Fred Wilson

Dates

Born 1954, Bronx, New York

Education

1976, State University of New York, Purchase, BFA

2023

Fred Wilson: Dramatis Personae, Pace Gallery, Los Angeles, November 4, 2023–December 22, 2024.

2022

Online: Fred Wilson: The Archives, Pace Gallery Website, November 1–December 10, 2022. https://www.pacegallery.com/online-exhibitions/

Online: Fred Wilson: The Archives, Pace Gallery Website, September 15–October 22, 2022. https://www.pacegallery.com/online-exhibitions/

Fred Wilson: Mind Forged Manacles/Manacle Forged Minds, Columbus Park, Brooklyn, New York, June 21, 2022–June 20, 2023.

OMNISCIENCE: A Sculpture by Fred Wilson, The Gibbes Museum of Art, Charleston, South Carolina, May 27–June 15, 2022.

2021

Fred Wilson: Flags, Krakow Witkin Gallery, Boston, April 22–June 3, 2021.

2020

Fred Wilson: Glass Works 2009–2018, Pace Gallery, Seoul, March 10–May 16, 2020.

2019

Fred Wilson: Chandeliers, Pace Gallery, 540 West 25th Street, New York, September 14–October 12, 2019. (Catalogue; text by Darryl Pinckney)

Fred Wilson: Afro Kismet, Maccarone, Los Angeles, March 16–June 1, 2019.

2018

Fred Wilson: Afro Kismet, Pace Gallery, 510 West 25th Street, New York, July 10–August 17, 2018.

Fred Wilson: Afro Kismet, Pace Gallery, 6 Burlington Gardens, London, March 23–April 28, 2018. (Catalogue)

2017

5 Takes on African Art: Exploring the Charles Derby Collection / 42 Flags: Paintings by Fred Wilson, The University Museum of Contemporary Art, Fine Arts Center, University of Massachusetts, Amherst, September 27–December 10, 2017 (extended through April 29, 2018).

Fred Wilson: Afro Kismet, Pera Museum, Istanbul, as part of A Good Neighbour, 15th Istanbul Biennial, September 16–November 12, 2017. Curated by Elmgreen and Dragset. (Catalogue)

Fred Wilson, Neuberger Museum of Art, Purchase, New York, March 19–July 30, 2017.

2016

Fred Wilson: Black to the Powers of Ten, Allen Memorial Art Museum, Oberlin College, Ohio, August 30, 2016–June 12, 2017. (Catalogue)

Wildfire Test Pit, Allen Memorial Art Museum, Oberlin College, Ohio, August 30, 2016–June 12, 2017.

2014

Fred Wilson: Sculptures, Paintings and Installations 2004–2014, Pace Gallery, 534 West 25th Street, New York, September 12–October 18, 2014. (Catalogue)

Fred Wilson, Venice Suite: Sala Longhi and Related Works, JGM. Galerie, Paris, February 7–March 22, 2014.

2013

Fred Wilson: Local Color, Studio Museum in Harlem, New York, March 28–June 30, 2013.

2012

Fred Wilson: Works 2004–2011, Cleveland Museum of Art, December 22, 2012–May 5, 2013. (Catalogue)

Fred Wilson—Venice Suite: Sala Longhi and Related Works, The Pace Gallery, 510 West 25th Street, New York, March 17–April 14, 2012. (Brochure)

Life’s Link: A Fred Wilson Installation Inspired by the Collections of Walter O. Evans, Savannah College of Art and Design Museum of Art, Georgia, February 21–June 17, 2012.

Fred Wilson, Rena Bransten Gallery, San Francisco, February 4–March 31, 2012.

2011

Fred Wilson: Works 1993–2011, Karsten Schubert, London, March 17–May 27, 2011.

2010

Fred Wilson, Mitterrand + Sanz / Contemporary Art, Zurich, June 4–July 24, 2010.

Fred Wilson, JGM. Galerie, Paris, January 15–March 6, 2010.

2007

Fred Wilson: An Account of a Voyage to the Island Jamaica with the Un-Natural History of that Place, Institute of Jamaica Gallery, Kingston, September 16, 2007–February 26, 2008.

2006

Fred Wilson: My Echo, My Shadow, and Me, PaceWildenstein, 32 East 57th Street, New York, March 10–April 15, 2006. (Catalogue)

2005

Fred Wilson: So Much Trouble in the World—Believe It or Not!, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 4–December 11, 2005. (Catalogue and brochure)

Fred Wilson: Black Like Me, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, July 10, 2005–January 8, 2006. (Catalogue)

2004

Fred Wilson: Site Unseen: Dwellings of the Demons, Museum of World Culture, Göteberg, Sweden, December 27, 2004–October 28, 2007.

2003

Fred Wilson: Speak of Me as I Am, 50th International Art Exhibition, La Biennale di Venezia, United States Pavilion, Venice, June 15–November 2, 2003. (Catalogue)

Fred Wilson: Aftermath, Berkeley Art Museum and Pacific Film Archive, University of California, January 22–November 23, 2003.

2002

Fred Wilson: Is This Now Just Beginning?, Fosdick-Nelson Gallery, Alfred University, Alfred, New York, January 30–February 22, 2002.

2001

Fred Wilson, Objects and Installations 1979–2000, Center for Art and Visual Culture, University of Maryland, Baltimore, October 11, 2001–January 12, 2002. Traveled to: Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, October 26, 2002–January 7, 2003; Berkeley Art Museum and Pacific Film Archive, University of California, January 22–March 3, 2003; Blaffer Gallery, The Art Museum, University of Houston, May 3–August 3, 2003; Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 3–November 8, 2003; Santa Monica Museum, December 5, 2003–February 8, 2004; Studio Museum in Harlem, New York, April 28–July 4, 2004;Chicago Cultural Center, July 24–September 19, 2004. (Catalogue)

2000

Fred Wilson: Drawings and Maquettes for A Light Rail Station, Jersey City Museum, January 12–March 18, 2000. (Brochure)

1999

Fred Wilson: The Greeting Gallery (organized by Yerba Buena Center for the Arts), M. H. de Young Memorial Museum, Fine Arts Museums of San Francisco, January 16–May 2, 1999. (Brochure)

Fred Wilson: Speaking in Tongues: A Look at the Language of Display, M. H. de Young Memorial Museum, Fine Arts Museums of San Francisco, January 16–May 2, 1999. (Brochure)

1998

Viewing the Invisible: An Installation by Fred Wilson, Ian Potter Museum of Art, The University of Melbourne, Australia, October 7–December 6, 1998. (Catalogue)

1997

Fred Wilson: Reshuffling the Deck: Selections from the U.C. Davis Collections, Richard L. Nelson Gallery and Fine Arts Collections, University of California, Davis, April 13–May 16, 1997.

Fred Wilson: Collectibles, Rena Bransten Gallery, San Francisco, March 27–April 26, 1997.

1995

Fred Wilson: Collectibles, Metro Pictures, New York, December 2, 1995–January 6, 1996.

1994

‘Insight: In Site: In Sight: Incite: Memory,’ Artist and the Community: Fred Wilson, South Eastern Center for Contemporary Art, Winston-Salem, North Carolina, August 6–September 28, 1994. (Catalogue)

OpEd: Fred Wilson, Museum of Contemporary Art, Chicago, April 30–August 21, 1994. (Catalogue)

1993

Fred Wilson: An Invisible Life: A View into the World of a 120-Year-Old Man, Capp Street Project, San Francisco, August 20–October 3, 1993.

Transformations 4: Fred Wilson, Beaver College Art Gallery, Glenside, Pennsylvania, March 30–April 20, 1993. (Brochure)

Fred Wilson: The Museum: Mixed Metaphors, Seattle Art Museum, January 28–June 13, 1993. (Catalogue)

Fred Wilson: The Spiral of Art History, Indianapolis Museum of Art, January 16–March 28, 1993. (Brochure)

1992

Fred Wilson: Re: Claiming Egypt, 4th International Cairo Bienniale, December 19, 1992–March 19, 1993. (Brochure)

Fred Wilson: Panta Rhei: A Gallery of Ancient Classical Art, Metro Pictures, New York, September 16–October 3, 1992.

Mining the Museum: An Installation by Fred Wilson, The Contemporary and Maryland Historical Society, Baltimore, April 4, 1992–February 28, 1993. (Catalogue)

1991

Fred Wilson: Primitivism: High and Low, Metro Pictures, New York, March 9–April 6, 1991.

Fred Wilson: Recent Acquisitions, Gracie Mansion Gallery, New York, February 14–March 9, 1991.

1990

Fred Wilson: The Other Museum, White Columns, New York, May 18–June 10, 1990. Traveled to: Washington Project for the Arts, Washington, D.C., February 9–March 17, 1991. (Brochure)

1988

Fred Wilson: Portrait of Audubon (organized by Public Art Fund, New York), Chambers Street and West Broadway, New York, June 10, 1988.

2023

(opens in a new window) Glass: Art. Beauty. Design., Hillwood Estate, Museum & Gardens, Washington, D.C., June 10, 2023–January 14, 2024.

2022

Unmasking Venice: American Artists and the City of Water, Fenimore Art Museum, Cooperstown, New York, May 28–September 5, 2022. (Catalogue)

Visions of Ancient Egypt, Sainsbury Center for Visual Arts, University of East Anglia, Norwich, United Kingdom, September 3, 2022–January 1, 2023. (Catalogue)

2021

What Are You Looking At? An Eccentric Chorus of Artists Working In Glass, Museum of Glass, Tacoma, Washington, September 26, 2021–Fall 2022.

All Things Being Equal: Selections from the Nerman Collection, KCAI Gallery: Center for Contemporary Practice, Kansas City Art Institute, Missouri, September 9–October 17, 2021.

Hiding in Plain Sight, Pace Gallery, 540 West 25th Street, New York, July 14–August 21, 2021. (Booklet)

Online: Hiding in Plain Sight: In Focus, Pace Gallery Website, July 14–August 20, 2021.

Fred Wilson: Flags, Krakow Witkin Gallery, Boston, April 22–June 3, 2021.

Glasstress Boca Raton 2021, Boca Raton Museum of Art, Florida, January 26–September 5, 2021.

2020

National Gallery of Victoria Triennial, Melbourne, Australia, December 19, 2020–April 18, 2021.

Living Just Enough: Group Exhibition, Goodman Gallery, Johannesburg, South Africa, October 6–November 19, 2020.

Afterlives of the Black Atlantic, Ellen Johnson Gallery, Allen Memorial Art Museum, Oberlin, Ohio, August 20, 2019–May 24, 2020.

Labor, Bronx Art Space, New York, March 3–April 22, 2020.

Duro Olowu: Seeing Chicago, Museum of Contemporary Art, Chicago, Feb 29–Sep 27, 2020.

Atelier EB: Passer-by, Garage Museum of Contemporary Art, Moscow, January 29–May 20, 2020.

2019

The Light Show, Denver Art Museum, June 2, 2019–May 3, 2020.

People, Jeffrey Deitch, Los Angeles, February 9–April 6, 2019.

Black Refractions: Highlights from the Studio Museum in Harlem, Museum of the African Diaspora, San Francisco, January 15–April 14. 2019. Travels to: The Gibbes Museum of Art, Charleston, South Carolina, May 24–August 18, 2019; Kalamazoo Institute of Arts, Michigan, September 13–December 8, 2019; Smith College Museum of Art, Northampton, Massachusetts, January 17–April 12, 2020; Frye Art Museum, Seattle, Washington, May 9–August 2, 2020; Utah Museum of Fine Arts, Salt Lake City, Utah, August 28–December 13, 2020. (Catalogue)

American African American, Phillips, New York, January 5–February 15, 2019.

2018

Atelier E.B: Passer-by, Serpentine Sackler Gallery, London, October 3, 2018–January 6, 2019.

Like Life: Sculpture, Color, and the Body, The Met Breuer, New York, March 21–July 22, 2018. (Catalogue)

Exhibiting the Exhibition: From the Cabinet of Curiosities to the Curatorial Situation, Staatliche Kunsthalle Baden-Baden, Baden-Baden Germany, March 2–June 17, 2018. (Catalogue)

2017

American African American, Phillips, London, November 8–25, 2017.

The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, The University of Washington, Seattle, November 4, 2017–April 22, 2018.

Artists as Innovators: Celebrating Three Decades of New York State Council on the Arts / New York Foundation for the Arts Fellowships. Traveled to: The Samuel Dorsky Museum of Art, State University of New York, New Paltz, August 30–November 12, 2017; Dowd Gallery, SUNY Cortland, March 5–April 13, 2018; Fosdick-Nelson Gallery, Alfred University, New York, August 20–December 10, 2018; Marion Art Gallery, State University of New York, Fredonia, January 22–March 10, 2019; Burke Gallery, State University of New York, Plattsburgh, May 24–August 30, 2019; Paul W. Zuccaire Gallery, Stony Brook University, New York; Center for the Arts, Westchester Community College, White Plains, New York. (Catalogue)

Summer Choices, Crown Point Press, San Francisco, June 6–September 2, 2017.

Group exhibition, Long House Reserve, East Hampton, New York, April 29–October 2017.

Material Presence, Talley Dunn Gallery, Dallas, March 25–May 20, 2017.

Arte y cultura en torno a 1992, Centro Andaluz de Arte Contemporáneo, Seville, Spain, March 16–September 27, 2017.

The American Dream: Pop to the Present, British Museum, London, March 9–June 18, 2017. (Catalogue)

Glasstress Boca Raton, Boca Raton Museum of Art, Florida, January 31–July 2, 2017.

2016

SVA x Skowhegan, SVA Chelsea Gallery, New York, November 28, 2016–February 4, 2017.

Glass, Pace Gallery, 537 West 24th Street, New York, June 27–August 19, 2016.

Blackness in Abstraction, Pace Gallery, 510 West 25th Street, New York, June 24–August 19, 2016. (Catalogue)

Glassfever, Dordrechts Museum, Netherlands, May 1–September 25, 2016.

Black Pulp!, Edgewood Gallery, Yale University School of Art, New Haven, January 19–March 11, 2016. Traveled to: International Print Center, New York, October 1–December 3, 2016. (Catalogue)

2015

To expose, to show, to demonstrate, to inform, to offer: Artistic Practices around 1990, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, October 10, 2015–January 24, 2016. (Catalogue)

The Annual 2015: The Depth of the Surface, National Academy Museum, New York, June 4–August 23, 2015.

ReSignifications, Museo Bardini, Florence, May 29–August 29, 2015. (Catalogue)

Nero su Bianco, American Academy in Rome, May 26–July 19, 2015.

Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things, Barnes Foundation, Philadelphia, May 16–August 3, 2015.

America is Hard to See, Whitney Museum of American Art, New York, May 1–September 27, 2015.

Building Sculpture Center Benefit Exhibition, February 3–February 5, 2015.

Come As You Are: Art of the 1990s, Montclair Art Museum, February 8–May 17, 2015. Traveled to: Telfair Museums, Savannah, June 12–September 20, 2015; University of Michigan Museum of Art, Ann Arbor, October 17, 2015–January 16, 2016 and Blanton Museum of Art, University of Texas, Austin, February 21–May 15, 2016.

Fictions, Derek Eller Gallery, New York, January 9–February 7, 2015.

2014

Viewpoints: 20 Years of Adderley, Massachusetts College of Art and Design, Boston, September 22–December 6, 2014. (Brochure)

Cry Me A River, Janet Levy Project in conjunction with Prospect. 3., New Orleans, October 25, 2014–January 25, 2015.

Facets of Modern and Contemporary Glass, Knoxville Museum of Art, Tennessee, April 24–July 27, 2014.

The Grand Cypher: Hip Hop, Iran & Syria, Rush Art Gallery, New York, April 24–May 24, 2014.

Take It or Leave It: Institution, Image, Ideology, Hammer Museum of Art, University of California, Los Angeles, February 9–May 18, 2014. (Catalogue)

Grounded, Pace Gallery. 534 West 25th Street, New York, January 17–February 22, 2014.

2013

Dialogue, Tambaran, New York, November 5, 2013–January 31, 2014.

Here We Go, Karsten Schubert, London, September 9–November 29, 2013.

Yes, No, Maybe: Artists Working at Crown Point Press, National Gallery of Art, Washington, D.C, September 1, 2013–January 5, 2014. Traveled to: McNay Art Museum, San Antonio, January 28–May 17, 2015. (Catalogue)

Image and Abstraction, Pace Gallery, 510 West 25th Street, New York, July 19–August 16, 2013.

The Lunder Collection: A Gift of Art to Colby College, Colby College Museum of Art, Waterville, Maine, July 13, 2013–June 8, 2014. (Catalogue)

404 E 14, Tibor de Nagy Gallery, New York, June 20–August 2, 2013. (Catalogue)

Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon, Tacoma Art Museum, Washington, February 23–May 26, 2013. (Catalogue)

Transparencies: Contemporary Art and a History of Glass, Des Moines Art Center, Iowa, February 22–May 22, 2013. (Catalogue)

2012

We the People, Rauschenberg Foundation Project Space, New York, October 3–November 9, 2012.

Glasstress Beirut, Beirut Exhibition Center, Lebanon, July 16–September 2, 2012.

Color Ignited. Glass 1962–2012, Toledo Museum of Art, June 13–September 9, 2012. (Catalogue)

Economy: Picasso, Museu Picasso de Barcelona, May 25–September 2, 2012. (Catalogue)

Group exhibition, JGM Galerie, Paris, May 12–June 2, 2012.

Restless: Recent Acquisitions from the MAM Collection, Miami Art Museum, February 17–May 6, 2012.

2011

Repossessed, Western Bridge, Seattle, September 16–December 17, 2011.

Objects, JGM Galerie, Paris, September 16–October 13, 2011.

Glasstress Stockholm, Millesgården Museum, Sweden, August 27, 2011–January 15, 2012. (Catalogue)

Glasstress Riga: Works from the Berengo Studio, Art Museum Riga Bourse, Latvia, August 20–December 11, 2011.

Glasstress 2011, Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, Venice, 54th International Art Exhibition, La Biennale di Venezia and Berengo Centre for Contemporary Art and Glass, Murano-Venice, June 4–November 27, 2011. (Catalogue)

America: Now and Here, Leedy Voulkos Art Center, Kansas City, May 5–30, 2011.

Building the Contemporary Collection: Five Years of Acquisitions, Nasher Museum of Art, Durham, North Carolina, March 10–August 14, 2011.

Currents: Arts and the Environment, Courthouse Galleries, Portsmouth, Virginia, March 4–June 12, 2011.

2010

The Global Africa Project, Museum of Arts and Design, New York, November 17, 2010–May 15, 2011. (Catalogue)

American Still Life: Treasures from the Parrish Art Museum, Southampton, New York, October 10–November 28, 2010.

50 Years at Pace, The Pace Gallery, 510 West 25th Street, New York, September 17–October 16, 2010. (Catalogue)

B & W, Galería La Caja Negra, Madrid, June 15–July 30, 2010.

Size DOES Matter, The FLAG Art Foundation, New York, February 19–May 27, 2010. (Catalogue)

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, Maine, July 11, 2009–February 21, 2010. (Catalogue)

Glasstress, Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, 53rd International Art Exhibition, La Biennale di Venezia, June 6–November 22, 2009. (Catalogue)

Kréyol Factory, Grande Halle de la Villette, Paris, April 7–July 5, 2009. (Catalogue)

The Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, March 1–May 31, 2009.

2008

Wall Rockets: Contemporary Artists and Ed Ruscha, The FLAG Art Foundation, New York, October 3, 2008–April 18, 2009.

Second Lives: Remixing the Ordinary, Museum of Arts and Design, New York, September 27, 2008–February 15 (extended through April 19), 2009. (Catalogue)

Across the Divide: Reconsidering the Other, Illinois State Museum, Springfield, August 17, 2008–January 11, 2009. Traveled to: Chicago Gallery, Illinois State Museum, February 6–May 8, 2009.

Working History, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon, January 22–March 2, 2008.

Attention to Detail, The FLAG Art Foundation, New York, January–July 31, 2008. (Catalogue; curated by Chuck Close)

2007

Audacity in Art: Collector's Choice III, Orlando Museum of Art, December 8, 2007–February 3, 2008.

All for Art! Great Private Collections Among Us, Museé des beaux-arts de Montréal, December 6, 2007–March 2, 2008. (Catalogue)

Sanctuary, Rupert Ravens Contemporary, Newark, October 26–December 21, 2007.

From Africa to America, Allen Memorial Art Museum, Oberlin College, Ohio, September 4, 2007–June 2008.

New York: States of Mind, Haus der Kulturen der Welt, Berlin, August 23–November 4, 2007. Traveled to: Queens Museum of Art, Flushing, New York, December 12, 2007–March 23, 2008. (Catalogue)

Sculpture, James Kelly Contemporary, Santa Fe, August 10–October 6, 2007.

Light Time and Three Dimensions, PaceWildenstein, 534 West 25th Street, New York, June 28–August 24, 2007.

Mining Glass, Museum of Glass, Tacoma, Washington, June 16, 2007–February 3, 2008.

Singularity in the Communal Tide: Culture & Identity in the Moment, Pierro Gallery of South Orange, New Jersey, May 13–July 15, 2007.

Uncomfortable Truths: The Shadow of Slave Trading on Contemporary Art and Design, The Victoria and Albert Museum, London, February 20–June 17, 2007. Traveled to: Salford Museum and Art Gallery, June 30–September 2, 2007; Ferens Art Gallery, Hull, September 15, 2007–January 6, 2008.

Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, February 11–April 16, 2007.

Crossing the Line: African American Artist in the Jacqueline Bradley and Clarence Otis, Jr. Collection, The George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, January 19–May 20, 2007. (Catalogue)

The Nightly News, Luxe Gallery, New York, January 13–February 14, 2007.

2006

Longwood Arts Project’s 25th Anniversary: Black Now, Bronx Council on the Arts, New York, December 6, 2006–March 10, 2007.

2nd International Biennial of Contemporary Art of Seville, Andalusian Center of Contemporary Art and the Reales Atarazanas, Seville, Spain, October 26, 2006–January 8, 2007.

Black Alphabet: ConTEXTS of Contemporary African American Art, Zachęta National Gallery of Art, Warsaw, September 23–November 19, 2006. (Catalogue)

In Transit: From Object to Site, David Winton Bell Gallery, List Art Center, Brown University, Providence, September 9, 2006–October 23, 2006. (Brochure)

The Skowhegan School of Painting and Sculpture: 60 Years, Colby College Museum of Art, Waterville, Maine, July 22–October 29, 2006. (Catalogue)

Full House: Views of the Whitney’s Collection at 75, Whitney Museum of American Art, New York, June 29–September 3, 2006.

Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, June 16, 2006–January 7, 2007. (Catalogue)

2005

Group exhibition, PaceWildenstein, 534 West 25th Street, New York, July 14–August 25, 2005.

Very Early Pictures, Luckman Gallery, California State University, Los Angeles, May 26–July 23, 2005. Traveled to: Arcadia University Art Gallery, Glenside, Pennsylvania, August 26–October 30, 2005.

20 x 20 Art Sale, (exhibition and benefit auction for Bill T. Jones/Arnie Zane Dance Company organized by Bill T. Jones and Diane von Furstenberg), Diane von Furstenberg Theatre, New York, May 10–14, 2005.

Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum, Houston, January 21–April 17, 2005. (Catalogue)

2004

Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, Corcoran Gallery of Art, Washington, D.C., October 23, 2004–January 31, 2005. (Catalogue)

Art by MacArthur Fellows, Carl Solway Gallery, Cincinnati, May 7–July 31, 2004.

2003

Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, December 12, 2003–February 29, 2004. (Catalogue)

Black President: The Art and Legacy of Fela Anikulapo-Kuti, New Museum of Contemporary Art, New York, July 11–September 28, 2003. (Catalogue)

Drawings, Metro Pictures, New York, March 29–April 26, 2003.

.mov: Works from the Eyebeam Moving Image Studios ’03, Eyebeam, New York, January 6–24, 2003.

2002

Art Inside Out, Children’s Museum of Manhattan, October 10, 2002–December 31, 2003 (extended to June 4, 2004).

2001

Unpacking Europe, Museum Boijmans Van Beuningen, Rotterdam, December 13, 2001–February 24, 2002. (Catalogue)

Group exhibition, Metro Pictures, New York, December 8, 2001–January 12, 2002.

Museum as Subjects, The National Museum of Art, Osaka, October 25–December 11, 2001.

Crossing the Line: Site Specific Works by Fifty Artists throughout Queens, Queens Museum of Art, New York, June 24–October 7, 2001.

W, Musée des Beaux-Arts, Dole, France, June 22–September 30, 2001. (Catalogue)

Play’s The Thing: Critical and Transgressive Practices in Contemporary Art (organized by the Whitney Museum of American Art Independent Study Program), Art Gallery of The Graduate Center, City University of New York, May 25–July 8, 2001. (Catalogue)

Self-Made Men, DC Moore Gallery, New York, April 4–May 5, 2001.

Pictures, Patents, Monkeys, and More…On Collecting (organized by Independent Curators International, New York), Western Gallery, Western Washington University, Bellingham, January 19–March 10, 2001. Traveled to: John Michael Kohler Arts Center, Sheboygan, Wisconsin, August 12–October 21, 2001; Akron Art Museum, Ohio, November 17, 2001–February 18, 2002; Fuller Museum of Art, Brockton, Massachusetts, June 1–August 18, 2002; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 4–December 15, 2002; Pittsburgh Center for the Arts, June 1–August 6, 2003. (Catalogue)

2000

Group exhibition, Metro Pictures, January 18–April 15, 2000.

Juvenilia, Yerba Buena Center for the Arts, San Francisco, November 4, 2000–January 28, 2001.

Outbound: Passages From the 90’s, Contemporary Arts Museum, Houston, March 3–May 7, 2000. (Catalogue)

1999

Uniform, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, 1999.

Kunstwelten im Dialog von Gauguin zur globalen Gegenwart im Museum Ludwig Köln, Museum Ludwig, Cologne, November 5, 1999–March 5, 2000. (Catalogue)

The Museum as Muse: Artists Reflect, The Museum of Modern Art, New York, March 14–June 1, 1999. Traveled to: Museum of Contemporary Art, San Diego, September 26, 1999–January 9, 2000. (Catalogue)

Trace: The International Exhibition of the Liverpool Biennial of Contemporary Art, Tate Gallery, Liverpool, September 24–November 7, 1999. (Catalogue)

Through The Looking-Glass: Play Things, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, April 25–October 3, 1999.

To the Rescue: Eight Artists in an Archive (organized by Lookout for the American Jewish Joint Distribution Committee, New York) International Center of Photography, New York, February 12–May 16, 1999. Traveled to: Miami Art Museum, September 15–November 28, 1999; Contemporary Arts Museum, Houston, October 7–December 3, 2000. (Catalogue)

Camera Obscured: Photographic Documentation and the Public Museum, Presentation House Gallery, North Vancouver, Canada, January 9–February 21, 1999.

1998

Postcards From Black America, Hedendaagse Afrikaans-Amerikaanse Kunst, Boschstraat, the Netherlands, 1998. (Catalogue)

Re-Presentation, Freedom Gallery, Albright College Center for the Arts, Reading, Pennsylvania, October 2–November 20, 1998. (Catalogue)

Give & Take: Artists and Youth in Dialogue, San Francisco Arts Education Project (in cooperation with Artsource Consulting), April 20–July 24, 1998.

Parasite, The Drawing Center, New York, February 21–April 4, 1998.

1997

Millennium Eve Dress, Contemporary Arts Center, Cincinnati, 1997.

Museum Studies: Eleven Photographer’s Views, High Museum of Art, Atlanta, 1997.

Heart, Mind, Body, Soul: American Art in the 1990’s, Whitney Museum of American Art, New York, November 26, 1997–January 4, 1998.

Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, November 15, 1997–January 1, 1998.

Scene of the Crime, Armand Hammer Museum of Art and Cultural Center, Los Angeles, July 23–October 5, 1997. (Catalogue)

Points of Entry: Three Rivers Arts Festival, Pittsburgh, June 7–23, 1997. (Catalogue)

Collected, Photographer’s Gallery and British Museum, London, April 26–June 21, 1997.

Irredeemable Skeletons, Shillam + Smith 3, London, March 24–May 16, 1997.

The Private Eye in Public Art, LaSalle Partners at NationsBank Plaza, Charlotte, North Carolina, January 31–October 31, 1997. (Catalogue)

1996

Fragments: Proposta per a una colleccio de fotografia contemporania, Museu d’Art Contemporani, Barcelona, 1996. (Catalogue)

Inklusion: Exklusion, Steirischer Herbst 96, Graz, Austria, 1996.

Putt-Modernism, The Hyde Collection, Glen Falls, New York, 1996.

Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, December 6, 1996–February 22, 1997.

New Histories, Institute of Contemporary Art, Boston, October 23, 1996–January 5, 1997. (Catalogue)

Burning Issues: Contemporary African-American Art, Museum of Art, Fort Lauderdale, October 21, 1996–January 5, 1997. (Catalogue)

Beyond the Bushes, Rice University Art Gallery, Houston, September 22–November 3, 1996.

Steirischer herbst 96 Bezeichnung/Designation, Galerie & Edition Artelier, Graz, Austria, September 21–October 26, 1996.

Three Rivers Arts Festival, Pittsburgh, June 6–July 18, 1996.

Group exhibition, Project Row Houses, Houston, Spring 1996.

Cultural Economies: Histories from the Alternative Arts Movement, The Drawing Center, New York, February 24–April 6, 1996. (Catalogue)

1995

Configura 2-Dialog der Kulturen-Erfurt 1995, Federal Republic of Germany, Erfurt, June 10–September 10, 1995. (Catalogue)

Heroes and Heroines: From Myth to Reality, New Jersey Center for Visual Arts, Summit, January 13–February 26, 1995.

1994

Crash: Nostalgia for the Absence of Cyberspace, Thread Waxing Space, New York, 1994. (Catalogue)

Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofía, Madrid, December 14–March 6, 1995. (Catalogue)

Black Male: Representations of Masculinity in Contemporary American Art, Whitney Museum of American Art, New York, November 10, 1994–March 5, 1995. (Catalogue)

Transformers (organized by Independent Curators Incorporated, New York), Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, September 21–November 13, 1994. Traveled to: Decker Galleries, Maryland Institute College of Art, Baltimore, November 17–December 17, 1995; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, January 27–March 26, 1996; Art Gallery of Windsor, Ontario, June 21–September 9, 1996; Illingworth Kerr Art Gallery, Alberta College of Art and Design, Calgary, November 4–November 28, 1996. (Catalogue)

Notational Photographs, Metro Pictures, New York, September 17–October 15, 1994.

Odún Dé Odún Dé: The Global Presence of African Spirit in Contemporary Art, The African Peoples Cultural Organization, California, September–November 1994.

Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk, Sprengel Museum, Hannover, May 29–September 11, 1994. (Catalogue)

Western Artists/African Art, Museum for African Art, New York, May 6–August 7, 1994. Traveled to: Knoxville Museum of Art, Tennessee, 1994; Crocker Art Museum, Sacramento, 1994. (Catalogue)

Exhibited, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, April 23–September 2, 1994. (Catalogue)

Services, Kunstraum der Universität Lüneburg, Germany, January 1994.

Don’t Look Now, Thread Waxing Space, New York, January 22–February 26, 1994. (Catalogue)

1993

Construction in Process 4: My Home is Your Home, The Artists’ Museum, Lodz, Poland, 1993.

The Rag Trade, The InterArt Center, New York, 1993.

Ciphers of Identity, Fine Arts Gallery, University of Maryland, Baltimore County, Catonsville, November 12, 1993–January 21, 1994. (Catalogue)

City Sites, Arts Festival of Atlanta, Georgia, September 11–19, 1993.

Artists Respond: The “New World” Question, Studio Museum in Harlem, New York, May 5–August 22, 1993. (Catalogue)

The Theater of Refusal: Black Art and Mainstream Criticism, Fine Arts Gallery of the University of California, Irvine, April 8–May 12, 1993. Traveled to: Richard L. Nelson Gallery, University of California, Davis, November 7–December 17, 1993; University Art Gallery, University of California, Riverside, January 9–February 27, 1994. (Catalogue)

Projects 40: Readymade Identities, The Museum of Modern Art, New York, April 3–May 18, 1993.

1993 Biennial Exhibition, Whitney Museum of American Art, New York, February 24–June 20, 1993. (Catalogue)

1992

The Jewish Museum’s Masked Ball: In Celebration of Purim, Waldorf Astoria, New York, 1992.

Rosamund Felsen Clinic, Rosamund Felsen Gallery, 1992.

Translation, Centrum Sztuki Wspólczesnej Zamek Ujazdowski/Center for Contemporary Art, Warsaw, 1992. (Catalogue)

The Order of Things: Toward A Politic of Still Life (organized by Real Art Ways), Widener Gallery, Trinity College, Hartford, Winter 1992. (Catalogue)

Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Vermont, November 17–December 21, 1992. (Catalogue)

Past Imperfect: A Museum Looks At Itself, Parrish Art Museum, Southhampton, New York, August 8–November 11, 1992. (Catalogue)

Putt-Modernism, Artists Space, New York, August 1–September 27, 1992. (Brochure)

House of Spirit/Memories of Ancestors, The Bronx Council for the Arts, Woodlawn Cemetery, New York, June 21–November 1, 1992.

Group exhibition, Metro Pictures, New York, June 20–July 31, 1992.

Inheritance, Los Angeles Contemporary Exhibitions, May 22–June 21, 1992. (Catalogue)

Forces of Erin, Hillwood Art Gallery, Long Island University, March 11–April 26, 1992.

Environmental Terror, Fine Arts Gallery, University of Maryland Baltimore County, Catonsville, January 30–March 14, 1992. Traveled to: Frostburg State University, Maryland, 1992; East Main Street Gallery, Richmond, 1992. (Catalogue)

The Big Nothing Or Le Presque Rien, New Museum of Contemporary Art, New York, January 15–April 19, 1992. Traveled to: French Cultural Services, New York, January 16–February 28, 1992. (Catalogue)

1991

Friendly Natives, The New School, New York, 1991.

Group exhibition, Department of Parks, Prospect Park, New York, 1991.

Office Installations, Hillwood Art Museum, Brookville, New York, 1991. (Catalogue)

The Subversive Stitch, Simon Watson Gallery, New York, closed July 27, 1991.

Group exhibition, Metro Pictures, New York, June 29–July 31, 1991.

SITEseeing: Travel and Tourism in Contemporary Art, Whitney Museum of American Art, Federal Reserve Plaza, New York, April 3–June 7, 1991. (Catalogue)

1990

Conflict and Resolution, Brownsville Art Gallery, Manhattanville College, Purchase, New York, 1990.

Dream Machinations in America, Minor Injury Gallery, Brooklyn, 1990.

Fine Arts Faculty Group Show, Galleries, Fashion Institute of Technology, New York, 1990.

The New School Collects: Recent Acquisitions, Parsons School of Design, New York, 1990.

Notes on the Margin: A Framework in Focus, Gracie Mansion Gallery, New York, 1990.

Orders, Pyramid Art Center, Rochester, New York, 1990.

Public Mirror: Artists against Racial Prejudice, Clocktower Gallery, P.S.1 Contemporary Art Center, New York, 1990.

1987

Intellects and Idiosyncrasies, 55 Mercer Gallery, New York, 1987.

Rooms with a View: The Struggle between Culture, Content and the Context of Art, Longwood Art Gallery, Bronx Council on the Arts, New York, 1987–1988.

Selections from the Artists File, Artists Space, New York, October 1–31, 1987. (Catalogue)

1986

Ando/Wilson, New Sculpture, John Jay College Art Gallery, New York, 1986.

The Bronx Celebrates: Alternative Spaces, Lehman College Art Gallery, Bronx, 1985.

1985

Art on the Beach (organized by Creative Time), Battery Park City Landfill, New York, 1985.

Forecast: Images of the Future, Kenkeleba Gallery, New York, 1985.

Visions, Rediscovered, Castillo Gallery, New York, 1985.

1984

Art Against Apartheid, 10 on 8, New York, 1984. (window installation)

Exchange of Sources: Expanding Powers, Real Art Ways, Hartford, 1984.

L’Esprit Enclyclopedique, Caidoz Gallery, New York, 1984.

Racist America, Dramatis Personae Gallery, New York, 1984.

Sticks and Stones-Modern/Post Modern Sculpture, Kenkeleba Gallery, New York, October 14–November 25, 1984. (Catalogue)

1983

After Dark, William Patterson College, Patterson, New Jersey, 1983.

The Monument Redefined, Gowanus Memorial Artyard, New York, 1983.

1982

Grand Army Plaza: Three Sculptors (organized by the Department of Parks), Grand Army Plaza Arch, Brooklyn, 1982.

Looks at Books, ABC NO Rio, New York, 1982.

Ornament as Sculpture, Sculpture Center, New York, 1982.

Spare Parts, Materials for the Arts, Department of Cultural Affairs, New York, 1982.

Terminal New York, A.A.A. Art, New York, 1982.

1981

Festive Works, A.I.R. Gallery, New York, 1981.

Allen Memorial Art Museum, Oberlin College, Ohio

The Art Institute of Chicago, Illinois

Baltimore Museum of Art, Maryland

Berkeley Art Museum & Pacific Film Archive, University of California

Birmingham Museum of Art, Alabama

The British Museum, London

Mary & Leigh Block Museum of Art, Northwestern University, Evanston, Illinois

Brooklyn Museum, New York

Cleveland Museum of Art, Ohio

Corning Museum of Glass, New York

Crystal Bridges Museum of American Art, Bentonville, Arkansas

Currier Museum of Art, Manchester, New Hampshire

Denver Art Museum, Colorado

Des Moines Art Center, Iowa

Detroit Institute of Arts, Michigan

Maxine and Stuart Frankel Foundation of Art, Bloomfield Hills, Michigan

Hammer Museum, Los Angeles

Harvard Art Museums, Fogg Museum, Cambridge, Massachusetts

Henry Art Gallery, The University of Washington, Seattle

High Museum of Art, Atlanta

Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

Institute of Jamaica, Kingston

Jewish Museum, New York

Kresge Art Museum, Michigan State University, East Lansing

LaGuardia Airport, Queens, New York

Long Museum, Shanghai

Memphis Brooks Museum of Art, Tennessee

Montclair Art Museum, New Jersey

Museum of Fine Arts, Boston

The Museum of Fine Arts, Houston

Museum of Glass, Tacoma, Washington

The Museum of Modern Art, New York

The Nasher Museum of Art, Durham, North Carolina

National Gallery of Art, Washington, D.C.

National Gallery of Victoria, Melbourne, Australia

Nelson-Atkins Museum of Art, Kansas City

Neuberger Museum of Art, Purchase College, State University of New York

New Orleans Museum of Art, Louisiana

New School Art Collection, New York

Parrish Art Museum, Southampton, New York

Pérez Art Museum Miami, Florida

Pizzuti Collection, Columbus, Ohio

The Rose Art Museum, Brandeis University, Waltham, Massachusetts

San Francisco Museum of Modern Art, California

Seattle Art Museum, Washington

Smithsonian American Art Museum, Washington, D.C.

The Studio Museum in Harlem, New York

Tate, London

Toledo Museum of Art, Ohio

United States Embassy, Abuja, Nigeria

Vero Beach Museum of Art, Vero Beach, Florida

Virginia Museum of Fine Arts, Richmond, Virginia

Whitney Museum of American Art, New York

Wichita Art Museum, Kansas

2023

Benzine, Vittoria. “5 LA Gallery Shows to Welcome Winter” (Pace Gallery exhibition review). FAD Magazine, 28 November 2023. https://fadmagazine.com/2023/11/28/5-la-gallery-shows-to-welcome-winter/.

Benzine, Vittoria. “See Fred Wilson’s ‘Mind Forged Manacles’ Before It Comes Down.” Brooklyn Magazine, 22 June 2023. https://www.bkmag.com/2023/06/22/see-fred-wilsons-mind-forged-manacles-before-it-comes-down/

Dela Rama, Lorenzo. “Special Discussion Between Fred Wilson and Hamza Walker at Pace in Los Angeles” (exhibition review). Socal Pulse LA, 3 November 2023. https://socalpulse.com/socal/special-discussion-between-fred-wilson-and-hamza-walker-at-pace-in-los-angeles/.

“Fred Wilson: Dramatis Personae” (Pace Gallery exhibition review). Curate LA, 3 November 2023. https://curate.la/event.php?id=28022.

Greenberger, Alex. "The 100 Greatest New York City Artworks, Ranked.” Artnews, 29 August 2023. https://www.artnews.com/list/art-news/artists/best-new-york-city-artworks-nyc-1234674469/cecilia-vicuna-sidewalk-forests-1981/.

Jenkins, Mark. “Hillwood Museum’s ‘Glass’: More than just a pretty vase” (Hillwood Museum exhibition review). The Washington Post, 26 June 2023. https://www.washingtonpost.com/arts-entertainment/2023/06/26/hillwood-museum-glass-art-beauty-design-art-review/

Nys Dambrot, Shana. “Fall Back: Arts Calendar November 2-8" (Pace Gallery exhibition review). LA Weekly, 1 November 2023. https://www.laweekly.com/fall-back-arts-calendar-november-2-8/.

Sutton, Benjamin. “From Harlem to Brooklyn: public art to see for free in New York this spring.” The Art Newspaper, 16 May 2023. https://www.theartnewspaper.com/2023/05/16/from-harlem-to-brooklyn-public-art-to-see-for-free-in-new-york-this-spring

2022

Anania, Billy. “Fred Wilson Summons Ghosts of the Past to Confront the Racism of the Present.” Hyperallergic, 13 September 2022. https://hyperallergic.com/758330/fred-wilson-mind-forged-manacles

Cascone, Sarah. “Editors’ Picks: 11 Events for Your Art Calendar This Week, From Derrick Adams’s Unicorn Playground to Kiki Kogelnik’s Portraits” (Mitchell-Innes and Nash exhibition review). Artnet News, 28 June 2022. https://news.artnet.com/art-world/editors-picks-june-27-2022-2130060

Cascone, Sarah. “New York’s LaGuardia Airport Unveils New Permanent Artworks by Mariam Ghani, Rashid Johnson, and Others.” Artnet News, 2 June 2022. https://news.artnet.com/art-world/laguardia-airport-queens-museum-art-2124894?utm_content

Goldstein, Caroline. “Watch Fred Wilson Connect His Multi-Racial Family Background Through His Practice.” Artnet News, 18 August 2022. https://news.artnet.com/art-world/im-trying-to-understand-the-visual-world-around-me-watch-fred-wilson-connect-his-multi-racial-family-background-through-his-practice-2161624

Parker, Adam. “Gibbes Museum commissions Fred Wilson to create public sculpture for Charleston.” Post and Courier, 27 May 2022. (opens in a new window) https://www.postandcourier.com/spoleto/gibbes-museum-commissions-fred-wilson-to-create-public-sculpture-for-charleston/article_d11a97ca-d796-11ec-b4e9-b3e356e48943.html

Rahmanam, Anna. “This giant new public art piece in Brooklyn explores the concept of systemic racism.” Time Out, 6 July, 2022. (opens in a new window) https://www.timeout.com/newyork/news/this-giant-new-public-art-piece-in-brooklyn-explores-the-concept-of-systemic-racism-070622

Sheets, Hilarie M. “Artworks Define La Guardia’s New Delta Terminal.” The New York Times, 23 February 2022: C6, illustrated. Web version: https://www.nytimes.com/2022/02/22/arts/design/la-guardia-new-delta-terminal-artists.html.

2021

Cotter, Holland. “‘Black Art: In the Absence of Light’ Reveals a History of Neglect and Triumph.” The New York Times, 8 February 2021. https://www.nytimes.com/2021/02/08/arts/design/black-art-hbo-review.html

2020

“Fred Wilson Glass Works 2009 - 2018 at Pace Gallery, Seoul” (Pace Gallery Seoul exhibition review). Arte Fuse, 11 May 2020. https://artefuse.com/2020/05/10/fred-wilson-glass-works-2009-2018-at-pace-gallery-seoul/

2019

Armstrong, Annie. “New Orleans Museum of Art to Open Expanded Sculpture Garden with New and Commissioned Works by Larry Bell, Teresita Fernández, More.” Art News, 8 February 2019. http://www.artnews.com/2019/02/08/new-orleans-museum-art-sculpture-garden-artists/

Lempesis, Dimitris. “ART-PRESENTATION: Fred Wilson-Chandeliers” (Pace Gallery exhibition review). Dream Idea Machine, 23 September 2019. http://www.dreamideamachine.com/en/?p=51085

Michno, Christopher. “Fred Wilson, Maccarone” (exhibition review). Artillery (May–June 2019): 48, illustrated.

Parker, Adam. “Conceptual artist Fred Wilson to deliver Gibbes Museum lecture in November.” Post and Courier, 21 June 2019. https://www.postandcourier.com/features/conceptual-artist-fred-wilson-to-deliver-gibbes-museum-lecture-in/article_779dcbca-9439-11e9-a41d-af816446c8c8.html

Raicovich, Laura. “What Happened When Fred Wilson Dug Beneath a Museum’s Floorboards.” Hyperallergic, 16 August 2019. https://hyperallergic.com/507245/mining-the-museum-an-installation-by-fred-wilson/

Trouillot, Terence. “People Have Woken Up—to a Degree’: Artist Fred Wilson on Progress in the Art World and the Evolving Reception of His Work (Pace Gallery exhibition review). Artnet News, 25 September 2019. https://news.artnet.com/art-world/fred-wilson-interview-1659739

Urist, Jacoba. “Artist Fred Wilson and the Politics of Display Arrive at Pace in Time for the Mega-Gallery’s Next Chapter” (Pace Gallery exhibition review). Cultured, 24 September 2019. https://www.culturedmag.com/fred-wilson/

“Visual Artist Fred Wilson to Receive Brandeis’ 2019 Creative Arts Award.” Brandeis Now, 19 March 2019. http://www.brandeis.edu/now/2019/march/wilson-creative-art.html

Wilson, Fred. “Community: Fred Wilson Collects ‘Degradaria’ to Understand It.” Daily Plinth, 21 February 2019. Online video, 3:26. http://dailyplinth.com/videos/community-fred-wilson-collects-degradaria-to-understand-it/

2018

“Artist Puts Turkish ‘Hidden History’ On Display.” London Live, 28 March 2018. Online video, 1:36. http://www.londonlive.co.uk/news/2018-03-28/artist-puts-turkish-hidden-history-on-display

Belcove, Julie. “Fred Wilson: ‘As an Artist, I Don’t Have to Stick to the Script” (Pace Gallery exhibition preview). Financial Times, 16 March 2018. https://www.ft.com/content/4c46e940-25de-11e8-9274-2b13fccdc744

Brazil, Kevin. “Fred Wilson, Afro Kismet, Pace Gallery, London” (Pace Gallery exhibition review). Paper Visual Art, 5 June 2018. http://papervisualart.com/2018/06/05/fred-wilson-afro-kismet-pace-gallery-london/

Creahan, D. “New York – Fred Wilson: ‘Afro Kismet’ at Pace Gallery through August 17th, 2018” (exhibition review). Art Observed, 22 July 2018. http://artobserved.com/2018/07/new-york-fred-wilson-afro-kismet-at-pace-gallery-through-august-17th-2018/

De Nieves, Raúl, Marilyn Minter, Xu Zhen, Felix Bernstein, Fred Wilson and Lutz Bacher. “Warhol Six Times.” Art in America (November 2018): 68–75, illustrated.

Frankel, Eddy. “Fred Wilson: Afro Kismet Review” (Pace Gallery exhibition review). Time Out, 2 April 2018. https://www.timeout.com/london/art/fred-wilson-afro-kismet-review

“Fred Wilson’s ‘Afro Kismet’ at Pace, London” (exhibition preview). Artinfo, 12 March 2018. http://in.blouinartinfo.com/news/story/2900663/fred-wilsons-afro-kismet-at-pace-london

Gilbert, Alan. “Racism and Erasure in Fred Wilson’s Unearthed Histories” (Pace Gallery exhibition review). Hyperallergic, 10 August 2018. https://hyperallergic.com/455019/fred-wilson-afro-kismet-pace-gallery/

“’I’m Just Using the Museum as My Palette’: How Artist Fred Wilson Uses Venerable Art Collections to Re-imagine History” (Pace Gallery exhibition review). Artnet News, 9 August 2018. https://news.artnet.com/exhibitions/fred-wilson-structures-1329869

Kastner, Jeffrey. “Fred Wilson, Pace” (exhibition review). Artforum 57, no. 3 (November 2018): 238, installation view.

Kotz, Genevieve. “NYC Gallery Scene – Highlights Through July 15, 2018” (Pace Gallery exhibition review). Hamptons Arthub, 9 July 2018. https://hamptonsarthub.com/2018/07/09/exhibitions-nyc-gallery-scene-highlights-through-july-15-2018/

Michalarou, Efi. “Art Cities: N. York – Fred Wilson” (Pace Gallery exhibition review). Dream Idea Machine, accessed 16 July 2018. http://www.dreamideamachine.com/en/?p=37970

Michalarou, Efi. “Art-presentation: Fred Wilson-Afro Kismet” (Pace Gallery exhibition review). Dream Idea Machine, accessed on 22 March 2018. http://www.dreamideamachine.com/en/?p=34922

Örer, Bige. "Afro Kismet" (Pace Gallery exhibition review). Sanat Dünyamiz (May 2018-June 2018): 14-25, illustrated.

Saltz, Jerry. “See Fred Wilson” (Pace Gallery exhibition review). New York, August 6–19, 2018: 86.

Sandstrom, Natalie. “Black is Beautiful: Fred Wilson at Pace” (exhibition review). Artcritical, 23 July 2018. http://www.artcritical.com/2018/07/23/natalie-sandstrom-on-fred-wilson/

“6 Illuminating Pendants from San Francisco's FOG Design+Art Fair.” Artspace, 13 January 2018. https://www.artspace.com/magazine/news_events/art-fairs/pendants-aplenty-55204

2017 Annual Report: January through December. New Orleans: New Orleans Museum of Art, [2018]: cover; 2–3, illustrated; 19.

Wilson, Fred. “Warhol Six Times: Fred Wilson.” Art in America (November 2018): 74.

2017

“5 Takes on African Art: Exploring the Charles Derby Collection / 42 Flags: Paintings by Fred Wilson.” UMass Amherst, 14 October 2017. Online video, 2:56. https://umass.app.box.com/s/b5c3dj0a1fzzmox8r3xx9uzqn5bej95h

“A Timeline of Attempts to Fix the Art World: 1992.” Art News 115, no. 4 (Winter 2017): 97, illustrated.

Corbett, Rachel. “‘The Curators Were Shocked’: In Istanbul, Fred Wilson Exposes the Black Art History Hidden in Plain Sight” (Istanbul Biennial exhibition review). Artnet News, 10 October 2017. https://news.artnet.com/exhibitions/fred-wilson-istanbul-biennial-1100798

“Spring - Fred Wilson: The Mete of the Muse, 2006.” Longhouse Reserve (Spring 2017): 14, illustrated.

Holland, Laura. “Digging Deeper…into African Art” (UMCA exhibition review). Preview Magazine, October 2017: 5–8, illustrated.

Hushka, Rock. “Rebecca and Jack Benaroya Collection Donated to the Tacoma Art Museum.” New Glass Review (2017): 96, 127, illustrated.

Özden, Hatice Utkan. “15th Istanbul Biennial Discovers ‘Belonging and Neighborhood’” (exhibition review). Hurriyet Daily News, 16–17 September 2017: 6–7, illustrated.

Sharp, Sarah Rose. “Fred Wilson Teaches Us How to Pay Attention” (Allen Memorial Art Museum exhibition review). Hyperallergic, 14 February 2017. http://hyperallergic.com/349838/fred-wilson-teaches-us-how-to-pay-attention/

Tataryan, Nora. “The 15th Istanbul Biennial Public Programme Kicks off with Fred Wilson’s Speech” (15th Istanbul Biennial exhibition review). Iyi Bir Komsu, 18 September 2017. http://15b.iksv.org/news/24

Wilson, Fred. “Fred Wilson: The Mete of the Muse.” Longhouse.org, accessed 12 May 2017. https://www.longhouse.org/pages/fred-wilson

2016

“Arts: Digging Deep.” Oberlin Alumni Magazine, Fall 2016: 10, illustrated.

Capossela, Francesca. “’Glass’ Exhibition Explores the Medium with Three Art Greats” (Pace Gallery exhibition review). The Creators Project, 1 July 2016. http://thecreatorsproject.vice.com/blog/glass-exhibition-group-show-pace

“Current Exhibitions: Alternative Historical Narratives Emerge in Two Exhibitions Organized with the Artist Fred Wilson.” At The Allen: Allen Memorial Art Museum, Oberlin College, Fall 2016: cover; 5–6, illustrated.

Erickson, Peter. “Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson.” Shakespeare Bulletin 34, no.2 (Summer 2016): 277–293, illustrated.

Grabner, Michelle. “Fred Wilson, Allen Memorial Art Museum, Oberlin College” (exhibition review). Artforum 55, no. 4 (December 2016): 264, installation view.

Litt, Steven. “Artist lets viewers draw connections, conclusions” (Allen Memorial Art Museum, Oberlin College exhibition review). The Plain Dealer, 25 September 2016: D3, illustrated.

http://www.cleveland.com/arts/index.ssf/2016/09/fred_wilson_installations_subv.html

Litt, Steven. “Fred Wilson Subverts Art History-as-Usual at Oberlin’s Allen Memorial Art Museum” (exhibition review). Cleveland.com, 19 September 2016. http://www.cleveland.com/arts/index.ssf/2016/09/fred_wilson_installations_subv.html

Michalarou, Efi. “Art Cities: N. York - Glass” (Pace Gallery exhibition review). Dream Idea Machine, 18 August 2016. http://www.dreamideamachine.com/en/?p=17812

Miller, M. H. “’Being Here Is An Unusual Experience’: Finding Some Quiet Time with Fred Wilson at Frieze New York.” Art News, 5 May 2016. http://www.artnews.com/2016/05/05/being-here-is-an-unusual-experience-finding-some-quiet-time-with-fred-wilson-at-frieze-new-york/

Peterson, Julia. “Fred Wilson Intervenes at AMAM Sculpture Court” (Allen Memorial Art Museum exhibition review). The Oberlin Review, 9 September 2016. http://oberlinreview.org/10790/arts/fred-wilson-intervenes-at-amam-sculpture-court/

Wilson, Fred. “Degrees of Subversion: An Interview with Fred Wilson.” Interview with Robert Enright and Meeka Walsh. Border Crossings 35, no. 137 (March 2016): 22–37, illustrated.

2015

Anderson, Mary. “The Conscious Heart: On the Act of Creation and the Compassionate Teachings of Art.” Harvard Divinity Bulletin 43, no.1 and 2, Winter/Spring 2015: 21–31, illustrated.

Guzman, Alissa. “Fred Wilson on Isamu Noguchi’s Multifaceted Modernism.” Hyperallergic, 16 March 2015. http://hyperallergic.com/190978/fred-wilson-on-isamu-noguchis-multifaceted-modernism/

Moran, Jason. “Sightlines: Variations on a Theme.” Art in America (January 2015): 29.

Sheets, Hilarie M. “Inside Art: A Wink at the Quirks of a Famed Collector” (The Barnes Foundation exhibition review). The New York Times, 6 March 2015: C20.

2014

Baumgardner, Julie. “8 Museum Directors Reveal Their Favorite Works of Art: Thom Collins, Peres Art Museum Miami.” Vulture, 17 December 2014. http://www.vulture.com/2014/12/8-museum-directors-on-their-favorite-work-of-art.html

Erickson, Peter. “Mining Shakespeare: Fred Wilson’s Visual Translations of Othello.” Nika Journal of Contemporary African Art, no.33 (Fall 2013): 8–19, illustrated.

Finkel, Jori. “Make Sure the Artists Are on Board.” The Art Newspaper, 30 May 2014, illustrated. http://www.theartnewspaper.com/blogs/Make-sure-the-artists-are-on-board/32896

Indrisek, Scott. “5 Must-See Gallery Shows: Kristen Schiele, Jason Rhoades, and More” (Pace Gallery exhibition review). Artinfo, 18 September 2014. http://www.blouinartinfo.com/news/story/1054260/5-must-see-gallery-shows-kristen-schiele-jason-rhoades-and

Jones, MiChelle. “Knoxville Museum Update Includes Jolley’s ‘Cycle of Life’” (exhibition review). Tennessean, 16 May 2014. http://www.tennessean.com/story/life/arts/2014/05/16/knoxville-museum-update-includes-jolleys-cycle-life/9146237/

Neal, Mark Anthony. “Picasso Baby: Hip-Hip & the Appropriation of Space.” Art Papers 38, no. 1 (January/February 2014): 52–54.

Phillips, Rowan Ricardo. “Fred Wilson” (Pace Gallery exhibition review). Artforum, 23 September 2014. http://www.artforum.com/archive/id=48334

2013

Drury, John. “Fred Wilson’s Black Beauty.” Neues Glas no.3 (Fall 2013): 34–39, illustrated.

Erickson, Peter. “Mining Shakespeare: Fred Wilson’s Visual Translation of Othello.” Nka: Journal of Contemporary African Art, no. 33 (Fall 2013): 8–19, illustrated.

Green, Tyler. “A Day at the Museum.” Modern Painters (October 2013): 48–49, illustrated.

Owens, Craig. “Global Issues.” The Happy Hypocrite, Freedom, no. 6 (2013): 27, illustrated.

Pollack, Barbara. “The Civil War in Art, Then & Now.” Art News 112, no. 5 (May 2013): 70–77, illustrated

2012

Baker, Kenneth. “Fred Wilson—a spectrum of ingenuity” (Rena Bransten Gallery exhibition review). San Francisco Chronicle, 10 March 2012: E2, illustrated.

Grinberg, Emanuella. “’Museum therapist’ challenges the idea of art.” CNN, 23 June 2012. http://www.cnn.com/2012/06/22/living/artist-fred-wilson/index.html?iref=allsearch

Gund, Agnes. “Huffpost Arts & Culture: Public Art and Argument (blog).” The Huffington Post, 9 August 2012. http://www.huffingtonpost.com/agnes-gund/public-art-and-argument_b_1761239.html

Kuspit, Donald. “Black and White and Nothing In Between” (The Pace Gallery exhibition review). artnet, 13 April 2012. http://www.artnet.com/magazineus/features/kuspit/fred-wilson-at-pace-gallery-4-11-12.asp

Mirrer, Louise. “What ‘Liberty/Liberté’ Tells Us About Slavery, Black History and Raw Nerves.” Huffington Post, 8 February 2012. http://www.huffingtonpost.com/louise-mirrer/liberty-liberte-new-york-historical-society_b_1258182.html

Nathan, Emily. “Savannah Dispatch: The Fred Wilson Treatment.” artnet, 27 February 2012. http://www.artnet.com/magazineus/news/nathan/fred-wilson-at-scad-2-27-12.asp

Pollack, Barbara. “Fred Wilson: Creates an Installation.” Art News 111, no. 10, (November 2012): 120–125, illustrated.

Quirós, Kantuta and Aliocha Imhoff. “Entretien avec Joaquín Barriendos.” Les Cahiers, no. 122 (Winter 2012/2013): 107–119, illustrated.

Weaver, A.M. “Fred Wilson, New York Historical Society” (exhibition review). Frieze, no. 147 (May 2012): 223, illustrated.

Wilson, Fred. “Shifting Connections: Fred Wilson (Part 1)” (Savannah College of Art and Design Museum of Art exhibition review). Interview by Kathleen MacQueen. Bomblog, 17 May 2012. http://bombsite.com/issues/1000/articles/6561

Wilson, Fred. “Shifting Connections: Fred Wilson (Part 2)” (The Pace Gallery exhibition review). Interview by Kathleen MacQueen. Bomblog, 17 May 2012. http://bombsite.com/issues/1000/articles/6529

Zarobell, John. “And I Say, It’s All Right: Fred Wilson” (Rena Bransten Gallery exhibition review). Art Practical, 11 March 2012. http://www.artpractical.com/review/fred_wilson/

2011

Adamson, Glenn. “Issues/Commentary: Tsunami Africa” (Museum of Arts and Design exhibition review). Art in America (March 2011): 67–72, illustrated.

Correia, Alice. “Fred Wilson” (Karsten Shubert exhibition review). Third Text 25, no.109 (2011): 639–644, illustrated.

Erickson, Peter. “Black Like Me: Reconfiguring Blackface in the Art of Glenn Ligon and Fred Wilson.” NKA: Journal of Contemporary African Art, no. 25 (Winter 2011): 30–47, illustrated.

Green, Tyler. “CICF kills Fred Wilson project.” artinfo.com, 13 December 2011. http://blogs.artinfo.com/modernartnotes/2011/12/cicf-kills-fred-wilson-project/

Herbert, Martin. “Fred Wilson” (Karsten Shubert exhibition review). Time Out London, 31 March–6 April 2011: 49, illustrated.

Nairne, Eleanor. “Fred Wilson” (Karsten Shubert exhibition review). Frieze, no. 140 (June–July–August 2011): 207, illustrated.

New Glass Review 32 (2011): 79, 125, illustrated.

Rothstein, Edward. “Museum’s New Center of Gravity” (New York Historical Society review). The New York Times, 11 November 2011: C25–C26; illustrated.

Sheets, Hilarie M. “Art Talk: George Washington Behind Bars.” Art News 110, no. 10 (November 2011): 40, installation view.

Trigg, David. “Exhibitions: Fred Wilson: Works 1993–2011” (Karsten Schubert exhibition review). Art Monthly, no. 346 (May 2011): 18, illustrated.

2010

Barshee, Tenzing. “Reviews: Fred Wilson, Mitterrand + Sanz / Contemporary Art, Zurich” (exhibition review). Flash Art 43, no. 274 (October 2010): 125, illustrated.

Wilson, Fred. “How You Look is How You Look: An Interview with Fred Wilson by Huey Copeland.” Callaloo 33, no. 4 (Fall 2010): 1018–1040, illustrated.

2009

Chozick, Amy and Kelly Crow. “Changing the Art on The White House Walls.” The Wall Street Journal, 22 May 2009.

Erickson, Peter. “Black Like Me: Reconfiguring Blackface in the Art of Glenn Ligon and Fred Wilson.” NKA Journal of Contemporary African Art (Winter 2009): 30–47.

Gopnik, Blake, “Kerry James Marshall Thinks the Old Masters Have Room for a New Face: His Own.” The Washington Post, 15 February 2009.

Wilson, Fred. “Best of 2009: The Artists’ Artists—Nick Cave, ‘Recent Soundsuits.’” Artforum (December 2009): 89.

2008

Lee, Felicia R. “Arts, Briefly: Lauder Quits Whitney Post.” The New York Times, 29 May 2008.

MacMillan, Kyle. “Reintroducing a body of work.” The Denver Post, 16 October 2008.

New Glass Review, 29 (2008): 86, 125, illustrated.

2007

Alibhai-Brown, Yasmin. “Into the Art of Darkness” (exhibition review). The Independent, 9 February 2007.

Als, Hilton. “The Shadow Act: Kara Walker’s Vision.” The New Yorker, 8 October 2007: 78.

Bishop, Philip E. “Exhibit explores history, hipness” (exhibition review). Orlando Sentinel, 19 April 2007.

“Crossing the Line” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando Arts Magazine (January/February 2007): 42–43.

Diehl, Carol. “A Matter of Opinion.” Art News 106 (November 2007): 194.

Genocchio, Benjamin. “Four Shows in One Celebrate Ethnic Diversity” (exhibition review). The New York Times, 14 January 2007.

Genocchio, Benjamin. “Tougher Than the Rest” (exhibition review). The New York Times, 1 July 2007: 10.

Halle, Howard. “For younger artists of color, the political has become the personal.” Time Out New York, 23–29 August 2007: 59.

“History’s Uneasy Truths” (exhibition review). New Nation, 12 February 2007: 27.

“Inside.” EI8GHT Photojournalism Magazine (Spring 2007): 68–72.

Jones, Kellie. “Famous in 2112?” Art News 106 (November 2007): 205, discussed.

Kennedy, Randy. “Art World Luminaries Recall Marcia Tucker.” The New York Times, 13 January 2007.

Levin, Kim. “Reviews: New York—‘The Nightly News’” (Luxe Gallery exhibition review). Art News 106 (May 2007): 164, illustrated.

Levine, Lisa. “A Portrait of the Collectors” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando: The City’s Magazine (January 2007): 82–85.

“Light, Time, and Three Dimensions” (exhibition review). The New Yorker, 13 August 2007: 13.

Lopez, Ruth. “Museum Studies: Fred Wilson re-presents history at Northwestern.” Time Out Chicago, 1–7 March 2007.

Marstine, Janet. “What a Mess! Claiming a Space for Undergraduate Student Experimentation in the University Museum.” Museum Management and Curatorship (September 2007): 303–315.

Merali, Shaheen. “Looking Back: Emerging Artists.” Frieze (January–February 2007): 137.

Morris, Jane. “Chasing shadows” (exhibition review). Museums Journal, 1 April 2007.

Parker, Nick. “Creative Commons on a Creative Campus.” City on a Hill Press (April 2007).

Pendleton, Adam. “Working Practice: Jason Moran.” Modern Painters (May 2007): 112.

Ponnekanti, Rosemary. “Liquid Social History: Fred Wilson challenges color at the Museum of Glass.” The News Tribune, 7 August 2007: E1–2, illustrated.

Relyea, Lane. “Clem Everlasting.” X-TRA (Summer 2007): 18, illustrated.

Riding, Alan. “Britain Confronts Legacy of Slave Trade” (Victoria and Albert Museum exhibition review). The New York Times, 20 March 2007: E5, illustrated.

Riding, Alan. “Britain examines its conscience on the slave trade” (exhibition review). International Herald Tribune, 22 March 2007: 28.

Robinson, Courtney. “Fred Wilson tells MSU a museum can also be art.” Lansing City Pulse, 4 April 2007: 15.

Schoenberg, Nara. “Artists draw on the enduring images of slavery” (exhibition review). Chicago Tribune, 7 March 2007: 5–5, 5–8.

“‘Schwangere Auster’ erstrahlt in neuem Glanz” (exhibition review).Tagesspiegel, 21 August 2007. http://www.Tagesspiegel.de/

Schwendener, Martha. “Agitprop Tactics, Spoofs and Semantics in the Bronx” (Longwood Arts Project exhibition review). The New York Times, 4 January 2007.

Schwendener, Martha. “Whose Liberté, Ébalité, and Fraternité? Colors of France Today.” The New York Times, 13 July 2007: B32.

Stewart, Laura. “Diversity on Display” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando News Journal, 26 January 2007.

Swain, Rebecca. “New season dawns for the Cornell” (Cornell Fine Arts Museum, Rollins College exhibition review). Orlando Sentinel Entertainment Guide, 19–25 January 2007: 3–4.

“Uncomfortable Truths: London” (Victoria and Albert Museum exhibition review). The Guardian: The Guide, 17 February 2007: 37.

“Uncomfortable Truths—Shadow of a Slave Trade at the V&A” (Victoria and Albert Museum exhibition review). 24hourmuseum, 23 February 2007. http://24hourmuseum.org.uk/

“Uncomfortable Truths: the shadow of slave trading on contemporary art @ Victoria and Albert Museum.” Studio Magazine (Spring 2007).

“The V&A hosts slavery exhibition” (Victoria and Albert Museum exhibition review). Independent on Sunday, 18 February 2007: 65.

“Visual Arts Series: Current/Coming Up.” Art Matters Newsletter of the Office of Cultural Affairs, Appalachian State University (Spring 2007): 6.

Wilson, Fred and Mark Graham. “An Interview with Fred Wilson.” Journal of Museum Education 32, no. 3 (Fall 2007): 209–217, illustrated.

2006

Comita, Jenny. “At His Own Pace.” Vogue (November 2006): 208, 210.

Cotter, Holland. “Emancipation Remains a Work in Progress” (New York Historical Society exhibition review). The New York Times, 20 June 2006: E1, E7, illustrated.

“Fred Wilson: Aldrich Contemporary Art Museum” (exhibition review). Sculpture (April 2006): 68–69, illustrated.

Ganis, William. “Fred Wilson: My Echo, My Shadow and Me.” Iconophilia: An e-Anthology of Art Review and Criticism (March 2006): illustrated.

“Galleries–Uptown: Fred Wilson” (PaceWildenstein exhibition review). The New Yorker, 10 April 2006: 12.

Haithman, Diane. “Drawn to the Badge.” Los Angeles Times, 16 April 2006: E25, E32–33, illustrated.

Heartney, Eleanor. “Fred Wilson at PaceWildenstein” (exhibition review). Art in America (June/July 2006): 185–186, illustrated.

Lee, Felicia R. “A Modern Prism for Slavery’s Past” (New York Historical Society exhibition review). International Herald Tribune, 14 June 2006: 26, illustrated.

Lee, Felicia R. “Slavery’s Legacy, Seen Through Art” (New York Historical Society exhibition review). The New York Times, 13 June 2006: E1, E7, illustrated.

Luska, Jane & John Strand. “Fred Wilson: Learning to Speak Museum.” Museum News (January–February 2006): 44–50, illustrated.

Mashburn, Sabrina. “Crowds Mob Student Art Show.” The Campus Authority: Skidmore News, 3 February 2006: 10.

“New Prints Review.” Art on Paper 11 (November/December 2006): 66, illustrated.

Perreault, John. “Slavery on Long Island, Slavery in New York.” Artopia Artsjournal weblog, 12 September 2006: illustrated.

Pollack, Barbara. “’Legacies: Contemporary Artists Reflect on Slavery,’ New York Historical Society” (exhibition review). Art News (September 2006): 139.

“Prices Climb for Wilson’s Art Installations.” Art Newsletter 31, no. 24, 18 July 2006: 7.

Robinson, Walter. “Weekend Update” (PaceWildenstein exhibition review). artnet, 17 April 2006: illustrated. http://artnet.com/

Rondón, José María. “El arte desacogedor Ilega tarde a Sevilla.” El Mundo, 26 October 2006: 54, illustrated.

Vigil, Delfin. “All Things African.” San Francisco Chronicle, 22 January 2006: 19, illustrated.

Wei, Lily. “Reviews: New York–Fred Wilson: PaceWildenstein” (exhibition review). Art News (September 2006): 142, illustrated.

“What’s On [International Biennial of Contemporary art of Seville]” (exhibition preview). The Art Newspaper 173, no. 13 (2006): illustrated.

Wilson, Fred. “Fred Wilson: Learning to Speak Museum.” Interview by Jane Lusaka and John Strand. Museum (January/February 2006): 44–50, illustrated.

Wolin, Joseph R. “Legacies: Contemporary Artists Reflect on Slavery” (New York Historical Society exhibition review). Time Out New York, 6–12 July 2006: 55, illustrated.

Yablonsky, Linda. “Glass Tears, Young Love, Women’s Work Fill 57th St. Galleries” (exhibition review). Bloomberg News, 5 April 2006.

2005

Cohen, David. “Gallery - Going: Sol LeWitt & Summer Group Show” (exhibition review). New York Sun, 21 July 2005: 17.

Erickson, Peter. “Respeaking Othello in Fred Wilson’s ‘Speak of Me as I Am.’” Art Journal, 22 June 2005: illustrated.

Frank, Peter. “Art Pick of the Week” (exhibition review). LA Weekly, 30 January 2005.

Hanson, Alex. “At Play in the Hood’s Collection” (exhibition review). Valley News, 6 October 2005: C1, illustrated.

Kimmelman, Michael. “Risks and Rewards of Art in the Open.” The New York Times, 19 August 2005: E31.

Martel, Ned. “Artists Defying Labels Just by Speaking About Art.” The New York Times, 15 September 2005: E10.

Pes, Javier. “Brave New World.” Museum Practice Magazine (Summer 2005): 12–17, illustrated.

Streitfeld, L. P. “Fred Wilson’s Evolutionary Leap into a Perfect Marriage” (Aldrich Contemporary Art Museum exhibition review). The Advocate & Greenwich Time, 4 September 2005: D3, D4, illustrated.

Wilson, Fred. “Fred Wilson in the Hood.” Interview with Barbara Thompson. Hood Museum of Art Quarterly, Dartmouth College (Autumn 2005): 4–5, illustrated, back cover.

2004

“A Second Look” (exhibition review). Museums New York (Spring 2004): 24, illustrated.

“Artist speaks today on his Venice Biennale exhibition.” Cornell Chronicle, 4 March 2004.

Artsman, Margareta. “Hela världen mötsi Göteborgs nya museum” (exhibition review). SvD Onsdag (Göteborg, Sweden), 22 December 2004: 4–5.

Brown, Kathan. “Overview: Fred Wilson.” Crown Point Press Newsletter (May 2004).

Cotter, Holland. “Pumping Air Into the Museum, So It’s as Big as the World Outside” (exhibition review). The New York Times, 30 April 2004: E31, illustrated.

Cristopulos, Rodrigo. “Exponen hielo en Guanajuato” (exhibition review). Estilo, 19 August 2004.

Goodbody, Bridget L. “Black Like Who?” Time Out New York, 20–27 May 2004: 66, illustrated.

Hassan, Salah M. “Fred Wilson’s Black Venezia: Fictitious Histories And Notion Of Truth.” NKA Journal of Contemporary African Art (Summer 2004): 12–19, illustrated.

Helfand, Glen. “Six New Etchings by Fred Wilson.” Art on Paper (July/August 2004): 24, illustrated.

Hudson, Suzanne. “Fred Wilson, Studio Museum in Harlem” (exhibition review). Artforum (November 2004): 223, illustrated.

“Inspirations: Fred Wilson” (interview). Museums New York (Spring 2004): 160, illustrated.

Johanson, Ulf. “Det luktar toppbetyg fönya museet” (exhibition review). Göteborgs-Posten Onsdag (Göteborg, Sweden), 22 December 2004: 64–65.

Johanson, Ulf. “Fred Wilson gör museibesöket tilen aktiv handling.” Göteborgs-Posten Mandag (Göteborg, Sweden), 27 December 2004: 80–81.

Martin, Courtney J. “Studio Museum in Harlem: Fred Wilson” (exhibition review). Flash Art (July–September 2004): 65.

Norman, Ingrid. “Kultur: Han ska få oss att se Göteborg pånytt sätt.” Onsdag (Göteborg, Sweden), 11 August 2004.

Perreault, John. “Fred Wilson’s Quest.” Artopia Artsjournal weblog, 17 May 2004: illustrated.

Sandberg, Peter. “Världens jultur mötsi Göteborg” (exhibition review). Onsdag (Göteborg, Sweden), 22 December 2004: 2–3, illustrated.

Schmerler, Sarah. “The history men keep Pace with the times.” Art Review (October 2004): 45–46, illustrated.

2003

Allen, Jane Ingram. “Shifts in Meaning: A Conversation with Fred Wilson.” Sculpture (May 2003): 40–45, illustrated.

Baker, Kenneth. “Creating Art Out of Artifacts.” San Francisco Chronicle, 23 January 2003: E1, E9, illustrated.

Berns, Marla. “Africa at the Venice Biennale.” African Arts (Autumn 2003): 1, 4, 8, 91–92, illustrated.

Byrd, Kenya N. “Rebel Art.” Essence (May 2004): 140, illustrated.

Coleman, David. “A Lost Patrimony Comes Home.” The New York Times, 25 May 2003: N8.

“Culture Shock.” The Times, 24 January 2003: 44–45.

Dyer, Richard. “The Art of Fred Wilson.” Wasafiri (Summer 2003): 20–23, illustrated.

Emery, Mike. “Blaffer gallery keeps summer guests cool with new exhibits” (exhibition review). University of Houston Campus News, 19 June–2 July 2003: 2.

“Fred Wilson: Objects & Installation, 1985–2000.” Houston Lifestyles & Homes (June 2003): 10, illustrated.

“Fred Wilson: Objects and Installations, 1985–2000” (exhibition review). The Art Newspaper (June 2003).

“Fred Wilson Wins Aldrich Foundation Award.” Sculpture (January/February 2003): 15.

Harvey, Doug. “Ranking the Museums.” LA Weekly, 26 December 2003: 33.

Helfand, Glen. “Object Lesson.” San Francisco Bay Guardian, 22 January 2003: 36–37, cover.

Helfand, Glen. “Fred Wilson, Berkeley Art Museum” (exhibition review). Artforum (May 2003): 174–175, illustrated.

Hellman, Ben. “Art on Guard.” The Townsman, 25 September 2003: 13, 15, illustrated.

Hoban, Phoebe. “The Shock of the Familiar.” New York Magazine, 28 July 2003: 32–33, illustrated.

Hoban, Stephen. “Venice’s 50th Biennale.” Guggenheim Magazine (Summer 2003): 6, illustrated.

Hom, Lisa. “The World According to Wilson, Part 2.” San Francisco Weekly (January 2003): 22–28, 31.

“Itinerary: Fred Wilson” (exhibition review). Sculpture (June 2003): 14, illustrated.

Jespersen, Else. “Some pavilions in the Giardini” (exhibition review). Kunstonline (2003): 1–2, illustrated. http://www.Kunstonline.dk/

Johnson, Patricia C. “Wit colors Wilson’s attack on stereotypes” (exhibition review). Houston Chronicle, 7 June 2003: 1D, 10D, illustrated.

“Jump to the Beat” (exhibition preview). ArtReview (July/August 2003): 13.

Klaasmeyer, Kelly. “Someone’s Grandmother” (exhibition review). Houston Press, 10–16 July 2003: 49.

Knight, Christopher. “Fred Wilson: Reading Between the Lines” (exhibition review). Los Angeles Times, 24 December 2003.

Krenz, Marcel. “History Repeated.” Contemporary (Spring 2003): 56–7, illustrated.

Madoff, Steven Henry. “How Do You Get to the Biennale? Apply.” The New York Times, 1 June 2003: AR35.

Margrander, Kai. “mal was anderes.” GQ International (Germany) (September 2003): 150, illustrated.

Meriwether, Nick. “Blaffer exhibits help to beat summer heat” (exhibition review). The Daily Cougar, 28 May 2003: 9.

Miles, Christopher. “Venice by Way of Africa.” Los Angeles Times, 20 July 2003: E42.

Newkirk, Pamela. “Searching for the Black Audience.” Art News (May 2001): 184–87.

Pollack, Barbara. “Deft in Venice.” The Village Voice, 12 June 2003.

Putnam, James. “The Quest for Othello.” Modern Painters (Summer 2003): 94–97, illustrated.

Robinson, Dorothy. “Masked Masks and Whipping Posts.” Berkeleyan (University of California), 30 January 2003: 3.

Rothkopf, Scott. “In the Bag.” Artforum (September 2003): 174–77, 240, illustrated.

Schmerler, Sarah. “The Lone Rearranger.” Art Review (June 2003): 60–63, illustrated.

“Shades of Placement.” Berkeley Daily Californian, 23 January 2003.

Sheets, Hilarie M. “America’s Artist, 2003 Edition.” The New York Times, 1 June 2003: AR35.

Sheets, Hilarie M. “Please Touch.” Town & Country (October 2003).

Sirmans, Franklin. “American History X.” One World (June/July 2003): 110–111, illustrated.

Slyce, John. “Sweat in Venice.” Art Monthly (London) (July–August 2003): 26–27, illustrated.

Spalding, David. “Re: Making History.” Art Papers (January/February 2003): 12–13.

Spritzer, Kristina. “Fred Wilson: Objects and Installations, 1985–2000” (exhibition review). Art Lies: Houston Review (Summer 2003): 83.

Sundell, Margaret. “Birth Canal.” Time Out New York, 10–17 July 2003: 54.

Taylor, Robert. “Wilson’s Twist on the Unexpected Are a Cultural Critique.” Contra Costa Times, 24 January 2003: 44–45.

Tennant, Donna. “Gallery Reviews” (exhibition review). Artshouston (July 2003).

“Unlike many artists, Fred Wilson does not kiss gallery ass” (exhibition review). Houston Press, 22–28 May 2003: 37.

Vetrocq, Marcia E. “Julian LaVerdiere’s imperial designs.” Art in America (June 2003).

Vetrocq, Marcia E. “Venice Biennale: ‘Every Idea But One.’” Art in America (September 2003): 76–84.

“World Topic: Fred Wilson.” Wolgan Misool (Japan) (August 2003): 124–131, illustrated.

2002

Burghart, Tara. “Children’s museum invites youngsters to step inside contemporary art.” Neapolitan: Naples Daily News, 1 December 2002.

Crane, Julianne. “Wilson Examines Museums as Art.” Spokesman Review, 2 May 2002: D1, D7.

Dinnison, Kris. “Arts and Culture: Art Out of Context.” Inlander, 2 May 2002.

“Face to Face to Face to . . .” The New York Times, 11 October 2001: A1, illustrated.

Graeber, Laurel. “Family Fare: A Journey Into Art.” The New York Times, 8 November 2002: E42.

“John Miller, Pae White, Fred Wilson” (exhibition review). The Village Voice, 15 January 2002.

Kimmelman, Michael. “Best of 2002.” The New York Times, 29 December 2002.

Schmerler, Sarah. “Venetian Find” (exhibition review). Time Out New York, 7–14 November 2002: 85.

“Visual Arts Series: Current/Coming Up.” Art Matters Newsletter of the Office of Cultural Affairs, Appalachian State University (Spring 2007): 6.

Vogel, Carol. “Heading For Venice 2003.” The New York Times, 25 October 2002: E32.

Wong, Sherry. “Artnet News-Wilson to Venice Biennale.” artnet (November 2002). http://www.artnet.com/

2001

“Barcelona Arte/Art” (exhibition preview). Ronda Iberia (July 2001).

Berwick, Carly. “The Changing of the Guards.” Art News (March 2001): 148–151, illustrated.

Booth, Jim. “Erie Art Museum’s 78th Spring Show makes visitors think” (exhibition review). Erie Times-News, 4 May 2001: 1D.

Dawson, Jessica. “The Dark Side of Museums.” Washington Post, 8 November 2001.

Edwards, John. “Culture as Consumerism” (exhibition review). Erie Times-News, 17 May 2001: 16.

Leo, John. “But where’s the art?” U.S. News & World Report, 14 May 2001: 14.

Lind, Ingela. “Museivärlden” (exhibition review). Dagens Nyheter Onsdag, 13 June 2001.

McGee, Celia. “50 Artists, All ‘Crossing the Line’” (exhibition review). Daily News, 24 August 2001.

Simpson, Bennet. “Crossing the Line” (exhibition review). Frieze (October 2001).

2000

Bischoff, Dan. “Few and far above: Newark Museum hosts a world-class fine arts show” (exhibition review). The Sunday Star-Ledger, 30 July 2000: 1, 5.

Bless, Nancy. “Welcome Home: Project Row Houses.” Sculpture (June 2000): 32–39, illustrated.

Edwards, Tamala. “Who Wants to Be a MacArthur Genius?” Black Issues (May–June 2000): 44–46, illustrated.

Johnson, Patricia C. “‘Outbound’ Captures Moments of a Decade” (exhibition review). Houston Chronicle, 18 March 2000: 7–8.

Klaasmeyer, Kelly. “Caution: Swoon Zone” (exhibition review). Houston Press (April 2000): 71–72.

Kleeblatt, Norman L. “Persistence of Memory.” Art in America (June 2000): 97–103.

“MacArthur Award Goes to Purchase Alumnus Fred Wilson.” Purchase Passages (Winter 2000): 3.

Newkirk, Pamela. “Object Lessons: Fred Wilson Reinstalls Museum Collections to Highlight Sins of Omission.” Art News (January 2000): 156–159, illustrated.

Phillips, Patricia C. “Critique & Compliance: Artists on Display.” Sculpture (May 2000): 40–47, illustrated.

Reid, Calvin. “How We Got to Now.” The International Review of African American Art (Winter 2000): 16–31.

Schwabsky, Barry. “New Jersey Fine Arts Annual From Two Perspectives” (exhibition review). The New York Times, 3 September 2000: 9.

Shottenkirk, Dena. “Four on the Floor.” International Contemporary Art (Summer 2000): 44.

van Ryzin, Jeanne Claire. “Engaging Passage From ‘90s to Now.” Austin American Statesman, 25 March 2000: D.

1999

“Art of drollery at the de Young” (exhibition review). San Francisco Examiner, 28 January 1999: C10.

Ayoung, Todd. “Of Hermes and History.” New Observations (Summer 1999): 10–11.

Baker, Kenneth. “Exhibition Lost in Muddle.” San Francisco Chronicle, 6 March 1999.

Bonetti, David. “Good questions, lame answers.” San Francisco Examiner, 13 March 1999: D2.

Carroll, Jon. “The Hopi Couple Staring In” (exhibition review). San Francisco Chronicle (1999).

Goldberg, Vicki. “Outreach, the Wandering Museum’s Specialty.” The New York Times, 10 January 1999: 41, 43.

Griscom, Nina. “Pretty as a Princess.” Elle Décor (October 1999): 281, 285.

Howe, Jeff. “Artistic License.” The Village Voice, 13 July 1999: 30.

Kimmelman, Michael. “When Artists Dress Up Modern Jewish History” (exhibition review). The New York Times, 26 February 1999: E37, E44.

Kent, Rachel. “Artists and Collections: A Working Partnership.” Artlink (March 1999): 10–13, illustrated.

Levin, Kim. “The Museum as Muse: Artists Reflect” (exhibition review). The Village Voice, 16 March 1999.

“MacArthur Award Winners.” San Francisco Examiner, 22 June 1999: A12.

MacFarquhar, Neil. “32 Receive Grants From MacArthur Foundation.” The New York Times, 23 June 1999: A15.

Miller, Jeff. “The King of Context: Fred Wilson.” University of California-San Francisco Magazine (April 1999).

Polito, Richard. “Leaps and boundaries” (exhibition review). Marin Independent Journal, 13 February 1999.

Rugoff, Ralph. “Collecting our thoughts.” Vogue (March 1999): 300, 04, 06.

Rugoff, Ralph and Lisa Corrin. “Mining the Store.” Artforum (January 1999): 23–24, illustrated.

Sabir, Wanda. “Prisoner of Context: Intervention or Death of the Image” (exhibition review). San Francisco Bay View, 21 April 1999: 6–8.

Saltz, Jerry. “Inside Job” (exhibition review). The Village Voice, 18 May 1999: 141, illustrated.

Scott, Michael. “Truth on a pedestal.” Vancouver Sun, 7–14 January 1999.

Smith, Roberta. “The Modern Looks at Artists Looking at Museums.” The New York Times, 12 March 1999: E37, 40.

Smith, Roberta. “Conceptual Art: Over and Yet Everywhere.” The New York Times, 25 April 1999: 1, 38.

“Snapshot of affirmative action presented.” The New School University Observer (March 1999): 1, 8.

Sullivan, Terry. “Shock of the New Media.” Pix (August/September 1999): 32.

Tuchman, Laura J. “Musing on Museums” (exhibition review). MSNBC, 12 March 1999. http://www.msnbc.com/

Tucker, Marcia. “Museums Experiment with New Exhibition Strategies.” The New York Times, 10 January 1999: 40.

Wilson, Fred. “‘Isis’ and ‘Untitled’ (‘Hathor and Attendants’).” New Observations, no. 122 (1999): 10–11, illustrated.

1998

MacAdam, Barbara A. “Where the Dinosaurs are the Old Masters: Fred Wilson.” Art News (March 1998): 166, illustrated.

Scaife, Melanie. “Object Lesson.” The Big Issue (Australia) (November 1998): 33, illustrated.

“US artist making museums more relevant to today’s society.” Wanganui Chronicle, 13 November 1998: illustrated.

1997

Barrett, David. “Collected: Photographer’s Gallery, London.” Frieze (September/October 1997): 96–97.

Burrows, David. “’Collected’ at The Photographer’s Gallery” (exhibition review). Art Monthly (June 1997): 22.

“Collected—The Photographer’s Gallery.” Art Monthly (June 1997): 21–23.

Cork, Richard. “Heirlooms of the Dogged.” The Times, 6 May 1997.

Currah, Mark. “Irredeemable Skeletons.” Time Out London, 30 April–7 May 1997: 47.

“The Eye Choice.” Independent, 26 April–2 May 1997.

Friedman, Roberto. “Gallery Hop” (exhibition review). Bay Area Reporter, 17 April 1997: 46.

Gordon, Allan M. “Fred Wilson at UC Davis” (exhibition review). Artweek (San Jose) 28 (June 1997): 21–22.

Hazlewood, Carl E. “Interior Life Contests Conservatism.” Flash Art (November/ December 1997): 57.

Kent, Rachel. “Fred Wilson: The Fine Art of Subversion.” Art Monthly (Melbourne) (April 1997): 18–19, illustrated.

Kronenberg, Simeon. “Fred Wilson: A Subversive Exhibition Practice.” Museum National (Australia) (February 1997): 15–16, illustrated.

Mead, Andrew. “Search for Order in a World of Things.” The Architect’s Journal (May 1997): 53.

Rodriguez, Julian. “Brief Encounters.” British Journal of Photography (May 1997).

Searle, Adrian. “Swift’s Skull, Churchill’s Chair, Tonnes of Bottle-Tops, Millions of Split Hairs and 200 Celebrated Urinals.” The Guardian, 29 April 1997: 14–15.

Slyce, John. “Collected: Photographer’s Gallery.” What’s On In London, 18 June 1997.

Stafford, Amy. “Art @ the Millennium.” Surface (1997): 128–30.

Sumpter, Helen. “Objects of Desire.” The Big Issue (April 1997).

Twardy, Chuck. “African-Americans in Old Salem.” German Life (December 1997): 44.

Unger, Miles. “New Histories: The Institute of Contemporary Art, Boston.” Flash Art (January–February 1997): 61.

Williams, Gilda. “Irredeemable Skeletons” (exhibition review). Art Monthly (May 1997): 32–34.

Wilson, Fred and Judith Barry and René Green. “Serving Institutions.” OCTOBER (Spring 1997): 120–127.

Windsor, John. “Work Like an Egyptian.” Independent, 31 May 1997.

1996

“Alumni Reflections – The Purchase Experience.” 31 October 1996: 10.

Becker, Jack. “Three Rivers Arts Festival” (exhibition review). Public Art Review (Fall/Winter 1996): 46.

Burdick, Anne. “The Portable Art Space.” Eye (Autumn 1996): 26–37, illustrated.

Behr, Martin. “Erlebnisreiche Reise zu postkolonialer Kunst.” Salzburger Nachrichten, 29 September 1996.

Chayat, Sherry. “Cornell Show Exhibits Multiple Personalities.” Syracuse Herald American, 10 March 1996: 11–12.

Colman, David. “Pretty on the Outside: A New Breed of Black Artists Launches a Fresh Debate on Race with Works That Look Lovely but Bite Back.” George (June/July 1996): 117–118, illustrated.

Cromwell, Kathleen. “Fred Wilson: Metro Pictures” (exhibition review). Flash Art (May/June 1996): 114.

Demos, T. J. “Fred Wilson: Metro Pictures” (exhibition review). New Art Examiner (March 1996): 42–43.

“Eine neue Geografie de Macht.” Steirerkrone, 24 September 1996.

Enwezor, Okwui. “Inclusion/Exclusion: Art in the Age of Global Migration and Postcolonialism.” Frieze (March/April 1996): 89–90.

Forman, Debbie. “‘New Histories’ at ICA a Novel Approach.” Cape Cod Times, 23 November 1996: B2, B3.

González, Jennifer. “Fred Wilson: Metro Pictures, New York” (exhibition review). Frieze (May 1996): 62–63.

Graziose Corrin, Lisa. “The Legacy of Daniel Robbin’s ‘Raid the Icebox I.’” Museum Notes 1996-Rhode Island School of Design (June 1996): 54–61.

Hess, Elizabeth. “Jemimas on My Mind” (exhibition review). The Village Voice, 2 January 1996: 66, illustrated.

Herbst, Steirischer. “Geschuttelt, Nicht Geruhrt.” Falter Verlag, 3 October 1996: 26.

Hoffmann, Justin. “Inclusion/Exclusion.” Kunstforum (February–May 1996): 350–353.

Hofleitner, Johanna. “Postkolonialismus, Ausgrenzung, arme Materialien.” Die Presse, 30 September 1996.

Hofleitner, Johanna. “Inclusion: Exclusion.” Argus Media (Zurich), 16 October 1996.

Hutter, Frido. “Welt-Nachrichten.” Kleine Zeitung (Graz), 21 September 1996.

Krumpl, Doris. “Rand-Zonen und die Kunst der Landsvermessung.” Der Standard, 29 September 1996.

Kwon, Miwon. “Three Rivers Arts Festival: Pittsburgh, PA., June 7–23, 1996” (exhibition review). Documents (Fall 1996): 30–2.

Lienert, Konrad Rudolf. “Wandern in Europa und Anderswo.” Tages-Anzeiger, 8 October 1996.

Mackey, Fletcher. “Fred Wilson Project Row Houses.” Art Lies (April–June 1996): 36.

Niegelhell, Franz. “Kritik an der Ausgrenzung als Kritik an der Kultur.” Samstag, 21 September 1996: 29.

Odita, O. Donald. “Taster’s Choice” (exhibition review). aRUDE (Spring 1996): 68, illustrated.

Perree, Rob.”Fred Wilson: En Zijn Zwarte Landgenoten.” Kunstbeeld (June 1996): 31–33.

Prinzhorn, Martin. “Inclusion/Exclusion.” Texte zur Kunst (March 1996): 183–184.

Puhringer, Alexander. “Inclusion/Exclusion.” Noema (December/January 1996): 104.

Schindler, Richard A. “Democracy is fun! Joseph Beuys and the Aesthetics of Activism.” New Art Examiner (October 1996): 20, illustrated.

Sherman, Mary. “‘New Histories,’ Lets Viewers Stand in Another’s Shoes” (exhibition review). Boston Sunday Herald, 27 October 1996: 47.

Sirmans, Franklin. “Fred Wilson: Metro Pictures” (exhibition review). Art News (March 1996): 116, illustrated.

Sirmans, Franklin. “Steirischer Herbst ‘96: Barfly Theory at the Show.” Flash Art (December 1996): 38–39.

Smith, Roberta. “Art in Review: Fred Wilson” (exhibition review). The New York Times, 12 January 1996: C31.

Spiegl, Andreas. “Inclusion/Exclusion.” Springer (April 1996): 57–59.

Tremin, Christine. “ICA Creates ‘New Histories’ with Global Perspective” (exhibition review). Boston Globe, 25 October 1996: A1, C18.

“Two Decades of Momentous Change: 1976-1996.” The International Review of African American Art, 13.2 (1996): 53.

Vogel, Sabine. “Fernverbindungen.” Erscheinungsdatum, 25 September 1996.

von Ziegesar, Peter. “Fred Wilson at Metro Pictures” (exhibition review). Art in America (June 1996): 103–104

Whitfield, Tony. “Fred Wilson: Mining the Memory.” Sphere (Spring 1996): 17–18.

1995

Arieff, Allison. “Mining the Museum” (catalogue review). Sculpture (March–April 1995): 35, illustrated.

“Avant-Guards.” Interview (August 1995): 59.

Bhabha, Homi. “’Black Male’” (exhibition review). Artforum (February 1995): 86–87, 110.

Boston, Nicholas. “Black Male: Imprinting Fear and Anxiety.” Fuse (Spring 1995): 40–42.

Budney, Jen. “Black Male” (exhibition review). Flash Art International (February 1995): 91.

“Censorship, like obscenity, lies in the eye of the beholder.” Sculpture (January–February 1995): 47.

Clarke, Christa. “Western Artists/African Art” (exhibition review). African Arts (Winter 1995): 86–89, illustrated.

Diehl, Carol. “Black Male” (exhibition review). Art News (February 1995): 122.

Dougherty, Linda Johnson. “Artist and the Community: Fred Wilson.” Art Papers (January/February 1995): 36.

James, Curtia. “Remembering Old Salem: An Interview with Fred Wilson.” Art Papers (July–August 1995): 28–31.

Haithman, Diane. “As Defiant as Always.” Los Angeles Times, 23 April 1995: 5, 84-6.

Halle, Howard. “Interview: Race Matters.” Time Out New York, 6–13 December 1995.

Hoving, Thomas. “Art for the Ages.” Cigar Aficionado (Summer 1995): 214–226.

James, Curtia. “Remembering Old Salem” (exhibition interview). Art Papers (July/ August 1995): 28–31.

Malbert, Roger. “Artists as Curators.” Museums Journal (London) (May 1995): 25–26, illustrated.

McEvilly, Thomas. “Black Male.” World Art (January 1995): 20–25.

Reid, Calvin. “Caught in Flux.” Transition (Spring 1995): 134–135.

Simon, Katie. “Book Review.” Artweek (April 1995): 30.

Ward, Frazer. “The Haunted Museum: Institutional Critique and Publicity.” OCTOBER (Summer 1995): 71–89.

Wilson, Fred. “Silent Messages.” Museums Journal (London) (May 1995): 27–29, illustrated.

Yarborough, Richard. “Ways of Thinking: Contemplating a context for understanding ‘Black Male’.” LA Weekly, 21–27 April 1995: 23–26.

Zook, Kristal Brent. “Longing for Tribe: The Storm over ‘Black Male.’” LA Weekly, 21–27 April, 1995: 18–21, illustrated.

1994

Artner, Alan. G. “Salvaged items make poignant imagery.” Chicago Tribune, 5 May 1994: 11.

Artner, Alan G. “Art: MCA List Wishes, While Wilson Muses on Museums.” Chicago Tribune, 13 May 1994: 62.

“Arts & Show: Pondering Fred Wilson.” Chicago Sun-Times, 3 May 1994: 1.

Berger, Philip. “Art Facts: Fred Wilson Critiques the MCA.” The Reader, 28 April 1994: 6.

Brooks, Edward Robert, “North Looping with Edward Robert Brooks.” North Loops News, 28 April 1994: 8.

Buskirk, Martha. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” October 70 (Fall 1994): 109–112.

Corrin, Lisa G. “Installing History.” Art Papers (May/June 1994): 6–14, illustrated.

Cotter, Holland. “African Genesis: What Western Artists Like.” The New York Times, 27 May 1994.

“Fred Wilson First in MCA’s Op-Ed Series.” Flash Art (Summer 1994): 37.

Glatt, Cara. “Show provides rare look into private collections.” Hyde Park Herald, 1 June 1994: 28.

Greenberg, Reesa. “Making Up Museums: Revisionism and Fred Wilson.” Parachute 76 (October/November/December 1994): 38–42, illustrated.

Hess, Elizabeth. “Visible Man.” The Village Voice, 22 November 1994: 31–34.

Holg, Garrett. “Dreams of a Permanent Collection.” Chicago Sun-Times, 12 June 1994: B5.

“In the Museums” (exhibition review). Art Now Gallery Guide (June 1994): 4.

Jones Jr., Abe D. “History with a Twist.” News & Record (Winston-Salem, North Carolina), 4 August 1994: D1–D2, illustrated.

Kimmelman, Michael. “A Summer of Art Shows with Ambition.” The New York Times, 8 July 1994: C1.

Liebmann, Lisa. “[The Acquiring Mind] Africa, at the Source” (exhibition review). The New York Times Magazine, 10 July 1994: 46–49.

Lovelace, Carey. “Yogona in Fiji and Breakfast in Derry: Artists respond to their experiences abroad.” Art News (November 1994): 147.

“Museum of Contemporary Art” (exhibition review). Chicago Reader, 20 May 1994: 18.

Newman, Howard. “Private Collections for Public Enjoyment” (exhibition preview). River North News, 25 June 1994: 16.

“Op-Ed: Fred Wilson” (exhibition preview). Chicago Tribune, 23 January 1994: 18.

“Op Ed: Fred Wilson” (exhibition review). N’Digo, 28 April 1994.

Paice, Kim. “Book Review-Mining the Museum: An Installation by Fred Wilson.” World Art 1, no. 2 (1994): 90–91.

Patterson, Tom. “Exhibits Challenge Viewers to Rethink Cultural Assumptions.” Winston-Salem Journal, 4 September 1994: C3.

Peradotto, Nicole. “Artist battles museum racism.” Lewiston Tribune (March 1994): 5–6A.

Ragsdell, Loretta A. “Bringing Blacks to Museums’ Attention.” Afrique (May 1994): 20.

Rodgers, Joan S. “To the Point.” Winston-Salem Journal, 4 September 1994: C1–3, illustrated.

Schultz, Susy. “Even to Artist, ‘Op-Ed’ a Mystery.” Chicago Sun-Times, 29 April 1994: 11.

Schwartzman, Allan. “The Disappearing Middle.” Art + Auction (October 1994): 140–143.

Shapiro, Stephanie. “Fred Wilson Retrieves Memories for Carolina Exhibit.” The Sun, 4 December 1994: 1J, 3J.

Silverthorne, Jeanne. “Mining the Museum: An Installation by Fred Wilson” (book review). Artforum (November 1994).

Smith, Linell. “Historical Society Receives $29,500.” Baltimore Sun, 28 August 1994.

Stamets, Bill. “Conceptual Artist Has His Way With MCA’s ‘Dreaming’ Show.” Chicago Sun Times, 26 June 1994: B2.

Stevens, Liz. “Outsider Art.” New City, 28 April 1994: 24.

Sunward, Justin H. “Cleaning House.” Gay Chicago Magazine, 19–29 May 1994: 44.

Temin, Christine. “Museums Go Native.” Boston Globe, 7 October 1994.

Thorson, Alice. “Fred Wilson Puts Extra Thoughts Into Museum Displays.” Kansas City Star, 22 May 1994.

“Unique visions define creativity in two art shows.” High Life, 10 August 1994: 6, illustrated.

Wainwright, Lisa. “Be Our Guest, Be Our Guest, Put Our Magic to the Test . . . The Museum as Mass Entertainment.” New Art Examiner (May 1994): 14-18, 58.

Wallach, Amei. “The Shock of the Old.” New York Newsday, 2 June 1994, Section B.

Williams, Patricia J. “The Black Male, Unbound.” New York Newsday, 17 November 1994.

1993

“A Contemporary View.” High Strides: The BiMonthly Report on Urban Middle Grades (January 1993).

Ament, Deloris Tarzan. “Interplaying culture, time and art.” The Seattle Times, 1 February 1993: C3.

Barcott, Bruce. “Mixed-up Museum.” Seattle Weekly, 10 February 1993: 35–39.

Bonetti, David. “The Secrets of a Magical History Tour.” San Francisco Examiner, 27 August 1993: E10–E11.

Brumfield, John. “Marginalia: Life in a day of Black L.A. or, The Theater of Refusal.” Art Issues 29 (September/October 1993): 24–27.

Corrin, Lisa G. “Mining the Museum: An Installation Confronting History” (exhibition review). Curator (December 1993): 302–313.

Cotter, Holland. “Artists Respond: The ‘New World’ Question.” The New York Times, 11 June 1993.

Cullum, Jerry. “Ciphers of Identity” (exhibition review). Journal-Constitution (November 1993).

“Discipline-based Art Education and Cultural Diversity.” The Getty Center for Education in the Arts (Spring 1993): 3–5.

Dector, Joshua. “Allegories of Cultural Criticism.” Flash Art (May–June 1993): 118–119, 128.

Dorsey, John. “Art Historical Society, antiques exhibit fits fine traditions.” Baltimore Sun, 20 April 1993.

Dorsey, John. “Mining Exhibit Shatters Records, Opens Eyes at Historical Society.” Baltimore Sun (1993): 1D.

Fox, Catherine. “Angry show scans politics of race, sex.” 7 March 1993: N3, illustrated.

Friedman, Roberto. “Telling Details.” Bay Area Reporter, 9 September 1993: illustrated.

Garfield, Donald. “Making the Museum Mine: An Interview with Fred Wilson.” Museum News 72 (May/June 1993): 46+, illustrated.

Glowen, Ron. “Canon Fodder; Fred Wilson at the Seattle Art Museum” (exhibition review). Artweek, 8 April 1993: 29.

Hackett, Regina. “Artist Challenges How Museums Treat Culture” (exhibition review). Seattle Post-Intelligencer, 2 February 1993: C1.

Hamilton, Megan. “Interview with George Ciscle.” Art Papers (November–December 1993): 16–21, illustrated.

Helfand, Glen. “Victorian Secrets.” SF Weekly, 1 September 1993: 17.

Hershenson, Karen. “Traveler’s belongings a curious treasure.” The Times/TimeOut, 17 September 1993: 34, illustrated.

Hills, Patricia. “The Stuff of Museums.” Art New England (April/May 1993): 18–20.

Hoffman, Nan. “Artist Finds IMA’s Soul.” Indianapolis News, 21 January 1993: F15.

Karp, Ivan. “Constructing the Spectacle of Culture in Museums.” Art Papers (May/June 1998) : 2–9, illustrated.

“Politically Correct Museums” (exhibition review). The Economist, 16–22 January 1993: 85–86.

Larson, Kay. “What a Long, Strange Trip.” New York Magazine (1993): 71–72.

Knight, Christopher. ”Crushed by Its Good Intentions.” Los Angeles Times, 10 March 1993: F1, F8–F9.

Maclay, Catherine. “Intruders at an exhibition: the invisible made visible.” San Jose Mercury News, 3 September 1993: 50, illustrated.

Mannheimer, Steve. “Positioning is Key to Questioning Museums.” Indianapolis Star, 24 January 1993.

Marlowe, Ann. “Young and Beautiful.” Artforum (March 1993): 9–10, illustrated.

Matussek, Matthias. “Kunst als Schauprozess.” Der Spiegel, 12 April 1993: 228–232.

Mittenthal, Robert. “Fred Wilson: Mixed Metaphors at S.A.M.” (exhibition review). Reflex (January/ February 1993): 14–15.

“Museum Mining” (exhibition preview). Maryland Live, 26 February–4 March, 1993.

Red-Eagle, Philip. “The Museum Space: Mixing Metaphors.” The Raven Chronicles (Spring 1993): 30.

Ruben, David. “Mining the Museums.” New Age Journal (December 1993): 20–21, illustrated.

Saunders, Wade. “Making Art, Making Artists.” Art in America (January 1993): 70–95.

Smith, Joan. “Invisible Man Sited.” San Francisco Examiner, 18 August 1993: C1, C4.

Smith, Roberta. “At the Whitney, A Biennial with a Social Conscience” (exhibition review). The New York Times, 5 March 1993: C1, C27.

Solomon, Deborah. “A Showcase for Political Correctness.” Wall Street Journal, 5 March 1993: A7.

Stein, Judith E. “Sins of Omission.” Art in America (October 1993): 110–115, illustrated.

Stoddard, Ann B. “Redecorating the White House.” New Art Examiner (February 1993): 16–20.

Stoddard, Ann B. “Response to Letters to the Editor.” New Art Examiner (November 1993): 2.

“The Meddle Man” (exhibition preview). Seattle Weekly, 27 January 1993:33.

“The ‘New World’ Question” (exhibition review). The New York Carib News, 22 June 1993.

“The Studio Museum’s ‘Artists Respond: The ‘New World’ Question is politics as usual.” New York Magazine, 7 June 1993.

“Untitled.” New York Magazine, 7 June 1993.

Wallach, Amei. “Art with an Attitude.” New York Newsday, 5 March 1993: 52–53.

Wallach, Amei. “A Quieter Response to Columbus’ Legacy.” New York Newsday, 21 May 1993.

Williamson, Don. “Museum helps get Egypt out of Europe, into Africa.” The Oregonian, 17 May 1993: A8.

1992

Als, Hilton. “The Ghosts in the Museum: Artist Fred Wilson Mines History.” The Village Voice, 22 September 1992: 41.

Auer, James. “Sheboygan show opens at art center today.” Milwaukee Journal, 25 (November 1992): E6.

Cameron, Dan. “Art and Politics: The Intricate Balance.” Art + Auction (November 1992): 76, 78, 80, illustrated.

Cassedy, Susannah. “The Museum Mine Field.” Museum Notes (July/August 1992): 12–14.

Coles, Robert. “Whose Museums?” American Art (Winter 1992): 6–11.

Corrin, Lisa. “Fred Wilson Mines the Museum.” Arts Ink (Fall 1992): 1, 7, illustrated.

Cottingham, Laura. “Mining the Museum.” QW, 26 July 1992: 36–37.

Dorsey, John. “Mining the Stores of History with a New Mind-Set.” The Sun (Baltimore), 5 April 1992: 1+, illustrated.

Dorsey, John. “Art Review” (exhibition review). The Sun (Baltimore), 7 April 1992: 27.

Dumenco, Simon. “Lost and Found: Artist Fred Wilson Pulls Apart Maryland’s Hidden Past.” City Paper (Baltimore), 1–7 May 1992: 8–12, cover.

Duggan, Laura. “Bid a Happy Ann’y to New Museum.” Daily News, 2 May 1992: 15, illustrated.

Keiser, Ellen. “Introspection: A Parrish Art Museum Exhibit That Looks at Itself” (exhibition review). Dan’s Papers, 14 August 1992: 70.

Kelleran, David. “Fred Wilson at Metro Pictures” (exhibition review). Flash Art (November/December 1992): 98, illustrated.

Kimmelman, Michael. “An Improbable Marriage of Artist And Museum.” The New York Times, 2 August 1992: 27, illustrated.

Kimmelman, Michael. “The Year in the Arts.” The New York Times, 27 December 1992.

Klein, Julia M. “’Mining the Museum’ Hangs Galleries with Their Own Rope.” Philadelphia Inquirer, 2 June 1992: C3, illustrated.

Kuspit, Donald. “The Magic Kingdom of the Museum.” Artforum, April 1992: 58–63.

Lewis, Jo Ann. “Coming Out From the Shadows of History.” Washington Post, 30 August 1992: G1, G6.

Lipson, Karin. “Taking the Parrish Into the Next Generation.” Newsday, 19 August 1992.

McGovern, Adam. “Fred Wilson: Metro Pictures” (exhibition review). Cover Magazine (December 1992).

“Mining the Museum.” Museum and Library of Maryland History News & Notes, Maryland Historical Society (March/April 1992).

Nesbitt, Lois. “Fred Wilson at Metro Pictures” (exhibition review). Artforum (November 1992): 105–106.

“Out of Order: Exhibition finds artists who subvert the prevailing order.” Sheboygan Press, 25 October 1992.

Raynor, Vivien. “Politics of Blame on Display in Hartford.” The New York Times, 16 February 1992.

Silver, Kenneth. “Past Imperfect” (exhibition review). Art in America (August 1992): 43–47, illustrated.

Slivka, Rose C.S. “From the Studio.” East Hampton Star (1992).

Tanguy, Sarah. “Fred Wilson, Maryland Historical Society” (exhibition review). Sculpture (September/October 1992): 76, illustrated.

Wadsworth, Susan. “Distant Voices, Still Lives: Still Life and Political Message: A Happy Marriage?” Hartford Advocate, 20 February 1992.

Wallach, Amei. “A Vision of Green.” New York Newsday, 24 March 1992: 54–55.

Wilkes, Anastasia. “West Side Art Park.” Art in America (May 1992): 39, 156.

Wilson, Fred. “Mining the Museum” (portfolio). Grand Street, no. 44 (1992): 151–172.

1991

Balken, Debra Bricker. “Fred Wilson at Gracie Mansion and Metro Pictures” (exhibition review). Art in America (July 1991): 113–114, illustrated.

Berger, Maurice. “On Nationality: 13 Artists.” Art in America (September 1991): 131–132.

Brenson, Michael. The New York Times, 26 July 1991: C1, C28.

Decter, Joshua. “Fred Wilson at Metro Pictures” (exhibition review). Arts Magazine (Summer 1991): 92.

Goldstein, Marilyn. “Art Puzzle: Why Is the Room Blue?” (exhibition review). Newsday, 1 November 1991.

Harrison, Helen A. “Grim Reminder of the Persian Gulf War” (exhibition review). The New York Times, 3 November 1991: 16, illustrated.

Iverem, Esther. “Rms with a Point of Vu.” New York Newsday, 5 November, 1991.

Lee, Pamela. “Autokritik.” Texte zur Kunst (June 1991): 189–190.

Kimmelman, Michael. “Review/Art; Down to the Sea Again with Ralston Crawford” (exhibition review). The New York Times, 22 March 1991: C19.

Mahoney, Robert. “Fred Wilson at Gracie Mansion” (exhibition review). Arts Magazine (May 1991): 98–99.

Morsiani, Paola. “Review” (exhibition review). Juliet (June 1991): 62, illustrated.

Schildkrout, Enid. “Ambiguous Messages and Ironic Twists: Into the Heart of Africa and The Other Museum.” Museum Anthropology (Flagstaff, Arizona), 15 May 1991: 16–23.

“The Subversive Stitch” (exhibition preview). The Village Voice, 16 July 1991.

1990

Dicker, Fredric. “Gov’s Human Rights Pick Guilty of Bias.” New York Post, 19 March 1990.

Karmel, Pepe. “Art in Review: Fred Wilson: Collectibles” (exhibition review). The New York Times, 12 January 1990: C31, illustrated.

Levin, Kim. “Bad Timing” (exhibition review). The Village Voice, 6 March 1990: 102.

Levin, Kim. “Turning the Tables” (White Columns exhibition review). The Village Voice, 19 June 1990: 116, illustrated.

Nesbitt, Lois E. “Fred Wilson: White Columns” (exhibition review). Artforum (October 1990): 172, illustrated.

Raynor, Vivian. “Narrowing 400 Entries Down to 29: A Fine Job of Selection.” The New York Times, 24 June 1990.

Reynolds, Judith. “Things To Do Today.” City Newspaper (Rochester), 29 March 1990: illustrated.

1989

Raynor, Vivian. “Two Bronx Galleries Produce Lively Displays.” The New York Times, (December 1989).

Raynor, Vivian. “When the Villain Is Colonialism: Two Shows Explore Oppression.” The New York Times, 29 October 1989: 28.

“Urban Narrative” (exhibition review). Newark This Week, 3 July 1989.

Zimmer, William. “Kendrick’s Energetic Sculptures” (exhibition review). The New York Times, 5 March 1989: 28

Zimmer, William. “When One Culture Dominates Another.” The New York Times, 23 July 1989: 16.

1988

“Double vision show opens.” The Bronx News, 24 March 1988.

“Double Vision Opens.” Bronx Arts (April 1988).

Bass, Ruth. “New York? New York!” (exhibition review). Art Talk (October 1988): 38.

Mahoney, Robert. “Review.” Arts Magazine (November 1988): 114.

“‘Prevailing Spirit’ at Longwood.” Bronx Arts (March 1988).

Raynor, Vivian. “‘Double Vision’ Examines the Cultural Identity of Artists.” The New York Times, 15 May 1988: illustrated.

Raynor, Vivian. “‘Election ’88,’ at Bronx Gallery Explores Unsolved Problems.” The New York Times, 13 November 1988: 34, illustrated.

Shepard, Joan. “Get a better grass-roots grip on yourself.” Daily News, 18 September 1988: M20, illustrated.

“Studio Award Winners.” Bronx Arts (September 1988).

1987

“Alternative Spaces.” The New York Times, 10 May 1987.

“‘Blue Angel’ Opens at Longwood.” Bronx Arts (October 1987).

“Double Vision.” Black Arts (1987/88).

“’La Cama’ at Longwood.” Bronx Arts (September 1987).

Fisher, Jean. “Rooms With A View: B.C.A. Longwood Art Gallery” (exhibition review). Artforum (March 1987): 137.

Raynor, Vivian. “Lehman Shows Products of Bronx Alternative Spaces.” The New York Times, 10 May 1987.

1986

“’Natural Disaster Show’ Offers Samples of Creative Upheaval.” The New York Times, 26 January 1986.

“What’s Happening at Longwood.” Bronx Arts (December 1986).

1985

“Music: Ali on the Beach.” The New York Times, 6 September 1985.

2024

Conrad, Sebastian. Die Königin: Nofretetes globale Karriere. Berlin: Propylä, 2024: n.p., Illustrated.

2023

Perrée, Rob. A Black Collage. Prinsenbeek, the Netherlands: Jap Sam Books, 2023: 27, illustrated.

Torlen, Michael. Studio Seeing: A Practical Guide to Drawing, Painting, and Perception. Bristol, Untied Kingdom: Intellect, 2023: 80–81, illustrated.

2022

Visions of Ancient Egypt (exhibition catalogue). Edited by Anna Ferrari, and Benjamin. Norwich, United Kingdom: Sainsbury Center for Visual Arts, 2022: 163, illustrated.

Unmasking Venice: American Artists and the City of Water (exhibition catalogue). Texts by Eria Hirshler, Cynthia Rosnoy, Martina Tanga, Ann Cannon, and Julia Madore. Cooperstown, New York: Fenimore Art Museum, 2022: 44, illustrated.

2021

Hiding in Plain Sight (exhibition booklet). Text by Andria Hickey. New York: Pace Gallery, 2021: 44–45, illustrated.

Toussaint, Evelyne. Postcolonial / décolonial: la preuve par l'art. Toulouse, France: Presses Universitaires du Midi, 2021: 30, illustrated.

2019

Lord, Catherine, and Richard Meyer. Art & Queer Culture. London: Phaidon Press Limited, 2019: 37, 41, 174, illustrated.

Choi, Connie H. Black Refractions: Highlights from the Studio Museum in Harlem (exhibition catalogue). New York: American Federation of Arts; The Studio Museum in Harlem; Rizzoli Electa, 2019.

Fred Wilson: Chandeliers (exhibition catalogue). Text by Darryl Pinckney. New York: Pace Gallery, 2019.

2018

Fred Wilson: Afro Kismet (exhibition catalogue). Texts by Elmgreen & Dragset and Bige Örer; interview by Darryl Pinckney. New York: Pace Gallery, 2018.

Like Life: Sculpture, Color, and the Body (exhibition catalogue). Texts by Luke Syson, Sheena Wagstaff, Emerson Bowyer, and Brinda Kumar. New York: The Metropolitan Museum of Art, 2018: 13, 71–72, 84–85, illustrated.

Shales, Ezra. The Shape of Craft. London: Reaktion Books: 232–234, illustrated.

2017

A Good Neighbour: 15th Istanbul Biennial (exhibition catalogue). Istanbul: Istanbul Foundation for Culture and Arts, 2017: 362–367, illustrated.

Abuja, Nigeria: Art Collection of the United States Embassy. Washington, D.C.: Arts in Embassies, U.S. Department of State, 2017: 58–59, illustrated.

An, Kyung and Jessica Cerasi. Who’s Afraid of Contemporary Art? An A to Z Guide to the Art World. London: Thames & Hudson, 2017: 40, illustrated.

Artists as Innovators: Celebrating Three Decades of NYSCA/NYFA Fellowships (exhibition catalogue). Brooklyn, New York: New York Foundation for the Arts, 2017: 58–59, illustrated.

Coppel, Stephen, Catherine Daunt and Susan Tallman. The American Dream: Pop to the Present (exhibition catalogue). London: British Museum and Thames & Hudson, 2017: 18, illustrated.

Farrington, Lisa. African-American Art: A Visual and Cultural History. New York and Oxford: Oxford University Press, 2017: 318–320.

Fred Wilson at Oberlin (exhibition catalogue). Texts by Denise Birkhofer, Andria Derstine and the artist. Oberlin, Ohio: Allen Memorial Art Museum, 2017.

Marstine, Janet. Critical Practice: Artists, Museums, Ethics. London and New York: Routledge, 2017: 32, 89–95, illustrated.

Muller, Ellen. Elements and Principles of 4D Art and Design. New York and Oxford: Oxford University Press, 2017: 24, illustrated.

Robertson, Jean and Craig McDaniel. Themes of Contemporary Art: Visual Art After 1980. New York and Oxford: Oxford University Press, 2017: 201, illustrated.

2016

Adamson, Glenn and Julia Bryan-Wilson. Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing. New York: Thames & Hudson, 2016: 149–150, illustrated.

Blackness in Abstraction (exhibition catalogue). Texts by Adrienne Edwards. New York: Pace Gallery, 2016: 192–193, illustrated.

Mercer, Kobena. Travel & See: Black Diaspora Art Practices Since the 1980s. Durham and London: Duke University Press, 2016: 41, 253, illustrated.

Molesworth, Helen ed. Kerry James Marshall: Mastry. New York: Skira Rizzoli, 2016: 34, illustrated.

ReSignifications (exhibition catalogue). Florence: Museo Bardini, 2016: 234–5, illustrated.

Sayre, Henry M. A World of Art. 8th edition. Boston, New York and other cities: Pearson, 2016: 312, 315, illustrated.

Tate Modern: The Handbook. Edited by Matthew Gale. London: Tate Publishing, 2016: 327, illustrated.

Vanderstukken, Koen. Glass: Virtual, Real. London: Black Dog Publishing, 2016: 246–247, illustrated.

2015

DeWitte, Debra J., Ralph M. Larmann and M. Kathryn Shields. Gateways to Art. 2nd edition. New York: Thames & Hudson, 2015: 361, illustrated.

Harper, Phillip Brian. Abstractionist Aesthetics: Artistic Form and Social Critique in African American Culture. New York and London: New York University Press, 2015: 6, illustrated.

The Journey North Karen Hampton (exhibition catalogue). Clinton: Ruth and Elmer Wellin Museum of Art Hamilton College, 2015: 88, illustrated.

Michalka, Matthias. To expose, to show, to demonstrate, to inform, to offer: Artistic Practices around 1990 (exhibition catalogue). Viena: Museum Moderner Kunst Stiftung Ludwig Wien, 2015: 186–190, illustrated.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg. New York: Whitney Museum of American Art, 2015: 410, illustrated.

Oldknow, Tina. Collecting Contemporary Glass. Corning, New York: The Corning Museum of Glass, 2015: 224–5.

Price, Richard W. The Corning Museum of Glass: Notable Acquisitions 2014. Corning, New York: The Corning Museum of Glass, 2015: 60–61; 60, illustrated.

2014

Barrett, Jennifer and Jacqueline Millner. Australian Artists in the Contemporary Museum. Farnham, Surrey, England and Burlington, United States: Ashgate, 2014: 17–19, illustrated.

Burton, Johanna and Anne Ellegood. Take It or Leave It (exhibition catalogue). Texts by George Baker, Julia Bryan-Wilson, Cavin Butt and Darby English. Los Angeles: Hammer Museum, 2014: 136, 137, 158, 159, 175, illustrated.

Fred Wilson: Sculptures, Paintings and Installations 2004–2014 (exhibition catalogue). Text by Doro Globus. New York: Pace Gallery. 2014.

Hoffmann, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. London: Thames & Hudson, 2014: 55, 62–63, illustrated.

Stokstad, Marilyn and Michael W. Cothren. Art History (Fifth Edition). New York: Pearson, 2014: 1136, illustrated.

Viewpoints: 20 Years of Adderley (exhibition brochure). Boston: Massachusetts College of Art and Design, 2014: illustrated.

2013

African American Art: The Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2013: 17, illustrated.

Blunt, Hannah W. and Fronia Simpson, ed. The Lunder Collection: A Gift of Art to Colby College (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2013: 325, illustrated.

Copeland, Huey. Bound to Appear: Art, Slavery and the Site of Blackness in America. Chicago and London: University of Chicago Press, 2013: 24–62, illustrated.

Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon (exhibition catalogue). Text by Rock Hushka. Tacoma, Washington: Tacoma Art Museum, 2013: 21, illustrated.

Ferriani, Barbara and Marina Pugliese, eds. Ephemeral Monuments: History and Conservation of Installation. Text by Germano Celant. Los Angeles: Getty Publications, 2013: 65, illustrated.

404 E 14 (exhibition catalogue). New York: Tibor de Nagy Gallery, 2013: 12, illustrated.

Moszynska, Anna. Sculpture Now. New York: Thames and Hudson, 2013: 22, illustrated.

Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Translated by Chen Pinxiu and Wu Lijun. Taipei: Faces Publications, 2013: 80, illustrated.

Transparencies: Contemporary Art and a History of Glass (exhibition catalogue). Des Moines, Iowa: Des Moines Art Center, 2013: 56–61, illustrated.

Wilson, Fred. “Mining the Museum of Me.” In The Market: Documents of Contemporary Art. Edited by Natasha Degen. London: Whitechapel Gallery, 2013: 64–65.

Yes, No, Maybe: Artists Working at Crown Point Press (exhibition catalogue). Texts by Judith Brodie and Adam Greenhalgh. Washington, D.C.: Board of Trustees, National Gallery of Art, Washington, D.C, 2013: illustrated.

2012

Adair, Bill, Benjamin Filene and Laura Koloski, eds. Letting Go?: Sharing Historical Authority in a User-Generated World. Walnut Creek, California: Left Coast Press, 2012.

Bird, Michael. 100 Ideas That Changed Art. London: Laurence King Publishing Ltd., 2012: 200, illustrated.

Color Ignited. Glass 1962–2012 (exhibition catalogue). Texts by Jutta-Annette Page, Peter Morrin and Robert Bell. Ohio: Toledo Museum of Art, 2012: 100–101, 189, illustrated.

Economía: Picasso, Archivo F.X. (exhibition catalogue). Texts by Ángel González García, Rosalind E. Krauss and Georges Didi-Huberman. Barcelona: Intitut de Cultura de Barcelona, Museu Picasso, 2012: 122–123, illustrated.

Fred Wilson—Venice Suite: Sala Longhi and Related Works (exhibition brochure). Text by the artist. New York: The Pace Gallery, 2012.

Fred Wilson: Works 2004–2011 (exhibition catalogue). Texts by Kobena Mercer and Reto Thüring. Cleveland: Cleveland Museum of Art, 2012.

Glasstress New York: New Art from the Venice Biennales (exhibition catalogue). Texts by Adriano Berengo and Demetrio Paparoni. Milan: Skira, 2012: illustrated.

Mignolo, Walter D. The Darker Side of Western Modernity. Durham, North Carolina: Duke University Press, 2012: cover, illustrated.

Sandell, Richard and Eithne Nightingale, eds. Museums, Equality, and Social Justice. London and New York: Routledge, 2012: plate 6.1, 6.2, illustrated.

Wilson, Mabel O. Negro Building: Black Americans in the World of Fairs and Museums. California: Berkeley University of California Press, 2012: 307.

Wilson, Fred. “No Noa Noa: History of Tahiti (2005).” In Kristine Stiles and Peter Selz. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Second edition. Berkeley, California: University of California Press, 2012: 680–682.

2011

Artists and Legacy: A Symposium. Long Island City, New York: Isamu Noguchi Foundation and Garden Museum, 2011: 61–84.

Adler, Phoebe and Duncan McCorquodale, eds. Contemporary Art in North America. London: Black Dog Publishing, 2011: illustrated.

Cooks, Bridget R. Exhibiting Blackness: African Americans and the American Art Museum. Boston: University of Massachusetts Press, 2011: illustrated.

Defining Contemporary Art – 25 Years in 200 Pivoted Artworks. London: Phaidon Press Limited, 2011: 116–117, illustrated.

Giubilei, Francesca, ed. Glasstress 2011 (exhibition catalogue). Texts by Demetrio Paparoni, Bonnie Clearwater, Lidwij Edlekoort et al. Venice: Marsilio Editori, 2011: illustrated.

Glasstress Stockholm (exhibition catalogue). Texts by Maria Wiberg and Adriano Berengo. Venice: Berengo Studio, 2011: illustrated.

Globus, Doro, ed. Fred Wilson: A Critical Reader. London: Ridinghouse, 2011.

Jones, Kellie. EyeMinded: Living and Writing Contemporary Art. Durham, North Carolina: Duke University Press, 2011.

Mignolo, Walter D. The Darker Side of Western Modernity. Durham, North Carolina: Duke University Press, 2011: illustrated, cover.

Petry, Michael. The Art of Not Making: The New Artist/Artisan Relationship. London: Thames & Hudson, 2011: 26–28, illustrated.

2010

Barson, Tanya and Peter Gorschlüter, eds. Afro Modern: Journeys through the Black Atlantic (exhibition catalogue). London: Tate Publishing, 2010: 55, illustrated.

50 Years at Pace (exhibition catalogue). Texts by Arne Glimcher et al. New York: The Pace Gallery, 2010: illustrated.

The Global Africa Project (exhibition catalogue). New York: Museum of Art and Design, New York, 2010: 80–81, illustrated.

Janson’s History of Art, 8th Edition. Upper Saddle River, New Jersey: Pearson Education, 2010.

Re: Collection. Selected Works from The Studio Museum in Harlem. New York: The Studio Museum in Harlem, 2010: 200–201, illustrated.

Size DOES Matter (exhibition catalogue). New York: The FLAG Art Foundation, 2010: illustrated.

Sharpe, Christina. Monstrous Intimacies: Making Post-Slavery Subjects. Durham, North Carolina: Duke University Press, 2010: 133, illustrated.

2009

Art at Colby: Celebrating the 50th Anniversary of the Colby College Museum of Art (exhibition catalogue). Waterville, Maine: Colby College Museum of Art, 2009: 362–363, illustrated.

Glasstress (exhibition catalogue). Texts by Adriano Berengo, Laura Mattioli Rossi, Rosa Barovier Mentasti, Francesca Giubilei, Giacinto Di Pietrantonio, Fausto Petrella, Tina Oldknow and Luca Beatrice. Milan and New York: Charta, 2009: illustrated.

Kréyol Factory (exhibition catalogue). France: Éditions Gallimard, 2009: 68–69, 189, illustrated.

2008

Attention to Detail: Curated by Chuck Close (exhibition catalogue). New York: The FLAG Art Foundation, 2008: 19, illustrated.

Dictionnaire International de la Sculpture Moderne & Contemporaine. Paris: Éditions du Regard, 2008: 548.

Farthing, Stephen, ed. 501 Great Artists. Hauppauge, New York: Barrons Educational Series, 2008.

Gonzalez, Jennifer A. Subject to Display. Cambridge: MIT Press, 2008: illustrated.

Independent Study Program: 40 Years. New York: Whitney Museum of American Art, 2008: 18.

Merali, Shaheen. New York States of Mind: Art in the City. Interview with the artist. Flushing, New York: Queens Museum of Art, 2008: 65–67, illustrated.

Second Lives: Remixing the Ordinary (exhibition catalogue). Texts by Holly Hotchner, David Revere McFadden and Lowery Stokes Sims. New York: Museum of Arts and Design, 2008: 228–231, 248, illustrated.

2007

All for Art! Great Private Collections Among Us (exhibition catalogue). Canada: Museé des beaux-arts de Montréal, 2007.

Collins, Judith. Sculpture Today. London: Phaidon Press Limited, 2007: 146, 149, illustrated.

Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis, Jr. Collection (exhibition catalogue). Winter Park, Florida: The George D. and Harriet W. Cornell Fine Arts Museum, Rollins College, 2007: 16, 41, illustrated.

English, Darby. How to See a Work of Art in Total Darkness. Cambridge: MIT Press, 2007: 137–199, illustrated.

Erickson, Peter. Citing Shakespeare: The Reinterpretation of Race in Contemporary Literature and Art. New York: Palgrave Macmillan, 2007: 119–150, illustrated.

“Fred Wilson im Gespräch mit Shaheen Merali Fred.” In Das vermessene Paradies. Positionen zu New York (exhibition catalogue). Edited by Bernd M. Scherer and Detlef Diederichsen. Berlin: Haus der Kulturen der Welt, 2007: 134–145; 141, illustrated.

Hall, Kim F., ed. “Encounters with Othello.” In William Shakespeare. Othello, the Moor of Venice. Texts and Contexts. Boston: Bedfor/St. Martin’s, 2007: 341–42; 342–343, illustrated.

Heartney, Eleanor. Art & Today. London: Phaidon Press Limited, 2008: 351, illustrated.

Mining Glass (exhibition catalogue). Text by Juli Cho Bailer. Tacoma, Washington: Museum of Glass, 2007: 28–29.

Morgan, Ann Lee. “African American Art.” In The Oxford Dictionary of American Art and Artists. United Kingdom: Oxford University Press, 2007: 6–8.

The Price of Everything… Perspectives on the Art Market. Text by Martin Braathen, Minnie Scott, Mike Sperlinger and Stephanie Fabre. New York: Whitney Museum of American Art, 2007: 19.

2007 Skowhegan Awards Dinner. New York: Skowhegan School of Painting and Sculpture, 2007.

Wilson, Fred. “Fred Wilson Comes Home.” In South Bronx Contemporary: Longwood Arts Project’s 25th Anniversary. New York: Bronx Council on the Arts, 2007: 5–7, illustrated.

2006

Black Alphabet: ConTEXTS of Contemporary African American Art (exhibition catalogue). Warsaw: Zachęta National Gallery of Art, 2006. 146–147, illustrated.

Conversations: Among Friends Featuring Fred Wilson and Robert Storr (lecture brochure). Text by Robert Storr. New York: The Museum of Modern Art, 2006.

Fred Wilson: A Conversation with K. Anthony Appiah (exhibition catalogue). Interview by K. Anthony Appiah. New York: PaceWildenstein, 2006.

Fred Wilson: Black Like Me (exhibition catalogue). Interview by Richard Klein. Text by Huey Copeland. Ridgefield, Connecticut: Aldrich Contemporary Art Museum, 2006.

Fred Wilson: So Much Trouble in the World—Believe It or Not! (exhibition catalogue). Texts by Barbara Thompson, Mary K. Coffey and Jessica Hagedorn. Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006.

Legacies: Contemporary Artists Reflect on Slavery (exhibition catalogue). New York: New York Historical Society, 2006: 64, illustrated.

Lewis, Michael J. American Art and Architecture. London: Thames & Hudson, Ltd., 2006: 309, illustrated.

The Skowhegan School of Painting and Sculpture: 60 Years (exhibition catalogue). Texts by David C. Driskell and Willard W. Cummings. Waterville, Maine: Colby College Museum of Art, 2006: 67, illustrated.

In Transit: from Object to Site (exhibition brochure). Providence, Rhode Island: David Winton Bell Gallery, Brown University, 2006: 3–5.

2005

Double Consciousness: Black Conceptual Art Since 1970 (exhibition catalogue). Houston: The Contemporary Arts Museum, 2005: 49, illustrated.

Sollins, Marybeth, ed. Art21: Art in the Twenty-First Century. Interview by Susan Sollins. New York: Harry N. Abrams, Inc., Publishers, 2005: 214–225, 229.

2004

Wilson, Fred. “Fred Wilson, March 4, 1990.” In Inside the Studio: Two Decades of Talks with Artists in New York, edited by Judith Olch Richards, 198–201. New York: Independent Curators International (ICI), 2004.

2003

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, Massachusetts and London: The MIT Press, 2003: 163–165, 178, 195.

Black President: The Art and Legacy of Fela Anikulapo-Kuti (exhibition catalogue). New York: New Museum of Contemporary Art, 2003.

Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell (exhibition catalogue). London; New York: Merrell Publishers, 2005.

Fred Wilson: Speak of Me as I Am (exhibition catalogue). Texts by Paul H.D. Kaplan and Salah Hassan. Interview by Kathleen Goncharov. Boston: MIT List Visual Arts Center, 2003.

Harris, Michael D. Colored Pictures: Race and Visual Representation. Chapel Hill: The University of North Carolina Press, 2003: 207–208.

Only Skin Deep: Changing Visions of the American Self (exhibition catalogue). New York: International Center of Photography in association with Harry N. Abrams Inc., Publishers, 2003.

2002

Chuhan, Jagjit et al. Re:Trace Dialogues. United Kingdom: Liverpool School of Art and Design, 2002: 42–45.

Doss, Erika. Twentieth-Century American Art. United Kingdom: Oxford University Press, 2002: 245.

MacClancy, Jeremy, ed. Exotic No More. Illinois: University of Chicago Press, 2002: 406–407.

Osborne, Peter, ed. Conceptual Art. London: Phaidon Press Limited, 2002: 180.

Stapp, William F. Portrait of the Art World: A Century of Art News Photographs. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 2002: 158.

2001

American Visionaries: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2001: 322.

Berger, Maurice. Fred Wilson: Objects and Installations, 1979–2000 (exhibition catalogue). Texts by Jennifer González and the artist. Baltimore: Center for Art and Visual Culture, University of Maryland, 2001.

Hassan, Salah and Iftikhar Dadi, ed. Unpacking Europe (exhibition catalogue). Rotterdam: Museum Boijmans Van Beuningen, 2001: 426–431.

Hatch, James V., ed. Artist and Influence. New York: Hatch-Billops Collection, 2001: 114–127.

Heartney, Eleanor. Postmodernism. London: Tate Publishing, 2001: 75.

Ivey, Bill. A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowship Program. New York: Harry N. Abrams, 2001: 124.

Museum as Subjects. Japan: The National Museum of Art, Osaka, 2001: 46–47.

Newman, Amy. On the Needs of Visual Artists: A Roundtable 2001. Colorado Springs: The Marie Walsh Sharpe Art Foundation, 2001.

Pictures, Patents, Monkeys, and More…On Collecting (exhibition catalogue). Texts by Ingrid Schaffner, Fred Wilson, and Werner Muensterberger. New York: Independent Curators International, 2001: 32, illustrated.

Play’s The Thing: Critical and Transgressive Practices in Contemporary Art (exhibition catalogue). New York: Whitney Museum of American Art, 2001.

Preble, Duane and Sarah Preble. Artforms. Upper Saddle River, New Jersey: Prentice Hall, 2001: 487–488.

Putnam, James. Art and Artifact: The Museum as Medium. London: Thames & Hudson, 2001.

Sturken, Marita and Lisa Cartwright. Practices of Looking. New York: Oxford University Press, 2001: 264.

W (exhibition catalogue). Dole, France: Musée des Beaux-Arts, 2001.

2000

Fred Wilson: Drawings and Maquettes For A Light Rail Station (exhibition brochure). Interview by Alejandro Anreus. New Jersey: Jersey City Museum, 2000.

Hills, Patricia. Modern Art in the USA: Issues and Controversies of the 20th Century. Upper Saddle River, New Jersey: Prentice Hall, 2000: 427.

Outbound: Passages from the 90’s (exhibition catalogue). Texts by Dana Friis-Hansen, Lynn M. Herbert, Marti Mayo and Paola Morsiani. Houston: Contemporary Art Museum, 2000: 70–75, illustrated.

Suderburg, Erika, ed. Space, Site, Intervention: Situating Installation Art. Minneapolis: University of Minnesota Press, 2000: 28, 45, 52.

1999

Corzo, Miguel Angel, ed. Mortality Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999.

Dubin, Steven C. Displays of Power: Controversy in the American Museum from the Enola Gay to Sensation. New York: New York University Press, 1999.

Fred Wilson: The Greeting Gallery (exhibition brochure). Text by Arnold J. Kemp. San Francisco: Yerba Buena Center for the Arts, 1999.

Kunstwelten im Dialog von Gauguin zur globalen Gegenwart im Museum Ludwig Köln (exhibition catalogue). Köln: Dumont, 1999.

Lippard, Lucy R. On the Beaten Track: Tourism, Art, and Place. New York: New Press, 1999.

McShine, Kynaston. The Museum as Muse: Artists Reflect (exhibition catalogue). New York: The Museum of Modern Art, 1999: 158–159, illustrated.

Preble, Duane. Artforms. New York: Longman, 1999: 493, 494.

Speaking in Tongues: A Look at the Language of Display (exhibition brochure). San Francisco: M. H. de Young Memorial Museum, 1999.

They Thought It Was She (exhibition catalogue). Texts by Emma Thomas and Anthony Tibbles. Interview by Alex Coles. London: Liverpool Biennial, 1999.

To the Rescue: Eight Artists in an Archive (exhibition catalogue). New York: Lookout for the American Jewish Joint Distribution Committee, 1999: 74–79, illustrated.

Trace: The International Exhibition of the Liverpool Biennial of Contemporary Art (exhibition catalogue).Liverpool: Tate Gallery, 1999.

When Pain Strikes. Text by Fred Wilson. Minneapolis: University of Minnesota Press, 1999: 72–74.

1998

Gould, Claudia and Valerie Smith, eds. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998.

Postcards From Black America (exhibition catalogue). Text by Rob Perrée Amsterdam: Con Rumore, 1998. 1998.

The Private Eye in Public Art (exhibition catalogue). Charlotte, North Carolina: LaSalle Partners at NationsBank Plaza, 1997.

Re-Presentation (exhibition catalogue). Reading, Pennsylvania: Freedom Gallery, Albright College Center for the Arts, 1998.

Viewing the Invisible: An Installation by Fred Wilson (exhibition catalogue). Text by Rachel Kent. Conversation with Dr. Gaye Sculthorpe and Tom Mosby. Melbourne, Australia: Ian Potter Museum of Art, 1998.

1997

Insite97: Private Time In Public Space. Texts by Susan Buck-Morss, Néster García Canclini, George E. Lewis and José Manuel Valenzuela Arce. San Diego: Installation Gallery, 1997: 22.

Lippard, Lucy R. The Lure of the Local Senses of Place in a Multicentered Society. New York: New Press, 1997: 18, 100–01, 111.

Rugoff, Robert. Scene of the Crime (exhibition catalogue). Cambridge, Massachusetts: MIT Press, 1997.

Point of Entry: Three Rivers Arts Festival (exhibition catalogue). Texts by David Levi Strauss, Mary Jane Jacob and Roberto Bedoya. Pittsburgh: Three Rivers Arts Festival, 1997: 36–41, illustrated.

1996

Burning Issues: Contemporary African-American Art (exhibition catalogue). Fort Lauderdale: Museum of Art, 1996.

Buskirk, Martha. “Interviews with Sherrie Levine, Louise Lawler, and Fred Wilson.” In The Duchamp Effect: Essays, Interviews, Round Table. Edited by Martha Buskirk and Mignon Nixon. Cambridge, Massachusetts: MIT and October Magazine, Ltd., 1996: 187–190,

Cultural Economies: Histories from the Alternative Arts Movement (exhibition catalogue). New York: The Drawing Center, 1996.

Fragments: Proposta per a una colleccio de fotografia contemporania (exhibition catalogue). Barcelona: Museu d’Art Contemporani, 1996.

Gangitano, Lia and Steven Nelson, ed. New Histories (exhibition catalogue). Boston: The Institute of Contemporary Art, 1996: illustrated.

1995

Babias, Marius. Im Zentrum der Peripherie: Kunstvermittlung und Vermittlungskunst in den 90er Jahren. Dresden: Verlag der Kunst, 1995: 151–204.

Cocido y Crudo (exhibition catalogue). Madrid: Museo Nacional Centro de Arte Reina Sofia, 1995: 70–71, 286–287, illustrated.

Configura 2-Dialog der Kulturen-Erfurt 1995 (exhibition catalogue). Erfurt: Federal Republic of Germany, 1995.

Cooke, Lynne and Peter Wollen, ed. Visual Display: Culture Beyond Appearances. New York: Dia Center for the Arts, 1995.

1994

Corrin, Lisa G., ed. Mining the Museum: An Installation by Fred Wilson (exhibition catalogue). New York: The New Press, 1994.

Crash: Nostalgia for the Absence of Cyberspace (exhibition catalogue). Texts by Robert Reynolds and Thomas Zummer. New York: Thread Waxing Space, 1994.

Die Orte der Kunst: Der Kunstbetrieb als Kunstwerk (exhibition catalogue). Ostfildern: Cantz Verlag, 1994.

Don’t Look Now (exhibition catalogue). New York: Thread Waxing Space, 1994.

Exhibited (exhibition catalogue). Annandale-on-Hudson, New York: Center for Curatorial Studies, Bard College, 1994.

Golden, Thelma. Black Male: Representations of Masculinity in Contemporary American Art (exhibition catalogue). New York: Whitney Museum of American Art, 1994: 77, illustrated.

‘Insight: In Site: In Sight: Incite: Memory,’ Artist and the Community: Fred Wilson (exhibition catalogue). Texts by Susan Lubowsky, John C. Larson and Jeff Fleming. Winston-Salem, North Carolina: South Eastern Center for Contemporary Art, 1994.

OpEd: Fred Wilson (exhibition catalogue). Text by Nadine Wasserman. Chicago: Museum of Contemporary Art, 1994.

Transformers (exhibition catalogue). Text by Ralph Rugoff. New York: Independent Curators Inc., 1994.

Western Artists/African Art (exhibition catalogue). New York: Museum for African Art, 1994.

1993

Artists Respond: The “New World” Question (exhibition catalogue). New York: Studio Museum in Harlem, 1993.

Ciphers of Identity (exhibition catalogue). Text by Maurice Berger. Catonsville, Maryland: Fine Arts Gallery, University of Maryland, Baltimore County, 1994.

Fred Wilson: The Museum: Mixed Metaphors (exhibition catalogue). Text by Patterson Sims. Washington: Seattle Art Museum, 1993.

1993 Biennial Exhibition (exhibition catalogue). New York: Whitney Museum of American Art, 1993.

Fred Wilson: The Spiral of Art History (exhibition brochure). Indiana: Indianapolis Museum of Art, 1993.

The Theater of Refusal: Black Art and Mainstream Criticism (exhibition catalogue). Irvine: Fine Arts Gallery of the University of California, 1993

Transformations 4: Fred Wilson (exhibition brochure). Text by Lois Nesbitt. Glenside, Pennsylvania: Beaver College Art Gallery, 1993.

1992

The Big Nothing Or Le Presque Rien (exhibition catalogue). New York: New Museum of Contemporary Art, 1992.

Environmental Terror (exhibition catalogue). Catonsville, Maryland: Fine Arts Gallery, University of Maryland 1992.

Inheritance (exhibition catalogue). California: Los Angeles Contemporary Exhibitions, 1992.

Past Imperfect: A Museum Looks At Itself (exhibition catalogue). Texts by Maurice Berger, Alan Wallach and Judith Barry. Southampton, New York: The Parrish Art Museum, 1992: 43–45, illustrated; cover.

Putt-Modernism (exhibition brochure). New York: Artists Space, 1992.

Re: Claiming Egypt (exhibition brochure). Text by Kathleen Goncharov. Cairo: International Cairo Bienniale, 1992: illustrated.

Transgressions in the White Cube: Territorial Mappings (exhibition catalogue). Vermont: Bennington College, 1992.

Translation (exhibition catalogue). Text by Kim Levin. Warsaw: Centrum Sztuki Współczesnej, Zamek Ujazdowski, 1992: illustrated.

1991

Fred Wilson: The Other Museum (exhibition brochure). Washington, D.C.: Washington Project for the Arts, 1991.

Office Installations (exhibition catalogue). Brookville, New York: Hillwood Art Museum, 1991.

SITEseeing: Travel and Tourism in Contemporary Art (exhibition catalogue). Texts by Pamela M. Lee, Jonathan Caseley and Karin M. Higa. New York: Whitney Museum of American Art, 1991.

1990

White Columns: Update 1989–1990. Text by Bill Arning. New York: White Columns, 1990: illustrated.

1987

Selections from the Artists File (exhibition catalogue). Text by Kellie Jones. New York: Artists Space, 1987: illustrated.