museum, San Francisco, February 26–April 10, 1994.

Drawings: Reaffirming the Media, University of Missouri, Kansas City, February 15–April 27, 1994.

Sculpture, Nina Freudenheim Gallery, Buffalo, New York, January 22–March 2, 1994.

1993

International Critics’ Choice, Mitchell Museum, Southern Illinois University, Mount Vernon, October–November 6, 1993.

Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional, Galería Namia Mondolfi, Caracas, June 1983.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 28–September 10, 1993.

Table Sculpture, André Emmerich Gallery, New York, June 15–July 14, 1993.

Manhattan Breeze–Five Contemporary Artists, Takashimaya, Tokyo, April 22–27, 1993. Traveled to: Takashimaya, Osaka, April 29–May 4, 1993; Takashimaya, Kyoto, May 13–18, 1993; Takashimaya, Yokohama, June 10–15, 1993. (Catalogue)

1992

Concurrencies, Grace Borgenicht Gallery, New York, December 9, 1992–January 9, 1993.

Mixed Media, Bellas Artes, Santa Fe, June 29–September 30. 1992.

Group exhibition, The Pace Gallery, 142 Greene Street, New York, July 24–August 28, 1992.

Le Visage, Fondation Cartier pour l’art contemporain, Paris, June 18–October 4 (extended through October 25), 1992.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 5–September 11, 1992.

The Endowed Chair, Franklin Parrasch Gallery, New York, March 14–April 18, 1992.

Masquerade (Body Double), Postmasters Gallery, New York, May 2–30, 1992.

Sculpture, Waddington Galleries, London, April 29–May 30, 1992. (Catalogue)

Persona, Museum of Photographic Arts, San Diego, February 12–April 12, 1992. (Catalogue)

Arte Americana 1930–1970, Lingotto, S.r.l., Turin, January 8–March 31, 1992.

1991

Photography 1980 to 1990, Ginny Williams Gallery, Denver, 1991.

International Critics’ Choice. Organized by the Mitchell Museum at Cedarhurst, Mount Vernon, Illinois, 1991. Traveled throughout 1993.

Sculptors’ Drawings, Bellas Artes, Santa Fe, November 27, 1991–January 4, 1992.

The Chair: From Artifact to Object, Weatherspoon Art Gallery, University of North Carolina, Greensboro, October 3–November 10, 1991. (Catalogue)

Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, June 29–August 12, 1991.

Portraits on Paper, Robert Miller Gallery, New York, June 25–August 2, 1991.

Masterworks of Contemporary Sculpture, Painting and Drawing, the 1930’s to the 1990’s, Bellas Artes, Santa Fe, New Mexico, May 27–September 3, 1991.

Summer 1991, The Pace Gallery, 142 Greene Street, New York, May 11–September 14, 1991.

Boxes, Fotouhi Cramer Gallery, East Hampton, New York, May 4–June 1991.

Aspects of Collage, Guild Hall Museum, East Hampton, New York, May 5–June 9, 1991.

Visions/Revisions: Selections from the Contemporary Collection, Denver Art Museum, April 27–August 25, 1991.

1990

Photographic Treasures from the National Portrait Gallery Collection, National Portrait Gallery, Washington, D.C., 1990.

42nd Annual Academy Institute Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, November 12–December 9, 1990.

Exposed, Vivian Horan Fine Art, New York, November 2–December 15, 1990.

Art What Thou Eat, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, New York, September 2–November 18, 1990. Traveled to: New York Historical Society, New York, December 18, 1990–March 22, 1991. (Catalogue)

Large-Scale Works by Gallery Artists, The Pace Gallery, 32 East 57th Street, New York, July 16–August 31, 1990.

Hellenikon, City Gallery, New York City Department of Cultural Affairs, New York, May 1–June 1, 1990. (Catalogue)

Portrait of an American Gallery: The Pace Gallery, Galerie Isy Brachot, Brussels, April 19–June 23, 1990. (Catalogue)

Fabric: A Chosen Medium, Textile Arts International, Inc., Minneapolis, January 20-February 24, 1990.

Contemporary Illustrated Books: Word and Image, 1967–1988. Organized by the Independent Curators Incorporated, New York. Traveled to: Franklin Furnace Archive, Inc., New York, January 12–February 28, 1990; Nelson-Atkins Museum of Art, Kansas City, Missouri, April 5–June 3, 1990; University of Iowa Museum of Art, Iowa City, February 8–April 7, 1991.

1989

Alumni Faculty Exhibition, Brooklyn College, New York, October 31–December 14, 1989.

Boite Alerte; 1989, Renée Fotouhi Fine Art, New York, October 17–December 3, 1989.

Human Concern/Personal Torment: The Grotesque in American Art, Revisited, Phyllis Kind Gallery, New York, October 14–November 8, 1989. Traveled to: Phyllis Kind Gallery, Chicago, December 1, 1989–January 6, 1990. (Catalogue)

Tools as Art; The Hechinger Collection, National Building Museum, Washington, D.C., September 15, 1989–January 15, 1990. (Catalogue)

Framing Four Decades: The University Art Museum Celebrates The Collections 1949–1989, University Art Museum, California State University, Long Beach, August 25–October 29, 1989. (Catalogue)

Drawings of the 80’s from Chicago Collections, Arts Club of Chicago, May 3–June 28, 1989.

The Linear Image; American Master Works on Paper, Marisa del Re Gallery, New York, April 25–May 27, 1989. (Catalogue)

The Junk Aesthetic: Assemblage of the 1950’s and Early 1960’s, Whitney Museum of American Art, Fairfield County, Connecticut, April 7–June 14, 1989. Traveled to: Whitney Museum of American Art, Equitable Branch, June 22–August 23, 1989. (Catalogue)

The Box Transformed, Whitney Museum of American Art at Philip Morris, New York, February 14–April 25, 1989. (Catalogue)

Vanishing Presence, Walker Art Center, Minneapolis, January 29–April 16, 1989. Traveled to: Winnipeg Art Gallery, Manitoba, May 13–July 30, 1989; Detroit Institute of Arts, August 27–October 22, 1989; High Museum of Art, Atlanta, November 13, 1989–January 5, 1990; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 30–March 27, 1990; Virginia Museum of Fine Arts, Richmond, April 24–June 17, 1990. (Catalogue)

1988

Contemporary Masters, Richard Green Gallery, Los Angeles, 1988.

Enigmatic Objects; Sculpture from the Permanent Collection, Whitney Museum of American Art at Phillip Morris, New York, though February 15, 1989.

Identity; Representations of the Self, Whitney Museum Downtown at Federal Reserve Plaza, New York, December 14, 1988–February 10, 1989. (Catalogue)

American Baroque, Holly Solomon Gallery, New York, December 8, 1988–January 5, 1989.

The Face, Arkansas Arts Center, Little Rock, December 1, 1988–January 26, 1989.

24 Cubes, University of Massachusetts, Amherst, September 9–October 21, 1988.

The Instant Likeness: Polaroid Portraits, National Portrait Gallery, Smithsonian Institution, August 27–December 4, 1988.

Contemporary Art from New York, Ho-Am Art Hall, Seoul, July 15–August 23, 1988. Traveled to: Seibu Museum, Tokyo, 1988.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 27–September 16, 1988.

Contemporary Artist Self Portraits’, Salina Art Center, Kansas, April 7–May 31, 1988.

Collage, Assemblage and Found Object in Twentieth-Century Art, Solomon R. Guggenheim Museum, New York, March 29–May 22, 1988.

Recent American Pastels, Christian A Johnson Memorial Gallery, Middlebury College, Vermont, February 28–May 1, 1988. (Catalogue)

Big/Little Sculpture, Williams College Museum of Art, Williamstown, Massachusetts, February 13–April 17, 1988. Traveled to: New Britain Museum of American Art, Connecticut, November 13, 1988–January 5, 1989.

Group exhibition, Gallery Camino Real, Boca Raton, Florida, January 29–February 27, 1988.

First Person Singular: Self Portrait Photography, 1840–1987, High Museum of Art, Atlanta, January 14–March 4, 1988. (Catalogue)

Group exhibition, Hokin Gallery, Palm Beach, Florida, January 8–29, 1988.

1987

Visual Paradox: Truth and Fiction in the Photographic Image, John Michael Kohler Art Center, Sheboygan, Wisconsin, December 6, 1987–February 14, 1988. (Catalogue)

Chairs as Art, Arts Club of Chicago, September 14–October 31, 1987. (Catalogue)

Pastel Anthology II, Grace Borgenicht Gallery, New York, September 8–October 2, 1987.

Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles, July 11–August 22, 1987.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 19–September 11, 1987.

This Is Not a Photograph: Twenty Years of Large-Scale Photography, 1966–1986, John and Marble Ringling Museum of Art, March 7–May 31, 1987. Traveled to: Akron Art Museum, Ohio, October 31, 1987–January 10, 1988; Chrysler Museum, Norfolk, Virginia, February 26–May 1, 1986.

Cast in Bronze, University of Missouri Gallery of Art, Kansas City, January 15–March 10, 1987.

Meta Physics, Piezo Electric, New York, January 15–February 8, 1987.

1986

Individuals: A Selected History of Contemporary Art, 1945–1986, Museum of Contemporary Art, Los Angeles, December 10, 1986–January 10, 1988.

Contemporary Work from The Pace Gallery, University of Alabama, Moody Gallery of Art, Tuscaloosa, October 5–November 7, 1986.

Reality Remade, Kent Fine Art, New York, March 15–April 19, 1986.

75th American Exhibitions, Art Institute of Chicago, March 8–April 27, 1986.

An American Renaissance: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale, Florida, January 12–March 30, 1986. (Catalogue)

Altered Egos, Phoenix Art Museum, Arizona, January 10–February 23, 1986. (Catalogue)

1985

Big Portraits, Jeffrey Hoffeld & Co., New York, 1985–1986.

Not Just Black and White, City Gallery, New York, 1985.

Offset: A Survey of Artists’ Books, University Gallery, University of Massachusetts, Amherst, 1985.

Nude, Naked, Stripped, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, December 13, 1985–February 2, 1986. (Catalogue)

Transformations in Sculpture: Four Decades of American and European Art, Solomon R. Guggenheim Museum, New York, November 22, 1985–February 16, 1986. (Catalogue)

37th Annual Purchase Exhibition Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, November 18–December 15, 1985.

A Second Talent: Painters and Sculptors Who Are Also Photographers, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 22–December 15, 1985. (Catalogue)

Primitivism in 20th Century: Affinity of the Tribal and the Modern, The Museum of Modern Art, New York, September 19, 1984–January 15, 1985. Traveled to: Detroit Institute of Arts, February 27–May 19, 1985; Dallas Museum of Art, June 23–September 1, 1985. (Catalogue)

Body and Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, September 6–October 12, 1985. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 28–August 30, 1985.

American Images: Photography 1945–1980, Barbican Art Gallery, London, May 10–June 30, 1985. (Catalogue)

Painting as Landscape: Views of American Modernism, 1920–1984, Baxter Art Gallery, California Institute of Technology, Pasadena, March 13–May 5, 1985. Traveled to: Parrish Art Museum, Southampton, New York, August 4–September 22, 1985. (Catalogue)

1984

Pieces Sewn, Jamaica Art Center, New York, 1984.

Viewpoint: The Artist as Photographer, Summit Art Center, New Jersey, November 4–December 30, 1984. (Catalogue)

36th Annual Purchase Exhibition Hassam and Speicher Fund, American Academy and Institute of Arts and Letters, New York, through December 16, 1984.

Inner Visions: Drawings, Barbara Krakow Gallery, Boston, October 27–November 9, 1984.

BLAM: The Explosion of Pop, Minimalism, and Performance, 1958–1964, Whitney Museum of American Art, New York, September 20–December 2, 1984. (Catalogue)

Ecstasy, Monique Knowlton Gallery, New York, September 12–October 10, 1984.

American Sculpture, Margo Leavin Gallery, Los Angeles, July 17–September 15, 1984.

Investigations 10: Face to Face, Recent Portrait Photography, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, May 26–July 31, 1984.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, April 7–21, 1984.

Flower as Image in Contemporary Art, Wave Hill, New York, February 8–May 7, 1984. (Catalogue)

Subjective Vision: The Lucinda W. Bunnen Collection of Photographs, High Museum of Art, Atlanta, January–February 1984. (Catalogue)

Radical Photography: The Bizarre Image, Nexus Gallery, Atlanta, January 20–February 25, 1984.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, January 13–February 11, 1984.

1983

Sculpture: The Tradition in Steel, Nassau County Museum of Fine Art, Roslyn Harbor, New York, October 9, 1983–January 22, 1984. (Catalogue)

Arranged Image Photography, Boise Gallery of Art, Idaho, October 1–November 6, 1983.

Invention and Allegory, Daniel Wolf Gallery, New York, September 8–October 1, 1983.

Drawing in Air: An Exhibition of Sculptor’s Drawings 1882–1982, Ceolfrith Gallery, Sunderland Arts Centre, England, July 11–August 20, 1983. Traveled to: Glynn Vivian Art Gallery and Museum, Swansea, September 3–November 5, 1983; City Art Gallery and Henry Moore Centre, Leeds, January 13–February 19, 1984. (Catalogue)

Sculpture: Then and Now, Mayor Gallery, London, July 1–September 9, 1983. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 27–August 31, 1983.

Bronze: Sculpture in the Landscape—7th Annual Sculpture Show, Wave Hill, Bronx, May 18–September 30, 1983. (Catalogue)

All That Glitters, Tweed Gallery, Plainfield, New Jersey, May 11–June 18, 1983.

Surreal, Robert Miller Gallery, New York, May 3–June 30, 1983.

Intoxication, Monique Knowlton Gallery, New York, April 9–May 7, 1983.

Day In, Day Out: Ordinary Life as a Source for Art, Freedman Gallery, Albright College, Reading, Pennsylvania, March 14–April 17, 1983. (Catalogue)

Anxious Interiors, Laguna Art Museum, Laguna Beach, California, January 6–February 19, 1984. (Catalogue)

1982

Artist Photographers, Thorpe Intermedia Gallery, Sparkhill, New York, 1982.

Art Grec contemporain, Palais des Beaux-Arts, Brussels, October 31–November 28, 1982.

Erotic Impluse, Roger Litz Gallery, New York, September 11–October 6, 1982.

Recent Color: An Exhibition of Photographs, San Francisco Museum of Modern Art, September 3–November 7, 1982. (Catalogue)

The Rebounding Surface, Avery Center for the Arts, Bard College Center, Annandale-on-Hudson, New York, August 15–September 24, 1982. (Catalogue)

New York School: Four Decades, Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York, July 1–August 22, 1982.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June–September 1982.

Homo Sapiens: The Many Images, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 1982. (Catalogue)

Drawings, Watercolors and Prints by Contemporary Masters, Root Art Center, Hamilton College, Clinton, New York, April 15–May 23,1982. (Brochure)

The Pace Gallery at Asher/Faure. Asher/Faure Gallery, Los Angeles, California, March 13–April 10, 1982.

Momentbild: Künstlerphotographie, Kestner Gesellschaft, Hannover, March 5–April 18, 1982. (Catalogue)

Face to Face, The Alternative Museum, New York, January 23–February 27, 1982. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, January 15–February 13, 1982.

1981

Instant Fotografie, Stedelijk Museum, Amsterdam, December 4, 1981–January 17, 1982. (Catalogue)

Artists’ Photographers, SVC/Fine Arts Gallery, University of South Florida, Tampa, November 7, 1981–January 6, 1982.

The Image In American Painting & Sculpture 1950–1980, Akron Art Museum, September 12–November 8, 1981. (Catalogue)

A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Connecticut, September 4–October 14, 1981.

Five on Fabric, Laguna Gloria Art Museum, Austin, August 28–October 11, 1981. (Catalogue)

Cast, Carved & Constructed, Margo Leavin Gallery, Los Angeles, August 1–September 19, 1981.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 12–September 18, 1981.

New Dimensions in Drawing, 1950–1980, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 2–September 6, 1981.

1980

Ten American Artists from The Pace Gallery, Wildenstein and Co., London, 1980.

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, December 17, 1980–January 24, 1981.

All in Line: An Exhibition of Linear Drawing, Joe and Emily Lowe Art Gallery, Syracuse University, New York, November 23, 1980–January 18, 1981. Traveled to: Terry Dintenfass, Inc., New York, January 31–February 27, 1981. (Catalogue)

Art In Our Time: HHK Foundation for Contemporary Art, Inc., Milwaukee Art Museum, Wisconsin, October 9–November 30, 1980. Traveled to: Contemporary Art Center, Cincinnati, January 15–March 1981; Columbus Art Museum, Ohio, June 6–July 19, 1981; Virginia Museum of Fine Arts, Richmond, September 1–October 11, 1981; Krannert Art Museum, University of Illinois, Champaign, November 15–December 31, 1981; High Museum of Art, Atlanta, January 23–March 7, 1982; University of Iowa Museum of Art, Iowa City, April 4–May 31, 1982; Brooks Memorial Art Gallery, Memphis, July 8–September 5, 1982; University Art Museum, University of Texas, Austin, November 5–December 19, 1982. (Catalogue)

Recent Polaroid Photographs, David Winton Bell Gallery, Brown University, Providence, Rhode Island, September–November 1980.

Cleveland Collects Modern Art, Cleveland Museum of Art, September 10–October 26, 1980. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, July–September 1980.

20 American Artists, San Francisco Museum of Modern Art, July 24–September 7, 1980.

Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted, Grey Art Gallery and Study Center, New York University, New York, July 8–August 22, 1980.

Drawing: The Pluralist Decade. United States Pavilion, 39th Venice Biennale, June 1–September 30, 1980. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, October 4–November 9, 1980; Museum of Contemporary Art, Chicago, May 29–June 26, 1981. (Catalogue)

Instantanés, Musée national d’Art Moderne, Centre Georges Pompidou, Paris, May 28–July 14, 1980. (Catalogue)

Aspects of the 70’s: Mavericks, Rose Art Museum, Brandeis University, Waltham, Massachusetts, May 22–June 29, 1980.

Invented Images, UCSB Art Museum, University of California, Santa Barbara, February 20–March 23, 1980; Portland Art Museum, Oregon, April 8–May 18, 1980; Mary Porter Sesnon Art Gallery, University of California, Santa Cruz, May 28–June 21, 1980. (Catalogue)

1979

East Side-West Side: New York Photography, Roanoke College, Virginia, 1979.

Self as Subject: A Direction in Contemporary Photography, University Art Galleries, University of New Hampshire, Durham, 1979.

Sculptor’s Photos, Hunter College Art Galleries, New York, 1979.

Photographic Surrealism, New Gallery of Contemporary Art, Ohio State University, Cleveland, October 3–November 24, 1979. Traveled to: Dayton Art Institute, Ohio, February 29–April 13, 1980; Brooklyn Museum, New York, May 17–July 13, 1980. (Catalogue)

Venezia ’79: La Fotografia, UNESCO and the Municipality of Venice, Italy, June 16–September 16, 1979. (Catalogue)

The Decorative Impulse, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, June 13–July 21, 1979; Mandeville Art Gallery, University of California, San Diego, November 1–December 9, 1979; Minneapolis College of Art and Design, January 16–February 15, 1980. (Catalogue)

The Pastel in America, Odyssia Gallery, New York, May 8–June 16, 1979. Traveled to: Grand Rapids Art Museum, Michigan, August 6–September 16, 1979. (Catalogue)

Drawings About Drawings Today, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, January 1–March 11, 1979. (Catalogue)

1978

Manipulative Photography, Anderson Gallery, School of the Arts, Virginia Commonwealth University, Richmond, 1978.

One of a Kind: Recent Polaroid Color Photography, Franklin Institute, Philadelphia. Traveled to: Museum of Fine Arts, Houston; De Cordova Museum, Lincoln, Massachusetts; Minneapolis Institute of Fine Arts; University of Arizona, Tucson; Los Angeles Institute of Contemporary Art, October–December 1979; Corcoran Gallery of Art, Washington, D.C., December 18, 1979–February 3, 1980; Art Institute of Chicago, April 19–June 15, 1980. (Catalogue)

Grids: Format and Image in 20th-Century Art, The Pace Gallery, 32 East 57th Street, New York, December 16, 1978–January 20, 1979. Traveled to: Akron Art Institute, Ohio, March 24–May 6, 1979. (Catalogue)

American Painting of the 1970s, Albright-Knox Gallery, Buffalo, New York, December 9, 1978–January 14, 1979. Traveled to: Newport Harbor Art Museum, California, February 3–March 18, 1979; The Oakland Museum, California, April 10–May 20, 1979; Cincinnati Art Museum, Ohio, July 6–August 26, 1979; Art Museum of South Texas, Corpus Christi, Texas, September 9–October 21, 1979; Krannert Museum, University of Illinois, Champaign, November 11, 1979–January 22, 1980. (Catalogue)

Late Twentieth Century Art: The Sydney and Frances Lewis Foundation, Anderson Gallery, Virginia Commonwealth University, Richmond, December 5, 1978–January 8, 1979. (Catalogue).

The Sense of Self: From Self-Portrait to Autobiography. Organized by Independent Curators, Inc., New York. Traveled to: Neuberger Museum, State University of New York, Purchase, September 24–November 26, 1978; New Gallery of Contemporary Art, Cleveland, January 13–February 3, 1979; University of North Dakota Art Gallery, Grand Forks, February 13–March 8, 1979; Alberta College of Art Gallery, Calgary, November 21–December 19, 1979; Tangeman Fine Art Gallery, University of Cincinnati, February 11–March 8, 1980; Allen Memorial Art Museum, Oberlin College, Ohio, April 1–May 4, 1980. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, Summer 1978.

Three Generations: Studies in Collage, Margo Leavin Gallery, Los Angeles, January 26–March 4, 1978.

1977

Contemporary Color Photography, Indiana University Art Museum, Bloomington, 1977.

Recent Works on Paper by American Artists, Madison Art Center, Wisconsin, December 4, 1977–January 15, 1978.

A View of a Decade, Museum of Contemporary Art, Chicago, September 10–November 10, 1977. (Catalogue)

Documenta 6, Kassel, West Germany, June 24–October 2, 1977. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 13–September 16, 1977.

Contemporary American Pastels and Watercolors, Indiana University Art Museum, Bloomington, May 10–July 16, 1977.

The Dada/Surrealist Heritage, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, May 3–June 12, 1977. (Catalogue)

Neomata: Contemporary Greek-American Artists, Brooklyn Museum of Art, Community Gallery, New York, May 1–June 5, 1977. (Catalogue)

Fine Paintings and Drawings, Margo Leavin Gallery, Los Angeles, April 20–May 14, 1977.

1976

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 12–September 25, 1976.

Drawing Now: 10 Artists, Soho Center for Visual Arts, New York, June 3–26, 1976.

The Golden Door: Artist-Immigrants of America, 1876–1976, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., May 20–October 20, 1976. (Catalogue)

Five American Contemporary Artists, Birmingham Museum of Art, Alabama, March 19–April 25, 1976.

200 Years of American Sculpture, Whitney Museum of American Art, New York, March 16–September 26, 1976. (Catalogue)

Today: Selected Contemporary Artists, Lowe Art Museum, University of Miami, March 4–April 11, 1976.

1975

Photo-Transformations. Organized by Polaroid Corporation. Traveled to: International Center of Photography, New York, 1975; other venues.

Eight Artists, Eight Attitudes, Eight Greeks, Institute of Contemporary Arts, London, November 5–December 4, 1975. (Catalogue)

25 Stills, Whitney Museum of American Art Downtown Branch, New York, October 30–December 3, 1975.

Sculpture: American Directions, 1945–1975, National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., October 3–November 10, 1975. Traveled to: Dallas Museum of Art, January 7–February 29, 1976; New Orleans Museum of Art, Louisiana, April 1–May 16, 1976. (Catalogue)

Artist and Fabricator, Fine Arts Center Gallery, University of Massachusetts, Amherst, September 23–November 9, 1975. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, July–August 1975.

Painting and Sculpture Today 1978, Indianapolis Museum of Art, June 15–July 30, 1978. (Catalogue)

The Condition of Sculpture: A Selection of Recent Sculpture by Younger British and Foreign Artists, Hayward Gallery, London, May 29–July 13, 1975. (Catalogue)

Bodyworks, Museum of Contemporary Art, Chicago, March 8–April 27, 1975. (Catalogue)

An Exhibition of Twentieth-Century Drawings, Hawthorn Gallery, Skidmore College, Saratoga Springs, New York, February 28–March 17, 1975.

1974

Monumenta, Newport, Rhode Island, August 17–October 13, 1974. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, Summer 1974.

The Twentieth Century: 35 American Artists, Whitney Museum of American Art, New York, June 24–September 1, 1974.

American Exhibition of Painting and Sculpture 71st Annual, Art Institute of Chicago, June 15–August 11, 1974.

Painting and Sculpture Today 1974, Indianapolis Museum of Art, Indiana, May 22–July 14, 1974. Traveled to: Contemporary Art Center and Taft Museum, Cincinnati, September 12–October 26, 1974. (Catalogue)

Papercuts: Art & Craft, Pratt Graphics Center Gallery, New York, March 16–April 20, 1974.

1973

By SX-70, Light Gallery, New York, November 6–December 1, 1973.

The Male Nude, Emily Lowe Gallery, Hofstra University, Hempstead, New York, November 1–December 12, 1973. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, Summer 1973.

1972

Sculptors’ Drawings, Margo Leavin Gallery, Los Angeles, November 18–December 31, 1972.

Documenta 5, Kassel, West Germany, June 30–October 8, 1972. (Catalogue)

Group exhibition, The Pace Gallery, 32 East 57th Street, New York, June 15–September 19, 1972.

Photographic Portraits, Moore College of Art, Philadelphia, March 10–April 14, 1972. (Catalogue)

The Green Gallery Revisited, Hofstra Museum of Fine Arts, Hofstra University, Hempstead, New York, February 22–March 29, 1972.

1971

Recent Painting and Sculpture, Munson-Williams-Proctor Institute Museum of Art, Utica, New York, 1971–1972.

Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, November 14–December 17, 1971.

Beyeler at Pace: Modern Masterworks from the Beyeler Gallery, The Pace Gallery, 32 East 57th Street, New York, November 6–December 31, 1971. (Catalogue)

Rosc ‘71: The Poetry of Vision, Royal Dublin Society, Ireland, October 24–December 29, 1971. (Catalogue)

The New Curiosity Shop, Renaissance Society, University of Chicago, October 5–November 13, 1971.

Highlights of the 1970–1971 Art Season, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 27–September 19, 1971. (Catalogue)

Continuing Surrealism, La Jolla Museum of Art, California, January 15–March 21, 1971. (Catalogue)

1970

The Mind’s Eye: Illusion and Perception in Painting, Philadelphia Museum of Art, February 15, 1970–June 20, 1971.

1970 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 12, 1970–February 7, 1971.

Pace in Los Angeles, Margo Leavin Gallery, Los Angeles, December 4, 1970–January 31, 1971.

The Drawing Society National Exhibition 1970. Organized by The American Federation of Arts. Traveled to: Corcoran Gallery, Washington, D.C., September 25–November 1, 1970; Fine Arts Collection, University of Cincinnati, January 3–24, 1971; Canton Art Institute, Ohio, February 14–March 7, 1971; Indianapolis Museum of Art, March 28–April 18, 1971; The High Museum of Art, Atlanta, June 20–August 22, 1971; Philadelphia Civic Center, February 27–February 6, 1972. (Catalogue)

Exhibition of Living American Art, Fondation Maeght, Saint-Paul-de-Vence, France, July 16–September 3, 1970.

American Art since 1960, The Art Museum, Princeton University, New Jersey, May 6–27, 1970. (Catalogue)

String and Rope, Sidney Janis Gallery, New York, January 7–31, 1970. (Catalogue)

1969

Drawings, Fort Worth Art Center Museum, Texas, 1969.

One Man’s Choice, Dallas Museum of Art, Texas, 1969.

Human Concern/Personal Torment: The Grotesque in American Art, Whitney Museum of American Art, New York, October 14–November 30, 1969.

1968

1968 Annual Exhibition: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 17, 1968–January 19, 1969.

Art of the 60s: Selections from the Collection of Hanford Yang, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, September 29–December 22, 1968. (Catalogue)

Untitled, 1968, San Francisco Museum of Art, September 11–December 29, 1968.

Documenta 4, Kassel, West Germany, June 27–October 6, 1968. (Catalogue)

The Obsessive Image, 1960–1968, Institute of Contemporary Arts, London, April 10–May 29, 1968. (Catalogue)

Dada, Surrealism, and Their Heritage, The Museum of Modern Art, New York, March 27–June 9, 1968.

1967

L.A.-N.Y. Drawings of the Sixties, University of Colorado Art Galleries, Boulder, 1967. Traveled to: Art Museum, University of New Mexico, Albuquerque, 1967.

The 180 Beacon Collection of Contemporary Art, 180 Beacon Collection of Contemporary Art, Boston, October 1967.

7 for 67: Works by Contemporary American Sculptors, City Art Museum of Saint Louis, Missouri, October 1–November 12, 1967. (Catalogue)

Highlights of the 1966–67 Art Season, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, June 18–September 4, 1967.

Sculpture: A Generation of Innovation, The Art Institute of Chicago, June 23–August 27, 1967.

Mixed Masters, University of St. Thomas, Houston, Texas, May–September 1967. (Catalogue)

American Sculpture of the Sixties, Los Angeles County Museum of Art, April 28–June 25, 1967. Traveled to: Philadelphia Museum of Art, September 15–October 29, 1967. (Catalogue)

1966

Eight Sculptures: The Ambiguous Image, Walker Art Center, Minneapolis, October 22–December 4, 1966. (Catalogue)

The Harry N. Abrams Family Collection, The Jewish Museum, New York, June 29–September 5, 1966. (Catalogue)

The Object Transformed, The Museum of Modern Art, New York, June 29–September 5, 1966.

Contemporary American Sculpture: Selection I, Whitney Museum of American Art, New York, April 6–May 15, 1966.

1965

The Richard Brown Baker Collection, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1965.

Pop and Op, Sidney Janis Gallery, New York, December 1–31, 1965.

Sculpture from the Albert A. List Family Collection, New School for Social Research Art Center, New York, October 5–November 1965. (Catalogue)

Contemporary Wall Sculpture and Boxes, Museum of Art, Rhode Island School of Design, Providence, September 23–October 17, 1965. (Catalogue)

Young America 1965: Thirty American Artists Under Thirty-Five, Whitney Museum of American Art, New York, June 23–August 29, 1965.

Beyond Realism, The Pace Gallery, 9 West 57th Street, New York, May 4–29, 1965. (Catalogue)

Contemporary Erotica, Van Bovenkamp Gallery, New York, February 15–March 20, 1965.

Eleven from the Reuben Gallery, Solomon R. Guggenheim Museum, New York, January 1965.

1964

Group exhibition, Bianchini Gallery, New York, 1964.

Annual Exhibition 1964: Contemporary American Sculpture, Whitney Museum of American Art, New York, December 9, 1964–January 31, 1965.

Recent American Drawings, Rose Art Museum, Brandeis University, Waltham, Massachusetts, April 19–May 31, 1964.

Boxes, Dwan Gallery, Los Angeles, February 2–29, 1964. (Catalogue)

1963

Contemporary Wall Sculpture. Organized by American Federation of Arts, New York. Traveled 1963–1964.

Drawings, Washington Gallery of Modern Art, Washington, D.C., 1963.

Group exhibition, Green Gallery, New York, 1963.

Ten-Man Show, Preston Gallery, New York, 1963.

Mixed Media and Pop Art, Albright-Knox Art Gallery, Buffalo, November 19–December 15, 1963. (Catalogue)

46 Works from New York, Dilexi Gallery, San Francisco, November 12–December 7, 1963.

28th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, D.C., January 18–March 3, 1963.

1962

American Figure Painting: 1957–1962, Finch College Museum, New York, 1962.

Group exhibition, Dallas Museum of Art, Texas, 1962.

Group exhibition, Green Gallery, New York, 1962.

Group exhibition, San Francisco Museum of Art, 1962.

Recent Acquisitions, The Museum of Modern Art, New York, November 20, 1962–January 13, 1963.

Lettering by Hand, The Museum of Modern Art, New York, November 6, 1962–January 6, 1963.

1961

Group exhibition, Green Gallery, New York, 1961.

The Art of Assemblage, The Museum of Modern Art, New York, October 2–November 12, 1961.

1960

New Forms, New Media, Part II, Martha Jackson Gallery, New York, September 28−October 22, 1960.

Paintings, Reuben Gallery, New York, January 29–February 18, 1960.

1959

Group exhibition, Hansa Gallery, New York, 1959.

18 Happenings in 6 Parts, Reuben Gallery, New York, October 4, 1959.

Lucas Samaras
Public Collections

Lucas Samaras Public Collections

Albright-Knox Art Gallery, Buffalo, New York

Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Allen Memorial Art Museum, Oberlin College, Ohio

American Academy of Arts and Letters, New York

Art Institute of Chicago, Illinois

The Art Museum, Princeton University, New Jersey

Cincinnati Art Museum, Ohio

Courtauld Instutite of Art, London

Dallas Museum of Art, Texas

Denver Art Museum, Colorado

Dia Art Foundation, New York

The Frances Lehman Loeb Art Center, Vassar Collee, Poughkeepsie, New York

Fogg Art Museum, Harvard University, Cambridge, Massachusetts

Fort Wayne Museum of Art, Indiana

General Services Administration, Fine Arts Collection, Hale Boggs Federal Court House, New Orleans, Louisiana

J. Paul Getty Museum, Los Angeles
Solomon R. Guggenheim Museum, New York

Hara Museum of Contemporary Art, Tokyo, Japan

High Museum of Art, Atlanta, Georgia

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Honolulu Museum of Art, Hawaii

Indiana University Sidney and Lois Eskenazi Museum of Art, Bloomington

Iwaki City Art Museum, Japan

Kunstmuseum Winterthur, Switzerland

Los Angeles County Museum of Art, California

Lowe Art Museum, University of Miami, Coral Gables, Florida

The Metropolitan Museum of Art, New York

The Minneapolis Institute of Arts, Minnesota

Modern Art Museum of Fort Worth, Texas

The Morgan Library & Museum, New York

Museu Coleção Berardo, Lisbon

Museum of Art, Rhode Island School of Design, Providence

Museum of Contemporary Art, Chicago, Illinois

Museum of Contemporary Art, Los Angeles, California

The Museum of Modern Art, New York

National Gallery of Art, Washington, D.C.

National Gallery of Australia, Canberra

Newark Museum, New Jersey

New Orleans Museum of Art, Louisiana

Pérez Art Museum Miami

Philadelphia Museum of Art, Pennsylvania

Phoenix Art Museum, Arizona

RISD Museum, Providence, Rhode Island

Saint Louis Art Museum, Missouri

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

Smart Museum of Art, the University of Chicago, Illinois

Tate, London

Toledo Museum of Art, Ohio

United States Embassy, Skopje, Macedonia

Virginia Museum of Fine Arts, Richmond

Wadsworth Atheneum Museum of Art, Hartford, Connecticut

Walker Art Center, Minneapolis, Minnesota

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

Lucas Samaras
Periodicals

Lucas Samaras Periodicals

2024

“Lucas Samaras Flowers.” Arte Realizzata, 5 February 2024. https://www.arterealizzata.com/book-highlight/lucas-samaras-flowers.

2022

Brown, Kate. “The War in Ukraine Didn’t Dampen Sales at Art Genève, and Some Dealers Are Giving Proceeds to Relief Efforts.” Artnet News, 7 March 2022. https://news.artnet.com/news-pro/art-geneve-2022-2081399.

Ghassemitari, Shawn. “Pace Gallery Presents Lucas Samaras’s Radical Work at Artgenève 2022.” Hypebeast, 4 March 2022. https://hypebeast.com/2022/3/pace-gallery-lucas-samaras-artgeneve-2022.

Marchesoni, Maria Adelaide. “Artgenève: la guerra non frena la passione per l’arte.” Il Sole 24 Ore, 8 March 2022. https://www.ilsole24ore.com/art/artgeneve-guerra-non-frena-passione-l-arte-AEr6ZgIB.

125 Newbury, Wild Strawberries, no. 1 (October 2022): 12–23, illustrated.

2021

Gavoyannis, Olivia. “How Christiana Ine-Kimba Boyle Is Revolutionizing the Art Market as Pace’s First Director of Online Sales” (Pace Gallery exhibition review). Artsy, 22 October 2021.

https://www.artsy.net/article/artsy-editorial-christiana-ine-kimba-boyle-revolutionizing-art-market-paces-first-director-online-sales

Howie, Jamie. “7 Must-See Gallery Exhibitions in New York This September” (Pace Gallery exhibition review). Galerie, 17 September 2021. https://www.galeriemagazine.com/must-see-gallery-shows-september-2021/

Ine-Kimba Boyle, Christiana. "Christiana Ine-Kimba Boyle: Rewriting the Canon” (Pace Gallery exhibition review). Interview with Millie Walton. Trebuchet, 25 September 2021. https://www.trebuchet-magazine.com/christiana-ine-kimba-boyle-rewriting-the-canon/

Kent, Charlotte. “Convergent Evolutions: The Conscious Body of Work” (Pace Gallery exhibition review). The Brooklyn Rail, October 2021. https://brooklynrail.org/2021/10/artseen/Convergent-Evolutions-The-Conscious-Body-of-Work

Michel, Karen. “Artist Lucas Samaras Opens New Virtual Exhibit at Manhattan’s Pace Gallery” (Pace Gallery online exhibition review). NPR, 21 February 2021. https://www.npr.org/2021/02/21/969886061/artist-lucas-samaras-opens-new-virtual-exhibit-at-manhattans-pace-gallery

Ologundudu, Folasade. “Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing” (Pace Gallery exhibition review). Artnet News, 9 September 2021. https://news.artnet.com/opinion/christiana-ine-kimba-boyle-2006877

“Pace Gallery Presents Lucas Samaras: Gestures and Constructions” (Pace Gallery exhibition preview). Art & Object, 25 February 2021. https://www.artandobject.com/press-release/pace-gallery-presents-lucas-samaras-gestures-and-constructions

“Pace to stage NFT exhibitions and accept cryptocurrency.” ArtReview, 5 July 2021. https://artreview.com/pace-to-stage-nft-exhibitions-and-accept-cryptocurrency/

Schreder, Straith. "Web 3 and What It Means to Build the Gallery of the Future." Palm, 15 September 2021. https://palm.io/studio/web-3-and-what-it-means-to-build-the-gallery-of-the-future/

Woodward, Daisy. “September Is Here: The Best Things to Do This Month” (Pace Gallery exhibition preview). AnOther, 1 September 2021. https://www.anothermag.com/design-living/13517/things-to-do-in-london-september-2021-exhibitions-art-films-food-drink

2020

Griffith, Phillip. “Lucas Samaras: Me, Myself and…” (Pace Gallery exhibition review). The Brooklyn Rail, February 2020. https://brooklynrail.org/2020/02/artseen/Lucas-Samaras-Me-Myself-and-I

Judd, Donald. “Objektu espezifikoak.” Eremuak #7 (October 2020): 27, illustrated.

Kuspit, Donald. “Donald Kuspit on Lucas Samaras Again And Again And Again Etc” (Pace Gallery exhibition review). Whitehot Magazine, February 2020. https://whitehotmagazine.com/articles/again-again-again-etc-/4521

2018

Barton, Hannah. “Artifex Press Presents: The First Digital Catalogue Raisonné for Lucas Samaras' ‘Boxes.’” Interview with Angie Kordic. Widewalls, 18 February 2018. https://www.widewalls.ch/lucas-samaras-boxes-catalogue-raisonne-artifex-press/

Heinrich, Will. “Lucas Samaras.” (Craig F. Starr Gallery exhibition review). The New York Times, 29 June 2018: C14, illustrated.

2017

Battaglia, Andy. “Hermitic Wanderings: Into the Phantasmagorical Photographic World of Lucas Samaras” (Pace Gallery exhibition review). Art News, 27 September 2017. http://www.artnews.com/2017/09/27/hermitic-wanderings-into-the-phantasmagorical-photographic-world-of-lucas-samaras/

Strick, Jeremy and Jed Morse. “On Documenta 14.” The Nasher, Fall 2017: 56–62, illustrated.

Weinstein, Matthew. “Lucas Samaras” (Pace Gallery exhibition review). Artforum, 6 October 2017. https://www.artforum.com/picks/id=71431

2016

D’Arcy, David. “Copper and Dust: On Mesopotamian Sculptures and Pastels by Lucas Samaras at the Morgan Library” (exhibition review). The Art Newspaper, 26 May 2016. http://theartnewspaper.com/comment/reviews/exhibitions/copper-and-dust-on-mesopotamian-sculptures-and-pastels-by-lucas-samaras-at-the-morgan-library/

Diamataris, Antonis. “The Pastels of Lucas Samaras Exhibit at Morgan Library” (exhibition review). The National Herald, 17 May 2016. http://www.thenationalherald.com/123982/

“Galleries—Uptown: Lucas Samaras” (Craig F. Starr Gallery exhibition review). The New Yorker, 27 June 2016: 10.

Herriman, Kat. “To Thy Selfie Be True: Lucas Samaras’s AutoPolaroids at Craig F. Starr Gallery” (exhibition review). Artinfo, 9 June 2016. http://www.blouinartinfo.com/news/story/1422717/to-thy-selfie-be-true-lucas-samarass-autopolaroids-at-craig-f

Johnson, Ken. “Mystical Gems That Are All Too Human” (The Morgan Library & Museum exhibition review). The New York Times, 27 May 2016: C23, illustrated.

Pincus-Witten, Robert. “Lucas Samaras, Morgan Library & Museum / Craig F. Starr Gallery, New York” (exhibitions review). Artforum 55, no. 3 (November 2016): 275, illustrated.

Samaras, Lucas. “Lucas Samaras” (Craig F. Starr Gallery exhibition review). Interview by William J. Simmons. Interview, 13 June 2016. http://www.interviewmagazine.com/art/lucas-samaras-autopolaroids#_

Smith, Roberta. “Lucas Samaras, ‘Auto-Polaroids 1969–71’” (Craig F. Starr Gallery exhibition review). The New York Times, 24 June 2016: C21, illustrated.

2015

“Galleries—Chelsea: Lucas Samaras” (Pace Gallery exhibition review). The New Yorker, 22 June 2015: 18.

Kuspit, Donald. “Lucas Samaras: Pace Gallery” (exhibition review). Artforum 54, no. 1 (September 2015): 383, illustrated.

Poggi, Lauren. “Manipulated Self-Portraits from a Master of the Form” (Pace Gallery exhibition review). T: The New York Times Style Magazine, 30 April 2015. http://tmagazine.blogs.nytimes.com/2015/04/30/lucas-samaras-album-two-pace-gallery/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Viewfinder&action=Click&pgtype=Blogs&region=Body&_r=0

Sanchez, Gabriel H. “Lucas Samaras” (Pace Gallery exhibition review). Artforum, accessed 15 May 2015. http://artforum.com/picks/id=52056

“Visionaire Recommends: 4. Lucas Samaras” (Pace Gallery exhibition review). Visionaire, 22 June 2015. https://www.visionaireworld.com/blog/visionaire-recommends-25/

2014

Bohnacker, Siobhan. “Picture Desk: Lucas Samaras.” The New Yorker, 27 February 2014. http://www.newyorker.com/online/blogs/photobooth/2014/02/lucas-samaras-ultra-large-hands.html

DiDomizio, Joseph. “‘Mirrored Room’ Returns in ‘Lucas Samaras: Reflections’” (Albright-Knox Art Gallery exhibition review). Buffalo News, 2 July 2014. http://www.buffalonews.com/city-region/mirrored-room-returns-in-lucas-samaras-reflections-20140702

Goldman, Mary Kunz. “The Best of the Summer of 2014” (Albright-Knox Art Gallery exhibition review). The Buffalo News, 21 August 2014. http://www.buffalonews.com/life-arts/the-best-of-the-summer-of-2014-20140821

“Lucas Samaras: Offerings from a Restless Soul” (Metropolitan Museum of Art exhibition review). LifeStyle, 1 April 2014. http://www.lifestylecn.com/lucas-samaras-offerings-from-a-restless-soul/?utm_campaign=lucas-samaras-offerings-from-a-restless-soul

Oisteanu, Valery. “Lucas Samaras Offerings From a Restless Soul” (Metropolitan Museum of Art exhibition review). The Brooklyn Rail, 15 July 2014. http://www.brooklynrail.org/2014/07/artseen/lucas-samaras-offerings-from-a-restless-soul

Plagens, Peter. “From Jasper Johns’s Regrets to Lucas Samaras’s Soul” (Metropolitan Museum of Art exhibition review). Wall Street Journal, 29–30 March 2014: A20, illustrated.

Queenseyes. “Lucas Samaras: Reflections | Buffalo Welcomes Back The Mirror Room” (exhibition preview). Buffalo Rising, 10 June 2014. http://buffalorising.com/2014/06/lucas-samaras-reflections-welcome-back-the-mirror-room/

Samaras, Lucas. “Album 2.” Modern Painters (November 2014): 78–87, illustrated.

Samaras, Lucas. “Lucas Samaras: Father of the Selfies.” Interview with Michael Skafidas. The World Post, 14 April 2014. http://www.huffingtonpost.com/2014/04/07/lucas-samaras-selfies_n_5098676.html

Schwendener, Martha. “Hybrids From a Fervid Iconoclast” (Metropolitan Museum of Art exhibition review). The New York Times, 15 August 2014: C24, illustrated.

2013

Anderson, Lamar. “Blanket Statement” (Denver Art Museum exhibition review). Art News 112, no.5 (May 2013): 26.

Keats, Jonathan. “The Polaroid Was Instantaneous. See How Artists Made It Eternal At The Vassar Art Museum (exhibition review). Forbes, 9 May 2013. http://www.forbes.com/sites/jonathonkeats/2013/05/09/the-polaroid-was-instantaneous-see-how-artists-made-it-eternal-at-the-vassar-art-museum/

Kley, Elisabeth. “Lucas Samaras, Craig F. Starr” (Craig F. Starr exhibition review). Art News 112, no. 9 (October 2013): 111, illustrated.

Plagens, Peter. “Lucas Samaras Pastels” (Craig F. Starr exhibition review). Wall Street Journal, 22–23 June 2013: A22, illustrated.

Woodward, Richard B. “The SX-70 as Sexy Tech: The Polaroid Years: Instant photography and Experimentation, The Frances Lehman Loeb Art Center at Vassar College” (exhibition review). The Wall Street Journal, 6 May 2013. http://online.wsj.com/article/SB10001424127887324874204578439012328282372.html

2012

Bonanos, Christopher. “Six Artists in Sixty Seconds.” New York, 23 September 2012. http://nymag.com/arts/books/features/polaroids-ansel-adams-andy-warhol-2012-10/

Campbell-Dollaghan, Kelsey. “At 76, An Art Legend Plunges Head-First Into Psychedelic Digital Art” (Pace Gallery exhibition review). Fast Company, 2 October 2012. http://www.fastcodesign.com/1670903/at-76-an-art-legend-plunges-head-first-into-psychedelic-digital-art#4

Cotter, Holland. “The Week Ahead, Feb. 19–Feb. 25: Art” (The Pace Gallery exhibition review). The New York Times, 19 February 2012: AR2, illustrated.

Hanson, Sarah P. “Setting the Pace.” Art + Auction (September 2012): illustrated.

Kino, Carol. “What Happened At Those Happenings?” The New York Times, 5 February 2012.

Kino, Carol. “Working Practice: Lucas Samaras at the Pace Gallery” (exhibition review). 1stdibs, 26 September 2012. http://www.1stdibs.com/introspective/working_practice/lucas_samaras_at_the_pace_gallery/?sid=3108

Makarova, Irina. “Lucas Samaras, ‘XYZ’” (exhibition review). Garage (October 2012). http://garagemag.com/docs/editorial-layer/lucas-samaras-xyz

Milder, Patricia. “Time Regained: The ‘Hapenings’ Show at Pace’” (The Pace Gallery exhibition review). Artcritical, 22 February 2012. http://artcritical.com/2012/02/22/happenings/

Plagens, Peter. “Daring Tricks For the Eye” (Pace Gallery exhibition review). Wall Street Journal, 13 October 2012: A22, illustrated.

Rappolt, Mark. “Lucas Samaras.” Art Review, no. 62 (October 2012): 84–87, illustrated.

Samaras, Lucas. “Tableau Vivant.” Art in America (March 2012): 73, illustrated.

Viveros-Fauné, Christian. “Robert Hughes, RIP.” Art Review, no. 62 (October 2012): 44–45, illustrated,

Wolff, Rachel. “Art: How Happenings Happened: Lucas Samaras Revisits the First Days of Performance Art.” New York, 13 February 2012: 56–58, illustrated.

Zhong, Fan. “Artist in Residence: Lucas Samaras.” W, 27 September 2012. http://www.wmagazine.com/w/blogs/thedailyw/2012/09/27/lucas-samaras-studio-visit.html

2010

Aletti, Vince. “Critic’s Notebook: Face Value” (The Pace Gallery exhibition review). The New Yorker, 29 November 2010: 8, illustrated.

Burns, Charlotte. “Rights Battle over Polaroid Sale.” The Art Newspaper 211 (March 2010): 55, illustrated.

Kino, Carol. “When: November 2010” (The Pace Gallery exhibition preview). W (November 2010): 104, illustrated.

Kunitz, Daniel. “In Character.” Modern Painters (November 2010): 46–51, illustrated; cover.

Robertson, Rebecca. “Art Talk: Through Photoshop, Darkly.” Art News 109, no. 11 (December 2010): 34, illustrated.

Sveen, S. “Don’t Miss – New York: Lucas Samaras ‘Poses / Born Actors’ at Pace Gallery Through December 24, 2010” (exhibition review). Artobserved, 22 December 2010. http://artobserved.com/2010/12/dont-miss-new-york-lucas-samaras-poses-born-actors-atpace-gallery-through-december-24-2010

2009

MacAdam, Barbara A. “Reviews: 53rd Venice Biennale” (exhibition review). Art News 107 (Summer 2009): 118–119, discussed.

Samaras, Lucas. “Lucas Samaras.” Interview by Arne Glimcher. Interview (March 2009): 166–171, illustrated.

Samaras, Lucas. “Lucas Samaras.” Interview by Pierre Alexandre de Looz. 032c (Winter 2009/2010): 114–125, illustrated.

Skafidas, Mihalis. “Lucas Samaras.” K for Kathimerini, 7 June 2009: 50–57, illustrated.

Stoodley, Sheila Gibson. “Dream Weavers.” Art & Antiques (September 2009): 72–81.

Stoodley, Shelia Gibson. “Polaroid’s Last Shot.” Arts & Antiques (April 2009): 62–71, illustrated.

Tiwimuta 1 (Spring 2009): illustrated.

Vogel, Carol. “The Week Ahead, January 11–January 17: Art.” The New York Times, 11 January 2009.

2008

“Galleries––Chelsea: Lucas Samaras at PaceWildenstein” (exhibition review). The New Yorker, 24 March 2008: 14.

King, Jennifer. “Book/Shelf at the Museum of Modern Art, New York” (exhibition review). Art on Paper 13 (September/October 2008): 86–87, illustrated.

Kino, Carol. “Currents: Exhibitions—Hit Over the Head By a Chair.” The New York Times, 21 February 2008: F3, illustrated.

Kuspit, Donald. “Reviews: New York––Lucas Samaras at PaceWildenstein” (exhibition review). Artforum 46, no. 10 (Summer 2008): 434–435, illustrated.

Zhijie, Qui. “Top Ten.” Artforum 46, no. 9 (May 2008): 147–148, illustrated.

2007

Asonitis, Alexandros. “The Genius of Lucas Samaras.” Highlights, May–June 2007: 76–78, 241–242, illustrated.

“Flores/Flowers.” Exit–Image & Culture, no. 28 (2007): 140–143, illustrated.

Glueck, Grace. “Self–Portraits That Obscure the Self” (Whitney Museum of American Art exhibition review). The New York Times, 5 January 2007: E39, E41, discussed.

Heartney, Eleanor. “New York: Lucas Samaras at PaceWildenstein” (exhibition review). Art in America (February 2007): 141, illustrated.

Korlas, Gia. “Making Art Onstage Near Art on the Walls.” The New York Times, 11 December 2007: discussed.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Pendle, George. “Summer of Love” (Whitney Museum of American Art exhibition review). Frieze, November–December 2007: 105, illustrated.

Time Out New York, 24–30 May 2007: 94, illustrated.

2006

Beyer, Charles. “Global Art: Lucas Samaras” (PaceWildenstein exhibition review). Flash Art International (December 2006): 112, illustrated.

Dannatt, Adrian. “Flotsam: Letting It All Hang Out” (PaceWildenstein exhibition review). The Art Newspaper 173 (October 2006): 42, illustrated.

“Galleries—Chelsea: Lucas Samaras” (PaceWildenstein exhibition review). New Yorker, 18 September 2006: 12.

Grosz, David. “Gallery–Going: A Straight Story, and a Messy One” (Gladstone Gallery exhibition review). New York Sun, 10 August 2006: 15, illustrated.

Jones, Kristin M. “Dereconstruction” (Gladstone Gallery exhibition review). freize.com: 10 October 2006: http://www.frieze.com, illustrated.

Kino, Carol. “Art – iHappenings: Slicing Art Out of Life.” The New York Times, 3 September 2006: AR23, illustrated.

Kunitz, Daniel. “Dispatches, New York: Close Inspection.” Art Review, September 2006: 96.

Kuspit, Donald. “Lucas the Lovable” (PaceWildenstein exhibition review). Artnet.com, http://www.artnet.com/, 13 October 2006: illustrated.

Leffingwell, Edward. “Lucas Samaras at PaceWildenstein” (exhibition review). Art in America, January 2006: 121, illustrated.

Limón, Lana. “Using the Bump Distortion Lens for Art and Personal Growth.” (PaceWildenstein exhibition review). Columbia Spectator, 5 October 2006: illustrated.

Saltz, Jerry. “Front Man.” Village Voice, 5–11 July 2006: C51.

Samaras, Lucas. “Matter of Facts.” Artforum, Summer 2006: 321.

“7 Days and 7 Nights: States of Undress” (PaceWildenstein exhibition review). Gay City News 5, no. 37, 14–20 September 2006.

Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America, November 2006: 88–89.

Velasco, David. “Dereconstruction, Gladstone Gallery” (exhibition review). Artforum, September 2006: 374, illustrated.

Wolin, Joseph R. “Dereconstruction” (Gladstone Gallery exhibition review). Time Out New York, 17–23 August 2003: 80, discussed.

2005

Glimcher, Marc. “25th Anniversary: Voices of Experience.” Art + Auction (September 2005): 137, illustrated.

Higgs, Matthew. “Best of 2005: 3–Lucas Samaras: PhotoFlicks (iMovies) and PhotoFictions (A to Z).” Artforum (December 2005): 358, illustrated.

Hirsch, Faye. “Abstract Generations” (exhibition review). Art in America (October 2005): 123–129+.

Johnson, Ken. “Art in Review: Lucas Samaras ‘PhotoFlicks (iMovies) and PhotoFictions (A to Z)’” (exhibition review). New York Times, 29 April 2005: E35.

Kino, Carol. “Directions–Planned Obsolescence: When the Work Is a Workstation.” The New York Times, 17 April 2005: section 2, p. 4, illustrated.

Mack, Joshua. “Lucas Samaras ‘PhotoFlicks (iMovies) and PhotoFictions (A to Z)” (exhibition review). Modern Painters (July/August 2005): 104, illustrated.

Perl, Jed. “New Art City.” Chinati Foundation Newsletter 10 (2005): 57, illustrated.

Saltz, Jerry. “Art: Ups and Downs.” New York Village Voice, 28 September–4 October 2005: 84, discussed.

Smith, Roberta. “Art in Review: Interstate” (exhibition review). The New York Times, 16 September 2005: E40, discussed.

2004

Celant, Germano. “Lucas Samaras.” Iterni (Italy), March 2004: 188–193.

Green, Alison. “Lucas Samaras, Waddington Galleries” (exhibition review). Art Monthly (May 2004): 32–33, illustrated.

Kastner, Jeffrey. “Lucas Samaras” (Whitney Museum of American Art exhibition review). Artforum (March 2004): 179.

Pollack, Barbara. “Unrepentant Ego: The Self–Portraits of Lucas Samaras” (exhibition review). Art News (March 2004): 127, illustrated.

Spike, John T. “Irresistible Me: Lucas Samaras’ self–portraits both dazzle and dismay” (Whitney Museum of American Art exhibition review). Art & Antiques (March 2004): 160, illustrated.

Taylor, Sue. “From Tortured Youth to Enchanted Sage” (Whitney Museum of American Art exhibition review). Art in America (September 2004): 112–117, illustrated.

2003

Aletti, Vince. “I Examination” (Whitney Museum of American Art exhibition review). The Village Voice, 3–9 December 2003: 87, illustrated.

Douglas, Sarah. “Lucas Samaras: Photofictions” (PaceWildenstein exhibition review). The Art Newspaper 142 (December 2003): 5, illustrated.

Frankel, David. “Preview Fall 2003: Unrepentant Ego: The Self-Portraits of Lucas Samaras. Whitney Museum of American Art.” Artforum (September 2003): 70.

“Goings on About Town” (Whitney Museum exhibition review). The New Yorker, 1 December 2003: 22.

Levin, Kim. “I, Narcissist” (Whitney Museum exhibition review). Village Voice, 10–16 September 2003: Fall Art, 60, illustrated

“Retrospective: Self Images.” New York, 17 November 2003: 7.

Samaras, Lucas. “Art Maverick.” Interview with Neville Wakefield. Interview (December 2003/January 2004): 78, illustrated.

Schmerler, Sarah. “Art Listings: There go I.” Time Out New York, 16–13 November 2003: 63, illustrated.

Smith, Roberta. “A Naked (and Nude) Narcissist” (Whitney Museum of American Art exhibition review). The New York Times, 7 September 2003: New Season/Art, 93.

Smith, Roberta. “A Playful Narcissist’s Song of Himself” (Whitney Museum of American Art exhibition review). The New York Times, 14 November 2003: illustrated.

Stevens, Mark. “Me Veneration” (Whitney Museum of American Art exhibition review). New York, 1 December 2003: 79, illustrated.

West, Kevin. “Top Of The Pops.” W (January 2003): 115, illustrated.

Yablonsky, Linda. “I and I” (Whitney Museum of American Art exhibition review). Time Out New York, 11–18 December 2003: 56, illustrated.

Yablonsky, Linda. “To Thine Own Selves Be True.” Art News (November 2003): 138–143, illustrated.

2002

Cotter, Holland. “Art Review: A Gift to the Whitney, for New Yorkers to Open.” The New York Times, 25 October 2002: E38.

Kuspit, Donald. “Lucas Samaras” (PaceWildenstein exhibition review). Tema Celeste (2002): 76, illustrated.

Leffingwell, Edward. “Lucas Samaras at PaceWildenstein” (exhibition review). Art in America (April 2002): 146.

Samaras, Lucas. “Lucas Samaras: I Have Done Extravagant Things.” Interview with Vince Aletti. Aperture 167 (Summer 2002): 56–65, illustrated.

Smith, Roberta. “Where Seeing Is Not Only Believing, but Also Creating.” The New York Times, 22 November 2002: E31.

2001

Applin, Jo. “’Materialized secrets’: Samaras, Hesse and the small scale box.” Object, no. 4 (2001/2002): 5–24, illustrated; cover.

Glueck, Grace. “Lucas Samaras ‘Paint’” (PaceWildenstein exhibition review). The New York Times, 28 December 2001: 44.

Glueck, Grace. “Self–Made Men, DC Moore Gallery” (exhibition review). The New York Times, 27 April 2001.

Korotkin, Joyce. “Self–Made Men, DC Moore Gallery” (exhibition review). The New York Art World.com (May 2001).

Mason, Brooke S. “New York: Il signor Pace.” Il Giornale Dell’Arte (Turin), 205 (2001): 4–7.

2000

Kalina, Richard. “Import/Export: Odysseus’s Progeny.” Art in America (September 2000): 60–63.

Poli, Francesco. “Lucas Samaras, Galerie Xippas, Paris.” Tema Celeste (July–September 2000): 91.

1999

Adams, Brooks.”Off–Limits: Rutgers University and the Avant–Garde, 1957–1963.” Artforum (Summer 1999): 149.

Gomez, Edward M. “Modern Art’s Missing Link: The New Jersey Scene.” The New York Times, 21 February 1999: 47.

Hernández–Durán, Raymond. “Modern and Contemporary Art: The Lannan Collection at The Art Institute of Chicago: Lucas Samaras.” Jeremy Strick, ed. Museum Studies 25, no. 1 (1999): 48–49.

Johnson, Ken. “Lucas Samaras: Reconstructions.” The New York Times, 9 April 1999: E41.

Koplos, Janet. “Lucas Samaras at PaceWildenstein” (exhibition review). Art in America (June 1999): 121, illustrated.

Landi, Ann. “Lucas Samaras/Jay Grimm” (exhibition review). Art News (Summer 1999): 153.

Llorca, Pablo. “Alicia Martin: Galeria Oliva Arauna.” Artforum (March 1999): 120.

Murdock, Robert M., “Off Limits: Rutgers University and the Avant-Garde, 1957–1963.” Review, 15 March 1999: 25.

Rose–Shapiro, Annette. “Lucas Samaras: PaceWildenstein Gallery, New York City” (exhibition review). Glass (Spring 1999): 52, illustrated.

Stevens, Mark. “New Brunswick Stew.” New York, 15 March 1999.

Temin, Christine. “A (Chuck) Close look at van Gogh’s portraits.” The Boston Globe, 5 July 2000: pD1, D6.

Vogel, Carol. “Inside Art: National Gallery Fills Its Garden.” The New York Times, 19 March 1999: E36.

1998

Belcove, Julie L. “Cool Hand Lucas.” W (December 1998): 280–283+, illustrated.

Everett, Deborah. “Lucas Samaras: Gold” (exhibition review). NY Arts (December 1998): 56.

“Goings On About Town” (PaceWildenstein exhibition review). The New Yorker, 28 December 1998–4 January 1999: 20.

Smith, Roberta. “Lucas Samaras” (PaceWildenstein exhibition review). The New York Times, 25 December 1998: E42.

“Stuff to Run and See: Three Cult Kings.” Interview (December 1998): 52, illustrated.

1997

Hayt, Elizabeth. “Lucas Samaras” (PaceWildenstein exhibition review). Art/Text 57 (1997): 94–95, illustrated.

Johnson, Ken. “Transformer: Lucas Samaras” (PaceWildenstein exhibition review). Art in America (February 1997): 76–81, illustrated; cover.

Kino, Carol. “Reviews: Lucas Samaras, PaceWildenstein” (exhibition review). Art News, (February 1997): 113, illustrated.

Knight, Christopher. “Transforming the Nature of Instant Photography” (PaceWildenstein exhibition review). Los Angeles Times, 12 August 1997: F1, 9, illustrated.

McKenna, Kristine. “One–Man Show” (PaceWildenstein exhibition review). Los Angeles Times, 17 August 1997: 6, 63, illustrated.

Pagel, David. “Lucas Samaras” (PaceWildenstein exhibition review). Art Issues (November/December 1997): 44, illustrated.

Pinsent, Richard. “Robert Frank, the Switzer in the US; Harry Callahan and Lucas Samaras.” The Art Newspaper, no. 72 (June 1997).

Plagens, Peter. “Lucas Samaras, PaceWildenstein” (exhibition review). Artforum (February 1997): 81, illustrated.

Weinstein, Jeff. “Art in Residence: Magpie in the Sky.” Artforum (March 1997): 64.

1996

Diehl, Carol. “Birds, Beads & Bannerstones.” Art News (Summer 1996): 80.

Diehl, Carol. “The Nineties, Finally” (PaceWildenstein exhibition review). Review, 15 November 1996: 23–24.

“Galleries—Uptown: Lucas Samaras” (PaceWildenstein exhibition review). The New Yorker, 18 November 1996: 24.

Glueck, Grace. “Celebrating Many Lucas Samarases” (PaceWildenstein exhibition review). The New York Times, 15 November 1996: C25.

Greene, David A. “Ill Decor” (PaceWildenstein exhibition review). The Village Voice, 26 November 1996: 92, installation view.

Halle, Howard. “Wild Thang” (PaceWildenstein exhibition review). Time Out New York, 21–28 November 1996: 42.

Kino, Carol. “Lucas Samaras at PaceWildenstein” (exhibition preview). Art & Auction (October 1996): 74, illustrated.

Newhall, Edith. “Me, Myself, I” (PaceWildenstein exhibition review). New York, 11 November 1996: 102.

Pagel, David. “A Liberating Vision of the World in Pastels” (PaceWildenstein exhibition review). Los Angeles Times, 12 December 1996.

Pedersen, Victoria. “Gallery Go Round.” Paper (November 1996): 138, illustrated.

Shales, Ezra. “Lucas Samaras at PaceWildenstein SoHo” (exhibition review). Review, 1 December 1996: 9–10.

1995

Clothier, Peter. “Living With Art” Art News (February 1995): p.82–85.

Drohojowska–Philp, Hunter. “Still Making Things Happen.” Los Angeles Times, calendar, 4, 36–37.

French–Constant, Richard H.. “The Zap Trap.” The Sciences (March–April 1995): 35.

Gibson, Eric. “Lucas Samaras, PaceWildenstein” (exhibition review). Art News (March 1995): 127–128, illustrated.

Goodwin, Betty. “Gallery Party Leaves ‘Em Out on the Streets.” Los Angeles Times, 2 October 1995.

Knight, Christopher. “A Blue–Chip Gallery Sees Blue Skies in L.A.” Los Angeles Times, 13 August 1995: 53, 56.

Moore, Susan. “The Human Form at Waddington.” Art & Auction (December 1995):

48.

Wakefield, Neville. “Lucas Samaras, Pace Gallery” (exhibition review). Artforum (February 1995): 88–89, illustrated.

1994

Katz, Vincent. “Man in a Mirror.” Paper Guide (November 1994): 112, illustrated.

Vogel, Carol. “Inside Art.” The New York Times, 11 February 1994.

“Voice Choices: Lucas Samaras” (exhibition review). Village Voice, 8 November 1994: 8.

“Warm Gray Matter.” Interview (November 1994): 52, 54, illustrated.

1993

“Goings On About Town: Art” (The Pace Gallery exhibition review). The New Yorker, 15 March 1993.

K., J.E. “Portraits of the Artist.” The Art Newspaper, no. 25 (February 1993): 9.

Mango, Christina. “The Oral Matrix.” The Arts in Psychotherapy 20 (1993): 403–410.

“News: Lucas Samaras at the MOMA.” Flash Art (January/February 1993).

Smith, Roberta. “How Beautiful Is Small and Vice Versa.” The New York Times, 26 February 1993.

1992

Decter, Joshua. “New York in Review” (The Pace Gallery exhibition review). Arts Magazine (January 1992): 76, illustrated.

“Goings on About Town: Photography.” The New Yorker, 7 September 1992.

Hagen, Charles. “Obsessive Investigation of Personality.” The New York Times, 11 September 1992: C20, illustrated.

Heartney, Eleanor. “Through the Mind’s Eye: Samaras’s Abstractions” (The Pace Gallery exhibition review). Art in America (March 1992): 88–93, illustrated; cover.

Machas, Mary. “Greek Art in New York.” The Athenian (January 1992): 38–39.

Myers, Terry R. “Abstraction Gets a Life.” Tema Celeste (Summer 1992): 82.

Perl, Jed. “Art: By the month” (The Pace Gallery exhibition review). The New Criterion (February 1992): 51.

Rubinstien, Hal. “Gianni Versace.” Interview (November 1992): 122–129, 140–141. (Art by Samaras).

Smith, Roberta. “Art Review: A New–Surrealist Show With a Revisionist Agenda.” The New York Times, 12 January 1992: C23.

Sokolowski, Thomas W. “The Art of the Melting Pot.” Greece's Weekly, 15 June 1992: 8–11.

Vetrocq, Marcia E. “Report from Turin: Back to Basics.” Art in America (April 1992):

67–71.

Weinstein, Matthew. “Reviews: Lucas Samaras, Pace Gallery” (exhibition review). Artforum (February 1992): 110, illustrated.

1991

Barak, Ami. “Lucas Samaras – Galerie Renos Xippas.” Art Press (November 1991): 102.

Bataillon, Françoise. “Lucas Samaras: menaçant.” Beaux Arts, no. 94 (October 1991): 121.

Cremin, Ann. “Talk of the Trade: Xippas in Paris.” Art & Auction (April 1991): 40–43.

“Goings on About Town: Art” (The Pace Gallery exhibition review). The New Yorker, 18 November 1991: 14.

“Goings On About Town: Photography.” The New Yorker, 18 March 1991.

Hoffman, Randi. “Drawings reveal a little more about those who sculpt art.” The New

Mexican, 13 December 1991.

Kuspit, Donald. “On Being Boxed In.” Sculpture (November/December 1991).

Larson, Kay. “Spectator Sport.” New York, 29 July 1991.

“Photo Ops with the Masters.” Art News (April 1991): 125–129.

Reif, Rita. “Auction Fever Cools for Art.” The New York Times, 2 May 1991.

Reif, Rita. “Rauschenberg Work Brings Sale Record.” The New York Times, 1 May 1991.

Stefanides, Manos. “A 'Dialog' with Leonardo da Vinci.” Arti 7 (November/ December 1991): 64–87.

Stefanides, Manos. “Lucas Samaras: The Holy, the Unholy and the Horrific.” Arti 7 (November/December 1991): 41–63.

1990

Adrian, Dennis. “Elliott exhibit proves instructive.” Chicago Sun–Times, 27 May 1990.

“Artefact: In View.” City Limits, July 5–12, 1990.

Cooke, Lynne. “Boston and New York; Lucas Samaras and Yayoi Kusama.” The Burlington Magazine (February 1990).

“Critics Choice.” The Times, 22 June 1990.

“Current Shows.” The Independent, 27 June 1990.

Dickinson, Carol. “Colorado Art News.” Art–Talk (May 1990).

Domino, Christophe. “Objet du discours et discours de l'objet.” Artstudio (Winter 1990).

Ehrlich, Jane. “Artline: Exhibit will show diversity and curiosity of surrealist – New toy, or new series of note?” The American, no. 347, 29 June 1990.

“Expos: Portrait Of An American Gallery.” Kiosque (June 1990).

Godfrey, Tony. “Decline and Fall?” Art in America (February 1990).

Gottlieb, Shirley. “Esthetics of the Machine Age: Keith Sonnier at CSU Long Beach.” Artweek, 1 November 1990.

Helman, Ursula. “The Folding Screen.” Bomb (Summer 1990): 88–93.

Kent, Sarah. Time Out, 11–18 July 1990.

Kuspit, Donald. “We no longer expect art to ripen into immortality.” Art International (Autumn 1990).

Norman, Geraldine. “Contemporary Art Market: Abstract sculptures dominate displays.” The Independent, 25 June 1990.

Sischy, Ingrid. “The Samaras Spectrum.” House and Garden (December 1990): 122–129+, illustrated.

Tarantino, Michael. “The Machine and the Wheels.” The Bulletin, 24 May 1990.

The Guardian, 20 June 1990.

Wells, Linda. “Mirror Image.” The New York Times Magazine, 29 April 1990.

1989

“Art.” The New Yorker, 26 June 1989: 12, illustrated.

Clothier, Peter. “Living with Art.” Art News (Summer 1989).

Decker, Andrew. “Saatchi Sells.” Art and Auction (May 1989).

Friis–Hansen, Dana. “Self as Object.” Art New England, 12 September 1989.

Goldring, Nancy. “Identity; Representations of the Self.” Arts Magazine (March 1989).

Grabosky, Tom. “Art on its own, art for a cause.” Bay Windows, Boston (1989).

Johnson, Ken. “Lucas Samaras at Pace and Pace/MacGill” (exhibition review). Art in America (January 1989): 143, illustrated.

“Lucas Samaras.” Exhibit Magazine of Art (January/February 1989).

“Lucas Samaras Retrospective at Boston Museum of Fine Arts.” Antiques and the Arts

Weekly, 8 September 1989.

Raven, Arlene. “I to Eye.” The Village Voice, 31 January 1989.

Rimanelli, David. “Lucas Samaras” (The Pace Gallery exhibition review). Artforum (February 1989): 129–130, illustrated.

Rose, Barbara. “Samaras: Lucas in Lotus Land.” The Journal of Art (January 1989).

Russell, Gloria. “Cassatt, Samaras exhibits: Study in Contrasting styles.” Sunday Republican, 8 October 1989.

“Samaras, Martin, Judd at MFA.” Flash Art (November/December 1989).

“Samaras traces artistic roots.” Lawrence Eagle Tribune, 21 September 1989.

Smith, Roberta. “Samaras on Paper” (Metropolitan Museum of Art exhibition review). The New York Times, 14 July 1989.

Stapen, Nancy. “Art.” Sunday Boston Herald, 10 September 1989.

Stapen, Nancy. “Sizing up Samaras.” The Boston Herald, 22 October 1989.

Taylor, Robert. “Lucas Samaras bends Surrealism to his own purpose.” The Boston Sunday Globe, 8 October 1989.

Turner, Elisa. “A razzle–dazzle show at CFA.” The Miami Herald, 12 March 1989.

R.B.W. “Lucas Samaras” (exhibitions review). Art News (March 1989).: 170–171, illustrated.

Woodward, Richard. “Art.” Vogue, July 1989: 98, 102, 104.

Woodward, Richard. “Documenting an outbreak of self–presentation.” The New York Times, 22 January 1989.

1988

“Art Briefs.” Rocky Mountain News, 17 May 1988.

“Art with its Audience.” Issue (June/July 1988).

“Artists retrospective at DMA.” Boulder Camera, 7 May 1988.

“Arts Briefs.” Rocky Mountain News, 26 May 1988.

Baker, Kenneth. “Tattered Remnants of Experience.” San Francisco Chronicle, 9 October 1988.

“The Bizarre Samaras.” Capital Entertainment, 19–26 August 1988.

Burchard, Hank. “Here Today, Gone Samaras.” The New York Post, 18 August 1988.

Cole, Jo. “Lucas Samaras' Denver Art Museum exhibit boggles mind.” Colorado Press, 23 June 1988.

Daxland, John. “Keeping Pace.” The Daily News, 5 August 1988.

“Drawings on Exhibition.” Drawing (May/June 1988).

Fox, Catherine. “Crowd–Pleasers, New Works Vie for the Eye Around Town.” The Atlanta Journal and The Atlanta Constitution, 4 September 1988.

Fox, Catherine. “The Evolving Art of Lucas Samaras.” The Atlanta Constitution and The

Atlanta Journal, 20 November 1988.

Goldberg, Vicki. “Connoisseur's World.” Connoisseur (October 1988).

Grundberg, Andy. “An Artist who Thrives on Contradictions.” The New York Times, 28 August 1988.

Heath, Jennifer. “Reginal Art Notes; Colorado.” Southwest Profile (May/June 1988).

Heath, Jennifer. “Tsiaras' work matches wits with best friend Samaras.” Rocky Mountain

News, 27 May 1988.

“High Museum Features Samaras Retrospective.” The Arts Journal (November 1988).

Jinkner–Lloyd. “Samaras's Compulsions Not all Compelling.” The Atlanta Constitution and The Atlanta Journal, 12 December 1988.

Kendley, James. “Lucas Samaras.” The Times, 13 December 1988.

Killian, Michael. “Samaras' macabre art takes us to outer limits.” Chicago Tribune, 28 July 1988.

Kimmelman, Michael. “Lucas Samaras: Boxes and Mirrored Cell” (exhibition review). The New York Times, 18 November 1988.

Kuspit, Donald. “The Modern Fetish.” Artforum (October 1988): 132–133, illustrated.

Larson, Kay. “Gallery Guide” (The Pace Gallery exhibition review). New York, 14 November 1988: 90, illustrated.

“Lucas Samaras Retrospective to open at the Museum of Fine Arts.” Hellenic Chronicle,

21 September 1988.

McGreevy, Linda. “Art, Cut up.” Montgomery Journal, 13 September 1988.

Mead, Diane. “Greek artist way ahead of his time.” Macon Telegraph and News, 25 November 1988.

Meyer, James. “Lucas Samaras.” Arts Magazine (December 1988).

“Museum lauds Samaras exhibit.” Rocky Mountain News, 6 May 1988.

“New York Times Art Critic to Lecture.” Atlanta Daily World, 4 December 1988.

Newhall, Edith. “Shooting Himself.” Art News (November 1988).

“Portrait of the Artist as Photo.” Connoisseur (October 1988).

Rawlings, Irene. “Samaras' dazzling art comes together in Denver.” Denver Post, 15 May 1988.

Rawlings, Irene. “Samaras 'Objects and Subjects' show opens at museum.” Denver Post,

6 May 1988.

Richard, Paul. “Samaras' Inner View; Cumulative Claustrophobia at NMAA.”

The Washington Post, 12 August 1988.

“Samaras retrospective focuses on artists versatility, creativity.” Comer News and Danielsville Monitor, 22 December 1988.

“Samaras' work mingles joy and suffering.” Rocky Mountain News, 6 May 1988.

Saylor, Ken. “Aimee Rankin; Postmasters.” Artscribe International (September/October 1988).

Schjeldahl, Peter, “Autoerotica.” Seven Days, 13 April 1988.

Schjeldahl, Peter. “Wizard of Id.” Elle (November 1988): 168–170, illustrated.

“A Soup of Styles, The Specter of Pluralism Returns.” The New York Times, 28 December 1988.

Sozanski, David. “Lucas Samaras and his diverse expressions of self.” Philadelphia Inquirer, 1 September 1988.

Thorson, Alice. “A bit of fun, gimmickry in narcissism run amok.” Washington Times,

18 August 1988.

“A view of artist Lucas Samaras.” The Journal, 23 September 1988.

Walbye, Phyllis. “Sorcery of Samaras....” Daily Reporter Herald, 28–29 May 1988.

Wolff, Theodore. “A kind of sculptural crash course peps up summer browsing.”

The Christian Science Monitor, 1 August 1988.

1987

Heartney, Eleanor. “Review of Exhibitions: New York/Lucas Samaras at Pace” (exhibition review). Art in

America 75 (May 1987): 181–182, illustrated.

Kuspit, Donald. “Reviews: New York/Lucas Samaras” (The Pace Gallery exhibition review). Artforum 25 (May 1987): 146, illustrated.

Poirier, Maurice. “Lucas Samaras, Pace” (exhibition review). Art News (May 1987): 147–148, illustrated.

Raynor, Vivien. “Art: Encrusted Chairs From Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 27 February 1987: C23, illustrated.

Review. Detroit Free Press, 21 August 1987.

Schwabsky, Barry, “Spotlight: Lucas Samaras” (The Pace Gallery exhibition review). Flash Art 134 (May 1987): 78, illustrated.

1986

Bonetti, David. “Photosynthesis: The Altered States of Lucas Samaras.” Boston Phoenix, 25 November 1986: 8.

Grimes, Nancy. “New York Reviews: Lucas Samaras, Pace” (exhibition review). Art News (January 1986): 125–126, illustrated.

Kotzamani, Mari. “To Xeperasma Tis Loyikis.” Eikones (April 1986).

Malcolm, Janet. “Profiles (Ingrid Sischy – Part II).” The New Yorker, 27 October 1986:

p47–66.

Savopoulos, Haris. “Lucas Samaras Portraits.” Eikastika (June 1986).

Watson, Gray. “Lucas Samaras at the Serpentine and Mayor.” Artscribe (November/December 1986): 70, 71.

Wise, Kelly, “Photographer's Pose: 'I give you myself . . . ,'“ Boston Globe, 29 November 1986: 17–19.

1985

“Briefings.” Saturday Review (November/December 1985): 9, illustrated.

Conrads, Margaret. “An Interview with Lucas Samaras.” Issue; A Journal for Artists, no. 2 (Winter 1985): 8–12, illustrated.

Glimcher, Arnold B. “Lucas Samaras.” Flash Art, no. 124 (October/November 1985): 40–44, illustrated; cover.

“Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 1 November 1985.

McGill, Douglas C. “Art People: Samaras Puts Art Types on Canvas.” The New York Times, 8 November 1985: C33, illustrated.

Samaras, Lucas. “From the Diary of Lucas Samaras.” Issue; A Journal for Artists, no. 2 (Winter 1985): 13–15.

Samaras. Lucas. “The Marketplace.” Artforum 23 (Summer 1985): 62–66, illustrated; cover.

Weiermair, “Lucas Samaras Polaroidfotografier 1969–83.” Louisiana Revy 25 (July 1985): 33–66.

1984

Descombes, Mireille. “Monsieur Polaroid.” Tribune de Geneve, 11 January 1984. In

French.

Edwards, Owen. “The Uses of Enchantment.” American Photographer (October 1984): 28–32.

Ewing, William A. “Lucas Samaras: Eye of the Storm.” New York Talk (August 1984): 18–19.

Greenspan, Stuart. “Gallery-Hopping in Manhattan” (The Pace Gallery exhibition review). Wall Street Journal (January 1984).

Grundberg, Andy. “Self–Absorption Filtered Through Artistic Sophisticatio.” The New York Times, 15 July 1984: 23.

Harris, Susan A. “Lucas Samaras, Pace” (exhibition review). Arts (April 1984): 45.

“Kunst–Service.” Lokales, 25 May 1984.

Langer, Freddy. “Endzeitvisionen und Zukunftshoffnungen.” Lokales, 2 August 1984. In

German.

“NJ artists featured at Art Center photo exhibit.” The Independent Press, 31 October 1984.

O'Neill, Donna. “Letting their creativity flow in pictures.” The Daily Journal, 9 November 1984.

Olivella, Edward. “La nove era del color.” Serra d'or, April 1984: 596.

Plagens, Peter. “Conversation with a Work of Art.” Aperture 96 (Fall 1984): 50–59.

Raynor, Vivien. “Art: Three Shows by Lucas Samaras” (exhibition review). The New York Times, 27 January 1984: 22, illustrated.

Smith, Roberta. “Art: Splat!” The Village Voice, 16 October 1984.

Smith, Roberta. “Samaras Flagrante” (The Pace Gallery exhibition review). The Village Voice, 7 February 1984.

Squiers, Carol. “Lucas Samaras: Private Panoramas.” Close–Up 14, no. 3 (Spring 1984): 15–21, illustrated.

Squires, Carol. “Photography: Lucas Samaras/Private Panorama.” Vanity Fair 47 (January 1984): 15–20.

Thurler, Peg. “Viewpoint: Artist as Photographer.” The Summit Herald, 15 December 1984.

Zelevansky, Lynn. “New York Reviews: Lucas Samaras, Pace, Wildenstein and Pace/MacGill” (exhibitions review). Art News (April 1984): 159, illustrated.

1983

Chevier, Jean–Francois. “Samaras: Les Court–Circuits Polaroids.” Beaux–Arts (October 1983): 61–65. In French.

Corbaz, Aime. “L'Instantane devant la posterite: Gros plan sur le Polaroid.” Tribune du

Matin, 28 December 1983. In French.

Davvetas, Demosthenes. “Lucas Samaras.” Kimata 10 (1983): 15–49.

Moufarrege, Micolas A. “Face a Face; Dust, Spit and Thread/The Pastels of Lucas Samaras.” Arts Magazine 57 (May 1983): 74–77, cover.

Raynor, Vivien. “Art, All That Glitters Isn’t Always Gold” (Tweed Gallery exhibition review). The New York Times, 29 May 1983: discussed.

Temin, Christine. “Samaras and the art of self–investigation.” Boston Sunday Globe, 30 January 1983: B3.

Trichon–Milsani, Euridiki. “Lucas Samaras at Beaubourg.” Eikastika 24 (December

1983): 8–11.

1982

Bourdon, David. “A Conversation with Lucas Samaras.” Architectural Digest 39 (January 1982): 130+, illustrated.

Burchell, Sam. “The Collectors: A Unifying Aesthetic—Fred Mueller in New York City.” Architectural Digest 39, no. 6 (June 1982): 82–89, installation views.

Carlson, Prudence. “Lucas Samaras at Pace” (exhibition review). Art in America (October 1982): 129.

Cavaliere, Barbara. “Lucas Samaras, Pace” (exhibition review). Arts (May 1982): 28.

Dickenson, Nancy Godwin. “Metals: Cast–Cut–Coiled.” Art New England (October 1982).

Gifford, J. and Melvin B. Shestack. “A Man Who Won't Be Stereotyped.” American Photographer (February 1982): 80–83.

Grant, Daniel. “Review” (The Pace Gallery exhibition review). Newsday, 5 March 1992: illustrated.

Levin, Kim. “Lucas Samaras, Pace” (exhibition review). Flash Art (May 1982): 50, illustrated.

“Lucas Samaras, Pace” (exhibition review). Art News (May 1982): 162, illustrated.

Moufarrege, Nicholas A. “Galleries: The Eye of the Beholder” (The Pace Gallery exhibition review). New York Nature, 12–25 April 1982: illustrated.

Samaras, Lucas. “Clay and Bronze.” Artforum 20 (March 1982): 57–63, illustrated; cover.

Smith, Roberta. “Metamorphosis, by Lucas Samaras” (The Pace Gallery exhibition review). Village Voice, 16 March 1982: 84, illustrated.

1981

Kuspit, Donald B. “Exhibitionism” (The Pace Gallery exhibition review). Art in America 69 (March 1981): 88–90, illustrated.

Levin, Kim. “Lucas Samaras.” Greek Accent (July–August 1981): 18–25, illustrated; cover.

Mutsuo, Takahashi. “Brutus Predicts.” Brutus 23 (1981): 123.

1980

Cavaliere, Barbara. “Lucas Samaras” (The Pace Gallery exhibition review). Arts (February 1980).

Daily Telegraph, 28 June 1980.

Goldberg, Vicki. “Pictures at Exhibitions.” The New York Times Magazine, 23 November 1980: 62–63, illustrated.

Kramer, Hilton. “The Photograph Assumes a New 'Artiness'“ (The Pace Gallery exhibition review). The New York Times, 21 December 1980: 1+, illustrated.

Kutzen, Peggy. “Lucas Samaras” (The Pace Gallery exhibition review). Arts (February 1980): 17, illustrated.

Larson, Kay. “The Craft of Art” (The Pace Gallery exhibition review). New York, 29 December 1980–5 January 1981.

Lifson, Ben. “Samaras's Nudist Colony” (The Pace Gallery exhibition review). The Village Voice, 17–23 December 1980: 113, illustrated.

Spalding, Frances. “Ten American Artists.” Arts Review, 4 July 1980.

Vaizey, Marina. “The name of the Game.” Sunday Times (London), 29 June 1980.

Whelan, Richard. “New York Reviews: Lucas Samaras” (The Pace Gallery exhibition review). Art News (March 1980): illustrated.

Zimmer, William. “The Tribe Stripped Bare.” SoHo Weekly News, 23 December 1980:

52.

1979

Cavaliere, Barbara. “Five Action Painters of The Fifties.” Arts Magazine (October 1979).

Glueck, Grace. “Art: The Piecework of Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 14 December 1979.

Ittner, John. “Group Show Time.” New York Post, 14 December 1979: detail.

Levin, Kim. “The Word Drawings of Lucas Samaras: Thanatos and Postmodernism.”

Drawing 1 (July 1979): 25–28.

Mahon, Peggy. “Excerpts from Samaras Lecture.” Views 1, 16 March 1979: 3.

Ratcliff, Carter. “Modernism Turned Inside Out: Lucas Samaras' 'Reconstructions.'“ Arts Magazine 54 (November 1979): 92–96, illustrated; cover.

Rickey, Carrie. “Art of Whole Cloth.” Art in America 67 (November 1979): 72–83.

1978

Bannon, Anthony. “A Slice of American Paintings From the 1970s.” Buffalo Evening News, 26 November 1978.

Fragale, Jim. “Lucas Samaras: Thing Make.” Blueboy (May 1978): 28.

Kramer, Hilton. “Art View: The Daring Theatricality of Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 26 February 1978: D25, illustrated.

Keffopoulos, Catherin. “Art.” Athenian (July 1978): 40–42.

Kline, Katy. “'Painting of '709s' Exhibit Has Variety.” Courier Express, 9 December 1978.

Kotzamani, Maria. “A Byzantine Monk in Blue Jeans.” Epikaire (May 1978): 70–71.

Meurie, Alan. “Lucas Samaras: Le Polaroid narcissique.” Photo (February 1978).

Panayopopoulos, Nikos. Fotografia (October 1978): 143–147.

Rose, Barbara. “Lucas Samaras: The Self as Icon and Cultural Environment.” Arts

Magazine 52 (February 1978): 144–149, illustrated.

Sloan, Harry Herbert. “Sensory Magic.” Gentlemen's Quarterly 48 (Winter 1978): 174.

1977

Cavaliere, Barbara. “Group Exhibition.” Arts Magazine (October 1977).

Glueck, Grace. “The 20th–Century Artists Most Admired By Other Artists.” Art News (November 1977).

Hugo, Victor. “Lucas Samaras: Art on Art.” Interview (April 1977): 34.

Iliopoulou–Rogan. Arti (May 1977): 44.

Macair, Alain. “L'Alchimie photographique de Lucas Samaras.” Canal (1977).

Nakahara, Yusuke. Mizue 868 (May 1977): 1–8.

Normile, Ilke. “Review: Instant Samaras.” Afterimage 4 (March 1977): 16, illustrated.

Nuridsany, Michel. “L'Opera fabuleux de Samaras.” Figaro, 5 December 1977: 24.

In French.

Underwood, James. “Samaras Talks About Self.” Teheran Journal (May 1977): 7.

Yamagishi, Shoji. Mizue 868 (July 1977): 72–77.

Yamagishi, Shoji. “Photo-Transformations SX–70.” Camera Mainichi (July 1977): 66–68.

1976

Baker, Kenneth. “Lucas Samaras Ought to Be in Pictures.” Boston Phoenix, 8 June 1976: 9.

Granitsas, Margot. “Profile: Lucas Samaras—a Painter, a Sculptor, a Performer?” Pilgrimage (May 1976): 29–31, illustrated.

Gruen, John. “The Apocalyptic Disguises of Lucas Samaras.” Art News 75 (April 1976): 32–37.

Hogg, Carol. “Photo–Transformations Offer Extraordinary A.C.A. Exhibit.” Calgary Herald, 3 September 1976: 49.

Hopkins, Budd. “Reviews: New York.” Artforum 14 (January 1976): 57.

Kramer, Hilton. “Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 17 December 1976.

Samaras, Lucas. “The Art of Portraiture in the Words of Four New York Artists.” The New York Times, 31 October 1976: D29.

Schwartz, Barbara. “Exhibitions: New York/Sculpture and Craft.” Craft Horizons 36 (February 1976): 57.

1975

Glueck, Grace. “To Samaras, The Medium is Multiplicity.” The New York Times, 24 November 1975: 30, illustrated.

Greenfield, Lois. “Can Polaroids Make Art?” Village Voice, November 1975: 116.

Hoffeld, Jeffrey, “Lucas Samaras: The New Pastels.” Arts Magazine 49 (March 1975): 60–61, illustrated.

Lorber, Richard. “Lucas Samaras” (The Pace Gallery exhibition review). Arts (November 1975): 12, illustrated.

Ries, Martin, and Gregory Battcock. “New York: Lucas Samaras' Powdered Absolute.” Art and Artists 10 (June 1975): 20–21.

Russell, John. “Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 1 November 1975.

1974

“Art: Monumenta.” Vogue (August 1974).

Hess, Thomas B. “Radical Kitsch” (The Pace Gallery exhibition review). New York, 15 April 1974: 77.

“Reviews.” Artforum 12 (June 1974): 64–65.

1973

Ashton, Dore. “A Home–Made Process for Unravelling Meanings.” Studio International 185 (March 1973): 134–135.

Chapin, Louis. “Uncomfortable Transformations.” Christian Science Monitor, 1 February 1973: 19.

Frank, Peter. “New York Gallery Notes: Lucas Samaras at the Whitney.” Art in America 61 (March 1973): 100–101.

Karabia, Maria, and Kathi Merini, “Lucas Samaras metoikos sti zoi kai tin tehni.” Kathimerini, 10 December 1973.

Kozloff, Max. “The Uncanny Portrait: Sander, Arbus, Samaras.” Artforum 11 (June 1973): 58–66.

Samaras, Lucas. “On the Film 'Self'.” Opus International (May–June 1973): 27–29, illustrated.

Spies, Werner. “Die Seele in der Bonbonniere.” Feuilleton, 11 January 1973.

1972

Bernstein, Richard. “Interview.” Interview (December 1972): 30.

Canby, Vincent. “Screen: Visual Alchemy.” The New York Times, 29 December 1972: 10.

Glenn, Eugene. “Lucas Samaras by Kim Levin.” Print Collector's Newsletter 3 (1972): 168–169.

Hughes, Robert. “Art: Menaced Skin.” Time 100, 27 November 1972: 64–65.

Kramer, Hilton. “Inspired Transformations.” The New York Times, 26 November 1972: D17.

Kramer, Hilton. “Outrageous Invention in Samaras' Art.” The New York Times, 18 November 1972.

Levin, Kim, “Eros, Samaras and Recent Art.” Arts Magazine 47 (December 1972): 51–55.

Palazzolo, Carl. “At the Harcus–Krakow I, Samaras: Autopolaroids Primarily” (Harcus-Krakow Gallery exhibition review). Boston After Dark, 1 February 1972: 18.

Perreault, John. “Going the Way of All Flash.” Village Voice, 30 November 1972: 34–35.

Rose, Barbara. “Art: The Other Tradition.” New York 5, 11 December 1972: 82–83.

1971

Glynn, Eugene. “Books in Review: Samaras Album.” Print Collector's Newsletter 2 (November 1971): 106–107.

Gruen, John. “Galleries & Museums: The Best Thing in Life Is Me.” New York 3, 18 October 1971: 80.

Kurtz, Bruce. “Samaras' Autopolaroids.” Arts Magazine 46 (December 1971): 54–55.

Kramer, Hilton. “Lucas Samaras” (The Pace Gallery exhibition review). The New York Times, 23 October 1971.

1970

Gallery Notes: Albright–Knox Art Gallery 31 (Spring 1970): 36–40. (See also vol. 32/2.)

Hughes, Robert. “Art: Nowhere to Sit Down.” Time 96, 9 November 1970: 62.

Lipman, Jean. “Period Rooms—The Sixties and Seventies.” Art in America (November/December 1970): 126–129, illustrated.

Mellow, James R. “Cozy Objects Gone Berserk” (The Pace Gallery exhibition review). The New York Times, 25 October 1970: D27, illustrated.

Pincus-Witten, Robert. "Review" (The Pace Gallery exhibition review). Artforum 9 (November 1970): 85, illustrated.

Rose, Barbara. “artist's buddy, give money, and total love.” Vogue, 1 February 1970.

Samaras, Lucas. “Autopolaroid.” Art in America 58 (November/December 1970): 66–83.

1969

Glueck, Grace. “Art Notes: Hanging Henry's Show/Moonglow/Collage.” The New York

Times, 3 August 1969.

Levin, Kim. “Samaras Bound.” Art News 67 (February 1969): 35–37.

Schjeldahl, Peter. “Boxie was a Cutie Was a Sweetie Was a Blondie Was a Pootsy.”

The New York Times, 24 August 1969: D23.

1968

“Art: On All Sides.” Time, 3 May 1968: 56–59, illustrated.

Ashton, Dore. (The Pace Gallery exhibition review). Studio International (December 1968): 267.

Dienst, Rolf–Gunter. “Ausstellungen in New York.” Das Kunstwerk (April–May 1968).

Glueck, Grace. “Art Notes: Keep Off the Glass.” The New York Times, 20 October 1968, D21, illustrated.

Gruen, John. “Art in New York: Passion and Poetry.” New York 2, 4 November 1968: 19.

Harris, Pilli. “Art: Sculpture/Forbidden Toys.” Time 92, 20 September 1968: 74–75, illustrated.

Joachimides, Christos M. and Norman Rosenthal. “New York Commentary. Eight Attitudes, Eight Greeks.” Studio International 176 (December 1968): 267–268.

Kramer, Hilton. “Taste and Talent for the Extravagant.” The New York Times, 19 October 1968: 33, illustrated.

Levin, Kim. “Views and Previews: Lucas Samaras.” Art News 67 (December 1968): 53–54.

Pincus–Witten, Robert. “New York.” Artforum 7 (December 1968): 55–56.

Samaras, Lucas. “A Reconstituted Diary: Greece 1967.” Artforum 7 (October 1968): 54–57.

1967

Ashton, Dore. “New York Commentary: ‘Art with Irony.’“ Studio International 173 (January 1967): 40.

Picard, Lil. “Lucas Samaras (Pace Gallery)” (exhibition review). Das Kunstwerk (February–March 1967): 26.

Samaras, Lucas. “Cornell Size.” Arts Magazine 41 (May 1967): 45–47.

Samaras, Lucas. “In Exploratory Dissection of Seeing.” Artforum 6 (December 1967): 26–27.

1966

Benedikt, Michael. “New York Letter.” Art International 10 (December 1966): 67–68.

Canady, John. “Gods—With and Without Lightning” (The Pace Gallery exhibition review). The New York Times, 16 October 1966.

Friedman, Martin. “The Obsessive Images of Lucas Samaras.” Art and Artists 1 (November 1966): 20–23.

Giusti, Hedy A. “Gli Artisti della ‘Pace Gallery’.” D’Ars Agency. Periodico d’arte contemporanea, anno 7, no. 3–4 (1966): 100–103, illustrated.

Kozloff, Max. “Art.” Nation 203, 14 November 1966: 525.

Reeves, Jean. “Creator of the New Mirrored Room in Shyly Pleased by Reception.” Buffalo Evening News, 16 December 1966, 22.

Roberts, Colette. “Les Expositions: New York.” Aujourd'hui 10 (December 1966): 180–182.

Schjeldahl, Peter. “Taking Up the Slack.” The Village Voice, 10 November 1966: 14.

Smithson, Robert. “Quasi–Infinities and the Waning of Space.” Arts Magazine 41 (November 1966): 31.

Solomon, Alan. “Conversations with Lucas Samaras.” Artforum 5 (October 1966): 44–46.

Waldman, Diane. “Samaras: Reliquaries for St. Sade.” Art News 65 (October 1966): 44–46.

1965

Marmer, Nancy. “Los Angeles.” Artforum 9 (January 1965):11–12.

1964

Baker, Russell. “Observer: Art and the Alarming Philistine Shortage.” The New York Times, 8 October 1964.

Johnston, Jill. “Reviews and Previews: Lucas Samaras.” Art News 63 (September 1964): 10.

Judd, Donald. “Local History.” Edited by James R. Mellow. Art Yearbook, The Art Digest, Inc. 7 (1964): 32.

Raynor, Vivien. “In the Galleries: Lucas Samaras.” Arts Magazine 39 (October 1964): 65–66.

Glueck, Grace. “Artifacts.” The New York Times, 4 October 1964.

Rose, Barbara. “New York Letter: Lucas Samaras––His Life in Art.” Art International 8 (November 1964): 54.

1962

“A Miscellany from Recent and Current Exhibitions.” Art International 6 (March 1962): 80–83.

Judd, Donald. “New York Exhibitions: In the Galleries.” Arts Magazine 36 (February 1962): 44.

1961

Hess, Thomas. “Collage as an Historical Method.” Art News 60 (November 1961): 30–33.

Johnston, Jill. “Reviews and Previews: Lucas Samaras.” Art News 60 (December

1961): 14.

1960

Ashton, Dore. “Art Geometric Forms.” The New York Times, 12 February 1960: 25.

1959

Meyer, Arline H. “Reviews and Previews: Lucas Samaras.” Art News 58 (November 1959): 65.

Ventura, Anita. “In the Galleries: Lucas Samaras.” Arts Magazine 34 (December 1959): 59.

Lucas Samaras
Books and Catalogues

Lucas Samaras Books

2022

Harris, Melissa. #33 ROLE PLAY. Milan: Fondazione Prada, 2022: 12, 13, illustrated.

Johnson, Lotte, ed. Carolee Schneemann: Body Politics. New Haven: Yale University Press; London: Barbican Art Gallery, 2022: 49, illustrated.

Lapa, Pedro, ed. Coleção Berardo 1909–2019. Lisbon: Museum Coleção Berardo, 2022: 435, Illustrated.

Naissance et Vie des Formes: Dessins Contemporains de la Collection (exhibition booklet). Text by Laurence Schmidlin. Lausanne, Switzerland: Musée Cantonal des Beaux-Arts Lausanne, 2022: 17, illustrated.

2021

Basagianni, Maria, and Aphrodite Gonou, eds. Contemporary Art at the Museum of Cycladic Art 2007–2021. Athens: Nicholas & Dolly Goulandris Foundation-Museum of Cycladic Art, 2021: 136–137, illustrated.

Batchen, Geoffrey. Negative:Positive: A History of Photography. Abingdon, Oxon, and New York: Routledge, 2021: 32, illustrated.

Fogle, Douglas, and Hanneke Skerath, eds. Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, 2021: 73, 93, illustrated.

2020

Act of Sight: The Tsiaras Family Photography Collection (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2020: 12, 174–181, illustrated.

Lucas Samaras: Me, Myself, And … (exhibition catalogue). Text by Lucas Samaras. New York: Pace Gallery, 2020.

2019

Birgit Jürgenssen: I am. Edited by Natascha Burger and Nicole Fritz. Munich, London and New York: Prestel, 2019: 236–237, illustrated.

Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center (exhibition catalogue). Poughkeepsie, New York: The Frances Lehman Loeb Art Center, 2019: 108, illustrated.

2018

American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 216–217, illustrated.

Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 408, illustrated.

The Domestic Plane: New Perspectives on Tabletop Objects (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Contemporary Art Museum, 2019: plate 33, illustrated.

I Still Believe in Miracles (exhibition catalogue). Oslo: Selvaag Art Collection, 2018: 115, illustrated.

Intimate Infinite: Imagine a Journey (exhibition catalogue). New York: Lévy Gorvy, 2018: 148–159, illustrated.

Lucas Samaras: Photo-Transformations (exhibition catalogue). Text by Marvin Heiferman. New York: Craig F. Starr Gallery, 2018.

Pastels du 16e au 21e siècle (exhibition catalogue). Lausanne, Switzerland: Fondation de l'Hermitage, 2018: 168, illustrated.

Une bibliothèque: Maison européenne de la photographie. Paris: Coédition Actes Sud, 2018: 76–77, illustrated.

2017

Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 211, illustrated.

Borrowed Light: Selections from the Jack Shear Collection (exhibition catalogue). Saratga Springs, New York: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2017: 50, illustrated.

The Everywhere Studio (exhibition catalogue). Miami and Munich: Institute of Contemporary Art and DelMonico Books Prestel, 2017: 104–107, illustrated.

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 (exhibition catalogue). New York and Munich: Grey Art Gallery, New York University; Delmonico Books Prestel, 2017: 110, 220–221, illustrated.

Josenhans, Frauke V. Artists in Exile: Expressions of Loss and Hope. New Haven: Yale University Art Gallery, 2017: 201, 222, 223, illustrated.

Lucas Samaras: Seductions (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2017.

Samaras: Album 2. Text by Donald Kuspit. New York and Milan: Pace Gallery; Skira editore, 2017.

State of Flux: Aesthetics of Fluid Materials. Edited by Marcel Finke & Friedrich. Berlin: Dietrich Reimer Verlag GmbH, 2017: 83, illustrated.

2016

Albu, Cristina. Mirror Affect: Seeing Self, Observing Others in Contemporary Art. Minneapolis and London: University of Minnesota Press, 2016: 49, illustrated.

Cohen, John. Cheap Rents…and de Kooning. Text by John Elderfield. Göttingen: Steidl, 2015: 133, 135, 137, illustrated.

Dreams in Dust: Lucas Samaras Pastels (exhibition catalogue). Texts by Colin B. Bailey, Isabelle Dervaux, Margaret Holben Ellis and Lindsey Tyne. New York: The Morgan Library & Museum, 2016.

Eyebook: Sixty Artists. One Subject. Edited by Jenny Lynn. Bologna, Italy: Damiani, 2015: illustrated.

Indiana University Sidney and Lois Eskenazi Museum of Art: Guide to the Collection. Bloomington and Indianapolis: Indiana University Sidney and Lois Eskenazi Museum of Art; Indiana University Press, 2016: 355, illustrated.

Los Angeles to New York: Dwan Gallery, 1959–1971 (exhibition catalogue). Washington, D.C.: National Gallery of Art, 2016: cat. 44, pp. 149, illustrated.

Lucas Samaras: AutoPolaroids, 1969–71 (exhibition catalogue). Text by Marla Prather. New York: Craig F. Starr Gallery, 2016.

Lynn, Jenny, ed. Eye Book: Sixty Artists. One Subject. Bologna: Damiani, 2016: illustrated.

Masterpieces of Iwaki City Art Museum: American Art’s Power. Hekinan, Japan: Hekinan City Tatsukichi Fujii Museum of Contemporary Art, 2016: 39, illustrated.

Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016: 141, illustrated.

There Was a Whole Collection Made: Photography from Lester and Betty Guttman (exhibition catalogue). Chicago: Smart Museum of Art, the University of Chicago, 2016: 189, illustrated.

2015

Galassi, Peter. In the Studio: Photographs (exhibition catalogue). New York: Gagosian Gallery, 2015: 70–71, 136–141, illustrated.

Samaras: Album 2 (exhibition catalogue). Texts by the artist. New York: Pace Gallery, 2015.

2013

Ambiguous Portrait of a Cunning Linguist: Verbal Imagery in Art (exhibition catalogue). Texts by Andrew Herdon. Singapore: Ikkan Art International Pte Ltd, 2013: illustrated.

Atkins, Robert. Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. New York and London: Abbeville Press Publishers, 2013: 153, illustrated.

Color Rush: 75 Years of Color Photography in America (exhibition catalogue). Texts by Katherine A. Bussard and Lisa Hostetler. Milwaukee: Milwaukee Art Museum, 2013: 199, illustrated.

Goysdotter, Moa. Impure Vision: American Staged Art Photography of the 1970s. Lund, Sweden: Nordic Academic Press, 2013: 71, 81, 127, 132, 152, illustrated.

Lucas Samaras Pastels (exhibition catalogue). Text by Daniel S. Palmer. New York: Craig F. Starr Gallery, 2013.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho Press, 2014.

The Polaroid Years: Instant Photography and Experimentation (exhibition catalogue). Texts by Mary Kay Lombino, Peter Buse et al. Poughkeepsie, New York: Frances Lehman Loeb Art Center, Vassar College, 2013: illustrated.

Squiers, Carol. What Is a Photograph? (exhibition catalogue). New York: International Center of Photography, 2014: 188–90, 192–93, illustrated.

Van Wyk, Gary. Pop Art: 50 Works of Art You Should Know. Munich: Prestel Verlag, 2013: 118–119, illustrated.

2012

Bonanos, Christopher. Instant: The Story of Polaroid. New York: Princeton Architectural Press, 2012: 96–97, illustrated.

Colombo, Paolo. Faces (exhibition catalogue). Athens, Greece: Onassis Cultural Centre, 2012: 98–101, illustrated.

Decade: Contemporary Collecting 2002–2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 373, illustrated.

Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, 2012: 181, illustrated.

Glimcher, Mildred L. Happenings: New York, 1958–1963. New York: The Monacelli Press LLC, 2012: illustrated.

Holm, Michael Juul, ed. Self-Portrait (exhibition catalogue). Texts by Helle Crenzien, Eleanor Nairne, Finn Skarderud, Liz Rideal and Marco Pierini. Humlebæk: Louisiana Museum of Modern Art, 2012: 78–79, 92, illustrated.

O’Doherty, Brian. Inside the White Cube: L’idealogia della spazio espositivo. Monza, Italy: Johan & Levi Editore, 2012: 47, illustrated.

Samaras, Lucas. “Another Autointerview (1971).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 398–404.

XYZ 2010–2012: Lucas Samaras (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2012.

2011

Albright-Knox Art Gallery: Highlights of the Collection. Texts by Louis Grachos, Douglas Dreishpoon, Mariann W. Smith et al. London: Scala Publishers, 2011: 157, illustrated.

Archer, Michael. Jeff Koons: One Ball Total Equilibrium Tank. London: Afterall Books, 2011: 77, no. 22, illustrated.

Dreishpoon, Douglas. The Long Curve: 150 Years of Visionary Collection at the Albright-Knox Art Gallery. Text by Holly E. Hughes, Mariann W. Smith and Susana Tejada. Milan: Skira editore spa, 2011: illustrated.

Drohojowska-Philp, Hunter. Rebels in Paradise: The Los Angeles Art Scene and the 1960s. New York: Henry Holt and Company, 2011.

Farrell, Jennifer, ed. Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Texts by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr and Judith Tannenbaum. New Haven, Connecticut: Yale University Art Gallery, 2011: 127, 268–271, illustrated.

From Picasso to Jeff Koons: The Artist as Jeweler (exhibition catalogue). Texts by Diane Venet, Barbara Rose and Adrien Goetz. Milan: Skira, 2011: 138–139, illustrated.

Hunters and Gatherers: The Art of Assemblage (exhibition catalogue). Text by Adam Gopnik. New York: Sotheby’s, 2011: 52–53, illustrated.

Johnson, Ken. Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Munich: Prestel Verlag, 2011: 190, illustrated.

The Last Grand Tour (exhibition catalogue). Text by Jessica Morgan. Athens: Museum of Cycladic Art, 2011: 70–73, illustrated.

Lomas, David. Narcissus Reflected (exhibition catalogue). Edinburgh: Fruitmarket Gallery, 2011: 127, illustrated.

Off the Wall (exhibition catalogue). Texts by Chrissie Iles and João Fernandes. New York and Porto, Portugal: Whitney Museum of American Art; Fundação de Serralves, 2011: illustrated.

The Passionate Collector: Robert B. Mayer’s Adventures in Art. Chicago: Beatrice Cummings Mayer, 2011: 117, illustrated.

2010

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

Isole Mai Trovate/Island Never Found (exhibition catalogue). Texts by Lóránd Hegyi, Katerina Koskina, and Eugenio Viola. Milan: Silvana Editoriale Spa, 2010: 113, illustrated.

Katz, Jonathan D. and David C. Ward. Hide/Seek: Difference and Desire in American Portraiture (exhibition catalogue). Washington, D.C.: Smithsonian Institution, 2010: 196–197, plate 58, illustrated.

La Prade, Erik. Breaking Through: Richard Bellamy and the Green Gallery 1960–1965, Twenty-Three Interviews. New York: Midmarch Arts Press, 2010: 100–112, illustrated.

Lippincott, Jonathan. Large Scale: Fabricating Sculpture in the 1960s and 1970s. New York: Princeton Architectural Press, 2010: illustrated.

Lucas Samaras: Poses (exhibition catalogue). Texts by Arne Glimcher and Pierre Alexandre de Looz. New York: The Pace Gallery. 2010.

Lucas Samaras/George Segal: Pastel Drawings 1950s–1970s and Two Sculptures (digital exhibition catalogue). New York: Senior & Shopmaker Gallery, 2010. http://en.calameo.com/read/0045073283bcf20b15d88

Robert & Ethel Scull: Portrait of a Collection (exhibition catalogue). Text by Judith Goldman. New York: Acquavella Galleries, 2010: 235–237, illustrated.

Sculpture (exhibition catalogue). London: Waddington Galleries, 2010: illustrated.

Skopje Macedonia: Art Collection of the United States Embassy. [Washington, D.C.]: Art in Embassies Program; U.S. Department of State, 2010: 24, illustrated.

Wolf, Sylvia. The Digital Eye: Photographic Art in the Electronic Age. New York: Prestel Publishing, 2010: 40–41, illustrated.

2009

Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection (exhibition catalogue). Text by Christian Rattemeyer and Cornelia Butler New York: The Museum of Modern Art, 2009: 112, illustrated.

Cumming, Laura. A Face to the World. London: Harper Press, 2009: 263, discussed.

Koskina, Katerina. Lucas Samaras. Athens, Greece: Lambrakis Press, 2009.

Paraxena: Lucas Samaras (exhibition catalogue). Interview by Matthew Higgs. Text by the artist. Athens, Greece: Hellenic Ministry of Culture, 2009.

Rattemeyer, Christian, ed. The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné. New York: The Museum of Modern Art, 2009: 241–242, illustrated.

Reflections/Refractions: Self-Portraiture in the Twentieth Century (exhibition catalogue). Texts by Wendy Wick Reaves and Anne Collins Goodyear. Washington, D.C.: Smithsonian Institution Scholarly Press, 2009: 170–171, illustrated.

Shannon, Joshua. The Disappearance of Objects: New York Art and the Rise of the Postmodern City. New Haven: Yale University Press, 2009: 2, 25.

Soft Sculpture (exhibition catalogue). Text by Lucina Ward. Canberra: National Gallery of Australia, 2009: 19, illustrated.

Through the Lens: Handbook of the Photography Collection, Lowe Art Museum, University at Miami (exhibition catalogue). Texts by Denise Most Gerson and J. Tomás López. Miami: Lowe Art Museum, 2009: 73, illustrated.

2008

Cartier-Bresson, Anne. Le Vocabulaire Technique de la Photographie. Paris: Marval/Paris Musées, 2008: 262, illustrated.

Celant, Germano. The American Tornado: Art in Power 1949–2008. Milan: Skira, 2008: 323–326, illustrated.

Circa 1958: Breaking Ground in American Art (exhibition catalogue). Text by Roni Feinstein. Chapel Hill: Ackland Art Museum and University of North Carolina, 2008: 70–71, illustrated and discussed.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 470, illustrated.

Image in the Box: From Cornell to Contemporary (exhibition catalogue). Texts by Jeffrey Wechsler and Townsend Ludington. New York: Hollis Taggart Galleries, 2008: 112–115, illustrated.

Lucas Samaras: PhotoFictions. Selections from George Eastman House (exhibition catalogue). Text by Jessica S. MacDonald. New York: International Center for Photography, 2008.

Macnair, Jennifer, Thomas Frick and Nola Butler, eds. BCAM/LACMA 2008. Los Angeles: Los Angeles County Museum of Art, 2008: 200.

The Margulies Collection. Miami: The Martin Z. Margulies Foundation, 2008: 266–267, illustrated

NYC Chairs: Lucas Samaras (exhibition catalogue). Interview by Arne Glimcher. Text by Lucas Samaras. New York: PaceWildenstein, 2008.

PEEP: Glimpses of the Last 4 Decades from the Kerry Stokes Collection (exhibition catalogue). West Perth, Western Australia: Australian Capital Equity Pty. Limited, 2008: 30–31, illustrated.

Through You: Photography Selections from the Martin Z. Margulies Collection (exhibition catalogue). Philadelphia: University of Pennsylvania, 2008: 55, illustrated.

Whitney Museum of American Art at Altria. Foreword by Adam D. Weinberg. Introduction by Shamim M. Momin. New York: Whitney Museum of American Art, 2008.

2007

After the Age of Aquarius: American Art in The Early Seventies, Vito Acconci, Michael Hurson, Bruce Nauman, Lucas Samaras, Joel Shapiro (exhibition brochure). Text by Dr. Chris McAuliffe. Melbourne: The Ian Potter Museum of Art, The University of Melbourne, 2007.

Celant, Germano and Gianfranco Maraniello, eds. Vertigo: A Century of Multimedia Art, from Futurism to the Web (exhibition catalogue). Italy: MAMbo Museo d'Arte Moderna di Bologna, 2007: 438–439, illustrated.

Ithaca Regained: Greek Artists in New York (exhibition catalogue). Text by Irving Sandler. New York: Kouros Gallery, 2007: 30, 31, illustrated.

Lucas Samaras (exhibition catalogue). Texts by Anthony Downey and Claire Bishop. London: Stephen Friedman Gallery, 2007.

Ravenal, John B. Modern & Contemporary Art at the Virginia Museum of Fine Arts. Richmond: Virginia Museum of Fine Arts, 2007: 14, illustrated.

Sculpture. London: Waddington Galleries, 2007: 48–49, illustrated.

2006

The Alpha Bank Collection: Greek Art from 1920 Until Today (exhibition catalogue). Texts by Irene Orati and Denys Zacharopoulos. Athens, Greece: Alpha Bank, 2006: 120, illustrated.

Celant, Germano and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video (exhibition catalogue). Milan: Skira Editore S.p.A., 2006: 346–347, illustrated.

Ocvirk, Otto G. et al. Art Fundamentals: Theory and Practice. 10th edition. New York: Mcgraw-Hill, 2006: 312, 313, illustrated.

Wagner, Frank, Kasper König and Julia Friedrich, eds. The Eighth Square: Gender, Life and Desire in the Arts since 1960 (exhibition catalogue). Cologne: Museum Ludwig, 2006: 117, illustrated.

2005

Bishop, Claire. Installation Art: A Critical History. London: Tate Publishing, 2005: 27–29, 83, 91–92.

Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, Minnesota: Walker Art Center, 2005: 498, illustrated.

Extreme Abstraction (exhibition catalogue). Text by Claire Schneider. Buffalo, New York: Albright-Knox Gallery, 2005: 45, illustrated.

Lucas Samaras: A Retrospective (exhibition catalogue). Athens, Greece: J.F. Costopoulos Foundation, 2005.

Lucas Samaras: PhotoFlicks (iMovies) and PhotoFictions (A to Z) (exhibition catalogue). Text by the artist. New York: PaceWildenstein, 2005.

Perl, Jed. New Art City. New York: Alfred A. Knopf, 2005: 513, illustrated.

2004

Lucas Samaras: Photofictions (exhibition catalogue). Text by the artist. London: Waddington Galleries, 2004.

The Nude Ideal and Reality. Bologna: Galleria d’Arte Moderna, 2004, illus. p. 186.

2003

Heller, Nancy G. Why A Painting Is Like A Pizza: A Guide to Understanding and Enjoying Modern Art. Princeton: Princeton University Press, 2002: 119, discussed; 114; plate 61, illustrated.

Lucas Samaras: Photofictions (exhibition catalogue). Text by the artist. New York: PaceWildenstein, 2003.

Prather, Marla. Unrepentant Ego: The Self-Portraits of Lucas Samaras (exhibition catalogue). Text by Donald Kuspit. New York: Whitney Museum of American Art, 2003.

2002

Lucas Samaras: Mutations (exhibition catalogue). Paris: Galerie Xippas, 2002.

Visions from America: Photographs from the Whitney Museum of American Art 1940–2001. New York: Whitney Museum of American Art, 2002.

2001

Adventures in Art: 40 Years at Pace. Text by Arne Glimcher. Milan: Leonardo International, 2001.

The Cultural Desert (exhibition catalogue). Scottsdale: Bentley Gallery, Mayo Clinic, Scottsdale Museum of Contemporary Art, 2001.

Lucas Samaras: Paint (exhibition catalogue). Text by Lucas Samaras. New York: PaceWildenstein, 2001.

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven and London: Yale University Press, 2001.

2000

American Perspectives: Photographs from the Polaroid Collection (exhibition catalogue). Tokyo: Tankosha, 2000.

Berardo Collection 1917–1999 (exhibition catalogue). Texts by Donald Kuspit, Delfim Sardo and Margarida Veiga. Lisbon: Centro Cultural de Bélem, 2000: 214, illustrated.

Lucas Samaras: Sittings 1978–1980 (exhibition catalogue). Text by Catherine Francblin. Paris: Galerie Xippas, 2000.

Monte Carlo International Sculpture Festival: Contemporary American Sculpture (exhibition catalogue). Text by Robert Buck. S.I.: s.n., 2000.

1999

The American Century: Art & Culture1950–2000 (exhibition catalogue). Text by Lisa Phillips. New York: Whitney Museum of Art, 1999.

Lucas Samaras: Reconstructions (exhibition brochure). Interview by Todd Hignite. New York: Jay Grimm, 1999.

McEvilley, Thomas. Sculpture in the Age of Doubt. New York: Allworth Press, 1999.

Off Limits: Rutgers University and the Avant-Garde, 1957–1963 (exhibition catalogue). Edited by Joan Marter; with Texts by Simon Anderson et al. Newark: The Newark Museum, 1999.

Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Enlarged and revised edition of: 125 Masterpieces from the Collection of the Albright-Knox Art Gallery. New York: Rizzoli, 1987; New York: Hudson Hills Press in association with Albright-Knox Art Gallery, 1999: 236–237, illustrated.

Strousa, Efi. The Emfietzoglou Collection: Modern and Contemporary Greek Art. Athens, Greece: P.S. Emfietzoglou, 1999: 171–175, illustrated.

Tobler, Jay, ed. The American Art Book, London: Phaidon Press Limited, 1999.

1998

Lucas Samaras: Gold (exhibition catalogue). Text by Barbara Rose. New York: PaceWildenstein, 1998.

1997

Lucas Samaras: Photo-Transformations 1973–1976 (exhibition catalogue). Text by Regis Durand. Paris: Galerie Xippas, 1997.

The Pop ‘60s: Transatlantic Crossing (exhibition catalogue). Lisbon, Portugal: Fundacao das Descobertas/Centro Cultural de Belem, 1997, curated by Marco Livingstone.

The View From Denver: Contemporary American Art from the Denver Museum (exhibition catalogue). Vienna: Museum Moderner Kunst Stiftung Ludwig, 1997: 360–369; 361, 364, illustrated.

1996

Homebodies (exhibition catalogue). Charlotte, North Carolina: LaSaller Partners, 1996: 21, illustrated.

Lucas Samaras (exhibition catalogue). New York: PaceWildenstein, 1996.

1995

Margo Leavin Gallery: 25 Years. Los Angeles: Margo Leavin Gallery, 1995.

Sanford, Mariellen, R., ed. Happenings and Other Acts. London: Routledge, 1995: 8.

Wood, James N, T J. Edelstein, and Sally R. May. The Art Institute of Chicago: The Essential Guide. Illinois: The Art Institute of Chicago, 1994: 124, illustrated.

1994

Lucas Samaras: Cubes, Pragmata and Trapezoids (exhibition catalogue). Text by Jan Avgikos. New York: PaceWildenstein, 1994.

Worlds in a Box (exhibition catalogue). London: The South Bank Centre, 1994.

1993

Lucas Samaras: Pastels (exhibition catalogue). Text by Mildred Glimcher. New York: The Pace Gallery, 1993.

Manhattan Breeze—Five Contemporary Artists (exhibition catalogue). Text by Tadao Ogura. Tokyo: Takashimaya, 1993.

Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporáneo Internacional (exhibition catalogue). Introduction by Namia Mondolfi and text by Adolfo Wilson. Caracas: Galería Namia Mondolfi, 1993.

1992

Sculpture (exhibition catalogue). London: Waddington Galleries, 1992.

1991

The Chair: From Artifact to Object (exhibition catalogue). Text by Trevor Richardson. Greensboro, North Carolina: Weatherspoon Art Gallery, The University of North Carolina at Greensboro, 1991.

Lucas Samaras (exhibition catalogue). Text by Peter Schjeldahl. New York: Pace/MacGill Gallery, 1991.

Lucas Samaras—Self: 1961–1991 (exhibition catalogue). Texts by Taro Amano, Sae Hayashi, Shino Kuraishi, Kim Levin and Hiroshi Miyatake. Yokohama: Yokohama Museum of Art, 1991.

Lucas Samaras: Slices of Abstraction, Slivers of Passion and/or Mere Decor (exhibition catalogue). Auto-interview by the artist. New York: The Pace Gallery, 1991.

1990

Contemporary Illustrated Books: Word and Image, 1967–1988 (exhibition catalogue). Text by Donna Stein. New York: Independent Curators Incorporated, 1990.

Friedman, Martin. Walker Art Center: Painting and Sculpture from the Collection. New York: Rizzoli International Inc. in conjunction with the Walker Arts Center, Minneapolis, 1990.

Hellenikon (exhibition catalogue). Forward by Christina Eliopoulos. Text by Klaus Ottmann and Catherine Cafopoulos. New York: City Gallery, New York City Department of Cultural Affairs, 1990: 17, 37, illustrated.

Lucas Samaras (exhibition catalogue). Text by Lynne Cooke. London: Waddington Galleries, 1990.

Portrait of an American Gallery: The Pace Gallery (exhibition catalogue). Text by Arnold Glimcher. Brussels: Galerie Isy Brachot, 1990.

1989

Framing Four Decades: The University Art Museum Celebrates the Collections 1949–1989 (exhibition catalogue). Introduction by Constance Glenn. Long Beach: The University Art Museum, California State University, 1989.

Homo Sapiens: The Many Images (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1982: 42, illustrated.

1988

Contemporary Art from New York, Ho-Am Art Hall, Seoul, Korea, and Seibu Museum (exhibition catalogue). Tokyo, 1988.

The Face (exhibition catalogue). Little Rock: The Arkansas Arts Center, 1988: 64, 65, illustrated.

Figures/Still Lifes (exhibition catalogue). New York: Pace/MacGill Gallery, 1988.

Identity; Representations of the Self (exhibition catalogue). New York: Whitney Museum of American Art, 1988: illustrated.

Lucas Samaras: Boxes and Mirrored Cell (exhibition catalogue). Text by Germano Celant. New York: The Pace Gallery, 1988.

Lucas Samaras: Objects and Subjects, 1969–1986 (exhibition catalogue). Texts by Dianne P. Vanderlip, Thomas McEvilley, Donald Kuspit, and Roberta Smith. New York: Abbeville Press, 1988.

1987

Chairs as Art (exhibition catalogue). Text by Denise Domerque. Chicago: Arts Club of Chicago, 1987: 6, no. 11, illustrated.

Lifson, Ben. Samaras: Photographs, 1969–1986. New York: Aperture, 1987.

Lucas Samaras: Chairs and Drawings (exhibition catalogue). Text by Gary Indiana. New York: Pace Publications, 1987.

1986

Baur, John I. H. 29 Sculptures from the Howard and Jean Lipman Collection (exhibition catalogue). Mountainville, New York: Storm King Art Center, 1986.

Davvetas, Demosthenes. Dialog/Dialogue. Edited by Elizabeth Kaufmann. Baden-Baden: Kronen-Druck, 1986. In German and English.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940 (exhibition catalogue). New York: Abbeville Press, 1986: illustrated.

Individuals: A Selected History of Contemporary Art, 1945–1986 (exhibition catalogue). Introduction by Julia Brown Turrell. Los Angeles: Museum of Contemporary Art, 1986.

Kuspit, Donald D. Lucas Samaras's Death Instinct (exhibition catalogue). Athens: Jean Bernier Gallery, 1986.

Reality Remade (exhibition catalogue). New York: Kent Fine Art, 1986.

1985

L’Autoportrait (exhibition catalogue). Lausanne: Musée Cantonal des Beaux-Arts, 1985. In French.

Lucas Samaras: Paintings (exhibition catalogue). New York: The Pace Gallery, 1985.

Nude, Naked, Stripped (exhibition catalogue). Cambridge, Massachusetts: Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, 1985.

A Second Talent: Painters and Sculptors Who Are Also Photographers (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1985: illustrated.

Waldman, Diane. Transformations in Sculpture: Four Decades of American and European Art (exhibition catalogue). New York: Solomon R. Guggenheim Foundation, 1985.

1984

Flower as Image in Contemporary Art (exhibition catalogue). Bronx, New York: Wave Hill, Bronx, 1984: illustrated.

Glimcher, Arnold B. Lucas Samaras: Photo-Transformations (exhibition catalogue). New York: The Pace Gallery, 1984.

Haskell, Barbara. BLAM! The Explosion of Pop, Minimalism, and Performance, 1958–1964 (exhibition catalogue). New York: Whitney Museum of American Art, 1984.

Robins, Corinne. The Pluralist Era; American Art, 1968–1981. New York: Harper & Row, 1984.

Samaras: Chairs, Heads, Panoramas (exhibition catalogue). Text by Douglas Blau. New York: Pace Gallery Publications, 1984.

Schjeldahl, Peter. "Lucas Samaras," Art of Our Time; The Saatchi Collection, Vol. 2. London: Lund Humphries London, 1984.

Viewpoint (exhibition catalogue). Text by Pat Kettering and Ann Kent. Summit, New Jersey: Summit Art Center, 1984: 12, illustrated.

1983

Brown, Julia and Bridget Johnson. The First Show: Painting and Sculpture from Eight Collections 1940–1980 (exhibition catalogue). Los Angeles: The Museum of Contemporary Art, 1983.

Day In, Day Out: Ordinary Life as a Source for Art (exhibition catalogue). Reading, Pennsylvania: Freedman Gallery, Albright College, 1983: illustrated.

Parente, Janice and Phyllis Stigliano. Sculpture: The Tradition in Steel (exhibition catalogue). Roslyn Harbor, New York: Nassau County Museum of Fine Art, 1983.

Sayag, A. and R. Marcel Mayou, P. Weiermair, W.A. Ewing. Lucas Samaras: Photos Polaroid Photographs 1969–1983 (exhibition catalogue). Paris: International Center of Photography, Center Georges Pompidou, 1983.

Smagula, Howard. Currents: Contemporary Directions in the Visual Arts. Englewood Cliffs, NJ: Prentice-Hall, 1983.

1982

Ashton, Dore. American Art Since 1945. New York: Oxford University Press, 1982.

Drawings, Watercolors and Prints by Contemporary Masters (exhibition brochure). Clinton, New York: Root Art Center, Hamilton College, 1982.

Face to Face (exhibition catalogue). Text by Jeanette Ingberman. New York: The Alternative Museum, 1982: 19, illustrated.

The Rebounding Surface (exhibition catalogue). Annandale-on-Hudson, New York: Bard College, 1982: illustrated.

Samaras: Pastels and Bronzes (exhibition catalogue). Text by Donald B. Kuspit. New York: Pace Gallery Publications, 1982.

Schwartz, Sanford. The Art Presence; Painters, Writers, Photographers, and Sculptors. New York: Horizon Press, 1982.

1981

Hughes, Robert. The Shock of the New. New York: Knopf, 1981.

The Image In American Painting & Sculpture 1950–1980 (exhibition catalogue). Akron: Akron Art Museum, 1981: 77, plate 31.

Margaret Wharton (exhibition catalogue). Text by Mary Jane Jacob. Chicago: Museum of Contemporary Art, 1981: 6, 7, illustrated.

Samaras (exhibition catalogue). Tokyo: Galerie Watari, 1981.

Samaras: Pastels (exhibition catalogue). Text by Peter Schjeldahl. Denver: Denver Art Museum, 1981.

1980

Ratcliff, Carter. Lucas Samaras: Sittings 1979–1980 (exhibition catalogue). New York: Pace Gallery Publications, 1980.

Samaras, Lucas. Crude Delights. New York: Pace Gallery Publications, 1980.

Ten American Artists From Pace. London: Wildenstein & Co. and Pace Gallery, 1980.

1979

Cummings, Paul. Artists in Their Own Words. New York: St. Martin's Press, 1979.

Currents 8: Lucas Samaras Reconstructions 1979–1980 (exhibition brochure). Text by Jack Cowart. St. Louis, Missouri: St. Louis Art Museum, 1980.

Diamonstein, Barbaralee. Inside New York's Art World. New York: Rizzoli, 1979.

Kardon, Janet. The Decorative Impulse (exhibition catalogue). Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1979.

Late Twentieth Century Art: The Sydney and Frances Lewis Foundation (exhibition catalogue). Richmond: Anderson Gallery, Virginia Commonwealth University, 1979: 37, illustrated.

One of a Kind: Recent Polaroid Color Photography. Preface by Belinda Rathbone. Text by Eugenia Parry Janis. Boston: David R. Godine, 1979.

Samaras: Reconstructions at the Pace Gallery (exhibition catalogue). Text by Kim Levin. New York: The Pace Gallery, 1979.

Shoemaker, Innis H. Drawings About Drawing Today (exhibition catalogue). Chapel Hill, North Carolina: The Ackland Art Museum, 1979: illustrated.

Sims, Patterson. The Decade in Review: Selections from the 1970s (exhibition catalogue). New York: Whitney Museum of American Art, 1979.

1978

American Painting of the 1970s (exhibition catalogue). Text by Linda Cathcart. Buffalo, New York: Albright-Knox Art Gallery, 1978: 56, illustrated.

Design and Art of Modern Chairs (exhibition catalogue). Osaka: National Museum of Art, 1978.

Grids: Format and Image in 20th Century Art (exhibition catalogue). Text by Rosalind Krauss. New York: The Pace Gallery, 1978.

Lipman, Jean, and Richard Marshall. Art About Art (exhibition catalogue). Introduction by Leo Steinberg. New York: Whitney Museum of American Art, 1978.

Lucas Samaras (exhibition catalogue). Interview by Barbara Rose. New York: Pace Gallery Publications, 1978.

Painting and Sculpture Today 1978 (exhibition catalogue). Indianapolis: Indianapolis Museum of Art, 1978.

Schiff, Gert. Images of Horror and Fantasy. New York: Harry N. Abrams, 1978.

Szarkowski. John. Mirrors and Windows: American Photography Since 1960 (exhibition catalogue). New York: The Museum of Modern Art, 1978.

1977

Coleman, A.D. The Grotesque in Photography. New York: Summit Books, 1977.

Pincus-Witten, Robert. Postminimalism. New York: Out of London Press, 1977: no. 23, illustrated.

1976

Haskell, Barbara. 200 Years of American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1976.

McCabe, Cynthia. The Golden Door: Artist-Immigrants of America, 1876-1976 (exhibition catalogue). Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1976.

Samaras, Lucas. Phantasmata: Photo-Transformations (exhibition catalogue). New York: The Pace Gallery, 1976.

Three Decades of American Art: Selections from the Whitney Museum of American Art (exhibition catalogue). Tokyo: The Seibu Museum of Art, 1976.

1975

Alloway, Lawrence. Topics in American Art Since 1945. New York: W.W. Norton & Co., 1975: 152, 153, 208.

Beaton, Cecil, and Gail Buckland. The Magic Image. Boston: Little, Brown & Company, 1975.

Kostelanetz, Richard, ed. Essaying Essays: Alternative Forms of Exposition. New York: Out of London Press, 1975.

Levin, Kim. Lucas Samaras. New York: Harry N. Abrams, 1975.

Lieberman, William S. and Lucas Samaras. Samaras 1974 (exhibition brochure). New York: The Museum of Modern Art, 1975.

Lucas Samaras (exhibition catalogue). Philadelphia: Makler Gallery, 1975.

Lucas Samaras: Photo-Transformations (exhibition catalogue). Text by Arnold B. Glimcher. New York and Long Beach: E.P. Dutton; California State University, 1975.

Sculpture of the 60s (exhibition catalogue). New York: Whitney Museum of American Art, 1975.

1974

Hunter, Sam. Monumenta (exhibition catalogue). Newport, Rhode Island: Monumenta Newport, 1974.

Samaras, Lucas. Photo-Transformations (exhibition catalogue). Text by Arnold Glimcher. New York: The Pace Gallery, 1974.

1973

Hunter, Sam and John Jacobs. American Art of the Twentieth Century. New York: Harry N. Abrams, Inc., 1973.

1972

Lucas Samaras (exhibition catalogue). Texts by the artist. New York: Whitney Museum of American Art, 1972.

1971

Continuing Surrealism (exhibition catalogue). La Jolla, California: La Jolla Museum of Art, 1971: no.43.

Highlights of the 1970–1971 Art Season (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1971: no. 51, illustrated.

Lucas Samaras' Boxes (exhibition catalogue). Text by John C. Seigfried. Chicago: Museum of Contemporary Art, 1971.

Samaras, Lucas. Samaras Album (exhibition catalogue). New York: Whitney Museum of American Art and Pace Editions, 1971.

1970

The Drawing Society National Exhibition 1970 (exhibition catalogue). New York: The American Federation of Arts, 1970: 93, illustrated.

Lucas Samaras: Chair Transformations (exhibition catalogue). Text by the artist. New York: Pace Gallery Publications, 1970.

Moore, Ethel, ed. Letters from 31 Artists to the Albright-Knox Art Gallery. Buffalo, New York: Buffalo Fine Arts Academy, 1970: 36–40, illustrated.

1968

Amaya, Mario. The Obsessive Image, 1960–1968 (exhibition catalogue). London: Institute of Contemporary Arts, 1968.

Art of the 60s: Selections from the Collection of Hanford Yang (exhibition catalogue). Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1968: no. 82, 83, 84, listed.

Documenta (exhibition catalogue). Kassel: Druck + Verlag GmbH, 1968.

1967

American Sculpture of the Sixties (exhibition catalogue). Los Angeles: Los Angeles County Museum of Art, 1967.

1966

Samaras: Selected Works 1960–1966 (exhibition catalogue). Text by Lawrence Alloway. New York: Pace Gallery Publications, 1966.

1965

Beyond Realism (exhibition catalogue). Text by Michael Kirby. New York: The Pace Gallery, 1965: illustrated.

Contemporary Wall Sculpture and Boxes (exhibition catalogue). Text by Daniel Robbins. Providence: Museum of Art, Rhode Island School of Design, 1965: no. 25, illustrated.

Eleven from the Reuben Gallery (exhibition catalogue). Edited by Alice Hildreth. Text by Lawrence Alloway. New York: Solomon R. Guggenheim Museum, 1965.

Young America 1965: Thirty American Artists Under Thirty-Five (exhibition catalogue). Foreword by LloydGoodrich. New York: Whitney Museum of American Art, 1965.

1964

1964 Annual Exhibition of Contemporary American Sculpture (exhibition catalogue). New York: Whitney Museum of American Art, 1964.

Recent American Drawing (exhibition catalogue). Introduction by Thomas H. Garver. Waltham, Massachusetts: Rose Art Museum, Brandeis University, 1964.

1963

Mixed Media and Pop Art (exhibition catalogue). Buffalo, New York: Albright-Knox Art Gallery, 1963.

1961

Seitz, William C. The Art of Assemblage (exhibition catalogue). New York: The Museum of Modern Art, 1961.

Lucas Samaras

Details:

Pace Publications:

Eluding historical categorization, Lucas Samaras’s oeuvre is united through its consistent focus on the body and psyche, often emphasizing autobiography.

Exhibitions

Lucas Samaras

Albums

Little Things

Parts I & II

Convergent Evolutions

The Conscious of Body Work

Lucas Samaras

Me, Myself and...

Journal

Remembering Lucas Samaras

Lucas Samaras: Flowers

Lucas Samaras: XYZ

Announcing Our Dedicated NFT Platform

Lucas Samaras
One-Artist Exhibitions

Lucas Samaras
One-Artist Exhibitions

Lucas Samaras
Group Exhibitions

Lucas Samaras
Group Exhibitions

Lucas Samaras
Public Collections

Lucas Samaras
Public Collections

Lucas Samaras
Periodicals

Lucas Samaras
Periodicals

Lucas Samaras
Books and Catalogues

Lucas Samaras
Books and Catalogues

Lucas Samaras

Details:

Pace Publications:

Eluding historical categorization, Lucas Samaras’s oeuvre is united through its consistent focus on the body and psyche, often emphasizing autobiography.

Exhibitions

Lucas Samaras

Albums

Little Things

Parts I & II

Convergent Evolutions

The Conscious of Body Work

Lucas Samaras

Me, Myself and...

Journal

Remembering Lucas Samaras

Lucas Samaras: Flowers

Lucas Samaras: XYZ

Announcing Our Dedicated NFT Platform

Lucas SamarasOne-Artist Exhibitions

Lucas SamarasOne-Artist Exhibitions

Lucas SamarasGroup Exhibitions

Lucas SamarasGroup Exhibitions

Lucas SamarasPublic Collections

Lucas SamarasPublic Collections

Lucas SamarasPeriodicals

Lucas SamarasPeriodicals

Lucas SamarasBooks and Catalogues

Lucas SamarasBooks and Catalogues

Lucas Samaras
One-Artist Exhibitions

Lucas Samaras
One-Artist Exhibitions

Lucas Samaras
Group Exhibitions

Lucas Samaras
Group Exhibitions

Lucas Samaras
Public Collections

Lucas Samaras
Public Collections

Lucas Samaras
Periodicals

Lucas Samaras
Periodicals

Lucas Samaras
Books and Catalogues

Lucas Samaras
Books and Catalogues